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train	52995	[ "Why is Si retirement so significant to the Space Exploration Team? ", "What makes Gubelin an outlier in the present day?", "What is the main reason that Gubelin is so resentful of Si’s decision?", "What is the main reason behind the Welfare State operating as it does?", "What happens to drafted workers?", "Why is Si so astonished when there is a real bartender working the bar?", "Why does Si deliberate on how to spend his night?", "What is the “space cafard” that Si describes? " ]	[ [ "There aren’t enough working people in the world. They won’t be able to find a replacement.", "As one of two remaining spacemen, it would likely mean the defunding and shut down of the Space Exploration Team.", "Training new spacemen is costly and time consuming. They won’t have anyone else ready after him.", "His retirement may inspire others to stop working as well, which would be hugely detrimental as most people don't feel the drive to work as is. " ], [ "He is much older than the rest of the population.", "He refuses new operations that could improve his health.", "His mind is still active, and he values hard work.", "He still wears glasses and value objects like the gold watch given to Si." ], [ "He doesn’t want to have to go through the effort of training a new spaceman, as it’s very costly and time consuming.", "He regrets not having the opportunity of space exploration himself.", "He fears the end of the Space Exploration program, and for mankind’s research of space to come to an end.", "He hates the Welfare State and how it’s taken away people’s drive to learn and explore." ], [ "Automation with computers has made the need to work largely obsolete. ", "The current populace is not skilled enough to work, and thus most people are a part of the Welfare State", "The government does not want new workers, and is content supplying people with the funds they need to get through life. ", "Overtime, the public has lost its drive to work. Thus, no one enforces a workforce." ], [ "They train and work for a time, then retire with extra funds.", "They receive no pay, and have to undergo training and work for some time", "They are called upon throughout their life for periods of work.", "They work a short period of time, then return to normal life." ], [ "He hasn’t been talking to people, and Si is caught off guard seeing someone face to face again after so long.", "He’s never seen a bartender before, nor been in an establishment that has one.", "He was in his thoughts considering his money, and was caught off guard.", "He didn’t expect it. It’s a job that is normally automated, and it’s shocking to see a human working it." ], [ "He finally has the opportunity to let loose, and wants to revel in it.", "He’s spent his money on “cheap” entertainment in the past, and wants to do better now. ", "He’s not used to this freedom and is unsure what to do.", "He’s not used to living this way and is uncomfortable." ], [ "It’s the isolation that spacemen feel working alone in space, with only computers as company", "It’s the public’s adverse opinion of space exploration that Gubelin tries to hide.", "It’s the desire to return home from a long voyage.", "It is the current system of operations for spacecraft, where people man ships with only one person." ] ]	[ 3, 4, 3, 1, 1, 4, 2, 1 ]	[ 0, 0, 1, 1, 1, 1, 1, 0 ]	SPACEMAN ON A SPREE BY MACK REYNOLDS Illustrated by Nodel [Transcriber's Note: This etext was produced from Worlds of Tomorrow June 1963 Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] What's more important—Man's conquest of space, or one spaceman's life? I They gave him a gold watch. It was meant to be symbolical, of course. In the old tradition. It was in the way of an antique, being one of the timepieces made generations past in the Alpine area of Eur-Asia. Its quaintness lay in the fact that it was wound, not electronically by power-radio, but by the actual physical movements of the bearer, a free swinging rotor keeping the mainspring at a constant tension. They also had a banquet for him, complete with speeches by such bigwigs of the Department of Space Exploration as Academician Lofting Gubelin and Doctor Hans Girard-Perregaux. There was also somebody from the government who spoke, but he was one of those who were pseudo-elected and didn't know much about the field of space travel nor the significance of Seymour Pond's retirement. Si didn't bother to remember his name. He only wondered vaguely why the cloddy had turned up at all. In common with recipients of gold watches of a score of generations before him, Si Pond would have preferred something a bit more tangible in the way of reward, such as a few shares of Variable Basic to add to his portfolio. But that, he supposed, was asking too much. The fact of the matter was, Si knew that his retiring had set them back. They hadn't figured he had enough shares of Basic to see him through decently. Well, possibly he didn't, given their standards. But Space Pilot Seymour Pond didn't have their standards. He'd had plenty of time to think it over. It was better to retire on a limited crediting, on a confoundedly limited crediting, than to take the two or three more trips in hopes of attaining a higher standard. He'd had plenty of time to figure it out, there alone in space on the Moon run, there on the Venus or Mars runs. There on the long, long haul to the Jupiter satellites, fearfully checking the symptoms of space cafard, the madness compounded of claustrophobia, monotony, boredom and free fall. Plenty of time. Time to decide that a one room mini-auto-apartment, complete with an autochair and built-in autobar, and with one wall a teevee screen, was all he needed to find contentment for a mighty long time. Possibly somebody like Doc Girard-Perregaux might be horrified at the idea of living in a mini-auto-apartment ... not realizing that to a pilot it was roomy beyond belief compared to the conning tower of a space craft. No. Even as Si listened to their speeches, accepted the watch and made a halting little talk of his own, he was grinning inwardly. There wasn't anything they could do. He had them now. He had enough Basic to keep him comfortably, by his standards, for the rest of his life. He was never going to subject himself to space cafard again. Just thinking about it, now, set the tic to going at the side of his mouth. They could count down and blast off, for all he gave a damn. The gold watch idea had been that of Lofting Gubelin, which was typical, he being in the way of a living anachronism himself. In fact, Academician Gubelin was possibly the only living man on North America who still wore spectacles. His explanation was that a phobia against having his eyes touched prohibited either surgery to remould his eyeballs and cure his myopia, or contact lenses. That was only an alibi so far as his closest associate, Hans Girard-Perregaux, was concerned. Doctor Girard-Perregaux was convinced Gubelin would have even worn facial hair, had he but a touch more courage. Gubelin longed for yesteryear, a seldom found phenomenon under the Ultrawelfare State. Slumped in an autochair in the escape room of his Floridian home, Lofting Gubelin scowled at his friend. He said, acidly, "Any more bright schemes, Hans? I presume you now acknowledge that appealing to the cloddy's patriotism, sentiment and desire for public acclaim have miserably failed." Girard-Perregaux said easily, "I wouldn't call Seymour Pond a cloddy. In his position, I am afraid I would do the same thing he has." "That's nonsense, Hans. Zoroaster! Either you or I would gladly take Pond's place were we capable of performing the duties for which he has been trained. There aren't two men on North America—there aren't two men in the world!—who better realize the urgency of continuing our delving into space." Gubelin snapped his fingers. "Like that, either of us would give our lives to prevent man from completely abandoning the road to his destiny." His friend said drily, "Either of us could have volunteered for pilot training forty years ago, Lofting. We didn't." "At that time there wasn't such a blistering percentage of funkers throughout this whole blistering Ultrawelfare State! Who could foresee that eventually our whole program would face ending due to lack of courageous young men willing to take chances, willing to face adventure, willing to react to the stimulus of danger in the manner our ancestors did?" Girard-Perregaux grunted his sarcasm and dialed a glass of iced tea and tequila. He said, "Nevertheless, both you and I conform with the present generation in finding it far more pleasant to follow one's way of life in the comfort of one's home than to be confronted with the unpleasantness of facing nature's dangers in more adventurous pastimes." Gubelin, half angry at his friend's argument, leaned forward to snap rebuttal, but the other was wagging a finger at him negatively. "Face reality, Lofting. Don't require or expect from Seymour Pond more than is to be found there. He is an average young man. Born in our Ultrawelfare State, he was guaranteed his fundamental womb-to-tomb security by being issued that minimum number of Basic shares in our society that allows him an income sufficient to secure the food, clothing, shelter, medical care and education to sustain a low level of subsistence. Percentages were against his ever being drafted into industry. Automation being what it is, only a fraction of the population is ever called up. But Pond was. His industrial aptitude dossier revealed him a possible candidate for space pilot, and it was you yourself who talked him into taking the training ... pointing out the more pragmatic advantages such as complete retirement after but six trips, added shares of Basic so that he could enjoy a more comfortable life than most and the fame that would accrue to him as one of the very few who still participate in travel to the planets. Very well. He was sold. Took his training, which, of course, required long years of drudgery to him. Then, performing his duties quite competently, he made his six trips. He is now legally eligible for retirement. He was drafted into the working force reserves, served his time, and is now free from toil for the balance of his life. Why should he listen to our pleas for a few more trips?" "But has he no spirit of adventure? Has he no feeling for...." Girard-Perregaux was wagging his finger again, a gesture that, seemingly mild though it was, had an astonishing ability to break off the conversation of one who debated with the easy-seeming, quiet spoken man. He said, "No, he hasn't. Few there are who have, nowadays. Man has always paid lip service to adventure, hardships and excitement, but in actuality his instincts, like those of any other animal, lead him to the least dangerous path. Today we've reached the point where no one need face danger—ever. There are few who don't take advantage of the fact. Including you and me, Lofting, and including Seymour Pond." His friend and colleague changed subjects abruptly, impatiently. "Let's leave this blistering jabber about Pond's motivation and get to the point. The man is the only trained space pilot in the world. It will take months, possibly more than a year, to bring another novitiate pilot to the point where he can safely be trusted to take our next explorer craft out. Appropriations for our expeditions have been increasingly hard to come by—even though in our minds, Hans, we are near important breakthroughs, breakthroughs which might possibly so spark the race that a new dream to push man out to the stars will take hold of us. If it is admitted that our organization has degenerated to the point that we haven't a single pilot, then it might well be that the Economic Planning Board, and especially those cloddies on Appropriations, will terminate the whole Department of Space Exploration." "So...." Girard-Perregaux said gently. "So some way we've got to bring Seymour Pond out of his retirement!" "Now we are getting to matters." Girard-Perregaux nodded his agreement. Looking over the rim of his glass, his eyes narrowed in thought as his face took on an expression of Machiavellianism. "And do not the ends justify the means?" Gubelin blinked at him. The other chuckled. "The trouble with you, Lofting, is that you have failed to bring history to bear on our problem. Haven't you ever read of the sailor and his way of life?" "Sailor? What in the name of the living Zoroaster has the sailor got to do with it?" "You must realize, my dear Lofting, that our Si Pond is nothing more than a latter-day sailor, with many of the problems and view-points, tendencies and weaknesses of the voyager of the past. Have you never heard of the seaman who dreamed of returning to the village of his birth and buying a chicken farm or some such? All the long months at sea—and sometimes the tramp freighters or whaling craft would be out for years at a stretch before returning to home port—he would talk of his retirement and his dream. And then? Then in port, it would be one short drink with the boys, before taking his accumulated pay and heading home. The one short drink would lead to another. And morning would find him, drunk, rolled, tattooed and possibly sleeping it off in jail. So back to sea he'd have to go." Gubelin grunted bitterly. "Unfortunately, our present-day sailor can't be separated from his money quite so easily. If he could, I'd personally be willing to lure him down some dark alley, knock him over the head and roll him myself. Just to bring him back to his job again." He brought his wallet from his pocket, and flicked it open to his universal credit card. "The ultimate means of exchange," he grunted. "Nobody can spend your money, but you, yourself. Nobody can steal it, nobody can, ah, con you out of it. Just how do you expect to sever our present-day sailor and his accumulated nest egg?" The other chuckled again. "It is simply a matter of finding more modern methods, my dear chap." II Si Pond was a great believer in the institution of the spree. Any excuse would do. Back when he had finished basic education at the age of twenty-five and was registered for the labor draft, there hadn't been a chance in a hundred that he'd have the bad luck to have his name pulled. But when it had been, Si had celebrated. When he had been informed that his physical and mental qualifications were such that he was eligible for the most dangerous occupation in the Ultrawelfare State and had been pressured into taking training for space pilot, he had celebrated once again. Twenty-two others had taken the training with him, and only he and Rod Cameroon had passed the finals. On this occasion, he and Rod had celebrated together. It had been quite a party. Two weeks later, Rod had burned on a faulty take-off on what should have been a routine Moon run. Each time Si returned from one of his own runs, he celebrated. A spree, a bust, a bat, a wing-ding, a night on the town. A commemoration of dangers met and passed. Now it was all over. At the age of thirty he was retired. Law prevented him from ever being called up for contributing to the country's labor needs again. And he most certainly wasn't going to volunteer. He had taken his schooling much as had his contemporaries. There wasn't any particular reason for trying to excell. You didn't want to get the reputation for being a wise guy, or a cloddy either. Just one of the fellas. You could do the same in life whether you really studied or not. You had your Inalienable Basic stock, didn't you? What else did you need? It had come as a surprise when he'd been drafted for the labor force. In the early days of the Ultrawelfare State, they had made a mistake in adapting to the automation of the second industrial revolution. They had attempted to give everyone work by reducing the number of working hours in the day, and the number of working days in the week. It finally became ludicrous when employees of industry were working but two days a week, two hours a day. In fact, it got chaotic. It became obvious that it was more practical to have one worker putting in thirty-five hours a week and getting to know his job well, than it was to have a score of employees, each working a few hours a week and none of them ever really becoming efficient. The only fair thing was to let the technologically unemployed remain unemployed, with their Inalienable Basic stock as the equivalent of unemployment insurance, while the few workers still needed put in a reasonable number of hours a day, a reasonable number of weeks a year and a reasonable number of years in a life time. When new employees were needed, a draft lottery was held. All persons registered in the labor force participated. If you were drawn, you must need serve. The dissatisfaction those chosen might feel at their poor luck was offset by the fact that they were granted additional Variable Basic shares, according to the tasks they fulfilled. Such shares could be added to their portfolios, the dividends becoming part of their current credit balance, or could be sold for a lump sum on the market. Yes, but now it was all over. He had his own little place, his own vacuum-tube vehicle and twice the amount of shares of Basic that most of his fellow citizens could boast. Si Pond had it made. A spree was obviously called for. He was going to do this one right. This was the big one. He'd accumulated a lot of dollars these past few months and he intended to blow them, or at least a sizeable number of them. His credit card was burning a hole in his pocket, as the expression went. However, he wasn't going to rush into things. This had to be done correctly. Too many a spree was played by ear. You started off with a few drinks, fell in with some second rate mopsy and usually wound up in a third rate groggery where you spent just as much as though you'd been in the classiest joint in town. Came morning and you had nothing to show for all the dollars that had been spent but a rum-head. Thus, Si was vaguely aware, it had always been down through the centuries since the Phoenecian sailor, back from his year-long trip to the tin mines of Cornwall, blew his hard earned share of the voyage's profits in a matter of days in the wine shops of Tyre. Nobody gets quite so little for his money as that loneliest of all workers, he who must leave his home for distant lands, returning only periodically and usually with the salary of lengthy, weary periods of time to be spent hurriedly in an attempt to achieve the pleasure and happiness so long denied him. Si was going to do it differently this time. Nothing but the best. Wine, women, song, food, entertainment. The works. But nothing but the best. To start off, he dressed with great care in the honorable retirement-rank suit he had so recently purchased. His space pin he attached carefully to the lapel. That was a good beginning, he decided. A bit of prestige didn't hurt you when you went out on the town. In the Ultrawelfare State hardly one person in a hundred actually ever performed anything of value to society. The efforts of most weren't needed. Those few who did contribute were awarded honors, decorations, titles. Attired satisfactorily, Si double-checked to see that his credit card was in his pocket. As an after-thought, he went over to the auto-apartment's teevee-phone, flicked it on, held the card to the screen and said, "Balance check, please." In a moment, the teevee-phone's robot voice reported, "Ten shares of Inalienable Basic. Twelve shares of Variable Basic, current value, four thousand, two hundred and thirty-three dollars and sixty-two cents apiece. Current cash credit, one thousand and eighty-four dollars." The screen went dead. One thousand and eighty-four dollars. That was plenty. He could safely spend as much as half of it, if the spree got as lively as he hoped it would. His monthly dividends were due in another week or so, and he wouldn't have to worry about current expenses. Yes, indeedy, Si Pond was as solvent as he had ever been in his thirty years. He opened the small, closet-like door which housed his vacuum-tube two-seater, and wedged himself into the small vehicle. He brought down the canopy, dropped the pressurizer and considered the dial. Only one place really made sense. The big city. He considered for a moment, decided against the boroughs of Baltimore and Boston, and selected Manhattan instead. He had the resources. He might as well do it up brown. He dialed Manhattan and felt the sinking sensation that presaged his car's dropping to tube level. While it was being taken up by the robot controls, being shuttled here and there preparatory to the shot to his destination, he dialed the vehicle's teevee-phone for information on the hotels of the island of the Hudson. He selected a swank hostelry he'd read about and seen on the teevee casts of society and celebrity gossip reporters, and dialed it on the car's destination dial. "Nothing too good for ex-Space Pilot Si Pond," he said aloud. The car hesitated for a moment, that brief hesitation before the shot, and Si took the involuntary breath from which only heroes could refrain. He sank back slowly into the seat. Moments passed, and the direction of the pressure was reversed. Manhattan. The shuttling began again, and one or two more traversing sub-shots. Finally, the dash threw a green light and Si opened the canopy and stepped into his hotel room. A voice said gently, "If the quarters are satisfactory, please present your credit card within ten minutes." Si took his time. Not that he really needed it. It was by far the most swank suite he had ever seen. One wall was a window of whatever size the guest might desire and Si touched the control that dilated it to the full. His view opened in such wise that he could see both the Empire State Building Museum and the Hudson. Beyond the river stretched the all but endless city which was Greater Metropolis. He didn't take the time to flick on the menu, next to the auto-dining table, nor to check the endless potables on the autobar list. All that, he well knew, would be superlative. Besides, he didn't plan to dine or do much drinking in his suite. He made a mock leer. Not unless he managed to acquire some feminine companionship, that was. He looked briefly into the swimming pool and bath, then flopped himself happily onto the bed. It wasn't up to the degree of softness he presently desired, and he dialed the thing to the ultimate in that direction so that with a laugh he sank almost out of sight into the mattress. He came back to his feet, gave his suit a quick patting so that it fell into press and, taking his credit card from his pocket, put it against the teevee-phone screen and pressed the hotel button so that registration could be completed. For a moment he stood in the center of the floor, in thought. Take it easy, Si Pond, take it all easy, this time. No throwing his dollars around in second-class groggeries, no eating in automated luncheterias. This time, be it the only time in his life, he was going to frolic in the grand manner. No cloddy was Si Pond. He decided a drink was in order to help him plan his strategy. A drink at the hotel's famous Kudos Room where celebrities were reputed to be a dime a dozen. He left the suite and stepped into one of the elevators. He said, "Kudos Room." The auto-elevator murmured politely, "Yes, sir, the Kudos Room." At the door to the famous rendezvous of the swankiest set, Si paused a moment and looked about. He'd never been in a place like this, either. However, he stifled his first instinct to wonder about what this was going to do to his current credit balance with an inner grin and made his way to the bar. There was actually a bartender. Si Pond suppressed his astonishment and said, offhand, attempting an air of easy sophistication, "Slivovitz Sour." "Yes, sir." The drinks in the Kudos Room might be concocted by hand, but Si noticed they had the routine teevee screens built into the bar for payment. He put his credit card on the screen immediately before him when the drink came, and had to quell his desire to dial for a balance check, so as to be able to figure out what the Sour had cost him. Well, this was something like it. This was the sort of thing he'd dreamed about, out there in the great alone, seated in the confining conning tower of his space craft. He sipped at the drink, finding it up to his highest expectations, and then swiveled slightly on his stool to take a look at the others present. To his disappointment, there were no recognizable celebrities. None that he placed, at least—top teevee stars, top politicians of the Ultrawelfare State or Sports personalities. He turned back to his drink and noticed, for the first time, the girl who occupied the stool two down from him. Si Pond blinked. He blinked and then swallowed. " Zo-ro-as-ter ," he breathed. She was done in the latest style from Shanghai, even to the point of having cosmetically duplicated the Mongolian fold at the corners of her eyes. Every pore, but every pore, was in place. She sat with the easy grace of the Orient, so seldom found in the West. His stare couldn't be ignored. She looked at him coldly, turned to the bartender and murmured, "A Far Out Cooler, please, Fredric." Then deliberately added, "I thought the Kudos Room was supposed to be exclusive." There was nothing the bartender could say to that, and he went about building the drink. Si cleared his throat. "Hey," he said, "how about letting this one be on me?" Her eyebrows, which had been plucked and penciled to carry out her Oriental motif, rose. "Really!" she said, drawing it out. The bartender said hurriedly, "I beg your pardon, sir...." The girl, her voice suddenly subtly changed, said, "Why, isn't that a space pin?" Si, disconcerted by the sudden reversal, said, "Yeah ... sure." "Good Heavens, you're a spaceman?" "Sure." He pointed at the lapel pin. "You can't wear one unless you been on at least a Moon run." She was obviously both taken back and impressed. "Why," she said, "you're Seymour Pond, the pilot. I tuned in on the banquet they gave you." Si, carrying his glass, moved over to the stool next to her. "Call me Si," he said. "Everybody calls me Si." She said, "I'm Natalie. Natalie Paskov. Just Natalie. Imagine meeting Seymour Pond. Just sitting down next to him at a bar. Just like that." "Si," Si said, gratified. Holy Zoroaster, he'd never seen anything like this rarified pulchritude. Maybe on teevee, of course, one of the current sex symbols, but never in person. "Call me Si," he said again. "I been called Si so long, I don't even know who somebody's talking to if they say Seymour." "I cried when they gave you that antique watch," she said, her tone such that it was obvious she hadn't quite adjusted as yet to having met him. Si Pond was surprised. "Cried?" he said. "Well, why? I was kind of bored with the whole thing. But old Doc Gubelin, I used to work under him in the Space Exploration department, he was hot for it." " Academician Gubelin?" she said. "You just call him Doc ?" Si was expansive. "Why, sure. In the Space Department we don't have much time for formality. Everybody's just Si, and Doc, and Jim. Like that. But how come you cried?" She looked down into the drink the bartender had placed before her, as though avoiding his face. "I ... I suppose it was that speech Doctor Girard-Perregaux made. There you stood, so fine and straight in your space-pilot uniform, the veteran of six exploration runs to the planets...." "Well," Si said modestly, "two of my runs were only to the Moon." "... and he said all those things about man's conquest of space. And the dream of the stars which man has held so long. And then the fact that you were the last of the space pilots. The last man in the whole world trained to pilot a space craft. And here you were, retiring." Si grunted. "Yeah. That's all part of the Doc's scheme to get me to take on another three runs. They're afraid the whole department'll be dropped by the Appropriations Committee on this here Economic Planning Board. Even if they can find some other patsy to train for the job, it'd take maybe a year before you could even send him on a Moon hop. So old man Gubelin, and Girard-Perregaux too, they're both trying to pressure me into more trips. Otherwise they got a Space Exploration Department, with all the expense and all, but nobody to pilot their ships. It's kind of funny, in a way. You know what one of those spaceships costs?" "Funny?" she said. "Why, I don't think it's funny at all." Si said, "Look, how about another drink?" Natalie Paskov said, "Oh, I'd love to have a drink with you, Mr...." "Si," Si said. He motioned to the bartender with a circular twist of the hand indicating their need for two more of the same. "How come you know so much about it? You don't meet many people who are interested in space any more. In fact, most people are almost contemptuous, like. Think it's kind of a big boondoggle deal to help use up a lot of materials and all and keep the economy going." Natalie said earnestly, "Why, I've been a space fan all my life. I've read all about it. Have always known the names of all the space pilots and everything about them, ever since I was a child. I suppose you'd say I have the dream that Doctor Girard-Perregaux spoke about." Si chuckled. "A real buff, eh? You know, it's kind of funny. I was never much interested in it. And I got a darn sight less interested after my first run and I found out what space cafard was." She frowned. "I don't believe I know much about that." Sitting in the Kudos Room with the most beautiful girl to whom he had ever talked, Si could be nonchalant about the subject. "Old Gubelin keeps that angle mostly hushed up and out of the magazine and newspaper articles. Says there's enough adverse publicity about space exploration already. But at this stage of the game when the whole ship's crammed tight with this automatic scientific apparatus and all, there's precious little room in the conning tower and you're the only man aboard. The Doc says later on when ships are bigger and there's a whole flock of people aboard, there won't be any such thing as space cafard, but...." Of a sudden the right side of Si Pond's mouth began to tic and he hurriedly took up his drink and knocked it back.
train	63477	[ "What caused the error in O'Rielly's controls? ", "O'Rielly starts to talk about \"venus dames\" unprompted and acting strangely. Why?", "Why have Venus men struggled to keep their women interested in them?", "What can be said about Grandmamma Berta, Trillium, and the Madame President of Earth?" ]	[ [ "A control malfunctioned and reset itself.", "He missed something when they were preparing. ", "The controls weren't locked before take-off. ", "The Venus woman tampered with it. " ], [ "He's out of sorts from working on the controls. The heat got to him. ", "He's had an experience with them in the past, and wants to discuss is with Callahan. ", "It's the effect that Venus women have on Earth men. The woman's presence changes his focus. ", "He's embarrassed about the controls malfunction and is trying to change the subject " ], [ "Their culture has men in power, and thus they don't consider women their equals. ", "Earth men are too enticing to Venus women. They can't compete.", "They have been too pre-occupied with war, haven't realized the truth.", "Venus females don't interest them enough. " ], [ "They have all felt disrespected by then men that ruled over them. ", "They all anticipated this revolution, and have been working together to make it happen. ", "Madame President did not expect the revolution, but supports Trillium and Berta. ", "None of them anticipated this revolution. It all happened at once. " ] ]	[ 4, 3, 3, 2 ]	[ 1, 1, 0, 0 ]	IMAGE OF SPLENDOR By LU KELLA From Venus to Earth, and all the way between, it was a hell of a world for men ... and Apprentice Burnerman O'Rielly particularly. [Transcriber's Note: This etext was produced from Planet Stories Summer 1955. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] The intercom roared fit to blow O'Rielly back to Venus. "Burner Four!" "On my way, sir!" At the first flash of red on the bank of meters Apprentice Burnerman O'Rielly had slammed the safety helmet on his head; he was already throwing open the lock to the burner room. The hot, throbbing rumble whipped around him and near crushed his breath away. Power! Power of the universe trapped here and ready to destroy its captors given one chance! Swiftly O'Rielly unlocked the controls and reset them. The throbbing rumble changed tone. Old Callahan's voice crackled now through the helmet's ear contact. "Well, Mr. O'Rielly?" "Fusion control two points low, sir." O'Rielly wondered had Callahan passed out, was so long before the old Burner Chief demanded hoarsely, "Didn't you lock them controls before blast-off?" "If every control hadn't been locked in correct setting," O'Rielly answered from his own angry bewilderment, "the error would have registered before blast-off—wouldn't it, sir?" "So a control reset itself in flight, hey?" "I don't know yet, sir." "Well, Mr. O'Rielly, you better know before we orbit Earth!" The icy knot in O'Rielly's stomach jerked tighter. A dozen burners on this ship; why did something crazy have to happen to O'Rielly's? In a hundred years, so the instructors—brisk females all—had told O'Rielly in pre-flight school, no control had ever been known to slip. But one had moved here. Not enough to cause serious trouble this far out from Earth. On blast-down, though, with one jet below peak, the uneven thrust could throw the ship, crash it, the whole lovely thing and all aboard gone in a churning cloud. Sweat pouring off him, O'Rielly prowled around his burner. Design of the thing had been bossed by dames of course; what on Earth wasn't any more? Anyway, nobody could get to a burner except through its watch room. Anyone entered or left there, a bell clanged, lights flashed and a meter registered beside the Burnerman's bunk and on the Burner Chief's console up in the flight room full of beautifully efficient officers. Ever since Venus blast-off O'Rielly had been in Four's watch room. Nobody had passed through. O'Rielly knew it. Callahan knew it. By now the Old Woman herself, Captain Millicent Hatwoody, had probably inquired what was in charge of Burner Four. Well, ma'am, O'Rielly searched every cranny where even a three-tailed mouse of Venus could have stowed away. His first flight, and O'Rielly saw himself washed out, busted to sweeper on the blast-off stands of some God-forsaken satellite. He staggered back into his watch room. And his brain was suddenly taken apart and slapped together again. Felt that way. She was sitting on his bunk. No three-tailed mouse. No Old Woman either. Oh, she was a female human, though, this creature at which O'Rielly stood gaping. Yes, ma'am! "I was in your burner room." Her voice matched the rest of her, a blend of loveliness unlike anything outside a guy's most secret dreams. "I couldn't stand the heat any longer and I couldn't open that big door. So I moved one of your controls a tiny bit. All the noise in there, naturally you couldn't hear me walk out while your back was turned resetting the control." O'Rielly suddenly felt like turning her over his knee and whaling her until she couldn't sit for a year. This, mind you, he felt in an age where no Earth guy for a thousand years had dared raise so much as a breath against woman's supremacy in all matters. That male character trait, however, did not seem to be the overpowering reason why O'Rielly, instead of laying violent hands upon this one's person, heard himself saying in sympathetic outrage, "A shame you had to go to all that bother to get out here!" "You're so kind. But I'm afraid I became rather sticky and smelly in there." "They ought to cool the air in there with perfume! I'll drop a suggestion in the Old Woman's box first chance I get." "You're so thoughtful. And do you have bathing facilities?" "That door right there. Oh, let me open it for you!" "You're so sweet." Her big dark eyes glowed with such pure innocence that O'Rielly could have torn down the universe and rebuilt it just for her. Yes, ma'am, O'Rielly was floating on a pink cloud with heavenly music in his head. Never felt so fine before. Except on the Venus layover when he'd been roped into a dice game with a bunch of Venus lads who had a jug to cheer one's parting with one's money. A bell suddenly clanged fit to wake the dead while the overhead lights flashed wildly. Only the watch room door. Only Callahan here now. Old buzzard had a drooped nose like a pick, chin like a shovel. When he talked he was like digging a hole in front of himself. "Well, what about that control?" "What control?" "Your fusion control that got itself two points low!" "Oh, that little thing." Callahan said something through his teeth, then studied O'Rielly sharply. "Hey, you been wetting your whistle on that Venus vino again? Lemme smell your breath! Bah. Loaded yourself full of chlorophyll again probably. All right, stand aside whilst I see your burner." "Charmed to, Burner Chief Callahan, sir," O'Rielly said while bowing gracefully. "Higher than a swacked skunk's tail again," Callahan muttered, then snapped back over his shoulder, "Use your shower!" O'Rielly stood considering his shower door. Somehow he doubted that Burner Chief Terrence Callahan's mood, or Captain Millicent Hatwoody's, would be improved by knowledge of she who was in O'Rielly's shower now. Not that the dear stowaway was less than charming. Quite the contrary. Oh, very quite! "You rockhead!" Only Callahan back from the burner. "Didn't I tell you to shower the stink off yourself? Old Woman's taking a Venus bigwig on tour the ship. Old Woman catches you like you been rassling skunks she'll peel both our hides off. Not to mention what she'll do anyway about your fusion control!" "Burner Chief Callahan, sir," O'Rielly responded courteously, "I have been thinking." "With what? Never mind, just keep on trying whilst I have a shower for myself here." Wherewith Callahan reached hand for O'Rielly's shower door. "Venus dames," O'Rielly said dreamily, "don't boss anything, do they?" Callahan yelped like he'd been bit in the pants by a big Jupiter ant. "O'Rielly! You trying to get both of us condemned to a Uranus moon?" Callahan also shot a wild look to the intercom switch. It was in OFF position; the flight room full of fancy gold-lace petticoats could not have overheard from here. Nevertheless Callahan's eyes rolled like the devil was behind him with the fork ready. "O'Rielly, open your big ears whilst for your own good and mine I speak of certain matters. "Thousand years ago, it was, the first flight reached Venus. Guys got one look at them dames. Had to bring some home or bust. So then everybody on Earth got a look, mostly by TV only of course. That did it. Every guy on Earth began blowing his fuse over them dames. Give up the shirt off his back, last buck in the bank, his own Earth dame or family—everything. "Well, that's when Earth dames took over like armies of wild cats with knots in their tails. Before the guys who'd brought the Venus dames to Earth could say anything they was taken apart too small to pick up with a blotter. Earth dames wound up by flying the Venus ones back where they come from and serving notice if one ever set foot on Earth again there wouldn't be enough left of Venus to find with an electron microscope. "Venus boys rared up and served notice that if Earth ever got any funny notions, right away there wouldn't be enough Earth left to hide in an atom's eyebrow. Touchy as hornets on a hot griddle, them Venus guys. Crazier than bed bugs about war. Could smell a loose dollar a million light years away too. Finagled around until they finally cooked up a deal. "No Venus dames allowed within fifty miles of their port. Earth guys stay inside the high-voltage fence. Any dame caught trying to leave Venus thrown to the tigers for supper. Same for any Earth guy caught around a Venus dame. In return, Earth could buy practically everything at bargain basement prices." "Oh, I was shown the history films in pre-flight," O'Rielly said, still dreamily. "But not a peek of any Venus dame." "Pray heaven you'll never lay eyes on one nor have one get within ten foot of you! Even though you'd know she'd be your damnation wouldn't make a whit difference—you'd still act sappier than thirty-seven angels flying on vino." Callahan suddenly stared at O'Rielly. "Holy hollering saints!" "Now, now, Burner Chief Callahan, sir," O'Rielly responded with an airy laugh. "No Earth guy for a hundred twenty-five years been near one and lived to tell it, has he?" "So the whispers run," Callahan murmured with a queer flame dancing into his eyes. "So the old whispers still run." "Never a name, though. Never how it was done." O'Rielly snorted. "Probably just a goofy tale set loose by some old space bum." "Oh?" Callahan bristled up like a bad name had been bandied about. "Seen them ditty bags Venus bigwigs have, ain't you? Some big enough to stuff a cow in. Notice how nobody ever dares question a bigwig's bags, even through customs? Just run 'em through the big Geiger that tells whether there's any fusionable junk inside. Well, our boy got himself one of them bags, stuffed himself inside and joined a bigwig's pile of 'em. "Didn't pull it whilst on the Venus port during a layover either, when a crew check would of turned him up missing. Pulled it on vacation. Started on the Earth end. Made himself a pair of beards to paste on his ears of course. Wove Jupiter wiggle worms in to keep the beards moving. Wasn't like the real thing, but good enough to flimflam Venus guys." With suddenly enlivened interest O'Rielly looked at Callahan. "Hey, how come you know so much?" "Hah? What?" Callahan blinked like waking from a trance; even groaned to himself, something that sounded like, "Blabbering like I'd had a nip myself—or one of them dillies was radiating nearby." Then Callahan glared fit to drill holes in O'Rielly's head. "Look! I was a full Burnerman before you was born. Been flying the spaces hundred twenty-five years now. Had more chances to hear more—just hear more, you hear! Only tried to clear your mind about Venus dames so you could put your brain on your control mess. So now put it! If you ain't high on vino and ain't been made nuts by a Venus dame, what answer do we feed the Old Woman?" "Search me," Apprentice Burnerman O'Rielly responded cheerfully. "Of all the loony apprentices I ever had to answer the Old Woman for! Awp, lemme out where I can think of something to save me own neck at least!" Was all O'Rielly could do to keep from rolling on the deck with glee. Old Callahan had been flimflammed for fair! The dear little stowaway was saved! And O'Rielly would now think of grand ways to save her lovely neck and his own forever. O'Rielly's shower door, however, opened abruptly. O'Rielly had not opened it. O'Rielly, however, suffered a cruel stab of dismay. Surely his dear stowaway had been listening through the door. Why didn't she have brains enough to stay hid until Callahan was gone! At sight of her, of course, Callahan's eyes near popped from his old head. "Berta!" "Oh, I'm Trillium," she assured Callahan sweetly. "But Grandmamma's name is Berta and people say I'm just like she was a hundred and twenty-five years ago." "Hah? What?" Callahan blinked like his brain had been taken apart and was being slapped together again. "O'Rielly! Awp, you angel-faced pirate, couldn't you hide her somewheres better than that? Shut up, you don't have to explain to me, but God help the whole universe if we don't flimflam the Old Woman!" With which ominous remark, rendered in a zesty devil-may-care manner, however, Callahan threw himself into O'Rielly's shower. O'Rielly stood looking thoughtfully at lovely, womanly, exquisite Trillium. Just like that, O'Rielly felt as sparkling of mind as a spiral nebula. "My locker!" he crowed with inspiration and yanked open the doors under his bunk. He glimpsed a black ditty bag, also the cap and coverall uniform of a baggage boy. "I threw them in there before you came on duty before blast-off," Trillium explained. "I knew the burner room would be warm." Trillium—with her shape—passing as a boy hustling bags through this ship. O'Rielly chortled as he tucked her under his bunk. "Now don't you worry about another thing!" "Oh, I'm not," she assured him happily. "Everything is going just the way Grandmamma knew it would!" O'Rielly's shower opened and Callahan, glowing like a young bucko, bounced onto the bunk. "Well, did you hide her good this time? No, don't tell me! I want to be surprised if the Old Woman ever finds her." "If what old woman finds whom?" a voice like thin ice crackling wanted to know. The watch room's door had opened. Wouldn't think the Old Woman was a day over seventy-five, let alone near two hundred. Cut of her uniform probably lent a helping hand or three to the young snap of her figure. Frosty blue of fancy hair-do, she was, though, and icy of eye as she looked at O'Rielly and Callahan still lolling on the bunk. Her voice was an iceberg exploding. "At attention!" Never in his right mind would any crewman dare fail to come stiffly erect the instant the Old Woman appeared. Behind her stood a colorfully robed specimen of Venus man. Handsome as the devil himself. Fit to snap lesser men in two with his highly bejeweled hands. Fuzzy beards trailed from his ears and kept twitching lazily as he sneered at the spectacle of two men meekly acknowledging the superiority of a woman. She was fit to put frost on a hydrogen burner. "Mr. Callahan, I asked you a question, did I not?" "Believe you did, ma'am," Callahan responded cheerfully. "And the answer is, ma'am, that Apprentice Burnerman O'Rielly and me was discussing—ah—matrimony, ma'am. Mr. Apprentice Burnerman O'Rielly here is considering it, ma'am." Wasn't too bad a fib. The more O'Rielly thought of Trillium, the more ideas he got of doing things he'd never dreamt of before in his life. Yes, ma'am! "Wasting your time talking nonsense!" Old Woman's look was fit to freeze O'Rielly's brain, then she gave Callahan the look. "I sent you down here to find the answer to that fusion control slippage!" "Oh, you'll have the best answer you ever heard of before long, ma'am!" Callahan assured her heartily. "The subject of nonsense—I mean, women—merely chanced to arise whilst we was scientifically analyzing the control phenomenon, ma'am. Naturally I offered this innocent young Burnerman the benefit of me long years of experience. Why," Callahan said with a jaunty laugh, "dames mean nothing to me. Indeed 'twouldn't bother me none if there wasn't one of the things left in the world! Present company excepted, of course," Callahan hastened to say with a courtly bow. "Stay at attention!" Old Woman sniffed the air near Callahan's face, then in O'Rielly's vicinity. "Smothered it with chlorophyll probably," she muttered through her teeth, "if it is that vino." Something horrible as a plague flickered in her eyes, then the old ice was there again. "Apprentice Burnerman, don't you know what your shower is for? Then use it! Mr. Callahan, remain at attention while I inspect this burner!" She tendered a cool glance at the Venus bigwig. "Care to join me, Your Excellency?" "May as well." His Excellency glanced at O'Rielly and Callahan much as he might at a couple of worms. Could bet your last old sox no female ever told any Venus man what to do. The shower units were equipped so no Burnerman need be more than two steps from his responsibility. To keep the Old Woman from possibly blowing her gaskets completely, O'Rielly simply stepped in, shut the door, flipped a switch and tingled as he was electronically cleansed of person and clothes. By time he finished, the Old Woman and His Excellency were already coming out of the burner room, dripping with sweat. Old Woman opened the shower with her customary commanding air. "You first, Your Excellency." "My dear Captain," His Excellency replied like a smoothly drawn dagger, "always the lesser gender enjoys precedence." No Earth dame ever admitted any guy was even equal to any female. Old Woman, a prime symbol of her gender's superiority, whipped a razor edge onto her own words. "Facilities of the Captain's quarters are more satisfactory." "No more so than those of the Ambassadorial Suite." Seeming to grind her teeth, the Old O Woman turned abruptly to leave O'Rielly's watch room. Was all O'Rielly could do to keep from busting out laughing for joy. Old Woman had been flimflammed for fair! Dear Trillium was saved! And betwixt O'Rielly's grand brain and Callahan's great experience she'd be happy forever. A fine loud "thump," however, was now heard. Old Woman whirled back and yanked open the doors under O'Rielly's bunk. "Of all the sappy hiding places!" Callahan yelped, in surprise of course. "Trillium?" His Excellency bellowed as if stung by one of the sabre-tailed hornets of his native planet. "Trillium!" "Trillium," O'Rielly pleaded in loving anguish, "why do you have to keep coming out of hiding just when nobody's going to find you?" Her eyes merely became deep pools in which O'Rielly would have gladly drowned himself if he could. "There are rewards," the Old Woman said with the deadly coldness of outer space, "for Earthmen found in a Venus woman's company, and for her leaving her planet." "Shut up!" His Excellency's ear beards were standing straight out sideways. "I'll handle this!" "May I remind His Excellency," the Old Woman snapped, "that I represent Earth and her dominion of space gained by right of original flight!" "May I remind the Captain," His Excellency declared fit to be heard back to his planet, "that I am the Personal Ambassador of the President of Venus and this thing can mean war!" "Yes! War in which people will actually die!" As His Excellency paled at that grisly remark, the Old Woman spoke through her teeth at O'Rielly, Callahan and Trillium. "All right, come along!" O'Rielly joined the death march gladly. He felt the way Callahan looked: ready to wrap his arms around Trillium's brave loveliness and protect it to his last breath of life. Old Woman led the way to her office. Jabbed some buttons on her desk. Panels on opposite walls lit up. "Presidents of Earth and Venus, please," the Old Woman stated evenly. "Interplanetary emergency." Highly groomed flunkies appeared on the panels and were impersonally pleasant. "Madame President's office. She is in a Cabinet meeting." "Mr. President's office. He is in personal command of our glorious war efforts." Old Woman sighed through her teeth. "Venus woman aboard this ship. Stowaway. Rattle that around your belfries." The flunkies' faces went slack with shock, then were replaced by a blizzard of scrambled faces and torrents of incoherent voices. Finally on the Earth panel appeared the famous classic features. "The facts, if you please, Captain Hatwoody." The Venus panel finally held steady on universally notorious features, that were as fierce as an eagle's, in a fancy war helmet. "Trillium! My own granddaughter? Impossible! Dimdooly," Mr. President roared at his Excellency, "what's this nonsense?" "Some loud creature is interfering," Madame President snapped with annoyance. "Blasted fools still have the circuits crossed," Mr. President swore. "Some silly female cackling now!" The parties in the panels saw each other now. Each one's left hand on a desk moved toward a big red button marked, ROCKETS. "So," Mr. President said evenly. "Another violation by your Earthmen." "By your granddaughter, at least," Madame President replied coolly. "An innocent child," Mr. President snapped, "obviously kidnapped by those two idiotic Earthmen there!" "Oh, no, Grandpapa," Trillium said swiftly; "I stole away all by myself, and Mr. O'Rielly and Callahan have been very helpful." "Impossible!" Grandpapa President's ear beards stood near straight up as he roared, "You couldn't have stolen away by yourself! Trillium, tell the truth!" "Very well. Grandmamma told me how." "Obviously Trillium's poor little brain has been drugged," His Excellency Dimdooly declared. "Grandmamma Berta wouldn't know the first thing about such things!" "Impossible!" Grandpapa President agreed. "I've been married to her for a hundred and twenty-four and a half years and she's the finest rattle-brain I ever knew!" "She learned," Trillium stated emphatically, "a hundred and twenty-five years ago." "Hundred twenty-five," Grandpapa president growled like a boiling volcano. "The year some Earthman.... Never did catch the devil.... Berta? Impossible!" Madame President's shapely finger now rested full on the button that could launch the fleets of war rockets that had been pre-aimed for a thousand years. "I'm afraid your Ambassador is unwelcome now," Madame President stated coolly. "Your granddaughter's actions have every mark of an invasion tactic by your government." "What do you mean, her actions?" Grandpapa President's finger now lay poised on the button that had been waiting a thousand years to blow Earth out of the universe. "My grandchild was kidnapped by men under your official command! Weren't you, Trillium dear?" "No. One of us stowing away was the only way we Venus women could bring our cause to the attention of Earth's President. If Earth will only stop buying from Venus, you won't have any money to squander on your wars any longer no matter what happens to we revolutionaries!" "Revolutionaries? Such claptrap! And what's wrong with my wars? People have to have something to keep their minds off their troubles! Nobody around here gets hurt. Oh, maybe a few scratches here and there. But nobody on Venus dies from the things any more." "But Venus men are so excited all the time about going to war they haven't time for us women. That's why we always radiated such a fatal attraction for Earthmen. We want to be loved! We want our own men home doing useful work!" "Well, they do come home and do useful work! Couple weeks every ten months. Proven to be a highly efficient arrangement." "More boys to run off to your old wars and more girls to stay home and be lonely!" "Now you just listen to me, Trillium!" Grandpapa President was all Venus manhood laying down the law. "That's the way things have been on Venus for ten thousand years and all the women in the universe can't change it!" "I have been in constant contact with my Cabinet during these conversations," Madame President said crisply. "Earth is terminating all trade agreements with Venus as of this instant." "What?" Grandpapa's beards near pulled his ears off. "It's not legal! You can't get away with this!" "Take your finger off that trigger, boy!" a heavenly voice similar to Trillium's advised from the Venus panel. Whereupon Grandpapa glared to one side. "Berta! What are you doing here? I am deciding matters of the gravest interplanetary nature!" "Were." Features more beautifully mature than Trillium's crowded onto the panel too. "From now on I'm doing the deciding." "Nonsense! You're only my wife!" "And new President of Venus, elected by unanimous vote of all women." "Impossible! The men run Venus! Nobody's turning this planet into another Earth where a man can't even sneeze unless some woman says so!" "Take him away, girls," Berta ordered coolly, whereupon her spouse was yanked from view. His bellows, however, could be heard yet. "Unhand me, you fool creatures! Guards! Guards!" "Save your breath," Berta advised him. "And while you're in the cooler, enjoy this latest batch of surrender communiques. We women are in control everywhere now." "Dimmy," Trillium was saying firmly to His Excellency, "you have beat around the bush with me long enough. Now say it!" Dimdooly—the mighty, the lordly, who had sneered at the sight of mere Earthmen kowtowing to a mere woman—swelled up fit to blow his gaskets, then all the gas went out of him. His ear beards, however, still had enough zip left to flutter like butterflies. "Yes, Trillium dear. I love only you. Please marry me at your earliest convenience." "Well, Grandmamma," Trillium said with a highly self-satisfied air, "it works. And just like you said, Earthmen meant nothing once I knew we Venus women had our own men in our power." "Those crewmen there," Grandmamma President said, "seem to be proof enough that we Venus women no longer radiate any threat to Earth's tranquility." Yes, ma'am, O'Rielly sure felt like proof of something all of a sudden. Worse than the hangover from that crap game with Venus vino. He looked away from Trillium and took a look at Callahan. Old guy looked away from Grandmamma President like he was packing the second biggest headache in history. "Hmmmm, yes," Madame President of Earth observed. "Reactions agree perfectly with the psychoanalytical research project we have been conducting on the subject of the Venus female influence. Madame President of Venus, congratulations on your victory! "Long may the superior sex reign on Venus too! We shall be delighted to receive an Ambassadoress to discuss a new trade treaty at your earliest convenience." "Thank you for cancelling the old trade agreements at the psychological moment," Grandmamma President said cordially. "What with the communications mixup, we managed to have the scenes on these panels broadcast throughout all Venus. When the rug went out from under the top man, the tide really turned in our favor. Now, Trillium, you take over Dimmy's credentials." "The Ambassadorial Suite, too," Madame President of Earth said graciously. "Anything else now, Berta?" "I should like," Grandmamma President Berta said charmingly, "that Mr. O'Rielly and Mr. Callahan be suitably rewarded for assisting our revolution better than they knew." "Of course," Madame President of Earth was delighted to oblige. "No doubt Captain Hatwoody knows what reward would satisfy their needs best." The Madame Presidents switched to a private circuit, Trillium dragged Dimdooly off somewhere and the Old Woman eyed O'Rielly and Callahan. Especially she eyed Callahan, like running chilled drills through his old conniving brain. "I award the pair of you five minutes leisure before returning to your stations." "Oh, well," O'Rielly muttered, once he and Callahan were safely beyond earshot, "could have been rewarded worse, I suppose." "What you expect for being flimflammed by a foreign dame, the rings of Saturn? Lucky we ain't programmed to be hung, shot and thrown to the crows for breakfast." Callahan's old pick-and-shovel face wore a little grin like the cat that nobody could prove ate the canary. "You—I mean, that Earth guy a hundred twenty-five years ago," O'Rielly said in sudden thought. "If Venus dames wanted to be loved so bad, why did Trillium's Grandmamma let him go?" "Venus guys wasn't so busy playing war all the time," Callahan mumbled, like to himself, "they'd of found out the answer centuries ago. Yep, guess our boy was the only guy on Earth or Venus to find out and live. Dames bossing both planets now, though, his old secret won't be one much longer. Venus dames could of let it out centuries ago themselves but didn't, just to spite Earth probably. Later, was part of organizing to take over Venus, I guess." O'Rielly still had memories of the way he had felt about Trillium before her revolution. "All right, Callahan, why did 'our boy' leave Grandmamma?" "Yes, ma'am," Callahan sighed like he hadn't heard a word O'Rielly said, "you could sweet-talk 'em, kiss 'em and hold 'em tighter'n Billy-be-damned. And that's all." "I'm not sure," O'Rielly said, "what you mean by, 'that's all.'" "Anybody ever seen anybody but a Venus guy come built with ear beards? Course not." "But I thought our boy was wearing the best fakes ever." "Ain't nothing can match the natural growed-on variety, no, ma'am. Venus guy kisses a Venus dame, his beards grabs her roundst the ears." "So what?" "Tickles 'em, boy, tickles 'em!"
train	61007	[ "Why does Eppel indicate an orange light when scanning the planet?", "Why does the crew later refer to Ha-Adamah as Adam? ", "Why does Adam refuse to play checkers? ", "How does the \"Old Serpent\" know that the crew is returning with settlers?", "What ultimately makes the priest disbelieve what they've seen, despite his faith?", "What is likely to happen to the crew when they return to the planet? " ]	[ [ "It wants the crew to make their own judgement, because it doesn't know what to make of it.", "It senses Ha-Adamah's perception. ", "It senses the \"Old Serpent's\" perception. ", "It senses that an omnipotent being. " ], [ "He responds to Adam, and they decide it's his true name", "Ha-Adamah is Adam's Hebrew origination.", "The planet feels so much like the Garden of Eden, that they begin to believe he is Adam", "They want to test Adam and see if he accepts it as his name. " ], [ "He does not want to humiliate the priest by beating him. ", "The priest is too eager to go up against him, and he doesn't want to disappoint. ", "He has no reason to play. He is omniscient and would win without contest. ", "He is scared of losing and giving away his true identity. " ], [ "He understands people, and that they'll want to have their way with the planet. ", "Like Adam, he has extraordinary perception and can predict it happening. ", "It has happened before. He knows that people cannot resist the temptation and takes advantage of it. ", "The crew made it clear they would return. " ], [ "He senses the \"unusual mind\" of Adam, and it made him uneasy. ", "He is too faithful to risk trusting what they've seen.", "Someone like Adam would not be afraid of playing checkers, or being personable. ", "The illusion is too perfect, and it feels inauthentic to him. " ], [ "They'll fall victim like those before them, and have their supplies stolen. ", "They'll return, still believing it's the Garden of Eden. ", "They'll learn the truth about the Old Serpent and Adam, and leave. ", "They'll carry through with their settlement plans and cash in. " ] ]	[ 1, 2, 4, 3, 3, 1 ]	[ 0, 1, 1, 1, 1, 1 ]	IT WAS A DULL, ROUTINE LITTLE WORLD. IT DIDN'T EVEN HAVE A CITY. EVERYTHING IT HAD WAS IN THE GARDEN BY R. A. LAFFERTY [Transcriber's Note: This etext was produced from Worlds of If Science Fiction, March 1961. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] The protozoic recorder chirped like a bird. Not only would there be life traces on that little moon, but it would be a lively place. So they skipped several steps in the procedure. The chordata discerner read Positive over most of the surface. There was spinal fluid on that orb, rivers of it. So again they omitted several tests and went to the cognition scanner. Would it show Thought on the body? Naturally they did not get results at once, nor did they expect to; it required a fine adjustment. But they were disappointed that they found nothing for several hours as they hovered high over the rotation. Then it came—clearly and definitely, but from quite a small location only. "Limited," said Steiner, "as though within a pale. As though there were but one city, if that is its form. Shall we follow the rest of the surface to find another, or concentrate on this? It'll be twelve hours before it's back in our ken if we let it go now." "Let's lock on this one and finish the scan. Then we can do the rest of the world to make sure we've missed nothing," said Stark. There was one more test to run, one very tricky and difficult of analysis, that with the Extraordinary Perception Locator. This was designed simply to locate a source of superior thought. But this might be so varied or so unfamiliar that often both the machine and the designer of it were puzzled as to how to read the results. The E. P. Locator had been designed by Glaser. But when the Locator had refused to read Positive when turned on the inventor himself, bad blood developed between machine and man. Glaser knew that he had extraordinary perception. He was a much honored man in his field. He told the machine so heatedly. The machine replied, with such warmth that its relays chattered, that Glaser did not have extraordinary perception; he had only ordinary perception to an extraordinary degree. There is a difference , the machine insisted. It was for this reason that Glaser used that model no more, but built others more amenable. And it was for this reason also that the owners of Little Probe had acquired the original machine so cheaply. And there was no denying that the Extraordinary Perception Locator (or Eppel) was a contrary machine. On Earth it had read Positive on a number of crack-pots, including Waxey Sax, a jazz tootler who could not even read music. But it had also read Positive on ninety per cent of the acknowledged superior minds of the Earth. In space it had been a sound guide to the unusual intelligences encountered. Yet on Suzuki-Mi it had read Positive on a two-inch-long worm, only one of them out of billions. For the countless identical worms no trace of anything at all was shown by the test. So it was with mixed expectations that Steiner locked onto the area and got a flick. He then narrowed to a smaller area (apparently one individual, though this could not be certain) and got very definite action. Eppel was busy. The machine had a touch of the ham in it, and assumed an air of importance when it ran these tests. Finally it signaled the result, the most exasperating result it ever produces: the single orange light. It was the equivalent of the shrug of the shoulders in a man. They called it the "You tell me light." So among the intelligences there was at least one that might be extraordinary, though possibly in a crackpot way. It is good to be forewarned. "Scan the remainder of the world, Steiner," said Stark, "and the rest of us will get some sleep. If you find no other spot then we will go down on that one the next time it is in position under us, in about twelve hours." "You don't want to visit any of the other areas first? Somewhere away from the thoughtful creature?" "No. The rest of the world may be dangerous. There must be a reason that thought is in one spot only. If we find no others then we will go down boldly and visit this." So they all, except Steiner, went off to their bunks then: Stark, the Captain; Gregory Gilbert, the executive officer; Wolfgang Langweilig, the engineer; Casper Craig, super-cargo, tycoon and 51% owner of the Little Probe, and F. R. Briton, S.J., a Jesuit priest who was linguist and checker champion of the craft. Dawn did not come to the moon-town. The Little Probe hovered stationary in the light and the moon-town came up under the dawn. Then the Probe went down to visit whatever was there. "There's no town," said Steiner. "Not a building. Yet we're on the track of the minds. There's nothing but a meadow and some boscage, a sort of fountain or pool, and four streams coming out of it." "Keep on towards the minds," said Stark. "They're our target." "Not a building, not two sticks or stones placed together. That looks like an Earth-type sheep there. And that looks like an Earth-lion, I'm almost afraid to say. And those two ... why, they could well be Earth-people. But with a difference. Where is that bright light coming from?" "I don't know, but they're right in the middle of it. Land here. We'll go to meet them at once. Timidity has never been an efficacious tool with us." Well, they were people. And one could only wish that all people were like them. There was a man and a woman, and they were clothed either in very bright garments or in no garments at all, but only in a very bright light. "Talk to them, Father Briton," said Stark. "You are the linguist." "Howdy," said the priest. He may or may not have been understood, but the two of them smiled at him, so he went on. "Father Briton from Philadelphia," he said, "on detached service. And you, my good man, what is your handle, your monicker, your tag?" "Ha-Adamah," said the man. "And your daughter, or niece?" It may be that the shining man frowned momentarily at this; but the woman smiled, proving that she was human. "The woman is named Hawwah," said the man. "The sheep is named sheep, the lion is named lion, the horse is named horse and the hoolock is named hoolock." "I understand. It is possible that this could go on and on. How is it that you use the English tongue?" "I have only one tongue; but it is given to us to be understood by all; by the eagle, by the squirrel, by the ass, by the English." "We happen to be bloody Yankees, but we use a borrowed tongue. You wouldn't have a drink on you for a tubful of thirsty travellers, would you?" "The fountain." "Ah—I see." But the crew all drank of the fountain to be sociable. It was water, but water that excelled, cool and with all its original bubbles like the first water ever made. "What do you make of them?" asked Stark. "Human," said Steiner. "It may even be that they are a little more than human. I don't understand that light that surrounds them. And they seem to be clothed, as it were, in dignity." "And very little else," said Father Briton, "though that light trick does serve a purpose. But I'm not sure they'd pass in Philadelphia." "Talk to them again," said Stark. "You're the linguist." "That isn't necessary here, Captain. Talk to them yourself." "Are there any other people here?" Stark asked the man. "The two of us. Man and woman." "But are there any others?" "How would there be any others? What other kind of people could there be than man and woman?" "But is there more than one man or woman?" "How could there be more than one of anything?" The captain was a little puzzled by this, but he went on doggedly: "Ha-Adamah, what do you think that we are? Are we not people?" "You are not anything till I name you. But I will name you and then you can be. You are named Captain. He is named Priest. He is named Engineer. He is named Flunky." "Thanks a lot," said Steiner. "But are we not people?" persisted Captain Stark. "No. We are the people. There are no people but two. How could there be other people?" "And the damnest thing about it," muttered Langweilig, "is, how are you going to prove him wrong? But it does give you a small feeling." "Can we have something to eat?" asked the Captain. "Pick from the trees," said Ha-Adamah, "and then it may be that you will want to sleep on the grass. Being not of human nature (which does not need sleep or rest), it may be that you require respite. But you are free to enjoy the garden and its fruits." "We will," said Captain Stark. They wandered about the place, but they were uneasy. There were the animals. The lion and lioness were enough to make one cautious, though they offered no harm. The two bears had a puzzling look, as though they wanted either to frolic with you or to mangle you. "If there are only two people here," said Casper Craig, "then it may be that the rest of the world is not dangerous at all. It looked fertile wherever we scanned it, though not so fertile as this central bit. And those rocks would bear examining." "Flecked with gold, and possibly with something else," said Stark. "A very promising site." "And everything grows here," added Steiner. "Those are Earth-fruits and I never saw finer. I've tasted the grapes and plums and pears. The figs and dates are superb, the quince is as flavorsome as a quince can be, the cherries are excellent. And I never did taste such oranges. But I haven't yet tried the—" and he stopped. "If you're thinking what I'm afraid to think," said Gilbert, "then it will be the test at least: whether we're having a pleasant dream or whether this is reality. Go ahead and eat one." "I won't be the first to eat one. You eat." "Ask him first. You ask him." "Ha-Adamah, is it allowed to eat the apples?" "Certainly. Eat. It is the finest fruit in the garden." "Well, the analogy breaks down there," said Stark. "I was almost beginning to believe in the thing. But if it isn't that, then what. Father Briton, you are the linguist, but in Hebrew does not Ha-Adamah and Hawwah mean—?" "Of course they do. You know that as well as I." "I was never a believer. But would it be possible for the exact same proposition to maintain here as on Earth?" "All things are possible." And it was then that Ha-Adamah, the shining man, gave a wild cry: "No, no. Do not approach it. It is not allowed to eat of that one!" It was the pomegranate tree, and he was warning Langweilig away from it. "Once more, Father," said Stark, "you should be the authority; but does not the idea that it was the apple that was forbidden go back only to a medieval painting?" "It does. The name of the fruit is not mentioned in Genesis. In Hebrew exegesis, however, the pomegranate is usually indicated." "I thought so. Question the man further, Father. This is too incredible." "It is a little odd. Adam, old man, how long have you been here?" "Forever less six days is the answer that has been given to me. I never did understand the answer, however." "And have you gotten no older in all that time?" "I do not understand what 'older' is. I am as I have been from the beginning." "And do you think that you will ever die?" "To die I do not understand. I am taught that it is a property of fallen nature to die, and that does not pertain to me or mine." "And are you completely happy here?" "Perfectly happy according to my preternatural state. But I am taught that it might be possible to lose that happiness, and then to seek it vainly through all the ages. I am taught that sickness and ageing and even death could come if this happiness were ever lost. I am taught that on at least one other unfortunate world it has actually been lost." "Do you consider yourself a knowledgeable man?" "Yes, since I am the only man, and knowledge is natural to man. But I am further blessed. I have a preternatural intellect." Then Stark cut in once more: "There must be some one question you could ask him, Father. Some way to settle it. I am becoming nearly convinced." "Yes, there is a question that will settle it. Adam, old man, how about a game of checkers?" "This is hardly the time for clowning," said Stark. "I'm not clowning, Captain. How about it, Adam? I'll give you choice of colors and first move." "No. It would be no contest. I have a preternatural intellect." "Well, I beat a barber who was champion of Germantown. And I beat the champion of Morgan County, Tennessee, which is the hottest checker center on Earth. I've played against, and beaten, machines. But I never played a preternatural mind. Let's just set up the board, Adam, and have a go at it." "No. It would be no contest. I would not like to humble you." They were there for three days. They were delighted with the place. It was a world with everything, and it seemed to have only two inhabitants. They went everywhere except into the big cave. "What is there, Adam?" asked Captain Stark. "The great serpent lives there. I would not disturb him. He has long been cranky because plans he had for us did not materialize. But we are taught that should ever evil come to us, which it cannot if we persevere, it will come by him." They learned no more of the real nature of the sphere in their time there. Yet all but one of them were convinced of the reality when they left. And they talked of it as they took off. "A crowd would laugh if told of it," said Stark, "but not many would laugh if they had actually seen the place, or them. I am not a gullible man, but I am convinced of this: that this is a pristine and pure world and that ours and all the others we have visited are fallen worlds. Here are the prototypes of our first parents before their fall. They are garbed in light and innocence, and they have the happiness that we have been seeking for centuries. It would be a crime if anyone disturbed that happiness." "I too am convinced," said Steiner. "It is Paradise itself, where the lion lies down with the lamb, and where the serpent has not prevailed. It would be the darkest of crimes if we or others should play the part of the serpent, and intrude and spoil." "I am probably the most skeptical man in the world," said Casper Craig the tycoon, "but I do believe my eyes. I have been there and seen it. It is indeed an unspoiled Paradise; and it would be a crime calling to the wide heavens for vengeance for anyone to smirch in any way that perfection. "So much for that. Now to business. Gilbert, take a gram: Ninety Million Square Miles of Pristine Paradise for Sale or Lease. Farming, Ranching, exceptional opportunities for Horticulture. Gold, Silver, Iron, Earth-Type Fauna. Terms. Special Rates for Large Settlement Parties. Write, Gram, or call in person at any of our planetary offices as listed below. Ask for Brochure—Eden Acres Unlimited." Down in the great cave that Old Serpent, a two-legged one among whose names were "Snake-Oil Sam," spoke to his underlings: "It'll take them fourteen days to get back with the settlers. We'll have time to overhaul the blasters. We haven't had any well-equipped settlers for six weeks. It used to be we'd hardly have time to strip and slaughter and stow before there was another batch to take care of." "I think you'd better write me some new lines," said Adam. "I feel like a goof saying those same ones to each bunch." "You are a goof, and therefore perfect for the part. I was in show business long enough to know never to change a line too soon. I did change Adam and Eve to Ha-Adamah and Hawwah, and the apple to the pomegranate. People aren't becoming any smarter—but they are becoming better researched, and they insist on authenticity. "This is still a perfect come-on here. There is something in human nature that cannot resist the idea of a Perfect Paradise. Folks will whoop and holler to their neighbors to come in droves to spoil and mar it. It isn't greed or the desire for new land so much—though that is strong too. Mainly it is the feverish passion to befoul and poison what is unspoiled. Fortunately I am sagacious enough to take advantage of this trait. And when you start to farm a new world on a shoestring you have to acquire your equipment as you can." He looked proudly around at the great cave with its mountains and tiers of materials, heavy machinery of all sorts, titanic crates of foodstuff space-sealed; wheeled, tracked, propped, vaned and jetted vehicles; and power packs to run a world. He looked at the three dozen space ships stripped and stacked, and at the rather large pile of bone-meal in one corner. "We will have to have another lion," said Eve. "Bowser is getting old, and Marie-Yvette abuses him and gnaws his toes. And we do have to have a big-maned lion to lie down with the lamb." "I know it, Eve. The lion is a very important prop. Maybe one of the crackpot settlers will bring a new lion." "And can't you mix another kind of shining paint? This itches. It's hell." "I'm working on it." Casper Craig was still dictating the gram: "Amazing quality of longevity seemingly inherent in the locale. Climate ideal. Daylight or half-light. All twenty-one hours from Planet Delphina and from Sol. Pure water for all industrial purposes. Scenic and storied. Zoning and pre-settlement restrictions to insure congenial neighbors. A completely planned globular settlement in a near arm of our own galaxy. Low taxes and liberal credit. Financing our specialty—" "And you had better have an armed escort when you return," said Father Briton. "Why in cosmos would we want an armed escort?" "It's as phony as a seven-credit note!" "You, a man of the cloth doubt it? And us ready skeptics convinced by our senses? Why do you doubt?" "It is only the unbelieving who believe so easily in obvious frauds. Theologically unsound, dramaturgically weak, philologically impossible, zoologically rigged, salted conspicuously with gold and shot through with anachronisms. And moreover he was afraid to play me at checkers." "What?" "If I have a preternatural intellect I wouldn't be afraid of a game of checkers with anyone. Yet there was an unusual mind there somewhere; it was just that he chose not to make our acquaintance personally." "They looked at the priest thoughtfully. "But it was Paradise in one way," said Steiner at last. "How?" "All the time we were there the woman did not speak."
train	62349	[ "Why does Shannon reach for his gun when Beamish introduces himself?", "Why is it so important for Jig and Shannon to find Gertrude a mate?", "Who does Jig suspect wants them dead, and let loose the vapor snakes?", "What is Ahra referring to when she says \"something has been taken?\"", "How does Shannon feel about the circus?", "Why does Jig bluff to Beamish initially?" ]	[ [ "The sound of the chair being pulled back sets him on high alert. \n", "He sees that Beamish has something in his hands. \n", "Shannon is prone to suspicion after being hunted down by people they owe money to, and thinks Beamish is one of them. ", "Beamish tells them he's there to collect money from them. " ], [ "They want to preserve her species, and they're close to extinction. Her species is too valuable to let die out. \n", "They need another \"cansin\" for their show. ", "She feels alone in her cage and in the circus, and they feel badly for her. ", "Her crying and loneliness without one is affecting the entire crew, and they can't afford to have her out of commission. " ], [ "Beamish and the crew. The circus has not been doing well, and Beamish may be unhappy with the deal they cut. ", "The crew. They resent how little money they make. ", "Beamish, because he knows they cut him a bad deal.", "Gow. He didn't call back the snakes as they attacked them, and is beside himself because of Gertrude. \n" ], [ "Gertrude's happiness. ", "Beamish's money.", "The cansin male. ", "Jig and Shannon's safety. " ], [ "He needs it for money, nothing more. ", "He resents that he's stuck with it, and gets angry when people insult it. \n", "Despite it's quality, he truly cares about it. ", "He believes in it's quality, and has faith in it. " ], [ "He knows he can get away with it - Beamish has the money to match what they ask.", "He doesn't trust Shannon to close a good deal. ", "He doesn't trust Beamish, and wants to see if he's committed to the idea. ", "For them to start a new tour would be costly for them, and Jig wants to get the maximum price. " ] ]	[ 3, 4, 3, 3, 3, 1 ]	[ 0, 0, 0, 1, 1, 1 ]	The Blue Behemoth By LEIGH BRACKETT Shannon's Imperial Circus was a jinxed space-carny leased for a mysterious tour of the inner worlds. It made a one-night pitch on a Venusian swamp-town—to find that death stalked it from the jungle in a tiny ball of flame. [Transcriber's Note: This etext was produced from Planet Stories May 1943. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] Bucky Shannon leaned forward across the little hexagonal table. He knocked over the pitcher of thil , but it didn't matter. The pitcher was empty. He jabbed me in the breastbone with his forefinger, not very hard. Not hard enough to jar the ribs clean loose, just enough to spring them. "We," he said, "are broke. We are finished, through. Washed up and down the drain." He added, as an afterthought, "Destitute." I looked at him. I said sourly, "You're kidding!" "Kidding." Shannon put his elbows on the table and peered at me through a curtain of very blond hair that was trying hard to be red. "He says I'm kidding! With Shannon's Imperial Circus, the Greatest Show in Space, plastered so thick with attachments...." "It's no more plastered than you are." I was sore because he'd been a lot quicker grabbing the pitcher. "The Greatest Show in Space. Phooey! I've wet-nursed Shannon's Imperial Circus around the Triangle for eleven years, and I know. It's lousy, it's mangy, it's broken-down! Nothing works, from the ship to the roustabouts. In short, it stinks!" I must have had the pitcher oftener than I thought. Nobody insults Buckhalter Shannon's Imperial Circus to Buckhalter Shannon's face unless he's tired and wants a long rest in a comfy fracture-frame. Shannon got up. He got up slowly. I had plenty of time to see his grey-green eyes get sleepy, and hear the quarter-Earth-blood Martian girl wailing about love over by the battered piano, and watch the slanting cat-eyes of the little dark people at the tables swing round toward us, pleased and kind of hungry. I had plenty of time to think how I only weigh one-thirty-seven to Shannon's one-seventy-five, and how I'm not as young as I used to be. I said, "Bucky. Hold on, fella. I...." Somebody said, "Excuse me, gentlemen. Is one of you Mister Buckhalter Shannon?" Shannon put his hands down on his belt. He closed his eyes and smiled pleasantly and said, very gently: "Would you be collecting for the feed bill, or the fuel?" I shot a glance at the newcomer. He'd saved me from a beating, even if he was a lousy bill-collecter; and I felt sorry for him. Bucky Shannon settled his shoulders and hips like a dancer. The stranger was a little guy. He even made me look big. He was dressed in dark-green synthesilk, very conservative. There was a powdering of grey in his hair and his skin was pink, soft, and shaved painfully clean. He had the kind of a face that nice maiden-ladies will trust with their last dime. I looked for his strong-arm squad. There didn't seem to be any. The little guy looked at Shannon with pale blue eyes like a baby, and his voice was softer than Bucky's. He said, "I don't think you understand." I felt cold, suddenly, between the shoulders. Somebody scraped a chair back. It sounded like he'd ripped the floor open, it was so quiet. I got my brassies on, and my hands were sweating. Bucky Shannon sighed, and let his fist start traveling, a long, deceptive arc. Then I saw what the little guy was holding in his hand. I yelled and knocked the table over into Bucky. It made a lot of noise. It knocked him sideways and down, and the little dark men jumped up, quivering and showing their teeth. The Martian girl screamed. Bucky heaved the table off his lap and cursed me. "What's eating you, Jig? I'm not going to hurt him." "Shut up," I said. "Look what he's got there. Money!" The little guy looked at me. He hadn't turned a hair. "Yes," he said. "Money. Quite a lot of it. Would you gentlemen permit me to join you?" Bucky Shannon got up. He grinned his pleasantest grin. "Delighted. I'm Shannon. This is Jig Bentley, my business manager." He looked down at the table. "I'm sorry about that. Mistaken identity." The little guy smiled. He did it with his lips. The rest of his face stayed placid and babyish, almost transparent. I realized with a start that it wasn't transparent at all. It was the most complete dead-pan I ever met, and you couldn't see into those innocent blue eyes any more than you could see through sheet metal. I didn't like him. I didn't like him at all. But he had money. I said, "Howdy. Let's go find a booth. These Marshies make me nervous, looking like hungry cats at a mouse-hole." The little guy nodded. "Excellent idea. My name is Beamish. Simon Beamish. I wish to—ah—charter your circus." I looked at Bucky. He looked hungrier than the Marshies did. We didn't say anything until we got Beamish into a curtained booth with a fresh pitcher of thil on the table. Then I cleared my throat. "What exactly did you have in mind, Mr. Beamish?" Beamish sipped his drink, made a polite face, and put it down. "I have independent means, gentlemen. It has always been my desire to lighten the burden of life for those less fortunate...." Bucky got red around the ears. "Just a minute," he murmured, and started to get up. I kicked him under the table. "Shut up, you lug. Let Mister Beamish finish." He sat down, looking like a mean dog waiting for the postman. Beamish ignored him. He went on, quietly, "I have always held that entertainment, of the right sort, is the most valuable aid humanity can have in its search for the alleviation of toil and boredom...." I said, "Sure, sure. But what was your idea?" "There are many towns along the Venusian frontiers where no entertainment of the— proper sort has been available. I propose to remedy that. I propose to charter your circus, Mister Shannon, to make a tour of several settlements along the Tehara Belt." Bucky had relaxed. His grey-green eyes began to gleam. He started to speak, and I kicked him again. "That would be expensive, Mister Beamish," I said. "We'd have to cancel several engagements...." He looked at me. I was lying, and he knew it. But he said, "I quite understand that. I would be prepared...." The curtains were yanked back suddenly. Beamish shut up. Bucky and I glared at the head and shoulders poking in between the drapes. It was Gow, our zoo-man—a big, ugly son-of-a-gun from a Terran colony on Mercury. I was there once. Gow looks a lot like the scenery—scowling, unapproachable, and tough. His hands, holding the curtains apart, had thick black hair on them and were not much larger than the hams of a Venusian swamp-rhino. He said, "Boss, Gertrude's actin' up again." "Gertrude be blowed," growled Bucky. "Can't you see I'm busy?" Gow's black eyes were unpleasant. "I'm tellin' you, Boss, Gertrude ain't happy. She ain't had the right food. If something...." I said, "That'll all be taken care of, Gow. Run along now." He looked at me like he was thinking it wouldn't take much timber to fit me for a coffin. "Okay! But Gertrude's unhappy. She's lonesome, see? And if she don't get happier pretty soon I ain't sure your tin-pot ship'll hold her." He pulled the curtains to and departed. Bucky Shannon groaned. Beamish cleared his throat and said, rather stiffly, "Gertrude?" "Yeah. She's kind of temperamental." Bucky took a quick drink. I finished for him. "She's the star attraction of our show, Mr. Beamish. A real blue-swamp Venusian cansin . The only other one on the Triangle belongs to Savitt Brothers, and she's much smaller than Gertrude." She was also much younger, but I didn't go into that. Gertrude may be a little creaky, but she's still pretty impressive. I only hoped she wouldn't die on us, because without her we'd have a sicker-looking circus than even I could stand. Beamish looked impressed. "A cansin . Well, well! The mystery surrounding the origin and species of the cansin is a fascinating subject. The extreme rarity of the animal...." We were getting off the subject. I said tactfully, "We'd have to have at least a hundred U.C.'s." It was twice what we had any right to ask. I was prepared to dicker. Beamish looked at me with that innocent dead pan. For a fraction of a second I thought I saw something back of his round blue eyes, and my stomach jumped like it was shot. Beamish smiled sweetly. "I'm not much of a bargainer. One hundred Universal Credits will be agreeable to me." He dragged out a roll as big as my two fists, peeled off half a dozen credit slips, and laid them on the table. "By way of a retainer, gentleman. My attorney and I will call on you in the morning with a contract and itinerary. Good night." We said good night, trying not to drool. Beamish went away. Bucky made grab for the money, but I beat him to it. "Scram," I said. "There are guys waiting for this. Big guys with clubs. Here." I gave him a small-denomination slip I'd been holding out. "We can get lushed enough on this." Shannon has a good vocabulary. He used it. When he got his breath back he said suddenly, "Beamish is pulling some kind of a game." "Yeah." "It may be crooked." "Sure. And he may be screwball and on the level. For Pete's sake!" I yelled. "You want to sit here till we all dry up and blow away?" Shannon looked at me, kind of funny. He looked at the bulge in my tunic where the roll was. He raked back his thick light hair. "Yeah," he said. "I hope there'll be enough left to bribe the jury." He poked his head outside. "Hey, boy! More thildatum !" It was pretty late when we got back to the broken-down spaceport where Shannon's Imperial Circus was crouching beneath its attachments. Late as it was, they were waiting for us. About twenty of them, sitting around and smoking and looking very ugly. It was awfully lonesome out there, with the desert cold and restless under the two moons. There's a smell to Mars, like something dead and dried long past decay, but still waiting. An unhappy smell. The blown red dust gritted in my teeth. Bucky Shannon walked out into the glare of the light at the entrance to the roped-off space around the main lock. He was pretty steady on his feet. He waved and said, "Hiya, boys." They got up off the steps, and the packing cases, and came toward us. I grinned and got into my brassies. We felt we owed those boys a lot more than money. It grates on a man's pride to have to sneak in and out of his own property through the sewage lock. This was the first time in weeks we'd come in at the front door. I waved the money in their faces. That stopped them. Very solemnly, Bucky and I checked the bills, paid them, and pocketed the receipts. Bucky yawned and stretched sleepily. "Now?" he said. "Now," I said. We had a lot of fun. Some of the boys inside the ship came out to join in. We raised a lot of dust and nobody got killed, quite. We all went home happy. They had their money, and we had their blood. The news was all over the ship before we got inside. The freaks and the green girl from Tethys who could roll herself like a hoop, and Zurt the muscle man from Jupiter, and all the other assorted geeks and kinkers and joeys that make up the usual corny carnie were doing nip-ups in the passageways and drooling over the thought of steer and toppings. Bucky Shannon regarded them possessively, wiping blood from his nose. "They're good guys, Jig. Swell people. They stuck by me, and I've rewarded them." I said, "Sure," rather sourly. Bucky hiccoughed. "Let's go see Gertrude." I didn't want to see Gertrude. I never got over feeling funny going into the brute tank, especially at night or out in space. I'm a city guy, myself. The smell and sound of wildness gives me goose bumps. But Bucky was looking stubborn, so I shrugged. "Okay. But just for a minute. Then we go beddy-bye." "You're a pal, Jif. Bes' li'l' guy inna worl'...." The fight had just put the topper on him. I was afraid he'd fall down the ladder and break his neck. That's why I went along. If I hadn't.... Oh, well, what's a few nightmares among friends? It was dark down there in the tank. Way off at the other end, there was a dim glow. Gow was evidently holding Gertrude's hand. We started down the long passageway between the rows of cages and glassed-in tanks and compression units. Our footsteps sounded loud and empty on the iron floor. I wasn't near as happy as Shannon, and my skin began to crawl a little. It's the smell, I think; rank and sour and wild. And the sound of them, breathing and rustling in the dark, with the patient hatred walled around them as strong as the cage bars. Bucky Shannon lurched against me suddenly. I choked back a yell, and then wiped the sweat off my forehead and cursed. The scream came again. A high, ragged, whistling screech like nothing this side of hell, ripping through the musty darkness. Gertrude, on the wailing wall. It had been quiet. Now every brute in the place let go at the same time. My stomach turned clear over. I called Gertrude every name I could think of, and I couldn't hear myself doing it. Presently a great metallic clash nearly burst my eardrums, and the beasts shut up. Gow had them nicely conditioned to that gong. But they didn't quiet down. Not really. They were uneasy. You can feel them inside you when they're uneasy. I think that's why I'm scared of them. They make me feel like I'm not human as I thought—like I wanted to put my back-hair up and snarl. Yeah. They were uneasy that night, all of a sudden.... Gow glared at us as we came up into the lantern light. "She's gettin' worse," he said. "She's lonesome." "That's tough," said Bucky Shannon. His grey-green eyes looked like an owl's. He swayed slightly. "That's sure tough." He sniffled. I looked at Gertrude. Her cage is the biggest and strongest in the tank and even so she looked as though she could break it open just taking a deep breath. I don't know if you've ever seen a cansin . There's only two of them on the Triangle. If you haven't, nothing I can say will make much difference. They're what the brain gang calls an "end of evolution." Seems old Dame Nature had an idea that didn't jell. The cansins were pretty successful for a while, it seems, but something gummed up the works and now there's only a few left, way in the deep-swamp country, where even the Venusians hardly ever go. Living fossils. I wouldn't know, of course, but Gertrude looks to me like she got stuck some place between a dinosaur and a grizzly bear, with maybe a little bird blood thrown in. Anyway, she's big. I couldn't help feeling sorry for her. She was crouched in the cage with her hands—yeah, hands—hanging over her knees and her snaky head sunk into her shoulders, looking out. Just looking. Not at anything. Her eyes were way back in deep horny pits, like cold green fire. The lantern light was yellow on her blue-black skin, but it made the mane, or crest, of coarse wide scales that ran from between her eyes clear down to her flat, short tail, burn all colors. She looked like old Mother Misery herself, from way back before time began. Gow said softly, "She wants a mate. And somebody better get her one." Bucky Shannon sniffled again. I said irritably, "Be reasonable, Gow! Nobody's ever seen a male cansin . There may not even be any." Gertrude screamed again. She didn't move, not even to raise her head. The sadness just built up inside her until it had to come out. That close, the screech was deafening, and it turned me all limp and cold inside. The loneliness, the sheer stark, simple pain.... Bucky Shannon began to cry. I snarled, "You'll have to snap her out of this, Gow. She's driving the rest of 'em nuts." He hammered on his gong, and things quieted down again. Gow stood looking out over the tank, sniffing a little, like a hound. Then he turned to Gertrude. "I saved her life," he said. "When we bought her out of Hanak's wreck and everybody thought she was too hurt to live, I saved her. I know her. I can do things with her. But this time...." He shrugged. He was huge and tough and ugly, and his voice was like a woman's talking about a sick child. "This time," he said, "I ain't sure." "Well for Pete's sake, do what you can. We got a charter, and we need her." I took Shannon's arm. "Come to bed, Bucky darlin'." He draped himself over my shoulder and we went off. Gow didn't look at us. Bucky sobbed. "You were right, Jig," he mumbled. "Circus is no good. I know it. But it's all I got. I love it, Jig. Unnerstan' me? Like Gow there with Gertrude. She's ugly and no good, but he loves her. I love...." "Sure, sure," I told him. "Stop crying down my neck." We were a long way from the light, then. The cages and tanks loomed high and black over us. It was still. The secret, uneasy motion all around us and the scruffing of our feet only made it stiller. Bucky was almost asleep on me. I started to slap him. And then the mist rose up out of the darkness in little lazy coils, sparkling faintly with blue, cold fire. I yelled, "Gow! Gow, the Vapor snakes! Gow—for God's sake!" I started to run, back along the passageway. Bucky weighed on me, limp and heavy. The noise burst suddenly in a deafening hell of moans and roars and shrieks, packed in tight by the metal walls, and above it all I could hear Gertrude's lonely, whistling scream. I thought, " Somebody's down here. Somebody let 'em out. Somebody wants to kill us! " I tried to yell again. It strangled in my throat. I sobbed, and the sweat was thick and cold on me. One of Bucky's dragging, stumbling feet got between mine. We fell. I rolled on top of him, covering his face, and buried my own face in the hollow of his shoulder. The first snake touched me. It was like a live wire, sliding along the back of my neck. I screamed. It came down along my cheek, hunting my mouth. There were more of them, burning me through my clothes. Bucky moaned and kicked under me. I remember hanging on and thinking, "This is it. This is it, and oh God, I'm scared!" Then I went out. II Kanza the Martian croaker, was bending over me when I woke up. His little brown face was crinkled with laughter. He'd lost most of his teeth, and he gummed thak -weed. It smelt. "You pretty, Mis' Jig," he giggled. "You funny like hell." He slapped some cold greasy stuff on my face. It hurt. I cursed him and said, "Where's Shannon? How is he?" "Mis' Bucky okay. You save life. You big hero, Mis' Jig. Mis' Gow come nickuhtime get snakes. You hero. Haw! You funny like hell!" I said, "Yeah," and pushed him away and got up. I almost fell down a couple of times, but presently I made it to the mirror over the washstand—I was in my own cell—and I saw what Kanza meant. The damned snakes had done a good job. I looked like I was upholstered in Scotch plaid. I felt sick. Bucky Shannon opened the door. He looked white and grim, and there was a big burn across his neck. He said: "Beamish is here with his lawyer." I picked up my shirt. "Right with you." Kanza went out, still giggling. Bucky closed the door. "Jig," he said, "those vapor worms were all right when we went in. Somebody followed us down and let them out. On purpose." I hurt all over. I growled, "With that brain, son, you should go far. Nobody saw anything, of course?" Bucky shook his head. "Question is, Jig, who wants to kill us, and why?" "Beamish. He realizes he's been gypped." "One hundred U.C.'s," said Bucky softly, "for a few lousy swampedge mining camps. It stinks, Jig. You think we should back out?" I shrugged. "You're the boss man. I'm only the guy that beats off the creditors." "Yeah," Bucky said reflectively. "And I hear starvation isn't a comfortable death. Okay, Jig. Let's go sign." He put his hand on the latch and looked at my feet. "And—uh—Jig, I...." I said, "Skip it. The next time, just don't trip me up, that's all!" We had a nasty trip to Venus. Gertrude kept the brute tank on edge, and Gow, on the rare occasions he came up for air, went around looking like a disaster hoping to happen. To make it worse, Zurt the Jovian strong-man got hurt during the take-off, and the Mercurian cave-cat had kittens. Nobody would have minded that, only one of 'em had only four legs. It lived just long enough to scare that bunch of superstitious dopes out of their pants. Circus people are funny that way. Shannon and I did a little quiet sleuthing, but it was a waste of time. Anybody in the gang might have let those electric worms out on us. It didn't help any to know that somebody, maybe the guy next to you at dinner, was busy thinking ways to kill you. By the time we hit Venus, I was ready to do a Brodie out the refuse chute. Shannon set the crate down on the edge of Nahru, the first stop on our itinerary. I stood beside him, looking out the ports at the scenery. It was Venus, all right. Blue mud and thick green jungle and rain, and a bunch of ratty-looking plastic shacks huddling together in the middle of it. Men in slickers were coming out for a look. I saw Beamish's sleek yacht parked on a cradle over to the left, and our router's runabout beside it. Bucky Shannon groaned. "A blue one, Jig. A morgue if I ever saw one!" I snarled, "What do you want, with this lousy dog-and-pony show!" and went out. He followed. The gang was converging on the lock, but they weren't happy. You get so you can feel those things. The steamy Venus heat was already sneaking into the ship. While we passed the hatchway to the brute tank, I could hear Gertrude, screaming. The canvasmen were busy setting up the annex, slopping and cursing in the mud. The paste brigade was heading for the shacks. Shannon and I stood with the hot rain running off our slickers, looking. I heard a noise behind me and looked around. Ahra the Nahali woman was standing in the mud with her arms up and her head thrown back, and her triangular mouth open like a thirsty dog. She didn't have anything on but her blue-green, hard scaled hide, and she was chuckling. It didn't sound nice. You find a lot of Nahali people in side-shows, doing tricks with the electric power they carry in their own bodies. They're Venusian middle-swampers, they're not human, and they never forget it. Ahra opened her slitted red eyes and looked at me and laughed with white reptilian teeth. "Death," she whispered. "Death and trouble. The jungle tells me. I can smell it in the swamp wind." The hot rain sluiced over her. She shivered, and the pale skin under her jaw pulsed like a toad's, and her eyes were red. "The deep swamps are angry," she whispered. "Something has been taken. They are angry, and I smell death in the wind!" She turned away, laughing, and I cursed her, and my stomach was tight and cold. Bucky said, "Let's eat if they have a bar in this dump." We weren't half way across the mud puddle that passed as a landing field when a man came out of a shack on the edge of the settlement. We could see him plainly, because he was off to one side of the crowd. He fell on his knees in the mud, making noises. It took him three or four tries to get our names out clear enough to understand. Bucky said, "Jig—it's Sam Kapper." We started to run. The crowd, mostly big unshaken miners, wheeled around to see what was happening. People began to close in on the man who crawled and whimpered in the mud. Sam Kapper was a hunter, supplying animals to zoos and circuses and carnivals. He'd given us good deals a couple of times, when we weren't too broke, and we were pretty friendly. I hadn't seen him for three seasons. I remembered him as a bronzed, hard-bitten guy, lean and tough as a twist of tung wire. I felt sick, looking down at him. Bucky started to help him up. Kapper was crying, and he jerked all over like animals I've seen that were scared to death. Some guy leaned over and put a cigarette in his mouth and lighted it for him. I was thinking about Kapper, then, and I didn't pay much attention. I only caught a glimpse of the man's face as he straightened up. I didn't realize until later that he looked familiar. We got Kapper inside the shack. It turned out to be a cheap bar, with a couple of curtained booths at the back. We got him into one and pulled the curtain in a lot of curious faces. Kapper dragged hard on the cigarette. The man that gave it to him was gone. Bucky said gently, "Okay, Sam. Relax. What's the trouble?" Kapper tried to straighten up. He hadn't shaved. The lean hard lines of his face had gone slack and his eyes were bloodshot. He was covered with mud, and his mouth twitched like a sick old man's. He said thickly, "I found it. I said I'd do it, and I did. I found it and brought it out." The cigarette stub fell out of his mouth. He didn't notice it. "Help me," he said simply. "I'm scared." His mouth drooled. "I got it hidden. They want to find out, but I won't tell 'em. It's got to go back. Back where I found it. I tried to take it, but they wouldn't let me, and I was afraid they'd find it...." He reached suddenly and grabbed the edge of the table. "I don't know how they found out about it, but they did. I've got to get it back. I've got to...." Bucky looked at me. Kapper was blue around the mouth. I was scared, suddenly. I said, "Get what back where?" Bucky got up. "I'll get a doctor," he said. "Stick with him." Kapper grabbed his wrist. Kapper's nails were blue and the cords in his hands stood out like guy wires. "Don't leave me. Got to tell you—where it is. Got to take it back. Promise you'll take it back." He gasped and struggled over his breathing. "Sure," said Bucky. "Sure, well take it back. What is it?" Kapper's face was horrible. I felt sick, listening to him fight for air. I wanted to go for a doctor anyway, but somehow I knew it was no use. Kapper whispered, " Cansin . Male. Only one. You don't know...! Take him back." "Where is it, Sam?" I reached across Bucky suddenly and jerked the curtain back. Beamish was standing there. Beamish, bent over, with his ear cocked. Kapper made a harsh strangling noise and fell across the table. Beamish never changed expression. He didn't move while Bucky felt Kapper's pulse. Bucky didn't need to say anything. We knew. "Heart?" said Beamish finally. "Yeah," said Bucky. He looked as bad as I felt. "Poor Sam." I looked at the cigarette stub smoldering on the table. I looked at Beamish with his round dead baby face. I climbed over Shannon and pushed Beamish suddenly down into his lap. "Keep this guy here till I get back," I said. Shannon stared at me. Beamish started to get indignant. "Shut up," I told him. "We got a contract." I yanked the curtains shut and walked over to the bar. I began to notice something, then. There were quite a lot of men in the place. At first glance they looked okay—a hard-faced, muscular bunch of miners in dirty shirts and high boots. Then I looked at their hands. They were dirty enough. But they never did any work in a mine, on Venus or anywhere else. The place was awfully quiet, for that kind of a place. The bartender was a big pot-bellied swamp-edger with pale eyes and thick white hair coiled up on top of his bullet head. He was not happy. I leaned on the bar. " Lhak ," I said. He poured it, sullenly, out of a green bottle. I reached for it, casually. "That guy we brought in," I said. "He sure has a skinful. Passed out cold. What's he been spiking his drinks with?" " Selak ," said a voice in my ear. "As if you didn't know." I turned. The man who had given Kapper the cigarette was standing behind me. And I remembered him, then.
train	63109	[ "What effects do the Green Flame rocks have?\n", "Why is Grannie Annie so concerned about the Green Flame’s whereabouts?", "What makes Grannie Annie's writing remarkable?", "Why is Billy so drawn to Grannie Annie? ", "What is Grannie Annie referring to when she says \"the I.P men aren't strong enough?\" ", "What is true about Doctor Universe?", "Why are people after Grannie Annie? ", "How will the story likely continue?" ]	[ [ "It makes people lethargic and easily manipulated.\n", "They spread radioactivity to people and make them ill. ", "They influence people to take power over other people. ", "They are electromagnetic and shock people. " ], [ "She wants to finish writing her story about them and needs to see them again.", "She believes that Doctor Universe is using to for his show to manipulate people.", "The current political climate is restless, and if used Green Flames could lead to a disaster.", "She wants it for herself and to continue researching the effects of Green Flame." ], [ "She isn't a writer of any notararitey. ", "She is an esteemed actor on top of being a writer. ", "She writes intense science fiction. ", "Her science fiction stories are typical, but she visits the locations she writes about and does so authentically. " ], [ "She knows about the Green Flame and Billy wants to know more about them. ", "Her writing wows him. ", "She's a famous author. He's naturally drawn to that fame. ", "She's an eccentric adventurer at heart, and compelling. " ], [ "She doesn't feel that the I.P men are serving well enough. ", "Just that - that the local law enforcement should be stronger. ", "She knows that as the politcal climate worsens, the I.P won't be able to keep up with the chaos. ", "The I.P men weren't quick enough to protect Billy and her from the attack. " ], [ "His audience reacts so well to him because much of the population is under the influence of Green Flame. ", "He knows about the whereabouts of Green Flame and is hiding it from Grannie Annie. ", "There is nothing of note to him. He is just a popular TV personaility. ", "He is using Green Flame himsel to influence his audience and force them to watch. He is the one who stole it. " ], [ "She entered the Spacemen's Club, which she was not allowed to do as a woman. ", "She was on Doctor Universe's show. ", "She knows too much about the Green Flames and they want to prevent her from obtaining it. ", "As a prolific author who travel a lot, she's made a lot of enemies. " ], [ "The group will continue to search for a way to get to the Green Flames. ", "The Green Flames will make Grannie Annie lose her drive to obtain them. ", "Grannie Annie will leave the storage of Green Flame behind, since she can’t get through the glass.", "arn will betray the duo and take the lot for himself." ] ]	[ 1, 3, 4, 4, 3, 1, 3, 1 ]	[ 0, 1, 1, 1, 1, 0, 1, 0 ]	Doctor Universe By CARL JACOBI Grannie Annie, who wrote science fiction under the nom de plume of Annabella C. Flowers, had stumbled onto a murderous plot more hair-raising than any she had ever concocted. And the danger from the villain of the piece didn't worry her—I was the guy he was shooting at. [Transcriber's Note: This etext was produced from Planet Stories Fall 1944. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] I was killing an hour in the billiard room of the Spacemen's Club in Swamp City when the Venusian bellboy came and tapped me on the shoulder. "Beg pardon, thir," he said with his racial lisp, "thereth thome one to thee you in the main lounge." His eyes rolled as he added, "A lady!" A woman here...! The Spacemen's was a sanctuary, a rest club where in-coming pilots and crewmen could relax before leaving for another voyage. The rule that no females could pass its portals was strictly enforced. I followed the bellhop down the long corridor that led to the main lounge. At the threshold I jerked to a halt and stared incredulously. Grannie Annie! There she stood before a frantically gesticulating desk clerk, leaning on her faded green umbrella. A little wisp of a woman clad in a voluminous black dress with one of those doily-like caps on her head, tied by a ribbon under her chin. Her high-topped button shoes were planted firmly on the varpla carpet and her wrinkled face was set in calm defiance. I barged across the lounge and seized her hand. "Grannie Annie! I haven't seen you in two years." "Hi, Billy-boy," she greeted calmly. "Will you please tell this fish-face to shut up." The desk clerk went white. "Mithter Trenwith, if thith lady ith a friend of yourth, you'll have to take her away. It'th abtholutely againth the ruleth...." "Okay, okay," I grinned. "Look, we'll go into the grille. There's no one there at this hour." In the grille an equally astonished waiter served us—me a lime rickey and Grannie Annie her usual whisky sour—I waited until she had tossed the drink off at a gulp before I set off a chain of questions: "What the devil are you doing on Venus? Don't you know women aren't allowed in the Spacemen's ? What happened to the book you were writing?" "Hold it, Billy-boy." Laughingly she threw up both hands. "Sure, I knew this place had some antiquated laws. Pure fiddle-faddle, that's what they are. Anyway, I've been thrown out of better places." She hadn't changed. To her publishers and her readers she might be Annabella C. Flowers, author of a long list of science fiction novels. But to me she was still Grannie Annie, as old-fashioned as last year's hat, as modern as an atomic motor. She had probably written more drivel in the name of science fiction than anyone alive. But the public loved it. They ate up her stories, and they clamored for more. Her annual income totaled into six figures, and her publishers sat back and massaged their digits, watching their earnings mount. One thing you had to admit about her books. They may have been dime novels, but they weren't synthetic. If Annabella C. Flowers wrote a novel, and the locale was the desert of Mars, she packed her carpet bag and hopped a liner for Craterville. If she cooked up a feud between two expeditions on Callisto, she went to Callisto. She was the most completely delightful crackpot I had ever known. "What happened to Guns for Ganymede ?" I asked. "That was the title of your last, wasn't it?" Grannie spilled a few shreds of Martian tobacco onto a paper and deftly rolled herself a cigarette. "It wasn't Guns , it was Pistols ; and it wasn't Ganymede , it was Pluto ." I grinned. "All complete, I'll bet, with threats against the universe and beautiful Earth heroines dragged in by the hair." "What else is there in science fiction?" she demanded. "You can't have your hero fall in love with a bug-eyed monster." Up on the wall a clock chimed the hour. The old woman jerked to her feet. "I almost forgot, Billy-boy. I'm due at the Satellite Theater in ten minutes. Come on, you're going with me." Before I realized it, I was following her through the lounge and out to the jetty front. Grannie Annie hailed a hydrocar. Five minutes later we drew up before the big doors of the Satellite . They don't go in for style in Swamp City. A theater to the grizzled colonials on this side of the planet meant a shack on stilts over the muck, zilcon wood seats and dingy atobide lamps. But the place was packed with miners, freight-crew-men—all the tide and wash of humanity that made Swamp City the frontier post it is. In front was a big sign. It read: ONE NIGHT ONLY DOCTOR UNIVERSE AND HIS NINE GENIUSES THE QUESTION PROGRAM OF THE SYSTEM As we strode down the aisle a mangy-looking Venusian began to pound a tinpan piano in the pit. Grannie Annie pushed me into a seat in the front row. "Sit here," she said. "I'm sorry about all this rush, but I'm one of the players in this shindig. As soon as the show is over, we'll go somewhere and talk." She minced lightly down the aisle, climbed the stage steps and disappeared in the wings. "That damned fossilized dynamo," I muttered. "She'll be the death of me yet." The piano struck a chord in G, and the curtain went rattling up. On the stage four Earthmen, two Martians, two Venusians, and one Mercurian sat on an upraised dais. That is to say, eight of them sat. The Mercurian, a huge lump of granite-like flesh, sprawled there, palpably uncomfortable. On the right were nine visi sets, each with its new improved pantascope panel and switchboard. Before each set stood an Earthman operator. A tall man, clad in a claw-hammer coat, came out from the wings and advanced to the footlights. "People of Swamp City," he said, bowing, "permit me to introduce myself. I am Doctor Universe, and these are my nine experts." There was a roar of applause from the Satellite audience. When it had subsided, the man continued: "As most of you are familiar with our program, it will be unnecessary to give any advance explanation. I will only say that on this stage are nine visi sets, each tuned to one of the nine planets. At transmitting sets all over these planets listeners will appear and voice questions. These questions, my nine experts will endeavor to answer. For every question missed, the sender will receive a check for one thousand planetoles . "One thing more. As usual we have with us a guest star who will match her wits with the experts. May I present that renowned writer of science fiction, Annabella C. Flowers." From the left wing Grannie Annie appeared. She bowed and took her place on the dais. The Doctor's program began. The operator of the Earth visi twisted his dials and nodded. Blue light flickered on the pantascope panel to coalesce slowly into the face of a red-haired man. Sharp and dear his voice echoed through the theater: " Who was the first Earthman to titter the sunward side of Mercury? " Doctor Universe nodded and turned to Grannie Annie who had raised her hand. She said quietly: "Charles Zanner in the year 2012. In a specially constructed tracto-car." And so it went. Questions from Mars, from Earth, from Saturn flowed in the visi sets. Isolated miners on Jupiter, dancers in swank Plutonian cafes strove to stump the experts. With Doctor Universe offering bantering side play, the experts gave their answers. When they failed, or when the Truthicator flashed a red light, he announced the name of the winner. It grew a little tiresome after a while and I wondered why Grannie had brought me here. And then I began to notice things. The audience in the Satellite seemed to have lost much of its original fervor. They applauded as before but they did so only at the signal of Doctor Universe. The spell created by the man was complete. Pompous and erect, he strode back and forth across the stage like a general surveying his army. His black eyes gleamed, and his thin lips were turned in a smile of satisfaction. When the last question had been answered I joined the exit-moving crowd. It was outside under the street marquee that a strange incident occurred. A yellow-faced Kagor from the upper Martian desert country shuffled by, dragging his cumbersome third leg behind him. Kagors, of course, had an unpleasant history of persecution since the early colonization days of the Red Planet. But the thing that happened there was a throw back to an earlier era. Someone shouted, "Yah, yellow-face! Down with all Kagors!" As one man the crowd took up the cry and surged forward. The helpless Kagor was seized and flung to the pavement. A knife appeared from nowhere, snipped the Martian's single lock of hair. A booted foot bludgeoned into his mouth. Moments later an official hydrocar roared up and a dozen I.P. men rushed out and scattered the crowd. But a few stragglers lingered to shout derisive epithets. Grannie Annie came out from behind the box office then. She took my arm and led me around a corner and through a doorway under a sign that read THE JET. Inside was a deep room with booths along one wall. The place was all but deserted. In a booth well toward the rear the old lady surveyed me with sober eyes. "Billy-boy, did you see the way that crowd acted?" I nodded. "As disgraceful an exhibition as I've ever seen. The I.P. men ought to clamp down." "The I.P. men aren't strong enough." She said it quietly, but there was a glitter in her eyes and a harsh line about her usually smiling lips. "What do you mean?" For a moment the old lady sat there in silence; then she leaned back, closed her eyes, and I knew there was a story coming. "My last book, Death In The Atom , hit the stands last January," she began. "When it was finished I had planned to take a six months' vacation, but those fool publishers of mine insisted I do a sequel. Well, I'd used Mars and Pluto and Ganymede as settings for novels, so for this one I decided on Venus. I went to Venus City, and I spent six weeks in-country. I got some swell background material, and I met Ezra Karn...." "Who?" I interrupted. "An old prospector who lives out in the deep marsh on the outskirts of Varsoom country. To make a long story short, I got him talking about his adventures, and he told me plenty." The old woman paused. "Did you ever hear of the Green Flames?" she asked abruptly. I shook my head. "Some new kind of ..." "It's not a new kind of anything. The Green Flame is a radio-active rock once found on Mercury. The Alpha rays of this rock are similar to radium in that they consist of streams of material particles projected at high speed. But the character of the Gamma rays has never been completely analyzed. Like those set up by radium, they are electromagnetic pulsations, but they are also a strange combination of Beta or cathode rays with negatively charged electrons. "When any form of life is exposed to these Gamma rays from the Green Flame rock, they produce in the creature's brain a certain lassitude and lack of energy. As the period of exposure increases, this condition develops into a sense of impotence and a desire for leadership or guidance. Occasionally, as with the weak-willed, there is a spirit of intolerance. The Green Flames might be said to be an inorganic opiate, a thousand times more subtle and more powerful than any known drug." I was sitting up now, hanging on to the woman's every word. "Now in 2710, as you'd know if you studied your history, the three planets of Earth, Venus, and Mars were under governmental bondage. The cruel dictatorship of Vennox I was short-lived, but it lasted long enough to endanger all civilized life. "The archives tell us that one of the first acts of the overthrowing government was to cast out all Green Flames, two of which Vennox had ordered must be kept in each household. The effect on the people was immediate. Representative government, individual enterprise, freedom followed." Grannie Annie lit a cigarette and flipped the match to the floor. "To go back to my first trip to Venus. As I said, I met Ezra Karn, an old prospector there in the marsh. Karn told me that on one of his travels into the Varsoom district he had come upon the wreckage of an old space ship. The hold of that space ship was packed with Green Flames!" If Grannie expected me to show surprise at that, she was disappointed. I said, "So what?" "So everything, Billy-boy. Do you realize what such a thing would mean if it were true? Green Flames were supposedly destroyed on all planets after the Vennox regime crashed. If a quantity of the rock were in existence, and it fell into the wrong hands, there'd be trouble. "Of course, I regarded Karn's story as a wild dream, but it made corking good story material. I wrote it into a novel, and a week after it was completed, the manuscript was stolen from my study back on Earth." "I see," I said as she lapsed into silence. "And now you've come to the conclusion that the details of your story were true and that someone is attempting to put your plot into action." Grannie nodded. "Yes," she said. "That's exactly what I think." I got my pipe out of my pocket, tamped Martian tobacco into the bowl and laughed heartily. "The same old Flowers," I said. "Tell me, who's your thief ... Doctor Universe?" She regarded me evenly. "What makes you say that?" I shrugged. "The way the theater crowd acted. It all ties in." The old woman shook her head. "No, this is a lot bigger than a simple quiz program. The theater crowd was but a cross-section of what is happening all over the System. There have been riots on Earth and Mars, police officials murdered on Pluto and a demand that government by representation be abolished on Jupiter. The time is ripe for a military dictator to step in. "And you can lay it all to the Green Flames. It seems incredible that a single shipload of the ore could effect such a wide ranged area, but in my opinion someone has found a means of making that quantity a thousand times more potent and is transmiting it en masse ." If it had been anyone but Grannie Annie there before me, I would have called her a fool. And then all at once I got an odd feeling of approaching danger. "Let's get out of here," I said, getting up. Zinnng-whack! "All right!" On the mirror behind the bar a small circle with radiating cracks appeared. On the booth wall a scant inch above Grannie's head the fresco seemed to melt away suddenly. A heat ray! Grannie Annie leaped to her feet, grasped my arm and raced for the door. Outside a driverless hydrocar stood with idling motors. The old woman threw herself into the control seat, yanked me in after her and threw over the starting stud. An instant later we were plunging through the dark night. Six days after leaving Swamp City we reached Level Five, the last outpost of firm ground. Ahead lay the inner marsh, stretching as far as the eye could reach. Low islands projected at intervals from the thick water. Mold balls, two feet across, drifted down from the slate-gray sky like puffs of cotton. We had traveled this far by ganet , the tough little two headed pack animal of the Venus hinterland. Any form of plane or rocket would have had its motor instantly destroyed, of course, by the magnetic force belt that encircled the planet's equator. Now our drivers changed to boatmen, and we loaded our supplies into three clumsy jagua canoes. It was around the camp fire that night that Grannie took me into her confidence for the first time since we had left Swamp City. "We're heading directly for Varsoom country," she said. "If we find Ezra Karn so much the better. If we don't, we follow his directions to the lost space ship. Our job is to find that ore and destroy it. You see, I'm positive the Green Flames have never been removed from the ship." Sleep had never bothered me, yet that night I lay awake for hours tossing restlessly. The thousand sounds of the blue marsh droned steadily. And the news broadcast I had heard over the portable visi just before retiring still lingered in my mind. To a casual observer that broadcast would have meant little, a slight rebellion here, an isolated crime there. But viewed from the perspective Grannie had given me, everything dovetailed. The situation on Jupiter was swiftly coming to a head. Not only had the people on that planet demanded that representative government be abolished, but a forum was now being held to find a leader who might take complete dictatorial control. Outside a whisper-worm hissed softly. I got up and strode out of my tent. For some time I stood there, lost in thought. Could I believe Grannie's incredible story? Or was this another of her fantastic plots which she had skilfully blended into a novel? Abruptly I stiffened. The familiar drone of the marsh was gone. In its place a ringing silence blanketed everything. And then out in the gloom a darker shadow appeared, moving in undulating sweeps toward the center of the camp. Fascinated, I watched it advance and retreat, saw two hyalescent eyes swim out of the murk. It charged, and with but a split second to act, I threw myself flat. There was a rush of mighty wings as the thing swept over me. Sharp talons raked my clothing. Again it came, and again I rolled swiftly, missing the thing by the narrowest of margins. From the tent opposite a gaunt figure clad in a familiar dress appeared. Grannie gave a single warning: "Stand still!" The thing in the darkness turned like a cam on a rod and drove at us again. This time the old woman's heat gun clicked, and a tracery of purple flame shot outward. A horrible soul-chilling scream rent the air. A moment later something huge and heavy scrabbled across the ground and shot aloft. Grannie Annie fired with deliberate speed. I stood frozen as the diminuendo of its wild cries echoed back to me. "In heaven's name, what was it?" "Hunter-bird," Grannie said calmly. "A form of avian life found here in the swamp. Harmless in its wild state, but when captured, it can be trained to pursue a quarry until it kills. It has a single unit brain and follows with a relentless purpose." "Then that would mean...?" "That it was sent by our enemy, the same enemy that shot at us in the cafe in Swamp City. Exactly." Grannie Annie halted at the door of her tent and faced me with earnest eyes. "Billy-boy, our every move is being watched. From now on it's the survival of the fittest." The following day was our seventh in the swamp. The water here resembled a vast mosaic, striped and cross-striped with long winding ribbons of yellowish substance that floated a few inches below the surface. The mold balls coming into contact with the evonium water of the swamp had undergone a chemical change and evolved into a cohesive multi-celled marine life that lived and died within a space of hours. The Venusians paddled with extreme care. Had one of them dipped his hand into one of those yellow streaks, he would have been devoured in a matter of seconds. At high noon by my Earth watch I sighted a low white structure on one of the distant islands. Moments later we made a landing at a rude jetty, and Grannie Annie was introducing me to Ezra Karn. He was not as old a man as I had expected, but he was ragged and unkempt with iron gray hair falling almost to his shoulders. He was dressed in varpa cloth, the Venus equivalent of buckskin, and on his head was an enormous flop-brimmed hat. "Glad to meet you," he said, shaking my hand. "Any friend of Miss Flowers is a friend of mine." He ushered us down the catwalk into his hut. The place was a two room affair, small but comfortable. The latest type of visi set in one corner showed that Karn was not isolated from civilization entirely. Grannie Annie came to the point abruptly. When she had explained the object of our trip, the prospector became thoughtful. "Green Flames, eh?" he repeated slowly. "Well yes, I suppose I could find that space ship again. That is, if I wanted to." "What do you mean?" Grannie paused in the act of rolling herself a cigarette. "You know where it is, don't you?" "Ye-s," Karn nodded. "But like I told you before, that ship lies in Varsoom country, and that isn't exactly a summer vacation spot." "What are the Varsoom?" I asked. "A native tribe?" Karn shook his head. "They're a form of life that's never been seen by Earthmen. Strictly speaking, they're no more than a form of energy." "Dangerous?" "Yes and no. Only man I ever heard of who escaped their country outside of myself was the explorer, Darthier, three years ago. I got away because I was alone, and they didn't notice me, and Darthier escaped because he made 'em laugh." "Laugh?" A scowl crossed Grannie's face. "That's right," Karn said. "The Varsoom have a strange nervous reaction that's manifested by laughing. But just what it is that makes them laugh, I don't know." Food supplies and fresh drinking water were replenished at the hut. Several mold guns were borrowed from the prospector's supply to arm the Venusians. And then as we were about to leave, Karn suddenly turned. "The Doctor Universe program," he said. "I ain't missed one in months. You gotta wait 'til I hear it." Grannie frowned in annoyance, but the prospector was adamant. He flipped a stud, twisted a dial and a moment later was leaning back in a chair, listening with avid interest. It was the same show I had witnessed back in Swamp City. Once again I heard questions filter in from the far outposts of the System. Once again I saw the commanding figure of the quiz master as he strode back and forth across the stage. And as I sat there, looking into the visi screen, a curious numbing drowsiness seemed to steal over me and lead my thoughts far away. Half an hour later we headed into the unknown. The Venusian boatmen were ill-at-ease now and jabbered among themselves constantly. We camped that night on a miserable little island where insects swarmed about us in hordes. The next day an indefinable wave of weariness and despondency beset our entire party. I caught myself musing over the futility of the venture. Only the pleadings of Grannie Annie kept me from turning back. On the morrow I realized the truth in her warning, that all of us had been exposed to the insidious radiations. After that I lost track of time. Day after day of incessant rain ... of steaming swamp.... But at length we reached firm ground and began our advance on foot. It was Karn who first sighted the ship. Striding in the lead, he suddenly halted at the top of a hill and leveled his arm before him. There it lay, a huge cigar-shaped vessel of blackened arelium steel, half buried in the swamp soil. "What's that thing on top?" Karn demanded, puzzled. A rectangular metal envelope had been constructed over the stern quarters of the ship. Above this structure were three tall masts. And suspended between them was a network of copper wire studded with white insulators. Grannie gazed a long moment through binoculars. "Billy-boy, take three Venusians and head across the knoll," she ordered. "Ezra and I will circle in from the west. Fire a gun if you strike trouble." But we found no trouble. The scene before us lay steeped in silence. Moments later our two parties converged at the base of the great ship. A metal ladder extended from the envelope down the side of the vessel. Mid-way we could see a circular hatch-like door. "Up we go, Billy-boy." Heat gun in readiness, Grannie Annie began to climb slowly. The silence remained absolute. We reached the door and pulled it open. There was no sign of life. "Somebody's gone to a lot of trouble here," Ezra Karn observed. Somebody had. Before us stretched a narrow corridor, flanked on the left side by a wall of impenetrable stepto glass. The corridor was bare of furnishings. But beyond the glass, revealed to us in mocking clarity, was a high panel, studded with dials and gauges. Even as we looked, we could see liquid pulse in glass tubes, indicator needles swing slowly to and fro. Grannie nodded. "Some kind of a broadcasting unit. The Green Flames in the lower hold are probably exposed to a tholpane plate and their radiations stepped up by an electro-phosicalic process." Karn raised the butt of his pistol and brought it crashing against the glass wall. His arm jumped in recoil, but the glass remained intact. "You'll never do it that way," Grannie said. "Nothing short of an atomic blast will shatter that wall. It explains why there are no guards here. The mechanism is entirely self-operating. Let's see if the Green Flames are more accessible." In the lower hold disappointment again confronted us. Visible in the feeble shafts of daylight that filtered through cracks in the vessel's hull were tiers of rectangular ingots of green iridescent ore. Suspended by insulators from the ceiling over them was a thick metal plate. But between was a barrier. A wall of impenetrable stepto glass. Grannie stamped her foot. "It's maddening," she said. "Here we are at the crux of the whole matter, and we're powerless to make a single move."
train	62324	[ "Why does Joseph lie about the water supply?", "What is \"La-anago Yergis\"?", "Why do Harvey and Joe change thier plan when confronting Johnson about the water?", "What makes Johnson's son so different?", "How is Joe's asteroid fever cured? ", "Johnson claims to have a multitude of jobs. Which title best describes him and what he does? ", "Why does Johnson stay on the asteroid, even though few people come by? ", "How does Johnson trick the duo into paying for things more than once?" ]	[ [ "There isn't a lot of water there, and he needs to be able to ration it out. ", "He wants people to believe they need to pay for it. ", "He wants to keep the fresh water for himself. ", "He thinks that people would prefer to buy filtered water. " ], [ "It's a panacea that can cure any ailment. ", "It's medicine. It's a cure for \"asteroid fever.\" ", "It's purified water. ", "It's a placebo. It's not real medicine. " ], [ "Joe suddenly feels unwell, and Harvey needs to help him. ", "They want to buy Genius, and don't want there to be bad blood. ", "Joseph's son is large and intimidating, and they want to avoid a fight. ", "They don't think they could take Joseph in a fight. " ], [ "He grew up without Earth's gravity, allowing him to grow larger than most people.", "He is much larger than the average man. ", "Like Genius, he is not human. ", "He's been living isolated from other humans with his father. " ], [ "The La-anago Yergis cures him.", "Nothing does - his sickness was a ruse. ", "The bitter water that Harvey switched in cures him. ", "The fresh water from the planet cures him. " ], [ "Conman. ", "Bartender. ", "Mayor. ", "Sheriff. " ], [ "Here he's able to meet traders like Harvey and Joe and barter with them. ", "He's able to run business even with few customers. ", "Here he's able to take advantage of travelers who are lost or in need of supplies. ", "He doesn't want to give up the spring of water. " ], [ "He strong arms them into buying with his son.", "He is dishonest. He offers something for free, without mentioning the actual price of it or that there even is a price.", "He takes advantage of their good will. ", "He doesn't trick anyone - he is an honest man that is running several jobs. " ] ]	[ 2, 4, 3, 1, 2, 1, 3, 2 ]	[ 1, 1, 1, 1, 1, 1, 0, 0 ]	GRIFTERS' ASTEROID By H. L. GOLD Harvey and Joe were the slickest con-men ever to gyp a space-lane sucker. Or so they thought! Angus Johnson knew differently. He charged them five buckos for a glass of water—and got it! [Transcriber's Note: This etext was produced from Planet Stories May 1943. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] Characteristically, Harvey Ellsworth tried to maintain his dignity, though his parched tongue was almost hanging out. But Joe Mallon, with no dignity to maintain, lurched across the rubbish-strewn patch of land that had been termed a spaceport. When Harvey staggered pontifically into the battered metalloy saloon—the only one on Planetoid 42—his tall, gangling partner was already stumbling out, mouthing something incoherent. They met in the doorway, violently. "We're delirious!" Joe cried. "It's a mirage!" "What is?" asked Harvey through a mouthful of cotton. Joe reeled aside, and Harvey saw what had upset his partner. He stared, speechless for once. In their hectic voyages from planet to planet, the pair of panacea purveyors had encountered the usual strange life-forms. But never had they seen anything like the amazing creature in that colonial saloon. Paying no attention to them, it was carrying a case of liquor in two hands, six siphons in two others, and a broom and dustpan in the remaining pair. The bartender, a big man resembling the plumpish Harvey in build, was leaning negligently on the counter, ordering this impossible being to fill the partly-emptied bottles, squeeze fruit juice and sweep the floor, all of which the native did simultaneously. "Nonsense," Harvey croaked uncertainly. "We have seen enough queer things to know there are always more." He led the way inside. Through thirst-cracked lips he rasped: "Water—quick!" Without a word, the bartender reached under the counter, brought out two glasses of water. The interplanetary con-men drank noisily, asked for more, until they had drunk eight glasses. Meanwhile, the bartender had taken out eight jiggers and filled them with whiskey. Harvey and Joe were breathing hard from having gulped the water so fast, but they were beginning to revive. They noticed the bartender's impersonal eyes studying them shrewdly. "Strangers, eh?" he asked at last. "Solar salesmen, my colonial friend," Harvey answered in his usual lush manner. "We purvey that renowned Martian remedy, La-anago Yergis , the formula for which was recently discovered by ourselves in the ancient ruined city of La-anago. Medical science is unanimous in proclaiming this magic medicine the sole panacea in the entire history of therapeutics." "Yeah?" said the bartender disinterestedly, polishing the chaser glasses without washing them. "Where you heading?" "Out of Mars for Ganymede. Our condenser broke down, and we've gone without water for five ghastly days." "Got a mechanic around this dumping ground you call a port?" Joe asked. "We did. He came near starving and moved on to Titan. Ships don't land here unless they're in trouble." "Then where's the water lead-in? We'll fill up and push off." "Mayor takes care of that," replied the saloon owner. "If you gents're finished at the bar, your drinks'll be forty buckos." Harvey grinned puzzledly. "We didn't take any whiskey." "Might as well. Water's five buckos a glass. Liquor's free with every chaser." Harvey's eyes bulged. Joe gulped. "That—that's robbery!" the lanky man managed to get out in a thin quaver. The barkeeper shrugged. "When there ain't many customers, you gotta make more on each one. Besides—" "Besides nothing!" Joe roared, finding his voice again. "You dirty crook—robbing poor spacemen! You—" "You dirty crook!" Joe roared. "Robbing honest spacemen!" Harvey nudged him warningly. "Easy, my boy, easy." He turned to the bartender apologetically. "Don't mind my friend. His adrenal glands are sometimes overactive. You were going to say—?" The round face of the barkeeper had assumed an aggrieved expression. "Folks are always thinkin' the other feller's out to do 'em," he said, shaking his head. "Lemme explain about the water here. It's bitter as some kinds of sin before it's purified. Have to bring it in with buckets and make it sweet. That takes time and labor. Waddya think—I was chargin' feller critters for water just out of devilment? I charge because I gotta." "Friend," said Harvey, taking out a wallet and counting off eight five-bucko bills, "here is your money. What's fair is fair, and you have put a different complexion on what seemed at first to be an unconscionable interjection of a middleman between Nature and man's thirst." The saloon man removed his dirty apron and came around the bar. "If that's an apology, I accept it. Now the mayor'll discuss filling your tanks. That's me. I'm also justice of the peace, official recorder, fire chief...." "And chief of police, no doubt," said Harvey jocosely. "Nope. That's my son, Jed. Angus Johnson's my name. Folks here just call me Chief. I run this town, and run it right. How much water will you need?" Joe estimated quickly. "About seventy-five liters, if we go on half rations," he answered. He waited apprehensively. "Let's say ten buckos a liter," the mayor said. "On account of the quantity, I'm able to quote a bargain price. Shucks, boys, it hurts me more to charge for water than it does for you to pay. I just got to, that's all." The mayor gestured to the native, who shuffled out to the tanks with them. The planetoid man worked the pump while the mayor intently watched the crude level-gauge, crying "Stop!" when it registered the proper amount. Then Johnson rubbed his thumb on his index finger and wetted his lips expectantly. Harvey bravely counted off the bills. He asked: "But what are we to do about replenishing our battery fluid? Ten buckos a liter would be preposterous. We simply can't afford it." Johnson's response almost floored them. "Who said anything about charging you for battery water? You can have all you want for nothing. It's just the purified stuff that comes so high." After giving them directions that would take them to the free-water pool, the ponderous factotum of Planetoid 42 shook hands and headed back to the saloon. His six-armed assistant followed him inside. "Now do you see, my hot-tempered colleague?" said Harvey as he and Joe picked up buckets that hung on the tank. "Johnson, as I saw instantly, is the victim of a difficult environment, and must charge accordingly." "Just the same," Joe griped, "paying for water isn't something you can get used to in ten minutes." In the fragile forest, they soon came across a stream that sprang from the igneous soil and splashed into the small pond whose contents, according to the mayor, was theirs for the asking. They filled their buckets and hauled them to the ship, then returned for more. It was on the sixth trip that Joe caught a glimpse of Jupiter-shine on a bright surface off to the left. The figure, 750, with the bucko sign in front of it, was still doing acrobatics inside his skull and keeping a faint suspicion alive in him. So he called Harvey and they went to investigate. Among the skimpy ground-crawling vines, they saw a long slender mound that was unmistakably a buried pipe. "What's this doing here?" Harvey asked, puzzled. "I thought Johnson had to transport water in pails." "Wonder where it leads to," Joe said uneasily. "It leads to the saloon," said Harvey, his eyes rapidly tracing the pipe back toward the spaceport. "What I am concerned with is where it leads from ." Five minutes later, panting heavily from the unaccustomed exertion of scrambling through the tangle of planetorial undergrowth, they burst into the open—before a clear, sparkling pool. Mutely, Harvey pointed out a pipe-end jutting under the water. "I am growing suspicious," he said in a rigidly controlled voice. But Joe was already on his knees, scooping up a handful of water and tasting it. "Sweet!" he snarled. They rushed back to the first pool, where Joe again tasted a sample. His mouth went wry. "Bitter! He uses only one pool, the sweet one! The only thing that needs purifying around here is that blasted mayor's conscience." "The asteroidal Poobah has tricked us with a slick come-on," said Harvey slowly. His eyes grew cold. "Joseph, the good-natured artist in me has become a hard and merciless avenger. I shall not rest until we have had the best of this colonial con-man! Watch your cues from this point hence." Fists clenched, the two returned to the saloon. But at the door they stopped and their fists unclenched. "Thought you gents were leaving," the mayor called out, seeing them frozen in the doorway. "Glad you didn't. Now you can meet my son, Jed. Him and me are the whole Earthman population of Johnson City." "You don't need any more," said Harvey, dismayed. Johnson's eight-foot son, topped by a massive roof of sun-bleached hair and held up by a foundation that seemed immovable, had obviously been born and raised in low gravity. For any decent-sized world would have kept him down near the general dimensions of a man. He held out an acre of palm. Harvey studied it worriedly, put his own hand somewhere on it, swallowed as it closed, then breathed again when his fingers were released in five units instead of a single compressed one. "Pleased to meet you," piped a voice that had never known a dense atmosphere. The pursuit of vengeance, Harvey realized, had taken a quick and unpleasant turn. Something shrewd was called for.... "Joseph!" he exclaimed, looking at his partner in alarm. "Don't you feel well?" Even before the others could turn to him, Joe's practiced eyes were gently crossing. He sagged against the door frame, all his features drooping like a bloodhound's. "Bring him in here!" Johnson cried. "I mean, get him away! He's coming down with asteroid fever!" "Of course," replied Harvey calmly. "Any fool knows the first symptoms of the disease that once scourged the universe." "What do you mean, once ?" demanded Johnson. "I come down with it every year, and I ain't hankering to have it in an off-season. Get him out of here!" "In good time. He can't be moved immediately." "Then he'll be here for months!" Harvey helped Joe to the counter and lifted him up on it. The mayor and his gigantic offspring were cowering across the room, trying to breathe in tiny, uncontaminating gasps. "You'll find everything you want in the back room," Johnson said frantically, "sulfopyridine, mustard plasters, rubs, inhalers, suction cups—" "Relics of the past," Harvey stated. "One medication is all modern man requires to combat the dread menace, asteroid fever." "What's that?" asked the mayor without conviction. Instead of replying, Harvey hurried outside to the ungainly second-hand rocket ship in the center of the shabby spaceport. He returned within a few minutes, carrying a bottle. Joe was still stretched out on the bar, panting, his eyes slowly crossing and uncrossing. Harvey lifted the patient's head tenderly, put the bottle to his lips and tilted it until he was forced to drink. When Joe tried to pull away, Harvey was inexorable. He made his partner drink until most of the liquid was gone. Then he stepped back and waited for the inevitable result. Joe's performance was better than ever. He lay supine for several moments, his face twisted into an expression that seemed doomed to perpetual wryness. Slowly, however, he sat up and his features straightened out. "Are—are you all right?" asked the mayor anxiously. "Much better," said Joe in a weak voice. "Maybe you need another dose," Harvey suggested. Joe recoiled. "I'm fine now!" he cried, and sprang off the bar to prove it. Astonished, Johnson and his son drew closer. They searched Joe's face, and then the mayor timidly felt his pulse. "Well, I'll be hanged!" Johnson ejaculated. " La-anago Yergis never fails, my friend," Harvey explained. "By actual test, it conquers asteroid fever in from four to twenty-three minutes, depending on the severity of the attack. Luckily, we caught this one before it grew formidable." The mayor's eyes became clouded mirrors of an inward conflict. "If you don't charge too much," he said warily, "I might think of buying some." "We do not sell this unbelievable remedy," Harvey replied with dignity. "It sells itself." "'Course, I'd expect a considerable reduction if I bought a whole case," said Johnson. "That would be the smallest investment you could make, compared with the vast loss of time and strength the fever involves." "How much?" asked the mayor unhappily. "For you, since you have taken us in so hospitably, a mere five hundred buckos." Johnson did not actually stagger back, but he gave the impression of doing so. "F-four hundred," he offered. "Not a red cent less than four seventy-five," Harvey said flatly. "Make it four fifty," quavered Johnson. "I dislike haggling," said Harvey. The final price, however, was four hundred and sixty-nine buckos and fifty redsents. Magnanimously, Harvey added: "And we will include, gratis , an elegant bottle-opener, a superb product of Mercurian handicraftsmanship." Johnson stabbed out a warning finger. "No tricks now. I want a taste of that stuff. You're not switching some worthless junk on me." Harvey took a glass from the bar and poured him a generous sample. The mayor sniffed it, grimaced, then threw it down his gullet. The ensuing minute saw a grim battle between a man and his stomach, a battle which the man gradually won. "There ain't no words for that taste," he gulped when it was safe to talk again. "Medicine," Harvey propounded, "should taste like medicine." To Joe he said: "Come, my esteemed colleague. We must perform the sacred task to which we have dedicated ourselves." With Joe stumbling along behind, he left the saloon, crossed the clearing and entered the ship. As soon as they were inside, Joe dropped his murderous silence and cried: "What kind of a dirty trick was that, giving me poison instead of that snake oil?" "That was not poison," Harvey contradicted quietly. "It was La-anago Yergis extract, plus." "Plus what—arsenic?" "Now, Joseph! Consider my quandary when I came back here to manufacture our specific for all known ailments, with the intention of selling yonder asteroidal tin-horn a bill of medical goods—an entire case, mind you. Was I to mix the extract with the water for which we had been swindled to the tune of ten buckos a liter? Where would our profit have been, then? No; I had to use the bitter free water, of course." "But why use it on me?" Joe demanded furiously. Harvey looked reprovingly at his gangling partner. "Did Johnson ask to taste it, or did he not? One must look ahead, Joseph. I had to produce the same medicine that we will now manufacture. Thus, you were a guinea pig for a splendid cause." "Okay, okay," Joe said. "But you shoulda charged him more." "Joseph, I promise you that we shall get back every redsent of which that swindler cheated us, besides whatever other funds or valuables he possesses. We could not be content with less." "Well, we're starting all right," admitted Joe. "How about that thing with six arms? He looks like a valuable. Can't we grab him off?" Harvey stopped filling bottles and looked up pensively. "I have every hope of luring away the profitable monstrosity. Apparently you have also surmised the fortune we could make with him. At first I purpose to exhibit him on our interplanetary tours with our streamlined panacea; he would be a spectacular attraction for bucolic suckers. Later, a brief period of demonstrating his abilities on the audio-visiphone. Then our triumph—we shall sell him at a stupendous figure to the zoo!" Joe was still dazed by that monetary vista when he and Harvey carried the case of medicine to the saloon. The mayor had already cleared a place of honor in the cluttered back room, where he told them to put it down carefully. Then he took the elaborate bottle-opener Harvey gave him, reverently uncorked a bottle and sampled it. It must have been at least as good as the first; he gagged. "That's the stuff, all right," he said, swallowing hard. He counted out the money into Harvey's hand, at a moderate rate that precariously balanced between his pleasure at getting the fever remedy and his pain at paying for it. Then he glanced out to see the position of Jupiter, and asked: "You gents eaten yet? The restaurant's open now." Harvey and Joe looked at each other. They hadn't been thinking about food at all, but suddenly they realized that they were hungry. "It's only water we were short of," Harvey said apprehensively. "We've got rations back at the ship." " H-mph! " the mayor grunted. "Powdered concentrates. Compressed pap. Suit yourselves. We treat our stomachs better here. And you're welcome to our hospitality." "Your hospitality," said Harvey, "depends on the prices you charge." "Well, if that's what's worrying you, you can stop worrying," answered the mayor promptly. "What's more, the kind of dinner I serve here you can't get anywhere else for any price." Swiftly, Harvey conned the possibilities of being bilked again. He saw none. "Let's take a look at the menu, anyhow, Joe," he said guardedly. Johnson immediately fell into the role of "mine host." "Come right in, gents," he invited. "Right into the dining room." He seated them at a table, which a rope tied between posts made more or less private, though nobody else was in the saloon and there was little chance of company. Genius, the six-armed native, appeared from the dingy kitchen with two menus in one hand, two glasses of water in another, plus napkins, silverware, a pitcher, plates, saucers, cups, and their cocktails, which were on the house. Then he stood by for orders. Harvey and Joe studied the menu critically. The prices were phenomenally low. When they glanced up at Johnson in perplexity, he grinned, bowed and asked: "Everything satisfactory, gents?" "Quite," said Harvey. "We shall order." For an hour they were served amazing dishes, both fresh and canned, the culinary wealth of this planetoid and all the system. And the service was as extraordinary as the meal itself. With four hands, Genius played deftly upon a pair of mellow Venusian viotars , using his other two hands for waiting on the table. "We absolutely must purchase this incredible specimen," Harvey whispered excitedly when Johnson and the native were both in the kitchen, attending to the next course. "He would make any society hostess's season a riotous success, which should be worth a great sum to women like Mrs. van Schuyler-Morgan, merely for his hire." "Think of a fast one fast," Joe agreed. "You're right." "But I dislike having to revise my opinion of a man so often," complained Harvey. "I wish Johnson would stay either swindler or honest merchant. This dinner is worth as least twenty buckos, yet I estimate our check at a mere bucko twenty redsents." The mayor's appearance prevented them from continuing the discussion. "It's been a great honor, gents," he said. "Ain't often I have visitors, and I like the best, like you two gents." As if on cue, Genius came out and put the check down between Joe and Harvey. Harvey picked it up negligently, but his casual air vanished in a yelp of horror. "What the devil is this?" he shouted.—"How do you arrive at this fantastic, idiotic figure— three hundred and twenty-eight buckos !" Johnson didn't answer. Neither did Genius; he simply put on the table, not a fingerbowl, but a magnifying glass. With one of his thirty fingers he pointed politely to the bottom of the menu. Harvey focused on the microscopic print, and his face went pasty with rage. The minute note read: "Services and entertainment, 327 buckos 80 redsents." "You can go to hell!" Joe growled. "We won't pay it!" Johnson sighed ponderously. "I was afraid you'd act like that," he said with regret. He pulled a tin badge out of his rear pocket, pinned it on his vest, and twisted his holstered gun into view. "Afraid I'll have to ask the sheriff to take over." Johnson, the "sheriff," collected the money, and Johnson, the "restaurateur," pocketed it. Meanwhile, Harvey tipped Joe the sign to remain calm. "My friend," he said to the mayor, and his tones took on a schoolmasterish severity, "your long absence from Earth has perhaps made you forget those elements of human wisdom that have entered the folk-lore of your native planet. Such as, for example: 'It is folly to kill a goose that lays golden eggs,' and 'Penny wise is pound foolish.'" "I don't get the connection," objected Johnson. "Well, by obliging us to pay such a high price for your dinner, you put out of your reach the chance of profiting from a really substantial deal. My partner and I were prepared to make you a sizable offer for the peculiar creature you call Genius. But by reducing our funds the way you have—" "Who said I wanted to sell him?" the mayor interrupted. He rubbed his fingers together and asked disinterestedly: "What were you going to offer, anyhow?" "It doesn't matter any longer," Harvey said with elaborate carelessness. "Perhaps you wouldn't have accepted it, anyway." "That's right," Johnson came back emphatically. "But what would your offer have been which I would have turned down?" "Which one? The one we were going to make, or the one we can make now?" "Either one. It don't make no difference. Genius is too valuable to sell." "Oh, come now, Mr. Johnson. Don't tell me no amount of money would tempt you!" "Nope. But how much did you say?" "Ah, then you will consider releasing Genius!" "Well, I'll tell you something," said the mayor confidentially. "When you've got one thing, you've got one thing. But when you've got money, it's the same as having a lot of things. Because, if you've got money, you can buy this and that and this and that and—" "This and that," concluded Joe. "We'll give you five hundred buckos." "Now, gents!" Johnson remonstrated. "Why, six hundred would hardly—" "You haven't left us much money," Harvey put in. The mayor frowned. "All right, we'll split the difference. Make it five-fifty." Harvey was quick to pay out, for this was a genuine windfall. Then he stood up and admired the astonishing possession he had so inexpensively acquired. "I really hate to deprive you of this unique creature," he said to Johnson. "I should imagine you will be rather lonely, with only your filial mammoth to keep you company." "I sure will," Johnson confessed glumly. "I got pretty attached to Genius, and I'm going to miss him something awful." Harvey forcibly removed his eyes from the native, who was clearing off the table almost all at once. "My friend," he said, "we take your only solace, it is true, but in his place we can offer something no less amazing and instructive." The mayor's hand went protectively to his pocket. "What is it?" he asked with the suspicion of a man who has seen human nature at its worst and expects nothing better. "Joseph, get our most prized belonging from the communications room of the ship," Harvey instructed. To Johnson he explained: "You must see the wondrous instrument before its value can be appreciated. My partner will soon have it here for your astonishment." Joe's face grew as glum as Johnson's had been. "Aw, Harv," he protested, "do we have to sell it? And right when I thought we were getting the key!" "We must not be selfish, my boy," Harvey said nobly. "We have had our chance; now we must relinquish Fate to the hands of a man who might have more success than we. Go, Joseph. Bring it here." Unwillingly, Joe turned and shuffled out. On a larger and heavier world than Planetoid 42, Johnson's curiosity would probably have had weight and mass. He was bursting with questions, but he was obviously afraid they would cost him money. For his part, Harvey allowed that curiosity to grow like a Venusian amoeba until Joe came in, lugging a radio. "Is that what you were talking about?" the mayor snorted. "What makes you think I want a radio? I came here to get away from singers and political speech-makers." "Do not jump to hasty conclusions," Harvey cautioned. "Another word, and I shall refuse you the greatest opportunity any man has ever had, with the sole exceptions of Joseph, myself and the unfortunate inventor of this absolutely awe-inspiring device." "I ain't in the market for a radio," Johnson said stubbornly. Harvey nodded in relief. "We have attempted to repay our host, Joseph. He has spurned our generosity. We have now the chance to continue our study, which I am positive will soon reward us with the key to an enormous fortune." "Well, that's no plating off our bow," Joe grunted. "I'm glad he did turn it down. I hated to give it up after working on it for three whole years." He picked up the radio and began walking toward the door. "Now, hold on!" the mayor cried. "I ain't saying I'll buy, but what is it I'm turning down?" Joe returned and set the instrument down on the bar. His face sorrowful, Harvey fondly stroked the scarred plasticoid cabinet. "To make a long story, Mr. Johnson," he said, "Joseph and I were among the chosen few who knew the famous Doctor Dean intimately. Just before his tragic death, you will recall, Dean allegedly went insane." He banged his fist on the bar. "I have said it before, and I repeat again, that was a malicious lie, spread by the doctor's enemies to discredit his greatest invention—this fourth dimensional radio!" "This what?" Johnson blurted out. "In simple terms," clarified Harvey, "the ingenious doctor discovered that the yawning chasm between the dimensions could be bridged by energy of all quanta. There has never been any question that the inhabitants of the super-dimension would be far more civilized than ourselves. Consequently, the man who could tap their knowledge would find himself in possession of a powerful, undreamt-of science!" The mayor looked respectfully at the silent box on the bar. "And this thing gets broadcasts from the fourth dimension?" "It does, Mr. Johnson! Only charlatans like those who envied Doctor Dean's magnificent accomplishments could deny that fact." The mayor put his hands in his pockets, unswiveled one hip and stared thoughtfully at the battered cabinet. "Well, let's say it picks up fourth dimensional broadcasts," he conceded. "But how could you understand what they're saying? Folks up there wouldn't talk our language." Again Harvey smashed his fist down. "Do you dare to repeat the scurvy lie that broke Dean's spirit and drove him to suicide?" Johnson recoiled. "No—no, of course not . I mean, being up here, I naturally couldn't get all the details." "Naturally," Harvey agreed, mollified. "I'm sorry I lost my temper. But it is a matter of record that the doctor proved the broadcasts emanating from the super-dimension were in English! Why should that be so difficult to believe? Is it impossible that at one time there was communication between the dimensions, that the super-beings admired our language and adopted it in all its beauty, adding to it their own hyper-scientific trimmings?" "Why, I don't know," Johnson said in confusion. "For three years, Joseph and I lost sleep and hair, trying to detect the simple key that would translate the somewhat metamorphosed broadcasts into our primitive English. It eluded us. Even the doctor failed. But that was understandable; a sensitive soul like his could stand only so much. And the combination of ridicule and failure to solve the mystery caused him to take his own life." Johnson winced. "Is that what you want to unload on me?" "For a very good reason, sir. Patience is the virtue that will be rewarded with the key to these fourth dimensional broadcasts. A man who could devote his life to improving this lonely worldlet is obviously a person with unusual patience." "Yeah," the mayor said grudgingly, "I ain't exactly flighty." "Therefore, you are the man who could unravel the problem!" Johnson asked skeptically: "How about a sample first?"
train	52995	[ "Why was Si given a symbolic gold watch by the Department of Space Exploration?", "Why did the Department hope that Si would continue for three more space missions?", "What clearly showed a sense humbleness presented by Si?", "What was considered a downside to the space exploration by Si?", "Based on indicators in the passage, what can be inferred as the time setting of the story?", "Why did Si choose to visit Manhattan and the Kudos Room?", "After being drafted into the working force reserves, how many trips did Si have to complete in order to retire?", "What context shows that Si was able to retire from the working force reserves with honorable rank?", "What caught Natalie's attention at the Kudos Room and prompted the chat with Si?" ]	[ [ "He had just successfully completed a dangerous space mission that they were impressed with. ", "As an apology for the difficult task he had to complete while in space. ", "He was retiring from the Department.", "As a means to convince him to stay on with the Department and continue completing missions." ], [ "He didn't complain about the explorations and enjoyed his time in space.", "His required compensation was lower than the other pilots.", "It would take too long to train a new pilot to complete the explorations.", "He was the best of the best in the space exploration team." ], [ "His ability to obtain the swank suite at the hotel.", "The presence of a human bartender in the Kudos Room.", "His lack of awareness that he would be considered a celebrity at the Kudos Room.", "His quaint behavior at the banquet where he was presented with a gold watch." ], [ "The inability to start of family of his own due to being away for long periods of time. ", "The fear of contracting space cafard.", "His fear of being in the ship itself. ", "Becoming too used to being along for long periods of time. " ], [ "The present, based on the character use of credit cards.", "The past, based on the dialogue used by characters.", "The future, based on the advanced technology ", "The present, due to the government restrictions on space exploration." ], [ "In hopes of seeing and befriending a celebrity", "That's the only place that an alcoholic beverage can be legally purchased. ", "He was planning to meet an attractive woman there. ", "To celebrate his retirement and spend some of his extra funds. " ], [ "1 trip", "6 trips", "5 trips", "15 trips" ], [ "He purchased and dressed in the honorable retirement-rank suit. ", "He was granted access into the vacuum-tube two-seater for transportation. ", "His receipt of Basic onto his credit card that would fund all of his necessities. ", "He was permitted to enter the Kudos Room at the hotel." ], [ "The bartender introduced the two after serving them drinks at the same time. ", "She thought he was attractive enough and she was bored. ", "He had offered to buy her drinks all night.", "She noticed his space pin." ] ]	[ 3, 3, 3, 2, 3, 4, 2, 1, 4 ]	[ 0, 1, 1, 0, 0, 0, 0, 0, 1 ]	SPACEMAN ON A SPREE BY MACK REYNOLDS Illustrated by Nodel [Transcriber's Note: This etext was produced from Worlds of Tomorrow June 1963 Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] What's more important—Man's conquest of space, or one spaceman's life? I They gave him a gold watch. It was meant to be symbolical, of course. In the old tradition. It was in the way of an antique, being one of the timepieces made generations past in the Alpine area of Eur-Asia. Its quaintness lay in the fact that it was wound, not electronically by power-radio, but by the actual physical movements of the bearer, a free swinging rotor keeping the mainspring at a constant tension. They also had a banquet for him, complete with speeches by such bigwigs of the Department of Space Exploration as Academician Lofting Gubelin and Doctor Hans Girard-Perregaux. There was also somebody from the government who spoke, but he was one of those who were pseudo-elected and didn't know much about the field of space travel nor the significance of Seymour Pond's retirement. Si didn't bother to remember his name. He only wondered vaguely why the cloddy had turned up at all. In common with recipients of gold watches of a score of generations before him, Si Pond would have preferred something a bit more tangible in the way of reward, such as a few shares of Variable Basic to add to his portfolio. But that, he supposed, was asking too much. The fact of the matter was, Si knew that his retiring had set them back. They hadn't figured he had enough shares of Basic to see him through decently. Well, possibly he didn't, given their standards. But Space Pilot Seymour Pond didn't have their standards. He'd had plenty of time to think it over. It was better to retire on a limited crediting, on a confoundedly limited crediting, than to take the two or three more trips in hopes of attaining a higher standard. He'd had plenty of time to figure it out, there alone in space on the Moon run, there on the Venus or Mars runs. There on the long, long haul to the Jupiter satellites, fearfully checking the symptoms of space cafard, the madness compounded of claustrophobia, monotony, boredom and free fall. Plenty of time. Time to decide that a one room mini-auto-apartment, complete with an autochair and built-in autobar, and with one wall a teevee screen, was all he needed to find contentment for a mighty long time. Possibly somebody like Doc Girard-Perregaux might be horrified at the idea of living in a mini-auto-apartment ... not realizing that to a pilot it was roomy beyond belief compared to the conning tower of a space craft. No. Even as Si listened to their speeches, accepted the watch and made a halting little talk of his own, he was grinning inwardly. There wasn't anything they could do. He had them now. He had enough Basic to keep him comfortably, by his standards, for the rest of his life. He was never going to subject himself to space cafard again. Just thinking about it, now, set the tic to going at the side of his mouth. They could count down and blast off, for all he gave a damn. The gold watch idea had been that of Lofting Gubelin, which was typical, he being in the way of a living anachronism himself. In fact, Academician Gubelin was possibly the only living man on North America who still wore spectacles. His explanation was that a phobia against having his eyes touched prohibited either surgery to remould his eyeballs and cure his myopia, or contact lenses. That was only an alibi so far as his closest associate, Hans Girard-Perregaux, was concerned. Doctor Girard-Perregaux was convinced Gubelin would have even worn facial hair, had he but a touch more courage. Gubelin longed for yesteryear, a seldom found phenomenon under the Ultrawelfare State. Slumped in an autochair in the escape room of his Floridian home, Lofting Gubelin scowled at his friend. He said, acidly, "Any more bright schemes, Hans? I presume you now acknowledge that appealing to the cloddy's patriotism, sentiment and desire for public acclaim have miserably failed." Girard-Perregaux said easily, "I wouldn't call Seymour Pond a cloddy. In his position, I am afraid I would do the same thing he has." "That's nonsense, Hans. Zoroaster! Either you or I would gladly take Pond's place were we capable of performing the duties for which he has been trained. There aren't two men on North America—there aren't two men in the world!—who better realize the urgency of continuing our delving into space." Gubelin snapped his fingers. "Like that, either of us would give our lives to prevent man from completely abandoning the road to his destiny." His friend said drily, "Either of us could have volunteered for pilot training forty years ago, Lofting. We didn't." "At that time there wasn't such a blistering percentage of funkers throughout this whole blistering Ultrawelfare State! Who could foresee that eventually our whole program would face ending due to lack of courageous young men willing to take chances, willing to face adventure, willing to react to the stimulus of danger in the manner our ancestors did?" Girard-Perregaux grunted his sarcasm and dialed a glass of iced tea and tequila. He said, "Nevertheless, both you and I conform with the present generation in finding it far more pleasant to follow one's way of life in the comfort of one's home than to be confronted with the unpleasantness of facing nature's dangers in more adventurous pastimes." Gubelin, half angry at his friend's argument, leaned forward to snap rebuttal, but the other was wagging a finger at him negatively. "Face reality, Lofting. Don't require or expect from Seymour Pond more than is to be found there. He is an average young man. Born in our Ultrawelfare State, he was guaranteed his fundamental womb-to-tomb security by being issued that minimum number of Basic shares in our society that allows him an income sufficient to secure the food, clothing, shelter, medical care and education to sustain a low level of subsistence. Percentages were against his ever being drafted into industry. Automation being what it is, only a fraction of the population is ever called up. But Pond was. His industrial aptitude dossier revealed him a possible candidate for space pilot, and it was you yourself who talked him into taking the training ... pointing out the more pragmatic advantages such as complete retirement after but six trips, added shares of Basic so that he could enjoy a more comfortable life than most and the fame that would accrue to him as one of the very few who still participate in travel to the planets. Very well. He was sold. Took his training, which, of course, required long years of drudgery to him. Then, performing his duties quite competently, he made his six trips. He is now legally eligible for retirement. He was drafted into the working force reserves, served his time, and is now free from toil for the balance of his life. Why should he listen to our pleas for a few more trips?" "But has he no spirit of adventure? Has he no feeling for...." Girard-Perregaux was wagging his finger again, a gesture that, seemingly mild though it was, had an astonishing ability to break off the conversation of one who debated with the easy-seeming, quiet spoken man. He said, "No, he hasn't. Few there are who have, nowadays. Man has always paid lip service to adventure, hardships and excitement, but in actuality his instincts, like those of any other animal, lead him to the least dangerous path. Today we've reached the point where no one need face danger—ever. There are few who don't take advantage of the fact. Including you and me, Lofting, and including Seymour Pond." His friend and colleague changed subjects abruptly, impatiently. "Let's leave this blistering jabber about Pond's motivation and get to the point. The man is the only trained space pilot in the world. It will take months, possibly more than a year, to bring another novitiate pilot to the point where he can safely be trusted to take our next explorer craft out. Appropriations for our expeditions have been increasingly hard to come by—even though in our minds, Hans, we are near important breakthroughs, breakthroughs which might possibly so spark the race that a new dream to push man out to the stars will take hold of us. If it is admitted that our organization has degenerated to the point that we haven't a single pilot, then it might well be that the Economic Planning Board, and especially those cloddies on Appropriations, will terminate the whole Department of Space Exploration." "So...." Girard-Perregaux said gently. "So some way we've got to bring Seymour Pond out of his retirement!" "Now we are getting to matters." Girard-Perregaux nodded his agreement. Looking over the rim of his glass, his eyes narrowed in thought as his face took on an expression of Machiavellianism. "And do not the ends justify the means?" Gubelin blinked at him. The other chuckled. "The trouble with you, Lofting, is that you have failed to bring history to bear on our problem. Haven't you ever read of the sailor and his way of life?" "Sailor? What in the name of the living Zoroaster has the sailor got to do with it?" "You must realize, my dear Lofting, that our Si Pond is nothing more than a latter-day sailor, with many of the problems and view-points, tendencies and weaknesses of the voyager of the past. Have you never heard of the seaman who dreamed of returning to the village of his birth and buying a chicken farm or some such? All the long months at sea—and sometimes the tramp freighters or whaling craft would be out for years at a stretch before returning to home port—he would talk of his retirement and his dream. And then? Then in port, it would be one short drink with the boys, before taking his accumulated pay and heading home. The one short drink would lead to another. And morning would find him, drunk, rolled, tattooed and possibly sleeping it off in jail. So back to sea he'd have to go." Gubelin grunted bitterly. "Unfortunately, our present-day sailor can't be separated from his money quite so easily. If he could, I'd personally be willing to lure him down some dark alley, knock him over the head and roll him myself. Just to bring him back to his job again." He brought his wallet from his pocket, and flicked it open to his universal credit card. "The ultimate means of exchange," he grunted. "Nobody can spend your money, but you, yourself. Nobody can steal it, nobody can, ah, con you out of it. Just how do you expect to sever our present-day sailor and his accumulated nest egg?" The other chuckled again. "It is simply a matter of finding more modern methods, my dear chap." II Si Pond was a great believer in the institution of the spree. Any excuse would do. Back when he had finished basic education at the age of twenty-five and was registered for the labor draft, there hadn't been a chance in a hundred that he'd have the bad luck to have his name pulled. But when it had been, Si had celebrated. When he had been informed that his physical and mental qualifications were such that he was eligible for the most dangerous occupation in the Ultrawelfare State and had been pressured into taking training for space pilot, he had celebrated once again. Twenty-two others had taken the training with him, and only he and Rod Cameroon had passed the finals. On this occasion, he and Rod had celebrated together. It had been quite a party. Two weeks later, Rod had burned on a faulty take-off on what should have been a routine Moon run. Each time Si returned from one of his own runs, he celebrated. A spree, a bust, a bat, a wing-ding, a night on the town. A commemoration of dangers met and passed. Now it was all over. At the age of thirty he was retired. Law prevented him from ever being called up for contributing to the country's labor needs again. And he most certainly wasn't going to volunteer. He had taken his schooling much as had his contemporaries. There wasn't any particular reason for trying to excell. You didn't want to get the reputation for being a wise guy, or a cloddy either. Just one of the fellas. You could do the same in life whether you really studied or not. You had your Inalienable Basic stock, didn't you? What else did you need? It had come as a surprise when he'd been drafted for the labor force. In the early days of the Ultrawelfare State, they had made a mistake in adapting to the automation of the second industrial revolution. They had attempted to give everyone work by reducing the number of working hours in the day, and the number of working days in the week. It finally became ludicrous when employees of industry were working but two days a week, two hours a day. In fact, it got chaotic. It became obvious that it was more practical to have one worker putting in thirty-five hours a week and getting to know his job well, than it was to have a score of employees, each working a few hours a week and none of them ever really becoming efficient. The only fair thing was to let the technologically unemployed remain unemployed, with their Inalienable Basic stock as the equivalent of unemployment insurance, while the few workers still needed put in a reasonable number of hours a day, a reasonable number of weeks a year and a reasonable number of years in a life time. When new employees were needed, a draft lottery was held. All persons registered in the labor force participated. If you were drawn, you must need serve. The dissatisfaction those chosen might feel at their poor luck was offset by the fact that they were granted additional Variable Basic shares, according to the tasks they fulfilled. Such shares could be added to their portfolios, the dividends becoming part of their current credit balance, or could be sold for a lump sum on the market. Yes, but now it was all over. He had his own little place, his own vacuum-tube vehicle and twice the amount of shares of Basic that most of his fellow citizens could boast. Si Pond had it made. A spree was obviously called for. He was going to do this one right. This was the big one. He'd accumulated a lot of dollars these past few months and he intended to blow them, or at least a sizeable number of them. His credit card was burning a hole in his pocket, as the expression went. However, he wasn't going to rush into things. This had to be done correctly. Too many a spree was played by ear. You started off with a few drinks, fell in with some second rate mopsy and usually wound up in a third rate groggery where you spent just as much as though you'd been in the classiest joint in town. Came morning and you had nothing to show for all the dollars that had been spent but a rum-head. Thus, Si was vaguely aware, it had always been down through the centuries since the Phoenecian sailor, back from his year-long trip to the tin mines of Cornwall, blew his hard earned share of the voyage's profits in a matter of days in the wine shops of Tyre. Nobody gets quite so little for his money as that loneliest of all workers, he who must leave his home for distant lands, returning only periodically and usually with the salary of lengthy, weary periods of time to be spent hurriedly in an attempt to achieve the pleasure and happiness so long denied him. Si was going to do it differently this time. Nothing but the best. Wine, women, song, food, entertainment. The works. But nothing but the best. To start off, he dressed with great care in the honorable retirement-rank suit he had so recently purchased. His space pin he attached carefully to the lapel. That was a good beginning, he decided. A bit of prestige didn't hurt you when you went out on the town. In the Ultrawelfare State hardly one person in a hundred actually ever performed anything of value to society. The efforts of most weren't needed. Those few who did contribute were awarded honors, decorations, titles. Attired satisfactorily, Si double-checked to see that his credit card was in his pocket. As an after-thought, he went over to the auto-apartment's teevee-phone, flicked it on, held the card to the screen and said, "Balance check, please." In a moment, the teevee-phone's robot voice reported, "Ten shares of Inalienable Basic. Twelve shares of Variable Basic, current value, four thousand, two hundred and thirty-three dollars and sixty-two cents apiece. Current cash credit, one thousand and eighty-four dollars." The screen went dead. One thousand and eighty-four dollars. That was plenty. He could safely spend as much as half of it, if the spree got as lively as he hoped it would. His monthly dividends were due in another week or so, and he wouldn't have to worry about current expenses. Yes, indeedy, Si Pond was as solvent as he had ever been in his thirty years. He opened the small, closet-like door which housed his vacuum-tube two-seater, and wedged himself into the small vehicle. He brought down the canopy, dropped the pressurizer and considered the dial. Only one place really made sense. The big city. He considered for a moment, decided against the boroughs of Baltimore and Boston, and selected Manhattan instead. He had the resources. He might as well do it up brown. He dialed Manhattan and felt the sinking sensation that presaged his car's dropping to tube level. While it was being taken up by the robot controls, being shuttled here and there preparatory to the shot to his destination, he dialed the vehicle's teevee-phone for information on the hotels of the island of the Hudson. He selected a swank hostelry he'd read about and seen on the teevee casts of society and celebrity gossip reporters, and dialed it on the car's destination dial. "Nothing too good for ex-Space Pilot Si Pond," he said aloud. The car hesitated for a moment, that brief hesitation before the shot, and Si took the involuntary breath from which only heroes could refrain. He sank back slowly into the seat. Moments passed, and the direction of the pressure was reversed. Manhattan. The shuttling began again, and one or two more traversing sub-shots. Finally, the dash threw a green light and Si opened the canopy and stepped into his hotel room. A voice said gently, "If the quarters are satisfactory, please present your credit card within ten minutes." Si took his time. Not that he really needed it. It was by far the most swank suite he had ever seen. One wall was a window of whatever size the guest might desire and Si touched the control that dilated it to the full. His view opened in such wise that he could see both the Empire State Building Museum and the Hudson. Beyond the river stretched the all but endless city which was Greater Metropolis. He didn't take the time to flick on the menu, next to the auto-dining table, nor to check the endless potables on the autobar list. All that, he well knew, would be superlative. Besides, he didn't plan to dine or do much drinking in his suite. He made a mock leer. Not unless he managed to acquire some feminine companionship, that was. He looked briefly into the swimming pool and bath, then flopped himself happily onto the bed. It wasn't up to the degree of softness he presently desired, and he dialed the thing to the ultimate in that direction so that with a laugh he sank almost out of sight into the mattress. He came back to his feet, gave his suit a quick patting so that it fell into press and, taking his credit card from his pocket, put it against the teevee-phone screen and pressed the hotel button so that registration could be completed. For a moment he stood in the center of the floor, in thought. Take it easy, Si Pond, take it all easy, this time. No throwing his dollars around in second-class groggeries, no eating in automated luncheterias. This time, be it the only time in his life, he was going to frolic in the grand manner. No cloddy was Si Pond. He decided a drink was in order to help him plan his strategy. A drink at the hotel's famous Kudos Room where celebrities were reputed to be a dime a dozen. He left the suite and stepped into one of the elevators. He said, "Kudos Room." The auto-elevator murmured politely, "Yes, sir, the Kudos Room." At the door to the famous rendezvous of the swankiest set, Si paused a moment and looked about. He'd never been in a place like this, either. However, he stifled his first instinct to wonder about what this was going to do to his current credit balance with an inner grin and made his way to the bar. There was actually a bartender. Si Pond suppressed his astonishment and said, offhand, attempting an air of easy sophistication, "Slivovitz Sour." "Yes, sir." The drinks in the Kudos Room might be concocted by hand, but Si noticed they had the routine teevee screens built into the bar for payment. He put his credit card on the screen immediately before him when the drink came, and had to quell his desire to dial for a balance check, so as to be able to figure out what the Sour had cost him. Well, this was something like it. This was the sort of thing he'd dreamed about, out there in the great alone, seated in the confining conning tower of his space craft. He sipped at the drink, finding it up to his highest expectations, and then swiveled slightly on his stool to take a look at the others present. To his disappointment, there were no recognizable celebrities. None that he placed, at least—top teevee stars, top politicians of the Ultrawelfare State or Sports personalities. He turned back to his drink and noticed, for the first time, the girl who occupied the stool two down from him. Si Pond blinked. He blinked and then swallowed. " Zo-ro-as-ter ," he breathed. She was done in the latest style from Shanghai, even to the point of having cosmetically duplicated the Mongolian fold at the corners of her eyes. Every pore, but every pore, was in place. She sat with the easy grace of the Orient, so seldom found in the West. His stare couldn't be ignored. She looked at him coldly, turned to the bartender and murmured, "A Far Out Cooler, please, Fredric." Then deliberately added, "I thought the Kudos Room was supposed to be exclusive." There was nothing the bartender could say to that, and he went about building the drink. Si cleared his throat. "Hey," he said, "how about letting this one be on me?" Her eyebrows, which had been plucked and penciled to carry out her Oriental motif, rose. "Really!" she said, drawing it out. The bartender said hurriedly, "I beg your pardon, sir...." The girl, her voice suddenly subtly changed, said, "Why, isn't that a space pin?" Si, disconcerted by the sudden reversal, said, "Yeah ... sure." "Good Heavens, you're a spaceman?" "Sure." He pointed at the lapel pin. "You can't wear one unless you been on at least a Moon run." She was obviously both taken back and impressed. "Why," she said, "you're Seymour Pond, the pilot. I tuned in on the banquet they gave you." Si, carrying his glass, moved over to the stool next to her. "Call me Si," he said. "Everybody calls me Si." She said, "I'm Natalie. Natalie Paskov. Just Natalie. Imagine meeting Seymour Pond. Just sitting down next to him at a bar. Just like that." "Si," Si said, gratified. Holy Zoroaster, he'd never seen anything like this rarified pulchritude. Maybe on teevee, of course, one of the current sex symbols, but never in person. "Call me Si," he said again. "I been called Si so long, I don't even know who somebody's talking to if they say Seymour." "I cried when they gave you that antique watch," she said, her tone such that it was obvious she hadn't quite adjusted as yet to having met him. Si Pond was surprised. "Cried?" he said. "Well, why? I was kind of bored with the whole thing. But old Doc Gubelin, I used to work under him in the Space Exploration department, he was hot for it." " Academician Gubelin?" she said. "You just call him Doc ?" Si was expansive. "Why, sure. In the Space Department we don't have much time for formality. Everybody's just Si, and Doc, and Jim. Like that. But how come you cried?" She looked down into the drink the bartender had placed before her, as though avoiding his face. "I ... I suppose it was that speech Doctor Girard-Perregaux made. There you stood, so fine and straight in your space-pilot uniform, the veteran of six exploration runs to the planets...." "Well," Si said modestly, "two of my runs were only to the Moon." "... and he said all those things about man's conquest of space. And the dream of the stars which man has held so long. And then the fact that you were the last of the space pilots. The last man in the whole world trained to pilot a space craft. And here you were, retiring." Si grunted. "Yeah. That's all part of the Doc's scheme to get me to take on another three runs. They're afraid the whole department'll be dropped by the Appropriations Committee on this here Economic Planning Board. Even if they can find some other patsy to train for the job, it'd take maybe a year before you could even send him on a Moon hop. So old man Gubelin, and Girard-Perregaux too, they're both trying to pressure me into more trips. Otherwise they got a Space Exploration Department, with all the expense and all, but nobody to pilot their ships. It's kind of funny, in a way. You know what one of those spaceships costs?" "Funny?" she said. "Why, I don't think it's funny at all." Si said, "Look, how about another drink?" Natalie Paskov said, "Oh, I'd love to have a drink with you, Mr...." "Si," Si said. He motioned to the bartender with a circular twist of the hand indicating their need for two more of the same. "How come you know so much about it? You don't meet many people who are interested in space any more. In fact, most people are almost contemptuous, like. Think it's kind of a big boondoggle deal to help use up a lot of materials and all and keep the economy going." Natalie said earnestly, "Why, I've been a space fan all my life. I've read all about it. Have always known the names of all the space pilots and everything about them, ever since I was a child. I suppose you'd say I have the dream that Doctor Girard-Perregaux spoke about." Si chuckled. "A real buff, eh? You know, it's kind of funny. I was never much interested in it. And I got a darn sight less interested after my first run and I found out what space cafard was." She frowned. "I don't believe I know much about that." Sitting in the Kudos Room with the most beautiful girl to whom he had ever talked, Si could be nonchalant about the subject. "Old Gubelin keeps that angle mostly hushed up and out of the magazine and newspaper articles. Says there's enough adverse publicity about space exploration already. But at this stage of the game when the whole ship's crammed tight with this automatic scientific apparatus and all, there's precious little room in the conning tower and you're the only man aboard. The Doc says later on when ships are bigger and there's a whole flock of people aboard, there won't be any such thing as space cafard, but...." Of a sudden the right side of Si Pond's mouth began to tic and he hurriedly took up his drink and knocked it back.
train	63477	[ "How did Trillium end up as a stow-away on the ship?", "How had the fusion control points been adjusted?", "Had Trillium known the outcome of her stowing away, would she have likely still stowed away?", "What were the hiding places selected by Trillium while stowing away?", "Why were the Venus women transfixed by the Earthmen?", "What caused Trillium to be found in her hiding place the final time?", "Why is it in the best interest for an Earthman to never lay eyes on a Venus dame?", "Why did Callahan think Trillium was Berta when he first spotted her?", "How did Trillium sneak her way onto the ship?", "What were Callahan and O'Rielly awarded for assisting the revolution?" ]	[ [ "She had been kidnapped by the men under the official command of the President of Earth. ", "She had fallen for the Earthmen and had chosen to run away with them.", "She chose to show away so that the Venus women could bring their cause to the attention of Earth's President. ", "She had accidentally boarded the ship while looking for the shower. " ], [ "The control had reset itself in flight. ", "It had been moved by a scurrying three-tailed mouse of Venus", "Trillium had adjusted it when she got too heated.", "They were not correctly inspected and locked before blast-off." ], [ "Yes, because she was able to accomplish her mission. ", "Yes, because she had already shown that she was selfish and lonely. ", "No, because she was jeopardizing being condemned to a Uranus moon.", "No, because she wasn't able to prove her point and was sent back to Venus. " ], [ "In the shower and behind the burner", "By the lockers and behind the burner", "Behind the burner and under the bunk", "In the shower and under the bunk" ], [ "They felt abandoned by their own men who had obsessions with war and little time for them.", "The Earthmen were much more attractive and had real facial hair. ", "The women of Venus liked to break the rules. ", "Venus was solely occupied by women, leaving them no other option. " ], [ "The Earthmen couldn't stop staring at the bunk where she was because of their lust. ", "His Excellency saw her hiding under the bunk and recognized her immediately. ", "O'Rielly and Callahan had turned her in to the Old Woman in hopes of a reward. ", "A loud thump from under the bunk that caught the attention of the Old Woman. " ], [ "Because the Venus dames were thought to be only goofy tale set loose by some old space bum. ", "Because they would be so infatuated by the dame even knowing she would be their damnation. ", "Because they would be condemned to a Uranus moon for even looking at them. ", "Because of their dangerous nature." ], [ "Because Berta was Trillium's Grandmamma and she resembled her from a hundred and twenty-five years ago. ", "Because she introduced herself as so and led him to believe that was who she was. ", "Because all the Venus women have the same enchanting appearance. ", "Because only Berta was able to enter the ship. " ], [ "She disguised herself as a boy hustling bags through the ship. ", "She had an enchanted Earthman help her onto the ship. ", "She had sneaked on while no one was looking and went straight to the burner. ", "She disguised herself as a boy who was serving food in the quarters. " ], [ "They were allowed to visit with the women of Venus", "They were allotted five minutes leisure before returning to their stations. ", "They were punished, rather than rewarded, and programmed to be hung, shot and thrown to the crows for breakfast. ", "Nothing, but they were spared from being condemned to a Uranus moon." ] ]	[ 3, 3, 1, 4, 1, 4, 2, 1, 1, 2 ]	[ 1, 1, 1, 1, 1, 1, 1, 0, 0, 0 ]	IMAGE OF SPLENDOR By LU KELLA From Venus to Earth, and all the way between, it was a hell of a world for men ... and Apprentice Burnerman O'Rielly particularly. [Transcriber's Note: This etext was produced from Planet Stories Summer 1955. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] The intercom roared fit to blow O'Rielly back to Venus. "Burner Four!" "On my way, sir!" At the first flash of red on the bank of meters Apprentice Burnerman O'Rielly had slammed the safety helmet on his head; he was already throwing open the lock to the burner room. The hot, throbbing rumble whipped around him and near crushed his breath away. Power! Power of the universe trapped here and ready to destroy its captors given one chance! Swiftly O'Rielly unlocked the controls and reset them. The throbbing rumble changed tone. Old Callahan's voice crackled now through the helmet's ear contact. "Well, Mr. O'Rielly?" "Fusion control two points low, sir." O'Rielly wondered had Callahan passed out, was so long before the old Burner Chief demanded hoarsely, "Didn't you lock them controls before blast-off?" "If every control hadn't been locked in correct setting," O'Rielly answered from his own angry bewilderment, "the error would have registered before blast-off—wouldn't it, sir?" "So a control reset itself in flight, hey?" "I don't know yet, sir." "Well, Mr. O'Rielly, you better know before we orbit Earth!" The icy knot in O'Rielly's stomach jerked tighter. A dozen burners on this ship; why did something crazy have to happen to O'Rielly's? In a hundred years, so the instructors—brisk females all—had told O'Rielly in pre-flight school, no control had ever been known to slip. But one had moved here. Not enough to cause serious trouble this far out from Earth. On blast-down, though, with one jet below peak, the uneven thrust could throw the ship, crash it, the whole lovely thing and all aboard gone in a churning cloud. Sweat pouring off him, O'Rielly prowled around his burner. Design of the thing had been bossed by dames of course; what on Earth wasn't any more? Anyway, nobody could get to a burner except through its watch room. Anyone entered or left there, a bell clanged, lights flashed and a meter registered beside the Burnerman's bunk and on the Burner Chief's console up in the flight room full of beautifully efficient officers. Ever since Venus blast-off O'Rielly had been in Four's watch room. Nobody had passed through. O'Rielly knew it. Callahan knew it. By now the Old Woman herself, Captain Millicent Hatwoody, had probably inquired what was in charge of Burner Four. Well, ma'am, O'Rielly searched every cranny where even a three-tailed mouse of Venus could have stowed away. His first flight, and O'Rielly saw himself washed out, busted to sweeper on the blast-off stands of some God-forsaken satellite. He staggered back into his watch room. And his brain was suddenly taken apart and slapped together again. Felt that way. She was sitting on his bunk. No three-tailed mouse. No Old Woman either. Oh, she was a female human, though, this creature at which O'Rielly stood gaping. Yes, ma'am! "I was in your burner room." Her voice matched the rest of her, a blend of loveliness unlike anything outside a guy's most secret dreams. "I couldn't stand the heat any longer and I couldn't open that big door. So I moved one of your controls a tiny bit. All the noise in there, naturally you couldn't hear me walk out while your back was turned resetting the control." O'Rielly suddenly felt like turning her over his knee and whaling her until she couldn't sit for a year. This, mind you, he felt in an age where no Earth guy for a thousand years had dared raise so much as a breath against woman's supremacy in all matters. That male character trait, however, did not seem to be the overpowering reason why O'Rielly, instead of laying violent hands upon this one's person, heard himself saying in sympathetic outrage, "A shame you had to go to all that bother to get out here!" "You're so kind. But I'm afraid I became rather sticky and smelly in there." "They ought to cool the air in there with perfume! I'll drop a suggestion in the Old Woman's box first chance I get." "You're so thoughtful. And do you have bathing facilities?" "That door right there. Oh, let me open it for you!" "You're so sweet." Her big dark eyes glowed with such pure innocence that O'Rielly could have torn down the universe and rebuilt it just for her. Yes, ma'am, O'Rielly was floating on a pink cloud with heavenly music in his head. Never felt so fine before. Except on the Venus layover when he'd been roped into a dice game with a bunch of Venus lads who had a jug to cheer one's parting with one's money. A bell suddenly clanged fit to wake the dead while the overhead lights flashed wildly. Only the watch room door. Only Callahan here now. Old buzzard had a drooped nose like a pick, chin like a shovel. When he talked he was like digging a hole in front of himself. "Well, what about that control?" "What control?" "Your fusion control that got itself two points low!" "Oh, that little thing." Callahan said something through his teeth, then studied O'Rielly sharply. "Hey, you been wetting your whistle on that Venus vino again? Lemme smell your breath! Bah. Loaded yourself full of chlorophyll again probably. All right, stand aside whilst I see your burner." "Charmed to, Burner Chief Callahan, sir," O'Rielly said while bowing gracefully. "Higher than a swacked skunk's tail again," Callahan muttered, then snapped back over his shoulder, "Use your shower!" O'Rielly stood considering his shower door. Somehow he doubted that Burner Chief Terrence Callahan's mood, or Captain Millicent Hatwoody's, would be improved by knowledge of she who was in O'Rielly's shower now. Not that the dear stowaway was less than charming. Quite the contrary. Oh, very quite! "You rockhead!" Only Callahan back from the burner. "Didn't I tell you to shower the stink off yourself? Old Woman's taking a Venus bigwig on tour the ship. Old Woman catches you like you been rassling skunks she'll peel both our hides off. Not to mention what she'll do anyway about your fusion control!" "Burner Chief Callahan, sir," O'Rielly responded courteously, "I have been thinking." "With what? Never mind, just keep on trying whilst I have a shower for myself here." Wherewith Callahan reached hand for O'Rielly's shower door. "Venus dames," O'Rielly said dreamily, "don't boss anything, do they?" Callahan yelped like he'd been bit in the pants by a big Jupiter ant. "O'Rielly! You trying to get both of us condemned to a Uranus moon?" Callahan also shot a wild look to the intercom switch. It was in OFF position; the flight room full of fancy gold-lace petticoats could not have overheard from here. Nevertheless Callahan's eyes rolled like the devil was behind him with the fork ready. "O'Rielly, open your big ears whilst for your own good and mine I speak of certain matters. "Thousand years ago, it was, the first flight reached Venus. Guys got one look at them dames. Had to bring some home or bust. So then everybody on Earth got a look, mostly by TV only of course. That did it. Every guy on Earth began blowing his fuse over them dames. Give up the shirt off his back, last buck in the bank, his own Earth dame or family—everything. "Well, that's when Earth dames took over like armies of wild cats with knots in their tails. Before the guys who'd brought the Venus dames to Earth could say anything they was taken apart too small to pick up with a blotter. Earth dames wound up by flying the Venus ones back where they come from and serving notice if one ever set foot on Earth again there wouldn't be enough left of Venus to find with an electron microscope. "Venus boys rared up and served notice that if Earth ever got any funny notions, right away there wouldn't be enough Earth left to hide in an atom's eyebrow. Touchy as hornets on a hot griddle, them Venus guys. Crazier than bed bugs about war. Could smell a loose dollar a million light years away too. Finagled around until they finally cooked up a deal. "No Venus dames allowed within fifty miles of their port. Earth guys stay inside the high-voltage fence. Any dame caught trying to leave Venus thrown to the tigers for supper. Same for any Earth guy caught around a Venus dame. In return, Earth could buy practically everything at bargain basement prices." "Oh, I was shown the history films in pre-flight," O'Rielly said, still dreamily. "But not a peek of any Venus dame." "Pray heaven you'll never lay eyes on one nor have one get within ten foot of you! Even though you'd know she'd be your damnation wouldn't make a whit difference—you'd still act sappier than thirty-seven angels flying on vino." Callahan suddenly stared at O'Rielly. "Holy hollering saints!" "Now, now, Burner Chief Callahan, sir," O'Rielly responded with an airy laugh. "No Earth guy for a hundred twenty-five years been near one and lived to tell it, has he?" "So the whispers run," Callahan murmured with a queer flame dancing into his eyes. "So the old whispers still run." "Never a name, though. Never how it was done." O'Rielly snorted. "Probably just a goofy tale set loose by some old space bum." "Oh?" Callahan bristled up like a bad name had been bandied about. "Seen them ditty bags Venus bigwigs have, ain't you? Some big enough to stuff a cow in. Notice how nobody ever dares question a bigwig's bags, even through customs? Just run 'em through the big Geiger that tells whether there's any fusionable junk inside. Well, our boy got himself one of them bags, stuffed himself inside and joined a bigwig's pile of 'em. "Didn't pull it whilst on the Venus port during a layover either, when a crew check would of turned him up missing. Pulled it on vacation. Started on the Earth end. Made himself a pair of beards to paste on his ears of course. Wove Jupiter wiggle worms in to keep the beards moving. Wasn't like the real thing, but good enough to flimflam Venus guys." With suddenly enlivened interest O'Rielly looked at Callahan. "Hey, how come you know so much?" "Hah? What?" Callahan blinked like waking from a trance; even groaned to himself, something that sounded like, "Blabbering like I'd had a nip myself—or one of them dillies was radiating nearby." Then Callahan glared fit to drill holes in O'Rielly's head. "Look! I was a full Burnerman before you was born. Been flying the spaces hundred twenty-five years now. Had more chances to hear more—just hear more, you hear! Only tried to clear your mind about Venus dames so you could put your brain on your control mess. So now put it! If you ain't high on vino and ain't been made nuts by a Venus dame, what answer do we feed the Old Woman?" "Search me," Apprentice Burnerman O'Rielly responded cheerfully. "Of all the loony apprentices I ever had to answer the Old Woman for! Awp, lemme out where I can think of something to save me own neck at least!" Was all O'Rielly could do to keep from rolling on the deck with glee. Old Callahan had been flimflammed for fair! The dear little stowaway was saved! And O'Rielly would now think of grand ways to save her lovely neck and his own forever. O'Rielly's shower door, however, opened abruptly. O'Rielly had not opened it. O'Rielly, however, suffered a cruel stab of dismay. Surely his dear stowaway had been listening through the door. Why didn't she have brains enough to stay hid until Callahan was gone! At sight of her, of course, Callahan's eyes near popped from his old head. "Berta!" "Oh, I'm Trillium," she assured Callahan sweetly. "But Grandmamma's name is Berta and people say I'm just like she was a hundred and twenty-five years ago." "Hah? What?" Callahan blinked like his brain had been taken apart and was being slapped together again. "O'Rielly! Awp, you angel-faced pirate, couldn't you hide her somewheres better than that? Shut up, you don't have to explain to me, but God help the whole universe if we don't flimflam the Old Woman!" With which ominous remark, rendered in a zesty devil-may-care manner, however, Callahan threw himself into O'Rielly's shower. O'Rielly stood looking thoughtfully at lovely, womanly, exquisite Trillium. Just like that, O'Rielly felt as sparkling of mind as a spiral nebula. "My locker!" he crowed with inspiration and yanked open the doors under his bunk. He glimpsed a black ditty bag, also the cap and coverall uniform of a baggage boy. "I threw them in there before you came on duty before blast-off," Trillium explained. "I knew the burner room would be warm." Trillium—with her shape—passing as a boy hustling bags through this ship. O'Rielly chortled as he tucked her under his bunk. "Now don't you worry about another thing!" "Oh, I'm not," she assured him happily. "Everything is going just the way Grandmamma knew it would!" O'Rielly's shower opened and Callahan, glowing like a young bucko, bounced onto the bunk. "Well, did you hide her good this time? No, don't tell me! I want to be surprised if the Old Woman ever finds her." "If what old woman finds whom?" a voice like thin ice crackling wanted to know. The watch room's door had opened. Wouldn't think the Old Woman was a day over seventy-five, let alone near two hundred. Cut of her uniform probably lent a helping hand or three to the young snap of her figure. Frosty blue of fancy hair-do, she was, though, and icy of eye as she looked at O'Rielly and Callahan still lolling on the bunk. Her voice was an iceberg exploding. "At attention!" Never in his right mind would any crewman dare fail to come stiffly erect the instant the Old Woman appeared. Behind her stood a colorfully robed specimen of Venus man. Handsome as the devil himself. Fit to snap lesser men in two with his highly bejeweled hands. Fuzzy beards trailed from his ears and kept twitching lazily as he sneered at the spectacle of two men meekly acknowledging the superiority of a woman. She was fit to put frost on a hydrogen burner. "Mr. Callahan, I asked you a question, did I not?" "Believe you did, ma'am," Callahan responded cheerfully. "And the answer is, ma'am, that Apprentice Burnerman O'Rielly and me was discussing—ah—matrimony, ma'am. Mr. Apprentice Burnerman O'Rielly here is considering it, ma'am." Wasn't too bad a fib. The more O'Rielly thought of Trillium, the more ideas he got of doing things he'd never dreamt of before in his life. Yes, ma'am! "Wasting your time talking nonsense!" Old Woman's look was fit to freeze O'Rielly's brain, then she gave Callahan the look. "I sent you down here to find the answer to that fusion control slippage!" "Oh, you'll have the best answer you ever heard of before long, ma'am!" Callahan assured her heartily. "The subject of nonsense—I mean, women—merely chanced to arise whilst we was scientifically analyzing the control phenomenon, ma'am. Naturally I offered this innocent young Burnerman the benefit of me long years of experience. Why," Callahan said with a jaunty laugh, "dames mean nothing to me. Indeed 'twouldn't bother me none if there wasn't one of the things left in the world! Present company excepted, of course," Callahan hastened to say with a courtly bow. "Stay at attention!" Old Woman sniffed the air near Callahan's face, then in O'Rielly's vicinity. "Smothered it with chlorophyll probably," she muttered through her teeth, "if it is that vino." Something horrible as a plague flickered in her eyes, then the old ice was there again. "Apprentice Burnerman, don't you know what your shower is for? Then use it! Mr. Callahan, remain at attention while I inspect this burner!" She tendered a cool glance at the Venus bigwig. "Care to join me, Your Excellency?" "May as well." His Excellency glanced at O'Rielly and Callahan much as he might at a couple of worms. Could bet your last old sox no female ever told any Venus man what to do. The shower units were equipped so no Burnerman need be more than two steps from his responsibility. To keep the Old Woman from possibly blowing her gaskets completely, O'Rielly simply stepped in, shut the door, flipped a switch and tingled as he was electronically cleansed of person and clothes. By time he finished, the Old Woman and His Excellency were already coming out of the burner room, dripping with sweat. Old Woman opened the shower with her customary commanding air. "You first, Your Excellency." "My dear Captain," His Excellency replied like a smoothly drawn dagger, "always the lesser gender enjoys precedence." No Earth dame ever admitted any guy was even equal to any female. Old Woman, a prime symbol of her gender's superiority, whipped a razor edge onto her own words. "Facilities of the Captain's quarters are more satisfactory." "No more so than those of the Ambassadorial Suite." Seeming to grind her teeth, the Old O Woman turned abruptly to leave O'Rielly's watch room. Was all O'Rielly could do to keep from busting out laughing for joy. Old Woman had been flimflammed for fair! Dear Trillium was saved! And betwixt O'Rielly's grand brain and Callahan's great experience she'd be happy forever. A fine loud "thump," however, was now heard. Old Woman whirled back and yanked open the doors under O'Rielly's bunk. "Of all the sappy hiding places!" Callahan yelped, in surprise of course. "Trillium?" His Excellency bellowed as if stung by one of the sabre-tailed hornets of his native planet. "Trillium!" "Trillium," O'Rielly pleaded in loving anguish, "why do you have to keep coming out of hiding just when nobody's going to find you?" Her eyes merely became deep pools in which O'Rielly would have gladly drowned himself if he could. "There are rewards," the Old Woman said with the deadly coldness of outer space, "for Earthmen found in a Venus woman's company, and for her leaving her planet." "Shut up!" His Excellency's ear beards were standing straight out sideways. "I'll handle this!" "May I remind His Excellency," the Old Woman snapped, "that I represent Earth and her dominion of space gained by right of original flight!" "May I remind the Captain," His Excellency declared fit to be heard back to his planet, "that I am the Personal Ambassador of the President of Venus and this thing can mean war!" "Yes! War in which people will actually die!" As His Excellency paled at that grisly remark, the Old Woman spoke through her teeth at O'Rielly, Callahan and Trillium. "All right, come along!" O'Rielly joined the death march gladly. He felt the way Callahan looked: ready to wrap his arms around Trillium's brave loveliness and protect it to his last breath of life. Old Woman led the way to her office. Jabbed some buttons on her desk. Panels on opposite walls lit up. "Presidents of Earth and Venus, please," the Old Woman stated evenly. "Interplanetary emergency." Highly groomed flunkies appeared on the panels and were impersonally pleasant. "Madame President's office. She is in a Cabinet meeting." "Mr. President's office. He is in personal command of our glorious war efforts." Old Woman sighed through her teeth. "Venus woman aboard this ship. Stowaway. Rattle that around your belfries." The flunkies' faces went slack with shock, then were replaced by a blizzard of scrambled faces and torrents of incoherent voices. Finally on the Earth panel appeared the famous classic features. "The facts, if you please, Captain Hatwoody." The Venus panel finally held steady on universally notorious features, that were as fierce as an eagle's, in a fancy war helmet. "Trillium! My own granddaughter? Impossible! Dimdooly," Mr. President roared at his Excellency, "what's this nonsense?" "Some loud creature is interfering," Madame President snapped with annoyance. "Blasted fools still have the circuits crossed," Mr. President swore. "Some silly female cackling now!" The parties in the panels saw each other now. Each one's left hand on a desk moved toward a big red button marked, ROCKETS. "So," Mr. President said evenly. "Another violation by your Earthmen." "By your granddaughter, at least," Madame President replied coolly. "An innocent child," Mr. President snapped, "obviously kidnapped by those two idiotic Earthmen there!" "Oh, no, Grandpapa," Trillium said swiftly; "I stole away all by myself, and Mr. O'Rielly and Callahan have been very helpful." "Impossible!" Grandpapa President's ear beards stood near straight up as he roared, "You couldn't have stolen away by yourself! Trillium, tell the truth!" "Very well. Grandmamma told me how." "Obviously Trillium's poor little brain has been drugged," His Excellency Dimdooly declared. "Grandmamma Berta wouldn't know the first thing about such things!" "Impossible!" Grandpapa President agreed. "I've been married to her for a hundred and twenty-four and a half years and she's the finest rattle-brain I ever knew!" "She learned," Trillium stated emphatically, "a hundred and twenty-five years ago." "Hundred twenty-five," Grandpapa president growled like a boiling volcano. "The year some Earthman.... Never did catch the devil.... Berta? Impossible!" Madame President's shapely finger now rested full on the button that could launch the fleets of war rockets that had been pre-aimed for a thousand years. "I'm afraid your Ambassador is unwelcome now," Madame President stated coolly. "Your granddaughter's actions have every mark of an invasion tactic by your government." "What do you mean, her actions?" Grandpapa President's finger now lay poised on the button that had been waiting a thousand years to blow Earth out of the universe. "My grandchild was kidnapped by men under your official command! Weren't you, Trillium dear?" "No. One of us stowing away was the only way we Venus women could bring our cause to the attention of Earth's President. If Earth will only stop buying from Venus, you won't have any money to squander on your wars any longer no matter what happens to we revolutionaries!" "Revolutionaries? Such claptrap! And what's wrong with my wars? People have to have something to keep their minds off their troubles! Nobody around here gets hurt. Oh, maybe a few scratches here and there. But nobody on Venus dies from the things any more." "But Venus men are so excited all the time about going to war they haven't time for us women. That's why we always radiated such a fatal attraction for Earthmen. We want to be loved! We want our own men home doing useful work!" "Well, they do come home and do useful work! Couple weeks every ten months. Proven to be a highly efficient arrangement." "More boys to run off to your old wars and more girls to stay home and be lonely!" "Now you just listen to me, Trillium!" Grandpapa President was all Venus manhood laying down the law. "That's the way things have been on Venus for ten thousand years and all the women in the universe can't change it!" "I have been in constant contact with my Cabinet during these conversations," Madame President said crisply. "Earth is terminating all trade agreements with Venus as of this instant." "What?" Grandpapa's beards near pulled his ears off. "It's not legal! You can't get away with this!" "Take your finger off that trigger, boy!" a heavenly voice similar to Trillium's advised from the Venus panel. Whereupon Grandpapa glared to one side. "Berta! What are you doing here? I am deciding matters of the gravest interplanetary nature!" "Were." Features more beautifully mature than Trillium's crowded onto the panel too. "From now on I'm doing the deciding." "Nonsense! You're only my wife!" "And new President of Venus, elected by unanimous vote of all women." "Impossible! The men run Venus! Nobody's turning this planet into another Earth where a man can't even sneeze unless some woman says so!" "Take him away, girls," Berta ordered coolly, whereupon her spouse was yanked from view. His bellows, however, could be heard yet. "Unhand me, you fool creatures! Guards! Guards!" "Save your breath," Berta advised him. "And while you're in the cooler, enjoy this latest batch of surrender communiques. We women are in control everywhere now." "Dimmy," Trillium was saying firmly to His Excellency, "you have beat around the bush with me long enough. Now say it!" Dimdooly—the mighty, the lordly, who had sneered at the sight of mere Earthmen kowtowing to a mere woman—swelled up fit to blow his gaskets, then all the gas went out of him. His ear beards, however, still had enough zip left to flutter like butterflies. "Yes, Trillium dear. I love only you. Please marry me at your earliest convenience." "Well, Grandmamma," Trillium said with a highly self-satisfied air, "it works. And just like you said, Earthmen meant nothing once I knew we Venus women had our own men in our power." "Those crewmen there," Grandmamma President said, "seem to be proof enough that we Venus women no longer radiate any threat to Earth's tranquility." Yes, ma'am, O'Rielly sure felt like proof of something all of a sudden. Worse than the hangover from that crap game with Venus vino. He looked away from Trillium and took a look at Callahan. Old guy looked away from Grandmamma President like he was packing the second biggest headache in history. "Hmmmm, yes," Madame President of Earth observed. "Reactions agree perfectly with the psychoanalytical research project we have been conducting on the subject of the Venus female influence. Madame President of Venus, congratulations on your victory! "Long may the superior sex reign on Venus too! We shall be delighted to receive an Ambassadoress to discuss a new trade treaty at your earliest convenience." "Thank you for cancelling the old trade agreements at the psychological moment," Grandmamma President said cordially. "What with the communications mixup, we managed to have the scenes on these panels broadcast throughout all Venus. When the rug went out from under the top man, the tide really turned in our favor. Now, Trillium, you take over Dimmy's credentials." "The Ambassadorial Suite, too," Madame President of Earth said graciously. "Anything else now, Berta?" "I should like," Grandmamma President Berta said charmingly, "that Mr. O'Rielly and Mr. Callahan be suitably rewarded for assisting our revolution better than they knew." "Of course," Madame President of Earth was delighted to oblige. "No doubt Captain Hatwoody knows what reward would satisfy their needs best." The Madame Presidents switched to a private circuit, Trillium dragged Dimdooly off somewhere and the Old Woman eyed O'Rielly and Callahan. Especially she eyed Callahan, like running chilled drills through his old conniving brain. "I award the pair of you five minutes leisure before returning to your stations." "Oh, well," O'Rielly muttered, once he and Callahan were safely beyond earshot, "could have been rewarded worse, I suppose." "What you expect for being flimflammed by a foreign dame, the rings of Saturn? Lucky we ain't programmed to be hung, shot and thrown to the crows for breakfast." Callahan's old pick-and-shovel face wore a little grin like the cat that nobody could prove ate the canary. "You—I mean, that Earth guy a hundred twenty-five years ago," O'Rielly said in sudden thought. "If Venus dames wanted to be loved so bad, why did Trillium's Grandmamma let him go?" "Venus guys wasn't so busy playing war all the time," Callahan mumbled, like to himself, "they'd of found out the answer centuries ago. Yep, guess our boy was the only guy on Earth or Venus to find out and live. Dames bossing both planets now, though, his old secret won't be one much longer. Venus dames could of let it out centuries ago themselves but didn't, just to spite Earth probably. Later, was part of organizing to take over Venus, I guess." O'Rielly still had memories of the way he had felt about Trillium before her revolution. "All right, Callahan, why did 'our boy' leave Grandmamma?" "Yes, ma'am," Callahan sighed like he hadn't heard a word O'Rielly said, "you could sweet-talk 'em, kiss 'em and hold 'em tighter'n Billy-be-damned. And that's all." "I'm not sure," O'Rielly said, "what you mean by, 'that's all.'" "Anybody ever seen anybody but a Venus guy come built with ear beards? Course not." "But I thought our boy was wearing the best fakes ever." "Ain't nothing can match the natural growed-on variety, no, ma'am. Venus guy kisses a Venus dame, his beards grabs her roundst the ears." "So what?" "Tickles 'em, boy, tickles 'em!"
train	61007	[ "What does the E.P. Locator detect?", "Why was each inhabitant of the moon-town only referred to as their specific species rather than a distinct name?", "Which fruit was NOT allowed to be tasted by the crew while visiting the moon-town?", "What was thought to be used as an indication to settle the confusion between the crew and the two humans in moon-town?", "Why was the cave the only place that was not visited?", "What was an indicator that Adam, or Ha-Adamah, was only playing a part while communicating with the crew?", "Why was the moon-town comically referred to as paradise by the priest?", "Why was the Old Serpent satisfied that the crew would be returning to try and take their paradise?", "Why had the owners of Little Probe obtained the E.P. Locator at such a discounted rate? ", "What was determined to have created the bright light in the moon-town?" ]	[ [ "Level of Human Activity", "Level of Probing", "Level of Spinal Fluid", "Level of Perception" ], [ "They were all distinct by their light, and only needed to be referred to as their species. ", "The population was much too large to name each creature. ", "The humans of moon-town felt no need to waste time in naming each living creature as they died off too quickly.", "There was only one of each, therefore, they were called by their species. " ], [ "Apples", "Oranges", "Pomegranate ", "Grapes" ], [ "An inquisition about knowledge", "A game of checkers", "A contest of preternatural intellect", "A physical test " ], [ "The cave was only a reflective illusion from the bright light. ", "The crew ran out of time but planned to examine it upon their next arrival", "Adam, or Ha-Adamah, told the crew that it was much to dangerous as there were evil creatures living inside. ", "The serpent lives there and the crew was told that he was cranky." ], [ "His eruption of laughter once the crew had left. ", "He told the Old Serpent that he needed to write him new lines. ", "His past involvement with show business.", "He recalled his true name after the crew had left. " ], [ "The woman did not speak the entire time they were there. ", "There was only one man, so less competition for the attention of the woman.", "The unlimited supply of fresh fruit was perfect for weight loss. ", "There were less occupants, so less idiots to deal with. " ], [ "He was happy to have new faces and needed the influx population to breed their new world. ", "He was hopeful for a portion of the sale money. ", "They needed to acquire their equipment for forming their new world. ", "They were hopeful for settlers as they needed someone to help them fertilize the land to keep the fruits plentiful. " ], [ "The readings were unclear as it had struggled with detecting E.P on worms. ", "The designer had no longer used it as it had not detected E.P. on himself. ", "It was a faulty machine and often shut off without notice. ", "It often produced an orange light meaning it was unsure of the results. " ], [ "The shining paint that was applied to the bodies of Adam and Eve. ", "Artificial lighting that helped the fruits to produce more. ", "The lights from the ship that were not turned off. ", "Constant moon-light that failed to dim in order to help the fruits grow" ] ]	[ 4, 4, 3, 2, 4, 2, 1, 3, 2, 1 ]	[ 0, 0, 0, 0, 0, 0, 1, 1, 1, 1 ]	IT WAS A DULL, ROUTINE LITTLE WORLD. IT DIDN'T EVEN HAVE A CITY. EVERYTHING IT HAD WAS IN THE GARDEN BY R. A. LAFFERTY [Transcriber's Note: This etext was produced from Worlds of If Science Fiction, March 1961. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] The protozoic recorder chirped like a bird. Not only would there be life traces on that little moon, but it would be a lively place. So they skipped several steps in the procedure. The chordata discerner read Positive over most of the surface. There was spinal fluid on that orb, rivers of it. So again they omitted several tests and went to the cognition scanner. Would it show Thought on the body? Naturally they did not get results at once, nor did they expect to; it required a fine adjustment. But they were disappointed that they found nothing for several hours as they hovered high over the rotation. Then it came—clearly and definitely, but from quite a small location only. "Limited," said Steiner, "as though within a pale. As though there were but one city, if that is its form. Shall we follow the rest of the surface to find another, or concentrate on this? It'll be twelve hours before it's back in our ken if we let it go now." "Let's lock on this one and finish the scan. Then we can do the rest of the world to make sure we've missed nothing," said Stark. There was one more test to run, one very tricky and difficult of analysis, that with the Extraordinary Perception Locator. This was designed simply to locate a source of superior thought. But this might be so varied or so unfamiliar that often both the machine and the designer of it were puzzled as to how to read the results. The E. P. Locator had been designed by Glaser. But when the Locator had refused to read Positive when turned on the inventor himself, bad blood developed between machine and man. Glaser knew that he had extraordinary perception. He was a much honored man in his field. He told the machine so heatedly. The machine replied, with such warmth that its relays chattered, that Glaser did not have extraordinary perception; he had only ordinary perception to an extraordinary degree. There is a difference , the machine insisted. It was for this reason that Glaser used that model no more, but built others more amenable. And it was for this reason also that the owners of Little Probe had acquired the original machine so cheaply. And there was no denying that the Extraordinary Perception Locator (or Eppel) was a contrary machine. On Earth it had read Positive on a number of crack-pots, including Waxey Sax, a jazz tootler who could not even read music. But it had also read Positive on ninety per cent of the acknowledged superior minds of the Earth. In space it had been a sound guide to the unusual intelligences encountered. Yet on Suzuki-Mi it had read Positive on a two-inch-long worm, only one of them out of billions. For the countless identical worms no trace of anything at all was shown by the test. So it was with mixed expectations that Steiner locked onto the area and got a flick. He then narrowed to a smaller area (apparently one individual, though this could not be certain) and got very definite action. Eppel was busy. The machine had a touch of the ham in it, and assumed an air of importance when it ran these tests. Finally it signaled the result, the most exasperating result it ever produces: the single orange light. It was the equivalent of the shrug of the shoulders in a man. They called it the "You tell me light." So among the intelligences there was at least one that might be extraordinary, though possibly in a crackpot way. It is good to be forewarned. "Scan the remainder of the world, Steiner," said Stark, "and the rest of us will get some sleep. If you find no other spot then we will go down on that one the next time it is in position under us, in about twelve hours." "You don't want to visit any of the other areas first? Somewhere away from the thoughtful creature?" "No. The rest of the world may be dangerous. There must be a reason that thought is in one spot only. If we find no others then we will go down boldly and visit this." So they all, except Steiner, went off to their bunks then: Stark, the Captain; Gregory Gilbert, the executive officer; Wolfgang Langweilig, the engineer; Casper Craig, super-cargo, tycoon and 51% owner of the Little Probe, and F. R. Briton, S.J., a Jesuit priest who was linguist and checker champion of the craft. Dawn did not come to the moon-town. The Little Probe hovered stationary in the light and the moon-town came up under the dawn. Then the Probe went down to visit whatever was there. "There's no town," said Steiner. "Not a building. Yet we're on the track of the minds. There's nothing but a meadow and some boscage, a sort of fountain or pool, and four streams coming out of it." "Keep on towards the minds," said Stark. "They're our target." "Not a building, not two sticks or stones placed together. That looks like an Earth-type sheep there. And that looks like an Earth-lion, I'm almost afraid to say. And those two ... why, they could well be Earth-people. But with a difference. Where is that bright light coming from?" "I don't know, but they're right in the middle of it. Land here. We'll go to meet them at once. Timidity has never been an efficacious tool with us." Well, they were people. And one could only wish that all people were like them. There was a man and a woman, and they were clothed either in very bright garments or in no garments at all, but only in a very bright light. "Talk to them, Father Briton," said Stark. "You are the linguist." "Howdy," said the priest. He may or may not have been understood, but the two of them smiled at him, so he went on. "Father Briton from Philadelphia," he said, "on detached service. And you, my good man, what is your handle, your monicker, your tag?" "Ha-Adamah," said the man. "And your daughter, or niece?" It may be that the shining man frowned momentarily at this; but the woman smiled, proving that she was human. "The woman is named Hawwah," said the man. "The sheep is named sheep, the lion is named lion, the horse is named horse and the hoolock is named hoolock." "I understand. It is possible that this could go on and on. How is it that you use the English tongue?" "I have only one tongue; but it is given to us to be understood by all; by the eagle, by the squirrel, by the ass, by the English." "We happen to be bloody Yankees, but we use a borrowed tongue. You wouldn't have a drink on you for a tubful of thirsty travellers, would you?" "The fountain." "Ah—I see." But the crew all drank of the fountain to be sociable. It was water, but water that excelled, cool and with all its original bubbles like the first water ever made. "What do you make of them?" asked Stark. "Human," said Steiner. "It may even be that they are a little more than human. I don't understand that light that surrounds them. And they seem to be clothed, as it were, in dignity." "And very little else," said Father Briton, "though that light trick does serve a purpose. But I'm not sure they'd pass in Philadelphia." "Talk to them again," said Stark. "You're the linguist." "That isn't necessary here, Captain. Talk to them yourself." "Are there any other people here?" Stark asked the man. "The two of us. Man and woman." "But are there any others?" "How would there be any others? What other kind of people could there be than man and woman?" "But is there more than one man or woman?" "How could there be more than one of anything?" The captain was a little puzzled by this, but he went on doggedly: "Ha-Adamah, what do you think that we are? Are we not people?" "You are not anything till I name you. But I will name you and then you can be. You are named Captain. He is named Priest. He is named Engineer. He is named Flunky." "Thanks a lot," said Steiner. "But are we not people?" persisted Captain Stark. "No. We are the people. There are no people but two. How could there be other people?" "And the damnest thing about it," muttered Langweilig, "is, how are you going to prove him wrong? But it does give you a small feeling." "Can we have something to eat?" asked the Captain. "Pick from the trees," said Ha-Adamah, "and then it may be that you will want to sleep on the grass. Being not of human nature (which does not need sleep or rest), it may be that you require respite. But you are free to enjoy the garden and its fruits." "We will," said Captain Stark. They wandered about the place, but they were uneasy. There were the animals. The lion and lioness were enough to make one cautious, though they offered no harm. The two bears had a puzzling look, as though they wanted either to frolic with you or to mangle you. "If there are only two people here," said Casper Craig, "then it may be that the rest of the world is not dangerous at all. It looked fertile wherever we scanned it, though not so fertile as this central bit. And those rocks would bear examining." "Flecked with gold, and possibly with something else," said Stark. "A very promising site." "And everything grows here," added Steiner. "Those are Earth-fruits and I never saw finer. I've tasted the grapes and plums and pears. The figs and dates are superb, the quince is as flavorsome as a quince can be, the cherries are excellent. And I never did taste such oranges. But I haven't yet tried the—" and he stopped. "If you're thinking what I'm afraid to think," said Gilbert, "then it will be the test at least: whether we're having a pleasant dream or whether this is reality. Go ahead and eat one." "I won't be the first to eat one. You eat." "Ask him first. You ask him." "Ha-Adamah, is it allowed to eat the apples?" "Certainly. Eat. It is the finest fruit in the garden." "Well, the analogy breaks down there," said Stark. "I was almost beginning to believe in the thing. But if it isn't that, then what. Father Briton, you are the linguist, but in Hebrew does not Ha-Adamah and Hawwah mean—?" "Of course they do. You know that as well as I." "I was never a believer. But would it be possible for the exact same proposition to maintain here as on Earth?" "All things are possible." And it was then that Ha-Adamah, the shining man, gave a wild cry: "No, no. Do not approach it. It is not allowed to eat of that one!" It was the pomegranate tree, and he was warning Langweilig away from it. "Once more, Father," said Stark, "you should be the authority; but does not the idea that it was the apple that was forbidden go back only to a medieval painting?" "It does. The name of the fruit is not mentioned in Genesis. In Hebrew exegesis, however, the pomegranate is usually indicated." "I thought so. Question the man further, Father. This is too incredible." "It is a little odd. Adam, old man, how long have you been here?" "Forever less six days is the answer that has been given to me. I never did understand the answer, however." "And have you gotten no older in all that time?" "I do not understand what 'older' is. I am as I have been from the beginning." "And do you think that you will ever die?" "To die I do not understand. I am taught that it is a property of fallen nature to die, and that does not pertain to me or mine." "And are you completely happy here?" "Perfectly happy according to my preternatural state. But I am taught that it might be possible to lose that happiness, and then to seek it vainly through all the ages. I am taught that sickness and ageing and even death could come if this happiness were ever lost. I am taught that on at least one other unfortunate world it has actually been lost." "Do you consider yourself a knowledgeable man?" "Yes, since I am the only man, and knowledge is natural to man. But I am further blessed. I have a preternatural intellect." Then Stark cut in once more: "There must be some one question you could ask him, Father. Some way to settle it. I am becoming nearly convinced." "Yes, there is a question that will settle it. Adam, old man, how about a game of checkers?" "This is hardly the time for clowning," said Stark. "I'm not clowning, Captain. How about it, Adam? I'll give you choice of colors and first move." "No. It would be no contest. I have a preternatural intellect." "Well, I beat a barber who was champion of Germantown. And I beat the champion of Morgan County, Tennessee, which is the hottest checker center on Earth. I've played against, and beaten, machines. But I never played a preternatural mind. Let's just set up the board, Adam, and have a go at it." "No. It would be no contest. I would not like to humble you." They were there for three days. They were delighted with the place. It was a world with everything, and it seemed to have only two inhabitants. They went everywhere except into the big cave. "What is there, Adam?" asked Captain Stark. "The great serpent lives there. I would not disturb him. He has long been cranky because plans he had for us did not materialize. But we are taught that should ever evil come to us, which it cannot if we persevere, it will come by him." They learned no more of the real nature of the sphere in their time there. Yet all but one of them were convinced of the reality when they left. And they talked of it as they took off. "A crowd would laugh if told of it," said Stark, "but not many would laugh if they had actually seen the place, or them. I am not a gullible man, but I am convinced of this: that this is a pristine and pure world and that ours and all the others we have visited are fallen worlds. Here are the prototypes of our first parents before their fall. They are garbed in light and innocence, and they have the happiness that we have been seeking for centuries. It would be a crime if anyone disturbed that happiness." "I too am convinced," said Steiner. "It is Paradise itself, where the lion lies down with the lamb, and where the serpent has not prevailed. It would be the darkest of crimes if we or others should play the part of the serpent, and intrude and spoil." "I am probably the most skeptical man in the world," said Casper Craig the tycoon, "but I do believe my eyes. I have been there and seen it. It is indeed an unspoiled Paradise; and it would be a crime calling to the wide heavens for vengeance for anyone to smirch in any way that perfection. "So much for that. Now to business. Gilbert, take a gram: Ninety Million Square Miles of Pristine Paradise for Sale or Lease. Farming, Ranching, exceptional opportunities for Horticulture. Gold, Silver, Iron, Earth-Type Fauna. Terms. Special Rates for Large Settlement Parties. Write, Gram, or call in person at any of our planetary offices as listed below. Ask for Brochure—Eden Acres Unlimited." Down in the great cave that Old Serpent, a two-legged one among whose names were "Snake-Oil Sam," spoke to his underlings: "It'll take them fourteen days to get back with the settlers. We'll have time to overhaul the blasters. We haven't had any well-equipped settlers for six weeks. It used to be we'd hardly have time to strip and slaughter and stow before there was another batch to take care of." "I think you'd better write me some new lines," said Adam. "I feel like a goof saying those same ones to each bunch." "You are a goof, and therefore perfect for the part. I was in show business long enough to know never to change a line too soon. I did change Adam and Eve to Ha-Adamah and Hawwah, and the apple to the pomegranate. People aren't becoming any smarter—but they are becoming better researched, and they insist on authenticity. "This is still a perfect come-on here. There is something in human nature that cannot resist the idea of a Perfect Paradise. Folks will whoop and holler to their neighbors to come in droves to spoil and mar it. It isn't greed or the desire for new land so much—though that is strong too. Mainly it is the feverish passion to befoul and poison what is unspoiled. Fortunately I am sagacious enough to take advantage of this trait. And when you start to farm a new world on a shoestring you have to acquire your equipment as you can." He looked proudly around at the great cave with its mountains and tiers of materials, heavy machinery of all sorts, titanic crates of foodstuff space-sealed; wheeled, tracked, propped, vaned and jetted vehicles; and power packs to run a world. He looked at the three dozen space ships stripped and stacked, and at the rather large pile of bone-meal in one corner. "We will have to have another lion," said Eve. "Bowser is getting old, and Marie-Yvette abuses him and gnaws his toes. And we do have to have a big-maned lion to lie down with the lamb." "I know it, Eve. The lion is a very important prop. Maybe one of the crackpot settlers will bring a new lion." "And can't you mix another kind of shining paint? This itches. It's hell." "I'm working on it." Casper Craig was still dictating the gram: "Amazing quality of longevity seemingly inherent in the locale. Climate ideal. Daylight or half-light. All twenty-one hours from Planet Delphina and from Sol. Pure water for all industrial purposes. Scenic and storied. Zoning and pre-settlement restrictions to insure congenial neighbors. A completely planned globular settlement in a near arm of our own galaxy. Low taxes and liberal credit. Financing our specialty—" "And you had better have an armed escort when you return," said Father Briton. "Why in cosmos would we want an armed escort?" "It's as phony as a seven-credit note!" "You, a man of the cloth doubt it? And us ready skeptics convinced by our senses? Why do you doubt?" "It is only the unbelieving who believe so easily in obvious frauds. Theologically unsound, dramaturgically weak, philologically impossible, zoologically rigged, salted conspicuously with gold and shot through with anachronisms. And moreover he was afraid to play me at checkers." "What?" "If I have a preternatural intellect I wouldn't be afraid of a game of checkers with anyone. Yet there was an unusual mind there somewhere; it was just that he chose not to make our acquaintance personally." "They looked at the priest thoughtfully. "But it was Paradise in one way," said Steiner at last. "How?" "All the time we were there the woman did not speak."
train	62349	[ "What was special or impressive about Gertrude?", "Why was Gertrude continuously screaming?", "How were Jig and Bucky attacked by the Vapor snakes?", "Why did the crew mind that the cave-cat had kittens?", "What did the Nahali people do in side-shows as their talent?", "Why was Kapper in such a state of disbelief when Bucky and Jig found him?", "What did Jig and Bucky promise Kapper?", "Why did Jig and Bucky rarely come in through the front door?", "Why was the Circus is danger of closing?" ]	[ [ "Her outrageous temperment", "She was an extreme rarity.", "Her extraordinary size and young age", "She was exceptionally talented" ], [ "She was cramped in a much too small space. ", "She missed her family. ", "She was near starving.", "She was desperate for a mate" ], [ "They had been released by someone on purpose", "Bucky had released them while inebriated", "They had gone into the wrong enclosure. ", "They had escaped their tanks in search of food." ], [ "They didn't perform well while they were small. ", "They were too dangerous to keep onboard", "They had no food for more mouths to feed", "One had only four legs" ], [ "Performed with the dangerous Vapor snakes", "Performed tricks with the electric power the held in their bodies", "Swallowed electricty and performed with currents", "Their appearance alone was their performance, as they had triangular mouths and scaled hides" ], [ "He was frantically searching for the male Cansin he had found", "He had lost all his animals and was desperate to find them ", "He had been attacked by the Vapor snakes", "He was being poisoned." ], [ "That they would find a way to save the Circus", "That they would be able to save him", "That they would take the cansin back.", "That they would not make the deal with Beamish" ], [ "They wanted to avoid the screams of Gertrude", "They wanted to avoid the debt collectors", "They preferred the back entrance as to be closer to the action", "They wanted to avoid the Vapor snakes" ], [ "They lacked impressive skills now that more of their kind had surfaced.", "They were out of money and out of options. ", "They were no longer able to manage the lot of animals they had acquired. ", "They were too inebriated to be coherent. " ] ]	[ 2, 4, 1, 4, 2, 4, 3, 2, 2 ]	[ 1, 1, 0, 0, 0, 1, 0, 1, 1 ]	The Blue Behemoth By LEIGH BRACKETT Shannon's Imperial Circus was a jinxed space-carny leased for a mysterious tour of the inner worlds. It made a one-night pitch on a Venusian swamp-town—to find that death stalked it from the jungle in a tiny ball of flame. [Transcriber's Note: This etext was produced from Planet Stories May 1943. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] Bucky Shannon leaned forward across the little hexagonal table. He knocked over the pitcher of thil , but it didn't matter. The pitcher was empty. He jabbed me in the breastbone with his forefinger, not very hard. Not hard enough to jar the ribs clean loose, just enough to spring them. "We," he said, "are broke. We are finished, through. Washed up and down the drain." He added, as an afterthought, "Destitute." I looked at him. I said sourly, "You're kidding!" "Kidding." Shannon put his elbows on the table and peered at me through a curtain of very blond hair that was trying hard to be red. "He says I'm kidding! With Shannon's Imperial Circus, the Greatest Show in Space, plastered so thick with attachments...." "It's no more plastered than you are." I was sore because he'd been a lot quicker grabbing the pitcher. "The Greatest Show in Space. Phooey! I've wet-nursed Shannon's Imperial Circus around the Triangle for eleven years, and I know. It's lousy, it's mangy, it's broken-down! Nothing works, from the ship to the roustabouts. In short, it stinks!" I must have had the pitcher oftener than I thought. Nobody insults Buckhalter Shannon's Imperial Circus to Buckhalter Shannon's face unless he's tired and wants a long rest in a comfy fracture-frame. Shannon got up. He got up slowly. I had plenty of time to see his grey-green eyes get sleepy, and hear the quarter-Earth-blood Martian girl wailing about love over by the battered piano, and watch the slanting cat-eyes of the little dark people at the tables swing round toward us, pleased and kind of hungry. I had plenty of time to think how I only weigh one-thirty-seven to Shannon's one-seventy-five, and how I'm not as young as I used to be. I said, "Bucky. Hold on, fella. I...." Somebody said, "Excuse me, gentlemen. Is one of you Mister Buckhalter Shannon?" Shannon put his hands down on his belt. He closed his eyes and smiled pleasantly and said, very gently: "Would you be collecting for the feed bill, or the fuel?" I shot a glance at the newcomer. He'd saved me from a beating, even if he was a lousy bill-collecter; and I felt sorry for him. Bucky Shannon settled his shoulders and hips like a dancer. The stranger was a little guy. He even made me look big. He was dressed in dark-green synthesilk, very conservative. There was a powdering of grey in his hair and his skin was pink, soft, and shaved painfully clean. He had the kind of a face that nice maiden-ladies will trust with their last dime. I looked for his strong-arm squad. There didn't seem to be any. The little guy looked at Shannon with pale blue eyes like a baby, and his voice was softer than Bucky's. He said, "I don't think you understand." I felt cold, suddenly, between the shoulders. Somebody scraped a chair back. It sounded like he'd ripped the floor open, it was so quiet. I got my brassies on, and my hands were sweating. Bucky Shannon sighed, and let his fist start traveling, a long, deceptive arc. Then I saw what the little guy was holding in his hand. I yelled and knocked the table over into Bucky. It made a lot of noise. It knocked him sideways and down, and the little dark men jumped up, quivering and showing their teeth. The Martian girl screamed. Bucky heaved the table off his lap and cursed me. "What's eating you, Jig? I'm not going to hurt him." "Shut up," I said. "Look what he's got there. Money!" The little guy looked at me. He hadn't turned a hair. "Yes," he said. "Money. Quite a lot of it. Would you gentlemen permit me to join you?" Bucky Shannon got up. He grinned his pleasantest grin. "Delighted. I'm Shannon. This is Jig Bentley, my business manager." He looked down at the table. "I'm sorry about that. Mistaken identity." The little guy smiled. He did it with his lips. The rest of his face stayed placid and babyish, almost transparent. I realized with a start that it wasn't transparent at all. It was the most complete dead-pan I ever met, and you couldn't see into those innocent blue eyes any more than you could see through sheet metal. I didn't like him. I didn't like him at all. But he had money. I said, "Howdy. Let's go find a booth. These Marshies make me nervous, looking like hungry cats at a mouse-hole." The little guy nodded. "Excellent idea. My name is Beamish. Simon Beamish. I wish to—ah—charter your circus." I looked at Bucky. He looked hungrier than the Marshies did. We didn't say anything until we got Beamish into a curtained booth with a fresh pitcher of thil on the table. Then I cleared my throat. "What exactly did you have in mind, Mr. Beamish?" Beamish sipped his drink, made a polite face, and put it down. "I have independent means, gentlemen. It has always been my desire to lighten the burden of life for those less fortunate...." Bucky got red around the ears. "Just a minute," he murmured, and started to get up. I kicked him under the table. "Shut up, you lug. Let Mister Beamish finish." He sat down, looking like a mean dog waiting for the postman. Beamish ignored him. He went on, quietly, "I have always held that entertainment, of the right sort, is the most valuable aid humanity can have in its search for the alleviation of toil and boredom...." I said, "Sure, sure. But what was your idea?" "There are many towns along the Venusian frontiers where no entertainment of the— proper sort has been available. I propose to remedy that. I propose to charter your circus, Mister Shannon, to make a tour of several settlements along the Tehara Belt." Bucky had relaxed. His grey-green eyes began to gleam. He started to speak, and I kicked him again. "That would be expensive, Mister Beamish," I said. "We'd have to cancel several engagements...." He looked at me. I was lying, and he knew it. But he said, "I quite understand that. I would be prepared...." The curtains were yanked back suddenly. Beamish shut up. Bucky and I glared at the head and shoulders poking in between the drapes. It was Gow, our zoo-man—a big, ugly son-of-a-gun from a Terran colony on Mercury. I was there once. Gow looks a lot like the scenery—scowling, unapproachable, and tough. His hands, holding the curtains apart, had thick black hair on them and were not much larger than the hams of a Venusian swamp-rhino. He said, "Boss, Gertrude's actin' up again." "Gertrude be blowed," growled Bucky. "Can't you see I'm busy?" Gow's black eyes were unpleasant. "I'm tellin' you, Boss, Gertrude ain't happy. She ain't had the right food. If something...." I said, "That'll all be taken care of, Gow. Run along now." He looked at me like he was thinking it wouldn't take much timber to fit me for a coffin. "Okay! But Gertrude's unhappy. She's lonesome, see? And if she don't get happier pretty soon I ain't sure your tin-pot ship'll hold her." He pulled the curtains to and departed. Bucky Shannon groaned. Beamish cleared his throat and said, rather stiffly, "Gertrude?" "Yeah. She's kind of temperamental." Bucky took a quick drink. I finished for him. "She's the star attraction of our show, Mr. Beamish. A real blue-swamp Venusian cansin . The only other one on the Triangle belongs to Savitt Brothers, and she's much smaller than Gertrude." She was also much younger, but I didn't go into that. Gertrude may be a little creaky, but she's still pretty impressive. I only hoped she wouldn't die on us, because without her we'd have a sicker-looking circus than even I could stand. Beamish looked impressed. "A cansin . Well, well! The mystery surrounding the origin and species of the cansin is a fascinating subject. The extreme rarity of the animal...." We were getting off the subject. I said tactfully, "We'd have to have at least a hundred U.C.'s." It was twice what we had any right to ask. I was prepared to dicker. Beamish looked at me with that innocent dead pan. For a fraction of a second I thought I saw something back of his round blue eyes, and my stomach jumped like it was shot. Beamish smiled sweetly. "I'm not much of a bargainer. One hundred Universal Credits will be agreeable to me." He dragged out a roll as big as my two fists, peeled off half a dozen credit slips, and laid them on the table. "By way of a retainer, gentleman. My attorney and I will call on you in the morning with a contract and itinerary. Good night." We said good night, trying not to drool. Beamish went away. Bucky made grab for the money, but I beat him to it. "Scram," I said. "There are guys waiting for this. Big guys with clubs. Here." I gave him a small-denomination slip I'd been holding out. "We can get lushed enough on this." Shannon has a good vocabulary. He used it. When he got his breath back he said suddenly, "Beamish is pulling some kind of a game." "Yeah." "It may be crooked." "Sure. And he may be screwball and on the level. For Pete's sake!" I yelled. "You want to sit here till we all dry up and blow away?" Shannon looked at me, kind of funny. He looked at the bulge in my tunic where the roll was. He raked back his thick light hair. "Yeah," he said. "I hope there'll be enough left to bribe the jury." He poked his head outside. "Hey, boy! More thildatum !" It was pretty late when we got back to the broken-down spaceport where Shannon's Imperial Circus was crouching beneath its attachments. Late as it was, they were waiting for us. About twenty of them, sitting around and smoking and looking very ugly. It was awfully lonesome out there, with the desert cold and restless under the two moons. There's a smell to Mars, like something dead and dried long past decay, but still waiting. An unhappy smell. The blown red dust gritted in my teeth. Bucky Shannon walked out into the glare of the light at the entrance to the roped-off space around the main lock. He was pretty steady on his feet. He waved and said, "Hiya, boys." They got up off the steps, and the packing cases, and came toward us. I grinned and got into my brassies. We felt we owed those boys a lot more than money. It grates on a man's pride to have to sneak in and out of his own property through the sewage lock. This was the first time in weeks we'd come in at the front door. I waved the money in their faces. That stopped them. Very solemnly, Bucky and I checked the bills, paid them, and pocketed the receipts. Bucky yawned and stretched sleepily. "Now?" he said. "Now," I said. We had a lot of fun. Some of the boys inside the ship came out to join in. We raised a lot of dust and nobody got killed, quite. We all went home happy. They had their money, and we had their blood. The news was all over the ship before we got inside. The freaks and the green girl from Tethys who could roll herself like a hoop, and Zurt the muscle man from Jupiter, and all the other assorted geeks and kinkers and joeys that make up the usual corny carnie were doing nip-ups in the passageways and drooling over the thought of steer and toppings. Bucky Shannon regarded them possessively, wiping blood from his nose. "They're good guys, Jig. Swell people. They stuck by me, and I've rewarded them." I said, "Sure," rather sourly. Bucky hiccoughed. "Let's go see Gertrude." I didn't want to see Gertrude. I never got over feeling funny going into the brute tank, especially at night or out in space. I'm a city guy, myself. The smell and sound of wildness gives me goose bumps. But Bucky was looking stubborn, so I shrugged. "Okay. But just for a minute. Then we go beddy-bye." "You're a pal, Jif. Bes' li'l' guy inna worl'...." The fight had just put the topper on him. I was afraid he'd fall down the ladder and break his neck. That's why I went along. If I hadn't.... Oh, well, what's a few nightmares among friends? It was dark down there in the tank. Way off at the other end, there was a dim glow. Gow was evidently holding Gertrude's hand. We started down the long passageway between the rows of cages and glassed-in tanks and compression units. Our footsteps sounded loud and empty on the iron floor. I wasn't near as happy as Shannon, and my skin began to crawl a little. It's the smell, I think; rank and sour and wild. And the sound of them, breathing and rustling in the dark, with the patient hatred walled around them as strong as the cage bars. Bucky Shannon lurched against me suddenly. I choked back a yell, and then wiped the sweat off my forehead and cursed. The scream came again. A high, ragged, whistling screech like nothing this side of hell, ripping through the musty darkness. Gertrude, on the wailing wall. It had been quiet. Now every brute in the place let go at the same time. My stomach turned clear over. I called Gertrude every name I could think of, and I couldn't hear myself doing it. Presently a great metallic clash nearly burst my eardrums, and the beasts shut up. Gow had them nicely conditioned to that gong. But they didn't quiet down. Not really. They were uneasy. You can feel them inside you when they're uneasy. I think that's why I'm scared of them. They make me feel like I'm not human as I thought—like I wanted to put my back-hair up and snarl. Yeah. They were uneasy that night, all of a sudden.... Gow glared at us as we came up into the lantern light. "She's gettin' worse," he said. "She's lonesome." "That's tough," said Bucky Shannon. His grey-green eyes looked like an owl's. He swayed slightly. "That's sure tough." He sniffled. I looked at Gertrude. Her cage is the biggest and strongest in the tank and even so she looked as though she could break it open just taking a deep breath. I don't know if you've ever seen a cansin . There's only two of them on the Triangle. If you haven't, nothing I can say will make much difference. They're what the brain gang calls an "end of evolution." Seems old Dame Nature had an idea that didn't jell. The cansins were pretty successful for a while, it seems, but something gummed up the works and now there's only a few left, way in the deep-swamp country, where even the Venusians hardly ever go. Living fossils. I wouldn't know, of course, but Gertrude looks to me like she got stuck some place between a dinosaur and a grizzly bear, with maybe a little bird blood thrown in. Anyway, she's big. I couldn't help feeling sorry for her. She was crouched in the cage with her hands—yeah, hands—hanging over her knees and her snaky head sunk into her shoulders, looking out. Just looking. Not at anything. Her eyes were way back in deep horny pits, like cold green fire. The lantern light was yellow on her blue-black skin, but it made the mane, or crest, of coarse wide scales that ran from between her eyes clear down to her flat, short tail, burn all colors. She looked like old Mother Misery herself, from way back before time began. Gow said softly, "She wants a mate. And somebody better get her one." Bucky Shannon sniffled again. I said irritably, "Be reasonable, Gow! Nobody's ever seen a male cansin . There may not even be any." Gertrude screamed again. She didn't move, not even to raise her head. The sadness just built up inside her until it had to come out. That close, the screech was deafening, and it turned me all limp and cold inside. The loneliness, the sheer stark, simple pain.... Bucky Shannon began to cry. I snarled, "You'll have to snap her out of this, Gow. She's driving the rest of 'em nuts." He hammered on his gong, and things quieted down again. Gow stood looking out over the tank, sniffing a little, like a hound. Then he turned to Gertrude. "I saved her life," he said. "When we bought her out of Hanak's wreck and everybody thought she was too hurt to live, I saved her. I know her. I can do things with her. But this time...." He shrugged. He was huge and tough and ugly, and his voice was like a woman's talking about a sick child. "This time," he said, "I ain't sure." "Well for Pete's sake, do what you can. We got a charter, and we need her." I took Shannon's arm. "Come to bed, Bucky darlin'." He draped himself over my shoulder and we went off. Gow didn't look at us. Bucky sobbed. "You were right, Jig," he mumbled. "Circus is no good. I know it. But it's all I got. I love it, Jig. Unnerstan' me? Like Gow there with Gertrude. She's ugly and no good, but he loves her. I love...." "Sure, sure," I told him. "Stop crying down my neck." We were a long way from the light, then. The cages and tanks loomed high and black over us. It was still. The secret, uneasy motion all around us and the scruffing of our feet only made it stiller. Bucky was almost asleep on me. I started to slap him. And then the mist rose up out of the darkness in little lazy coils, sparkling faintly with blue, cold fire. I yelled, "Gow! Gow, the Vapor snakes! Gow—for God's sake!" I started to run, back along the passageway. Bucky weighed on me, limp and heavy. The noise burst suddenly in a deafening hell of moans and roars and shrieks, packed in tight by the metal walls, and above it all I could hear Gertrude's lonely, whistling scream. I thought, " Somebody's down here. Somebody let 'em out. Somebody wants to kill us! " I tried to yell again. It strangled in my throat. I sobbed, and the sweat was thick and cold on me. One of Bucky's dragging, stumbling feet got between mine. We fell. I rolled on top of him, covering his face, and buried my own face in the hollow of his shoulder. The first snake touched me. It was like a live wire, sliding along the back of my neck. I screamed. It came down along my cheek, hunting my mouth. There were more of them, burning me through my clothes. Bucky moaned and kicked under me. I remember hanging on and thinking, "This is it. This is it, and oh God, I'm scared!" Then I went out. II Kanza the Martian croaker, was bending over me when I woke up. His little brown face was crinkled with laughter. He'd lost most of his teeth, and he gummed thak -weed. It smelt. "You pretty, Mis' Jig," he giggled. "You funny like hell." He slapped some cold greasy stuff on my face. It hurt. I cursed him and said, "Where's Shannon? How is he?" "Mis' Bucky okay. You save life. You big hero, Mis' Jig. Mis' Gow come nickuhtime get snakes. You hero. Haw! You funny like hell!" I said, "Yeah," and pushed him away and got up. I almost fell down a couple of times, but presently I made it to the mirror over the washstand—I was in my own cell—and I saw what Kanza meant. The damned snakes had done a good job. I looked like I was upholstered in Scotch plaid. I felt sick. Bucky Shannon opened the door. He looked white and grim, and there was a big burn across his neck. He said: "Beamish is here with his lawyer." I picked up my shirt. "Right with you." Kanza went out, still giggling. Bucky closed the door. "Jig," he said, "those vapor worms were all right when we went in. Somebody followed us down and let them out. On purpose." I hurt all over. I growled, "With that brain, son, you should go far. Nobody saw anything, of course?" Bucky shook his head. "Question is, Jig, who wants to kill us, and why?" "Beamish. He realizes he's been gypped." "One hundred U.C.'s," said Bucky softly, "for a few lousy swampedge mining camps. It stinks, Jig. You think we should back out?" I shrugged. "You're the boss man. I'm only the guy that beats off the creditors." "Yeah," Bucky said reflectively. "And I hear starvation isn't a comfortable death. Okay, Jig. Let's go sign." He put his hand on the latch and looked at my feet. "And—uh—Jig, I...." I said, "Skip it. The next time, just don't trip me up, that's all!" We had a nasty trip to Venus. Gertrude kept the brute tank on edge, and Gow, on the rare occasions he came up for air, went around looking like a disaster hoping to happen. To make it worse, Zurt the Jovian strong-man got hurt during the take-off, and the Mercurian cave-cat had kittens. Nobody would have minded that, only one of 'em had only four legs. It lived just long enough to scare that bunch of superstitious dopes out of their pants. Circus people are funny that way. Shannon and I did a little quiet sleuthing, but it was a waste of time. Anybody in the gang might have let those electric worms out on us. It didn't help any to know that somebody, maybe the guy next to you at dinner, was busy thinking ways to kill you. By the time we hit Venus, I was ready to do a Brodie out the refuse chute. Shannon set the crate down on the edge of Nahru, the first stop on our itinerary. I stood beside him, looking out the ports at the scenery. It was Venus, all right. Blue mud and thick green jungle and rain, and a bunch of ratty-looking plastic shacks huddling together in the middle of it. Men in slickers were coming out for a look. I saw Beamish's sleek yacht parked on a cradle over to the left, and our router's runabout beside it. Bucky Shannon groaned. "A blue one, Jig. A morgue if I ever saw one!" I snarled, "What do you want, with this lousy dog-and-pony show!" and went out. He followed. The gang was converging on the lock, but they weren't happy. You get so you can feel those things. The steamy Venus heat was already sneaking into the ship. While we passed the hatchway to the brute tank, I could hear Gertrude, screaming. The canvasmen were busy setting up the annex, slopping and cursing in the mud. The paste brigade was heading for the shacks. Shannon and I stood with the hot rain running off our slickers, looking. I heard a noise behind me and looked around. Ahra the Nahali woman was standing in the mud with her arms up and her head thrown back, and her triangular mouth open like a thirsty dog. She didn't have anything on but her blue-green, hard scaled hide, and she was chuckling. It didn't sound nice. You find a lot of Nahali people in side-shows, doing tricks with the electric power they carry in their own bodies. They're Venusian middle-swampers, they're not human, and they never forget it. Ahra opened her slitted red eyes and looked at me and laughed with white reptilian teeth. "Death," she whispered. "Death and trouble. The jungle tells me. I can smell it in the swamp wind." The hot rain sluiced over her. She shivered, and the pale skin under her jaw pulsed like a toad's, and her eyes were red. "The deep swamps are angry," she whispered. "Something has been taken. They are angry, and I smell death in the wind!" She turned away, laughing, and I cursed her, and my stomach was tight and cold. Bucky said, "Let's eat if they have a bar in this dump." We weren't half way across the mud puddle that passed as a landing field when a man came out of a shack on the edge of the settlement. We could see him plainly, because he was off to one side of the crowd. He fell on his knees in the mud, making noises. It took him three or four tries to get our names out clear enough to understand. Bucky said, "Jig—it's Sam Kapper." We started to run. The crowd, mostly big unshaken miners, wheeled around to see what was happening. People began to close in on the man who crawled and whimpered in the mud. Sam Kapper was a hunter, supplying animals to zoos and circuses and carnivals. He'd given us good deals a couple of times, when we weren't too broke, and we were pretty friendly. I hadn't seen him for three seasons. I remembered him as a bronzed, hard-bitten guy, lean and tough as a twist of tung wire. I felt sick, looking down at him. Bucky started to help him up. Kapper was crying, and he jerked all over like animals I've seen that were scared to death. Some guy leaned over and put a cigarette in his mouth and lighted it for him. I was thinking about Kapper, then, and I didn't pay much attention. I only caught a glimpse of the man's face as he straightened up. I didn't realize until later that he looked familiar. We got Kapper inside the shack. It turned out to be a cheap bar, with a couple of curtained booths at the back. We got him into one and pulled the curtain in a lot of curious faces. Kapper dragged hard on the cigarette. The man that gave it to him was gone. Bucky said gently, "Okay, Sam. Relax. What's the trouble?" Kapper tried to straighten up. He hadn't shaved. The lean hard lines of his face had gone slack and his eyes were bloodshot. He was covered with mud, and his mouth twitched like a sick old man's. He said thickly, "I found it. I said I'd do it, and I did. I found it and brought it out." The cigarette stub fell out of his mouth. He didn't notice it. "Help me," he said simply. "I'm scared." His mouth drooled. "I got it hidden. They want to find out, but I won't tell 'em. It's got to go back. Back where I found it. I tried to take it, but they wouldn't let me, and I was afraid they'd find it...." He reached suddenly and grabbed the edge of the table. "I don't know how they found out about it, but they did. I've got to get it back. I've got to...." Bucky looked at me. Kapper was blue around the mouth. I was scared, suddenly. I said, "Get what back where?" Bucky got up. "I'll get a doctor," he said. "Stick with him." Kapper grabbed his wrist. Kapper's nails were blue and the cords in his hands stood out like guy wires. "Don't leave me. Got to tell you—where it is. Got to take it back. Promise you'll take it back." He gasped and struggled over his breathing. "Sure," said Bucky. "Sure, well take it back. What is it?" Kapper's face was horrible. I felt sick, listening to him fight for air. I wanted to go for a doctor anyway, but somehow I knew it was no use. Kapper whispered, " Cansin . Male. Only one. You don't know...! Take him back." "Where is it, Sam?" I reached across Bucky suddenly and jerked the curtain back. Beamish was standing there. Beamish, bent over, with his ear cocked. Kapper made a harsh strangling noise and fell across the table. Beamish never changed expression. He didn't move while Bucky felt Kapper's pulse. Bucky didn't need to say anything. We knew. "Heart?" said Beamish finally. "Yeah," said Bucky. He looked as bad as I felt. "Poor Sam." I looked at the cigarette stub smoldering on the table. I looked at Beamish with his round dead baby face. I climbed over Shannon and pushed Beamish suddenly down into his lap. "Keep this guy here till I get back," I said. Shannon stared at me. Beamish started to get indignant. "Shut up," I told him. "We got a contract." I yanked the curtains shut and walked over to the bar. I began to notice something, then. There were quite a lot of men in the place. At first glance they looked okay—a hard-faced, muscular bunch of miners in dirty shirts and high boots. Then I looked at their hands. They were dirty enough. But they never did any work in a mine, on Venus or anywhere else. The place was awfully quiet, for that kind of a place. The bartender was a big pot-bellied swamp-edger with pale eyes and thick white hair coiled up on top of his bullet head. He was not happy. I leaned on the bar. " Lhak ," I said. He poured it, sullenly, out of a green bottle. I reached for it, casually. "That guy we brought in," I said. "He sure has a skinful. Passed out cold. What's he been spiking his drinks with?" " Selak ," said a voice in my ear. "As if you didn't know." I turned. The man who had given Kapper the cigarette was standing behind me. And I remembered him, then.
train	63109	[ "Why did Billy-boy take Grannie Annie to the grille?", "What brought Billy-boy to the realization of why Grannie Annie had brought him to the Satellite Theater?", "What was supposedly destroyed after the crash of the Vennox regime?", "How is one able to escape the Varsoom?", "By what were Grannie Annie and Billy-boy being watched?", "Why was Billy-boy stopped as he was walking into the main lounge?", "Who was performing at the Satellite Theater when Billy-boy and Grannie Annie arrived?", "How long did Billy-boy and Grannie Annie travel after heat ray attack?", "Why were there no guards present in the ship?", "Why was the Green Flame so sought after?" ]	[ [ "He felt he needed to be polite and take her to dinner. ", "No females were allowed in the club", "He wanted to go somewhere where no one would over hear their conversation", "He wanted to inspect the book she had been writing. " ], [ "The publication of her newest book", "The appearance of Charles Zanner", "The attraction of the performance of the Nine Geniuses ", "The spell placed by Doctor Universe" ], [ "The Varsoom district", "Green Flames", "Ezra Karn, an old prospector", "Gamma rays" ], [ "By laughing", "By using protection of a Venusian", "Use of heat rays", "By throwing Green Flames" ], [ "Ezra Karn, an old prospector", "Hunter-bird", "a drone", "By Venusians" ], [ "He was not welcome in the club, per recent events. ", "He was no longer a pilot and had to return to the gate. ", "The pilots and crew-men were requested to all meet before entering", "He was informed that he had a visitor" ], [ "The Swamp City community members", "Charles Zanner", "Doctor Universe", "Annabellla C. Flowers" ], [ "Until January, when Death In The Atom hit stands", "six weeks", "Until dark when the arrived at the camp fire", "six days" ], [ "They had all been eliminated by the Green Flames", "the metal envelope was the only guard", "The ship was well hidden to not need guards", "The ship was self-operating to defend" ], [ "It was capable of shooting rays that would destroy every existance. ", "It was used in warfare and needed to be protected", "It was too dangerous to be left unattended", "It was more powerful than any known drug" ] ]	[ 2, 4, 2, 1, 2, 4, 3, 4, 4, 4 ]	[ 1, 1, 0, 0, 1, 0, 0, 1, 0, 0 ]	Doctor Universe By CARL JACOBI Grannie Annie, who wrote science fiction under the nom de plume of Annabella C. Flowers, had stumbled onto a murderous plot more hair-raising than any she had ever concocted. And the danger from the villain of the piece didn't worry her—I was the guy he was shooting at. [Transcriber's Note: This etext was produced from Planet Stories Fall 1944. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] I was killing an hour in the billiard room of the Spacemen's Club in Swamp City when the Venusian bellboy came and tapped me on the shoulder. "Beg pardon, thir," he said with his racial lisp, "thereth thome one to thee you in the main lounge." His eyes rolled as he added, "A lady!" A woman here...! The Spacemen's was a sanctuary, a rest club where in-coming pilots and crewmen could relax before leaving for another voyage. The rule that no females could pass its portals was strictly enforced. I followed the bellhop down the long corridor that led to the main lounge. At the threshold I jerked to a halt and stared incredulously. Grannie Annie! There she stood before a frantically gesticulating desk clerk, leaning on her faded green umbrella. A little wisp of a woman clad in a voluminous black dress with one of those doily-like caps on her head, tied by a ribbon under her chin. Her high-topped button shoes were planted firmly on the varpla carpet and her wrinkled face was set in calm defiance. I barged across the lounge and seized her hand. "Grannie Annie! I haven't seen you in two years." "Hi, Billy-boy," she greeted calmly. "Will you please tell this fish-face to shut up." The desk clerk went white. "Mithter Trenwith, if thith lady ith a friend of yourth, you'll have to take her away. It'th abtholutely againth the ruleth...." "Okay, okay," I grinned. "Look, we'll go into the grille. There's no one there at this hour." In the grille an equally astonished waiter served us—me a lime rickey and Grannie Annie her usual whisky sour—I waited until she had tossed the drink off at a gulp before I set off a chain of questions: "What the devil are you doing on Venus? Don't you know women aren't allowed in the Spacemen's ? What happened to the book you were writing?" "Hold it, Billy-boy." Laughingly she threw up both hands. "Sure, I knew this place had some antiquated laws. Pure fiddle-faddle, that's what they are. Anyway, I've been thrown out of better places." She hadn't changed. To her publishers and her readers she might be Annabella C. Flowers, author of a long list of science fiction novels. But to me she was still Grannie Annie, as old-fashioned as last year's hat, as modern as an atomic motor. She had probably written more drivel in the name of science fiction than anyone alive. But the public loved it. They ate up her stories, and they clamored for more. Her annual income totaled into six figures, and her publishers sat back and massaged their digits, watching their earnings mount. One thing you had to admit about her books. They may have been dime novels, but they weren't synthetic. If Annabella C. Flowers wrote a novel, and the locale was the desert of Mars, she packed her carpet bag and hopped a liner for Craterville. If she cooked up a feud between two expeditions on Callisto, she went to Callisto. She was the most completely delightful crackpot I had ever known. "What happened to Guns for Ganymede ?" I asked. "That was the title of your last, wasn't it?" Grannie spilled a few shreds of Martian tobacco onto a paper and deftly rolled herself a cigarette. "It wasn't Guns , it was Pistols ; and it wasn't Ganymede , it was Pluto ." I grinned. "All complete, I'll bet, with threats against the universe and beautiful Earth heroines dragged in by the hair." "What else is there in science fiction?" she demanded. "You can't have your hero fall in love with a bug-eyed monster." Up on the wall a clock chimed the hour. The old woman jerked to her feet. "I almost forgot, Billy-boy. I'm due at the Satellite Theater in ten minutes. Come on, you're going with me." Before I realized it, I was following her through the lounge and out to the jetty front. Grannie Annie hailed a hydrocar. Five minutes later we drew up before the big doors of the Satellite . They don't go in for style in Swamp City. A theater to the grizzled colonials on this side of the planet meant a shack on stilts over the muck, zilcon wood seats and dingy atobide lamps. But the place was packed with miners, freight-crew-men—all the tide and wash of humanity that made Swamp City the frontier post it is. In front was a big sign. It read: ONE NIGHT ONLY DOCTOR UNIVERSE AND HIS NINE GENIUSES THE QUESTION PROGRAM OF THE SYSTEM As we strode down the aisle a mangy-looking Venusian began to pound a tinpan piano in the pit. Grannie Annie pushed me into a seat in the front row. "Sit here," she said. "I'm sorry about all this rush, but I'm one of the players in this shindig. As soon as the show is over, we'll go somewhere and talk." She minced lightly down the aisle, climbed the stage steps and disappeared in the wings. "That damned fossilized dynamo," I muttered. "She'll be the death of me yet." The piano struck a chord in G, and the curtain went rattling up. On the stage four Earthmen, two Martians, two Venusians, and one Mercurian sat on an upraised dais. That is to say, eight of them sat. The Mercurian, a huge lump of granite-like flesh, sprawled there, palpably uncomfortable. On the right were nine visi sets, each with its new improved pantascope panel and switchboard. Before each set stood an Earthman operator. A tall man, clad in a claw-hammer coat, came out from the wings and advanced to the footlights. "People of Swamp City," he said, bowing, "permit me to introduce myself. I am Doctor Universe, and these are my nine experts." There was a roar of applause from the Satellite audience. When it had subsided, the man continued: "As most of you are familiar with our program, it will be unnecessary to give any advance explanation. I will only say that on this stage are nine visi sets, each tuned to one of the nine planets. At transmitting sets all over these planets listeners will appear and voice questions. These questions, my nine experts will endeavor to answer. For every question missed, the sender will receive a check for one thousand planetoles . "One thing more. As usual we have with us a guest star who will match her wits with the experts. May I present that renowned writer of science fiction, Annabella C. Flowers." From the left wing Grannie Annie appeared. She bowed and took her place on the dais. The Doctor's program began. The operator of the Earth visi twisted his dials and nodded. Blue light flickered on the pantascope panel to coalesce slowly into the face of a red-haired man. Sharp and dear his voice echoed through the theater: " Who was the first Earthman to titter the sunward side of Mercury? " Doctor Universe nodded and turned to Grannie Annie who had raised her hand. She said quietly: "Charles Zanner in the year 2012. In a specially constructed tracto-car." And so it went. Questions from Mars, from Earth, from Saturn flowed in the visi sets. Isolated miners on Jupiter, dancers in swank Plutonian cafes strove to stump the experts. With Doctor Universe offering bantering side play, the experts gave their answers. When they failed, or when the Truthicator flashed a red light, he announced the name of the winner. It grew a little tiresome after a while and I wondered why Grannie had brought me here. And then I began to notice things. The audience in the Satellite seemed to have lost much of its original fervor. They applauded as before but they did so only at the signal of Doctor Universe. The spell created by the man was complete. Pompous and erect, he strode back and forth across the stage like a general surveying his army. His black eyes gleamed, and his thin lips were turned in a smile of satisfaction. When the last question had been answered I joined the exit-moving crowd. It was outside under the street marquee that a strange incident occurred. A yellow-faced Kagor from the upper Martian desert country shuffled by, dragging his cumbersome third leg behind him. Kagors, of course, had an unpleasant history of persecution since the early colonization days of the Red Planet. But the thing that happened there was a throw back to an earlier era. Someone shouted, "Yah, yellow-face! Down with all Kagors!" As one man the crowd took up the cry and surged forward. The helpless Kagor was seized and flung to the pavement. A knife appeared from nowhere, snipped the Martian's single lock of hair. A booted foot bludgeoned into his mouth. Moments later an official hydrocar roared up and a dozen I.P. men rushed out and scattered the crowd. But a few stragglers lingered to shout derisive epithets. Grannie Annie came out from behind the box office then. She took my arm and led me around a corner and through a doorway under a sign that read THE JET. Inside was a deep room with booths along one wall. The place was all but deserted. In a booth well toward the rear the old lady surveyed me with sober eyes. "Billy-boy, did you see the way that crowd acted?" I nodded. "As disgraceful an exhibition as I've ever seen. The I.P. men ought to clamp down." "The I.P. men aren't strong enough." She said it quietly, but there was a glitter in her eyes and a harsh line about her usually smiling lips. "What do you mean?" For a moment the old lady sat there in silence; then she leaned back, closed her eyes, and I knew there was a story coming. "My last book, Death In The Atom , hit the stands last January," she began. "When it was finished I had planned to take a six months' vacation, but those fool publishers of mine insisted I do a sequel. Well, I'd used Mars and Pluto and Ganymede as settings for novels, so for this one I decided on Venus. I went to Venus City, and I spent six weeks in-country. I got some swell background material, and I met Ezra Karn...." "Who?" I interrupted. "An old prospector who lives out in the deep marsh on the outskirts of Varsoom country. To make a long story short, I got him talking about his adventures, and he told me plenty." The old woman paused. "Did you ever hear of the Green Flames?" she asked abruptly. I shook my head. "Some new kind of ..." "It's not a new kind of anything. The Green Flame is a radio-active rock once found on Mercury. The Alpha rays of this rock are similar to radium in that they consist of streams of material particles projected at high speed. But the character of the Gamma rays has never been completely analyzed. Like those set up by radium, they are electromagnetic pulsations, but they are also a strange combination of Beta or cathode rays with negatively charged electrons. "When any form of life is exposed to these Gamma rays from the Green Flame rock, they produce in the creature's brain a certain lassitude and lack of energy. As the period of exposure increases, this condition develops into a sense of impotence and a desire for leadership or guidance. Occasionally, as with the weak-willed, there is a spirit of intolerance. The Green Flames might be said to be an inorganic opiate, a thousand times more subtle and more powerful than any known drug." I was sitting up now, hanging on to the woman's every word. "Now in 2710, as you'd know if you studied your history, the three planets of Earth, Venus, and Mars were under governmental bondage. The cruel dictatorship of Vennox I was short-lived, but it lasted long enough to endanger all civilized life. "The archives tell us that one of the first acts of the overthrowing government was to cast out all Green Flames, two of which Vennox had ordered must be kept in each household. The effect on the people was immediate. Representative government, individual enterprise, freedom followed." Grannie Annie lit a cigarette and flipped the match to the floor. "To go back to my first trip to Venus. As I said, I met Ezra Karn, an old prospector there in the marsh. Karn told me that on one of his travels into the Varsoom district he had come upon the wreckage of an old space ship. The hold of that space ship was packed with Green Flames!" If Grannie expected me to show surprise at that, she was disappointed. I said, "So what?" "So everything, Billy-boy. Do you realize what such a thing would mean if it were true? Green Flames were supposedly destroyed on all planets after the Vennox regime crashed. If a quantity of the rock were in existence, and it fell into the wrong hands, there'd be trouble. "Of course, I regarded Karn's story as a wild dream, but it made corking good story material. I wrote it into a novel, and a week after it was completed, the manuscript was stolen from my study back on Earth." "I see," I said as she lapsed into silence. "And now you've come to the conclusion that the details of your story were true and that someone is attempting to put your plot into action." Grannie nodded. "Yes," she said. "That's exactly what I think." I got my pipe out of my pocket, tamped Martian tobacco into the bowl and laughed heartily. "The same old Flowers," I said. "Tell me, who's your thief ... Doctor Universe?" She regarded me evenly. "What makes you say that?" I shrugged. "The way the theater crowd acted. It all ties in." The old woman shook her head. "No, this is a lot bigger than a simple quiz program. The theater crowd was but a cross-section of what is happening all over the System. There have been riots on Earth and Mars, police officials murdered on Pluto and a demand that government by representation be abolished on Jupiter. The time is ripe for a military dictator to step in. "And you can lay it all to the Green Flames. It seems incredible that a single shipload of the ore could effect such a wide ranged area, but in my opinion someone has found a means of making that quantity a thousand times more potent and is transmiting it en masse ." If it had been anyone but Grannie Annie there before me, I would have called her a fool. And then all at once I got an odd feeling of approaching danger. "Let's get out of here," I said, getting up. Zinnng-whack! "All right!" On the mirror behind the bar a small circle with radiating cracks appeared. On the booth wall a scant inch above Grannie's head the fresco seemed to melt away suddenly. A heat ray! Grannie Annie leaped to her feet, grasped my arm and raced for the door. Outside a driverless hydrocar stood with idling motors. The old woman threw herself into the control seat, yanked me in after her and threw over the starting stud. An instant later we were plunging through the dark night. Six days after leaving Swamp City we reached Level Five, the last outpost of firm ground. Ahead lay the inner marsh, stretching as far as the eye could reach. Low islands projected at intervals from the thick water. Mold balls, two feet across, drifted down from the slate-gray sky like puffs of cotton. We had traveled this far by ganet , the tough little two headed pack animal of the Venus hinterland. Any form of plane or rocket would have had its motor instantly destroyed, of course, by the magnetic force belt that encircled the planet's equator. Now our drivers changed to boatmen, and we loaded our supplies into three clumsy jagua canoes. It was around the camp fire that night that Grannie took me into her confidence for the first time since we had left Swamp City. "We're heading directly for Varsoom country," she said. "If we find Ezra Karn so much the better. If we don't, we follow his directions to the lost space ship. Our job is to find that ore and destroy it. You see, I'm positive the Green Flames have never been removed from the ship." Sleep had never bothered me, yet that night I lay awake for hours tossing restlessly. The thousand sounds of the blue marsh droned steadily. And the news broadcast I had heard over the portable visi just before retiring still lingered in my mind. To a casual observer that broadcast would have meant little, a slight rebellion here, an isolated crime there. But viewed from the perspective Grannie had given me, everything dovetailed. The situation on Jupiter was swiftly coming to a head. Not only had the people on that planet demanded that representative government be abolished, but a forum was now being held to find a leader who might take complete dictatorial control. Outside a whisper-worm hissed softly. I got up and strode out of my tent. For some time I stood there, lost in thought. Could I believe Grannie's incredible story? Or was this another of her fantastic plots which she had skilfully blended into a novel? Abruptly I stiffened. The familiar drone of the marsh was gone. In its place a ringing silence blanketed everything. And then out in the gloom a darker shadow appeared, moving in undulating sweeps toward the center of the camp. Fascinated, I watched it advance and retreat, saw two hyalescent eyes swim out of the murk. It charged, and with but a split second to act, I threw myself flat. There was a rush of mighty wings as the thing swept over me. Sharp talons raked my clothing. Again it came, and again I rolled swiftly, missing the thing by the narrowest of margins. From the tent opposite a gaunt figure clad in a familiar dress appeared. Grannie gave a single warning: "Stand still!" The thing in the darkness turned like a cam on a rod and drove at us again. This time the old woman's heat gun clicked, and a tracery of purple flame shot outward. A horrible soul-chilling scream rent the air. A moment later something huge and heavy scrabbled across the ground and shot aloft. Grannie Annie fired with deliberate speed. I stood frozen as the diminuendo of its wild cries echoed back to me. "In heaven's name, what was it?" "Hunter-bird," Grannie said calmly. "A form of avian life found here in the swamp. Harmless in its wild state, but when captured, it can be trained to pursue a quarry until it kills. It has a single unit brain and follows with a relentless purpose." "Then that would mean...?" "That it was sent by our enemy, the same enemy that shot at us in the cafe in Swamp City. Exactly." Grannie Annie halted at the door of her tent and faced me with earnest eyes. "Billy-boy, our every move is being watched. From now on it's the survival of the fittest." The following day was our seventh in the swamp. The water here resembled a vast mosaic, striped and cross-striped with long winding ribbons of yellowish substance that floated a few inches below the surface. The mold balls coming into contact with the evonium water of the swamp had undergone a chemical change and evolved into a cohesive multi-celled marine life that lived and died within a space of hours. The Venusians paddled with extreme care. Had one of them dipped his hand into one of those yellow streaks, he would have been devoured in a matter of seconds. At high noon by my Earth watch I sighted a low white structure on one of the distant islands. Moments later we made a landing at a rude jetty, and Grannie Annie was introducing me to Ezra Karn. He was not as old a man as I had expected, but he was ragged and unkempt with iron gray hair falling almost to his shoulders. He was dressed in varpa cloth, the Venus equivalent of buckskin, and on his head was an enormous flop-brimmed hat. "Glad to meet you," he said, shaking my hand. "Any friend of Miss Flowers is a friend of mine." He ushered us down the catwalk into his hut. The place was a two room affair, small but comfortable. The latest type of visi set in one corner showed that Karn was not isolated from civilization entirely. Grannie Annie came to the point abruptly. When she had explained the object of our trip, the prospector became thoughtful. "Green Flames, eh?" he repeated slowly. "Well yes, I suppose I could find that space ship again. That is, if I wanted to." "What do you mean?" Grannie paused in the act of rolling herself a cigarette. "You know where it is, don't you?" "Ye-s," Karn nodded. "But like I told you before, that ship lies in Varsoom country, and that isn't exactly a summer vacation spot." "What are the Varsoom?" I asked. "A native tribe?" Karn shook his head. "They're a form of life that's never been seen by Earthmen. Strictly speaking, they're no more than a form of energy." "Dangerous?" "Yes and no. Only man I ever heard of who escaped their country outside of myself was the explorer, Darthier, three years ago. I got away because I was alone, and they didn't notice me, and Darthier escaped because he made 'em laugh." "Laugh?" A scowl crossed Grannie's face. "That's right," Karn said. "The Varsoom have a strange nervous reaction that's manifested by laughing. But just what it is that makes them laugh, I don't know." Food supplies and fresh drinking water were replenished at the hut. Several mold guns were borrowed from the prospector's supply to arm the Venusians. And then as we were about to leave, Karn suddenly turned. "The Doctor Universe program," he said. "I ain't missed one in months. You gotta wait 'til I hear it." Grannie frowned in annoyance, but the prospector was adamant. He flipped a stud, twisted a dial and a moment later was leaning back in a chair, listening with avid interest. It was the same show I had witnessed back in Swamp City. Once again I heard questions filter in from the far outposts of the System. Once again I saw the commanding figure of the quiz master as he strode back and forth across the stage. And as I sat there, looking into the visi screen, a curious numbing drowsiness seemed to steal over me and lead my thoughts far away. Half an hour later we headed into the unknown. The Venusian boatmen were ill-at-ease now and jabbered among themselves constantly. We camped that night on a miserable little island where insects swarmed about us in hordes. The next day an indefinable wave of weariness and despondency beset our entire party. I caught myself musing over the futility of the venture. Only the pleadings of Grannie Annie kept me from turning back. On the morrow I realized the truth in her warning, that all of us had been exposed to the insidious radiations. After that I lost track of time. Day after day of incessant rain ... of steaming swamp.... But at length we reached firm ground and began our advance on foot. It was Karn who first sighted the ship. Striding in the lead, he suddenly halted at the top of a hill and leveled his arm before him. There it lay, a huge cigar-shaped vessel of blackened arelium steel, half buried in the swamp soil. "What's that thing on top?" Karn demanded, puzzled. A rectangular metal envelope had been constructed over the stern quarters of the ship. Above this structure were three tall masts. And suspended between them was a network of copper wire studded with white insulators. Grannie gazed a long moment through binoculars. "Billy-boy, take three Venusians and head across the knoll," she ordered. "Ezra and I will circle in from the west. Fire a gun if you strike trouble." But we found no trouble. The scene before us lay steeped in silence. Moments later our two parties converged at the base of the great ship. A metal ladder extended from the envelope down the side of the vessel. Mid-way we could see a circular hatch-like door. "Up we go, Billy-boy." Heat gun in readiness, Grannie Annie began to climb slowly. The silence remained absolute. We reached the door and pulled it open. There was no sign of life. "Somebody's gone to a lot of trouble here," Ezra Karn observed. Somebody had. Before us stretched a narrow corridor, flanked on the left side by a wall of impenetrable stepto glass. The corridor was bare of furnishings. But beyond the glass, revealed to us in mocking clarity, was a high panel, studded with dials and gauges. Even as we looked, we could see liquid pulse in glass tubes, indicator needles swing slowly to and fro. Grannie nodded. "Some kind of a broadcasting unit. The Green Flames in the lower hold are probably exposed to a tholpane plate and their radiations stepped up by an electro-phosicalic process." Karn raised the butt of his pistol and brought it crashing against the glass wall. His arm jumped in recoil, but the glass remained intact. "You'll never do it that way," Grannie said. "Nothing short of an atomic blast will shatter that wall. It explains why there are no guards here. The mechanism is entirely self-operating. Let's see if the Green Flames are more accessible." In the lower hold disappointment again confronted us. Visible in the feeble shafts of daylight that filtered through cracks in the vessel's hull were tiers of rectangular ingots of green iridescent ore. Suspended by insulators from the ceiling over them was a thick metal plate. But between was a barrier. A wall of impenetrable stepto glass. Grannie stamped her foot. "It's maddening," she said. "Here we are at the crux of the whole matter, and we're powerless to make a single move."
train	62324	[ "What can be determined as a similarity between Harvey, Joe, and Johnson?", "Why did Harvey and Joe have such a large tab and the bar that was ran by Johnson?", "Despite the menu prices for the restaurant food being remarkably low, how were Harvey and Joe met with an outrageous bill of 328 buckos?", "Why did Harvey agree to pay the absurd price for the water that he and Joe consumed at the bar?", "How was Johnson convinced to buy the case astroid fever medication?", "What was so unique about Genius that made Joe and Harvey want to purchase him?", "Despite what they told Johnson, what can be determined as Harvey and Joe's true occupation?" ]	[ [ "They all have a tendency to want the best for one another to a personal fault. ", "They all have a tendency to think they are more advanced than one another", "They all have a tendency to spend too much time at the bar where Johnson works", "They all have a tendency to be greedy at any opportunity" ], [ "They were unaware of the cost of the water served by the bartender. ", "They had consumed multiple alcoholic beverages and lost track of how much they had ordered. ", "Their funds were unlimited and they ordered rounds of drinks for everyone in the bar, including Genius, who had more hands to hold more drinks. ", "Johnson had over-priced the alcoholic drinks they ordered once he knew they were drunk. " ], [ "They were charged for an insane amount of overhead. ", "They were charged for services and entertainment. ", "They didn't notice the additional zeros added on to the prices of the menu items", "They were not informed of the tax charged onto the meal." ], [ "The sheriff had threated them with his holstered weapon. ", "He knew they would be able to con Johnson right back.", "They were thirsty and too delirious to argue", "He didn't want to risk being arrested and trapped on Planetoid 42" ], [ "Proven statistics showing that it was the best antidote", "Joe's acting skills ", "He felt feverish and thought he may have contracted the illness", "A price too good that could not be turned down" ], [ "His impressive cooking", "His ability to haggle", "His useful mechanical skills", "His 6 arms" ], [ "Sales men", "space-side mechanics", "Traveling gamblers", "Con artists" ] ]	[ 4, 1, 2, 2, 2, 4, 4 ]	[ 1, 1, 1, 1, 1, 1, 0 ]	GRIFTERS' ASTEROID By H. L. GOLD Harvey and Joe were the slickest con-men ever to gyp a space-lane sucker. Or so they thought! Angus Johnson knew differently. He charged them five buckos for a glass of water—and got it! [Transcriber's Note: This etext was produced from Planet Stories May 1943. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] Characteristically, Harvey Ellsworth tried to maintain his dignity, though his parched tongue was almost hanging out. But Joe Mallon, with no dignity to maintain, lurched across the rubbish-strewn patch of land that had been termed a spaceport. When Harvey staggered pontifically into the battered metalloy saloon—the only one on Planetoid 42—his tall, gangling partner was already stumbling out, mouthing something incoherent. They met in the doorway, violently. "We're delirious!" Joe cried. "It's a mirage!" "What is?" asked Harvey through a mouthful of cotton. Joe reeled aside, and Harvey saw what had upset his partner. He stared, speechless for once. In their hectic voyages from planet to planet, the pair of panacea purveyors had encountered the usual strange life-forms. But never had they seen anything like the amazing creature in that colonial saloon. Paying no attention to them, it was carrying a case of liquor in two hands, six siphons in two others, and a broom and dustpan in the remaining pair. The bartender, a big man resembling the plumpish Harvey in build, was leaning negligently on the counter, ordering this impossible being to fill the partly-emptied bottles, squeeze fruit juice and sweep the floor, all of which the native did simultaneously. "Nonsense," Harvey croaked uncertainly. "We have seen enough queer things to know there are always more." He led the way inside. Through thirst-cracked lips he rasped: "Water—quick!" Without a word, the bartender reached under the counter, brought out two glasses of water. The interplanetary con-men drank noisily, asked for more, until they had drunk eight glasses. Meanwhile, the bartender had taken out eight jiggers and filled them with whiskey. Harvey and Joe were breathing hard from having gulped the water so fast, but they were beginning to revive. They noticed the bartender's impersonal eyes studying them shrewdly. "Strangers, eh?" he asked at last. "Solar salesmen, my colonial friend," Harvey answered in his usual lush manner. "We purvey that renowned Martian remedy, La-anago Yergis , the formula for which was recently discovered by ourselves in the ancient ruined city of La-anago. Medical science is unanimous in proclaiming this magic medicine the sole panacea in the entire history of therapeutics." "Yeah?" said the bartender disinterestedly, polishing the chaser glasses without washing them. "Where you heading?" "Out of Mars for Ganymede. Our condenser broke down, and we've gone without water for five ghastly days." "Got a mechanic around this dumping ground you call a port?" Joe asked. "We did. He came near starving and moved on to Titan. Ships don't land here unless they're in trouble." "Then where's the water lead-in? We'll fill up and push off." "Mayor takes care of that," replied the saloon owner. "If you gents're finished at the bar, your drinks'll be forty buckos." Harvey grinned puzzledly. "We didn't take any whiskey." "Might as well. Water's five buckos a glass. Liquor's free with every chaser." Harvey's eyes bulged. Joe gulped. "That—that's robbery!" the lanky man managed to get out in a thin quaver. The barkeeper shrugged. "When there ain't many customers, you gotta make more on each one. Besides—" "Besides nothing!" Joe roared, finding his voice again. "You dirty crook—robbing poor spacemen! You—" "You dirty crook!" Joe roared. "Robbing honest spacemen!" Harvey nudged him warningly. "Easy, my boy, easy." He turned to the bartender apologetically. "Don't mind my friend. His adrenal glands are sometimes overactive. You were going to say—?" The round face of the barkeeper had assumed an aggrieved expression. "Folks are always thinkin' the other feller's out to do 'em," he said, shaking his head. "Lemme explain about the water here. It's bitter as some kinds of sin before it's purified. Have to bring it in with buckets and make it sweet. That takes time and labor. Waddya think—I was chargin' feller critters for water just out of devilment? I charge because I gotta." "Friend," said Harvey, taking out a wallet and counting off eight five-bucko bills, "here is your money. What's fair is fair, and you have put a different complexion on what seemed at first to be an unconscionable interjection of a middleman between Nature and man's thirst." The saloon man removed his dirty apron and came around the bar. "If that's an apology, I accept it. Now the mayor'll discuss filling your tanks. That's me. I'm also justice of the peace, official recorder, fire chief...." "And chief of police, no doubt," said Harvey jocosely. "Nope. That's my son, Jed. Angus Johnson's my name. Folks here just call me Chief. I run this town, and run it right. How much water will you need?" Joe estimated quickly. "About seventy-five liters, if we go on half rations," he answered. He waited apprehensively. "Let's say ten buckos a liter," the mayor said. "On account of the quantity, I'm able to quote a bargain price. Shucks, boys, it hurts me more to charge for water than it does for you to pay. I just got to, that's all." The mayor gestured to the native, who shuffled out to the tanks with them. The planetoid man worked the pump while the mayor intently watched the crude level-gauge, crying "Stop!" when it registered the proper amount. Then Johnson rubbed his thumb on his index finger and wetted his lips expectantly. Harvey bravely counted off the bills. He asked: "But what are we to do about replenishing our battery fluid? Ten buckos a liter would be preposterous. We simply can't afford it." Johnson's response almost floored them. "Who said anything about charging you for battery water? You can have all you want for nothing. It's just the purified stuff that comes so high." After giving them directions that would take them to the free-water pool, the ponderous factotum of Planetoid 42 shook hands and headed back to the saloon. His six-armed assistant followed him inside. "Now do you see, my hot-tempered colleague?" said Harvey as he and Joe picked up buckets that hung on the tank. "Johnson, as I saw instantly, is the victim of a difficult environment, and must charge accordingly." "Just the same," Joe griped, "paying for water isn't something you can get used to in ten minutes." In the fragile forest, they soon came across a stream that sprang from the igneous soil and splashed into the small pond whose contents, according to the mayor, was theirs for the asking. They filled their buckets and hauled them to the ship, then returned for more. It was on the sixth trip that Joe caught a glimpse of Jupiter-shine on a bright surface off to the left. The figure, 750, with the bucko sign in front of it, was still doing acrobatics inside his skull and keeping a faint suspicion alive in him. So he called Harvey and they went to investigate. Among the skimpy ground-crawling vines, they saw a long slender mound that was unmistakably a buried pipe. "What's this doing here?" Harvey asked, puzzled. "I thought Johnson had to transport water in pails." "Wonder where it leads to," Joe said uneasily. "It leads to the saloon," said Harvey, his eyes rapidly tracing the pipe back toward the spaceport. "What I am concerned with is where it leads from ." Five minutes later, panting heavily from the unaccustomed exertion of scrambling through the tangle of planetorial undergrowth, they burst into the open—before a clear, sparkling pool. Mutely, Harvey pointed out a pipe-end jutting under the water. "I am growing suspicious," he said in a rigidly controlled voice. But Joe was already on his knees, scooping up a handful of water and tasting it. "Sweet!" he snarled. They rushed back to the first pool, where Joe again tasted a sample. His mouth went wry. "Bitter! He uses only one pool, the sweet one! The only thing that needs purifying around here is that blasted mayor's conscience." "The asteroidal Poobah has tricked us with a slick come-on," said Harvey slowly. His eyes grew cold. "Joseph, the good-natured artist in me has become a hard and merciless avenger. I shall not rest until we have had the best of this colonial con-man! Watch your cues from this point hence." Fists clenched, the two returned to the saloon. But at the door they stopped and their fists unclenched. "Thought you gents were leaving," the mayor called out, seeing them frozen in the doorway. "Glad you didn't. Now you can meet my son, Jed. Him and me are the whole Earthman population of Johnson City." "You don't need any more," said Harvey, dismayed. Johnson's eight-foot son, topped by a massive roof of sun-bleached hair and held up by a foundation that seemed immovable, had obviously been born and raised in low gravity. For any decent-sized world would have kept him down near the general dimensions of a man. He held out an acre of palm. Harvey studied it worriedly, put his own hand somewhere on it, swallowed as it closed, then breathed again when his fingers were released in five units instead of a single compressed one. "Pleased to meet you," piped a voice that had never known a dense atmosphere. The pursuit of vengeance, Harvey realized, had taken a quick and unpleasant turn. Something shrewd was called for.... "Joseph!" he exclaimed, looking at his partner in alarm. "Don't you feel well?" Even before the others could turn to him, Joe's practiced eyes were gently crossing. He sagged against the door frame, all his features drooping like a bloodhound's. "Bring him in here!" Johnson cried. "I mean, get him away! He's coming down with asteroid fever!" "Of course," replied Harvey calmly. "Any fool knows the first symptoms of the disease that once scourged the universe." "What do you mean, once ?" demanded Johnson. "I come down with it every year, and I ain't hankering to have it in an off-season. Get him out of here!" "In good time. He can't be moved immediately." "Then he'll be here for months!" Harvey helped Joe to the counter and lifted him up on it. The mayor and his gigantic offspring were cowering across the room, trying to breathe in tiny, uncontaminating gasps. "You'll find everything you want in the back room," Johnson said frantically, "sulfopyridine, mustard plasters, rubs, inhalers, suction cups—" "Relics of the past," Harvey stated. "One medication is all modern man requires to combat the dread menace, asteroid fever." "What's that?" asked the mayor without conviction. Instead of replying, Harvey hurried outside to the ungainly second-hand rocket ship in the center of the shabby spaceport. He returned within a few minutes, carrying a bottle. Joe was still stretched out on the bar, panting, his eyes slowly crossing and uncrossing. Harvey lifted the patient's head tenderly, put the bottle to his lips and tilted it until he was forced to drink. When Joe tried to pull away, Harvey was inexorable. He made his partner drink until most of the liquid was gone. Then he stepped back and waited for the inevitable result. Joe's performance was better than ever. He lay supine for several moments, his face twisted into an expression that seemed doomed to perpetual wryness. Slowly, however, he sat up and his features straightened out. "Are—are you all right?" asked the mayor anxiously. "Much better," said Joe in a weak voice. "Maybe you need another dose," Harvey suggested. Joe recoiled. "I'm fine now!" he cried, and sprang off the bar to prove it. Astonished, Johnson and his son drew closer. They searched Joe's face, and then the mayor timidly felt his pulse. "Well, I'll be hanged!" Johnson ejaculated. " La-anago Yergis never fails, my friend," Harvey explained. "By actual test, it conquers asteroid fever in from four to twenty-three minutes, depending on the severity of the attack. Luckily, we caught this one before it grew formidable." The mayor's eyes became clouded mirrors of an inward conflict. "If you don't charge too much," he said warily, "I might think of buying some." "We do not sell this unbelievable remedy," Harvey replied with dignity. "It sells itself." "'Course, I'd expect a considerable reduction if I bought a whole case," said Johnson. "That would be the smallest investment you could make, compared with the vast loss of time and strength the fever involves." "How much?" asked the mayor unhappily. "For you, since you have taken us in so hospitably, a mere five hundred buckos." Johnson did not actually stagger back, but he gave the impression of doing so. "F-four hundred," he offered. "Not a red cent less than four seventy-five," Harvey said flatly. "Make it four fifty," quavered Johnson. "I dislike haggling," said Harvey. The final price, however, was four hundred and sixty-nine buckos and fifty redsents. Magnanimously, Harvey added: "And we will include, gratis , an elegant bottle-opener, a superb product of Mercurian handicraftsmanship." Johnson stabbed out a warning finger. "No tricks now. I want a taste of that stuff. You're not switching some worthless junk on me." Harvey took a glass from the bar and poured him a generous sample. The mayor sniffed it, grimaced, then threw it down his gullet. The ensuing minute saw a grim battle between a man and his stomach, a battle which the man gradually won. "There ain't no words for that taste," he gulped when it was safe to talk again. "Medicine," Harvey propounded, "should taste like medicine." To Joe he said: "Come, my esteemed colleague. We must perform the sacred task to which we have dedicated ourselves." With Joe stumbling along behind, he left the saloon, crossed the clearing and entered the ship. As soon as they were inside, Joe dropped his murderous silence and cried: "What kind of a dirty trick was that, giving me poison instead of that snake oil?" "That was not poison," Harvey contradicted quietly. "It was La-anago Yergis extract, plus." "Plus what—arsenic?" "Now, Joseph! Consider my quandary when I came back here to manufacture our specific for all known ailments, with the intention of selling yonder asteroidal tin-horn a bill of medical goods—an entire case, mind you. Was I to mix the extract with the water for which we had been swindled to the tune of ten buckos a liter? Where would our profit have been, then? No; I had to use the bitter free water, of course." "But why use it on me?" Joe demanded furiously. Harvey looked reprovingly at his gangling partner. "Did Johnson ask to taste it, or did he not? One must look ahead, Joseph. I had to produce the same medicine that we will now manufacture. Thus, you were a guinea pig for a splendid cause." "Okay, okay," Joe said. "But you shoulda charged him more." "Joseph, I promise you that we shall get back every redsent of which that swindler cheated us, besides whatever other funds or valuables he possesses. We could not be content with less." "Well, we're starting all right," admitted Joe. "How about that thing with six arms? He looks like a valuable. Can't we grab him off?" Harvey stopped filling bottles and looked up pensively. "I have every hope of luring away the profitable monstrosity. Apparently you have also surmised the fortune we could make with him. At first I purpose to exhibit him on our interplanetary tours with our streamlined panacea; he would be a spectacular attraction for bucolic suckers. Later, a brief period of demonstrating his abilities on the audio-visiphone. Then our triumph—we shall sell him at a stupendous figure to the zoo!" Joe was still dazed by that monetary vista when he and Harvey carried the case of medicine to the saloon. The mayor had already cleared a place of honor in the cluttered back room, where he told them to put it down carefully. Then he took the elaborate bottle-opener Harvey gave him, reverently uncorked a bottle and sampled it. It must have been at least as good as the first; he gagged. "That's the stuff, all right," he said, swallowing hard. He counted out the money into Harvey's hand, at a moderate rate that precariously balanced between his pleasure at getting the fever remedy and his pain at paying for it. Then he glanced out to see the position of Jupiter, and asked: "You gents eaten yet? The restaurant's open now." Harvey and Joe looked at each other. They hadn't been thinking about food at all, but suddenly they realized that they were hungry. "It's only water we were short of," Harvey said apprehensively. "We've got rations back at the ship." " H-mph! " the mayor grunted. "Powdered concentrates. Compressed pap. Suit yourselves. We treat our stomachs better here. And you're welcome to our hospitality." "Your hospitality," said Harvey, "depends on the prices you charge." "Well, if that's what's worrying you, you can stop worrying," answered the mayor promptly. "What's more, the kind of dinner I serve here you can't get anywhere else for any price." Swiftly, Harvey conned the possibilities of being bilked again. He saw none. "Let's take a look at the menu, anyhow, Joe," he said guardedly. Johnson immediately fell into the role of "mine host." "Come right in, gents," he invited. "Right into the dining room." He seated them at a table, which a rope tied between posts made more or less private, though nobody else was in the saloon and there was little chance of company. Genius, the six-armed native, appeared from the dingy kitchen with two menus in one hand, two glasses of water in another, plus napkins, silverware, a pitcher, plates, saucers, cups, and their cocktails, which were on the house. Then he stood by for orders. Harvey and Joe studied the menu critically. The prices were phenomenally low. When they glanced up at Johnson in perplexity, he grinned, bowed and asked: "Everything satisfactory, gents?" "Quite," said Harvey. "We shall order." For an hour they were served amazing dishes, both fresh and canned, the culinary wealth of this planetoid and all the system. And the service was as extraordinary as the meal itself. With four hands, Genius played deftly upon a pair of mellow Venusian viotars , using his other two hands for waiting on the table. "We absolutely must purchase this incredible specimen," Harvey whispered excitedly when Johnson and the native were both in the kitchen, attending to the next course. "He would make any society hostess's season a riotous success, which should be worth a great sum to women like Mrs. van Schuyler-Morgan, merely for his hire." "Think of a fast one fast," Joe agreed. "You're right." "But I dislike having to revise my opinion of a man so often," complained Harvey. "I wish Johnson would stay either swindler or honest merchant. This dinner is worth as least twenty buckos, yet I estimate our check at a mere bucko twenty redsents." The mayor's appearance prevented them from continuing the discussion. "It's been a great honor, gents," he said. "Ain't often I have visitors, and I like the best, like you two gents." As if on cue, Genius came out and put the check down between Joe and Harvey. Harvey picked it up negligently, but his casual air vanished in a yelp of horror. "What the devil is this?" he shouted.—"How do you arrive at this fantastic, idiotic figure— three hundred and twenty-eight buckos !" Johnson didn't answer. Neither did Genius; he simply put on the table, not a fingerbowl, but a magnifying glass. With one of his thirty fingers he pointed politely to the bottom of the menu. Harvey focused on the microscopic print, and his face went pasty with rage. The minute note read: "Services and entertainment, 327 buckos 80 redsents." "You can go to hell!" Joe growled. "We won't pay it!" Johnson sighed ponderously. "I was afraid you'd act like that," he said with regret. He pulled a tin badge out of his rear pocket, pinned it on his vest, and twisted his holstered gun into view. "Afraid I'll have to ask the sheriff to take over." Johnson, the "sheriff," collected the money, and Johnson, the "restaurateur," pocketed it. Meanwhile, Harvey tipped Joe the sign to remain calm. "My friend," he said to the mayor, and his tones took on a schoolmasterish severity, "your long absence from Earth has perhaps made you forget those elements of human wisdom that have entered the folk-lore of your native planet. Such as, for example: 'It is folly to kill a goose that lays golden eggs,' and 'Penny wise is pound foolish.'" "I don't get the connection," objected Johnson. "Well, by obliging us to pay such a high price for your dinner, you put out of your reach the chance of profiting from a really substantial deal. My partner and I were prepared to make you a sizable offer for the peculiar creature you call Genius. But by reducing our funds the way you have—" "Who said I wanted to sell him?" the mayor interrupted. He rubbed his fingers together and asked disinterestedly: "What were you going to offer, anyhow?" "It doesn't matter any longer," Harvey said with elaborate carelessness. "Perhaps you wouldn't have accepted it, anyway." "That's right," Johnson came back emphatically. "But what would your offer have been which I would have turned down?" "Which one? The one we were going to make, or the one we can make now?" "Either one. It don't make no difference. Genius is too valuable to sell." "Oh, come now, Mr. Johnson. Don't tell me no amount of money would tempt you!" "Nope. But how much did you say?" "Ah, then you will consider releasing Genius!" "Well, I'll tell you something," said the mayor confidentially. "When you've got one thing, you've got one thing. But when you've got money, it's the same as having a lot of things. Because, if you've got money, you can buy this and that and this and that and—" "This and that," concluded Joe. "We'll give you five hundred buckos." "Now, gents!" Johnson remonstrated. "Why, six hundred would hardly—" "You haven't left us much money," Harvey put in. The mayor frowned. "All right, we'll split the difference. Make it five-fifty." Harvey was quick to pay out, for this was a genuine windfall. Then he stood up and admired the astonishing possession he had so inexpensively acquired. "I really hate to deprive you of this unique creature," he said to Johnson. "I should imagine you will be rather lonely, with only your filial mammoth to keep you company." "I sure will," Johnson confessed glumly. "I got pretty attached to Genius, and I'm going to miss him something awful." Harvey forcibly removed his eyes from the native, who was clearing off the table almost all at once. "My friend," he said, "we take your only solace, it is true, but in his place we can offer something no less amazing and instructive." The mayor's hand went protectively to his pocket. "What is it?" he asked with the suspicion of a man who has seen human nature at its worst and expects nothing better. "Joseph, get our most prized belonging from the communications room of the ship," Harvey instructed. To Johnson he explained: "You must see the wondrous instrument before its value can be appreciated. My partner will soon have it here for your astonishment." Joe's face grew as glum as Johnson's had been. "Aw, Harv," he protested, "do we have to sell it? And right when I thought we were getting the key!" "We must not be selfish, my boy," Harvey said nobly. "We have had our chance; now we must relinquish Fate to the hands of a man who might have more success than we. Go, Joseph. Bring it here." Unwillingly, Joe turned and shuffled out. On a larger and heavier world than Planetoid 42, Johnson's curiosity would probably have had weight and mass. He was bursting with questions, but he was obviously afraid they would cost him money. For his part, Harvey allowed that curiosity to grow like a Venusian amoeba until Joe came in, lugging a radio. "Is that what you were talking about?" the mayor snorted. "What makes you think I want a radio? I came here to get away from singers and political speech-makers." "Do not jump to hasty conclusions," Harvey cautioned. "Another word, and I shall refuse you the greatest opportunity any man has ever had, with the sole exceptions of Joseph, myself and the unfortunate inventor of this absolutely awe-inspiring device." "I ain't in the market for a radio," Johnson said stubbornly. Harvey nodded in relief. "We have attempted to repay our host, Joseph. He has spurned our generosity. We have now the chance to continue our study, which I am positive will soon reward us with the key to an enormous fortune." "Well, that's no plating off our bow," Joe grunted. "I'm glad he did turn it down. I hated to give it up after working on it for three whole years." He picked up the radio and began walking toward the door. "Now, hold on!" the mayor cried. "I ain't saying I'll buy, but what is it I'm turning down?" Joe returned and set the instrument down on the bar. His face sorrowful, Harvey fondly stroked the scarred plasticoid cabinet. "To make a long story, Mr. Johnson," he said, "Joseph and I were among the chosen few who knew the famous Doctor Dean intimately. Just before his tragic death, you will recall, Dean allegedly went insane." He banged his fist on the bar. "I have said it before, and I repeat again, that was a malicious lie, spread by the doctor's enemies to discredit his greatest invention—this fourth dimensional radio!" "This what?" Johnson blurted out. "In simple terms," clarified Harvey, "the ingenious doctor discovered that the yawning chasm between the dimensions could be bridged by energy of all quanta. There has never been any question that the inhabitants of the super-dimension would be far more civilized than ourselves. Consequently, the man who could tap their knowledge would find himself in possession of a powerful, undreamt-of science!" The mayor looked respectfully at the silent box on the bar. "And this thing gets broadcasts from the fourth dimension?" "It does, Mr. Johnson! Only charlatans like those who envied Doctor Dean's magnificent accomplishments could deny that fact." The mayor put his hands in his pockets, unswiveled one hip and stared thoughtfully at the battered cabinet. "Well, let's say it picks up fourth dimensional broadcasts," he conceded. "But how could you understand what they're saying? Folks up there wouldn't talk our language." Again Harvey smashed his fist down. "Do you dare to repeat the scurvy lie that broke Dean's spirit and drove him to suicide?" Johnson recoiled. "No—no, of course not . I mean, being up here, I naturally couldn't get all the details." "Naturally," Harvey agreed, mollified. "I'm sorry I lost my temper. But it is a matter of record that the doctor proved the broadcasts emanating from the super-dimension were in English! Why should that be so difficult to believe? Is it impossible that at one time there was communication between the dimensions, that the super-beings admired our language and adopted it in all its beauty, adding to it their own hyper-scientific trimmings?" "Why, I don't know," Johnson said in confusion. "For three years, Joseph and I lost sleep and hair, trying to detect the simple key that would translate the somewhat metamorphosed broadcasts into our primitive English. It eluded us. Even the doctor failed. But that was understandable; a sensitive soul like his could stand only so much. And the combination of ridicule and failure to solve the mystery caused him to take his own life." Johnson winced. "Is that what you want to unload on me?" "For a very good reason, sir. Patience is the virtue that will be rewarded with the key to these fourth dimensional broadcasts. A man who could devote his life to improving this lonely worldlet is obviously a person with unusual patience." "Yeah," the mayor said grudgingly, "I ain't exactly flighty." "Therefore, you are the man who could unravel the problem!" Johnson asked skeptically: "How about a sample first?"
train	62569	[ "Which best describes the relationship between the protagonists?", "What makes the protagonists become less concerned about being trapped by the beasts?", "How would you describe the pace of the characters, and why?", "What is not a type technology that is used in this story?", "What are Hathaway and Marnagan's physiques like?", "How would you describe Gunther as a villain?", "Based on your interpretation of the passage, of the following options who do you think would most likely be interested in reading it?", "How would you describe Click's primary motivations?" ]	[ [ "They're friendly but their friendship detracts from their ability to problem-solve and be productive.", "They're both in a tough situation but their hatred for one another pushes them to work independently.", "They work together and are able to coordinate with each other pretty well.", "They don't like each other too much; they put up with each other at best." ], [ "They realized that the beasts were not actually interested in hurting them, so they were able to calmly leave their hiding spot.", "They realized that the beasts were too big to fit into the space they were in, so they could camp out in that spot indefinitely.", "They realized the beasts were not actual beasts, but were meant to seem real.", "They realized that the beasts die when their photo is taken, and they had captured many of the beasts on camera." ], [ "Quickly. The characters were under a time constraint, depleting air, and were encountering additional threats that made them move with haste.", "At a sprint. The characters were so scared that they were rushing decisions and they weren't thinking logically.", "Average. Though the characters were concerned for their survival, they were taking things at a normal pace because they thought they could be rescued.", "Slowly. The characters didn't want to endanger themselves further in the situation so they tried to think everything through fully." ], [ "Tasers that paralyze individuals and render them unconscious", "Highly advanced space travel", "Tools that allow one to distort how someone else perceives reality", "Filming devices " ], [ "There isn't much discussion about how either person looks at all.", "Marnagan is consistently described as feeble in comparison to Hathaway.", "Both of their appearances are described to some degree, and Marnagan is often described as being a large presence.", "Both are each regularly described as having similar builds." ], [ "He's likely been successful in the past, but he's clearly conquerable.", "He's so universally despised that he has to work alone.", "He's a classically funny villain, like what you'd imagine in children's movies and comedies.", "He's fairly irresponsible and ruthless." ], [ "A luddite who thinks even discussing technology is frustrating.", "A well-read teenager with a penchant for thrilling adventure stories.", "An avid reader of romance novels set in sci-fi locations.", "An elementary schooler who likes outer space." ], [ "He was originally focused on filming, but he was also focused on survival efforts.", "He was solely focused on filming the events and didn't contribute much else.", "He wanted to help beyond filming but only ended up hurting the mission further.", "He was focused on filming the events at first, but when he realized he needed to pitch in he forgot all about filming." ] ]	[ 3, 3, 1, 1, 3, 1, 2, 1 ]	[ 1, 1, 0, 1, 1, 1, 0, 1 ]	The Monster Maker By RAY BRADBURY "Get Gunther," the official orders read. It was to laugh! For Click and Irish were marooned on the pirate's asteroid—their only weapons a single gun and a news-reel camera. [Transcriber's Note: This etext was produced from Planet Stories Spring 1944. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] Suddenly, it was there. There wasn't time to blink or speak or get scared. Click Hathaway's camera was loaded and he stood there listening to it rack-spin film between his fingers, and he knew he was getting a damned sweet picture of everything that was happening. The picture of Marnagan hunched huge over the control-console, wrenching levers, jamming studs with freckled fists. And out in the dark of the fore-part there was space and a star-sprinkling and this meteor coming like blazing fury. Click Hathaway felt the ship move under him like a sensitive animal's skin. And then the meteor hit. It made a spiked fist and knocked the rear-jets flat, and the ship spun like a cosmic merry-go-round. There was plenty of noise. Too damned much. Hathaway only knew he was picked up and hurled against a lever-bank, and that Marnagan wasn't long in following, swearing loud words. Click remembered hanging on to his camera and gritting to keep holding it. What a sweet shot that had been of the meteor! A sweeter one still of Marnagan beating hell out of the controls and keeping his words to himself until just now. It got quiet. It got so quiet you could almost hear the asteroids rushing up, cold, blue and hard. You could hear your heart kicking a tom-tom between your sick stomach and your empty lungs. Stars, asteroids revolved. Click grabbed Marnagan because he was the nearest thing, and held on. You came hunting for a space-raider and you ended up cradled in a slab-sized Irishman's arms, diving at a hunk of metal death. What a fade-out! "Irish!" he heard himself say. "Is this IT?" "Is this what ?" yelled Marnagan inside his helmet. "Is this where the Big Producer yells CUT!?" Marnagan fumed. "I'll die when I'm damned good and ready. And when I'm ready I'll inform you and you can picture me profile for Cosmic Films!" They both waited, thrust against the shipside and held by a hand of gravity; listening to each other's breathing hard in the earphones. The ship struck, once. Bouncing, it struck again. It turned end over and stopped. Hathaway felt himself grabbed; he and Marnagan rattled around—human dice in a croupier's cup. The shell of the ship burst, air and energy flung out. Hathaway screamed the air out of his lungs, but his brain was thinking quick crazy, unimportant things. The best scenes in life never reach film, or an audience. Like this one, dammit! Like this one! His brain spun, racketing like the instantaneous, flicking motions of his camera. Silence came and engulfed all the noise, ate it up and swallowed it. Hathaway shook his head, instinctively grabbed at the camera locked to his mid-belt. There was nothing but stars, twisted wreckage, cold that pierced through his vac-suit, and silence. He wriggled out of the wreckage into that silence. He didn't know what he was doing until he found the camera in his fingers as if it had grown there when he was born. He stood there, thinking "Well, I'll at least have a few good scenes on film. I'll—" A hunk of metal teetered, fell with a crash. Marnagan elevated seven feet of bellowing manhood from the wreck. "Hold it!" cracked Hathaway's high voice. Marnagan froze. The camera whirred. "Low angle shot; Interplanetary Patrolman emerges unscathed from asteroid crackup. Swell stuff. I'll get a raise for this!" "From the toe of me boot!" snarled Marnagan brusquely. Oxen shoulders flexed inside his vac-suit. "I might've died in there, and you nursin' that film-contraption!" Hathaway felt funny inside, suddenly. "I never thought of that. Marnagan die? I just took it for granted you'd come through. You always have. Funny, but you don't think about dying. You try not to." Hathaway stared at his gloved hand, but the gloving was so thick and heavy he couldn't tell if it was shaking. Muscles in his bony face went down, pale. "Where are we?" "A million miles from nobody." They stood in the middle of a pocked, time-eroded meteor plain that stretched off, dipping down into silent indigo and a rash of stars. Overhead, the sun poised; black and stars all around it, making it look sick. "If we walk in opposite directions, Click Hathaway, we'd be shaking hands the other side of this rock in two hours." Marnagan shook his mop of dusty red hair. "And I promised the boys at Luna Base this time I'd capture that Gunther lad!" His voice stopped and the silence spoke. Hathaway felt his heart pumping slow, hot pumps of blood. "I checked my oxygen, Irish. Sixty minutes of breathing left." The silence punctuated that sentence, too. Upon the sharp meteoric rocks Hathaway saw the tangled insides of the radio, the food supply mashed and scattered. They were lucky to have escaped. Or was suffocation a better death...? Sixty minutes. They stood and looked at one another. "Damn that meteor!" said Marnagan, hotly. Hathaway got hold of an idea; remembering something. He said it out: "Somebody tossed that meteor, Irish. I took a picture of it, looked it right in the eye when it rolled at us, and it was poker-hot. Space-meteors are never hot and glowing. If it's proof you want, I've got it here, on film." Marnagan winced his freckled square of face. "It's not proof we need now, Click. Oxygen. And then food . And then some way back to Earth." Hathaway went on saying his thoughts: "This is Gunther's work. He's here somewhere, probably laughing his guts out at the job he did us. Oh, God, this would make great news-release stuff if we ever get back to Earth. I.P.'s Irish Marnagan, temporarily indisposed by a pirate whose dirty face has never been seen, Gunther by name, finally wins through to a triumphant finish. Photographed on the spot, in color, by yours truly, Click Hathaway. Cosmic Films, please notice." They started walking, fast, over the pocked, rubbled plain toward a bony ridge of metal. They kept their eyes wide and awake. There wasn't much to see, but it was better than standing still, waiting. Marnagan said, "We're working on margin, and we got nothin' to sweat with except your suspicions about this not being an accident. We got fifty minutes to prove you're right. After that—right or wrong—you'll be Cosmic Films prettiest unmoving, unbreathin' genius. But talk all you like, Click. It's times like this when we all need words, any words, on our tongues. You got your camera and your scoop. Talk about it. As for me—" he twisted his glossy red face. "Keeping alive is me hobby. And this sort of two-bit death I did not order." Click nodded. "Gunther knows how you'd hate dying this way, Irish. It's irony clean through. That's probably why he planned the meteor and the crash this way." Marnagan said nothing, but his thick lips went down at the corners, far down, and the green eyes blazed. They stopped, together. "Oops!" Click said. "Hey!" Marnagan blinked. "Did you feel that ?" Hathaway's body felt feathery, light as a whisper, boneless and limbless, suddenly. "Irish! We lost weight, coming over that ridge!" They ran back. "Let's try it again." They tried it. They scowled at each other. The same thing happened. "Gravity should not act this way, Click." "Are you telling me? It's man-made. Better than that—it's Gunther! No wonder we fell so fast—we were dragged down by a super-gravity set-up! Gunther'd do anything to—did I say anything ?" Hathaway leaped backward in reaction. His eyes widened and his hand came up, jabbing. Over a hill-ridge swarmed a brew of unbelievable horrors. Progeny from Frankenstein's ARK. Immense crimson beasts with numerous legs and gnashing mandibles, brown-black creatures, some tubular and fat, others like thin white poisonous whips slashing along in the air. Fangs caught starlight white on them. Hathaway yelled and ran, Marnagan at his heels, lumbering. Sweat broke cold on his body. The immense things rolled, slithered and squirmed after him. A blast of light. Marnagan, firing his proton-gun. Then, in Click's ears, the Irishman's incredulous bellow. The gun didn't hurt the creatures at all. "Irish!" Hathaway flung himself over the ridge, slid down an incline toward the mouth a small cave. "This way, fella!" Hathaway made it first, Marnagan bellowing just behind him. "They're too big; they can't get us in here!" Click's voice gasped it out, as Marnagan squeezed his two-hundred-fifty pounds beside him. Instinctively, Hathaway added, "Asteroid monsters! My camera! What a scene!" "Damn your damn camera!" yelled Marnagan. "They might come in!" "Use your gun." "They got impervious hides. No use. Gahh! And that was a pretty chase, eh, Click?" "Yeah. Sure. You enjoyed it, every moment of it." "I did that." Irish grinned, showing white uneven teeth. "Now, what will we be doing with these uninvited guests at our door?" "Let me think—" "Lots of time, little man. Forty more minutes of air, to be exact." They sat, staring at the monsters for about a minute. Hathaway felt funny about something; didn't know what. Something about these monsters and Gunther and— "Which one will you be having?" asked Irish, casually. "A red one or a blue one?" Hathaway laughed nervously. "A pink one with yellow ruffles—Good God, now you've got me doing it. Joking in the face of death." "Me father taught me; keep laughing and you'll have Irish luck." That didn't please the photographer. "I'm an Anglo-Swede," he pointed out. Marnagan shifted uneasily. "Here, now. You're doing nothing but sitting, looking like a little boy locked in a bedroom closet, so take me a profile shot of the beasties and myself." Hathaway petted his camera reluctantly. "What in hell's the use? All this swell film shot. Nobody'll ever see it." "Then," retorted Marnagan, "we'll develop it for our own benefit; while waitin' for the U.S. Cavalry to come riding over the hill to our rescue!" Hathaway snorted. "U.S. Cavalry." Marnagan raised his proton-gun dramatically. "Snap me this pose," he said. "I paid your salary to trot along, photographing, we hoped, my capture of Gunther, now the least you can do is record peace negotiations betwixt me and these pixies." Marnagan wasn't fooling anybody. Hathaway knew the superficial palaver for nothing but a covering over the fast, furious thinking running around in that red-cropped skull. Hathaway played the palaver, too, but his mind was whirring faster than his camera as he spun a picture of Marnagan standing there with a useless gun pointed at the animals. Montage. Marnagan sitting, chatting at the monsters. Marnagan smiling for the camera. Marnagan in profile. Marnagan looking grim, without much effort, for the camera. And then, a closeup of the thrashing death wall that holed them in. Click took them all, those shots, not saying anything. Nobody fooled nobody with this act. Death was near and they had sweaty faces, dry mouths and frozen guts. When Click finished filming, Irish sat down to save oxygen, and used it up arguing about Gunther. Click came back at him: "Gunther drew us down here, sure as Ceres! That gravity change we felt back on that ridge, Irish; that proves it. Gunther's short on men. So, what's he do; he builds an asteroid-base, and drags ships down. Space war isn't perfect yet, guns don't prime true in space, trajectory is lousy over long distances. So what's the best weapon, which dispenses with losing valuable, rare ships and a small bunch of men? Super-gravity and a couple of well-tossed meteors. Saves all around. It's a good front, this damned iron pebble. From it, Gunther strikes unseen; ships simply crash, that's all. A subtle hand, with all aces." Marnagan rumbled. "Where is the dirty son, then!" "He didn't have to appear, Irish. He sent—them." Hathaway nodded at the beasts. "People crashing here die from air-lack, no food, or from wounds caused at the crackup. If they survive all that—the animals tend to them. It all looks like Nature was responsible. See how subtle his attack is? Looks like accidental death instead of murder, if the Patrol happens to land and finds us. No reason for undue investigation, then." "I don't see no Base around." Click shrugged. "Still doubt it? Okay. Look." He tapped his camera and a spool popped out onto his gloved palm. Holding it up, he stripped it out to its full twenty inch length, held it to the light while it developed, smiling. It was one of his best inventions. Self-developing film. The first light struck film-surface, destroyed one chemical, leaving imprints; the second exposure simply hardened, secured the impressions. Quick stuff. Inserting the film-tongue into a micro-viewer in the camera's base, Click handed the whole thing over. "Look." Marnagan put the viewer up against the helmet glass, squinted. "Ah, Click. Now, now. This is one lousy film you invented." "Huh?" "It's a strange process'll develop my picture and ignore the asteroid monsters complete." "What!" Hathaway grabbed the camera, gasped, squinted, and gasped again: Pictures in montage; Marnagan sitting down, chatting conversationally with nothing ; Marnagan shooting his gun at nothing ; Marnagan pretending to be happy in front of nothing . Then, closeup—of—NOTHING! The monsters had failed to image the film. Marnagan was there, his hair like a red banner, his freckled face with the blue eyes bright in it. Maybe— Hathaway said it, loud: "Irish! Irish! I think I see a way out of this mess! Here—" He elucidated it over and over again to the Patrolman. About the film, the beasts, and how the film couldn't be wrong. If the film said the monsters weren't there, they weren't there. "Yeah," said Marnagan. "But step outside this cave—" "If my theory is correct I'll do it, unafraid," said Click. Marnagan scowled. "You sure them beasts don't radiate ultra-violet or infra-red or something that won't come out on film?" "Nuts! Any color we see, the camera sees. We've been fooled." "Hey, where you going?" Marnagan blocked Hathaway as the smaller man tried pushing past him. "Get out of the way," said Hathaway. Marnagan put his big fists on his hips. "If anyone is going anywhere, it'll be me does the going." "I can't let you do that, Irish." "Why not?" "You'd be going on my say-so." "Ain't your say-so good enough for me?" "Yes. Sure. Of course. I guess—" "If you say them animals ain't there, that's all I need. Now, stand aside, you film-developing flea, and let an Irishman settle their bones." He took an unnecessary hitch in trousers that didn't exist except under an inch of porous metal plate. "Your express purpose on this voyage, Hathaway, is taking films to be used by the Patrol later for teaching Junior Patrolmen how to act in tough spots. First-hand education. Poke another spool of film in that contraption and give me profile a scan. This is lesson number seven: Daniel Walks Into The Lion's Den." "Irish, I—" "Shut up and load up." Hathaway nervously loaded the film-slot, raised it. "Ready, Click?" "I—I guess so," said Hathaway. "And remember, think it hard, Irish. Think it hard. There aren't any animals—" "Keep me in focus, lad." "All the way, Irish." "What do they say...? Oh, yeah. Action. Lights. Camera!" Marnagan held his gun out in front of him and still smiling took one, two, three, four steps out into the outside world. The monsters were waiting for him at the fifth step. Marnagan kept walking. Right out into the middle of them.... That was the sweetest shot Hathaway ever took. Marnagan and the monsters! Only now it was only Marnagan. No more monsters. Marnagan smiled a smile broader than his shoulders. "Hey, Click, look at me! I'm in one piece. Why, hell, the damned things turned tail and ran away!" "Ran, hell!" cried Hathaway, rushing out, his face flushed and animated. "They just plain vanished. They were only imaginative figments!" "And to think we let them hole us in that way, Click Hathaway, you coward!" "Smile when you say that, Irish." "Sure, and ain't I always smilin'? Ah, Click boy, are them tears in your sweet grey eyes?" "Damn," swore the photographer, embarrassedly. "Why don't they put window-wipers in these helmets?" "I'll take it up with the Board, lad." "Forget it. I was so blamed glad to see your homely carcass in one hunk, I couldn't help—Look, now, about Gunther. Those animals are part of his set-up. Explorers who land here inadvertently, are chased back into their ships, forced to take off. Tourists and the like. Nothing suspicious about animals. And if the tourists don't leave, the animals kill them." "Shaw, now. Those animals can't kill." "Think not, Mr. Marnagan? As long as we believed in them they could have frightened us to death, forced us, maybe, to commit suicide. If that isn't being dangerous—" The Irishman whistled. "But, we've got to move , Irish. We've got twenty minutes of oxygen. In that time we've got to trace those monsters to their source, Gunther's Base, fight our way in, and get fresh oxy-cannisters." Click attached his camera to his mid-belt. "Gunther probably thinks we're dead by now. Everyone else's been fooled by his playmates; they never had a chance to disbelieve them." "If it hadn't been for you taking them pictures, Click—" "Coupled with your damned stubborn attitude about the accident—" Click stopped and felt his insides turning to water. He shook his head and felt a film slip down over his eyes. He spread his legs out to steady himself, and swayed. "I—I don't think my oxygen is as full as yours. This excitement had me double-breathing and I feel sick." Marnagan's homely face grimaced in sympathy. "Hold tight, Click. The guy that invented these fish-bowls didn't provide for a sick stomach." "Hold tight, hell, let's move. We've got to find where those animals came from! And the only way to do that is to get the animals to come back!" "Come back? How?" "They're waiting, just outside the aura of our thoughts, and if we believe in them again, they'll return." Marnagan didn't like it. "Won't—won't they kill us—if they come—if we believe in 'em?" Hathaway shook a head that was tons heavy and weary. "Not if we believe in them to a certain point . Psychologically they can both be seen and felt. We only want to see them coming at us again." " Do we, now?" "With twenty minutes left, maybe less—" "All right, Click, let's bring 'em back. How do we do it?" Hathaway fought against the mist in his eyes. "Just think—I will see the monsters again. I will see them again and I will not feel them. Think it over and over." Marnagan's hulk stirred uneasily. "And—what if I forget to remember all that? What if I get excited...?" Hathaway didn't answer. But his eyes told the story by just looking at Irish. Marnagan cursed. "All right, lad. Let's have at it!" The monsters returned. A soundless deluge of them, pouring over the rubbled horizon, swarming in malevolent anticipation about the two men. "This way, Irish. They come from this way! There's a focal point, a sending station for these telepathic brutes. Come on!" Hathaway sludged into the pressing tide of color, mouths, contorted faces, silvery fat bodies misting as he plowed through them. Marnagan was making good progress ahead of Hathaway. But he stopped and raised his gun and made quick moves with it. "Click! This one here! It's real!" He fell back and something struck him down. His immense frame slammed against rock, noiselessly. Hathaway darted forward, flung his body over Marnagan's, covered the helmet glass with his hands, shouting: "Marnagan! Get a grip, dammit! It's not real—don't let it force into your mind! It's not real, I tell you!" "Click—" Marnagan's face was a bitter, tortured movement behind glass. "Click—" He was fighting hard. "I—I—sure now. Sure—" He smiled. "It—it's only a shanty fake!" "Keep saying it, Irish. Keep it up." Marnagan's thick lips opened. "It's only a fake," he said. And then, irritated, "Get the hell off me, Hathaway. Let me up to my feet!" Hathaway got up, shakily. The air in his helmet smelled stale, and little bubbles danced in his eyes. "Irish, you forget the monsters. Let me handle them, I know how. They might fool you again, you might forget." Marnagan showed his teeth. "Gah! Let a flea have all the fun? And besides, Click, I like to look at them. They're pretty." The outpour of animals came from a low lying mound a mile farther on. Evidently the telepathic source lay there. They approached it warily. "We'll be taking our chances on guard," hissed Irish. "I'll go ahead, draw their attention, maybe get captured. Then, you show up with your gun...." "I haven't got one." "We'll chance it, then. You stick here until I see what's ahead. They probably got scanners out. Let them see me—" And before Hathaway could object, Marnagan walked off. He walked about five hundred yards, bent down, applied his fingers to something, heaved up, and there was a door opening in the rock. His voice came back across the distance, into Click's earphones. "A door, an air-lock, Click. A tunnel leading down inside!" Then, Marnagan dropped into the tunnel, disappearing. Click heard the thud of his feet hitting the metal flooring. Click sucked in his breath, hard and fast. "All right, put 'em up!" a new harsh voice cried over a different radio. One of Gunther's guards. Three shots sizzled out, and Marnagan bellowed. The strange harsh voice said, "That's better. Don't try and pick that gun up now. Oh, so it's you. I thought Gunther had finished you off. How'd you get past the animals?" Click started running. He switched off his sending audio, kept his receiving on. Marnagan, weaponless. One guard. Click gasped. Things were getting dark. Had to have air. Air. Air. He ran and kept running and listening to Marnagan's lying voice: "I tied them pink elephants of Gunther's in neat alphabetical bundles and stacked them up to dry, ya louse!" Marnagan said. "But, damn you, they killed my partner before he had a chance!" The guard laughed. The air-lock door was still wide open when Click reached it, his head swimming darkly, his lungs crammed with pain-fire and hell-rockets. He let himself down in, quiet and soft. He didn't have a weapon. He didn't have a weapon. Oh, damn, damn! A tunnel curved, ending in light, and two men silhouetted in that yellow glare. Marnagan, backed against a wall, his helmet cracked, air hissing slowly out of it, his face turning blue. And the guard, a proton gun extended stiffly before him, also in a vac-suit. The guard had his profile toward Hathaway, his lips twisting: "I think I'll let you stand right there and die," he said quietly. "That what Gunther wanted, anway. A nice sordid death." Hathaway took three strides, his hands out in front of him. "Don't move!" he snapped. "I've got a weapon stronger than yours. One twitch and I'll blast you and the whole damned wall out from behind you! Freeze!" The guard whirled. He widened his sharp eyes, and reluctantly, dropped his gun to the floor. "Get his gun, Irish." Marnagan made as if to move, crumpled clumsily forward. Hathaway ran in, snatched up the gun, smirked at the guard. "Thanks for posing," he said. "That shot will go down in film history for candid acting." "What!" "Ah: ah! Keep your place. I've got a real gun now. Where's the door leading into the Base?" The guard moved his head sullenly over his left shoulder. Click was afraid he would show his weak dizziness. He needed air. "Okay. Drag Marnagan with you, open the door and we'll have air. Double time! Double!" Ten minutes later, Marnagan and Hathaway, fresh tanks of oxygen on their backs, Marnagan in a fresh bulger and helmet, trussed the guard, hid him in a huge trash receptacle. "Where he belongs," observed Irish tersely. They found themselves in a complete inner world; an asteroid nothing more than a honey-comb fortress sliding through the void unchallenged. Perfect front for a raider who had little equipment and was short-handed of men. Gunther simply waited for specific cargo ships to rocket by, pulled them or knocked them down and swarmed over them for cargo. The animals served simply to insure against suspicion and the swarms of tourists that filled the void these days. Small fry weren't wanted. They were scared off. The telepathic sending station for the animals was a great bank of intricate, glittering machine, through which strips of colored film with images slid into slots and machine mouths that translated them into thought-emanations. A damned neat piece of genius. "So here we are, still not much better off than we were," growled Irish. "We haven't a ship or a space-radio, and more guards'll turn up any moment. You think we could refocus this doohingey, project the monsters inside the asteroid to fool the pirates themselves?" "What good would that do?" Hathaway gnawed his lip. "They wouldn't fool the engineers who created them, you nut." Marnagan exhaled disgustedly. "Ah, if only the U.S. Cavalry would come riding over the hill—" "Irish!" Hathaway snapped that, his face lighting up. "Irish. The U.S. Cavalry it is!" His eyes darted over the machines. "Here. Help me. We'll stage everything on the most colossal raid of the century." Marnagan winced. "You breathing oxygen or whiskey?" "There's only one stipulation I make, Irish. I want a complete picture of Marnagan capturing Raider's Base. I want a picture of Gunther's face when you do it. Snap it, now, we've got rush work to do. How good an actor are you?" "That's a silly question." "You only have to do three things. Walk with your gun out in front of you, firing. That's number one. Number two is to clutch at your heart and fall down dead. Number three is to clutch at your side, fall down and twitch on the ground. Is that clear?" "Clear as the Coal Sack Nebula...." An hour later Hathaway trudged down a passageway that led out into a sort of city street inside the asteroid. There were about six streets, lined with cube houses in yellow metal, ending near Hathaway in a wide, green-lawned Plaza. Hathaway, weaponless, idly carrying his camera in one hand, walked across the Plaza as if he owned it. He was heading for a building that was pretentious enough to be Gunther's quarters. He got halfway there when he felt a gun in his back. He didn't resist. They took him straight ahead to his destination and pushed him into a room where Gunther sat. Hathaway looked at him. "So you're Gunther?" he said, calmly. The pirate was incredibly old, his bulging forehead stood out over sunken, questioningly dark eyes, and his scrawny body was lost in folds of metal-link cloth. He glanced up from a paper-file, surprised. Before he could speak, Hathaway said: "Everything's over with, Mr. Gunther. The Patrol is in the city now and we're capturing your Base. Don't try to fight. We've a thousand men against your eighty-five." Gunther sat there, blinking at Hathaway, not moving. His thin hands twitched in his lap. "You are bluffing," he said, finally, with a firm directness. "A ship hasn't landed here for an hour. Your ship was the last. Two people were on it. The last I saw of them they were being pursued to the death by the Beasts. One of you escaped, it seemed." "Both. The other guy went after the Patrol." "Impossible!" "I can't respect your opinion, Mr. Gunther." A shouting rose from the Plaza. About fifty of Gunther's men, lounging on carved benches during their time-off, stirred to their feet and started yelling. Gunther turned slowly to the huge window in one side of his office. He stared, hard. The Patrol was coming! Across the Plaza, marching quietly and decisively, came the Patrol. Five hundred Patrolmen in one long, incredible line, carrying paralysis guns with them in their tight hands. Gunther babbled like a child, his voice a shrill dagger in the air. "Get out there, you men! Throw them back! We're outnumbered!" Guns flared. But the Patrol came on. Gunther's men didn't run, Hathaway had to credit them on that. They took it, standing. Hathaway chuckled inside, deep. What a sweet, sweet shot this was. His camera whirred, clicked and whirred again. Nobody stopped him from filming it. Everything was too wild, hot and angry. Gunther was throwing a fit, still seated at his desk, unable to move because of his fragile, bony legs and their atrophied state. Some of the Patrol were killed. Hathaway chuckled again as he saw three of the Patrolmen clutch at their hearts, crumple, lie on the ground and twitch. God, what photography! Gunther raged, and swept a small pistol from his linked corselet. He fired wildly until Hathaway hit him over the head with a paper-weight. Then Hathaway took a picture of Gunther slumped at his desk, the chaos taking place immediately outside his window. The pirates broke and fled, those that were left. A mere handful. And out of the chaos came Marnagan's voice, "Here!"
train	55933	[ "Which best describes Peggy's relationship with her parents?", "What narrative role does Jean play in the story?", "Before Peggy's parents reveal their decision, was it obvious that they would let her move? ", "How would you describe the tone throughout the passage?", "Which of these sets of descriptions best describes Peggy?", "What is one potential moral of this story?", "Why was Socks a part of this story?" ]	[ [ "Her parents love her and support her, but want her to be practical as she enters an unpredictable career path.", "Her parents love her but don't truly think she'll be a successful actress because of how hard it is to get a big break.", "Her parents love her so much that they're willing to support her reckless career choices.", "Her parents trust her and love her but don't think that New York is the safest place for her because of her limited life experience." ], [ "She serves as encouragement to Peggy and gives the reader more reason to believe that Peggy has good acting skills.", "She serves as a deterrent to keep Peggy in the area because Jean loves her so much.", "Jean serves as proof that Peggy will likely succeed in life because Peggy has such a solid friendship with her and relationships are important to success.", "She pushes Peggy to pursue her dreams, so that Peggy doesn't have to end up being a teacher like Jean." ], [ "Totally. Her parents sounded supportive in every possible way and they had the resources to get her multiple auditions in New York.", "Not at all. Her parents had to argue about it for a while, and she was feeling nostalgic around her neighborhood so it looked like she was going to stay in town.", "Not entirely. But, their conversation with Peggy along with Jean's conversation with Peggy supplied strong evidence that they would say yes.", "Totally. Peggy had won so many awards and participated in so much theater that it would have been horrible parenting to make her stay." ], [ "It went from highly excited to mildly calm.", "Calm at the beginning, tense through the rest.", "While there was some uncertainty and excitement, it was relatively tranquil throughout.", "Uncertainty filled the passage, though it became calm at the end." ], [ "She's dedicated, bold, and pretty", "She's talented, unwise, and creative", "She's reserved, strong, and caring", "She's reasonable, unobservant, and bold" ], [ "Believing in yourself and advocating for yourself can open doors.", "Pursuing one's dream is difficult and often involves too much risk.", "Acting as a career should be more well respected because of how difficult it is to enter the industry.", "Sometimes dreams prevent you from enjoying what's right in front of you." ], [ "Technically Socks helped Peggy pass the time, but Socks also gives us more of an idea of what Peggy's life at home is like and how wonderful it is.", "Peggy talks to Socks about all her major life decisions.", "Peggy might reconsider staying home because of how much she loves Socks.", "She only helped Peggy pass time while her parents made a decision." ] ]	[ 1, 1, 3, 3, 1, 1, 1 ]	[ 0, 0, 0, 1, 1, 0, 1 ]	PEGGY FINDS THE THEATER I Dramatic Dialogue “Of course, this is no surprise to us,” Thomas Lane said to his daughter Peggy, who perched tensely on the edge of a kitchen stool. “We could hardly have helped knowing that you’ve wanted to be an actress since you were out of your cradle. It’s just that decisions like this can’t be made quickly.” “But, Dad!” Peggy almost wailed. “You just finished saying yourself that I’ve been thinking about this and wanting it for years! You can’t follow that by calling it a quick decision!” She turned to her mother, her hazel eyes flashing under a mass of dark chestnut curls. “Mother, you understand, don’t you?” Mrs. Lane smiled gently and placed her soft white hand on her daughter’s lean brown one. “Of course I understand, Margaret, and so does your father. We both want to do what’s best for you, not to stand in your way. The only question is whether the time is right, or if you should wait longer.” 2 “Wait! Mother—Dad—I’m years behind already! The theater is full of beginners a year and even two years younger than I am, and girls of my age have lots of acting credits already. Besides, what is there to wait for?” Peggy’s father put down his coffee cup and leaned back in the kitchen chair until it tilted on two legs against the wall behind him. He took his time before answering. When he finally spoke, his voice was warm and slow. “Peg, I don’t want to hold up your career. I don’t have any objections to your wanting to act. I think—judging from the plays I’ve seen you in at high school and college—that you have a real talent. But I thought that if you would go on with college for three more years and get your degree, you would gain so much worth-while knowledge that you’d use and enjoy for the rest of your life—” “But not acting knowledge!” Peggy cried. “There’s more to life than that,” her father put in. “There’s history and literature and foreign languages and mathematics and sciences and music and art and philosophy and a lot more—all of them fascinating and all important.” “None of them is as fascinating as acting to me,” Peggy replied, “and none of them is nearly as important to my life.” 3 Mrs. Lane nodded. “Of course, dear. I know just how you feel about it,” she said. “I would have answered just the same way when I was your age, except that for me it was singing instead of acting. But—” and here her pleasant face betrayed a trace of sadness—“but I was never able to be a singer. I guess I wasn’t quite good enough or else I didn’t really want it hard enough—to go on with all the study and practice it needed.” She paused and looked thoughtfully at her daughter’s intense expression, then took a deep breath before going on. “What you must realize, Margaret, is that you may not quite make the grade. We think you’re wonderful, but the theater is full of young girls whose parents thought they were the most talented things alive; girls who won all kinds of applause in high-school and college plays; girls who have everything except luck. You may be one of these girls, and if you are, we want you to be prepared for it. We want you to have something to fall back on, just in case you ever need it.” Mr. Lane, seeing Peggy’s hurt look, was quick to step in with reassurance. “We don’t think you’re going to fail, Peg. We have every confidence in you and your talents. I don’t see how you could miss being the biggest success ever—but I’m your father, not a Broadway critic or a play producer, and I could be wrong. And if I am wrong, I don’t want you to be hurt. All I ask is that you finish college and get a teacher’s certificate so that you can always find useful work if you have to. Then you can try your luck in the theater. Doesn’t that make sense?” 4 Peggy stared at the faded linoleum on the floor for a few moments before answering. Then, looking first at her mother and then at her father, she replied firmly, “No, it doesn’t! It might make sense if we were talking about anything else but acting, but we’re not. If I’m ever going to try, I’ll have a better chance now than I will in three years. But I can see your point of view, Dad, and I’ll tell you what—I’ll make a bargain with you.” “What sort of bargain, Peg?” her father asked curiously. “If you let me go to New York now, and if I can get into a good drama school there, I’ll study and try to find acting jobs at the same time. That way I’ll still be going to school and I’ll be giving myself a chance. And if I’m not started in a career in one year, I’ll go back to college and get my teacher’s certificate before I try the theater again. How does that sound to you?” “It sounds fair enough,” Tom Lane admitted, “but are you so confident that you’ll see results in one year? After all, some of our top stars worked many times that long before getting any recognition.” “I don’t expect recognition in one year, Dad,” Peggy said. “I’m not that conceited or that silly. All I hope is that I’ll be able to get a part in that time, and maybe be able to make a living out of acting. And that’s probably asking too much. If I have to, I’ll make a living at something else, maybe working in an office or something, while I wait for parts. What I want to prove in this year is that I can act. If I can’t, I’ll come home.” 5 “It seems to me, Tom, that Margaret has a pretty good idea of what she’s doing,” Mrs. Lane said. “She sounds sensible and practical. If she were all starry-eyed and expected to see her name in lights in a few weeks, I’d vote against her going, but I’m beginning to think that maybe she’s right about this being the best time.” “Oh, Mother!” Peggy shouted, jumping down from the stool and throwing her arms about her mother’s neck. “I knew you’d understand! And you understand too, don’t you, Dad?” she appealed. Her father replied in little puffs as he drew on his pipe to get it started. “I ... never said ... I didn’t ... understand you ... did I?” His pipe satisfactorily sending up thick clouds of fragrant smoke, he took it out of his mouth before continuing more evenly. “Peg, your mother and I are cautious only because we love you so much and want what’s going to make you happy. At the same time, we want to spare you any unnecessary unhappiness along the way. Remember, I’m not a complete stranger to show business. Before I came out here to Rockport to edit the Eagle , I worked as a reporter on one of the best papers in New York. I saw a lot ... I met a lot of actors and actresses ... and I know how hard the city often was for them. But I don’t want to protect you from life. That’s no good either. Just let me think about it a little longer and let me talk to your mother some more.” 6 Mrs. Lane patted Peggy’s arm and said, “We won’t keep you in suspense long, dear. Why don’t you go out for a walk for a while and let us go over the situation quietly? We’ll decide before bedtime.” Peggy nodded silently and walked to the kitchen door, where she paused to say, “I’m just going out to the barn to see if Socks is all right for the night. Then maybe I’ll go down to Jean’s for a while.” As she stepped out into the soft summer dusk she turned to look back just in time to see her mother throw her a comically exaggerated wink of assurance. Feeling much better, Peggy shut the screen door behind her and started for the barn. Ever since she had been a little girl, the barn had been Peggy’s favorite place to go to be by herself and think. Its musty but clean scent of straw and horses and leather made her feel calm and alive. Breathing in its odor gratefully, she walked into the half-dark to Socks’s stall. As the little bay horse heard her coming, she stamped one foot and softly whinnied a greeting. Peggy stopped first at the bag that hung on the wall among the bridles and halters and took out a lump of sugar as a present. Then, after stroking Socks’s silky nose, she held out her palm with the sugar cube. Socks took it eagerly and pushed her nose against Peggy’s hand in appreciation. As Peggy mixed some oats and barley for her pet and checked to see that there was enough straw in the stall, she thought about her life in Rockport and the new life that she might soon be going to. 7 Rockport, Wisconsin, was a fine place, as pretty a small town as any girl could ask to grow up in. And not too small, either, Peggy thought. Its 16,500 people supported good schools, an excellent library, and two good movie houses. What’s more, the Rockport Community College attracted theater groups and concert artists, so that life in the town had always been stimulating. And of course, all of this was in addition to the usual growing-up pleasures of swimming and sailing, movie dates, and formal dances—everything that a girl could want. Peggy had lived all her life here, knew every tree-shaded street, every country road, field, lake, and stream. All of her friends were here, friends she had known since her earliest baby days. It would be hard to leave them, she knew, but there was no doubt in her mind that she was going to do so. If not now, then as soon as she possibly could. It was not any dissatisfaction with her life, her friends, or her home that made Peggy want to leave Rockport. She was not running away from anything, she reminded herself; she was running to something. To what? To the bright lights, speeding taxis, glittering towers of a make-believe movie-set New York? Would it really be like that? Or would it be something different, something like the dreary side-street world of failure and defeat that she had also seen in movies? 8 Seeing the image of herself hungry and tired, going from office to office looking for a part in a play, Peggy suddenly laughed aloud and brought herself back to reality, to the warm barn smell and the big, soft-eyed gaze of Socks. She threw her arm around the smooth bay neck and laid her face next to the horse’s cheek. “Socks,” she murmured, “I need some of your horse sense if I’m going to go out on my own! We’ll go for a fast run in the morning and see if some fresh air won’t clear my silly mind!” With a final pat, she left the stall and the barn behind, stepping out into the deepening dusk. It was still too early to go back to the house to see if her parents had reached a decision about her future. Fighting down an impulse to rush right into the kitchen to see how they were coming along, Peggy continued down the driveway and turned left on the slate sidewalk past the front porch of her family’s old farmhouse and down the street toward Jean Wilson’s house at the end of the block. As she walked by her own home, she noticed with a familiar tug at her heart how the lilac bushes on the front lawn broke up the light from the windows behind them into a pattern of leafy lace. For a moment, or maybe a little more, she wondered why she wanted to leave this. What for? What could ever be better? 9 II Dramatic Decision Upstairs at the Wilsons’, Peggy found Jean swathed in bath towels, washing her long, straight red hair, which was now white with lather and piled up in a high, soapy knot. “You just washed it yesterday!” Peggy said. “Are you doing it again—or still?” Jean grinned, her eyes shut tight against the soapsuds. “Again, I’m afraid,” she answered. “Maybe it’s a nervous habit!” “It’s a wonder you’re not bald, with all the rubbing you give your hair,” Peggy said with a laugh. “Well, if I do go bald, at least it will be with a clean scalp!” Jean answered with a humorous crinkle of her freckled nose. Taking a deep breath and puffing out her cheeks comically, she plunged her head into the basin and rinsed off the soap with a shampoo hose. When she came up at last, dripping-wet hair was tightly plastered to the back of her head. “There!” she announced. “Don’t I look beautiful?” 10 After a brisk rubdown with one towel, Jean rolled another dry towel around her head like an Indian turban. Then, having wrapped herself in an ancient, tattered, plaid bathrobe, she led Peggy out of the steamy room and into her cozy, if somewhat cluttered, bedroom. When they had made themselves comfortable on the pillow-strewn daybeds, Jean came straight to the point. “So the grand debate is still going on, is it? When do you think they’ll make up their minds?” she asked. “How do you know they haven’t decided anything yet?” Peggy said, in a puzzled tone. “Oh, that didn’t take much deduction, my dear Watson,” Jean laughed. “If they had decided against the New York trip, your face would be as long as Socks’s nose, and it’s not half that long. And if the answer was yes, I wouldn’t have to wait to hear about it! You would have been flying around the room and talking a mile a minute. So I figured that nothing was decided yet.” “You know, if I were as smart as you,” Peggy said thoughtfully, “I would have figured out a way to convince Mother and Dad by now.” “Oh, don’t feel bad about being dumb,” Jean said in mock tones of comfort. “If I were as pretty and talented as you are, I wouldn’t need brains, either!” With a hoot of laughter, she rolled quickly aside on the couch to avoid the pillow that Peggy threw at her. A short, breathless pillow fight followed, leaving the girls limp with laughter and with Jean having to retie her towel turban. From her new position, flat on the floor, Peggy looked up at her friend with a rueful smile. 11 “You know, I sometimes think that we haven’t grown up at all!” she said. “I can hardly blame my parents for thinking twice—and a lot more—before treating me like an adult.” “Nonsense!” Jean replied firmly. “Your parents know a lot better than to confuse being stuffy with being grown-up and responsible. And, besides, I know that they’re not the least bit worried about your being able to take care of yourself. I heard them talking with my folks last night, and they haven’t got a doubt in the world about you. But they know how hard it can be to get a start as an actress, and they want to be sure that you have a profession in case you don’t get a break in show business.” “I know,” Peggy answered. “We had a long talk about it this evening after dinner.” Then she told her friend about the conversation and her proposed “bargain” with her parents. “They both seemed to think it was fair,” she concluded, “and when I went out, they were talking it over. They promised me an answer by bedtime, and I’m over here waiting until the jury comes in with its decision. You know,” she said suddenly, sitting up on the floor and crossing her legs under her, “I bet they wouldn’t hesitate a minute if you would only change your mind and decide to come with me and try it too!” 12 After a moment’s thoughtful silence, Jean answered slowly, “No, Peg. I’ve thought this all out before, and I know it would be as wrong for me as it is right for you. I know we had a lot of fun in the dramatic groups, and I guess I was pretty good as a comedienne in a couple of the plays, but I know I haven’t got the real professional thing—and I know that you have. In fact, the only professional talent I think I do have for the theater is the ability to recognize talent when I see it—and to recognize that it’s not there when it isn’t!” “But, Jean,” Peggy protested, “you can handle comedy and character lines as well as anyone I know!” Jean nodded, accepting the compliment and seeming at the same time to brush it off. “That doesn’t matter. You know even better than I that there’s a lot more to being an actress—a successful one—than reading lines well. There’s the ability to make the audience sit up and notice you the minute you walk on, whether you have lines or not. And that’s something you can’t learn; you either have it, or you don’t. It’s like being double-jointed. I can make an audience laugh when I have good lines, but you can make them look at you and respond to you and be with you all the way, even with bad lines. That’s why you’re going to go to New York and be an actress. And that’s why I’m not.” “But, Jean—” Peggy began. 13 “No buts!” Jean cut in. “We’ve talked about this enough before, and I’m not going to change my mind. I’m as sure about what I want as you are about what you want. I’m going to finish college and get my certificate as an English teacher.” “And what about acting? Can you get it out of your mind as easily as all that?” Peggy asked. “That’s the dark and devious part of my plan,” Jean answered with a mysterious laugh that ended in a comic witch’s cackle and an unconvincing witch-look that was completely out of place on her round, freckled face. “Once I get into a high school as an English teacher, I’m going to try to teach a special course in the literature of the theater and maybe another one in stagecraft. I’m going to work with the high-school drama group and put on plays. That way, I’ll be in a spot where I can use my special talent of recognizing talent. And that way,” she added, becoming much more serious, “I have a chance really to do something for the theater. If I can help and encourage one or two people with real talent like yours, then I’ll feel that I’ve really done something worth while.” Peggy nodded silently, not trusting herself to speak for fear of saying something foolishly sentimental, or even of crying. Her friend’s earnestness about the importance of her work and her faith in Peggy’s talent had touched her more than she could say. 14 The silence lasted what seemed a terribly long time, until Jean broke it by suddenly jumping up and flinging a last pillow which she had been hiding behind her back. Running out of the bedroom, she called, “Come on! I’ll race you down to the kitchen for cocoa! By the time we’re finished, it’ll be about time for your big Hour of Decision scene!” It was nearly ten o’clock when Peggy finally felt that her parents had had enough time to talk things out. Leaving the Wilson house, she walked slowly despite her eagerness, trying in all fairness to give her mother and father every minute she could. Reaching her home, she cut across the lawn behind the lilac bushes, to the steps up to the broad porch that fronted the house. As she climbed the steps, she heard her father’s voice raised a little above its normal soft, deep tone, but she could not make out the words. Crossing the porch, she caught sight of him through the window. He was speaking on the telephone, and now she caught his words. “Fine. Yes.... Yes—I think we can. Very well, day after tomorrow, then. That’s right—all three of us. And, May—it’ll be good to see you again, after all these years! Good-by.” As Peggy entered the room, her father put down the phone and turned to Mrs. Lane. “Well, Betty,” he said, “it’s all set.” “What’s all set, Dad?” Peggy said, breaking into a run to her father’s side. 15 “Everything’s all set, Peg,” her father said with a grin. “And it’s set just the way you wanted it! There’s not a man in the world who can hold out against two determined women.” He leaned back against the fireplace mantel, waiting for the explosion he felt sure was to follow his announcement. But Peggy just stood, hardly moving a muscle. Then she walked carefully, as if she were on the deck of a rolling ship, to the big easy chair and slowly sat down. “Well, for goodness’ sake!” her mother cried. “Where’s the enthusiasm?” Peggy swallowed hard before answering. When her voice came, it sounded strange, about two tones higher than usual. “I ... I’m trying to be sedate ... and poised ... and very grown-up,” she said. “But it’s not easy. All I want to do is to—” and she jumped out of the chair—“to yell whoopee !” She yelled at the top of her lungs. After the kisses, the hugs, and the first excitement, Peggy and her parents adjourned to the kitchen, the favorite household conference room, for cookies and milk and more talk. “Now, tell me, Dad,” Peggy asked, her mouth full of oatmeal cookies, no longer “sedate” or “poised,” but her natural, bubbling self. “Who was that on the phone, and where are the three of us going, and what’s all set?” 16 “One thing at a time,” her father said. “To begin with, we decided almost as soon as you left that we were going to let you go to New York to try a year’s experience in the theater. But then we had to decide just where you would live, and where you should study, and how much money you would need, and a whole lot of other things. So I called New York to talk to an old friend of mine who I felt would be able to give us some help. Her name is May Berriman, and she’s spent all her life in the theater. In fact, she was a very successful actress. Now she’s been retired for some years, but I thought she might give us some good advice.” “And did she?” Peggy asked. “We were luckier than I would have thought possible,” Mrs. Lane put in. “It seems that May bought a big, old-fashioned town house and converted it into a rooming house especially for young actresses. She always wanted a house of her own with a garden in back, but felt it was foolish for a woman living alone. This way, she can afford to run a big place and at the same time not be alone. And best of all, she says she has a room that you can have!” “Oh, Mother! It sounds wonderful!” Peggy exulted. “I’ll be with other girls my own age who are actresses, and living with an experienced actress! I’ll bet she can teach me loads!” “I’m sure she can,” her father said. “And so can the New York Dramatic Academy.” “Dad!” Peggy shouted, almost choking on a cooky. “Don’t tell me you’ve managed to get me accepted there! That’s the best dramatic school in the country! How—?” 17 “Don’t get too excited, Peg,” Mr. Lane interrupted. “You’re not accepted anywhere yet, but May Berriman told me that the Academy is the best place to study acting, and she said she would set up an audition for you in two days. The term starts in a couple of weeks, so there isn’t much time to lose.” “Two days! Do you mean we’ll be going to New York day after tomorrow, just like that?” “Oh, no,” her mother answered calmly. “We’re going to New York tomorrow on the first plane that we can get seats on. Your father doesn’t believe in wasting time, once his mind is made up.” “Tomorrow?” Peggy repeated, almost unable to believe what she had heard. “What are we sitting here talking for, then? I’ve got a million things to do! I’ve got to get packed ... I’ve got to think of what to read for the audition! I can study on the plane, I guess, but ... oh! I’ll be terrible in a reading unless I can have more time! Oh, Mother, what parts will I do? Where’s the Shakespeare? Where’s—” “Whoa!” Mr. Lane said, catching Peggy’s arm to prevent her from rushing out of the kitchen. “Not now, young lady! We’ll pack in the morning, talk about what you should read, and take an afternoon plane to New York. But tonight, you’d better think of nothing more than getting to bed. This is going to be a busy time for all of us.” Reluctantly, Peggy agreed, recognizing the sense of what her father said. She finished her milk and cookies, kissed her parents good night and went upstairs to bed. But it was one thing to go to bed and another to go to sleep. 18 Peggy lay on her back, staring at the ceiling and the patterns of light and shade cast by the street lamp outside as it shone through the leaves of the big maple tree. As she watched the shifting shadows, she reviewed the roles she had played since her first time in a high-school play. Which should she refresh herself on? Which ones would she do best? And which ones were most suited to her now? She recognized that she had grown and developed past some of the roles which had once seemed perfectly suited to her talent and her appearance. But both had changed. She was certainly not a mature actress yet, from any point of view, but neither was she a schoolgirl. Her trim figure was well formed; her face had lost the undefined, simple cuteness of the early teens, and had gained character. She didn’t think she should read a young romantic part like Juliet. Not that she couldn’t do it, but perhaps something sharper was called for. Perhaps Viola in Twelfth Night ? Or perhaps not Shakespeare at all. Maybe the people at the Academy would think she was too arty or too pretentious? Maybe she should do something dramatic and full of stormy emotion, like Blanche in A Streetcar Named Desire ? Or, better for her development and age, a light, brittle, comedy role...? 19 Nothing seemed quite right. Peggy’s thoughts shifted with the shadows overhead. All the plays she had ever seen or read or acted in melted together in a blur, until the characters from one seemed to be talking with the characters from another and moving about in an enormous set made of pieces from two or three different plays. More actors kept coming on in a fantastic assortment of costumes until the stage was full. Then the stage lights dimmed, the actors joined hands across the stage to bow, the curtain slowly descended, the lights went out—and Peggy was fast asleep.
train	61499	[ "Generally, which of the following best describes Brian's character? ", "Generally, which of the following best describes Crystal's character? ", "What is one potential moral to this story?", "How would you describe the changes in tone through the passage?", "If it did, how do you think Brian's opinion on the rebellion changed throughout the passage?", "Which is the best summary of this story?", "What do you think is most likely an accurate description of the rebellion?", "Do you think there is a romantic connection between Brian and Crystal?" ]	[ [ "Dutiful, oblivious, and practical", "Smart, kind hearted, and humorous", "Practical, humorous, and laid-back", "Dutiful, meek, and persistent" ], [ "Kind, quiet, and persistent", "Naive, fun, and brave", "Focused, bold, and charismatic", "Focused, meek, and understanding" ], [ "It's good to take risks and expose yourself to the world every once in a while.", "Often individuals are corrupt, and conceal their corruption well.", "Sometimes your worldviews might be wrong at first, but what matters is that you change your actions and views according to the information you have.", "Adventure is a fun and worthwhile endeavor." ], [ "From detached to intense", "From excited to calm", "From scary to tranquil", "From calm to depressing" ], [ "He's secretly a rebel from the start, but breaks his ties from the rebellion by the end.", "He's a conformist at the start, a rebel at the end.", "He's a rebel throughout, but questions his loyalties throughout the passage.", "He's a conformist throughout, but he's enticed by the idea of being a rebel at the end." ], [ "A man realizes his obliviousness and shifts his morality as a result.", "A man secretly infiltrates rebel forces to hinder their mission.", "A man loses hope for his world and gives up in the fight for justice.", "A man prevents rebel forces from overwhelming his community." ], [ "It's probably on the right side of history, given the violence of the opposition.", "It's only a disruption, stopping it is what will maximize the good in the world.", "It's just as bad as what it's fighting, a peace treaty is the most likely and the best solution.", "It's widely supported and few oppose it." ], [ "Absolutely not. They both hate each other, they're only working together out of necessity.", "Probably. Both share similar personalities that work well together.", "Unlikely. They both have known each other for a short period in which no thoughts about romance were genuinely addressed.", "Definitely. They've been through a lot together and care about each other deeply." ] ]	[ 1, 3, 3, 1, 2, 1, 1, 3 ]	[ 1, 0, 1, 1, 1, 1, 1, 1 ]	MONOPOLY By Vic Phillips and Scott Roberts Sheer efficiency and good management can make a monopoly grow into being. And once it grows, someone with a tyrant mind is going to try to use it as a weapon if he can— [Transcriber's Note: This etext was produced from Astounding Science-Fiction April 1942. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] "That all, chief? Gonna quit now?" Brian Hanson looked disgustedly at Pete Brent, his lanky assistant. That was the first sign of animation he had displayed all day. "I am, but you're not," Hanson told him grimly. "Get your notes straightened up. Run those centrifuge tests and set up the still so we can get at that vitamin count early in the morning." "Tomorrow morning? Aw, for gosh sakes, chief, why don't you take a day off sometime, or better yet, a night off. It'd do you good to relax. Boy, I know a swell blonde you could go for. Wait a minute, I've got her radiophone number somewhere—just ask for Myrtle." Hanson shrugged himself out of his smock. "Never mind Myrtle, just have that equipment set up for the morning. Good night." He strode out of the huge laboratory, but his mind was still on the vitamin research they had been conducting, he barely heard the remarks that followed him. "One of these days the chief is going to have his glands catch up with him." "Not a chance," Pete Brent grunted. Brian Hanson wondered dispassionately for a moment how his assistants could fail to be as absorbed as he was by the work they were doing, then he let it go as he stepped outside the research building. He paused and let his eyes lift to the buildings that surrounded the compound. This was the administrative heart of Venus City. Out here, alone, he let his only known emotion sweep through him, pride. He had an important role in the building of this great new city. As head of the Venus Consolidated Research Organization, he was in large part responsible for the prosperity of this vigorous, young world. Venus Consolidated had built up this city and practically everything else that amounted to anything on this planet. True, there had been others, pioneers, before the company came, who objected to the expansion of the monopolistic control. But, if they could not realize that the company's regime served the best interests of the planet, they would just have to suffer the consequences of their own ignorance. There had been rumors of revolution among the disgruntled older families. He heard there had been killings, but that was nonsense. Venus Consolidated police had only powers of arrest. Anything involving executions had to be referred to the Interplanetary Council on Earth. He dismissed the whole business as he did everything else that did not directly influence his own department. He ignored the surface transport system and walked to his own apartment. This walk was part of a regular routine of physical exercise that kept his body hard and resilient in spite of long hours spent in the laboratory. As he opened the door of his apartment he heard the water running into his bath. Perfect timing. He was making that walk in precisely seven minutes, four and four-fifths seconds. He undressed and climbed into the tub, relaxing luxuriously in the exhilaration of irradiated water. He let all the problems of his work drift away, his mind was a peaceful blank. Then someone was hammering on his head. He struggled reluctantly awake. It was the door that was being attacked, not his head. The battering thunder continued persistently. He swore and sat up. "What do you want?" There was no answer; the hammering continued. "All right! All right! I'm coming!" He yelled, crawled out of the tub and reached for his bathrobe. It wasn't there. He swore some more and grabbed a towel, wrapping it inadequately around him; it didn't quite meet astern. He paddled wetly across the floor sounding like a flock of ducks on parade. Retaining the towel with one hand he inched the door cautiously open. "What the devil—" He stopped abruptly at the sight of a policeman's uniform. "Sorry, sir, but one of those rebels is loose in the Administration Center somewhere. We're making a check-up of all the apartments." "Well, you can check out; I haven't got any blasted rebels in here." The policeman's face hardened, then relaxed knowingly. "Oh, I see, sir. No rebels, of course. Sorry to have disturbed you. Have a good—Good night, sir," he saluted and left. Brian closed the door in puzzlement. What the devil had that flat-foot been smirking about? Well, maybe he could get his bath now. Hanson turned away from the door and froze in amazement. Through the open door of his bedroom he could see his bed neatly turned down as it should be, but the outline under the counterpane and the luxuriant mass of platinum-blond hair on the pillow was certainly no part of his regular routine. "Hello." The voice matched the calm alertness of a pair of deep-blue eyes. Brian just stared at her in numbed fascination. That was what the policeman had meant with his insinuating smirk. "Just ask for Myrtle." Pete Brent's joking words flashed back to him. Now he got it. This was probably the young fool's idea of a joke. He'd soon fix that. "All right, joke's over, you can beat it now." "Joke? I don't see anything funny, unless it's you and that suggestive towel. You should either abandon it or get one that goes all the way round." Brian slowly acquired a complexion suitable for painting fire plugs. "Shut up and throw me my dressing gown." He gritted. The girl swung her legs out of bed and Brian blinked; she was fully dressed. The snug, zippered overall suit she wore did nothing to conceal the fact that she was a female. He wrapped his bathrobe austerely around him. "Well, now what?" she asked and looked at him questioningly. "Well, what do you think?" he burst out angrily. "I'm going to finish my bath and I'd suggest you go down to the laboratory and hold hands with Pete. He'd appreciate it." He got the impression that the girl was struggling heroically to refrain from laughing and that didn't help his dignity any. He strode into the bathroom, slammed the door and climbed back into the bath. The door opened a little. "Well, good-by now." The girl said sweetly. "Remember me to the police force." "Get out of here!" he yelled and the door shut abruptly on a rippling burst of laughter. Damn women! It was getting so a man had to pack a gun with him or something. And Pete Brent. He thought with grim satisfaction of the unending extra work that was going to occur around the laboratory from now on. He sank back into the soothing liquid embrace of the bath and deliberately set his mind loose to wander in complete relaxation. A hammering thunder burst on the outer door. He sat up with a groan. "Lay off, you crazy apes!" he yelled furiously, but the pounding continued steadily. He struggled out of the bath, wrapped his damp bathrobe clammily around him and marched to the door with a seething fury of righteous anger burning within him. He flung the door wide, his mouth all set for a withering barrage, but he didn't get a chance. Four police constables and a sergeant swarmed into the room, shoving him away from the door. "Say! What the—" "Where is she?" the sergeant demanded. "Wherethehell's who?" "Quit stallin', bud. You know who. That female rebel who was in here." "Rebel? You're crazy! That was just ... Pete said ... rebel? Did you say rebel?" "Yeah, I said rebel, an' where is she?" "She ... why ... why ... she left, of course. You don't think I was going to have women running around in here, do you?" "She wuz in his bed when I seen her, sarge," one of the guards contributed. "But she ain't there now." "You don't think that I—" "Listen, bud, we don't do the thinkin' around here. You come on along and see the chief." Brian had had about enough. "I'm not going anywhere to see anybody. Maybe you don't know who I am. You can't arrest me." Brian Hanson, Chief of Research for Venus Consolidated, as dignified as possible in a damp bathrobe, glared out through the bars at a slightly bewildered Pete Brent. "What the devil do you want? Haven't you caused enough blasted trouble already?" "Me? For gosh sakes, chief—" "Yes, you! If sending that damn blonde to my apartment and getting me arrested is your idea of a joke—" "But, my gosh, I didn't send anybody, chief. And this is no joke. That wasn't Myrtle, that was Crystal James, old man James' daughter. They're about the oldest family on Venus. Police have been after her for months; she's a rebel and she's sure been raising plenty of hell around here. She got in and blew out the main communications control panel last night. Communications been tied up all day." Pete lowered his voice to an appreciative whisper, "Gosh, chief, I didn't know you had it in you. How long have you been in with that bunch? Is that girl as good-looking as they say she is?" "Now listen here, Brent. I don't know—" "Oh, it's all right, chief. You can trust me. I won't give you away." "There's nothing to give away, you fool!" Brian bellowed. "I don't know anything about any damn rebels. All I want is to get out of here—" "Gotcha, chief," Brent whispered understandingly. "I'll see if I can pass the word along." "Come here, you idiot!" Brian screamed after his erstwhile assistant. "Pipe down there, bud," a guard's voice cut in chillingly. Brian retired to his cell bunk and clutched his aching head in frustrated fury. For the nineteenth time Brian Hanson strode to the door of his cell and rattled the bars. "Listen here, guard, you've got to take a message to McHague. You can't hold me here indefinitely." "Shut up. Nobody ain't takin' no message to McHague. I don't care if you are—" Brian's eyes almost popped out as he saw a gloved hand reach around the guard's neck and jam a rag over his nose and mouth. Swift shadows moved expertly before his astonished gaze. Another guard was caught and silenced as he came around the end of the corridor. Someone was outside his cell door, a hooded figure which seemed, somehow, familiar. "Hello, pantless!" a voice breathed. He knew that voice! "What the devil are you doing here?" "Somebody by the name of Pete Brent tipped us off that you were in trouble because of me. But don't worry, we're going to get you out." "Damn that fool kid! Leave me alone. I don't want to get out of here that way!" he yelled wildly. "Guards! Help!" "Shut up! Do you want to get us shot?" "Sure I do. Guards! Guards!" Someone came running. "Guards are coming," a voice warned. He could hear the girl struggling with the lock. "Damn," she swore viciously. "This is the wrong key! Your goose is sure cooked now. Whether you like it or not, you'll hang with us when they find us trying to get you out of here." Brian felt as though something had kicked him in the stomach. She was right! He had to get out now. He wouldn't be able to explain this away. "Give me that key," he hissed and grabbed for it. He snapped two of the coigns off in the lock and went to work with the rest of the key. He had designed these escape-proof locks himself. In a few seconds the door swung open and they were fleeing silently down the jail corridor. The girl paused doubtfully at a crossing passage. "This way," he snarled and took the lead. He knew the ground plan of this jail perfectly. He had a moment of wonder at the crazy spectacle of himself, the fair-haired boy of Venus Consolidated, in his flapping bathrobe, leading a band of escaping rebels out of the company's best jail. They burst around a corner onto a startled guard. "They're just ahead of us," Brian yelled. "Come on!" "Right with you," the guard snapped and ran a few steps with them before a blackjack caught up with him and he folded into a corner. "Down this way, it's a short cut." Brian led the way to a heavily barred side door. The electric eye tripped a screaming alarm, but the broken key in Brian's hands opened the complicated lock in a matter of seconds. They were outside the jail on a side street, the door closed and the lock jammed immovably behind them. Sirens wailed. The alarm was out! The street suddenly burst into brilliance as the floodlights snapped on. Brian faltered to a stop and Crystal James pushed past him. "We've got reinforcements down here," she said, then skidded to a halt. Two guards barred the street ahead of them. Brian felt as though his stomach had fallen down around his ankles and was tying his feet up. He couldn't move. The door was jammed shut behind them, they'd have to surrender and there'd be no explaining this break. He started mentally cursing Pete Brent, when a projector beam slashed viciously by him. These guards weren't fooling! He heard a gasping grunt of pain as one of the rebels went down. They were shooting to kill. He saw a sudden, convulsive movement from the girl. A black object curved out against the lights. The sharp, ripping blast of an atomite bomb thundered along the street and slammed them to the ground. The glare left them blinded. He struggled to his feet. The guards had vanished, a shallow crater yawned in the road where they had been. "We've got to run!" the girl shouted. He started after her. Two surface transport vehicles waited around the corner. Brian and the rebels bundled into them and took away with a roar. The chase wasn't organized yet, and they soon lost themselves in the orderly rush of Venus City traffic. The two carloads of rebels cruised nonchalantly past the Administration Center and pulled into a private garage a little beyond. "What are we stopping here for?" Brian demanded. "We've got to get away." "That's just what we're doing," Crystal snapped. "Everybody out." The rebels piled out and the cars pulled away to become innocuous parts of the traffic stream. The rebels seemed to know where they were going and that gave them the edge on Brian. They followed Crystal down into the garage's repair pit. She fumbled in the darkness a moment, then a darker patch showed as a door swung open in the side of the pit. They filed into the solid blackness after her and the door thudded shut. The beam of a torch stabbed through the darkness and they clambered precariously down a steep, steel stairway. "Where the dickens are we?" Brian whispered hoarsely. "Oh, you don't have to whisper, we're safe enough here. This is one of the air shafts leading down to the old mines." "Old mines? What old mines?" "That's something you newcomers don't know anything about. This whole area was worked out long before Venus Consolidated came to the planet. These old tunnels run all under the city." They went five hundred feet down the air shaft before they reached a level tunnel. "What do we do? Hide here?" "I should say not. Serono Zeburzac, head of McHague's secret police will be after us now. We won't be safe anywhere near Venus City." "Don't be crazy. That Serono Zeburzac stuff is just a legend McHague keeps up to scare people with." "That's what you think," Crystal snapped. "McHague's legend got my father and he'll get all of us unless we run the whole company right off the planet." "Well, what the dickens does he look like?" Brian asked doubtfully. "I don't know, but his left hand is missing. Dad did some good shooting before he died," she said grimly. Brian was startled at the icy hardness of her voice. Two of the rebels pulled a screening tarpaulin aside and revealed one of the old-type ore cars that must have been used in the ancient mines. A brand-new atomic motor gleamed incongruously at one end. The rebels crowded into it and they went rumbling swiftly down the echoing passage. The lights of the car showed the old working, rotten and crumbling, fallen in in some places and signs of new work where the rebels had cleared away the debris of years. Brian struggled into a zippered overall suit as they followed a twisting, tortuous course for half an hour, switching from one tunnel to another repeatedly until he had lost all conception of direction. Crystal James, at the controls, seemed to know exactly where they were going. The tunnel emerged in a huge cavern that gloomed darkly away in every direction. The towering, massive remains of old machinery, eroded and rotten with age crouched like ancient, watching skeletons. "These were the old stamp mills," the girl said, and her voice seemed to be swallowed to a whisper in the vast, echoing darkness. Between two rows of sentinel ruins they came suddenly on two slim Venusian atmospheric ships. Dim light spilled over them from a ragged gash in the wall of the cavern. Brian followed Crystal into the smaller of the two ships and the rest of the rebels manned the other. "Wait a minute, how do we get out of here?" Brian demanded. "Through that hole up there," the girl said matter-of-factly. "You're crazy, you can't get through there." "Oh, yeah? Just watch this." The ship thundered to life beneath them and leaped off in a full-throttled take-off. "We're going to crash! That gap isn't wide enough!" The sides of the gap rushed in on the tips of the stubby wings. Brian braced himself for the crash, but it didn't come. At the last possible second, the ship rolled smoothly over. At the moment it flashed through the opening it was stood vertically on edge. Crystal held the ship in its roll and completed the maneuver outside the mountain while Brian struggled to get his internal economy back into some semblance of order. "That's some flying," he said as soon as he could speak. Crystal looked at him in surprise. "That's nothing. We Venusians fly almost as soon as we can walk." "Oh—I see," Brian said weakly and a few moments later he really did see. Two big, fast, green ships, carrying the insignia of the Venus Consolidated police, cruised suddenly out from a mountain air station. An aërial torpedo exploded in front of the rebel ship. Crystal's face set in grim lines as she pulled the ship up in a screaming climb. Brian got up off the floor. "You don't have to get excited like that," he complained. "They weren't trying to hit us." "That's what you think," Crystal muttered. "Those children don't play for peanuts." "But, girl, they're just Venus Consolidated police. They haven't got any authority to shoot anyone." "Authority doesn't make much difference to them," Crystal snapped bitterly. "They've been killing people all over the planet. What do you think this revolution is about?" "You must be mistak—" He slumped to the floor as Crystal threw the ship into a mad, rolling spin. A tremendous crash thundered close astern. "I guess that was a mistake!" Crystal yelled as she fought the controls. Brian almost got to his feet when another wild maneuver hurled him back to the floor. The police ship was right on their tail. The girl gunned her craft into a snap Immelmann and swept back on their pursuers, slicing in close over the ship. Brian's eyes bulged as he saw a long streak of paint and metal ripped off the wing of the police ship. He saw the crew battling their controls in startled terror. The ship slipped frantically away and fell into a spin. "That's them," Crystal said with satisfaction. "How are the others doing?" "Look! They're hit!" Brian felt sick. The slower rebel freight ship staggered drunkenly as a torpedo caught it and ripped away half a wing. It plunged down in flames with the white flowers of half a dozen parachutes blossoming around it. Brian watched in horror as the police ship came deliberately about. They heard its forward guns go into action. The bodies of the parachutists jerked and jumped like crazy marionettes as the bullets smashed into them. It was over in a few moments. The dead rebels drifted down into the mist-shrouded depths of the valley. "The dirty, murdering rats!" Brian's voice ripped out in a fury of outrage. "They didn't have a chance!" "Don't get excited," Crystal told him in a dead, flat voice. "That's just normal practice. If you'd stuck your nose out of your laboratory once in a while, you'd have heard of these things." "But why—" He ducked away instinctively as a flight of bullets spanged through the fuselage. "They're after us now!" Crystal's answer was to yank the ship into a rocketing climb. The police were watching for that. The big ship roared up after them. "Just follow along, suckers," Crystal invited grimly. She snapped the ship into a whip stall. For one nauseating moment they hung on nothing, then the ship fell over on its back and they screamed down in a terminal velocity dive, heading for the safety of the lower valley mists. The heavier police ship, with its higher wing-loading, could not match the maneuver. The rebel craft plunged down through the blinding fog. Half-seen, ghostly fingers of stone clutched up at them, talons of gray rock missed and fell away again as Crystal nursed the ship out of its dive. " Phew! " Brian gasped. "Well, we got away that time. How in thunder can you do it?" "Well, you don't do it on faith. Take a look at that fuel gauge! We may get as far as our headquarters—or we may not." For twenty long minutes they groped blindly through the fog, flying solely by instruments and dead reckoning. The needle of the fuel gauge flickered closer and closer to the danger point. They tore loose from the clinging fog as it swung firmly to "Empty." The drive sputtered and coughed and died. "That's figuring it nice and close," Crystal said in satisfaction. "We can glide in from here." "Into where?" Brian demanded. All he could see immediately ahead was the huge bulk of a mountain which blocked the entire width of the valley and soared sheer up to the high-cloud level. His eyes followed it up and up— "Look! Police ships. They've seen us!" "Maybe they haven't. Anyway, there's only one place we can land." The ship lunged straight for the mountain wall! "Are you crazy? Watch out—we'll crash!" "You leave the flying to me," Crystal snapped. She held the ship in its glide, aiming directly for the tangled foliage of the mountain face. Brian yelped and cowered instinctively back. The lush green of the mountainside swirled up to meet them. They ripped through the foliage—there was no crash. They burst through into a huge, brilliantly lighted cavern and settled to a perfect landing. Men came running. Crystal tumbled out of her ship. "Douse those lights," she shouted. "The police are outside." A tall, lean man with bulbous eyes and a face like a startled horse, rushed up to Crystal. "What do you mean by leading them here?" he yelled, waving his hands. "They jumped us when we had no fuel, and quit acting like an idiot." The man was shaking, his eyes looked wild. "They'll kill us. We've got to get out of here." "Wait, you fool. They may not even have seen us." But he was gone, running toward a group of ships lined up at the end of the cavern. "Who was that crazy coot and what is this place?" Brian demanded. "That was Gort Sterling, our leader," the girl said bitterly. "And this is our headquarters." One of the ships at the back of the cavern thundered to life, streaked across the floor and burst out through the opening Crystal's ship had left. "He hasn't got a chance! We'll be spotted for sure, now." The other rebels waited uncertainly, but not for long. There was the crescendoing roar of ships in a dive followed by the terrific crash of an explosion. "They got him!" Crystal's voice was a moan. "Oh, the fool, the fool!" "Sounded like more than one ship. They'll be after us, now. Is there any other way of getting out of this place?" "Not for ships. We'll have to walk and they'll follow us." "We've got to slow them down some way, then. I wonder how the devil they traced us? I thought we lost them in that fog." "It's that Serono Zeburzac, the traitor. He knows these mountains as well as we do." "How come?" "The Zeburzacs are one of the old families, but he sold out to McHague." "Well, what do we do now? Just stand here? It looks like everybody's leaving." "We might as well just wait," Crystal said hopelessly. "It won't do us any good to run out into the hills. Zeburzac and his men will follow." "We could slow them down some by swinging a couple of those ships around so their rocket exhausts sweep the entrance to the cavern," Brian suggested doubtfully. She looked at him steadily. "You sound like the only good rebel left. We can try it, anyway." They ran two ships out into the middle of the cavern, gunned them around and jockeyed them into position—not a moment too soon. Half a dozen police showed in brief silhouette as they slipped cautiously into the cavern, guns ready, expecting resistance. They met a dead silence. A score or more followed them without any attempt at concealment. Then Brian and Crystal cut loose with the drives of the two ships. Startled screams of agony burst from the crowded group of police as they were caught in the annihilating cross fire of roaring flame. They crisped and twisted, cooked to scorched horrors before they fell. A burst of thick, greasy smoke rushed out of the cavern. Two of the police, their clothes and flesh scorched and flaming, plunged as shrieking, living torches down the mountainside. Crystal was white and shaking, her face set in a mask of horror, as she climbed blindly from her ship. "Let's get away! I can smell them burning," she shuddered and covered her face with her hands. Brian grabbed her and shook her. "Snap out of it," he barked. "That's no worse than shooting helpless men in parachutes. We can't go, yet; we're not finished here." "Oh, let them shoot us! I can't go through that again!" "You don't have to. Wait here." He climbed back into one of the ships and cut the richness of the fuel mixture down till the exhaust was a lambent, shuddering stutter, verging on extinction. He dashed to the other ship and repeated the maneuver, fussing with the throttle till he had the fuel mixture adjusted to critical fineness. The beat of the stuttering exhaust seemed to catch up to the other and built to an aching pulsation. In a moment the whole mass of air in the cavern hit the frequency with a subtle, intangible thunder of vibration. Crystal screamed. "Brian! There's more police cutting in around the entrance." Brian clambered out of the ship and glanced at the glowing points in the rock where the police were cutting their way through outside the line of the exhaust flames. The pulsating thunder in the cavern crescendoed to an intolerable pitch. A huge mass of stalactites crashed to the floor. "It's time to check out," Brian shouted. Crystal led the way as they fled down the escape tunnel. The roaring crash of falling rock was a continuous, increasing avalanche of sound in the cavern behind them. They emerged from the tunnel on the face of the mountain, several hundred yards to the east of the cavern entrance. The ground shook and heaved beneath them. "The whole side of the mountain's sliding," Crystal screamed. "Run!" Brian shoved her and they plunged madly through the thick tangle of jungle away from the slide. Huge boulders leaped and smashed through the matted bush around them. Crystal went down as the ground slipped from under her. Brian grabbed her and a tree at the same time. The tree leaned and crashed down the slope, the whole jungle muttered and groaned and came to life as it joined the roaring rush of the slide. They were tumbled irresistibly downward, riding the edge of the slide for terrifying minutes till it stilled and left them bruised and shaken in a tangle of torn vegetation. The remains of two police ships, caught without warning in the rush as they attempted to land, stuck up grotesquely out of the foot of the slide. The dust was settling away. A flock of brilliant blue, gliding lizards barking in raucous terror, fled down the valley. Then they were gone and the primeval silence settled back into place. Brian and Crystal struggled painfully to solid ground. Crystal gazed with a feeling of awe at the devastated mountainside. "How did you do it?" "It's a matter of harmonics," Brian explained. "If you hit the right vibratory combination, you can shake anything down. But now that we've made a mess of the old homestead, what do we do?" "Walk," Crystal said laconically. She led the way as they started scrambling through the jungle up the mountainside. "Where are we heading for?" Brian grunted as he struggled along. "The headquarters of the Carlton family. They're the closest people we can depend on. They've kept out of the rebellion, but they're on our side. They've helped us before."
train	63899	[ "What were the two main goals of the Quest III ship in this story?", "How would you describe Captain Llud's character transformation across the entire Quest III journey?", "What characteristics best describe Captain Llud in the present part of the story?", "At what moment in the story did the characters seem to have the most hope?", "At what moment in the story did the characters seem to have the least hope?", "What is the overall shift in tone from the start of the passage to the end of the passage?", "What would've happened if Captain Llud tried to turn around and change course from Earth?", "Of the following, which is the best plausible explanation for the behavior of the Earthen ships?", "If you had to recommend this reading to someone else, of the following options who do you think would most enjoy it?", "From the information the story provides, do you think you have a good sense of the personalities of Captain Llud's crew?" ]	[ [ "To survey galaxies for non-human life forms and return to Earth safely.", "To scout for new worlds to live in and return to Earth safely.", "To stay away from Earth for 900 years during a major world war and to return back safely.", "To return safely to Earth and return with new raw materials for technological research." ], [ "He was excited at first and became jaded over time.", "He was consistently excited throughout because they found a new habitable planet early on in their mission.", "His only priority was taking care of his family, so the mission's success/failure didn't really impact him much.", "He was never really excited about his job, but he became excited at the thought of returning home." ], [ "Jubilant, humorous, and jaded", "Scared, quiet, and humorous", "Jolly, excited, and tired", "Tired, defeated, and confused" ], [ "When Captain Llud was looking at old photographs of his crewmates and reflecting on his long journey with people he cares for.", "When the group started to return to Earth and things looked like smooth sailing.", "When the group found a potentially human-friendly planet to inhabit.", "When the group landed on Earth and walked around on grass for the first time in 10 years." ], [ "When they realized the oxygen supply was extremely low.", "When they realized it was impossible to contact the other Quest ships.", "When they were about to crash into a comet.", "When they were mid-communication with the violent ships." ], [ "From calm to frantic", "From happy to calm", "From frenzied to calm", "From depressed to hopeful" ], [ "They probably would've been shot at and the passengers would've died eventually with low resources.", "They would've tricked one of the ships into housing all of the passengers and flying home on that ship instead of the Quest III ship.", "They would've been left alone by the Earthen ships and accepted once they discussed matters some more.", "The Earthen ships would've trapped and invaded the Quest III ship and held the passengers hostage." ], [ "Since the Quest III trip promised to locate more planets, the current Earthens didn't trust them when they learned of their success because of how unlikely it was.", "Since the Quest III trip promised to locate more planets, the current Earthens didn't trust them when they learned of their failure.", "Since the Quest III trip promised to locate more natural resources, the current Earthens didn't trust them when they learned of their failure.", "900 years passed on Earth. The populations were different enough that the Quest III Earthens scared the current Earthen population." ], [ "A sci-fi nerd who loves discovery of alien species and new planets as major tropes", "A sci-fi nerd who loves intense and tragic stories", "A commercial airplane pilot who wishes they were an astronaut", "A sci-fi nerd who loves stories about family and happy endings" ], [ "Probably. There were good descriptions for all of the side characters, including Captain Llud's son.", "No. Llud barely spoke to anyone on the ship at all, he was even ignoring his son so we really didn't get to see a good glimpse of anyone's personalities.", "No. Llud was well-described, and some of the side characters had detail, but none of them really stand out too much.", "Yes. All of the characters felt incredibly real, and they all care deeply about Llud." ] ]	[ 2, 1, 4, 2, 4, 1, 1, 4, 2, 3 ]	[ 0, 0, 1, 0, 1, 0, 1, 0, 1, 1 ]	THE GIANTS RETURN By ROBERT ABERNATHY Earth set itself grimly to meet them with corrosive fire, determined to blast them back to the stars. But they erred in thinking the Old Ones were too big to be clever. [Transcriber's Note: This etext was produced from Planet Stories Fall 1949. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] In the last hours the star ahead had grown brighter by many magnitudes, and had changed its color from a dazzling blue through white to the normal yellow, of a GO sun. That was the Doppler effect as the star's radial velocity changed relative to the Quest III , as for forty hours the ship had decelerated. They had seen many such stars come near out of the galaxy's glittering backdrop, and had seen them dwindle, turn red and go out as the Quest III drove on its way once more, lashed by despair toward the speed of light, leaving behind the mockery of yet another solitary and lifeless luminary unaccompanied by worlds where men might dwell. They had grown sated with the sight of wonders—of multiple systems of giant stars, of nebulae that sprawled in empty flame across light years. But now unwonted excitement possessed the hundred-odd members of the Quest III's crew. It was a subdued excitement; men and women, they came and stood quietly gazing into the big vision screens that showed the oncoming star, and there were wide-eyed children who had been born in the ship and had never seen a planet. The grownups talked in low voices, in tones of mingled eagerness and apprehension, of what might lie at the long journey's end. For the Quest III was coming home; the sun ahead was the Sun, whose rays had warmed their lives' beginning. Knof Llud, the Quest III's captain, came slowly down the narrow stair from the observatory, into the big rotunda that was now the main recreation room, where most of the people gathered. The great chamber, a full cross-section of the vessel, had been at first a fuel hold. At the voyage's beginning eighty per cent of the fifteen-hundred-foot cylinder had been engines and fuel; but as the immense stores were spent and the holds became radioactively safe, the crew had spread out from its original cramped quarters. Now the interstellar ship was little more than a hollow shell. Eyes lifted from the vision screens to interrogate Knof Llud; he met them with an impassive countenance, and announced quietly, "We've sighted Earth." A feverish buzz arose; the captain gestured for silence and went on, "It is still only a featureless disk to the telescope. Zost Relyul has identified it—no more." But this time the clamor was not to be settled. People pressed round the screens, peering into them as if with the naked eye they could pick out the atom of reflected light that was Earth, home. They wrung each other's hands, kissed, shouted, wept. For the present their fears were forgotten and exaltation prevailed. Knof Llud smiled wryly. The rest of the little speech he had been about to make didn't matter anyway, and it might have spoiled this moment. He turned to go, and was halted by the sight of his wife, standing at his elbow. His wry smile took on warmth; he asked, "How do you feel, Lesra?" She drew an uncertain breath and released it in a faint sigh. "I don't know. It's good that Earth's still there." She was thinking, he judged shrewdly, of Knof Jr. and Delza, who save from pictures could not remember sunlit skies or grassy fields or woods in summer.... He said, with a touch of tolerant amusement, "What did you think might have happened to Earth? After all, it's only been nine hundred years." "That's just it," said Lesra shakily. "Nine hundred years have gone by— there —and nothing will be the same. It won't be the same world we left, the world we knew and fitted in...." The captain put an arm round her with comforting pressure. "Don't worry. Things may have changed—but we'll manage." But his face had hardened against registering the gnawing of that same doubtful fear within him. He let his arm fall. "I'd better get up to the bridge. There's a new course to be set now—for Earth." He left her and began to climb the stairway again. Someone switched off the lights, and a charmed whisper ran through the big room as the people saw each other's faces by the pale golden light of Earth's own Sun, mirrored and multiplied by the screens. In that light Lesra's eyes gleamed with unshed tears. Captain Llud found Navigator Gwar Den looking as smug as the cat that ate the canary. Gwar Den was finding that the actual observed positions of the planets thus far located agreed quite closely with his extrapolations from long unused charts of the Solar System. He had already set up on the calculator a course that would carry them to Earth. Llud nodded curt approval, remarking, "Probably we'll be intercepted before we get that far." Den was jolted out of his happy abstraction. "Uh, Captain," he said hesitantly. "What kind of a reception do you suppose we'll get?" Llud shook his head slowly. "Who knows? We don't know whether any of the other Quests returned successful, or if they returned at all. And we don't know what changes have taken place on Earth. It's possible—not likely, though—that something has happened to break civilization's continuity to the point where our expedition has been forgotten altogether." He turned away grim-lipped and left the bridge. From his private office-cabin, he sent a message to Chief Astronomer Zost Relyul to notify him as soon as Earth's surface features became clear; then he sat idle, alone with his thoughts. The ship's automatic mechanisms had scant need of tending; Knof Llud found himself wishing that he could find some back-breaking task for everyone on board, himself included, to fill up the hours that remained. There was an extensive and well-chosen film library in the cabin, but he couldn't persuade himself to kill time that way. He could go down and watch the screens, or to the family apartment where he might find Lesra and the children—but somehow he didn't want to do that either. He felt empty, drained—like his ship. As the Quest III's fuel stores and the hope of success in man's mightiest venture had dwindled, so the strength had gone out of him. Now the last fuel compartment was almost empty and Captain Knof Llud felt tired and old. Perhaps, he thought, he was feeling the weight of his nine hundred Earth years—though physically he was only forty now, ten years older than when the voyage had begun. That was the foreshortening along the time axis of a space ship approaching the speed of light. Weeks and months had passed for the Quest III in interstellar flight while years and decades had raced by on the home world. Bemusedly Llud got to his feet and stood surveying a cabinet with built-in voice recorder and pigeonholes for records. There were about three dozen film spools there—his personal memoirs of the great expedition, a segment of his life and of history. He might add that to the ship's official log and its collections of scientific data, as a report to whatever powers might be on Earth now—if such powers were still interested. Llud selected a spool from among the earliest. It was one he had made shortly after leaving Procyon, end of the first leg of the trip. He slid it onto the reproducer. His own voice came from the speaker, fresher, more vibrant and confident than he knew it was now. "One light-day out from Procyon, the thirty-third day by ship's time since leaving Earth. "Our visit to Procyon drew a blank. There is only one huge planet, twice the size of Jupiter, and like Jupiter utterly unfit to support a colony. "Our hopes were dashed—and I think all of us, even remembering the Centaurus Expedition's failure, hoped more than we cared to admit. If Procyon had possessed a habitable planet, we could have returned after an absence of not much over twenty years Earth time. "It is cheering to note that the crew seems only more resolute. We go on to Capella; its spectrum, so like our own Sun's, beckons. If success comes there, a century will have passed before we can return to Earth; friends, relatives, all the generation that launched the Quest ships will be long since dead. Nevertheless we go on. Our generation's dream, humanity's dream, lives in us and in the ship forever...." Presently Knof Llud switched off that younger voice of his and leaned back, an ironic smile touching his lips. That fervent idealism seemed remote and foreign to him now. The fanfares of departure must still have been ringing in his ears. He rose, slipped the record back in its niche and picked out another, later, one. "One week since we passed close enough to Aldebaran to ascertain that that system, too, is devoid of planets. "We face the unpleasant realization that what was feared is probably true—that worlds such as the Sun's are a rare accident, and that we may complete our search without finding even one new Earth. "It makes no difference, of course; we cannot betray the plan.... This may be man's last chance of escaping his pitiful limitation to one world in all the Universe. Certainly the building of this ship and its two sisters, the immense expenditure of time and labor and energy stores that went into them, left Earth's economy drained and exhausted. Only once in a long age does mankind rise to such a selfless and transcendent effort—the effort of Egypt that built the pyramids, or the war efforts of the nations in the last great conflicts of the twentieth century. "Looked at historically, such super-human outbursts of energy are the result of a population's outgrowing its room and resources, and therefore signalize the beginning of the end. Population can be limited, but the price is a deadly frustration, because growth alone is life.... In our day the end of man's room for growth on the Earth was in sight—so we launched the Quests . Perhaps our effort will prove as futile as pyramid-building, less practical than orgies of slaughter to reduce pressure.... In any case, it would be impossible to transport very many people to other stars; but Earth could at least go into its decline with the knowledge that its race went onward and upward, expanding limitlessly into the Universe.... "Hopeless, unless we find planets!" Knof Llud shook his head sorrowfully and took off the spool. That was from the time when he had grown philosophical after the first disappointments. He frowned thoughtfully, choosing one more spool that was only four years old. The recorded voice sounded weary, yet alive with a strange longing.... "We are in the heart of Pleiades; a hundred stars show brilliant on the screens, each star encircled by a misty halo like lights glowing through fog, for we are traversing a vast diffuse nebula. "According to plan, the Quest III has reached its furthest point from Earth. Now we turn back along a curve that will take us past many more stars and stellar systems—but hope is small that any of those will prove a home for man, as have none of the thousands of stars examined already. "But what are a few thousand stars in a galaxy of billions? We have only, as it were, visited a handful of the outlying villages of the Universe, while the lights of its great cities still blaze far ahead along the Milky Way. "On flimsy excuses I have had Zost Relyul make observations of the globular cluster Omega Centauri. There are a hundred thousand stars there in a volume of space where one finds a few dozen in the Sun's neighborhood; there if anywhere must circle the planets we seek! But Omega Centauri is twenty thousand light years away.... "Even so—by expending its remaining fuel freely, the Quest III could achieve a velocity that would take us there without dying of senility of aging too greatly. It would be a one-way journey—even if enough fuel remained, there would be little point in returning to Earth after more than forty thousand years. By then our civilization certainly, and perhaps the human race itself, would have perished from memory. "That was why the planners limited our voyage, and those of the other Quests , to less than a thousand years Earth time. Even now, according to the sociodynamic predictions made then, our civilization—if the other expeditions failed also—will have reached a dangerously unstable phase, and before we can get back it may have collapsed completely from overpopulation. "Why go back, then with the news of our failure? Why not forget about Earth and go on to Omega Centauri? What use is quixotic loyalty to a decree five thousand years old, whose makers are dead and which may be forgotten back there? "Would the crew be willing? I don't know—some of them still show signs of homesickness, though they know with their minds that everything that was once 'home' has probably been swept away.... "It doesn't matter. Today I gave orders to swing the ship." Savagely Knof Llud stabbed the button that shut off the speaker. Then he sat for a time with head resting in his hands, staring into nothing. The memory of that fierce impulse to go on still had power to shake him. A couple of lines of poetry came into his head, as he read them once in translation from the ancient English.... ... for my purpose holds To sail beyond the sunset, and the baths Of all the western stars, until I die. Llud sighed. He still couldn't say just why he had given the order to turn back. The stars had claimed his heart—but he was still a part of Earth, and not even nine hundred years of space and time had been able to alter that. He wondered if there would still be a quiet stream and a green shady place beside it where a death-weary man, relieved at last of responsibility, could rest and dream no more.... Those things went on, if men didn't change them. And a pine forest where he and young Knof could go camping, and lie on their backs at night and gaze at the glittering constellations, far away, out of reach.... He wasn't sure he would want to do that, though. Suddenly a faint cushioned jar went through the great ship; it seemed to falter one moment in flight. The captain was on his feet instantly, but then his movements became unhurried. Whatever it had been was past, and he had a good idea what it had been—a meteoroid, nothing unusual in the vicinity of the Sun, though in interstellar space and around planetless stars such collisions were rare to the vanishing point. No harm could have been done. The Quest III's collision armor was nonmaterial and for practical purposes invulnerable. Just as he took his finger off the button that opened the door, the intercommunication phone shrilled imperatively. Knof Llud wheeled, frowning—surely a meteoroid impact wasn't that serious. Coincidence, maybe—it might be Zost Relyul calling as instructed. He reached the phone at the moment when another, heavier jolt shook the vessel. Llud snatched up the receiver with the speed of a scalded cat. "Captain?" It was Gwar Den's voice, stammering a little. "Captain, we're being attacked!" "Sound the alarm. Emergency stations." He had said it automatically, then felt a curious detached relief at the knowledge that after all these years he could still respond quickly and smoothly to a crisis. There was a moment's silence, and he heard the alarm start—three short buzzes and repeat, ringing through all the great length of the interstellar ship. Knowing that Gwar Den was still there, he said, "Now—attacked by what?" "Ships," said Gwar Den helplessly. "Five of them so far. No, there's a sixth now." Repeated blows quivered the Quest III's framework. The navigator said, obviously striving for calm, "They're light craft, not fifty feet long, but they move fast. The detectors hardly had time to show them before they opened up. Can't get a telescope beam on them long enough to tell much." "If they're that small," said Knof Llud deliberately, "they can't carry anything heavy enough to hurt us. Hold to course. I'll be right up." In the open doorway he almost fell over his son. Young Knof's eyes were big; he had heard his father's words. "Something's happened," he judged with deadly twelve-year-old seriousness and, without wasting time on questions, "Can I go with you, huh, Dad?" Llud hesitated, said, "All right. Come along and keep out of the way." He headed for the bridge with strides that the boy could not match. There were people running in the corridors, heading for their posts. Their faces were set, scared, uncomprehending. The Quest III shuddered, again and again, under blows that must have had millions of horsepower behind them; but it plunged on toward Earth, its mighty engines still steadily braking its interstellar velocity. To a man, the ship's responsible officers were already on the bridge, most of them breathless. To a man they looked appeal at Captain Knof Llud. "Well?" he snapped. "What are they doing?" Gwar Den spoke. "There are thirteen of them out there now, sir, and they're all banging away at us." The captain stared into the black star-strewn depths of a vision screen where occasional blue points of light winked ominously, never twice from the same position. Knof Jr. flattened himself against the metal wall and watched silently. His young face was less anxious than his elders'; he had confidence in his father. "If they had anything heavier," surmised the captain, "they'd have unlimbered it by now. They're out to get us. But at this rate, they can't touch us as long as our power lasts—or until they bring up some bigger stuff." The mild shocks went on—whether from projectiles or energy-charges, would be hard to find out and it didn't matter; whatever was hitting the Quest III's shell was doing it at velocities where the distinction between matter and radiation practically ceases to exist. But that shell was tough. It was an extension of the gravitic drive field which transmitted the engines' power equally to every atom of the ship; forces impinging on the outside of the field were similarly transmitted and rendered harmless. The effect was as if the vessel and all space inside its field were a single perfectly elastic body. A meteoroid, for example, on striking it rebounded—usually vaporized by the impact—and the ship, in obedience to the law of equal and opposite forces, rebounded too, but since its mass was so much greater, its deflection was negligible. The people in the Quest III would have felt nothing at all of the vicious onslaught being hurled against them, save that their inertialess drive, at its normal thrust of two hundred gravities, was intentionally operated at one half of one per cent efficiency to provide the illusion of Earthly gravitation. One of the officers said shakily, "It's as if they've been lying in wait for us. But why on Earth—" "That," said the captain grimly, "is what we have to find out. Why—on Earth. At least, I suspect the answer's there." The Quest III bored steadily on through space, decelerating. Even if one were no fatalist, there seemed no reason to stop decelerating or change course. There was nowhere else to go and too little fuel left if there had been; come what might, this was journey's end—perhaps in a more violent and final way than had been anticipated. All around wheeled the pigmy enemies, circling, maneuvering, and attacking, always attacking, with the senseless fury of maddened hornets. The interstellar ship bore no offensive weapons—but suddenly on one of the vision screens a speck of light flared into nova-brilliance, dazzling the watchers for the brief moment in which its very atoms were torn apart. Knof Jr. whooped ecstatically and then subsided warily, but no one was paying attention to him. The men on the Quest III's bridge looked questions at each other, as the thought of help from outside flashed into many minds at once. But Captain Llud said soberly, "It must have caught one of their own shots, reflected. Maybe its own, if it scored too direct a hit." He studied the data so far gathered. A few blurred pictures had been got, which showed cylindrical space ships much like the Quest III , except that they were rocket-propelled and of far lesser size. Their size was hard to ascertain, because you needed to know their distance and speed—but detector-beam echoes gave the distance, and likewise, by the Doppler method, the velocity of directly receding or approaching ships. It was apparent that the enemy vessels were even smaller than Gwar Den had at first supposed—not large enough to hold even one man. Tiny, deadly hornets with a colossal sting. "Robot craft, no doubt," said Knof Llud, but a chill ran down his spine as it occurred to him that perhaps the attackers weren't of human origin. They had seen no recognizable life in the part of the galaxy they had explored, but one of the other Quests might have encountered and been traced home by some unhuman race that was greedy and able to conquer. It became evident, too, that the bombardment was being kept up by a constant arrival of fresh attackers, while others raced away into space, presumably returning to base to replenish their ammunition. That argued a planned and prepared interception with virulent hatred behind it. Elsuz Llug, the gravitic engineer, calculated dismally, "At the rate we're having to shed energy, the fuel will be gone in six or eight hours." "We'll have reached Earth before then," Gwar Den said hopefully. "If they don't bring out the heavy artillery first." "We're under the psychological disadvantage," said the captain, "of not knowing why we're being attacked." Knof Jr. burst out, spluttering slightly with the violence of a thought too important to suppress, "But we're under a ps-psychological advantage, too!" His father raised an eyebrow. "What's that? I don't seem to have noticed it." "They're mad and we aren't, yet," said the boy. Then, seeing that he hadn't made himself clear, "In a fight, if a guy gets mad he starts swinging wild and then you nail him." Smiles splintered the ice of tension. Captain Llud said, "Maybe you've got something there. They seem to be mad, all right. But we're not in a position to throw any punches." He turned back to the others. "As I was going to say—I think we'd better try to parley with the enemy. At least we may find out who he is and why he's determined to smash us." And now instead of tight-beam detectors the ship was broadcasting on an audio carrier wave that shifted through a wide range of frequencies, repeating on each the same brief recorded message: "Who are you? What do you want? We are the interstellar expedition Quest III ...." And so on, identifying themselves and protesting that they were unarmed and peaceful, that there must be some mistake, and querying again, "Who are you ?" There was no answer. The ship drove on, its fuel trickling away under multiplied demands. Those outside were squandering vastly greater amounts of energy in the effort to batter down its defenses, but converting that energy into harmless gravitic impulses was costing the Quest III too. Once more Knof Llud had the insidious sense of his own nerves and muscles and will weakening along with the power-sinews of his ship. Zost Relyul approached him apologetically. "If you have time, Captain—I've got some data on Earth now." Eagerly Llud took the sheaf of photographs made with the telescope. But they told him nothing; only the continental outlines were clear, and those were as they had been nine hundred years ago.... He looked up inquiringly at Zost Relyul. "There are some strange features," said the astronomer carefully. "First of all—there are no lights on the night side. And on the daylight face, our highest magnification should already reveal traces of cities, canals, and the like—but it does not. "The prevailing color of the land masses, you see, is the normal green vegetation. But the diffraction spectrum is queer. It indicates reflecting surfaces less than one-tenth millimeter wide—so the vegetation there can't be trees or grass, but must be more like a fine moss or even a coarse mold." "Is that all?" demanded Llud. "Isn't it enough?" said Zost Relyul blankly. "Well—we tried photography by invisible light, of course. The infra-red shows nothing and likewise the ultraviolet up to the point where the atmosphere is opaque to it." The captain sighed wearily. "Good work," he said. "Keep it up; perhaps you can answer some of these riddles before—" " We know who you are ," interrupted a harshly crackling voice with a strange accent, " and pleading will do you no good. " Knof Llud whirled to the radio apparatus, his weariness dropping from him once more. He snapped, "But who are you?" and the words blended absurdly with the same words in his own voice on the still repeating tape. He snapped off the record; as he did so the speaker, still crackling with space static, said, "It may interest you to know that you are the last. The two other interstellar expeditions that went out have already returned and been destroyed, as you will soon be—the sooner, if you continue toward Earth." Knof Llud's mind was clicking again. The voice—which must be coming from Earth, relayed by one of the midget ships—was not very smart; it had already involuntarily told him a couple of things—that it was not as sure of itself as it sounded he deduced from the fact it had deigned to speak at all, and from its last remark he gathered that the Quest III's ponderous and unswerving progress toward Earth had somehow frightened it. So it was trying to frighten them. He shoved those facts back for future use. Just now he had to know something, so vitally that he asked it as a bald question, " Are you human? " The voice chuckled sourly. "We are human," it answered, "but you are not." The captain was momentarily silent, groping for an adequate reply. Behind him somebody made a choked noise, the only sound in the stunned hush, and the ship jarred slightly as a thunderbolt slammed vengefully into its field. "Suppose we settle this argument about humanity," said Knof Llud woodenly. He named a vision frequency. "Very well." The tone was like a shrug. The voice went on in its language that was quite intelligible, but alien-sounding with the changes that nine hundred years had wrought. "Perhaps, if you realize your position, you will follow the intelligent example of the Quest I's commander." Knof Llud stiffened. The Quest I , launched toward Arcturus and the star cloud called Berenice's Hair, had been after the Quest III the most hopeful of the expeditions—and its captain had been a good friend of Llud's, nine hundred years ago.... He growled, "What happened to him?" "He fought off our interceptors, which are around you now, for some time," said the voice lightly. "When he saw that it was hopeless, he preferred suicide to defeat, and took his ship into the Sun." A short pause. "The vision connection is ready." Knof Llud switched on the screen at the named wavelength, and a picture formed there. The face and figure that appeared were ugly, but undeniably a man's. His features and his light-brown skin showed the same racial characteristics possessed by those aboard the Quest III , but he had an elusive look of deformity. Most obviously, his head seemed too big for his body, and his eyes in turn too big for his head. He grinned nastily at Knof Llud. "Have you any other last wishes?" "Yes," said Llud with icy control. "You haven't answered one question. Why do you want to kill us? You can see we're as human as you are." The big-headed man eyed him with a speculative look in his great eyes, behind which the captain glimpsed the flickering raw fire of a poisonous hatred. "It is enough for you to know that you must die."
train	63919	[ "Why is David Corbin on the ship in the first place?", "Of his fellow crew members, who does David seem to have the most concern for and why?", "What is one potential moral of this story?", "Of the following, which personality traits best describe David?", "If David had entirely forgotten his life prior to the mission, what would've happened?", "If Karen remains in her current state long-term, what would most likely happen?", "Why did everyone have to wake up?" ]	[ [ "He has to direct his crew to an area with potentially large amounts of natural resources.", "He has to direct his crew to an area with potentially habitable planets.", "He's a doctor who has to tend to the other crew members who were medically sedated.", "He has to direct his crew home to Earth on the tail end of their intergalactic voyage." ], [ "Karen, because she's a female crew member and because she has a bad reaction to being awoken.", "John, because he relies on him to be his right-hand man.", "John, because David first wakes him up with the apparatus and is unsure how safe the apparatus is to operate.", "Karen, because she's his wife and he only remembers this with time." ], [ "Trying to find more habitable planets is a pointless endeavor.", "Working together as a team and having hope can lead to more effective results.", "Taking drastic actions without thinking them through is very risky.", "It's best to trust your instincts and to not trust the technology around you." ], [ "Attractive, witty, and charismatic", "Smart, calculating, and cautious", "Bold, quiet, and dumb", "Focused, funny, and attractive" ], [ "He probably would've done a bad job at healing his crew.", "He probably would've failed to wake up the rest of his crew.", "He probably wouldn't be able to fly the ship very well, leading to dangerous outcomes.", "He probably would've flirted with Karen a bit more." ], [ "She probably wouldn't be able to create, transform, or assess compounds very well.", "She probably would avoid any advances from David or the others because she's less trusting of any of them.", "She'd probably end up learning how to do someone else's job instead so she can help the crew out in some way.", "She'd probably try to exit the ship at the first planet they land on so she doesn't deplete the ship's resources more than needed." ], [ "Everyone had to help fly the ship so it wouldn't crash into the G type star.", "Everyone worked in pairs in the same position so they needed their partners.", "Everyone had their own job on the ship that needed doing.", "Everyone remembered small elements of what was going on and wanted to keep the information to themselves." ] ]	[ 2, 1, 2, 2, 3, 1, 3 ]	[ 0, 1, 1, 0, 0, 1, 1 ]	CAPTAIN CHAOS By D. ALLEN MORRISSEY Science equipped David Corbin with borrowed time; sent him winging out in a state of suspension to future centuries ... to a dark blue world whose only defense was to seal tight the prying minds of foolish interlopers. [Transcriber's Note: This etext was produced from Planet Stories November 1952. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] I heard the voice as I opened my eyes. I was lying down, still not aware of where I was, waiting for the voice. "Your name is David Corbin. Do you understand?" I looked in the direction of the sound. Above my feet a bulkhead loomed. There were round dials set in a row above a speaker. Over the mesh-covered speaker, two knobs glowed red. I ran the words over in my sluggish mind, thinking about an answer. The muscles in my throat tightened up in reflex as I tried to bring some unity into the jumble of thoughts and ideas that kept forming. One word formed out of the rush of anxiety. "No." I shouted a protest against the strangeness of the room. I looked to the right, my eyes following the curving ceiling that started at the cot. The curve met another straight bulkhead on the left. I was in a small room, gray in color, like dull metal. Overhead a bright light burned into my vision. I wondered where in the universe I was. "Your name is David Corbin. If you understand, press button A on your right." I stared at the speaker in the wall. The mesh-covered hole and the two lights looked like a caricature of a face, set in a panel of dials. I twisted my head to look for the button. I pushed away from the close wall but I couldn't move. I reached down to the tightness that held my body, found the wide strap that held me and fumbled with the buckle. I threw it off and pushed myself up from the hard cot. I heard myself yell in surprise as I floated up towards the light overhead. I was weightless. How do you describe being weightless when you are born into a world bound by gravity. I twisted and shut my eyes in terror. There was no sensation of place, no feeling of up or down, no direction. My back bumped against the ceiling and I opened my eyes to stare at the cot and floor. I was concentrating too hard on remembering to be frightened for long. I pushed away from the warm metal and the floor moved up to meet me. "If you understand, press button A on your right." What should I understand? That I was floating in a room that had a curved wall ... that nothing was right in this hostile room? When I reached the cot I held it and drew myself down. I glanced at the planes of the room, trying to place it with other rooms I could see in my mind. Gray walls with a crazy curved ceiling ... a door to my left that appeared to be air tight. I stared at my familiar hands. I rubbed them across my face, feeling the solidity of flesh and bone, afraid to think too hard about myself. "My name ... my name is...." "Your name is David Corbin." I stared at the speaker. How long did this go on? The name meant nothing to me, but I thought about it, watching the relentless lights that shone below the dials. I stood up slowly and looked at myself. I was naked except for heavy shorts, and there was no clue to my name in the pockets. The room was warm and the air I had been breathing was good but it seemed wrong to be dressed like this. I didn't know why. I thought about insanity, and the room seemed to fit my thoughts. When the voice repeated the message again I had to act. Walking was like treading water that couldn't be seen or felt. I floated against the door, twisting the handle in fear that it wouldn't turn. The handle clanged as I pushed it down and I stared at the opposite wall of a narrow gray passageway. I pushed out into it and grasped the metal rail that ran along the wall. I reasoned it was there to propel yourself through the passageway in this weightless atmosphere. It was effortless to move. I turned on my side like a swimmer and went hand over hand, shooting down the corridor. I braced against forward motion and stopped against a door at the end. Behind me I could see the opened door I had left, and the thought of that questioning voice made me want to move. I swung the door open, catching a glimpse of a room crowded with equipment and.... I will always remember the scream of terror, the paralyzing fright of what I saw through the portholes in the wall of the room. I saw the blackest night, pierced by brilliance that blinded me. There was no depth to the searing brightness of countless stars. They seemed to press against the glass, blobs of fire against a black curtain burning into my eyes and brain. It was space. I looked out at deep space, star systems in clusters. I shut my eyes. When I looked again I knew where I was. Why the little room had been shaped like quarter round. Why I drifted weightlessly. Why I was.... David Corbin. I knew more of the puzzle. Something was wrong. After the first shock of looking out, I accepted the fact that I was in a space ship, yet I couldn't read the maps that were fastened to a table, nor understand the function or design of the compact machinery. WHY, Why, Why? The thought kept pounding at me. I was afraid to touch anything in the room. I pressed against the clear window, wondering if the stars were familiar. I had a brief vivid picture of a night sky on Earth. This was not the same sky. Back in the room where I had awakened, I touched the panel with the glowing eyes. It had asked me if I understood. Now it must tell me why I didn't. It had to help me, that flat metallic voice that repeated the same words. It must tell me.... "Your name is David Corbin. If you understand, press button A on your right." I pressed the button by the cot. The red lights blinked out as I stood in patient attention, trying to outguess the voice. I recalled a phrase ... some words about precaution. Precaution against forgetting. It was crazy, but I trusted the panel. It was the only thing I saw that could help me, guard me against another shock like seeing outside of the clear portholes. "It is assumed the experiment is a success," the voice said. What experiment? "You have been removed from suspension. Assume manual control of this ship." Control of a ship? Going where? "Do not begin operations until the others are removed from suspension." What others? Tell me what to do. "Rely on instructions for factoring when you check the coordinates. Your maximum deviation from schedule cannot exceed two degrees. Adopt emergency procedures as you see fit. Good luck." The voice snapped off and I laughed hysterically. None of it had made sense, and I cursed whatever madness had put me here. "Tell me what to do," I shouted wildly. I hammered the hard metal until the pain in my hands made me stop. "I can't remember what to do." I held my bruised hands to my mouth, and I knew that was all the message there was. In blind panic I pushed away from the panel. Something tripped me and I fell back in a graceless arc. I pushed away from the floor, barely feeling the pain in my leg, and went into the hall. Pain burned along my leg but I couldn't stop. In the first panic of waking up in strangeness I had missed the other doors in the passage. The first swung back to reveal a deep closet holding five bulky suits. The second room was like my own. A dark haired, deep chested man lay on the cot. His muscular body was secured by a wide belt. He was as still as death, motionless without warmth or breath as I hovered over him. I couldn't remember his face. The next room held another man. He was young and wiry, like an athlete cast in marble, dark haired and big jawed. A glassy eye stared up when I rolled back his eyelid. The eyelid remained open until I closed it and went on. Another room ... another man ... another stranger. This man was tall and raw boned, light of skin and hair, as dead as the others. A flat, illogical voice had instructed me to revive these men. I shivered in spite of the warmth of the room, studying the black box that squatted on a shelf by his head. My hand shook when I touched the metal. I dared not try to operate anything. Revive the others ... instructions without knowledge were useless to me. I stopped looking into the doors in the passageway and went back to the room with the portholes. Everything lay in readiness, fastened down star charts, instruments, glittering equipment. There was no feeling of disorder or use in the room. It waited for human hands to make it operate. Not mine. Not now. I went past the room into another, where the curves were more sharp. I could visualize the tapering hull leading to the nose of the ship. This room was filled with equipment that formed a room out of the bordered area I stood in. I sat in the deep chair facing the panel of dials and instruments, in easy reach. I ran my hands over the dials, the rows of smooth colored buttons, wondering. The ports on the side were shielded and I stared out at static energy, hung motionless in a world of searing light. There was no distortion, no movement outside and I glanced back at the dials. What speeds were they recording? What speeds and perhaps, what distance? It was useless to translate the markings. They stood for anything I might guess, and something kept pricking my mind, telling me I had no time to guess. I thought of time again. I was supposed to act according to ... plan. Did that mean ... in time ... in time. I went back down the passageway. The fourth small room was the same. Except for the woman. She lay on a cot, young and beautiful, even in the death-like immobility I had come to accept. Her beauty was graceful lines of face and her figure—smooth tapering legs, soft curves that were carved out of flesh colored stone. Yet not stone. I held her small hand, then put it back on the cot. Her attire was brief like the rest of us, shorts and a man's shirt. Golden hair curled up around her lovely face. I wondered if she would ever smile or move that graceful head. I rolled back her eyelid and looked at a deep blue eye that stared back in glassy surprise. Four people in all, depending on a blind helpless fool who didn't know their names or the reason for that dependence. I sat beside her on the cot until I could stand it no longer. Searching the ship made me forget my fear. I hoped I would find some answers. I went from the nose to the last bulkhead in a frenzy of floating motion, looking behind each door until I went as far as I could. There were two levels to the ship. They both ended in the lead shield that was set where the swell of the curve was biggest. It meant the engine or engines took up half the ship, cut off from the forward half by the instrument studded shield. I retraced my steps and took a rough estimate of size. The ship, as I called it, was at least four hundred feet long, fifty feet in diameter on the inside. The silence was a force in itself, pressing down from the metal walls, driving me back to the comforting smallness of the room where I had been reborn. I laughed bitterly, thinking about the aptness of that. I had literally been reborn in this room, equipped with half ideas, and no point to start from, no premise to seek. I sensed the place to start from was back in the room. I searched it carefully. Minutes later I realized the apparatus by the cot was different. It was the same type of black box, but out from it was a metal arm, bent in a funny angle. At the tip of the arm, a needle gleamed dully and I rubbed the deep gash on my leg. I bent the arm back until the angle looked right. It was then I realized the needle came to a spot where it could have hit my neck when I lay down. My shout of excitement rang out in the room, as I pictured the action of the extended arm. I lost my sudden elation in the cabin where the girl lay. The box behind her head was completely closed, and it didn't yield to the pressure I applied. It had a cover, but no other opening where an arm could extend. I ran my fingers over the unbroken surface, prying over the thin crack at the base helplessly. If some sort of antidote was to be administered manually I was lost. I had no knowledge of what to inject or where to look for it. The chamber of the needle that had awakened me was empty. That meant a measured amount. In the laboratory on the lower level I went over the rows of cans and tubes fastened to the shelves. There were earths and minerals, seeds and chemicals, testing equipment in compact drawers, but nothing marked for me. I wondered if I was an engineer or a pilot, or perhaps a doctor sent along to safeguard the others. Complete amnesia would have been terrible enough but this half knowledge, part awareness and association with the ship was a frightening force that seemed ready to break out of me. I went back to the cabin where the powerful man lay. I had to risk failure with one of them. I didn't want it to be the girl. I fought down the thought that he might be the key man, remembering the voice that had given the message. It was up to me, and soon. The metal in the box would have withstood a bullet. It couldn't be pried apart, and I searched again and again for a release mechanism. I found it. I swung the massive cover off and set it down. The equipment waited for the touch of a button and it went into operation. I stepped back as the tubes glowed to life and the arm swung down with the gleaming needle. The needle went into the corded neck of the man. The fluid chamber drained under pressure and the arm moved back. I stood by the man for long minutes. Finally it came. He stirred restlessly, closing his hands into fists. The deep chest rose and fell unevenly as he breathed. Finally the eyes opened and he looked at me. I watched him adjust to the room. It was in his eyes, wide at first, moving about the confines of the room back to me. "It looks like we made it," he said. "Yes." He unfastened the belt and sat up. I pushed him back as he floated up finding little humor in the comic expression on his face. "No gravity," he grunted and sat back. "You get used to it fast," I answered. I thought of what to say as he watched me. "How do you feel?" He shrugged at the question. "Fine, I guess. Funny, I can't remember." He saw it in my face, making him stop. "I can't remember dropping off to sleep," he finished. I held his hard arm. "What else? How much do you remember?" "I'm all right," he answered. "There aren't supposed to be any effects from this." "Who is in charge of this ship?" I asked. He tensed suddenly. "You are, sir. Why?" I moved away from the cot. "Listen, I can't remember. I don't know your name or anything about this ship." "What do you mean? What can't you remember?" he asked. He stood up slowly, edging around towards the door. I didn't want to fight him. I wanted him to understand. "Look, I'm in trouble. Nothing fits, except my name." "You don't know me?" "No." "Are you serious?" "Yes, yes. I don't know why but it's happened." He let his breath out in a whistle. "For God's sake. Any bump on your head?" "I feel all right physically. I just can't place enough." "The others. What about the others?" he blurted. "I don't know. You're the first besides myself. I don't know how I stumbled on the way to revive you." He shook his head, watching me like I was a freak. "Let's check the rest right away." "Yes. I've got to know if they are like me. I'm afraid to think they might be." "Maybe it's temporary. We can figure something out." II The second man, the dark haired one, opened his eyes and recognized us. He asked questions in rapid fire excitement. The third man, the tall Viking, was all right until he moved. The weightless sensation made him violently sick. We put him back on the cot, securing him again with the belt, but the sight of us floating made him shake. He was retching without results when we drifted out. I followed him to the girl's quarters. "What about her. Why is she here?" I asked my companion. He lifted the cover from the apparatus. "She's the chemist in the crew." "A girl?" "Dr. Thiesen is an expert, trained for this," he said. I looked at her. She looked anything but like a chemist. "There must be men who could have been sent. I've been wondering why a girl." "I don't know why, Captain. You tried to stop her before. Age and experience were all that mattered to the brass." "It's a bad thing to do." "I suppose. The mission stated one chemist." "What is the mission of this ship?" I asked. He held up his hand. "We'd better wait, sir. Everything was supposed to be all right on this end. First you, then Carl, sick to his stomach." "Okay. I'll hold the questions until we see about her." We were out of luck with the girl. She woke up and she was frightened. We questioned her and she was coherent but she couldn't remember. I tried to smile as I sat on the cot, wondering what she was thinking. "How do you feel?" I asked. Her face was a mask of wide-eyed fear as she shook her head. "Can you remember?" "I don't know." Blue eyes stared at me in fear. Her voice was low. "Do you know my name?" The question frightened her. "Should I? I feel so strange. Give me a minute to think." I let her sit up slowly. "Do you know your name?" She tightened up in my arms. "Yes. It's...." She looked at us for help, frightened by the lack of clothing we wore, by the bleak room. Her eyes circled the room. "I'm afraid," she cried. I held her and she shook uncontrollably. "What's happened to me?" she asked. The dark haired man came into the room, silent and watchful. My companion motioned to him. "Get Carl and meet us in Control." The man looked at me and I nodded. "We'll be there in a moment. I'm afraid we've got trouble." He nodded and pushed away from us. The girl screamed and covered her face with her hands. I turned to the other man. "What's your name?" "Croft. John Croft." "John, what are your duties if any?" "Automatic control. I helped to install it." "Can you run this ship? How about the other two?" He hit his hands together. "You fly it, sir. Can't you think?" "I'm trying. I know the ship is familiar, but I've looked it over. Maybe I'm trying too hard." "You flew her from earth until we went into suspension," he said. "I can't remember when," I said. I held the trembling girl against me, shaking my head. He glanced at the girl. "If the calculations are right it was more than a hundred years ago." We assembled in the control room for a council. We were all a little better for being together. John Croft named the others for me. I searched each face without recognition. The blond man was Carl Herrick, a metallurgist. His lean face was white from his spell but he was better. Paul Sample was a biologist, John said. He was lithe and restless, with dark eyes that studied the rest of us. I looked at the girl. She was staring out of the ports, her hands pressed against the transparent break in the smooth wall. Karen Thiesen was a chemist, now frightened and trying to remember. I wasn't in much better condition. "Look, if it comes too fast for me, for any of us, we'll stop. John, you can lead off." "You ask the questions," he said. I indicated the ship. "Where in creation are we going?" "We set out from Earth for a single star in the direction of the center of our Galaxy." "From Earth? How could we?" "Let's move slowly, sir," he said. "We're moving fast. I don't know if you can picture it, but we're going about one hundred thousand miles an hour." "Through space?" "Yes." "What direction?" Paul cut in. "It's a G type star, like our own sun in mass and luminosity. We hope to find a planetary system capable of supporting life." "I can't grasp it. How can we go very far in a lifetime?" "It can be done in two lifetimes," John said quietly. "You said I had flown this ship. You meant before this suspension." "Yes. That's why we can cross space to a near star." "How long ago was it?" "It was set at about a hundred years, sir. Doesn't that fit at all?" "I can't believe it's possible." Carl caught my eye. "Captain, we save this time without aging at all. It puts us near a calculated destination." "We've lost our lifetime." It was Karen. She had been crying silently while we talked. "Don't think about it," Paul said. "We can still pull this out all right if you don't lose your nerve." "What are we to do?" she asked. John answered for me. "First we've got to find out where we are. I know this ship but I can't fly it." "Can I?" I asked. We set up a temporary plan of action. Paul took Karen to the laboratory in an effort to help her remember her job. Carl went back to divide the rations. I was to study the charts and manuals. It was better than doing nothing, and I went into the navigation room and sat down. Earth was an infinitesimal point somewhere behind us on the galactic plane, and no one else was trained to navigate. The ship thundered to life as I sat there. The blast roared once ... twice, then settled into a muted crescendo of sound that hummed through the walls. I went into the control room and watched John at the panel. "I wish I knew what you were doing," I said savagely. "Give it time." "We can't spare any, can we?" I asked. "I wish we knew. What about her—Dr. Thiesen?" "She's in the lab. I don't think that will do much good. She's got to be shocked out of a mental state like that." "I guess you're right," he said slowly. "She's trained to administer the suspension on the return trip." I let my breath out slowly. "I didn't think about that." "We couldn't even get part way back in a lifetime," he said. "How old are you, John?" "Twenty-eight." "What about me?" "Thirty." He stared at the panel in thought for a minutes. "What about shock treatment? It sounds risky." "I know. It's the only thing I could think of. Why didn't everyone react the same?" "That had me wondering for a while. I don't know. Anyway how could you go about making her remember?" "Throw a crisis, some situation at her, I guess." He shrugged, letting his sure hands rest on the panel of dials. I headed back towards the lab. If I could help her I might help myself. I was past the rooms when the horn blasted through the corridor. I turned automatically with the sound, pushing against the rail, towards the control room. Deep in my mind I could see danger, and without questioning why I knew I had to be at Control when the sound knifed through the stillness. John was shouting as I thrust my way into the room. "Turn the ship. There's something dead ahead." I had a glimpse of his contorted face as I dove at the control board. My hands hit buttons, thumbed a switch and then a sudden force threw me to the right. I slammed into the panel on the right, as the pressure of the change dimmed my vision. Reflex made me look up at the radar control screen. It wasn't operating. John let go of the padded chair, grinning weakly. I was busy for a few seconds, feeding compensation into the gyros. Relief flooded through me like warm liquid. I hung on the intercom for support, drawing air into my heaving lungs. "What—made you—think of that," I asked weakly. "Shock treatment." "I must have acted on instinct." "You did. Even for a sick man that was pretty fast," he laughed. "I can think again, John. I know who I am," I shouted. I threw my arms around his massive shoulders. "You did it." "You gave me the idea, Mister, talking about Dr. Thiesen." "It worked. I'm okay," I said in giddy relief. "I don't have to tell you I was scared as hell. I wish you could have seen your face, the look in your eyes when I woke up." "I wouldn't want to wake up like that again." "You're all right now?" he asked. I grinned and nodded an answer. I saw John as he was at the base, big and competent, sweating in the blazing sun. I thought about the rest of the crew too. "We're heading right for a star...." "It's been dead ahead for hours," he grunted. I leaned over and threw the intercom to open. "This is control. Listen ... everyone. I'm over it. Disregard the warning siren ... we were testing the ship." The lab light blinked on as Paul cut in. "What was it ... hey, you said you're all right." "John did it. He hit the alarm figuring I would react. Listen, Paul. Is any one hurt?" "No. Carl is here too. His stomach flopped again but he's okay. What about food. We're supposed to be checked before we eat." "We'll have to go ahead without it. Any change?" "No, I put her to bed. Shall I bring food?" I glanced at John. He rubbed his stomach. "Yes," I answered. "Bring it when you can. I've got to find out where we are." We had to get off course before we ran into the yellow-white star that had been picked for us. Food was set down by me, grew cold and was carried away and I was still rechecking the figures. We were on a line ten degrees above the galactic plane. The parallactic baseline from Earth to the single star could be in error several degrees, or we could be right on the calculated position of the star. The radar confirmed my findings ... and my worst fears. When we set it for direction and distance, the screen glowed to life and recorded the star dead ahead. In all the distant star clusters, only this G type star was thought to have a planetary system like our own. We were out on a gamble to find a planet capable of supporting life. The idea had intrigued scientists before I had first looked up at the night sky. When I was sure the electronically recorded course was accurate for time, I checked direction and speed from the readings and plotted our position. If I was right we were much closer than we wanted to be. The bright pips on the screen gave us the distance and size of the star while we fed the figures into the calculator for our rate of approach. Spectroscopic tests were run on the sun and checked against the figures that had been calculated on Earth. We analyzed temperature, magnetic fields, radial motion, density and luminosity, checking against the standards the scientists had constructed. It was a G type star like our own. It had more density and temperature and suitable planets or not, we had to change course in a hurry. Carl analyzed the findings while we came to a decision. Somewhere along an orbit that might be two hundred miles across, our hypothetical planet circled this star. That distance was selected when the planets in Earth's solar system had proved to be barren. If the observations on this star were correct, we could expect to find a planet in a state of fertility ... if it existed ... if it were suitable for colonization ... if we could find it.
train	52844	[ "Why didn't Tremaine automatically include the state law enforcement in his investigation?", "Did the questions Tremaine needed answers to get resolved?", "Of the following options, which set of traits best describes Tremaine?", "Of the following options, which best describes the relationship between Tremaine and Jess?", "If Tremaine didn't go see Miss Carroll, what would've happened?", "If you were to recommend this story to someone else, of the following options who'd enjoy it the most?", "What is the most likely reason why Tremaine confides in Jess about the case?", "Of the following options, which could best describe the moral to this story?", "Of the following options, which seems to be Tremaine's biggest asset in his investigation?", "Which best summarizes this story?" ]	[ [ "He thinks the state law enforcement officers are all incredibly rude.", "He thinks the state law enforcement officers are all incredibly dumb.", "He's unsure of how serious the investigation is, and he doesn't want them stepping on his toes.", "He's unsure of how serious the investigation is." ], [ "No. He still doesn't know where the transmission is coming from.", "No. He thinks that Miss Carroll is behind this out of spite for Mr. Bram, but he's not quite sure.", "Yes. Mr. Bram was the cause of the transmission, so Tremaine's question has been answered.", "Probably. Mr. Bram is certainly evil, so Tremaine knows for sure where this investigation will lead." ], [ "Athletic, attractive, and quiet", "Smart, kind, and determined", "Charismatic, dumb, and athletic", "Unreasonable, attractive, and bold" ], [ "They hate each other but are working together in their investigation.", "They're childhood friends and they ran into each other and caught up for old times' sake.", "They knew each other growing up and are temporarily working together.", "They're hindering each other's ability to succeed in the investigation." ], [ "He wouldn't know how crazy Mr. Bram is and he wouldn't know the true culprit of the transmissions.", "He wouldn't know what thing scares Mr. Bram and Miss Carroll wouldn't have given him the item.", "He wouldn't know about the thing that scares Mr. Bram.", "He wouldn't have the item that Miss Carroll gave him and he wouldn't know how mean she thinks Mr. Bram is. " ], [ "Someone who loves true crime and murder mysteries.", "Someone who loves white-collar crime and historical fiction.", "Someone who loves mysteries and small-town gossip.", "Someone who loves small-town gossip and romance." ], [ "He knows that Jess is already two steps ahead of him and he wants to catch up.", "He trusts Jess to an extent, and he knows that Jess might have information that could help.", "He knows that Jess might compete with him even more if he doesn't try to work together.", "He's friends with Jess and cares about his well being because he's staying in the town with all of this crime." ], [ "The histories of small towns are interesting and often involve murder and other significant crimes.", "Working entirely by oneself can be great if one is smart and connected.", "Teamwork is good for solving problems, and not working as a cohesive team can lead to obstacles.", "Sometimes crimes are hard to solve and it's good to realize that some will never be solved fully." ], [ "His history with the town. Folks knew him and were more willing to help him like Miss Carroll, and he knew how to motivate people, like he did by bribing the record keeper for help.", "His good looks. They help him flirt with women like Miss Carroll and the librarian, so he could get more information.", "His strength. He was able to bust down the door at Mr. Bram's home and catch him in the act of transmitting data.", "His ruthlessness. He was strict enough to draw boundaries with the state police that helped his investigation significantly." ], [ "A private investigator tries to find a transmitter which allows him to save his hometown from certain danger.", "An investigator travels to his hometown to find conflict between the transmitter-using youth and the local and state police forces.", "An investigator travels to his hometown to locate a transmitter with an unknown use.", "A man seeks justice for a town plagued by a harmful transmitter." ] ]	[ 3, 1, 2, 3, 2, 3, 2, 3, 1, 3 ]	[ 1, 1, 0, 1, 1, 1, 0, 0, 0, 1 ]	THE LONG REMEMBERED THUNDER BY KEITH LAUMER [Transcriber's Note: This etext was produced from Worlds of Tomorrow April 1963 Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] He was as ancient as time—and as strange as his own frightful battle against incredible odds! I In his room at the Elsby Commercial Hotel, Tremaine opened his luggage and took out a small tool kit, used a screwdriver to remove the bottom cover plate from the telephone. He inserted a tiny aluminum cylinder, crimped wires and replaced the cover. Then he dialed a long-distance Washington number and waited half a minute for the connection. "Fred, Tremaine here. Put the buzzer on." A thin hum sounded on the wire as the scrambler went into operation. "Okay, can you read me all right? I'm set up in Elsby. Grammond's boys are supposed to keep me informed. Meantime, I'm not sitting in this damned room crouched over a dial. I'll be out and around for the rest of the afternoon." "I want to see results," the thin voice came back over the filtered hum of the jamming device. "You spent a week with Grammond—I can't wait another. I don't mind telling you certain quarters are pressing me." "Fred, when will you learn to sit on your news breaks until you've got some answers to go with the questions?" "I'm an appointive official," Fred said sharply. "But never mind that. This fellow Margrave—General Margrave. Project Officer for the hyperwave program—he's been on my neck day and night. I can't say I blame him. An unauthorized transmitter interfering with a Top Secret project, progress slowing to a halt, and this Bureau—" "Look, Fred. I was happy in the lab. Headaches, nightmares and all. Hyperwave is my baby, remember? You elected me to be a leg-man: now let me do it my way." "I felt a technical man might succeed where a trained investigator could be misled. And since it seems to be pinpointed in your home area—" "You don't have to justify yourself. Just don't hold out on me. I sometimes wonder if I've seen the complete files on this—" "You've seen all the files! Now I want answers, not questions! I'm warning you, Tremaine. Get that transmitter. I need someone to hang!" Tremaine left the hotel, walked two blocks west along Commerce Street and turned in at a yellow brick building with the words ELSBY MUNICIPAL POLICE cut in the stone lintel above the door. Inside, a heavy man with a creased face and thick gray hair looked up from behind an ancient Underwood. He studied Tremaine, shifted a toothpick to the opposite corner of his mouth. "Don't I know you, mister?" he said. His soft voice carried a note of authority. Tremaine took off his hat. "Sure you do, Jess. It's been a while, though." The policeman got to his feet. "Jimmy," he said, "Jimmy Tremaine." He came to the counter and put out his hand. "How are you, Jimmy? What brings you back to the boondocks?" "Let's go somewhere and sit down, Jess." In a back room Tremaine said, "To everybody but you this is just a visit to the old home town. Between us, there's more." Jess nodded. "I heard you were with the guv'ment." "It won't take long to tell; we don't know much yet." Tremaine covered the discovery of the powerful unidentified interference on the high-security hyperwave band, the discovery that each transmission produced not one but a pattern of "fixes" on the point of origin. He passed a sheet of paper across the table. It showed a set of concentric circles, overlapped by a similar group of rings. "I think what we're getting is an echo effect from each of these points of intersection. The rings themselves represent the diffraction pattern—" "Hold it, Jimmy. To me it just looks like a beer ad. I'll take your word for it." "The point is this, Jess: we think we've got it narrowed down to this section. I'm not sure of a damn thing, but I think that transmitter's near here. Now, have you got any ideas?" "That's a tough one, Jimmy. This is where I should come up with the news that Old Man Whatchamacallit's got an attic full of gear he says is a time machine. Trouble is, folks around here haven't even taken to TV. They figure we should be content with radio, like the Lord intended." "I didn't expect any easy answers, Jess. But I was hoping maybe you had something ..." "Course," said Jess, "there's always Mr. Bram ..." "Mr. Bram," repeated Tremaine. "Is he still around? I remember him as a hundred years old when I was kid." "Still just the same, Jimmy. Comes in town maybe once a week, buys his groceries and hikes back out to his place by the river." "Well, what about him?" "Nothing. But he's the town's mystery man. You know that. A little touched in the head." "There were a lot of funny stories about him, I remember," Tremaine said. "I always liked him. One time he tried to teach me something I've forgotten. Wanted me to come out to his place and he'd teach me. I never did go. We kids used to play in the caves near his place, and sometimes he gave us apples." "I've never seen any harm in Bram," said Jess. "But you know how this town is about foreigners, especially when they're a mite addled. Bram has blue eyes and blond hair—or did before it turned white—and he talks just like everybody else. From a distance he seems just like an ordinary American. But up close, you feel it. He's foreign, all right. But we never did know where he came from." "How long's he lived here in Elsby?" "Beats me, Jimmy. You remember old Aunt Tress, used to know all about ancestors and such as that? She couldn't remember about Mr. Bram. She was kind of senile, I guess. She used to say he'd lived in that same old place out on the Concord road when she was a girl. Well, she died five years ago ... in her seventies. He still walks in town every Wednesday ... or he did up till yesterday anyway." "Oh?" Tremaine stubbed out his cigarette, lit another. "What happened then?" "You remember Soup Gaskin? He's got a boy, name of Hull. He's Soup all over again." "I remember Soup," Tremaine said. "He and his bunch used to come in the drug store where I worked and perch on the stools and kid around with me, and Mr. Hempleman would watch them from over back of the prescription counter and look nervous. They used to raise cain in the other drug store...." "Soup's been in the pen since then. His boy Hull's the same kind. Him and a bunch of his pals went out to Bram's place one night and set it on fire." "What was the idea of that?" "Dunno. Just meanness, I reckon. Not much damage done. A car was passing by and called it in. I had the whole caboodle locked up here for six hours. Then the sob sisters went to work: poor little tyke routine, high spirits, you know the line. All of 'em but Hull are back in the streets playin' with matches by now. I'm waiting for the day they'll make jail age." "Why Bram?" Tremaine persisted. "As far as I know, he never had any dealings to speak of with anybody here in town." "Oh hoh, you're a little young, Jimmy," Jess chuckled. "You never knew about Mr. Bram—the young Mr. Bram—and Linda Carroll." Tremaine shook his head. "Old Miss Carroll. School teacher here for years; guess she was retired by the time you were playing hookey. But her dad had money, and in her day she was a beauty. Too good for the fellers in these parts. I remember her ridin by in a high-wheeled shay, when I was just a nipper. Sitting up proud and tall, with that red hair piled up high. I used to think she was some kind of princess...." "What about her and Bram? A romance?" Jess rocked his chair back on two legs, looked at the ceiling, frowning. "This would ha' been about nineteen-oh-one. I was no more'n eight years old. Miss Linda was maybe in her twenties—and that made her an old maid, in those times. The word got out she was setting her cap for Bram. He was a good-looking young feller then, over six foot, of course, broad backed, curly yellow hair—and a stranger to boot. Like I said, Linda Carroll wanted nothin to do with the local bucks. There was a big shindy planned. Now, you know Bram was funny about any kind of socializing; never would go any place at night. But this was a Sunday afternoon and someways or other they got Bram down there; and Miss Linda made her play, right there in front of the town, practically. Just before sundown they went off together in that fancy shay. And the next day, she was home again—alone. That finished off her reputation, as far as the biddies in Elsby was concerned. It was ten years 'fore she even landed the teaching job. By that time, she was already old. And nobody was ever fool enough to mention the name Bram in front of her." Tremaine got to his feet. "I'd appreciate it if you'd keep your ears and eyes open for anything that might build into a lead on this, Jess. Meantime, I'm just a tourist, seeing the sights." "What about that gear of yours? Didn't you say you had some kind of detector you were going to set up?" "I've got an oversized suitcase," Tremaine said. "I'll be setting it up in my room over at the hotel." "When's this bootleg station supposed to broadcast again?" "After dark. I'm working on a few ideas. It might be an infinitely repeating logarithmic sequence, based on—" "Hold it, Jimmy. You're over my head." Jess got to his feet. "Let me know if you want anything. And by the way—" he winked broadly—"I always did know who busted Soup Gaskin's nose and took out his front teeth." II Back in the street, Tremaine headed south toward the Elsby Town Hall, a squat structure of brownish-red brick, crouched under yellow autumn trees at the end of Sheridan Street. Tremaine went up the steps and past heavy double doors. Ten yards along the dim corridor, a hand-lettered cardboard sign over a black-varnished door said "MUNICIPAL OFFICE OF RECORD." Tremaine opened the door and went in. A thin man with garters above the elbow looked over his shoulder at Tremaine. "We're closed," he said. "I won't be a minute," Tremaine said. "Just want to check on when the Bram property changed hands last." The man turned to Tremaine, pushing a drawer shut with his hip. "Bram? He dead?" "Nothing like that. I just want to know when he bought the place." The man came over to the counter, eyeing Tremaine. "He ain't going to sell, mister, if that's what you want to know." "I want to know when he bought." The man hesitated, closed his jaw hard. "Come back tomorrow," he said. Tremaine put a hand on the counter, looked thoughtful. "I was hoping to save a trip." He lifted his hand and scratched the side of his jaw. A folded bill opened on the counter. The thin man's eyes darted toward it. His hand eased out, covered the bill. He grinned quickly. "See what I can do," he said. It was ten minutes before he beckoned Tremaine over to the table where a two-foot-square book lay open. An untrimmed fingernail indicated a line written in faded ink: "May 19. Acreage sold, One Dollar and other G&V consid. NW Quarter Section 24, Township Elsby. Bram. (see Vol. 9 & cet.)" "Translated, what does that mean?" said Tremaine. "That's the ledger for 1901; means Bram bought a quarter section on the nineteenth of May. You want me to look up the deed?" "No, thanks," Tremaine said. "That's all I needed." He turned back to the door. "What's up, mister?" the clerk called after him. "Bram in some kind of trouble?" "No. No trouble." The man was looking at the book with pursed lips. "Nineteen-oh-one," he said. "I never thought of it before, but you know, old Bram must be dern near to ninety years old. Spry for that age." "I guess you're right." The clerk looked sideways at Tremaine. "Lots of funny stories about old Bram. Useta say his place was haunted. You know; funny noises and lights. And they used to say there was money buried out at his place." "I've heard those stories. Just superstition, wouldn't you say?" "Maybe so." The clerk leaned on the counter, assumed a knowing look. "There's one story that's not superstition...." Tremaine waited. "You—uh—paying anything for information?" "Now why would I do that?" Tremaine reached for the door knob. The clerk shrugged. "Thought I'd ask. Anyway—I can swear to this. Nobody in this town's ever seen Bram between sundown and sunup." Untrimmed sumacs threw late-afternoon shadows on the discolored stucco facade of the Elsby Public Library. Inside, Tremaine followed a paper-dry woman of indeterminate age to a rack of yellowed newsprint. "You'll find back to nineteen-forty here," the librarian said. "The older are there in the shelves." "I want nineteen-oh-one, if they go back that far." The woman darted a suspicious look at Tremaine. "You have to handle these old papers carefully." "I'll be extremely careful." The woman sniffed, opened a drawer, leafed through it, muttering. "What date was it you wanted?" "Nineteen-oh-one; the week of May nineteenth." The librarian pulled out a folded paper, placed it on the table, adjusted her glasses, squinted at the front page. "That's it," she said. "These papers keep pretty well, provided they're stored in the dark. But they're still flimsy, mind you." "I'll remember." The woman stood by as Tremaine looked over the front page. The lead article concerned the opening of the Pan-American Exposition at Buffalo. Vice-President Roosevelt had made a speech. Tremaine leafed over, reading slowly. On page four, under a column headed County Notes he saw the name Bram: Mr. Bram has purchased a quarter section of fine grazing land, north of town, together with a sturdy house, from J. P. Spivey of Elsby. Mr. Bram will occupy the home and will continue to graze a few head of stock. Mr. Bram, who is a newcomer to the county, has been a resident of Mrs. Stoate's Guest Home in Elsby for the past months. "May I see some earlier issues; from about the first of the year?" The librarian produced the papers. Tremaine turned the pages, read the heads, skimmed an article here and there. The librarian went back to her desk. An hour later, in the issue for July 7, 1900, an item caught his eye: A Severe Thunderstorm. Citizens of Elsby and the country were much alarmed by a violent cloudburst, accompanied by lightning and thunder, during the night of the fifth. A fire set in the pine woods north of Spivey's farm destroyed a considerable amount of timber and threatened the house before burning itself out along the river. The librarian was at Tremaine's side. "I have to close the library now. You'll have to come back tomorrow." Outside, the sky was sallow in the west: lights were coming on in windows along the side streets. Tremaine turned up his collar against a cold wind that had risen, started along the street toward the hotel. A block away a black late-model sedan rounded a corner with a faint squeal of tires and gunned past him, a heavy antenna mounted forward of the left rear tail fin whipping in the slipstream. Tremaine stopped short, stared after the car. "Damn!" he said aloud. An elderly man veered, eyeing him sharply. Tremaine set off at a run, covered the two blocks to the hotel, yanked open the door to his car, slid into the seat, made a U-turn, and headed north after the police car. Two miles into the dark hills north of the Elsby city limits, Tremaine rounded a curve. The police car was parked on the shoulder beside the highway just ahead. He pulled off the road ahead of it and walked back. The door opened. A tall figure stepped out. "What's your problem, mister?" a harsh voice drawled. "What's the matter? Run out of signal?" "What's it to you, mister?" "Are you boys in touch with Grammond on the car set?" "We could be." "Mind if I have a word with him? My name's Tremaine." "Oh," said the cop, "you're the big shot from Washington." He shifted chewing tobacco to the other side of his jaw. "Sure, you can talk to him." He turned and spoke to the other cop, who muttered into the mike before handing it to Tremaine. The heavy voice of the State Police chief crackled. "What's your beef, Tremaine?" "I thought you were going to keep your men away from Elsby until I gave the word, Grammond." "That was before I knew your Washington stuffed shirts were holding out on me." "It's nothing we can go to court with, Grammond. And the job you were doing might have been influenced if I'd told you about the Elsby angle." Grammond cursed. "I could have put my men in the town and taken it apart brick by brick in the time—" "That's just what I don't want. If our bird sees cops cruising, he'll go underground." "You've got it all figured, I see. I'm just the dumb hick you boys use for the spade work, that it?" "Pull your lip back in. You've given me the confirmation I needed." "Confirmation, hell! All I know is that somebody somewhere is punching out a signal. For all I know, it's forty midgets on bicycles, pedalling all over the damned state. I've got fixes in every county—" "The smallest hyperwave transmitter Uncle Sam knows how to build weighs three tons," said Tremaine. "Bicycles are out." Grammond snorted. "Okay, Tremaine," he said. "You're the boy with all the answers. But if you get in trouble, don't call me; call Washington." Back in his room, Tremaine put through a call. "It looks like Grammond's not willing to be left out in the cold, Fred. Tell him if he queers this—" "I don't know but what he might have something," the voice came back over the filtered hum. "Suppose he smokes them out—" "Don't go dumb on me, Fred. We're not dealing with West Virginia moonshiners." "Don't tell me my job, Tremaine!" the voice snapped. "And don't try out your famous temper on me. I'm still in charge of this investigation." "Sure. Just don't get stuck in some senator's hip pocket." Tremaine hung up the telephone, went to the dresser and poured two fingers of Scotch into a water glass. He tossed it down, then pulled on his coat and left the hotel. He walked south two blocks, turned left down a twilit side street. He walked slowly, looking at the weathered frame houses. Number 89 was a once-stately three-storied mansion overgrown with untrimmed vines, its windows squares of sad yellow light. He pushed through the gate in the ancient picket fence, mounted the porch steps and pushed the button beside the door, a dark panel of cracked varnish. It was a long minute before the door opened. A tall woman with white hair and a fine-boned face looked at him coolly. "Miss Carroll," Tremaine said. "You won't remember me, but I—" "There is nothing whatever wrong with my faculties, James," Miss Carroll said calmly. Her voice was still resonant, a deep contralto. Only a faint quaver reflected her age—close to eighty, Tremaine thought, startled. "I'm flattered you remember me, Miss Carroll," he said. "Come in." She led the way to a pleasant parlor set out with the furnishings of another era. She motioned Tremaine to a seat and took a straight chair across the room from him. "You look very well, James," she said, nodding. "I'm pleased to see that you've amounted to something." "Just another bureaucrat, I'm afraid." "You were wise to leave Elsby. There is no future here for a young man." "I often wondered why you didn't leave, Miss Carroll. I thought, even as a boy, that you were a woman of great ability." "Why did you come today, James?" asked Miss Carroll. "I...." Tremaine started. He looked at the old lady. "I want some information. This is an important matter. May I rely on your discretion?" "Of course." "How long has Mr. Bram lived in Elsby?" Miss Carroll looked at him for a long moment. "Will what I tell you be used against him?" "There'll be nothing done against him, Miss Carroll ... unless it needs to be in the national interest." "I'm not at all sure I know what the term 'national interest' means, James. I distrust these glib phrases." "I always liked Mr. Bram," said Tremaine. "I'm not out to hurt him." "Mr. Bram came here when I was a young woman. I'm not certain of the year." "What does he do for a living?" "I have no idea." "Why did a healthy young fellow like Bram settle out in that isolated piece of country? What's his story?" "I'm ... not sure that anyone truly knows Bram's story." "You called him 'Bram', Miss Carroll. Is that his first name ... or his last?" "That is his only name. Just ... Bram." "You knew him well once, Miss Carroll. Is there anything—" A tear rolled down Miss Carroll's faded cheek. She wiped it away impatiently. "I'm an unfulfilled old maid, James," she said. "You must forgive me." Tremaine stood up. "I'm sorry. Really sorry. I didn't mean to grill you. Miss Carroll. You've been very kind. I had no right...." Miss Carroll shook her head. "I knew you as a boy, James. I have complete confidence in you. If anything I can tell you about Bram will be helpful to you, it is my duty to oblige you; and it may help him." She paused. Tremaine waited. "Many years ago I was courted by Bram. One day he asked me to go with him to his house. On the way he told me a terrible and pathetic tale. He said that each night he fought a battle with evil beings, alone, in a cave beneath his house." Miss Carroll drew a deep breath and went on. "I was torn between pity and horror. I begged him to take me back. He refused." Miss Carroll twisted her fingers together, her eyes fixed on the long past. "When we reached the house, he ran to the kitchen. He lit a lamp and threw open a concealed panel. There were stairs. He went down ... and left me there alone. "I waited all that night in the carriage. At dawn he emerged. He tried to speak to me but I would not listen. "He took a locket from his neck and put it into my hand. He told me to keep it and, if ever I should need him, to press it between my fingers in a secret way ... and he would come. I told him that until he would consent to see a doctor, I did not wish him to call. He drove me home. He never called again." "This locket," said Tremaine, "do you still have it?" Miss Carroll hesitated, then put her hand to her throat, lifted a silver disc on a fine golden chain. "You see what a foolish old woman I am, James." "May I see it?" She handed the locket to him. It was heavy, smooth. "I'd like to examine this more closely," he said. "May I take it with me?" Miss Carroll nodded. "There is one other thing," she said, "perhaps quite meaningless...." "I'd be grateful for any lead." "Bram fears the thunder." III As Tremaine walked slowly toward the lighted main street of Elsby a car pulled to a stop beside him. Jess leaned out, peered at Tremaine and asked: "Any luck, Jimmy?" Tremaine shook his head. "I'm getting nowhere fast. The Bram idea's a dud, I'm afraid." "Funny thing about Bram. You know, he hasn't showed up yet. I'm getting a little worried. Want to run out there with me and take a look around?" "Sure. Just so I'm back by full dark." As they pulled away from the curb Jess said, "Jimmy, what's this about State Police nosing around here? I thought you were playing a lone hand from what you were saying to me." "I thought so too, Jess. But it looks like Grammond's a jump ahead of me. He smells headlines in this; he doesn't want to be left out." "Well, the State cops could be mighty handy to have around. I'm wondering why you don't want 'em in. If there's some kind of spy ring working—" "We're up against an unknown quantity. I don't know what's behind this and neither does anybody else. Maybe it's a ring of Bolsheviks ... and maybe it's something bigger. I have the feeling we've made enough mistakes in the last few years; I don't want to see this botched." The last pink light of sunset was fading from the clouds to the west as Jess swung the car through the open gate, pulled up under the old trees before the square-built house. The windows were dark. The two men got out, circled the house once, then mounted the steps and rapped on the door. There was a black patch of charred flooring under the window, and the paint on the wall above it was bubbled. Somewhere a cricket set up a strident chirrup, suddenly cut off. Jess leaned down, picked up an empty shotgun shell. He looked at Tremaine. "This don't look good," he said. "You suppose those fool boys...?" He tried the door. It opened. A broken hasp dangled. He turned to Tremaine. "Maybe this is more than kid stuff," he said. "You carry a gun?" "In the car." "Better get it." Tremaine went to the car, dropped the pistol in his coat pocket, rejoined Jess inside the house. It was silent, deserted. In the kitchen Jess flicked the beam of his flashlight around the room. An empty plate lay on the oilcloth-covered table. "This place is empty," he said. "Anybody'd think he'd been gone a week." "Not a very cozy—" Tremaine broke off. A thin yelp sounded in the distance. "I'm getting jumpy," said Jess. "Dern hounddog, I guess." A low growl seemed to rumble distantly. "What the devil's that?" Tremaine said. Jess shone the light on the floor. "Look here," he said. The ring of light showed a spatter of dark droplets all across the plank floor. "That's blood, Jess...." Tremaine scanned the floor. It was of broad slabs, closely laid, scrubbed clean but for the dark stains. "Maybe he cleaned a chicken. This is the kitchen." "It's a trail." Tremaine followed the line of drops across the floor. It ended suddenly near the wall. "What do you make of it. Jimmy?" A wail sounded, a thin forlorn cry, trailing off into silence. Jess stared at Tremaine. "I'm too damned old to start believing in spooks," he said. "You suppose those damn-fool boys are hiding here, playing tricks?" "I think." Tremaine said, "that we'd better go ask Hull Gaskin a few questions." At the station Jess led Tremaine to a cell where a lanky teen-age boy lounged on a steel-framed cot, blinking up at the visitor under a mop of greased hair. "Hull, this is Mr. Tremaine," said Jess. He took out a heavy key, swung the cell door open. "He wants to talk to you." "I ain't done nothin," Hull said sullenly. "There ain't nothin wrong with burnin out a Commie, is there?" "Bram's a Commie, is he?" Tremaine said softly. "How'd you find that out, Hull?" "He's a foreigner, ain't he?" the youth shot back. "Besides, we heard...." "What did you hear?" "They're lookin for the spies." "Who's looking for spies?" "Cops." "Who says so?" The boy looked directly at Tremaine for an instant, flicked his eyes to the corner of the cell. "Cops was talkin about 'em," he said. "Spill it, Hull," the policeman said. "Mr. Tremaine hasn't got all night." "They parked out east of town, on 302, back of the woodlot. They called me over and asked me a bunch of questions. Said I could help 'em get them spies. Wanted to know all about any funny-actin people around hers." "And you mentioned Bram?" The boy darted another look at Tremaine. "They said they figured the spies was out north of town. Well, Bram's a foreigner, and he's out that way, ain't he?" "Anything else?" The boy looked at his feet.
train	62569	[ "What is the relationship between the two main characters?", "Why does Click suspect that the meteor strike wasn’t accidental?", "Who does Click refer to as the “Big Producer?”", "What would have happened if Click’s camera broke in the crash?", "Why didn’t the proton gun hurt the monsters?", "What is the meaning of “palaver” in the passage?", "How does Gunther maintain his hold on power?", "Referring to the passage’s title, who was the “Monster Maker”?", "How was Gunther defeated?" ]	[ [ "Patrolman and Bodyguard", "Patrolman and Filmmaker", "Filmmaker and Bodyguard", "Patrolman and Target" ], [ "The meteor was quiet and stealthy.", "Gunther had thrown meteors before.", "The meteor was unusually hot and glowing.", "The gravity threw them out of orbit." ], [ "His boss at Cosmic Films", "The Captain of Luna Base", "A Higher Power or God", "Gunther" ], [ "Irish would have died on impact.", "They would have returned immediately to Luna Base.", "They would have caught Gunther faster.", "They would have continued to believe the monsters were real." ], [ "The monsters ran too fast.", "The proton gun was damaged in the crash.", "The monsters had thick, resistant skin.", "Irish wanted to negotiate a peace." ], [ "Fuss about Click’s constant filming", "Rambling, idle talk", "Unnecessarily elaborate escape plan", "Peace negotiations with Gunther" ], [ "Brute force", "Money", "Benevolence to his guards", "Tricks of the eye" ], [ "Click", "Human imagination", "Gunther", "Irish" ], [ "Click and Irish tricked him and his pirate guards.", "He had a heart attack.", "He surrendered.", "The U.S. Cavalry swarmed his base." ] ]	[ 2, 3, 3, 4, 3, 2, 4, 2, 1 ]	[ 0, 1, 1, 0, 0, 1, 0, 0, 1 ]	The Monster Maker By RAY BRADBURY "Get Gunther," the official orders read. It was to laugh! For Click and Irish were marooned on the pirate's asteroid—their only weapons a single gun and a news-reel camera. [Transcriber's Note: This etext was produced from Planet Stories Spring 1944. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] Suddenly, it was there. There wasn't time to blink or speak or get scared. Click Hathaway's camera was loaded and he stood there listening to it rack-spin film between his fingers, and he knew he was getting a damned sweet picture of everything that was happening. The picture of Marnagan hunched huge over the control-console, wrenching levers, jamming studs with freckled fists. And out in the dark of the fore-part there was space and a star-sprinkling and this meteor coming like blazing fury. Click Hathaway felt the ship move under him like a sensitive animal's skin. And then the meteor hit. It made a spiked fist and knocked the rear-jets flat, and the ship spun like a cosmic merry-go-round. There was plenty of noise. Too damned much. Hathaway only knew he was picked up and hurled against a lever-bank, and that Marnagan wasn't long in following, swearing loud words. Click remembered hanging on to his camera and gritting to keep holding it. What a sweet shot that had been of the meteor! A sweeter one still of Marnagan beating hell out of the controls and keeping his words to himself until just now. It got quiet. It got so quiet you could almost hear the asteroids rushing up, cold, blue and hard. You could hear your heart kicking a tom-tom between your sick stomach and your empty lungs. Stars, asteroids revolved. Click grabbed Marnagan because he was the nearest thing, and held on. You came hunting for a space-raider and you ended up cradled in a slab-sized Irishman's arms, diving at a hunk of metal death. What a fade-out! "Irish!" he heard himself say. "Is this IT?" "Is this what ?" yelled Marnagan inside his helmet. "Is this where the Big Producer yells CUT!?" Marnagan fumed. "I'll die when I'm damned good and ready. And when I'm ready I'll inform you and you can picture me profile for Cosmic Films!" They both waited, thrust against the shipside and held by a hand of gravity; listening to each other's breathing hard in the earphones. The ship struck, once. Bouncing, it struck again. It turned end over and stopped. Hathaway felt himself grabbed; he and Marnagan rattled around—human dice in a croupier's cup. The shell of the ship burst, air and energy flung out. Hathaway screamed the air out of his lungs, but his brain was thinking quick crazy, unimportant things. The best scenes in life never reach film, or an audience. Like this one, dammit! Like this one! His brain spun, racketing like the instantaneous, flicking motions of his camera. Silence came and engulfed all the noise, ate it up and swallowed it. Hathaway shook his head, instinctively grabbed at the camera locked to his mid-belt. There was nothing but stars, twisted wreckage, cold that pierced through his vac-suit, and silence. He wriggled out of the wreckage into that silence. He didn't know what he was doing until he found the camera in his fingers as if it had grown there when he was born. He stood there, thinking "Well, I'll at least have a few good scenes on film. I'll—" A hunk of metal teetered, fell with a crash. Marnagan elevated seven feet of bellowing manhood from the wreck. "Hold it!" cracked Hathaway's high voice. Marnagan froze. The camera whirred. "Low angle shot; Interplanetary Patrolman emerges unscathed from asteroid crackup. Swell stuff. I'll get a raise for this!" "From the toe of me boot!" snarled Marnagan brusquely. Oxen shoulders flexed inside his vac-suit. "I might've died in there, and you nursin' that film-contraption!" Hathaway felt funny inside, suddenly. "I never thought of that. Marnagan die? I just took it for granted you'd come through. You always have. Funny, but you don't think about dying. You try not to." Hathaway stared at his gloved hand, but the gloving was so thick and heavy he couldn't tell if it was shaking. Muscles in his bony face went down, pale. "Where are we?" "A million miles from nobody." They stood in the middle of a pocked, time-eroded meteor plain that stretched off, dipping down into silent indigo and a rash of stars. Overhead, the sun poised; black and stars all around it, making it look sick. "If we walk in opposite directions, Click Hathaway, we'd be shaking hands the other side of this rock in two hours." Marnagan shook his mop of dusty red hair. "And I promised the boys at Luna Base this time I'd capture that Gunther lad!" His voice stopped and the silence spoke. Hathaway felt his heart pumping slow, hot pumps of blood. "I checked my oxygen, Irish. Sixty minutes of breathing left." The silence punctuated that sentence, too. Upon the sharp meteoric rocks Hathaway saw the tangled insides of the radio, the food supply mashed and scattered. They were lucky to have escaped. Or was suffocation a better death...? Sixty minutes. They stood and looked at one another. "Damn that meteor!" said Marnagan, hotly. Hathaway got hold of an idea; remembering something. He said it out: "Somebody tossed that meteor, Irish. I took a picture of it, looked it right in the eye when it rolled at us, and it was poker-hot. Space-meteors are never hot and glowing. If it's proof you want, I've got it here, on film." Marnagan winced his freckled square of face. "It's not proof we need now, Click. Oxygen. And then food . And then some way back to Earth." Hathaway went on saying his thoughts: "This is Gunther's work. He's here somewhere, probably laughing his guts out at the job he did us. Oh, God, this would make great news-release stuff if we ever get back to Earth. I.P.'s Irish Marnagan, temporarily indisposed by a pirate whose dirty face has never been seen, Gunther by name, finally wins through to a triumphant finish. Photographed on the spot, in color, by yours truly, Click Hathaway. Cosmic Films, please notice." They started walking, fast, over the pocked, rubbled plain toward a bony ridge of metal. They kept their eyes wide and awake. There wasn't much to see, but it was better than standing still, waiting. Marnagan said, "We're working on margin, and we got nothin' to sweat with except your suspicions about this not being an accident. We got fifty minutes to prove you're right. After that—right or wrong—you'll be Cosmic Films prettiest unmoving, unbreathin' genius. But talk all you like, Click. It's times like this when we all need words, any words, on our tongues. You got your camera and your scoop. Talk about it. As for me—" he twisted his glossy red face. "Keeping alive is me hobby. And this sort of two-bit death I did not order." Click nodded. "Gunther knows how you'd hate dying this way, Irish. It's irony clean through. That's probably why he planned the meteor and the crash this way." Marnagan said nothing, but his thick lips went down at the corners, far down, and the green eyes blazed. They stopped, together. "Oops!" Click said. "Hey!" Marnagan blinked. "Did you feel that ?" Hathaway's body felt feathery, light as a whisper, boneless and limbless, suddenly. "Irish! We lost weight, coming over that ridge!" They ran back. "Let's try it again." They tried it. They scowled at each other. The same thing happened. "Gravity should not act this way, Click." "Are you telling me? It's man-made. Better than that—it's Gunther! No wonder we fell so fast—we were dragged down by a super-gravity set-up! Gunther'd do anything to—did I say anything ?" Hathaway leaped backward in reaction. His eyes widened and his hand came up, jabbing. Over a hill-ridge swarmed a brew of unbelievable horrors. Progeny from Frankenstein's ARK. Immense crimson beasts with numerous legs and gnashing mandibles, brown-black creatures, some tubular and fat, others like thin white poisonous whips slashing along in the air. Fangs caught starlight white on them. Hathaway yelled and ran, Marnagan at his heels, lumbering. Sweat broke cold on his body. The immense things rolled, slithered and squirmed after him. A blast of light. Marnagan, firing his proton-gun. Then, in Click's ears, the Irishman's incredulous bellow. The gun didn't hurt the creatures at all. "Irish!" Hathaway flung himself over the ridge, slid down an incline toward the mouth a small cave. "This way, fella!" Hathaway made it first, Marnagan bellowing just behind him. "They're too big; they can't get us in here!" Click's voice gasped it out, as Marnagan squeezed his two-hundred-fifty pounds beside him. Instinctively, Hathaway added, "Asteroid monsters! My camera! What a scene!" "Damn your damn camera!" yelled Marnagan. "They might come in!" "Use your gun." "They got impervious hides. No use. Gahh! And that was a pretty chase, eh, Click?" "Yeah. Sure. You enjoyed it, every moment of it." "I did that." Irish grinned, showing white uneven teeth. "Now, what will we be doing with these uninvited guests at our door?" "Let me think—" "Lots of time, little man. Forty more minutes of air, to be exact." They sat, staring at the monsters for about a minute. Hathaway felt funny about something; didn't know what. Something about these monsters and Gunther and— "Which one will you be having?" asked Irish, casually. "A red one or a blue one?" Hathaway laughed nervously. "A pink one with yellow ruffles—Good God, now you've got me doing it. Joking in the face of death." "Me father taught me; keep laughing and you'll have Irish luck." That didn't please the photographer. "I'm an Anglo-Swede," he pointed out. Marnagan shifted uneasily. "Here, now. You're doing nothing but sitting, looking like a little boy locked in a bedroom closet, so take me a profile shot of the beasties and myself." Hathaway petted his camera reluctantly. "What in hell's the use? All this swell film shot. Nobody'll ever see it." "Then," retorted Marnagan, "we'll develop it for our own benefit; while waitin' for the U.S. Cavalry to come riding over the hill to our rescue!" Hathaway snorted. "U.S. Cavalry." Marnagan raised his proton-gun dramatically. "Snap me this pose," he said. "I paid your salary to trot along, photographing, we hoped, my capture of Gunther, now the least you can do is record peace negotiations betwixt me and these pixies." Marnagan wasn't fooling anybody. Hathaway knew the superficial palaver for nothing but a covering over the fast, furious thinking running around in that red-cropped skull. Hathaway played the palaver, too, but his mind was whirring faster than his camera as he spun a picture of Marnagan standing there with a useless gun pointed at the animals. Montage. Marnagan sitting, chatting at the monsters. Marnagan smiling for the camera. Marnagan in profile. Marnagan looking grim, without much effort, for the camera. And then, a closeup of the thrashing death wall that holed them in. Click took them all, those shots, not saying anything. Nobody fooled nobody with this act. Death was near and they had sweaty faces, dry mouths and frozen guts. When Click finished filming, Irish sat down to save oxygen, and used it up arguing about Gunther. Click came back at him: "Gunther drew us down here, sure as Ceres! That gravity change we felt back on that ridge, Irish; that proves it. Gunther's short on men. So, what's he do; he builds an asteroid-base, and drags ships down. Space war isn't perfect yet, guns don't prime true in space, trajectory is lousy over long distances. So what's the best weapon, which dispenses with losing valuable, rare ships and a small bunch of men? Super-gravity and a couple of well-tossed meteors. Saves all around. It's a good front, this damned iron pebble. From it, Gunther strikes unseen; ships simply crash, that's all. A subtle hand, with all aces." Marnagan rumbled. "Where is the dirty son, then!" "He didn't have to appear, Irish. He sent—them." Hathaway nodded at the beasts. "People crashing here die from air-lack, no food, or from wounds caused at the crackup. If they survive all that—the animals tend to them. It all looks like Nature was responsible. See how subtle his attack is? Looks like accidental death instead of murder, if the Patrol happens to land and finds us. No reason for undue investigation, then." "I don't see no Base around." Click shrugged. "Still doubt it? Okay. Look." He tapped his camera and a spool popped out onto his gloved palm. Holding it up, he stripped it out to its full twenty inch length, held it to the light while it developed, smiling. It was one of his best inventions. Self-developing film. The first light struck film-surface, destroyed one chemical, leaving imprints; the second exposure simply hardened, secured the impressions. Quick stuff. Inserting the film-tongue into a micro-viewer in the camera's base, Click handed the whole thing over. "Look." Marnagan put the viewer up against the helmet glass, squinted. "Ah, Click. Now, now. This is one lousy film you invented." "Huh?" "It's a strange process'll develop my picture and ignore the asteroid monsters complete." "What!" Hathaway grabbed the camera, gasped, squinted, and gasped again: Pictures in montage; Marnagan sitting down, chatting conversationally with nothing ; Marnagan shooting his gun at nothing ; Marnagan pretending to be happy in front of nothing . Then, closeup—of—NOTHING! The monsters had failed to image the film. Marnagan was there, his hair like a red banner, his freckled face with the blue eyes bright in it. Maybe— Hathaway said it, loud: "Irish! Irish! I think I see a way out of this mess! Here—" He elucidated it over and over again to the Patrolman. About the film, the beasts, and how the film couldn't be wrong. If the film said the monsters weren't there, they weren't there. "Yeah," said Marnagan. "But step outside this cave—" "If my theory is correct I'll do it, unafraid," said Click. Marnagan scowled. "You sure them beasts don't radiate ultra-violet or infra-red or something that won't come out on film?" "Nuts! Any color we see, the camera sees. We've been fooled." "Hey, where you going?" Marnagan blocked Hathaway as the smaller man tried pushing past him. "Get out of the way," said Hathaway. Marnagan put his big fists on his hips. "If anyone is going anywhere, it'll be me does the going." "I can't let you do that, Irish." "Why not?" "You'd be going on my say-so." "Ain't your say-so good enough for me?" "Yes. Sure. Of course. I guess—" "If you say them animals ain't there, that's all I need. Now, stand aside, you film-developing flea, and let an Irishman settle their bones." He took an unnecessary hitch in trousers that didn't exist except under an inch of porous metal plate. "Your express purpose on this voyage, Hathaway, is taking films to be used by the Patrol later for teaching Junior Patrolmen how to act in tough spots. First-hand education. Poke another spool of film in that contraption and give me profile a scan. This is lesson number seven: Daniel Walks Into The Lion's Den." "Irish, I—" "Shut up and load up." Hathaway nervously loaded the film-slot, raised it. "Ready, Click?" "I—I guess so," said Hathaway. "And remember, think it hard, Irish. Think it hard. There aren't any animals—" "Keep me in focus, lad." "All the way, Irish." "What do they say...? Oh, yeah. Action. Lights. Camera!" Marnagan held his gun out in front of him and still smiling took one, two, three, four steps out into the outside world. The monsters were waiting for him at the fifth step. Marnagan kept walking. Right out into the middle of them.... That was the sweetest shot Hathaway ever took. Marnagan and the monsters! Only now it was only Marnagan. No more monsters. Marnagan smiled a smile broader than his shoulders. "Hey, Click, look at me! I'm in one piece. Why, hell, the damned things turned tail and ran away!" "Ran, hell!" cried Hathaway, rushing out, his face flushed and animated. "They just plain vanished. They were only imaginative figments!" "And to think we let them hole us in that way, Click Hathaway, you coward!" "Smile when you say that, Irish." "Sure, and ain't I always smilin'? Ah, Click boy, are them tears in your sweet grey eyes?" "Damn," swore the photographer, embarrassedly. "Why don't they put window-wipers in these helmets?" "I'll take it up with the Board, lad." "Forget it. I was so blamed glad to see your homely carcass in one hunk, I couldn't help—Look, now, about Gunther. Those animals are part of his set-up. Explorers who land here inadvertently, are chased back into their ships, forced to take off. Tourists and the like. Nothing suspicious about animals. And if the tourists don't leave, the animals kill them." "Shaw, now. Those animals can't kill." "Think not, Mr. Marnagan? As long as we believed in them they could have frightened us to death, forced us, maybe, to commit suicide. If that isn't being dangerous—" The Irishman whistled. "But, we've got to move , Irish. We've got twenty minutes of oxygen. In that time we've got to trace those monsters to their source, Gunther's Base, fight our way in, and get fresh oxy-cannisters." Click attached his camera to his mid-belt. "Gunther probably thinks we're dead by now. Everyone else's been fooled by his playmates; they never had a chance to disbelieve them." "If it hadn't been for you taking them pictures, Click—" "Coupled with your damned stubborn attitude about the accident—" Click stopped and felt his insides turning to water. He shook his head and felt a film slip down over his eyes. He spread his legs out to steady himself, and swayed. "I—I don't think my oxygen is as full as yours. This excitement had me double-breathing and I feel sick." Marnagan's homely face grimaced in sympathy. "Hold tight, Click. The guy that invented these fish-bowls didn't provide for a sick stomach." "Hold tight, hell, let's move. We've got to find where those animals came from! And the only way to do that is to get the animals to come back!" "Come back? How?" "They're waiting, just outside the aura of our thoughts, and if we believe in them again, they'll return." Marnagan didn't like it. "Won't—won't they kill us—if they come—if we believe in 'em?" Hathaway shook a head that was tons heavy and weary. "Not if we believe in them to a certain point . Psychologically they can both be seen and felt. We only want to see them coming at us again." " Do we, now?" "With twenty minutes left, maybe less—" "All right, Click, let's bring 'em back. How do we do it?" Hathaway fought against the mist in his eyes. "Just think—I will see the monsters again. I will see them again and I will not feel them. Think it over and over." Marnagan's hulk stirred uneasily. "And—what if I forget to remember all that? What if I get excited...?" Hathaway didn't answer. But his eyes told the story by just looking at Irish. Marnagan cursed. "All right, lad. Let's have at it!" The monsters returned. A soundless deluge of them, pouring over the rubbled horizon, swarming in malevolent anticipation about the two men. "This way, Irish. They come from this way! There's a focal point, a sending station for these telepathic brutes. Come on!" Hathaway sludged into the pressing tide of color, mouths, contorted faces, silvery fat bodies misting as he plowed through them. Marnagan was making good progress ahead of Hathaway. But he stopped and raised his gun and made quick moves with it. "Click! This one here! It's real!" He fell back and something struck him down. His immense frame slammed against rock, noiselessly. Hathaway darted forward, flung his body over Marnagan's, covered the helmet glass with his hands, shouting: "Marnagan! Get a grip, dammit! It's not real—don't let it force into your mind! It's not real, I tell you!" "Click—" Marnagan's face was a bitter, tortured movement behind glass. "Click—" He was fighting hard. "I—I—sure now. Sure—" He smiled. "It—it's only a shanty fake!" "Keep saying it, Irish. Keep it up." Marnagan's thick lips opened. "It's only a fake," he said. And then, irritated, "Get the hell off me, Hathaway. Let me up to my feet!" Hathaway got up, shakily. The air in his helmet smelled stale, and little bubbles danced in his eyes. "Irish, you forget the monsters. Let me handle them, I know how. They might fool you again, you might forget." Marnagan showed his teeth. "Gah! Let a flea have all the fun? And besides, Click, I like to look at them. They're pretty." The outpour of animals came from a low lying mound a mile farther on. Evidently the telepathic source lay there. They approached it warily. "We'll be taking our chances on guard," hissed Irish. "I'll go ahead, draw their attention, maybe get captured. Then, you show up with your gun...." "I haven't got one." "We'll chance it, then. You stick here until I see what's ahead. They probably got scanners out. Let them see me—" And before Hathaway could object, Marnagan walked off. He walked about five hundred yards, bent down, applied his fingers to something, heaved up, and there was a door opening in the rock. His voice came back across the distance, into Click's earphones. "A door, an air-lock, Click. A tunnel leading down inside!" Then, Marnagan dropped into the tunnel, disappearing. Click heard the thud of his feet hitting the metal flooring. Click sucked in his breath, hard and fast. "All right, put 'em up!" a new harsh voice cried over a different radio. One of Gunther's guards. Three shots sizzled out, and Marnagan bellowed. The strange harsh voice said, "That's better. Don't try and pick that gun up now. Oh, so it's you. I thought Gunther had finished you off. How'd you get past the animals?" Click started running. He switched off his sending audio, kept his receiving on. Marnagan, weaponless. One guard. Click gasped. Things were getting dark. Had to have air. Air. Air. He ran and kept running and listening to Marnagan's lying voice: "I tied them pink elephants of Gunther's in neat alphabetical bundles and stacked them up to dry, ya louse!" Marnagan said. "But, damn you, they killed my partner before he had a chance!" The guard laughed. The air-lock door was still wide open when Click reached it, his head swimming darkly, his lungs crammed with pain-fire and hell-rockets. He let himself down in, quiet and soft. He didn't have a weapon. He didn't have a weapon. Oh, damn, damn! A tunnel curved, ending in light, and two men silhouetted in that yellow glare. Marnagan, backed against a wall, his helmet cracked, air hissing slowly out of it, his face turning blue. And the guard, a proton gun extended stiffly before him, also in a vac-suit. The guard had his profile toward Hathaway, his lips twisting: "I think I'll let you stand right there and die," he said quietly. "That what Gunther wanted, anway. A nice sordid death." Hathaway took three strides, his hands out in front of him. "Don't move!" he snapped. "I've got a weapon stronger than yours. One twitch and I'll blast you and the whole damned wall out from behind you! Freeze!" The guard whirled. He widened his sharp eyes, and reluctantly, dropped his gun to the floor. "Get his gun, Irish." Marnagan made as if to move, crumpled clumsily forward. Hathaway ran in, snatched up the gun, smirked at the guard. "Thanks for posing," he said. "That shot will go down in film history for candid acting." "What!" "Ah: ah! Keep your place. I've got a real gun now. Where's the door leading into the Base?" The guard moved his head sullenly over his left shoulder. Click was afraid he would show his weak dizziness. He needed air. "Okay. Drag Marnagan with you, open the door and we'll have air. Double time! Double!" Ten minutes later, Marnagan and Hathaway, fresh tanks of oxygen on their backs, Marnagan in a fresh bulger and helmet, trussed the guard, hid him in a huge trash receptacle. "Where he belongs," observed Irish tersely. They found themselves in a complete inner world; an asteroid nothing more than a honey-comb fortress sliding through the void unchallenged. Perfect front for a raider who had little equipment and was short-handed of men. Gunther simply waited for specific cargo ships to rocket by, pulled them or knocked them down and swarmed over them for cargo. The animals served simply to insure against suspicion and the swarms of tourists that filled the void these days. Small fry weren't wanted. They were scared off. The telepathic sending station for the animals was a great bank of intricate, glittering machine, through which strips of colored film with images slid into slots and machine mouths that translated them into thought-emanations. A damned neat piece of genius. "So here we are, still not much better off than we were," growled Irish. "We haven't a ship or a space-radio, and more guards'll turn up any moment. You think we could refocus this doohingey, project the monsters inside the asteroid to fool the pirates themselves?" "What good would that do?" Hathaway gnawed his lip. "They wouldn't fool the engineers who created them, you nut." Marnagan exhaled disgustedly. "Ah, if only the U.S. Cavalry would come riding over the hill—" "Irish!" Hathaway snapped that, his face lighting up. "Irish. The U.S. Cavalry it is!" His eyes darted over the machines. "Here. Help me. We'll stage everything on the most colossal raid of the century." Marnagan winced. "You breathing oxygen or whiskey?" "There's only one stipulation I make, Irish. I want a complete picture of Marnagan capturing Raider's Base. I want a picture of Gunther's face when you do it. Snap it, now, we've got rush work to do. How good an actor are you?" "That's a silly question." "You only have to do three things. Walk with your gun out in front of you, firing. That's number one. Number two is to clutch at your heart and fall down dead. Number three is to clutch at your side, fall down and twitch on the ground. Is that clear?" "Clear as the Coal Sack Nebula...." An hour later Hathaway trudged down a passageway that led out into a sort of city street inside the asteroid. There were about six streets, lined with cube houses in yellow metal, ending near Hathaway in a wide, green-lawned Plaza. Hathaway, weaponless, idly carrying his camera in one hand, walked across the Plaza as if he owned it. He was heading for a building that was pretentious enough to be Gunther's quarters. He got halfway there when he felt a gun in his back. He didn't resist. They took him straight ahead to his destination and pushed him into a room where Gunther sat. Hathaway looked at him. "So you're Gunther?" he said, calmly. The pirate was incredibly old, his bulging forehead stood out over sunken, questioningly dark eyes, and his scrawny body was lost in folds of metal-link cloth. He glanced up from a paper-file, surprised. Before he could speak, Hathaway said: "Everything's over with, Mr. Gunther. The Patrol is in the city now and we're capturing your Base. Don't try to fight. We've a thousand men against your eighty-five." Gunther sat there, blinking at Hathaway, not moving. His thin hands twitched in his lap. "You are bluffing," he said, finally, with a firm directness. "A ship hasn't landed here for an hour. Your ship was the last. Two people were on it. The last I saw of them they were being pursued to the death by the Beasts. One of you escaped, it seemed." "Both. The other guy went after the Patrol." "Impossible!" "I can't respect your opinion, Mr. Gunther." A shouting rose from the Plaza. About fifty of Gunther's men, lounging on carved benches during their time-off, stirred to their feet and started yelling. Gunther turned slowly to the huge window in one side of his office. He stared, hard. The Patrol was coming! Across the Plaza, marching quietly and decisively, came the Patrol. Five hundred Patrolmen in one long, incredible line, carrying paralysis guns with them in their tight hands. Gunther babbled like a child, his voice a shrill dagger in the air. "Get out there, you men! Throw them back! We're outnumbered!" Guns flared. But the Patrol came on. Gunther's men didn't run, Hathaway had to credit them on that. They took it, standing. Hathaway chuckled inside, deep. What a sweet, sweet shot this was. His camera whirred, clicked and whirred again. Nobody stopped him from filming it. Everything was too wild, hot and angry. Gunther was throwing a fit, still seated at his desk, unable to move because of his fragile, bony legs and their atrophied state. Some of the Patrol were killed. Hathaway chuckled again as he saw three of the Patrolmen clutch at their hearts, crumple, lie on the ground and twitch. God, what photography! Gunther raged, and swept a small pistol from his linked corselet. He fired wildly until Hathaway hit him over the head with a paper-weight. Then Hathaway took a picture of Gunther slumped at his desk, the chaos taking place immediately outside his window. The pirates broke and fled, those that were left. A mere handful. And out of the chaos came Marnagan's voice, "Here!"
train	55933	[ "Why did the Lane family move to Wisconsin?", "Why doesn’t Jean want to join Peggy in New York?", "Why did Mrs. Lane give up her dream of singing?", "Why did Mr. & Mrs. Lane agree so quickly to Peggy’s bargain?", "How did Mr. Lane know May Berriman?", "What will Peggy mostly likely do tomorrow morning?" ]	[ [ "For Mr. Lane’s work", "To be near family and friends", "For Mrs. Lane’s singing career", "For Peggy’s school" ], [ "She’s not interested in acting as a career.", "She wants to be a singer.", "She will take care of Socks.", "She doesn’t want to leave her family." ], [ "She didn’t have time to study and practice.", "She didn’t believe she could be good at it and gave up.", "Her parents didn’t allow her to continue.", "She got married and had a child." ], [ "They didn’t want to argue about it anymore.", "They didn’t want her to pursue a different career.", "They understood that she was determined and realistic in her plans.", "They remembered that she wanted to move to New York since she was young." ], [ "She was his former teacher.", "She was an old friend of Mrs. Lane.", "She was his childhood friend.", "She was a friend from when he worked in New York." ], [ "Rehearse for her audition.", "Catch a plane to New York.", "Take Socks out for a ride.", "Pack her suitcase." ] ]	[ 1, 1, 2, 3, 4, 4 ]	[ 1, 0, 0, 0, 0, 1 ]	PEGGY FINDS THE THEATER I Dramatic Dialogue “Of course, this is no surprise to us,” Thomas Lane said to his daughter Peggy, who perched tensely on the edge of a kitchen stool. “We could hardly have helped knowing that you’ve wanted to be an actress since you were out of your cradle. It’s just that decisions like this can’t be made quickly.” “But, Dad!” Peggy almost wailed. “You just finished saying yourself that I’ve been thinking about this and wanting it for years! You can’t follow that by calling it a quick decision!” She turned to her mother, her hazel eyes flashing under a mass of dark chestnut curls. “Mother, you understand, don’t you?” Mrs. Lane smiled gently and placed her soft white hand on her daughter’s lean brown one. “Of course I understand, Margaret, and so does your father. We both want to do what’s best for you, not to stand in your way. The only question is whether the time is right, or if you should wait longer.” 2 “Wait! Mother—Dad—I’m years behind already! The theater is full of beginners a year and even two years younger than I am, and girls of my age have lots of acting credits already. Besides, what is there to wait for?” Peggy’s father put down his coffee cup and leaned back in the kitchen chair until it tilted on two legs against the wall behind him. He took his time before answering. When he finally spoke, his voice was warm and slow. “Peg, I don’t want to hold up your career. I don’t have any objections to your wanting to act. I think—judging from the plays I’ve seen you in at high school and college—that you have a real talent. But I thought that if you would go on with college for three more years and get your degree, you would gain so much worth-while knowledge that you’d use and enjoy for the rest of your life—” “But not acting knowledge!” Peggy cried. “There’s more to life than that,” her father put in. “There’s history and literature and foreign languages and mathematics and sciences and music and art and philosophy and a lot more—all of them fascinating and all important.” “None of them is as fascinating as acting to me,” Peggy replied, “and none of them is nearly as important to my life.” 3 Mrs. Lane nodded. “Of course, dear. I know just how you feel about it,” she said. “I would have answered just the same way when I was your age, except that for me it was singing instead of acting. But—” and here her pleasant face betrayed a trace of sadness—“but I was never able to be a singer. I guess I wasn’t quite good enough or else I didn’t really want it hard enough—to go on with all the study and practice it needed.” She paused and looked thoughtfully at her daughter’s intense expression, then took a deep breath before going on. “What you must realize, Margaret, is that you may not quite make the grade. We think you’re wonderful, but the theater is full of young girls whose parents thought they were the most talented things alive; girls who won all kinds of applause in high-school and college plays; girls who have everything except luck. You may be one of these girls, and if you are, we want you to be prepared for it. We want you to have something to fall back on, just in case you ever need it.” Mr. Lane, seeing Peggy’s hurt look, was quick to step in with reassurance. “We don’t think you’re going to fail, Peg. We have every confidence in you and your talents. I don’t see how you could miss being the biggest success ever—but I’m your father, not a Broadway critic or a play producer, and I could be wrong. And if I am wrong, I don’t want you to be hurt. All I ask is that you finish college and get a teacher’s certificate so that you can always find useful work if you have to. Then you can try your luck in the theater. Doesn’t that make sense?” 4 Peggy stared at the faded linoleum on the floor for a few moments before answering. Then, looking first at her mother and then at her father, she replied firmly, “No, it doesn’t! It might make sense if we were talking about anything else but acting, but we’re not. If I’m ever going to try, I’ll have a better chance now than I will in three years. But I can see your point of view, Dad, and I’ll tell you what—I’ll make a bargain with you.” “What sort of bargain, Peg?” her father asked curiously. “If you let me go to New York now, and if I can get into a good drama school there, I’ll study and try to find acting jobs at the same time. That way I’ll still be going to school and I’ll be giving myself a chance. And if I’m not started in a career in one year, I’ll go back to college and get my teacher’s certificate before I try the theater again. How does that sound to you?” “It sounds fair enough,” Tom Lane admitted, “but are you so confident that you’ll see results in one year? After all, some of our top stars worked many times that long before getting any recognition.” “I don’t expect recognition in one year, Dad,” Peggy said. “I’m not that conceited or that silly. All I hope is that I’ll be able to get a part in that time, and maybe be able to make a living out of acting. And that’s probably asking too much. If I have to, I’ll make a living at something else, maybe working in an office or something, while I wait for parts. What I want to prove in this year is that I can act. If I can’t, I’ll come home.” 5 “It seems to me, Tom, that Margaret has a pretty good idea of what she’s doing,” Mrs. Lane said. “She sounds sensible and practical. If she were all starry-eyed and expected to see her name in lights in a few weeks, I’d vote against her going, but I’m beginning to think that maybe she’s right about this being the best time.” “Oh, Mother!” Peggy shouted, jumping down from the stool and throwing her arms about her mother’s neck. “I knew you’d understand! And you understand too, don’t you, Dad?” she appealed. Her father replied in little puffs as he drew on his pipe to get it started. “I ... never said ... I didn’t ... understand you ... did I?” His pipe satisfactorily sending up thick clouds of fragrant smoke, he took it out of his mouth before continuing more evenly. “Peg, your mother and I are cautious only because we love you so much and want what’s going to make you happy. At the same time, we want to spare you any unnecessary unhappiness along the way. Remember, I’m not a complete stranger to show business. Before I came out here to Rockport to edit the Eagle , I worked as a reporter on one of the best papers in New York. I saw a lot ... I met a lot of actors and actresses ... and I know how hard the city often was for them. But I don’t want to protect you from life. That’s no good either. Just let me think about it a little longer and let me talk to your mother some more.” 6 Mrs. Lane patted Peggy’s arm and said, “We won’t keep you in suspense long, dear. Why don’t you go out for a walk for a while and let us go over the situation quietly? We’ll decide before bedtime.” Peggy nodded silently and walked to the kitchen door, where she paused to say, “I’m just going out to the barn to see if Socks is all right for the night. Then maybe I’ll go down to Jean’s for a while.” As she stepped out into the soft summer dusk she turned to look back just in time to see her mother throw her a comically exaggerated wink of assurance. Feeling much better, Peggy shut the screen door behind her and started for the barn. Ever since she had been a little girl, the barn had been Peggy’s favorite place to go to be by herself and think. Its musty but clean scent of straw and horses and leather made her feel calm and alive. Breathing in its odor gratefully, she walked into the half-dark to Socks’s stall. As the little bay horse heard her coming, she stamped one foot and softly whinnied a greeting. Peggy stopped first at the bag that hung on the wall among the bridles and halters and took out a lump of sugar as a present. Then, after stroking Socks’s silky nose, she held out her palm with the sugar cube. Socks took it eagerly and pushed her nose against Peggy’s hand in appreciation. As Peggy mixed some oats and barley for her pet and checked to see that there was enough straw in the stall, she thought about her life in Rockport and the new life that she might soon be going to. 7 Rockport, Wisconsin, was a fine place, as pretty a small town as any girl could ask to grow up in. And not too small, either, Peggy thought. Its 16,500 people supported good schools, an excellent library, and two good movie houses. What’s more, the Rockport Community College attracted theater groups and concert artists, so that life in the town had always been stimulating. And of course, all of this was in addition to the usual growing-up pleasures of swimming and sailing, movie dates, and formal dances—everything that a girl could want. Peggy had lived all her life here, knew every tree-shaded street, every country road, field, lake, and stream. All of her friends were here, friends she had known since her earliest baby days. It would be hard to leave them, she knew, but there was no doubt in her mind that she was going to do so. If not now, then as soon as she possibly could. It was not any dissatisfaction with her life, her friends, or her home that made Peggy want to leave Rockport. She was not running away from anything, she reminded herself; she was running to something. To what? To the bright lights, speeding taxis, glittering towers of a make-believe movie-set New York? Would it really be like that? Or would it be something different, something like the dreary side-street world of failure and defeat that she had also seen in movies? 8 Seeing the image of herself hungry and tired, going from office to office looking for a part in a play, Peggy suddenly laughed aloud and brought herself back to reality, to the warm barn smell and the big, soft-eyed gaze of Socks. She threw her arm around the smooth bay neck and laid her face next to the horse’s cheek. “Socks,” she murmured, “I need some of your horse sense if I’m going to go out on my own! We’ll go for a fast run in the morning and see if some fresh air won’t clear my silly mind!” With a final pat, she left the stall and the barn behind, stepping out into the deepening dusk. It was still too early to go back to the house to see if her parents had reached a decision about her future. Fighting down an impulse to rush right into the kitchen to see how they were coming along, Peggy continued down the driveway and turned left on the slate sidewalk past the front porch of her family’s old farmhouse and down the street toward Jean Wilson’s house at the end of the block. As she walked by her own home, she noticed with a familiar tug at her heart how the lilac bushes on the front lawn broke up the light from the windows behind them into a pattern of leafy lace. For a moment, or maybe a little more, she wondered why she wanted to leave this. What for? What could ever be better? 9 II Dramatic Decision Upstairs at the Wilsons’, Peggy found Jean swathed in bath towels, washing her long, straight red hair, which was now white with lather and piled up in a high, soapy knot. “You just washed it yesterday!” Peggy said. “Are you doing it again—or still?” Jean grinned, her eyes shut tight against the soapsuds. “Again, I’m afraid,” she answered. “Maybe it’s a nervous habit!” “It’s a wonder you’re not bald, with all the rubbing you give your hair,” Peggy said with a laugh. “Well, if I do go bald, at least it will be with a clean scalp!” Jean answered with a humorous crinkle of her freckled nose. Taking a deep breath and puffing out her cheeks comically, she plunged her head into the basin and rinsed off the soap with a shampoo hose. When she came up at last, dripping-wet hair was tightly plastered to the back of her head. “There!” she announced. “Don’t I look beautiful?” 10 After a brisk rubdown with one towel, Jean rolled another dry towel around her head like an Indian turban. Then, having wrapped herself in an ancient, tattered, plaid bathrobe, she led Peggy out of the steamy room and into her cozy, if somewhat cluttered, bedroom. When they had made themselves comfortable on the pillow-strewn daybeds, Jean came straight to the point. “So the grand debate is still going on, is it? When do you think they’ll make up their minds?” she asked. “How do you know they haven’t decided anything yet?” Peggy said, in a puzzled tone. “Oh, that didn’t take much deduction, my dear Watson,” Jean laughed. “If they had decided against the New York trip, your face would be as long as Socks’s nose, and it’s not half that long. And if the answer was yes, I wouldn’t have to wait to hear about it! You would have been flying around the room and talking a mile a minute. So I figured that nothing was decided yet.” “You know, if I were as smart as you,” Peggy said thoughtfully, “I would have figured out a way to convince Mother and Dad by now.” “Oh, don’t feel bad about being dumb,” Jean said in mock tones of comfort. “If I were as pretty and talented as you are, I wouldn’t need brains, either!” With a hoot of laughter, she rolled quickly aside on the couch to avoid the pillow that Peggy threw at her. A short, breathless pillow fight followed, leaving the girls limp with laughter and with Jean having to retie her towel turban. From her new position, flat on the floor, Peggy looked up at her friend with a rueful smile. 11 “You know, I sometimes think that we haven’t grown up at all!” she said. “I can hardly blame my parents for thinking twice—and a lot more—before treating me like an adult.” “Nonsense!” Jean replied firmly. “Your parents know a lot better than to confuse being stuffy with being grown-up and responsible. And, besides, I know that they’re not the least bit worried about your being able to take care of yourself. I heard them talking with my folks last night, and they haven’t got a doubt in the world about you. But they know how hard it can be to get a start as an actress, and they want to be sure that you have a profession in case you don’t get a break in show business.” “I know,” Peggy answered. “We had a long talk about it this evening after dinner.” Then she told her friend about the conversation and her proposed “bargain” with her parents. “They both seemed to think it was fair,” she concluded, “and when I went out, they were talking it over. They promised me an answer by bedtime, and I’m over here waiting until the jury comes in with its decision. You know,” she said suddenly, sitting up on the floor and crossing her legs under her, “I bet they wouldn’t hesitate a minute if you would only change your mind and decide to come with me and try it too!” 12 After a moment’s thoughtful silence, Jean answered slowly, “No, Peg. I’ve thought this all out before, and I know it would be as wrong for me as it is right for you. I know we had a lot of fun in the dramatic groups, and I guess I was pretty good as a comedienne in a couple of the plays, but I know I haven’t got the real professional thing—and I know that you have. In fact, the only professional talent I think I do have for the theater is the ability to recognize talent when I see it—and to recognize that it’s not there when it isn’t!” “But, Jean,” Peggy protested, “you can handle comedy and character lines as well as anyone I know!” Jean nodded, accepting the compliment and seeming at the same time to brush it off. “That doesn’t matter. You know even better than I that there’s a lot more to being an actress—a successful one—than reading lines well. There’s the ability to make the audience sit up and notice you the minute you walk on, whether you have lines or not. And that’s something you can’t learn; you either have it, or you don’t. It’s like being double-jointed. I can make an audience laugh when I have good lines, but you can make them look at you and respond to you and be with you all the way, even with bad lines. That’s why you’re going to go to New York and be an actress. And that’s why I’m not.” “But, Jean—” Peggy began. 13 “No buts!” Jean cut in. “We’ve talked about this enough before, and I’m not going to change my mind. I’m as sure about what I want as you are about what you want. I’m going to finish college and get my certificate as an English teacher.” “And what about acting? Can you get it out of your mind as easily as all that?” Peggy asked. “That’s the dark and devious part of my plan,” Jean answered with a mysterious laugh that ended in a comic witch’s cackle and an unconvincing witch-look that was completely out of place on her round, freckled face. “Once I get into a high school as an English teacher, I’m going to try to teach a special course in the literature of the theater and maybe another one in stagecraft. I’m going to work with the high-school drama group and put on plays. That way, I’ll be in a spot where I can use my special talent of recognizing talent. And that way,” she added, becoming much more serious, “I have a chance really to do something for the theater. If I can help and encourage one or two people with real talent like yours, then I’ll feel that I’ve really done something worth while.” Peggy nodded silently, not trusting herself to speak for fear of saying something foolishly sentimental, or even of crying. Her friend’s earnestness about the importance of her work and her faith in Peggy’s talent had touched her more than she could say. 14 The silence lasted what seemed a terribly long time, until Jean broke it by suddenly jumping up and flinging a last pillow which she had been hiding behind her back. Running out of the bedroom, she called, “Come on! I’ll race you down to the kitchen for cocoa! By the time we’re finished, it’ll be about time for your big Hour of Decision scene!” It was nearly ten o’clock when Peggy finally felt that her parents had had enough time to talk things out. Leaving the Wilson house, she walked slowly despite her eagerness, trying in all fairness to give her mother and father every minute she could. Reaching her home, she cut across the lawn behind the lilac bushes, to the steps up to the broad porch that fronted the house. As she climbed the steps, she heard her father’s voice raised a little above its normal soft, deep tone, but she could not make out the words. Crossing the porch, she caught sight of him through the window. He was speaking on the telephone, and now she caught his words. “Fine. Yes.... Yes—I think we can. Very well, day after tomorrow, then. That’s right—all three of us. And, May—it’ll be good to see you again, after all these years! Good-by.” As Peggy entered the room, her father put down the phone and turned to Mrs. Lane. “Well, Betty,” he said, “it’s all set.” “What’s all set, Dad?” Peggy said, breaking into a run to her father’s side. 15 “Everything’s all set, Peg,” her father said with a grin. “And it’s set just the way you wanted it! There’s not a man in the world who can hold out against two determined women.” He leaned back against the fireplace mantel, waiting for the explosion he felt sure was to follow his announcement. But Peggy just stood, hardly moving a muscle. Then she walked carefully, as if she were on the deck of a rolling ship, to the big easy chair and slowly sat down. “Well, for goodness’ sake!” her mother cried. “Where’s the enthusiasm?” Peggy swallowed hard before answering. When her voice came, it sounded strange, about two tones higher than usual. “I ... I’m trying to be sedate ... and poised ... and very grown-up,” she said. “But it’s not easy. All I want to do is to—” and she jumped out of the chair—“to yell whoopee !” She yelled at the top of her lungs. After the kisses, the hugs, and the first excitement, Peggy and her parents adjourned to the kitchen, the favorite household conference room, for cookies and milk and more talk. “Now, tell me, Dad,” Peggy asked, her mouth full of oatmeal cookies, no longer “sedate” or “poised,” but her natural, bubbling self. “Who was that on the phone, and where are the three of us going, and what’s all set?” 16 “One thing at a time,” her father said. “To begin with, we decided almost as soon as you left that we were going to let you go to New York to try a year’s experience in the theater. But then we had to decide just where you would live, and where you should study, and how much money you would need, and a whole lot of other things. So I called New York to talk to an old friend of mine who I felt would be able to give us some help. Her name is May Berriman, and she’s spent all her life in the theater. In fact, she was a very successful actress. Now she’s been retired for some years, but I thought she might give us some good advice.” “And did she?” Peggy asked. “We were luckier than I would have thought possible,” Mrs. Lane put in. “It seems that May bought a big, old-fashioned town house and converted it into a rooming house especially for young actresses. She always wanted a house of her own with a garden in back, but felt it was foolish for a woman living alone. This way, she can afford to run a big place and at the same time not be alone. And best of all, she says she has a room that you can have!” “Oh, Mother! It sounds wonderful!” Peggy exulted. “I’ll be with other girls my own age who are actresses, and living with an experienced actress! I’ll bet she can teach me loads!” “I’m sure she can,” her father said. “And so can the New York Dramatic Academy.” “Dad!” Peggy shouted, almost choking on a cooky. “Don’t tell me you’ve managed to get me accepted there! That’s the best dramatic school in the country! How—?” 17 “Don’t get too excited, Peg,” Mr. Lane interrupted. “You’re not accepted anywhere yet, but May Berriman told me that the Academy is the best place to study acting, and she said she would set up an audition for you in two days. The term starts in a couple of weeks, so there isn’t much time to lose.” “Two days! Do you mean we’ll be going to New York day after tomorrow, just like that?” “Oh, no,” her mother answered calmly. “We’re going to New York tomorrow on the first plane that we can get seats on. Your father doesn’t believe in wasting time, once his mind is made up.” “Tomorrow?” Peggy repeated, almost unable to believe what she had heard. “What are we sitting here talking for, then? I’ve got a million things to do! I’ve got to get packed ... I’ve got to think of what to read for the audition! I can study on the plane, I guess, but ... oh! I’ll be terrible in a reading unless I can have more time! Oh, Mother, what parts will I do? Where’s the Shakespeare? Where’s—” “Whoa!” Mr. Lane said, catching Peggy’s arm to prevent her from rushing out of the kitchen. “Not now, young lady! We’ll pack in the morning, talk about what you should read, and take an afternoon plane to New York. But tonight, you’d better think of nothing more than getting to bed. This is going to be a busy time for all of us.” Reluctantly, Peggy agreed, recognizing the sense of what her father said. She finished her milk and cookies, kissed her parents good night and went upstairs to bed. But it was one thing to go to bed and another to go to sleep. 18 Peggy lay on her back, staring at the ceiling and the patterns of light and shade cast by the street lamp outside as it shone through the leaves of the big maple tree. As she watched the shifting shadows, she reviewed the roles she had played since her first time in a high-school play. Which should she refresh herself on? Which ones would she do best? And which ones were most suited to her now? She recognized that she had grown and developed past some of the roles which had once seemed perfectly suited to her talent and her appearance. But both had changed. She was certainly not a mature actress yet, from any point of view, but neither was she a schoolgirl. Her trim figure was well formed; her face had lost the undefined, simple cuteness of the early teens, and had gained character. She didn’t think she should read a young romantic part like Juliet. Not that she couldn’t do it, but perhaps something sharper was called for. Perhaps Viola in Twelfth Night ? Or perhaps not Shakespeare at all. Maybe the people at the Academy would think she was too arty or too pretentious? Maybe she should do something dramatic and full of stormy emotion, like Blanche in A Streetcar Named Desire ? Or, better for her development and age, a light, brittle, comedy role...? 19 Nothing seemed quite right. Peggy’s thoughts shifted with the shadows overhead. All the plays she had ever seen or read or acted in melted together in a blur, until the characters from one seemed to be talking with the characters from another and moving about in an enormous set made of pieces from two or three different plays. More actors kept coming on in a fantastic assortment of costumes until the stage was full. Then the stage lights dimmed, the actors joined hands across the stage to bow, the curtain slowly descended, the lights went out—and Peggy was fast asleep.
train	61499	[ "Why did the first policeman smirk at Brian’s door?", "Why was the woman in Brian’s apartment?", "Why did Pete send the rebels to break Brian out of jail?", "What would have happened if Brian didn’t escape with Crystal?", "What advantage did the rebels have over the Venus Consolidated police?", "What is the meaning of “laconically” as used in this passage?", "What caused the avalanche of rocks in the cavern?", "What lesson did Brian learn from his experience?" ]	[ [ "He recognized Brian as the boss of Venus Consolidated Research Organization.", "He saw a woman in the bedroom.", "He was sorry for getting Brian out of the bathtub.", "He saw that Brian’s towel was open and not covering his body." ], [ "She was drawing his bath and cleaning his apartment.", "Pete set them up on a date.", "She was hiding from the police.", "She worked in his vitamin research lab." ], [ "Pete believed in the rebel cause.", "Pete felt bad since it was his fault Brian was in jail.", "Pete would do anything to help his boss.", "Brian told Pete that he wanted to get out of jail." ], [ "Brian would have given Pete extra work to punish him for the prank.", "Brian would have turned in Crystal and the rebels.", "The police would have thought Brian was working with the rebels.", "Brian would have continued his vitamin research." ], [ "Fast atmospheric ships", "Detailed knowledge of the area", "Secret supporters on the inside", "Stashes of weaponry in caves" ], [ "Elaborately", "Windy", "Concisely", "Deeply" ], [ "An atomite bomb.", "A chemical reaction with the ships’ exhaust.", "The vibrations of the advancing police.", "Vibrations from the ships’ exhaust." ], [ "That Serono Zeburzac was a rebel insider.", "That Venus Consolidated served the best interests of the planet.", "That the Venus Consolidated police weren’t honest.", "That the rebels built mines as escape routes from the police." ] ]	[ 2, 3, 4, 3, 2, 3, 4, 3 ]	[ 1, 0, 1, 0, 0, 0, 1, 1 ]	MONOPOLY By Vic Phillips and Scott Roberts Sheer efficiency and good management can make a monopoly grow into being. And once it grows, someone with a tyrant mind is going to try to use it as a weapon if he can— [Transcriber's Note: This etext was produced from Astounding Science-Fiction April 1942. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] "That all, chief? Gonna quit now?" Brian Hanson looked disgustedly at Pete Brent, his lanky assistant. That was the first sign of animation he had displayed all day. "I am, but you're not," Hanson told him grimly. "Get your notes straightened up. Run those centrifuge tests and set up the still so we can get at that vitamin count early in the morning." "Tomorrow morning? Aw, for gosh sakes, chief, why don't you take a day off sometime, or better yet, a night off. It'd do you good to relax. Boy, I know a swell blonde you could go for. Wait a minute, I've got her radiophone number somewhere—just ask for Myrtle." Hanson shrugged himself out of his smock. "Never mind Myrtle, just have that equipment set up for the morning. Good night." He strode out of the huge laboratory, but his mind was still on the vitamin research they had been conducting, he barely heard the remarks that followed him. "One of these days the chief is going to have his glands catch up with him." "Not a chance," Pete Brent grunted. Brian Hanson wondered dispassionately for a moment how his assistants could fail to be as absorbed as he was by the work they were doing, then he let it go as he stepped outside the research building. He paused and let his eyes lift to the buildings that surrounded the compound. This was the administrative heart of Venus City. Out here, alone, he let his only known emotion sweep through him, pride. He had an important role in the building of this great new city. As head of the Venus Consolidated Research Organization, he was in large part responsible for the prosperity of this vigorous, young world. Venus Consolidated had built up this city and practically everything else that amounted to anything on this planet. True, there had been others, pioneers, before the company came, who objected to the expansion of the monopolistic control. But, if they could not realize that the company's regime served the best interests of the planet, they would just have to suffer the consequences of their own ignorance. There had been rumors of revolution among the disgruntled older families. He heard there had been killings, but that was nonsense. Venus Consolidated police had only powers of arrest. Anything involving executions had to be referred to the Interplanetary Council on Earth. He dismissed the whole business as he did everything else that did not directly influence his own department. He ignored the surface transport system and walked to his own apartment. This walk was part of a regular routine of physical exercise that kept his body hard and resilient in spite of long hours spent in the laboratory. As he opened the door of his apartment he heard the water running into his bath. Perfect timing. He was making that walk in precisely seven minutes, four and four-fifths seconds. He undressed and climbed into the tub, relaxing luxuriously in the exhilaration of irradiated water. He let all the problems of his work drift away, his mind was a peaceful blank. Then someone was hammering on his head. He struggled reluctantly awake. It was the door that was being attacked, not his head. The battering thunder continued persistently. He swore and sat up. "What do you want?" There was no answer; the hammering continued. "All right! All right! I'm coming!" He yelled, crawled out of the tub and reached for his bathrobe. It wasn't there. He swore some more and grabbed a towel, wrapping it inadequately around him; it didn't quite meet astern. He paddled wetly across the floor sounding like a flock of ducks on parade. Retaining the towel with one hand he inched the door cautiously open. "What the devil—" He stopped abruptly at the sight of a policeman's uniform. "Sorry, sir, but one of those rebels is loose in the Administration Center somewhere. We're making a check-up of all the apartments." "Well, you can check out; I haven't got any blasted rebels in here." The policeman's face hardened, then relaxed knowingly. "Oh, I see, sir. No rebels, of course. Sorry to have disturbed you. Have a good—Good night, sir," he saluted and left. Brian closed the door in puzzlement. What the devil had that flat-foot been smirking about? Well, maybe he could get his bath now. Hanson turned away from the door and froze in amazement. Through the open door of his bedroom he could see his bed neatly turned down as it should be, but the outline under the counterpane and the luxuriant mass of platinum-blond hair on the pillow was certainly no part of his regular routine. "Hello." The voice matched the calm alertness of a pair of deep-blue eyes. Brian just stared at her in numbed fascination. That was what the policeman had meant with his insinuating smirk. "Just ask for Myrtle." Pete Brent's joking words flashed back to him. Now he got it. This was probably the young fool's idea of a joke. He'd soon fix that. "All right, joke's over, you can beat it now." "Joke? I don't see anything funny, unless it's you and that suggestive towel. You should either abandon it or get one that goes all the way round." Brian slowly acquired a complexion suitable for painting fire plugs. "Shut up and throw me my dressing gown." He gritted. The girl swung her legs out of bed and Brian blinked; she was fully dressed. The snug, zippered overall suit she wore did nothing to conceal the fact that she was a female. He wrapped his bathrobe austerely around him. "Well, now what?" she asked and looked at him questioningly. "Well, what do you think?" he burst out angrily. "I'm going to finish my bath and I'd suggest you go down to the laboratory and hold hands with Pete. He'd appreciate it." He got the impression that the girl was struggling heroically to refrain from laughing and that didn't help his dignity any. He strode into the bathroom, slammed the door and climbed back into the bath. The door opened a little. "Well, good-by now." The girl said sweetly. "Remember me to the police force." "Get out of here!" he yelled and the door shut abruptly on a rippling burst of laughter. Damn women! It was getting so a man had to pack a gun with him or something. And Pete Brent. He thought with grim satisfaction of the unending extra work that was going to occur around the laboratory from now on. He sank back into the soothing liquid embrace of the bath and deliberately set his mind loose to wander in complete relaxation. A hammering thunder burst on the outer door. He sat up with a groan. "Lay off, you crazy apes!" he yelled furiously, but the pounding continued steadily. He struggled out of the bath, wrapped his damp bathrobe clammily around him and marched to the door with a seething fury of righteous anger burning within him. He flung the door wide, his mouth all set for a withering barrage, but he didn't get a chance. Four police constables and a sergeant swarmed into the room, shoving him away from the door. "Say! What the—" "Where is she?" the sergeant demanded. "Wherethehell's who?" "Quit stallin', bud. You know who. That female rebel who was in here." "Rebel? You're crazy! That was just ... Pete said ... rebel? Did you say rebel?" "Yeah, I said rebel, an' where is she?" "She ... why ... why ... she left, of course. You don't think I was going to have women running around in here, do you?" "She wuz in his bed when I seen her, sarge," one of the guards contributed. "But she ain't there now." "You don't think that I—" "Listen, bud, we don't do the thinkin' around here. You come on along and see the chief." Brian had had about enough. "I'm not going anywhere to see anybody. Maybe you don't know who I am. You can't arrest me." Brian Hanson, Chief of Research for Venus Consolidated, as dignified as possible in a damp bathrobe, glared out through the bars at a slightly bewildered Pete Brent. "What the devil do you want? Haven't you caused enough blasted trouble already?" "Me? For gosh sakes, chief—" "Yes, you! If sending that damn blonde to my apartment and getting me arrested is your idea of a joke—" "But, my gosh, I didn't send anybody, chief. And this is no joke. That wasn't Myrtle, that was Crystal James, old man James' daughter. They're about the oldest family on Venus. Police have been after her for months; she's a rebel and she's sure been raising plenty of hell around here. She got in and blew out the main communications control panel last night. Communications been tied up all day." Pete lowered his voice to an appreciative whisper, "Gosh, chief, I didn't know you had it in you. How long have you been in with that bunch? Is that girl as good-looking as they say she is?" "Now listen here, Brent. I don't know—" "Oh, it's all right, chief. You can trust me. I won't give you away." "There's nothing to give away, you fool!" Brian bellowed. "I don't know anything about any damn rebels. All I want is to get out of here—" "Gotcha, chief," Brent whispered understandingly. "I'll see if I can pass the word along." "Come here, you idiot!" Brian screamed after his erstwhile assistant. "Pipe down there, bud," a guard's voice cut in chillingly. Brian retired to his cell bunk and clutched his aching head in frustrated fury. For the nineteenth time Brian Hanson strode to the door of his cell and rattled the bars. "Listen here, guard, you've got to take a message to McHague. You can't hold me here indefinitely." "Shut up. Nobody ain't takin' no message to McHague. I don't care if you are—" Brian's eyes almost popped out as he saw a gloved hand reach around the guard's neck and jam a rag over his nose and mouth. Swift shadows moved expertly before his astonished gaze. Another guard was caught and silenced as he came around the end of the corridor. Someone was outside his cell door, a hooded figure which seemed, somehow, familiar. "Hello, pantless!" a voice breathed. He knew that voice! "What the devil are you doing here?" "Somebody by the name of Pete Brent tipped us off that you were in trouble because of me. But don't worry, we're going to get you out." "Damn that fool kid! Leave me alone. I don't want to get out of here that way!" he yelled wildly. "Guards! Help!" "Shut up! Do you want to get us shot?" "Sure I do. Guards! Guards!" Someone came running. "Guards are coming," a voice warned. He could hear the girl struggling with the lock. "Damn," she swore viciously. "This is the wrong key! Your goose is sure cooked now. Whether you like it or not, you'll hang with us when they find us trying to get you out of here." Brian felt as though something had kicked him in the stomach. She was right! He had to get out now. He wouldn't be able to explain this away. "Give me that key," he hissed and grabbed for it. He snapped two of the coigns off in the lock and went to work with the rest of the key. He had designed these escape-proof locks himself. In a few seconds the door swung open and they were fleeing silently down the jail corridor. The girl paused doubtfully at a crossing passage. "This way," he snarled and took the lead. He knew the ground plan of this jail perfectly. He had a moment of wonder at the crazy spectacle of himself, the fair-haired boy of Venus Consolidated, in his flapping bathrobe, leading a band of escaping rebels out of the company's best jail. They burst around a corner onto a startled guard. "They're just ahead of us," Brian yelled. "Come on!" "Right with you," the guard snapped and ran a few steps with them before a blackjack caught up with him and he folded into a corner. "Down this way, it's a short cut." Brian led the way to a heavily barred side door. The electric eye tripped a screaming alarm, but the broken key in Brian's hands opened the complicated lock in a matter of seconds. They were outside the jail on a side street, the door closed and the lock jammed immovably behind them. Sirens wailed. The alarm was out! The street suddenly burst into brilliance as the floodlights snapped on. Brian faltered to a stop and Crystal James pushed past him. "We've got reinforcements down here," she said, then skidded to a halt. Two guards barred the street ahead of them. Brian felt as though his stomach had fallen down around his ankles and was tying his feet up. He couldn't move. The door was jammed shut behind them, they'd have to surrender and there'd be no explaining this break. He started mentally cursing Pete Brent, when a projector beam slashed viciously by him. These guards weren't fooling! He heard a gasping grunt of pain as one of the rebels went down. They were shooting to kill. He saw a sudden, convulsive movement from the girl. A black object curved out against the lights. The sharp, ripping blast of an atomite bomb thundered along the street and slammed them to the ground. The glare left them blinded. He struggled to his feet. The guards had vanished, a shallow crater yawned in the road where they had been. "We've got to run!" the girl shouted. He started after her. Two surface transport vehicles waited around the corner. Brian and the rebels bundled into them and took away with a roar. The chase wasn't organized yet, and they soon lost themselves in the orderly rush of Venus City traffic. The two carloads of rebels cruised nonchalantly past the Administration Center and pulled into a private garage a little beyond. "What are we stopping here for?" Brian demanded. "We've got to get away." "That's just what we're doing," Crystal snapped. "Everybody out." The rebels piled out and the cars pulled away to become innocuous parts of the traffic stream. The rebels seemed to know where they were going and that gave them the edge on Brian. They followed Crystal down into the garage's repair pit. She fumbled in the darkness a moment, then a darker patch showed as a door swung open in the side of the pit. They filed into the solid blackness after her and the door thudded shut. The beam of a torch stabbed through the darkness and they clambered precariously down a steep, steel stairway. "Where the dickens are we?" Brian whispered hoarsely. "Oh, you don't have to whisper, we're safe enough here. This is one of the air shafts leading down to the old mines." "Old mines? What old mines?" "That's something you newcomers don't know anything about. This whole area was worked out long before Venus Consolidated came to the planet. These old tunnels run all under the city." They went five hundred feet down the air shaft before they reached a level tunnel. "What do we do? Hide here?" "I should say not. Serono Zeburzac, head of McHague's secret police will be after us now. We won't be safe anywhere near Venus City." "Don't be crazy. That Serono Zeburzac stuff is just a legend McHague keeps up to scare people with." "That's what you think," Crystal snapped. "McHague's legend got my father and he'll get all of us unless we run the whole company right off the planet." "Well, what the dickens does he look like?" Brian asked doubtfully. "I don't know, but his left hand is missing. Dad did some good shooting before he died," she said grimly. Brian was startled at the icy hardness of her voice. Two of the rebels pulled a screening tarpaulin aside and revealed one of the old-type ore cars that must have been used in the ancient mines. A brand-new atomic motor gleamed incongruously at one end. The rebels crowded into it and they went rumbling swiftly down the echoing passage. The lights of the car showed the old working, rotten and crumbling, fallen in in some places and signs of new work where the rebels had cleared away the debris of years. Brian struggled into a zippered overall suit as they followed a twisting, tortuous course for half an hour, switching from one tunnel to another repeatedly until he had lost all conception of direction. Crystal James, at the controls, seemed to know exactly where they were going. The tunnel emerged in a huge cavern that gloomed darkly away in every direction. The towering, massive remains of old machinery, eroded and rotten with age crouched like ancient, watching skeletons. "These were the old stamp mills," the girl said, and her voice seemed to be swallowed to a whisper in the vast, echoing darkness. Between two rows of sentinel ruins they came suddenly on two slim Venusian atmospheric ships. Dim light spilled over them from a ragged gash in the wall of the cavern. Brian followed Crystal into the smaller of the two ships and the rest of the rebels manned the other. "Wait a minute, how do we get out of here?" Brian demanded. "Through that hole up there," the girl said matter-of-factly. "You're crazy, you can't get through there." "Oh, yeah? Just watch this." The ship thundered to life beneath them and leaped off in a full-throttled take-off. "We're going to crash! That gap isn't wide enough!" The sides of the gap rushed in on the tips of the stubby wings. Brian braced himself for the crash, but it didn't come. At the last possible second, the ship rolled smoothly over. At the moment it flashed through the opening it was stood vertically on edge. Crystal held the ship in its roll and completed the maneuver outside the mountain while Brian struggled to get his internal economy back into some semblance of order. "That's some flying," he said as soon as he could speak. Crystal looked at him in surprise. "That's nothing. We Venusians fly almost as soon as we can walk." "Oh—I see," Brian said weakly and a few moments later he really did see. Two big, fast, green ships, carrying the insignia of the Venus Consolidated police, cruised suddenly out from a mountain air station. An aërial torpedo exploded in front of the rebel ship. Crystal's face set in grim lines as she pulled the ship up in a screaming climb. Brian got up off the floor. "You don't have to get excited like that," he complained. "They weren't trying to hit us." "That's what you think," Crystal muttered. "Those children don't play for peanuts." "But, girl, they're just Venus Consolidated police. They haven't got any authority to shoot anyone." "Authority doesn't make much difference to them," Crystal snapped bitterly. "They've been killing people all over the planet. What do you think this revolution is about?" "You must be mistak—" He slumped to the floor as Crystal threw the ship into a mad, rolling spin. A tremendous crash thundered close astern. "I guess that was a mistake!" Crystal yelled as she fought the controls. Brian almost got to his feet when another wild maneuver hurled him back to the floor. The police ship was right on their tail. The girl gunned her craft into a snap Immelmann and swept back on their pursuers, slicing in close over the ship. Brian's eyes bulged as he saw a long streak of paint and metal ripped off the wing of the police ship. He saw the crew battling their controls in startled terror. The ship slipped frantically away and fell into a spin. "That's them," Crystal said with satisfaction. "How are the others doing?" "Look! They're hit!" Brian felt sick. The slower rebel freight ship staggered drunkenly as a torpedo caught it and ripped away half a wing. It plunged down in flames with the white flowers of half a dozen parachutes blossoming around it. Brian watched in horror as the police ship came deliberately about. They heard its forward guns go into action. The bodies of the parachutists jerked and jumped like crazy marionettes as the bullets smashed into them. It was over in a few moments. The dead rebels drifted down into the mist-shrouded depths of the valley. "The dirty, murdering rats!" Brian's voice ripped out in a fury of outrage. "They didn't have a chance!" "Don't get excited," Crystal told him in a dead, flat voice. "That's just normal practice. If you'd stuck your nose out of your laboratory once in a while, you'd have heard of these things." "But why—" He ducked away instinctively as a flight of bullets spanged through the fuselage. "They're after us now!" Crystal's answer was to yank the ship into a rocketing climb. The police were watching for that. The big ship roared up after them. "Just follow along, suckers," Crystal invited grimly. She snapped the ship into a whip stall. For one nauseating moment they hung on nothing, then the ship fell over on its back and they screamed down in a terminal velocity dive, heading for the safety of the lower valley mists. The heavier police ship, with its higher wing-loading, could not match the maneuver. The rebel craft plunged down through the blinding fog. Half-seen, ghostly fingers of stone clutched up at them, talons of gray rock missed and fell away again as Crystal nursed the ship out of its dive. " Phew! " Brian gasped. "Well, we got away that time. How in thunder can you do it?" "Well, you don't do it on faith. Take a look at that fuel gauge! We may get as far as our headquarters—or we may not." For twenty long minutes they groped blindly through the fog, flying solely by instruments and dead reckoning. The needle of the fuel gauge flickered closer and closer to the danger point. They tore loose from the clinging fog as it swung firmly to "Empty." The drive sputtered and coughed and died. "That's figuring it nice and close," Crystal said in satisfaction. "We can glide in from here." "Into where?" Brian demanded. All he could see immediately ahead was the huge bulk of a mountain which blocked the entire width of the valley and soared sheer up to the high-cloud level. His eyes followed it up and up— "Look! Police ships. They've seen us!" "Maybe they haven't. Anyway, there's only one place we can land." The ship lunged straight for the mountain wall! "Are you crazy? Watch out—we'll crash!" "You leave the flying to me," Crystal snapped. She held the ship in its glide, aiming directly for the tangled foliage of the mountain face. Brian yelped and cowered instinctively back. The lush green of the mountainside swirled up to meet them. They ripped through the foliage—there was no crash. They burst through into a huge, brilliantly lighted cavern and settled to a perfect landing. Men came running. Crystal tumbled out of her ship. "Douse those lights," she shouted. "The police are outside." A tall, lean man with bulbous eyes and a face like a startled horse, rushed up to Crystal. "What do you mean by leading them here?" he yelled, waving his hands. "They jumped us when we had no fuel, and quit acting like an idiot." The man was shaking, his eyes looked wild. "They'll kill us. We've got to get out of here." "Wait, you fool. They may not even have seen us." But he was gone, running toward a group of ships lined up at the end of the cavern. "Who was that crazy coot and what is this place?" Brian demanded. "That was Gort Sterling, our leader," the girl said bitterly. "And this is our headquarters." One of the ships at the back of the cavern thundered to life, streaked across the floor and burst out through the opening Crystal's ship had left. "He hasn't got a chance! We'll be spotted for sure, now." The other rebels waited uncertainly, but not for long. There was the crescendoing roar of ships in a dive followed by the terrific crash of an explosion. "They got him!" Crystal's voice was a moan. "Oh, the fool, the fool!" "Sounded like more than one ship. They'll be after us, now. Is there any other way of getting out of this place?" "Not for ships. We'll have to walk and they'll follow us." "We've got to slow them down some way, then. I wonder how the devil they traced us? I thought we lost them in that fog." "It's that Serono Zeburzac, the traitor. He knows these mountains as well as we do." "How come?" "The Zeburzacs are one of the old families, but he sold out to McHague." "Well, what do we do now? Just stand here? It looks like everybody's leaving." "We might as well just wait," Crystal said hopelessly. "It won't do us any good to run out into the hills. Zeburzac and his men will follow." "We could slow them down some by swinging a couple of those ships around so their rocket exhausts sweep the entrance to the cavern," Brian suggested doubtfully. She looked at him steadily. "You sound like the only good rebel left. We can try it, anyway." They ran two ships out into the middle of the cavern, gunned them around and jockeyed them into position—not a moment too soon. Half a dozen police showed in brief silhouette as they slipped cautiously into the cavern, guns ready, expecting resistance. They met a dead silence. A score or more followed them without any attempt at concealment. Then Brian and Crystal cut loose with the drives of the two ships. Startled screams of agony burst from the crowded group of police as they were caught in the annihilating cross fire of roaring flame. They crisped and twisted, cooked to scorched horrors before they fell. A burst of thick, greasy smoke rushed out of the cavern. Two of the police, their clothes and flesh scorched and flaming, plunged as shrieking, living torches down the mountainside. Crystal was white and shaking, her face set in a mask of horror, as she climbed blindly from her ship. "Let's get away! I can smell them burning," she shuddered and covered her face with her hands. Brian grabbed her and shook her. "Snap out of it," he barked. "That's no worse than shooting helpless men in parachutes. We can't go, yet; we're not finished here." "Oh, let them shoot us! I can't go through that again!" "You don't have to. Wait here." He climbed back into one of the ships and cut the richness of the fuel mixture down till the exhaust was a lambent, shuddering stutter, verging on extinction. He dashed to the other ship and repeated the maneuver, fussing with the throttle till he had the fuel mixture adjusted to critical fineness. The beat of the stuttering exhaust seemed to catch up to the other and built to an aching pulsation. In a moment the whole mass of air in the cavern hit the frequency with a subtle, intangible thunder of vibration. Crystal screamed. "Brian! There's more police cutting in around the entrance." Brian clambered out of the ship and glanced at the glowing points in the rock where the police were cutting their way through outside the line of the exhaust flames. The pulsating thunder in the cavern crescendoed to an intolerable pitch. A huge mass of stalactites crashed to the floor. "It's time to check out," Brian shouted. Crystal led the way as they fled down the escape tunnel. The roaring crash of falling rock was a continuous, increasing avalanche of sound in the cavern behind them. They emerged from the tunnel on the face of the mountain, several hundred yards to the east of the cavern entrance. The ground shook and heaved beneath them. "The whole side of the mountain's sliding," Crystal screamed. "Run!" Brian shoved her and they plunged madly through the thick tangle of jungle away from the slide. Huge boulders leaped and smashed through the matted bush around them. Crystal went down as the ground slipped from under her. Brian grabbed her and a tree at the same time. The tree leaned and crashed down the slope, the whole jungle muttered and groaned and came to life as it joined the roaring rush of the slide. They were tumbled irresistibly downward, riding the edge of the slide for terrifying minutes till it stilled and left them bruised and shaken in a tangle of torn vegetation. The remains of two police ships, caught without warning in the rush as they attempted to land, stuck up grotesquely out of the foot of the slide. The dust was settling away. A flock of brilliant blue, gliding lizards barking in raucous terror, fled down the valley. Then they were gone and the primeval silence settled back into place. Brian and Crystal struggled painfully to solid ground. Crystal gazed with a feeling of awe at the devastated mountainside. "How did you do it?" "It's a matter of harmonics," Brian explained. "If you hit the right vibratory combination, you can shake anything down. But now that we've made a mess of the old homestead, what do we do?" "Walk," Crystal said laconically. She led the way as they started scrambling through the jungle up the mountainside. "Where are we heading for?" Brian grunted as he struggled along. "The headquarters of the Carlton family. They're the closest people we can depend on. They've kept out of the rebellion, but they're on our side. They've helped us before."
train	63899	[ "Where was the Quest III coming home from?", "How did the Quest III crew feel as they first approached the Sun?", "Who did the ship’s crew expect would meet them on arrival?", "Why had the children never seen Earth?", "What would have happened if the Centaurus Expedition hadn’t failed?", "How did Gwar Den feel about his work?", "Why were three Quest ships built?", "What was Knof Junior’s plan to defeat the attackers?" ]	[ [ "A dying star", "Procyon", "Capella", "An expedition" ], [ "Satisfied that they had visited many wonderful planets.", "Eager but anxious to be home after many disappointing false hopes.", "Dizzy from the many colors displayed due to the Doppler Effect.", "Disappointed that Earth was still there." ], [ "The other Quest ships", "Warships on attack", "A parade", "Maybe nobody" ], [ "The ship didn’t have enough fuel to return to Earth.", "Earth was destroyed before they were born.", "They weren’t able to see through the portholes.", "They were born while on Quest III." ], [ "People from Earth would have colonized the Procyon system.", "Captain Llud would have become a hero.", "The other two Quest ships would have been launched.", "Humanity would have died out." ], [ "Bored and depressed since the work wasn’t meaningful.", "Ashamed since they didn’t find a hospitable planet.", "Ready to retire because he had been traveling for so long.", "Proud that he was able to steer the ship home." ], [ "To have a better chance of success if any failed.", "So each could travel for 20,000 years.", "To transport more people to the new planet.", "In case the others break down." ], [ "Talk to the attackers", "Replenish with fresh crew to fight", "Wait for the attackers to make a mistake in anger", "Release the gravity impulses" ] ]	[ 4, 2, 4, 4, 1, 4, 1, 3 ]	[ 0, 0, 1, 0, 0, 0, 1, 1 ]	THE GIANTS RETURN By ROBERT ABERNATHY Earth set itself grimly to meet them with corrosive fire, determined to blast them back to the stars. But they erred in thinking the Old Ones were too big to be clever. [Transcriber's Note: This etext was produced from Planet Stories Fall 1949. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] In the last hours the star ahead had grown brighter by many magnitudes, and had changed its color from a dazzling blue through white to the normal yellow, of a GO sun. That was the Doppler effect as the star's radial velocity changed relative to the Quest III , as for forty hours the ship had decelerated. They had seen many such stars come near out of the galaxy's glittering backdrop, and had seen them dwindle, turn red and go out as the Quest III drove on its way once more, lashed by despair toward the speed of light, leaving behind the mockery of yet another solitary and lifeless luminary unaccompanied by worlds where men might dwell. They had grown sated with the sight of wonders—of multiple systems of giant stars, of nebulae that sprawled in empty flame across light years. But now unwonted excitement possessed the hundred-odd members of the Quest III's crew. It was a subdued excitement; men and women, they came and stood quietly gazing into the big vision screens that showed the oncoming star, and there were wide-eyed children who had been born in the ship and had never seen a planet. The grownups talked in low voices, in tones of mingled eagerness and apprehension, of what might lie at the long journey's end. For the Quest III was coming home; the sun ahead was the Sun, whose rays had warmed their lives' beginning. Knof Llud, the Quest III's captain, came slowly down the narrow stair from the observatory, into the big rotunda that was now the main recreation room, where most of the people gathered. The great chamber, a full cross-section of the vessel, had been at first a fuel hold. At the voyage's beginning eighty per cent of the fifteen-hundred-foot cylinder had been engines and fuel; but as the immense stores were spent and the holds became radioactively safe, the crew had spread out from its original cramped quarters. Now the interstellar ship was little more than a hollow shell. Eyes lifted from the vision screens to interrogate Knof Llud; he met them with an impassive countenance, and announced quietly, "We've sighted Earth." A feverish buzz arose; the captain gestured for silence and went on, "It is still only a featureless disk to the telescope. Zost Relyul has identified it—no more." But this time the clamor was not to be settled. People pressed round the screens, peering into them as if with the naked eye they could pick out the atom of reflected light that was Earth, home. They wrung each other's hands, kissed, shouted, wept. For the present their fears were forgotten and exaltation prevailed. Knof Llud smiled wryly. The rest of the little speech he had been about to make didn't matter anyway, and it might have spoiled this moment. He turned to go, and was halted by the sight of his wife, standing at his elbow. His wry smile took on warmth; he asked, "How do you feel, Lesra?" She drew an uncertain breath and released it in a faint sigh. "I don't know. It's good that Earth's still there." She was thinking, he judged shrewdly, of Knof Jr. and Delza, who save from pictures could not remember sunlit skies or grassy fields or woods in summer.... He said, with a touch of tolerant amusement, "What did you think might have happened to Earth? After all, it's only been nine hundred years." "That's just it," said Lesra shakily. "Nine hundred years have gone by— there —and nothing will be the same. It won't be the same world we left, the world we knew and fitted in...." The captain put an arm round her with comforting pressure. "Don't worry. Things may have changed—but we'll manage." But his face had hardened against registering the gnawing of that same doubtful fear within him. He let his arm fall. "I'd better get up to the bridge. There's a new course to be set now—for Earth." He left her and began to climb the stairway again. Someone switched off the lights, and a charmed whisper ran through the big room as the people saw each other's faces by the pale golden light of Earth's own Sun, mirrored and multiplied by the screens. In that light Lesra's eyes gleamed with unshed tears. Captain Llud found Navigator Gwar Den looking as smug as the cat that ate the canary. Gwar Den was finding that the actual observed positions of the planets thus far located agreed quite closely with his extrapolations from long unused charts of the Solar System. He had already set up on the calculator a course that would carry them to Earth. Llud nodded curt approval, remarking, "Probably we'll be intercepted before we get that far." Den was jolted out of his happy abstraction. "Uh, Captain," he said hesitantly. "What kind of a reception do you suppose we'll get?" Llud shook his head slowly. "Who knows? We don't know whether any of the other Quests returned successful, or if they returned at all. And we don't know what changes have taken place on Earth. It's possible—not likely, though—that something has happened to break civilization's continuity to the point where our expedition has been forgotten altogether." He turned away grim-lipped and left the bridge. From his private office-cabin, he sent a message to Chief Astronomer Zost Relyul to notify him as soon as Earth's surface features became clear; then he sat idle, alone with his thoughts. The ship's automatic mechanisms had scant need of tending; Knof Llud found himself wishing that he could find some back-breaking task for everyone on board, himself included, to fill up the hours that remained. There was an extensive and well-chosen film library in the cabin, but he couldn't persuade himself to kill time that way. He could go down and watch the screens, or to the family apartment where he might find Lesra and the children—but somehow he didn't want to do that either. He felt empty, drained—like his ship. As the Quest III's fuel stores and the hope of success in man's mightiest venture had dwindled, so the strength had gone out of him. Now the last fuel compartment was almost empty and Captain Knof Llud felt tired and old. Perhaps, he thought, he was feeling the weight of his nine hundred Earth years—though physically he was only forty now, ten years older than when the voyage had begun. That was the foreshortening along the time axis of a space ship approaching the speed of light. Weeks and months had passed for the Quest III in interstellar flight while years and decades had raced by on the home world. Bemusedly Llud got to his feet and stood surveying a cabinet with built-in voice recorder and pigeonholes for records. There were about three dozen film spools there—his personal memoirs of the great expedition, a segment of his life and of history. He might add that to the ship's official log and its collections of scientific data, as a report to whatever powers might be on Earth now—if such powers were still interested. Llud selected a spool from among the earliest. It was one he had made shortly after leaving Procyon, end of the first leg of the trip. He slid it onto the reproducer. His own voice came from the speaker, fresher, more vibrant and confident than he knew it was now. "One light-day out from Procyon, the thirty-third day by ship's time since leaving Earth. "Our visit to Procyon drew a blank. There is only one huge planet, twice the size of Jupiter, and like Jupiter utterly unfit to support a colony. "Our hopes were dashed—and I think all of us, even remembering the Centaurus Expedition's failure, hoped more than we cared to admit. If Procyon had possessed a habitable planet, we could have returned after an absence of not much over twenty years Earth time. "It is cheering to note that the crew seems only more resolute. We go on to Capella; its spectrum, so like our own Sun's, beckons. If success comes there, a century will have passed before we can return to Earth; friends, relatives, all the generation that launched the Quest ships will be long since dead. Nevertheless we go on. Our generation's dream, humanity's dream, lives in us and in the ship forever...." Presently Knof Llud switched off that younger voice of his and leaned back, an ironic smile touching his lips. That fervent idealism seemed remote and foreign to him now. The fanfares of departure must still have been ringing in his ears. He rose, slipped the record back in its niche and picked out another, later, one. "One week since we passed close enough to Aldebaran to ascertain that that system, too, is devoid of planets. "We face the unpleasant realization that what was feared is probably true—that worlds such as the Sun's are a rare accident, and that we may complete our search without finding even one new Earth. "It makes no difference, of course; we cannot betray the plan.... This may be man's last chance of escaping his pitiful limitation to one world in all the Universe. Certainly the building of this ship and its two sisters, the immense expenditure of time and labor and energy stores that went into them, left Earth's economy drained and exhausted. Only once in a long age does mankind rise to such a selfless and transcendent effort—the effort of Egypt that built the pyramids, or the war efforts of the nations in the last great conflicts of the twentieth century. "Looked at historically, such super-human outbursts of energy are the result of a population's outgrowing its room and resources, and therefore signalize the beginning of the end. Population can be limited, but the price is a deadly frustration, because growth alone is life.... In our day the end of man's room for growth on the Earth was in sight—so we launched the Quests . Perhaps our effort will prove as futile as pyramid-building, less practical than orgies of slaughter to reduce pressure.... In any case, it would be impossible to transport very many people to other stars; but Earth could at least go into its decline with the knowledge that its race went onward and upward, expanding limitlessly into the Universe.... "Hopeless, unless we find planets!" Knof Llud shook his head sorrowfully and took off the spool. That was from the time when he had grown philosophical after the first disappointments. He frowned thoughtfully, choosing one more spool that was only four years old. The recorded voice sounded weary, yet alive with a strange longing.... "We are in the heart of Pleiades; a hundred stars show brilliant on the screens, each star encircled by a misty halo like lights glowing through fog, for we are traversing a vast diffuse nebula. "According to plan, the Quest III has reached its furthest point from Earth. Now we turn back along a curve that will take us past many more stars and stellar systems—but hope is small that any of those will prove a home for man, as have none of the thousands of stars examined already. "But what are a few thousand stars in a galaxy of billions? We have only, as it were, visited a handful of the outlying villages of the Universe, while the lights of its great cities still blaze far ahead along the Milky Way. "On flimsy excuses I have had Zost Relyul make observations of the globular cluster Omega Centauri. There are a hundred thousand stars there in a volume of space where one finds a few dozen in the Sun's neighborhood; there if anywhere must circle the planets we seek! But Omega Centauri is twenty thousand light years away.... "Even so—by expending its remaining fuel freely, the Quest III could achieve a velocity that would take us there without dying of senility of aging too greatly. It would be a one-way journey—even if enough fuel remained, there would be little point in returning to Earth after more than forty thousand years. By then our civilization certainly, and perhaps the human race itself, would have perished from memory. "That was why the planners limited our voyage, and those of the other Quests , to less than a thousand years Earth time. Even now, according to the sociodynamic predictions made then, our civilization—if the other expeditions failed also—will have reached a dangerously unstable phase, and before we can get back it may have collapsed completely from overpopulation. "Why go back, then with the news of our failure? Why not forget about Earth and go on to Omega Centauri? What use is quixotic loyalty to a decree five thousand years old, whose makers are dead and which may be forgotten back there? "Would the crew be willing? I don't know—some of them still show signs of homesickness, though they know with their minds that everything that was once 'home' has probably been swept away.... "It doesn't matter. Today I gave orders to swing the ship." Savagely Knof Llud stabbed the button that shut off the speaker. Then he sat for a time with head resting in his hands, staring into nothing. The memory of that fierce impulse to go on still had power to shake him. A couple of lines of poetry came into his head, as he read them once in translation from the ancient English.... ... for my purpose holds To sail beyond the sunset, and the baths Of all the western stars, until I die. Llud sighed. He still couldn't say just why he had given the order to turn back. The stars had claimed his heart—but he was still a part of Earth, and not even nine hundred years of space and time had been able to alter that. He wondered if there would still be a quiet stream and a green shady place beside it where a death-weary man, relieved at last of responsibility, could rest and dream no more.... Those things went on, if men didn't change them. And a pine forest where he and young Knof could go camping, and lie on their backs at night and gaze at the glittering constellations, far away, out of reach.... He wasn't sure he would want to do that, though. Suddenly a faint cushioned jar went through the great ship; it seemed to falter one moment in flight. The captain was on his feet instantly, but then his movements became unhurried. Whatever it had been was past, and he had a good idea what it had been—a meteoroid, nothing unusual in the vicinity of the Sun, though in interstellar space and around planetless stars such collisions were rare to the vanishing point. No harm could have been done. The Quest III's collision armor was nonmaterial and for practical purposes invulnerable. Just as he took his finger off the button that opened the door, the intercommunication phone shrilled imperatively. Knof Llud wheeled, frowning—surely a meteoroid impact wasn't that serious. Coincidence, maybe—it might be Zost Relyul calling as instructed. He reached the phone at the moment when another, heavier jolt shook the vessel. Llud snatched up the receiver with the speed of a scalded cat. "Captain?" It was Gwar Den's voice, stammering a little. "Captain, we're being attacked!" "Sound the alarm. Emergency stations." He had said it automatically, then felt a curious detached relief at the knowledge that after all these years he could still respond quickly and smoothly to a crisis. There was a moment's silence, and he heard the alarm start—three short buzzes and repeat, ringing through all the great length of the interstellar ship. Knowing that Gwar Den was still there, he said, "Now—attacked by what?" "Ships," said Gwar Den helplessly. "Five of them so far. No, there's a sixth now." Repeated blows quivered the Quest III's framework. The navigator said, obviously striving for calm, "They're light craft, not fifty feet long, but they move fast. The detectors hardly had time to show them before they opened up. Can't get a telescope beam on them long enough to tell much." "If they're that small," said Knof Llud deliberately, "they can't carry anything heavy enough to hurt us. Hold to course. I'll be right up." In the open doorway he almost fell over his son. Young Knof's eyes were big; he had heard his father's words. "Something's happened," he judged with deadly twelve-year-old seriousness and, without wasting time on questions, "Can I go with you, huh, Dad?" Llud hesitated, said, "All right. Come along and keep out of the way." He headed for the bridge with strides that the boy could not match. There were people running in the corridors, heading for their posts. Their faces were set, scared, uncomprehending. The Quest III shuddered, again and again, under blows that must have had millions of horsepower behind them; but it plunged on toward Earth, its mighty engines still steadily braking its interstellar velocity. To a man, the ship's responsible officers were already on the bridge, most of them breathless. To a man they looked appeal at Captain Knof Llud. "Well?" he snapped. "What are they doing?" Gwar Den spoke. "There are thirteen of them out there now, sir, and they're all banging away at us." The captain stared into the black star-strewn depths of a vision screen where occasional blue points of light winked ominously, never twice from the same position. Knof Jr. flattened himself against the metal wall and watched silently. His young face was less anxious than his elders'; he had confidence in his father. "If they had anything heavier," surmised the captain, "they'd have unlimbered it by now. They're out to get us. But at this rate, they can't touch us as long as our power lasts—or until they bring up some bigger stuff." The mild shocks went on—whether from projectiles or energy-charges, would be hard to find out and it didn't matter; whatever was hitting the Quest III's shell was doing it at velocities where the distinction between matter and radiation practically ceases to exist. But that shell was tough. It was an extension of the gravitic drive field which transmitted the engines' power equally to every atom of the ship; forces impinging on the outside of the field were similarly transmitted and rendered harmless. The effect was as if the vessel and all space inside its field were a single perfectly elastic body. A meteoroid, for example, on striking it rebounded—usually vaporized by the impact—and the ship, in obedience to the law of equal and opposite forces, rebounded too, but since its mass was so much greater, its deflection was negligible. The people in the Quest III would have felt nothing at all of the vicious onslaught being hurled against them, save that their inertialess drive, at its normal thrust of two hundred gravities, was intentionally operated at one half of one per cent efficiency to provide the illusion of Earthly gravitation. One of the officers said shakily, "It's as if they've been lying in wait for us. But why on Earth—" "That," said the captain grimly, "is what we have to find out. Why—on Earth. At least, I suspect the answer's there." The Quest III bored steadily on through space, decelerating. Even if one were no fatalist, there seemed no reason to stop decelerating or change course. There was nowhere else to go and too little fuel left if there had been; come what might, this was journey's end—perhaps in a more violent and final way than had been anticipated. All around wheeled the pigmy enemies, circling, maneuvering, and attacking, always attacking, with the senseless fury of maddened hornets. The interstellar ship bore no offensive weapons—but suddenly on one of the vision screens a speck of light flared into nova-brilliance, dazzling the watchers for the brief moment in which its very atoms were torn apart. Knof Jr. whooped ecstatically and then subsided warily, but no one was paying attention to him. The men on the Quest III's bridge looked questions at each other, as the thought of help from outside flashed into many minds at once. But Captain Llud said soberly, "It must have caught one of their own shots, reflected. Maybe its own, if it scored too direct a hit." He studied the data so far gathered. A few blurred pictures had been got, which showed cylindrical space ships much like the Quest III , except that they were rocket-propelled and of far lesser size. Their size was hard to ascertain, because you needed to know their distance and speed—but detector-beam echoes gave the distance, and likewise, by the Doppler method, the velocity of directly receding or approaching ships. It was apparent that the enemy vessels were even smaller than Gwar Den had at first supposed—not large enough to hold even one man. Tiny, deadly hornets with a colossal sting. "Robot craft, no doubt," said Knof Llud, but a chill ran down his spine as it occurred to him that perhaps the attackers weren't of human origin. They had seen no recognizable life in the part of the galaxy they had explored, but one of the other Quests might have encountered and been traced home by some unhuman race that was greedy and able to conquer. It became evident, too, that the bombardment was being kept up by a constant arrival of fresh attackers, while others raced away into space, presumably returning to base to replenish their ammunition. That argued a planned and prepared interception with virulent hatred behind it. Elsuz Llug, the gravitic engineer, calculated dismally, "At the rate we're having to shed energy, the fuel will be gone in six or eight hours." "We'll have reached Earth before then," Gwar Den said hopefully. "If they don't bring out the heavy artillery first." "We're under the psychological disadvantage," said the captain, "of not knowing why we're being attacked." Knof Jr. burst out, spluttering slightly with the violence of a thought too important to suppress, "But we're under a ps-psychological advantage, too!" His father raised an eyebrow. "What's that? I don't seem to have noticed it." "They're mad and we aren't, yet," said the boy. Then, seeing that he hadn't made himself clear, "In a fight, if a guy gets mad he starts swinging wild and then you nail him." Smiles splintered the ice of tension. Captain Llud said, "Maybe you've got something there. They seem to be mad, all right. But we're not in a position to throw any punches." He turned back to the others. "As I was going to say—I think we'd better try to parley with the enemy. At least we may find out who he is and why he's determined to smash us." And now instead of tight-beam detectors the ship was broadcasting on an audio carrier wave that shifted through a wide range of frequencies, repeating on each the same brief recorded message: "Who are you? What do you want? We are the interstellar expedition Quest III ...." And so on, identifying themselves and protesting that they were unarmed and peaceful, that there must be some mistake, and querying again, "Who are you ?" There was no answer. The ship drove on, its fuel trickling away under multiplied demands. Those outside were squandering vastly greater amounts of energy in the effort to batter down its defenses, but converting that energy into harmless gravitic impulses was costing the Quest III too. Once more Knof Llud had the insidious sense of his own nerves and muscles and will weakening along with the power-sinews of his ship. Zost Relyul approached him apologetically. "If you have time, Captain—I've got some data on Earth now." Eagerly Llud took the sheaf of photographs made with the telescope. But they told him nothing; only the continental outlines were clear, and those were as they had been nine hundred years ago.... He looked up inquiringly at Zost Relyul. "There are some strange features," said the astronomer carefully. "First of all—there are no lights on the night side. And on the daylight face, our highest magnification should already reveal traces of cities, canals, and the like—but it does not. "The prevailing color of the land masses, you see, is the normal green vegetation. But the diffraction spectrum is queer. It indicates reflecting surfaces less than one-tenth millimeter wide—so the vegetation there can't be trees or grass, but must be more like a fine moss or even a coarse mold." "Is that all?" demanded Llud. "Isn't it enough?" said Zost Relyul blankly. "Well—we tried photography by invisible light, of course. The infra-red shows nothing and likewise the ultraviolet up to the point where the atmosphere is opaque to it." The captain sighed wearily. "Good work," he said. "Keep it up; perhaps you can answer some of these riddles before—" " We know who you are ," interrupted a harshly crackling voice with a strange accent, " and pleading will do you no good. " Knof Llud whirled to the radio apparatus, his weariness dropping from him once more. He snapped, "But who are you?" and the words blended absurdly with the same words in his own voice on the still repeating tape. He snapped off the record; as he did so the speaker, still crackling with space static, said, "It may interest you to know that you are the last. The two other interstellar expeditions that went out have already returned and been destroyed, as you will soon be—the sooner, if you continue toward Earth." Knof Llud's mind was clicking again. The voice—which must be coming from Earth, relayed by one of the midget ships—was not very smart; it had already involuntarily told him a couple of things—that it was not as sure of itself as it sounded he deduced from the fact it had deigned to speak at all, and from its last remark he gathered that the Quest III's ponderous and unswerving progress toward Earth had somehow frightened it. So it was trying to frighten them. He shoved those facts back for future use. Just now he had to know something, so vitally that he asked it as a bald question, " Are you human? " The voice chuckled sourly. "We are human," it answered, "but you are not." The captain was momentarily silent, groping for an adequate reply. Behind him somebody made a choked noise, the only sound in the stunned hush, and the ship jarred slightly as a thunderbolt slammed vengefully into its field. "Suppose we settle this argument about humanity," said Knof Llud woodenly. He named a vision frequency. "Very well." The tone was like a shrug. The voice went on in its language that was quite intelligible, but alien-sounding with the changes that nine hundred years had wrought. "Perhaps, if you realize your position, you will follow the intelligent example of the Quest I's commander." Knof Llud stiffened. The Quest I , launched toward Arcturus and the star cloud called Berenice's Hair, had been after the Quest III the most hopeful of the expeditions—and its captain had been a good friend of Llud's, nine hundred years ago.... He growled, "What happened to him?" "He fought off our interceptors, which are around you now, for some time," said the voice lightly. "When he saw that it was hopeless, he preferred suicide to defeat, and took his ship into the Sun." A short pause. "The vision connection is ready." Knof Llud switched on the screen at the named wavelength, and a picture formed there. The face and figure that appeared were ugly, but undeniably a man's. His features and his light-brown skin showed the same racial characteristics possessed by those aboard the Quest III , but he had an elusive look of deformity. Most obviously, his head seemed too big for his body, and his eyes in turn too big for his head. He grinned nastily at Knof Llud. "Have you any other last wishes?" "Yes," said Llud with icy control. "You haven't answered one question. Why do you want to kill us? You can see we're as human as you are." The big-headed man eyed him with a speculative look in his great eyes, behind which the captain glimpsed the flickering raw fire of a poisonous hatred. "It is enough for you to know that you must die."
train	63919	[ "Where was David?", "Why couldn’t David move after he first opened his eyes?", "Why did David press the button?", "What did David determine the black box was for?", "Why didn’t David awaken the woman first?", "How did suspension help the crew?", "Was the ship on target, within maximum deviation from schedule?", "What would happen if they didn’t change course?", "What is the crew’s mission?" ]	[ [ "Dead", "On Earth", "A weightless spaceship", "A small room" ], [ "He was in suspension.", "He was in a tight space.", "He had a wide seatbelt on.", "He was weightless." ], [ "He understood his name.", "The experiment was successful.", "He wanted to leave the spaceship.", "He wanted to get more information from the voice." ], [ "Storage of canned food", "A navigation device", "A device to deliver medication", "Testing equipment" ], [ "He had amnesia and forgot.", "She was important to the mission.", "He stumbled and hurt himself.", "He found her beautiful and didn’t want to harm her." ], [ "They could survive without oxygen.", "They could live on an inhospitable planet.", "They could survive with lack of gravity.", "They could travel through space for a long distance." ], [ "Yes, they were within 5 degrees", "No, they were over by 8 degrees", "Yes, they were over by only 3 degrees.", "No, they were under by 2 degrees" ], [ "They would run out of oxygen before landing.", "They would crash into the yellow-white star.", "They would be thrown out of the sun’s orbit.", "They would die before arriving back to Earth." ], [ "To conduct tests about life in space", "To experiment with suspension and memory", "To return to Earth as quickly as possible", "To explore possible planets to support life" ] ]	[ 3, 3, 4, 3, 4, 4, 2, 2, 4 ]	[ 1, 1, 1, 1, 0, 0, 1, 0, 1 ]	CAPTAIN CHAOS By D. ALLEN MORRISSEY Science equipped David Corbin with borrowed time; sent him winging out in a state of suspension to future centuries ... to a dark blue world whose only defense was to seal tight the prying minds of foolish interlopers. [Transcriber's Note: This etext was produced from Planet Stories November 1952. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] I heard the voice as I opened my eyes. I was lying down, still not aware of where I was, waiting for the voice. "Your name is David Corbin. Do you understand?" I looked in the direction of the sound. Above my feet a bulkhead loomed. There were round dials set in a row above a speaker. Over the mesh-covered speaker, two knobs glowed red. I ran the words over in my sluggish mind, thinking about an answer. The muscles in my throat tightened up in reflex as I tried to bring some unity into the jumble of thoughts and ideas that kept forming. One word formed out of the rush of anxiety. "No." I shouted a protest against the strangeness of the room. I looked to the right, my eyes following the curving ceiling that started at the cot. The curve met another straight bulkhead on the left. I was in a small room, gray in color, like dull metal. Overhead a bright light burned into my vision. I wondered where in the universe I was. "Your name is David Corbin. If you understand, press button A on your right." I stared at the speaker in the wall. The mesh-covered hole and the two lights looked like a caricature of a face, set in a panel of dials. I twisted my head to look for the button. I pushed away from the close wall but I couldn't move. I reached down to the tightness that held my body, found the wide strap that held me and fumbled with the buckle. I threw it off and pushed myself up from the hard cot. I heard myself yell in surprise as I floated up towards the light overhead. I was weightless. How do you describe being weightless when you are born into a world bound by gravity. I twisted and shut my eyes in terror. There was no sensation of place, no feeling of up or down, no direction. My back bumped against the ceiling and I opened my eyes to stare at the cot and floor. I was concentrating too hard on remembering to be frightened for long. I pushed away from the warm metal and the floor moved up to meet me. "If you understand, press button A on your right." What should I understand? That I was floating in a room that had a curved wall ... that nothing was right in this hostile room? When I reached the cot I held it and drew myself down. I glanced at the planes of the room, trying to place it with other rooms I could see in my mind. Gray walls with a crazy curved ceiling ... a door to my left that appeared to be air tight. I stared at my familiar hands. I rubbed them across my face, feeling the solidity of flesh and bone, afraid to think too hard about myself. "My name ... my name is...." "Your name is David Corbin." I stared at the speaker. How long did this go on? The name meant nothing to me, but I thought about it, watching the relentless lights that shone below the dials. I stood up slowly and looked at myself. I was naked except for heavy shorts, and there was no clue to my name in the pockets. The room was warm and the air I had been breathing was good but it seemed wrong to be dressed like this. I didn't know why. I thought about insanity, and the room seemed to fit my thoughts. When the voice repeated the message again I had to act. Walking was like treading water that couldn't be seen or felt. I floated against the door, twisting the handle in fear that it wouldn't turn. The handle clanged as I pushed it down and I stared at the opposite wall of a narrow gray passageway. I pushed out into it and grasped the metal rail that ran along the wall. I reasoned it was there to propel yourself through the passageway in this weightless atmosphere. It was effortless to move. I turned on my side like a swimmer and went hand over hand, shooting down the corridor. I braced against forward motion and stopped against a door at the end. Behind me I could see the opened door I had left, and the thought of that questioning voice made me want to move. I swung the door open, catching a glimpse of a room crowded with equipment and.... I will always remember the scream of terror, the paralyzing fright of what I saw through the portholes in the wall of the room. I saw the blackest night, pierced by brilliance that blinded me. There was no depth to the searing brightness of countless stars. They seemed to press against the glass, blobs of fire against a black curtain burning into my eyes and brain. It was space. I looked out at deep space, star systems in clusters. I shut my eyes. When I looked again I knew where I was. Why the little room had been shaped like quarter round. Why I drifted weightlessly. Why I was.... David Corbin. I knew more of the puzzle. Something was wrong. After the first shock of looking out, I accepted the fact that I was in a space ship, yet I couldn't read the maps that were fastened to a table, nor understand the function or design of the compact machinery. WHY, Why, Why? The thought kept pounding at me. I was afraid to touch anything in the room. I pressed against the clear window, wondering if the stars were familiar. I had a brief vivid picture of a night sky on Earth. This was not the same sky. Back in the room where I had awakened, I touched the panel with the glowing eyes. It had asked me if I understood. Now it must tell me why I didn't. It had to help me, that flat metallic voice that repeated the same words. It must tell me.... "Your name is David Corbin. If you understand, press button A on your right." I pressed the button by the cot. The red lights blinked out as I stood in patient attention, trying to outguess the voice. I recalled a phrase ... some words about precaution. Precaution against forgetting. It was crazy, but I trusted the panel. It was the only thing I saw that could help me, guard me against another shock like seeing outside of the clear portholes. "It is assumed the experiment is a success," the voice said. What experiment? "You have been removed from suspension. Assume manual control of this ship." Control of a ship? Going where? "Do not begin operations until the others are removed from suspension." What others? Tell me what to do. "Rely on instructions for factoring when you check the coordinates. Your maximum deviation from schedule cannot exceed two degrees. Adopt emergency procedures as you see fit. Good luck." The voice snapped off and I laughed hysterically. None of it had made sense, and I cursed whatever madness had put me here. "Tell me what to do," I shouted wildly. I hammered the hard metal until the pain in my hands made me stop. "I can't remember what to do." I held my bruised hands to my mouth, and I knew that was all the message there was. In blind panic I pushed away from the panel. Something tripped me and I fell back in a graceless arc. I pushed away from the floor, barely feeling the pain in my leg, and went into the hall. Pain burned along my leg but I couldn't stop. In the first panic of waking up in strangeness I had missed the other doors in the passage. The first swung back to reveal a deep closet holding five bulky suits. The second room was like my own. A dark haired, deep chested man lay on the cot. His muscular body was secured by a wide belt. He was as still as death, motionless without warmth or breath as I hovered over him. I couldn't remember his face. The next room held another man. He was young and wiry, like an athlete cast in marble, dark haired and big jawed. A glassy eye stared up when I rolled back his eyelid. The eyelid remained open until I closed it and went on. Another room ... another man ... another stranger. This man was tall and raw boned, light of skin and hair, as dead as the others. A flat, illogical voice had instructed me to revive these men. I shivered in spite of the warmth of the room, studying the black box that squatted on a shelf by his head. My hand shook when I touched the metal. I dared not try to operate anything. Revive the others ... instructions without knowledge were useless to me. I stopped looking into the doors in the passageway and went back to the room with the portholes. Everything lay in readiness, fastened down star charts, instruments, glittering equipment. There was no feeling of disorder or use in the room. It waited for human hands to make it operate. Not mine. Not now. I went past the room into another, where the curves were more sharp. I could visualize the tapering hull leading to the nose of the ship. This room was filled with equipment that formed a room out of the bordered area I stood in. I sat in the deep chair facing the panel of dials and instruments, in easy reach. I ran my hands over the dials, the rows of smooth colored buttons, wondering. The ports on the side were shielded and I stared out at static energy, hung motionless in a world of searing light. There was no distortion, no movement outside and I glanced back at the dials. What speeds were they recording? What speeds and perhaps, what distance? It was useless to translate the markings. They stood for anything I might guess, and something kept pricking my mind, telling me I had no time to guess. I thought of time again. I was supposed to act according to ... plan. Did that mean ... in time ... in time. I went back down the passageway. The fourth small room was the same. Except for the woman. She lay on a cot, young and beautiful, even in the death-like immobility I had come to accept. Her beauty was graceful lines of face and her figure—smooth tapering legs, soft curves that were carved out of flesh colored stone. Yet not stone. I held her small hand, then put it back on the cot. Her attire was brief like the rest of us, shorts and a man's shirt. Golden hair curled up around her lovely face. I wondered if she would ever smile or move that graceful head. I rolled back her eyelid and looked at a deep blue eye that stared back in glassy surprise. Four people in all, depending on a blind helpless fool who didn't know their names or the reason for that dependence. I sat beside her on the cot until I could stand it no longer. Searching the ship made me forget my fear. I hoped I would find some answers. I went from the nose to the last bulkhead in a frenzy of floating motion, looking behind each door until I went as far as I could. There were two levels to the ship. They both ended in the lead shield that was set where the swell of the curve was biggest. It meant the engine or engines took up half the ship, cut off from the forward half by the instrument studded shield. I retraced my steps and took a rough estimate of size. The ship, as I called it, was at least four hundred feet long, fifty feet in diameter on the inside. The silence was a force in itself, pressing down from the metal walls, driving me back to the comforting smallness of the room where I had been reborn. I laughed bitterly, thinking about the aptness of that. I had literally been reborn in this room, equipped with half ideas, and no point to start from, no premise to seek. I sensed the place to start from was back in the room. I searched it carefully. Minutes later I realized the apparatus by the cot was different. It was the same type of black box, but out from it was a metal arm, bent in a funny angle. At the tip of the arm, a needle gleamed dully and I rubbed the deep gash on my leg. I bent the arm back until the angle looked right. It was then I realized the needle came to a spot where it could have hit my neck when I lay down. My shout of excitement rang out in the room, as I pictured the action of the extended arm. I lost my sudden elation in the cabin where the girl lay. The box behind her head was completely closed, and it didn't yield to the pressure I applied. It had a cover, but no other opening where an arm could extend. I ran my fingers over the unbroken surface, prying over the thin crack at the base helplessly. If some sort of antidote was to be administered manually I was lost. I had no knowledge of what to inject or where to look for it. The chamber of the needle that had awakened me was empty. That meant a measured amount. In the laboratory on the lower level I went over the rows of cans and tubes fastened to the shelves. There were earths and minerals, seeds and chemicals, testing equipment in compact drawers, but nothing marked for me. I wondered if I was an engineer or a pilot, or perhaps a doctor sent along to safeguard the others. Complete amnesia would have been terrible enough but this half knowledge, part awareness and association with the ship was a frightening force that seemed ready to break out of me. I went back to the cabin where the powerful man lay. I had to risk failure with one of them. I didn't want it to be the girl. I fought down the thought that he might be the key man, remembering the voice that had given the message. It was up to me, and soon. The metal in the box would have withstood a bullet. It couldn't be pried apart, and I searched again and again for a release mechanism. I found it. I swung the massive cover off and set it down. The equipment waited for the touch of a button and it went into operation. I stepped back as the tubes glowed to life and the arm swung down with the gleaming needle. The needle went into the corded neck of the man. The fluid chamber drained under pressure and the arm moved back. I stood by the man for long minutes. Finally it came. He stirred restlessly, closing his hands into fists. The deep chest rose and fell unevenly as he breathed. Finally the eyes opened and he looked at me. I watched him adjust to the room. It was in his eyes, wide at first, moving about the confines of the room back to me. "It looks like we made it," he said. "Yes." He unfastened the belt and sat up. I pushed him back as he floated up finding little humor in the comic expression on his face. "No gravity," he grunted and sat back. "You get used to it fast," I answered. I thought of what to say as he watched me. "How do you feel?" He shrugged at the question. "Fine, I guess. Funny, I can't remember." He saw it in my face, making him stop. "I can't remember dropping off to sleep," he finished. I held his hard arm. "What else? How much do you remember?" "I'm all right," he answered. "There aren't supposed to be any effects from this." "Who is in charge of this ship?" I asked. He tensed suddenly. "You are, sir. Why?" I moved away from the cot. "Listen, I can't remember. I don't know your name or anything about this ship." "What do you mean? What can't you remember?" he asked. He stood up slowly, edging around towards the door. I didn't want to fight him. I wanted him to understand. "Look, I'm in trouble. Nothing fits, except my name." "You don't know me?" "No." "Are you serious?" "Yes, yes. I don't know why but it's happened." He let his breath out in a whistle. "For God's sake. Any bump on your head?" "I feel all right physically. I just can't place enough." "The others. What about the others?" he blurted. "I don't know. You're the first besides myself. I don't know how I stumbled on the way to revive you." He shook his head, watching me like I was a freak. "Let's check the rest right away." "Yes. I've got to know if they are like me. I'm afraid to think they might be." "Maybe it's temporary. We can figure something out." II The second man, the dark haired one, opened his eyes and recognized us. He asked questions in rapid fire excitement. The third man, the tall Viking, was all right until he moved. The weightless sensation made him violently sick. We put him back on the cot, securing him again with the belt, but the sight of us floating made him shake. He was retching without results when we drifted out. I followed him to the girl's quarters. "What about her. Why is she here?" I asked my companion. He lifted the cover from the apparatus. "She's the chemist in the crew." "A girl?" "Dr. Thiesen is an expert, trained for this," he said. I looked at her. She looked anything but like a chemist. "There must be men who could have been sent. I've been wondering why a girl." "I don't know why, Captain. You tried to stop her before. Age and experience were all that mattered to the brass." "It's a bad thing to do." "I suppose. The mission stated one chemist." "What is the mission of this ship?" I asked. He held up his hand. "We'd better wait, sir. Everything was supposed to be all right on this end. First you, then Carl, sick to his stomach." "Okay. I'll hold the questions until we see about her." We were out of luck with the girl. She woke up and she was frightened. We questioned her and she was coherent but she couldn't remember. I tried to smile as I sat on the cot, wondering what she was thinking. "How do you feel?" I asked. Her face was a mask of wide-eyed fear as she shook her head. "Can you remember?" "I don't know." Blue eyes stared at me in fear. Her voice was low. "Do you know my name?" The question frightened her. "Should I? I feel so strange. Give me a minute to think." I let her sit up slowly. "Do you know your name?" She tightened up in my arms. "Yes. It's...." She looked at us for help, frightened by the lack of clothing we wore, by the bleak room. Her eyes circled the room. "I'm afraid," she cried. I held her and she shook uncontrollably. "What's happened to me?" she asked. The dark haired man came into the room, silent and watchful. My companion motioned to him. "Get Carl and meet us in Control." The man looked at me and I nodded. "We'll be there in a moment. I'm afraid we've got trouble." He nodded and pushed away from us. The girl screamed and covered her face with her hands. I turned to the other man. "What's your name?" "Croft. John Croft." "John, what are your duties if any?" "Automatic control. I helped to install it." "Can you run this ship? How about the other two?" He hit his hands together. "You fly it, sir. Can't you think?" "I'm trying. I know the ship is familiar, but I've looked it over. Maybe I'm trying too hard." "You flew her from earth until we went into suspension," he said. "I can't remember when," I said. I held the trembling girl against me, shaking my head. He glanced at the girl. "If the calculations are right it was more than a hundred years ago." We assembled in the control room for a council. We were all a little better for being together. John Croft named the others for me. I searched each face without recognition. The blond man was Carl Herrick, a metallurgist. His lean face was white from his spell but he was better. Paul Sample was a biologist, John said. He was lithe and restless, with dark eyes that studied the rest of us. I looked at the girl. She was staring out of the ports, her hands pressed against the transparent break in the smooth wall. Karen Thiesen was a chemist, now frightened and trying to remember. I wasn't in much better condition. "Look, if it comes too fast for me, for any of us, we'll stop. John, you can lead off." "You ask the questions," he said. I indicated the ship. "Where in creation are we going?" "We set out from Earth for a single star in the direction of the center of our Galaxy." "From Earth? How could we?" "Let's move slowly, sir," he said. "We're moving fast. I don't know if you can picture it, but we're going about one hundred thousand miles an hour." "Through space?" "Yes." "What direction?" Paul cut in. "It's a G type star, like our own sun in mass and luminosity. We hope to find a planetary system capable of supporting life." "I can't grasp it. How can we go very far in a lifetime?" "It can be done in two lifetimes," John said quietly. "You said I had flown this ship. You meant before this suspension." "Yes. That's why we can cross space to a near star." "How long ago was it?" "It was set at about a hundred years, sir. Doesn't that fit at all?" "I can't believe it's possible." Carl caught my eye. "Captain, we save this time without aging at all. It puts us near a calculated destination." "We've lost our lifetime." It was Karen. She had been crying silently while we talked. "Don't think about it," Paul said. "We can still pull this out all right if you don't lose your nerve." "What are we to do?" she asked. John answered for me. "First we've got to find out where we are. I know this ship but I can't fly it." "Can I?" I asked. We set up a temporary plan of action. Paul took Karen to the laboratory in an effort to help her remember her job. Carl went back to divide the rations. I was to study the charts and manuals. It was better than doing nothing, and I went into the navigation room and sat down. Earth was an infinitesimal point somewhere behind us on the galactic plane, and no one else was trained to navigate. The ship thundered to life as I sat there. The blast roared once ... twice, then settled into a muted crescendo of sound that hummed through the walls. I went into the control room and watched John at the panel. "I wish I knew what you were doing," I said savagely. "Give it time." "We can't spare any, can we?" I asked. "I wish we knew. What about her—Dr. Thiesen?" "She's in the lab. I don't think that will do much good. She's got to be shocked out of a mental state like that." "I guess you're right," he said slowly. "She's trained to administer the suspension on the return trip." I let my breath out slowly. "I didn't think about that." "We couldn't even get part way back in a lifetime," he said. "How old are you, John?" "Twenty-eight." "What about me?" "Thirty." He stared at the panel in thought for a minutes. "What about shock treatment? It sounds risky." "I know. It's the only thing I could think of. Why didn't everyone react the same?" "That had me wondering for a while. I don't know. Anyway how could you go about making her remember?" "Throw a crisis, some situation at her, I guess." He shrugged, letting his sure hands rest on the panel of dials. I headed back towards the lab. If I could help her I might help myself. I was past the rooms when the horn blasted through the corridor. I turned automatically with the sound, pushing against the rail, towards the control room. Deep in my mind I could see danger, and without questioning why I knew I had to be at Control when the sound knifed through the stillness. John was shouting as I thrust my way into the room. "Turn the ship. There's something dead ahead." I had a glimpse of his contorted face as I dove at the control board. My hands hit buttons, thumbed a switch and then a sudden force threw me to the right. I slammed into the panel on the right, as the pressure of the change dimmed my vision. Reflex made me look up at the radar control screen. It wasn't operating. John let go of the padded chair, grinning weakly. I was busy for a few seconds, feeding compensation into the gyros. Relief flooded through me like warm liquid. I hung on the intercom for support, drawing air into my heaving lungs. "What—made you—think of that," I asked weakly. "Shock treatment." "I must have acted on instinct." "You did. Even for a sick man that was pretty fast," he laughed. "I can think again, John. I know who I am," I shouted. I threw my arms around his massive shoulders. "You did it." "You gave me the idea, Mister, talking about Dr. Thiesen." "It worked. I'm okay," I said in giddy relief. "I don't have to tell you I was scared as hell. I wish you could have seen your face, the look in your eyes when I woke up." "I wouldn't want to wake up like that again." "You're all right now?" he asked. I grinned and nodded an answer. I saw John as he was at the base, big and competent, sweating in the blazing sun. I thought about the rest of the crew too. "We're heading right for a star...." "It's been dead ahead for hours," he grunted. I leaned over and threw the intercom to open. "This is control. Listen ... everyone. I'm over it. Disregard the warning siren ... we were testing the ship." The lab light blinked on as Paul cut in. "What was it ... hey, you said you're all right." "John did it. He hit the alarm figuring I would react. Listen, Paul. Is any one hurt?" "No. Carl is here too. His stomach flopped again but he's okay. What about food. We're supposed to be checked before we eat." "We'll have to go ahead without it. Any change?" "No, I put her to bed. Shall I bring food?" I glanced at John. He rubbed his stomach. "Yes," I answered. "Bring it when you can. I've got to find out where we are." We had to get off course before we ran into the yellow-white star that had been picked for us. Food was set down by me, grew cold and was carried away and I was still rechecking the figures. We were on a line ten degrees above the galactic plane. The parallactic baseline from Earth to the single star could be in error several degrees, or we could be right on the calculated position of the star. The radar confirmed my findings ... and my worst fears. When we set it for direction and distance, the screen glowed to life and recorded the star dead ahead. In all the distant star clusters, only this G type star was thought to have a planetary system like our own. We were out on a gamble to find a planet capable of supporting life. The idea had intrigued scientists before I had first looked up at the night sky. When I was sure the electronically recorded course was accurate for time, I checked direction and speed from the readings and plotted our position. If I was right we were much closer than we wanted to be. The bright pips on the screen gave us the distance and size of the star while we fed the figures into the calculator for our rate of approach. Spectroscopic tests were run on the sun and checked against the figures that had been calculated on Earth. We analyzed temperature, magnetic fields, radial motion, density and luminosity, checking against the standards the scientists had constructed. It was a G type star like our own. It had more density and temperature and suitable planets or not, we had to change course in a hurry. Carl analyzed the findings while we came to a decision. Somewhere along an orbit that might be two hundred miles across, our hypothetical planet circled this star. That distance was selected when the planets in Earth's solar system had proved to be barren. If the observations on this star were correct, we could expect to find a planet in a state of fertility ... if it existed ... if it were suitable for colonization ... if we could find it.
train	52844	[ "Why did Jimmy Tremaine visit his hometown?", "What kind of area is Elsby?", "What is the significance of May 19th, 1901?", "Who was in the black sedan that rushed off past Tremaine a block from the hotel?", "Who is Soup Gaskin?", "Why is Tremaine considered the best person to conduct this investigation?" ]	[ [ "To catch a criminal.", "To have a tour and visit the sites.", "To locate a device.", "To visit family and old friends." ], [ "Rural and old-fashioned", "Urban and busy", "Flashy and rich", "Run-down and dirty" ], [ "There was a thunderstorm in the area.", "Bram bought a damaged farm from Mr. Spivey.", "Bram’s house burned down.", "The Pan-American Exposition was in Buffalo." ], [ "Jess", "Mr. Bram", "The men who stole the transmitter", "Grammond’s men" ], [ "Local librarian", "Local politician", "Local police officer", "Local troublemaker" ], [ "He knows the people and the area.", "He has special training.", "He has extra time.", "He has money to pay people bribes." ] ]	[ 3, 1, 2, 4, 4, 1 ]	[ 0, 0, 0, 0, 0, 1 ]	THE LONG REMEMBERED THUNDER BY KEITH LAUMER [Transcriber's Note: This etext was produced from Worlds of Tomorrow April 1963 Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] He was as ancient as time—and as strange as his own frightful battle against incredible odds! I In his room at the Elsby Commercial Hotel, Tremaine opened his luggage and took out a small tool kit, used a screwdriver to remove the bottom cover plate from the telephone. He inserted a tiny aluminum cylinder, crimped wires and replaced the cover. Then he dialed a long-distance Washington number and waited half a minute for the connection. "Fred, Tremaine here. Put the buzzer on." A thin hum sounded on the wire as the scrambler went into operation. "Okay, can you read me all right? I'm set up in Elsby. Grammond's boys are supposed to keep me informed. Meantime, I'm not sitting in this damned room crouched over a dial. I'll be out and around for the rest of the afternoon." "I want to see results," the thin voice came back over the filtered hum of the jamming device. "You spent a week with Grammond—I can't wait another. I don't mind telling you certain quarters are pressing me." "Fred, when will you learn to sit on your news breaks until you've got some answers to go with the questions?" "I'm an appointive official," Fred said sharply. "But never mind that. This fellow Margrave—General Margrave. Project Officer for the hyperwave program—he's been on my neck day and night. I can't say I blame him. An unauthorized transmitter interfering with a Top Secret project, progress slowing to a halt, and this Bureau—" "Look, Fred. I was happy in the lab. Headaches, nightmares and all. Hyperwave is my baby, remember? You elected me to be a leg-man: now let me do it my way." "I felt a technical man might succeed where a trained investigator could be misled. And since it seems to be pinpointed in your home area—" "You don't have to justify yourself. Just don't hold out on me. I sometimes wonder if I've seen the complete files on this—" "You've seen all the files! Now I want answers, not questions! I'm warning you, Tremaine. Get that transmitter. I need someone to hang!" Tremaine left the hotel, walked two blocks west along Commerce Street and turned in at a yellow brick building with the words ELSBY MUNICIPAL POLICE cut in the stone lintel above the door. Inside, a heavy man with a creased face and thick gray hair looked up from behind an ancient Underwood. He studied Tremaine, shifted a toothpick to the opposite corner of his mouth. "Don't I know you, mister?" he said. His soft voice carried a note of authority. Tremaine took off his hat. "Sure you do, Jess. It's been a while, though." The policeman got to his feet. "Jimmy," he said, "Jimmy Tremaine." He came to the counter and put out his hand. "How are you, Jimmy? What brings you back to the boondocks?" "Let's go somewhere and sit down, Jess." In a back room Tremaine said, "To everybody but you this is just a visit to the old home town. Between us, there's more." Jess nodded. "I heard you were with the guv'ment." "It won't take long to tell; we don't know much yet." Tremaine covered the discovery of the powerful unidentified interference on the high-security hyperwave band, the discovery that each transmission produced not one but a pattern of "fixes" on the point of origin. He passed a sheet of paper across the table. It showed a set of concentric circles, overlapped by a similar group of rings. "I think what we're getting is an echo effect from each of these points of intersection. The rings themselves represent the diffraction pattern—" "Hold it, Jimmy. To me it just looks like a beer ad. I'll take your word for it." "The point is this, Jess: we think we've got it narrowed down to this section. I'm not sure of a damn thing, but I think that transmitter's near here. Now, have you got any ideas?" "That's a tough one, Jimmy. This is where I should come up with the news that Old Man Whatchamacallit's got an attic full of gear he says is a time machine. Trouble is, folks around here haven't even taken to TV. They figure we should be content with radio, like the Lord intended." "I didn't expect any easy answers, Jess. But I was hoping maybe you had something ..." "Course," said Jess, "there's always Mr. Bram ..." "Mr. Bram," repeated Tremaine. "Is he still around? I remember him as a hundred years old when I was kid." "Still just the same, Jimmy. Comes in town maybe once a week, buys his groceries and hikes back out to his place by the river." "Well, what about him?" "Nothing. But he's the town's mystery man. You know that. A little touched in the head." "There were a lot of funny stories about him, I remember," Tremaine said. "I always liked him. One time he tried to teach me something I've forgotten. Wanted me to come out to his place and he'd teach me. I never did go. We kids used to play in the caves near his place, and sometimes he gave us apples." "I've never seen any harm in Bram," said Jess. "But you know how this town is about foreigners, especially when they're a mite addled. Bram has blue eyes and blond hair—or did before it turned white—and he talks just like everybody else. From a distance he seems just like an ordinary American. But up close, you feel it. He's foreign, all right. But we never did know where he came from." "How long's he lived here in Elsby?" "Beats me, Jimmy. You remember old Aunt Tress, used to know all about ancestors and such as that? She couldn't remember about Mr. Bram. She was kind of senile, I guess. She used to say he'd lived in that same old place out on the Concord road when she was a girl. Well, she died five years ago ... in her seventies. He still walks in town every Wednesday ... or he did up till yesterday anyway." "Oh?" Tremaine stubbed out his cigarette, lit another. "What happened then?" "You remember Soup Gaskin? He's got a boy, name of Hull. He's Soup all over again." "I remember Soup," Tremaine said. "He and his bunch used to come in the drug store where I worked and perch on the stools and kid around with me, and Mr. Hempleman would watch them from over back of the prescription counter and look nervous. They used to raise cain in the other drug store...." "Soup's been in the pen since then. His boy Hull's the same kind. Him and a bunch of his pals went out to Bram's place one night and set it on fire." "What was the idea of that?" "Dunno. Just meanness, I reckon. Not much damage done. A car was passing by and called it in. I had the whole caboodle locked up here for six hours. Then the sob sisters went to work: poor little tyke routine, high spirits, you know the line. All of 'em but Hull are back in the streets playin' with matches by now. I'm waiting for the day they'll make jail age." "Why Bram?" Tremaine persisted. "As far as I know, he never had any dealings to speak of with anybody here in town." "Oh hoh, you're a little young, Jimmy," Jess chuckled. "You never knew about Mr. Bram—the young Mr. Bram—and Linda Carroll." Tremaine shook his head. "Old Miss Carroll. School teacher here for years; guess she was retired by the time you were playing hookey. But her dad had money, and in her day she was a beauty. Too good for the fellers in these parts. I remember her ridin by in a high-wheeled shay, when I was just a nipper. Sitting up proud and tall, with that red hair piled up high. I used to think she was some kind of princess...." "What about her and Bram? A romance?" Jess rocked his chair back on two legs, looked at the ceiling, frowning. "This would ha' been about nineteen-oh-one. I was no more'n eight years old. Miss Linda was maybe in her twenties—and that made her an old maid, in those times. The word got out she was setting her cap for Bram. He was a good-looking young feller then, over six foot, of course, broad backed, curly yellow hair—and a stranger to boot. Like I said, Linda Carroll wanted nothin to do with the local bucks. There was a big shindy planned. Now, you know Bram was funny about any kind of socializing; never would go any place at night. But this was a Sunday afternoon and someways or other they got Bram down there; and Miss Linda made her play, right there in front of the town, practically. Just before sundown they went off together in that fancy shay. And the next day, she was home again—alone. That finished off her reputation, as far as the biddies in Elsby was concerned. It was ten years 'fore she even landed the teaching job. By that time, she was already old. And nobody was ever fool enough to mention the name Bram in front of her." Tremaine got to his feet. "I'd appreciate it if you'd keep your ears and eyes open for anything that might build into a lead on this, Jess. Meantime, I'm just a tourist, seeing the sights." "What about that gear of yours? Didn't you say you had some kind of detector you were going to set up?" "I've got an oversized suitcase," Tremaine said. "I'll be setting it up in my room over at the hotel." "When's this bootleg station supposed to broadcast again?" "After dark. I'm working on a few ideas. It might be an infinitely repeating logarithmic sequence, based on—" "Hold it, Jimmy. You're over my head." Jess got to his feet. "Let me know if you want anything. And by the way—" he winked broadly—"I always did know who busted Soup Gaskin's nose and took out his front teeth." II Back in the street, Tremaine headed south toward the Elsby Town Hall, a squat structure of brownish-red brick, crouched under yellow autumn trees at the end of Sheridan Street. Tremaine went up the steps and past heavy double doors. Ten yards along the dim corridor, a hand-lettered cardboard sign over a black-varnished door said "MUNICIPAL OFFICE OF RECORD." Tremaine opened the door and went in. A thin man with garters above the elbow looked over his shoulder at Tremaine. "We're closed," he said. "I won't be a minute," Tremaine said. "Just want to check on when the Bram property changed hands last." The man turned to Tremaine, pushing a drawer shut with his hip. "Bram? He dead?" "Nothing like that. I just want to know when he bought the place." The man came over to the counter, eyeing Tremaine. "He ain't going to sell, mister, if that's what you want to know." "I want to know when he bought." The man hesitated, closed his jaw hard. "Come back tomorrow," he said. Tremaine put a hand on the counter, looked thoughtful. "I was hoping to save a trip." He lifted his hand and scratched the side of his jaw. A folded bill opened on the counter. The thin man's eyes darted toward it. His hand eased out, covered the bill. He grinned quickly. "See what I can do," he said. It was ten minutes before he beckoned Tremaine over to the table where a two-foot-square book lay open. An untrimmed fingernail indicated a line written in faded ink: "May 19. Acreage sold, One Dollar and other G&V consid. NW Quarter Section 24, Township Elsby. Bram. (see Vol. 9 & cet.)" "Translated, what does that mean?" said Tremaine. "That's the ledger for 1901; means Bram bought a quarter section on the nineteenth of May. You want me to look up the deed?" "No, thanks," Tremaine said. "That's all I needed." He turned back to the door. "What's up, mister?" the clerk called after him. "Bram in some kind of trouble?" "No. No trouble." The man was looking at the book with pursed lips. "Nineteen-oh-one," he said. "I never thought of it before, but you know, old Bram must be dern near to ninety years old. Spry for that age." "I guess you're right." The clerk looked sideways at Tremaine. "Lots of funny stories about old Bram. Useta say his place was haunted. You know; funny noises and lights. And they used to say there was money buried out at his place." "I've heard those stories. Just superstition, wouldn't you say?" "Maybe so." The clerk leaned on the counter, assumed a knowing look. "There's one story that's not superstition...." Tremaine waited. "You—uh—paying anything for information?" "Now why would I do that?" Tremaine reached for the door knob. The clerk shrugged. "Thought I'd ask. Anyway—I can swear to this. Nobody in this town's ever seen Bram between sundown and sunup." Untrimmed sumacs threw late-afternoon shadows on the discolored stucco facade of the Elsby Public Library. Inside, Tremaine followed a paper-dry woman of indeterminate age to a rack of yellowed newsprint. "You'll find back to nineteen-forty here," the librarian said. "The older are there in the shelves." "I want nineteen-oh-one, if they go back that far." The woman darted a suspicious look at Tremaine. "You have to handle these old papers carefully." "I'll be extremely careful." The woman sniffed, opened a drawer, leafed through it, muttering. "What date was it you wanted?" "Nineteen-oh-one; the week of May nineteenth." The librarian pulled out a folded paper, placed it on the table, adjusted her glasses, squinted at the front page. "That's it," she said. "These papers keep pretty well, provided they're stored in the dark. But they're still flimsy, mind you." "I'll remember." The woman stood by as Tremaine looked over the front page. The lead article concerned the opening of the Pan-American Exposition at Buffalo. Vice-President Roosevelt had made a speech. Tremaine leafed over, reading slowly. On page four, under a column headed County Notes he saw the name Bram: Mr. Bram has purchased a quarter section of fine grazing land, north of town, together with a sturdy house, from J. P. Spivey of Elsby. Mr. Bram will occupy the home and will continue to graze a few head of stock. Mr. Bram, who is a newcomer to the county, has been a resident of Mrs. Stoate's Guest Home in Elsby for the past months. "May I see some earlier issues; from about the first of the year?" The librarian produced the papers. Tremaine turned the pages, read the heads, skimmed an article here and there. The librarian went back to her desk. An hour later, in the issue for July 7, 1900, an item caught his eye: A Severe Thunderstorm. Citizens of Elsby and the country were much alarmed by a violent cloudburst, accompanied by lightning and thunder, during the night of the fifth. A fire set in the pine woods north of Spivey's farm destroyed a considerable amount of timber and threatened the house before burning itself out along the river. The librarian was at Tremaine's side. "I have to close the library now. You'll have to come back tomorrow." Outside, the sky was sallow in the west: lights were coming on in windows along the side streets. Tremaine turned up his collar against a cold wind that had risen, started along the street toward the hotel. A block away a black late-model sedan rounded a corner with a faint squeal of tires and gunned past him, a heavy antenna mounted forward of the left rear tail fin whipping in the slipstream. Tremaine stopped short, stared after the car. "Damn!" he said aloud. An elderly man veered, eyeing him sharply. Tremaine set off at a run, covered the two blocks to the hotel, yanked open the door to his car, slid into the seat, made a U-turn, and headed north after the police car. Two miles into the dark hills north of the Elsby city limits, Tremaine rounded a curve. The police car was parked on the shoulder beside the highway just ahead. He pulled off the road ahead of it and walked back. The door opened. A tall figure stepped out. "What's your problem, mister?" a harsh voice drawled. "What's the matter? Run out of signal?" "What's it to you, mister?" "Are you boys in touch with Grammond on the car set?" "We could be." "Mind if I have a word with him? My name's Tremaine." "Oh," said the cop, "you're the big shot from Washington." He shifted chewing tobacco to the other side of his jaw. "Sure, you can talk to him." He turned and spoke to the other cop, who muttered into the mike before handing it to Tremaine. The heavy voice of the State Police chief crackled. "What's your beef, Tremaine?" "I thought you were going to keep your men away from Elsby until I gave the word, Grammond." "That was before I knew your Washington stuffed shirts were holding out on me." "It's nothing we can go to court with, Grammond. And the job you were doing might have been influenced if I'd told you about the Elsby angle." Grammond cursed. "I could have put my men in the town and taken it apart brick by brick in the time—" "That's just what I don't want. If our bird sees cops cruising, he'll go underground." "You've got it all figured, I see. I'm just the dumb hick you boys use for the spade work, that it?" "Pull your lip back in. You've given me the confirmation I needed." "Confirmation, hell! All I know is that somebody somewhere is punching out a signal. For all I know, it's forty midgets on bicycles, pedalling all over the damned state. I've got fixes in every county—" "The smallest hyperwave transmitter Uncle Sam knows how to build weighs three tons," said Tremaine. "Bicycles are out." Grammond snorted. "Okay, Tremaine," he said. "You're the boy with all the answers. But if you get in trouble, don't call me; call Washington." Back in his room, Tremaine put through a call. "It looks like Grammond's not willing to be left out in the cold, Fred. Tell him if he queers this—" "I don't know but what he might have something," the voice came back over the filtered hum. "Suppose he smokes them out—" "Don't go dumb on me, Fred. We're not dealing with West Virginia moonshiners." "Don't tell me my job, Tremaine!" the voice snapped. "And don't try out your famous temper on me. I'm still in charge of this investigation." "Sure. Just don't get stuck in some senator's hip pocket." Tremaine hung up the telephone, went to the dresser and poured two fingers of Scotch into a water glass. He tossed it down, then pulled on his coat and left the hotel. He walked south two blocks, turned left down a twilit side street. He walked slowly, looking at the weathered frame houses. Number 89 was a once-stately three-storied mansion overgrown with untrimmed vines, its windows squares of sad yellow light. He pushed through the gate in the ancient picket fence, mounted the porch steps and pushed the button beside the door, a dark panel of cracked varnish. It was a long minute before the door opened. A tall woman with white hair and a fine-boned face looked at him coolly. "Miss Carroll," Tremaine said. "You won't remember me, but I—" "There is nothing whatever wrong with my faculties, James," Miss Carroll said calmly. Her voice was still resonant, a deep contralto. Only a faint quaver reflected her age—close to eighty, Tremaine thought, startled. "I'm flattered you remember me, Miss Carroll," he said. "Come in." She led the way to a pleasant parlor set out with the furnishings of another era. She motioned Tremaine to a seat and took a straight chair across the room from him. "You look very well, James," she said, nodding. "I'm pleased to see that you've amounted to something." "Just another bureaucrat, I'm afraid." "You were wise to leave Elsby. There is no future here for a young man." "I often wondered why you didn't leave, Miss Carroll. I thought, even as a boy, that you were a woman of great ability." "Why did you come today, James?" asked Miss Carroll. "I...." Tremaine started. He looked at the old lady. "I want some information. This is an important matter. May I rely on your discretion?" "Of course." "How long has Mr. Bram lived in Elsby?" Miss Carroll looked at him for a long moment. "Will what I tell you be used against him?" "There'll be nothing done against him, Miss Carroll ... unless it needs to be in the national interest." "I'm not at all sure I know what the term 'national interest' means, James. I distrust these glib phrases." "I always liked Mr. Bram," said Tremaine. "I'm not out to hurt him." "Mr. Bram came here when I was a young woman. I'm not certain of the year." "What does he do for a living?" "I have no idea." "Why did a healthy young fellow like Bram settle out in that isolated piece of country? What's his story?" "I'm ... not sure that anyone truly knows Bram's story." "You called him 'Bram', Miss Carroll. Is that his first name ... or his last?" "That is his only name. Just ... Bram." "You knew him well once, Miss Carroll. Is there anything—" A tear rolled down Miss Carroll's faded cheek. She wiped it away impatiently. "I'm an unfulfilled old maid, James," she said. "You must forgive me." Tremaine stood up. "I'm sorry. Really sorry. I didn't mean to grill you. Miss Carroll. You've been very kind. I had no right...." Miss Carroll shook her head. "I knew you as a boy, James. I have complete confidence in you. If anything I can tell you about Bram will be helpful to you, it is my duty to oblige you; and it may help him." She paused. Tremaine waited. "Many years ago I was courted by Bram. One day he asked me to go with him to his house. On the way he told me a terrible and pathetic tale. He said that each night he fought a battle with evil beings, alone, in a cave beneath his house." Miss Carroll drew a deep breath and went on. "I was torn between pity and horror. I begged him to take me back. He refused." Miss Carroll twisted her fingers together, her eyes fixed on the long past. "When we reached the house, he ran to the kitchen. He lit a lamp and threw open a concealed panel. There were stairs. He went down ... and left me there alone. "I waited all that night in the carriage. At dawn he emerged. He tried to speak to me but I would not listen. "He took a locket from his neck and put it into my hand. He told me to keep it and, if ever I should need him, to press it between my fingers in a secret way ... and he would come. I told him that until he would consent to see a doctor, I did not wish him to call. He drove me home. He never called again." "This locket," said Tremaine, "do you still have it?" Miss Carroll hesitated, then put her hand to her throat, lifted a silver disc on a fine golden chain. "You see what a foolish old woman I am, James." "May I see it?" She handed the locket to him. It was heavy, smooth. "I'd like to examine this more closely," he said. "May I take it with me?" Miss Carroll nodded. "There is one other thing," she said, "perhaps quite meaningless...." "I'd be grateful for any lead." "Bram fears the thunder." III As Tremaine walked slowly toward the lighted main street of Elsby a car pulled to a stop beside him. Jess leaned out, peered at Tremaine and asked: "Any luck, Jimmy?" Tremaine shook his head. "I'm getting nowhere fast. The Bram idea's a dud, I'm afraid." "Funny thing about Bram. You know, he hasn't showed up yet. I'm getting a little worried. Want to run out there with me and take a look around?" "Sure. Just so I'm back by full dark." As they pulled away from the curb Jess said, "Jimmy, what's this about State Police nosing around here? I thought you were playing a lone hand from what you were saying to me." "I thought so too, Jess. But it looks like Grammond's a jump ahead of me. He smells headlines in this; he doesn't want to be left out." "Well, the State cops could be mighty handy to have around. I'm wondering why you don't want 'em in. If there's some kind of spy ring working—" "We're up against an unknown quantity. I don't know what's behind this and neither does anybody else. Maybe it's a ring of Bolsheviks ... and maybe it's something bigger. I have the feeling we've made enough mistakes in the last few years; I don't want to see this botched." The last pink light of sunset was fading from the clouds to the west as Jess swung the car through the open gate, pulled up under the old trees before the square-built house. The windows were dark. The two men got out, circled the house once, then mounted the steps and rapped on the door. There was a black patch of charred flooring under the window, and the paint on the wall above it was bubbled. Somewhere a cricket set up a strident chirrup, suddenly cut off. Jess leaned down, picked up an empty shotgun shell. He looked at Tremaine. "This don't look good," he said. "You suppose those fool boys...?" He tried the door. It opened. A broken hasp dangled. He turned to Tremaine. "Maybe this is more than kid stuff," he said. "You carry a gun?" "In the car." "Better get it." Tremaine went to the car, dropped the pistol in his coat pocket, rejoined Jess inside the house. It was silent, deserted. In the kitchen Jess flicked the beam of his flashlight around the room. An empty plate lay on the oilcloth-covered table. "This place is empty," he said. "Anybody'd think he'd been gone a week." "Not a very cozy—" Tremaine broke off. A thin yelp sounded in the distance. "I'm getting jumpy," said Jess. "Dern hounddog, I guess." A low growl seemed to rumble distantly. "What the devil's that?" Tremaine said. Jess shone the light on the floor. "Look here," he said. The ring of light showed a spatter of dark droplets all across the plank floor. "That's blood, Jess...." Tremaine scanned the floor. It was of broad slabs, closely laid, scrubbed clean but for the dark stains. "Maybe he cleaned a chicken. This is the kitchen." "It's a trail." Tremaine followed the line of drops across the floor. It ended suddenly near the wall. "What do you make of it. Jimmy?" A wail sounded, a thin forlorn cry, trailing off into silence. Jess stared at Tremaine. "I'm too damned old to start believing in spooks," he said. "You suppose those damn-fool boys are hiding here, playing tricks?" "I think." Tremaine said, "that we'd better go ask Hull Gaskin a few questions." At the station Jess led Tremaine to a cell where a lanky teen-age boy lounged on a steel-framed cot, blinking up at the visitor under a mop of greased hair. "Hull, this is Mr. Tremaine," said Jess. He took out a heavy key, swung the cell door open. "He wants to talk to you." "I ain't done nothin," Hull said sullenly. "There ain't nothin wrong with burnin out a Commie, is there?" "Bram's a Commie, is he?" Tremaine said softly. "How'd you find that out, Hull?" "He's a foreigner, ain't he?" the youth shot back. "Besides, we heard...." "What did you hear?" "They're lookin for the spies." "Who's looking for spies?" "Cops." "Who says so?" The boy looked directly at Tremaine for an instant, flicked his eyes to the corner of the cell. "Cops was talkin about 'em," he said. "Spill it, Hull," the policeman said. "Mr. Tremaine hasn't got all night." "They parked out east of town, on 302, back of the woodlot. They called me over and asked me a bunch of questions. Said I could help 'em get them spies. Wanted to know all about any funny-actin people around hers." "And you mentioned Bram?" The boy darted another look at Tremaine. "They said they figured the spies was out north of town. Well, Bram's a foreigner, and he's out that way, ain't he?" "Anything else?" The boy looked at his feet.
train	61405	[ "Where did Mia grow up?", "What is the Trial?", "What happened to Earth?", "What is the name of the first person to talk to Mia on Tintera?", "What is NOT a reason that Mia pulled out her pistol the first time?", "What did Mia have for siblings?", "Why did Mia begin to feel defeated and tired?", "What DIDN'T Mia learn at the campsite she located?" ]	[ [ "Earth", "a space ship", "Tintera", "The Third Level" ], [ "your chance to find a suitable partner", "your first flight away from Earth", "proving your ability to survive on your own", "defending your right to have children" ], [ "People divided into small, vicious colonies", "Overpopulation caused a war", "People discovered more planets and chose to move", "Everyone chose to live in space" ], [ "Jimmy", "Ninc", "Horst", "Losel" ], [ "She felt threatened by the group of men", "They made her feel uncomfortable", "She couldn't see all of the men at the same time", "Someone was about to pull a gun on her" ], [ "a brother and a sister", "no siblings", "two sisters", "one brother" ], [ "She was out of food", "She'd been riding for over a week", "She missed her family", "She didn't understand the planet she was dropped in" ], [ "Why the ship flew over her head", "People grow old and gray on this planet", "The Trial kids weren't welcome on Tintera", "Horst keeps his animals in the pen" ] ]	[ 2, 3, 2, 3, 3, 2, 4, 1 ]	[ 0, 0, 1, 1, 0, 0, 0, 1 ]	DOWN TO THE WORLDS OF MEN BY ALEXEI PANSHIN The ancient rule was sink or swim—swim in the miasma of a planet without spaceflight, or sink to utter destruction! [Transcriber's Note: This etext was produced from Worlds of If Science Fiction, July 1963. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] I The horses and packs were loaded before we went aboard the scoutship. The scout bay is no more than a great oversized airlock with a dozen small ships squatting over their tubes, but it was the last of the Ship that I might ever see, so I took a long final look from the top of the ramp. There were sixteen of us girls and thirteen boys. We took our places in the seats in the center of the scout. Riggy Allen made a joke that nobody bothered to laugh at, and then we were all silent. I was feeling lost and just beginning to enjoy it when Jimmy Dentremont came over to me. He's red-headed and has a face that makes him look about ten. An intelligent runt like me. He said what I expected. "Mia, do you want to go partners if we can get together when we get down?" I guess he thought that because we were always matched on study I liked him. Well, I did when I wasn't mad at him, but now I had that crack he'd made about being a snob in mind, so I said, "Not likely. I want to come back alive." It wasn't fair, but it was a good crack and he went back to his place without saying anything. My name is Mia Havero. I'm fourteen, of course, or I wouldn't be telling this. I'm short, dark and scrawny, though I don't expect that scrawniness to last much longer. Mother is very good looking. In the meantime, I've got brains as a consolation. After we were all settled, George Fuhonin, the pilot, raised the ramps. We sat there for five minutes while they bled air out of our tube and then we just ... dropped. My stomach turned flips. We didn't have to leave that way, but George thinks it's fun to be a hot pilot. Thinking it over, I was almost sorry I'd been stinking to Jimmy D. He's the only competition I have my own age. The trouble is, you don't go partners with the competition, do you? Besides, there was still that crack about being a snob. The planet chosen for our Trial was called Tintera. The last contact the Ship had had with it—and we were the ones who dropped them—was almost 150 years ago. No contact since. That had made the Council debate a little before they dropped us there, but they decided it was all right in the end. It didn't make any practical difference to us kids because they never tell you anything about the place they're going to drop you. All I knew was the name. I wouldn't have known that much if Daddy weren't Chairman of the Council. I felt like crawling in a corner of the ship and crying, but nobody else was breaking down, so I didn't. I did feel miserable. I cried when I said good-by to Mother and Daddy—a real emotional scene—but that wasn't in public. It wasn't the chance of not coming back that bothered me really, because I never believed that I wouldn't. The thought that made me unhappy was that I would have to be on a planet for a whole month. Planets make me feel wretched. The gravity is always wrong, for one thing. Either your arches and calves ache or every time you step you think you're going to trip on a piece of fluff and break your neck. There are vegetables everywhere and little grubby things just looking for you to crawl on. If you can think of anything creepier than that, you've got a real nasty imagination. Worst of all, planets stink. Every single one smells—I've been on enough to know that. A planet is all right for a Mud-eater, but not for me. We have a place in the Ship like that—the Third Level—but it's only a thousand square miles and any time it gets on your nerves you can go up a level or down a level and be back in civilization. When we reached Tintera, they started dropping us. We swung over the sea from the morning side and then dropped low over gray-green forested hills. Finally George spotted a clear area and dropped into it. They don't care what order you go in, so Jimmy D. jumped up, grabbed his gear and then led his horse down the ramp. I think he was still smarting from the slap I'd given him. In a minute we were airborne again. I wondered if I would ever see Jimmy—if he would get back alive. It's no game we play. When we turn fourteen, they drop us on the nearest colonized planet and come back one month later. That may sound like fun to you, but a lot of us never come back alive. Don't think I was helpless. I'm hell on wheels. They don't let us grow for fourteen years and then kick us out to die. They prepare us. They do figure, though, that if you can't keep yourself alive by the time you're fourteen, you're too stupid, foolish or unlucky to be any use to the Ship. There's sense behind it. It means that everybody on the Ship is a person who can take care of himself if he has to. Daddy says that something has to be done in a closed society to keep the population from decaying mentally and physically, and this is it. And it helps to keep the population steady. I began to check my gear out—sonic pistol, pickup signal so I could be found at the end of the month, saddle and cinches, food and clothes. Venie Morlock has got a crush on Jimmy D., and when she saw me start getting ready to go, she began to check her gear, too. At our next landing, I grabbed Ninc's reins and cut Venie out smoothly. It didn't have anything to do with Jimmy. I just couldn't stand to put off the bad moment any longer. The ship lifted impersonally away from Ninc and me like a rising bird, and in just a moment it was gone. Its gray-blue color was almost the color of the half-overcast sky, so I was never sure when I saw it last. II The first night was hell, I guess because I'm not used to having the lights out. That's when you really start to feel lonely, being alone in the dark. When the sun disappears, somehow you wonder in your stomach if it's really going to come back. But I lived through it—one day in thirty gone. I rode in a spiral search pattern during the next two days. I had three things in mind—stay alive, find people and find some of the others. The first was automatic. The second was to find out if there was a slot I could fit into for a month. If not, I would have to find a place to camp out, as nasty as that would be. The third was to join forces, though not with that meatball Jimmy D. No, he isn't really a meatball. The trouble is that I don't take nothing from nobody, especially him, and he doesn't take nothing from nobody, especially me. So we do a lot of fighting. I had a good month for Trial. My birthday is in November—too close to Year End Holiday for my taste, but this year it was all right. It was spring on Tintera, but it was December in the Ship, and after we got back we had five days of Holiday to celebrate. It gave me something to look forward to. In two days of riding, I ran onto nothing but a few odd-looking animals. I shot one small one and ate it. It turned out to taste pretty good, though not as good as a slice from Hambone No. 4, to my mind the best meat vat on the Ship. I've eaten things so gruey-looking that I wondered that anybody had the guts to try them in the first place and they've turned out to taste good. And I've seen things that looked good that I couldn't keep on my stomach. So I guess I was lucky. On the third day, I found the road. I brought Ninc down off the hillside, losing sight of the road in the trees, and then reaching it in the level below. It was narrow and made of sand spread over a hard base. Out of the marks in the sand, I could pick out the tracks of horses and both narrow and wide wheels. Other tracks I couldn't identify. One of the smartest moves in history was to include horses when they dropped the colonies. I say "they" because, while we did the actual dropping, the idea originated with the whole evac plan back on Earth. Considering how short a time it was in which the colonies were established, there was not time to set up industry, so they had to have draft animals. The first of the Great Ships was finished in 2025. One of the eight, as well as the two that were being built then, went up with everything else in the Solar System in 2041. In that sixteen years 112 colonies were planted. I don't know how many of those planets had animals that could have been substituted but, even if they had, they would have had to be domesticated from scratch. That would have been stupid. I'll bet that half the colonies would have failed if they hadn't had horses. We'd come in from the west over the ocean, so I traveled east on the road. That much water makes me nervous, and roads have to go somewhere. I came on my first travelers three hours later. I rounded a tree-lined bend, ducking an overhanging branch, and pulled Ninc to a stop. There were five men on horseback herding a bunch of the ugliest creatures alive. They were green and grotesque. They had squat bodies, long limbs and knobby bulges at their joints. They had square, flat animal masks for faces. But they walked on their hind legs and they had paws that were almost hands, and that was enough to make them seem almost human. They made a wordless, chilling, lowing sound as they milled and plodded along. I started Ninc up again and moved slowly to catch up with them. All the men on horseback had guns in saddle boots. They looked as nervous as cats with kittens. One of them had a string of packhorses on a line and he saw me and called to another who seemed to be the leader. That one wheeled his black horse and rode back toward me. He was a middle-aged man, maybe as old as my Daddy. He was large and he had a hard face. Normal enough, but hard. He pulled to a halt when we reached each other, but I kept going. He had to come around and follow me. I believe in judging a person by his face. A man can't help the face he owns, but he can help the expression he wears on it. If a man looks mean, I generally believe that he is. This one looked mean. That was why I kept riding. He said, "What be you doing out here, boy? Be you out of your head? There be escaped Losels in these woods." I told you I hadn't finished filling out yet, but I hadn't thought it was that bad. I wasn't ready to make a fight over the point, though. Generally, I can't keep my bloody mouth shut, but now I didn't say anything. It seemed smart. "Where be you from?" he asked. I pointed to the road behind us. "And where be you going?" I pointed ahead. No other way to go. He seemed exasperated. I have that effect sometimes. Even on Mother and Daddy, who should know better. We were coming up on the others now, and the man said, "Maybe you'd better ride on from here with us. For protection." He had an odd way of twisting his sounds, almost as though he had a mouthful of mush. I wondered whether he were just an oddball or whether everybody here spoke the same way. I'd never heard International English spoken any way but one, even on the planet Daddy made me visit with him. One of the other outriders came easing by then. I suppose they'd been watching us all the while. He called to the hard man. "He be awfully small, Horst. I doubt me a Losel'd even notice him at all. We mought as well throw him back again." The rider looked at me. When I didn't dissolve in terror as he expected, he shrugged and one of the other men laughed. The hard man said to the others, "This boy will be riding along with us to Forton for protection." I looked down at the plodding, unhappy creatures they were driving along and one looked back at me with dull, expressionless golden eyes. I felt uncomfortable. I said, "I don't think so." What the man did then surprised me. He said, "I do think so," and reached for the rifle in his saddle boot. I whipped my sonic pistol out so fast that he was caught leaning over with the rifle half out. His jaw dropped. He knew what I held and he didn't want to be fried. I said, "Ease your rifles out and drop them gently to the ground." They did, watching me all the while with wary expressions. When all the rifles were on the ground, I said, "All right, let's go." They didn't want to move. They didn't want to leave the rifles. I could see that. Horst didn't say anything. He just watched me with narrowed eyes. But one of the others held up a hand and in wheedling tones said, "Look here, kid...." "Shut up," I said, in as mean a voice as I could muster, and he did. It surprised me. I didn't think I sounded that mean. I decided he just didn't trust the crazy kid not to shoot. After twenty minutes of easy riding for us and hard walking for the creatures, I said, "If you want your rifles, you can go back and get them now." I dug my heels into Ninc's sides and rode on. At the next bend I looked back and saw four of them holding their packhorses and the creatures still while one beat a dust-raising retreat down the road. I put this episode in the "file and hold for analysis" section in my mind and rode on, feeling good. I think I even giggled once. Sometimes I even convince myself that I'm hell on wheels. III When I was nine, my Daddy gave me a painted wooden doll that my great-grandmother brought from Earth. The thing is that inside it, nestled one in another, are eleven more dolls, each one smaller than the last. I like to watch people when they open it for the first time. My face must have been like that as I rode along the road. The country leveled into a great rolling valley and the trees gave way to great farms and fields. In the fields, working, were some of the green creatures, which surprised me since the ones I'd seen before hadn't seemed smart enough to count to one, let alone do any work. But it relieved me. I thought they might have been eating them or something. I passed two crossroads and started to meet more people, but nobody questioned me. I met people on horseback, and twice I met trucks moving silently past. And I overtook a wagon driven by the oldest man I've seen in my life. He waved to me, and I waved back. Near the end of the afternoon I came to the town, and there I received a jolt that sickened me. By the time I came out on the other side, I was sick. My hands were cold and sweaty and my head was spinning, and I wanted to kick Ninc to a gallop. I rode slowly in, looking all around, missing nothing. The town was all stone, wood and brick. Out of date. Out of time, really. There were no machines more complicated than the trucks I'd seen earlier. At the edge of town, I passed a newspaper office with a headline pasted in the window—INVASION! I remember that. I wondered about it. But I looked most closely at the people. In all that town, I didn't see one girl over ten years old and no grown-up women at all. There were little kids, there were boys and there were men, but no girls. All the boys and men wore pants, and so did I, which must have been why Horst and his buddies assumed I was a boy. It wasn't flattering; but I decided I'd not tell anybody different until I found what made the clocks tick on this planet. But that wasn't what bothered me. It was the kids. My God! They swarmed. I saw a family come out of a house—a father and four children. It was the most foul thing I've ever seen. It struck me then—these people were Free Birthers! I felt a wave of nausea and I closed my eyes until it passed. The first thing you learn in school is that if it weren't for idiot and criminal people like these, Earth would never have been destroyed. The evacuation would never have had to take place, and eight billion people wouldn't have died. There wouldn't have been eight billion people. But, no. They bred and they spread and they devoured everything in their path like a cancer. They gobbled up all the resources that Earth had and crowded and shoved one another until the final war came. I am lucky. My great-great-grandparents were among those who had enough foresight to see what was coming. If it hadn't been for them and some others like them, there wouldn't be any humans left anywhere. And I wouldn't be here. That may not scare you, but it scares me. What happened before, when people didn't use their heads and wound up blowing the Solar System apart, is something nobody should forget. The older people don't let us forget. But these people had, and that the Council should know. For the first time since I landed on Tintera, I felt really frightened. There was too much going on that I didn't understand. I felt a blind urge to get away, and when I reached the edge of town, I whomped Ninc a good one and gave him his head. I let him run for almost a mile before I pulled him down to a walk again. I couldn't help wishing for Jimmy D. Whatever else he is, he's smart and brains I needed. How do you find out what's going on? Eavesdrop? That's a lousy method. For one thing, people can't be depended on to talk about the things you want to hear. For another, you're likely to get caught. Ask somebody? Who? Make the mistake of bracing a fellow like Horst and you might wind up with a sore head and an empty pocket. The best thing I could think of was to find a library, but that might be a job. I'd had two bad shocks on this day, but they weren't the last. In the late afternoon, when the sun was starting to sink and a cool wind was starting to ripple the tree leaves, I saw the scoutship high in the sky. The dying sun colored it a deep red. Back again? I wondered what had gone wrong. I reached down into my saddlebag and brought out my contact signal. The scoutship swung up in the sky in a familiar movement calculated to drop the stomach out of everybody aboard. George Fuhonin's style. I triggered the signal, my heart turning flips all the while. I didn't know why he was back, but I wasn't really sorry. The ship swung around until it was coming back on a path almost over my head, going in the same direction. Then it went into a slip and started bucking so hard that I knew this wasn't hot piloting at all, just plain idiot stutter-fingered stupidity at the controls. As it skidded by me overhead, I got a good look at it and knew that it wasn't one of ours. Not too different, but not ours. One more enigma. Where was it from? Not here. Even if you know how, and we wouldn't tell these Mud-eaters how, a scoutship is something that takes an advanced technology to build. I felt defeated and tired. Not much farther along the road, I came to a campsite with two wagons pulled in for the night, and I couldn't help but pull in myself. The campsite was large and had two permanent buildings on it. One was a well enclosure and the other was little more than a high-walled pen. It didn't even have a roof. I set up camp and ate my dinner. In the wagon closest to me were a man, his wife and their three children. The kids were running around and playing, and one of them ran close to the high-walled pen. His father came and pulled him away. The kids weren't to blame for their parents, but when one of them said hello to me, I didn't even answer. I know how lousy I would feel if I had two or three brothers and sisters, but it didn't strike me until that moment that it wouldn't even seem out of the ordinary to these kids. Isn't that horrible? About the time I finished eating, and before it grew dark, the old man I had seen earlier in the day drove his wagon in. He fascinated me. He had white hair, something I had read about in stories but had never seen before. When nightfall came, they started a large fire. Everybody gathered around. There was singing for awhile, and then the father of the children tried to pack them off to bed. But they weren't ready to go, so the old man started telling them a story. In the old man's odd accent, and sitting there in the campfire light surrounded by darkness, it seemed just right. It was about an old witch named Baba Yaga who lived in the forest in a house that stood on chicken legs. She was the nasty stepmother of a nice little girl, and to get rid of the kid, she sent her on a phony errand into the deep dark woods at nightfall. I could appreciate the poor girl's position. All the little girl had to help her were the handkerchief, the comb and the pearl that she had inherited from her dear dead mother. But, as it turned out, they were just enough to defeat nasty old Baba Yaga and bring the girl safely home. I wished for the same for myself. The old man had just finished and they were starting to drag the kids off to bed when there was a commotion on the road at the edge of the camp. I looked but my eyes were adjusted to the light of the fire and I couldn't see far into the dark. A voice there said, "I'll be damned if I'll take another day like this one, Horst. We should have been here hours ago. It be your fault we're not." Horst growled a retort. I decided that it was time for me to leave the campfire. I got up and eased away as Horst and his men came up to the fire, and cut back to where Ninc was parked. I grabbed up my blankets and mattress and started to roll them up. I had a pretty good idea now what they used the high-walled pen for. I should have known that they would have to pen the animals up for the night. I should have used my head. I hadn't and now it was time to take leave. I never got the chance. I was just heaving the saddle up on Ninc when I felt a hand on my shoulder and I was swung around. "Well, well. Horst, look who we have here," he called. It was the one who'd made the joke about me being beneath the notice of a Losel. He was alone with me now, but with that call the others would be up fast. I brought the saddle around as hard as I could and then up, and he went down. He started to get up again, so I dropped the saddle on him and reached inside my jacket for my gun. Somebody grabbed me then from behind and pinned my arms to my side. I opened my mouth to scream—I have a good scream—but a rough smelly hand clamped down over it before I had a chance to get more than a lungful of air. I bit down hard—5000 lbs. psi, I'm told—but he didn't let me go. I started to kick, but Horst jerked me off my feet and dragged me off. When we were behind the pen and out of earshot of the fire, he stopped dragging me and dropped me in a heap. "Make any noise," he said, "and I'll hurt you." That was a silly way to put it, but somehow it said more than if he'd threatened to break my arm or my head. It left him a latitude of things to do if he pleased. He examined his hand. There was enough moonlight for that. "I ought to club you anyway," he said. The one I'd dropped the saddle on came up then. The others were putting the animals in the pen. He started to kick me, but Horst stopped him. "No," he said. "Look through the kid's gear, bring the horse and what we can use." The other one didn't move. "Get going, Jack," Horst said in a menacing tone and they stood toe to toe for a long moment before Jack finally backed down. It seemed to me that Horst wasn't so much objecting to me being kicked, but was rather establishing who did the kicking in his bunch. But I wasn't done yet. I was scared, but I still had the pistol under my jacket. Horst turned back to me and I said, "You can't do this and get away with it." He said, "Look, boy. You may not know it, but you be in a lot of trouble. So don't give me a hard time." He still thought I was a boy. It was not time to correct him, but I didn't like to see the point go unchallenged. It was unflattering. "The courts won't let you get away with this," I said. I'd passed a courthouse in the town with a carved motto over the doors: EQUAL JUSTICE UNDER THE LAW or TRUTH OUR SHIELD AND JUSTICE OUR SWORD or something stuffy like that. He laughed, not a phony, villian-type laugh, but a real laugh, so I knew I'd goofed. "Boy, boy. Don't talk about the courts. I be doing you a favor. I be taking what I can use of your gear, but I be letting you go. You go to court and they'll take everything and lock you up besides. I be leaving you your freedom." "Why would they be doing that?" I asked. I slipped my hand under my jacket. "Every time you open your mouth you shout that you be off one of the Ships," Horst said. "That be enough. They already have one of you brats in jail in Forton." I was about to bring my gun out when up came Jack leading Ninc, with all my stuff loaded on. I mentally thanked him. He said, "The kid's got some good equipment. But I can't make out what this be for." He held out my pickup signal. Horst looked at it, then handed it back. "Throw it away," he said. I leveled my gun at them—Hell on Wheels strikes again! I said, "Hand that over to me." Horst made a disgusted sound. "Don't make any noise," I said, "or you'll fry. Now hand it over." I stowed it away, then paused with one hand on the leather horn of the saddle. "What's the name of the kid in jail in Forton." "I can't remember," he said. "But it be coming to me. Hold on." I waited. Then suddenly my arm was hit a numbing blow from behind and the gun went flying. Jack pounced after it and Horst said, "Good enough," to the others who'd come up behind me. I felt like a fool. Horst stalked over and got the signal. He dropped it on the ground and said in a voice far colder than mine could ever be, because it was natural and mine wasn't, "The piece be yours." Then he tromped on it until it cracked and fell apart. Then he said, "Pull a gun on me twice. Twice." He slapped me so hard that my ears rang. "You dirty little punk." I said calmly, "You big louse." It was a time I would have done better to keep my mouth shut. All I can remember is a flash of pain as his fist crunched against the side of my face and then nothing. Brains are no good if you don't use them.
train	63640	[ "What wouldn't Casey say to describe himself?", "Why didn't Casey want to take the deal?", "What was the stoolie's job?", "What hadn't been smuggled out of Mars?", "What convinced Casey to go to Jupiter?", "What didn't surprise Casey about Jupiter?", "Which true statement may have changed Casey's mind if he'd have known?", "How would Casey describe most of the scorpions he saw?", "Was Akroida like the rest of the scorpions?", "What did Casey probably learn from this experience?" ]	[ [ "He'd never give up a client", "He's a master smuggler", "He's traveled all over the solar system", "He'd do anything for money" ], [ "He'd never make a deal with the S.S.C.", "He wanted to retire from smuggling", "He didn't think he'd live through it.", "They didn't offer him enough money" ], [ "To find out Casey's smuggling secrets", "To get information from Casey to give to the S.S.C.", "To become Casey's friend and confidante", "To convince Casey to change his mind" ], [ "emeralds", "diamonds", "rubies", "crystals" ], [ "The Government offered additional money", "Pard told him about the perfume", "He learned that Pard had a friend there", "Pard told him he'd lived through it" ], [ "the red coloring was plants", "items could float in mid-air", "the aliens could remove their eyeballs", "the aliens communicated by tapping" ], [ "Attaboy was Pard's colorblind friend", "The perfume doesn't work", "Akroida really loves jewels", "Pard was working for the S.S.C." ], [ "intelligent and fierce", "huge and curious", "ugly yet caring", "terrifying yet peaceful" ], [ "Yes - they were all enormous and vicious", "Yes - they were all purple and covered in jewels", "No - she was larger and meaner", "No - she spoke better and was prettier" ], [ "Never give up on your friends", "Never trust a crook", "Always listen carefully to instructions", "Don't judge others by how they look" ] ]	[ 4, 3, 4, 3, 4, 4, 4, 4, 3, 2 ]	[ 1, 1, 1, 0, 0, 1, 1, 1, 0, 1 ]	JUPITER'S JOKE By A. L. HALEY Casey Ritter, the guy who never turned down a dare, breathed a prayer to the gods of idiots and spacemen, and headed in toward the great red spot of terrible Jupiter. [Transcriber's Note: This etext was produced from Planet Stories Fall 1954. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] Those methane and ammonia planets, take it from me, they're the dead-end of creation, and why the Old Man ever thought them up I'll never know. I never thought I'd mess around any of them, but things can sure happen. A man can get himself backed into a corner in this little old solar system. It just ain't big enough for a gent of scope and talent; and the day the Solar System Customs caught me red-handed smuggling Kooleen crystals in from Mars, I knew I was in that corner, and sewed up tight. Sure, the crystals are deadly, but I was smuggling them legitimately, in a manner of speaking, for this doctor to experiment with. He wasn't going to sell them for dope. But—and this was the 'but' that was likely to deprive the System of my activities—even experimenting with them was illegal even if it needed to be done; also, I had promised not to rat on him before taking the job. Well, Casey Ritter may be a lot of things we won't mention, but he doesn't rat on his clients. So there I was, closeted with the ten members of the S.S. Customs Court, getting set to hear the gavel fall and the head man intone the sentence that would take me out of circulation for a long, long time. And instead, blast me, if they didn't foul me with this trip to good old Jupiter. I didn't get it at first. I'd argued with 'em, but inside I'd been all set for the sentence, and even sort of reconciled to it. I could even hear the words in my mind. But they didn't match what the judge was saying. I stood there gaping like a beached fish while I sorted it out. Then I croaked, "Jupiter! What for? Are you running outa space in stir? Want to choke me to death in chlorine instead?" Being civil to the court didn't seem important just then. Jupiter was worse than the pen, a lot worse. Jupiter was a death sentence. The senior judge rapped sharply with his gavel. He frowned me down and then nodded at the judge on his right. This bird, a little old hank of dried-up straw, joined his fingertips carefully, cleared his scrawny throat, and told me what for. "You've no doubt heard tales of the strange population of Jupiter," he said. "Every spaceman has, I am sure. Insect-like creatures who manifestly migrated there from some other system and who inhabit the Red Spot of the planet, floating in some kind of artificial anti-gravity field in the gaseous portion of the atmosphere—" I snorted. "Aw, hell, judge, that's just one of those screwy fairy tales! How could any—" The senior judge rapped ferociously, and I skidded to a halt. Our little story teller patiently cleared his skinny throat again. "I assure you it is no fairy tale. We possess well-authenticated photographs of these inhabitants, and if you are prepared to visit them and in some way worm from them the secret of their anti-gravity field, the government stands ready to issue you a full pardon as well as a substantial monetary reward. Your talents, Mr. Ritter, seem, shall we say, eminently suited to the task." He beamed at me. I looked around. They were all beaming. At me! Suddenly I smelled a rat as big as an elephant. That whole Kooleen caper: Had it been just a trap to lead me straight to this? I hadn't been able to figure how they'd cracked my setup.... At the thought my larynx froze up tight. This was worse than I'd thought. Government men trapping me and then beaming at me. And a full pardon. And a reward. Oh, no! I told myself, it wasn't possible. Not when I already had more counts against me than a cur has fleas. Not unless it was a straight suicide mission! I feebly massaged my throat. "Pictures?" I whispered. "Show me 'em." Crude, but it was all I could squeeze out. I squeezed out more when I saw those pictures, though. Those inhabitants were charming, just charming if you like scorpions. Well, a cross between a scorpion and a grasshopper, to be accurate. Floating among that red stuff, they showed up a kind of sickly purple turning to gangrene around the edges. The bleat of anguish that accompanied my first view of those beauties had taken my voice again. "How big?" I whispered. He shrugged, trying for nonchalance. "About the size of a man, I believe." I raised my shrinking head. "Take me to jail!" I said firmly, and collapsed onto my chair. A crafty-eyed buzzard across the table leaned toward me. "So this is the great Casey Ritter, daredevil of the Solar System!" he sneered. "Never loses a bet, never turns down a dare!" I shuddered. "You're telling that one! And besides, a man's got to draw the line somewhere. And I'm drawing it right here. Take me to jail!" They were really stumped. They hadn't expected me to take this attitude at all. No doubt they had it figured that I'd gratefully throw myself into a sea of ammonia among man-size scorpions just for the hell of it. Nuts! After all, in the pen a man can eat and breathe, and a guard won't reach in and nip off an arm or leg while he's got his back turned. How stupid could they get? When I finally wore them down and got to my little cell, I looked around it with a feeling of real coziness. I even patted the walls chummily and snapped a salute at the guard. It makes me grind my molars now to think of it. The way that bunch of stuffed shirts in the S.S.C. made a gold-barred chimpanzee out of me has broken my spirit and turned me into an honest trader. Me, Casey Ritter, slickest slicker in the Solar System, led like a precious infant right where I'd flatly refused to go! In plain English, I underestimated the enemy. Feeling safe and secure in the grip of the good old Iron College, I relaxed. At this strategic point, the enemy planted a stoolie on me. Not in my cell block. They were too smart for that. But we met at recreation, and his mug seemed familiar, like a wisp of smoke where no smoke has got a right to be; and after awhile I braced him. I was right. I'd met the shrimp before when I was wound up in an asteroid real estate racket. Pard Hoskins was his alias, and he had the tag of being a real slick operator. We swapped yarns for about a week when we met, and then I asked him what's his rap this trip. "Oh, a pretty good jolt if they can keep hold of me," he says. "I just made a pass at the Killicut Emeralds, that's all, and got nabbed." "Oh, no!" I moaned. "What were you trying to do, start a feud between us and Mars?" He shrugged, but his little black-currant eyes began to sparkle with real passion, the high voltage kind that only a woman in a million, or a million in a bank, can kindle in a guy. "Buddy," he said reverently, "I'd start more than that just to get me mitts on them stones again! Why, you ain't never seen jools till you've seen them! Big as hen's eggs, an even dozen of 'em; and flawless, I'm a-shoutin', not a flaw!" His eyes watered at the memory, yearning like a hound-dog's over a fresh scent. I couldn't believe it. Those emeralds were in the inner shrine of the super-sacred, super-secret temple of the cavern-dwelling tribe of Killicuts on Mars—the real aborigines. Bleachies, we call them, sort of contemptuously; but those Bleachies are a rough lot when they're mad, and if Pard had really got near those emeralds, he should be nothing but a heap of cleaned bones by now. Either he was the world's champion liar or its bravest son, and either way I took my hat off to him. "How'd you make the getaway?" I asked, taking him at his word. He looked loftily past me. "Sorry. Gotta keep that a secret. Likewise where I cached 'em." "Cached what?" "The rocks, stupe." I hardly heard the cut. "You mean you really did get away with them?" My jaw must've been hanging down a foot, because I'd just been playing along with him, not really believing him, and now all of a sudden I somehow knew that he'd really lifted those emeralds. But how? It was impossible. I'd investigated once myself. He nodded and then moved casually away. I looked up and saw a guard coming. That night I turned on my hard prison cot until my bones were so much jelly, trying to figure that steal. The next morning I got up burning with this fever for information, only to find that Pard had got himself put in solitary for mugging a guard, and that really put the heat on me. I chewed my fingernails down to the quick by the time he got out a week later. By that time he really had me hooked. I'd of sworn he was leveling with me. But he wouldn't tell me how he'd worked the steal. Instead, he opened up on the trade he'd booked for the string. He said, "When I chisel me way outa this squirrel cage, I'm gonna hit fer good old Jupe and sell 'em to Akroida. She's nuts about jools. What that old girl won't give me fer 'em—" He whistled appreciatively, thinking about it. "Jupiter!" I goggled at him. "Akroida! Who's she?" He looked at me as if I hadn't yet got out from under the rock where he was sure I'd been born. "Don't you know nothin', butterhead?" From him I took it. I even waited patiently till the master spoke again. The memory still makes me fry. "Akroida," he explained in his own sweet time, "is the queen-scorp of them idiotic scorpions that lives on Jupiter. I sold her the Halcyon Diamond that disappeared from the World Museum five years ago, remember?" He winked broadly. "It come from Mars in the first place, you know. Mars! What a place fer jools! Damn desert's lousy with 'em, if it wasn't so much trouble to dig 'em out—" He went off into a dream about the rocks on Mars but I jerked him back. "You mean those scorpions have really got brains?" "Brains!" he snorted. "Have they got brains! Why, they're smarter than people! And not ferocious, neither, in spite of how they look, if you just leave 'em alone. That's all they want, just to be left alone. Peace an' quiet, and lots of methane and ammonia and arsenic, that's fer them. Besides, the space suit rig you got to wear, they can't bite you. Akroida's not a bad old girl. Partial to arsenic on her lettuce, so I brought her a hundred pounds of the stuff, an' she went fer that almost like it was diamonds, too. Did I rate around there fer awhile!" He sighed regretfully. "But then I went and made her mad, an' I'm kinda persona non grata there right now. By the time I gnaw outa this here cheese trap, though, I figger she'll be all cooled off and ready fer them emeralds." I went back to my cot that night, and this time instead of biting my nails, I bit myself. So I faced it. Casey Ritter lost his nerve, and along with it, the chance of a lifetime. A better man than me had already penetrated the Great Red Spot of old Jupiter and come out alive. That thought ate me to the quick, and I began to wonder if it was too late, after all. I could hardly wait for morning to come, so that I could pry more information out of Pard Hoskins. But I didn't see Pard for a few days. And then, a week later, a group of lifers made a break that didn't jell, and the whole bunch was locked up in the blockhouse, the special building reserved for escapees. Pard Hoskins was in the bunch. He'd never get out of there, and he knew it. So did I. For three more days I worked down my knuckles, my nails being gone, while I sat around all hunched up, wondering feverishly if Pard would make a deal about those emeralds. Then I broke down and sent out a letter to the S.S.C. The Big Sneer of the conference table promptly dropped in on me, friendly as a bottle of strychnine. But for a lad headed for Jupiter that was good training, so I sneered right back at him, explained the caper, and we both paid a visit to Pard. In two days the deal was made and the caper set up. There were a few bits of info that Pard had to shell out, like where the emeralds were, and how to communicate with those scorpions, and how he'd made Akroida mad. "I put on a yeller slicker," he confessed sadly. "That there ammonia mist was eatin' into the finish on my spacesuit, so I draped this here slicker around me to sorta fancy up the rig before goin' in to an audience with the old rip." He shook his head slowly. "The kid that took me in was colorblind, so I didn't have no warning at all. I found out that them scorpions can't stand yeller. It just plain drives them nuts! Thought they'd chaw me up and spit me out into the chlorine before I could get outa the damn thing. If my colorblind pal hadn't helped me, they'd of done it, too. And Akroida claimed I done it a-purpose to upset her." Then he winked at me. "But then I got off in a corner and cooked up some perfume that drives them nuts the other way; sorta frantic with ecstasy, like the book says. Didn't have a chance to try it on Akroida, though. She wouldn't give me another audience. It's in the stuff they cleaned outa me room: a poiple bottle with a bright green stopper." He ruminated a few minutes. "Tell you what, chump. Make them shell out with a green an' poiple spacesuit—them's the real Jupiter colors—an' put just a touch o' that there perfume on the outside of it. Akroida'll do anything fer you if she just gets a whiff. Just anything! But remember, don't use but a drop. It's real powerful." II Real powerful, said the man. What an understatement! But the day I was set adrift in that sea of frozen ammonia clouds mixed with nice cozy methane gas I sure prayed for it to be powerful, and I clutched that tiny bottle like that boy Aladdin clutching his little old lamp. I'd had a lot of cooperation getting that far. An Earth patrol had slipped down onto the Red Desert of Mars and picked up the Killicut Emeralds from where Pard Hoskins had cached them; and safe out in space again, we had pored over that string of green headlights practically slobbering. But the Big Sneer of the S.S.C., the fellow that had got me into this caper, was right there to take the joy out of it all and to remind me that this was public service, strictly. "These—" he had proclaimed with a disdainful flourish, like a placer miner pointing to a batch of fool's gold—"These jewels are as nothing, Ritter, compared with the value of the secret you are to buy with them. And be assured that if you're man enough to effect the trade—" He paused, his long nose twitching cynically—"IF you succeed, your reward will be triple what you could get for them in any market. Added to which, IF you succeed, you will be a free man." That twitch of the nose riled me no little. "I ain't failed yet!" I snarled at him. "Just you wait till I do, feller!" I slipped the string of emeralds back into its little safe. "Instead of sniping at me, why don't you get that brain busy and set our rendezvous?" With that we got down to business and fixed a meeting point out on Jupiter's farthest moon; then they took me in to the edge of Jupiter's ice-cloud and turned me loose in a peanut of a space boat with old Jupe looming ahead bigger than all outdoors and the Red Spot dead ahead. I patted my pretty enameled suit, which was a study in paris green and passionate purple. I patted the three hundred pounds of arsenic crystals for Akroida and anyone else I might have to bribe. I anxiously examined my suit's air and water containers and the heating unit that would keep them in their proper state. I had already gone over the space boat. Yeah, I was as nervous as a cat with new kittens. Feeling again for my little bottle of horrid stench, I breathed a prayer to the god of idiots and spacemen, and headed in. The big ship was long gone, and I felt like a mighty small and naked microbe diving into the Pacific Ocean. That famous Red Spot was that big, too. It kept expanding until the whole universe was a fierce, raw luminous red. Out beyond it at first there had been fringes of snow-white frozen ammonia, but now it was all dyed redder than Mars. Then I took the plunge right into it. Surprise! The stuff was plants! Plants as big as meadows, bright red, floating around in those clouds of frozen ammonia like seaweed! Then I noticed that the ammonia around them wasn't frozen any more and peeked at the outside thermometer I couldn't believe it. It was above zero. Then I forgot about the temperature because it dawned on me that I was lost. I couldn't see a thing but drifting ammonia fog and those tangles of red floating plants like little islands all around. Cutting down the motor, I eased along. But my green boat must have showed up like a lighthouse in all that red, because it wasn't long until I spotted a purple and green hopper-scorp traveling straight toward me, sort of rowing along with a pair of stubby wings. He didn't seem to be making much effort, even though he was climbing vertically up from the planet. In fact, he didn't seem to be climbing at all but just going along horizontally. There just wasn't any up or down in that crazy place. It must be that anti-grav field, I concluded. The air was getting different, too, now that I was further in. I'm no chemist, and I couldn't have gotten out there to experiment if I had been, but those plants were certainly doing something to that ammonia and methane. The fog thinned, for one thing, and the temperature rose to nearly forty. Meanwhile the hopper-scorp reached the ship. Hastily I squirted some of my Scorpion-Come-Hither lure on the chest of my spacesuit, opened the lock, and popped out, brave as could be. Face to face with that thing, though, I nearly lost my grip on the handle. In fact, I'd have fainted dead away right there if Pard Hoskins hadn't been there already and lived. If that little shrimp could do it, I could, too. I braced up and tapped out the greeting Pard had taught me. My fiendish-looking opponent tapped right back, inquiring why the hell I was back so soon when I knew that Akroida was all set to carve me into steaks for just any meal. But the tone was friendly and even intimate—or rather, the taps were. There was even a rather warm expression discernible in the thing's eyes, so I took heart and decided to ignore the ferocious features surrounding those eyes. After all, the poor sinner's map was made of shell, and he wasn't responsible for its expression. I tapped back very politely that he must be mistaking me for someone else. "I've never been here before, and so I've never met the charming lady," I informed him. "However, I have something very special in the way of jewels—not with me, naturally—and the rumor is that she might be interested." He reared back at that, and reaching up, plucked his right eye out of the socket and reeled it out to the end of a two-foot tentacle, and then he examined me with it just like an old-time earl with one of those things they called monocles. Pard hadn't warned me about those removable eyes, for reasons best known to himself. I still wake up screaming.... Anyway, when that thing pulled out its eye and held it toward me, I backed up against the side of the ship like I'd been half-electrocuted. Then I gagged. But I could still remember that I had to live in that suit for awhile, so I held on. Then that monstrosity reeled in the eye, and I gagged again. My actions didn't bother him a bit. "Jewels, did you say?" he tapped out thoughtfully, just like an ordinary business man, and I managed to tap out yes. He drifted closer; close enough to get a whiff.... A shudder of ecstasy stiffened him. His head and eyes rolled with it, and he wafted closer still. Right there I began to harbor a premonition that there might be such a thing as being too popular in Scorpdom, but I thrust this sneak-thief idea back into limbo. Taking advantage of his condition, I boldly tapped out, "How's about taking me on a guided tour through this red spinach patch to Akroida, old pal?" Or words to that effect. He lolled his hideous cranium practically on my shoulder. "Anything! Just anything you desire, my dearest friend." I tried to back off from him a bit, but the ship stopped me. "I'm Casey Ritter. What's your label, chum?" "Attaboy," he ticked coyly. "Attaboy?" Things blurred around me. It couldn't be. It was just plain nuts. Then I got a glimmer through my paralyzed gray matter. "Who named you that?" He simpered. "My dear friend, Pard Hoskins." I breathed again. How simple could I get? He'd already mistaken me for Pard, hadn't he? Then I remembered something else. "How come you aren't mad at him? Don't you hate yellow, too?" He hung his silly head. "I fear I am colorblind," he confessed sadly. Right there I forgave him for pulling that eye on me. He was the guide I needed, the one who had got Pard out alive. I almost hugged him. "Lead off, old pal," I sang out, and then had to tap it. "I'll follow in my boat." Well, I'd met the first of the brood and was still alive. Not only alive but loved and cherished, thanks to Pard's inventiveness and to a kindly fate which had sent Pard's old pal my way. A great man, Pard Hoskins. How had he made friends with the brute in the first place? Being once more inside my spaceboat, I raised my helmet, which was like one of those head-pieces they used to put on suits of armor instead of the usual plastic bubble. And it was rigged out with phony antennae and mandibles and other embellishments calculated to interest my hosts. Whether it interested them or not, it was plenty uncomfortable for me. Peeking out the porthole I saw that my guide was fidgeting and looking over his shoulder at my ship, so I eased in the controls and edge after him. To my surprise a vapor shot out of a box that I had taken for a natural lump on his back, and he darted away from me. I opened the throttle and tore after him among the immense red blobs that were now beginning to be patterned with dozens of green-and-purple scorpions, all busy filling huge baskets with buds and tendrils, no doubt. Other scorpions oared and floated about in twos and threes in a free and peaceable manner that almost made me forget that I was scared to death of them, and they stared at my boat with only a mild interest that would have taught manners to most of my fellow citizens of Earth. It wasn't until we had covered some two hundred miles of this that something began to loom out of the mist, and I forgot the playboys and the field workers. It loomed higher and higher. Then we burst out into a clearing several miles in diameter, and I saw the structure clearly. It was red, like everything else in this screwy place, and could only have been built out of compressed blocks of the red plant. In shape it was a perfect octagon. It hung poised in the center of the cleared space, suspended on nothing. It had to be at least a mile in diameter, and its sides were pierced with thousands of openings through which its nightmare occupants appeared and disappeared, drifting in and out like they had all the time in the world. I stared until my eyeballs felt paralyzed. Pard was right again. These critters had brains. And my S.S.C. persecutor was right, too. That anti-grav secret was worth more than any string of rocks in the system, including the Killicut Emeralds. Then I swallowed hard. Attaboy was leading me straight across to a window. Closing my helmet, my fingers fumbled badly. My brain was fumbling, too. "Zero hour, chump!" it told me, and I shuddered. Picking up the first hundred pounds of the arsenic, I wobbled over to the airlock. III That palace was like nothing on earth. Naturally, you'll say, it's on Jupiter. But I mean it was even queerer than that. It was like no building on any planet at all. And, in fact, it wasn't on a planet; it was floating up there only two hundred miles in from the raw edge of space. In that building everything stayed right where it was put. If it was put twelve or fifty feet up off the floor, it stayed there. Not that there wasn't gravity. There was plenty of gravity to suit me—just right, in fact—and still they had furniture sitting around in the air as solid as if on a floor. Which was fine for flying hopper-scorps, but what about Casey Ritter, who hadn't cultivated even a feather? Attaboy, however, had the answers for everything. Towing me from the airlock to the window ledge, he again sniffed that delectable odor on my chest, caressed me with his front pair of legs while I manfully endured, and then without warning tossed me onto his back above the little box and flew off with me along a tunnel with luminous red walls. We finally came to the central hall of the palace, and at the sight of all that space dropping away, I clutched at his shell and nearly dropped the arsenic. But he didn't have any brakes I could grab, so he just flew out into mid-air in a room that could have swallowed a city block, skyscrapers and all. It was like a mammoth red cavern, and it glowed like the inside of a red light. No wonder those scorpions like green and purple. What a relief from all that red! A patch in the middle of the hall became a floating platform holding up a divan twenty feet square covered with stuff as green as new spring grass, and in the center of this reclined Akroida. It had to be. Who else could look like that? No one, believe me, boys and girls, no one! Our little Akroida was a pure and peculiarly violent purple—not a green edge anywhere. She was even more purple than my fancy enameled space suit, and she was big enough to comfortably fill most of that twenty-foot couch. To my shrinking eyes right then she looked as big as a ten-ton cannon and twice as mean and dangerous. She was idly nipping here and there as though she was just itching to take a hunk out of somebody, and the way the servants were edging away out around her, I could see they didn't want to get in range. I didn't blame them a bit. Under the vicious sag of her Roman nose, her mandibles kept grinding, shaking the jewels that were hung all over her repulsive carcass, and making the Halcyon Diamond on her chest blaze like a bonfire. Attaboy dumped me onto a floating cushion where I lay clutching and shuddering away from her and from the void all around me, and went across to her alone with the arsenic. Akroida rose up sort of languidly on an elbow that was all stripped bone and sharp as a needle. She pulled an eyeball out about a yard and scanned Attaboy and the box. He closed in to the couch all hunched over, ducked his head humbly half-a-dozen times, and pushed the box over beside her. Akroida eased her eyeball back, opened the box and sniffed, and then turned to Attaboy with a full-blown Satanic grin. I could hear her question reverberate away over where I was. "Who from?" asked Akroida. That conversation was telegraphed to me blow by blow by the actions of those hopper-scorps. I didn't need their particular brand of Morse Code at all. "Who from?" Attaboy cringed lower and blushed a purple all-over blush. "Dear lady, it is from an interspace trader who possesses some truly remarkable jewels," he confessed coyly. Akroida toyed with the Halcyon Diamond and ignored the bait. "His name?" she demanded. And when he told her, with a bad stutter in his code, she reared up higher on her skinny elbow and glared in my direction. "Casey Ritter? Never heard of him. Where's he from?" Well, after all, she wasn't blind. He had to confess. "I—uh—the stones were so amazing, Royal Akroida, that I didn't pay much attention to the—uh—trader. He does seem to resemble an—ah—earthman." He ducked his head and fearfully waited. A sort of jerking quiver ran through Akroida. She reared up even higher. Her mean Roman nose twitched. "An earthman? Like Pard Hoskins?" Attaboy shrank smaller and smaller. He could only nod dumbly. The storm broke, all right. That old dame let out a scream like a maddened stallion and began to thrash around and flail her couch with that dragon's tail of hers.
train	61139	[ "How does Retief feel about his current job?", "How does Miss Meuhl feel about her job?", "Why did Retief want to talk to the drunk?", "What was on exhibit in the Groacian parade?", "Why did the Groacians hide the ship?", "Why was Retief still upset after seeing the ship?", "What was Retief's ultimate mistake?" ]	[ [ "Unnecessarily busy and frustrated", "Happy with most, but annoyed with Miss Meuhl", "Stressed about the workload", "Confused about his duties with the position" ], [ "She enjoys training Retief to the new culture.", "She wishes to be back on her home planet. ", "She enjoys doing her job the way the Groacians like it.", "She wishes the Groacians weren't so uptight." ], [ "He wanted someone to talk to on this foreign planet.", "He wanted to know why the drunk was mad at him.", "He wanted to know what happened nine years ago.", "He didn't like how the drunk had treated him." ], [ "Groacian government officials", "people they had taken as prisoners", "animals from all over the galaxy", "people visiting from Earth" ], [ "To overthrow the government.", "They wanted to hide the Terrestrials as long as they could.", "They were afraid to admit they knew where it was.", "They wanted to keep it for further research." ], [ "He found something at the ship he wasn't expecting.", "The Groacians wouldn't show him inside of the ship.", "There was a much larger ship still unaccounted for.", "He's upset about the deceased Terrestrials he found." ], [ "Asking too many questions", "Trusting Miss Meuhl to do what he said", "Making the Groacians show him the ship", "Breaking into the Foreign Ministry" ] ]	[ 1, 3, 3, 2, 3, 3, 2 ]	[ 1, 1, 1, 1, 1, 1, 1 ]	THE MADMAN FROM EARTH BY KEITH LAUMER You don't have to be crazy to be an earth diplomat—but on Groac it sure helps! [Transcriber's Note: This etext was produced from Worlds of If Science Fiction, March 1962. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] I "The Consul for the Terrestrial States," Retief said, "presents his compliments, et cetera, to the Ministry of Culture of the Groacian Autonomy, and with reference to the Ministry's invitation to attend a recital of interpretive grimacing, has the honor to express regret that he will be unable—" "You can't turn this invitation down," Administrative Assistant Meuhl said flatly. "I'll make that 'accepts with pleasure'." Retief exhaled a plume of cigar smoke. "Miss Meuhl," he said, "in the past couple of weeks I've sat through six light-concerts, four attempts at chamber music, and god knows how many assorted folk-art festivals. I've been tied up every off-duty hour since I got here—" "You can't offend the Groaci," Miss Meuhl said sharply. "Consul Whaffle would never have been so rude." "Whaffle left here three months ago," Retief said, "leaving me in charge." "Well," Miss Meuhl said, snapping off the dictyper. "I'm sure I don't know what excuse I can give the Minister." "Never mind the excuses," Retief said. "Just tell him I won't be there." He stood up. "Are you leaving the office?" Miss Meuhl adjusted her glasses. "I have some important letters here for your signature." "I don't recall dictating any letters today, Miss Meuhl," Retief said, pulling on a light cape. "I wrote them for you. They're just as Consul Whaffle would have wanted them." "Did you write all Whaffle's letters for him, Miss Meuhl?" "Consul Whaffle was an extremely busy man," Miss Meuhl said stiffly. "He had complete confidence in me." "Since I'm cutting out the culture from now on," Retief said, "I won't be so busy." "Well!" Miss Meuhl said. "May I ask where you'll be if something comes up?" "I'm going over to the Foreign Office Archives." Miss Meuhl blinked behind thick lenses. "Whatever for?" Retief looked thoughtfully at Miss Meuhl. "You've been here on Groac for four years, Miss Meuhl. What was behind the coup d'etat that put the present government in power?" "I'm sure I haven't pried into—" "What about that Terrestrial cruiser? The one that disappeared out this way about ten years back?" "Mr. Retief, those are just the sort of questions we avoid with the Groaci. I certainly hope you're not thinking of openly intruding—" "Why?" "The Groaci are a very sensitive race. They don't welcome outworlders raking up things. They've been gracious enough to let us live down the fact that Terrestrials subjected them to deep humiliation on one occasion." "You mean when they came looking for the cruiser?" "I, for one, am ashamed of the high-handed tactics that were employed, grilling these innocent people as though they were criminals. We try never to reopen that wound, Mr. Retief." "They never found the cruiser, did they?" "Certainly not on Groac." Retief nodded. "Thanks, Miss Meuhl," he said. "I'll be back before you close the office." Miss Meuhl's face was set in lines of grim disapproval as he closed the door. The pale-featured Groacian vibrated his throat-bladder in a distressed bleat. "Not to enter the Archives," he said in his faint voice. "The denial of permission. The deep regret of the Archivist." "The importance of my task here," Retief said, enunciating the glottal dialect with difficulty. "My interest in local history." "The impossibility of access to outworlders. To depart quietly." "The necessity that I enter." "The specific instructions of the Archivist." The Groacian's voice rose to a whisper. "To insist no longer. To give up this idea!" "OK, Skinny, I know when I'm licked," Retief said in Terran. "To keep your nose clean." Outside, Retief stood for a moment looking across at the deeply carved windowless stucco facades lining the street, then started off in the direction of the Terrestrial Consulate General. The few Groacians on the street eyed him furtively, veered to avoid him as he passed. Flimsy high-wheeled ground cars puffed silently along the resilient pavement. The air was clean and cool. At the office, Miss Meuhl would be waiting with another list of complaints. Retief studied the carving over the open doorways along the street. An elaborate one picked out in pinkish paint seemed to indicate the Groacian equivalent of a bar. Retief went in. A Groacian bartender was dispensing clay pots of alcoholic drink from the bar-pit at the center of the room. He looked at Retief and froze in mid-motion, a metal tube poised over a waiting pot. "To enjoy a cooling drink," Retief said in Groacian, squatting down at the edge of the pit. "To sample a true Groacian beverage." "To not enjoy my poor offerings," the Groacian mumbled. "A pain in the digestive sacs; to express regret." "To not worry," Retief said, irritated. "To pour it out and let me decide whether I like it." "To be grappled in by peace-keepers for poisoning of—foreigners." The barkeep looked around for support, found none. The Groaci customers, eyes elsewhere, were drifting away. "To get the lead out," Retief said, placing a thick gold-piece in the dish provided. "To shake a tentacle." "The procuring of a cage," a thin voice called from the sidelines. "The displaying of a freak." Retief turned. A tall Groacian vibrated his mandibles in a gesture of contempt. From his bluish throat coloration, it was apparent the creature was drunk. "To choke in your upper sac," the bartender hissed, extending his eyes toward the drunk. "To keep silent, litter-mate of drones." "To swallow your own poison, dispenser of vileness," the drunk whispered. "To find a proper cage for this zoo-piece." He wavered toward Retief. "To show this one in the streets, like all freaks." "Seen a lot of freaks like me, have you?" Retief asked, interestedly. "To speak intelligibly, malodorous outworlder," the drunk said. The barkeep whispered something, and two customers came up to the drunk, took his arms and helped him to the door. "To get a cage!" the drunk shrilled. "To keep the animals in their own stinking place." "I've changed my mind," Retief said to the bartender. "To be grateful as hell, but to have to hurry off now." He followed the drunk out the door. The other Groaci released him, hurried back inside. Retief looked at the weaving alien. "To begone, freak," the Groacian whispered. "To be pals," Retief said. "To be kind to dumb animals." "To have you hauled away to a stockyard, ill-odored foreign livestock." "To not be angry, fragrant native," Retief said. "To permit me to chum with you." "To flee before I take a cane to you!" "To have a drink together—" "To not endure such insolence!" The Groacian advanced toward Retief. Retief backed away. "To hold hands," Retief said. "To be palsy-walsy—" The Groacian reached for him, missed. A passer-by stepped around him, head down, scuttled away. Retief backed into the opening to a narrow crossway and offered further verbal familiarities to the drunken local, who followed, furious. Retief backed, rounded a corner into a narrow alley-like passage, deserted, silent ... except for the following Groacian. Retief stepped around him, seized his collar and yanked. The Groacian fell on his back. Retief stood over him. The downed native half-rose; Retief put a foot against his chest and pushed. "To not be going anywhere for a few minutes," Retief said. "To stay right here and have a nice long talk." II "There you are!" Miss Meuhl said, eyeing Retief over her lenses. "There are two gentlemen waiting to see you. Groacian gentlemen." "Government men, I imagine. Word travels fast." Retief pulled off his cape. "This saves me the trouble of paying another call at the Foreign Ministry." "What have you been doing? They seem very upset, I don't mind telling you." "I'm sure you don't. Come along. And bring an official recorder." Two Groaci wearing heavy eye-shields and elaborate crest ornaments indicative of rank rose as Retief entered the room. Neither offered a courteous snap of the mandibles, Retief noted. They were mad, all right. "I am Fith, of the Terrestrial Desk, Ministry of Foreign Affairs, Mr. Consul," the taller Groacian said, in lisping Terran. "May I present Shluh, of the Internal Police?" "Sit down, gentlemen," Retief said. They resumed their seats. Miss Meuhl hovered nervously, then sat on the edge of a comfortless chair. "Oh, it's such a pleasure—" she began. "Never mind that," Retief said. "These gentlemen didn't come here to sip tea today." "So true," Fith said. "Frankly, I have had a most disturbing report, Mr. Consul. I shall ask Shluh to recount it." He nodded to the police chief. "One hour ago," The Groacian said, "a Groacian national was brought to hospital suffering from serious contusions. Questioning of this individual revealed that he had been set upon and beaten by a foreigner. A Terrestrial, to be precise. Investigation by my department indicates that the description of the culprit closely matches that of the Terrestrial Consul." Miss Meuhl gasped audibly. "Have you ever heard," Retief said, looking steadily at Fith, "of a Terrestrial cruiser, the ISV Terrific , which dropped from sight in this sector nine years ago?" "Really!" Miss Meuhl exclaimed, rising. "I wash my hands—" "Just keep that recorder going," Retief snapped. "I'll not be a party—" "You'll do as you're told, Miss Meuhl," Retief said quietly. "I'm telling you to make an official sealed record of this conversation." Miss Meuhl sat down. Fith puffed out his throat indignantly. "You reopen an old wound, Mr. Consul. It reminds us of certain illegal treatment at Terrestrial hands—" "Hogwash," Retief said. "That tune went over with my predecessors, but it hits a sour note with me." "All our efforts," Miss Meuhl said, "to live down that terrible episode! And you—" "Terrible? I understand that a Terrestrial task force stood off Groac and sent a delegation down to ask questions. They got some funny answers, and stayed on to dig around a little. After a week they left. Somewhat annoying to the Groaci, maybe—at the most. If they were innocent." "IF!" Miss Meuhl burst out. "If, indeed!" Fith said, his weak voice trembling. "I must protest your—" "Save the protests, Fith. You have some explaining to do. And I don't think your story will be good enough." "It is for you to explain! This person who was beaten—" "Not beaten. Just rapped a few times to loosen his memory." "Then you admit—" "It worked, too. He remembered lots of things, once he put his mind to it." Fith rose; Shluh followed suit. "I shall ask for your immediate recall, Mr. Consul. Were it not for your diplomatic immunity, I should do more—" "Why did the government fall, Fith? It was just after the task force paid its visit, and before the arrival of the first Terrestrial diplomatic mission." "This is an internal matter!" Fith cried, in his faint Groacian voice. "The new regime has shown itself most amiable to you Terrestrials. It has outdone itself—" "—to keep the Terrestrial consul and his staff in the dark," Retief said. "And the same goes for the few terrestrial businessmen you've visaed. This continual round of culture; no social contacts outside the diplomatic circle; no travel permits to visit out-lying districts, or your satellite—" "Enough!" Fith's mandibles quivered in distress. "I can talk no more of this matter—" "You'll talk to me, or there'll be a task force here in five days to do the talking," Retief said. "You can't!" Miss Meuhl gasped. Retief turned a steady look on Miss Meuhl. She closed her mouth. The Groaci sat down. "Answer me this one," Retief said, looking at Shluh. "A few years back—about nine, I think—there was a little parade held here. Some curious looking creatures were captured. After being securely caged, they were exhibited to the gentle Groaci public. Hauled through the streets. Very educational, no doubt. A highly cultural show. "Funny thing about these animals. They wore clothes. They seemed to communicate with each other. Altogether it was a very amusing exhibit. "Tell me, Shluh, what happened to those six Terrestrials after the parade was over?" Fith made a choked noise and spoke rapidly to Shluh in Groacian. Shluh retracted his eyes, shrank down in his chair. Miss Meuhl opened her mouth, closed it and blinked rapidly. "How did they die?" Retief snapped. "Did you murder them, cut their throats, shoot them or bury them alive? What amusing end did you figure out for them? Research, maybe? Cut them open to see what made them yell...." "No!" Fith gasped. "I must correct this terrible false impression at once." "False impression, hell," Retief said. "They were Terrans! A simple narco-interrogation would get that out of any Groacian who saw the parade." "Yes," Fith said weakly. "It is true, they were Terrestrials. But there was no killing." "They're alive?" "Alas, no. They ... died." Miss Meuhl yelped faintly. "I see," Retief said. "They died." "We tried to keep them alive, of course. But we did not know what foods—" "Didn't take the trouble to find out, either, did you?" "They fell ill," Fith said. "One by one...." "We'll deal with that question later," Retief said. "Right now, I want more information. Where did you get them? Where did you hide the ship? What happened to the rest of the crew? Did they 'fall ill' before the big parade?" "There were no more! Absolutely, I assure you!" "Killed in the crash landing?" "No crash landing. The ship descended intact, east of the city. The ... Terrestrials ... were unharmed. Naturally, we feared them. They were strange to us. We had never before seen such beings." "Stepped off the ship with guns blazing, did they?" "Guns? No, no guns—" "They raised their hands, didn't they? Asked for help. You helped them; helped them to death." "How could we know?" Fith moaned. "How could you know a flotilla would show up in a few months looking for them, you mean? That was a shock, wasn't it? I'll bet you had a brisk time of it hiding the ship, and shutting everybody up. A close call, eh?" "We were afraid," Shluh said. "We are a simple people. We feared the strange creatures from the alien craft. We did not kill them, but we felt it was as well they ... did not survive. Then, when the warships came, we realized our error. But we feared to speak. We purged our guilty leaders, concealed what had happened, and ... offered our friendship. We invited the opening of diplomatic relations. We made a blunder, it is true, a great blunder. But we have tried to make amends...." "Where is the ship?" "The ship?" "What did you do with it? It was too big to just walk off and forget. Where is it?" The two Groacians exchanged looks. "We wish to show our contrition," Fith said. "We will show you the ship." "Miss Meuhl," Retief said. "If I don't come back in a reasonable length of time, transmit that recording to Regional Headquarters, sealed." He stood, looked at the Groaci. "Let's go," he said. Retief stooped under the heavy timbers shoring the entry to the cavern. He peered into the gloom at the curving flank of the space-burned hull. "Any lights in here?" he asked. A Groacian threw a switch. A weak bluish glow sprang up. Retief walked along the raised wooden catwalk, studying the ship. Empty emplacements gaped below lensless scanner eyes. Littered decking was visible within the half-open entry port. Near the bow the words 'IVS Terrific B7 New Terra' were lettered in bright chrome duralloy. "How did you get it in here?" Retief asked. "It was hauled here from the landing point, some nine miles distant," Fith said, his voice thinner than ever. "This is a natural crevasse. The vessel was lowered into it and roofed over." "How did you shield it so the detectors didn't pick it up?" "All here is high-grade iron ore," Fith said, waving a member. "Great veins of almost pure metal." Retief grunted. "Let's go inside." Shluh came forward with a hand-lamp. The party entered the ship. Retief clambered up a narrow companionway, glanced around the interior of the control compartment. Dust was thick on the deck, the stanchions where acceleration couches had been mounted, the empty instrument panels, the litter of sheared bolts, scraps of wire and paper. A thin frosting of rust dulled the exposed metal where cutting torches had sliced away heavy shielding. There was a faint odor of stale bedding. "The cargo compartment—" Shluh began. "I've seen enough," Retief said. Silently, the Groacians led the way back out through the tunnel and into the late afternoon sunshine. As they climbed the slope to the steam car, Fith came to Retief's side. "Indeed, I hope that this will be the end of this unfortunate affair," he said. "Now that all has been fully and honestly shown—" "You can skip all that," Retief said. "You're nine years late. The crew was still alive when the task force called, I imagine. You killed them—or let them die—rather than take the chance of admitting what you'd done." "We were at fault," Fith said abjectly. "Now we wish only friendship." "The Terrific was a heavy cruiser, about twenty thousand tons." Retief looked grimly at the slender Foreign Office official. "Where is she, Fith? I won't settle for a hundred-ton lifeboat." Fith erected his eye stalks so violently that one eye-shield fell off. "I know nothing of ... of...." He stopped. His throat vibrated rapidly as he struggled for calm. "My government can entertain no further accusations, Mr. Consul," he said at last. "I have been completely candid with you, I have overlooked your probing into matters not properly within your sphere of responsibility. My patience is at an end." "Where is that ship?" Retief rapped out. "You never learn, do you? You're still convinced you can hide the whole thing and forget it. I'm telling you you can't." "We return to the city now," Fith said. "I can do no more." "You can and you will, Fith," Retief said. "I intend to get to the truth of this matter." Fith spoke to Shluh in rapid Groacian. The police chief gestured to his four armed constables. They moved to ring Retief in. Retief eyed Fith. "Don't try it," he said. "You'll just get yourself in deeper." Fith clacked his mandibles angrily, eye stalks canted aggressively toward the Terrestrial. "Out of deference to your diplomatic status, Terrestrial, I shall ignore your insulting remarks," Fith said in his reedy voice. "Let us now return to the city." Retief looked at the four policemen. "I see your point," he said. Fith followed him into the car, sat rigidly at the far end of the seat. "I advise you to remain very close to your consulate," Fith said. "I advise you to dismiss these fancies from your mind, and to enjoy the cultural aspects of life at Groac. Especially, I should not venture out of the city, or appear overly curious about matters of concern only to the Groacian government." In the front seat, Shluh looked straight ahead. The loosely-sprung vehicle bobbed and swayed along the narrow highway. Retief listened to the rhythmic puffing of the motor and said nothing. III "Miss Meuhl," Retief said, "I want you to listen carefully to what I'm going to tell you. I have to move rapidly now, to catch the Groaci off guard." "I'm sure I don't know what you're talking about," Miss Meuhl snapped, her eyes sharp behind the heavy lenses. "If you'll listen, you may find out," Retief said. "I have no time to waste, Miss Meuhl. They won't be expecting an immediate move—I hope—and that may give me the latitude I need." "You're still determined to make an issue of that incident!" Miss Meuhl snorted. "I really can hardly blame the Groaci. They are not a sophisticated race; they had never before met aliens." "You're ready to forgive a great deal, Miss Meuhl. But it's not what happened nine years ago I'm concerned with. It's what's happening now. I've told you that it was only a lifeboat the Groaci have hidden out. Don't you understand the implication? That vessel couldn't have come far. The cruiser itself must be somewhere near by. I want to know where!" "The Groaci don't know. They're a very cultured, gentle people. You can do irreparable harm to the reputation of Terrestrials if you insist—" "That's my decision," Retief said. "I have a job to do and we're wasting time." He crossed the room to his desk, opened a drawer and took out a slim-barreled needler. "This office is being watched. Not very efficiently, if I know the Groaci. I think I can get past them all right." "Where are you going with ... that?" Miss Meuhl stared at the needler. "What in the world—" "The Groaci won't waste any time destroying every piece of paper in their files relating to this thing. I have to get what I need before it's too late. If I wait for an official Inquiry Commission, they'll find nothing but blank smiles." "You're out of your mind!" Miss Meuhl stood up, quivering with indignation. "You're like a ... a...." "You and I are in a tight spot, Miss Meuhl. The logical next move for the Groaci is to dispose of both of us. We're the only ones who know what happened. Fith almost did the job this afternoon, but I bluffed him out—for the moment." Miss Meuhl emitted a shrill laugh. "Your fantasies are getting the better of you," she gasped. "In danger, indeed! Disposing of me! I've never heard anything so ridiculous." "Stay in this office. Close and safe-lock the door. You've got food and water in the dispenser. I suggest you stock up, before they shut the supply down. Don't let anyone in, on any pretext whatever. I'll keep in touch with you via hand-phone." "What are you planning to do?" "If I don't make it back here, transmit the sealed record of this afternoon's conversation, along with the information I've given you. Beam it through on a mayday priority. Then tell the Groaci what you've done and sit tight. I think you'll be all right. It won't be easy to blast in here and anyway, they won't make things worse by killing you. A force can be here in a week." "I'll do nothing of the sort! The Groaci are very fond of me! You ... Johnny-come-lately! Roughneck! Setting out to destroy—" "Blame it on me if it will make you feel any better," Retief said, "but don't be fool enough to trust them." He pulled on a cape, opened the door. "I'll be back in a couple of hours," he said. Miss Meuhl stared after him silently as he closed the door. It was an hour before dawn when Retief keyed the combination to the safe-lock and stepped into the darkened consular office. He looked tired. Miss Meuhl, dozing in a chair, awoke with a start. She looked at Retief, rose and snapped on a light, turned to stare. "What in the world—Where have you been? What's happened to your clothing?" "I got a little dirty. Don't worry about it." Retief went to his desk, opened a drawer and replaced the needler. "Where have you been?" Miss Meuhl demanded. "I stayed here—" "I'm glad you did," Retief said. "I hope you piled up a supply of food and water from the dispenser, too. We'll be holed up here for a week, at least." He jotted figures on a pad. "Warm up the official sender. I have a long transmission for Regional Headquarters." "Are you going to tell me where you've been?" "I have a message to get off first, Miss Meuhl," Retief said sharply. "I've been to the Foreign Ministry," he added. "I'll tell you all about it later." "At this hour? There's no one there...." "Exactly." Miss Meuhl gasped. "You mean you broke in? You burgled the Foreign Office?" "That's right," Retief said calmly. "Now—" "This is absolutely the end!" Miss Meuhl said. "Thank heaven I've already—" "Get that sender going, woman!" Retief snapped. "This is important." "I've already done so, Mr. Retief!" Miss Meuhl said harshly. "I've been waiting for you to come back here...." She turned to the communicator, flipped levers. The screen snapped aglow, and a wavering long-distance image appeared. "He's here now," Miss Meuhl said to the screen. She looked at Retief triumphantly. "That's good," Retief said. "I don't think the Groaci can knock us off the air, but—" "I have done my duty, Mr. Retief," Miss Meuhl said. "I made a full report to Regional Headquarters last night, as soon as you left this office. Any doubts I may have had as to the rightness of that decision have been completely dispelled by what you've just told me." Retief looked at her levelly. "You've been a busy girl, Miss Meuhl. Did you mention the six Terrestrials who were killed here?" "That had no bearing on the matter of your wild behavior! I must say, in all my years in the Corps, I've never encountered a personality less suited to diplomatic work." The screen crackled, the ten-second transmission lag having elapsed. "Mr. Retief," the face on the screen said, "I am Counsellor Pardy, DSO-1, Deputy Under-secretary for the region. I have received a report on your conduct which makes it mandatory for me to relieve you administratively, vice Miss Yolanda Meuhl, DAO-9. Pending the findings of a Board of Inquiry, you will—" Retief reached out and snapped off the communicator. The triumphant look faded from Miss Meuhl's face. "Why, what is the meaning—" "If I'd listened any longer, I might have heard something I couldn't ignore. I can't afford that, at this moment. Listen, Miss Meuhl," Retief went on earnestly, "I've found the missing cruiser." "You heard him relieve you!" "I heard him say he was going to, Miss Meuhl. But until I've heard and acknowledged a verbal order, it has no force. If I'm wrong, he'll get my resignation. If I'm right, that suspension would be embarrassing all around." "You're defying lawful authority! I'm in charge here now." Miss Meuhl stepped to the local communicator. "I'm going to report this terrible thing to the Groaci at once, and offer my profound—" "Don't touch that screen," Retief said. "You go sit in that corner where I can keep an eye on you. I'm going to make a sealed tape for transmission to Headquarters, along with a call for an armed task force. Then we'll settle down to wait." Retief ignored Miss Meuhl's fury as he spoke into the recorder. The local communicator chimed. Miss Meuhl jumped up, staring at it. "Go ahead," Retief said. "Answer it." A Groacian official appeared on the screen. "Yolanda Meuhl," he said without preamble, "for the Foreign Minister of the Groacian Autonomy, I herewith accredit you as Terrestrial Consul to Groac, in accordance with the advices transmitted to my government direct from the Terrestrial Headquarters. As consul, you are requested to make available for questioning Mr. J. Retief, former consul, in connection with the assault on two peace keepers and illegal entry into the offices of the Ministry for Foreign Affairs." "Why, why," Miss Meuhl stammered. "Yes, of course. And I do want to express my deepest regrets—" Retief rose, went to the communicator, assisted Miss Meuhl aside. "Listen carefully, Fith," he said. "Your bluff has been called. You don't come in and we don't come out. Your camouflage worked for nine years, but it's all over now. I suggest you keep your heads and resist the temptation to make matters worse than they are." "Miss Meuhl," Fith said, "a peace squad waits outside your consulate. It is clear you are in the hands of a dangerous lunatic. As always, the Groaci wish only friendship with the Terrestrials, but—" "Don't bother," Retief said. "You know what was in those files I looked over this morning." Retief turned at a sound behind him. Miss Meuhl was at the door, reaching for the safe-lock release.... "Don't!" Retief jumped—too late. The door burst inward. A crowd of crested Groaci pressed into the room, pushed Miss Meuhl back, aimed scatter guns at Retief. Police Chief Shluh pushed forward. "Attempt no violence, Terrestrial," he said. "I cannot promise to restrain my men." "You're violating Terrestrial territory, Shluh," Retief said steadily. "I suggest you move back out the same way you came in." "I invited them here," Miss Meuhl spoke up. "They are here at my express wish." "Are they? Are you sure you meant to go this far, Miss Meuhl? A squad of armed Groaci in the consulate?" "You are the consul, Miss Yolanda Meuhl," Shluh said. "Would it not be best if we removed this deranged person to a place of safety?" "You're making a serious mistake, Shluh," Retief said. "Yes," Miss Meuhl said. "You're quite right, Mr. Shluh. Please escort Mr. Retief to his quarters in this building—" "I don't advise you to violate my diplomatic immunity, Fith," Retief said. "As chief of mission," Miss Meuhl said quickly, "I hereby waive immunity in the case of Mr. Retief." Shluh produced a hand recorder. "Kindly repeat your statement, Madam, officially," he said. "I wish no question to arise later." "Don't be a fool, woman," Retief said. "Don't you see what you're letting yourself in for? This would be a hell of a good time for you to figure out whose side you're on." "I'm on the side of common decency!" "You've been taken in. These people are concealing—" "You think all women are fools, don't you, Mr. Retief?" She turned to the police chief and spoke into the microphone he held up. "That's an illegal waiver," Retief said. "I'm consul here, whatever rumors you've heard. This thing's coming out into the open, whatever you do. Don't add violation of the Consulate to the list of Groacian atrocities." "Take the man," Shluh said.
train	63631	[ "Why was Charles in the actress's apartment?", "What did Charles decide to do when he realized he was alone?", "Why did Charles think he was the last person alive?", "What was the only thing that mattered to Charles near the end?", "What did Charles probably realize at the end?", "Why did the beings come to Earth?", "What did the beings use to ensure they killed every human?" ]	[ [ "She wanted to be with someone one last time.", "They were working on curing the plague.", "He thought he could find answers there.", "They had been living together." ], [ "Live his best life as long as possible", "Give up and wait for death", "Create a shrine to mark the end of humanity", "Enjoy the things he never had before" ], [ "His sickness was taking longer", "He had some sort of immunity", "He was the reason for the plague", "He was meant for greater things" ], [ "Leaving one last note", "Making it to his cave", "Fighting the disease", "Getting a final meal" ], [ "He could have stopped the plague", "There were more people alive that he hadn't found", "There was an alien on the Empire State Building", "He was the last person because of his last name" ], [ "it was the next planet for them to destroy", "they wanted all of Earth's resources", "they wanted to take over Earth", "they were curious about Earth's creatures" ], [ "Charles's brain-waves", "The Bureau's Index", "A machine they brought from their home planet", "Spies throughout the world" ] ]	[ 1, 3, 2, 2, 4, 1, 2 ]	[ 1, 1, 1, 1, 1, 1, 1 ]	"Phone Me in Central Park" By JAMES McCONNELL There should be an epitaph for every man, big or little, but a really grand and special one for Loner Charlie. [Transcriber's Note: This etext was produced from Planet Stories Fall 1954. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] Charles turned over on his side to look at her. She lay quietly in the other bed, the most beautiful woman he had ever seen. She was blonde to perfection, exquisitely shaped, and the rich promise of her body was exposed to his view. "Why?" he thought as he looked at her. "Why did it have to happen like this?" The whole thing was still like a dream to him, and as yet he couldn't decide whether it was a good or a bad dream. A year ago she had been unattainable, a face to conjure with in erotic dreams, far beyond his ken. A year ago she had been a public idol, the most popular actress of the day. And he had been a nobody, full of a nobody's idle hopes and schemes. And now he was lying in the bed next to hers in her swank Manhattan apartment in the most exclusive hotel in town. The unrealness of the situation overwhelmed him. His mind was a picture of confused thoughts. Meanings and answers to his questions slithered out of his reach. "God," he said. It was not an exclamation, nor yet an expletive. It was a mere statement of fact. A thought teased at him. Charles looked at the woman again and decided that she still looked beautiful in spite of the harshness of the room's lighting. He touched buttons by the edge of the bed and the illumination quieted to a soft glow, wrapping her in a radiant halo. Charles smiled wanly and got up. He stood by the bed looking at her. "I could have fallen in love with you once. A year ago, perhaps, or longer. But not now. Not now." He turned away and walked to the window. "Now the world is dead. The whole world is dead." New York lay quietly below him. It was the hour of indecision when day has not quite made up its mind to leave and night has not yet attacked in force. The streetlights were already on, making geometric patterns through the dusk of Central Park. Some of the billboards were shining, their relays activated by darkness-sensitized solenoids. A reddish-orange pallor hung from the sky. It had been very pleasant that afternoon. She had given of herself freely, warmly, and Charles had accepted. But then he had known that she would. It was not him, it was the circumstances. Under the circumstances, she would have given herself to any man— "Why did it have to be her—or me? Why should it have to happen to anybody! Why!" She would have given herself to any man— His thoughts beat a rapid crescendo, activating emotions, stimulating sensations of angry rage. He wanted to cry, to weep angry tears of protest. To any man, WHO HAPPENED TO BE THE LAST MAN ON EARTH! Charles picked up a heavy book end off the table and crashed it through the thick pane of window glass. A gust of wind from the outside breezed through the shattered opening, attacking his olfactory patch with the retching smell of decaying flesh. Charles ignored it. Even smells had lost their customary meanings. He felt the rage build up inside again, tearing at his viscera. His stomach clenched up like an angry fist. "But I don't want to be the last man alive!" he shouted. "I don't know what to do! I don't know where to go, how to act! I just don't know—" A paroxysm of sobbing shook his body. Trembling, he dropped to his knees, his head against the cold firmness of the sill, his hands clutched tightly around the jagged edges of the window pane. In spite of the sharp pain that raced through his system, in spite of the bright, warm, red stream that trickled down his face, he knelt by the window for several minutes. " Maybe I'm not the last! " The thought struck him with suddenness, promisingly, edged with swelling comfort to fill his emptiness. Charles got up slowly, noticing for the first time that his fingers were badly cut. He wrapped a handkerchief around them and forgot them. He had to know—he had to find out. As he turned to leave, he noticed again the woman lying in radiant state upon the bed. He walked to her side and leaned over, kissing her gently on the forehead. As he straightened up, his leg caught against her arm, pushing it slightly. The woman's arm slipped from its position and dangled from the edge of the bed like a crazy pendulum. Charles picked it up and folded it across her now cold breasts. He started to pull the sheet over her nude form, then stopped, smiling at his conventionality. After all, it didn't make any difference now. The phonograph was near the door. On sudden impulse he switched it on, turned the volume up full, and in grim jest left it playing Rachmaninoff's Isle of the Dead on full automatic. The music haunted him down the hall to the elevator that he had to run himself. The lobby was littered with debris, human and otherwise. Charles ignored it. The street that led towards the Bureau of Vital Statistics was a mess of desolate carnage. Charles overlooked it. Shop fronts smashed, stores looted, gyro-cars wrecked, proud buildings defaced. "That was it," he said to himself. "Pride. We called this the 'Proud Era.' Everything was better and bigger and nicer to have. Buildings were taller, men were healthier, most of the problems of humanity seemed licked, or nearly so. It was a time of free power, each small unit of population, each section of town operating on perpetual, ever-lasting, automatic atomic piles. "We were free. We seemed, almost, to have accomplished something. The world was running well. No wonder we called it the 'Proud Era.' Life was fun, just a bowl of cherries, until...." Two years ago the animals had started dying. Strangely enough the rats had gone first, to anybody's notice. Sales of poison dropped, scientific laboratories chained to a perpetual rodent-cycle began to complain bitterly. Then the lovers who hunted out and haunted the lonely lanes through the countryside began to remark that the locusts were late that year. The Southern states joyously reported that mosquito control was working to an unprecedented degree. The largest cotton crop ever was forecast and rumors from Mexico had it that no one had died from scorpion bite in several weeks. A month later the meat animals, the birds and the household pets began dropping as rapidly as the flies which had dropped earlier. Congress was called into special session, as were all of the national governments around the world. The U.N. met at emergency sessions to cope with the situation. The president of the world-wide Society for the Prevention of Cruelty to Animals committed suicide. Within a year it was obvious to everyone that man was the only animal left on earth. The panic which had begun with the death of the animals was quieted somewhat by the fact that humans seemed immune to the pandemic. But the lakes full of dead fish caused a great stink and residents along the coasts began to move inland. Sales of perfumes and deodorants soared. Then just one year ago, the first human became infected with the strange malady. Within six months, half of the world's population was gone. Less than a month ago no more than a few thousand people remained in New York. And now.... "I've got to find out," Charles told himself. He meant it, of course, but in a sense he was afraid—afraid that his trip to the Bureau might give him an answer he didn't dare listen to. "But I've got to try." He walked on down the bloody street. Before the plague the Bureau of Vital Statistics had been one of man's crowning achievements. Housed as it was in a huge metallic globe of a building, it contained computers which kept exact account of every human on earth. Compulsory registration and the classification of each individual by means of the discrete patterns of his brain waves had accomplished for man what no ordinary census could have. The machine knew who was alive, who was dead, and where everybody was. Once a year the Bureau issued The Index, an exact accounting of Earth's four billion inhabitants. Four billion names and addresses, compressed into microprint, a tremendous achievement even for the "Proud Era." In all of his life, Charles had never once glanced at The Index. The average person had little necessity to do so since the Bureau information service would answer questions free of charge at any time. Reaching the gigantic building, Charles pushed aside the body of a young man and walked into the main foyer. Passing behind once-guarded doors, he entered the giant computer room and paused in admiration. Only once, before the plague, had he seen the interior of this room. But he still remembered it and he still recalled the powerful emotional experience it had been those many years ago. All children had to have a brain-wave recording made by the Bureau during the first month of their life. And again at the age of 10 each child returned to the Bureau for a recheck. It was for this latter recording that Charles had come to the Bureau some twenty-two years before and a friendly guard had let him peep briefly into the computer room. The impression of intense activity, of organized confusion, of mechanical wonder had remained with him the rest of his life. "So different now," he thought, surveying the room. "Now it's empty, so empty." The machine seemed to reflect the stillness, the very deadness of the world. The silence became unbearable. Charles walked to the master control panel. With newly acquired dexterity he switched the computer screens on and watched them glow to life. All around the world sensitive receiving stations pulsed to activity, sending out searching fingers, hunting for elusive patterns of neutral energy, mapping and tabulating the results. The main computer screen dominated one wall of the room. Other smaller screens clustered around it. On these screens could be graphed the population of any and every part of the globe. An illuminated counter immediately above it would give the numerical strength of the area being sampled while the screen would show population density by individual pinpoints of light that merged to form brightness patterns. "I'll try New York first," he said to himself, knowing that he was a coward, afraid to check the whole world from the start. "I'll start with New York and work up." Charles activated the switches that would flash a schematic map of New York on the screen. "There's bound to be somebody else left here. After all, there were at least twenty of us just a couple of days ago." And one of them, a beautiful woman, had invited him up to her apartment, not because she liked him, but because.... The main screen focused itself, the patterns shifting into a recognizable perceptual image. "Why, it was just yesterday (or was it the day before?) that ten of us, at least, met here to check the figures. There were lots of us alive then." Including the blond young woman who had died just this afternoon.... Charles stopped talking and forced his eyes upwards. Peripheral vision caught first the vague outlines of the lower part of the map. His eyes continued to move, slowly, reluctantly. They caught the over-all relief of Greater New York City—and then concentrated on the single, shining dot at the very heart of the map—and he understood. His eyes stabbed quickly for the counter above the screen. One. He gasped. The counter read one . Charles was by himself, the last person alive in all of New York City. He began to tremble violently. The silence of the room began to press quickly in on him. His frantic fingers searched for the computer controls. New York State. One. The entire United States. One. The western hemisphere, including islands. (Was that a point of light in Brazil? No. Just a ghost image). One. The Pacific area, Asia, Australia, Asia Minor, Russia and the Near East, Africa and then Europe. England! There was a light in England! Someone else still lived! The counter clicked forward. Two! His trembling stopped. He breathed again. "Of course. London was at least as populous as New York City before the plague. It's only logical that—" He stopped. For even as he spoke, the light winked out! The counter clicked again. One. Alone. Alone! Charles screamed. The bottom dropped out from under him! Why? Such a simple question, but in those three letters lay the essence of human nature. Why. The drive of curiosity. Stronger, in a way, than the so-called "basic" drives: hunger, thirst, sex, shelter, warmth, companionship, elimination. Certainly more decisive in the history of the race. Man began to think, to differentiate himself from the other animals, when he first asked the question: "Why?" But thinking about "why" didn't answer the question itself, Charles thought. He looked around him. He was sitting on a bench in Central Park, alone except for a few stray corpses. But the park was fairly free of bodies. "You've got about ten minutes warning," he said to himself. "I guess that most people wanted to die inside of something—inside of anything. Not out in the unprotected open." The silence was like a weight hanging around his neck. Not an insect noise, not the chirp of a bird, not the sound of a car nor the scream of a plane. Not even a breeze to whisper among the leaves, he thought. Civilization equals life equals noise. Silence equals.... Why. His mind kept returning to the question. Of all the people on earth, me. The last. Why me? Average, that's what he was. Height: 5'11". Weight: 165. Age: 32. Status: Married, once upon a time. The Norm, with no significant departures, all down the line. Church member, but not a good one. Could that be it? Could the most normal be the most perfect? Had he led the best of all possible lives? Was that it? Had God, in His infinite wisdom and mercy, spared his life, saved him, singled him out because he was most nearly a saint, most nearly Christ-like, most nearly.... Lies—His mind snapped back to reality. He half smiled. Saint? Christ? The Second Coming? He was no saint. Charles sighed. What about—? Chance. That was it! The laws of probability, the bell-shaped curve, normal distribution, rectilinear regression. More people per square foot in New York than elsewhere. The first person who died was from New York, so the last person who gave way to the disease should come from here too. Spin the wheel; throw the dice; toss the coin. So simple to explain by the laws of chance. No need for any underlying assumptions about good and evil, no need for teleological arguments concerning cause and effect. Simply explain it by chance. Somebody had to be the last to go and that was— "No," Charles said, standing up in the quiet of the spring evening. "No, chance won't do it. No man can reckon with chance. The mind rejects such things. There must be something beyond mere accident. There must be!" He sighed slowly. "So now I'm a hermit, whether or not I like it," he said in derision to the gravel path as he walked along it. "A hermit in the midst of a city of millions of—No, I forgot. There aren't any more people, are there?" It was hard to realize, even now. "A hermit, alone—and I haven't even got a cave...." Charles stopped walking suddenly. No cave, he thought. No place to sleep out the long one, no place to rest while time came to change things around and make them for the better. No place to hide. And suddenly it was the most important thing in life to him to find his "cave." It took him almost an hour to find the proper tools, and better than two hours more of hard, nighttime work to get the hole dug to his satisfaction. It took almost three hours to find the right sort of casket, durable but not too heavy for one man to handle. He carted it out to a grassy plot close to the center of the park where the grave was. He let the coffin down slowly into the depression, then piled up loose dirt on the sloping sides of the hole so that the rain would wash it down over him. "I can't very well bury myself," he said. "I guess it will rain after I'm gone." He looked carefully down at the metallic container. Wait now. There was something wrong, something missing. It was—oh, yes, he caught it. It was the stone. There wasn't any stone to go at the head of the grave. "I'll have to fix that." A sheet of metal, bent double, served for the monument proper. A nearby tool shed yielded up a can of paint and a brush. By the glow of one of the streetlights Charles worked out the inscription. "It ought to be something impressive," he thought out loud. "Something fitting the occasion." What did one say on these situations? There was so little chance to practice up for things like this. But it ought to be good, it ought to be proper. "'In this now hallowed corner of the planet Earth—' No. That sounds too ... too...." Make it simple, he thought. And he finally wrote: HERE LIES THE BODY OF THE LAST MAN ON EARTH Yes. That was it. Simple. Let whoever came afterwards figure out the rest. Let them decide. He smiled and finished the painting. Charles was hungry. He got up and started for one of the restaurants near the park. Later on, when there was more time, he'd find a piece of granite and move it to the plot. He could spend his free time carving on it, copying the inscription. He would make it into a real shrine; maybe he would practice up a bit and try to carve a statue to go with the stone. Somehow, though, since things were ready and it didn't make too much difference, it seemed to Charles that he'd probably have a long time to wait. "Maybe it's just a disease, and I'm immune. I was immune to smallpox. The vaccination never took. That's probably it." He smiled. Strange, but now he wanted very much to go on living, alone or not. There were things he could do, ways to keep occupied. He wouldn't mind it so much. But he wanted more and more desperately with each passing second to retain his foothold on the tenuous path of physical existence. The tantalizing thought of "why" puzzled its way back into his mind. But it seemed less pressing now that he had almost come to the conclusion that he would live for a long time. Later, in a few days perhaps, he would think about it. In a little while he'd have plenty of opportunity for hunting down the answer. This seemed good to him, for now he thought he almost had the answer, if there were an answer. He thought he had seen the solution peering out at him from the recesses of his mind, and he didn't like the expression on its face. Better to forget. Charles reached the broad boulevard. There was a large cafe just across from him, its front window caved in by a large truck. He stumbled and almost fell as he stepped from the curb. "Look at me, nervous as a cat." He was trembling noticeably as he started across the street. "I—" He started to say something, to think something. But some hidden part of his mind clamped down, obscuring the thought, rejecting the concept. The tremor turned to a shake before he reached the far curb, and the first burst of wild pain came as he laid his shoulder against the door to the restaurant. This was the way the plague began, but—His mind quickly repressed the idea. It couldn't be the plague. He was immune! Another burst of pulsating, shattering pain crashed through his body, tearing down the defenses of his mind, putting an end of his thoughts of immunity. Colors flared before his eyes, a persistent, irresistible susurrus flooded his ears. He wanted to protest, but there was no one to listen to him. He appealed to every divinity he knew, all the time knowing it would be useless. His body, out of his voluntary control, tried to run off in all directions at once. Charles struggled to end his body's disorganized responses, to channelize all his energy into one direction. His mind came back into action. He set up his goal; everything else seemed irrelevant: he had to get back to the park, to his hermit's cave, to his long, narrow home. He couldn't die until then. Ten minutes. He was allotted ten minutes before the end. It could have been ten years or ten seconds, for now objective time meant nothing to him. It was not a matter of measuring seconds and minutes. It was a matter of forgetting time and measuring space. He concentrated on the grave; he forced his body to become an unwilling machine. While he could, he walked, forcing himself on. When his legs gave way, he crawled. When his knees buckled, he rolled. When his stomach protested, he vomited. It made no difference. Charles refused to think. Machines, especially half-broken machines, do not think; they only work. Sweating, straining, bleeding, retching, he pushed himself towards his goal, trying to add one final touch of grace and custom to the rude irrationalness of it all. His eyes gave out a few feet from the pit. He felt his way towards it. Convulsions shook his body like a cat shakes a captive mouse. He humped his body forward between the seizures, hands outstretched, searching for the grave. And then he was upon it. One arm reached out for grass, and clutched bare space instead. He was home. He gathered energy from his final reservoirs of strength for one final movement that would throw him headlong into the shallow grave. He tensed his muscles, pulled his limbs up under him and started to roll into the hole. Instantly the thought struck him with paralyzing devastation. The answer to it all poked its face out from the recesses of his mind and sapped the last bit of his energy, corroding his nerves and dying muscles. Now he knew, and the knowing was the end of it. He collapsed at the edge of the pit. Only one arm hung loosely down into it, swinging senseless in the air, pointing accusingly at the empty coffin. The world will end, not with a bang, nor with a whimper, but with the last man's anguished cry at the unreasonableness of it all. Charles screamed. The large, invisible, ovular being that hung suspended over the Empire State Building rested from its exertion. Soon it was approached by another of its kind. "It is finished?" asked the second. "Yes. Just now. I am resting." "I can feel the emptiness of it." "It was very good. Where were you?" "On the next planet out. No beauty to it at all; no system. How was yours?" "Beautiful," said the first. "It went according to the strictest semantic relationship following the purest mathematical principles. They made it easy for me." "Good." "Well, where to now?" "There's another system about four thoughts away. We're due there soon." "All right. Let's go." "What's that you have there?" "Oh, this?" replied the first. "It's a higher neural order compendium the Things here made up. It's what I used." "You can't take it with you, you know. They don't allow souvenirs." "I know." "Well?" "All right, all right. You're so good, see if you can compute the scatter probability." The first being moved imperceptably and the heavy plastoid binding of the book disappeared. The thousands of pages dropped softly, caught at the wind like hungry sails, separated, and pulled by the fingers of gravity, went their disparate ways. Here a page scuttled into a broken window of the Chrysler Building (read the names: Aabat, Aabbs, Aabbt). Here a page landed upright on the head of one of the library lions and sloughed softly to the ground (read the names: Looman, Loomana, Loomanabsky). Here another page crept in between the cracks of a pier on the riverfront, dropping gently to the caressing eddies of the water (read the names: Smith, Smitha, Smitj). And here two pages danced down into Central Park, pirouetted, promenaded, and finally came to rest against a propped-up piece of metal (read the names: Whit, Whita, Whitacomb). It was not until the dusty morning sun stirred up the breezes that they fluttered down into the shallow hole beneath, unnoticed. The writing on the metal, until then partially obscured by the papers, became legible: HERE LIES THE BODY OF THE LAST MAN ON EARTH— CHARLES J. ZZYZST GO TO HELL!
train	52326	[ "What shocked Myles the most when he woke up on the beach?", "What was most often on Myles's mind during his time away?", "How did Doggo feel about their plan?", "Why did Yuri go back to Cupia?" ]	[ [ "Enemies arrived that he believed to be dead.", "He was on Venus instead of Mars.", "He realized Prince Yuri was alive.", "He knew he'd been dreaming." ], [ "Doggo ", "His friends on Earth", "Lilla", "Revenge" ], [ "Hesitant for it to happen so soon", "Reluctant at first but then confident", "Worried for the queen", "He trusted Myles, so he knew it would work" ], [ "He was in love with Lilla", "He wanted to rule both lands", "He was afraid of Myles", "He deserted New Formia" ] ]	[ 1, 3, 2, 2 ]	[ 1, 1, 0, 1 ]	THE RADIO PLANET Ralph Milne Farley I “It’s too bad that Myles Cabot can’t see this!” I exclaimed, as my eye fell on the following item: SIGNALS FROM MARS FAIL TO REACH HARVARD Cambridge, Massachusetts, Wednesday. The Harvard College Radio Station has for several weeks been in receipt of fragmentary signals of extraordinarily long wave-length, Professor Hammond announced yesterday. So far as it has been possible to test the direction of the source of these waves, it appears that the direction has a twenty-four hour cycle, thus indicating that the origin of these waves is some point outside the earth. The university authorities will express no opinion as to whether or not these messages come from Mars. Myles, alone of all the radio engineers of my acquaintance, was competent to surmount these difficulties, and thus enable the Cambridge savants to receive with clearness the message from another planet. 6 Twelve months ago he would have been available, for he was then quietly visiting at my farm, after five earth-years spent on the planet Venus, where, by the aid of radio, he had led the Cupians to victory over their oppressors, a human-brained race of gigantic black ants. He had driven the last ant from the face of continental Poros, and had won and wed the Princess Lilla, who had borne him a son to occupy the throne of Cupia. While at my farm Cabot had rigged up a huge radio set and a matter-transmitting apparatus, with which he had (presumably) shot himself back to Poros on the night of the big October storm which had wrecked his installation. I showed the newspaper item to Mrs. Farley, and lamented on Cabot’s absence. Her response opened up an entirely new line of thought. Said she: “Doesn’t the very fact that Mr. Cabot isn’t here suggest to you that this may be a message, not from Mars, but from him? Or perhaps from the Princess Lilla, inquiring about him in case he has failed in his attempted return?” That had never occurred to me! How stupid! “What had I better do about it, if anything?” I asked. “Drop Professor Hammond a line?” But Mrs. Farley was afraid that I would be taken for a crank. That evening, when I was over in town, the clerk in the drug store waylaid me to say that there had been a long-distance phone call for me, and would I please call a certain Cambridge number. So, after waiting an interminable time in the stuffy booth with my hands full of dimes, nickels, and quarters, I finally got my party. “Mr. Farley?” “Speaking.” “This is Professor Kellogg, O. D. Kellogg,” the voice replied. 7 It was my friend of the Harvard math faculty, the man who had analyzed the measurements of the streamline projectile in which Myles Cabot had shot to earth the account of the first part of his adventures on Venus. Some further adventures Myles had told me in person during his stay on my farm. “Professor Hammond thinks that he is getting Mars on the air,” the voice continued. “Yes,” I replied. “I judged as much from what I read in this morning’s paper. But what do you think?” Kellogg’s reply gave my sluggish mind the second jolt which it had received that day. “Well,” he said, “in view of the fact that I am one of the few people among your readers who take your radio stories seriously, I think that Hammond is getting Venus. Can you run up here and help me try and convince him?” And so it was that I took the early boat next morning for Boston, and had lunch with the two professors. As a result of our conference, a small committee of engineers returned with me to Edgartown that evening for the purpose of trying to repair the wrecked radio set which Myles Cabot had left on my farm. They utterly failed to comprehend the matter-transmitting apparatus, and so—after the fallen tower had been reerected and the rubbish cleared away—they had devoted their attention to the restoration of the conversational part of the set. To make a long story short, we finally restored it, with the aid of some old blue prints of Cabot’s which Mrs. Farley, like Swiss Family Robinson’s wife, produced from somewhere. I was the first to try the earphones, and was rewarded by a faint “bzt-bzt” like the song of a north woods blackfly. In conventional radioese, I repeated the sounds to the Harvard group: “Dah-dit-dah-dit dah-dah-dit-dah. Dah-dit-dah-dit dah-dah-dit-dah. Dah-dit-dah-dit dah-dah-dit-dah. Dah-dit-dit dit. Dah-dit-dah-dit dit-dah dah-dit dit dit dah-dah-dah dah. Dah-dit-dah-dit dit-dah dah-dit-dit-dit dah-dah-dah dah. Dah-dit-dah-dit dit-dah dah-dit-dit-dit-dah dah-dah-dah.” 8 A look of incredulity spread over their faces. Again came the same message, and again I repeated it. “You’re spoofing us!” one of them shouted. “Give me the earphones.” And he snatched them from my head. Adjusting them on his own head, he spelled out to us, “C-Q C-Q C-Q D-E C-A-B-O-T C-A-B-O-T C-A-B-O-T—” Seizing the big leaf-switch, he threw it over. The motor-generator began to hum. Grasping the key, the Harvard engineer ticked off into space: “Cabot Cabot Cabot D-E—” “Has this station a call letter?” he hurriedly asked me. “Yes,” I answered quickly, “One-X-X-B.” “One-X-X-B,” he continued the ticking “K.” Interplanetary communication was an established fact at last! And not with Mars after all these years of scientific speculations. But what meant more to me was that I was again in touch with my classmate Myles Standish Cabot, the radio man. The next day a party of prominent scientists, accompanied by a telegrapher and two stenographers, arrived at my farm. During the weeks that followed there was recorded Myles’s own account of the amazing adventures on the planet Venus (or Poros, as its own inhabitants call it,) which befell him upon his return there after his brief visit to the earth. I have edited those notes into the following coherent story. II TOO MUCH STATIC Myles Cabot had returned to the earth to study the latest developments of modern terrestrial science for the benefit of the Cupian nation. He was the regent of Cupia during the minority of his baby son, King Kew the Thirteenth. The loyal Prince Toron occupied the throne in his absence. The last of the ant-men and their ally, the renegade Cupian Prince Yuri, had presumably perished in an attempt to escape by flying through the steam-clouds which completely hem in continental Poros. What lay beyond the boiling seas no man knew. 9 During his stay on my farm, Cabot had built the matter-transmitting apparatus, with which he had shot himself off into space on that October night on which he had received the message from the skies: “S O S, Lilla.” A thunderstorm had been brewing all that evening, and just as Myles had placed himself between the coordinate axes of his machine and had gathered up the strings which ran from his control levers to within the apparatus, there had come a blinding flash. Lightning had struck his aerial. How long his unconsciousness lasted he knew not. He was some time in regaining his senses. But when he had finally and fully recovered, he found himself lying on a sandy beach beside a calm and placid lake beneath a silver sky. He fell to wondering, vaguely and pleasantly, where he was and how he had got here. Suddenly, however, his ears were jarred by a familiar sound. At once his senses cleared, and he listened intently to the distant purring of a motor. Yes, there could be no mistake; an airplane was approaching. Now he could see it, a speck in the sky, far down the beach. Nearer and nearer it came. Myles sprang to his feet. To his intense surprise, he found that the effort threw him quite a distance into the air. Instantly the idea flashed through his mind: “I must be on Mars! Or some other strange planet.” This idea was vaguely reminiscent of something. But while he was trying to catch this vaguely elusive train of thought, his attention was diverted by the fact that, for some unaccountable reason, his belt buckle and most of the buttons which had held his clothes together were missing, so that his clothing came to pieces as he rose, and that he had to shed it rapidly in order to avoid impeding his movements. He wondered at the cause of this. 10 But his speculations were cut short by the alighting of the plane a hundred yards down the beach. What was his horror when out of it clambered, not men but ants! Ants, six-footed, and six feet high. Huge ants, four of them, running toward him over the glistening sands. Gone was all his languor, as he seized a piece of driftwood and prepared to defend himself. As he stood thus expectant, Myles realized that his present position and condition, the surrounding scenery, and the advance of the ant-men were exactly, item for item, like the opening events of his first arrival on the planet Poros. He even recognized one of the ant-men as old Doggo, who had befriended him on his previous visit. Could it be that all his adventures in Cupia had been naught but a dream; a recurring dream, in fact? Were his dear wife Lilla and his little son Kew merely figments of his imagination? Horrible thought! And then events began to differ from those of the past; for the three other Formians halted, and Doggo advanced alone. By the agitation of the beast’s antennae the earth man could see that it was talking to him. But Myles no longer possessed the wonderful electrical headset which he had contrived and built during his previous visit to that planet, so as to talk with Cupians and Formians, both of which races are earless and converse by means of radiations from their antennae. So he picked up two sticks from the beach, and held them projecting from his forehead; then threw them to the ground with a grimace of disgust and pointed to his ears. Doggo understood, and scratched with his paw in Cupian shorthand on the silver sands the message: “Myles Cabot, you are our prisoner.” “What, again?” scratched Myles, then made a sign of submission. 11 He dreaded the paralyzing bite which Formians usually administer to their victims, and which he had twice experienced in the past; but, fortunately, it was not now forthcoming. The other three ants kept away from him as Doggo led him to the beached airplane, and soon they were scudding along beneath silver skies, northward as it later turned out. Far below them were silver-green fields and tangled tropical woods, interspersed with rivulets and little ponds. This was Cupia, his Cupia. He was home once more, back again upon the planet which held all that was dear to him in two worlds. His heart glowed with the warmth of homecoming. What mattered it that he was now a prisoner, in the hands (or, rather, claws) of his old enemies, the Formians? He had been their prisoner before, and had escaped. Once more he could escape, and rescue the Princess Lilla. Poor girl! How eager he was to reach her side, and save her from that peril, whatever it was, which had caused her to flash that “S O S” a hundred million miles across the solar system from Poros to the earth. He wondered what could have happened in Cupia since his departure, only a few sangths ago. How was it that the ant-men had survived their airplane journey across the boiling seas? What had led them to return? Or perhaps these ants were a group who had hidden somewhere and thus had escaped the general extermination of their race. In either event, how had they been able to reconquer Cupia? And where was their former leader, Yuri, the renegade Cupian prince? These and a hundred other similar questions flooded in upon the earth-man, as the Formian airship carried him, a captive, through the skies. He gazed again at the scene below, and now noted one difference from the accustomed Porovian landscape, for nowhere ran the smooth concrete roads which bear the swift two-wheeled kerkools of the Cupians to all parts of their continent. What uninhabited portion of Cupia could this be, over which they were now passing? 12 Turning to Doggo, Myles extended his left palm, and made a motion as though writing on it with the thumb and forefinger of his right hand. But the ant-man waved a negative with one of his forepaws. It was evident that there were no writing materials aboard the ship. Myles would have to wait until they reached their landing place; for doubtless they would soon hover down in some city or town, though just which one he could not guess, as the country below was wholly unfamiliar. Finally a small settlement loomed ahead. It was of the familiar style of toy-building-block architecture affected by the ant-men, and, from its appearance, was very new. On its outskirts further building operations were actively in progress. Apparently a few survivors of the accursed race of Formians were consolidating their position and attempting to build up a new empire in some out-of-the-way portion of the continent. As the earth-man was turning these thoughts over in his mind the plane softly settled down upon one of the flat roofs, and its occupants disembarked. Three of the ants advanced menacingly toward Myles, but Doggo held them off. Then all of the party descended down one of the ramps to the lower levels of the building. Narrow slitlike window openings gave onto courtyards, where fountains played and masses of blue and yellow flowers bloomed, amid gray-branched lichens with red and purple twig-knobs. It was in just such a garden, through just such a window, that he had first looked upon the lovely blue-eyed, golden-haired Lilla, Crown Princess of Cupia. The earth-man sighed. Where was his beloved wife now? That she needed his help was certain. He must therefore get busy. So once again he made motions of writing on the palm of his left hand with the thumb and forefinger of his right; and this time the sign language produced results, for Doggo halted the procession and led Cabot into a room. 13 It was a plain bare room, devoid of any furniture except a small table, for ant-men have no use for chairs and couches. The sky outside was already beginning to pinken with the unseen sun. With a sweep of his paw, Doggo indicated that this was to be Cabot’s quarters. Then, with another wave, he pointed to the table, where lay a pad of paper and stylus, not a pencil-like stylus as employed by the Cupians, but rather one equipped with straps for attaching it to the claw of a Formian. Even so, it was better than nothing. The earth-man seized it eagerly, but before he could begin writing an ant entered bearing a Cupian toga, short-sleeved and bordered with Grecian wave designs in blue. Myles put on this garment, and then quickly filled a sheet with questions: “How is my princess and my son, the baby king? Whence come all you Formians, whose race I thought had been exterminated? What part of Cupia is this? What is this city? Where is Prince Yuri? And what do you intend to do with me this time?” Then he passed the paper and stylus over to his old friend Doggo. They were alone together at last. The ant-man’s reply consumed sheet after sheet of paper; but, owning to the rapidity of Porovian shorthand, did not take so very much more time than speaking would have required. As he completed each sheet he passed it over to Myles, who read as follows: “As to your princess and your son, I know not, for this is not Cupia. Do you remember how, when your victorious army and air navy swept to the southern extremity of what had been Formia, a few of our survivors rose in planes from the ruins of our last stronghold and braved the dangers of the steam clouds which overhang the boiling seas? Our leader was Prince Yuri, erstwhile contender for the throne of Cupia, splendid even in defeat. “It was his brain that conceived our daring plan of escape. If there were other lands beyond the boiling seas, the lands which tradition taught were the origin of the Cupian race, then there we might prosper and raise up a new empire. At the worst we should merely meet death in another form, rather than at your hands. So we essayed. 14 “Your planes followed us, but turned back as we neared the area of terrific heat. Soon the vapor closed over us, blotting our enemies and our native land from view.” For page after page Doggo, the ant-man, related the harrowing details of that perilous flight across the boiling seas, ending with the words: “Here we are, and here are you, in Yuriana, capitol of New Formia. But how is it that you, Myles Cabot, have arrived here on this continent in exactly the same manner and condition in which I discovered you in old Formia eight years ago?” When Myles reached the end of reading this narrative, he in turn took the pad and stylus and related how he had gone to the planet Minos (which we call the Earth) to learn the latest discoveries and inventions there, and how his calculations for his return to Poros had been upset by some static conditions just as he had been about to transmit himself back. Oh, if only he had landed by chance upon the same beach as on his first journey through the skies! Wisely he refrained from mentioning the “S O S” message from Lilla. But his recollection of her predicament spurred him to be anxious about her rescue. His immediate problem was to learn what the ant-men planned for him; so the concluding words which he wrote upon the pad were: “And, now that you have me in your power, what shall you do with me?” “Old friend,” Doggo wrote in reply, “that depends entirely upon Yuri, our king, whose toga you now have on.” III YURI OR FORMIS? The earth-man grimaced, but then smiled. Perhaps, his succeeding to the toga of King Yuri might prove to be an omen. 15 “So Yuri is king of the ants?” he asked. “Yes,” his captor replied, “for Queen Formis did not survive the trip across the boiling seas.” “Then what of your empire?” Myles inquired. “No queen. No eggs. How can your race continue? For you Formians are like the ants on my own planet Minos.” Doggo’s reply astounded him. “Do you remember back at Wautoosa, I told you that some of us lesser Formians had occasionally laid eggs? So now behold before you Doggo, Admiral of the Formian Air Navy, and mother of a new Queen Formis.” This was truly a surprise! All along Cabot had always regarded the Formians as mannish. And rightly so, for they performed in their own country the duties assigned to men among the Cupians. Furthermore, all Formians, save only the reigning Formis herself, were called by the Porovian pronoun, which corresponds to “he” in English. When Myles had somewhat recovered from his astonishment, he warmly congratulated his friend by patting him on the side of the head, as is the Porovian custom. “Doggo,” he wrote, “this ought to constitute you a person of some importance among the Formians.” “It ought to,” the ant-man replied, “but as a matter of fact, it merely intensifies Yuri’s mistrust and hatred of me. Now that I am mother of the queen, he fears that I may turn against him and establish Formis in his place as the head of an empire of the Formians, by the Formians, and for the Formians exclusively.” “Why don’t you?” Myles wrote. It seemed to him to be a bully good idea, and incidentally a solution of his own difficulties. But Doggo wrote in horror, “It would be treason!” Then tore up all the correspondence. It is difficult to inculcate the thought of independence in the mind of one reared in an autocracy. The earth-man, however, persisted. “How many of the council can you count on, if the interests of Yuri should clash with those of Formis?” 16 “Only one—myself.” And again Doggo tore up the correspondence. Myles tactfully changed the subject. “Where is the arch-fiend now?” he asked. “We know not,” the Formian wrote in reply. “Six days ago he left us in his airship and flew westward. When he failed to return, we sent out scout planes to search for him, and we have been hunting ever since. When we sighted you on the beach this morning we thought that you might be our lost leader, and that is why we landed and approached you.” At about this point the conversation was interrupted by a worker ant who brought food: roast alta and green aphid milk. With what relish did the earth-man plunge into the feast, his first taste of Porovian delicacies in many months. During the meal conversation lagged, owing to the difficulty of writing and eating at the same time. But now Myles Cabot seized his pad and stylus and wrote: “Have you ever known me to fail in any undertaking on the planet Poros?” “No,” the ant-man wrote in reply. “Have you ever known me to be untrue to a principle, a cause, or a friend?” “No,” Doggo replied. “Then,” Myles wrote, “let us make your daughter queen in fact as well as in name.” “It is treason,” Doggo wrote in reply, but this time he did not tear up the correspondence. “Treason?” Myles asked. If he had spoken the word, he would have spoken it with scorn and derision. “Treason? Is it treason to support your own queen? What has become of the national pride of the once great Formians? Look! I pledge myself to the cause of Formis, rightful Queen of Formia. Formis, daughter of Doggo! What say you?” This time, as he tore up the correspondence, Doggo signified an affirmative. And thus there resulted further correspondence. 17 “Doggo,” Myles wrote, “can you get to the antenna of the queen?” The ant-man indicated that he could. “If she has inherited any of your character,” Myles continued, “she will assert herself, if given half a chance.” So the Pitmanesque conversation continued. Long since had the pink light of Porovian evening faded from the western sky. The ceiling vapor-lamps were lit. The night showed velvet-black through the slit-like windows. And still the two old friends wrote on, Myles Standish Cabot, the Bostonian, and Doggo, No. 334-2-18, the only really humanlike ant-man whom Myles had ever known among the once dominant race of Poros. Finally, as the dials indicated midnight, the two conspirators ceased their labors. All was arranged for the coup d’ etat . They tore into shreds every scrap of used paper, leaving extant merely the ant-man’s concluding words: “Meanwhile you are my prisoner.” Doggo then rang a soundless bell, which was answered by a worker ant, whom he inaudibly directed to bring sufficient draperies to form a bed for the earth-man. These brought, the two friends patted each other a fond good night, and the tired earth-man lay down for the first sleep which he had had in over forty earth hours. It hardly seemed possible! Night before last he had slept peacefully on a conventional feather-bed in a little New England farmhouse. Then had come the S O S message from the skies; and here he was now, millions of miles away through space retiring on matted silver felting on the concrete floor of a Porovian ant-house. Such are the mutations of fortune! With these thoughts the returned wanderer lapsed into a deep and dreamless sleep. When he awakened in the morning there was a guard posted at the door. 18 Doggo did not show up until nearly noon, when he rattled in, bristling with excitement. Seizing the pad he wrote: “A stormy session of the Council of Twelve! We are all agreed that you must be indicted for high crimes and misdemeanors. But the great question is as to just what we can charge you with.” “Sorry I can’t assist you,” the earth-man wrote. “How would it be if I were to slap your daughter’s face, or something? Or why not try me for general cussedness?” “That is just what we finally decided to do,” the ant-man wrote in reply. “We shall try you on general principles, and let the proper accusation develop from the evidence. “At some stage of the proceedings it will inevitably occur to some member of the council to suggest that you be charged with treason to Yuri, whereupon two members of the council, whom I have won over to the cause of my daughter, will raise the objection that Yuri is not our king. This will be the signal for the proclaiming of Queen Formis. If you will waive counsel the trial can take place to-morrow.” “I will waive anything,” Myles replied, “counsel, immunity, extradition, anything in order to speed up my return to Cupia, where Lilla awaits in some dire extremity.” “All right,” Doggo wrote, and the conference was at an end. The morrow would decide the ascendancy of Myles Cabot or the Prince Yuri over the new continent. IV THE COUP D’ETAT The next morning Myles Cabot was led under guard to the council chamber of the dread thirteen: Formis and her twelve advisers. The accused was placed in a wicker cage, from which he surveyed his surroundings as the proceedings opened. 19 On a raised platform stood the ant queen, surmounted by a scarlet canopy, which set off the perfect proportions of her jet-black body. On each side of her stood six refined and intelligent ant-men, her councillors. One of the twelve was Doggo. Messenger ants hurried hither and thither. First the accusation was read, Myles being furnished with a written copy. The witnesses were then called. They were veterans who had served in the wars in which Cabot had twice freed Cupia from the domination of its Formian oppressors. They spoke with bitterness of the downfall of their beloved Formia. Their testimony was brief. Then the accused was asked if he wished to say anything in his own behalf. Myles rose, then shrugged his shoulders, sat down again, and wrote: “I fully realize the futility of making an argument through the antennae of another.” Whereupon the queen and the council went into executive session. Their remarks were not intended for the eyes of the prisoner, but he soon observed that some kind of a dispute was on between Doggo, supported by two councillors named Emu and Fum on one side, and a councillor named Barth on the other. As this dispute reached its height, a messenger ant rushed in and held up one paw. Cabot’s interpreter, not deeming this a part of the executive session, obligingly translated the following into writing: The messenger: “Yuri lives and reigns over Cupia. It is his command that Cabot die.” Barth: “It is the radio. Know then, O Queen, and ye, members of the council, that when we fled across the boiling seas under the gallant leadership of Prince Yuri, the man with the heart of a Formian, he brought with him one of those powerful radio sets invented by the beast who is our prisoner here to-day. “Supporters of Yuri still remained among the Cupians, and he has been in constant communication with these ever since shortly after our arrival here. From them he learned of the return of Myles Cabot to the planet Minos. 20 “Then Yuri disappeared. Those of us who were closest to him suspected that he had gone back across the boiling seas to claim as his own the throne of Cupia. But we hesitated to announce this until we were sure, for we feared that some of our own people would regard his departure as desertion. Yet who can blame him for returning to his father-land and to the throne which is his by rights?” To which the messenger added: “And he offers to give us back our own old country, if we too will return across the boiling seas again.” “It is a lie!” Doggo shouted. “Yuri, usurper of the thrones of two continents. Bah!” shouted Emu. “Yuri, our rightful leader,” shouted Barth. “Give us a queen of our own race,” shouted Fum. “Release the prisoner,” shouted the Queen. And that is all that Myles learned of the conversation, for his interpreter at this juncture stopped writing and obeyed the queen. The earth-man was free! With one bound he gained the throne, where fighting was already in progress between the two factions. Barth and Doggo were rolling over and over on the floor in a death grapple, while the ant-queen had backed to the rear of the stage, closely guarded by Emu and Fum. Seizing one of the pikes which supported the scarlet canopy, Myles wrenched it loose and drove it into the thorax of Barth. In another instant the earth-man and Doggo stood beside the queen. Ant-men now came pouring into the chamber through all the entrances, taking sides as they entered and sized up the situation. If it had still been in vogue among the Formians to be known by numbers rather than names, and to have these identifying numbers painted on the backs of their abdomens followed by the numbers of those whom they had defeated in the duels so common among them, then many a Formian would have “got the number” of many another, that day.
train	63304	[ "How do Lowry and the Exec feel about the Venusians?", "How did Svan feel about the Earthlings?", "How did the other five people feel about Svan?", "What didn't Svan do to try to save his planet?", "What were the lights Lowry saw in the dark?", "Why did Svan smile when he was getting ready to leave them?", "Which of the following isn't a reason that Svan's plan failed?", "How did Ingra feel at the end?", "Who drew the fatal slip?" ]	[ [ "Lowry is hoping the Earth immigrants will easily defeat the Venusians, but the Exec doesn't want immigration.", "They both believe that the immigrants from Earth will easily conquer them.", "The Exec hates them, but Lowry feels bad for them.", "They both despise the Venusians because of their un-human-like features." ], [ "They're evil, and the Venusians should fight them.", "They need to be destroyed, no matter the cost.", "Some may have good intentions, but they shouldn't be allowed to come back.", "They can't be trusted, and they should continue to spy on them." ], [ "They don't want to upset him, but they won't tell him he's wrong.", "Scared of his dangerous plan, but willing to follow him.", "Unsure that what he's doing is best for Venus.", "They think he's gone too far and aren't willing to do the dangerous deed." ], [ "Blow up his own vehicle and friends", "Spy on the people from Earth", "Plant a bomb on the ship from Earth", "Kill a Venusian guard" ], [ "Svan and his conspirators", "The guards", "The delegation", "Another spy-ray" ], [ "He knew they would be safe, since he was doing the dangerous job", "He was glad the others were going to blow up soon", "He was excited to follow through with his plan", "He had feelings for Ingra" ], [ "Ingra came back for Svan because guards were after them", "A guard stopped them and wouldn't let them get through", "There were more people guarding the ship because of the spy-ray", "A guard knocked him unconscious and brought him to the Earth ship" ], [ "Upset because she knew Svan planted a bomb in the car", "Excited to fight the guards that were chasing them", "Mad at Svan for his dangerous plan", "Worried for Svan and all of them" ], [ "Svan", "Ingra", "Toller", "Ingra's aunt" ] ]	[ 3, 2, 2, 3, 1, 2, 4, 4, 1 ]	[ 1, 1, 0, 1, 1, 1, 1, 1, 0 ]	DOUBLECROSS by JAMES Mac CREIGH Revolt was brewing on Venus, led by the descendant of the first Earthmen to land. Svan was the leader making the final plans—plotting them a bit too well. [Transcriber's Note: This etext was produced from Planet Stories Winter 1944. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] The Officer of the Deck was pleased as he returned to the main lock. There was no reason why everything shouldn't have been functioning perfectly, of course, but he was pleased to have it confirmed, all the same. The Executive Officer was moodily smoking a cigarette in the open lock, staring out over the dank Venusian terrain at the native town. He turned. "Everything shipshape, I take it!" he commented. The OD nodded. "I'll have a blank log if this keeps up," he said. "Every man accounted for except the delegation, cargo stowed, drivers ready to lift as soon as they come back." The Exec tossed away his cigarette. " If they come back." "Is there any question?" The Exec shrugged. "I don't know, Lowry," he said. "This is a funny place. I don't trust the natives." Lowry lifted his eyebrows. "Oh? But after all, they're human beings, just like us—" "Not any more. Four or five generations ago they were. Lord, they don't even look human any more. Those white, flabby skins—I don't like them." "Acclimation," Lowry said scientifically. "They had to acclimate themselves to Venus's climate. They're friendly enough." The Exec shrugged again. He stared at the wooden shacks that were the outskirts of the native city, dimly visible through the ever-present Venusian mist. The native guard of honor, posted a hundred yards from the Earth-ship, stood stolidly at attention with their old-fashioned proton-rifles slung over their backs. A few natives were gazing wonderingly at the great ship, but made no move to pass the line of guards. "Of course," Lowry said suddenly, "there's a minority who are afraid of us. I was in town yesterday, and I talked with some of the natives. They think there will be hordes of immigrants from Earth, now that we know Venus is habitable. And there's some sort of a paltry underground group that is spreading the word that the immigrants will drive the native Venusians—the descendants of the first expedition, that is—right down into the mud. Well—" he laughed—"maybe they will. After all, the fittest survive. That's a basic law of—" The annunciator over the open lock clanged vigorously, and a metallic voice rasped: "Officer of the Deck! Post Number One! Instruments reports a spy ray focused on the main lock!" Lowry, interrupted in the middle of a word, jerked his head back and stared unbelievingly at the tell-tale next to the annunciator. Sure enough, it was glowing red—might have been glowing for minutes. He snatched at the hand-phone dangling from the wall, shouted into it. "Set up a screen! Notify the delegation! Alert a landing party!" But even while he was giving orders, the warning light flickered suddenly and went out. Stricken, Lowry turned to the Exec. The Executive Officer nodded gloomily. He said, "You see!" "You see?" Svan clicked off the listening-machine and turned around. The five others in the room looked apprehensive. "You see?" Svan repeated. "From their own mouths you have heard it. The Council was right." The younger of the two women sighed. She might have been beautiful, in spite of her dead-white skin, if there had been a scrap of hair on her head. "Svan, I'm afraid," she said. "Who are we to decide if this is a good thing? Our parents came from Earth. Perhaps there will be trouble at first, if colonists come, but we are of the same blood." Svan laughed harshly. " They don't think so. You heard them. We are not human any more. The officer said it." The other woman spoke unexpectedly. "The Council was right," she agreed. "Svan, what must we do?" Svan raised his hand, thoughtfully. "One moment. Ingra, do you still object?" The younger woman shrank back before the glare in his eyes. She looked around at the others, found them reluctant and uneasy, but visibly convinced by Svan. "No," she said slowly. "I do not object." "And the rest of us? Does any of us object?" Svan eyed them, each in turn. There was a slow but unanimous gesture of assent. "Good," said Svan. "Then we must act. The Council has told us that we alone will decide our course of action. We have agreed that, if the Earth-ship returns, it means disaster for Venus. Therefore, it must not return." An old man shifted restlessly. "But they are strong, Svan," he complained. "They have weapons. We cannot force them to stay." Svan nodded. "No. They will leave. But they will never get back to Earth." "Never get back to Earth?" the old man gasped. "Has the Council authorized—murder?" Svan shrugged. "The Council did not know what we would face. The Councilmen could not come to the city and see what strength the Earth-ship has." He paused dangerously. "Toller," he said, "do you object?" Like the girl, the old man retreated before his eyes. His voice was dull. "What is your plan?" he asked. Svan smiled, and it was like a dark flame. He reached to a box at his feet, held up a shiny metal globe. "One of us will plant this in the ship. It will be set by means of this dial—" he touched a spot on the surface of the globe with a pallid finger—"to do nothing for forty hours. Then—it will explode. Atomite." He grinned triumphantly, looking from face to face. The grin faded uncertainly as he saw what was in their eyes—uncertainty, irresolution. Abruptly he set the bomb down, savagely ripped six leaves off a writing tablet on the table next him. He took a pencil and made a mark on one of them, held it up. "We will let chance decide who is to do the work," he said angrily. "Is there anyone here who is afraid? There will be danger, I think...." No answer. Svan jerked his head. "Good," he said. "Ingra, bring me that bowl." Silently the girl picked up an opaque glass bowl from the broad arm of her chair. It had held Venus-tobacco cigarettes; there were a few left. She shook them out and handed the bowl to Svan, who was rapidly creasing the six fatal slips. He dropped them in the bowl, stirred it with his hand, offered it to the girl. "You first, Ingra," he said. She reached in mechanically, her eyes intent on his, took out a slip and held it without opening it. The bowl went the rounds, till Svan himself took the last. All eyes were on him. No one had looked at their slips. Svan, too, had left his unopened. He sat at the table, facing them. "This is the plan," he said. "We will go, all six of us, in my ground car, to look at the Earth-ship. No one will suspect—the whole city has been to see it already. One will get out, at the best point we can find. It is almost dusk now. He can hide, surely, in the vegetation. The other five will start back. Something will go wrong with the car—perhaps it will run off the road, start to sink in the swamp. The guards will be called. There will be commotion—that is easy enough, after all; a hysterical woman, a few screams, that's all there is to it. And the sixth person will have his chance to steal to the side of the ship. The bomb is magnetic. It will not be noticed in the dark—they will take off before sunrise, because they must travel away from the sun to return—in forty hours the danger is removed." There was comprehension in their eyes, Svan saw ... but still that uncertainty. Impatiently, he crackled: "Look at the slips!" Though he had willed his eyes away from it, his fingers had rebelled. Instinctively they had opened the slip, turned it over and over, striving to detect if it was the fatal one. They had felt nothing.... And his eyes saw nothing. The slip was blank. He gave it but a second's glance, then looked up to see who had won the lethal game of chance. Almost he was disappointed. Each of the others had looked in that same second. And each was looking up now, around at his neighbors. Svan waited impatiently for the chosen one to announce it—a second, ten seconds.... Then gray understanding came to him. A traitor! his subconscious whispered. A coward! He stared at them in a new light, saw their indecision magnified, became opposition. Svan thought faster than ever before in his life. If there was a coward, it would do no good to unmask him. All were wavering, any might be the one who had drawn the fatal slip. He could insist on inspecting every one, but—suppose the coward, cornered, fought back? In fractions of a second, Svan had considered the evidence and reached his decision. Masked by the table, his hand, still holding the pencil, moved swiftly beneath the table, marked his own slip. In the palm of his hand, Svan held up the slip he had just marked in secret. His voice was very tired as he said, "I will plant the bomb." The six conspirators in Svan's old ground car moved slowly along the main street of the native town. Two Earth-ship sailors, unarmed except for deceptively flimsy-looking pistols at their hips, stood before the entrance to the town's Hall of Justice. "Good," said Svan, observing them. "The delegation is still here. We have ample time." He half turned in the broad front seat next to the driver, searching the faces of the others in the car. Which was the coward? he wondered. Ingra? Her aunt? One of the men? The right answer leaped up at him. They all are , he thought. Not one of them understands what this means. They're afraid. He clamped his lips. "Go faster, Ingra," he ordered the girl who was driving. "Let's get this done with." She looked at him, and he was surprised to find compassion in her eyes. Silently she nodded, advanced the fuel-handle so that the clumsy car jolted a trace more rapidly over the corduroy road. It was quite dark now. The car's driving light flared yellowishly in front of them, illuminating the narrow road and the pale, distorted vegetation of the jungle that surrounded them. Svan noticed it was raining a little. The present shower would deepen and intensify until midnight, then fall off again, to halt before morning. But before then they would be done. A proton-bolt lanced across the road in front of them. In the silence that followed its thunderous crash, a man's voice bellowed: "Halt!" The girl, Ingra, gasped something indistinguishable, slammed on the brakes. A Venusian in the trappings of the State Guard advanced on them from the side of the road, proton-rifle held ready to fire again. "Where are you going?" he growled. Svan spoke up. "We want to look at the Earth-ship," he said. He opened the door beside him and stepped out, careless of the drizzle. "We heard it was leaving tonight," he continued, "and we have not seen it. Is that not permitted?" The guard shook his head sourly. "No one is allowed near the ship. The order was just issued. It is thought there is danger." Svan stepped closer, his teeth bared in what passed for a smile. "It is urgent," he purred. His right hand flashed across his chest in a complicated gesture. "Do you understand?" Confusion furrowed the guard's hairless brows, then was replaced by a sudden flare of understanding—and fear. "The Council!" he roared. "By heaven, yes, I understand! You are the swine that caused this—" He strove instinctively to bring the clumsy rifle up, but Svan was faster. His gamble had failed; there was only one course remaining. He hurled his gross white bulk at the guard, bowled him over against the splintery logs of the road. The proton-rifle went flying, and Svan savagely tore at the throat of the guard. Knees, elbows and claw-like nails—Svan battered at the astonished man with every ounce of strength in his body. The guard was as big as Svan, but Svan had the initial advantage ... and it was only a matter of seconds before the guard lay unconscious, his skull a mass of gore at the back where Svan had ruthlessly pounded it against the road. Svan grunted as his fingers constricted brutally. Svan rose, panting, stared around. No one else was in sight, save the petrified five and the ground car. Svan glared at them contemptuously, then reached down and heaved on the senseless body of the guard. Over the shoulder of the road the body went, onto the damp swampland of the jungle. Even while Svan watched the body began to sink. There would be no trace. Svan strode back to the car. "Hurry up," he gasped to the girl. "Now there is danger for all of us, if they discover he is missing. And keep a watch for other guards." Venus has no moon, and no star can shine through its vast cloud layer. Ensign Lowry, staring anxiously out through the astro-dome in the bow of the Earth-ship, cursed the blackness. "Can't see a thing," he complained to the Exec, steadily writing away at the computer's table. "Look—are those lights over there?" The Exec looked up wearily. He shrugged. "Probably the guards. Of course, you can't tell. Might be a raiding party." Lowry, stung, looked to see if the Exec was smiling, but found no answer in his stolid face. "Don't joke about it," he said. "Suppose something happens to the delegation?" "Then we're in the soup," the Exec said philosophically. "I told you the natives were dangerous. Spy-rays! They've been prohibited for the last three hundred years." "It isn't all the natives," Lowry said. "Look how they've doubled the guard around us. The administration is co-operating every way they know how. You heard the delegation's report on the intercom. It's this secret group they call the Council." "And how do you know the guards themselves don't belong to it?" the Exec retorted. "They're all the same to me.... Look, your light's gone out now. Must have been the guard. They're on the wrong side to be coming from the town, anyhow...." Svan hesitated only a fraction of a second after the girl turned the lights out and stopped the car. Then he reached in the compartment under the seat. If he took a little longer than seemed necessary to get the atomite bomb out of the compartment, none of the others noticed. Certainly it did not occur to them that there had been two bombs in the compartment, though Svan's hand emerged with only one. He got out of the car, holding the sphere. "This will do for me," he said. "They won't be expecting anyone to come from behind the ship—we were wise to circle around. Now, you know what you must do?" Ingra nodded, while the others remained mute. "We must circle back again," she parroted. "We are to wait five minutes, then drive the car into the swamp. We will create a commotion, attract the guards." Svan, listening, thought: It's not much of a plan. The guards would not be drawn away. I am glad I can't trust these five any more. If they must be destroyed, it is good that their destruction will serve a purpose. Aloud, he said, "You understand. If I get through, I will return to the city on foot. No one will suspect anything if I am not caught, because the bomb will not explode until the ship is far out in space. Remember, you are in no danger from the guards." From the guards , his mind echoed. He smiled. At least, they would feel no pain, never know what happened. With the amount of atomite in that bomb in the compartment, they would merely be obliterated in a ground-shaking crash. Abruptly he swallowed, reminded of the bomb that was silently counting off the seconds. "Go ahead," he ordered. "I will wait here." "Svan." The girl, Ingra, leaned over to him. Impulsively she reached for him, kissed him. "Good luck to you, Svan," she said. "Good luck," repeated the others. Then silently the electric motor of the car took hold. Skilfully the girl backed it up, turned it around, sent it lumbering back down the road. Only after she had traveled a few hundred feet by the feel of the road did she turn the lights on again. Svan looked after them. The kiss had surprised him. What did it mean? Was it an error that the girl should die with the others? There was an instant of doubt in his steel-shackled mind, then it was driven away. Perhaps she was loyal, yet certainly she was weak. And since he could not know which was the one who had received the marked slip, and feared to admit it, it was better they all should die. He advanced along the midnight road to where the ground rose and the jungle plants thinned out. Ahead, on an elevation, were the rain-dimmed lights of the Earth-ship, set down in the center of a clearing made by its own fierce rockets. Svan's mist-trained eyes spotted the circling figures of sentries, and knew that these would be the ship's own. They would not be as easily overcome as the natives, not with those slim-shafted blasters they carried. Only deceit could get him to the side of the ship. Svan settled himself at the side of the road, waiting for his chance. He had perhaps three minutes to wait; he reckoned. His fingers went absently to the pouch in his wide belt, closed on the slip of paper. He turned it over without looking at it, wondering who had drawn the first cross, and been a coward. Ingra? One of the men? He became abruptly conscious of a commotion behind him. A ground car was racing along the road. He spun around and was caught in the glare of its blinding driving-light, as it bumped to a slithering stop. Paralyzed, he heard the girl's voice. "Svan! They're coming! They found the guard's rifle, and they're looking for us! Thirty Earthmen, Svan, with those frightful guns. They fired at us, but we got away and came for you. We must flee!" He stared unseeingly at the light. "Go away!" he croaked unbelievingly. Then his muscles jerked into action. The time was almost up—the bomb in the car— "Go away!" he shrieked, and turned to run. His fists clenched and swinging at his side, he made a dozen floundering steps before something immense pounded at him from behind. He felt himself lifted from the road, sailing, swooping, dropping with annihilating force onto the hard, charred earth of the clearing. Only then did he hear the sound of the explosion, and as the immense echoes died away he began to feel the pain seeping into him from his hideously racked body.... The Flight Surgeon rose from beside him. "He's still alive," he said callously to Lowry, who had just come up. "It won't last long, though. What've you got there?" Lowry, a bewildered expression on his beardless face, held out the two halves of a metallic sphere. Dangling ends of wires showed where a connection had been broken. "He had a bomb," he said. "A magnetic-type, delayed-action atomite bomb. There must have been another in the car, and it went off. They—they were planning to bomb us." "Amazing," the surgeon said dryly. "Well, they won't do any bombing now." Lowry was staring at the huddled, mutilated form of Svan. He shuddered. The surgeon, seeing the shudder, grasped his shoulder. "Better them than us," he said. "It's poetic justice if I ever saw it. They had it coming...." He paused thoughtfully, staring at a piece of paper between his fingers. "This is the only part I don't get," he said. "What's that?" Lowry craned his neck. "A piece of paper with a cross on it? What about it?" The surgeon shrugged. "He had it clenched in his hand," he said. "Had the devil of a time getting it loose from him." He turned it over slowly, displayed the other side. "Now what in the world would he be doing carrying a scrap of paper with a cross marked on both sides?"
train	61405	[ "What does the narrator say is significant about horses?", "It is suggested that which of the following happens to Jimmy D? ", "What is the name of the pilot who flies Mia’s scoutship and how does she characterize his piloting style?", "What is a Mud-eater? ", "What does the narrator say was the reason for Earth’s destruction? \n\n", "What does Mia discover about the people of the planet Tintera and why does it scare her? \n\n", "Explain Mia’s reasons for referring to herself as “hell on wheels.” What is an example of this? \n\n\n\n", "How many years has it been since Mia’s people had contact with Tintera?", "What is the implied name of the green creatures Horst and his gang are herding? \n\n", "What is Mia’s relationship to Jimmy D. and how does it develop throughout the story? " ]	[ [ "Horses are a nuisance and make it hard for both colonists and scouts to get their jobs done. \n\n", "Horses make it easy for criminals to conduct their business planet to planet . ", "Horses are the reason for the colonies’ success.", "Horses are the reason for the catastrophe suffered on Earth. " ], [ "Jimmy D is killed by the bandits.", "Jimmy D refuses to help Mia, even though she wishes for him. ", "Jimmy D ends up in jail.", "Jimmy D finds Mia and helps her." ], [ "Venie Morlock. His style twists the stomach", "George Fuhonin. His style drops the stomach out of everybody. \n\n", "Jimmy D. His style is smart on the slap ", "Horst. His style is beneath the notice of a Losel" ], [ "A derogatory term for a farmer", "A derogatory term for a person who lives on a planet, instead of in space", "A derogatory term for a person whose job it is to herd Losels", "A derogatory term for a person who breeds without restraint " ], [ "Losels ", "Over population ", "Lack of horses ", "Crime " ], [ "The Tinterans are free birthers. Free birthing is breeding without restraint, which is how the Earth became over populated. This is what catalyzed the wars that eventually destroyed the solar system.", "The Tinterans have begun exploiting Losels for labor, which is against the laws of The Council. Mia knows she will have to report this back to the council, and that this will foster hostility between the scouts and the Tinterans. \n\n", "The Tinterans have learned how to build a space ship. Successfully launching a ship means that they are now a threat to the people who live in space, like Mia.\n\n", "The Tinterans know that scouts have invaded their planet, and are planning to round them up and put them in jail. " ], [ "Mia is fast. An example of this is when Mia rode Ninc away from the free breeders as fast as she could. \n\n", "Mia is frightened. An example of this is when she was approached by Horst and his gang for the second time, which scared her to the point of losing control of her mission. ", "Mia is mean. An example of this is when she refused to agree to partner up with Jimmy after they returned from their mission. ", "Mia is tough. An example of this is when she was able to strong arm her way out of trouble with Horst and his gang." ], [ "50", "200", "1000", "150" ], [ "Free Birthers", "Slims", "Squat Plodders ", "Losels" ], [ "Jimmy D. is Mia’s fellow scout. At first, Mia describes their relationship as turbulent, complaining that Jimmy always asks her to be his partner even though she’s already partners with Venie Morlock. However, when Jimmy is arrested during their mission on Tintera, Mia agrees to be his partner out of pity. \n\n", "Jimmy D. is Mia’s partner. At first, Mia describes their relationship as efficient and workable. But when competition around being the best colony scout come up, things start to change. Their partnership falls apart during their scout mission to Tintera, when Jimmy is arrested and jailed. ", "Jimmy D. is Mia’s soon to be partner. At first, Mia describes Jimmy as “a meatball,” suggesting that Jimmy is goofy and won’t prove to be a satisfactory partner. However, when Jimmy shows his smarts by saveing Mia from Horst and his grizzly gang, Mia realizes he will be a good partner after all. \n\n", "Jimmy D. is Mia’s fellow scout. At first, Mia describes how they butt heads a lot due to differences in their personalities. But as Mia begins to face the trials of her mission, she comes to miss Jimmy, wishing that Jimmy could be there with her and provide a little help. \n\n" ] ]	[ 3, 3, 2, 2, 2, 1, 4, 4, 4, 4 ]	[ 0, 1, 0, 0, 1, 1, 0, 0, 1, 1 ]	DOWN TO THE WORLDS OF MEN BY ALEXEI PANSHIN The ancient rule was sink or swim—swim in the miasma of a planet without spaceflight, or sink to utter destruction! [Transcriber's Note: This etext was produced from Worlds of If Science Fiction, July 1963. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] I The horses and packs were loaded before we went aboard the scoutship. The scout bay is no more than a great oversized airlock with a dozen small ships squatting over their tubes, but it was the last of the Ship that I might ever see, so I took a long final look from the top of the ramp. There were sixteen of us girls and thirteen boys. We took our places in the seats in the center of the scout. Riggy Allen made a joke that nobody bothered to laugh at, and then we were all silent. I was feeling lost and just beginning to enjoy it when Jimmy Dentremont came over to me. He's red-headed and has a face that makes him look about ten. An intelligent runt like me. He said what I expected. "Mia, do you want to go partners if we can get together when we get down?" I guess he thought that because we were always matched on study I liked him. Well, I did when I wasn't mad at him, but now I had that crack he'd made about being a snob in mind, so I said, "Not likely. I want to come back alive." It wasn't fair, but it was a good crack and he went back to his place without saying anything. My name is Mia Havero. I'm fourteen, of course, or I wouldn't be telling this. I'm short, dark and scrawny, though I don't expect that scrawniness to last much longer. Mother is very good looking. In the meantime, I've got brains as a consolation. After we were all settled, George Fuhonin, the pilot, raised the ramps. We sat there for five minutes while they bled air out of our tube and then we just ... dropped. My stomach turned flips. We didn't have to leave that way, but George thinks it's fun to be a hot pilot. Thinking it over, I was almost sorry I'd been stinking to Jimmy D. He's the only competition I have my own age. The trouble is, you don't go partners with the competition, do you? Besides, there was still that crack about being a snob. The planet chosen for our Trial was called Tintera. The last contact the Ship had had with it—and we were the ones who dropped them—was almost 150 years ago. No contact since. That had made the Council debate a little before they dropped us there, but they decided it was all right in the end. It didn't make any practical difference to us kids because they never tell you anything about the place they're going to drop you. All I knew was the name. I wouldn't have known that much if Daddy weren't Chairman of the Council. I felt like crawling in a corner of the ship and crying, but nobody else was breaking down, so I didn't. I did feel miserable. I cried when I said good-by to Mother and Daddy—a real emotional scene—but that wasn't in public. It wasn't the chance of not coming back that bothered me really, because I never believed that I wouldn't. The thought that made me unhappy was that I would have to be on a planet for a whole month. Planets make me feel wretched. The gravity is always wrong, for one thing. Either your arches and calves ache or every time you step you think you're going to trip on a piece of fluff and break your neck. There are vegetables everywhere and little grubby things just looking for you to crawl on. If you can think of anything creepier than that, you've got a real nasty imagination. Worst of all, planets stink. Every single one smells—I've been on enough to know that. A planet is all right for a Mud-eater, but not for me. We have a place in the Ship like that—the Third Level—but it's only a thousand square miles and any time it gets on your nerves you can go up a level or down a level and be back in civilization. When we reached Tintera, they started dropping us. We swung over the sea from the morning side and then dropped low over gray-green forested hills. Finally George spotted a clear area and dropped into it. They don't care what order you go in, so Jimmy D. jumped up, grabbed his gear and then led his horse down the ramp. I think he was still smarting from the slap I'd given him. In a minute we were airborne again. I wondered if I would ever see Jimmy—if he would get back alive. It's no game we play. When we turn fourteen, they drop us on the nearest colonized planet and come back one month later. That may sound like fun to you, but a lot of us never come back alive. Don't think I was helpless. I'm hell on wheels. They don't let us grow for fourteen years and then kick us out to die. They prepare us. They do figure, though, that if you can't keep yourself alive by the time you're fourteen, you're too stupid, foolish or unlucky to be any use to the Ship. There's sense behind it. It means that everybody on the Ship is a person who can take care of himself if he has to. Daddy says that something has to be done in a closed society to keep the population from decaying mentally and physically, and this is it. And it helps to keep the population steady. I began to check my gear out—sonic pistol, pickup signal so I could be found at the end of the month, saddle and cinches, food and clothes. Venie Morlock has got a crush on Jimmy D., and when she saw me start getting ready to go, she began to check her gear, too. At our next landing, I grabbed Ninc's reins and cut Venie out smoothly. It didn't have anything to do with Jimmy. I just couldn't stand to put off the bad moment any longer. The ship lifted impersonally away from Ninc and me like a rising bird, and in just a moment it was gone. Its gray-blue color was almost the color of the half-overcast sky, so I was never sure when I saw it last. II The first night was hell, I guess because I'm not used to having the lights out. That's when you really start to feel lonely, being alone in the dark. When the sun disappears, somehow you wonder in your stomach if it's really going to come back. But I lived through it—one day in thirty gone. I rode in a spiral search pattern during the next two days. I had three things in mind—stay alive, find people and find some of the others. The first was automatic. The second was to find out if there was a slot I could fit into for a month. If not, I would have to find a place to camp out, as nasty as that would be. The third was to join forces, though not with that meatball Jimmy D. No, he isn't really a meatball. The trouble is that I don't take nothing from nobody, especially him, and he doesn't take nothing from nobody, especially me. So we do a lot of fighting. I had a good month for Trial. My birthday is in November—too close to Year End Holiday for my taste, but this year it was all right. It was spring on Tintera, but it was December in the Ship, and after we got back we had five days of Holiday to celebrate. It gave me something to look forward to. In two days of riding, I ran onto nothing but a few odd-looking animals. I shot one small one and ate it. It turned out to taste pretty good, though not as good as a slice from Hambone No. 4, to my mind the best meat vat on the Ship. I've eaten things so gruey-looking that I wondered that anybody had the guts to try them in the first place and they've turned out to taste good. And I've seen things that looked good that I couldn't keep on my stomach. So I guess I was lucky. On the third day, I found the road. I brought Ninc down off the hillside, losing sight of the road in the trees, and then reaching it in the level below. It was narrow and made of sand spread over a hard base. Out of the marks in the sand, I could pick out the tracks of horses and both narrow and wide wheels. Other tracks I couldn't identify. One of the smartest moves in history was to include horses when they dropped the colonies. I say "they" because, while we did the actual dropping, the idea originated with the whole evac plan back on Earth. Considering how short a time it was in which the colonies were established, there was not time to set up industry, so they had to have draft animals. The first of the Great Ships was finished in 2025. One of the eight, as well as the two that were being built then, went up with everything else in the Solar System in 2041. In that sixteen years 112 colonies were planted. I don't know how many of those planets had animals that could have been substituted but, even if they had, they would have had to be domesticated from scratch. That would have been stupid. I'll bet that half the colonies would have failed if they hadn't had horses. We'd come in from the west over the ocean, so I traveled east on the road. That much water makes me nervous, and roads have to go somewhere. I came on my first travelers three hours later. I rounded a tree-lined bend, ducking an overhanging branch, and pulled Ninc to a stop. There were five men on horseback herding a bunch of the ugliest creatures alive. They were green and grotesque. They had squat bodies, long limbs and knobby bulges at their joints. They had square, flat animal masks for faces. But they walked on their hind legs and they had paws that were almost hands, and that was enough to make them seem almost human. They made a wordless, chilling, lowing sound as they milled and plodded along. I started Ninc up again and moved slowly to catch up with them. All the men on horseback had guns in saddle boots. They looked as nervous as cats with kittens. One of them had a string of packhorses on a line and he saw me and called to another who seemed to be the leader. That one wheeled his black horse and rode back toward me. He was a middle-aged man, maybe as old as my Daddy. He was large and he had a hard face. Normal enough, but hard. He pulled to a halt when we reached each other, but I kept going. He had to come around and follow me. I believe in judging a person by his face. A man can't help the face he owns, but he can help the expression he wears on it. If a man looks mean, I generally believe that he is. This one looked mean. That was why I kept riding. He said, "What be you doing out here, boy? Be you out of your head? There be escaped Losels in these woods." I told you I hadn't finished filling out yet, but I hadn't thought it was that bad. I wasn't ready to make a fight over the point, though. Generally, I can't keep my bloody mouth shut, but now I didn't say anything. It seemed smart. "Where be you from?" he asked. I pointed to the road behind us. "And where be you going?" I pointed ahead. No other way to go. He seemed exasperated. I have that effect sometimes. Even on Mother and Daddy, who should know better. We were coming up on the others now, and the man said, "Maybe you'd better ride on from here with us. For protection." He had an odd way of twisting his sounds, almost as though he had a mouthful of mush. I wondered whether he were just an oddball or whether everybody here spoke the same way. I'd never heard International English spoken any way but one, even on the planet Daddy made me visit with him. One of the other outriders came easing by then. I suppose they'd been watching us all the while. He called to the hard man. "He be awfully small, Horst. I doubt me a Losel'd even notice him at all. We mought as well throw him back again." The rider looked at me. When I didn't dissolve in terror as he expected, he shrugged and one of the other men laughed. The hard man said to the others, "This boy will be riding along with us to Forton for protection." I looked down at the plodding, unhappy creatures they were driving along and one looked back at me with dull, expressionless golden eyes. I felt uncomfortable. I said, "I don't think so." What the man did then surprised me. He said, "I do think so," and reached for the rifle in his saddle boot. I whipped my sonic pistol out so fast that he was caught leaning over with the rifle half out. His jaw dropped. He knew what I held and he didn't want to be fried. I said, "Ease your rifles out and drop them gently to the ground." They did, watching me all the while with wary expressions. When all the rifles were on the ground, I said, "All right, let's go." They didn't want to move. They didn't want to leave the rifles. I could see that. Horst didn't say anything. He just watched me with narrowed eyes. But one of the others held up a hand and in wheedling tones said, "Look here, kid...." "Shut up," I said, in as mean a voice as I could muster, and he did. It surprised me. I didn't think I sounded that mean. I decided he just didn't trust the crazy kid not to shoot. After twenty minutes of easy riding for us and hard walking for the creatures, I said, "If you want your rifles, you can go back and get them now." I dug my heels into Ninc's sides and rode on. At the next bend I looked back and saw four of them holding their packhorses and the creatures still while one beat a dust-raising retreat down the road. I put this episode in the "file and hold for analysis" section in my mind and rode on, feeling good. I think I even giggled once. Sometimes I even convince myself that I'm hell on wheels. III When I was nine, my Daddy gave me a painted wooden doll that my great-grandmother brought from Earth. The thing is that inside it, nestled one in another, are eleven more dolls, each one smaller than the last. I like to watch people when they open it for the first time. My face must have been like that as I rode along the road. The country leveled into a great rolling valley and the trees gave way to great farms and fields. In the fields, working, were some of the green creatures, which surprised me since the ones I'd seen before hadn't seemed smart enough to count to one, let alone do any work. But it relieved me. I thought they might have been eating them or something. I passed two crossroads and started to meet more people, but nobody questioned me. I met people on horseback, and twice I met trucks moving silently past. And I overtook a wagon driven by the oldest man I've seen in my life. He waved to me, and I waved back. Near the end of the afternoon I came to the town, and there I received a jolt that sickened me. By the time I came out on the other side, I was sick. My hands were cold and sweaty and my head was spinning, and I wanted to kick Ninc to a gallop. I rode slowly in, looking all around, missing nothing. The town was all stone, wood and brick. Out of date. Out of time, really. There were no machines more complicated than the trucks I'd seen earlier. At the edge of town, I passed a newspaper office with a headline pasted in the window—INVASION! I remember that. I wondered about it. But I looked most closely at the people. In all that town, I didn't see one girl over ten years old and no grown-up women at all. There were little kids, there were boys and there were men, but no girls. All the boys and men wore pants, and so did I, which must have been why Horst and his buddies assumed I was a boy. It wasn't flattering; but I decided I'd not tell anybody different until I found what made the clocks tick on this planet. But that wasn't what bothered me. It was the kids. My God! They swarmed. I saw a family come out of a house—a father and four children. It was the most foul thing I've ever seen. It struck me then—these people were Free Birthers! I felt a wave of nausea and I closed my eyes until it passed. The first thing you learn in school is that if it weren't for idiot and criminal people like these, Earth would never have been destroyed. The evacuation would never have had to take place, and eight billion people wouldn't have died. There wouldn't have been eight billion people. But, no. They bred and they spread and they devoured everything in their path like a cancer. They gobbled up all the resources that Earth had and crowded and shoved one another until the final war came. I am lucky. My great-great-grandparents were among those who had enough foresight to see what was coming. If it hadn't been for them and some others like them, there wouldn't be any humans left anywhere. And I wouldn't be here. That may not scare you, but it scares me. What happened before, when people didn't use their heads and wound up blowing the Solar System apart, is something nobody should forget. The older people don't let us forget. But these people had, and that the Council should know. For the first time since I landed on Tintera, I felt really frightened. There was too much going on that I didn't understand. I felt a blind urge to get away, and when I reached the edge of town, I whomped Ninc a good one and gave him his head. I let him run for almost a mile before I pulled him down to a walk again. I couldn't help wishing for Jimmy D. Whatever else he is, he's smart and brains I needed. How do you find out what's going on? Eavesdrop? That's a lousy method. For one thing, people can't be depended on to talk about the things you want to hear. For another, you're likely to get caught. Ask somebody? Who? Make the mistake of bracing a fellow like Horst and you might wind up with a sore head and an empty pocket. The best thing I could think of was to find a library, but that might be a job. I'd had two bad shocks on this day, but they weren't the last. In the late afternoon, when the sun was starting to sink and a cool wind was starting to ripple the tree leaves, I saw the scoutship high in the sky. The dying sun colored it a deep red. Back again? I wondered what had gone wrong. I reached down into my saddlebag and brought out my contact signal. The scoutship swung up in the sky in a familiar movement calculated to drop the stomach out of everybody aboard. George Fuhonin's style. I triggered the signal, my heart turning flips all the while. I didn't know why he was back, but I wasn't really sorry. The ship swung around until it was coming back on a path almost over my head, going in the same direction. Then it went into a slip and started bucking so hard that I knew this wasn't hot piloting at all, just plain idiot stutter-fingered stupidity at the controls. As it skidded by me overhead, I got a good look at it and knew that it wasn't one of ours. Not too different, but not ours. One more enigma. Where was it from? Not here. Even if you know how, and we wouldn't tell these Mud-eaters how, a scoutship is something that takes an advanced technology to build. I felt defeated and tired. Not much farther along the road, I came to a campsite with two wagons pulled in for the night, and I couldn't help but pull in myself. The campsite was large and had two permanent buildings on it. One was a well enclosure and the other was little more than a high-walled pen. It didn't even have a roof. I set up camp and ate my dinner. In the wagon closest to me were a man, his wife and their three children. The kids were running around and playing, and one of them ran close to the high-walled pen. His father came and pulled him away. The kids weren't to blame for their parents, but when one of them said hello to me, I didn't even answer. I know how lousy I would feel if I had two or three brothers and sisters, but it didn't strike me until that moment that it wouldn't even seem out of the ordinary to these kids. Isn't that horrible? About the time I finished eating, and before it grew dark, the old man I had seen earlier in the day drove his wagon in. He fascinated me. He had white hair, something I had read about in stories but had never seen before. When nightfall came, they started a large fire. Everybody gathered around. There was singing for awhile, and then the father of the children tried to pack them off to bed. But they weren't ready to go, so the old man started telling them a story. In the old man's odd accent, and sitting there in the campfire light surrounded by darkness, it seemed just right. It was about an old witch named Baba Yaga who lived in the forest in a house that stood on chicken legs. She was the nasty stepmother of a nice little girl, and to get rid of the kid, she sent her on a phony errand into the deep dark woods at nightfall. I could appreciate the poor girl's position. All the little girl had to help her were the handkerchief, the comb and the pearl that she had inherited from her dear dead mother. But, as it turned out, they were just enough to defeat nasty old Baba Yaga and bring the girl safely home. I wished for the same for myself. The old man had just finished and they were starting to drag the kids off to bed when there was a commotion on the road at the edge of the camp. I looked but my eyes were adjusted to the light of the fire and I couldn't see far into the dark. A voice there said, "I'll be damned if I'll take another day like this one, Horst. We should have been here hours ago. It be your fault we're not." Horst growled a retort. I decided that it was time for me to leave the campfire. I got up and eased away as Horst and his men came up to the fire, and cut back to where Ninc was parked. I grabbed up my blankets and mattress and started to roll them up. I had a pretty good idea now what they used the high-walled pen for. I should have known that they would have to pen the animals up for the night. I should have used my head. I hadn't and now it was time to take leave. I never got the chance. I was just heaving the saddle up on Ninc when I felt a hand on my shoulder and I was swung around. "Well, well. Horst, look who we have here," he called. It was the one who'd made the joke about me being beneath the notice of a Losel. He was alone with me now, but with that call the others would be up fast. I brought the saddle around as hard as I could and then up, and he went down. He started to get up again, so I dropped the saddle on him and reached inside my jacket for my gun. Somebody grabbed me then from behind and pinned my arms to my side. I opened my mouth to scream—I have a good scream—but a rough smelly hand clamped down over it before I had a chance to get more than a lungful of air. I bit down hard—5000 lbs. psi, I'm told—but he didn't let me go. I started to kick, but Horst jerked me off my feet and dragged me off. When we were behind the pen and out of earshot of the fire, he stopped dragging me and dropped me in a heap. "Make any noise," he said, "and I'll hurt you." That was a silly way to put it, but somehow it said more than if he'd threatened to break my arm or my head. It left him a latitude of things to do if he pleased. He examined his hand. There was enough moonlight for that. "I ought to club you anyway," he said. The one I'd dropped the saddle on came up then. The others were putting the animals in the pen. He started to kick me, but Horst stopped him. "No," he said. "Look through the kid's gear, bring the horse and what we can use." The other one didn't move. "Get going, Jack," Horst said in a menacing tone and they stood toe to toe for a long moment before Jack finally backed down. It seemed to me that Horst wasn't so much objecting to me being kicked, but was rather establishing who did the kicking in his bunch. But I wasn't done yet. I was scared, but I still had the pistol under my jacket. Horst turned back to me and I said, "You can't do this and get away with it." He said, "Look, boy. You may not know it, but you be in a lot of trouble. So don't give me a hard time." He still thought I was a boy. It was not time to correct him, but I didn't like to see the point go unchallenged. It was unflattering. "The courts won't let you get away with this," I said. I'd passed a courthouse in the town with a carved motto over the doors: EQUAL JUSTICE UNDER THE LAW or TRUTH OUR SHIELD AND JUSTICE OUR SWORD or something stuffy like that. He laughed, not a phony, villian-type laugh, but a real laugh, so I knew I'd goofed. "Boy, boy. Don't talk about the courts. I be doing you a favor. I be taking what I can use of your gear, but I be letting you go. You go to court and they'll take everything and lock you up besides. I be leaving you your freedom." "Why would they be doing that?" I asked. I slipped my hand under my jacket. "Every time you open your mouth you shout that you be off one of the Ships," Horst said. "That be enough. They already have one of you brats in jail in Forton." I was about to bring my gun out when up came Jack leading Ninc, with all my stuff loaded on. I mentally thanked him. He said, "The kid's got some good equipment. But I can't make out what this be for." He held out my pickup signal. Horst looked at it, then handed it back. "Throw it away," he said. I leveled my gun at them—Hell on Wheels strikes again! I said, "Hand that over to me." Horst made a disgusted sound. "Don't make any noise," I said, "or you'll fry. Now hand it over." I stowed it away, then paused with one hand on the leather horn of the saddle. "What's the name of the kid in jail in Forton." "I can't remember," he said. "But it be coming to me. Hold on." I waited. Then suddenly my arm was hit a numbing blow from behind and the gun went flying. Jack pounced after it and Horst said, "Good enough," to the others who'd come up behind me. I felt like a fool. Horst stalked over and got the signal. He dropped it on the ground and said in a voice far colder than mine could ever be, because it was natural and mine wasn't, "The piece be yours." Then he tromped on it until it cracked and fell apart. Then he said, "Pull a gun on me twice. Twice." He slapped me so hard that my ears rang. "You dirty little punk." I said calmly, "You big louse." It was a time I would have done better to keep my mouth shut. All I can remember is a flash of pain as his fist crunched against the side of my face and then nothing. Brains are no good if you don't use them.
train	63640	[ "What are two kinds of goods Casey Ritter deals with throughout the story? \n\n", "What is the significance of the title, “Jupiter’s Joke?”", "Who is the Old Man Casey refers to in the first paragraph? ", "Who is Pard Hoskins and what is his relationship to Casey Ritter?", "Why does Casey feels regret about choosing prison over the court’s option to be sent into Jupiter’s Great Red Spot to study its inhabitants?", "What is the best explanation of Pard Hoskins’ relationship to Akroida?", "What convinces Casey Ritter to help the government by throwing himself into Jupiter’s Great Red Spot?", "There is one central object that saves Casey Ritter and Pard Hoskins from the wrath of Jupiter’s scorpion race. What is it and what does it do?\n\n", "What is the name of the kid from Jupiter who helps both Pard and Casey?", "What is the connection between Attaboy’s name and the perfume Pard teaches Casey to make? \n\n" ]	[ [ "Strychnine and Space suits", "Jupiter crystals and Mars emeralds \n\n", "Kooleen Crystals and Kooleen Emeralds ", "Killicut Emeralds and Kooleen Crystals " ], [ "The joke is that the scorpion-like inhabitants of Jupiter’s Great Red Spot are actually planning an attack, and that they sent Pard to Casey in order to trick the humans into giving them one of their own.", "The joke is that Jupiter’s Great Red Spot is actually made of harmless gas, which means that Casey can fly into it without worrying about protection. \n\n", "The joke is that Casey Ritter is being tricked by the scorpion like inhabitants of Jupiter’s Great Red Spot, and that they plan to steal Casey’s emeralds and hold him for ransom.", "The joke is that Casey’s court hearing sentences him to flying into Jupiter’s red spot to face the supposedly deadly, scorpion-like people who live there. In actuality, the scorpion people aren’t as dangerous as thought, which could be a good deal for Casey to take. " ], [ "The S.S. Customs Court Judge", "God ", "Pard Hoskins\n\n", "The Experimentalist Doctor" ], [ "Pard Hoskins is a daredevil like Casey Ritter. Casey met Pard during a Pluto related operation, and now the two have met again in jail. Pard has been to Jupiter’s Great Red Spot before, and so he teaches Casey how to trick its inhabitants into giving him emeralds. ", "Pard Hoskins is a smuggler/grifter like Casey Ritter. Casey met Pard during a gambling related operation, and now the two have met again in jail. Pard has been to Jupiter’s Great Red Spot before, and so he invites Casey to help him break out of jail so that they can go sell emeralds on Jupiter together. ", "Pard Hoskins is a smuggler/grifter like Casey Ritter. Casey met Pard during a real estate related operation, and now the two have met again in jail. Pard has been to Jupiter’s Great Red Spot before, and so he teaches Casey how to deal with its inhabitants and navigate safely. \n\n", "Pard Hoskins is a smuggler/grifter like Casey Ritter. Casey met Pard during the Kooleen crystal operation, and now the two have met again in jail. Pard has been to Jupiter’s Great Red Spot before, and so he teaches Casey how to make sure it’s strange inhabitants don’t fall in love with him, as this could ruin the mission. \n\n" ], [ "Terrified that being sent to Jupiter will kill him, Casey opts for a jail sell. When he’s told that Jupiter is filled with insect-like beings who share his enthusiasm for a reckless lifestyle, and that the mission could actually make him rich, Casey fears that he’s lost his dare devil edge.\n\n", "Terrified that being sent to Jupiter will take too much energy on his part, Casey opts for a jail sell instead. When he’s told that Jupiter is filled with friendly life forms who love emerald and crystal as much as he does, and that the mission could actually prove his innocence, Casey fears that he’s lost his dare devil edge. \n\n", "Casey is terrorized by his fellow prisoner, Pard Hoskins, which makes him regret not taking the chance to fly head first into Jupiter’s Great Red Spot. A true dare devil would have taken the challenge, after all. ", "Terrified that being sent to Jupiter will kill him, Casey opts for a jail sell. When he’s told that Jupiter is not as dangerous as once thought, and that the mission could actually make him rich, Casey fears that he’s lost his daredevil edge." ], [ "Pard Hoskins sold Jupiter’s queen scorpion, Akroida, a Halcyon Diamond. Before he was put in prison, he planned to bring her Killicut Emeralds. However, their business relationship became complicated when Hoskins accidentally wore yellow in front of Akroida—a deeply offensive color to Jupiter’s scorpion race.\n\n", "Pard Hoskins sold Jupiter’s queen scorpion, Akroida, Kooleen crystals. Before he was put in prison, he planned to bring her a Halcyon Diamond. However, their business relationship became complicated when Hoskins accidentally wore purple in front of Akroida—a color which deeply offends Jupiter’s scorpion race.", "Pard Hoskins sold Jupiter’s queen scorpion, Akroida, a Halcyon Diamond. Before he was put in prison, he planned to bring her Casey Ritter as human tribute. However, their business relationship became complicated when Hoskins accidentally wore purple and green in front of Akroida—a color which deeply offends Jupiter’s scorpion race.", "Pard Hoskins sold Jupiter’s queen scorpion, Akroida, a Halcyon Diamond. Before he was put in prison, he planned to bring her lettuce and arsenic, her favorite foods. However, their business relationship became complicated when Hoskins accidentally wore green in front of Akroida—a color which deeply offends Jupiter’s scorpion race.\n\n" ], [ "Pard Hoskins tells him that Jupiter’s scorpion race is rich with emeralds, which makes Casey realize how easy it would be to caper the emeralds and collect the compensation the S.S. Court’s offered him for completing the mission. \n\n", "Pats Hoskins tells him that Jupiter’s scorpion race isn’t as harmful as previously thought, which makes Casey realize how easy it would be to earn the compensation the S.S. Court’s offered him if he completed the mission. \n\n", "Casey wants to earn back his honor as a dare devil by successfully tricking Jupiter’s scorpion race into selling him emeralds.", "Casey wants to learn more about Jupiter’s scorpion race." ], [ "A potion that causes the scorpions to go insane. ", "A yellow space suit. The scorpion race considers yellow is a sign of serious respect. ", "A yellow space suit. The scorpion race considers yellow a sign of romantic love. ", "A perfume that makes the scorpions fall in love with whoever wears it. " ], [ "Attaboy", "Yeller ", "Thattaboy", "Scorp Kid " ], [ "Pard calls the scorpion kid “Attaboy.” Of course, “Attaboy” is a contraction for “that a boy,” but because Attaboy is affected by Pard’s love perfume, he accepts the name as a kind of blessing. ", "Attaboy is the name of the person who taught Pard to make the perfume in the first place. ", "Casey calls the scorpion kid “Attaboy” the first time he visits . Of course, “Attaboy” is a contraction for “that a boy,” but because Attaboy is affected by Casey’s love perfume, he accepts the name as a kind of blessing from his “best friend” Casey. \n\n", "Attaboy gave himself that name after being inspired by Pard’s love perfume.\n\n" ] ]	[ 4, 4, 2, 3, 4, 1, 2, 4, 1, 1 ]	[ 0, 1, 0, 1, 1, 1, 1, 0, 0, 1 ]	JUPITER'S JOKE By A. L. HALEY Casey Ritter, the guy who never turned down a dare, breathed a prayer to the gods of idiots and spacemen, and headed in toward the great red spot of terrible Jupiter. [Transcriber's Note: This etext was produced from Planet Stories Fall 1954. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] Those methane and ammonia planets, take it from me, they're the dead-end of creation, and why the Old Man ever thought them up I'll never know. I never thought I'd mess around any of them, but things can sure happen. A man can get himself backed into a corner in this little old solar system. It just ain't big enough for a gent of scope and talent; and the day the Solar System Customs caught me red-handed smuggling Kooleen crystals in from Mars, I knew I was in that corner, and sewed up tight. Sure, the crystals are deadly, but I was smuggling them legitimately, in a manner of speaking, for this doctor to experiment with. He wasn't going to sell them for dope. But—and this was the 'but' that was likely to deprive the System of my activities—even experimenting with them was illegal even if it needed to be done; also, I had promised not to rat on him before taking the job. Well, Casey Ritter may be a lot of things we won't mention, but he doesn't rat on his clients. So there I was, closeted with the ten members of the S.S. Customs Court, getting set to hear the gavel fall and the head man intone the sentence that would take me out of circulation for a long, long time. And instead, blast me, if they didn't foul me with this trip to good old Jupiter. I didn't get it at first. I'd argued with 'em, but inside I'd been all set for the sentence, and even sort of reconciled to it. I could even hear the words in my mind. But they didn't match what the judge was saying. I stood there gaping like a beached fish while I sorted it out. Then I croaked, "Jupiter! What for? Are you running outa space in stir? Want to choke me to death in chlorine instead?" Being civil to the court didn't seem important just then. Jupiter was worse than the pen, a lot worse. Jupiter was a death sentence. The senior judge rapped sharply with his gavel. He frowned me down and then nodded at the judge on his right. This bird, a little old hank of dried-up straw, joined his fingertips carefully, cleared his scrawny throat, and told me what for. "You've no doubt heard tales of the strange population of Jupiter," he said. "Every spaceman has, I am sure. Insect-like creatures who manifestly migrated there from some other system and who inhabit the Red Spot of the planet, floating in some kind of artificial anti-gravity field in the gaseous portion of the atmosphere—" I snorted. "Aw, hell, judge, that's just one of those screwy fairy tales! How could any—" The senior judge rapped ferociously, and I skidded to a halt. Our little story teller patiently cleared his skinny throat again. "I assure you it is no fairy tale. We possess well-authenticated photographs of these inhabitants, and if you are prepared to visit them and in some way worm from them the secret of their anti-gravity field, the government stands ready to issue you a full pardon as well as a substantial monetary reward. Your talents, Mr. Ritter, seem, shall we say, eminently suited to the task." He beamed at me. I looked around. They were all beaming. At me! Suddenly I smelled a rat as big as an elephant. That whole Kooleen caper: Had it been just a trap to lead me straight to this? I hadn't been able to figure how they'd cracked my setup.... At the thought my larynx froze up tight. This was worse than I'd thought. Government men trapping me and then beaming at me. And a full pardon. And a reward. Oh, no! I told myself, it wasn't possible. Not when I already had more counts against me than a cur has fleas. Not unless it was a straight suicide mission! I feebly massaged my throat. "Pictures?" I whispered. "Show me 'em." Crude, but it was all I could squeeze out. I squeezed out more when I saw those pictures, though. Those inhabitants were charming, just charming if you like scorpions. Well, a cross between a scorpion and a grasshopper, to be accurate. Floating among that red stuff, they showed up a kind of sickly purple turning to gangrene around the edges. The bleat of anguish that accompanied my first view of those beauties had taken my voice again. "How big?" I whispered. He shrugged, trying for nonchalance. "About the size of a man, I believe." I raised my shrinking head. "Take me to jail!" I said firmly, and collapsed onto my chair. A crafty-eyed buzzard across the table leaned toward me. "So this is the great Casey Ritter, daredevil of the Solar System!" he sneered. "Never loses a bet, never turns down a dare!" I shuddered. "You're telling that one! And besides, a man's got to draw the line somewhere. And I'm drawing it right here. Take me to jail!" They were really stumped. They hadn't expected me to take this attitude at all. No doubt they had it figured that I'd gratefully throw myself into a sea of ammonia among man-size scorpions just for the hell of it. Nuts! After all, in the pen a man can eat and breathe, and a guard won't reach in and nip off an arm or leg while he's got his back turned. How stupid could they get? When I finally wore them down and got to my little cell, I looked around it with a feeling of real coziness. I even patted the walls chummily and snapped a salute at the guard. It makes me grind my molars now to think of it. The way that bunch of stuffed shirts in the S.S.C. made a gold-barred chimpanzee out of me has broken my spirit and turned me into an honest trader. Me, Casey Ritter, slickest slicker in the Solar System, led like a precious infant right where I'd flatly refused to go! In plain English, I underestimated the enemy. Feeling safe and secure in the grip of the good old Iron College, I relaxed. At this strategic point, the enemy planted a stoolie on me. Not in my cell block. They were too smart for that. But we met at recreation, and his mug seemed familiar, like a wisp of smoke where no smoke has got a right to be; and after awhile I braced him. I was right. I'd met the shrimp before when I was wound up in an asteroid real estate racket. Pard Hoskins was his alias, and he had the tag of being a real slick operator. We swapped yarns for about a week when we met, and then I asked him what's his rap this trip. "Oh, a pretty good jolt if they can keep hold of me," he says. "I just made a pass at the Killicut Emeralds, that's all, and got nabbed." "Oh, no!" I moaned. "What were you trying to do, start a feud between us and Mars?" He shrugged, but his little black-currant eyes began to sparkle with real passion, the high voltage kind that only a woman in a million, or a million in a bank, can kindle in a guy. "Buddy," he said reverently, "I'd start more than that just to get me mitts on them stones again! Why, you ain't never seen jools till you've seen them! Big as hen's eggs, an even dozen of 'em; and flawless, I'm a-shoutin', not a flaw!" His eyes watered at the memory, yearning like a hound-dog's over a fresh scent. I couldn't believe it. Those emeralds were in the inner shrine of the super-sacred, super-secret temple of the cavern-dwelling tribe of Killicuts on Mars—the real aborigines. Bleachies, we call them, sort of contemptuously; but those Bleachies are a rough lot when they're mad, and if Pard had really got near those emeralds, he should be nothing but a heap of cleaned bones by now. Either he was the world's champion liar or its bravest son, and either way I took my hat off to him. "How'd you make the getaway?" I asked, taking him at his word. He looked loftily past me. "Sorry. Gotta keep that a secret. Likewise where I cached 'em." "Cached what?" "The rocks, stupe." I hardly heard the cut. "You mean you really did get away with them?" My jaw must've been hanging down a foot, because I'd just been playing along with him, not really believing him, and now all of a sudden I somehow knew that he'd really lifted those emeralds. But how? It was impossible. I'd investigated once myself. He nodded and then moved casually away. I looked up and saw a guard coming. That night I turned on my hard prison cot until my bones were so much jelly, trying to figure that steal. The next morning I got up burning with this fever for information, only to find that Pard had got himself put in solitary for mugging a guard, and that really put the heat on me. I chewed my fingernails down to the quick by the time he got out a week later. By that time he really had me hooked. I'd of sworn he was leveling with me. But he wouldn't tell me how he'd worked the steal. Instead, he opened up on the trade he'd booked for the string. He said, "When I chisel me way outa this squirrel cage, I'm gonna hit fer good old Jupe and sell 'em to Akroida. She's nuts about jools. What that old girl won't give me fer 'em—" He whistled appreciatively, thinking about it. "Jupiter!" I goggled at him. "Akroida! Who's she?" He looked at me as if I hadn't yet got out from under the rock where he was sure I'd been born. "Don't you know nothin', butterhead?" From him I took it. I even waited patiently till the master spoke again. The memory still makes me fry. "Akroida," he explained in his own sweet time, "is the queen-scorp of them idiotic scorpions that lives on Jupiter. I sold her the Halcyon Diamond that disappeared from the World Museum five years ago, remember?" He winked broadly. "It come from Mars in the first place, you know. Mars! What a place fer jools! Damn desert's lousy with 'em, if it wasn't so much trouble to dig 'em out—" He went off into a dream about the rocks on Mars but I jerked him back. "You mean those scorpions have really got brains?" "Brains!" he snorted. "Have they got brains! Why, they're smarter than people! And not ferocious, neither, in spite of how they look, if you just leave 'em alone. That's all they want, just to be left alone. Peace an' quiet, and lots of methane and ammonia and arsenic, that's fer them. Besides, the space suit rig you got to wear, they can't bite you. Akroida's not a bad old girl. Partial to arsenic on her lettuce, so I brought her a hundred pounds of the stuff, an' she went fer that almost like it was diamonds, too. Did I rate around there fer awhile!" He sighed regretfully. "But then I went and made her mad, an' I'm kinda persona non grata there right now. By the time I gnaw outa this here cheese trap, though, I figger she'll be all cooled off and ready fer them emeralds." I went back to my cot that night, and this time instead of biting my nails, I bit myself. So I faced it. Casey Ritter lost his nerve, and along with it, the chance of a lifetime. A better man than me had already penetrated the Great Red Spot of old Jupiter and come out alive. That thought ate me to the quick, and I began to wonder if it was too late, after all. I could hardly wait for morning to come, so that I could pry more information out of Pard Hoskins. But I didn't see Pard for a few days. And then, a week later, a group of lifers made a break that didn't jell, and the whole bunch was locked up in the blockhouse, the special building reserved for escapees. Pard Hoskins was in the bunch. He'd never get out of there, and he knew it. So did I. For three more days I worked down my knuckles, my nails being gone, while I sat around all hunched up, wondering feverishly if Pard would make a deal about those emeralds. Then I broke down and sent out a letter to the S.S.C. The Big Sneer of the conference table promptly dropped in on me, friendly as a bottle of strychnine. But for a lad headed for Jupiter that was good training, so I sneered right back at him, explained the caper, and we both paid a visit to Pard. In two days the deal was made and the caper set up. There were a few bits of info that Pard had to shell out, like where the emeralds were, and how to communicate with those scorpions, and how he'd made Akroida mad. "I put on a yeller slicker," he confessed sadly. "That there ammonia mist was eatin' into the finish on my spacesuit, so I draped this here slicker around me to sorta fancy up the rig before goin' in to an audience with the old rip." He shook his head slowly. "The kid that took me in was colorblind, so I didn't have no warning at all. I found out that them scorpions can't stand yeller. It just plain drives them nuts! Thought they'd chaw me up and spit me out into the chlorine before I could get outa the damn thing. If my colorblind pal hadn't helped me, they'd of done it, too. And Akroida claimed I done it a-purpose to upset her." Then he winked at me. "But then I got off in a corner and cooked up some perfume that drives them nuts the other way; sorta frantic with ecstasy, like the book says. Didn't have a chance to try it on Akroida, though. She wouldn't give me another audience. It's in the stuff they cleaned outa me room: a poiple bottle with a bright green stopper." He ruminated a few minutes. "Tell you what, chump. Make them shell out with a green an' poiple spacesuit—them's the real Jupiter colors—an' put just a touch o' that there perfume on the outside of it. Akroida'll do anything fer you if she just gets a whiff. Just anything! But remember, don't use but a drop. It's real powerful." II Real powerful, said the man. What an understatement! But the day I was set adrift in that sea of frozen ammonia clouds mixed with nice cozy methane gas I sure prayed for it to be powerful, and I clutched that tiny bottle like that boy Aladdin clutching his little old lamp. I'd had a lot of cooperation getting that far. An Earth patrol had slipped down onto the Red Desert of Mars and picked up the Killicut Emeralds from where Pard Hoskins had cached them; and safe out in space again, we had pored over that string of green headlights practically slobbering. But the Big Sneer of the S.S.C., the fellow that had got me into this caper, was right there to take the joy out of it all and to remind me that this was public service, strictly. "These—" he had proclaimed with a disdainful flourish, like a placer miner pointing to a batch of fool's gold—"These jewels are as nothing, Ritter, compared with the value of the secret you are to buy with them. And be assured that if you're man enough to effect the trade—" He paused, his long nose twitching cynically—"IF you succeed, your reward will be triple what you could get for them in any market. Added to which, IF you succeed, you will be a free man." That twitch of the nose riled me no little. "I ain't failed yet!" I snarled at him. "Just you wait till I do, feller!" I slipped the string of emeralds back into its little safe. "Instead of sniping at me, why don't you get that brain busy and set our rendezvous?" With that we got down to business and fixed a meeting point out on Jupiter's farthest moon; then they took me in to the edge of Jupiter's ice-cloud and turned me loose in a peanut of a space boat with old Jupe looming ahead bigger than all outdoors and the Red Spot dead ahead. I patted my pretty enameled suit, which was a study in paris green and passionate purple. I patted the three hundred pounds of arsenic crystals for Akroida and anyone else I might have to bribe. I anxiously examined my suit's air and water containers and the heating unit that would keep them in their proper state. I had already gone over the space boat. Yeah, I was as nervous as a cat with new kittens. Feeling again for my little bottle of horrid stench, I breathed a prayer to the god of idiots and spacemen, and headed in. The big ship was long gone, and I felt like a mighty small and naked microbe diving into the Pacific Ocean. That famous Red Spot was that big, too. It kept expanding until the whole universe was a fierce, raw luminous red. Out beyond it at first there had been fringes of snow-white frozen ammonia, but now it was all dyed redder than Mars. Then I took the plunge right into it. Surprise! The stuff was plants! Plants as big as meadows, bright red, floating around in those clouds of frozen ammonia like seaweed! Then I noticed that the ammonia around them wasn't frozen any more and peeked at the outside thermometer I couldn't believe it. It was above zero. Then I forgot about the temperature because it dawned on me that I was lost. I couldn't see a thing but drifting ammonia fog and those tangles of red floating plants like little islands all around. Cutting down the motor, I eased along. But my green boat must have showed up like a lighthouse in all that red, because it wasn't long until I spotted a purple and green hopper-scorp traveling straight toward me, sort of rowing along with a pair of stubby wings. He didn't seem to be making much effort, even though he was climbing vertically up from the planet. In fact, he didn't seem to be climbing at all but just going along horizontally. There just wasn't any up or down in that crazy place. It must be that anti-grav field, I concluded. The air was getting different, too, now that I was further in. I'm no chemist, and I couldn't have gotten out there to experiment if I had been, but those plants were certainly doing something to that ammonia and methane. The fog thinned, for one thing, and the temperature rose to nearly forty. Meanwhile the hopper-scorp reached the ship. Hastily I squirted some of my Scorpion-Come-Hither lure on the chest of my spacesuit, opened the lock, and popped out, brave as could be. Face to face with that thing, though, I nearly lost my grip on the handle. In fact, I'd have fainted dead away right there if Pard Hoskins hadn't been there already and lived. If that little shrimp could do it, I could, too. I braced up and tapped out the greeting Pard had taught me. My fiendish-looking opponent tapped right back, inquiring why the hell I was back so soon when I knew that Akroida was all set to carve me into steaks for just any meal. But the tone was friendly and even intimate—or rather, the taps were. There was even a rather warm expression discernible in the thing's eyes, so I took heart and decided to ignore the ferocious features surrounding those eyes. After all, the poor sinner's map was made of shell, and he wasn't responsible for its expression. I tapped back very politely that he must be mistaking me for someone else. "I've never been here before, and so I've never met the charming lady," I informed him. "However, I have something very special in the way of jewels—not with me, naturally—and the rumor is that she might be interested." He reared back at that, and reaching up, plucked his right eye out of the socket and reeled it out to the end of a two-foot tentacle, and then he examined me with it just like an old-time earl with one of those things they called monocles. Pard hadn't warned me about those removable eyes, for reasons best known to himself. I still wake up screaming.... Anyway, when that thing pulled out its eye and held it toward me, I backed up against the side of the ship like I'd been half-electrocuted. Then I gagged. But I could still remember that I had to live in that suit for awhile, so I held on. Then that monstrosity reeled in the eye, and I gagged again. My actions didn't bother him a bit. "Jewels, did you say?" he tapped out thoughtfully, just like an ordinary business man, and I managed to tap out yes. He drifted closer; close enough to get a whiff.... A shudder of ecstasy stiffened him. His head and eyes rolled with it, and he wafted closer still. Right there I began to harbor a premonition that there might be such a thing as being too popular in Scorpdom, but I thrust this sneak-thief idea back into limbo. Taking advantage of his condition, I boldly tapped out, "How's about taking me on a guided tour through this red spinach patch to Akroida, old pal?" Or words to that effect. He lolled his hideous cranium practically on my shoulder. "Anything! Just anything you desire, my dearest friend." I tried to back off from him a bit, but the ship stopped me. "I'm Casey Ritter. What's your label, chum?" "Attaboy," he ticked coyly. "Attaboy?" Things blurred around me. It couldn't be. It was just plain nuts. Then I got a glimmer through my paralyzed gray matter. "Who named you that?" He simpered. "My dear friend, Pard Hoskins." I breathed again. How simple could I get? He'd already mistaken me for Pard, hadn't he? Then I remembered something else. "How come you aren't mad at him? Don't you hate yellow, too?" He hung his silly head. "I fear I am colorblind," he confessed sadly. Right there I forgave him for pulling that eye on me. He was the guide I needed, the one who had got Pard out alive. I almost hugged him. "Lead off, old pal," I sang out, and then had to tap it. "I'll follow in my boat." Well, I'd met the first of the brood and was still alive. Not only alive but loved and cherished, thanks to Pard's inventiveness and to a kindly fate which had sent Pard's old pal my way. A great man, Pard Hoskins. How had he made friends with the brute in the first place? Being once more inside my spaceboat, I raised my helmet, which was like one of those head-pieces they used to put on suits of armor instead of the usual plastic bubble. And it was rigged out with phony antennae and mandibles and other embellishments calculated to interest my hosts. Whether it interested them or not, it was plenty uncomfortable for me. Peeking out the porthole I saw that my guide was fidgeting and looking over his shoulder at my ship, so I eased in the controls and edge after him. To my surprise a vapor shot out of a box that I had taken for a natural lump on his back, and he darted away from me. I opened the throttle and tore after him among the immense red blobs that were now beginning to be patterned with dozens of green-and-purple scorpions, all busy filling huge baskets with buds and tendrils, no doubt. Other scorpions oared and floated about in twos and threes in a free and peaceable manner that almost made me forget that I was scared to death of them, and they stared at my boat with only a mild interest that would have taught manners to most of my fellow citizens of Earth. It wasn't until we had covered some two hundred miles of this that something began to loom out of the mist, and I forgot the playboys and the field workers. It loomed higher and higher. Then we burst out into a clearing several miles in diameter, and I saw the structure clearly. It was red, like everything else in this screwy place, and could only have been built out of compressed blocks of the red plant. In shape it was a perfect octagon. It hung poised in the center of the cleared space, suspended on nothing. It had to be at least a mile in diameter, and its sides were pierced with thousands of openings through which its nightmare occupants appeared and disappeared, drifting in and out like they had all the time in the world. I stared until my eyeballs felt paralyzed. Pard was right again. These critters had brains. And my S.S.C. persecutor was right, too. That anti-grav secret was worth more than any string of rocks in the system, including the Killicut Emeralds. Then I swallowed hard. Attaboy was leading me straight across to a window. Closing my helmet, my fingers fumbled badly. My brain was fumbling, too. "Zero hour, chump!" it told me, and I shuddered. Picking up the first hundred pounds of the arsenic, I wobbled over to the airlock. III That palace was like nothing on earth. Naturally, you'll say, it's on Jupiter. But I mean it was even queerer than that. It was like no building on any planet at all. And, in fact, it wasn't on a planet; it was floating up there only two hundred miles in from the raw edge of space. In that building everything stayed right where it was put. If it was put twelve or fifty feet up off the floor, it stayed there. Not that there wasn't gravity. There was plenty of gravity to suit me—just right, in fact—and still they had furniture sitting around in the air as solid as if on a floor. Which was fine for flying hopper-scorps, but what about Casey Ritter, who hadn't cultivated even a feather? Attaboy, however, had the answers for everything. Towing me from the airlock to the window ledge, he again sniffed that delectable odor on my chest, caressed me with his front pair of legs while I manfully endured, and then without warning tossed me onto his back above the little box and flew off with me along a tunnel with luminous red walls. We finally came to the central hall of the palace, and at the sight of all that space dropping away, I clutched at his shell and nearly dropped the arsenic. But he didn't have any brakes I could grab, so he just flew out into mid-air in a room that could have swallowed a city block, skyscrapers and all. It was like a mammoth red cavern, and it glowed like the inside of a red light. No wonder those scorpions like green and purple. What a relief from all that red! A patch in the middle of the hall became a floating platform holding up a divan twenty feet square covered with stuff as green as new spring grass, and in the center of this reclined Akroida. It had to be. Who else could look like that? No one, believe me, boys and girls, no one! Our little Akroida was a pure and peculiarly violent purple—not a green edge anywhere. She was even more purple than my fancy enameled space suit, and she was big enough to comfortably fill most of that twenty-foot couch. To my shrinking eyes right then she looked as big as a ten-ton cannon and twice as mean and dangerous. She was idly nipping here and there as though she was just itching to take a hunk out of somebody, and the way the servants were edging away out around her, I could see they didn't want to get in range. I didn't blame them a bit. Under the vicious sag of her Roman nose, her mandibles kept grinding, shaking the jewels that were hung all over her repulsive carcass, and making the Halcyon Diamond on her chest blaze like a bonfire. Attaboy dumped me onto a floating cushion where I lay clutching and shuddering away from her and from the void all around me, and went across to her alone with the arsenic. Akroida rose up sort of languidly on an elbow that was all stripped bone and sharp as a needle. She pulled an eyeball out about a yard and scanned Attaboy and the box. He closed in to the couch all hunched over, ducked his head humbly half-a-dozen times, and pushed the box over beside her. Akroida eased her eyeball back, opened the box and sniffed, and then turned to Attaboy with a full-blown Satanic grin. I could hear her question reverberate away over where I was. "Who from?" asked Akroida. That conversation was telegraphed to me blow by blow by the actions of those hopper-scorps. I didn't need their particular brand of Morse Code at all. "Who from?" Attaboy cringed lower and blushed a purple all-over blush. "Dear lady, it is from an interspace trader who possesses some truly remarkable jewels," he confessed coyly. Akroida toyed with the Halcyon Diamond and ignored the bait. "His name?" she demanded. And when he told her, with a bad stutter in his code, she reared up higher on her skinny elbow and glared in my direction. "Casey Ritter? Never heard of him. Where's he from?" Well, after all, she wasn't blind. He had to confess. "I—uh—the stones were so amazing, Royal Akroida, that I didn't pay much attention to the—uh—trader. He does seem to resemble an—ah—earthman." He ducked his head and fearfully waited. A sort of jerking quiver ran through Akroida. She reared up even higher. Her mean Roman nose twitched. "An earthman? Like Pard Hoskins?" Attaboy shrank smaller and smaller. He could only nod dumbly. The storm broke, all right. That old dame let out a scream like a maddened stallion and began to thrash around and flail her couch with that dragon's tail of hers.
train	61139	[ "How long ago was Retief given Whaffle’s consul position? \n\n", "Of what species is Miss Meuhl and Retief?", "What is the simplest description of what Miss Meuhl and Retief are in the minds of the Groacian race? Why is this significant to the story? \n\n", "What is the conspiracy Retief is trying to uncover?", "What is the name of the space cruiser that the Groacians are hiding?", "How does Retief first manage to arrange an interview/interrogation with Groacians officials?", "What official positions do Miss Muehl and Retief hold on Groac?", "What are two examples of Groacian communication mechanisms?", "Why isn’t Retief satisfied when the Groaci finally show him the missing cruiser?", "Who betrays Retief? How and why?" ]	[ [ "Three months ", "Nine months ", "Nine years ", "One month" ], [ "Groacian", "Unknown ", "Human", "Reptile " ], [ "They are illegal space travelers. This is significant because the crimes of explorers like them are what prompted the Groaci to hide the first human cruiser that arrived. \n\n", "They are colonialists. This is significant because it is Miss Meuhl and Retief’s desire to colonize Groac that fuels the Groacian hatred of foreigners. \n\n", "They are slaves. This is significant because it helps the reader understand that Retief is lashing out as a result of being oppressed for so long.", "They are aliens. This is significant because Groacians see humans as alien to their planet, which helps the reader understand how prejudice develops on Groac. \n\n" ], [ "Nine years ago Groacians invaded Earth and stole a Terran space cruiser. Retief wants to find out what happened to it.", "Nine years ago, Consul Whaffle mysteriously disappeared from his government office. As the new consul, Retief feels it is his duty to find out what happened. ", "Nine years ago, a Terran cruiser landed on Groac but soon mysteriously disappeared, along with its entire crew. Retief wants to find out what happened to the ship and its crew. \n\n", "Nine years ago Terrans came to Groac and attempted to take over the existing government, but failed. During the skirmish, a Terran cruiser disappeared. Retief wants to find out why the siege failed and what happened to the cruiser.\n\n" ], [ "The Terran", "The Territory ", "The Terror ", "The Terrific " ], [ "Retief tricks Miss Meuhl into luring Groacian officials to their office. Once they arrive, Retief blackmails them with information he stole from a bar tender. ", "He gets into a bar fight, prompting an investigation and thus a visit from a Groacian government officials. Retief flips their interrogation when he begins to ask them the questions he needs answered. \n\n", "He breaks into their place of business and demands he be met. At first the receptionist doesn’t let him in, but eventually breaks. \n\n", "He steals vital information from the Groacian archives and plans to use it for blackmail. Then he gets into a fight with a police officer, prompting Groacian officials to visit his office. He blackmails them for info when they arrive. " ], [ "Retief is Private Investigator for the Terrestrial States. Miss Meuhl is his administrative assistant. ", "Retief is Consul for the Groacian States. Miss Meuhl is Consul for the Terrestrial States. \n\n", "Retief is Consul for the Terrestrial States. Miss Meuhl is his administrative assistant. \n\n", "Retief is Internal Police. Miss Meuhl is his administrative assistant. \n\n\n\n" ], [ "Mandible snaps and throat-bladder bleats", "Mandible wiggles and eye clogs", "Jaw snaps and jugular cracks", "Jowl clacks and eye beats " ], [ "Retief believes the cruiser they show him is a decoy. The real missing cruiser was at least twenty-tons, which is much larger than the ship the Groacians reveal. \n\n", "Retief believes the cruiser they show him isn’t human made at all, meaning the real cruiser is still out there. \n", "Retief believes the cruiser they show him is a replica, meaning the real cruiser is still out there. \n\n", "Retief believes the cruiser they show him is a decoy. The real missing cruiser was a battle ship, while the cruiser they show him is of the domestic variety. \n\n" ], [ "The previous Consul, Whaffle. Whaffle confesses to Groacian police that Retief broke into the Archives and stole information about the missing cruiser. Whaffle did this because he wants his old position back. \n\n", "Miss Meuhl. She reports Retief’s espionage to Groacian officials. She does this because she believes Retief isn’t acting the way he should as consul. \n", "The crew from The Terrific. They have been in cahoots with the Groaci the entire time, and are dead set on betraying the human race in order to find financial gain on Groac. \n\n", "The Groacian bar tender. He believed Retief needed to be beat up by the drunken Groacian. " ] ]	[ 1, 3, 4, 3, 4, 2, 3, 1, 1, 2 ]	[ 0, 0, 1, 0, 0, 1, 0, 0, 1, 1 ]	THE MADMAN FROM EARTH BY KEITH LAUMER You don't have to be crazy to be an earth diplomat—but on Groac it sure helps! [Transcriber's Note: This etext was produced from Worlds of If Science Fiction, March 1962. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] I "The Consul for the Terrestrial States," Retief said, "presents his compliments, et cetera, to the Ministry of Culture of the Groacian Autonomy, and with reference to the Ministry's invitation to attend a recital of interpretive grimacing, has the honor to express regret that he will be unable—" "You can't turn this invitation down," Administrative Assistant Meuhl said flatly. "I'll make that 'accepts with pleasure'." Retief exhaled a plume of cigar smoke. "Miss Meuhl," he said, "in the past couple of weeks I've sat through six light-concerts, four attempts at chamber music, and god knows how many assorted folk-art festivals. I've been tied up every off-duty hour since I got here—" "You can't offend the Groaci," Miss Meuhl said sharply. "Consul Whaffle would never have been so rude." "Whaffle left here three months ago," Retief said, "leaving me in charge." "Well," Miss Meuhl said, snapping off the dictyper. "I'm sure I don't know what excuse I can give the Minister." "Never mind the excuses," Retief said. "Just tell him I won't be there." He stood up. "Are you leaving the office?" Miss Meuhl adjusted her glasses. "I have some important letters here for your signature." "I don't recall dictating any letters today, Miss Meuhl," Retief said, pulling on a light cape. "I wrote them for you. They're just as Consul Whaffle would have wanted them." "Did you write all Whaffle's letters for him, Miss Meuhl?" "Consul Whaffle was an extremely busy man," Miss Meuhl said stiffly. "He had complete confidence in me." "Since I'm cutting out the culture from now on," Retief said, "I won't be so busy." "Well!" Miss Meuhl said. "May I ask where you'll be if something comes up?" "I'm going over to the Foreign Office Archives." Miss Meuhl blinked behind thick lenses. "Whatever for?" Retief looked thoughtfully at Miss Meuhl. "You've been here on Groac for four years, Miss Meuhl. What was behind the coup d'etat that put the present government in power?" "I'm sure I haven't pried into—" "What about that Terrestrial cruiser? The one that disappeared out this way about ten years back?" "Mr. Retief, those are just the sort of questions we avoid with the Groaci. I certainly hope you're not thinking of openly intruding—" "Why?" "The Groaci are a very sensitive race. They don't welcome outworlders raking up things. They've been gracious enough to let us live down the fact that Terrestrials subjected them to deep humiliation on one occasion." "You mean when they came looking for the cruiser?" "I, for one, am ashamed of the high-handed tactics that were employed, grilling these innocent people as though they were criminals. We try never to reopen that wound, Mr. Retief." "They never found the cruiser, did they?" "Certainly not on Groac." Retief nodded. "Thanks, Miss Meuhl," he said. "I'll be back before you close the office." Miss Meuhl's face was set in lines of grim disapproval as he closed the door. The pale-featured Groacian vibrated his throat-bladder in a distressed bleat. "Not to enter the Archives," he said in his faint voice. "The denial of permission. The deep regret of the Archivist." "The importance of my task here," Retief said, enunciating the glottal dialect with difficulty. "My interest in local history." "The impossibility of access to outworlders. To depart quietly." "The necessity that I enter." "The specific instructions of the Archivist." The Groacian's voice rose to a whisper. "To insist no longer. To give up this idea!" "OK, Skinny, I know when I'm licked," Retief said in Terran. "To keep your nose clean." Outside, Retief stood for a moment looking across at the deeply carved windowless stucco facades lining the street, then started off in the direction of the Terrestrial Consulate General. The few Groacians on the street eyed him furtively, veered to avoid him as he passed. Flimsy high-wheeled ground cars puffed silently along the resilient pavement. The air was clean and cool. At the office, Miss Meuhl would be waiting with another list of complaints. Retief studied the carving over the open doorways along the street. An elaborate one picked out in pinkish paint seemed to indicate the Groacian equivalent of a bar. Retief went in. A Groacian bartender was dispensing clay pots of alcoholic drink from the bar-pit at the center of the room. He looked at Retief and froze in mid-motion, a metal tube poised over a waiting pot. "To enjoy a cooling drink," Retief said in Groacian, squatting down at the edge of the pit. "To sample a true Groacian beverage." "To not enjoy my poor offerings," the Groacian mumbled. "A pain in the digestive sacs; to express regret." "To not worry," Retief said, irritated. "To pour it out and let me decide whether I like it." "To be grappled in by peace-keepers for poisoning of—foreigners." The barkeep looked around for support, found none. The Groaci customers, eyes elsewhere, were drifting away. "To get the lead out," Retief said, placing a thick gold-piece in the dish provided. "To shake a tentacle." "The procuring of a cage," a thin voice called from the sidelines. "The displaying of a freak." Retief turned. A tall Groacian vibrated his mandibles in a gesture of contempt. From his bluish throat coloration, it was apparent the creature was drunk. "To choke in your upper sac," the bartender hissed, extending his eyes toward the drunk. "To keep silent, litter-mate of drones." "To swallow your own poison, dispenser of vileness," the drunk whispered. "To find a proper cage for this zoo-piece." He wavered toward Retief. "To show this one in the streets, like all freaks." "Seen a lot of freaks like me, have you?" Retief asked, interestedly. "To speak intelligibly, malodorous outworlder," the drunk said. The barkeep whispered something, and two customers came up to the drunk, took his arms and helped him to the door. "To get a cage!" the drunk shrilled. "To keep the animals in their own stinking place." "I've changed my mind," Retief said to the bartender. "To be grateful as hell, but to have to hurry off now." He followed the drunk out the door. The other Groaci released him, hurried back inside. Retief looked at the weaving alien. "To begone, freak," the Groacian whispered. "To be pals," Retief said. "To be kind to dumb animals." "To have you hauled away to a stockyard, ill-odored foreign livestock." "To not be angry, fragrant native," Retief said. "To permit me to chum with you." "To flee before I take a cane to you!" "To have a drink together—" "To not endure such insolence!" The Groacian advanced toward Retief. Retief backed away. "To hold hands," Retief said. "To be palsy-walsy—" The Groacian reached for him, missed. A passer-by stepped around him, head down, scuttled away. Retief backed into the opening to a narrow crossway and offered further verbal familiarities to the drunken local, who followed, furious. Retief backed, rounded a corner into a narrow alley-like passage, deserted, silent ... except for the following Groacian. Retief stepped around him, seized his collar and yanked. The Groacian fell on his back. Retief stood over him. The downed native half-rose; Retief put a foot against his chest and pushed. "To not be going anywhere for a few minutes," Retief said. "To stay right here and have a nice long talk." II "There you are!" Miss Meuhl said, eyeing Retief over her lenses. "There are two gentlemen waiting to see you. Groacian gentlemen." "Government men, I imagine. Word travels fast." Retief pulled off his cape. "This saves me the trouble of paying another call at the Foreign Ministry." "What have you been doing? They seem very upset, I don't mind telling you." "I'm sure you don't. Come along. And bring an official recorder." Two Groaci wearing heavy eye-shields and elaborate crest ornaments indicative of rank rose as Retief entered the room. Neither offered a courteous snap of the mandibles, Retief noted. They were mad, all right. "I am Fith, of the Terrestrial Desk, Ministry of Foreign Affairs, Mr. Consul," the taller Groacian said, in lisping Terran. "May I present Shluh, of the Internal Police?" "Sit down, gentlemen," Retief said. They resumed their seats. Miss Meuhl hovered nervously, then sat on the edge of a comfortless chair. "Oh, it's such a pleasure—" she began. "Never mind that," Retief said. "These gentlemen didn't come here to sip tea today." "So true," Fith said. "Frankly, I have had a most disturbing report, Mr. Consul. I shall ask Shluh to recount it." He nodded to the police chief. "One hour ago," The Groacian said, "a Groacian national was brought to hospital suffering from serious contusions. Questioning of this individual revealed that he had been set upon and beaten by a foreigner. A Terrestrial, to be precise. Investigation by my department indicates that the description of the culprit closely matches that of the Terrestrial Consul." Miss Meuhl gasped audibly. "Have you ever heard," Retief said, looking steadily at Fith, "of a Terrestrial cruiser, the ISV Terrific , which dropped from sight in this sector nine years ago?" "Really!" Miss Meuhl exclaimed, rising. "I wash my hands—" "Just keep that recorder going," Retief snapped. "I'll not be a party—" "You'll do as you're told, Miss Meuhl," Retief said quietly. "I'm telling you to make an official sealed record of this conversation." Miss Meuhl sat down. Fith puffed out his throat indignantly. "You reopen an old wound, Mr. Consul. It reminds us of certain illegal treatment at Terrestrial hands—" "Hogwash," Retief said. "That tune went over with my predecessors, but it hits a sour note with me." "All our efforts," Miss Meuhl said, "to live down that terrible episode! And you—" "Terrible? I understand that a Terrestrial task force stood off Groac and sent a delegation down to ask questions. They got some funny answers, and stayed on to dig around a little. After a week they left. Somewhat annoying to the Groaci, maybe—at the most. If they were innocent." "IF!" Miss Meuhl burst out. "If, indeed!" Fith said, his weak voice trembling. "I must protest your—" "Save the protests, Fith. You have some explaining to do. And I don't think your story will be good enough." "It is for you to explain! This person who was beaten—" "Not beaten. Just rapped a few times to loosen his memory." "Then you admit—" "It worked, too. He remembered lots of things, once he put his mind to it." Fith rose; Shluh followed suit. "I shall ask for your immediate recall, Mr. Consul. Were it not for your diplomatic immunity, I should do more—" "Why did the government fall, Fith? It was just after the task force paid its visit, and before the arrival of the first Terrestrial diplomatic mission." "This is an internal matter!" Fith cried, in his faint Groacian voice. "The new regime has shown itself most amiable to you Terrestrials. It has outdone itself—" "—to keep the Terrestrial consul and his staff in the dark," Retief said. "And the same goes for the few terrestrial businessmen you've visaed. This continual round of culture; no social contacts outside the diplomatic circle; no travel permits to visit out-lying districts, or your satellite—" "Enough!" Fith's mandibles quivered in distress. "I can talk no more of this matter—" "You'll talk to me, or there'll be a task force here in five days to do the talking," Retief said. "You can't!" Miss Meuhl gasped. Retief turned a steady look on Miss Meuhl. She closed her mouth. The Groaci sat down. "Answer me this one," Retief said, looking at Shluh. "A few years back—about nine, I think—there was a little parade held here. Some curious looking creatures were captured. After being securely caged, they were exhibited to the gentle Groaci public. Hauled through the streets. Very educational, no doubt. A highly cultural show. "Funny thing about these animals. They wore clothes. They seemed to communicate with each other. Altogether it was a very amusing exhibit. "Tell me, Shluh, what happened to those six Terrestrials after the parade was over?" Fith made a choked noise and spoke rapidly to Shluh in Groacian. Shluh retracted his eyes, shrank down in his chair. Miss Meuhl opened her mouth, closed it and blinked rapidly. "How did they die?" Retief snapped. "Did you murder them, cut their throats, shoot them or bury them alive? What amusing end did you figure out for them? Research, maybe? Cut them open to see what made them yell...." "No!" Fith gasped. "I must correct this terrible false impression at once." "False impression, hell," Retief said. "They were Terrans! A simple narco-interrogation would get that out of any Groacian who saw the parade." "Yes," Fith said weakly. "It is true, they were Terrestrials. But there was no killing." "They're alive?" "Alas, no. They ... died." Miss Meuhl yelped faintly. "I see," Retief said. "They died." "We tried to keep them alive, of course. But we did not know what foods—" "Didn't take the trouble to find out, either, did you?" "They fell ill," Fith said. "One by one...." "We'll deal with that question later," Retief said. "Right now, I want more information. Where did you get them? Where did you hide the ship? What happened to the rest of the crew? Did they 'fall ill' before the big parade?" "There were no more! Absolutely, I assure you!" "Killed in the crash landing?" "No crash landing. The ship descended intact, east of the city. The ... Terrestrials ... were unharmed. Naturally, we feared them. They were strange to us. We had never before seen such beings." "Stepped off the ship with guns blazing, did they?" "Guns? No, no guns—" "They raised their hands, didn't they? Asked for help. You helped them; helped them to death." "How could we know?" Fith moaned. "How could you know a flotilla would show up in a few months looking for them, you mean? That was a shock, wasn't it? I'll bet you had a brisk time of it hiding the ship, and shutting everybody up. A close call, eh?" "We were afraid," Shluh said. "We are a simple people. We feared the strange creatures from the alien craft. We did not kill them, but we felt it was as well they ... did not survive. Then, when the warships came, we realized our error. But we feared to speak. We purged our guilty leaders, concealed what had happened, and ... offered our friendship. We invited the opening of diplomatic relations. We made a blunder, it is true, a great blunder. But we have tried to make amends...." "Where is the ship?" "The ship?" "What did you do with it? It was too big to just walk off and forget. Where is it?" The two Groacians exchanged looks. "We wish to show our contrition," Fith said. "We will show you the ship." "Miss Meuhl," Retief said. "If I don't come back in a reasonable length of time, transmit that recording to Regional Headquarters, sealed." He stood, looked at the Groaci. "Let's go," he said. Retief stooped under the heavy timbers shoring the entry to the cavern. He peered into the gloom at the curving flank of the space-burned hull. "Any lights in here?" he asked. A Groacian threw a switch. A weak bluish glow sprang up. Retief walked along the raised wooden catwalk, studying the ship. Empty emplacements gaped below lensless scanner eyes. Littered decking was visible within the half-open entry port. Near the bow the words 'IVS Terrific B7 New Terra' were lettered in bright chrome duralloy. "How did you get it in here?" Retief asked. "It was hauled here from the landing point, some nine miles distant," Fith said, his voice thinner than ever. "This is a natural crevasse. The vessel was lowered into it and roofed over." "How did you shield it so the detectors didn't pick it up?" "All here is high-grade iron ore," Fith said, waving a member. "Great veins of almost pure metal." Retief grunted. "Let's go inside." Shluh came forward with a hand-lamp. The party entered the ship. Retief clambered up a narrow companionway, glanced around the interior of the control compartment. Dust was thick on the deck, the stanchions where acceleration couches had been mounted, the empty instrument panels, the litter of sheared bolts, scraps of wire and paper. A thin frosting of rust dulled the exposed metal where cutting torches had sliced away heavy shielding. There was a faint odor of stale bedding. "The cargo compartment—" Shluh began. "I've seen enough," Retief said. Silently, the Groacians led the way back out through the tunnel and into the late afternoon sunshine. As they climbed the slope to the steam car, Fith came to Retief's side. "Indeed, I hope that this will be the end of this unfortunate affair," he said. "Now that all has been fully and honestly shown—" "You can skip all that," Retief said. "You're nine years late. The crew was still alive when the task force called, I imagine. You killed them—or let them die—rather than take the chance of admitting what you'd done." "We were at fault," Fith said abjectly. "Now we wish only friendship." "The Terrific was a heavy cruiser, about twenty thousand tons." Retief looked grimly at the slender Foreign Office official. "Where is she, Fith? I won't settle for a hundred-ton lifeboat." Fith erected his eye stalks so violently that one eye-shield fell off. "I know nothing of ... of...." He stopped. His throat vibrated rapidly as he struggled for calm. "My government can entertain no further accusations, Mr. Consul," he said at last. "I have been completely candid with you, I have overlooked your probing into matters not properly within your sphere of responsibility. My patience is at an end." "Where is that ship?" Retief rapped out. "You never learn, do you? You're still convinced you can hide the whole thing and forget it. I'm telling you you can't." "We return to the city now," Fith said. "I can do no more." "You can and you will, Fith," Retief said. "I intend to get to the truth of this matter." Fith spoke to Shluh in rapid Groacian. The police chief gestured to his four armed constables. They moved to ring Retief in. Retief eyed Fith. "Don't try it," he said. "You'll just get yourself in deeper." Fith clacked his mandibles angrily, eye stalks canted aggressively toward the Terrestrial. "Out of deference to your diplomatic status, Terrestrial, I shall ignore your insulting remarks," Fith said in his reedy voice. "Let us now return to the city." Retief looked at the four policemen. "I see your point," he said. Fith followed him into the car, sat rigidly at the far end of the seat. "I advise you to remain very close to your consulate," Fith said. "I advise you to dismiss these fancies from your mind, and to enjoy the cultural aspects of life at Groac. Especially, I should not venture out of the city, or appear overly curious about matters of concern only to the Groacian government." In the front seat, Shluh looked straight ahead. The loosely-sprung vehicle bobbed and swayed along the narrow highway. Retief listened to the rhythmic puffing of the motor and said nothing. III "Miss Meuhl," Retief said, "I want you to listen carefully to what I'm going to tell you. I have to move rapidly now, to catch the Groaci off guard." "I'm sure I don't know what you're talking about," Miss Meuhl snapped, her eyes sharp behind the heavy lenses. "If you'll listen, you may find out," Retief said. "I have no time to waste, Miss Meuhl. They won't be expecting an immediate move—I hope—and that may give me the latitude I need." "You're still determined to make an issue of that incident!" Miss Meuhl snorted. "I really can hardly blame the Groaci. They are not a sophisticated race; they had never before met aliens." "You're ready to forgive a great deal, Miss Meuhl. But it's not what happened nine years ago I'm concerned with. It's what's happening now. I've told you that it was only a lifeboat the Groaci have hidden out. Don't you understand the implication? That vessel couldn't have come far. The cruiser itself must be somewhere near by. I want to know where!" "The Groaci don't know. They're a very cultured, gentle people. You can do irreparable harm to the reputation of Terrestrials if you insist—" "That's my decision," Retief said. "I have a job to do and we're wasting time." He crossed the room to his desk, opened a drawer and took out a slim-barreled needler. "This office is being watched. Not very efficiently, if I know the Groaci. I think I can get past them all right." "Where are you going with ... that?" Miss Meuhl stared at the needler. "What in the world—" "The Groaci won't waste any time destroying every piece of paper in their files relating to this thing. I have to get what I need before it's too late. If I wait for an official Inquiry Commission, they'll find nothing but blank smiles." "You're out of your mind!" Miss Meuhl stood up, quivering with indignation. "You're like a ... a...." "You and I are in a tight spot, Miss Meuhl. The logical next move for the Groaci is to dispose of both of us. We're the only ones who know what happened. Fith almost did the job this afternoon, but I bluffed him out—for the moment." Miss Meuhl emitted a shrill laugh. "Your fantasies are getting the better of you," she gasped. "In danger, indeed! Disposing of me! I've never heard anything so ridiculous." "Stay in this office. Close and safe-lock the door. You've got food and water in the dispenser. I suggest you stock up, before they shut the supply down. Don't let anyone in, on any pretext whatever. I'll keep in touch with you via hand-phone." "What are you planning to do?" "If I don't make it back here, transmit the sealed record of this afternoon's conversation, along with the information I've given you. Beam it through on a mayday priority. Then tell the Groaci what you've done and sit tight. I think you'll be all right. It won't be easy to blast in here and anyway, they won't make things worse by killing you. A force can be here in a week." "I'll do nothing of the sort! The Groaci are very fond of me! You ... Johnny-come-lately! Roughneck! Setting out to destroy—" "Blame it on me if it will make you feel any better," Retief said, "but don't be fool enough to trust them." He pulled on a cape, opened the door. "I'll be back in a couple of hours," he said. Miss Meuhl stared after him silently as he closed the door. It was an hour before dawn when Retief keyed the combination to the safe-lock and stepped into the darkened consular office. He looked tired. Miss Meuhl, dozing in a chair, awoke with a start. She looked at Retief, rose and snapped on a light, turned to stare. "What in the world—Where have you been? What's happened to your clothing?" "I got a little dirty. Don't worry about it." Retief went to his desk, opened a drawer and replaced the needler. "Where have you been?" Miss Meuhl demanded. "I stayed here—" "I'm glad you did," Retief said. "I hope you piled up a supply of food and water from the dispenser, too. We'll be holed up here for a week, at least." He jotted figures on a pad. "Warm up the official sender. I have a long transmission for Regional Headquarters." "Are you going to tell me where you've been?" "I have a message to get off first, Miss Meuhl," Retief said sharply. "I've been to the Foreign Ministry," he added. "I'll tell you all about it later." "At this hour? There's no one there...." "Exactly." Miss Meuhl gasped. "You mean you broke in? You burgled the Foreign Office?" "That's right," Retief said calmly. "Now—" "This is absolutely the end!" Miss Meuhl said. "Thank heaven I've already—" "Get that sender going, woman!" Retief snapped. "This is important." "I've already done so, Mr. Retief!" Miss Meuhl said harshly. "I've been waiting for you to come back here...." She turned to the communicator, flipped levers. The screen snapped aglow, and a wavering long-distance image appeared. "He's here now," Miss Meuhl said to the screen. She looked at Retief triumphantly. "That's good," Retief said. "I don't think the Groaci can knock us off the air, but—" "I have done my duty, Mr. Retief," Miss Meuhl said. "I made a full report to Regional Headquarters last night, as soon as you left this office. Any doubts I may have had as to the rightness of that decision have been completely dispelled by what you've just told me." Retief looked at her levelly. "You've been a busy girl, Miss Meuhl. Did you mention the six Terrestrials who were killed here?" "That had no bearing on the matter of your wild behavior! I must say, in all my years in the Corps, I've never encountered a personality less suited to diplomatic work." The screen crackled, the ten-second transmission lag having elapsed. "Mr. Retief," the face on the screen said, "I am Counsellor Pardy, DSO-1, Deputy Under-secretary for the region. I have received a report on your conduct which makes it mandatory for me to relieve you administratively, vice Miss Yolanda Meuhl, DAO-9. Pending the findings of a Board of Inquiry, you will—" Retief reached out and snapped off the communicator. The triumphant look faded from Miss Meuhl's face. "Why, what is the meaning—" "If I'd listened any longer, I might have heard something I couldn't ignore. I can't afford that, at this moment. Listen, Miss Meuhl," Retief went on earnestly, "I've found the missing cruiser." "You heard him relieve you!" "I heard him say he was going to, Miss Meuhl. But until I've heard and acknowledged a verbal order, it has no force. If I'm wrong, he'll get my resignation. If I'm right, that suspension would be embarrassing all around." "You're defying lawful authority! I'm in charge here now." Miss Meuhl stepped to the local communicator. "I'm going to report this terrible thing to the Groaci at once, and offer my profound—" "Don't touch that screen," Retief said. "You go sit in that corner where I can keep an eye on you. I'm going to make a sealed tape for transmission to Headquarters, along with a call for an armed task force. Then we'll settle down to wait." Retief ignored Miss Meuhl's fury as he spoke into the recorder. The local communicator chimed. Miss Meuhl jumped up, staring at it. "Go ahead," Retief said. "Answer it." A Groacian official appeared on the screen. "Yolanda Meuhl," he said without preamble, "for the Foreign Minister of the Groacian Autonomy, I herewith accredit you as Terrestrial Consul to Groac, in accordance with the advices transmitted to my government direct from the Terrestrial Headquarters. As consul, you are requested to make available for questioning Mr. J. Retief, former consul, in connection with the assault on two peace keepers and illegal entry into the offices of the Ministry for Foreign Affairs." "Why, why," Miss Meuhl stammered. "Yes, of course. And I do want to express my deepest regrets—" Retief rose, went to the communicator, assisted Miss Meuhl aside. "Listen carefully, Fith," he said. "Your bluff has been called. You don't come in and we don't come out. Your camouflage worked for nine years, but it's all over now. I suggest you keep your heads and resist the temptation to make matters worse than they are." "Miss Meuhl," Fith said, "a peace squad waits outside your consulate. It is clear you are in the hands of a dangerous lunatic. As always, the Groaci wish only friendship with the Terrestrials, but—" "Don't bother," Retief said. "You know what was in those files I looked over this morning." Retief turned at a sound behind him. Miss Meuhl was at the door, reaching for the safe-lock release.... "Don't!" Retief jumped—too late. The door burst inward. A crowd of crested Groaci pressed into the room, pushed Miss Meuhl back, aimed scatter guns at Retief. Police Chief Shluh pushed forward. "Attempt no violence, Terrestrial," he said. "I cannot promise to restrain my men." "You're violating Terrestrial territory, Shluh," Retief said steadily. "I suggest you move back out the same way you came in." "I invited them here," Miss Meuhl spoke up. "They are here at my express wish." "Are they? Are you sure you meant to go this far, Miss Meuhl? A squad of armed Groaci in the consulate?" "You are the consul, Miss Yolanda Meuhl," Shluh said. "Would it not be best if we removed this deranged person to a place of safety?" "You're making a serious mistake, Shluh," Retief said. "Yes," Miss Meuhl said. "You're quite right, Mr. Shluh. Please escort Mr. Retief to his quarters in this building—" "I don't advise you to violate my diplomatic immunity, Fith," Retief said. "As chief of mission," Miss Meuhl said quickly, "I hereby waive immunity in the case of Mr. Retief." Shluh produced a hand recorder. "Kindly repeat your statement, Madam, officially," he said. "I wish no question to arise later." "Don't be a fool, woman," Retief said. "Don't you see what you're letting yourself in for? This would be a hell of a good time for you to figure out whose side you're on." "I'm on the side of common decency!" "You've been taken in. These people are concealing—" "You think all women are fools, don't you, Mr. Retief?" She turned to the police chief and spoke into the microphone he held up. "That's an illegal waiver," Retief said. "I'm consul here, whatever rumors you've heard. This thing's coming out into the open, whatever you do. Don't add violation of the Consulate to the list of Groacian atrocities." "Take the man," Shluh said.
train	63631	[ "What are the four hypotheses Charles has about how he might have survived the plague? ", "What is the name of the song Charles plays on the phonograph? \n\n", "What is the Bureau of Vital Statistics and what is its purpose? \n\n", "Why isn’t Charles satisfied with the beautiful woman’s reason for having a romantic interest in him?", "At which two ages does the Bureau of Vital Statistics scan a person’s brain?", "What is implied about the beautiful woman when Charles leaves her apartment?", "What was the last animal left on Earth after the mysterious plague began to spread?", "What is the significance of the story’s title, “Phone Me in Central Park?”", "What is the true cause of Earth’s “plague” and what is its purpose?", "What is the true explanation for Charles being the last man on Earth? \n\n" ]	[ [ "He’s too strange; he’s a prophet; the odds were against him; he got a vaccine \n\n", "He’s a nice guy; pure chance; he’s a prophet; he received medical treatment. \n", "He’s healthier than everybody; pure chance; he knows a good doctor; he wore a mask \n\n", "He’s too normal to get it; pure chance; he’s a saint; immunity" ], [ "The Land of the Dead \n\n", "The Isle of the Dead", "The Song of the Dead \n\n", "The Night of the Dead \n" ], [ "It holds a computer whose design is thought to be humanity’s greatest achievement. The computer keeps track of all humans, monitoring their health, their lifespan, and where they are on Earth. \n\n", "It holds a computer whose design is thought to be humanity’s greatest achievement. The computer monitors whether certain countries are more susceptible to alien invasion.\n\n", "It holds a computer whose design is thought to be humanity’s greatest achievement. The computer keeps track of what is happening on nearby planets. \n\n", "It holds a computer that keeps track of how many people are currently infected by the plague—a technology thought to be humanity’s greatest achievement. \n\n" ], [ "Due to their total immunity to the plague, Charles and the beautiful woman is are last people on Earth. She had no choice but to be with him.\n\n", "Due to divine designation, Charles is deemed a prophet. She only wanted to be with him for his prophecy. ", "Due to the plague that has wiped out all of humanity, Charles is the last man on Earth. She had no choice but to be with him. \n\n", "Due to disease, Charles has become the last fertile man on Earth, among many living infertile. She had no choice but to be with him. \n\n" ], [ "The first month of life and again at age 10 \n\n", "At age 10 and again at age 20 \n\n", "At age 10 and again before death \n\n", "The first month of life and again before death\n\n" ], [ "She is sleeping soundly, which means she’s unaware that Charles is sneaking out. \n\n", "She is dead. \n\n", "She is more in love with Charles than he is with her. \n", "She is frustrated at Charles for being the last man on Earth. \n\n" ], [ "Household pets \n\n", "Rats", "Humans", "Locusts" ], [ "Central Park is where the mass animals deaths were first noticed. \n\n", "Central Park is where the aliens first attack. \n\n", "Central Park is where Charlie digs a grave for the beautiful woman, writes her epitaph, and declares himself the last man on Earth. \n\n", "Central Park is where Charlie builds his cave/grave, writes his epitaph, and eventually dies. \n\n" ], [ "The plague was facilitated by aliens, described as invisible, ovular beings. Their purpose is to clear Earth of all life and start their own colony. \n\n", "The plague’s true cause is never revealed. Just as Charles suspects at the time of his death, the fall of the human race is completely unreasonable and meaningless. \n\n", "The plague was facilitated by aliens, described as invisible, ovular beings. Their purpose is to exterminate all of Earth’s life in order to start their own planetary garden.\n", "The plague was facilitated by aliens, described as invisible, ovular beings. Their purpose is to move from planet to planet exterminating living systems. \n\n" ], [ "The invisible aliens exterminated people according to chance and probability. Charles just so happened to be killed last. \n", "The invisible aliens exterminated people in alphabetical order, according to the the Bureau of Vital Statistics index. Charles happens to be last on the list, with the last name Zzyzst. \n\n", "The invisible aliens exterminated people according to how normal they were. Charles just so happened to be the most normal human alive.\n\n", "The invisible aliens exterminated people in the order of a foretold prophecy. Because he was a prophet, Charles was killed last. \n\n" ] ]	[ 4, 2, 1, 3, 1, 2, 3, 4, 4, 2 ]	[ 1, 0, 0, 0, 0, 0, 0, 0, 1, 1 ]	"Phone Me in Central Park" By JAMES McCONNELL There should be an epitaph for every man, big or little, but a really grand and special one for Loner Charlie. [Transcriber's Note: This etext was produced from Planet Stories Fall 1954. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] Charles turned over on his side to look at her. She lay quietly in the other bed, the most beautiful woman he had ever seen. She was blonde to perfection, exquisitely shaped, and the rich promise of her body was exposed to his view. "Why?" he thought as he looked at her. "Why did it have to happen like this?" The whole thing was still like a dream to him, and as yet he couldn't decide whether it was a good or a bad dream. A year ago she had been unattainable, a face to conjure with in erotic dreams, far beyond his ken. A year ago she had been a public idol, the most popular actress of the day. And he had been a nobody, full of a nobody's idle hopes and schemes. And now he was lying in the bed next to hers in her swank Manhattan apartment in the most exclusive hotel in town. The unrealness of the situation overwhelmed him. His mind was a picture of confused thoughts. Meanings and answers to his questions slithered out of his reach. "God," he said. It was not an exclamation, nor yet an expletive. It was a mere statement of fact. A thought teased at him. Charles looked at the woman again and decided that she still looked beautiful in spite of the harshness of the room's lighting. He touched buttons by the edge of the bed and the illumination quieted to a soft glow, wrapping her in a radiant halo. Charles smiled wanly and got up. He stood by the bed looking at her. "I could have fallen in love with you once. A year ago, perhaps, or longer. But not now. Not now." He turned away and walked to the window. "Now the world is dead. The whole world is dead." New York lay quietly below him. It was the hour of indecision when day has not quite made up its mind to leave and night has not yet attacked in force. The streetlights were already on, making geometric patterns through the dusk of Central Park. Some of the billboards were shining, their relays activated by darkness-sensitized solenoids. A reddish-orange pallor hung from the sky. It had been very pleasant that afternoon. She had given of herself freely, warmly, and Charles had accepted. But then he had known that she would. It was not him, it was the circumstances. Under the circumstances, she would have given herself to any man— "Why did it have to be her—or me? Why should it have to happen to anybody! Why!" She would have given herself to any man— His thoughts beat a rapid crescendo, activating emotions, stimulating sensations of angry rage. He wanted to cry, to weep angry tears of protest. To any man, WHO HAPPENED TO BE THE LAST MAN ON EARTH! Charles picked up a heavy book end off the table and crashed it through the thick pane of window glass. A gust of wind from the outside breezed through the shattered opening, attacking his olfactory patch with the retching smell of decaying flesh. Charles ignored it. Even smells had lost their customary meanings. He felt the rage build up inside again, tearing at his viscera. His stomach clenched up like an angry fist. "But I don't want to be the last man alive!" he shouted. "I don't know what to do! I don't know where to go, how to act! I just don't know—" A paroxysm of sobbing shook his body. Trembling, he dropped to his knees, his head against the cold firmness of the sill, his hands clutched tightly around the jagged edges of the window pane. In spite of the sharp pain that raced through his system, in spite of the bright, warm, red stream that trickled down his face, he knelt by the window for several minutes. " Maybe I'm not the last! " The thought struck him with suddenness, promisingly, edged with swelling comfort to fill his emptiness. Charles got up slowly, noticing for the first time that his fingers were badly cut. He wrapped a handkerchief around them and forgot them. He had to know—he had to find out. As he turned to leave, he noticed again the woman lying in radiant state upon the bed. He walked to her side and leaned over, kissing her gently on the forehead. As he straightened up, his leg caught against her arm, pushing it slightly. The woman's arm slipped from its position and dangled from the edge of the bed like a crazy pendulum. Charles picked it up and folded it across her now cold breasts. He started to pull the sheet over her nude form, then stopped, smiling at his conventionality. After all, it didn't make any difference now. The phonograph was near the door. On sudden impulse he switched it on, turned the volume up full, and in grim jest left it playing Rachmaninoff's Isle of the Dead on full automatic. The music haunted him down the hall to the elevator that he had to run himself. The lobby was littered with debris, human and otherwise. Charles ignored it. The street that led towards the Bureau of Vital Statistics was a mess of desolate carnage. Charles overlooked it. Shop fronts smashed, stores looted, gyro-cars wrecked, proud buildings defaced. "That was it," he said to himself. "Pride. We called this the 'Proud Era.' Everything was better and bigger and nicer to have. Buildings were taller, men were healthier, most of the problems of humanity seemed licked, or nearly so. It was a time of free power, each small unit of population, each section of town operating on perpetual, ever-lasting, automatic atomic piles. "We were free. We seemed, almost, to have accomplished something. The world was running well. No wonder we called it the 'Proud Era.' Life was fun, just a bowl of cherries, until...." Two years ago the animals had started dying. Strangely enough the rats had gone first, to anybody's notice. Sales of poison dropped, scientific laboratories chained to a perpetual rodent-cycle began to complain bitterly. Then the lovers who hunted out and haunted the lonely lanes through the countryside began to remark that the locusts were late that year. The Southern states joyously reported that mosquito control was working to an unprecedented degree. The largest cotton crop ever was forecast and rumors from Mexico had it that no one had died from scorpion bite in several weeks. A month later the meat animals, the birds and the household pets began dropping as rapidly as the flies which had dropped earlier. Congress was called into special session, as were all of the national governments around the world. The U.N. met at emergency sessions to cope with the situation. The president of the world-wide Society for the Prevention of Cruelty to Animals committed suicide. Within a year it was obvious to everyone that man was the only animal left on earth. The panic which had begun with the death of the animals was quieted somewhat by the fact that humans seemed immune to the pandemic. But the lakes full of dead fish caused a great stink and residents along the coasts began to move inland. Sales of perfumes and deodorants soared. Then just one year ago, the first human became infected with the strange malady. Within six months, half of the world's population was gone. Less than a month ago no more than a few thousand people remained in New York. And now.... "I've got to find out," Charles told himself. He meant it, of course, but in a sense he was afraid—afraid that his trip to the Bureau might give him an answer he didn't dare listen to. "But I've got to try." He walked on down the bloody street. Before the plague the Bureau of Vital Statistics had been one of man's crowning achievements. Housed as it was in a huge metallic globe of a building, it contained computers which kept exact account of every human on earth. Compulsory registration and the classification of each individual by means of the discrete patterns of his brain waves had accomplished for man what no ordinary census could have. The machine knew who was alive, who was dead, and where everybody was. Once a year the Bureau issued The Index, an exact accounting of Earth's four billion inhabitants. Four billion names and addresses, compressed into microprint, a tremendous achievement even for the "Proud Era." In all of his life, Charles had never once glanced at The Index. The average person had little necessity to do so since the Bureau information service would answer questions free of charge at any time. Reaching the gigantic building, Charles pushed aside the body of a young man and walked into the main foyer. Passing behind once-guarded doors, he entered the giant computer room and paused in admiration. Only once, before the plague, had he seen the interior of this room. But he still remembered it and he still recalled the powerful emotional experience it had been those many years ago. All children had to have a brain-wave recording made by the Bureau during the first month of their life. And again at the age of 10 each child returned to the Bureau for a recheck. It was for this latter recording that Charles had come to the Bureau some twenty-two years before and a friendly guard had let him peep briefly into the computer room. The impression of intense activity, of organized confusion, of mechanical wonder had remained with him the rest of his life. "So different now," he thought, surveying the room. "Now it's empty, so empty." The machine seemed to reflect the stillness, the very deadness of the world. The silence became unbearable. Charles walked to the master control panel. With newly acquired dexterity he switched the computer screens on and watched them glow to life. All around the world sensitive receiving stations pulsed to activity, sending out searching fingers, hunting for elusive patterns of neutral energy, mapping and tabulating the results. The main computer screen dominated one wall of the room. Other smaller screens clustered around it. On these screens could be graphed the population of any and every part of the globe. An illuminated counter immediately above it would give the numerical strength of the area being sampled while the screen would show population density by individual pinpoints of light that merged to form brightness patterns. "I'll try New York first," he said to himself, knowing that he was a coward, afraid to check the whole world from the start. "I'll start with New York and work up." Charles activated the switches that would flash a schematic map of New York on the screen. "There's bound to be somebody else left here. After all, there were at least twenty of us just a couple of days ago." And one of them, a beautiful woman, had invited him up to her apartment, not because she liked him, but because.... The main screen focused itself, the patterns shifting into a recognizable perceptual image. "Why, it was just yesterday (or was it the day before?) that ten of us, at least, met here to check the figures. There were lots of us alive then." Including the blond young woman who had died just this afternoon.... Charles stopped talking and forced his eyes upwards. Peripheral vision caught first the vague outlines of the lower part of the map. His eyes continued to move, slowly, reluctantly. They caught the over-all relief of Greater New York City—and then concentrated on the single, shining dot at the very heart of the map—and he understood. His eyes stabbed quickly for the counter above the screen. One. He gasped. The counter read one . Charles was by himself, the last person alive in all of New York City. He began to tremble violently. The silence of the room began to press quickly in on him. His frantic fingers searched for the computer controls. New York State. One. The entire United States. One. The western hemisphere, including islands. (Was that a point of light in Brazil? No. Just a ghost image). One. The Pacific area, Asia, Australia, Asia Minor, Russia and the Near East, Africa and then Europe. England! There was a light in England! Someone else still lived! The counter clicked forward. Two! His trembling stopped. He breathed again. "Of course. London was at least as populous as New York City before the plague. It's only logical that—" He stopped. For even as he spoke, the light winked out! The counter clicked again. One. Alone. Alone! Charles screamed. The bottom dropped out from under him! Why? Such a simple question, but in those three letters lay the essence of human nature. Why. The drive of curiosity. Stronger, in a way, than the so-called "basic" drives: hunger, thirst, sex, shelter, warmth, companionship, elimination. Certainly more decisive in the history of the race. Man began to think, to differentiate himself from the other animals, when he first asked the question: "Why?" But thinking about "why" didn't answer the question itself, Charles thought. He looked around him. He was sitting on a bench in Central Park, alone except for a few stray corpses. But the park was fairly free of bodies. "You've got about ten minutes warning," he said to himself. "I guess that most people wanted to die inside of something—inside of anything. Not out in the unprotected open." The silence was like a weight hanging around his neck. Not an insect noise, not the chirp of a bird, not the sound of a car nor the scream of a plane. Not even a breeze to whisper among the leaves, he thought. Civilization equals life equals noise. Silence equals.... Why. His mind kept returning to the question. Of all the people on earth, me. The last. Why me? Average, that's what he was. Height: 5'11". Weight: 165. Age: 32. Status: Married, once upon a time. The Norm, with no significant departures, all down the line. Church member, but not a good one. Could that be it? Could the most normal be the most perfect? Had he led the best of all possible lives? Was that it? Had God, in His infinite wisdom and mercy, spared his life, saved him, singled him out because he was most nearly a saint, most nearly Christ-like, most nearly.... Lies—His mind snapped back to reality. He half smiled. Saint? Christ? The Second Coming? He was no saint. Charles sighed. What about—? Chance. That was it! The laws of probability, the bell-shaped curve, normal distribution, rectilinear regression. More people per square foot in New York than elsewhere. The first person who died was from New York, so the last person who gave way to the disease should come from here too. Spin the wheel; throw the dice; toss the coin. So simple to explain by the laws of chance. No need for any underlying assumptions about good and evil, no need for teleological arguments concerning cause and effect. Simply explain it by chance. Somebody had to be the last to go and that was— "No," Charles said, standing up in the quiet of the spring evening. "No, chance won't do it. No man can reckon with chance. The mind rejects such things. There must be something beyond mere accident. There must be!" He sighed slowly. "So now I'm a hermit, whether or not I like it," he said in derision to the gravel path as he walked along it. "A hermit in the midst of a city of millions of—No, I forgot. There aren't any more people, are there?" It was hard to realize, even now. "A hermit, alone—and I haven't even got a cave...." Charles stopped walking suddenly. No cave, he thought. No place to sleep out the long one, no place to rest while time came to change things around and make them for the better. No place to hide. And suddenly it was the most important thing in life to him to find his "cave." It took him almost an hour to find the proper tools, and better than two hours more of hard, nighttime work to get the hole dug to his satisfaction. It took almost three hours to find the right sort of casket, durable but not too heavy for one man to handle. He carted it out to a grassy plot close to the center of the park where the grave was. He let the coffin down slowly into the depression, then piled up loose dirt on the sloping sides of the hole so that the rain would wash it down over him. "I can't very well bury myself," he said. "I guess it will rain after I'm gone." He looked carefully down at the metallic container. Wait now. There was something wrong, something missing. It was—oh, yes, he caught it. It was the stone. There wasn't any stone to go at the head of the grave. "I'll have to fix that." A sheet of metal, bent double, served for the monument proper. A nearby tool shed yielded up a can of paint and a brush. By the glow of one of the streetlights Charles worked out the inscription. "It ought to be something impressive," he thought out loud. "Something fitting the occasion." What did one say on these situations? There was so little chance to practice up for things like this. But it ought to be good, it ought to be proper. "'In this now hallowed corner of the planet Earth—' No. That sounds too ... too...." Make it simple, he thought. And he finally wrote: HERE LIES THE BODY OF THE LAST MAN ON EARTH Yes. That was it. Simple. Let whoever came afterwards figure out the rest. Let them decide. He smiled and finished the painting. Charles was hungry. He got up and started for one of the restaurants near the park. Later on, when there was more time, he'd find a piece of granite and move it to the plot. He could spend his free time carving on it, copying the inscription. He would make it into a real shrine; maybe he would practice up a bit and try to carve a statue to go with the stone. Somehow, though, since things were ready and it didn't make too much difference, it seemed to Charles that he'd probably have a long time to wait. "Maybe it's just a disease, and I'm immune. I was immune to smallpox. The vaccination never took. That's probably it." He smiled. Strange, but now he wanted very much to go on living, alone or not. There were things he could do, ways to keep occupied. He wouldn't mind it so much. But he wanted more and more desperately with each passing second to retain his foothold on the tenuous path of physical existence. The tantalizing thought of "why" puzzled its way back into his mind. But it seemed less pressing now that he had almost come to the conclusion that he would live for a long time. Later, in a few days perhaps, he would think about it. In a little while he'd have plenty of opportunity for hunting down the answer. This seemed good to him, for now he thought he almost had the answer, if there were an answer. He thought he had seen the solution peering out at him from the recesses of his mind, and he didn't like the expression on its face. Better to forget. Charles reached the broad boulevard. There was a large cafe just across from him, its front window caved in by a large truck. He stumbled and almost fell as he stepped from the curb. "Look at me, nervous as a cat." He was trembling noticeably as he started across the street. "I—" He started to say something, to think something. But some hidden part of his mind clamped down, obscuring the thought, rejecting the concept. The tremor turned to a shake before he reached the far curb, and the first burst of wild pain came as he laid his shoulder against the door to the restaurant. This was the way the plague began, but—His mind quickly repressed the idea. It couldn't be the plague. He was immune! Another burst of pulsating, shattering pain crashed through his body, tearing down the defenses of his mind, putting an end of his thoughts of immunity. Colors flared before his eyes, a persistent, irresistible susurrus flooded his ears. He wanted to protest, but there was no one to listen to him. He appealed to every divinity he knew, all the time knowing it would be useless. His body, out of his voluntary control, tried to run off in all directions at once. Charles struggled to end his body's disorganized responses, to channelize all his energy into one direction. His mind came back into action. He set up his goal; everything else seemed irrelevant: he had to get back to the park, to his hermit's cave, to his long, narrow home. He couldn't die until then. Ten minutes. He was allotted ten minutes before the end. It could have been ten years or ten seconds, for now objective time meant nothing to him. It was not a matter of measuring seconds and minutes. It was a matter of forgetting time and measuring space. He concentrated on the grave; he forced his body to become an unwilling machine. While he could, he walked, forcing himself on. When his legs gave way, he crawled. When his knees buckled, he rolled. When his stomach protested, he vomited. It made no difference. Charles refused to think. Machines, especially half-broken machines, do not think; they only work. Sweating, straining, bleeding, retching, he pushed himself towards his goal, trying to add one final touch of grace and custom to the rude irrationalness of it all. His eyes gave out a few feet from the pit. He felt his way towards it. Convulsions shook his body like a cat shakes a captive mouse. He humped his body forward between the seizures, hands outstretched, searching for the grave. And then he was upon it. One arm reached out for grass, and clutched bare space instead. He was home. He gathered energy from his final reservoirs of strength for one final movement that would throw him headlong into the shallow grave. He tensed his muscles, pulled his limbs up under him and started to roll into the hole. Instantly the thought struck him with paralyzing devastation. The answer to it all poked its face out from the recesses of his mind and sapped the last bit of his energy, corroding his nerves and dying muscles. Now he knew, and the knowing was the end of it. He collapsed at the edge of the pit. Only one arm hung loosely down into it, swinging senseless in the air, pointing accusingly at the empty coffin. The world will end, not with a bang, nor with a whimper, but with the last man's anguished cry at the unreasonableness of it all. Charles screamed. The large, invisible, ovular being that hung suspended over the Empire State Building rested from its exertion. Soon it was approached by another of its kind. "It is finished?" asked the second. "Yes. Just now. I am resting." "I can feel the emptiness of it." "It was very good. Where were you?" "On the next planet out. No beauty to it at all; no system. How was yours?" "Beautiful," said the first. "It went according to the strictest semantic relationship following the purest mathematical principles. They made it easy for me." "Good." "Well, where to now?" "There's another system about four thoughts away. We're due there soon." "All right. Let's go." "What's that you have there?" "Oh, this?" replied the first. "It's a higher neural order compendium the Things here made up. It's what I used." "You can't take it with you, you know. They don't allow souvenirs." "I know." "Well?" "All right, all right. You're so good, see if you can compute the scatter probability." The first being moved imperceptably and the heavy plastoid binding of the book disappeared. The thousands of pages dropped softly, caught at the wind like hungry sails, separated, and pulled by the fingers of gravity, went their disparate ways. Here a page scuttled into a broken window of the Chrysler Building (read the names: Aabat, Aabbs, Aabbt). Here a page landed upright on the head of one of the library lions and sloughed softly to the ground (read the names: Looman, Loomana, Loomanabsky). Here another page crept in between the cracks of a pier on the riverfront, dropping gently to the caressing eddies of the water (read the names: Smith, Smitha, Smitj). And here two pages danced down into Central Park, pirouetted, promenaded, and finally came to rest against a propped-up piece of metal (read the names: Whit, Whita, Whitacomb). It was not until the dusty morning sun stirred up the breezes that they fluttered down into the shallow hole beneath, unnoticed. The writing on the metal, until then partially obscured by the papers, became legible: HERE LIES THE BODY OF THE LAST MAN ON EARTH— CHARLES J. ZZYZST GO TO HELL!
train	52326	[ "What planet are the mysterious signals coming from? \n\n", "What did Myles Cabot do to establish his relationship with the peoples of Venus? ", "What best describes a Formian body?", "What is Myles Cabot’s relationship to the narrator, Mr. Farley? Evidence of this?", "After their defeat by Cupia, what do the remaining Formians travel through during their escape? What is on the other side and what do the Formians do to it?\n", "How do Formians communicate with each other?", "Who does Myles Cabot help upon returning to Poros? What does he do for them?\n\n", "Given that Formians are naturally governed by an ant queen, how does King Yuri manage to hold his position as their leader?\n", "What is the relationship between the Formians and Cupians? \n\n" ]	[ [ "Formia ", "Mars", "Venus", "Jupiter " ], [ "Myles built radios for both the Formian and Cupian people, for which each are eternally grateful. \n\n", "Myles helped resolve a violent dispute between the Cupians and the Formians, helping the Formians to victory over the Cupians. \n", "Myles helped resolve a violent dispute between the Cupians and the Formians, helping the Cupians to victory over the Formians. \n\n", "Myles usurped the Formian throne and took a Cupian for his wife in order to solidify his power over both peoples. \n\n" ], [ "Scorpion-like human ants. \n\n", "Ant-brained with a Human demeanor. \n\n", "Human-brained ants.\n\n", "Lizard-brained ants \n\n" ], [ "They are both radio engineers, and presumably bothers. Cabot built a radio set and natter-transmitting device on Farley’s rooftop. \n\n", "They met on Venus and became fast friends. Cabot helped Farley to plan a coup to usurp the arch-fiend Yuri, King of both Formia and Cupia. \n\n", "They are both radio engineers, and presumably friends. Farley allowed Cabot to built a radio set and natter-transmitting device on his farm. \n\n", "They met on Venus and became fast friends. Farley allowed Cabot to built a radio set and natter-transmitting device on his farm. \n" ], [ "Steam clouds over bloody seas. On the other side they find a new continent, which they use as fodder for military and industrial growth. \n", "Poison clouds over magma seas. On the other side they find Myles Cabot, ship wrecked on an island. They use Cabot’s knowledge to get revenge on the Cupians. \n\n", "Steam clouds over boiling seas. On the other side they find a new continent, which they dub New Formia. \n\n", "Steam clouds over bloody seas. On the other side they find a new continent inhabited by a forgotten race of Cupians, whom the Formians enslave in order to take the land as theirs. \n\n" ], [ "Via pencil and paper", "Via radio", "Via Morse code", "Via antenna" ], [ "Myles helps the Human race establish a new ant queen as their leader, replacing the Formian King Yuri who came to rule them after the war. \n", "Myles helps the humans establish a radio line between Earth and Venus, so that he can bring his Cupian wife and child to Earth. \n", "Myles helps the Cupian race establish a new ant queen as their leader, replacing the Formian King Yuri who came to rule them after the war. \n", "Myles helps the Formian race establish a new ant queen as their leader, replacing King Yuri who came to rule them after the war. \n\n" ], [ "The ant queen was both killed by and usurped by King Yuri. He perpetually inhabits the power vacuum left by her absence. \n\n", "The ant queen was killed in hand to hand combat by the Cupian uprising, leaving a power vacuum that King Yuri took advantage of. \n", "The ant queen died during the Formian escape over the boiling sea, and so King Yuri occupies the power vacuum left by he queen’s absence. \n", "The ant queen died of old age, and all other younger Formians have yet to give birth to a new queen. King Yuri will occupy the leadership position until such a birth occurs. " ], [ "Cupians and Formians were caught in a constant struggle for power over the sea, until Myles Cabot facilitated a successful Formian coup. \n", "Cupians oppressed Formians until the uprising led in part by the human, Myles Cabot. \n\n", "Formians oppressed Cupians, until the uprising led in part by the human Myles Cabot. \n", "Cupians and Formians were caught in a constant struggle for power over New Formia, until Myles Cabot facilitated married the Cupian princes and brought peace between peoples. \n" ] ]	[ 3, 3, 3, 3, 3, 4, 4, 3, 3 ]	[ 1, 1, 0, 1, 0, 0, 1, 1, 1 ]	THE RADIO PLANET Ralph Milne Farley I “It’s too bad that Myles Cabot can’t see this!” I exclaimed, as my eye fell on the following item: SIGNALS FROM MARS FAIL TO REACH HARVARD Cambridge, Massachusetts, Wednesday. The Harvard College Radio Station has for several weeks been in receipt of fragmentary signals of extraordinarily long wave-length, Professor Hammond announced yesterday. So far as it has been possible to test the direction of the source of these waves, it appears that the direction has a twenty-four hour cycle, thus indicating that the origin of these waves is some point outside the earth. The university authorities will express no opinion as to whether or not these messages come from Mars. Myles, alone of all the radio engineers of my acquaintance, was competent to surmount these difficulties, and thus enable the Cambridge savants to receive with clearness the message from another planet. 6 Twelve months ago he would have been available, for he was then quietly visiting at my farm, after five earth-years spent on the planet Venus, where, by the aid of radio, he had led the Cupians to victory over their oppressors, a human-brained race of gigantic black ants. He had driven the last ant from the face of continental Poros, and had won and wed the Princess Lilla, who had borne him a son to occupy the throne of Cupia. While at my farm Cabot had rigged up a huge radio set and a matter-transmitting apparatus, with which he had (presumably) shot himself back to Poros on the night of the big October storm which had wrecked his installation. I showed the newspaper item to Mrs. Farley, and lamented on Cabot’s absence. Her response opened up an entirely new line of thought. Said she: “Doesn’t the very fact that Mr. Cabot isn’t here suggest to you that this may be a message, not from Mars, but from him? Or perhaps from the Princess Lilla, inquiring about him in case he has failed in his attempted return?” That had never occurred to me! How stupid! “What had I better do about it, if anything?” I asked. “Drop Professor Hammond a line?” But Mrs. Farley was afraid that I would be taken for a crank. That evening, when I was over in town, the clerk in the drug store waylaid me to say that there had been a long-distance phone call for me, and would I please call a certain Cambridge number. So, after waiting an interminable time in the stuffy booth with my hands full of dimes, nickels, and quarters, I finally got my party. “Mr. Farley?” “Speaking.” “This is Professor Kellogg, O. D. Kellogg,” the voice replied. 7 It was my friend of the Harvard math faculty, the man who had analyzed the measurements of the streamline projectile in which Myles Cabot had shot to earth the account of the first part of his adventures on Venus. Some further adventures Myles had told me in person during his stay on my farm. “Professor Hammond thinks that he is getting Mars on the air,” the voice continued. “Yes,” I replied. “I judged as much from what I read in this morning’s paper. But what do you think?” Kellogg’s reply gave my sluggish mind the second jolt which it had received that day. “Well,” he said, “in view of the fact that I am one of the few people among your readers who take your radio stories seriously, I think that Hammond is getting Venus. Can you run up here and help me try and convince him?” And so it was that I took the early boat next morning for Boston, and had lunch with the two professors. As a result of our conference, a small committee of engineers returned with me to Edgartown that evening for the purpose of trying to repair the wrecked radio set which Myles Cabot had left on my farm. They utterly failed to comprehend the matter-transmitting apparatus, and so—after the fallen tower had been reerected and the rubbish cleared away—they had devoted their attention to the restoration of the conversational part of the set. To make a long story short, we finally restored it, with the aid of some old blue prints of Cabot’s which Mrs. Farley, like Swiss Family Robinson’s wife, produced from somewhere. I was the first to try the earphones, and was rewarded by a faint “bzt-bzt” like the song of a north woods blackfly. In conventional radioese, I repeated the sounds to the Harvard group: “Dah-dit-dah-dit dah-dah-dit-dah. Dah-dit-dah-dit dah-dah-dit-dah. Dah-dit-dah-dit dah-dah-dit-dah. Dah-dit-dit dit. Dah-dit-dah-dit dit-dah dah-dit dit dit dah-dah-dah dah. Dah-dit-dah-dit dit-dah dah-dit-dit-dit dah-dah-dah dah. Dah-dit-dah-dit dit-dah dah-dit-dit-dit-dah dah-dah-dah.” 8 A look of incredulity spread over their faces. Again came the same message, and again I repeated it. “You’re spoofing us!” one of them shouted. “Give me the earphones.” And he snatched them from my head. Adjusting them on his own head, he spelled out to us, “C-Q C-Q C-Q D-E C-A-B-O-T C-A-B-O-T C-A-B-O-T—” Seizing the big leaf-switch, he threw it over. The motor-generator began to hum. Grasping the key, the Harvard engineer ticked off into space: “Cabot Cabot Cabot D-E—” “Has this station a call letter?” he hurriedly asked me. “Yes,” I answered quickly, “One-X-X-B.” “One-X-X-B,” he continued the ticking “K.” Interplanetary communication was an established fact at last! And not with Mars after all these years of scientific speculations. But what meant more to me was that I was again in touch with my classmate Myles Standish Cabot, the radio man. The next day a party of prominent scientists, accompanied by a telegrapher and two stenographers, arrived at my farm. During the weeks that followed there was recorded Myles’s own account of the amazing adventures on the planet Venus (or Poros, as its own inhabitants call it,) which befell him upon his return there after his brief visit to the earth. I have edited those notes into the following coherent story. II TOO MUCH STATIC Myles Cabot had returned to the earth to study the latest developments of modern terrestrial science for the benefit of the Cupian nation. He was the regent of Cupia during the minority of his baby son, King Kew the Thirteenth. The loyal Prince Toron occupied the throne in his absence. The last of the ant-men and their ally, the renegade Cupian Prince Yuri, had presumably perished in an attempt to escape by flying through the steam-clouds which completely hem in continental Poros. What lay beyond the boiling seas no man knew. 9 During his stay on my farm, Cabot had built the matter-transmitting apparatus, with which he had shot himself off into space on that October night on which he had received the message from the skies: “S O S, Lilla.” A thunderstorm had been brewing all that evening, and just as Myles had placed himself between the coordinate axes of his machine and had gathered up the strings which ran from his control levers to within the apparatus, there had come a blinding flash. Lightning had struck his aerial. How long his unconsciousness lasted he knew not. He was some time in regaining his senses. But when he had finally and fully recovered, he found himself lying on a sandy beach beside a calm and placid lake beneath a silver sky. He fell to wondering, vaguely and pleasantly, where he was and how he had got here. Suddenly, however, his ears were jarred by a familiar sound. At once his senses cleared, and he listened intently to the distant purring of a motor. Yes, there could be no mistake; an airplane was approaching. Now he could see it, a speck in the sky, far down the beach. Nearer and nearer it came. Myles sprang to his feet. To his intense surprise, he found that the effort threw him quite a distance into the air. Instantly the idea flashed through his mind: “I must be on Mars! Or some other strange planet.” This idea was vaguely reminiscent of something. But while he was trying to catch this vaguely elusive train of thought, his attention was diverted by the fact that, for some unaccountable reason, his belt buckle and most of the buttons which had held his clothes together were missing, so that his clothing came to pieces as he rose, and that he had to shed it rapidly in order to avoid impeding his movements. He wondered at the cause of this. 10 But his speculations were cut short by the alighting of the plane a hundred yards down the beach. What was his horror when out of it clambered, not men but ants! Ants, six-footed, and six feet high. Huge ants, four of them, running toward him over the glistening sands. Gone was all his languor, as he seized a piece of driftwood and prepared to defend himself. As he stood thus expectant, Myles realized that his present position and condition, the surrounding scenery, and the advance of the ant-men were exactly, item for item, like the opening events of his first arrival on the planet Poros. He even recognized one of the ant-men as old Doggo, who had befriended him on his previous visit. Could it be that all his adventures in Cupia had been naught but a dream; a recurring dream, in fact? Were his dear wife Lilla and his little son Kew merely figments of his imagination? Horrible thought! And then events began to differ from those of the past; for the three other Formians halted, and Doggo advanced alone. By the agitation of the beast’s antennae the earth man could see that it was talking to him. But Myles no longer possessed the wonderful electrical headset which he had contrived and built during his previous visit to that planet, so as to talk with Cupians and Formians, both of which races are earless and converse by means of radiations from their antennae. So he picked up two sticks from the beach, and held them projecting from his forehead; then threw them to the ground with a grimace of disgust and pointed to his ears. Doggo understood, and scratched with his paw in Cupian shorthand on the silver sands the message: “Myles Cabot, you are our prisoner.” “What, again?” scratched Myles, then made a sign of submission. 11 He dreaded the paralyzing bite which Formians usually administer to their victims, and which he had twice experienced in the past; but, fortunately, it was not now forthcoming. The other three ants kept away from him as Doggo led him to the beached airplane, and soon they were scudding along beneath silver skies, northward as it later turned out. Far below them were silver-green fields and tangled tropical woods, interspersed with rivulets and little ponds. This was Cupia, his Cupia. He was home once more, back again upon the planet which held all that was dear to him in two worlds. His heart glowed with the warmth of homecoming. What mattered it that he was now a prisoner, in the hands (or, rather, claws) of his old enemies, the Formians? He had been their prisoner before, and had escaped. Once more he could escape, and rescue the Princess Lilla. Poor girl! How eager he was to reach her side, and save her from that peril, whatever it was, which had caused her to flash that “S O S” a hundred million miles across the solar system from Poros to the earth. He wondered what could have happened in Cupia since his departure, only a few sangths ago. How was it that the ant-men had survived their airplane journey across the boiling seas? What had led them to return? Or perhaps these ants were a group who had hidden somewhere and thus had escaped the general extermination of their race. In either event, how had they been able to reconquer Cupia? And where was their former leader, Yuri, the renegade Cupian prince? These and a hundred other similar questions flooded in upon the earth-man, as the Formian airship carried him, a captive, through the skies. He gazed again at the scene below, and now noted one difference from the accustomed Porovian landscape, for nowhere ran the smooth concrete roads which bear the swift two-wheeled kerkools of the Cupians to all parts of their continent. What uninhabited portion of Cupia could this be, over which they were now passing? 12 Turning to Doggo, Myles extended his left palm, and made a motion as though writing on it with the thumb and forefinger of his right hand. But the ant-man waved a negative with one of his forepaws. It was evident that there were no writing materials aboard the ship. Myles would have to wait until they reached their landing place; for doubtless they would soon hover down in some city or town, though just which one he could not guess, as the country below was wholly unfamiliar. Finally a small settlement loomed ahead. It was of the familiar style of toy-building-block architecture affected by the ant-men, and, from its appearance, was very new. On its outskirts further building operations were actively in progress. Apparently a few survivors of the accursed race of Formians were consolidating their position and attempting to build up a new empire in some out-of-the-way portion of the continent. As the earth-man was turning these thoughts over in his mind the plane softly settled down upon one of the flat roofs, and its occupants disembarked. Three of the ants advanced menacingly toward Myles, but Doggo held them off. Then all of the party descended down one of the ramps to the lower levels of the building. Narrow slitlike window openings gave onto courtyards, where fountains played and masses of blue and yellow flowers bloomed, amid gray-branched lichens with red and purple twig-knobs. It was in just such a garden, through just such a window, that he had first looked upon the lovely blue-eyed, golden-haired Lilla, Crown Princess of Cupia. The earth-man sighed. Where was his beloved wife now? That she needed his help was certain. He must therefore get busy. So once again he made motions of writing on the palm of his left hand with the thumb and forefinger of his right; and this time the sign language produced results, for Doggo halted the procession and led Cabot into a room. 13 It was a plain bare room, devoid of any furniture except a small table, for ant-men have no use for chairs and couches. The sky outside was already beginning to pinken with the unseen sun. With a sweep of his paw, Doggo indicated that this was to be Cabot’s quarters. Then, with another wave, he pointed to the table, where lay a pad of paper and stylus, not a pencil-like stylus as employed by the Cupians, but rather one equipped with straps for attaching it to the claw of a Formian. Even so, it was better than nothing. The earth-man seized it eagerly, but before he could begin writing an ant entered bearing a Cupian toga, short-sleeved and bordered with Grecian wave designs in blue. Myles put on this garment, and then quickly filled a sheet with questions: “How is my princess and my son, the baby king? Whence come all you Formians, whose race I thought had been exterminated? What part of Cupia is this? What is this city? Where is Prince Yuri? And what do you intend to do with me this time?” Then he passed the paper and stylus over to his old friend Doggo. They were alone together at last. The ant-man’s reply consumed sheet after sheet of paper; but, owning to the rapidity of Porovian shorthand, did not take so very much more time than speaking would have required. As he completed each sheet he passed it over to Myles, who read as follows: “As to your princess and your son, I know not, for this is not Cupia. Do you remember how, when your victorious army and air navy swept to the southern extremity of what had been Formia, a few of our survivors rose in planes from the ruins of our last stronghold and braved the dangers of the steam clouds which overhang the boiling seas? Our leader was Prince Yuri, erstwhile contender for the throne of Cupia, splendid even in defeat. “It was his brain that conceived our daring plan of escape. If there were other lands beyond the boiling seas, the lands which tradition taught were the origin of the Cupian race, then there we might prosper and raise up a new empire. At the worst we should merely meet death in another form, rather than at your hands. So we essayed. 14 “Your planes followed us, but turned back as we neared the area of terrific heat. Soon the vapor closed over us, blotting our enemies and our native land from view.” For page after page Doggo, the ant-man, related the harrowing details of that perilous flight across the boiling seas, ending with the words: “Here we are, and here are you, in Yuriana, capitol of New Formia. But how is it that you, Myles Cabot, have arrived here on this continent in exactly the same manner and condition in which I discovered you in old Formia eight years ago?” When Myles reached the end of reading this narrative, he in turn took the pad and stylus and related how he had gone to the planet Minos (which we call the Earth) to learn the latest discoveries and inventions there, and how his calculations for his return to Poros had been upset by some static conditions just as he had been about to transmit himself back. Oh, if only he had landed by chance upon the same beach as on his first journey through the skies! Wisely he refrained from mentioning the “S O S” message from Lilla. But his recollection of her predicament spurred him to be anxious about her rescue. His immediate problem was to learn what the ant-men planned for him; so the concluding words which he wrote upon the pad were: “And, now that you have me in your power, what shall you do with me?” “Old friend,” Doggo wrote in reply, “that depends entirely upon Yuri, our king, whose toga you now have on.” III YURI OR FORMIS? The earth-man grimaced, but then smiled. Perhaps, his succeeding to the toga of King Yuri might prove to be an omen. 15 “So Yuri is king of the ants?” he asked. “Yes,” his captor replied, “for Queen Formis did not survive the trip across the boiling seas.” “Then what of your empire?” Myles inquired. “No queen. No eggs. How can your race continue? For you Formians are like the ants on my own planet Minos.” Doggo’s reply astounded him. “Do you remember back at Wautoosa, I told you that some of us lesser Formians had occasionally laid eggs? So now behold before you Doggo, Admiral of the Formian Air Navy, and mother of a new Queen Formis.” This was truly a surprise! All along Cabot had always regarded the Formians as mannish. And rightly so, for they performed in their own country the duties assigned to men among the Cupians. Furthermore, all Formians, save only the reigning Formis herself, were called by the Porovian pronoun, which corresponds to “he” in English. When Myles had somewhat recovered from his astonishment, he warmly congratulated his friend by patting him on the side of the head, as is the Porovian custom. “Doggo,” he wrote, “this ought to constitute you a person of some importance among the Formians.” “It ought to,” the ant-man replied, “but as a matter of fact, it merely intensifies Yuri’s mistrust and hatred of me. Now that I am mother of the queen, he fears that I may turn against him and establish Formis in his place as the head of an empire of the Formians, by the Formians, and for the Formians exclusively.” “Why don’t you?” Myles wrote. It seemed to him to be a bully good idea, and incidentally a solution of his own difficulties. But Doggo wrote in horror, “It would be treason!” Then tore up all the correspondence. It is difficult to inculcate the thought of independence in the mind of one reared in an autocracy. The earth-man, however, persisted. “How many of the council can you count on, if the interests of Yuri should clash with those of Formis?” 16 “Only one—myself.” And again Doggo tore up the correspondence. Myles tactfully changed the subject. “Where is the arch-fiend now?” he asked. “We know not,” the Formian wrote in reply. “Six days ago he left us in his airship and flew westward. When he failed to return, we sent out scout planes to search for him, and we have been hunting ever since. When we sighted you on the beach this morning we thought that you might be our lost leader, and that is why we landed and approached you.” At about this point the conversation was interrupted by a worker ant who brought food: roast alta and green aphid milk. With what relish did the earth-man plunge into the feast, his first taste of Porovian delicacies in many months. During the meal conversation lagged, owing to the difficulty of writing and eating at the same time. But now Myles Cabot seized his pad and stylus and wrote: “Have you ever known me to fail in any undertaking on the planet Poros?” “No,” the ant-man wrote in reply. “Have you ever known me to be untrue to a principle, a cause, or a friend?” “No,” Doggo replied. “Then,” Myles wrote, “let us make your daughter queen in fact as well as in name.” “It is treason,” Doggo wrote in reply, but this time he did not tear up the correspondence. “Treason?” Myles asked. If he had spoken the word, he would have spoken it with scorn and derision. “Treason? Is it treason to support your own queen? What has become of the national pride of the once great Formians? Look! I pledge myself to the cause of Formis, rightful Queen of Formia. Formis, daughter of Doggo! What say you?” This time, as he tore up the correspondence, Doggo signified an affirmative. And thus there resulted further correspondence. 17 “Doggo,” Myles wrote, “can you get to the antenna of the queen?” The ant-man indicated that he could. “If she has inherited any of your character,” Myles continued, “she will assert herself, if given half a chance.” So the Pitmanesque conversation continued. Long since had the pink light of Porovian evening faded from the western sky. The ceiling vapor-lamps were lit. The night showed velvet-black through the slit-like windows. And still the two old friends wrote on, Myles Standish Cabot, the Bostonian, and Doggo, No. 334-2-18, the only really humanlike ant-man whom Myles had ever known among the once dominant race of Poros. Finally, as the dials indicated midnight, the two conspirators ceased their labors. All was arranged for the coup d’ etat . They tore into shreds every scrap of used paper, leaving extant merely the ant-man’s concluding words: “Meanwhile you are my prisoner.” Doggo then rang a soundless bell, which was answered by a worker ant, whom he inaudibly directed to bring sufficient draperies to form a bed for the earth-man. These brought, the two friends patted each other a fond good night, and the tired earth-man lay down for the first sleep which he had had in over forty earth hours. It hardly seemed possible! Night before last he had slept peacefully on a conventional feather-bed in a little New England farmhouse. Then had come the S O S message from the skies; and here he was now, millions of miles away through space retiring on matted silver felting on the concrete floor of a Porovian ant-house. Such are the mutations of fortune! With these thoughts the returned wanderer lapsed into a deep and dreamless sleep. When he awakened in the morning there was a guard posted at the door. 18 Doggo did not show up until nearly noon, when he rattled in, bristling with excitement. Seizing the pad he wrote: “A stormy session of the Council of Twelve! We are all agreed that you must be indicted for high crimes and misdemeanors. But the great question is as to just what we can charge you with.” “Sorry I can’t assist you,” the earth-man wrote. “How would it be if I were to slap your daughter’s face, or something? Or why not try me for general cussedness?” “That is just what we finally decided to do,” the ant-man wrote in reply. “We shall try you on general principles, and let the proper accusation develop from the evidence. “At some stage of the proceedings it will inevitably occur to some member of the council to suggest that you be charged with treason to Yuri, whereupon two members of the council, whom I have won over to the cause of my daughter, will raise the objection that Yuri is not our king. This will be the signal for the proclaiming of Queen Formis. If you will waive counsel the trial can take place to-morrow.” “I will waive anything,” Myles replied, “counsel, immunity, extradition, anything in order to speed up my return to Cupia, where Lilla awaits in some dire extremity.” “All right,” Doggo wrote, and the conference was at an end. The morrow would decide the ascendancy of Myles Cabot or the Prince Yuri over the new continent. IV THE COUP D’ETAT The next morning Myles Cabot was led under guard to the council chamber of the dread thirteen: Formis and her twelve advisers. The accused was placed in a wicker cage, from which he surveyed his surroundings as the proceedings opened. 19 On a raised platform stood the ant queen, surmounted by a scarlet canopy, which set off the perfect proportions of her jet-black body. On each side of her stood six refined and intelligent ant-men, her councillors. One of the twelve was Doggo. Messenger ants hurried hither and thither. First the accusation was read, Myles being furnished with a written copy. The witnesses were then called. They were veterans who had served in the wars in which Cabot had twice freed Cupia from the domination of its Formian oppressors. They spoke with bitterness of the downfall of their beloved Formia. Their testimony was brief. Then the accused was asked if he wished to say anything in his own behalf. Myles rose, then shrugged his shoulders, sat down again, and wrote: “I fully realize the futility of making an argument through the antennae of another.” Whereupon the queen and the council went into executive session. Their remarks were not intended for the eyes of the prisoner, but he soon observed that some kind of a dispute was on between Doggo, supported by two councillors named Emu and Fum on one side, and a councillor named Barth on the other. As this dispute reached its height, a messenger ant rushed in and held up one paw. Cabot’s interpreter, not deeming this a part of the executive session, obligingly translated the following into writing: The messenger: “Yuri lives and reigns over Cupia. It is his command that Cabot die.” Barth: “It is the radio. Know then, O Queen, and ye, members of the council, that when we fled across the boiling seas under the gallant leadership of Prince Yuri, the man with the heart of a Formian, he brought with him one of those powerful radio sets invented by the beast who is our prisoner here to-day. “Supporters of Yuri still remained among the Cupians, and he has been in constant communication with these ever since shortly after our arrival here. From them he learned of the return of Myles Cabot to the planet Minos. 20 “Then Yuri disappeared. Those of us who were closest to him suspected that he had gone back across the boiling seas to claim as his own the throne of Cupia. But we hesitated to announce this until we were sure, for we feared that some of our own people would regard his departure as desertion. Yet who can blame him for returning to his father-land and to the throne which is his by rights?” To which the messenger added: “And he offers to give us back our own old country, if we too will return across the boiling seas again.” “It is a lie!” Doggo shouted. “Yuri, usurper of the thrones of two continents. Bah!” shouted Emu. “Yuri, our rightful leader,” shouted Barth. “Give us a queen of our own race,” shouted Fum. “Release the prisoner,” shouted the Queen. And that is all that Myles learned of the conversation, for his interpreter at this juncture stopped writing and obeyed the queen. The earth-man was free! With one bound he gained the throne, where fighting was already in progress between the two factions. Barth and Doggo were rolling over and over on the floor in a death grapple, while the ant-queen had backed to the rear of the stage, closely guarded by Emu and Fum. Seizing one of the pikes which supported the scarlet canopy, Myles wrenched it loose and drove it into the thorax of Barth. In another instant the earth-man and Doggo stood beside the queen. Ant-men now came pouring into the chamber through all the entrances, taking sides as they entered and sized up the situation. If it had still been in vogue among the Formians to be known by numbers rather than names, and to have these identifying numbers painted on the backs of their abdomens followed by the numbers of those whom they had defeated in the duels so common among them, then many a Formian would have “got the number” of many another, that day.
train	63304	[ "What is one way the story’s setting, Venus, affects the characters and and sets up the plot? \n\n", "How long did it take for Venus’s conditions to mutate its human colonies? What is the purpose of these mutations? \n\n", "What is the name of the Officer of the Deck? \n\n", "How do Svan and his five fellow insurgents find out that the people of Earth no longer think of\n\nVenusians as human? ", "What two types of objects occupy the opaque glass bowl? \n\n", "What object is found by the guards, giving away the six Venusian conspirators? Who does it belong to? \n\n", "How does Ingra’s kiss affect Svan?\n\n", "What is the irony of Svan’s suspicion that his five fellow conspirators are cowards for not admitting who drew the double cross? \n", "What is Svan’s revenge plan? \n", "What is the double meaning of the story’s title? \n\n" ]	[ [ "The story takes place on Mars, not Venus. Over the last four or five generations, Mars’ conditions have caused its human colony to mutate in order to better survive. This causes a racial rift between humans from Earth and humans from Mars, which sets the story’s plot by imposing tension between the two groups. \n\n", "Over the last four or five generations, Venus’s conditions have caused its human colony to mutate in order to better survive. Differences in appearance cause a racial rift between humans from Earth and humans from Venus, which sets the story’s plot by imposing tension between the two groups. \n\n", "Over the last fifteen generations, Venus’s conditions have caused its human colony to mutate in order to better survive. This causes a racial rift between humans from Earth and humans from Venus, which sets the story’s plot by showing Venusians in a bad light. \n\n", "Over the last two or three generations, Venus’s conditions have caused its human colony to mutate into swamp people. This causes a holocaust of humans from Venus, which sets the story’s plot by imposing tension between the two groups. \n\n" ], [ "Three or four generations. Hunting. \n\n", "Four or five generations. Acclimation. \n\n", "Four or five generations. Bomb making. \n\n", "One or two generations. Revolution. \n\n" ], [ "Svan", "Lowry", "Larry", "Ingra" ], [ "They are informed by fellow Venusian rebels, who themselves heard from the council. \n", "They already know. Racism and prejudice runs rampant in all Venusian and Earth towns. \n\n", "They intercept a galactic transmission, which explains it all. \n", "They use a spy ray, which allows hem to listen in on a conversation happening on an official\n\n" ], [ "Venus-tobacco cigarettes and an Atomite bomb\n\n", "Cross slips and Venus-tobacco cigarettes \n\n", "Guns and Venus-tobacco cigarettes \n\n", "Atomite bomb and cross slips \n\n" ], [ "A spy ray. It belongs to the six insurgents who plan to blow up the Earth ship. \n\n", "A Venus-tobacco cigarette. It belongs to the Exec officer, who the six insurgents killed when breaking into the Earth ship. \n", "An atomite bomb. It belongs to the guard they killed just before breaking into where the Earth ship is kept. \n", "A rifle. It belongs to the guard they killed just before breaking into where the Earth ship is kept. \n" ], [ "Ingra’s kiss makes Svan think twice about his decision to destroy the Earth ship. It makes him feel his humanity, momentarily breaking his steadfast desire to go through with this plan. \n", "Ingra’s kiss does nothing to Svan. He continues with his plan, annoyed. \n\n", "Ingra’s kiss makes Svan think twice about his decision to sacrifice himself for the cause. It makes him feel something toward her, momentarily breaking his steadfast desire to go through with his plan. \n", "Ingra’s kiss makes Svan think twice about his decision to sacrifice Ingra in the name of his rebel cause. It makes him feel something toward her, momentarily breaking his steadfast desire to go through with his plan. \n\n" ], [ "It turns out that Svan planned to pull the double cross slip himself, so that he could blame his fellow conspirators and finally be rid of them. \n\n", "It turns out that Svan was the one who drew the double cross slip, suggesting that all of his virulent suspicions were entirely his fault. \n", "It turns out that Svan’s five friends made sure that Ingra, Svan’s love interest, didn’t pull the double cross slip. This causes Svan to pull it instead. \n", "It turns out that Svan’s five friends conspired to make sure he drew the double cross slip. \n" ], [ "Svan wants to blow up the Earth ship when it takes off next. He plans to do this by having his five insurgent friends distract the Earth ship guards by crashing their ground car into a swamp, while he sneaks around the back and plants a magnetic Atomite bomb on the ship, causing it to explode when it breaks out of Venus’s atmosphere. \n\n", "Svan wants to blow up the Council ship when it takes off for Earth. He plans to do this by having his five insurgent friends distract the Earth ship guards with fireworks, while he sneaks around the back and plants a magnetic Atomic bomb on the ship, causing it to explode when it breaks out of Venus’s atmosphere. \n", "Svan wants to blow up the Earth ship when it takes off. He plans to do this by having his five insurgent friends distract the human-looking guards by killing one of them, while he sneaks around the back and plants a magnetic hydrogen bomb on the ship, causing it to explode when it breaks out of Venus’s atmosphere. \n", "Svan wants to blow up the Earth ship when it takes off for Venus. He plans to do this by having his insurgent friends distract the Earth ship guards with bird calls, while he sneaks around the back and plants a grenade on the ship, causing it to explode when it breaks out of Earth’s atmosphere. \n" ], [ "“Doublecross” because Svan plans to double cross the council; and “Doublecross” because Svan was the one who pulled the slip with the double cross, meaning that he should have been driving in the end.\n", "“Doublecross” because Svan plans to double cross his friends; and “Doublecross” because it turns out that, ironically, Svan was who pulled the slip with the double cross, not his friends whom he suspected to have pulled it and not had the courage to admit it. ", "“Doublecross” because Svan plans to double cross the Earth; and “Doublecross” because it turns out that Ingra was who pulled the slip with the double cross, not his friends whom he suspected to have pulled and not had the courage to tell \n\n", "“Doublecross” because Svan plans to double cross Ingra, his girl friend; and “Doublecross” because it turns out that Svan knew he had the double cross slip all along. \n\n" ] ]	[ 2, 2, 2, 4, 2, 4, 4, 2, 1, 2 ]	[ 1, 0, 0, 1, 1, 0, 1, 1, 1, 1 ]	DOUBLECROSS by JAMES Mac CREIGH Revolt was brewing on Venus, led by the descendant of the first Earthmen to land. Svan was the leader making the final plans—plotting them a bit too well. [Transcriber's Note: This etext was produced from Planet Stories Winter 1944. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] The Officer of the Deck was pleased as he returned to the main lock. There was no reason why everything shouldn't have been functioning perfectly, of course, but he was pleased to have it confirmed, all the same. The Executive Officer was moodily smoking a cigarette in the open lock, staring out over the dank Venusian terrain at the native town. He turned. "Everything shipshape, I take it!" he commented. The OD nodded. "I'll have a blank log if this keeps up," he said. "Every man accounted for except the delegation, cargo stowed, drivers ready to lift as soon as they come back." The Exec tossed away his cigarette. " If they come back." "Is there any question?" The Exec shrugged. "I don't know, Lowry," he said. "This is a funny place. I don't trust the natives." Lowry lifted his eyebrows. "Oh? But after all, they're human beings, just like us—" "Not any more. Four or five generations ago they were. Lord, they don't even look human any more. Those white, flabby skins—I don't like them." "Acclimation," Lowry said scientifically. "They had to acclimate themselves to Venus's climate. They're friendly enough." The Exec shrugged again. He stared at the wooden shacks that were the outskirts of the native city, dimly visible through the ever-present Venusian mist. The native guard of honor, posted a hundred yards from the Earth-ship, stood stolidly at attention with their old-fashioned proton-rifles slung over their backs. A few natives were gazing wonderingly at the great ship, but made no move to pass the line of guards. "Of course," Lowry said suddenly, "there's a minority who are afraid of us. I was in town yesterday, and I talked with some of the natives. They think there will be hordes of immigrants from Earth, now that we know Venus is habitable. And there's some sort of a paltry underground group that is spreading the word that the immigrants will drive the native Venusians—the descendants of the first expedition, that is—right down into the mud. Well—" he laughed—"maybe they will. After all, the fittest survive. That's a basic law of—" The annunciator over the open lock clanged vigorously, and a metallic voice rasped: "Officer of the Deck! Post Number One! Instruments reports a spy ray focused on the main lock!" Lowry, interrupted in the middle of a word, jerked his head back and stared unbelievingly at the tell-tale next to the annunciator. Sure enough, it was glowing red—might have been glowing for minutes. He snatched at the hand-phone dangling from the wall, shouted into it. "Set up a screen! Notify the delegation! Alert a landing party!" But even while he was giving orders, the warning light flickered suddenly and went out. Stricken, Lowry turned to the Exec. The Executive Officer nodded gloomily. He said, "You see!" "You see?" Svan clicked off the listening-machine and turned around. The five others in the room looked apprehensive. "You see?" Svan repeated. "From their own mouths you have heard it. The Council was right." The younger of the two women sighed. She might have been beautiful, in spite of her dead-white skin, if there had been a scrap of hair on her head. "Svan, I'm afraid," she said. "Who are we to decide if this is a good thing? Our parents came from Earth. Perhaps there will be trouble at first, if colonists come, but we are of the same blood." Svan laughed harshly. " They don't think so. You heard them. We are not human any more. The officer said it." The other woman spoke unexpectedly. "The Council was right," she agreed. "Svan, what must we do?" Svan raised his hand, thoughtfully. "One moment. Ingra, do you still object?" The younger woman shrank back before the glare in his eyes. She looked around at the others, found them reluctant and uneasy, but visibly convinced by Svan. "No," she said slowly. "I do not object." "And the rest of us? Does any of us object?" Svan eyed them, each in turn. There was a slow but unanimous gesture of assent. "Good," said Svan. "Then we must act. The Council has told us that we alone will decide our course of action. We have agreed that, if the Earth-ship returns, it means disaster for Venus. Therefore, it must not return." An old man shifted restlessly. "But they are strong, Svan," he complained. "They have weapons. We cannot force them to stay." Svan nodded. "No. They will leave. But they will never get back to Earth." "Never get back to Earth?" the old man gasped. "Has the Council authorized—murder?" Svan shrugged. "The Council did not know what we would face. The Councilmen could not come to the city and see what strength the Earth-ship has." He paused dangerously. "Toller," he said, "do you object?" Like the girl, the old man retreated before his eyes. His voice was dull. "What is your plan?" he asked. Svan smiled, and it was like a dark flame. He reached to a box at his feet, held up a shiny metal globe. "One of us will plant this in the ship. It will be set by means of this dial—" he touched a spot on the surface of the globe with a pallid finger—"to do nothing for forty hours. Then—it will explode. Atomite." He grinned triumphantly, looking from face to face. The grin faded uncertainly as he saw what was in their eyes—uncertainty, irresolution. Abruptly he set the bomb down, savagely ripped six leaves off a writing tablet on the table next him. He took a pencil and made a mark on one of them, held it up. "We will let chance decide who is to do the work," he said angrily. "Is there anyone here who is afraid? There will be danger, I think...." No answer. Svan jerked his head. "Good," he said. "Ingra, bring me that bowl." Silently the girl picked up an opaque glass bowl from the broad arm of her chair. It had held Venus-tobacco cigarettes; there were a few left. She shook them out and handed the bowl to Svan, who was rapidly creasing the six fatal slips. He dropped them in the bowl, stirred it with his hand, offered it to the girl. "You first, Ingra," he said. She reached in mechanically, her eyes intent on his, took out a slip and held it without opening it. The bowl went the rounds, till Svan himself took the last. All eyes were on him. No one had looked at their slips. Svan, too, had left his unopened. He sat at the table, facing them. "This is the plan," he said. "We will go, all six of us, in my ground car, to look at the Earth-ship. No one will suspect—the whole city has been to see it already. One will get out, at the best point we can find. It is almost dusk now. He can hide, surely, in the vegetation. The other five will start back. Something will go wrong with the car—perhaps it will run off the road, start to sink in the swamp. The guards will be called. There will be commotion—that is easy enough, after all; a hysterical woman, a few screams, that's all there is to it. And the sixth person will have his chance to steal to the side of the ship. The bomb is magnetic. It will not be noticed in the dark—they will take off before sunrise, because they must travel away from the sun to return—in forty hours the danger is removed." There was comprehension in their eyes, Svan saw ... but still that uncertainty. Impatiently, he crackled: "Look at the slips!" Though he had willed his eyes away from it, his fingers had rebelled. Instinctively they had opened the slip, turned it over and over, striving to detect if it was the fatal one. They had felt nothing.... And his eyes saw nothing. The slip was blank. He gave it but a second's glance, then looked up to see who had won the lethal game of chance. Almost he was disappointed. Each of the others had looked in that same second. And each was looking up now, around at his neighbors. Svan waited impatiently for the chosen one to announce it—a second, ten seconds.... Then gray understanding came to him. A traitor! his subconscious whispered. A coward! He stared at them in a new light, saw their indecision magnified, became opposition. Svan thought faster than ever before in his life. If there was a coward, it would do no good to unmask him. All were wavering, any might be the one who had drawn the fatal slip. He could insist on inspecting every one, but—suppose the coward, cornered, fought back? In fractions of a second, Svan had considered the evidence and reached his decision. Masked by the table, his hand, still holding the pencil, moved swiftly beneath the table, marked his own slip. In the palm of his hand, Svan held up the slip he had just marked in secret. His voice was very tired as he said, "I will plant the bomb." The six conspirators in Svan's old ground car moved slowly along the main street of the native town. Two Earth-ship sailors, unarmed except for deceptively flimsy-looking pistols at their hips, stood before the entrance to the town's Hall of Justice. "Good," said Svan, observing them. "The delegation is still here. We have ample time." He half turned in the broad front seat next to the driver, searching the faces of the others in the car. Which was the coward? he wondered. Ingra? Her aunt? One of the men? The right answer leaped up at him. They all are , he thought. Not one of them understands what this means. They're afraid. He clamped his lips. "Go faster, Ingra," he ordered the girl who was driving. "Let's get this done with." She looked at him, and he was surprised to find compassion in her eyes. Silently she nodded, advanced the fuel-handle so that the clumsy car jolted a trace more rapidly over the corduroy road. It was quite dark now. The car's driving light flared yellowishly in front of them, illuminating the narrow road and the pale, distorted vegetation of the jungle that surrounded them. Svan noticed it was raining a little. The present shower would deepen and intensify until midnight, then fall off again, to halt before morning. But before then they would be done. A proton-bolt lanced across the road in front of them. In the silence that followed its thunderous crash, a man's voice bellowed: "Halt!" The girl, Ingra, gasped something indistinguishable, slammed on the brakes. A Venusian in the trappings of the State Guard advanced on them from the side of the road, proton-rifle held ready to fire again. "Where are you going?" he growled. Svan spoke up. "We want to look at the Earth-ship," he said. He opened the door beside him and stepped out, careless of the drizzle. "We heard it was leaving tonight," he continued, "and we have not seen it. Is that not permitted?" The guard shook his head sourly. "No one is allowed near the ship. The order was just issued. It is thought there is danger." Svan stepped closer, his teeth bared in what passed for a smile. "It is urgent," he purred. His right hand flashed across his chest in a complicated gesture. "Do you understand?" Confusion furrowed the guard's hairless brows, then was replaced by a sudden flare of understanding—and fear. "The Council!" he roared. "By heaven, yes, I understand! You are the swine that caused this—" He strove instinctively to bring the clumsy rifle up, but Svan was faster. His gamble had failed; there was only one course remaining. He hurled his gross white bulk at the guard, bowled him over against the splintery logs of the road. The proton-rifle went flying, and Svan savagely tore at the throat of the guard. Knees, elbows and claw-like nails—Svan battered at the astonished man with every ounce of strength in his body. The guard was as big as Svan, but Svan had the initial advantage ... and it was only a matter of seconds before the guard lay unconscious, his skull a mass of gore at the back where Svan had ruthlessly pounded it against the road. Svan grunted as his fingers constricted brutally. Svan rose, panting, stared around. No one else was in sight, save the petrified five and the ground car. Svan glared at them contemptuously, then reached down and heaved on the senseless body of the guard. Over the shoulder of the road the body went, onto the damp swampland of the jungle. Even while Svan watched the body began to sink. There would be no trace. Svan strode back to the car. "Hurry up," he gasped to the girl. "Now there is danger for all of us, if they discover he is missing. And keep a watch for other guards." Venus has no moon, and no star can shine through its vast cloud layer. Ensign Lowry, staring anxiously out through the astro-dome in the bow of the Earth-ship, cursed the blackness. "Can't see a thing," he complained to the Exec, steadily writing away at the computer's table. "Look—are those lights over there?" The Exec looked up wearily. He shrugged. "Probably the guards. Of course, you can't tell. Might be a raiding party." Lowry, stung, looked to see if the Exec was smiling, but found no answer in his stolid face. "Don't joke about it," he said. "Suppose something happens to the delegation?" "Then we're in the soup," the Exec said philosophically. "I told you the natives were dangerous. Spy-rays! They've been prohibited for the last three hundred years." "It isn't all the natives," Lowry said. "Look how they've doubled the guard around us. The administration is co-operating every way they know how. You heard the delegation's report on the intercom. It's this secret group they call the Council." "And how do you know the guards themselves don't belong to it?" the Exec retorted. "They're all the same to me.... Look, your light's gone out now. Must have been the guard. They're on the wrong side to be coming from the town, anyhow...." Svan hesitated only a fraction of a second after the girl turned the lights out and stopped the car. Then he reached in the compartment under the seat. If he took a little longer than seemed necessary to get the atomite bomb out of the compartment, none of the others noticed. Certainly it did not occur to them that there had been two bombs in the compartment, though Svan's hand emerged with only one. He got out of the car, holding the sphere. "This will do for me," he said. "They won't be expecting anyone to come from behind the ship—we were wise to circle around. Now, you know what you must do?" Ingra nodded, while the others remained mute. "We must circle back again," she parroted. "We are to wait five minutes, then drive the car into the swamp. We will create a commotion, attract the guards." Svan, listening, thought: It's not much of a plan. The guards would not be drawn away. I am glad I can't trust these five any more. If they must be destroyed, it is good that their destruction will serve a purpose. Aloud, he said, "You understand. If I get through, I will return to the city on foot. No one will suspect anything if I am not caught, because the bomb will not explode until the ship is far out in space. Remember, you are in no danger from the guards." From the guards , his mind echoed. He smiled. At least, they would feel no pain, never know what happened. With the amount of atomite in that bomb in the compartment, they would merely be obliterated in a ground-shaking crash. Abruptly he swallowed, reminded of the bomb that was silently counting off the seconds. "Go ahead," he ordered. "I will wait here." "Svan." The girl, Ingra, leaned over to him. Impulsively she reached for him, kissed him. "Good luck to you, Svan," she said. "Good luck," repeated the others. Then silently the electric motor of the car took hold. Skilfully the girl backed it up, turned it around, sent it lumbering back down the road. Only after she had traveled a few hundred feet by the feel of the road did she turn the lights on again. Svan looked after them. The kiss had surprised him. What did it mean? Was it an error that the girl should die with the others? There was an instant of doubt in his steel-shackled mind, then it was driven away. Perhaps she was loyal, yet certainly she was weak. And since he could not know which was the one who had received the marked slip, and feared to admit it, it was better they all should die. He advanced along the midnight road to where the ground rose and the jungle plants thinned out. Ahead, on an elevation, were the rain-dimmed lights of the Earth-ship, set down in the center of a clearing made by its own fierce rockets. Svan's mist-trained eyes spotted the circling figures of sentries, and knew that these would be the ship's own. They would not be as easily overcome as the natives, not with those slim-shafted blasters they carried. Only deceit could get him to the side of the ship. Svan settled himself at the side of the road, waiting for his chance. He had perhaps three minutes to wait; he reckoned. His fingers went absently to the pouch in his wide belt, closed on the slip of paper. He turned it over without looking at it, wondering who had drawn the first cross, and been a coward. Ingra? One of the men? He became abruptly conscious of a commotion behind him. A ground car was racing along the road. He spun around and was caught in the glare of its blinding driving-light, as it bumped to a slithering stop. Paralyzed, he heard the girl's voice. "Svan! They're coming! They found the guard's rifle, and they're looking for us! Thirty Earthmen, Svan, with those frightful guns. They fired at us, but we got away and came for you. We must flee!" He stared unseeingly at the light. "Go away!" he croaked unbelievingly. Then his muscles jerked into action. The time was almost up—the bomb in the car— "Go away!" he shrieked, and turned to run. His fists clenched and swinging at his side, he made a dozen floundering steps before something immense pounded at him from behind. He felt himself lifted from the road, sailing, swooping, dropping with annihilating force onto the hard, charred earth of the clearing. Only then did he hear the sound of the explosion, and as the immense echoes died away he began to feel the pain seeping into him from his hideously racked body.... The Flight Surgeon rose from beside him. "He's still alive," he said callously to Lowry, who had just come up. "It won't last long, though. What've you got there?" Lowry, a bewildered expression on his beardless face, held out the two halves of a metallic sphere. Dangling ends of wires showed where a connection had been broken. "He had a bomb," he said. "A magnetic-type, delayed-action atomite bomb. There must have been another in the car, and it went off. They—they were planning to bomb us." "Amazing," the surgeon said dryly. "Well, they won't do any bombing now." Lowry was staring at the huddled, mutilated form of Svan. He shuddered. The surgeon, seeing the shudder, grasped his shoulder. "Better them than us," he said. "It's poetic justice if I ever saw it. They had it coming...." He paused thoughtfully, staring at a piece of paper between his fingers. "This is the only part I don't get," he said. "What's that?" Lowry craned his neck. "A piece of paper with a cross on it? What about it?" The surgeon shrugged. "He had it clenched in his hand," he said. "Had the devil of a time getting it loose from him." He turned it over slowly, displayed the other side. "Now what in the world would he be doing carrying a scrap of paper with a cross marked on both sides?"
train	61097	[ "Why is Retief being sent to Jorgenson's Worlds?", "How does Retief navigate his problems with most people?", "How does Retief convince the captain to keep him on board?", "Why does Chip seem to enjoy talking to Retief?\n", "What makes the captain’s recent trips to Jorgenson’s suspicious?", "What is significant about the “secret” Retief unveils about the Soetti?", "Why are the Soetti allowed to board the ship?", "What was Skaw's importance? ", "Why did the captain try to change course away from Jorgenon's Worlds?" ]	[ [ "He memorized the contents of the folder that will help them win against the Soetti.", "He is carrying with him the plans for the anti-acceleration field.", "He’s being sent to oppose the Soetti invasion and help with Jorgenson’s Worlds meager military.", "He’s to make contact with the Soetti defector." ], [ "His status working for Magan earns him respect with people, and he uses this to his advantage. ", "He is a good negotiator, as shown when he gets the captain to maintain the course.", "Aggression and intimidation are his main means of negotiation in most situations.", "He gets people to like him, much in the way he wins Chip over. " ], [ "The captain knows that the Soettie will be able to handle him later. ", "The captain’s men as well as himself are too scared to confront him, so he leaves him be.", "Retief remarks on the Uniform Code, and the captain doesn’t want to have legal issues.", "He doesn’t have time to deal with Retief, so he leaves him be." ], [ "He thinks that Retief will be able to overthrow the captain. ", "He’s the cook, and generally nice to those he serves. \n", "As he says, he likes to see a “feller” eat and enjoys cooking for him.\n", "He doesn’t like the captain and likes that Retief doesn’t like him either." ], [ "He hasn't been taking tourists, and no one knows what cargo he's bringing with him. ", "Jorgenon's Worlds are frozen over, so it's strange that he makes runs to them. ", "He's working with Mr. Tony, and bringing cargo in and out without bringing along normal tourists. ", "He's bringing cargo to the Soetti to help with their plans. " ], [ "They're easier to take down than they thought, meaning they can stand up to the Soetti. ", "The Soetti are going to exact revenge on the crew now that he's exposed their secret. ", "They don't have the right to be asking for papers, making their presence on board illegal. ", "They're easy to bluff against. They'll believe what the captain tells them. " ], [ "They need transport to Jorgenson’s Worlds as well.", "They need to check the papers of each passenger, so the caption allows them to do so.", "The Soetti aren’t - the captain fears them and they are illegally boarding.", "The captain and Mr. Tony are in business with them." ], [ "He was the connection between Mr. Tony, the captain, and the Soetti's business. ", "Unlike other Soetti, he was brittle and easily killed. ", "He didn't have much importance. When the Soetti was presented with his body, they didn't care. ", "He was the one to check the validity of each passenger's papers." ], [ "Jorgenson's World doesn't have enough trade value to warrant the trip. ", "Retief killed Skaw, and it angered Mr. Tony, who ordered him to change course. ", "He needs to get away from the Soettie after Skaw's death. ", "He wants to drop Retief off at Alabaster instead. " ] ]	[ 3, 3, 2, 4, 1, 1, 4, 1, 2 ]	[ 1, 1, 1, 1, 1, 1, 1, 1, 1 ]	THE FROZEN PLANET By Keith Laumer [Transcriber's Note: This etext was produced from Worlds of If Science Fiction, September 1961. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] "It is rather unusual," Magnan said, "to assign an officer of your rank to courier duty, but this is an unusual mission." Retief sat relaxed and said nothing. Just before the silence grew awkward, Magnan went on. "There are four planets in the group," he said. "Two double planets, all rather close to an unimportant star listed as DRI-G 33987. They're called Jorgensen's Worlds, and in themselves are of no importance whatever. However, they lie deep in the sector into which the Soetti have been penetrating. "Now—" Magnan leaned forward and lowered his voice—"we have learned that the Soetti plan a bold step forward. Since they've met no opposition so far in their infiltration of Terrestrial space, they intend to seize Jorgensen's Worlds by force." Magnan leaned back, waiting for Retief's reaction. Retief drew carefully on his cigar and looked at Magnan. Magnan frowned. "This is open aggression, Retief," he said, "in case I haven't made myself clear. Aggression on Terrestrial-occupied territory by an alien species. Obviously, we can't allow it." Magnan drew a large folder from his desk. "A show of resistance at this point is necessary. Unfortunately, Jorgensen's Worlds are technologically undeveloped areas. They're farmers or traders. Their industry is limited to a minor role in their economy—enough to support the merchant fleet, no more. The war potential, by conventional standards, is nil." Magnan tapped the folder before him. "I have here," he said solemnly, "information which will change that picture completely." He leaned back and blinked at Retief. "All right, Mr. Councillor," Retief said. "I'll play along; what's in the folder?" Magnan spread his fingers, folded one down. "First," he said. "The Soetti War Plan—in detail. We were fortunate enough to make contact with a defector from a party of renegade Terrestrials who've been advising the Soetti." He folded another finger. "Next, a battle plan for the Jorgensen's people, worked out by the Theory group." He wrestled a third finger down. "Lastly; an Utter Top Secret schematic for conversion of a standard anti-acceleration field into a potent weapon—a development our systems people have been holding in reserve for just such a situation." "Is that all?" Retief said. "You've still got two fingers sticking up." Magnan looked at the fingers and put them away. "This is no occasion for flippancy, Retief. In the wrong hands, this information could be catastrophic. You'll memorize it before you leave this building." "I'll carry it, sealed," Retief said. "That way nobody can sweat it out of me." Magnan started to shake his head. "Well," he said. "If it's trapped for destruction, I suppose—" "I've heard of these Jorgensen's Worlds," Retief said. "I remember an agent, a big blond fellow, very quick on the uptake. A wizard with cards and dice. Never played for money, though." "Umm," Magnan said. "Don't make the error of personalizing this situation, Retief. Overall policy calls for a defense of these backwater worlds. Otherwise the Corps would allow history to follow its natural course, as always." "When does this attack happen?" "Less than four weeks." "That doesn't leave me much time." "I have your itinerary here. Your accommodations are clear as far as Aldo Cerise. You'll have to rely on your ingenuity to get you the rest of the way." "That's a pretty rough trip, Mr. Councillor. Suppose I don't make it?" Magnan looked sour. "Someone at a policy-making level has chosen to put all our eggs in one basket, Retief. I hope their confidence in you is not misplaced." "This antiac conversion; how long does it take?" "A skilled electronics crew can do the job in a matter of minutes. The Jorgensens can handle it very nicely; every other man is a mechanic of some sort." Retief opened the envelope Magnan handed him and looked at the tickets inside. "Less than four hours to departure time," he said. "I'd better not start any long books." "You'd better waste no time getting over to Indoctrination," Magnan said. Retief stood up. "If I hurry, maybe I can catch the cartoon." "The allusion escapes me," Magnan said coldly. "And one last word. The Soetti are patrolling the trade lanes into Jorgensen's Worlds; don't get yourself interned." "I'll tell you what," Retief said soberly. "In a pinch, I'll mention your name." "You'll be traveling with Class X credentials," Magnan snapped. "There must be nothing to connect you with the Corps." "They'll never guess," Retief said. "I'll pose as a gentleman." "You'd better be getting started," Magnan said, shuffling papers. "You're right," Retief said. "If I work at it, I might manage a snootful by takeoff." He went to the door. "No objection to my checking out a needler, is there?" Magnan looked up. "I suppose not. What do you want with it?" "Just a feeling I've got." "Please yourself." "Some day," Retief said, "I may take you up on that." II Retief put down the heavy travel-battered suitcase and leaned on the counter, studying the schedules chalked on the board under the legend "ALDO CERISE—INTERPLANETARY." A thin clerk in a faded sequined blouse and a plastic snakeskin cummerbund groomed his fingernails, watching Retief from the corner of his eye. Retief glanced at him. The clerk nipped off a ragged corner with rabbitlike front teeth and spat it on the floor. "Was there something?" he said. "Two twenty-eight, due out today for the Jorgensen group," Retief said. "Is it on schedule?" The clerk sampled the inside of his right cheek, eyed Retief. "Filled up. Try again in a couple of weeks." "What time does it leave?" "I don't think—" "Let's stick to facts," Retief said. "Don't try to think. What time is it due out?" The clerk smiled pityingly. "It's my lunch hour," he said. "I'll be open in an hour." He held up a thumb nail, frowned at it. "If I have to come around this counter," Retief said, "I'll feed that thumb to you the hard way." The clerk looked up and opened his mouth. Then he caught Retief's eye, closed his mouth and swallowed. "Like it says there," he said, jerking a thumb at the board. "Lifts in an hour. But you won't be on it," he added. Retief looked at him. "Some ... ah ... VIP's required accommodation," he said. He hooked a finger inside the sequined collar. "All tourist reservations were canceled. You'll have to try to get space on the Four-Planet Line ship next—" "Which gate?" Retief said. "For ... ah...?" "For the two twenty-eight for Jorgensen's Worlds," Retief said. "Well," the clerk said. "Gate 19," he added quickly. "But—" Retief picked up his suitcase and walked away toward the glare sign reading To Gates 16-30 . "Another smart alec," the clerk said behind him. Retief followed the signs, threaded his way through crowds, found a covered ramp with the number 228 posted over it. A heavy-shouldered man with a scarred jawline and small eyes was slouching there in a rumpled gray uniform. He put out a hand as Retief started past him. "Lessee your boarding pass," he muttered. Retief pulled a paper from an inside pocket, handed it over. The guard blinked at it. "Whassat?" "A gram confirming my space," Retief said. "Your boy on the counter says he's out to lunch." The guard crumpled the gram, dropped it on the floor and lounged back against the handrail. "On your way, bub," he said. Retief put his suitcase carefully on the floor, took a step and drove a right into the guard's midriff. He stepped aside as the man doubled and went to his knees. "You were wide open, ugly. I couldn't resist. Tell your boss I sneaked past while you were resting your eyes." He picked up his bag, stepped over the man and went up the gangway into the ship. A cabin boy in stained whites came along the corridor. "Which way to cabin fifty-seven, son?" Retief asked. "Up there." The boy jerked his head and hurried on. Retief made his way along the narrow hall, found signs, followed them to cabin fifty-seven. The door was open. Inside, baggage was piled in the center of the floor. It was expensive looking baggage. Retief put his bag down. He turned at a sound behind him. A tall, florid man with an expensive coat belted over a massive paunch stood in the open door, looking at Retief. Retief looked back. The florid man clamped his jaws together, turned to speak over his shoulder. "Somebody in the cabin. Get 'em out." He rolled a cold eye at Retief as he backed out of the room. A short, thick-necked man appeared. "What are you doing in Mr. Tony's room?" he barked. "Never mind! Clear out of here, fellow! You're keeping Mr. Tony waiting." "Too bad," Retief said. "Finders keepers." "You nuts?" The thick-necked man stared at Retief. "I said it's Mr. Tony's room." "I don't know Mr. Tony. He'll have to bull his way into other quarters." "We'll see about you, mister." The man turned and went out. Retief sat on the bunk and lit a cigar. There was a sound of voices in the corridor. Two burly baggage-smashers appeared, straining at an oversized trunk. They maneuvered it through the door, lowered it, glanced at Retief and went out. The thick-necked man returned. "All right, you. Out," he growled. "Or have I got to have you thrown out?" Retief rose and clamped the cigar between his teeth. He gripped a handle of the brass-bound trunk in each hand, bent his knees and heaved the trunk up to chest level, then raised it overhead. He turned to the door. "Catch," he said between clenched teeth. The trunk slammed against the far wall of the corridor and burst. Retief turned to the baggage on the floor, tossed it into the hall. The face of the thick-necked man appeared cautiously around the door jamb. "Mister, you must be—" "If you'll excuse me," Retief said, "I want to catch a nap." He flipped the door shut, pulled off his shoes and stretched out on the bed. Five minutes passed before the door rattled and burst open. Retief looked up. A gaunt leathery-skinned man wearing white ducks, a blue turtleneck sweater and a peaked cap tilted raffishly over one eye stared at Retief. "Is this the joker?" he grated. The thick-necked man edged past him, looked at Retief and snorted, "That's him, sure." "I'm captain of this vessel," the first man said. "You've got two minutes to haul your freight out of here, buster." "When you can spare the time from your other duties," Retief said, "take a look at Section Three, Paragraph One, of the Uniform Code. That spells out the law on confirmed space on vessels engaged in interplanetary commerce." "A space lawyer." The captain turned. "Throw him out, boys." Two big men edged into the cabin, looking at Retief. "Go on, pitch him out," the captain snapped. Retief put his cigar in an ashtray, and swung his feet off the bunk. "Don't try it," he said softly. One of the two wiped his nose on a sleeve, spat on his right palm, and stepped forward, then hesitated. "Hey," he said. "This the guy tossed the trunk off the wall?" "That's him," the thick-necked man called. "Spilled Mr. Tony's possessions right on the deck." "Deal me out," the bouncer said. "He can stay put as long as he wants to. I signed on to move cargo. Let's go, Moe." "You'd better be getting back to the bridge, Captain," Retief said. "We're due to lift in twenty minutes." The thick-necked man and the Captain both shouted at once. The Captain's voice prevailed. "—twenty minutes ... uniform Code ... gonna do?" "Close the door as you leave," Retief said. The thick-necked man paused at the door. "We'll see you when you come out." III Four waiters passed Retief's table without stopping. A fifth leaned against the wall nearby, a menu under his arm. At a table across the room, the Captain, now wearing a dress uniform and with his thin red hair neatly parted, sat with a table of male passengers. He talked loudly and laughed frequently, casting occasional glances Retief's way. A panel opened in the wall behind Retief's chair. Bright blue eyes peered out from under a white chef's cap. "Givin' you the cold shoulder, heh, Mister?" "Looks like it, old-timer," Retief said. "Maybe I'd better go join the skipper. His party seems to be having all the fun." "Feller has to be mighty careless who he eats with to set over there." "I see your point." "You set right where you're at, Mister. I'll rustle you up a plate." Five minutes later, Retief cut into a thirty-two ounce Delmonico backed up with mushrooms and garlic butter. "I'm Chip," the chef said. "I don't like the Cap'n. You can tell him I said so. Don't like his friends, either. Don't like them dern Sweaties, look at a man like he was a worm." "You've got the right idea on frying a steak, Chip. And you've got the right idea on the Soetti, too," Retief said. He poured red wine into a glass. "Here's to you." "Dern right," Chip said. "Dunno who ever thought up broiling 'em. Steaks, that is. I got a Baked Alaska coming up in here for dessert. You like brandy in yer coffee?" "Chip, you're a genius." "Like to see a feller eat," Chip said. "I gotta go now. If you need anything, holler." Retief ate slowly. Time always dragged on shipboard. Four days to Jorgensen's Worlds. Then, if Magnan's information was correct, there would be four days to prepare for the Soetti attack. It was a temptation to scan the tapes built into the handle of his suitcase. It would be good to know what Jorgensen's Worlds would be up against. Retief finished the steak, and the chef passed out the baked Alaska and coffee. Most of the other passengers had left the dining room. Mr. Tony and his retainers still sat at the Captain's table. As Retief watched, four men arose from the table and sauntered across the room. The first in line, a stony-faced thug with a broken ear, took a cigar from his mouth as he reached the table. He dipped the lighted end in Retief's coffee, looked at it, and dropped it on the tablecloth. The others came up, Mr. Tony trailing. "You must want to get to Jorgensen's pretty bad," the thug said in a grating voice. "What's your game, hick?" Retief looked at the coffee cup, picked it up. "I don't think I want my coffee," he said. He looked at the thug. "You drink it." The thug squinted at Retief. "A wise hick," he began. With a flick of the wrist, Retief tossed the coffee into the thug's face, then stood and slammed a straight right to the chin. The thug went down. Retief looked at Mr. Tony, still standing open-mouthed. "You can take your playmates away now, Tony," he said. "And don't bother to come around yourself. You're not funny enough." Mr. Tony found his voice. "Take him, Marbles!" he growled. The thick-necked man slipped a hand inside his tunic and brought out a long-bladed knife. He licked his lips and moved in. Retief heard the panel open beside him. "Here you go, Mister," Chip said. Retief darted a glance; a well-honed french knife lay on the sill. "Thanks, Chip," Retief said. "I won't need it for these punks." Thick-neck lunged and Retief hit him square in the face, knocking him under the table. The other man stepped back, fumbling a power pistol from his shoulder holster. "Aim that at me, and I'll kill you," Retief said. "Go on, burn him!" Mr. Tony shouted. Behind him, the captain appeared, white-faced. "Put that away, you!" he yelled. "What kind of—" "Shut up," Mr. Tony said. "Put it away, Hoany. We'll fix this bum later." "Not on this vessel, you won't," the captain said shakily. "I got my charter to consider." "Ram your charter," Hoany said harshly. "You won't be needing it long." "Button your floppy mouth, damn you!" Mr. Tony snapped. He looked at the man on the floor. "Get Marbles out of here. I ought to dump the slob." He turned and walked away. The captain signaled and two waiters came up. Retief watched as they carted the casualty from the dining room. The panel opened. "I usta be about your size, when I was your age," Chip said. "You handled them pansies right. I wouldn't give 'em the time o' day." "How about a fresh cup of coffee, Chip?" Retief said. "Sure, Mister. Anything else?" "I'll think of something," Retief said. "This is shaping up into one of those long days." "They don't like me bringing yer meals to you in yer cabin," Chip said. "But the cap'n knows I'm the best cook in the Merchant Service. They won't mess with me." "What has Mr. Tony got on the captain, Chip?" Retief asked. "They're in some kind o' crooked business together. You want some more smoked turkey?" "Sure. What have they got against my going to Jorgensen's Worlds?" "Dunno. Hasn't been no tourists got in there fer six or eight months. I sure like a feller that can put it away. I was a big eater when I was yer age." "I'll bet you can still handle it, Old Timer. What are Jorgensen's Worlds like?" "One of 'em's cold as hell and three of 'em's colder. Most o' the Jorgies live on Svea; that's the least froze up. Man don't enjoy eatin' his own cookin' like he does somebody else's." "That's where I'm lucky, Chip. What kind of cargo's the captain got aboard for Jorgensen's?" "Derned if I know. In and out o' there like a grasshopper, ever few weeks. Don't never pick up no cargo. No tourists any more, like I says. Don't know what we even run in there for." "Where are the passengers we have aboard headed?" "To Alabaster. That's nine days' run in-sector from Jorgensen's. You ain't got another one of them cigars, have you?" "Have one, Chip. I guess I was lucky to get space on this ship." "Plenty o' space, Mister. We got a dozen empty cabins." Chip puffed the cigar alight, then cleared away the dishes, poured out coffee and brandy. "Them Sweaties is what I don't like," he said. Retief looked at him questioningly. "You never seen a Sweaty? Ugly lookin' devils. Skinny legs, like a lobster; big chest, shaped like the top of a turnip; rubbery lookin' head. You can see the pulse beatin' when they get riled." "I've never had the pleasure," Retief said. "You prob'ly have it perty soon. Them devils board us nigh ever trip out. Act like they was the Customs Patrol or somethin'." There was a distant clang, and a faint tremor ran through the floor. "I ain't superstitious ner nothin'," Chip said. "But I'll be triple-damned if that ain't them boarding us now." Ten minutes passed before bootsteps sounded outside the door, accompanied by a clicking patter. The doorknob rattled, then a heavy knock shook the door. "They got to look you over," Chip whispered. "Nosy damn Sweaties." "Unlock it, Chip." The chef opened the door. "Come in, damn you," he said. A tall and grotesque creature minced into the room, tiny hoof-like feet tapping on the floor. A flaring metal helmet shaded the deep-set compound eyes, and a loose mantle flapped around the knobbed knees. Behind the alien, the captain hovered nervously. "Yo' papiss," the alien rasped. "Who's your friend, Captain?" Retief said. "Never mind; just do like he tells you." "Yo' papiss," the alien said again. "Okay," Retief said. "I've seen it. You can take it away now." "Don't horse around," the captain said. "This fellow can get mean." The alien brought two tiny arms out from the concealment of the mantle, clicked toothed pincers under Retief's nose. "Quick, soft one." "Captain, tell your friend to keep its distance. It looks brittle, and I'm tempted to test it." "Don't start anything with Skaw; he can clip through steel with those snappers." "Last chance," Retief said. Skaw stood poised, open pincers an inch from Retief's eyes. "Show him your papers, you damned fool," the captain said hoarsely. "I got no control over Skaw." The alien clicked both pincers with a sharp report, and in the same instant Retief half-turned to the left, leaned away from the alien and drove his right foot against the slender leg above the bulbous knee-joint. Skaw screeched and floundered, greenish fluid spattering from the burst joint. "I told you he was brittle," Retief said. "Next time you invite pirates aboard, don't bother to call." "Jesus, what did you do! They'll kill us!" the captain gasped, staring at the figure flopping on the floor. "Cart poor old Skaw back to his boat," Retief said. "Tell him to pass the word. No more illegal entry and search of Terrestrial vessels in Terrestrial space." "Hey," Chip said. "He's quit kicking." The captain bent over Skaw, gingerly rolled him over. He leaned close and sniffed. "He's dead." The captain stared at Retief. "We're all dead men," he said. "These Soetti got no mercy." "They won't need it. Tell 'em to sheer off; their fun is over." "They got no more emotions than a blue crab—" "You bluff easily, Captain. Show a few guns as you hand the body back. We know their secret now." "What secret? I—" "Don't be no dumber than you got to, Cap'n," Chip said. "Sweaties die easy; that's the secret." "Maybe you got a point," the captain said, looking at Retief. "All they got's a three-man scout. It could work." He went out, came back with two crewmen. They hauled the dead alien gingerly into the hall. "Maybe I can run a bluff on the Soetti," the captain said, looking back from the door. "But I'll be back to see you later." "You don't scare us, Cap'n," Chip said. "Him and Mr. Tony and all his goons. You hit 'em where they live, that time. They're pals o' these Sweaties. Runnin' some kind o' crooked racket." "You'd better take the captain's advice, Chip. There's no point in your getting involved in my problems." "They'd of killed you before now, Mister, if they had any guts. That's where we got it over these monkeys. They got no guts." "They act scared, Chip. Scared men are killers." "They don't scare me none." Chip picked up the tray. "I'll scout around a little and see what's goin' on. If the Sweaties figure to do anything about that Skaw feller they'll have to move fast; they won't try nothin' close to port." "Don't worry, Chip. I have reason to be pretty sure they won't do anything to attract a lot of attention in this sector just now." Chip looked at Retief. "You ain't no tourist, Mister. I know that much. You didn't come out here for fun, did you?" "That," Retief said, "would be a hard one to answer." IV Retief awoke at a tap on his door. "It's me, Mister. Chip." "Come on in." The chef entered the room, locking the door. "You shoulda had that door locked." He stood by the door, listening, then turned to Retief. "You want to get to Jorgensen's perty bad, don't you, Mister?" "That's right, Chip." "Mr. Tony give the captain a real hard time about old Skaw. The Sweaties didn't say nothin'. Didn't even act surprised, just took the remains and pushed off. But Mr. Tony and that other crook they call Marbles, they was fit to be tied. Took the cap'n in his cabin and talked loud at him fer half a hour. Then the cap'n come out and give some orders to the Mate." Retief sat up and reached for a cigar. "Mr. Tony and Skaw were pals, eh?" "He hated Skaw's guts. But with him it was business. Mister, you got a gun?" "A 2mm needler. Why?" "The orders cap'n give was to change course fer Alabaster. We're by-passin' Jorgensen's Worlds. We'll feel the course change any minute." Retief lit the cigar, reached under the mattress and took out a short-barreled pistol. He dropped it in his pocket, looked at Chip. "Maybe it was a good thought, at that. Which way to the Captain's cabin?" "This is it," Chip said softly. "You want me to keep an eye on who comes down the passage?" Retief nodded, opened the door and stepped into the cabin. The captain looked up from his desk, then jumped up. "What do you think you're doing, busting in here?" "I hear you're planning a course change, Captain." "You've got damn big ears." "I think we'd better call in at Jorgensen's." "You do, huh?" the captain sat down. "I'm in command of this vessel," he said. "I'm changing course for Alabaster." "I wouldn't find it convenient to go to Alabaster," Retief said. "So just hold your course for Jorgensen's." "Not bloody likely." "Your use of the word 'bloody' is interesting, Captain. Don't try to change course." The captain reached for the mike on his desk, pressed the key. "Power Section, this is the captain," he said. Retief reached across the desk, gripped the captain's wrist. "Tell the mate to hold his present course," he said softly. "Let go my hand, buster," the captain snarled. Eyes on Retief's, he eased a drawer open with his left hand, reached in. Retief kneed the drawer. The captain yelped and dropped the mike. "You busted it, you—" "And one to go," Retief said. "Tell him." "I'm an officer of the Merchant Service!" "You're a cheapjack who's sold his bridge to a pack of back-alley hoods." "You can't put it over, hick." "Tell him." The captain groaned and picked up the mike. "Captain to Power Section," he said. "Hold your present course until you hear from me." He dropped the mike and looked up at Retief. "It's eighteen hours yet before we pick up Jorgensen Control. You going to sit here and bend my arm the whole time?" Retief released the captain's wrist and turned to the door. "Chip, I'm locking the door. You circulate around, let me know what's going on. Bring me a pot of coffee every so often. I'm sitting up with a sick friend." "Right, Mister. Keep an eye on that jasper; he's slippery." "What are you going to do?" the captain demanded. Retief settled himself in a chair. "Instead of strangling you, as you deserve," he said, "I'm going to stay here and help you hold your course for Jorgensen's Worlds." The captain looked at Retief. He laughed, a short bark. "Then I'll just stretch out and have a little nap, farmer. If you feel like dozing off sometime during the next eighteen hours, don't mind me." Retief took out the needler and put it on the desk before him. "If anything happens that I don't like," he said, "I'll wake you up. With this."
train	63442	[ "Why is Acoustix so valuable? ", "What is true about the Red Spot Fever?", "Why does Grannie fool Billy as well when she rides away with Park?", "What gives away the location of the lens?", "Why does the party run into duplicates of themselves?", "What is so unique about the cockatoos on this planet?", "How did Grannie Annie save the workers?", "What does the viviscreen do?", "What main motivation did Antler Park have to leave the lens in the barracks?" ]	[ [ "Acoustix can be sold at a high price. ", "It's an ore that can only be found in one place.", "It helps Martain people regain their ability to communicate. ", "It's an abundant ore that Earth people sell. " ], [ "It is contagious, and it is affecting nearly every worker. ", "There is no known cure for it. ", "It makes people vanish into thin air. ", "Infra-red rays influence people, and they end up lost in the Baldric. " ], [ "She didn't want Billy to know where they were heading. ", "She had to pretend she was replaced by a cockatoo, and make it convincing. ", "She didn't want Antler to know about the cockatoo images and how they worked. ", "She didn't. It was one of the cockatoo images. " ], [ "When Billy enters the barracks, he realizes he's being hit by Red Fever. ", "Workers were showing their first symptoms from working in the mines. ", "The location was written in the Fever Victims file. ", "Workers were showing their first symptoms after being in the barracks. " ], [ "It's the Red Fever influencing their perception. ", "As Grannie Annie says, it's a form of mass hypnosis. ", "They're a mirage, a result of the Baldric. ", "They're the cockatoos, copying their appearance. " ], [ "They are able to copy speech. ", "They live in abundance in the Baldric, despite it being a dangerous area. ", "They are identical to Earth parrots, despite being on a different planet. ", "They are able to physically mimic any picture. " ], [ "She found the location they all went to and helped them navigate back. ", "She removed the lens from the barracks that was making them sick. ", "She pretended to contract the fever and fooled Antler Park. ", "She discovered that ultraviolet could reverse the effects on them and used it to cure them. " ], [ "It plays a recording of something. In this case, it's of Grannie, Xarnal, and Jimmy Baker. ", "It's stationary, and can only be used to view one place and time. ", "It brings up a 3-D image of the person you are looking at and allows you to watch and hear them as if you were there. ", "Like a computer or television screen, it allows you to see another person on the other end. " ], [ "He didn't fully understand the effects of the infra-red rays and wanted to see what it was capable of. ", "He knew the value of this spot for Acoustix, and wanted to run the Jimmy Baker out. ", "He was afraid of Grannie Annie discovering his plot and tried to get rid of her. ", "He had struck a large load of Acoustix and wanted to hide the evidence. " ] ]	[ 3, 4, 4, 4, 4, 4, 4, 3, 2 ]	[ 0, 0, 1, 0, 1, 1, 1, 0, 1 ]	DOUBLE TROUBLE by CARL JACOBI Grannie Annie, that waspish science-fiction writer, was in a jam again. What with red-spot fever, talking cockatoos and flagpole trees, I was running in circles—especially since Grannie became twins every now and then. [Transcriber's Note: This etext was produced from Planet Stories Spring 1945. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] We had left the offices of Interstellar Voice three days ago, Earth time, and now as the immense disc of Jupiter flamed across the sky, entered the outer limits of the Baldric. Grannie Annie strode in the lead, her absurd long-skirted black dress looking as out of place in this desert as the trees. Flagpole trees. They rose straight up like enormous cat-tails, with only a melon-shaped protuberance at the top to show they were a form of vegetation. Everything else was blanketed by the sand and the powerful wind that blew from all quarters. As we reached the first of those trees, Grannie came to a halt. "This is the Baldric all right. If my calculations are right, we've hit it at its narrowest spot." Ezra Karn took a greasy pipe from his lips and spat. "It looks like the rest of this God-forsaken moon," he said, "'ceptin for them sticks." Xartal, the Martian illustrator, said nothing. He was like that, taciturn, speaking only when spoken to. He could be excused this time, however, for this was only our third day on Jupiter's Eighth Moon, and the country was still strange to us. When Annabella C. Flowers, that renowned writer of science fiction, visiphoned me at Crater City, Mars, to meet her here, I had thought she was crazy. But Miss Flowers, known to her friends as Grannie Annie, had always been mildly crazy. If you haven't read her books, you've missed something. She's the author of Lady of the Green Flames , Lady of the Runaway Planet , Lady of the Crimson Space-Beast , and other works of science fiction. Blood-and-thunder as these books are, however, they have one redeeming feature—authenticity of background. Grannie Annie was the original research digger-upper, and when she laid the setting of a yarn on a star of the sixth magnitude, only a transportation-velocity of less than light could prevent her from visiting her "stage" in person. Therefore when she asked me to meet her at the landing field of Interstellar Voice on Jupiter's Eighth Moon, I knew she had another novel in the state of embryo. What I didn't expect was Ezra Karn. He was an old prospector Grannie had met, and he had become so attached to the authoress he now followed her wherever she went. As for Xartal, he was a Martian and was slated to do the illustrations for Grannie's new book. Five minutes after my ship had blasted down, the four of us met in the offices of Interstellar Voice . And then I was shaking hands with Antlers Park, the manager of I. V. himself. "Glad to meet you," he said cordially. "I've just been trying to persuade Miss Flowers not to attempt a trip into the Baldric." "What's the Baldric?" I had asked. Antlers Park flicked the ash from his cheroot and shrugged. "Will you believe me, sir," he said, "when I tell you I've been out here on this forsaken moon five years and don't rightly know myself?" I scowled at that; it didn't make sense. "However, as you perhaps know, the only reason for colonial activities here at all is because of the presence of an ore known as Acoustix. It's no use to the people of Earth but of untold value on Mars. I'm not up on the scientific reasons, but it seems that life on the red planet has developed with a supersonic method of vocal communication. The Martian speaks as the Earthman does, but he amplifies his thoughts' transmission by way of wave lengths as high as three million vibrations per second. The trouble is that by the time the average Martian reaches middle age, his ability to produce those vibrations steadily decreases. Then it was found that this ore, Acoustix, revitalized their sounding apparatus, and the rush was on." "What do you mean?" Park leaned back. "The rush to find more of the ore," he explained. "But up until now this moon is the only place where it can be found. "There are two companies here," he continued, " Interstellar Voice and Larynx Incorporated . Chap by the name of Jimmy Baker runs that. However, the point is, between the properties of these two companies stretches a band or belt which has become known as the Baldric. "There are two principal forms of life in the Baldric; flagpole trees and a species of ornithoid resembling cockatoos. So far no one has crossed the Baldric without trouble." "What sort of trouble?" Grannie Annie had demanded. And when Antlers Park stuttered evasively, the old lady snorted, "Fiddlesticks, I never saw trouble yet that couldn't be explained. We leave in an hour." So now here we were at the outer reaches of the Baldric, four travelers on foot with only the barest necessities in the way of equipment and supplies. I walked forward to get a closer view of one of the flagpole trees. And then abruptly I saw something else. A queer-looking bird squatted there in the sand, looking up at me. Silver in plumage, it resembled a parrot with a crest; and yet it didn't. In some strange way the thing was a hideous caricature. "Look what I found," I yelled. "What I found," said the cockatoo in a very human voice. "Thunder, it talks," I said amazed. "Talks," repeated the bird, blinking its eyes. The cockatoo repeated my last statement again, then rose on its short legs, flapped its wings once and soared off into the sky. Xartal, the Martian illustrator, already had a notebook in his hands and was sketching a likeness of the creature. Ten minutes later we were on the move again. We saw more silver cockatoos and more flagpole trees. Above us, the great disc of Jupiter began to descend toward the horizon. And then all at once Grannie stopped again, this time at the top of a high ridge. She shielded her eyes and stared off into the plain we had just crossed. "Billy-boy," she said to me in a strange voice, "look down there and tell me what you see." I followed the direction of her hand and a shock went through me from head to foot. Down there, slowly toiling across the sand, advanced a party of four persons. In the lead was a little old lady in a black dress. Behind her strode a grizzled Earth man in a flop-brimmed hat, another Earth man, and a Martian. Detail for detail they were a duplicate of ourselves! "A mirage!" said Ezra Karn. But it wasn't a mirage. As the party came closer, we could see that their lips were moving, and their voices became audible. I listened in awe. The duplicate of myself was talking to the duplicate of Grannie Annie, and she was replying in the most natural way. Steadily the four travelers approached. Then, when a dozen yards away, they suddenly faded like a negative exposed to light and disappeared. "What do you make of it?" I said in a hushed voice. Grannie shook her head. "Might be a form of mass hypnosis superinduced by some chemical radiations," she replied. "Whatever it is, we'd better watch our step. There's no telling what might lie ahead." We walked after that with taut nerves and watchful eyes, but we saw no repetition of the "mirage." The wind continued to blow ceaselessly, and the sand seemed to grow more and more powdery. For some time I had fixed my gaze on a dot in the sky which I supposed to be a high-flying cockatoo. As that dot continued to move across the heavens in a single direction, I called Grannie's attention to it. "It's a kite," she nodded. "There should be a car attached to it somewhere." She offered no further explanation, but a quarter of an hour later as we topped another rise a curious elliptical car with a long slanting windscreen came into view. Attached to its hood was a taut wire which slanted up into the sky to connect with the kite. A man was driving and when he saw us, he waved. Five minutes later Grannie was shaking his hand vigorously and mumbling introductions. "This is Jimmy Baker," she said. "He manages Larynx Incorporated , and he's the real reason we're here." I decided I liked Baker the moment I saw him. In his middle thirties, he was tall and lean, with pleasant blue eyes which even his sand goggles could not conceal. "I can't tell you how glad I am you're here, Grannie," he said. "If anybody can help me, you can." Grannie's eyes glittered. "Trouble with the mine laborers?" she questioned. Jimmy Baker nodded. He told his story over the roar of the wind as we headed back across the desert. Occasionally he touched a stud on an electric windlass to which the kite wire was attached. Apparently these adjustments moved planes or fins on the kite and accounted for the car's ability to move in any direction. "If I weren't a realist, I'd say that Larynx Incorporated has been bewitched," he began slowly. "We pay our men high wages and give them excellent living conditions with a vacation on Callisto every year. Up until a short time ago most of them were in excellent health and spirits. Then the Red Spot Fever got them." "Red Spot Fever?" Grannie looked at him curiously. Jimmy Baker nodded. "The first symptoms are a tendency to garrulousness on the part of the patient. Then they disappear." He paused to make an adjustment of the windlass. "They walk out into the Baldric," he continued, "and nothing can stop them. We tried following them, of course, but it was no go. As soon as they realize they're being followed, they stop. But the moment our eyes are turned, they give us the slip." "But surely you must have some idea of where they go," Grannie said. Baker lit a cigarette. "There's all kinds of rumors," he replied, "but none of them will hold water. By the way, there's a cockatoo eyrie ahead of us." I followed his gaze and saw a curious structure suspended between a rude circle of flagpole trees. A strange web-like formation of translucent gauzy material, it was. Fully two hundred cockatoos were perched upon it. They watched us with their mild eyes as we passed, but they didn't move. After that we were rolling up the driveway that led to the offices of Larynx Incorporated . As Jimmy Baker led the way up the inclined ramp, a door in the central building opened, and a man emerged. His face was drawn. "Mr. Baker," he said breathlessly, "seventy-five workers at Shaft Four have headed out into the Baldric." Baker dropped his cigarette and ground his heel on it savagely. "Shaft Four, eh?" he repeated. "That's our principal mine. If the fever spreads there, I'm licked." He motioned us into his office and strode across to a desk. Silent Xartal, the Martian illustrator, took a chair in a corner and got his notebook out, sketching the room's interior. Grannie Annie remained standing. Presently the old lady walked across to the desk and helped herself to the bottle of Martian whiskey there. "There must be ways of stopping this," she said. "Have you called in any physicians? Why don't you call an enforced vacation and send the men away until the plague has died down?" Baker shook his head. "Three doctors from Callisto were here last month. They were as much at loss as I am. As for sending the men away, I may have to do that, but when I do, it means quits. Our company is chartered with Spacolonial, and you know what that means. Failure to produce during a period of thirty days or more, and you lose all rights." A visiphone bell sounded, and Baker walked across to the instrument. A man's face formed in the vision plate. Baker listened, said "Okay" and threw off the switch. "The entire crew of Shaft Four have gone out into the Baldric," he said slowly. There was a large map hanging on the wall back of Baker's desk. Grannie Annie walked across to it and began to study its markings. "Shaft Four is at the outer edge of the Baldric at a point where that corridor is at its widest," she said. Baker looked up. "That's right. We only began operations there a comparatively short time ago. Struck a rich vein of Acoustix that runs deep in. If that vein holds out, we'll double the output of Interstellar Voice , our rival, in a year." Grannie nodded. "I think you and I and Xartal had better take a run up there," she said. "But first I want to see your laboratory." There was no refusing her. Jimmy Baker led the way down to a lower level where a huge laboratory and experimental shop ran the length of the building. Grannie seized a light weight carry-case and began dropping articles into it. A pontocated glass lens, three or four Wellington radite bulbs, each with a spectroscopic filament, a small dynamo that would operate on a kite windlass, and a quantity of wire and other items. The kite car was brought out again, and the old woman, Baker and the Martian took their places in it. Then Jimmy waved, and the car began to roll down the ramp. Not until they had vanished in the desert haze did I sense the loneliness of this outpost. With that loneliness came a sudden sense of foreboding. Had I been a fool to let Grannie go? I thought of her, an old woman who should be in a rocking chair, knitting socks. If anything happened to Annabella C. Flowers, I would never forgive myself and neither would her millions of readers. Ezra Karn and I went back into the office. The old prospector chuckled. "Dang human dynamo. Got more energy than a runaway comet." A connecting door on the far side of the office opened onto a long corridor which ended at a staircase. "Let's look around," I said. We passed down the corridor and climbed the staircase to the second floor. Here were the general offices of Larynx Incorporated , and through glass doors I could see clerks busy with counting machines and report tapes. In another chamber the extremely light Acoustix ore was being packed into big cases and marked for shipment. At the far end a door to a small room stood open. Inside a young man was tilted back in a swivel chair before a complicated instrument panel. "C'mon in," he said, seeing us. "If you want a look at your friends, here they are." He flicked a stud, and the entire wall above the panel underwent a slow change of colors. Those colors whirled kaleidescopically, then coalesced into a three-dimensional scene. It was a scene of a rapidly unfolding desert country as seen from the rear of a kite car. Directly behind the windscreen, backs turned to me, were Jimmy Baker, Grannie, and Xartal. It was as if I were standing directly behind them. "It's Mr. Baker's own invention," the operator said. "An improvement on the visiphone." "Do you mean to say you can follow the movements of that car and its passengers wherever it goes? Can you hear them talk too?" "Sure." The operator turned another dial, and Grannie's falsetto voice entered the room. It stopped abruptly. "The machine uses a lot of power," the operator said, "and as yet we haven't got much." The cloud of anxiety which had wrapped itself about me disappeared somewhat as I viewed this device. At least I could now keep myself posted of Grannie's movements. Karn and I went down to the commissary where we ate our supper. When we returned to Jimmy Baker's office, the visiphone bell was ringing. I went over to it and turned it on, and to my surprise the face of Antlers Park flashed on the screen. "Hello," he said in his friendly way. "I see you arrived all right. Is Miss Flowers there?" "Miss Flowers left with Mr. Baker for Shaft Four," I said. "There's trouble up there. Red spot fever." "Fever, eh?" repeated Park. "That's a shame. Is there anything I can do?" "Tell me," I said, "has your company had any trouble with this plague?" "A little. But up until yesterday the fever's been confined to the other side of the Baldric. We had one partial case, but my chemists gave the chap an antitoxin that seems to have worked. Come to think of it, I might drive over to Shaft Four and give Jimmy Baker the formula. I haven't been out in the Baldric for years, but if you didn't have any trouble, I shouldn't either." We exchanged a few more pleasantries, and then he rang off. In exactly an hour I went upstairs to the visiscreen room. Then once more I was directly behind my friends, listening in on their conversation. The view through the windscreen showed an irregular array of flagpole trees, with the sky dotted by high-flying cockatoos. "There's an eyrie over there," Jimmy Baker was saying. "We might as well camp beside it." Moments later a rude circle of flagpole trees loomed ahead. Across the top of them was stretched a translucent web. Jimmy and Grannie got out of the car and began making camp. Xartal remained in his seat. He was drawing pictures on large pieces of pasteboard, and as I stood there in the visiscreen room, I watched him. There was no doubt about it, the Martian was clever. He would make a few rapid lines on one of the pasteboards, rub it a little to get the proper shading and then go on to the next. In swift rotation likenesses of Ezra Karn, of myself, of Jimmy Baker, and of Antlers Park took form. Ezra spoke over my shoulder. "He's doing scenes for Grannie's new book," he said. "The old lady figures on using the events here for a plot. Look at that damned nosy bird! " A silver cockatoo had alighted on the kite car and was surveying curiously Xartal's work. As each drawing was completed, the bird scanned it with rapt attention. Abruptly it flew to the top of the eyrie, where it seemed to be having a consultation with its bird companions. And then abruptly it happened. The cockatoos took off in mass flight. A group of Earth people suddenly materialized on the eyrie, talking and moving about as if it were the most natural thing in the world. With a shock I saw the likeness of myself; I saw Ezra Karn; and I saw the image of Jimmy Baker. The real Jimmy Baker stood next to Grannie, staring up at this incredible mirage. Grannie let out a whoop. "I've got it!" she said. "Those things we see up there are nothing more than mental images. They're Xartal's drawings!" "Don't you see," the lady continued. "Everything that Xartal put on paper has been seen by one or more of these cockatoos. The cockatoos are like Earth parrots all right, but not only have they the power of copying speech, they also have the ability to recreate a mental image of what they have seen. In other words their brains form a powerful photographic impression of the object. That impression is then transmitted simultaneously in telepathic wavelengths to common foci. That eyrie might be likened to a cinema screen, receiving brain vibrations from a hundred different sources that blend into the light field to form what are apparently three-dimensional images." The Larynx manager nodded slowly. "I see," he said. "But why don't the birds reconstruct images from the actual person. Why use drawings?" "Probably because the drawings are exaggerated in certain details and made a greater impression on their brains," Grannie replied. Up on the eyrie a strange performance was taking place. The duplicate of Grannie Annie was bowing to the duplicate of Jimmy Baker, and the image of Ezra Karn was playing leap frog with the image of Antlers Park. Then abruptly the screen before me blurred and went blank. "Sorry," the operator said. "I've used too much power already. Have to give the generators a chance to build it up again." Nodding, I turned and motioned to Karn. We went back downstairs. "That explains something at any rate," the old prospector said. "But how about that Red spot fever?" On Jimmy Baker's desk was a large file marked: FEVER VICTIMS. I opened it and found it contained the case histories of those men who had been attacked by the strange malady. Reading them over, I was struck by one detail. Each patient had received the first symptoms, not while working in the mines, but while sleeping or lounging in the barracks. Five minutes later Karn and I were striding down a white ramp that led to the nearest barracks. The building came into sight, a low rectangular structure, dome-roofed to withstand the violent winds. Inside double tiers of bunks stretched along either wall. In those bunks some thirty men lay sleeping. The far wall was taken up by a huge window of denvo-quartz. As I stood there, something suddenly caught Ezra Karn's eye. He began to walk toward that window. "Look here," he said. Six feet up on that window a small almost imperceptible button of dull metal had been wedged into an aperture cut in the quartz. The central part of the button appeared to be a powerful lens of some kind, and as I seized it and pulled it loose, I felt the hum of tiny clock work. All at once I had it! Red spot fever. Heat fever from the infra-red rays of Jupiter's great spot. Someone had constructed this lens to concentrate and amplify the power of those rays. The internal clockwork served a double purpose. It opened a shutter, and it rotated the lens slowly so that it played for a time on each of the sleeping men. I slid the metal button in my pocket and left the barracks at a run. Back in the visiscreen room, I snapped to the operator: "Turn it on!" The kite car swam into view in the screen above the instrument panel. I stared with open eyes. Jimmy Baker no longer was in the car, nor was Xartal, the Martian. Grannie Annie was there, but seated at the controls was Antlers Park, the manager of Interstellar Voice. Ezra Karn jabbed my elbow. "Grannie's coming back. I thought she'd be getting sick of this blamed moon." It didn't make sense. In all the years I'd known Annabella C. Flowers, never yet had I seen her desert a case until she had woven the clues and facts to a logical conclusion. "Ezra," I said, "we're going to drive out and meet them. There's something screwy here." Ten minutes later in another kite car we were driving at a fast clip through the powdery sands of the Baldric. And before long we saw another car approaching. It was Grannie. As the car drew up alongside I saw her sitting in her prim way next to Antlers Park. Park said: "We left the others at the mine. Miss Flowers is going back with me to my offices to help me improve the formula for that new antitoxin." He waved his hand, and the car moved off. I watched it as it sped across the desert, and a growing suspicion began to form in my mind. Then, like a knife thrust, the truth struck me. "Ezra!" I yelled, swinging the car. "That wasn't Grannie! That was one of those damned cockatoo images. We've got to catch him." The other car was some distance ahead now. Park looked back and saw us following. He did something to the kite wire, and his car leaped ahead. I threw the speed indicator hard over. Our kite was a huge box affair with a steady powerful pull to the connecting wire. Park's vehicle was drawn by a flat triangular kite that dove and fluttered with each variance of the wind. Steadily we began to close in. The manager of Interstellar Voice turned again, and something glinted in his hand. There was a flash of purple flame, and a round hole appeared in our windscreen inches above Karn's head. "Heat gun!" Ezra yelled. Now we were rocketing over the sand dunes, winding in and out between the flagpole trees. I had to catch that car I told myself. Grannie Annie's very life might be at stake, not to mention the lives of hundreds of mine workers. Again Park took aim and again a hole shattered our windscreen. The wind shifted and blew from another quarter. The box kite soared, but the triangular kite faltered. Taking advantage of Park's loss of speed, I raced alongside. The I. V. manager lifted his weapon frantically. But before he could use it a third time, Ezra Karn had whipped a lariat from his belt and sent it coiling across the intervening space. The thong yanked tight about the manager's throat. Park did the only thing he could do. He shut off power, and the two cars coasted to a halt. Then I was across in the other seat, wrenching the weapon free from his grasp. "What have you done with Miss Flowers?" I demanded. The manager's eyes glittered with fear as he saw my finger tense on the trigger. Weakly he lifted an arm and pointed to the northwest. "Val-ley. Thir-ty miles. Entrance hidden by wall of ... flagpole trees." I leaped into the driver's seat and gave the kite its head. And now the country began to undergo a subtle change. The trees seemed to group themselves in a long flanking corridor in a northwesterly direction, as if to hide some secret that lay beyond. Twice I attempted to penetrate that wall, only to find my way blocked by those curious growths. Then a corridor opened before me; a mile forward and the desert began again. But it was a new desert this time: the sand packed hard as granite, the way ahead utterly devoid of vegetation. In the distance black bulging hills extended to right and left, with a narrow chasm or doorway between. I headed for that entrance, and when I reached it, I shut off power with an exclamation of astonishment. There was a huge chair-shaped rock there, and seated upon it was Grannie Annie. She had a tablet in her hands, and she was writing. "Grannie!" I yelled. "What're you doing here? Where's Mr. Baker?" She rose to her feet and clambered down the rock. "Getting back Jimmy's mine laborers," she said, a twinkle in her eyes. "I see you've got Antlers Park. I'm glad of that. It saves me a lot of trouble." She took off her spectacles and wiped them on her sleeve. "Don't look so fuddled, Billy-boy. Come along, and I'll show you." She led the way through the narrow passage into the valley. A deep gorge, it was, with the black sheer cliffs on either side pressing close. Ten feet forward, I stopped short, staring in amazement. Advancing toward me like a column of infantry came a long line of Larynx miners. They walked slowly, looking straight ahead, moving down the center of the gorge toward the entrance. But there was more! A kite car was drawn up to the side. The windscreen had been removed, and mounted on the hood was a large bullet-like contrivance that looked not unlike a search lamp. A blinding shaft of bluish radiance spewed from its open end. Playing it back and forth upon the marching men were Jimmy Baker and Xartal, the Martian. "Ultra violet," Grannie Annie explained. "The opposite end of the vibratory scale and the only thing that will combat the infra-red rays that cause red spot fever. Those men won't stop walking until they've reached Shaft Four." Grannie Annie told her story during the long ride back to Shaft Four. We drove slowly, keeping the line of marching Larynx miners always ahead of us. Jimmy Baker had struck a new big lode of Acoustix, a lode which if worked successfully would see Larynx Incorporated become a far more powerful exporting concern than Interstellar Voice . Antlers Park didn't want that. It was he or his agents who placed those lens buttons in the Larynx barracks. For he knew that just as Jupiter's great spot was responsible for a climate and atmosphere suitable for an Earthman on this Eighth Moon, so also was that spot a deadly power in itself, capable when its rays were concentrated of causing a fatal sickness. Then suddenly becoming fearful of Grannie's prying, Antlers Park strove to head her off before she reached Shaft Four. He did head her off and managed to lure her and Baker and Xartal into the Shaft barracks where they would be exposed to the rays from the lens button. But Grannie only pretended to contract the plague. Park then attempted to outwit Ezra Karn and me by returning in Jimmy Baker's kite car with a cockatoo image of Grannie.
train	50893	[ "What initially alerted people to the fault line and the onset of problems?", "What reason did the newspaper have to focus on the possible active volcano theory and not the opinion of the geographer?", "What happens that completely confirms Schwartzberg's theory?", "What is most significant about the earthquake that happens?", "About how long does the tragedy take place?", "What major change happened to the country's landscape as the tragedy continued?", "How has the new Nebraska Sea changed the climate in America? ", "What's the most unexpected result of the disaster? ", "How has America transformed as a country after the events?", "How is this article written?" ]	[ [ "Geologists were already aware of its presence and had been watching it. ", "They investigated what they thought was a forest fire, only to find it was sediment and dust. ", "The land had become so dry it was a cause of concern.", "Newspapers had established the connections of the 3 faults." ], [ "There wasn't enough evidence to disprove the active volcano theory. ", "There wasn't enough evidence to write about the fault line theory. ", "Simply that the idea of an active volcano was much more interesting to the public. ", "Joseph Schwartzberg was the only geologist saying otherwise. " ], [ "An earthquake begins, and the fault starts to settle on either side, putting everything into motion. ", "A landslip began to form along the fault, and the land continued to sink. ", "The tremors begin to increase in size.", "A new lake was beginning to settle around the Arkansas River. " ], [ "It proved that the dust volcano was alive. ", "It proved Schwartzberg's theory?", "It became a national tragedy, affecting most of the country. ", "It happened quickly and suddenly. " ], [ "About three months total. ", "Over the course of a month. ", "It all took place between September and October. ", "It's all over in a matter of hours. " ], [ "State lines were made to be different after the upsets by the earthquakes. ", "Much of the landscape is upset by the earthquakes, throwing dirt and dust everywhere. ", "Several states totally sink, and water takes its place. ", "New cliffs and fault lines continued to form. " ], [ "Because everything is now along a coastline, it's much cooler. ", "For most of the states, it's about the same. ", "It's much muggier in many places now, and unlivable in others. ", "It's brought on much warmer, more tolerable weather. " ], [ "Because of the new sea, there are no more rivers to trade by. ", "Even though millions of lives were lost, the economy is now booming due to the sea.", "Coast-to-coast travel via buses and trucks is now a thing of the past. ", "Many of the previous states have dissolved. " ], [ "With millions of their people gone, America is still finding a foothold in this new world. ", "It's now a booming maritime location, with high population and economic growth. ", "Most of the states have separated and began to live independently again. ", "The political climate has been completely upended. " ], [ "Like a factual retelling of events that have happened in America's history.", "As a scientific paper going over a tragedy that happened once in America. ", "As a theory as to what could end up happening to America one day. ", "As an obviously fictional scenario. " ] ]	[ 2, 3, 1, 3, 1, 3, 4, 2, 2, 1 ]	[ 1, 0, 1, 0, 1, 0, 1, 1, 0, 1 ]	THE GREAT NEBRASKA SEA By ALLAN DANZIG Illustrated by WOOD [Transcriber's Note: This etext was produced from Galaxy Magazine August 1963. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] It has happened a hundred times in the long history of Earth—and, sooner or later, will happen again! Everyone—all the geologists, at any rate—had known about the Kiowa Fault for years. That was before there was anything very interesting to know about it. The first survey of Colorado traced its course north and south in the narrow valley of Kiowa Creek about twenty miles east of Denver; it extended south to the Arkansas River. And that was about all even the professionals were interested in knowing. There was never so much as a landslide to bring the Fault to the attention of the general public. It was still a matter of academic interest when in the late '40s geologists speculated on the relationship between the Kiowa Fault and the Conchas Fault farther south, in New Mexico, and which followed the Pecos as far south as Texas. Nor was there much in the papers a few years later when it was suggested that the Niobrara Fault (just inside and roughly parallel to the eastern border of Wyoming) was a northerly extension of the Kiowa. By the mid sixties it was definitely established that the three Faults were in fact a single line of fissure in the essential rock, stretching almost from the Canadian border well south of the New Mexico-Texas line. It is not really surprising that it took so long to figure out the connection. The population of the states affected was in places as low as five people per square mile! The land was so dry it seemed impossible that it could ever be used except for sheep-farming. It strikes us today as ironic that from the late '50s there was grave concern about the level of the water table throughout the entire area. The even more ironic solution to the problem began in the summer of 1973. It had been a particularly hot and dry August, and the Forestry Service was keeping an anxious eye out for the fires it knew it could expect. Dense smoke was reported rising above a virtually uninhabited area along Black Squirrel Creek, and a plane was sent out for a report. The report was—no fire at all. The rising cloud was not smoke, but dust. Thousands of cubic feet of dry earth rising lazily on the summer air. Rock slides, they guessed; certainly no fire. The Forestry Service had other worries at the moment, and filed the report. But after a week had gone by, the town of Edison, a good twenty miles away from the slides, was still complaining of the dust. Springs was going dry, too, apparently from underground disturbances. Not even in the Rockies could anyone remember a series of rock slides as bad as this. Newspapers in the mountain states gave it a few inches on the front page; anything is news in late August. And the geologists became interested. Seismologists were reporting unusual activity in the area, tremors too severe to be rock slides. Volcanic activity? Specifically, a dust volcano? Unusual, they knew, but right on the Kiowa Fault—could be. Labor Day crowds read the scientific conjectures with late summer lassitude. Sunday supplements ran four-color artists' conceptions of the possible volcano. "Only Active Volcano in U. S.?" demanded the headlines, and some papers even left off the question mark. It may seem odd that the simplest explanation was practically not mentioned. Only Joseph Schwartzberg, head geographer of the Department of the Interior, wondered if the disturbance might not be a settling of the Kiowa Fault. His suggestion was mentioned on page nine or ten of the Monday newspapers (page 27 of the New York Times ). The idea was not nearly so exciting as a volcano, even a lava-less one, and you couldn't draw a very dramatic picture of it. To excuse the other geologists, it must be said that the Kiowa Fault had never acted up before. It never sidestepped, never jiggled, never, never produced the regular shows of its little sister out in California, which almost daily bounced San Francisco or Los Angeles, or some place in between. The dust volcano was on the face of it a more plausible theory. Still, it was only a theory. It had to be proved. As the tremors grew bigger, along with the affected area, as several towns including Edison were shaken to pieces by incredible earthquakes, whole bus- and plane-loads of geologists set out for Colorado, without even waiting for their university and government department to approve budgets. They found, of course, that Schwartzberg had been perfectly correct. They found themselves on the scene of what was fast becoming the most violent and widespread earthquake North America—probably the world—has ever seen in historic times. To describe it in the simplest terms, land east of the Fault was settling, and at a precipitous rate. Rock scraped rock with a whining roar. Shuddery as a squeaky piece of chalk raked across a blackboard, the noise was deafening. The surfaces of the land east and west of the Fault seemed no longer to have any relation to each other. To the west, tortured rock reared into cliffs. East, where sharp reports and muffled wheezes told of continued buckling and dropping, the earth trembled downward. Atop the new cliffs, which seemed to grow by sudden inches from heaving rubble, dry earth fissured and trembled, sliding acres at a time to fall, smoking, into the bucking, heaving bottom of the depression. There the devastation was even more thorough, if less spectacular. Dry earth churned like mud, and rock shards weighing tons bumped and rolled about like pebbles as they shivered and cracked into pebbles themselves. "It looks like sand dancing in a child's sieve," said the normally impassive Schwartzberg in a nationwide broadcast from the scene of disaster. "No one here has ever seen anything like it." And the landslip was growing, north and south along the Fault. "Get out while you can," Schwartzberg urged the population of the affected area. "When it's over you can come back and pick up the pieces." But the band of scientists who had rallied to his leadership privately wondered if there would be any pieces. The Arkansas River, at Avondale and North Avondale, was sluggishly backing north into the deepening trough. At the rate things were going, there might be a new lake the entire length of El Paso and Pueblo Counties. And, warned Schwartzberg, this might only be the beginning. By 16 September the landslip had crept down the Huerfano River past Cedarwood. Avondale, North Avondale and Boone had totally disappeared. Land west of the Fault was holding firm, though Denver had recorded several small tremors; everywhere east of the Fault, to almost twenty miles away, the now-familiar lurch and steady fall had already sent several thousand Coloradans scurrying for safety. All mountain climbing was prohibited on the Eastern Slope because of the danger of rock slides from minor quakes. The geologists went home to wait. There wasn't much to wait for. The news got worse and worse. The Platte River, now, was creating a vast mud puddle where the town of Orchard had been. Just below Masters, Colorado, the river leaped 70-foot cliffs to add to the heaving chaos below. And the cliffs were higher every day as the land beneath them groaned downward in mile-square gulps. As the Fault moved north and south, new areas quivered into unwelcome life. Fields and whole mountainsides moved with deceptive sloth down, down. They danced "like sand in a sieve"; dry, they boiled into rubble. Telephone lines, railroad tracks, roads snapped and simply disappeared. Virtually all east-west land communication was suspended and the President declared a national emergency. By 23 September the Fault was active well into Wyoming on the north, and rapidly approaching the border of New Mexico to the south. Trinchera and Branson were totally evacuated, but even so the over-all death toll had risen above 1,000. Away to the east the situation was quiet but even more ominous. Tremendous fissures opened up perpendicular to the Fault, and a general subsidence of the land was noticeable well into Kansas and Nebraska. The western borders of these states, and soon of the Dakotas and Oklahoma as well, were slowly sinking. On the actual scene of the disaster (or the scenes ; it is impossible to speak of anything this size in the singular) there was a horrifying confusion. Prairie and hill cracked open under intolerable strains as the land shuddered downward in gasps and leaps. Springs burst to the surface in hot geysers and explosions of steam. The downtown section of North Platte, Nebraska, dropped eight feet, just like that, on the afternoon of 4 October. "We must remain calm," declared the Governor of Nebraska. "We must sit this thing out. Be assured that everything possible is being done." But what could be done, with his state dropping straight down at a mean rate of a foot a day? The Fault nicked off the south-east corner of Montana. It worked its way north along the Little Missouri. South, it ripped past Roswell, New Mexico, and tore down the Pecos toward Texas. All the upper reaches of the Missouri were standing puddles by now, and the Red River west of Paris, Texas, had begun to run backward. Soon the Missouri began slowly slipping away westward over the slowly churning land. Abandoning its bed, the river spread uncertainly across farmland and prairie, becoming a sea of mud beneath the sharp new cliffs which rose in rending line, ever taller as the land continued to sink, almost from Canada to the Mexican border. There were virtually no floods, in the usual sense. The water moved too slowly, spread itself with no real direction or force. But the vast sheets of sluggish water and jelly-like mud formed death-traps for the countless refugees now streaming east. Perhaps the North Platte disaster had been more than anyone could take. 193 people had died in that one cave-in. Certainly by 7 October it had to be officially admitted that there was an exodus of epic proportion. Nearly two million people were on the move, and the U. S. was faced with a gigantic wave of refugees. Rails, roads and air-lanes were jammed with terrified hordes who had left everything behind to crowd eastward. All through October hollow-eyed motorists flocked into Tulsa, Topeka, Omaha, Sioux Falls and Fargo. St. Louis was made distributing center for emergency squads which flew everywhere with milk for babies and dog food for evacuating pets. Gasoline trucks boomed west to meet the demand for gas, but once inside the "zone of terror," as the newspapers now called it, they found their route blocked by eastbound cars on the wrong side of the road. Shops left by their fleeing owners were looted by refugees from further west; an American Airlines plane was wrecked by a mob of would-be passengers in Bismarck, North Dakota. Federal and State troops were called out, but moving two million people was not to be done in an orderly way. And still the landslip grew larger. The new cliffs gleamed in the autumn sunshine, growing higher as the land beneath them continued its inexorable descent. On 21 October, at Lubbock, Texas, there was a noise variously described as a hollow roar, a shriek and a deep musical vibration like a church bell. It was simply the tortured rock of the substrata giving way. The second phase of the national disaster was beginning. The noise traveled due east at better than 85 miles per hour. In its wake the earth to the north "just seemed to collapse on itself like a punctured balloon," read one newspaper report. "Like a cake that's failed," said a Texarkana housewife who fortunately lived a block south of Thayer Street, where the fissure raced through. There was a sigh and a great cloud of dust, and Oklahoma subsided at the astounding rate of about six feet per hour. At Biloxi, on the Gulf, there had been uneasy shufflings under foot all day. "Not tremors, exactly," said the captain of a fishing boat which was somehow to ride out the coming flood, "but like as if the land wanted to be somewhere else." Everyone in doomed Biloxi would have done well to have been somewhere else that evening. At approximately 8:30 p.m. the town shuddered, seemed to rise a little like the edge of a hall carpet caught in a draft, and sank. So did the entire Mississippi and Alabama coast, at about the same moment. The tidal wave which was to gouge the center from the U. S. marched on the land. From the north shore of Lake Ponchartrain to the Appalachicola River in Florida, the Gulf coast simply disappeared. Gulfport, Biloxi, Mobile, Pensacola, Panama City: 200 miles of shoreline vanished, with over two and a half million people. An hour later a wall of water had swept over every town from Dothan, Alabama, to Bogalusa on the Louisiana-Mississippi border. "We must keep panic from our minds," said the Governor of Alabama in a radio message delivered from a hastily arranged all-station hookup. "We of the gallant southland have faced and withstood invasion before." Then, as ominous creakings and groanings of the earth announced the approach of the tidal wave, he flew out of Montgomery half an hour before the town disappeared forever. One head of the wave plunged north, eventually to spend itself in the hills south of Birmingham. The main sweep followed the lowest land. Reaching west, it swallowed Vicksburg and nicked the corner of Louisiana. The whole of East Carroll Parish was scoured from the map. The Mississippi River now ended at about Eudora, Arkansas, and minute by minute the advancing flood bit away miles of river bed, swelling north. Chicot, Jennie, Lake Village, Arkansas City, Snow Lake, Elaine, Helena and Memphis felt the tremors. The tormented city shuddered through the night. The earth continued its descent, eventually tipping 2-1/2 degrees down to the west. The "Memphis Tilt" is today one of the unique and charming characteristics of the gracious Old Town, but during the night of panic Memphis residents were sure they were doomed. South and west the waters carved deeply into Arkansas and Oklahoma. By morning it was plain that all of Arkansas was going under. Waves advanced on Little Rock at almost 100 miles an hour, new crests forming, overtopping the wave's leading edge as towns, hills and the thirst of the soil temporarily broke the furious charge. Washington announced the official hope that the Ozarks would stop the wild gallop of the unleashed Gulf, for in northwest Arkansas the land rose to over 2,000 feet. But nothing could save Oklahoma. By noon the water reached clutching fingers around Mt. Scott and Elk Mountain, deluging Hobart and almost all of Greer County. Despite hopeful announcements that the wave was slowing, had virtually stopped after inundating Oklahoma City, was being swallowed up in the desert near Amarillo, the wall of water continued its advance. For the land was still sinking, and the floods were constantly replenished from the Gulf. Schwartzberg and his geologists advised the utmost haste in evacuating the entire area between Colorado and Missouri, from Texas to North Dakota. Lubbock, Texas, went under. On a curling reflex the tidal wave blotted out Sweetwater and Big Spring. The Texas panhandle disappeared in one great swirl. Whirlpools opened. A great welter of smashed wood and human debris was sucked under, vomited up and pounded to pieces. Gulf-water crashed on the cliffs of New Mexico and fell back on itself in foam. Would-be rescuers on the cliffs along what had been the west bank of the Pecos River afterwards recalled the hiss and scream like tearing silk as the water broke furiously on the newly exposed rock. It was the most terrible sound they had ever heard. "We couldn't hear any shouts, of course, not that far away and with all the noise," said Dan Weaver, Mayor of Carlsbad. "But we knew there were people down there. When the water hit the cliffs, it was like a collision between two solid bodies. We couldn't see for over an hour, because of the spray." Salt spray. The ocean had come to New Mexico. The cliffs proved to be the only effective barrier against the westward march of the water, which turned north, gouging out lumps of rock and tumbling down blocks of earth onto its own back. In places scoops of granite came out like ice cream. The present fishing town of Rockport, Colorado, is built on a harbor created in such a way. The water had found its farthest westering. But still it poured north along the line of the original Fault. Irresistible fingers closed on Sterling, Colorado, on Sidney, Nebraska, on Hot Springs, South Dakota. The entire tier of states settled, from south to north, down to its eventual place of stability one thousand feet below the level of the new sea. Memphis was by now a seaport. The Ozarks, islands in a mad sea, formed precarious havens for half-drowned humanity. Waves bit off a corner of Missouri, flung themselves on Wichita. Topeka, Lawrence and Belleville were the last Kansas towns to disappear. The Governor of Kansas went down with his State. Daniel Bernd of Lincoln, Nebraska, was washed up half-drowned in a cove of the Wyoming cliffs, having been sucked from one end of vanished Nebraska to the other. Similar hair-breadth escapes were recounted on radio and television. Virtually the only people saved out of the entire population of Pierre, South Dakota were the six members of the Creeth family. Plucky Timothy Creeth carried and dragged his aged parents to the loft of their barn on the outskirts of town. His brother Geoffrey brought along the younger children and what provisions they could find—"Mostly a ham and about half a ton of vanilla cookies," he explained to his eventual rescuers. The barn, luckily collapsing in the vibrations as the waves bore down on them, became an ark in which they rode out the disaster. "We must of played cards for four days straight," recalled genial Mrs. Creeth when she afterwards appeared on a popular television spectacular. Her rural good-humor undamaged by an ordeal few women can ever have been called on to face, she added, "We sure wondered why flushes never came out right. Jimanettly, we'd left the king of hearts behind, in the rush!" But such lightheartedness and such happy endings were by no means typical. The world could only watch aghast as the water raced north under the shadow of the cliffs which occasionally crumbled, roaring, into the roaring waves. Day by day the relentless rush swallowed what had been dusty farmland, cities and towns. Some people were saved by the helicopters which flew mercy missions just ahead of the advancing waters. Some found safety in the peaks of western Nebraska and the Dakotas. But when the waters came to rest along what is roughly the present shoreline of our inland sea, it was estimated that over fourteen million people had lost their lives. No one could even estimate the damage to property; almost the entirety of eight states, and portions of twelve others, had simply vanished from the heart of the North American continent forever. It was in such a cataclysmic birth that the now-peaceful Nebraska Sea came to America. Today, nearly one hundred years after the unprecedented—and happily unrepeated—disaster, it is hard to remember the terror and despair of those weeks in October and November, 1973. It is inconceivable to think of the United States without its beautiful and economically essential curve of interior ocean. Two-thirds as long as the Mediterranean, it graduates from the warm waters of the Gulf of Mexico through the equally blue waves of the Mississippi Bight, becoming cooler and greener north and west of the pleasant fishing isles of the Ozark Archipelago, finally shading into the gray-green chop of the Gulf of Dakota. What would the United States have become without the 5600-mile coastline of our inland sea? It is only within the last twenty years that any but the topmost layer of water has cleared sufficiently to permit a really extensive fishing industry. Mud still held in suspension by the restless waves will not precipitate fully even in our lifetimes. Even so, the commercial fisheries of Missouri and Wyoming contribute no small part to the nation's economy. Who can imagine what the middle west must have been like before the amelioration of climate brought about by the proximity of a warm sea? The now-temperate state of Minnesota (to say nothing of the submerged Dakotas) must have been Siberian. From contemporary accounts Missouri, our second California, was unbelievably muggy, almost uninhabitable during the summer months. Our climate today, from Ohio and North Carolina to the rich fields of New Mexico and the orchards of Montana, is directly ameliorated by the marine heart of the continent. Who today could imagine the United States without the majestic sea-cliffs in stately parade from New Mexico to Montana? The beaches of Wyoming, the American Riviera, where fruit trees grow almost to the water's edge? Or incredible Colorado, where the morning skier is the afternoon bather, thanks to the monorail connecting the highest peaks with the glistening white beaches? Of course there have been losses to balance slightly these strong gains. The Mississippi was, before 1973, one of the great rivers of the world. Taken together with its main tributary, the Missouri, it vied favorably with such giant systems as the Amazon and the Ganges. Now, ending as it does at Memphis and drawing its water chiefly from the Appalachian Mountains, it is only a slight remnant of what it was. And though the Nebraska Sea today carries many times the tonnage of shipping in its ceaseless traffic, we have lost the old romance of river shipping. We may only guess what it was like when we look upon the Ohio and the truncated Mississippi. And transcontinental shipping is somewhat more difficult, with trucks and the freight-railroads obliged to take the sea-ferries across the Nebraska Sea. We shall never know what the United States was like with its numerous coast-to-coast highways busy with trucks and private cars. Still, the ferry ride is certainly a welcome break after days of driving, and for those who wish a glimpse of what it must have been like, there is always the Cross-Canada Throughway and the magnificent U. S. Highway 73 looping north through Minnesota and passing through the giant port of Alexis, North Dakota, shipping center for the wheat of Manitoba and crossroad of a nation. The political situation has long been a thorny problem. Only tattered remnants of the eight submerged states remained after the flood, but none of them wanted to surrender its autonomy. The tiny fringe of Kansas seemed, for a time, ready to merge with contiguous Missouri, but following the lead of the Arkansas Forever faction, the remaining population decided to retain political integrity. This has resulted in the continuing anomaly of the seven "fringe States" represented in Congress by the usual two Senators each, though the largest of them is barely the size of Connecticut and all are economically indistinguishable from their neighboring states. Fortunately it was decided some years ago that Oklahoma, only one of the eight to have completely disappeared, could not in any sense be considered to have a continuing political existence. So, though there are still families who proudly call themselves Oklahomans, and the Oklahoma Oil Company continues to pump oil from its submerged real estate, the state has in fact disappeared from the American political scene. But this is by now no more than a petty annoyance, to raise a smile when the talk gets around to the question of State's Rights. Not even the tremendous price the country paid for its new sea—fourteen million dead, untold property destroyed—really offsets the asset we enjoy today. The heart of the continent, now open to the shipping of the world, was once dry and land-locked, cut off from the bustle of trade and the ferment of world culture. It would indeed seem odd to an American of the '50s or '60s of the last century to imagine sailors from the merchant fleets of every nation walking the streets of Denver, fresh ashore at Newport, only fifteen miles away. Or to imagine Lincoln, Fargo, Kansas City and Dallas as world ports and great manufacturing centers. Utterly beyond their ken would be Roswell, New Mexico; Benton, Wyoming; Westport, Missouri, and the other new ports of over a million inhabitants each which have developed on the new harbors of the inland sea. Unimaginable too would have been the general growth of population in the states surrounding the new sea. As the water tables rose and manufacturing and trade moved in to take advantage of the just-created axis of world communication, a population explosion was touched off of which we are only now seeing the diminution. This new westering is to be ranked with the first surge of pioneers which created the American west. But what a difference! Vacation paradises bloom, a new fishing industry thrives; her water road is America's main artery of trade, and fleets of all the world sail ... where once the prairie schooner made its laborious and dusty way west!
train	61090	[ "Why did the bank robbers end up crashing? ", "Why does The Scorpion go mostly unnoticed, despite reaching out to the newspaper? ", "Why does Stevenson begin to suspect a connection between the crimes?", "Why do the gangs pick Halloween night to fight? ", "Why does the Scorpion leave their signature at each crime?", "What do all 3 crimes have in common?", "What seems to be the Scorpion's motivation?" ]	[ [ "The cops used incendiary bullets to melt the tires. ", "The Scorpion somehow melted their tires. ", "They didn't realize the car they stole was damaged. ", "It was so hot outside that their tires melted and blew out. " ], [ "The police don't want to bring attention to them, because they don't believe there is a connection between the crimes. ", "Their first letter was disregarded, and their second was read by a different person. ", "The Scorpion hasn't made an appearance in person yet.", "They wrote a crank letter, and so it was completely disregarded. " ], [ "Stevenson has an overactive imagination, similar to how a previous police officer had been. ", "The nature of how the crimes ended didn't add up on their own. That, as well as the signatures, make him believe there is more. ", "Two back-to-back crimes is too suspicious. ", "The alibi of Higgins doesn't add up. He admits to leaving the signature, but Stevenson doesn't trust him. " ], [ "The schoolyard would be empty as kids would be out. ", "They could be out past curfew without suspicion. No one would question why kids were going out on Halloween night. ", "The cops would be preoccupied with other matters, and it was easy to explain why you had a weapon on you.", "The cops wouldn't be on lookout on a night like Halloween, so they can get away with doing what they want. " ], [ "To show that they \"took care\" of each criminal.", "To scare off other potential criminals. ", "To show that they were present at the crime.", "To help lead the police in connecting the crimes. " ], [ "They were ended by unexplained phenomena and marked by the Scorpion.", "They were carried out by The Scorpions, a new gang. ", "They were ended by the criminals being apprehended by the police. ", "In all 3 cases, something either melted or got too hot to handle. " ], [ "They want people to know their name and fear them, hence leaving their mark at every crime. ", "They are indiscriminately attacking people in various situations. ", "They hate criminals and work as a vigilante, punishing people as they see fit. ", "They want to cause trouble because they are actually The Scorpions, a group of juvenile delinquents. " ] ]	[ 2, 2, 2, 3, 1, 1, 3 ]	[ 1, 1, 0, 0, 1, 1, 0 ]	CALL HIM NEMESIS By DONALD E. WESTLAKE Criminals, beware; the Scorpion is on your trail! Hoodlums fear his fury—and, for that matter, so do the cops! [Transcriber's Note: This etext was produced from Worlds of If Science Fiction, September 1961. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] The man with the handkerchief mask said, "All right, everybody, keep tight. This is a holdup." There were twelve people in the bank. There was Mr. Featherhall at his desk, refusing to okay a personal check from a perfect stranger. There was the perfect stranger, an itinerant garage mechanic named Rodney (Rod) Strom, like the check said. There were Miss English and Miss Philicoff, the girls in the gilded teller cages. There was Mister Anderson, the guard, dozing by the door in his brown uniform. There was Mrs. Elizabeth Clayhorn, depositing her husband's pay check in their joint checking account, and with her was her ten-year-old son Edward (Eddie) Clayhorn, Junior. There was Charlie Casale, getting ten dollars dimes, six dollars nickels and four dollars pennies for his father in the grocery store down the street. There was Mrs. Dolly Daniels, withdrawing money from her savings account again. And there were three bank robbers. The three bank robbers looked like triplets. From the ground up, they all wore scuffy black shoes, baggy-kneed and unpressed khaki trousers, brown cracked-leather jackets over flannel shirts, white handkerchiefs over the lower half of their faces and gray-and-white check caps pulled low over their eyes. The eyes themselves looked dangerous. The man who had spoken withdrew a small but mean-looking thirty-two calibre pistol from his jacket pocket. He waved it menacingly. One of the others took the pistol away from Mister Anderson, the guard, and said to him in a low voice, "Think about retirement, my friend." The third one, who carried a black satchel like a doctor's bag, walked quickly around behind the teller's counter and started filling it with money. It was just like the movies. The man who had first spoken herded the tellers, Mr. Featherhall and the customers all over against the back wall, while the second man stayed next to Mr. Anderson and the door. The third man stuffed money into the black satchel. The man by the door said, "Hurry up." The man with the satchel said, "One more drawer." The man with the gun turned to say to the man at the door, "Keep your shirt on." That was all Miss English needed. She kicked off her shoes and ran pelting in her stocking feet for the door. The man by the door spread his arms out and shouted, "Hey!" The man with the gun swung violently back, cursing, and fired the gun. But he'd been moving too fast, and so had Miss English, and all he hit was the brass plate on Mr. Featherhall's desk. The man by the door caught Miss English in a bear hug. She promptly did her best to scratch his eyes out. Meanwhile, Mr. Anderson went scooting out the front door and running down the street toward the police station in the next block, shouting, "Help! Help! Robbery!" The man with the gun cursed some more. The man with the satchel came running around from behind the counter, and the man by the door tried to keep Miss English from scratching his eyes out. Then the man with the gun hit Miss English on the head. She fell unconscious to the floor, and all three of them ran out of the bank to the car out front, in which sat a very nervous-looking fourth man, gunning the engine. Everyone except Miss English ran out after the bandits, to watch. Things got very fast and very confused then. Two police cars came driving down the block and a half from the precinct house to the bank, and the car with the four robbers in it lurched away from the curb and drove straight down the street toward the police station. The police cars and the getaway car passed one another, with everybody shooting like the ships in pirate movies. There was so much confusion that it looked as though the bank robbers were going to get away after all. The police cars were aiming the wrong way and, as they'd come down with sirens wailing, there was a clear path behind them. Then, after the getaway car had gone more than two blocks, it suddenly started jouncing around. It smacked into a parked car and stopped. And all the police went running down there to clap handcuffs on the robbers when they crawled dazedly out of their car. "Hey," said Eddie Clayhorn, ten years old. "Hey, that was something, huh, Mom?" "Come along home," said his mother, grabbing his hand. "We don't want to be involved." "It was the nuttiest thing," said Detective-Sergeant Stevenson. "An operation planned that well, you'd think they'd pay attention to their getaway car, you know what I mean?" Detective-Sergeant Pauling shrugged. "They always slip up," he said. "Sooner or later, on some minor detail, they always slip up." "Yes, but their tires ." "Well," said Pauling, "it was a stolen car. I suppose they just grabbed whatever was handiest." "What I can't figure out," said Stevenson, "is exactly what made those tires do that. I mean, it was a hot day and all, but it wasn't that hot. And they weren't going that fast. I don't think you could go fast enough to melt your tires down." Pauling shrugged again. "We got them. That's the important thing." "Still and all, it's nutty. They're free and clear, barrelling out Rockaway toward the Belt, and all at once their tires melt, the tubes blow out and there they are." Stevenson shook his head. "I can't figure it." "Don't look a gift horse in the mouth," suggested Pauling. "They picked the wrong car to steal." "And that doesn't make sense, either," said Stevenson. "Why steal a car that could be identified as easily as that one?" "Why? What was it, a foreign make?" "No, it was a Chevvy, two-tone, three years old, looked just like half the cars on the streets. Except that in the trunk lid the owner had burned in 'The Scorpion' in big black letters you could see half a block away." "Maybe they didn't notice it when they stole the car," said Pauling. "For a well-planned operation like this one," said Stevenson, "they made a couple of really idiotic boners. It doesn't make any sense." "What do they have to say about it?" Pauling demanded. "Nothing, what do you expect? They'll make no statement at all." The squad-room door opened, and a uniformed patrolman stuck his head in. "The owner of that Chevvy's here," he said. "Right," said Stevenson. He followed the patrolman down the hall to the front desk. The owner of the Chevvy was an angry-looking man of middle age, tall and paunchy. "John Hastings," he said. "They say you have my car here." "I believe so, yes," said Stevenson. "I'm afraid it's in pretty bad shape." "So I was told over the phone," said Hastings grimly. "I've contacted my insurance company." "Good. The car's in the police garage, around the corner. If you'd come with me?" On the way around, Stevenson said, "I believe you reported the car stolen almost immediately after it happened." "That's right," said Hastings. "I stepped into a bar on my route. I'm a wine and liquor salesman. When I came out five minutes later, my car was gone." "You left the keys in it?" "Well, why not?" demanded Hastings belligerently. "If I'm making just a quick stop—I never spend more than five minutes with any one customer—I always leave the keys in the car. Why not?" "The car was stolen," Stevenson reminded him. Hastings grumbled and glared. "It's always been perfectly safe up till now." "Yes, sir. In here." Hastings took one look at his car and hit the ceiling. "It's ruined!" he cried. "What did you do to the tires?" "Not a thing, sir. That happened to them in the holdup." Hastings leaned down over one of the front tires. "Look at that! There's melted rubber all over the rims. Those rims are ruined! What did you use, incendiary bullets?" Stevenson shook his head. "No, sir. When that happened they were two blocks away from the nearest policeman." "Hmph." Hastings moved on around the car, stopping short to exclaim, "What in the name of God is that? You didn't tell me a bunch of kids had stolen the car." "It wasn't a bunch of kids," Stevenson told him. "It was four professional criminals, I thought you knew that. They were using it in a bank holdup." "Then why did they do that ?" Stevenson followed Hastings' pointing finger, and saw again the crudely-lettered words, "The Scorpion" burned black into the paint of the trunk lid. "I really don't know," he said. "It wasn't there before the car was stolen?" "Of course not!" Stevenson frowned. "Now, why in the world did they do that?" "I suggest," said Hastings with heavy sarcasm, "you ask them that." Stevenson shook his head. "It wouldn't do any good. They aren't talking about anything. I don't suppose they'll ever tell us." He looked at the trunk lid again. "It's the nuttiest thing," he said thoughtfully.... That was on Wednesday. The Friday afternoon mail delivery to the Daily News brought a crank letter. It was in the crank letter's most obvious form; that is, the address had been clipped, a letter or a word at a time, from a newspaper and glued to the envelope. There was no return address. The letter itself was in the same format. It was brief and to the point: Dear Mr. Editor: The Scorpion has struck. The bank robbers were captured. The Scorpion fights crime. Crooks and robbers are not safe from the avenging Scorpion. WARN YOUR READERS! Sincerely yours, THE SCORPION The warning was duly noted, and the letter filed in the wastebasket. It didn't rate a line in the paper. II The bank robbery occurred in late June. Early in August, a Brooklyn man went berserk. It happened in Canarsie, a section in southeast Brooklyn near Jamaica Bay. This particular area of Canarsie was a residential neighborhood, composed of one and two family houses. The man who went berserk was a Motor Vehicle Bureau clerk named Jerome Higgins. Two days before, he had flunked a Civil Service examination for the third time. He reported himself sick and spent the two days at home, brooding, a bottle of blended whiskey at all times in his hand. As the police reconstructed it later, Mrs. Higgins had attempted to awaken him on the third morning at seven-thirty, suggesting that he really ought to stop being so foolish, and go back to work. He then allegedly poked her in the eye, and locked her out of the bedroom. Mrs. Higgins then apparently called her sister-in-law, a Mrs. Thelma Stodbetter, who was Mr. Higgins' sister. Mrs. Stodbetter arrived at the house at nine o'clock, and spent some time tapping at the still-locked bedroom door, apparently requesting Mr. Higgins to unlock the door and "stop acting like a child." Neighbors reported to the police that they heard Mr. Higgins shout a number of times, "Go away! Can't you let a man sleep?" At about ten-fifteen, neighbors heard shots from the Higgins residence, a two-story one-family pink stucco affair in the middle of a block of similar homes. Mr. Higgins, it was learned later, had suddenly erupted from his bedroom, brandishing a .30-.30 hunting rifle and, being annoyed at the shrieks of his wife and sister, had fired seven shells at them, killing his wife on the spot and wounding his sister in the hand and shoulder. Mrs. Stodbetter, wounded and scared out of her wits, raced screaming out the front door of the house, crying for the police and shouting, "Murder! Murder!" At this point, neighbors called the police. One neighbor additionally phoned three newspapers and two television stations, thereby earning forty dollars in "news-tips" rewards. By chance, a mobile television unit was at that moment on the Belt Parkway, returning from having seen off a prime minister at Idlewild Airport. This unit was at once diverted to Canarsie, where it took up a position across the street from the scene of carnage and went to work with a Zoomar lens. In the meantime, Mister Higgins had barricaded himself in his house, firing at anything that moved. The two cameramen in the mobile unit worked their hearts out. One concentrated on the movements of the police and firemen and neighbors and ambulance attendants, while the other used the Zoomar lens to search for Mr. Higgins. He found him occasionally, offering the at-home audience brief glimpses of a stocky balding man in brown trousers and undershirt, stalking from window to window on the second floor of the house. The show lasted for nearly an hour. There were policemen everywhere, and firemen everywhere, and neighbors milling around down at the corner, where the police had roped the block off, and occasionally Mr. Higgins would stick his rifle out a window and shoot at somebody. The police used loudspeakers to tell Higgins he might as well give up, they had the place surrounded and could eventually starve him out anyway. Higgins used his own good lungs to shout obscenities back and challenge anyone present to hand-to-hand combat. The police fired tear gas shells at the house, but it was a windy day and all the windows in the Higgins house were either open or broken. Higgins was able to throw all the shells back out of the house again. The show lasted for nearly an hour. Then it ended, suddenly and dramatically. Higgins had showed himself to the Zoomar lens again, for the purpose of shooting either the camera or its operator. All at once he yelped and threw the rifle away. The rifle bounced onto the porch roof, slithered down to the edge, hung for a second against the drain, and finally fell barrel first onto the lawn. Meanwhile, Higgins was running through the house, shouting like a wounded bull. He thundered down the stairs and out, hollering, to fall into the arms of the waiting police. They had trouble holding him. At first they thought he was actually trying to get away, but then one of them heard what it was he was shouting: "My hands! My hands!" They looked at his hands. The palms and the palm-side of the fingers were red and blistering, from what looked like severe burns. There was another burn on his right cheek and another one on his right shoulder. Higgins, thoroughly chastened and bewildered, was led away for burn ointment and jail. The television crew went on back to Manhattan. The neighbors went home and telephoned their friends. On-duty policemen had been called in from practically all of the precincts in Brooklyn. Among them was Detective-Sergeant William Stevenson. Stevenson frowned thoughtfully at Higgins as that unhappy individual was led away, and then strolled over to look at the rifle. He touched the stock, and it was somewhat warm but that was all. He picked it up and turned it around. There, on the other side of the stock, burned into the wood, were the crudely-shaped letters, "The Scorpion." You don't get to be Precinct Captain on nothing but political connections. Those help, of course, but you need more than that. As Captain Hanks was fond of pointing out, you needed as well to be both more imaginative than most—"You gotta be able to second-guess the smart boys"—and to be a complete realist—"You gotta have both feet on the ground." If these were somewhat contradictory qualities, it was best not to mention the fact to Captain Hanks. The realist side of the captain's nature was currently at the fore. "Just what are you trying to say, Stevenson?" he demanded. "I'm not sure," admitted Stevenson. "But we've got these two things. First, there's the getaway car from that bank job. The wheels melt for no reason at all, and somebody burns 'The Scorpion' onto the trunk. Then, yesterday, this guy Higgins out in Canarsie. He says the rifle all of a sudden got too hot to hold, and he's got the burn marks to prove it. And there on the rifle stock it is again. 'The Scorpion'." "He says he put that on there himself," said the captain. Stevenson shook his head. "His lawyer says he put it on there. Higgins says he doesn't remember doing it. That's half the lawyer's case. He's trying to build up an insanity defense." "He put it on there himself, Stevenson," said the captain with weary patience. "What are you trying to prove?" "I don't know. All I know is it's the nuttiest thing I ever saw. And what about the getaway car? What about those tires melting?" "They were defective," said Hanks promptly. "All four of them at once? And what about the thing written on the trunk?" "How do I know?" demanded the captain. "Kids put it on before the car was stolen, maybe. Or maybe the hoods did it themselves, who knows? What do they say?" "They say they didn't do it," said Stevenson. "And they say they never saw it before the robbery and they would have noticed it if it'd been there." The captain shook his head. "I don't get it," he admitted. "What are you trying to prove?" "I guess," said Stevenson slowly, thinking it out as he went along, "I guess I'm trying to prove that somebody melted those tires, and made that rifle too hot, and left his signature behind." "What? You mean like in the comic books? Come on, Stevenson! What are you trying to hand me?" "All I know," insisted Stevenson, "is what I see." "And all I know," the captain told him, "is Higgins put that name on his rifle himself. He says so." "And what made it so hot?" "Hell, man, he'd been firing that thing at people for an hour! What do you think made it hot?" "All of a sudden?" "He noticed it all of a sudden, when it started to burn him." "How come the same name showed up each time, then?" Stevenson asked desperately. "How should I know? And why not, anyway? You know as well as I do these things happen. A bunch of teen-agers burgle a liquor store and they write 'The Golden Avengers' on the plate glass in lipstick. It happens all the time. Why not 'The Scorpion'? It couldn't occur to two people?" "But there's no explanation—" started Stevenson. "What do you mean, there's no explanation? I just gave you the explanation. Look, Stevenson, I'm a busy man. You got a nutty idea—like Wilcox a few years ago, remember him? Got the idea there was a fiend around loose, stuffing all those kids into abandoned refrigerators to starve. He went around trying to prove it, and getting all upset, and pretty soon they had to put him away in the nut hatch. Remember?" "I remember," said Stevenson. "Forget this silly stuff, Stevenson," the captain advised him. "Yes, sir," said Stevenson.... The day after Jerome Higgins went berserk, the afternoon mail brought a crank letter to the Daily News : Dear Mr. Editor, You did not warn your readers. The man who shot all those people could not escape the Scorpion. The Scorpion fights crime. No criminal is safe from the Scorpion. WARN YOUR READERS. Sincerely yours, THE SCORPION Unfortunately, this letter was not read by the same individual who had seen the first one, two months before. At any rate, it was filed in the same place, and forgotten. III Hallowe'en is a good time for a rumble. There's too many kids around for the cops to keep track of all of them, and if you're picked up carrying a knife or a length of tire chain or something, why, you're on your way to a Hallowe'en party and you're in costume. You're going as a JD. The problem was this schoolyard. It was a block wide, with entrances on two streets. The street on the north was Challenger territory, and the street on the south was Scarlet Raider territory, and both sides claimed the schoolyard. There had been a few skirmishes, a few guys from both gangs had been jumped and knocked around a little, but that had been all. Finally, the War Lords from the two gangs had met, and determined that the matter could only be settled in a war. The time was chosen: Hallowe'en. The place was chosen: the schoolyard. The weapons were chosen: pocket knives and tire chains okay, but no pistols or zip-guns. The time was fixed: eleven P.M. And the winner would have undisputed territorial rights to the schoolyard, both entrances. The night of the rumble, the gangs assembled in their separate clubrooms for last-minute instructions. Debs were sent out to play chicken at the intersections nearest the schoolyard, both to warn of the approach of cops and to keep out any non-combatant kids who might come wandering through. Judy Canzanetti was a Deb with the Scarlet Raiders. She was fifteen years old, short and black-haired and pretty in a movie-magazine, gum-chewing sort of way. She was proud of being in the Auxiliary of the Scarlet Raiders, and proud also of the job that had been assigned to her. She was to stand chicken on the southwest corner of the street. Judy took up her position at five minutes to eleven. The streets were dark and quiet. Few people cared to walk this neighborhood after dark, particularly on Hallowe'en. Judy leaned her back against the telephone pole on the corner, stuck her hands in the pockets of her Scarlet Raider jacket and waited. At eleven o'clock, she heard indistinct noises begin behind her. The rumble had started. At five after eleven, a bunch of little kids came wandering down the street. They were all about ten or eleven years old, and most of them carried trick-or-treat shopping bags. Some of them had Hallowe'en masks on. They started to make the turn toward the schoolyard. Judy said, "Hey, you kids. Take off." One of them, wearing a red mask, turned to look at her. "Who, us?" "Yes, you! Stay out of that street. Go on down that way." "The subway's this way," objected the kid in the red mask. "Who cares? You go around the other way." "Listen, lady," said the kid in the red mask, aggrieved, "we got a long way to go to get home." "Yeah," said another kid, in a black mask, "and we're late as it is." "I couldn't care less," Judy told them callously. "You can't go down that street." "Why not?" demanded yet another kid. This one was in the most complete and elaborate costume of them all, black leotards and a yellow shirt and a flowing: black cape. He wore a black and gold mask and had a black knit cap jammed down tight onto his head. "Why can't we go down there?" this apparition demanded. "Because I said so," Judy told him. "Now, you kids get away from here. Take off." "Hey!" cried the kid in the black-and-yellow costume. "Hey, they're fighting down there!" "It's a rumble," said Judy proudly. "You twerps don't want to be involved." "Hey!" cried the kid in the black-and-yellow costume again. And he went running around Judy and dashing off down the street. "Hey, Eddie!" shouted one of the other kids. "Eddie, come back!" Judy wasn't sure what to do next. If she abandoned her post to chase the one kid who'd gotten through, then maybe all the rest of them would come running along after her. She didn't know what to do. A sudden siren and a distant flashing red light solved her problems. "Cheez," said one of the kids. "The cops!" "Fuzz!" screamed Judy. She turned and raced down the block toward the schoolyard, shouting, "Fuzz! Fuzz! Clear out, it's the fuzz!" But then she stopped, wide-eyed, when she saw what was going on in the schoolyard. The guys from both gangs were dancing. They were jumping around, waving their arms, throwing their weapons away. Then they all started pulling off their gang jackets and throwing them away, whooping and hollering. They were making such a racket themselves that they never heard Judy's warning. They didn't even hear the police sirens. And all at once both schoolyard entrances were full of cops, a cop had tight hold of Judy and the rumble was over. Judy was so baffled and terrified that everything was just one great big blur. But in the middle of it all, she did see the little kid in the yellow-and-black costume go scooting away down the street. And she had the craziest idea that it was all his fault. Captain Hanks was still in his realistic cycle this morning, and he was impatient as well. "All right, Stevenson," he said. "Make it fast, I've got a lot to do this morning. And I hope it isn't this comic-book thing of yours again." "I'm afraid it is, Captain," said Stevenson. "Did you see the morning paper?" "So what?" "Did you see that thing about the gang fight up in Manhattan?" Captain Hanks sighed. "Stevenson," he said wearily, "are you going to try to connect every single time the word 'scorpion' comes up? What's the problem with this one? These kid gangs have names, so what?" "Neither one of them was called 'The Scorpions,'" Stevenson told him. "One of them was the Scarlet Raiders and the other gang was the Challengers." "So they changed their name," said Hanks. "Both gangs? Simultaneously? To the same name?" "Why not? Maybe that's what they were fighting over." "It was a territorial war," Stevenson reminded him. "They've admitted that much. It says so in the paper. And it also says they all deny ever seeing that word on their jackets until after the fight." "A bunch of juvenile delinquents," said Hanks in disgust. "You take their word?" "Captain, did you read the article in the paper?" "I glanced through it." "All right. Here's what they say happened: They say they started fighting at eleven o'clock. And they just got going when all at once all the metal they were carrying—knives and tire chains and coins and belt buckles and everything else—got freezing cold, too cold to touch. And then their leather jackets got freezing cold, so cold they had to pull them off and throw them away. And when the jackets were later collected, across the name of the gang on the back of each one had been branded 'The Scorpion.'" "Now, let me tell you something," said Hanks severely. "They heard the police sirens, and they threw all their weapons away. Then they threw their jackets away, to try to make believe they hadn't been part of the gang that had been fighting. But they were caught before they could get out of the schoolyard. If the squad cars had showed up a minute later, the schoolyard wouldn't have had anything in it but weapons and jackets, and the kids would have been all over the neighborhood, nice as you please, minding their own business and not bothering anybody. That's what happened. And all this talk about freezing cold and branding names into jackets is just some smart-alec punk's idea of a way to razz the police. Now, you just go back to worrying about what's happening in this precinct and forget about kid gangs up in Manhattan and comic book things like the Scorpion, or you're going to wind up like Wilcox, with that refrigerator business. Now, I don't want to hear any more about this nonsense, Stevenson." "Yes, sir," said Stevenson.
train	63527	[ "Why are Quezy and Bob investigating the asteroid?", "Why are Quezy and Bob pressed for time? ", "Why does Starre lay claim to the asteroid?", "Why is Starre hesitant to accept Bob's feelings?", "How does the shape of Starre's ship benefit them?", "What happens at the second confrontation with the Saylor brothers? ", "Why do Starre, Bob, and Quezy work together, despite having goals that are at odds with one another?", "Why do Bob and Quezy haul asteroids in the first place?", "What is likely the next step in the story?" ]	[ [ "To see if it matches the specifications of the person who ordered it. ", "To investigate the ship that's been parked on it. ", "To check what minerals and ores are present in it. ", "To check its overall dimensions. " ], [ "They don't want their competitors getting to the asteroid before them and missing out on the profit. ", "The Saylor Brothers have been chasing them, and they know they're on their way to the same asteroid. ", "They need to fulfill Burnside's requests quickly in order to make a profit. ", "Hauling asteroids is dangerous work, and the quicker they get it done the better. " ], [ "She's trying to get away from her life. She can't stand how stubborn her Grandfather is. ", "She's trying to delay her arranged marriage, by preventing the asteroid from ever being delivered. ", "She told her Grandfather about the asteroid and told him she would marry Mac on top of it. ", "She's Burnside's granddaughter and is protecting it for him. " ], [ "She knows that the wedding has to happen, one way or another. ", "She doesn't feel the same way about Bob. ", "She feels trapped by her Grandfather's bargain. ", "She still cares about Mac, despite all that's happening. " ], [ "It made it easy to spot and to re-locate it. ", "It's small, making it easy for them to transport it with them. ", "Being a \"yo-yo\" shape, it was easy to attach cables to it and maneuver it back and forth. ", "Being a \"yo-yo\" shape, they can use it like one to fight against the Saylor brothers. " ], [ "The yo-yo fails to hit the other ship, as it can't quite reach it. ", "The Saylor brothers call on the Interplanetary Commission for help. ", "The yo-yo worked as intended, hitting their ship with the first hit.", "The yo-yo worked as intended after some maneuvering, damaging their ship. " ], [ "Starre is hopeful that they can eventually help her out of her own predicament. ", "The Saylor brothers are in the way for both parties, and it makes more sense to work together to take them down. ", "Bob and Quezy don't care what happens to her after. They just want to get through the situation. ", "They simply don't have any other choice. " ], [ "They are hoping to start a new business selling them. ", "Other companies have been making a profit with them, and they want in on it. ", "The asteroids of deposits of rich minerals, making them valuable. Hence why they check the composition of each one. ", "It's a new fad that Bob hard started, where rich people enjoy having them on display. " ], [ "Starre takes the asteroid back, and she goes back to living on it alone. ", "The Saylor brothers return and retrieve the asteroid again. ", "Bob and Quezy work with Starre to come up with a solution to both their problems,", "Bob and Quezy deliver the asteroid, and Starre marries Mac. " ] ]	[ 1, 3, 2, 3, 4, 4, 2, 4, 3 ]	[ 1, 1, 1, 1, 1, 0, 1, 1, 1 ]	COSMIC YO-YO By ROSS ROCKLYNNE "Want an asteroid in your backyard? We supply cheap. Trouble also handled without charge." Interplanetary Hauling Company. (ADVT.) [Transcriber's Note: This etext was produced from Planet Stories Summer 1945. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] Bob Parker, looking through the photo-amplifiers at the wedge-shaped asteroid, was plainly flabbergasted. Not in his wildest imaginings had he thought they would actually find what they were looking for. "Cut the drive!" he yelled at Queazy. "I've got it, right on the nose. Queazy, my boy, can you imagine it? We're in the dough. Not only that, we're rich! Come here!" Queazy discharged their tremendous inertia into the motive-tubes in such a manner that the big, powerful ship was moving at the same rate as the asteroid below—47.05 miles per second. He came slogging back excitedly, put his eyes to the eyepiece. He gasped, and his big body shook with joyful ejaculations. "She checks down to the last dimension," Bob chortled, working with slide-rule and logarithm tables. "Now all we have to do is find out if she's made of tungsten, iron, quartz crystals, and cinnabar! But there couldn't be two asteroids of that shape anywhere else in the Belt, so this has to be it!" He jerked a badly crumpled ethergram from his pocket, smoothed it out, and thumbed his nose at the signature. "Whee! Mr. Andrew S. Burnside, you owe us five hundred and fifty thousand dollars!" Queazy straightened. A slow, likeable smile wreathed his tanned face. "Better take it easy," he advised, "until I land the ship and we use the atomic whirl spectroscope to determine the composition of the asteroid." "Have it your way," Bob Parker sang, happily. He threw the ethergram to the winds and it fell gently to the deck-plates. While Queazy—so called because his full name was Quentin Zuyler—dropped the ship straight down to the smooth surface of the asteroid, and clamped it tight with magnetic grapples, Bob flung open the lazarette, brought out two space-suits. Moments later, they were outside the ship, with star-powdered infinity spread to all sides. In the ship, the ethergram from Andrew S. Burnside, of Philadelphia, one of the richest men in the world, still lay on the deck-plates. It was addressed to: Mr. Robert Parker, President Interplanetary Hauling & Moving Co., 777 Main Street, Satterfield City, Fontanaland, Mars. The ethergram read: Received your advertising literature a week ago. Would like to state that yes I would like an asteroid in my back yard. Must meet following specifications: 506 feet length, long enough for wedding procession; 98 feet at base, tapering to 10 feet at apex; 9-12 feet thick; topside smooth-plane, underside rough-plane; composed of iron ore, tungsten, quartz crystals, and cinnabar. Must be in my back yard before 11:30 A.M. my time, for important wedding June 2, else order is void. Will pay $5.00 per ton. Bob Parker had received that ethergram three weeks ago. And if The Interplanetary Hauling & Moving Co., hadn't been about to go on the rocks (chiefly due to the activities of Saylor & Saylor, a rival firm) neither Bob nor Queazy would have thought of sending an answering ethergram to Burnside stating that they would fill the order. It was, plainly, a hair-brained request. And yet, if by some chance there was such a rigidly specified asteroid, their financial worries would be over. That they had actually discovered the asteroid, using their mass-detectors in a weight-elimination process, seemed like an incredible stroke of luck. For there are literally millions of asteroids in the asteroid belt, and they had been out in space only three weeks. The "asteroid in your back yard" idea had been Bob Parker's originally. Now it was a fad that was sweeping Earth, and Burnside wasn't the first rich man who had decided to hold a wedding on top of an asteroid. Unfortunately, other interplanetary moving companies had cashed in on that brainstorm, chiefly the firm of the Saylor brothers—which persons Bob Parker intended to punch in the nose some day. And would have before this if he hadn't been lanky and tall while they were giants. Now that he and Queazy had found the asteroid, they were desperate to get it to its destination, for fear that the Saylor brothers might get wind of what was going on, and try to beat them out of their profits. Which was not so far-fetched, because the firm of Saylor & Saylor made no pretense of being scrupulous. Now they scuffed along the smooth-plane topside of the asteroid, the magnets in their shoes keeping them from stepping off into space. They came to the broad base of the asteroid-wedge, walked over the edge and "down" the twelve-foot thickness. Here they squatted, and Bob Parker happily clamped the atomic-whirl spectroscope to the rough surface. By the naked eye, they could see iron ore, quartz crystals, cinnabar, but he had the spectroscope and there was no reason why he shouldn't use it. He satisfied himself as to the exterior of the asteroid, and then sent the twin beams deep into its heart. The beams crossed, tore atoms from molecules, revolved them like an infinitely fine powder. The radiations from the sundered molecules traveled back up the beams to the atomic-whirl spectroscope. Bob watched a pointer which moved slowly up and up—past tungsten, past iridium, past gold— Bob Parker said, in astonishment, "Hell! There's something screwy about this business. Look at that point—" Neither he nor Queazy had the opportunity to observe the pointer any further. A cold, completely disagreeable feminine voice said, "May I ask what you interlopers are doing on my asteroid?" Bob started so badly that the spectroscope's settings were jarred and the lights in its interior died. Bob twisted his head around as far as he could inside the "aquarium"—the glass helmet, and found himself looking at a space-suited girl who was standing on the edge of the asteroid "below." "Ma'am," said Bob, blinking, "did you say something?" Queazy made a gulping sound and slowly straightened. He automatically reached up as if he would take off his hat and twist it in his hands. "I said," remarked the girl, "that you should scram off of my asteroid. And quit poking around at it with that spectroscope. I've already taken a reading. Cinnabar, iron ore, quartz crystals, tungsten. Goodbye." Bob's nose twitched as he adjusted his glasses, which he wore even inside his suit. He couldn't think of anything pertinent to say. He knew that he was slowly working up a blush. Mildly speaking, the girl was beautiful, and though only her carefully made-up face was visible—cool blue eyes, masterfully coiffed, upswept, glinting brown hair, wilful lips and chin—Bob suspected the rest of her compared nicely. Her expression darkened as she saw the completely instinctive way he was looking at her and her radioed-voice rapped out, "Now you two boys go and play somewhere else! Else I'll let the Interplanetary Commission know you've infringed the law. G'bye!" She turned and disappeared. Bob awoke from his trance, shouted desperately, "Hey! Wait! You! " He and Queazy caught up with her on the side of the asteroid they hadn't yet examined. It was a rough plane, completing the rigid qualifications Burnside had set down. "Wait a minute," Bob Parker begged nervously. "I want to make some conversation, lady. I'm sure you don't understand the conditions—" The girl turned and drew a gun from a holster. It was a spasticizer, and it was three times as big as her gloved hand. "I understand conditions better than you do," she said. "You want to move this asteroid from its orbit and haul it back to Earth. Unfortunately, this is my home, by common law. Come back in a month. I don't expect to be here then." "A month!" Parker burst the word out. He started to sweat, then his face became grim. He took two slow steps toward the girl. She blinked and lost her composure and unconsciously backed up two steps. About twenty steps away was her small dumbbell-shaped ship, so shiny and unscarred that it reflected starlight in highlights from its curved surface. A rich girl's ship, Bob Parker thought angrily. A month would be too late! He said grimly, "Don't worry. I don't intend to pull any rough stuff. I just want you to listen to reason. You've taken a whim to stay on an asteroid that doesn't mean anything to you one way or another. But to us—to me and Queazy here—it means our business. We got an order for this asteroid. Some screwball millionaire wants it for a backyard wedding see? We get five hundred and fifty thousand dollars for it! If we don't take this asteroid to Earth before June 2, we go back to Satterfield City and work the rest of our lives in the glass factories. Don't we, Queazy?" Queazy said simply, "That's right, miss. We're in a spot. I assure you we didn't expect to find someone living here." The girl holstered her spasticizer, but her completely inhospitable expression did not change. She put her hands on the bulging hips of her space-suit. "Okay," she said. "Now I understand the conditions. Now we both understand each other. G'bye again. I'm staying here and—" she smiled sweetly "—it may interest you to know that if I let you have the asteroid you'll save your business, but I'll meet a fate worse than death! So that's that." Bob recognized finality when he saw it. "Come on, Queazy," he said fuming. "Let this brat have her way. But if I ever run across her without a space-suit on I'm going to give her the licking of her life, right where it'll do the most good!" He turned angrily, but Queazy grabbed his arm, his mouth falling open. He pointed off into space, beyond the girl. "What's that?" he whispered. "What's wha— Oh! " Bob Parker's stomach caved in. A few hundred feet away, floating gently toward the asteroid, came another ship—a ship a trifle bigger than their own. The girl turned, too. They heard her gasp. In another second, Bob was standing next to her. He turned the audio-switch to his headset off, and spoke to the girl by putting his helmet against hers. "Listen to me, miss," he snapped earnestly, when she tried to draw away. "Don't talk by radio. That ship belongs to the Saylor brothers! Oh, Lord, that this should happen! Somewhere along the line, we've been double-crossed. Those boys are after this asteroid too, and they won't hesitate to pull any rough stuff. We're in this together, understand? We got to back each other up." The girl nodded dumbly. Suddenly she seemed to be frightened. "It's—it's very important that this—this asteroid stay right where it is," she said huskily. "What—what will they do?" Bob Parker didn't answer. The big ship had landed, and little blue sparks crackled between the hull and the asteroid as the magnetic clamps took hold. A few seconds later, the airlocks swung down, and five men let themselves down to the asteroid's surface and stood surveying the three who faced them. The two men in the lead stood with their hands on their hips; their darkish, twin faces were grinning broadly. "A pleasure," drawled Wally Saylor, looking at the girl. "What do you think of this situation Billy?" "It's obvious," drawled Billy Saylor, rocking back and forth on his heels, "that Bob Parker and company have double-crossed us. We'll have to take steps." The three men behind the Saylor twins broke into rough, chuckling laughter. Bob Parker's gorge rose. "Scram," he said coldly. "We've got an ethergram direct from Andrew S. Burnside ordering this asteroid." "So have we," Wally Saylor smiled—and his smile remained fixed, dangerous. He started moving forward, and the three men in back came abreast, forming a semi-circle which slowly closed in. Bob Parker gave back a step, as he saw their intentions. "We got here first," he snapped harshly. "Try any funny stuff and we'll report you to the Interplanetary Commission!" It was Bob Parker's misfortune that he didn't carry a weapon. Each of these men carried one or more, plainly visible. But he was thinking of the girl's spasticizer—a paralyzing weapon. He took a hair-brained chance, jerked the spasticizer from the girl's holster and yelled at Queazy. Queazy got the idea, urged his immense body into motion. He hurled straight at Billy Saylor, lifted him straight off the asteroid and threw him away, into space. He yelled with triumph. At the same time, the spasticizer Bob held was shot cleanly out of his hand by Wally Saylor. Bob roared, started toward Wally Saylor, knocked the smoking gun from his hand with a sweeping arm. Then something crushing seemed to hit him in the stomach, grabbing at his solar plexus. He doubled up, gurgling with agony. He fell over on his back, and his boots were wrenched loose from their magnetic grip. Vaguely, before the flickering points of light in his brain subsided to complete darkness, he heard the girl's scream of rage—then a scream of pain. What had happened to Queazy he didn't know. He felt so horribly sick, he didn't care. Then—lights out. Bob Parker came to, the emptiness of remote starlight in his face. He opened his eyes. He was slowly revolving on an axis. Sometimes the Sun swept across his line of vision. A cold hammering began at the base of his skull, a sensation similar to that of being buried alive. There was no asteroid, no girl, no Queazy. He was alone in the vastness of space. Alone in a space-suit. "Queazy!" he whispered. "Queazy! I'm running out of air!" There was no answer from Queazy. With sick eyes, Bob studied the oxygen indicator. There was only five pounds pressure. Five pounds! That meant he had been floating around out here—how long? Days at least—maybe weeks! It was evident that somebody had given him a dose of spastic rays, enough to screw up every muscle in his body to the snapping point, putting him in such a condition of suspended animation that his oxygen needs were small. He closed his eyes, trying to fight against panic. He was glad he couldn't see any part of his body. He was probably scrawny. And he was hungry! "I'll starve," he thought. "Or suffocate to death first!" He couldn't keep himself from taking in great gulps of air. Minutes, then hours passed. He was breathing abnormally, and there wasn't enough air in the first place. He pleaded continually for Queazy, hoping that somehow Queazy could help, when probably Queazy was in the same condition. He ripped out wild curses directed at the Saylor brothers. Murderers, both of them! Up until this time, he had merely thought of them as business rivals. If he ever got out of this— He groaned. He never would get out of it! After another hour, he was gasping weakly, and yellow spots danced in his eyes. He called Queazy's name once more, knowing that was the last time he would have strength to call it. And this time the headset spoke back! Bob Parker made a gurgling sound. A voice came again, washed with static, far away, burbling, but excited. Bob made a rattling sound in his throat. Then his eyes started to close, but he imagined that he saw a ship, shiny and small, driving toward him, growing in size against the backdrop of the Milky Way. He relapsed, a terrific buzzing in his ears. He did not lose consciousness. He heard voices, Queazy's and the girl's, whoever she was. Somebody grabbed hold of his foot. His "aquarium" was unbuckled and good air washed over his streaming face. The sudden rush of oxygen to his brain dizzied him. Then he was lying on a bunk, and gradually the world beyond his sick body focussed in his clearing eyes and he knew he was alive—and going to stay that way, for awhile anyway. "Thanks, Queazy," he said huskily. Queazy was bending over him, his anxiety clearing away from his suddenly brightening face. "Don't thank me," he whispered. "We'd have both been goners if it hadn't been for her. The Saylor brothers left her paralyzed like us, and when she woke up she was on a slow orbit around her ship. She unstrapped her holster and threw it away from her and it gave her enough reaction to reach the ship. She got inside and used the direction-finder on the telaudio and located me first. The Saylors scattered us far and wide." Queazy's broad, normally good-humored face twisted blackly. "The so and so's didn't care if we lived or died." Bob saw the girl now, standing a little behind Queazy, looking down at him curiously, but unhappily. Her space-suit was off. She was wearing lightly striped blue slacks and blue silk blouse and she had a paper flower in her hair. Something in Bob's stomach caved in as his eyes widened on her. The girl said glumly, "I guess you men won't much care for me when you find out who I am and what I've done. I'm Starre Lowenthal—Andrew S. Burnside's granddaughter!" Bob came slowly to his feet, and matched Queazy's slowly growing anger. "Say that again?" he snapped. "This is some kind of dirty trick you and your grandfather cooked up?" "No!" she exclaimed. "No. My grandfather didn't even know there was an asteroid like this. But I did, long before he ordered it from you—or from the Saylor brothers. You see—well, my granddad's about the stubbornest old hoot-owl in this universe! He's always had his way, and when people stand in his way, that's just a challenge to him. He's been badgering me for years to marry Mac, and so has Mac—" "Who's Mac?" Queazy demanded. "My fiancé, I guess," she said helplessly. "He's one of my granddad's protégés. Granddad's always financing some likely young man and giving him a start in life. Mac has become pretty famous for his Mercurian water-colors—he's an artist. Well, I couldn't hold out any longer. If you knew my grandfather, you'd know how absolutely impossible it is to go against him when he's got his mind set! I was just a mass of nerves. So I decided to trick him and I came out to the asteroid belt and picked out an asteroid that was shaped so a wedding could take place on it. I took the measurements and the composition, then I told my grandfather I'd marry Mac if the wedding was in the back yard on top of an asteroid with those measurements and made of iron ore, tungsten, and so forth. He agreed so fast he scared me, and just to make sure that if somebody did find the asteroid in time they wouldn't be able to get it back to Earth, I came out here and decided to live here. Asteroids up to a certain size belong to whoever happens to be on them, by common law.... So I had everything figured out—except," she added bitterly, "the Saylor brothers! I guess Granddad wanted to make sure the asteroid was delivered, so he gave the order to several companies." Bob swore under his breath. He went reeling across to a port, and was gratified to see his and Queazy's big interplanetary hauler floating only a few hundred feet away. He swung around, looked at Queazy. "How long were we floating around out there?" "Three weeks, according to the chronometer. The Saylor boys gave us a stiff shot." " Ouch! " Bob groaned. Then he looked at Starre Lowenthal with determination. "Miss, pardon me if I say that this deal you and your granddad cooked up is plain screwy! With us on the butt end. But I'm going to put this to you plainly. We can catch up with the Saylor brothers even if they are three weeks ahead of us. The Saylor ship and ours both travel on the HH drive—inertia-less. But the asteroid has plenty of inertia, and so they'll have to haul it down to Earth by a long, spiraling orbit. We can go direct and probably catch up with them a few hundred thousand miles this side of Earth. And we can have a fling at getting the asteroid back!" Her eyes sparkled. "You mean—" she cried. Then her attractive face fell. "Oh," she said. " Oh! And when you get it back, you'll land it." "That's right," Bob said grimly. "We're in business. For us, it's a matter of survival. If the by-product of delivering the asteroid is your marriage—sorry! But until we do get the asteroid back, we three can work as a team if you're willing. We'll fight the other problem out later. Okay?" She smiled tremulously. "Okay, I guess." Queazy looked from one to another of them. He waved his hand scornfully at Bob. "You're plain nuts," he complained. "How do you propose to go about convincing the Saylor brothers they ought to let us have the asteroid back? Remember, commercial ships aren't allowed to carry long-range weapons. And we couldn't ram the Saylor brothers' ship—not without damaging our own ship just as much. Go ahead and answer that." Bob looked at Queazy dismally. "The old balance-wheel," he groaned at Starre. "He's always pulling me up short when I go off half-cocked. All I know is, that maybe we'll get a good idea as we go along. In the meantime, Starre—ahem—none of us has eaten in three weeks...?" Starre got the idea. She smiled dazzlingly and vanished toward the galley. Bob Parker was in love with Starre Lowenthal. He knew that after five days out, as the ship hurled itself at breakneck speed toward Earth; probably that distracting emotion was the real reason he couldn't attach any significance to Starre's dumbbell-shaped ship, which trailed astern, attached by a long cable. Starre apparently knew he was in love with her, too, for on the fifth day Bob was teaching her the mechanics of operating the hauler, and she gently lifted his hand from a finger-switch. "Even I know that isn't the control to the Holloway vacuum-feeder, Bob. That switch is for the—ah—the anathern tube, you told me. Right?" "Right," he said unsteadily. "Anyway, Starre, as I was saying, this ship operates according to the reverse Fitzgerald Contraction Formula. All moving bodies contract in the line of motion. What Holloway and Hammond did was to reverse that universal law. They caused the contraction first—motion had to follow! The gravitonic field affects every atom in the ship with the same speed at the same time. We could go from zero speed to our top speed of two thousand miles a second just like that!" He snapped his fingers. "No acceleration effects. This type of ship, necessary in our business, can stop flat, back up, ease up, move in any direction, and the passengers wouldn't have any feeling of motion at—Oh, hell!" Bob groaned, the serious glory of her eyes making him shake. He took her hand. "Starre," he said desperately, "I've got to tell you something—" She jerked her hand away. "No," she exclaimed in an almost frightened voice. "You can't tell me. There's—there's Mac," she finished, faltering. "The asteroid—" "You have to marry him?" Her eyes filled with tears. "I have to live up to the bargain." "And ruin your whole life," he ground out. Suddenly, he turned back to the control board, quartered the vision plate. He pointed savagely to the lower left quarter, which gave a rearward view of the dumbbell ship trailing astern. "There's your ship, Starre." He jabbed his finger at it. "I've got a feeling—and I can't put the thought into concrete words—that somehow the whole solution of the problem of grabbing the asteroid back lies there. But how? How? " Starre's blue eyes followed the long cable back to where it was attached around her ship's narrow midsection. She shook her head helplessly. "It just looks like a big yo-yo to me." "A yo-yo?" "Yes, a yo-yo. That's all." She was belligerent. "A yo-yo !" Bob Parker yelled the word and almost hit the ceiling, he got out of the chair so fast. "Can you imagine it! A yo-yo!" He disappeared from the room. "Queazy!" he shouted. " Queazy, I've got it! " It was Queazy who got into his space-suit and did the welding job, fastening two huge supra-steel "eyes" onto the dumbbell-shaped ship's narrow midsection. Into these eyes cables which trailed back to two winches in the big ship's nose were inserted, welded fast, and reinforced. The nose of the hauler was blunt, perfectly fitted for the job. Bob Parker practiced and experimented for three hours with this yo-yo of cosmic dimensions, while Starre and Queazy stood over him bursting into strange, delighted squeals of laughter whenever the yo-yo reached the end of its double cable and started rolling back up to the ship. Queazy snapped his fingers. "It'll work!" His gray eyes showed satisfaction. "Now, if only the Saylor brothers are where we calculated!" They weren't where Bob and Queazy had calculated, as they had discovered the next day. They had expected to pick up the asteroid on their mass-detectors a few hundred thousand miles outside of the Moon's orbit. But now they saw the giant ship attached like a leech to the still bigger asteroid—inside the Moon's orbit! A mere two hundred thousand miles from Earth! "We have to work fast," Bob stammered, sweating. He got within naked-eye distance of the Saylor brothers' ship. Below, Earth was spread out, a huge crescent shape, part of the Eastern hemisphere vaguely visible through impeding clouds and atmosphere. The enemy ship was two miles distant, a black shadow occulting part of the brilliant sky. It was moving along a down-spiraling path toward Earth. Queazy's big hand gripped his shoulder. "Go to it, Bob!" Bob nodded grimly. He backed the hauler up about thirty miles, then sent it forward again, directly toward the Saylor brothers' ship at ten miles per second. And resting on the blunt nose of the ship was the "yo-yo." There was little doubt the Saylors' saw their approach. But, scornfully, they made no attempt to evade. There was no possible harm the oncoming ship could wreak. Or at least that was what they thought, for Bob brought the hauler's speed down to zero—and Starre Lowenthal's little ship, possessing its own inertia, kept on moving! It spun away from the hauler's blunt nose, paying out two rigid lengths of cable behind it as it unwound, hurled itself forward like a fantastic spinning cannon ball. "It's going to hit!" The excited cry came from Starre. But Bob swore. The dumbbell ship reached the end of its cables, falling a bare twenty feet short of completing its mission. It didn't stop spinning, but came winding back up the cable, at the same terrific speed with which it had left. Bob sweated, having only fractions of seconds in which to maneuver for the "yo-yo" could strike a fatal blow at the hauler too. It was ticklish work completely to nullify the "yo-yo's" speed. Bob used exactly the same method of catching the "yo-yo" on the blunt nose of the ship as a baseball player uses to catch a hard-driven ball in his glove—namely, by matching the ball's speed and direction almost exactly at the moment of impact. And now Bob's hours of practice paid dividends, for the "yo-yo" came to rest snugly, ready to be released again. All this had happened in such a short space of time that the Saylor brothers must have had only a bare realization of what was going on. But by the time the "yo-yo" was flung at them again, this time with better calculations, they managed to put the firmly held asteroid between them and the deadly missile. But it was clumsy evasion, for the asteroid was several times as massive as the ship which was towing it, and its inertia was great. And as soon as the little ship came spinning back to rest, Bob flung the hauler to a new vantage point and again the "yo-yo" snapped out. And this time—collision! Bob yelled as he saw the stern section of the Saylor brothers' ship crumple like tissue paper crushed between the hand. The dumbbell-shaped ship, smaller, and therefore stauncher due to the principle of the arch, wound up again, wobbling a little. It had received a mere dent in its starboard half. Starre was chortling with glee. Queazy whispered, "Attaboy, Bob! This time we'll knock 'em out of the sky!" The "yo-yo" came to rest and at the same moment a gong rang excitedly. Bob knew what that meant. The Saylor brothers were trying to establish communication. Queazy was across the room in two running strides. He threw in the telaudio and almost immediately, Wally Saylor's big body built up in the plate. Wally Saylor's face was quivering with wrath. "What do you damned fools think you're trying to do?" he roared. "You've crushed in our stern section. You've sliced away half of our stern jets. Air is rushing out! You'll kill us!" "Now," Bob drawled, "you're getting the idea." "I'll inform the Interplanetary Commission!" screamed Saylor. " If you're alive," Bob snarled wrathfully. "And you won't be unless you release the asteroid." "I'll see you in Hades first!" "Hades," remarked Bob coldly, "here you come!" He snapped the hauler into its mile-a-second speed again, stopped it at zero. And the "yo-yo" went on its lone, destructive sortie. For a fraction of a second Wally Saylor exhibited the countenance of a doomed man. In the telaudio plate, he whirled, and diminished in size with a strangled yell. The "yo-yo" struck again, but Bob Parker maneuvered its speed in such a manner that it struck in the same place as before, but not as heavily, then rebounded and came spinning back with perfect, sparkling precision. And even before it snugged itself into its berth, it was apparent that the Saylor brothers had given up. Like a wounded terrier, their ship shook itself free of the asteroid, hung in black space for a second, then vanished with a flaming puff of released gravitons from its still-intact jets. The battle was won!
train	62619	[ "Why was Peter Karson initially relieved when he first heard the news of the invasion?", "What seems to be the invader's reason for visiting Earth?", "What is significant about the events being broadcasted?", "How does it seem that the aliens communicate?", "Why is Peter's status so important when he wakes up?", "What is Peter's mission aboard The Avenger?", "Why does Peter insist that Lorelei not come along for the mission?", "Before his departure, Peter recalls a line from a film. Why does it come to mind for him?", "By the end of the passage. what can we understand about the opening scene?" ]	[ [ "He was glad to know he wasn't the only person who had seen something. ", "He was glad to hear it reported, rather than ignored.", "It confirmed that what he saw was real, and he wasn't losing his mind. ", "He feared he was going mad and was relieved to hear something from the real world." ], [ "They recognize humans as intelligent beings and wanted to see what they have made. ", "They want to wage war with Earth and take it for themselves. ", "They are investigating humans in a scientific, albeit fatal, way.", "They are investigating humans, making notes to not destroy their world indiscriminately. " ], [ "Without the broadcast, there is no proof of what is happening. As Peter says, it's unbelievable otherwse. ", "Even though the imagery is horrific, it's important that the whole world is made aware. It's their only warning. ", "The images are horrific. It shows the brutality of the aliens. ", "The broadcasts will likely lead to mass panic and suicide, because of how grim the circumstances are. " ], [ "They make mental contact with human victims, often leading them to madness. ", "They speak through people, making them scream. ", "Their lips are sealed together. They are unable to speak. ", "They speak telepathically, in a language people can't understand. " ], [ "He's one of the few people to have survived an encounter with the aliens.", "He's a scientist. Scientists are part of the last hope as people who could potentially piece together how to fight the aliens. ", "He's a scientist. Scientists are part of the last hope as people who could lead a new life in the underground. ", "He's one of the few survivors of the new world. They need every healthy person they can get. " ], [ "To seek a solution to the aliens out in space. ", "To take the embryos with him and start a new life for humans. ", "To mutate embryos until they come across someone who can fight the aliens. ", "To seek out a \"superman.\" Someone who can face the aliens for them." ], [ "He knows he will mutate when he leaves, and he can't stand the thought of her seeing him like that. ", "It's too dangerous for her to go as a woman. She doesn't have the same odds of survival.", "He knows she would mutate as well, and he wouldn't be able to handle that and put the mission at risk. ", "He knows that they'll be reunited, and promises to come back." ], [ "He recognizes that he will be a changed, mutated man when he returns. He literally will come back \"not as a boy.\"", "He's trying to convince himself that he and humanity will be able to come back, with the emphasis on \"We'll come back.\"", "The situation is grave. Like men who go off to war, the journey will change them. He won't be coming home as the same \"boy.\"", "He's not sure he'll be coming back, and the song is bittersweet for him. " ], [ "Without Peter, the ship won't be functional anymore. ", "Despite being logical, Robert feels emotional about killing Peter. He is at odds with himself. ", "Robert kills Peter without any thought behind it. ", "Robert's cold logic has won him over completely. " ] ]	[ 3, 3, 2, 4, 2, 3, 3, 1, 2 ]	[ 0, 1, 0, 1, 1, 1, 1, 1, 1 ]	THE AVENGER By STUART FLEMING Karson was creating a superman to fight the weird super-monsters who had invaded Earth. But he was forgetting one tiny thing—like calls to like. [Transcriber's Note: This etext was produced from Planet Stories Spring 1944. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] Peter Karson was dead. He had been dead for some time now, but the dark blood was still oozing from the crushed ruin of his face, trickling down into his sodden sleeve, and falling, drop by slow drop, from his fingertips. His head was tilted over the back of the chair at a queer, unnatural angle, so that the light made deep pools of shadow where his eyes had been. There was no sound in the room except for the small splashing the blood made as it dropped into the sticky pool on the floor. The great banks of machinery around the walls were silent. I knew that they would never come to life again. I rose and walked over to the window. Outside, the stars were as before: tiny, myriad points of light, infinitely far away. They had not changed, and yet they were suddenly no longer friendly. They were cold and alien. It was I who had changed: something inside me was dead, like the machinery, and like Peter. It was a kind of indefinable emptiness. I do not think it was what Peter called an emotion; and yet it had nothing to do with logic, either. It was just an emptiness—a void that could not be filled by eating or drinking. It was not a longing. I had no desire that things should be otherwise than they were. I did not even wish that Peter were not dead, for reason had told me that he had to die. That was the end of it. But the void was still there, unexplainable and impossible to ignore. For the first time in all my life I had found a problem that I could not solve. Strange, disturbing sensations stirred and whispered within me, nagging, gnawing. And suddenly—something moved on the skin of my cheek. I raised a hand to it, slowly. A tear was trickling down my cheek. Young Peter Karson put the last black-print down and sighed with satisfaction. His dream was perfect; the Citadel was complete, every minutest detail provided for—on paper. In two weeks they would be laying the core, and then the metal giant itself would begin to grow, glittering, pulsing with each increment of power, until at last it lay finished, a living thing. Then there would remain only the task of blasting the great, shining ship out into the carefully-calculated orbit that would be its home. In his mind's eye he could see it, slowly wheeling, like a second satellite, about the Earth; endlessly gathering knowledge into its insatiable mechanisms. He could see, too, the level on level of laboratories and storerooms that filled its interlocking segments; the meteor deflectors, the air renewal system, the mighty engines at the stern—all the children of his brain. Out there, away from the muffling, distorting, damnable blanket of atmosphere, away from Earth's inexorable gravitational pull, would be a laboratory such as man had never seen. The ship would be filled with the sounds of busy men and women, wresting secrets from the reluctant ether. A new chemistry, a new physics; perhaps even a new biochemistry. A discordant note suddenly entered his fantasy. He looked up, conscious of the walls of his office again, but could see nothing unusual. Still, that thin, dark whisper of dread was at the back of his mind. Slowly, as if reluctantly compelled, he turned around to face the window at his back. There, outside the window, fifty stories up, a face was staring impassively in at him. That was the first impression he got; just a face, staring. Then he saw, with a queer, icy chill, that the face was blood-red and subtly inhuman. It tapered off into a formless, shriveled body. For a moment or an eternity it hung there, unsupported, the bulging eyes staring at him. Then it grew misty at the edges. It dissolved slowly away and was gone. "Lord!" he said. He stared after it, stunned into immobility. Down in the street somewhere, a portable video was shrilling a popular song; after a moment he heard the faint swish of a tube car going past. Everything was normal. Nothing, on examination, seemed to have changed. But the world had grown suddenly unreal. One part of his brain had been shocked into its shell. It was hiding from the thing that had hurt it, and it refused to respond. But the other part was going calmly, lucidly on, quite without his volition. It considered the possibility that he had gone temporarily insane, and decided that this was probable. Hardly knowing what he did, he found a cigarette and lit it. His hands were shaking. He stared at them dully, and then he reached over to the newsbox on his desk, and switched it on. There were flaring red headlines. Relief washed over him, leaving him breathless. He was horrified, of course, but only abstractedly. For the moment he could only be glad that what he had seen was terrible reality rather than even more terrible illusion. INVADERS APPEAR IN BOSTON. 200 DEAD Then lines of type, and farther down: 50 CHILDREN DISAPPEAR FROM PARIS MATERNITY CENTER He pressed the stud. The roll was full of them. MOON SHIP DESTROYED IN TRANSIT NO COMMUNICATION FROM ANTARCTICA IN 6 HOURS STRANGE FORCE DEFLECTS PLANES FROM SAHARA AREA WORLD POLICE MOBILIZING The item below the last one said: Pacifica, June 7—The World Police are mobilizing, for the first time in fifty years. The order was made public early this morning by R. Stein, Secretary of the Council, who said in part: "The reason for this ... order must be apparent to all civilized peoples. For the Invaders have spared no part of this planet in their depredations: they have laid Hong Kong waste; they have terrorized London; they have destroyed the lives of citizens in every member state and in every inhabited area. There can be few within reach of printed reports or my words who have not seen the Invaders, or whose friends have not seen them. "The peoples of the world, then, know what they are, and know that we face the most momentous struggle in our history. We face an enemy superior to ourselves in every way . "Since the Invaders first appeared in Wood River, Oregon, 24 hours ago, they have not once acknowledged our attempts to communicate, or in any way taken notice of our existence as reasoning beings. They have treated us precisely as we, in less enlightened days, might have treated a newly-discovered race of lower animals. They have not attacked our centers of government, nor immobilized our communications, nor laid siege to our defenses. But in instance after instance, they have done as they would with us. They have examined us, dissected us, driven us mad, killed us with no discernable provocation; and this is more intolerable than any normal invasion. "I have no fear that the people of Earth will fail to meet this challenge, for there is no alternative. Not only our individual lives are threatened, but our existence as a race. We must, and will, destroy the Invaders!" Peter sank back in his chair, the full shock of it striking him for the first time. " Will we?" he asked himself softly. It was only two stories down the moving ramp to Lorelei Cooper's laboratory. Peter took it in fifteen seconds, running, and stumbled to a halt in front of the door marked "Radiation." She had set her door mechanism to "Etaoin Shrdlu," principally because he hated double-talk. He mouthed the syllables, had to repeat them because he put an accent in the wrong place, and squeezed through the door as soon as it opened far enough to admit him. Lorelei, beautiful in spite of dark-circled eyes and a smear of grease on her chin, looked up from a huge ledger at the end of the room. One blonde eyebrow arched in the quizzical expression he knew so well. "What makes, Peter my love?" she asked, and bent back to the ledger. Then she did a double-take, looked at his face intently, and said, "Darling, what's wrong?" He said, "Have you seen the news recently?" She frowned. "Why, no—Harry and I have been working for thirty-six hours straight. Haven't seen anybody, haven't heard anything. Why?" "You wouldn't believe me. Where's your newsbox?" She came around the desk and put her hands on his shoulders. "Pete, you know I haven't one—it bores me or upsets me, depending on whether there's trouble or not. What—" "I'm sorry, I forgot," he said. "But you have a scanner?" "Yes, of course. But really, Pete—" "You'll understand in a minute. Turn it on, Lorelei." She gazed at him levelly for a moment, kissed him impulsively, and then walked over to the video panel on the wall and swept a mountain of papers away from in front of it. She turned the selector dial to "News" and pressed the stud. A faint wash of color appeared on the panel, strengthened slowly, and suddenly leapt into full brilliance. Lorelei caught her breath. It was a street scene in the Science City of Manhattan, flooded by the warm spring sunshine. Down on the lowest level, visible past the transport and passenger tubes, the parks and moving ways should have been dotted with colorful, holiday crowds. The people were there, yes but they were flowing away in a swiftly-widening circle. They disappeared into buildings, and the ways snatched them up, and in a heartbeat they were gone. There were left only two blood-red, malignant monstrosities somehow defiling the air they floated in; and below them, a pitiful huddle of flesh no longer recognizable as human beings. They were not dead, those men and women, but they wanted to be. Their bodies had been impossibly joined, fused together into a single obscene, floundering mass of helpless protoplasm. The thin moaning that went up from them was more horrible than any cry of agony. "The Invaders are here, citizens," the commentator was saying in a strangled voice. "Stay off the streets. Hide yourselves. Stay off the streets...." His voice droned on, but neither of them heard it. Lorelei buried her head on his chest, clutching at him desperately. "Peter!" she said faintly. "Why do they broadcast such things?" "They have to," he told her grimly. "There will be panics and suicides, and they know it; but they have to do it. This isn't like a war, where the noncombatants' morale has to be kept up. There aren't going to be any noncombatants, this time. Everybody in the world has to know about them, so that he can fight them—and then it may not be enough." The viewpoint of the teleo sender changed as the two red beings soared away from their victims and angled slowly up the street. Peter reached out to switch off the scanner, and froze. The girl felt his muscles tense abruptly, looked back at the scene. The Invaders were floating up the sloping side of a tall, pure white structure that dominated the rest. "That's the Atlas building," she said unbelievingly. "Us!" "Yes." Silently, they counted stories as the two beings rose. Forty-five ... forty-six ... forty-seven ... forty-eight. Inevitably, they halted. Then they faded slowly. It was impossible to say whether they had gone through the solid wall, or simply melted away. The man and woman clung together, waiting. There was a thick, oppressive silence, full of small rustlings and other faint sounds that were no longer normal. Then, very near, a man screamed in a high, inhuman voice. The screamed dwindled into a throaty gurgle and died, leaving silence again. Peter's lips were cold with sweat. Tiny nerves in his face and arms were jumping convulsively. His stomach crawled. He thrust the girl away from him and started toward the inner room. "Wait here," he mouthed. She was after him, clinging to his arms. "No, Peter! Don't go in there! Peter! " But he pushed her away again, woodenly, and stalked forward. There was a space in the middle of the room where machinery had been cleared away to make room for an incompleted setup. Peter walked down the narrow aisle, past bakelite-sheathed mechanisms and rows of animal cages, and paused just short of it. The two red beings were there, formless bodies hazy in midair, the distorted, hairless skulls in profile, staring at something outside his range of vision. Peter forced himself forward another step. Little Harry Kanin, Lorelei's assistant, was crumpled in a corner, half supported by the broad base of an X-ray chamber. His face was flaccid and bloated. His glazed eyes, impassive yet somehow pleading, stared at nothingness straight ahead of him. The Invaders ignored Peter, staring expressionlessly down at Kanin. In a moment Peter realized what they were doing to him. He stood, paralyzed with horror, and watched it happen. The little man's body was sagging, ever so slowly, as if he were relaxing tiredly. His torso was telescoping, bit by bit; his spread legs grew wider and more shapeless, his cheeks caved in and his skull grew gradually flatter. When it was over, the thing that had been Kanin was a limp, boneless puddle of flesh. Peter could not look at it. There was a scream in his throat that would not come out. He was beyond fear, beyond agony. He turned to the still-hovering monsters and said in a terrible voice, "Why? Why?" The nearest being turned slowly to regard him. Its lips did not move, but there was a tiny sound in Peter's brain, a thin, dry whispering. The scream was welling up. He fought it down and listened. " Wurnkomellilonasendiktolsasangkanmiamiamimami.... " The face was staring directly into his, the bulging eyes hypnotic. The ears were small, no more than excresences of skin. The narrow lips seemed sealed together; a thin, slimy ichor drooled from them. There were lines in the face, but they were lines of age, not emotion. Only the eyes were alive. " ... raswilopreatadvuonistuwurncchtusanlgkelglawwalinom.... " "I can't understand," he cried wildly. "What do you want?" " ... morofelcovisyanmamiwurlectaunntous. " He heard a faint sound behind him, and whirled. It was the first time he had realized that Lorelei had followed him. She stood there, swaying, very pale, looking at the red Invaders. Her eyes swiveled slowly.... " Opreniktoulestritifenrelngetnaktwiltoctpre. " His voice was hoarse. "Don't look! Don't—Go back!" The horrible, mindless noise in his throat was almost beyond his power to repress. His insides writhed to thrust it out. She didn't see him. Her eyes glazed, and she dropped limply to the floor. The scream came out then. Before he knew, even, that he could hold it back no longer, his mouth was wide open, his muscles tensed, his fingernails slicing his palms. It echoed with unbelievable volume in the room. It was a scream to split eardrums; a scream to wake the dead. Somebody said, "Doctor!" He wanted to say, "Yes, get a doctor. Lorelei—" but his mouth only twitched feebly. He couldn't seem to get it to work properly. He tried again. "Doctor." "Yes?" A gentle, masculine voice. He opened his eyes with an effort. There was a blurred face before him; in a moment it grew clearer. The strong, clean-shaven chin contrasted oddly with the haggard circles under the eyes. There was a clean, starched odor. "Where am I?" he said. He tried to turn his head, but a firm hand pressed him back into the sheets. "You're in a hospital. Just lie quietly, please." He tried to get up again. "Where's Lorelei?" "She's well, and you'll see her soon. Now lie quietly. You've been a very sick man." Peter sank back in the bed. The room was coming into focus. He looked around him slowly. He felt very weak, but perfectly lucid. "Yes...." he said. "How long have I been here, Doctor?" The man hesitated, looked at him intently. "Three months," he said. He turned and gave low-voiced instructions to a nurse, and then went away. Peter's head began spinning just a little. Glass clinked from a metal stand near his head; the nurse bent over him with a glass half full of milky fluid. It tasted awful, but she made him drink it all. In a moment he began to relax, and the room got fuzzy again. Just before he drifted off, he said sleepily, "You can't—fool me. It's been more —than three—months." He was right. All the nurses, and even Dr. Arnold, were evasive, but he kept asking them why he couldn't see Lorelei, and finally he wormed it out of them. It had been nine and a half months, not three, and he'd been in a coma all that time. Lorelei, it seemed, had recovered much sooner. "She was only suffering from ordinary shock," Arnold explained. "Seeing that assistant of hers—it was enough to knock anybody out, especially a woman. But you stood actual mental contact with them for approximately five minutes. Yes, we know—you talked a lot. It's a miracle you're alive, and rational." "But where is she?" Peter complained. "You still haven't explained why I haven't been able to see her." Arnold frowned. "All right," he said. "I guess you're strong enough to take it. She's underground, with the rest of the women and children, and a good two-thirds of the male population. That's where you'll go, as soon as you're well enough to be moved. We started digging in six months ago." "But why?" Peter whispered. Arnold's strong jaw knotted. "We're hiding," he said. "Everything else has failed." Peter couldn't think of anything to say. Dr. Arnold's voice went on after a moment, musingly. "We're burrowing into the earth, like worms. It didn't take us long to find out we couldn't kill them. They didn't even take any notice of our attempts to do so, except once. That was when a squadron of the Police caught about fifty of them together at one time, and attacked with flame guns and a new secret weapon. It didn't hurt them, but it annoyed them. It was the first time they'd been annoyed, I think. They blew up half a state, and it's still smoldering." "And since then?" Peter asked huskily. "Since then, we've been burrowing. All the big cities.... It would be an impossible task if we tried to include all the thinly-populated areas, of course, but it doesn't matter. By the time we excavate enough to take care of a quarter of the earth's population, the other three-quarters will be dead, or worse." "I wonder," Peter said shakily, "if I am strong enough to take it." Arnold laughed harshly. "You are. You've got to be. You're part of our last hope, you see." "Our last hope?" "Yes. You're a scientist." "I see," said Peter. And for the first time, he thought of the Citadel . No plan leaped full-born into his mind, but, maybe , he thought, there's a chance .... It wasn't very big, the thing that had been his shining dream. It lay there in its rough cradle, a globe of raw dura-steel not more than five hundred meters in diameter, where the Citadel was to have been a thousand. It wouldn't house a hundred scientists, eagerly delving into the hinterland of research. The huge compartments weren't filled with the latest equipment for chemical and physical experiment; instead, there was compressed oxygen there, and concentrated food, enough to last a lifetime. It was a new world, all by itself; or else it was a tomb. And there was one other change, one that you couldn't see from the outside. The solid meters of lead in its outer skin, the shielding to keep out cosmic rays, were gone. A man had just finished engraving the final stroke on its nameplate, to the left of the airlock— The Avenger . He stepped away now, and joined the group a little distance away, silently waiting. Lorelei said, "You can't do it. I won't let you! Peter—" "Darling," he began wearily. "Don't throw your life away! Give us time—there must be another way." "There's no other way," Peter said. He gripped her arms tightly, as if he could compel her to understand by the sheer pressure of his fingers. "Darling, listen to me. We've tried everything. We've gone underground, but that's only delaying the end. They still come down here, only not as many. The mortality rate is up, the suicide rate is up, the birth rate is down, in spite of anything we can do. You've seen the figures: we're riding a curve that ends in extinction fifty years from now. "They'll live, and we'll die, because they're a superior race. We're a million years too far back even to understand what they are or where they came from. Besides them, we're apes. There's only one answer." She was crying now, silently, with great racking sobs that shook her slender body. But he went remorselessly on. "Out there, in space, the cosmics change unshielded life. They make tentacles out of arms; or scales out of hair; or twelve toes, or a dozen ears—or a better brain. Out of those millions of possible mutations, there's one that will save the human race. We can't fight them , but a superman could. That's our only chance. Lorelei—darling—don't you see that?" She choked, "But why can't you take me along?" He stared unseeingly past her wet, upturned face. "You know why," he said bitterly. "Those rays are strong. They don't only work on embryos; they change adult life forms, too. I have one chance in seven of staying alive. You'd have one chance in a million of staying beautiful. I couldn't stand that. I'd kill myself, and then humanity would die, too. You'd be their murderer." Her sobs gradually died away. She straightened slowly until he no longer had to support her, but all the vitality and resilience was gone out of her body. "All right," she said in a lifeless voice. "You'll come back, Peter." He turned away suddenly, not trusting himself to kiss her goodbye. A line from an old film kept echoing through his head. " They'll come back—but not as boys !" We'll come back, but not as men. We'll come back, but not as elephants. We'll come back, but not as octopi. He was trembling violently. He ran the last few steps, stumbled into the airlock, and pressed the stud that would seal the door behind him. We'll come back.... He heard the massive disk sink home, closing him off. Then he sank down on the floor of the airlock and put his head in shaking hands. After a while he roused himself, closed the inner door of the lock behind him, and walked down the long corridor into the control chamber. The shining banks of keys were there, waiting for his touch; he slumped down before them and listlessly closed the contact of the visiplate. He swung its field slowly, scanning for the last time the bare walls of the underground chamber, making sure that all the spectators had retired out of the way of the blast. Then his clawed fingers poised over the keys, hovered a moment, and thrust down. Acceleration pressed him deep into his chair. In the visiplate, the heavy doors that closed the tunnel above him flashed back, one by one. The energy-charged screen flickered off to let him pass, and closed smoothly behind him. The last doors, cleverly camouflaged, slipped back into place and then dwindled in the distance. It was done. He flashed on out, past the moon, past Mars, over the asteroid belt. The days merged into weeks, then months, and finally, far out, The Avenger curved into an orbit and held it. The great motors died, and the silence pressed in about him. Already he could feel the invisible rays burning resistlessly through his flesh as if it were water, shifting the cells of his body, working its slow, monstrous alchemy upon him. Peter waited until the changes were unmistakably evident in his skin and hair, and then he smashed all the mirrors in the ship. The embryos were pulsing with unnatural life, even in the suspended animation of their crystal cells. One by one he allowed them to mature, and after weeks or years destroyed the monstrosities that came from the incubators. Time went by, meaninglessly. He ate when he was hungry, slept when his driving purpose let him, and worked unceasingly, searching for the million-to-one chance. He stared sometimes through changed eyes at the tiny blue star that was Earth, wondering if the race he had left behind still burrowed in its worm-tunnels, digging deeper and deeper away from the sunlight. But after a time he ceased even to wonder. And one changeling-child he did not destroy. He fed knowledge to its eager brain, and watched it through the swift years, with a dawning hope.... Peter closed the diary. "The rest you know, Robert," he said. "Yes," I told him. "I was that child. I am the millionth mutation you were searching for." His eyes glowed suddenly in their misshapen sockets. "You are. Your brain is as superior to mine as mine is to an anthropoid's. You solve instinctively problems that would take our mechanical computers hours of work. You are a superman." "I am without your imperfections," I said, flexing my arms. He rose and strode nervously over to the window. I watched him as he stood there, outlined against the blazing galaxies. He had changed but little in the years that I had known him. His lank gray hair straggled over his sunken eyes; his cheeks were blobbed with excresences of flesh; one corner of his mouth was drawn up in a perpetual grin. He had a tiny sixth finger on his left hand. He turned again, and I saw the old scar on his cheek where I had once accidentally drawn one of my talons across his face. "And now," he said softly, "we will go home. I've waited so long—keeping the control chamber and the engine room locked away from you, not telling you, even, about Earth until now—because I had to be sure. But now, the waiting is over. "They're still there, I'm sure of it—the people, and the Invaders. You can kill the Invaders, Robert." He looked at me, a little oddly, almost as if he had some instinctive knowledge of what was to come. But he went on swiftly, "On Earth we had a saying: 'Fight fire with fire.' That is the way it will be with you. You are completely, coldly logical, just as they are. You can understand them, and so you can conquer them." I said, "That is the reason why we will not go back to Earth." He stared at me, his jaw slack, his hands trembling. "What—what did you say?" I repeated it patiently. "But why?" he cried, sinking down into the chair before me. In an instant all the joy had gone out of him. I could not understand his suffering, but I could recognize it. "You yourself have said it," I told him. "I am a being of logic, just as the beings who have invaded your planet are. I do not comprehend the things which you call hate, fear, joy and love, as they do not. If I went to Earth, I would use your people to further my knowledge, just as the invaders do. I would have no reason to kill the invaders. They are more nearly kin to me than your people." Peter's eyes were dull, his limbs slumped. For a moment I thought that the shock had deranged his mind. His voice trembled when he said, "But if I ask you to kill them, and not my people?" "To do so would be illogical." He waved his hands helplessly. "Gratitude?" he muttered. "No, you don't understand that, either." Then he cried suddenly, "But I am your friend, Robert!" "I do not understand 'friend,'" I said. I did understand "gratitude," a little. It was a reciprocal arrangement: I did what Peter wished, so long as I did not actively want to do otherwise, because he had done things for me. Very well, then we must not go back. It was very simple, but I knew that he could not comprehend it. I tried to explain it to him, however. But he only stared at me, with an expression on his face that I had never seen there before, and that, somehow, I did not like to see. It was disquieting, and so I hastened to the end that I knew was inevitable.
train	61228	[ "Why do they want Macklin specifically to be the test subject?", "How would the shot theoretically cure headaches?", "Why is Macklin's reaction to the shot alarming?", "Why does the army get involved with the situation?", "Why does Macklin have objections to going back?" ]	[ [ "As a fellow scientist, he'd understand and appreciate what they're doing. ", "He's in relatively good health, meaning he'd survive the experiment and yield resutls. ", "He is a man of great importance, and people will believe him if it works. ", "He has chronic migraines, making him a good candidate." ], [ "It would address the root problem of every headache. By focusing on the core behind a headache, it can be used in any circumstance.", "It would separately address any problem that could cause a headache, from tumors to fatigue. It's built to be an answer to everything. ", "It constricts the blood vessels with an artificial virus. ", "It's not a cure at all, it's a virus. " ], [ "He's acting as if he took a narcotic, enough that Mrs. Macklin suspects that they gave him heroin?", "He's much too happy, as observed by Sidney. He's inexplicably healthy and too adjusted. ", "He seems unbothered by it, despite the fact that it should have changed his life. ", "The shot has somehow removed his intelligence. " ], [ "Macklin is a valuable asset to them, and they don't want something to happen to his intellect.", "The army is investigating Mitchell and Ferris because they gave unauthorized medical assistance. ", "Mrs. Macklin called them in to help. ", "They want to see the results of Ferris and Mitchell's trial." ], [ "He doesn't want to have to undergo another experiment. ", "He doesn't want to go back. He'd rather be \"stupid\" than having headaches and always worrying. ", "It's too risky to try the experiment again. He'd rather take his chances the way he is now. ", "He doesn't want to go back. In the state he's in, he's too \"stupid\" to realize the ramifications of what happened to him. " ] ]	[ 3, 1, 4, 1, 2 ]	[ 0, 1, 1, 0, 1 ]	THE BIG HEADACHE BY JIM HARMON What's the principal cause of headaches? Why, having a head, of course! [Transcriber's Note: This etext was produced from Worlds of If Science Fiction, September 1962. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] I "Do you think we'll have to use force on Macklin to get him to cooperate in the experiment?" Ferris asked eagerly. "How are you going to go about forcing him, Doctor?" Mitchell inquired. "He outweighs you by fifty pounds and you needn't look to me for help against that repatriated fullback." Ferris fingered the collar of his starched lab smock. "Guess I got carried away for a moment. But Macklin is exactly what we need for a quick, dramatic test. We've had it if he turns us down." "I know," Mitchell said, exhaling deeply. "Somehow the men with the money just can't seem to understand basic research. Who would have financed a study of cyclic periods of the hedgehog? Yet the information gained from that study is vital in cancer research." "When we prove our results that should be of enough practical value for anyone. But those crummy trustees didn't even leave us enough for a field test." Ferris scrubbed his thin hand over the bony ridge of his forehead. "I've been worrying so much about this I've got the ancestor of all headaches." Mitchell's blue eyes narrowed and his boyish face took on an expression of demonic intensity. "Ferris, would you consider—?" "No!" the smaller man yelled. "You can't expect me to violate professional ethics and test my own discovery on myself." " Our discovery," Mitchell said politely. "That's what I meant to say. But I'm not sure it would be completely ethical with even a discovery partly mine." "You're right. Besides who cares if you or I are cured of headaches? Our reputations don't go outside our own fields," Mitchell said. "But now Macklin—" Elliot Macklin had inherited the reputation of the late Albert Einstein in the popular mind. He was the man people thought of when the word "mathematician" or even "scientist" was mentioned. No one knew whether his Theory of Spatium was correct or not because no one had yet been able to frame an argument with it. Macklin was in his early fifties but looked in his late thirties, with the build of a football player. The government took up a lot of his time using him as the symbol of the Ideal Scientist to help recruit Science and Engineering Cadets. For the past seven years Macklin—who was the Advanced Studies Department of Firestone University—had been involved in devising a faster-than-light drive to help the Army reach Pluto and eventually the nearer stars. Mitchell had overheard two coeds talking and so knew that the project was nearing completion. If so, it was a case of Ad astra per aspirin . The only thing that could delay the project was Macklin's health. Despite his impressive body, some years before he had suffered a mild stroke ... or at least a vascular spasm of a cerebral artery. It was known that he suffered from the vilest variety of migraine. A cycle of the headaches had caused him to be absent from his classes for several weeks, and there were an unusual number of military uniforms seen around the campus. Ferris paced off the tidy measurements of the office outside the laboratory in the biology building. Mitchell sat slumped in the chair behind the blond imitation wood desk, watching him disinterestedly. "Do you suppose the Great Man will actually show up?" Ferris demanded, pausing in mid-stride. "I imagine he will," Mitchell said. "Macklin's always seemed a decent enough fellow when I've had lunch with him or seen him at the trustees meetings." "He's always treated me like dirt," Ferris said heatedly. "Everyone on this campus treats biologists like dirt. Sometimes I want to bash in their smug faces." Sometimes, Mitchell reflected, Ferris displayed a certain lack of scientific detachment. There came a discreet knock on the door. "Please come in," Mitchell said. Elliot Macklin entered in a cloud of pipe smoke and a tweed jacket. He looked more than a little like a postgraduate student, and Mitchell suspected that that was his intention. He shook hands warmly with Mitchell. "Good of you to ask me over, Steven." Macklin threw a big arm across Ferris' shoulders. "How have you been, Harold?" Ferris' face flickered between pink and white. "Fine, thank you, doctor." Macklin dropped on the edge of the desk and adjusted his pipe. "Now what's this about you wanting my help on something? And please keep the explanation simple. Biology isn't my field, you know." Mitchell moved around the desk casually. "Actually, Doctor, we haven't the right to ask this of a man of your importance. There may be an element of risk." The mathematician clamped onto his pipe and showed his teeth. "Now you have me intrigued. What is it all about?" "Doctor, we understand you have severe headaches," Mitchell said. Macklin nodded. "That's right, Steven. Migraine." "That must be terrible," Ferris said. "All your fine reputation and lavish salary can't be much consolation when that ripping, tearing agony begins, can it?" "No, Harold, it isn't," Macklin admitted. "What does your project have to do with my headaches?" "Doctor," Mitchell said, "what would you say the most common complaint of man is?" "I would have said the common cold," Macklin replied, "but I suppose from what you have said you mean headaches." "Headaches," Mitchell agreed. "Everybody has them at some time in his life. Some people have them every day. Some are driven to suicide by their headaches." "Yes," Macklin said. "But think," Ferris interjected, "what a boon it would be if everyone could be cured of headaches forever by one simple injection." "I don't suppose the manufacturers of aspirin would like you. But it would please about everybody else." "Aspirins would still be used to reduce fever and relieve muscular pains," Mitchell said. "I see. Are you two saying you have such a shot? Can you cure headaches?" "We think we can," Ferris said. "How can you have a specific for a number of different causes?" Macklin asked. "I know that much about the subject." "There are a number of different causes for headaches—nervous strain, fatigue, physical diseases from kidney complaints to tumors, over-indulgence—but there is one effect of all of this, the one real cause of headaches," Mitchell announced. "We have definitely established this for this first time," Ferris added. "That's fine," Macklin said, sucking on his pipe. "And this effect that produces headaches is?" "The pressure effect caused by pituitrin in the brain," Mitchell said eagerly. "That is, the constriction of blood vessels in the telencephalon section of the frontal lobes. It's caused by an over-production of the pituitary gland. We have artificially bred a virus that feeds on pituitrin." "That may mean the end of headaches, but I would think it would mean the end of the race as well," Macklin said. "In certain areas it is valuable to have a constriction of blood vessels." "The virus," Ferris explained, "can easily be localized and stabilized. A colony of virus in the brain cells will relax the cerebral vessels—and only the cerebral vessels—so that the cerebrospinal fluid doesn't create pressure in the cavities of the brain." The mathematician took the pipe out of his mouth. "If this really works, I could stop using that damned gynergen, couldn't I? The stuff makes me violently sick to my stomach. But it's better than the migraine. How should I go about removing my curse?" He reinserted the pipe. "I assure you, you can forget ergotamine tartrate," Ferris said. "Our discovery will work." "Will work," Macklin said thoughtfully. "The operative word. It hasn't worked then?" "Certainly it has," Ferris said. "On rats, on chimps...." "But not on humans?" Macklin asked. "Not yet," Mitchell admitted. "Well," Macklin said. "Well." He thumped pipe ashes out into his palm. "Certainly you can get volunteers. Convicts. Conscientious objectors from the Army." "We want you," Ferris told him. Macklin coughed. "I don't want to overestimate my value but the government wouldn't like it very well if I died in the middle of this project. My wife would like it even less." Ferris turned his back on the mathematician. Mitchell could see him mouthing the word yellow . "Doctor," Mitchell said quickly, "I know it's a tremendous favor to ask of a man of your position. But you can understand our problem. Unless we can produce quick, conclusive and dramatic proof of our studies we can get no more financial backing. We should run a large-scale field test. But we haven't the time or money for that. We can cure the headaches of one person and that's the limit of our resources." "I'm tempted," Macklin said hesitantly, "but the answer is go. I mean ' no '. I'd like to help you out, but I'm afraid I owe too much to others to take the rest—the risk, I mean." Macklin ran the back of his knuckles across his forehead. "I really would like to take you up on it. When I start making slips like that it means another attack of migraine. The drilling, grinding pain through my temples and around my eyeballs. The flashes of light, the rioting pools of color playing on the back of my lids. Ugh." Ferris smiled. "Gynergen makes you sick, does it, doctor? Produces nausea, eh? The pain of that turns you almost wrong side out, doesn't it? You aren't much better off with it than without, are you? I've heard some say they preferred the migraine." Macklin carefully arranged his pipe along with the tools he used to tend it in a worn leather case. "Tell me," he said, "what is the worst that could happen to me?" "Low blood pressure," Ferris said. "That's not so bad," Macklin said. "How low can it get?" "When your heart stops, your blood pressure goes to its lowest point," Mitchell said. A dew of perspiration had bloomed on Macklin's forehead. "Is there much risk of that?" "Practically none," Mitchell said. "We have to give you the worst possibilities. All our test animals survived and seem perfectly happy and contented. As I said, the virus is self-stabilizing. Ferris and I are confident that there is no danger.... But we may be wrong." Macklin held his head in both hands. "Why did you two select me ?" "You're an important man, doctor," Ferris said. "Nobody would care if Mitchell or I cured ourselves of headaches—they might not even believe us if we said we did. But the proper authorities will believe a man of your reputation. Besides, neither of us has a record of chronic migraine. You do." "Yes, I do," Macklin said. "Very well. Go ahead. Give me your injection." Mitchell cleared his throat. "Are you positive, doctor?" he asked uncertainly. "Perhaps you would like a few days to think it over." "No! I'm ready. Go ahead, right now." "There's a simple release," Ferris said smoothly. Macklin groped in his pocket for a pen. II "Ferris!" Mitchell yelled, slamming the laboratory door behind him. "Right here," the small man said briskly. He was sitting at a work table, penciling notes. "I've been expecting you." "Doctor—Harold—you shouldn't have given this story to the newspapers," Mitchell said. He tapped the back of his hand against the folded paper. "On the contrary, I should and I did," Ferris answered. "We wanted something dramatic to show to the trustees and here it is." "Yes, we wanted to show our proof to the trustees—but not broadcast unverified results to the press. It's too early for that!" "Don't be so stuffy and conservative, Mitchell! Macklin's cured, isn't he? By established periodic cycle he should be suffering hell right now, shouldn't he? But thanks to our treatment he is perfectly happy, with no unfortunate side effects such as gynergen produces." "It's a significant test case, yes. But not enough to go to the newspapers with. If it wasn't enough to go to the press with, it wasn't enough to try and breach the trustees with. Don't you see? The public will hand down a ukase demanding our virus, just as they demanded the Salk vaccine and the Grennell serum." "But—" The shrill call of the telephone interrupted Mitchell's objections. Ferris excused himself and crossed to the instrument. He answered it and listened for a moment, his face growing impatient. "It's Macklin's wife," Ferris said. "Do you want to talk to her? I'm no good with hysterical women." "Hysterical?" Mitchell muttered in alarm and went to the phone. "Hello?" Mitchell said reluctantly. "Mrs. Macklin?" "You are the other one," the clear feminine voice said. "Your name is Mitchell." She couldn't have sounded calmer or more self-possessed, Mitchell thought. "That's right, Mrs. Macklin. I'm Dr. Steven Mitchell, Dr. Ferris's associate." "Do you have a license to dispense narcotics?" "What do you mean by that, Mrs. Macklin," Mitchell said sharply. "I used to be a nurse, Dr. Mitchell. I know you've given my husband heroin." "That's absurd. What makes you think a thing like that?" "The—trance he's in now." "Now, Mrs. Macklin. Neither Dr. Ferris or myself have been near your husband for a full day. The effects of a narcotic would have worn off by this time." "Most known narcotics," she admitted, "but evidently you have discovered something new. Is it so expensive to refine you and Ferris have to recruit new customers to keep yourselves supplied?" "Mrs. Macklin! I think I had better talk to you later when you are calmer." Mitchell dropped the receiver heavily. "What could be wrong with Macklin?" he asked without removing his hand from the telephone. Ferris frowned, making quotation marks above his nose. "Let's have a look at the test animals." Together they marched over to the cages and peered through the honeycomb pattern of the wire. The test chimp, Dean, was sitting peacefully in a corner scratching under his arms with the back of his knuckles. Jerry, their control in the experiment, who was practically Dean's twin except that he had received no injection of the E-M Virus, was stomping up and down punching his fingers through the wire, worrying the lock on the cage. "Jerry is a great deal more active than Dean," Mitchell said. "Yes, but Dean isn't sick. He just doesn't seem to have as much nervous energy to burn up. Nothing wrong with his thyroid either." They went to the smaller cages. They found the situation with the rats, Bud and Lou, much the same. "I don't know. Maybe they just have tired blood," Mitchell ventured. "Iron deficiency anemia?" "Never mind, doctor. It was a form of humor. I think we had better see exactly what is wrong with Elliot Macklin." "There's nothing wrong with him," Ferris snapped. "He's probably just trying to get us in trouble, the ingrate!" Macklin's traditional ranch house was small but attractive in aqua-tinted aluminum. Under Mitchell's thumb the bell chimbed dum-de-de-dum-dum-dum . As they waited Mitchell glanced at Ferris. He seemed completely undisturbed, perhaps slightly curious. The door unlatched and swung back. "Mrs. Macklin," Mitchell said quickly, "I'm sure we can help if there is anything wrong with your husband. This is Dr. Ferris. I am Dr. Mitchell." "You had certainly better help him, gentlemen." She stood out of the doorway for them to pass. Mrs. Macklin was an attractive brunette in her late thirties. She wore an expensive yellow dress. And she had a sharp-cornered jawline. The Army officer came out into the hall to meet them. "You are the gentlemen who gave Dr. Macklin the unauthorized injection," he said. It wasn't a question. "I don't like that 'unauthorized'," Ferris snapped. The colonel—Mitchell spotted the eagles on his green tunic—lifted a heavy eyebrow. "No? Are you medical doctors? Are you authorized to treat illnesses?" "We weren't treating an illness," Mitchell said. "We were discovering a method of treatment. What concern is it of yours?" The colonel smiled thinly. "Dr. Macklin is my concern. And everything that happens to him. The Army doesn't like what you have done to him." Mitchell wondered desperately just what they had done to the man. "Can we see him?" Mitchell asked. "Why not? You can't do much worse than murder him now. That might be just as well. We have laws to cover that." The colonel led them into the comfortable, over-feminine living room. Macklin sat in an easy chair draped in embroidery, smoking. Mitchell suddenly realized Macklin used a pipe as a form of masculine protest to his home surroundings. On the coffee table in front of Macklin were some odd-shaped building blocks such as were used in nursery schools. A second uniformed man—another colonel but with the snake-entwined staff of the medical corps in his insignia—was kneeling at the table on the marble-effect carpet. The Army physician stood up and brushed his knees, undusted from the scrupulously clean rug. "What's wrong with him, Sidney?" the other officer asked the doctor. "Not a thing," Sidney said. "He's the healthiest, happiest, most well-adjusted man I've ever examined, Carson." "But—" Colonel Carson protested. "Oh, he's changed all right," the Army doctor answered. "He's not the same man as he used to be." "How is he different?" Mitchell demanded. The medic examined Mitchell and Ferris critically before answering. "He used to be a mathematical genius." "And now?" Mitchell said impatiently. "Now he is a moron," the medic said. III Mitchell tried to stop Colonel Sidney as he went past, but the doctor mumbled he had a report to make. Mitchell and Ferris stared at Colonel Carson and Macklin and at each other. "What did he mean, Macklin is an idiot?" Mitchell asked. "Not an idiot," Colonel Carson corrected primly. "Dr. Macklin is a moron. He's legally responsible, but he's extremely stupid." "I'm not so dumb," Macklin said defensively. "I beg your pardon, sir," Carson said. "I didn't intend any offense. But according to all the standard intelligence tests we have given you, your clinical intelligence quotient is that of a moron." "That's just on book learning," Macklin said. "There's a lot you learn in life that you don't get out of books, son." "I'm confident that's true, sir," Colonel Carson said. He turned to the two biologists. "Perhaps we had better speak outside." "But—" Mitchell said, impatient to examine Macklin for himself. "Very well. Let's step into the hall." Ferris followed them docilely. "What have you done to him?" the colonel asked straightforwardly. "We merely cured him of his headaches," Mitchell said. "How?" Mitchell did his best to explain the F-M Virus. "You mean," the Army officer said levelly "you have infected him with some kind of a disease to rot his brain?" "No, no! Could I talk to the other man, the doctor? Maybe I can make him understand." "All I want to know is why Elliot Macklin has been made as simple as if he had been kicked in the head by a mule," Colonel Carson said. "I think I can explain," Ferris interrupted. "You can?" Mitchell said. Ferris nodded. "We made a slight miscalculation. It appears as if the virus colony overcontrols the supply of posterior pituitary extract in the cerebrum. It isn't more than necessary to stop headaches. But that necessary amount of control to stop pain is too much to allow the brain cells to function properly." "Why won't they function?" Carson roared. "They don't get enough food—blood, oxygen, hemoglobin," Ferris explained. "The cerebral vessels don't contract enough to pump the blood through the brain as fast and as hard as is needed. The brain cells remain sluggish, dormant. Perhaps decaying." The colonel yelled. Mitchell groaned. He was abruptly sure Ferris was correct. The colonel drew himself to attention, fists trembling at his sides. "I'll see you hung for treason! Don't you know what Elliot Macklin means to us? Do you want those filthy Luxemburgians to reach Pluto before we do? Macklin's formula is essential to the FTL engine. You might just as well have blown up Washington, D.C. Better! The capital is replaceable. But the chances of an Elliot Macklin are very nearly once in a human race." "Just a moment," Mitchell interrupted, "we can cure Macklin." "You can ?" Carson said. For a moment Mitchell thought the man was going to clasp his hands and sink to his knees. "Certainly. We have learned to stabilize the virus colonies. We have antitoxin to combat the virus. We had always thought of it as a beneficial parasite, but we can wipe it out if necessary." "Good!" Carson clasped his hands and gave at least slightly at the knees. "Just you wait a second now, boys," Elliot Macklin said. He was leaning in the doorway, holding his pipe. "I've been listening to what you've been saying and I don't like it." "What do you mean you don't like it?" Carson demanded. He added, "Sir?" "I figure you mean to put me back like I used to be." "Yes, doctor," Mitchell said eagerly, "just as you used to be." " With my headaches, like before?" Mitchell coughed into his fist for an instant, to give him time to frame an answer. "Unfortunately, yes. Apparently if your mind functions properly once again you will have the headaches again. Our research is a dismal failure." "I wouldn't go that far," Ferris remarked cheerfully. Mitchell was about to ask his associate what he meant when he saw Macklin slowly shaking his head. "No, sir!" the mathematician said. "I shall not go back to my original state. I can remember what it was like. Always worrying, worrying, worrying." "You mean wondering," Mitchell said. Macklin nodded. "Troubled, anyway. Disturbed by every little thing. How high was up, which infinity was bigger than what infinity—say, what was an infinity anyway? All that sort of schoolboy things. It's peaceful this way. My head doesn't hurt. I've got a good-looking wife and all the money I need. I've got it made. Why worry?" Colonel Carson opened his mouth, then closed it. "That's right, Colonel. There's no use in arguing with him," Mitchell said. "It's not his decision to make," the colonel said. "He's an idiot now." "No, Colonel. As you said, he's a moron. He seems an idiot compared to his former level of intelligence but he's legally responsible. There are millions of morons running around loose in the United States. They can get married, own property, vote, even hold office. Many of them do. You can't force him into being cured.... At least, I don't think you can." "No, I can't. This is hardly a totalitarian state." The colonel looked momentarily glum that it wasn't. Mitchell looked back at Macklin. "Where did his wife get to, Colonel? I don't think that even previously he made too many personal decisions for himself. Perhaps she could influence him." "Maybe," the colonel said. "Let's find her." They found Mrs. Macklin in the dining room, her face at the picture window an attractive silhouette. She turned as the men approached. "Mrs. Macklin," the colonel began, "these gentlemen believe they can cure your husband of his present condition." "Really?" she said. "Did you speak to Elliot about that?" "Y-yes," Colonel Carson said, "but he's not himself. He refused the treatment. He wants to remain in his state of lower intelligence." She nodded. "If those are his wishes, I can't go against them." "But Mrs. Macklin!" Mitchell protested. "You will have to get a court order overruling your husband's wishes." She smoothed an eyebrow with the third finger of her right hand. "That was my original thought. But I've redecided." "Redecided!" Carson burst out almost hysterically. "Yes. I can't go against Elliot's wishes. It would be monstrous to put him back where he would suffer the hell of those headaches once again, where he never had a moment's peace from worry and pressure. He's happy now. Like a child, but happy." "Mrs. Macklin," the Army man said levelly, "if you don't help us restore your husband's mind we will be forced to get a court order declaring him incompetent." "But he is not! Legally, I mean," the woman stormed. "Maybe not. It's a borderline case. But I think any court would give us the edge where restoring the mind of Elliot Macklin was concerned. Once he's certified incompetent, authorities can rule whether Mitchell and Ferris' antitoxin treatment is the best method of restoring Dr. Macklin to sanity." "I doubt very much if the court would rule in that manner," she said. The colonel looked smug. "Why not?" "Because, Colonel, the matter of my husband's health, his very life, is involved." "There is some degree of risk in shock treatments, too. But—" "It isn't quite the same, Colonel. Elliot Macklin has a history of vascular spasm, a mild pseudostroke some years ago. Now you want to give those cerebral arteries back the ability to constrict. To paralyze. To kill. No court would give you that authority." "I suppose there's some chance of that. But without the treatment there is no chance of your husband regaining his right senses, Mrs. Macklin," Mitchell interjected. Her mouth grew petulant. "I don't care. I would rather have a live husband than a dead genius. I can take care of him this way, make him comfortable...." Carson opened his mouth and closed his fist, then relaxed. Mitchell led him back into the hall. "I'm no psychiatrist," Mitchell said, "but I think she wants Macklin stupid. Prefers it that way. She's always dominated his personal life, and now she can dominate him completely." "What is she? A monster?" the Army officer muttered. "No," Mitchell said. "She's an intelligent woman unconsciously jealous of her husband's genius." "Maybe," Carson said. "I don't know. I don't know what the hell to tell the Pentagon. I think I'll go out and get drunk." "I'll go with you," Ferris said. Mitchell glanced sharply at the little biologist. Carson squinted. "Any particular reason, doctor?" "To celebrate," Ferris said. The colonel shrugged. "That's as good a reason as any." On the street, Mitchell watched the two men go off together in bewilderment. IV Macklin was playing jacks. He didn't have a head on his shoulders and he was squatting on a great curving surface that was Spacetime, and his jacks were Earth and Pluto and the rest of the planets. And for a ball he was using a head. Not his head. Mitchell's. Both heads were initialed "M" so it was all the same. Mitchell forced himself to awaken, with some initial difficulty. He lay there, blinking the sleep out of his eyes, listening to his heart race, and then convulsively snatched the telephone receiver from the nightstand. He stabbed out a number with a vicious index finger. After a time there came a dull click and a sleepy answer. "Hello?" Elliot Macklin said. Mitchell smiled to himself. He was in luck; Macklin had answered the phone instead of his wife. "Can you speak freely, doctor?" Mitchell asked. "Of course," the mathematician said. "I can talk fine." "I mean, are you alone?" "Oh, you want to know if my wife is around. No, she's asleep. That Army doctor, Colonel Sidney, he gave her a sedative. I wouldn't let him give me anything, though." "Good boy," the biologist said. "Listen, doctor—Elliot—El, old son. I'm not against you like all the others. I don't want to make you go back to all that worrying and thinking and headaches. You believe me, don't you?" There was a slight hesitation. "Sure," Macklin said, "if you say so. Why shouldn't I believe you?" "But there was a hesitation there, El. You worried for just a second if I could have some reason for not telling you the truth." "I suppose so," Macklin said humbly. "You've found yourself worrying—thinking—about a lot of other problems since we left you, haven't you? Maybe not the same kind of scientific problem. But more personal ones, ones you didn't used to have time to think about." "If you say so." "Now, you know it's so. But how would you like to get rid of those worries just as you got rid of the others?" Mitchell asked. "I guess I'd like that," the mathematician replied. "Then come on over to my laboratory. You remember where it's at, don't you?" "No, I—yes, I guess I do. But how do I know you won't try to put me back where I was instead of helping me more?" "I couldn't do that against your wishes. That would be illegal!" "If you say so. But I don't guess I can come anyway. The Army is watching me pretty close." "That's alright," Mitchell said quickly. "You can bring along Colonel Carson." "But he won't like you fixing me up more." "But he can't stop me! Not if you want me to do it. Now listen to me—I want you to come right on over here, El." "If you say so," Macklin said uncertainly.
train	61242	[ "What is the main conflict at the start?", "What happens after the blast?", "Why does the fact that Finogenov had a wooden desk sent up to space a point of contention for Winship?", "What goes wrong just as Winship makes contact with earth?", "What goes wrong with the calking compound?", "Why do the Americans need to ask the Russians for help?", "What reason would the Russians have to drive the Americans off?", "What is the new problem the American astronauts are left with at the end of the passage?" ]	[ [ "The American astronauts can't get in contact with anyone who speaks English. ", "Winship's reefer stops working properly. ", "The Americans are unable to tell when the scheduled explosion is going off.", "The harsh sunlight is making the astronauts perspire. " ], [ "The Russians are unconcerned, meaning their job went well. ", "The dome is severely damaged. ", "Static prevent the astronauts from contacting anybody anymore. ", "The dome is still standing but suffered a leak, making a new problem. " ], [ "He wished he had the same luxury. The Americans have much less room to work with. ", "He's frustrated with the current situation and is finding himself envious of all the things they don't have. ", "It's too much of an effort to do something like that, making it a waste of time and resources. ", "To him, it's a frivolous display of power and nothing more, especially when materials like aluminum are available. " ], [ "His communications were cut off, and he has no way to talk to Wilkin. ", "He is starting to lose air and needs to have it replaced. ", "He runs out of air and can't breathe. ", "The communications equipment stops working, and the people down at Earth start to worry. " ], [ "It ends up being epoxy resin, which activates and starts melting.", "They're unsure how to read the instructions and mix it incorrectly. ", "It's the wrong substance. Because of the language barrier, the Russians set them off with the wrong barrel. ", "The barrel doesn't fit in the space they need it to. " ], [ "They don't understand the instructions for the compound. ", "They need help fixing the leak. They don't know how to use the calking compound. ", "They need more manpower to help fix the rest of the dome. ", "They need more calking compound to fix the leak. All of what they had has already hardened. " ], [ "The two stations are much too close to one another. ", "They want the sole ability to conduct research on the moon. ", "They know the Americans are ahead of them technology-wise. ", "They don't trust the Americans, the same way Winship distrusts them. " ], [ "The dome has no been compromised. ", "The barrel has destroyed their air supply. ", "The calking compound has hardened and become unusable. ", "They can no longer fix the leek in the dome. " ] ]	[ 3, 4, 4, 2, 1, 4, 2, 2 ]	[ 1, 0, 0, 1, 1, 1, 1, 1 ]	The Winning of the Moon BY KRIS NEVILLE The enemy was friendly enough. Trouble was—their friendship was as dangerous as their hate! [Transcriber's Note: This etext was produced from Worlds of If Science Fiction, September 1962. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] General Finogenov notified Major Winship that the underground blast was scheduled for the following morning. Major Winship, after receiving the message, discussed precautions with the three other Americans. Next morning, before the sunlight exploded, the four of them donned their space suits and went and sat outside the dome, waiting. The sun rose with its bright, silent clap of radiance. Black pools of shadows lay in harsh contrast, their edges drawn with geometric precision. Major Winship attempted unsuccessfully to communicate with Base Gagarin. "Will you please request the general to keep us informed on the progress of the countdown?" "Is Pinov," came the reply. "Help?" " Nyet ," said Major Winship, exhausting his Russian. "Count down. Progress. When—boom?" "Is Pinov," came the reply. "Boom! Boom!" said Major Winship in exasperation. "Boom!" said Pinov happily. "When?" "Boom—boom!" said Pinov. "Oh, nuts." Major Winship cut out the circuit. "They've got Pinov on emergency watch this morning," he explained to the other Americans. "The one that doesn't speak English." "He's done it deliberately," said Capt. Wilkins, the eldest of the four Americans. "How are we going to know when it's over?" No one bothered to respond. They sat for a while in silence while the shadows evaporated. One by one they clicked on their cooling systems. Ultimately, Lt. Chandler said, "This is a little ridiculous. I'm going to switch over to their channel. Rap if you want me." He sat transfixed for several minutes. "Ah, it's all Russian. Jabbering away. I can't tell a thing that's going on." In the airless void of the moon, the blast itself would be silent. A moth's wing of dust would, perhaps, rise and settle beyond the horizon: no more. "Static?" "Nope." "We'll get static on these things." A small infinity seemed to pass very slowly. Major Winship shifted restlessly. "My reefer's gone on the fritz." Perspiration was trickling down his face. "Let's all go in," said the fourth American, Capt. Lawler. "It's probably over by now." "I'll try again," Major Winship said and switched to the emergency channel. "Base Gagarin? Base Gagarin?" "Is Pinov. Help?" " Nyet. " "Pinov's still there," Major Winship said. "Tell him, 'Help'," said Capt. Wilkins, "so he'll get somebody we can talk to." "I'll see them all in hell, first," Major Winship said. Five minutes later, the perspiration was rivers across his face. "This is it," he said. "I'm going in." "Let's all—" "No. I've got to cool off." "Hell, Charlie, I feel stupid sitting out here," Capt. Lawler said. "The shot probably went off an hour ago." "The static level hasn't gone up much, if at all." "Maybe," Lt. Chandler said, "it's buried too deep." "Maybe so," Major Winship said. "But we can't have the dome fall down around all our ears." He stood. "Whew! You guys stay put." He crossed with the floating moon-motion to the airlock and entered, closing the door behind him. The darkness slowly filled with air, and the temperature inside the suit declined steadily. At the proper moment of pressure, the inner lock slid open and Major Winship stepped into the illuminated central area. His foot was lifted for the second step when the floor beneath him rose and fell gently, pitching him forward, off balance. He stumbled against the table and ended up seated beside the radio equipment. The ground moved again. "Charlie! Charlie!" "I'm okay," Major Winship answered. "Okay! Okay!" "It's—" There was additional surface movement. The movement ceased. "Hey, Les, how's it look?" Capt. Wilkins asked. "Okay from this side. Charlie, you still okay?" "Okay," Major Winship said. "We told them this might happen," he added bitterly. There was a wait during which everyone seemed to be holding their breath. "I guess it's over," said Major Winship, getting to his feet. "Wait a bit more, there may be an after-shock." He switched once again to the emergency channel. "Is Pinov," came the supremely relaxed voice. "Help?" Major Winship whinnied in disgust. " Nyet! " he snarled. To the other Americans: "Our comrades seem unconcerned." "Tough." They began to get the static for the first time. It crackled and snapped in their speakers. They made sounds of disapproval at each other. For a minute or two, static blanked out the communications completely. It then abated to something in excess of normal. "Well," Lt. Chandler commented, "even though we didn't build this thing to withstand a moonquake, it seems to have stood up all right." "I guess I was just—" Major Winship began. "Oh, hell! We're losing pressure. Where's the markers?" "By the lug cabinet." "Got 'em," Major Winship said a moment later. He peeled back a marker and let it fall. Air currents whisked it away and plastered it against a riveted seam of the dome. It pulsed as though it were breathing and then it ruptured. Major Winship moved quickly to cut out the emergency air supply which had cut in automatically with the pressure drop. "You guys wait. It's on your right side, midway up. I'll try to sheet it." He moved for the plastic sheeting. "We've lost about three feet of calk out here," Capt. Lawler said. "I can see more ripping loose. You're losing pressure fast at this rate." Major Winship pressed the sheeting over the leak. "How's that?" "Not yet." "I don't think I've got enough pressure left to hold it, now. It's sprung a little, and I can't get it to conform over the rivet heads." There was a splatter of static. "Damn!" Major Winship said, "they should have made these things more flexible." "Still coming out." "Best I can do." Major Winship stepped back. The sheet began slowly to slide downward, then it fell away completely and lay limply on the floor. "Come on in," he said dryly. With the four of them inside, it was somewhat cramped. Most of the five hundred square feet was filled with equipment. Electrical cables trailed loosely along the walls and were festooned from the ceiling, radiating from the connections to the outside solar cells. The living space was more restricted than in a submarine, with the bunks jutting out from the walls about six feet from the floor. Lt. Chandler mounted one of the bunks to give them more room. "Well," he said wryly, "it doesn't smell as bad now." "Oops," said Major Winship. "Just a second. They're coming in." He switched over to the emergency channel. It was General Finogenov. "Major Winship! Hello! Hello, hello, hello. You A Okay?" "This is Major Winship." "Oh! Excellent, very good. Any damage, Major?" "Little leak. You?" "Came through without damage." General Finogenov paused a moment. When no comment was forthcoming, he continued: "Perhaps we built a bit more strongly, Major." "You did this deliberately," Major Winship said testily. "No, no. Oh, no, no, no, no. Major Winship, please believe me. I very much regret this. Very much so. I am very distressed. Depressed. After repeatedly assuring you there was no danger of a quake—and then to have something like this happen. Oh, this is very embarrassing to me. Is there anything at all we can do?" "Just leave us alone, thank you," Major Winship said and cut off the communication. "What'd they say?" Capt. Wilkins asked. "Larry, General Finogenov said he was very embarrassed by this." "That's nice," Lt. Chandler said. "I'll be damned surprised," Major Winship said, "if they got any seismic data out of that shot.... Well, to hell with them, let's get this leak fixed. Skip, can you get the calking compound?" "Larry, where's the inventory?" "Les has got it." Lt. Chandler got down from the bunk and Capt. Wilkins mounted. "Larry," Major Winship said, "why don't you get Earth?" "Okay." Capt. Wilkins got down from the bunk and Capt. Lawler ascended. "Got the inventory sheet, Les?" "Right here." Squeezed in front of the massive transmitter, Capt. Wilkins had energized the circuits. There was a puzzled look on his face. He leaned his helmet against the speaker and then shook his head sadly. "We can't hear anything without any air." Major Winship looked at the microphone. "Well, I'll just report and—" He started to pick up the microphone and reconsidered. "Yes," he said. "That's right, isn't it." Capt. Wilkins flicked off the transmitter. "Some days you don't mine at all," he said. "Les, have you found it?" "It's around here somewhere. Supposed to be back here." "Well, find it." Lt. Chandler began moving boxes. "I saw it—" "Skip, help look." Capt. Lawler got down from the bunk and Major Winship mounted. "We haven't got all day." A few minutes later, Lt. Chandler issued the triumphant cry. "Here it is! Dozen tubes. Squeeze tubes. It's the new stuff." Major Winship got down and Capt. Wilkins got up. "Marker showed it over here," Major Winship said, inching over to the wall. He traced the leak with a metallic finger. "How does this stuff work?" Capt. Lawler asked. They huddled over the instruction sheet. "Let's see. Squeeze the tube until the diaphragm at the nozzle ruptures. Extrude paste into seam. Allow to harden one hour before service." Major Winship said dryly, "Never mind. I notice it hardens on contact with air." Capt. Wilkins lay back on the bunk and stared upward. He said, "Now that makes a weird kind of sense, doesn't it?" "How do they possibly think—?" "Gentlemen! It doesn't make any difference," Lt. Chandler said. "Some air must already have leaked into this one. It's hard as a rock. A gorilla couldn't extrude it." "How're the other ones?" asked Major Winship. Lt. Chandler turned and made a quick examination. "Oh, they're all hard, too." "Who was supposed to check?" demanded Capt. Wilkins in exasperation. "The only way you can check is to extrude it," Lt. Chandler said, "and if it does extrude, you've ruined it." "That's that," Major Winship said. "There's nothing for it but to yell help." II Capt. Lawler and Lt. Chandler took the land car to Base Gagarin. The Soviet base was situated some ten miles toward sunset at the bottom of a natural fold in the surface. The route was moderately direct to the tip of the gently rolling ridge. At that point, the best pathway angled left and made an S-shaped descent to the basin. It was a one-way trip of approximately thirty exhausting minutes. Major Winship, with his deficient reefer, remained behind. Capt. Wilkins stayed for company. "I want a cigarette in the worst way," Capt. Wilkins said. "So do I, Larry. Shouldn't be more than a couple of hours. Unless something else goes wrong." "As long as they'll loan us the calking compound," Capt. Wilkins said. "Yeah, yeah," Major Winship said. "Let's eat." "You got any concentrate? I'm empty." "I'll load you," Capt. Wilkins volunteered wearily. It was an awkward operation that took several minutes. Capt. Wilkins cursed twice during the operation. "I'd hate to live in this thing for any period." "I think these suits are one thing we've got over the Russians," Major Winship said. "I don't see how they can manipulate those bulky pieces of junk around." They ate. "Really horrible stuff." "Nutritious." After the meal, Major Winship said reflectively, "Now I'd like a cup of hot tea. I'm cooled off." Capt. Wilkins raised eyebrows. "What brought this on?" "I was just thinking.... They really got it made, Larry. They've got better than three thousand square feet in the main dome and better than twelve hundred square feet in each of the two little ones. And there's only seven of them right now. That's living." "They've been here six years longer, after all." "Finogenov had a clay samovar sent up. Lemon and nutmeg, too. Real, by God, fresh lemons for the tea, the last time I was there. His own office is about ten by ten. Think of that. One hundred square feet. And a wooden desk. A wooden desk. And a chair. A wooden chair. Everything big and heavy. Everything. Weight, hell. Fifty pounds more or less—" "They've got the power-plants for it." "Do you think he did that deliberately?" Major Winship asked. "I think he's trying to force us off. I think he hoped for the quake. Gagarin's built to take it, I'll say that. Looks like it, anyhow. You don't suppose they planned this all along? Even if they didn't, they sure got the jump on us again, didn't they? I told you what he told me?" "You told me," Capt. Wilkins said. After a moment, Major Winship said bitterly, "To hell with the Russian engineer." "If you've got all that power...." "That's the thing. That's the thing that gripes me, know what I mean? It's just insane to send up a heavy wooden desk. That's showing off. Like a little kid." "Maybe they don't make aluminum desks." "They've—got—aluminum. Half of everything on the whole planet is aluminum. You know they're just showing off." "Let me wire you up," Capt. Wilkins said. "We ought to report." "That's going to take awhile." "It's something to do while we wait." "I guess we ought to." Major Winship came down from the bunk and sat with his back toward the transmitter. Capt. Wilkins slewed the equipment around until the emergency jacks were accessible. He unearthed the appropriate cable and began unscrewing the exterior plate to the small transmitter-receiver set on Major Winship's back. Eventually, trailing wires, Major Winship was coupled into the network. "Okay?" "Okay," Major Winship gestured. They roused Earth. "This is Major Charles Winship, Commanding Officer, Freedom 19, the American moonbase." At this point, Major Winship observed for the first time that he was now on emergency air. He started to ask Capt. Wilkins to change his air bottle, but then he realized his communications were cut off. He reached over and rapped Capt. Wilkins' helmet. "This is the Cape. Come in, Major Winship." "Just a moment." "Is everything all right?" Major Winship was squirming nervously, obviously perturbed. "A-Okay," he said. "Just a moment." "What's wrong?" came the worried question. In the background, he heard someone say, "I think there's something wrong." Capt. Wilkins peered intently. Major Winship contorted his face in a savage grimace. Capt. Wilkins raised his eyebrows in alarm. They were face to face through their helmets, close together. Each face appeared monstrously large to the other. Major Winship made a strangling motion and reached for his throat. One arm tangled a cable and jerked the speaker jack loose. Major Winship could no longer hear the alarmed expressions from the Cape. The effort was not entirely subvocal, since he emitted a little gasping cry in involuntary realism. This, in the course of some 90 seconds, was transmitted to Earth. Capt. Wilkins's lips were desperately forming the word "Leak?" Air, Major Winship said silently. Leak? Bottle! Bottle! Bottle! It was a frog-like, unvocal expletive. Comprehension dawned. Capt. Wilkins nodded and started to turn away. Major Winship caught his arm and nodded his head toward the loose jack. Oh. Capt. Wilkins nodded and smiled. He reached across and plugged the speaker in again. "... Freedom 19! Hello, Freedom 19! Come in!" "We're here," Major Winship said. "All right? Are you all right?" "We're all right. A-Okay." Major Winship, mindful of the extent of his potential audience, took a deep breath. "Earlier this morning, the Soviet Union fired an underground atomic device for the ostensible purpose of investigating the composition of the lunar mass by means of seismic analysis of the resultant shock waves. This was done in spite of American warnings that such a disturbance might release accumulated stresses in the long undisturbed satellite, and was done in the face of vigorous American protests." Capt. Wilkins tapped his helmet and gestured for him to swivel around. The turn was uncomfortably tight and complicated by the restraining cables. Capt. Wilkins began replacement of the air bottle. "These protests have proved well founded," Major Winship continued. "Immediately following the detonation, Freedom 19 was called on to withstand a moderately severe shifting of the Lunar surface. No personnel were injured and there was no equipment damage." Capt. Wilkins tapped his shoulder to indicate the new air bottle was being inserted. Another tap indicated it was seated. Major Winship flicked the appropriate chest button and nodded in appreciation. "However," he continued, "we did experience a minor leak in the dome, which is presently being repaired." "The Soviet Union," came the reply, "has reported the disturbance and has tendered their official apology. You want it?" "It can wait until later. Send it by mail for all I care. Vacuum has destroyed our organic air reconditioner. We have approximately three weeks of emergency air. However, Base Gagarin reports no damage, so that, in the event we exhaust our air, we will be able to obtain the necessary replacement." The wait of a little better than three seconds for the response gave the conversation a tone of deliberation. A new voice came on. "We tried to contact you earlier, Major. We will be able to deliver replacements in about ten days." "I will forward a coded report on the occurrence," Major Winship said. "Let us hear from you again in ... about three hours. Is the leak repaired?" "The leak has not yet been repaired. Over and out." He nodded to Capt. Wilkins and leaned back. Methodically, Capt. Wilkins set about disconnecting the major from the transmitter. "Wow!" said Major Winship when he was once more in communication. "For a moment there, I thought...." "What?" Capt. Wilkins asked with interest. "I could see myself asking them to ask the Russians to ask Finogenov to get on the emergency channel to ask you to charge the air bottle. I never felt so ... idiotic is not quite strong enough ... there for a minute in my whole life. I didn't know how much emergency air was left, and I thought, my God, I'll never live this down. All the hams in the world listening, while I try to explain the situation. I could see the nickname being entered in my files: aka. The Airless Idiot. I tell you, that was rough." III Capt. Lawler and Lt. Chandler returned with the calking compound. It occupied the rear section of the land car. Lt. Chandler sat atop it. It was a fifty-five gallon drum. The airlock to Freedom 19 was open. "What is that ?" asked Major Winship, squinting out into the glaring sunlight. "That," said Capt. Lawler, "is the calking compound." "You're kidding," said Capt. Wilkins. "I am not kidding." Capt. Lawler and Lt. Chandler came inside. Capt. Wilkins mounted a bunk. "Why didn't you just borrow a cupful?" Major Winship said sarcastically. "It's this way," Lt. Chandler said. "They didn't have anything but 55-gallon drums of it." "Oh, my," said Capt. Wilkins. "I suppose it's a steel drum. Those things must weigh...." "Actually, I think you guys have got the general wrong," Capt. Lawler said. "He was out, himself, to greet us. I think he was really quite upset by the quake. Probably because his people had misfigured so bad." "He's too damned suspicious," Major Winship said. "You know and I know why they set that blast off. I tried to tell him. Hell. He looks at me like an emasculated owl and wants to know our ulterior motive in trying to prevent a purely scientific experiment, the results of which will be published in the technical press for the good of everybody. I'll bet!" "About this drum," Capt. Wilkins said. "Well, like I said, it's this way," Lt. Chandler resumed. "I told him we needed about a pint. Maybe a quart. But this stuff you have to mix up. He only had these drums. There's two parts to it, and you have to combine them in just the right proportion. He told me to take a little scale—" "A little scale?" asked Capt. Wilkins, rolling his eyes at the dome. "That's what I told him. We don't have any little scale." "Yeah," said Captain Lawler, "and he looked at us with that mute, surprised look, like everybody, everywhere has dozens of little scales." "Well, anyway," Lt. Chandler continued, "he told us just to mix up the whole fifty-five gallon drum. There's a little bucket of stuff that goes in, and it's measured just right. We can throw away what we don't need." "Somehow, that sounds like him," Major Winship said. "He had five or six of them." "Jesus!" said Capt. Wilkins. "That must be three thousand pounds of calking compound. Those people are insane." "The question is," Capt. Lawler said, "'How are we going to mix it?' It's supposed to be mixed thoroughly." They thought over the problem for a while. "That will be a man-sized job," Major Winship said. "Let's see, Charlie. Maybe not too bad," said Capt. Wilkins. "If I took the compressor motor, we could make up a shaft and ... let's see ... if we could...." It took the better part of an hour to rig up the electric mixer. Capt. Wilkins was profusely congratulated. "Now," Major Winship said, "we can either bring the drum inside or take the mixer out there." "We're going to have to bring the drum in," Capt. Wilkins said. "Well," said Capt. Lawler, "that will make it nice and cozy." It took the four of them to roll the drum inside, rocking it back and forth through the airlock. At that time, it was apparent the table was interposing itself. Lt. Chandler tried to dismantle the table. "Damn these suits," he said. "You've got it stuck between the bunk post." "I know that." "I don't think this is the way to do it," Major Winship said. "Let's back the drum out." Reluctantly, they backed the drum out and deposited it. With the aid of Capt. Lawler, Lt. Chandler got the table unstuck. They passed it over to Major Winship, who handed it out to Capt. Wilkins. Captain Wilkins carried it around the drum of calking compound and set it down. It rested uneasily on the uneven surface. "Now, let's go," said Major Winship. Eventually, they accomplished the moving. They wedged the drum between the main air-supply tank and the transmitter. They were all perspiring. "It's not the weight, it's the mass," said Capt. Wilkins brightly. "The hell it isn't the weight," said Lt. Chandler. "That's heavy." "With my reefer out," said Major Winship, "I'm the one it's rough on." He shook perspiration out of his eyes. "They should figure a way to get a mop in here, or a towel, or a sponge, or something. I'll bet you've forgotten how much sweat stings in the eyes." "It's the salt." "Speaking of salt. I wish I had some salt tablets," Major Winship said. "I've never sweat so much since basic." "Want to bet Finogenov hasn't got a bushel of them?" "No!" Major Winship snapped. With the drum of calking compound inside, both Capt. Lawler and Lt. Chandler retreated to the bunks. Capt. Wilkins maneuvered the mixing attachment. "I feel crowded," he said. "Cozy's the word." "Watch it! Watch it! You almost hit me in the face plate with that!" "Sorry." At length the mixer was in operation in the drum. "Works perfectly," said Capt. Wilkins proudly. "Now what, Skip? The instructions aren't in English." "You're supposed to dump the bucket of stuff in. Then clean the area thoroughly around the leak." "With what?" asked Major Winship. "Sandpaper, I guess." "With sandpaper?" Major Winship said, emptying the bucket of fluid into the drum. "We don't have any sandpaper." "It's been a long day," Capt. Wilkins said. "Mix it thoroughly," Lt. Chandler mused. "I guess that means let it mix for about ten minutes or so. Then you apply it. It sets for service in just a little bit, Finogenov said. An hour or so, maybe." "I hope this doesn't set on exposure to air." "No," Capt. Lawler said. "It sets by some kind of chemical action. General Finogenov wasn't sure of the English name for it. Some kind of plastic." "Let's come back to how we're going to clean around the leak," Major Winship said. "Say, I—" interrupted Capt. Wilkins. There was a trace of concern in his voice. "This is a hell of a time for this to occur to me. I just wasn't thinking, before. You don't suppose it's a room-temperature-curing epoxy resin, do you? " "Larry," said Major Winship, "I wouldn't know a room-temperature-curing epoxy resin from—" "Hey!" exclaimed Capt. Wilkins. "The mixer's stopped." He bent forward and touched the drum. He jerked back. "Ye Gods! that's hot! And it's harder than a rock! It is an epoxy! Let's get out of here." "Huh?" "Out! Out!" Major Winship, Lt. Chandler, and Capt. Lawler, recognizing the sense of urgency, simultaneously glanced at the drum. It was glowing cherry red. "Let's go!" Capt. Wilkins said. He and the Major reached the airlock at the same time and became temporarily engaged with each other. Movement was somewhat ungainly in the space suits under the best of conditions, and now, with the necessity for speed, was doubly so. The other two crashed into them from behind, and they spewed forth from the dome in a tangle of arms and legs. At the table, they separated, two going to the left, two to the right. The table remained untouched. When they halted, Capt. Wilkins said, "Get to one side, it may go off like shrapnel." They obeyed. "What—what—what?" Capt. Lawler stuttered. They were still separated, two on one side of the airlock, two on the other. "I'm going to try to look," Capt. Wilkins said. "Let me go." He lumbered directly away from the dome for a distance of about fifteen feet, then turned and positioned himself, some five feet behind the table, on a line of sight with the airlock. "I can see it," he said. "It's getting redder. It's ... it's ... melting, yes. Melting down at the bottom a little. Now it's falling over to one side and laying on the air tank. The air tank is getting red, too. I'm afraid ... it's weakening it.... Redder. Oh, oh." "What?" said Capt. Lawler. "Watch out! There. There! " Capt. Wilkins leaped from his position. He was still floating toward the ground when there was an incredibly bright flare from inside the dome, and a great, silent tongue of flame lashed through the airlock and rolled across the lunar surface. The table was sent tumbling. The flame was gone almost instantly. "There went the air," Capt. Lawler commented. "We got T-Trouble," said Lt. Chandler.
train	62198	[ "What is the purpose of the Orthan taking over a human host?", "Lew's memories are intermingling with Thigs, making him feel what?", "What is the major difference between Orthan and Earth culture that appeals to Thig?", "Why does Thig change his mind about the invasion?", "What saves Thig life in his fight with Torp?", "What ultimately brings Torp down?", "Why is Thig's return to Earth bittersweet?", "Why does Thig leave a note at Torp's desk?", "What was it that ultimately converted Thig to being human?" ]	[ [ "To get the full human experience, and understand what makes the planet worthwhile. ", "To investigate the planet without vslling attention, and determine if it's worth colonizing. ", "To assimilate the human host into the Hord, and add to it their knowledge. ", "To examine the memories of the human host, and see what knowledge they have. " ], [ "Worry. He begins to worry that he won't be able to separate from Lew properly later on. ", "Discontent with his regular life as he becomes more enamored with Earth life. ", "Anger at that state of Orthan civilization. ", "Worry. He worries that the Hord will no longer accept him when he returns. " ], [ "Earth people wear clothing, where Orthan people wear none. ", "Orthan people are unsentimental, and after experiencing emotion Thig wants to be rid of it. ", "Earth people enjoy a much more lush planet, with more things to enjoy. ", "Earth people are individuals, capable of making their own decisions in life. " ], [ "He remembers Ellen and the love he felt, and doesn't want to leave. ", "He has forgotten why he lives for the Hord. ", "He contracted a disease while on Earth that's making him make wild decisions. ", "He is fearful that Earth's influence will affect the Orthan as it did him. " ], [ "Torp did not have the strength to kill him, despite hitting him for some time. ", "Thip's body had been left last to be disposed of. ", "Torp allowed his rage to blind him, so he did not realize he left Thig alive. ", "Torp wants to investigate his body for diseases before killing him. " ], [ "He went mad from the same disease that's afflicting Thip. ", "Thip shoots him with a blaster before he can comprehend what happened. ", "His own madness. His overly trained mind can't handle the new circumstances. ", "He was never trained for a situation like this. He's not able to keep up with Thip. " ], [ "His Orthan background will always be at odds with his new life. ", "It's grueling to remember what he did to Terry, and to always have to be him now. ", "Though he wants it, he'll never truly belong. He'll always be an otherworlder. ", "He misses his life as an Orthan, even though he's come to enjoy Earth. " ], [ "He wants to make sure no one comes to invade Earth, and have reason to fear doing so. ", "He wants to warn the other Orthans about the potential dangers of Earth. ", "He wants someone to understand what had happened. ", "He feels badly about killing Kam and Torp, and wants to leave a final message on their behalf. " ], [ "Lewis Terry. Lewis's mind took over his completely. ", "Disease. It was as Torp suspected. Being on Earth affected him too deeply. ", "Comfort. Earth culture is not nearly as controlling as Orthan culture. ", "Love. Love for his new family, and the uncertainties of human life. " ] ]	[ 2, 2, 4, 1, 3, 2, 3, 1, 4 ]	[ 0, 1, 0, 1, 0, 1, 1, 1, 0 ]	QUEST OF THIG By BASIL WELLS Thig of Ortha was the vanguard of the conquering "HORDE." He had blasted across trackless space to subdue a defenseless world—only to meet on Earth emotions that were more deadly than weapons. [Transcriber's Note: This etext was produced from Planet Stories Fall 1942. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] Thig carefully smoothed the dark sand and seaweed of the lonely beach over the metal lid of the flexible ringed tunnel that linked the grubby ship from another planet with the upper air. He looked out across the heaving waters of the Sound toward Connecticut. He stared appraisingly around at the luxuriant green growth of foliage further inland; and started toward the little stretch of trees and brush, walking carefully because of the lesser gravitation. Thig was shorter than the average Earthman—although on Ortha he was well above the average in height—but his body was thick and powerfully muscled. His skull was well-shaped and large; his features were regular, perhaps a trifle oversize, and his hair and eyes were a curiously matching blend of reddish brown. Oddest of all, he wore no garments, other than the necessary belt and straps to support his rod-like weapon of white metal and his pouches for food and specimens. The Orthan entered the narrow strip of trees and crossed to the little-used highway on the other side. Here he patiently sat down to wait for an Earthman or an Earthwoman to pass. His task now was to bring a native, intact if possible, back to the carefully buried space cruiser where his two fellows and himself would drain the creature's mentality of all its knowledge. In this way they could learn whether a planet was suited for colonization by later swarms of Orthans. Already they had charted over a hundred celestial bodies but of them all only three had proven worthy of consideration. This latest planet, however, 72-P-3 on the chart, appeared to be an ideal world in every respect. Sunlight, plenty of water and a dense atmospheric envelope made of 72-P-3 a paradise among planets. The explorer from another world crouched into the concealment of a leafy shrub. A creature was approaching. Its squat body was covered with baggy strips of bluish cloth and it carried a jointed rod of metal and wood in its paw. It walked upright as did the men of Ortha. Thig's cold eyes opened a trifle wider as he stared into the thing's stupid face. It was as though he was looking into a bit of polished metal at the reflection of himself! The Earthman was opposite now and he must waste no more precious time. The mighty muscles of the Orthan sent him hurtling across the intervening space in two prodigious bounds, and his hands clamped across the mouth and neck of the stranger.... Lewis Terry was going fishing. For a week the typewriter mill that had ground out a thousand assorted yarns of the untamed West and the frigid desolation of the Northwoods had been silent. Lewis wondered if he was going stale. He had sat every day for eight hours in front of that shiny-buttoned bane of the typist, but there were no results. Feebly he had punched a key two days ago and a $ sign had appeared. He hadn't dared touch the machine since. For Mr. Terry, that hard-hitting writer of two-gun action, had never been further west of Long Island than Elizabeth, and he had promised his wife, Ellen, that he would take the three children and herself on a trailer tour of the West that very summer. Since that promise, he could not write a word. Visions of whooping red-skinned Apaches and be-chapped outlaws raiding his little trailer home kept rolling up out of his subconscious. Yet he had to write at least three novelets and a fistful of short stories in the next two weeks to finance the great adventure—or the trip was off. So Lewis left the weathered old cottage in the early dawn and headed for his tubby old boat at the landing in an attempt to work out a salable yarn.... "Hey!" he shouted as a naked man sprang out of the bushes beside the road. "What's the trouble?" Then he had no time for further speech, the massive arms of the stranger had wound around him and two hamlike hands shut off his speech and his wind. He fought futilely against trained muscles. The hand clamping his throat relaxed for a moment and hacked along the side of his head. Blackness flooded the brain of Lewis, and he knew no more. "There it is," announced Thig, dropping the limp body of the captured Earthman to the metal deck-plates. "It is a male of the species that must have built the cities we saw as we landed." "He resembles Thig," announced Kam. "But for the strange covering he wears he might be Thig." "Thig will be this creature!" announced Torp. "With a psychic relay we will transfer the Earthman's memories and meager store of knowledge to the brain of Thig! He can then go out and scout this world without arousing suspicion. While he is gone, I will take Kam and explore the two inner planets." "You are the commander," said Thig. "But I wish this beast did not wear these clumsy sheathing upon his body. On Ortha we do not hamper the use of our limbs so." "Do not question the word of your commander," growled Torp, swelling out his thick chest menacingly. "It is for the good of our people that you disguise yourself as an Earthman." "For the good of the Horde," Thig intoned almost piously as he lifted Terry's body and headed for the laboratory. Service for the Horde was all that the men of Ortha knew. Carefully cultured and brought to life in the laboratories of their Horde, they knew neither father nor mother. Affection and love were entirely lacking in their early training and later life. They were trained antlike from childhood that only the growth and power of the Horde were of any moment. Men and women alike toiled and died like unfeeling robots of flesh and bone for the Horde. The Horde was their religion, their love-life, their everything! So it was that the bodies of the Earthman and the Orthan were strapped on two parallel tables of chill metal and the twin helmets, linked to one another by the intricacies of the psychic relay, put upon their heads. For ten hours or more the droning hum of the relay sucked Terry's brain dry of knowledge. The shock upon the nervous system of the Earthman proved too violent and his heart faltered after a time and stopped completely. Twice, with subtle drugs they restored pseudo-life to his body and kept the electrical impulses throbbing from his tortured brain, but after the third suspension of life Thig removed his helmet. "There is nothing more to learn," he informed his impassive comrades. "Now, let us get on with the plastic surgery that is required. My new body must return to its barbaric household before undue attention is aroused. And when I return I will take along some of the gleaming baubles we found on the red planet—these people value them highly." An hour later, his scars and altered cartilage already healed and painless, Thig again scraped sand over the entrance to the space ship and set out along the moonlit beach toward the nearest path running inland to his home. Memory was laying the country bare about him, Terry's own childhood memories of this particular section of Long Island. Here was the place where Jake and Ted had helped him dig for the buried treasure that old 'Notch-ear' Beggs had told them so exactly about. Remembrance of that episode gave Thig an idea about the little lump of jewels in his pocket. He had found them in a chest along the beach! He was coming up on the porch now and at the sound of his foot on the sagging boards the screen door burst open and three little Earth-creatures were hugging at his legs. An odd sensation, that his acquired memories labeled as pleasure, sent a warm glow upward from around his heart. Then he saw the slender red-haired shape of a woman, the mate of the dead man he knew, and confusion struck his well-trained brain. Men had no mates on Ortha, sex had been overthrown with all the other primitive impulses of barbarism; so he was incapable of understanding the emotions that swept through his acquired memory. Unsteadily he took her in his arms and felt her warm lips pressed, trembling, against his own. That same hot wave of pulsing blood choked achingly up into his throat. "Lew, dear," Ellen was asking, "where have you been all day? I called up at the landing but you were not there. I wanted to let you know that Saddlebag Publications sent a check for $50 for "Reversed Revolvers" and three other editors asked for shorts soon." "Shoulda got a hundred bucks for that yarn," grunted Thig, and gasped. For the moment he had been Lewis Terry and not Thig! So thoroughly had he acquired the knowledge of Terry that he found himself unconsciously adopting the thinking and mannerism of the other. All the better this way, he realized—more natural. "Sorry I was late," he said, digging into his pocket for the glittering baubles, "but I was poking around on the beach where we used to hunt treasure and I found an old chest. Inside it I found nothing but a handful of these." He flashed the jewels in front of Ellen's startled eyes and she clung, unbelieving, to his arm. "Why, Lew," she gasped, "they're worth a fortune! We can buy that new trailer now and have a rebuilt motor in the car. We can go west right away.... Hollywood, the Grand Canyon, cowboys!" "Uh huh," agreed the pseudo Lewis, memories of the ferocious savages and gunmen of his stories rendering him acutely unhappy. Sincerely he hoped that the west had reformed. "I saved some kraut and weiners," Ellen said. "Get washed up while I'm warming them up. Kids ate all the bread so I had to borrow some from the Eskoes. Want coffee, too?" "Mmmmmm," came from the depths of the chipped white wash-basin. "Home again," whispered Ellen as she stood beside Thig twelve weeks later and gazed tearfully at the weathered little gray house. She knelt beside the front stoop and reached for the key hidden beneath it. "The west was wonderful; tremendous, vast and beautiful," she went on as they climbed the steps, "but nowhere was there any place as beautiful as our own little strip of sky and water." Thig sank into a dusty old swing that hung on creaking chains from the exposed rafters of the porch roof. He looked down at the dusty gray car and the bulbous silvery bulk of the trailer that had been their living quarters for almost three months. Strange thoughts were afloat in the chaos of his cool Orthan brain. Tonight or tomorrow night at the latest he must contact his two fellows and report that Earth was a planetary paradise. No other world, including Ortha, was so well-favored and rich. An expeditionary force to wipe the grotesque civilizations of Earth out of existence would, of course, be necessary before the first units of new Hordes could be landed. And there Thig balked. Why must they destroy these people, imperfect though their civilization might be, to make room for the Hordes? Thig tried to tell himself that it was the transmitted thoughts of the dead Earthman that made him feel so, but he was not too sure. For three months he had lived with people who loved, hated, wept and sacrificed for reasons that he had never known existed. He had learned the heady glory of thinking for himself and making his own decisions. He had experienced the primitive joy of matching his wits and tongue against the wits of other unpredictable human beings. There was no abrupt division of men and women into definite classes of endeavor. A laborer thought the same thoughts that a governor might think. Uncertainty added zest to every day's life. The Orthan had come to question the sole devotion of the individual to the Horde to the exclusion of all other interests. What, he wondered, would one new world—or a hundred—populated by the Hordes add to the progress of humanity? For a hundred thousand years the Orthan civilization had remained static, its energies directed into certain well-defined channels. They were mindless bees maintaining their vast mechanical hives. There was that moment on the brink of the Grand Canyon when Ellen had caught his arm breathlessly at all the beauty spread away there beneath them. There were mornings in the desert when the sun painted in lurid red the peaks above the harsh black-and-whites of the sagebrush and cactus slopes. There was the little boy, his body burning with fever, who nestled trustingly against his tense man's body and slept—the son of Ellen and the man he had destroyed. Thig groaned. He was a weakling to let sentimentality so get the better of his judgment. He would go now to the space ship and urge them to blast off for Ortha. He sprang off the porch and strode away down the road toward the beach. The children ran to him; wanted to go along. He sent them away harshly but they smiled and waved their brown little hands. Ellen came to the door and called after him. "Hurry home, dear," she said. "I'll have a bite ready in about an hour." He dared not say anything, for his voice would have broken and she would have known something was wrong. She was a very wise sort of person when something was troubling him. He waved his stubby paw of a hand to show that he had heard, and blindly hurried toward the Sound. Oddly enough, as he hurried away along the narrow path through the autumn woods, his mind busied itself with a new epic of the west that lived no longer. He mentally titled it: "Rustlers' Riot" and blocked in the outlines of his plot. One section of his brain was that of the careless author of gunslinging yarns, a section that seemed to be sapping the life from his own brain. He knew that the story would never be written, but he toyed with the idea. So far had Thig the emotionless, robot-being from Ortha drifted from the unquestioning worship of the Horde! "You have done well," announced Torp when Thig had completed his report on the resources and temperatures of various sections of Terra. "We now have located three worlds fit for colonization and so we will return to Ortha at once. "I will recommend the conquest of this planet, 72-P-3 at once and the complete destruction of all biped life upon it. The mental aberrations of the barbaric natives might lead to endless complications if they were permitted to exist outside our ordered way of life. I imagine that three circuits of the planet about its primary should prove sufficient for the purposes of complete liquidation." "But why," asked Thig slowly, "could we not disarm all the natives and exile them on one of the less desirable continents, Antarctica for example or Siberia? They are primitive humans even as our race was once a race of primitives. It is not our duty to help to attain our own degree of knowledge and comfort?" "Only the good of the Horde matters!" shouted Torp angrily. "Shall a race of feeble-witted beasts, such as these Earthmen, stand in the way of a superior race? We want their world, and so we will take it. The Law of the Horde states that all the universe is ours for the taking." "Let us get back to Ortha at once, then," gritted out Thig savagely. "Never again do I wish to set foot upon the soil of this mad planet. There are forces at work upon Earth that we of Ortha have long forgotten." "Check the blood of Thig for disease, Kam," ordered Torp shortly. "His words are highly irrational. Some form of fever perhaps native to this world. While you examine him I will blast off for Ortha." Thig followed Kam into the tiny laboratory and found a seat beside the squat scientist's desk. His eyes roamed over the familiar instruments and gauges, each in its own precise position in the cases along the walls. His gaze lingered longest on the stubby black ugliness of a decomposition blaster in its rack close to the deck. A blast of the invisible radiations from that weapon's hot throat and flesh or vegetable fiber rotted into flaky ashes. The ship trembled beneath their feet; it tore free from the feeble clutch of the sand about it, and they were rocketing skyward. Thig's broad fingers bit deep into the unyielding metal of his chair. Suddenly he knew that he must go back to Earth, back to Ellen and the children of the man he had helped destroy. He loved Ellen, and nothing must stand between them! The Hordes of Ortha must find some other world, an empty world—this planet was not for them. "Turn back!" he cried wildly. "I must go back to Earth. There is a woman there, helpless and alone, who needs me! The Horde does not need this planet." Kam eyed him coldly and lifted a shining hypodermic syringe from its case. He approached Thig warily, aware that disease often made a maniac of the finest members of the Horde. "No human being is more important than the Horde," he stated baldly. "This woman of whom you speak is merely one unit of the millions we must eliminate for the good of the Horde." Then it was that Thig went berserk. His fists slashed into the thick jaw of the scientist and his fingers ripped at the hard cords overlying the Orthan's vital throat tubes. His fingers and thumb gouged deep into Kam's startled throat and choked off any cry for assistance before it could be uttered. Kam's hand swept down to the holster swung from his intricate harness and dragged his blaster from it. Thig's other hand clamped over his and for long moments they swayed there, locked together in silent deadly struggle. The fate of a world hung in the balance as Kam's other hand fought against that lone arm of Thig. The scales swung in favor of Kam. Slowly the flaring snout of his weapon tilted upward until it reached the level of Thig's waist. Thig suddenly released his grip and dragged his enemy toward him. A sudden reversal of pressure on Kam's gun hand sent the weapon swivelling about full upon its owner's thick torso. Thig's fingers pressed down upon Kam's button finger, down upon the stud set into the grip of the decomposition blaster, and Kam's muscles turned to water. He shrieked. Before Thig's eyes half of his comrade's body sloughed away into foul corruption that swiftly gave way to hardened blobs of dessicated matter. Horror for what he had done—that he had slain one of his own Horde—made his limbs move woodenly. All of his thoughts were dulled for the moment. Painfully slow, he turned his body around toward the control blister, turned around on leaden feet, to look full into the narrowed icy eyes of his commander. He saw the heavy barrel of the blaster slashing down against his skull but he could not swing a fraction of an inch out of the way. His body seemed paralyzed. This was the end, he thought as he waited stupidly for the blow to fall, the end for Ellen and the kids and all the struggling races of Earth. He would never write another cowboy yarn—they would all be dead anyhow soon. Then a thunderclap exploded against his head and he dropped endlessly toward the deck. Blows rained against his skull. He wondered if Torp would ever cease to hammer at him and turn the deadly ray of the weapon upon him. Blood throbbed and pounded with every blow.... Bam, Bam, Bam, the blood pounded in his ears. Like repeated blows of a hammer they shook his booming head. No longer was Torp above him. He was in the corner of the laboratory, a crumpled blood-smeared heap of bruised flesh and bone. He was unfettered and the blood was caked upon his skull and in his matted hair. Torp must have thought he had killed him with those savage blows upon the head. Even Torp, thought Thig ruefully, gave way to the primitive rage of his ancestors at times; but to that very bit of unconscious atavism he now owed his life. A cool-headed robot of an Orthan would have efficiently used the blaster to destroy any possibility of remaining life in his unconscious body. Thig rolled slowly over so that his eye found the door into the control room. Torp would be coming back again to dispose of their bodies through the refuse lock. Already the body of Kam was gone. He wondered why he had been left until last. Perhaps Torp wished to take cultures of his blood and tissues to determine whether a disease was responsible for his sudden madness. The cases of fragile instruments were just above his head. Association of memories brought him the flash of the heavy blaster in its rack beneath them. His hand went up and felt the welcome hardness of the weapon. He tugged it free. In a moment he was on his knees crawling across the plates of the deck toward the door. Halfway across the floor he collapsed on his face, the metal of the gun making a harsh clang. He heard the feet of Torp scuffle out of silence and a choked cry in the man's throat squalled out into a senseless whinny. Thig raised himself up on a quivering elbow and slid the black length of the blaster in front of him. His eyes sought the doorway and stared full into the glaring vacant orbs of his commander. Torp leaned there watching him, his breath gurgling brokenly through his deep-bitten lips. The clawing marks of nails, fingernails, furrowed his face and chest. He was a madman! The deadly attack of Thig; his own violent avenging of Kam's death, and now the apparent return of the man he had killed come to life had all served to jolt his rigidly trained brain from its accustomed groove. The shock had been too much for the established thought-processes of the Orthan. So Thig shot him where he stood, mercifully, before that vacant mad stare set him, too, to gibbering and shrieking. Then he stepped over the skeleton-thing that had been Torp, using the new strength that victory had given him to drive him along. He had saved a world's civilization from extinction! The thought sobered him; yet, somehow, he was pleased that he had done so. After all, it had been the Earthwoman and the children he had been thinking of while he battled Kam, a selfish desire to protect them all. He went to the desk where Torp had been writing in the ship's log and read the last few nervously scrawled lines: Planet 72-P-3 unfit for colonization. Some pernicious disease that strikes at the brain centers and causes violent insanity is existent there. Thig, just returned from a survey of the planet, went mad and destroyed Kam. In turn I was forced to slay him. But it is not ended. Already I feel the insidious virus of.... And there his writing ended abruptly. Thig nodded. That would do it. He set the automatic pilot for the planet Ortha. Unless a rogue asteroid or a comet crossed the ship's path she would return safely to Ortha with that mute warning of danger on 72-P-3. The body of Torp would help to confirm his final message. Then Thig crossed the cabin to the auxiliary life boat there, one of a half-dozen space ships in miniature nested within the great ship's hull, and cut free from the mother vessel. He flipped the drive lever, felt the thrumming of the rockets driving him from the parent ship. The sensation of free flight against his new body was strangely exhilerating and heady. It was the newest of the emotions he had experienced on Earth since that day, so many months before, when he had felt the warmness of Ellen's lips tight against his. Thig flipped the drive lever, felt the thrumming of the rockets driving him from the parent ship. He swung about to the port, watched the flaming drive-rockets of the great exploratory ship hurl it toward far-away Ortha, and there was no regret in his mind that he was not returning to the planet of his first existence. He thought of the dull greys and blacks of his planet, of the monotonous routine of existence that had once been his—and his heart thrilled to the memories of the starry nights and perfect exciting days he had spent on his three month trip over Earth. He made a brief salute to the existence he had known, turned with a tiny sigh, and his fingers made brief adjustments in the controls. The rocket-thrum deepened, and the thin whistle of tenuous air clutching the ship echoed through the hull-plates. He thought of many things in those few moments. He watched the roundness of Earth flatten out, then take on the cup-like illusion that all planets had for an incoming ship. He reduced the drive of his rockets to a mere whisper, striving to control the impatience that crowded his mind. He shivered suddenly, remembering his utter callousness the first time he had sent a space ship whipping down toward the hills and valleys below. And there was a sickness within him when he fully realized that, despite his acquired memory and traits, he was an alien from outer space. He fingered the tiny scars that had completely obliterated the slight differences in his appearance from an Earthman's, and his fingers trembled a bit, as he bent and stared through the vision port. He said a brief prayer in his heart to a God whose presence he now felt very deeply. There were tears in the depths of his eyes, then, and memories were hot, bitter pains. Earth was not far below him. As he let gravity suck him earthward, he heaved a gasp of relief. He was no longer Thig, a creature of a Horde's creation, but Lewis Terry, writer of lurid gun-smoking tales of the West. He must remember that always. He had destroyed the real Terry and now, for the rest of his life, he must make up to the dead man's family. The knowledge that Ellen's love was not really meant for him would be a knife twisting in his heart but for her sake he must endure it. Her dreams and happiness must never be shattered. The bulge of Earth was flattening out now and he could see the outlines of Long Island in the growing twilight. A new plot was growing in the brain of Lewis Terry, a yarn about a cowboy suddenly transported to another world. He smiled ironically. He had seen those other worlds. Perhaps some day he would write about them.... He was Lewis Terry! He must remember that!
train	63398	[ "What is so significant about this new area that Rolf is in?", "What is the relationship between the Hairy people and the Furry people?", "Why is Rolf's weapon so valuable in the fights with the Furry?", "What is Rolf's new plan when he spots the rocket?" ]	[ [ "It is abundant with water. It would be enough for all of Mars and the colonies. ", "The presence of Altha, and her living here in secrecy. ", "It is a secluded area, not yet touched by most other people. ", "The miniature planet and the way it functions." ], [ "The Furry people hunt the Hairy, because they were once enslaved by them.", "The Hairy people rule over the Furry, and they are rebelling against them. ", "The two factions have disputes over the land", "The Furry people have a disdain for the Hairy, and frequently attack them. " ], [ "The Hairy people need all the extra weaponry against the Furry. ", "He's able to catch the Furry off guard with his expoder. ", "It's much more technologically advanced than theirs.", "He's a skilled marksman and able to hit many targets at once. " ], [ "Now that he knows the location of the water, he'll be able to return to grab it for himself. ", "He'll have a way out of the caverns at last, be able to escape. ", "He can escape the fighting and leave Tanner and the girl behind. ", "He'll be able to distribute water to Mar's colonies, and get out with Tanner and the girl." ] ]	[ 1, 1, 3, 4 ]	[ 0, 1, 0, 1 ]	THE HAIRY ONES by BASIL WELLS Marooned on a world within a world, aided by a slim girl and an old warrior, Patrolman Sisko Rolf was fighting his greatest battle—to bring life to dying Mars. [Transcriber's Note: This etext was produced from Planet Stories Winter 1944. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] "The outlaw ships are attacking!" Old Garmon Nash's harsh voice snapped like a thunderclap in the cramped rocket flyer's cabin. "Five or six of them. Cut the searchlights!" Sisko Rolf's stocky body was a blur of motion as he cut the rocket jets, doused the twin searchlights, and switched over to the audio beams that served so well on the surface when blind flying was in order. But here in the cavern world, thirty-seventh in the linked series of vast caves that underlie the waterless wastes of Mars, the reflected waves of sound were of little value. Distances were far too cramped—disaster might loom but a few hundred feet away. "Trapped us neatly," Rolf said through clenched teeth. "Tolled into their underground hideout by that water-runner we tried to capture. We can't escape, that's certain. They know these caverns better than.... We'll down some of them, though." "Right!" That was old Garmon Nash, his fellow patrolman aboard the Planet Patrol ship as he swung the deadly slimness of his rocket blast's barrel around to center on the fiery jets that betrayed the approaching outlaw flyers. Three times he fired the gun, the rocket projectiles blasting off with their invisible preliminary jets of gas, and three times an enemy craft flared up into an intolerable torch of flame before they realized the patrol ship had fired upon them. Then a barrage of enemy rocket shells exploded into life above and before them. Rolf swung the lax controls over hard as the bursts of fire revealed a looming barrier of stone dead ahead, and then he felt the tough skin of the flyer crumple inward. The cabin seemed to telescope about him. In a slow sort of wonder Rolf felt the scrape of rock against metal, and then the screeching of air through the myriad rents in the cabin's meralloy walls grew to a mad whining wail. Down plunged the battered ship, downward ever downward. Somehow Rolf found the strength to wrap his fingers around the control levers and snap on a quick burst from the landing rockets. Their mad speed checked momentarily, but the nose of the vertically plunging ship dissolved into an inferno of flame. The ship struck; split open like a rotten squash, and Rolf felt himself being flung far outward through thick blackness. For an eternity it seemed he hung in the darkness before something smashed the breath and feeling from his nerveless body. With a last glimmer of sanity he knew that he lay crushed against a rocky wall. Much later Rolf groaned with the pain of bruised muscles and tried to rise. To his amazement he could move all his limbs. Carefully he came to his knees and so to his feet. Not a bone was broken, unless the sharp breathlessness that strained at his chest meant cracked ribs. There was light in the narrow pit in which he found himself, light and heat from the yet-glowing debris of the rocket flyer. The outlaws had blasted the crashed ship, his practiced eyes told him, and Garmon Nash must have died in the wreckage. He was alone in the waterless trap of a deep crevice. In the fading glow of the super-heated metal the vertical walls above mocked him. There could be no ascent from this natural prison-pit, and even if there were he could never hope to reach the surface forty miles and more overhead. The floors of the thirty-seven caves through which they had so carefully jetted were a splintered, creviced series of canyon-like wastes, and as he ascended the rarefied atmosphere of the higher levels would spell death. Rolf laughed. Without a pressure mask on the surface of Mars an Earthman was licked. Without water and food certain death grinned in his face, for beyond the sand-buried entrance to these lost equatorial caves there were no pressure domes for hundreds of miles. Here at least the air was thick enough to support life, and somewhere nearby the outlaws who smuggled their precious contraband water into the water-starved domes of North Mars lay hidden. The young patrolman unzippered his jacket pocket and felt for the emergency concentrate bars that were standard equipment. Half of the oval bar he crushed between his teeth, and when the concentrated energy flooded into his muscles he set off around the irregular wall of the pit. He found the opening less than ten paces from the starting point, an empty cavity higher than a man and half as wide. The glow from the gutted ship was failing and he felt for the solar torch that hugged flatly against his hip. He uncapped the torch and the miniature sun glowed redly from its lensed prison to reveal the rocky corridor stretching out ahead. Light! How many hours later it was when the first faint glow of white light reached his eyes Rolf did not know—it had seemed an eternity of endless plodding along that smooth-floored descending tunnel. Rolf capped the solar torch. No use wasting the captive energy needlessly he reasoned. And he loosened the expoder in its holster as he moved carefully forward. The outlaw headquarters might be close ahead, headquarters where renegade Frogs, Venusians from the southern sunken marshes of Mars, and Earthmen from dusty North Mars, concealed their precious hoard of water from the thirsty colonists of North Mars. "They may have found the sunken seas of Mars," thought Rolf as he moved alertly forward, "water that would give the mining domes new life." His fists clenched dryly. "Water that should be free!" Then the light brightened before him as he rounded a shouldering wall of smoothly trimmed stone, and the floor fell away beneath his feet! He found himself shooting downward into a vast void that glowed softly with a mysterious all-pervading radiance. His eyes went searching out, out into undreamed distance. For miles below him there was nothing but emptiness, and for miles before him there was that same glowing vacancy. Above the cavern's roof soared majestically upward; he could see the narrow dark slit through which his feet had betrayed him, and he realized that he had fallen through the vaulted rocky dome of this fantastic abyss. It was then, even as he snapped the release of his spinner and the nested blades spun free overhead, that he saw the slowly turning bulk of the cloud-swathed world, a tiny five mile green ball of a planet! The weird globe was divided equally into hemispheres, and as the tiny world turned between its confining columns a green, lake-dotted half alternated with a blasted, splintered black waste of rocky desert. As the spinner dropped him slowly down into the vast emptiness of the great shining gulf, Rolf could see that a broad band of stone divided the green fertile plains and forests from the desolate desert wastes of the other half. Toward this barrier the spinner bore him, and Rolf was content to let it move in that direction—from the heights of the wall he could scout out the country beyond. The wall expanded as he came nearer to the pygmy planet. The spinner had slowed its speed; it seemed to Rolf that he must be falling free in space for a time, but the feeble gravity of the tiny world tugged at him more strongly as he neared the wall. And the barrier became a jumbled mass of roughly-dressed stone slabs, from whose earth-filled crevices sprouted green life. So slowly was the spinner dropping that the blackened desolation of the other hemisphere came sliding up beneath his boots. He looked down into great gashes in the blackness of the desert and saw there the green of sunken oases and watered canyons. He drifted slowly toward the opposite loom of the mysterious wall with a swift wind off the desert behind him. A hundred yards from the base of the rocky wall his feet scraped through black dust, and he came to a stop. Deftly Rolf nested the spinners again in their pack before he set out toward the heaped-up mass of stone blocks that was the wall. Ten steps he took before an excited voice called out shrilly from the rocks ahead. Rolf's slitted gray eyes narrowed yet more and his hand dropped to the compact expoder machine-gun holstered at his hip. There was the movement of a dark shape behind the screen of vines and ragged bushes. "Down, Altha," a deeper voice rumbled from above, "it's one of the Enemy." The voice had spoken in English! Rolf took a step forward eagerly and then doubt made his feet falter. There were Earthmen as well as Frogs among the outlaws. This mysterious world that floated above the cavern floor might be their headquarters. "But, Mark," the voice that was now unmistakably feminine argued, "he wears the uniform of a patrolman." "May be a trick." The deep voice was doubtful. "You know their leader, Cannon, wanted you. This may be a trick to join the Outcasts and kidnap you." The girl's voice was merry. "Come on Spider-legs," she said. Rolf found himself staring, open-mouthed, at the sleek-limbed vision that parted the bushes and came toward him. A beautiful woman she was, with the long burnished copper of her hair down around her waist, but beneath the meager shortness of the skin tunic he saw that her firm flesh was covered with a fine reddish coat of hair. Even her face was sleek and gleaming with its coppery covering of down. "Hello, patrol-a-man," she said shyly. An elongated pencil-ray of a man bounced nervously out to her side. "Altha," he scolded, scrubbing at his reddened bald skull with a long-fingered hand, "why do you never listen to me? I promised your father I'd look after you." He hitched at his tattered skin robe. The girl laughed, a low liquid sound that made Rolf's heart pump faster. "This Mark Tanner of mine," she explained to the patrolman, "is always afraid for me. He does not remember that I can see into the minds of others." She smiled again as Rolf's face slowly reddened. "Do not be ashamed," she said. "I am not angry that you think I am—well, not too unattractive." Rolf threw up the mental block that was the inheritance from his grueling years of training on Earth Base. His instructors there had known that a few gifted mortals possess the power of a limited telepathy, and the secrets of the Planet Patrol must be guarded. "That is better, perhaps." The girl's face was demure. "And now perhaps you will visit us in the safety of the vaults of ancient Aryk." "Sorry," said the tall man as Rolf sprang easily from the ground to their side. "I'm always forgetting the mind-reading abilities of the Hairy People." "She one of them?" Rolf's voice was low, but he saw Altha's lip twitch. "Mother was." Mark Tanner's voice was louder. "Father was Wayne Stark. Famous explorer you know. I was his assistant." "Sure." Rolf nodded. "Lost in equatorial wastelands—uh, about twenty years ago—2053, I believe." "Only we were not lost on the surface," explained Tanner, his booming voice much too powerful for his reedy body, "Wayne Stark was searching for the lost seas of Mars. Traced them underground. Found them too." He paused to look nervously out across the blasted wasteland. "We ran out of fuel here on Lomihi," he finished, "with the vanished surface waters of Mars less than four miles beneath us." Rolf followed the direction of the other's pale blue eyes. Overhead now hung the bottom of the cavern. An almost circular island of pale yellow lifted above the restless dark waters of a vast sea. Rolf realized with a wrench of sudden fear that they actually hung head downward like flies walking across a ceiling. "There," roared Tanner's voice, "is one of the seas of Mars." "One," repeated Rolf slowly. "You mean there are more?" "Dozens of them," the older man's voice throbbed with helpless rage. "Enough to make the face of Mars green again. Cavern after cavern lies beyond this first one, their floors flooded with water." Rolf felt new strength pump into his tired bruised muscles. Here lay the salvation of Earth's thirsting colonies almost within reach. Once he could lead the scientists of North Mars to this treasure trove of water.... "Mark!" The girl's voice was tense. Rolf felt her arm tug at his sleeve and he dropped beside her in the shelter of a clump of coarse-leaved gray bushes. "The Furry Women attack!" A hundred paces away Rolf made the dark shapes of armed warriors as they filed downward from the Barrier into the blackened desolation of the desert half of Lomihi. "Enemies?" he whispered to Mark Tanner hoarsely. "Right." The older man was slipping the stout bowstring into its notched recess on the upper end of his long bow. "They cross the Barrier from the fertile plains of Nyd to raid the Hairy People. They take them for slaves." "I must warn them." Altha's lips thinned and her brown-flecked eyes flamed. "The outlaws may capture," warned Tanner. "They have taken over the canyons of Gur and Norpar, remember." "I will take the glider." Altha was on her feet, her body crouched over to take advantage of the sheltering shrubs. She threaded her way swiftly back along a rocky corridor in the face of the Barrier toward the ruins of ancient Aryk. Tanner shrugged his shoulders. "What can I do? Altha has the blood of the Hairy People in her veins. She will warn them even though the outlaws have turned her people against her." Rolf watched the column of barbarically clad warriors file out upon the barren desert and swing to the right along the base of the Barrier. Spear tips and bared swords glinted dully. "They will pass within a few feet!" he hissed. "Right." Tanner's fingers bit into Rolf's arm. "Pray that the wind does not shift, their nostrils are sensitive as those of the weasels they resemble." Rolf's eyes slitted. There was something vaguely unhuman about those gracefully marching figures. He wondered what Tanner had meant by calling them weasels, wondered until they came closer. Then he knew. Above half naked feminine bodies, sinuous and supple as the undulating coils of a serpent, rose the snaky ditigrade head of a weasel-brute! Their necks were long and wide, merging into the gray-furred muscles of their narrow bodies until they seemed utterly shoulderless, and beneath their furry pelts the ripples of smooth-flowing muscles played rhythmically. There was a stench, a musky penetrating scent that made the flesh of his body crawl. "See!" Tanner's voice was muted. "Giffa, Queen of the Furry Ones!" Borne on a carved and polished litter of ebon-hued wood and yellowed bone lolled the hideous queen of that advancing horde. Gaunt of body she was, her scarred gray-furred hide hanging loose upon her breastless frame. One eye was gone but the other gleamed, black and beady, from her narrow earless skull. And the skulls of rodents and men alike linked together into ghastly festoons about her heavy, short-legged litter. Men bore the litter, eight broad-shouldered red-haired men whose arms had been cut off at the shoulders and whose naked backs bore the weals of countless lashes. Their bodies, like that of Altha, were covered with a silky coat of reddish hair. Rolf raised his expoder, red anger clouding his eyes as he saw these maimed beasts of burden, but the hand of Mark Tanner pressed down firmly across his arm. The older man shook his head. "Not yet," he said. "When Altha has warned the Hairy People we can cut off their retreat. After they have passed I will arouse the Outcasts who live here upon the Barrier. Though their blood is that of the two races mingled they hate the Furry Ones." A shadow passed over their hiding place. The Furry Amazons too saw the indistinct darkness and looked up. High overhead drifted the narrow winged shape of a glider, and the warrior women shrieked their hatred. Gone now was their chance for a surprise attack on the isolated canyons of the Hairy People. They halted, clustered about their leader. Giffa snarled quick orders at them, her chisel-teeth clicking savagely. The column swung out into the wasteland toward the nearest sunken valleys of the Hairy People. Rolf and Mark Tanner came to their feet. Abruptly, then, the wind veered. From behind the two Earthmen it came, bearing the scent of their bodies out to the sensitive nostrils of the beast-women. Again the column turned. They glimpsed the two men and a hideous scrawling battle-cry burst from their throats. Rolf's expoder rattled briefly like a high-speed sewing machine as he flicked its muzzle back and forth along the ranks of attacking Furry Ones. Dozens of the hideous weasel creatures fell as the needles of explosive blasted them but hundreds more were swarming over their fallen sisters. Mark Tanner's bow twanged again and again as he drove arrows at the bloodthirsty warrior women. But the Furry Ones ran fearlessly into that rain of death. The expoder hammered in Rolf's heavy fist. Tanner smashed an elbow into Rolf's side. "Retreat!" he gasped. The Furry Amazons swarmed up over the lower terraces of rocks, their snaky heads thrust forward and their swords slashing. The two Earthmen bounded up and backward to the next jumbled layer of giant blocks behind them, their powerful earthly muscles negating Lomihi's feeble gravity. Spears showered thick about them and then they dropped behind the sheltering bulk of a rough square boulder. "Now where?" Rolf snapped another burst of expoder needles at the furry attackers as he asked. "To the vaults beneath the Forbidden City," Mark Tanner cried. "None but the Outcasts and we two have entered the streets of deserted Aryk." The bald scientist slung his bow over his head and one shoulder and went bounding away along a shadowy crevice that plunged raggedly into the heart of the Barrier. Rolf blasted another spurt of explosive needles at the Furry Ones and followed. Darkness thickened as they penetrated into the maze of the Barrier's shattered heart. An unseen furry shape sprang upon Rolf's shoulders and as he sank to his knees he felt hot saliva drip like acid upon his neck. His fist sent the attacker's bulk smashing against the rocky floor before fangs or claws could rip at his tender flesh, and he heard a choked snarl that ended convulsively in silence. Bat-winged blobs of life dragged wet leathery hide across his face, and beneath his feet slimy wriggling things crushed into quivering pulp. Then there was faint light again, and the high-vaulted roof of a rock dungeon rose above him. Mark Tanner was peering out a slitted embrasure that overlooked the desolate land of the Hairy People. Tanner's finger pointed. "Altha!" Rolf saw the graceful wings of the glider riding the thermals back toward the Barrier. "She had warned the Hairy People, and now she returns." "The weasel heads won't follow us here?" asked Rolf. Tanner laughed. "Hardly. They fear the spirits of the Ancients too much for that. They believe the invisible powers will drink their souls." "Then how about telling me about this hanging world?" "Simply the whim of an ancient Martian ruler. As I have learned from the inscriptions and metal tablets here in Aryk he could not conquer all of Mars so he created a world that would be all his own." Rolf laughed. "Like the pleasure globes of the wealthy on Earth." "Right." Tanner kept his eyes on the enlarging winged shape of Altha's flyer as he spoke. "Later, when the nations of Mars began draining off the seas and hoarding them in their underground caverns, Lomihi became a fortress for the few thousand aristocrats and slaves who escaped the surface wars. "The Hairy People were the rulers," he went on, "and the Furry Ones were their slaves. In the revolt that eventually split Lomihi into two warring races this city, Aryk, was destroyed by a strange vegetable blight and the ancient knowledge was lost to both races." "But," Rolf frowned thoughtfully, "what keeps Lomihi from crashing into the island? Surely the two columns at either end cannot support it?" "The island is the answer," said Tanner. "Somehow it blocks the force of gravity—shields Lomihi from...." He caught his breath suddenly. "The outlaws!" he cried. "They're after Altha." Rolf caught a glimpse of a sleek rocket flyer diving upon Altha's frail wing. He saw the girl go gliding steeply down toward a ragged jumble of volcanic spurs and pits and disappear from view. He turned to see the old man pushing another crudely constructed glider toward the outer wall of the rock chamber. Tanner tugged at a silvery metal bar inset into the stone wall. A section of the wall swung slowly inward. Rolf sprang to his side. "Let me follow," he said. "I can fly a glider, and I have my expoder." The older man's eyes were hot. He jerked at Rolf's hands and then suddenly thought better of it. "You're right," he agreed. "Help her if you can. Your weapon is our only hope now." Rolf pushed up and outward with all the strength of his weary muscles. The glider knifed forward with that first swift impetus, and drove out over the Barrier. The Furry Ones were struggling insect shapes below him, and he saw with a thrill that larger bodied warriors, whose bodies glinted with a dull bronze, were attacking them from the burnt-out wastelands. The Hairy People had come to battle the invaders. He guided the frail wing toward the shattered badlands where the girl had taken shelter, noting as he did so that the rocket flyer had landed near its center in a narrow strip of rocky gulch. A sudden thought made him grin. He drove directly toward the grounded ship. With this rocket flyer he could escape from Lomihi, return through the thirty-seven caverns to the upper world, and give to thirsty Mars the gift of limitless water again. A man stood on guard just outside the flyer's oval door. Rolf lined up his expoder and his jaw tensed. He guided the tiny soarer closer with one hand. If he could crash the glider into the guard, well and good. There would be no explosion of expoder needles to warn the fellow's comrades. But if the outlaw saw him Rolf knew that he would be the first to fire—his was the element of surprise. A score of feet lay between them, and suddenly the outlaw whirled about. Rolf pressed the firing button; the expoder clicked over once and the trimmer key jammed, and the doughy-faced Venusian swung up his own long-barreled expoder! Rolf snapped his weapon overhand at the Frog's hairless skull. The fish-bellied alien ducked but his expoder swung off the target momentarily. In that instant Rolf launched himself from the open framework of the slowly diving glider, full upon the Venusian. They went down, Rolf swinging his fist like a hammer. He felt the Frog go limp and he loosed a relieved whistle. Now with a rocket flyer and the guard's rifle expoder in his grasp the problem of escape from the inner caverns was solved. He would rescue the girl, stop at the Forbidden City for Mark Tanner, and blast off for the upper crust forty miles and more overhead. He knelt over the prostrate Venusian, using his belt and a strip torn from his greenish tunic to bind the unconscious man. The knots were not too tight, the man could free himself in the course of a few hours. He shrugged his shoulders wearily and started to get up. A foot scraped on stone behind him. He spun on bent knees and flung himself fifty feet to the further side of the narrow gulch with the same movement. Expoder needles splintered the rocks about him as he dropped behind a sheltering rocky ledge, and he caught a glimpse of two green-clad men dragging the bronze-haired body of the girl he had come to save into the shelter of the flyer. A green bulge showed around the polished fuselage and Rolf pressed his captured weapon's firing button. A roar of pain came from the wounded man, and he saw an outflung arm upon the rocky ground that clenched tightly twice and relaxed to move no more. The outlaw weapon must have been loaded with a drum of poisoned needles, the expoder needles had not blasted a vital spot in the man's body. The odds were evening, he thought triumphantly. There might be another outlaw somewhere out there in the badlands, but no more than that. The flyer was built to accommodate no more than five passengers and four was the usual number. He shifted his expoder to cover the opposite end of the ship's squatty fuselage. And something that felt like a mountain smashed into his back. He was crushed downward, breathless, his eyes glimpsing briefly the soiled greenish trousers of his attacker as they locked on either side of his neck, and then blackness engulfed him as a mighty sledge battered endlessly at his skull. This sledge was hammering relentlessly as Rolf sensed his first glimmer of returning light. There were two sledges, one of them that he identified as the hammering of blood in his throbbing temples, and the other the measured blasting pulse of rocket jets. He opened his eyes slowly to find himself staring at the fine-crusted metal plates of a flyer's deck. His nose was grinding into the oily muck that only undisciplined men would have permitted to accumulate. Cautiously his head twisted until he could look forward toward the controls. The bound body of Altha Stark faced him, and he saw her lips twist into a brief smile of recognition. She shook her head and frowned as he moved his arm. But Rolf had learned that his limbs were not bound—apparently the outlaws had considered him out of the blasting for the moment. By degrees Rolf worked his arm down to his belt where his solar torch was hooked. His fingers made careful adjustments within the inset base of the torch, pushing a lever here and adjusting a tension screw there. The ship bumped gently as it landed and the thrum of rockets ceased. The cabin shifted with the weight of bodies moving from their seats. Rolf heard voices from a distance and the answering triumphant bawling of his two captors. The moment had come. He turned the cap of the solar torch away from his body and freed it. Heat blasted at his body as the stepped-up output of the torch made the oily floor flame. He lay unmoving while the thick smoke rolled over him. "Fire!" There was panic in the outlaw's voice. Rolf came to his knees in the blanketing fog and looked forward. One of the men flung himself out the door, but the other reached for the extinguisher close at hand. His thoughts were on the oily smoke; not on the prisoners, and so the impact of Rolf's horizontally propelled body drove the breath from his lungs before his hand could drop to his belted expoder. The outlaw was game. His fists slammed back at Rolf, and his knees jolted upward toward the patrolman's vulnerable middle. But Rolf bored in, his own knotted hands pumping, and his trained body weaving instinctively aside from the crippling blows aimed at his body. For a moment they fought, coughing and choking from the thickening pall of smoke, and then the fingers of the outlaw clamped around Rolf's throat and squeezed hard. The patrolman was weary; the wreck in the upper cavern and the long trek afterward through the dark tunnels had sapped his strength, and now he felt victory slipping from his grasp. He felt something soft bump against his legs, legs so far below that he could hardly realize that they were his, and then he was falling with the relentless fingers still about his throat. As from a great distant he heard a cry of pain and the blessed air gulped into his raw throat. His eyes cleared. He saw Altha's bound body and head. Her jaws were clamped upon the arm of the outlaw and even as he fought for more of the reeking smoky air of the cabin he saw the man's clenched fist batter at her face. Rolf swung, all the weight of his stocky body behind the blow, and the outlaw thudded limply against the opposite wall of the little cabin. No time to ask the girl if she were injured. The patrolman flung himself into the spongy control chair's cushions and sent the ship rocketing skyward. Behind him the thin film of surface oil no longer burned and the conditioning unit was clearing the air. "Patrolman," the girl's voice was beside him. "We're safe!" "Everything bongo?" Rolf wanted to know. "Of course," she smiled crookedly. "Glad of that." Rolf felt the warmth of her body so close beside him. A sudden strange restlessness came with the near contact. Altha smiled shyly and winced with pain. "Do you know," she said, "even yet I do not know your name." Rolf grinned up at her. "Need to?" he asked. The girl's eyes widened. A responsive spark blazed in them. "Handier than calling you Shorty all the time," she quipped. Then they were over the Barrier and Rolf saw the last of the beaten Furry Ones racing back across the great wall toward the Plains of Nyd. He nosed the captured ship down toward the ruined plaza of the Forbidden City. Once Mark Tanner was aboard they would blast surfaceward with their thrilling news that all Mars could have water in plenty again. Rolf snorted. "Shorty," he said disgustedly as they landed, but his arm went out toward the girl's red-haired slimness, and curved around it.
train	20015	[ "Why is it suspected that William Shawn blushed at Green's remark? ", "What's true of Ross's accounts of Shawn?", "What is the writer's view of Mehta's works?", "What stance does the writer take in regards to Tina Brown. ", "What is an underlying issue that the writer touches upon throughout the whole passage?", "How do Ross and Mehta view Brown's acquisition of the magazine?", "What best summarizes what the author has to say about William Shawn? " ]	[ [ "He was known for disallowing sexual content from his publications and was put off by the comment.", "As someone who looked into risque material himself, it piqued his curiosity. ", "The phrasing took him by surprise. It's not the answer he thought he'd receive. ", "He was prudish in nature, and he was embarrassed by it. " ], [ "She had a difficult time describing her true feelings. ", "She contradicts herself often. She describes him one way than an inverse way pages later. ", "She tells the objective truth about her and Shawn, and the relationship they shared. ", "She has a habit of glorifying Shawn. " ], [ "They found it boring. ", "They wished that Shawn set a restriction on how many words he allowed Mehta to publish. ", "They appreciate that he persisted in telling his story. ", "Like other critics, they found the growing word count intolerable. " ], [ "A neutral one. The anecdotes offered are too biased to make a judgement either way. ", "They agree with Ross, that Brown carried the same mentality as Shawn. ", "Brown's presence saddened Shawn, as evidence by him no longer reading the magazine. ", "Brown has built on William Shawn's legacy in her own way. " ], [ "The two memoirs are completely inaccurate, and thus nothing that is offered can be true. ", "Shawn clearly had deep relationships with many people. Thus, it's hard to fully understand his life and his thoughts. ", "Shawn had been cheating on his wife, and even without getting a proper divorce he still pursued Ross. ", "There are different sources with differing opinions, making it hard to infer the total truth about Shawn and later Tina Brown. " ], [ "Neither has a strong opinion on the matter, until after Shawn's death. ", "Mehta felt betrayed by being let go; Ross said she saw the same personality in her as Shawn and was glad to be invited back. ", "Ross was glad to see it brought a new interest in the magazine to Shawn, despite Mehta feeling otherwise. ", "Mehta resents that Shawn passed away so soon after her being brought on, while Ross was just happy to have a job again. " ], [ "He had a magnetic personality, as shown in the way Ross and Mehta gravitated towards him. ", "While quiet on the outside, he was a man prone to adultery.", "He was a respectable man with complexities that weren't always obvious and is hard to pin down based on the stories told of him.", "He lived a simple life and worked hard to publish his magazine. " ] ]	[ 2, 2, 3, 1, 4, 2, 3 ]	[ 1, 1, 0, 1, 0, 1, 1 ]	Goings On About Town One of the funniest moments in Brendan Gill's 1975 memoir, Here at "The New Yorker ," comes during a luncheon at the now vanished Ritz in Manhattan. At the table are Gill; William Shawn, then editor of The New Yorker ; and the reclusive English writer Henry Green. Green's new novel, Loving , has just received a very favorable review in The New Yorker . Shawn--"with his usual hushed delicacy of speech and manner"--inquires of the novelist whether he could possibly reveal what prompted the creation of such an exquisite work. Green obliges. "I once asked an old butler in Ireland what had been the happiest times of his life," he says. "The butler replied, 'Lying in bed on Sunday morning, eating tea and toast with cunty fingers.' " This was not the explanation Shawn was expecting, Gill tells us. "Discs of bright red begin to burn in his cheeks." Was Shawn blushing out of prudishness, as we are meant to infer? This was, after all, a man renowned for his retiring propriety, a man who sedulously barred anything smacking of the salacious--from lingerie ads to four-letter words--from the magazine he stewarded from 1952 until 1987, five years before his death. But after reading these two new memoirs about Shawn, I wonder. "He longed for the earthiest and wildest kinds of sexual adventures," Lillian Ross discloses in hers, adding that he lusted after Hannah Arendt, Evonne Goolagong, and Madonna. As for Ved Mehta, he reports that Shawn's favorite thing to watch on television was "people dancing uninhibitedly" ( Soul Train , one guesses). I suspect Shawn did not blush at the "cunty fingers" remark out of prudery. He blushed because it had hit too close to home. Both these memoirs must be read by everyone--everyone, that is, who takes seriously the important business of sorting out precisely how he or she feels about The New Yorker , then and now. Of the two, Mehta's is far and away the more entertaining. This may seem odd, for Mehta is reputed to be a very dull writer whereas Ross is a famously zippy one. Moreover, Mehta writes as Shawn's adoring acolyte, whereas Ross writes as his longtime adulterous lover. Just knowing that Mrs. Shawn is still alive adds a certain tension to reading much of what this Other Woman chooses to divulge. Evidently, "Bill" and Lillian loved each other with a fine, pure love, a love that was more than love, a love coveted by the winged seraphs of heaven. "We had indeed become one," she tells us, freely venting the inflations of her heart. Shawn was managing editor of The New Yorker when he hired Ross in 1945 as the magazine's second woman reporter (the first was Andy Logan). He was short and balding but had pale blue eyes to die for. As for Ross, "I was aware of the fact that I was not unappealing." During a late-night editorial session, she says, Shawn blurted out his love. A few weeks later at the office, their eyes met. Without a word--even, it seems, to the cab driver--they hied uptown to the Plaza, where matters were consummated. Thereafter, the couple set up housekeeping together in an apartment 20 blocks downtown from the Shawn residence on upper Fifth Avenue and stoically endured the sufferings of Shawn's wife, who did not want a divorce. Now, Ross seems like a nice lady, and I certainly have nothing against adultery, which I hear is being carried on in the best circles these days. But the public flaunting of adultery--especially when spouses and children are around--well, it brings out the bourgeois in me. It also made me feel funny about William Shawn, whom I have always regarded as a great man. I loved his New Yorker . The prose it contained--the gray stuff around the cartoons--was balm for the soul: unfailingly clear, precise, logical, and quietly stylish. So what if the articles were occasionally boring? It was a sweet sort of boredom, serene and restorative, not at all like the kind induced by magazines today, which is more akin to nervous exhaustion. Besides, the moral tone of the magazine was almost wholly admirable--it was ahead of the pack on Hiroshima, civil rights, Vietnam, Watergate, the environment--and this was very much Shawn's doing. I do not like to think of him in an illicit love nest, eating tea and toast with cunty fingers. Happily, Ross has sprinkled her memoir with clues that it is not to be taken as entirely factual. To say that Shawn was "a man who grieved over all living creatures" is forgivable hyperbole; but later to add that he "mourned" for Si Newhouse when Newhouse unceremoniously fired him in 1987 (a couple of years after buying the magazine)--well, that's a bit much. Even Jesus had his limits. Elsewhere, Ross refers to her lover's "very powerful masculinity," only to note on the very next page that "if he suffered a paper cut on a finger and saw blood, he would come into my office, looking pale." She declares that "Bill was incapable of engendering a cliché, in deed as well as in word." But then she puts the most toe-curling clichés into his mouth: "Why am I more ghost than man?" Or: "We must arrest our love in midflight. And we fix it forever as of today, a point of pure light that will reach into eternity." (File that under Romantic Effusions We Doubt Ever Got Uttered.) Nor is Ross incapable of a melodramatic cliché herself. "Why can't we just live, just live ?" she cries in anguish when she and Shawn, walking hand in hand out of Central Park, chance to see Shawn's wife slowly making her way down the block with a burden of packages. And what does she think of Mrs. Shawn? "I found her to be sensitive and likeable." Plus, she could "do a mean Charleston." There is nothing more poignant than the image of an openly cheated-upon and humiliated wife doing "a mean Charleston." William Shawn's indispensability as an editor is amply manifest in Ross' memoir. Word repetition? "Whatever reporting Bill asked me to do turned out to be both challenging and fun. ... For me, reporting and writing for the magazine was fun, pure fun. ... It was never 'work' for me. It was fun." Even in praising his skill as an editor, she betrays the presence of its absence. "All writers, of course, have needed the one called the 'editor,' who singularly, almost mystically, embodies the many-faceted, unique life force infusing the entire enchilada." Nice touch, that enchilada. When cocktail party malcontents mocked Shawn's New Yorker in the late '70s and early '80s, they would make fun of such things as E.J. Kahn's five-part series on "Grains of the World" or Elizabeth Drew's supposedly soporific reporting from Washington. But Ved Mehta was always the butt of the worst abuse. Shawn was allowing him to publish an autobiography in the pages of the magazine that was mounting up to millions of words over the years, and the very idea of it seemed to bore people silly. After the publication of two early installments, "Daddyji" and "Mamaji," each the length of a book, one critic cried: "Enoughji!" But it kept coming. And I, for one, was grateful. Here was a boy growing up in Punjab during the fall of the Raj and the Partition, a boy who had been blinded by meningitis at the age of 3, roller-skating through the back streets of Lahore as Sikhs slaughtered Hindus and Hindus slaughtered Muslims and civilization was collapsing and then, decades later, having made his way from India to an Arkansas school for the blind to Balliol College, Oxford, to The New Yorker , re-creating the whole thing in Proustian detail and better-than-Proustian prose ... ! Mehta's multivolume autobiography, titled Continents of Exile , has loss as its overarching theme: loss of sight, of childhood, of home and country, and now--with this volume--loss of Mr. Shawn's New Yorker . The memoir takes us from the time the author was hired as a staff writer in the early '60s up to 1994, when he was "terminated" by the loathed Tina Brown in her vandalization of his cherished magazine. Mehta evidently loved William Shawn at least as much as Lillian Ross did, although his love was not requited in the same way. He likens the revered editor to the character Prince Myshkin in The Idiot : innocent and vulnerable, someone who must be protected. And long-suffering, one might infer: "He was so careful of not hurting anyone's feelings that he often listened to utterly fatuous arguments for hours on end." Like Ross, Mehta struggles to express William Shawn's ineffable virtues. "It is as if, Mehta, he were beyond our human conception," Janet Flanner tells him once to calm him down. At times I wondered whether the author, in his ecstasies of devotion, had not inadvertently committed plagiarism. His words on Mr. Shawn sound suspiciously like those of Mr. Pooter on his boss Mr. Perkupp in The Diary of a Nobody . Compare. Mehta on Shawn: "His words were so generous that I could scarcely find my tongue, even to thank him." Pooter on Perkupp: "My heart was too full to thank him." Mehta: "I started saying to myself compulsively, 'I wish Mr. Shawn would ring,' at the oddest times of the day or night. ... How I longed for the parade of proofs, the excitement of rewriting and perfecting!" Pooter: "Mr. Perkupp, I will work night and day to serve you!" I am not sure I have made it sound this way so far, but Mehta's book is completely engrossing--the most enjoyable book, I think, I have ever reviewed. It oozes affection and conviction, crackles with anger, and is stuffed with thumping good stories. Many are about Mehta's daft colleagues at The New Yorker , such as the guy in the next office: His door was always shut, but I could hear him through the wall that separated his cubicle from mine typing without pause. ... Even the changing of the paper in the typewriter seemed somehow to be incorporated into the rhythmic rat-tat-tat ... year after year went by to the sound of his typing but without a word from his typewriter appearing in the magazine. Or the great and eccentric Irish writer Maeve Breenan, who fetched up as a bag lady. Or the legendary St. Clair McKelway, whose decisive breakdown came when he hailed a cab and prevailed upon the driver to take him to the New Yorker office at 24 West 43 rd St. "O.K., Mac, if that's what you want." He was in Boston at the time. (McKelway later told Mehta that if the cabby had not called him "Mac," his nickname, an alarm might have gone off in his head.) Mehta's writerly persona, a disarming mixture of the feline and the naive, is perfect for relating the little scandals that worried The New Yorker in the late '70s (plagiarism, frozen turbot), the drama of finding a worthy candidate to succeed the aging Shawn as editor, the purchase of the magazine by the evil Si Newhouse ("We all took fright") and the resultant plague of Gottliebs and Florios visited upon it, and what he sees as the final debacle: Tinaji. Lillian Ross, by contrast, takes a rather cheerful view of the Brown dispensation. Indeed, the new editor even coaxed Ross into re-joining the magazine, just as she was booting Mehta out. "I found that she possessed--under the usual disguises--her own share of Bill's kind of naivete, insight, and sensitivity," Ross says of Brown. "She, too, 'got it.' " A few months after Brown was appointed editor, Shawn died at the age of 85. He had long since stopped reading his beloved magazine, in sorrow and relief. That's if you believe Mehta. Ross assures us that Mr. Shawn was reading Tina Brown's New Yorker "with new interest" in the weeks prior to his death. Has Tina Brown betrayed the legacy of William Shawn, as Mehta fiercely believes, or has she continued and built upon it, as Ross is evidently convinced? Have the changes she has wrought enlivened a stodgy magazine or vulgarized a dignified one--or both? These are weighty questions, and one is of course loath to compromise one's life chances by hazarding unripe opinions in a public forum such as this.
train	20001	[ "Why was human cloning banned? ", "What is the main reason the writer takes issue with the Pope's stance on cloning?", "Why does the writer use other medical procedures as evidence to support cloning?", "How does the writer use twins in their argument?", "How do plants factor into the cloning argument?", "How would jealously possibly factor into the issue of cloning?", "Why, according to the writer, is the main underlying reason that people are opposed to cloning?", "What is the underlying defence that the writer has in defence of cloning?" ]	[ [ "It was a preemptive measure. It's too complex to allow it to be explored unregulated. ", "It is objectively immoral and \"evil.\"", "It was an easy political stance for Bill Clinton to take. ", "There was no real research behind it, so there was no pushback on a bad." ], [ "His opinion on it carries too much weight on how the ban is handled. ", "When he supports the ban, he goes beyond his position as a religious leader for a specific group of people.", "The writer feels that humans have the right to choose how they reproduce, and the Pope is disallowing that. ", "The Bible says nothing about cloning in it. " ], [ "To show that there is a demand for more reproductive aids like cloning. ", "To show that the fear of cloning is not based on science. ", "To show that reproduction has always been assisted to the benefit of people one way or another, with good results. ", "To prove the science behind cloning and to show it is based in commonly used practices. " ], [ "They show that clones already exist, and are proven to grow as individuals and have their own individual rights. ", "They show that like twins, clones use the same DNA to make people with shared characteristics. ", "They use twins to show that if clones did exist, they would grow up the same way that twins do. ", "They show that twins are a common occurrence, meaning cloning would not be such a new concept to introduce. " ], [ "They show that the idea of cloning is a possible one because some plants undergo a similar process. ", "Plant cloning is unnatural and a human-made process. ", "They are another example of how humans have influenced reproduction before. ", "They are another example of it happening in nature, and being normal in our day-to-day lives. " ], [ "Clones would be genetically superior, as they'd be able to choose what traits to pass down. ", "People may envy the social recognition that clones would receive. They'd be missing out on the same popularity. ", "Clones get in between people and their spouses. They're too separate and impersonal. ", "People would be \"losing\" a sexual advantage in not being able to reproduce a clone directly themselves. " ], [ "They don't understand the scientific reasoning enough. If they had the knowledge, they would more readily support it. ", "People are afraid of rich people and dictators being cloned and thus continued to be in power. ", "People like Bill Clinton have instilled a fear of it with his policies. ", "They are too scared of the unknown and blinded by their prejudices. They believe that cloning would usurp them in one way or another. " ], [ "There is nothing to fear about it. It can't be used for evil, and there is no evidence suggesting it will affect us negatively.", "There is nothing intrinsically unnatural or immoral about it. Science supports it, and we already owe ourselves to previous new methodologies. ", "It will be a great way to continue the populace. It will give people different options in terms of raising children, and even continuing their own lives vicariously through their clones. ", "It is going to happen anyway, so people may as well accept it for what it is and move on. " ] ]	[ 1, 2, 3, 1, 4, 4, 4, 2 ]	[ 1, 0, 1, 0, 0, 0, 0, 0 ]	Human Clones: Why Not? If you can clone a sheep, you can almost certainly clone a human being. Some of the most powerful people in the world have felt compelled to act against this threat. President Clinton swiftly imposed a ban on federal funding for human-cloning research. Bills are in the works in both houses of Congress to outlaw human cloning--a step urged on all governments by the pope himself. Cloning humans is taken to be either 1) a fundamentally evil thing that must be stopped or, at the very least, 2) a complex ethical issue that needs legislation and regulation. But what, exactly, is so bad about it? Start by asking whether human beings have a right to reproduce. I say "yes." I have no moral right to tell other people they shouldn't be able to have children, and I don't see that Bill Clinton has that right either. When Clinton says, "Let us resist the temptation to copy ourselves," it comes from a man not known for resisting other temptations of the flesh. And for a politician, making noise about cloning is pretty close to a fleshly temptation itself. It's an easy way to show sound-bite leadership on an issue that everybody is talking about, without much risk of bitter consequences. After all, how much federally funded research was stopped by this ban? Probably almost none, because Clinton has maintained Ronald Reagan's policy of minimizing federal grants for research in human reproduction. Besides, most researchers thought cloning humans was impossible--so, for the moment, there's unlikely to be a grant-request backlog. There is nothing like banning the nonexistent to show true leadership. The pope, unlike the president, is known for resisting temptation. He also openly claims the authority to decide how people reproduce. I respect the pope's freedom to lead his religion, and his followers' freedom to follow his dictate. But calling for secular governments to implement a ban, thus extending his power beyond those he can persuade, shows rather explicitly that the pope does not respect the freedom of others. The basic religious doctrine he follows was set down some two millennia ago. Sheep feature prominently in the Bible, but cloning does not. So the pope's views on cloning are 1 st century rules applied using 15 th century religious thinking to a 21 st century issue. If humans have a right to reproduce, what right does society have to limit the means? Essentially all reproduction is done these days with medical help--at delivery, and often before. Truly natural human reproduction would mean 50 percent infant mortality and make pregnancy-related death the No. 1 killer of adult women. True, some forms of medical help are more invasive than others. With in vitro fertilization, the sperm and egg are combined in the lab and surgically implanted in the womb. Less than two decades ago, a similar concern was raised over the ethical issues involved in "test-tube babies." To date, nearly 30,000 such babies have been born in the United States alone. Many would-be parents have been made happy. Who has been harmed? The cloning procedure is similar to IVF. The only difference is that the DNA of sperm and egg would be replaced by DNA from an adult cell. What law or principle--secular, humanist, or religious--says that one combination of genetic material in a flask is OK, but another is not? No matter how closely you study the 1 st century texts, I don't think you'll find the answer. Even if people have the right to do it, is cloning a good idea? Suppose that every prospective parent in the world stopped having children naturally, and instead produced clones of themselves. What would the world be like in another 20 or 30 years? The answer is: much like today. Cloning would only copy the genetic aspects of people who are already here. Hating a world of clones is hating the current populace. Never before was Pogo so right: We have met the enemy, and he is us ! Adifferent scare scenario is a world filled with copies of famous people only. We'll treat celebrity DNA like designer clothes, hankering for Michael Jordan's genes the way we covet his Nike sneakers today. But even celebrity infatuation has its limits. People are not more taken with celebrities than they are with themselves. Besides, such a trend would correct itself in a generation or two, because celebrity is closely linked to rarity. The world seems amused by one Howard Stern, but give us a hundred or a million of them, and they'll seem a lot less endearing. Clones already exist. About one in every 1,000 births results in a pair of babies with the same DNA. We know them as identical twins. Scientific studies on such twins--reared together or apart--show that they share many characteristics. Just how many they share is a contentious topic in human biology. But genetic determinism is largely irrelevant to the cloning issue. Despite how many or how few individual characteristics twins--or other clones--have in common, they are different people in the most fundamental sense . They have their own identities, their own thoughts, and their own rights. Should you be confused on this point, just ask a twin. Suppose that Unsolved Mysteries called you with news of a long-lost identical twin. Would that suddenly make you less of a person, less of an individual? It is hard to see how. So, why would a clone be different? Your clone would be raised in a different era by different people--like the lost identical twin, only younger than you. A person's basic humanity is not governed by how he or she came into this world, or whether somebody else happens to have the same DNA. Twins aren't the only clones in everyday life. Think about seedless grapes or navel oranges--if there are no seeds, where did they come from? It's the plant equivalent of virgin birth--which is to say that they are all clones, propagated by cutting a shoot and planting it. Wine is almost entirely a cloned product. The grapes used for wine have seeds, but they've been cloned from shoots for more than a hundred years in the case of many vineyards. The same is true for many flowers. Go to a garden store, and you'll find products with delightful names like "Olivia's Cloning Compound," a mix of hormones to dunk on the cut end of a shoot to help it take root. One recurring image in anti-cloning propaganda is of some evil dictator raising an army of cloned warriors. Excuse me, but who is going to raise such an army ("raise" in the sense used by parents)? Clones start out life as babies . Armies are far easier to raise the old fashioned way--by recruiting or drafting naive young adults. Dulce et decorum est pro patria mori has worked well enough to send countless young men to their deaths through the ages. Why mess with success? Remember that cloning is not the same as genetic engineering. We don't get to make superman--we have to find him first. Maybe we could clone the superwarrior from Congressional Medal of Honor winners. Their bravery might--or might not--be genetically determined. But, suppose that it is. You might end up with such a brave battalion of heroes that when a grenade lands in their midst, there is a competition to see who gets to jump on it to save the others. Admirable perhaps, but not necessarily the way to win a war. And what about the supply sergeants? The army has a lot more of them than heroes. You could try to breed an expert for every job, including the petty bureaucrats, but what's the point? There's not exactly a shortage of them. What if Saddam Hussein clones were to rule Iraq for another thousand years? Sounds bad, but Saddam's natural son Uday is reputed to make his father seem saintly by comparison. We have no more to fear from a clone of Saddam, or of Hitler, than we do from their natural-born kin--which is to say, we don't have much to fear: Dictators' kids rarely pose a problem. Stalin's daughter retired to Arizona, and Kim Jong Il of North Korea is laughable as Great Leader, Version 2.0. The notion of an 80-year-old man cloning himself to cheat death is quaint, but it is unrealistic. First, the baby wouldn't really be him. Second, is the old duffer really up to changing diapers? A persistent octogenarian might convince a younger couple to have his clone and raise it, but that is not much different from fathering a child via a surrogate mother. Fear of clones is just another form of racism. We all agree it is wrong to discriminate against people based on a set of genetic characteristics known as "race." Calls for a ban on cloning amount to discrimination against people based on another genetic trait--the fact that somebody already has an identical DNA sequence. The most extreme form of discrimination is genocide--seeking to eliminate that which is different. In this case, the genocide is pre-emptive--clones are so scary that we must eliminate them before they exist with a ban on their creation. What is so special about natural reproduction anyway? Cloning is the only predictable way to reproduce, because it creates the identical twin of a known adult. Sexual reproduction is a crap shoot by comparison--some random mix of mom and dad. In evolutionary theory, this combination is thought to help stir the gene pool, so to speak. However, evolution for humans is essentially over, because we use medical science to control the death rate. Whatever the temptations of cloning, the process of natural reproduction will always remain a lot more fun. An expensive and uncomfortable lab procedure will never offer any real competition for sex. The people most likely to clone will be those in special circumstances--infertile couples who must endure IVF anyway, for example. Even there, many will mix genetics to mimic nature. Another special case is where one member of a couple has a severe genetic disease. They might choose a clone of the healthy parent, rather than burden their child with a joint heritage that could be fatal. The most upsetting possibility in human cloning isn't superwarriors or dictators. It's that rich people with big egos will clone themselves. The common practice of giving a boy the same name as his father or choosing a family name for a child of either sex reflects our hunger for vicarious immortality. Clones may resonate with this instinct and cause some people to reproduce this way. So what? Rich and egotistic folks do all sorts of annoying things, and the law is hardly the means with which to try and stop them. The "deep ethical issues" about cloning mainly boil down to jealousy. Economic jealousy is bad enough, and it is a factor here, but the thing that truly drives people crazy is sexual jealousy. Eons of evolution through sexual selection have made the average man or woman insanely jealous of any interloper who gains a reproductive advantage--say by diddling your spouse. Cloning is less personal than cuckoldry, but it strikes a similar chord: Someone has got the reproductive edge on you. Once the fuss has died down and further animal research has paved the way, direct human cloning will be one more option among many specialized medical interventions in human reproduction, affecting only a tiny fraction of the population. Research into this area could bring far wider benefits. Clinton's knee-jerk policy changes nothing in the short run, but it is ultimately a giant step backward. In using an adult cell to create a clone, the "cellular clock" that determines the difference between an embryo and adult was somehow reset. Work in this area might help elucidate the process by which aging occurs and yield a way to reset the clocks in some of our own cells, allowing us to regenerate. Selfishly speaking, that would be more exciting to me than cloning, because it would help me . That's a lot more directly useful than letting me sire an identical twin 40 years my junior. To some, the scientist laboring away to unlock the mysteries of life is a source of evil, never to be trusted. To others, including me, the scientist is the ray of light, illuminating the processes that make the universe work and making us better through that knowledge. Various arguments can be advanced toward either view, but one key statistic is squarely on my side. The vast majority of people, including those who rail against science, owe their very lives to previous medical discoveries. They embody the fruits of science. Don't let the forces of darkness, ignorance, and fear turn us back from research. Instead, let us raise--and yes, even clone--new generations of hapless ingrates, who can whine and rail against the discoveries of the next age.
train	61097	[ "From the passage, what can be inferred about Retief's personality?", "What can be inferred from the passage about Jorgensen's Worlds?", "How do you think Retief felt during his time on the ship?", "What would have likely happened if Tony had attempted to apprehend and remove Retief himself?", "Why did the guard tell Retief that the schedule for Jorgensen's World was filled up?", "Why did the Captain decide to change course and skip Jorgensen's World?", "What can be inferred about the destination decision at the end of the passsage?", "Why was Retief's mission to Jorgensen's Worlds so important?", "What can be inferred about the personality of Chip?" ]	[ [ "He's a \"hick\" as he is referred ", "He's careful with his decisions", "He's scared to push the buttons on the wrong person", "He's tough and determined " ], [ "It's difficult to locate and makes travel rather uncommon", "Tourists are no longer welcome and travel has been halted.", "It's existence is only known as top-secret so there is no information about it. ", "Ships are unable to land due to too many tourists" ], [ "Overwhelmed by bullies", "Fearful of what he would encounter once they landed", "Scared of what they had planned for him", "Annoyed by the grievance he was receiving. " ], [ "He would see the same fate as the others who had stood against Retief", "Retief would have backed off and accepted he was not welcome", "Retief would have communicated with him and solved their issue", "Tony would have won any kind of fight by using his weapon" ], [ "The gates were closing and he didn't want to take the time for the boarding session", "The VIP accommodation requested no tourists", "He was lazy and didn't want to do his job. ", "There were too many tourists on board already and the ship was full" ], [ "They were avoiding going to Jorgensen's World because of Retief's presence", "The journey was too dangerous and long to travel ", "Alabaster was a better opportunity for all on board", "They had to retreat because of the trouble with the Sweaties" ], [ "They will be turning back around to where they came from and calling off the trip", "Retief will ensure the ship travels to Jorgensen's World, as initially planned", "It's still unclear at the end of the passage ", "They will be traveling to Alabaster in stead, per the Captain's orders" ], [ "He held vital information that could change the picture of the future of the area", "He was a useful aggressor who could take down an entire army if needed", "He was responsible for ensuring that Tony did not enter Jorgensen's Worlds", "He was the only member who was skilled in traveling " ], [ "He was selfish and wanted everyone else to suffer", "He was caring and generous when no one else was", "He was an old, hateful man who didn't appreciate back talk", "He only cared about the food he prepared " ] ]	[ 4, 2, 4, 1, 2, 1, 2, 1, 2 ]	[ 0, 1, 0, 0, 1, 1, 0, 1, 1 ]	THE FROZEN PLANET By Keith Laumer [Transcriber's Note: This etext was produced from Worlds of If Science Fiction, September 1961. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] "It is rather unusual," Magnan said, "to assign an officer of your rank to courier duty, but this is an unusual mission." Retief sat relaxed and said nothing. Just before the silence grew awkward, Magnan went on. "There are four planets in the group," he said. "Two double planets, all rather close to an unimportant star listed as DRI-G 33987. They're called Jorgensen's Worlds, and in themselves are of no importance whatever. However, they lie deep in the sector into which the Soetti have been penetrating. "Now—" Magnan leaned forward and lowered his voice—"we have learned that the Soetti plan a bold step forward. Since they've met no opposition so far in their infiltration of Terrestrial space, they intend to seize Jorgensen's Worlds by force." Magnan leaned back, waiting for Retief's reaction. Retief drew carefully on his cigar and looked at Magnan. Magnan frowned. "This is open aggression, Retief," he said, "in case I haven't made myself clear. Aggression on Terrestrial-occupied territory by an alien species. Obviously, we can't allow it." Magnan drew a large folder from his desk. "A show of resistance at this point is necessary. Unfortunately, Jorgensen's Worlds are technologically undeveloped areas. They're farmers or traders. Their industry is limited to a minor role in their economy—enough to support the merchant fleet, no more. The war potential, by conventional standards, is nil." Magnan tapped the folder before him. "I have here," he said solemnly, "information which will change that picture completely." He leaned back and blinked at Retief. "All right, Mr. Councillor," Retief said. "I'll play along; what's in the folder?" Magnan spread his fingers, folded one down. "First," he said. "The Soetti War Plan—in detail. We were fortunate enough to make contact with a defector from a party of renegade Terrestrials who've been advising the Soetti." He folded another finger. "Next, a battle plan for the Jorgensen's people, worked out by the Theory group." He wrestled a third finger down. "Lastly; an Utter Top Secret schematic for conversion of a standard anti-acceleration field into a potent weapon—a development our systems people have been holding in reserve for just such a situation." "Is that all?" Retief said. "You've still got two fingers sticking up." Magnan looked at the fingers and put them away. "This is no occasion for flippancy, Retief. In the wrong hands, this information could be catastrophic. You'll memorize it before you leave this building." "I'll carry it, sealed," Retief said. "That way nobody can sweat it out of me." Magnan started to shake his head. "Well," he said. "If it's trapped for destruction, I suppose—" "I've heard of these Jorgensen's Worlds," Retief said. "I remember an agent, a big blond fellow, very quick on the uptake. A wizard with cards and dice. Never played for money, though." "Umm," Magnan said. "Don't make the error of personalizing this situation, Retief. Overall policy calls for a defense of these backwater worlds. Otherwise the Corps would allow history to follow its natural course, as always." "When does this attack happen?" "Less than four weeks." "That doesn't leave me much time." "I have your itinerary here. Your accommodations are clear as far as Aldo Cerise. You'll have to rely on your ingenuity to get you the rest of the way." "That's a pretty rough trip, Mr. Councillor. Suppose I don't make it?" Magnan looked sour. "Someone at a policy-making level has chosen to put all our eggs in one basket, Retief. I hope their confidence in you is not misplaced." "This antiac conversion; how long does it take?" "A skilled electronics crew can do the job in a matter of minutes. The Jorgensens can handle it very nicely; every other man is a mechanic of some sort." Retief opened the envelope Magnan handed him and looked at the tickets inside. "Less than four hours to departure time," he said. "I'd better not start any long books." "You'd better waste no time getting over to Indoctrination," Magnan said. Retief stood up. "If I hurry, maybe I can catch the cartoon." "The allusion escapes me," Magnan said coldly. "And one last word. The Soetti are patrolling the trade lanes into Jorgensen's Worlds; don't get yourself interned." "I'll tell you what," Retief said soberly. "In a pinch, I'll mention your name." "You'll be traveling with Class X credentials," Magnan snapped. "There must be nothing to connect you with the Corps." "They'll never guess," Retief said. "I'll pose as a gentleman." "You'd better be getting started," Magnan said, shuffling papers. "You're right," Retief said. "If I work at it, I might manage a snootful by takeoff." He went to the door. "No objection to my checking out a needler, is there?" Magnan looked up. "I suppose not. What do you want with it?" "Just a feeling I've got." "Please yourself." "Some day," Retief said, "I may take you up on that." II Retief put down the heavy travel-battered suitcase and leaned on the counter, studying the schedules chalked on the board under the legend "ALDO CERISE—INTERPLANETARY." A thin clerk in a faded sequined blouse and a plastic snakeskin cummerbund groomed his fingernails, watching Retief from the corner of his eye. Retief glanced at him. The clerk nipped off a ragged corner with rabbitlike front teeth and spat it on the floor. "Was there something?" he said. "Two twenty-eight, due out today for the Jorgensen group," Retief said. "Is it on schedule?" The clerk sampled the inside of his right cheek, eyed Retief. "Filled up. Try again in a couple of weeks." "What time does it leave?" "I don't think—" "Let's stick to facts," Retief said. "Don't try to think. What time is it due out?" The clerk smiled pityingly. "It's my lunch hour," he said. "I'll be open in an hour." He held up a thumb nail, frowned at it. "If I have to come around this counter," Retief said, "I'll feed that thumb to you the hard way." The clerk looked up and opened his mouth. Then he caught Retief's eye, closed his mouth and swallowed. "Like it says there," he said, jerking a thumb at the board. "Lifts in an hour. But you won't be on it," he added. Retief looked at him. "Some ... ah ... VIP's required accommodation," he said. He hooked a finger inside the sequined collar. "All tourist reservations were canceled. You'll have to try to get space on the Four-Planet Line ship next—" "Which gate?" Retief said. "For ... ah...?" "For the two twenty-eight for Jorgensen's Worlds," Retief said. "Well," the clerk said. "Gate 19," he added quickly. "But—" Retief picked up his suitcase and walked away toward the glare sign reading To Gates 16-30 . "Another smart alec," the clerk said behind him. Retief followed the signs, threaded his way through crowds, found a covered ramp with the number 228 posted over it. A heavy-shouldered man with a scarred jawline and small eyes was slouching there in a rumpled gray uniform. He put out a hand as Retief started past him. "Lessee your boarding pass," he muttered. Retief pulled a paper from an inside pocket, handed it over. The guard blinked at it. "Whassat?" "A gram confirming my space," Retief said. "Your boy on the counter says he's out to lunch." The guard crumpled the gram, dropped it on the floor and lounged back against the handrail. "On your way, bub," he said. Retief put his suitcase carefully on the floor, took a step and drove a right into the guard's midriff. He stepped aside as the man doubled and went to his knees. "You were wide open, ugly. I couldn't resist. Tell your boss I sneaked past while you were resting your eyes." He picked up his bag, stepped over the man and went up the gangway into the ship. A cabin boy in stained whites came along the corridor. "Which way to cabin fifty-seven, son?" Retief asked. "Up there." The boy jerked his head and hurried on. Retief made his way along the narrow hall, found signs, followed them to cabin fifty-seven. The door was open. Inside, baggage was piled in the center of the floor. It was expensive looking baggage. Retief put his bag down. He turned at a sound behind him. A tall, florid man with an expensive coat belted over a massive paunch stood in the open door, looking at Retief. Retief looked back. The florid man clamped his jaws together, turned to speak over his shoulder. "Somebody in the cabin. Get 'em out." He rolled a cold eye at Retief as he backed out of the room. A short, thick-necked man appeared. "What are you doing in Mr. Tony's room?" he barked. "Never mind! Clear out of here, fellow! You're keeping Mr. Tony waiting." "Too bad," Retief said. "Finders keepers." "You nuts?" The thick-necked man stared at Retief. "I said it's Mr. Tony's room." "I don't know Mr. Tony. He'll have to bull his way into other quarters." "We'll see about you, mister." The man turned and went out. Retief sat on the bunk and lit a cigar. There was a sound of voices in the corridor. Two burly baggage-smashers appeared, straining at an oversized trunk. They maneuvered it through the door, lowered it, glanced at Retief and went out. The thick-necked man returned. "All right, you. Out," he growled. "Or have I got to have you thrown out?" Retief rose and clamped the cigar between his teeth. He gripped a handle of the brass-bound trunk in each hand, bent his knees and heaved the trunk up to chest level, then raised it overhead. He turned to the door. "Catch," he said between clenched teeth. The trunk slammed against the far wall of the corridor and burst. Retief turned to the baggage on the floor, tossed it into the hall. The face of the thick-necked man appeared cautiously around the door jamb. "Mister, you must be—" "If you'll excuse me," Retief said, "I want to catch a nap." He flipped the door shut, pulled off his shoes and stretched out on the bed. Five minutes passed before the door rattled and burst open. Retief looked up. A gaunt leathery-skinned man wearing white ducks, a blue turtleneck sweater and a peaked cap tilted raffishly over one eye stared at Retief. "Is this the joker?" he grated. The thick-necked man edged past him, looked at Retief and snorted, "That's him, sure." "I'm captain of this vessel," the first man said. "You've got two minutes to haul your freight out of here, buster." "When you can spare the time from your other duties," Retief said, "take a look at Section Three, Paragraph One, of the Uniform Code. That spells out the law on confirmed space on vessels engaged in interplanetary commerce." "A space lawyer." The captain turned. "Throw him out, boys." Two big men edged into the cabin, looking at Retief. "Go on, pitch him out," the captain snapped. Retief put his cigar in an ashtray, and swung his feet off the bunk. "Don't try it," he said softly. One of the two wiped his nose on a sleeve, spat on his right palm, and stepped forward, then hesitated. "Hey," he said. "This the guy tossed the trunk off the wall?" "That's him," the thick-necked man called. "Spilled Mr. Tony's possessions right on the deck." "Deal me out," the bouncer said. "He can stay put as long as he wants to. I signed on to move cargo. Let's go, Moe." "You'd better be getting back to the bridge, Captain," Retief said. "We're due to lift in twenty minutes." The thick-necked man and the Captain both shouted at once. The Captain's voice prevailed. "—twenty minutes ... uniform Code ... gonna do?" "Close the door as you leave," Retief said. The thick-necked man paused at the door. "We'll see you when you come out." III Four waiters passed Retief's table without stopping. A fifth leaned against the wall nearby, a menu under his arm. At a table across the room, the Captain, now wearing a dress uniform and with his thin red hair neatly parted, sat with a table of male passengers. He talked loudly and laughed frequently, casting occasional glances Retief's way. A panel opened in the wall behind Retief's chair. Bright blue eyes peered out from under a white chef's cap. "Givin' you the cold shoulder, heh, Mister?" "Looks like it, old-timer," Retief said. "Maybe I'd better go join the skipper. His party seems to be having all the fun." "Feller has to be mighty careless who he eats with to set over there." "I see your point." "You set right where you're at, Mister. I'll rustle you up a plate." Five minutes later, Retief cut into a thirty-two ounce Delmonico backed up with mushrooms and garlic butter. "I'm Chip," the chef said. "I don't like the Cap'n. You can tell him I said so. Don't like his friends, either. Don't like them dern Sweaties, look at a man like he was a worm." "You've got the right idea on frying a steak, Chip. And you've got the right idea on the Soetti, too," Retief said. He poured red wine into a glass. "Here's to you." "Dern right," Chip said. "Dunno who ever thought up broiling 'em. Steaks, that is. I got a Baked Alaska coming up in here for dessert. You like brandy in yer coffee?" "Chip, you're a genius." "Like to see a feller eat," Chip said. "I gotta go now. If you need anything, holler." Retief ate slowly. Time always dragged on shipboard. Four days to Jorgensen's Worlds. Then, if Magnan's information was correct, there would be four days to prepare for the Soetti attack. It was a temptation to scan the tapes built into the handle of his suitcase. It would be good to know what Jorgensen's Worlds would be up against. Retief finished the steak, and the chef passed out the baked Alaska and coffee. Most of the other passengers had left the dining room. Mr. Tony and his retainers still sat at the Captain's table. As Retief watched, four men arose from the table and sauntered across the room. The first in line, a stony-faced thug with a broken ear, took a cigar from his mouth as he reached the table. He dipped the lighted end in Retief's coffee, looked at it, and dropped it on the tablecloth. The others came up, Mr. Tony trailing. "You must want to get to Jorgensen's pretty bad," the thug said in a grating voice. "What's your game, hick?" Retief looked at the coffee cup, picked it up. "I don't think I want my coffee," he said. He looked at the thug. "You drink it." The thug squinted at Retief. "A wise hick," he began. With a flick of the wrist, Retief tossed the coffee into the thug's face, then stood and slammed a straight right to the chin. The thug went down. Retief looked at Mr. Tony, still standing open-mouthed. "You can take your playmates away now, Tony," he said. "And don't bother to come around yourself. You're not funny enough." Mr. Tony found his voice. "Take him, Marbles!" he growled. The thick-necked man slipped a hand inside his tunic and brought out a long-bladed knife. He licked his lips and moved in. Retief heard the panel open beside him. "Here you go, Mister," Chip said. Retief darted a glance; a well-honed french knife lay on the sill. "Thanks, Chip," Retief said. "I won't need it for these punks." Thick-neck lunged and Retief hit him square in the face, knocking him under the table. The other man stepped back, fumbling a power pistol from his shoulder holster. "Aim that at me, and I'll kill you," Retief said. "Go on, burn him!" Mr. Tony shouted. Behind him, the captain appeared, white-faced. "Put that away, you!" he yelled. "What kind of—" "Shut up," Mr. Tony said. "Put it away, Hoany. We'll fix this bum later." "Not on this vessel, you won't," the captain said shakily. "I got my charter to consider." "Ram your charter," Hoany said harshly. "You won't be needing it long." "Button your floppy mouth, damn you!" Mr. Tony snapped. He looked at the man on the floor. "Get Marbles out of here. I ought to dump the slob." He turned and walked away. The captain signaled and two waiters came up. Retief watched as they carted the casualty from the dining room. The panel opened. "I usta be about your size, when I was your age," Chip said. "You handled them pansies right. I wouldn't give 'em the time o' day." "How about a fresh cup of coffee, Chip?" Retief said. "Sure, Mister. Anything else?" "I'll think of something," Retief said. "This is shaping up into one of those long days." "They don't like me bringing yer meals to you in yer cabin," Chip said. "But the cap'n knows I'm the best cook in the Merchant Service. They won't mess with me." "What has Mr. Tony got on the captain, Chip?" Retief asked. "They're in some kind o' crooked business together. You want some more smoked turkey?" "Sure. What have they got against my going to Jorgensen's Worlds?" "Dunno. Hasn't been no tourists got in there fer six or eight months. I sure like a feller that can put it away. I was a big eater when I was yer age." "I'll bet you can still handle it, Old Timer. What are Jorgensen's Worlds like?" "One of 'em's cold as hell and three of 'em's colder. Most o' the Jorgies live on Svea; that's the least froze up. Man don't enjoy eatin' his own cookin' like he does somebody else's." "That's where I'm lucky, Chip. What kind of cargo's the captain got aboard for Jorgensen's?" "Derned if I know. In and out o' there like a grasshopper, ever few weeks. Don't never pick up no cargo. No tourists any more, like I says. Don't know what we even run in there for." "Where are the passengers we have aboard headed?" "To Alabaster. That's nine days' run in-sector from Jorgensen's. You ain't got another one of them cigars, have you?" "Have one, Chip. I guess I was lucky to get space on this ship." "Plenty o' space, Mister. We got a dozen empty cabins." Chip puffed the cigar alight, then cleared away the dishes, poured out coffee and brandy. "Them Sweaties is what I don't like," he said. Retief looked at him questioningly. "You never seen a Sweaty? Ugly lookin' devils. Skinny legs, like a lobster; big chest, shaped like the top of a turnip; rubbery lookin' head. You can see the pulse beatin' when they get riled." "I've never had the pleasure," Retief said. "You prob'ly have it perty soon. Them devils board us nigh ever trip out. Act like they was the Customs Patrol or somethin'." There was a distant clang, and a faint tremor ran through the floor. "I ain't superstitious ner nothin'," Chip said. "But I'll be triple-damned if that ain't them boarding us now." Ten minutes passed before bootsteps sounded outside the door, accompanied by a clicking patter. The doorknob rattled, then a heavy knock shook the door. "They got to look you over," Chip whispered. "Nosy damn Sweaties." "Unlock it, Chip." The chef opened the door. "Come in, damn you," he said. A tall and grotesque creature minced into the room, tiny hoof-like feet tapping on the floor. A flaring metal helmet shaded the deep-set compound eyes, and a loose mantle flapped around the knobbed knees. Behind the alien, the captain hovered nervously. "Yo' papiss," the alien rasped. "Who's your friend, Captain?" Retief said. "Never mind; just do like he tells you." "Yo' papiss," the alien said again. "Okay," Retief said. "I've seen it. You can take it away now." "Don't horse around," the captain said. "This fellow can get mean." The alien brought two tiny arms out from the concealment of the mantle, clicked toothed pincers under Retief's nose. "Quick, soft one." "Captain, tell your friend to keep its distance. It looks brittle, and I'm tempted to test it." "Don't start anything with Skaw; he can clip through steel with those snappers." "Last chance," Retief said. Skaw stood poised, open pincers an inch from Retief's eyes. "Show him your papers, you damned fool," the captain said hoarsely. "I got no control over Skaw." The alien clicked both pincers with a sharp report, and in the same instant Retief half-turned to the left, leaned away from the alien and drove his right foot against the slender leg above the bulbous knee-joint. Skaw screeched and floundered, greenish fluid spattering from the burst joint. "I told you he was brittle," Retief said. "Next time you invite pirates aboard, don't bother to call." "Jesus, what did you do! They'll kill us!" the captain gasped, staring at the figure flopping on the floor. "Cart poor old Skaw back to his boat," Retief said. "Tell him to pass the word. No more illegal entry and search of Terrestrial vessels in Terrestrial space." "Hey," Chip said. "He's quit kicking." The captain bent over Skaw, gingerly rolled him over. He leaned close and sniffed. "He's dead." The captain stared at Retief. "We're all dead men," he said. "These Soetti got no mercy." "They won't need it. Tell 'em to sheer off; their fun is over." "They got no more emotions than a blue crab—" "You bluff easily, Captain. Show a few guns as you hand the body back. We know their secret now." "What secret? I—" "Don't be no dumber than you got to, Cap'n," Chip said. "Sweaties die easy; that's the secret." "Maybe you got a point," the captain said, looking at Retief. "All they got's a three-man scout. It could work." He went out, came back with two crewmen. They hauled the dead alien gingerly into the hall. "Maybe I can run a bluff on the Soetti," the captain said, looking back from the door. "But I'll be back to see you later." "You don't scare us, Cap'n," Chip said. "Him and Mr. Tony and all his goons. You hit 'em where they live, that time. They're pals o' these Sweaties. Runnin' some kind o' crooked racket." "You'd better take the captain's advice, Chip. There's no point in your getting involved in my problems." "They'd of killed you before now, Mister, if they had any guts. That's where we got it over these monkeys. They got no guts." "They act scared, Chip. Scared men are killers." "They don't scare me none." Chip picked up the tray. "I'll scout around a little and see what's goin' on. If the Sweaties figure to do anything about that Skaw feller they'll have to move fast; they won't try nothin' close to port." "Don't worry, Chip. I have reason to be pretty sure they won't do anything to attract a lot of attention in this sector just now." Chip looked at Retief. "You ain't no tourist, Mister. I know that much. You didn't come out here for fun, did you?" "That," Retief said, "would be a hard one to answer." IV Retief awoke at a tap on his door. "It's me, Mister. Chip." "Come on in." The chef entered the room, locking the door. "You shoulda had that door locked." He stood by the door, listening, then turned to Retief. "You want to get to Jorgensen's perty bad, don't you, Mister?" "That's right, Chip." "Mr. Tony give the captain a real hard time about old Skaw. The Sweaties didn't say nothin'. Didn't even act surprised, just took the remains and pushed off. But Mr. Tony and that other crook they call Marbles, they was fit to be tied. Took the cap'n in his cabin and talked loud at him fer half a hour. Then the cap'n come out and give some orders to the Mate." Retief sat up and reached for a cigar. "Mr. Tony and Skaw were pals, eh?" "He hated Skaw's guts. But with him it was business. Mister, you got a gun?" "A 2mm needler. Why?" "The orders cap'n give was to change course fer Alabaster. We're by-passin' Jorgensen's Worlds. We'll feel the course change any minute." Retief lit the cigar, reached under the mattress and took out a short-barreled pistol. He dropped it in his pocket, looked at Chip. "Maybe it was a good thought, at that. Which way to the Captain's cabin?" "This is it," Chip said softly. "You want me to keep an eye on who comes down the passage?" Retief nodded, opened the door and stepped into the cabin. The captain looked up from his desk, then jumped up. "What do you think you're doing, busting in here?" "I hear you're planning a course change, Captain." "You've got damn big ears." "I think we'd better call in at Jorgensen's." "You do, huh?" the captain sat down. "I'm in command of this vessel," he said. "I'm changing course for Alabaster." "I wouldn't find it convenient to go to Alabaster," Retief said. "So just hold your course for Jorgensen's." "Not bloody likely." "Your use of the word 'bloody' is interesting, Captain. Don't try to change course." The captain reached for the mike on his desk, pressed the key. "Power Section, this is the captain," he said. Retief reached across the desk, gripped the captain's wrist. "Tell the mate to hold his present course," he said softly. "Let go my hand, buster," the captain snarled. Eyes on Retief's, he eased a drawer open with his left hand, reached in. Retief kneed the drawer. The captain yelped and dropped the mike. "You busted it, you—" "And one to go," Retief said. "Tell him." "I'm an officer of the Merchant Service!" "You're a cheapjack who's sold his bridge to a pack of back-alley hoods." "You can't put it over, hick." "Tell him." The captain groaned and picked up the mike. "Captain to Power Section," he said. "Hold your present course until you hear from me." He dropped the mike and looked up at Retief. "It's eighteen hours yet before we pick up Jorgensen Control. You going to sit here and bend my arm the whole time?" Retief released the captain's wrist and turned to the door. "Chip, I'm locking the door. You circulate around, let me know what's going on. Bring me a pot of coffee every so often. I'm sitting up with a sick friend." "Right, Mister. Keep an eye on that jasper; he's slippery." "What are you going to do?" the captain demanded. Retief settled himself in a chair. "Instead of strangling you, as you deserve," he said, "I'm going to stay here and help you hold your course for Jorgensen's Worlds." The captain looked at Retief. He laughed, a short bark. "Then I'll just stretch out and have a little nap, farmer. If you feel like dozing off sometime during the next eighteen hours, don't mind me." Retief took out the needler and put it on the desk before him. "If anything happens that I don't like," he said, "I'll wake you up. With this."
train	63442	[ "What can be inferred about the personality of Grannie Annie from the passage?", "Why was Baker hesitant to send his employees on an enforced vacation?", "What was the point in Grannie Annie and Billy-boy venturing into the desert?", "Although Billy-boy questioned his decision of letting Grannie Annie leave with Baker in the kit car, what put his mind at ease?", "What was a common factor with all the victims of the Red Spot Fever?", "How was Antlers Park able to fool Ezra and Billy-boy into believing Grannie Annie was with him?", "What was the motivation behind Antlers Park's behavior?", "How did Grannie Annie avoid the actions of Antlers Park?" ]	[ [ "She's fearless and quick-witted", "She's fearful and hard to work with", "She lacks the experience that she claims she has for her novels", "She lacks the knowledge that is needed for her novels" ], [ "He feared they would have too much difficulty getting the employees back to work.", "He feared that would not stop the plague of Red Spot Fever.", "He feared they would lose chartered rights with Spacolonial", "He feared their work would suffer from the break." ], [ "They were there to find Baker", "They were trying to locate the strange birds", "They were looking for proof of the Red Spot Fever", "They were trying to locate the kites" ], [ "The car and its passengers were safe from the Red Spot Fever", "The kite car was protected by the strange birds.", "The invention by Baker allowed them to watch the movements of the car and its passengers", "She was a strong woman and capable of taking care of herself." ], [ "They were all treated in the Baldric ", "They had all started investigating the odd birds and their strange behavior", "They had all started seeing symptoms in the mines", "They had all started seeing symptoms in the barracks" ], [ "He was driving the kite car too quickly through the sand to clearly see who the passenger was.", "He was using one of the images from the birds as an impersonator of Grannie Annie ", "He was a skilled mastermind with tendencies that could trick anyone into believing him", "His vehicle was equipped with technology that could infiltrate the invention by Baker" ], [ "He wanted Shalf Four all to himself and his team.", "He wanted the mining to stop because it was causing Larynx Voice to become more powerful than Interstellar Incorporated", "He wanted the mining to stop because it was causing Larynx Incorporated to become more powerful than Interstellar Voice", "He wanted his heat gun invention to overpower Baker's inventions" ], [ "She pretended to contract the plague.", "She distracted him by sharing a new plot for her novel.", "She used a cockatoo image to distract him.", "She turned his own heat gun on him" ] ]	[ 1, 3, 1, 3, 4, 2, 3, 1 ]	[ 0, 1, 1, 1, 0, 1, 0, 1 ]	DOUBLE TROUBLE by CARL JACOBI Grannie Annie, that waspish science-fiction writer, was in a jam again. What with red-spot fever, talking cockatoos and flagpole trees, I was running in circles—especially since Grannie became twins every now and then. [Transcriber's Note: This etext was produced from Planet Stories Spring 1945. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] We had left the offices of Interstellar Voice three days ago, Earth time, and now as the immense disc of Jupiter flamed across the sky, entered the outer limits of the Baldric. Grannie Annie strode in the lead, her absurd long-skirted black dress looking as out of place in this desert as the trees. Flagpole trees. They rose straight up like enormous cat-tails, with only a melon-shaped protuberance at the top to show they were a form of vegetation. Everything else was blanketed by the sand and the powerful wind that blew from all quarters. As we reached the first of those trees, Grannie came to a halt. "This is the Baldric all right. If my calculations are right, we've hit it at its narrowest spot." Ezra Karn took a greasy pipe from his lips and spat. "It looks like the rest of this God-forsaken moon," he said, "'ceptin for them sticks." Xartal, the Martian illustrator, said nothing. He was like that, taciturn, speaking only when spoken to. He could be excused this time, however, for this was only our third day on Jupiter's Eighth Moon, and the country was still strange to us. When Annabella C. Flowers, that renowned writer of science fiction, visiphoned me at Crater City, Mars, to meet her here, I had thought she was crazy. But Miss Flowers, known to her friends as Grannie Annie, had always been mildly crazy. If you haven't read her books, you've missed something. She's the author of Lady of the Green Flames , Lady of the Runaway Planet , Lady of the Crimson Space-Beast , and other works of science fiction. Blood-and-thunder as these books are, however, they have one redeeming feature—authenticity of background. Grannie Annie was the original research digger-upper, and when she laid the setting of a yarn on a star of the sixth magnitude, only a transportation-velocity of less than light could prevent her from visiting her "stage" in person. Therefore when she asked me to meet her at the landing field of Interstellar Voice on Jupiter's Eighth Moon, I knew she had another novel in the state of embryo. What I didn't expect was Ezra Karn. He was an old prospector Grannie had met, and he had become so attached to the authoress he now followed her wherever she went. As for Xartal, he was a Martian and was slated to do the illustrations for Grannie's new book. Five minutes after my ship had blasted down, the four of us met in the offices of Interstellar Voice . And then I was shaking hands with Antlers Park, the manager of I. V. himself. "Glad to meet you," he said cordially. "I've just been trying to persuade Miss Flowers not to attempt a trip into the Baldric." "What's the Baldric?" I had asked. Antlers Park flicked the ash from his cheroot and shrugged. "Will you believe me, sir," he said, "when I tell you I've been out here on this forsaken moon five years and don't rightly know myself?" I scowled at that; it didn't make sense. "However, as you perhaps know, the only reason for colonial activities here at all is because of the presence of an ore known as Acoustix. It's no use to the people of Earth but of untold value on Mars. I'm not up on the scientific reasons, but it seems that life on the red planet has developed with a supersonic method of vocal communication. The Martian speaks as the Earthman does, but he amplifies his thoughts' transmission by way of wave lengths as high as three million vibrations per second. The trouble is that by the time the average Martian reaches middle age, his ability to produce those vibrations steadily decreases. Then it was found that this ore, Acoustix, revitalized their sounding apparatus, and the rush was on." "What do you mean?" Park leaned back. "The rush to find more of the ore," he explained. "But up until now this moon is the only place where it can be found. "There are two companies here," he continued, " Interstellar Voice and Larynx Incorporated . Chap by the name of Jimmy Baker runs that. However, the point is, between the properties of these two companies stretches a band or belt which has become known as the Baldric. "There are two principal forms of life in the Baldric; flagpole trees and a species of ornithoid resembling cockatoos. So far no one has crossed the Baldric without trouble." "What sort of trouble?" Grannie Annie had demanded. And when Antlers Park stuttered evasively, the old lady snorted, "Fiddlesticks, I never saw trouble yet that couldn't be explained. We leave in an hour." So now here we were at the outer reaches of the Baldric, four travelers on foot with only the barest necessities in the way of equipment and supplies. I walked forward to get a closer view of one of the flagpole trees. And then abruptly I saw something else. A queer-looking bird squatted there in the sand, looking up at me. Silver in plumage, it resembled a parrot with a crest; and yet it didn't. In some strange way the thing was a hideous caricature. "Look what I found," I yelled. "What I found," said the cockatoo in a very human voice. "Thunder, it talks," I said amazed. "Talks," repeated the bird, blinking its eyes. The cockatoo repeated my last statement again, then rose on its short legs, flapped its wings once and soared off into the sky. Xartal, the Martian illustrator, already had a notebook in his hands and was sketching a likeness of the creature. Ten minutes later we were on the move again. We saw more silver cockatoos and more flagpole trees. Above us, the great disc of Jupiter began to descend toward the horizon. And then all at once Grannie stopped again, this time at the top of a high ridge. She shielded her eyes and stared off into the plain we had just crossed. "Billy-boy," she said to me in a strange voice, "look down there and tell me what you see." I followed the direction of her hand and a shock went through me from head to foot. Down there, slowly toiling across the sand, advanced a party of four persons. In the lead was a little old lady in a black dress. Behind her strode a grizzled Earth man in a flop-brimmed hat, another Earth man, and a Martian. Detail for detail they were a duplicate of ourselves! "A mirage!" said Ezra Karn. But it wasn't a mirage. As the party came closer, we could see that their lips were moving, and their voices became audible. I listened in awe. The duplicate of myself was talking to the duplicate of Grannie Annie, and she was replying in the most natural way. Steadily the four travelers approached. Then, when a dozen yards away, they suddenly faded like a negative exposed to light and disappeared. "What do you make of it?" I said in a hushed voice. Grannie shook her head. "Might be a form of mass hypnosis superinduced by some chemical radiations," she replied. "Whatever it is, we'd better watch our step. There's no telling what might lie ahead." We walked after that with taut nerves and watchful eyes, but we saw no repetition of the "mirage." The wind continued to blow ceaselessly, and the sand seemed to grow more and more powdery. For some time I had fixed my gaze on a dot in the sky which I supposed to be a high-flying cockatoo. As that dot continued to move across the heavens in a single direction, I called Grannie's attention to it. "It's a kite," she nodded. "There should be a car attached to it somewhere." She offered no further explanation, but a quarter of an hour later as we topped another rise a curious elliptical car with a long slanting windscreen came into view. Attached to its hood was a taut wire which slanted up into the sky to connect with the kite. A man was driving and when he saw us, he waved. Five minutes later Grannie was shaking his hand vigorously and mumbling introductions. "This is Jimmy Baker," she said. "He manages Larynx Incorporated , and he's the real reason we're here." I decided I liked Baker the moment I saw him. In his middle thirties, he was tall and lean, with pleasant blue eyes which even his sand goggles could not conceal. "I can't tell you how glad I am you're here, Grannie," he said. "If anybody can help me, you can." Grannie's eyes glittered. "Trouble with the mine laborers?" she questioned. Jimmy Baker nodded. He told his story over the roar of the wind as we headed back across the desert. Occasionally he touched a stud on an electric windlass to which the kite wire was attached. Apparently these adjustments moved planes or fins on the kite and accounted for the car's ability to move in any direction. "If I weren't a realist, I'd say that Larynx Incorporated has been bewitched," he began slowly. "We pay our men high wages and give them excellent living conditions with a vacation on Callisto every year. Up until a short time ago most of them were in excellent health and spirits. Then the Red Spot Fever got them." "Red Spot Fever?" Grannie looked at him curiously. Jimmy Baker nodded. "The first symptoms are a tendency to garrulousness on the part of the patient. Then they disappear." He paused to make an adjustment of the windlass. "They walk out into the Baldric," he continued, "and nothing can stop them. We tried following them, of course, but it was no go. As soon as they realize they're being followed, they stop. But the moment our eyes are turned, they give us the slip." "But surely you must have some idea of where they go," Grannie said. Baker lit a cigarette. "There's all kinds of rumors," he replied, "but none of them will hold water. By the way, there's a cockatoo eyrie ahead of us." I followed his gaze and saw a curious structure suspended between a rude circle of flagpole trees. A strange web-like formation of translucent gauzy material, it was. Fully two hundred cockatoos were perched upon it. They watched us with their mild eyes as we passed, but they didn't move. After that we were rolling up the driveway that led to the offices of Larynx Incorporated . As Jimmy Baker led the way up the inclined ramp, a door in the central building opened, and a man emerged. His face was drawn. "Mr. Baker," he said breathlessly, "seventy-five workers at Shaft Four have headed out into the Baldric." Baker dropped his cigarette and ground his heel on it savagely. "Shaft Four, eh?" he repeated. "That's our principal mine. If the fever spreads there, I'm licked." He motioned us into his office and strode across to a desk. Silent Xartal, the Martian illustrator, took a chair in a corner and got his notebook out, sketching the room's interior. Grannie Annie remained standing. Presently the old lady walked across to the desk and helped herself to the bottle of Martian whiskey there. "There must be ways of stopping this," she said. "Have you called in any physicians? Why don't you call an enforced vacation and send the men away until the plague has died down?" Baker shook his head. "Three doctors from Callisto were here last month. They were as much at loss as I am. As for sending the men away, I may have to do that, but when I do, it means quits. Our company is chartered with Spacolonial, and you know what that means. Failure to produce during a period of thirty days or more, and you lose all rights." A visiphone bell sounded, and Baker walked across to the instrument. A man's face formed in the vision plate. Baker listened, said "Okay" and threw off the switch. "The entire crew of Shaft Four have gone out into the Baldric," he said slowly. There was a large map hanging on the wall back of Baker's desk. Grannie Annie walked across to it and began to study its markings. "Shaft Four is at the outer edge of the Baldric at a point where that corridor is at its widest," she said. Baker looked up. "That's right. We only began operations there a comparatively short time ago. Struck a rich vein of Acoustix that runs deep in. If that vein holds out, we'll double the output of Interstellar Voice , our rival, in a year." Grannie nodded. "I think you and I and Xartal had better take a run up there," she said. "But first I want to see your laboratory." There was no refusing her. Jimmy Baker led the way down to a lower level where a huge laboratory and experimental shop ran the length of the building. Grannie seized a light weight carry-case and began dropping articles into it. A pontocated glass lens, three or four Wellington radite bulbs, each with a spectroscopic filament, a small dynamo that would operate on a kite windlass, and a quantity of wire and other items. The kite car was brought out again, and the old woman, Baker and the Martian took their places in it. Then Jimmy waved, and the car began to roll down the ramp. Not until they had vanished in the desert haze did I sense the loneliness of this outpost. With that loneliness came a sudden sense of foreboding. Had I been a fool to let Grannie go? I thought of her, an old woman who should be in a rocking chair, knitting socks. If anything happened to Annabella C. Flowers, I would never forgive myself and neither would her millions of readers. Ezra Karn and I went back into the office. The old prospector chuckled. "Dang human dynamo. Got more energy than a runaway comet." A connecting door on the far side of the office opened onto a long corridor which ended at a staircase. "Let's look around," I said. We passed down the corridor and climbed the staircase to the second floor. Here were the general offices of Larynx Incorporated , and through glass doors I could see clerks busy with counting machines and report tapes. In another chamber the extremely light Acoustix ore was being packed into big cases and marked for shipment. At the far end a door to a small room stood open. Inside a young man was tilted back in a swivel chair before a complicated instrument panel. "C'mon in," he said, seeing us. "If you want a look at your friends, here they are." He flicked a stud, and the entire wall above the panel underwent a slow change of colors. Those colors whirled kaleidescopically, then coalesced into a three-dimensional scene. It was a scene of a rapidly unfolding desert country as seen from the rear of a kite car. Directly behind the windscreen, backs turned to me, were Jimmy Baker, Grannie, and Xartal. It was as if I were standing directly behind them. "It's Mr. Baker's own invention," the operator said. "An improvement on the visiphone." "Do you mean to say you can follow the movements of that car and its passengers wherever it goes? Can you hear them talk too?" "Sure." The operator turned another dial, and Grannie's falsetto voice entered the room. It stopped abruptly. "The machine uses a lot of power," the operator said, "and as yet we haven't got much." The cloud of anxiety which had wrapped itself about me disappeared somewhat as I viewed this device. At least I could now keep myself posted of Grannie's movements. Karn and I went down to the commissary where we ate our supper. When we returned to Jimmy Baker's office, the visiphone bell was ringing. I went over to it and turned it on, and to my surprise the face of Antlers Park flashed on the screen. "Hello," he said in his friendly way. "I see you arrived all right. Is Miss Flowers there?" "Miss Flowers left with Mr. Baker for Shaft Four," I said. "There's trouble up there. Red spot fever." "Fever, eh?" repeated Park. "That's a shame. Is there anything I can do?" "Tell me," I said, "has your company had any trouble with this plague?" "A little. But up until yesterday the fever's been confined to the other side of the Baldric. We had one partial case, but my chemists gave the chap an antitoxin that seems to have worked. Come to think of it, I might drive over to Shaft Four and give Jimmy Baker the formula. I haven't been out in the Baldric for years, but if you didn't have any trouble, I shouldn't either." We exchanged a few more pleasantries, and then he rang off. In exactly an hour I went upstairs to the visiscreen room. Then once more I was directly behind my friends, listening in on their conversation. The view through the windscreen showed an irregular array of flagpole trees, with the sky dotted by high-flying cockatoos. "There's an eyrie over there," Jimmy Baker was saying. "We might as well camp beside it." Moments later a rude circle of flagpole trees loomed ahead. Across the top of them was stretched a translucent web. Jimmy and Grannie got out of the car and began making camp. Xartal remained in his seat. He was drawing pictures on large pieces of pasteboard, and as I stood there in the visiscreen room, I watched him. There was no doubt about it, the Martian was clever. He would make a few rapid lines on one of the pasteboards, rub it a little to get the proper shading and then go on to the next. In swift rotation likenesses of Ezra Karn, of myself, of Jimmy Baker, and of Antlers Park took form. Ezra spoke over my shoulder. "He's doing scenes for Grannie's new book," he said. "The old lady figures on using the events here for a plot. Look at that damned nosy bird! " A silver cockatoo had alighted on the kite car and was surveying curiously Xartal's work. As each drawing was completed, the bird scanned it with rapt attention. Abruptly it flew to the top of the eyrie, where it seemed to be having a consultation with its bird companions. And then abruptly it happened. The cockatoos took off in mass flight. A group of Earth people suddenly materialized on the eyrie, talking and moving about as if it were the most natural thing in the world. With a shock I saw the likeness of myself; I saw Ezra Karn; and I saw the image of Jimmy Baker. The real Jimmy Baker stood next to Grannie, staring up at this incredible mirage. Grannie let out a whoop. "I've got it!" she said. "Those things we see up there are nothing more than mental images. They're Xartal's drawings!" "Don't you see," the lady continued. "Everything that Xartal put on paper has been seen by one or more of these cockatoos. The cockatoos are like Earth parrots all right, but not only have they the power of copying speech, they also have the ability to recreate a mental image of what they have seen. In other words their brains form a powerful photographic impression of the object. That impression is then transmitted simultaneously in telepathic wavelengths to common foci. That eyrie might be likened to a cinema screen, receiving brain vibrations from a hundred different sources that blend into the light field to form what are apparently three-dimensional images." The Larynx manager nodded slowly. "I see," he said. "But why don't the birds reconstruct images from the actual person. Why use drawings?" "Probably because the drawings are exaggerated in certain details and made a greater impression on their brains," Grannie replied. Up on the eyrie a strange performance was taking place. The duplicate of Grannie Annie was bowing to the duplicate of Jimmy Baker, and the image of Ezra Karn was playing leap frog with the image of Antlers Park. Then abruptly the screen before me blurred and went blank. "Sorry," the operator said. "I've used too much power already. Have to give the generators a chance to build it up again." Nodding, I turned and motioned to Karn. We went back downstairs. "That explains something at any rate," the old prospector said. "But how about that Red spot fever?" On Jimmy Baker's desk was a large file marked: FEVER VICTIMS. I opened it and found it contained the case histories of those men who had been attacked by the strange malady. Reading them over, I was struck by one detail. Each patient had received the first symptoms, not while working in the mines, but while sleeping or lounging in the barracks. Five minutes later Karn and I were striding down a white ramp that led to the nearest barracks. The building came into sight, a low rectangular structure, dome-roofed to withstand the violent winds. Inside double tiers of bunks stretched along either wall. In those bunks some thirty men lay sleeping. The far wall was taken up by a huge window of denvo-quartz. As I stood there, something suddenly caught Ezra Karn's eye. He began to walk toward that window. "Look here," he said. Six feet up on that window a small almost imperceptible button of dull metal had been wedged into an aperture cut in the quartz. The central part of the button appeared to be a powerful lens of some kind, and as I seized it and pulled it loose, I felt the hum of tiny clock work. All at once I had it! Red spot fever. Heat fever from the infra-red rays of Jupiter's great spot. Someone had constructed this lens to concentrate and amplify the power of those rays. The internal clockwork served a double purpose. It opened a shutter, and it rotated the lens slowly so that it played for a time on each of the sleeping men. I slid the metal button in my pocket and left the barracks at a run. Back in the visiscreen room, I snapped to the operator: "Turn it on!" The kite car swam into view in the screen above the instrument panel. I stared with open eyes. Jimmy Baker no longer was in the car, nor was Xartal, the Martian. Grannie Annie was there, but seated at the controls was Antlers Park, the manager of Interstellar Voice. Ezra Karn jabbed my elbow. "Grannie's coming back. I thought she'd be getting sick of this blamed moon." It didn't make sense. In all the years I'd known Annabella C. Flowers, never yet had I seen her desert a case until she had woven the clues and facts to a logical conclusion. "Ezra," I said, "we're going to drive out and meet them. There's something screwy here." Ten minutes later in another kite car we were driving at a fast clip through the powdery sands of the Baldric. And before long we saw another car approaching. It was Grannie. As the car drew up alongside I saw her sitting in her prim way next to Antlers Park. Park said: "We left the others at the mine. Miss Flowers is going back with me to my offices to help me improve the formula for that new antitoxin." He waved his hand, and the car moved off. I watched it as it sped across the desert, and a growing suspicion began to form in my mind. Then, like a knife thrust, the truth struck me. "Ezra!" I yelled, swinging the car. "That wasn't Grannie! That was one of those damned cockatoo images. We've got to catch him." The other car was some distance ahead now. Park looked back and saw us following. He did something to the kite wire, and his car leaped ahead. I threw the speed indicator hard over. Our kite was a huge box affair with a steady powerful pull to the connecting wire. Park's vehicle was drawn by a flat triangular kite that dove and fluttered with each variance of the wind. Steadily we began to close in. The manager of Interstellar Voice turned again, and something glinted in his hand. There was a flash of purple flame, and a round hole appeared in our windscreen inches above Karn's head. "Heat gun!" Ezra yelled. Now we were rocketing over the sand dunes, winding in and out between the flagpole trees. I had to catch that car I told myself. Grannie Annie's very life might be at stake, not to mention the lives of hundreds of mine workers. Again Park took aim and again a hole shattered our windscreen. The wind shifted and blew from another quarter. The box kite soared, but the triangular kite faltered. Taking advantage of Park's loss of speed, I raced alongside. The I. V. manager lifted his weapon frantically. But before he could use it a third time, Ezra Karn had whipped a lariat from his belt and sent it coiling across the intervening space. The thong yanked tight about the manager's throat. Park did the only thing he could do. He shut off power, and the two cars coasted to a halt. Then I was across in the other seat, wrenching the weapon free from his grasp. "What have you done with Miss Flowers?" I demanded. The manager's eyes glittered with fear as he saw my finger tense on the trigger. Weakly he lifted an arm and pointed to the northwest. "Val-ley. Thir-ty miles. Entrance hidden by wall of ... flagpole trees." I leaped into the driver's seat and gave the kite its head. And now the country began to undergo a subtle change. The trees seemed to group themselves in a long flanking corridor in a northwesterly direction, as if to hide some secret that lay beyond. Twice I attempted to penetrate that wall, only to find my way blocked by those curious growths. Then a corridor opened before me; a mile forward and the desert began again. But it was a new desert this time: the sand packed hard as granite, the way ahead utterly devoid of vegetation. In the distance black bulging hills extended to right and left, with a narrow chasm or doorway between. I headed for that entrance, and when I reached it, I shut off power with an exclamation of astonishment. There was a huge chair-shaped rock there, and seated upon it was Grannie Annie. She had a tablet in her hands, and she was writing. "Grannie!" I yelled. "What're you doing here? Where's Mr. Baker?" She rose to her feet and clambered down the rock. "Getting back Jimmy's mine laborers," she said, a twinkle in her eyes. "I see you've got Antlers Park. I'm glad of that. It saves me a lot of trouble." She took off her spectacles and wiped them on her sleeve. "Don't look so fuddled, Billy-boy. Come along, and I'll show you." She led the way through the narrow passage into the valley. A deep gorge, it was, with the black sheer cliffs on either side pressing close. Ten feet forward, I stopped short, staring in amazement. Advancing toward me like a column of infantry came a long line of Larynx miners. They walked slowly, looking straight ahead, moving down the center of the gorge toward the entrance. But there was more! A kite car was drawn up to the side. The windscreen had been removed, and mounted on the hood was a large bullet-like contrivance that looked not unlike a search lamp. A blinding shaft of bluish radiance spewed from its open end. Playing it back and forth upon the marching men were Jimmy Baker and Xartal, the Martian. "Ultra violet," Grannie Annie explained. "The opposite end of the vibratory scale and the only thing that will combat the infra-red rays that cause red spot fever. Those men won't stop walking until they've reached Shaft Four." Grannie Annie told her story during the long ride back to Shaft Four. We drove slowly, keeping the line of marching Larynx miners always ahead of us. Jimmy Baker had struck a new big lode of Acoustix, a lode which if worked successfully would see Larynx Incorporated become a far more powerful exporting concern than Interstellar Voice . Antlers Park didn't want that. It was he or his agents who placed those lens buttons in the Larynx barracks. For he knew that just as Jupiter's great spot was responsible for a climate and atmosphere suitable for an Earthman on this Eighth Moon, so also was that spot a deadly power in itself, capable when its rays were concentrated of causing a fatal sickness. Then suddenly becoming fearful of Grannie's prying, Antlers Park strove to head her off before she reached Shaft Four. He did head her off and managed to lure her and Baker and Xartal into the Shaft barracks where they would be exposed to the rays from the lens button. But Grannie only pretended to contract the plague. Park then attempted to outwit Ezra Karn and me by returning in Jimmy Baker's kite car with a cockatoo image of Grannie.
train	50893	[ "Why was the population of the states along the three Faults so low around the late '40s?", "What could be indicated by the mention in the passage of some newspapers leaving out the question mark regarding \"Only Active Volcano in U.S.?", "Why was the idea of Joseph Schwartzberg regarding the explanation for Kiowa Fault not recognized largely by newspapers?", "How can we interpret Mr. Schwartzberg was feeling from his theory not being taken seriously?", "What could be meant by the Schwartzberg quote in the passage saying that, \"It looks like sand dancing in a child's sieve.\"?", "Why would the band of scientists fear that there might not be pieces to pick up once the affected area population returned?", "Why was mountain climbing prohibited on the Eastern Slope during the time?", "What was the second phase of the natural disaster?", "What was the effect on the Mississippi River after the disaster?", "What is now a similar experience to what was once normal for shipping centers?" ]	[ [ "Flooding from the three Faults was dangerous ", "Sheep farmers were losing ground", "The land was very dry", "It was too difficult to travel the area during that time" ], [ "The newspapers were aiming for dramatic effect by proclaiming it was indeed active", "The newspapers misprinted", "The newspapers were confirming that there was an ongoing eruption", "The newspapers were trying to pass off the dust as smoke from the volcanoes" ], [ "He lacked the credentials needed for such a proclamation", "His information was disproven very early on. ", "His theory lacked the dramatic effect that was desired", "He was not dignified enough to receive the recognition" ], [ "Frustrated because his evidentiary support showed it was logical", "Happy that he might be incorrect and it was only dust", "Disappointed that he had missed his opportunity for scientific acknowledgement. ", "Excited that it could likely be something more exciting" ], [ "The rocks and dust were quickly mixing with water and creating mud.", "The rocks and dust were disappearing.", "The swirling dust and rocks were churning substantially. ", "He was comparing the dust and rocks to a child by their minimal presence. " ], [ "They were doubting the theory by Schwartzberg.", "The damage would be too substantial and there would nothing left to salvage.", "They feared that no one would escape alive. ", "Theft in the area was also on the rise." ], [ "The rocks were shifting too fast and the paths could be confusing", "The flooding was too substantial ", "They feared the danger of rock slides", "Rescue missions were too dangerous due to the sand storms " ], [ "The falling rock that was giving way.", "The dust clouds that were taking over.", "The flock of refugees seeking safety. ", "Annoyingly loud noises that halted progress on rebuilding." ], [ "It has grown substantially.", "It has increased river shipping", "It has merged with the Missouri", "It has diminished to only a fraction of what it once was" ], [ "The Cross-Canada Throughway ", "Traveling ashore to Newport", "Traveling to the Oklahoma Oil Company", "Traveling through the fringe of Kansas" ] ]	[ 3, 1, 3, 1, 3, 2, 3, 1, 4, 1 ]	[ 0, 0, 0, 1, 1, 0, 0, 0, 0, 0 ]	THE GREAT NEBRASKA SEA By ALLAN DANZIG Illustrated by WOOD [Transcriber's Note: This etext was produced from Galaxy Magazine August 1963. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] It has happened a hundred times in the long history of Earth—and, sooner or later, will happen again! Everyone—all the geologists, at any rate—had known about the Kiowa Fault for years. That was before there was anything very interesting to know about it. The first survey of Colorado traced its course north and south in the narrow valley of Kiowa Creek about twenty miles east of Denver; it extended south to the Arkansas River. And that was about all even the professionals were interested in knowing. There was never so much as a landslide to bring the Fault to the attention of the general public. It was still a matter of academic interest when in the late '40s geologists speculated on the relationship between the Kiowa Fault and the Conchas Fault farther south, in New Mexico, and which followed the Pecos as far south as Texas. Nor was there much in the papers a few years later when it was suggested that the Niobrara Fault (just inside and roughly parallel to the eastern border of Wyoming) was a northerly extension of the Kiowa. By the mid sixties it was definitely established that the three Faults were in fact a single line of fissure in the essential rock, stretching almost from the Canadian border well south of the New Mexico-Texas line. It is not really surprising that it took so long to figure out the connection. The population of the states affected was in places as low as five people per square mile! The land was so dry it seemed impossible that it could ever be used except for sheep-farming. It strikes us today as ironic that from the late '50s there was grave concern about the level of the water table throughout the entire area. The even more ironic solution to the problem began in the summer of 1973. It had been a particularly hot and dry August, and the Forestry Service was keeping an anxious eye out for the fires it knew it could expect. Dense smoke was reported rising above a virtually uninhabited area along Black Squirrel Creek, and a plane was sent out for a report. The report was—no fire at all. The rising cloud was not smoke, but dust. Thousands of cubic feet of dry earth rising lazily on the summer air. Rock slides, they guessed; certainly no fire. The Forestry Service had other worries at the moment, and filed the report. But after a week had gone by, the town of Edison, a good twenty miles away from the slides, was still complaining of the dust. Springs was going dry, too, apparently from underground disturbances. Not even in the Rockies could anyone remember a series of rock slides as bad as this. Newspapers in the mountain states gave it a few inches on the front page; anything is news in late August. And the geologists became interested. Seismologists were reporting unusual activity in the area, tremors too severe to be rock slides. Volcanic activity? Specifically, a dust volcano? Unusual, they knew, but right on the Kiowa Fault—could be. Labor Day crowds read the scientific conjectures with late summer lassitude. Sunday supplements ran four-color artists' conceptions of the possible volcano. "Only Active Volcano in U. S.?" demanded the headlines, and some papers even left off the question mark. It may seem odd that the simplest explanation was practically not mentioned. Only Joseph Schwartzberg, head geographer of the Department of the Interior, wondered if the disturbance might not be a settling of the Kiowa Fault. His suggestion was mentioned on page nine or ten of the Monday newspapers (page 27 of the New York Times ). The idea was not nearly so exciting as a volcano, even a lava-less one, and you couldn't draw a very dramatic picture of it. To excuse the other geologists, it must be said that the Kiowa Fault had never acted up before. It never sidestepped, never jiggled, never, never produced the regular shows of its little sister out in California, which almost daily bounced San Francisco or Los Angeles, or some place in between. The dust volcano was on the face of it a more plausible theory. Still, it was only a theory. It had to be proved. As the tremors grew bigger, along with the affected area, as several towns including Edison were shaken to pieces by incredible earthquakes, whole bus- and plane-loads of geologists set out for Colorado, without even waiting for their university and government department to approve budgets. They found, of course, that Schwartzberg had been perfectly correct. They found themselves on the scene of what was fast becoming the most violent and widespread earthquake North America—probably the world—has ever seen in historic times. To describe it in the simplest terms, land east of the Fault was settling, and at a precipitous rate. Rock scraped rock with a whining roar. Shuddery as a squeaky piece of chalk raked across a blackboard, the noise was deafening. The surfaces of the land east and west of the Fault seemed no longer to have any relation to each other. To the west, tortured rock reared into cliffs. East, where sharp reports and muffled wheezes told of continued buckling and dropping, the earth trembled downward. Atop the new cliffs, which seemed to grow by sudden inches from heaving rubble, dry earth fissured and trembled, sliding acres at a time to fall, smoking, into the bucking, heaving bottom of the depression. There the devastation was even more thorough, if less spectacular. Dry earth churned like mud, and rock shards weighing tons bumped and rolled about like pebbles as they shivered and cracked into pebbles themselves. "It looks like sand dancing in a child's sieve," said the normally impassive Schwartzberg in a nationwide broadcast from the scene of disaster. "No one here has ever seen anything like it." And the landslip was growing, north and south along the Fault. "Get out while you can," Schwartzberg urged the population of the affected area. "When it's over you can come back and pick up the pieces." But the band of scientists who had rallied to his leadership privately wondered if there would be any pieces. The Arkansas River, at Avondale and North Avondale, was sluggishly backing north into the deepening trough. At the rate things were going, there might be a new lake the entire length of El Paso and Pueblo Counties. And, warned Schwartzberg, this might only be the beginning. By 16 September the landslip had crept down the Huerfano River past Cedarwood. Avondale, North Avondale and Boone had totally disappeared. Land west of the Fault was holding firm, though Denver had recorded several small tremors; everywhere east of the Fault, to almost twenty miles away, the now-familiar lurch and steady fall had already sent several thousand Coloradans scurrying for safety. All mountain climbing was prohibited on the Eastern Slope because of the danger of rock slides from minor quakes. The geologists went home to wait. There wasn't much to wait for. The news got worse and worse. The Platte River, now, was creating a vast mud puddle where the town of Orchard had been. Just below Masters, Colorado, the river leaped 70-foot cliffs to add to the heaving chaos below. And the cliffs were higher every day as the land beneath them groaned downward in mile-square gulps. As the Fault moved north and south, new areas quivered into unwelcome life. Fields and whole mountainsides moved with deceptive sloth down, down. They danced "like sand in a sieve"; dry, they boiled into rubble. Telephone lines, railroad tracks, roads snapped and simply disappeared. Virtually all east-west land communication was suspended and the President declared a national emergency. By 23 September the Fault was active well into Wyoming on the north, and rapidly approaching the border of New Mexico to the south. Trinchera and Branson were totally evacuated, but even so the over-all death toll had risen above 1,000. Away to the east the situation was quiet but even more ominous. Tremendous fissures opened up perpendicular to the Fault, and a general subsidence of the land was noticeable well into Kansas and Nebraska. The western borders of these states, and soon of the Dakotas and Oklahoma as well, were slowly sinking. On the actual scene of the disaster (or the scenes ; it is impossible to speak of anything this size in the singular) there was a horrifying confusion. Prairie and hill cracked open under intolerable strains as the land shuddered downward in gasps and leaps. Springs burst to the surface in hot geysers and explosions of steam. The downtown section of North Platte, Nebraska, dropped eight feet, just like that, on the afternoon of 4 October. "We must remain calm," declared the Governor of Nebraska. "We must sit this thing out. Be assured that everything possible is being done." But what could be done, with his state dropping straight down at a mean rate of a foot a day? The Fault nicked off the south-east corner of Montana. It worked its way north along the Little Missouri. South, it ripped past Roswell, New Mexico, and tore down the Pecos toward Texas. All the upper reaches of the Missouri were standing puddles by now, and the Red River west of Paris, Texas, had begun to run backward. Soon the Missouri began slowly slipping away westward over the slowly churning land. Abandoning its bed, the river spread uncertainly across farmland and prairie, becoming a sea of mud beneath the sharp new cliffs which rose in rending line, ever taller as the land continued to sink, almost from Canada to the Mexican border. There were virtually no floods, in the usual sense. The water moved too slowly, spread itself with no real direction or force. But the vast sheets of sluggish water and jelly-like mud formed death-traps for the countless refugees now streaming east. Perhaps the North Platte disaster had been more than anyone could take. 193 people had died in that one cave-in. Certainly by 7 October it had to be officially admitted that there was an exodus of epic proportion. Nearly two million people were on the move, and the U. S. was faced with a gigantic wave of refugees. Rails, roads and air-lanes were jammed with terrified hordes who had left everything behind to crowd eastward. All through October hollow-eyed motorists flocked into Tulsa, Topeka, Omaha, Sioux Falls and Fargo. St. Louis was made distributing center for emergency squads which flew everywhere with milk for babies and dog food for evacuating pets. Gasoline trucks boomed west to meet the demand for gas, but once inside the "zone of terror," as the newspapers now called it, they found their route blocked by eastbound cars on the wrong side of the road. Shops left by their fleeing owners were looted by refugees from further west; an American Airlines plane was wrecked by a mob of would-be passengers in Bismarck, North Dakota. Federal and State troops were called out, but moving two million people was not to be done in an orderly way. And still the landslip grew larger. The new cliffs gleamed in the autumn sunshine, growing higher as the land beneath them continued its inexorable descent. On 21 October, at Lubbock, Texas, there was a noise variously described as a hollow roar, a shriek and a deep musical vibration like a church bell. It was simply the tortured rock of the substrata giving way. The second phase of the national disaster was beginning. The noise traveled due east at better than 85 miles per hour. In its wake the earth to the north "just seemed to collapse on itself like a punctured balloon," read one newspaper report. "Like a cake that's failed," said a Texarkana housewife who fortunately lived a block south of Thayer Street, where the fissure raced through. There was a sigh and a great cloud of dust, and Oklahoma subsided at the astounding rate of about six feet per hour. At Biloxi, on the Gulf, there had been uneasy shufflings under foot all day. "Not tremors, exactly," said the captain of a fishing boat which was somehow to ride out the coming flood, "but like as if the land wanted to be somewhere else." Everyone in doomed Biloxi would have done well to have been somewhere else that evening. At approximately 8:30 p.m. the town shuddered, seemed to rise a little like the edge of a hall carpet caught in a draft, and sank. So did the entire Mississippi and Alabama coast, at about the same moment. The tidal wave which was to gouge the center from the U. S. marched on the land. From the north shore of Lake Ponchartrain to the Appalachicola River in Florida, the Gulf coast simply disappeared. Gulfport, Biloxi, Mobile, Pensacola, Panama City: 200 miles of shoreline vanished, with over two and a half million people. An hour later a wall of water had swept over every town from Dothan, Alabama, to Bogalusa on the Louisiana-Mississippi border. "We must keep panic from our minds," said the Governor of Alabama in a radio message delivered from a hastily arranged all-station hookup. "We of the gallant southland have faced and withstood invasion before." Then, as ominous creakings and groanings of the earth announced the approach of the tidal wave, he flew out of Montgomery half an hour before the town disappeared forever. One head of the wave plunged north, eventually to spend itself in the hills south of Birmingham. The main sweep followed the lowest land. Reaching west, it swallowed Vicksburg and nicked the corner of Louisiana. The whole of East Carroll Parish was scoured from the map. The Mississippi River now ended at about Eudora, Arkansas, and minute by minute the advancing flood bit away miles of river bed, swelling north. Chicot, Jennie, Lake Village, Arkansas City, Snow Lake, Elaine, Helena and Memphis felt the tremors. The tormented city shuddered through the night. The earth continued its descent, eventually tipping 2-1/2 degrees down to the west. The "Memphis Tilt" is today one of the unique and charming characteristics of the gracious Old Town, but during the night of panic Memphis residents were sure they were doomed. South and west the waters carved deeply into Arkansas and Oklahoma. By morning it was plain that all of Arkansas was going under. Waves advanced on Little Rock at almost 100 miles an hour, new crests forming, overtopping the wave's leading edge as towns, hills and the thirst of the soil temporarily broke the furious charge. Washington announced the official hope that the Ozarks would stop the wild gallop of the unleashed Gulf, for in northwest Arkansas the land rose to over 2,000 feet. But nothing could save Oklahoma. By noon the water reached clutching fingers around Mt. Scott and Elk Mountain, deluging Hobart and almost all of Greer County. Despite hopeful announcements that the wave was slowing, had virtually stopped after inundating Oklahoma City, was being swallowed up in the desert near Amarillo, the wall of water continued its advance. For the land was still sinking, and the floods were constantly replenished from the Gulf. Schwartzberg and his geologists advised the utmost haste in evacuating the entire area between Colorado and Missouri, from Texas to North Dakota. Lubbock, Texas, went under. On a curling reflex the tidal wave blotted out Sweetwater and Big Spring. The Texas panhandle disappeared in one great swirl. Whirlpools opened. A great welter of smashed wood and human debris was sucked under, vomited up and pounded to pieces. Gulf-water crashed on the cliffs of New Mexico and fell back on itself in foam. Would-be rescuers on the cliffs along what had been the west bank of the Pecos River afterwards recalled the hiss and scream like tearing silk as the water broke furiously on the newly exposed rock. It was the most terrible sound they had ever heard. "We couldn't hear any shouts, of course, not that far away and with all the noise," said Dan Weaver, Mayor of Carlsbad. "But we knew there were people down there. When the water hit the cliffs, it was like a collision between two solid bodies. We couldn't see for over an hour, because of the spray." Salt spray. The ocean had come to New Mexico. The cliffs proved to be the only effective barrier against the westward march of the water, which turned north, gouging out lumps of rock and tumbling down blocks of earth onto its own back. In places scoops of granite came out like ice cream. The present fishing town of Rockport, Colorado, is built on a harbor created in such a way. The water had found its farthest westering. But still it poured north along the line of the original Fault. Irresistible fingers closed on Sterling, Colorado, on Sidney, Nebraska, on Hot Springs, South Dakota. The entire tier of states settled, from south to north, down to its eventual place of stability one thousand feet below the level of the new sea. Memphis was by now a seaport. The Ozarks, islands in a mad sea, formed precarious havens for half-drowned humanity. Waves bit off a corner of Missouri, flung themselves on Wichita. Topeka, Lawrence and Belleville were the last Kansas towns to disappear. The Governor of Kansas went down with his State. Daniel Bernd of Lincoln, Nebraska, was washed up half-drowned in a cove of the Wyoming cliffs, having been sucked from one end of vanished Nebraska to the other. Similar hair-breadth escapes were recounted on radio and television. Virtually the only people saved out of the entire population of Pierre, South Dakota were the six members of the Creeth family. Plucky Timothy Creeth carried and dragged his aged parents to the loft of their barn on the outskirts of town. His brother Geoffrey brought along the younger children and what provisions they could find—"Mostly a ham and about half a ton of vanilla cookies," he explained to his eventual rescuers. The barn, luckily collapsing in the vibrations as the waves bore down on them, became an ark in which they rode out the disaster. "We must of played cards for four days straight," recalled genial Mrs. Creeth when she afterwards appeared on a popular television spectacular. Her rural good-humor undamaged by an ordeal few women can ever have been called on to face, she added, "We sure wondered why flushes never came out right. Jimanettly, we'd left the king of hearts behind, in the rush!" But such lightheartedness and such happy endings were by no means typical. The world could only watch aghast as the water raced north under the shadow of the cliffs which occasionally crumbled, roaring, into the roaring waves. Day by day the relentless rush swallowed what had been dusty farmland, cities and towns. Some people were saved by the helicopters which flew mercy missions just ahead of the advancing waters. Some found safety in the peaks of western Nebraska and the Dakotas. But when the waters came to rest along what is roughly the present shoreline of our inland sea, it was estimated that over fourteen million people had lost their lives. No one could even estimate the damage to property; almost the entirety of eight states, and portions of twelve others, had simply vanished from the heart of the North American continent forever. It was in such a cataclysmic birth that the now-peaceful Nebraska Sea came to America. Today, nearly one hundred years after the unprecedented—and happily unrepeated—disaster, it is hard to remember the terror and despair of those weeks in October and November, 1973. It is inconceivable to think of the United States without its beautiful and economically essential curve of interior ocean. Two-thirds as long as the Mediterranean, it graduates from the warm waters of the Gulf of Mexico through the equally blue waves of the Mississippi Bight, becoming cooler and greener north and west of the pleasant fishing isles of the Ozark Archipelago, finally shading into the gray-green chop of the Gulf of Dakota. What would the United States have become without the 5600-mile coastline of our inland sea? It is only within the last twenty years that any but the topmost layer of water has cleared sufficiently to permit a really extensive fishing industry. Mud still held in suspension by the restless waves will not precipitate fully even in our lifetimes. Even so, the commercial fisheries of Missouri and Wyoming contribute no small part to the nation's economy. Who can imagine what the middle west must have been like before the amelioration of climate brought about by the proximity of a warm sea? The now-temperate state of Minnesota (to say nothing of the submerged Dakotas) must have been Siberian. From contemporary accounts Missouri, our second California, was unbelievably muggy, almost uninhabitable during the summer months. Our climate today, from Ohio and North Carolina to the rich fields of New Mexico and the orchards of Montana, is directly ameliorated by the marine heart of the continent. Who today could imagine the United States without the majestic sea-cliffs in stately parade from New Mexico to Montana? The beaches of Wyoming, the American Riviera, where fruit trees grow almost to the water's edge? Or incredible Colorado, where the morning skier is the afternoon bather, thanks to the monorail connecting the highest peaks with the glistening white beaches? Of course there have been losses to balance slightly these strong gains. The Mississippi was, before 1973, one of the great rivers of the world. Taken together with its main tributary, the Missouri, it vied favorably with such giant systems as the Amazon and the Ganges. Now, ending as it does at Memphis and drawing its water chiefly from the Appalachian Mountains, it is only a slight remnant of what it was. And though the Nebraska Sea today carries many times the tonnage of shipping in its ceaseless traffic, we have lost the old romance of river shipping. We may only guess what it was like when we look upon the Ohio and the truncated Mississippi. And transcontinental shipping is somewhat more difficult, with trucks and the freight-railroads obliged to take the sea-ferries across the Nebraska Sea. We shall never know what the United States was like with its numerous coast-to-coast highways busy with trucks and private cars. Still, the ferry ride is certainly a welcome break after days of driving, and for those who wish a glimpse of what it must have been like, there is always the Cross-Canada Throughway and the magnificent U. S. Highway 73 looping north through Minnesota and passing through the giant port of Alexis, North Dakota, shipping center for the wheat of Manitoba and crossroad of a nation. The political situation has long been a thorny problem. Only tattered remnants of the eight submerged states remained after the flood, but none of them wanted to surrender its autonomy. The tiny fringe of Kansas seemed, for a time, ready to merge with contiguous Missouri, but following the lead of the Arkansas Forever faction, the remaining population decided to retain political integrity. This has resulted in the continuing anomaly of the seven "fringe States" represented in Congress by the usual two Senators each, though the largest of them is barely the size of Connecticut and all are economically indistinguishable from their neighboring states. Fortunately it was decided some years ago that Oklahoma, only one of the eight to have completely disappeared, could not in any sense be considered to have a continuing political existence. So, though there are still families who proudly call themselves Oklahomans, and the Oklahoma Oil Company continues to pump oil from its submerged real estate, the state has in fact disappeared from the American political scene. But this is by now no more than a petty annoyance, to raise a smile when the talk gets around to the question of State's Rights. Not even the tremendous price the country paid for its new sea—fourteen million dead, untold property destroyed—really offsets the asset we enjoy today. The heart of the continent, now open to the shipping of the world, was once dry and land-locked, cut off from the bustle of trade and the ferment of world culture. It would indeed seem odd to an American of the '50s or '60s of the last century to imagine sailors from the merchant fleets of every nation walking the streets of Denver, fresh ashore at Newport, only fifteen miles away. Or to imagine Lincoln, Fargo, Kansas City and Dallas as world ports and great manufacturing centers. Utterly beyond their ken would be Roswell, New Mexico; Benton, Wyoming; Westport, Missouri, and the other new ports of over a million inhabitants each which have developed on the new harbors of the inland sea. Unimaginable too would have been the general growth of population in the states surrounding the new sea. As the water tables rose and manufacturing and trade moved in to take advantage of the just-created axis of world communication, a population explosion was touched off of which we are only now seeing the diminution. This new westering is to be ranked with the first surge of pioneers which created the American west. But what a difference! Vacation paradises bloom, a new fishing industry thrives; her water road is America's main artery of trade, and fleets of all the world sail ... where once the prairie schooner made its laborious and dusty way west!
train	61090	[ "What would have likely happened if the bank robbers' car tires had not melted?", "What can we infer from the passage that caused Mr. Higgins to go crazy?", "Why did the tear gas that the police were using on Mr. Higgins not work to run him out of the house?", "What caused Judy's yelling to be ignored by the gangs in the schoolyard?", "If the newspapers and the police choose to continue ignoring the letters from The Scorpion, what will likely happen?", "What was the intention of Higgins' lawyer by saying that Higgins had put \"The Scorpion\" on his gun barrel himself?", "Why did the teenagers in the schoolyard all throw their weapons away at the same time?", "Why was Halloween night chosen as the time for the rumble in the schoolyard?", "Had the gun barrel not became extremely hot and burned Higgins, what would have likely happened during his standoff?" ]	[ [ "The car would have wrecked regardless and the robbers would have been caught. ", "The police would have stopped them in a chase. ", "The robbers would have gotten away from the scene. ", "The robbers would have later returned to rob the bank again and get caught. " ], [ "He was no longer happy with his wife hence why he murdered her. ", "He was tired of his job and didn't want to return.", "He was overly tired and delirious. ", "He had flunked an exam and was overwhelmed with stress. " ], [ "He was unaffected by the gas because of his deranged mindset. ", "The windows were either broken or open and he was able to throw them back out. ", "Higgins was too preoccupied by the burns on his hands to care about the tear gas. ", "Higgins was hanging out the windows shooting and was able to breathe fresh air. " ], [ "The surprise of the kids who showed up in costumes trying to return home. ", "They were already fighting and failed to hear her over the shouting. ", "They couldn't hear her over their own hollering because of the intense cold weapons and jackets. ", "They were too distracted by the approaching police lights. " ], [ "The Scorpion will likely retaliate against the newspapers in his own dangerous stunt. ", "The Scorpion will step in again, leaving his signature, and likely send another letter to the newspaper as a warning to criminals. ", "The Scorpion will likely turn evil himself and start antagonizing attacks. ", "Hanks will be proven right and show that there is no such person who is fighting crime and leaving a signature." ], [ "To avoid a trial by admitting fault immediately and getting the job done quickly", "In hopes of the judge and jury seeing the other vigilante acts of The Scorpion and cutting Higgins some slack. ", "In hopes of receiving mercy for the crimes.", "To try to use an insanity defense for Higgins. " ], [ "The police were coming and they needed to get the weapons out of their possession. ", "They didn't want the approaching children to see them holding weapons. ", "Judy was a suitable lookout and kept them distracted by yelling, \"Fuzz!\"", "The weapons became too cold to touch. " ], [ "Because on that particular night, there were no police on patrol because of the recent issues with The Scorpion.", "Because everyone was already dressed in disguise and not easily recognized. ", "Because the police would have a difficult time keeping track of so many children who were out. ", "Because the schoolyard was completely abandoned and they wouldn't need a lookout. " ], [ "Higgins' wife would have eventually been able to convince him to surrender. ", "The police would have eventually given up on their suspect and left the scene. ", "The police would have had to force entry into his home and take him into custody. ", "Higgins' sister would have eventually been able to convince him to surrender. " ] ]	[ 3, 4, 2, 3, 2, 4, 4, 3, 3 ]	[ 0, 1, 0, 1, 1, 1, 1, 0, 0 ]	CALL HIM NEMESIS By DONALD E. WESTLAKE Criminals, beware; the Scorpion is on your trail! Hoodlums fear his fury—and, for that matter, so do the cops! [Transcriber's Note: This etext was produced from Worlds of If Science Fiction, September 1961. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] The man with the handkerchief mask said, "All right, everybody, keep tight. This is a holdup." There were twelve people in the bank. There was Mr. Featherhall at his desk, refusing to okay a personal check from a perfect stranger. There was the perfect stranger, an itinerant garage mechanic named Rodney (Rod) Strom, like the check said. There were Miss English and Miss Philicoff, the girls in the gilded teller cages. There was Mister Anderson, the guard, dozing by the door in his brown uniform. There was Mrs. Elizabeth Clayhorn, depositing her husband's pay check in their joint checking account, and with her was her ten-year-old son Edward (Eddie) Clayhorn, Junior. There was Charlie Casale, getting ten dollars dimes, six dollars nickels and four dollars pennies for his father in the grocery store down the street. There was Mrs. Dolly Daniels, withdrawing money from her savings account again. And there were three bank robbers. The three bank robbers looked like triplets. From the ground up, they all wore scuffy black shoes, baggy-kneed and unpressed khaki trousers, brown cracked-leather jackets over flannel shirts, white handkerchiefs over the lower half of their faces and gray-and-white check caps pulled low over their eyes. The eyes themselves looked dangerous. The man who had spoken withdrew a small but mean-looking thirty-two calibre pistol from his jacket pocket. He waved it menacingly. One of the others took the pistol away from Mister Anderson, the guard, and said to him in a low voice, "Think about retirement, my friend." The third one, who carried a black satchel like a doctor's bag, walked quickly around behind the teller's counter and started filling it with money. It was just like the movies. The man who had first spoken herded the tellers, Mr. Featherhall and the customers all over against the back wall, while the second man stayed next to Mr. Anderson and the door. The third man stuffed money into the black satchel. The man by the door said, "Hurry up." The man with the satchel said, "One more drawer." The man with the gun turned to say to the man at the door, "Keep your shirt on." That was all Miss English needed. She kicked off her shoes and ran pelting in her stocking feet for the door. The man by the door spread his arms out and shouted, "Hey!" The man with the gun swung violently back, cursing, and fired the gun. But he'd been moving too fast, and so had Miss English, and all he hit was the brass plate on Mr. Featherhall's desk. The man by the door caught Miss English in a bear hug. She promptly did her best to scratch his eyes out. Meanwhile, Mr. Anderson went scooting out the front door and running down the street toward the police station in the next block, shouting, "Help! Help! Robbery!" The man with the gun cursed some more. The man with the satchel came running around from behind the counter, and the man by the door tried to keep Miss English from scratching his eyes out. Then the man with the gun hit Miss English on the head. She fell unconscious to the floor, and all three of them ran out of the bank to the car out front, in which sat a very nervous-looking fourth man, gunning the engine. Everyone except Miss English ran out after the bandits, to watch. Things got very fast and very confused then. Two police cars came driving down the block and a half from the precinct house to the bank, and the car with the four robbers in it lurched away from the curb and drove straight down the street toward the police station. The police cars and the getaway car passed one another, with everybody shooting like the ships in pirate movies. There was so much confusion that it looked as though the bank robbers were going to get away after all. The police cars were aiming the wrong way and, as they'd come down with sirens wailing, there was a clear path behind them. Then, after the getaway car had gone more than two blocks, it suddenly started jouncing around. It smacked into a parked car and stopped. And all the police went running down there to clap handcuffs on the robbers when they crawled dazedly out of their car. "Hey," said Eddie Clayhorn, ten years old. "Hey, that was something, huh, Mom?" "Come along home," said his mother, grabbing his hand. "We don't want to be involved." "It was the nuttiest thing," said Detective-Sergeant Stevenson. "An operation planned that well, you'd think they'd pay attention to their getaway car, you know what I mean?" Detective-Sergeant Pauling shrugged. "They always slip up," he said. "Sooner or later, on some minor detail, they always slip up." "Yes, but their tires ." "Well," said Pauling, "it was a stolen car. I suppose they just grabbed whatever was handiest." "What I can't figure out," said Stevenson, "is exactly what made those tires do that. I mean, it was a hot day and all, but it wasn't that hot. And they weren't going that fast. I don't think you could go fast enough to melt your tires down." Pauling shrugged again. "We got them. That's the important thing." "Still and all, it's nutty. They're free and clear, barrelling out Rockaway toward the Belt, and all at once their tires melt, the tubes blow out and there they are." Stevenson shook his head. "I can't figure it." "Don't look a gift horse in the mouth," suggested Pauling. "They picked the wrong car to steal." "And that doesn't make sense, either," said Stevenson. "Why steal a car that could be identified as easily as that one?" "Why? What was it, a foreign make?" "No, it was a Chevvy, two-tone, three years old, looked just like half the cars on the streets. Except that in the trunk lid the owner had burned in 'The Scorpion' in big black letters you could see half a block away." "Maybe they didn't notice it when they stole the car," said Pauling. "For a well-planned operation like this one," said Stevenson, "they made a couple of really idiotic boners. It doesn't make any sense." "What do they have to say about it?" Pauling demanded. "Nothing, what do you expect? They'll make no statement at all." The squad-room door opened, and a uniformed patrolman stuck his head in. "The owner of that Chevvy's here," he said. "Right," said Stevenson. He followed the patrolman down the hall to the front desk. The owner of the Chevvy was an angry-looking man of middle age, tall and paunchy. "John Hastings," he said. "They say you have my car here." "I believe so, yes," said Stevenson. "I'm afraid it's in pretty bad shape." "So I was told over the phone," said Hastings grimly. "I've contacted my insurance company." "Good. The car's in the police garage, around the corner. If you'd come with me?" On the way around, Stevenson said, "I believe you reported the car stolen almost immediately after it happened." "That's right," said Hastings. "I stepped into a bar on my route. I'm a wine and liquor salesman. When I came out five minutes later, my car was gone." "You left the keys in it?" "Well, why not?" demanded Hastings belligerently. "If I'm making just a quick stop—I never spend more than five minutes with any one customer—I always leave the keys in the car. Why not?" "The car was stolen," Stevenson reminded him. Hastings grumbled and glared. "It's always been perfectly safe up till now." "Yes, sir. In here." Hastings took one look at his car and hit the ceiling. "It's ruined!" he cried. "What did you do to the tires?" "Not a thing, sir. That happened to them in the holdup." Hastings leaned down over one of the front tires. "Look at that! There's melted rubber all over the rims. Those rims are ruined! What did you use, incendiary bullets?" Stevenson shook his head. "No, sir. When that happened they were two blocks away from the nearest policeman." "Hmph." Hastings moved on around the car, stopping short to exclaim, "What in the name of God is that? You didn't tell me a bunch of kids had stolen the car." "It wasn't a bunch of kids," Stevenson told him. "It was four professional criminals, I thought you knew that. They were using it in a bank holdup." "Then why did they do that ?" Stevenson followed Hastings' pointing finger, and saw again the crudely-lettered words, "The Scorpion" burned black into the paint of the trunk lid. "I really don't know," he said. "It wasn't there before the car was stolen?" "Of course not!" Stevenson frowned. "Now, why in the world did they do that?" "I suggest," said Hastings with heavy sarcasm, "you ask them that." Stevenson shook his head. "It wouldn't do any good. They aren't talking about anything. I don't suppose they'll ever tell us." He looked at the trunk lid again. "It's the nuttiest thing," he said thoughtfully.... That was on Wednesday. The Friday afternoon mail delivery to the Daily News brought a crank letter. It was in the crank letter's most obvious form; that is, the address had been clipped, a letter or a word at a time, from a newspaper and glued to the envelope. There was no return address. The letter itself was in the same format. It was brief and to the point: Dear Mr. Editor: The Scorpion has struck. The bank robbers were captured. The Scorpion fights crime. Crooks and robbers are not safe from the avenging Scorpion. WARN YOUR READERS! Sincerely yours, THE SCORPION The warning was duly noted, and the letter filed in the wastebasket. It didn't rate a line in the paper. II The bank robbery occurred in late June. Early in August, a Brooklyn man went berserk. It happened in Canarsie, a section in southeast Brooklyn near Jamaica Bay. This particular area of Canarsie was a residential neighborhood, composed of one and two family houses. The man who went berserk was a Motor Vehicle Bureau clerk named Jerome Higgins. Two days before, he had flunked a Civil Service examination for the third time. He reported himself sick and spent the two days at home, brooding, a bottle of blended whiskey at all times in his hand. As the police reconstructed it later, Mrs. Higgins had attempted to awaken him on the third morning at seven-thirty, suggesting that he really ought to stop being so foolish, and go back to work. He then allegedly poked her in the eye, and locked her out of the bedroom. Mrs. Higgins then apparently called her sister-in-law, a Mrs. Thelma Stodbetter, who was Mr. Higgins' sister. Mrs. Stodbetter arrived at the house at nine o'clock, and spent some time tapping at the still-locked bedroom door, apparently requesting Mr. Higgins to unlock the door and "stop acting like a child." Neighbors reported to the police that they heard Mr. Higgins shout a number of times, "Go away! Can't you let a man sleep?" At about ten-fifteen, neighbors heard shots from the Higgins residence, a two-story one-family pink stucco affair in the middle of a block of similar homes. Mr. Higgins, it was learned later, had suddenly erupted from his bedroom, brandishing a .30-.30 hunting rifle and, being annoyed at the shrieks of his wife and sister, had fired seven shells at them, killing his wife on the spot and wounding his sister in the hand and shoulder. Mrs. Stodbetter, wounded and scared out of her wits, raced screaming out the front door of the house, crying for the police and shouting, "Murder! Murder!" At this point, neighbors called the police. One neighbor additionally phoned three newspapers and two television stations, thereby earning forty dollars in "news-tips" rewards. By chance, a mobile television unit was at that moment on the Belt Parkway, returning from having seen off a prime minister at Idlewild Airport. This unit was at once diverted to Canarsie, where it took up a position across the street from the scene of carnage and went to work with a Zoomar lens. In the meantime, Mister Higgins had barricaded himself in his house, firing at anything that moved. The two cameramen in the mobile unit worked their hearts out. One concentrated on the movements of the police and firemen and neighbors and ambulance attendants, while the other used the Zoomar lens to search for Mr. Higgins. He found him occasionally, offering the at-home audience brief glimpses of a stocky balding man in brown trousers and undershirt, stalking from window to window on the second floor of the house. The show lasted for nearly an hour. There were policemen everywhere, and firemen everywhere, and neighbors milling around down at the corner, where the police had roped the block off, and occasionally Mr. Higgins would stick his rifle out a window and shoot at somebody. The police used loudspeakers to tell Higgins he might as well give up, they had the place surrounded and could eventually starve him out anyway. Higgins used his own good lungs to shout obscenities back and challenge anyone present to hand-to-hand combat. The police fired tear gas shells at the house, but it was a windy day and all the windows in the Higgins house were either open or broken. Higgins was able to throw all the shells back out of the house again. The show lasted for nearly an hour. Then it ended, suddenly and dramatically. Higgins had showed himself to the Zoomar lens again, for the purpose of shooting either the camera or its operator. All at once he yelped and threw the rifle away. The rifle bounced onto the porch roof, slithered down to the edge, hung for a second against the drain, and finally fell barrel first onto the lawn. Meanwhile, Higgins was running through the house, shouting like a wounded bull. He thundered down the stairs and out, hollering, to fall into the arms of the waiting police. They had trouble holding him. At first they thought he was actually trying to get away, but then one of them heard what it was he was shouting: "My hands! My hands!" They looked at his hands. The palms and the palm-side of the fingers were red and blistering, from what looked like severe burns. There was another burn on his right cheek and another one on his right shoulder. Higgins, thoroughly chastened and bewildered, was led away for burn ointment and jail. The television crew went on back to Manhattan. The neighbors went home and telephoned their friends. On-duty policemen had been called in from practically all of the precincts in Brooklyn. Among them was Detective-Sergeant William Stevenson. Stevenson frowned thoughtfully at Higgins as that unhappy individual was led away, and then strolled over to look at the rifle. He touched the stock, and it was somewhat warm but that was all. He picked it up and turned it around. There, on the other side of the stock, burned into the wood, were the crudely-shaped letters, "The Scorpion." You don't get to be Precinct Captain on nothing but political connections. Those help, of course, but you need more than that. As Captain Hanks was fond of pointing out, you needed as well to be both more imaginative than most—"You gotta be able to second-guess the smart boys"—and to be a complete realist—"You gotta have both feet on the ground." If these were somewhat contradictory qualities, it was best not to mention the fact to Captain Hanks. The realist side of the captain's nature was currently at the fore. "Just what are you trying to say, Stevenson?" he demanded. "I'm not sure," admitted Stevenson. "But we've got these two things. First, there's the getaway car from that bank job. The wheels melt for no reason at all, and somebody burns 'The Scorpion' onto the trunk. Then, yesterday, this guy Higgins out in Canarsie. He says the rifle all of a sudden got too hot to hold, and he's got the burn marks to prove it. And there on the rifle stock it is again. 'The Scorpion'." "He says he put that on there himself," said the captain. Stevenson shook his head. "His lawyer says he put it on there. Higgins says he doesn't remember doing it. That's half the lawyer's case. He's trying to build up an insanity defense." "He put it on there himself, Stevenson," said the captain with weary patience. "What are you trying to prove?" "I don't know. All I know is it's the nuttiest thing I ever saw. And what about the getaway car? What about those tires melting?" "They were defective," said Hanks promptly. "All four of them at once? And what about the thing written on the trunk?" "How do I know?" demanded the captain. "Kids put it on before the car was stolen, maybe. Or maybe the hoods did it themselves, who knows? What do they say?" "They say they didn't do it," said Stevenson. "And they say they never saw it before the robbery and they would have noticed it if it'd been there." The captain shook his head. "I don't get it," he admitted. "What are you trying to prove?" "I guess," said Stevenson slowly, thinking it out as he went along, "I guess I'm trying to prove that somebody melted those tires, and made that rifle too hot, and left his signature behind." "What? You mean like in the comic books? Come on, Stevenson! What are you trying to hand me?" "All I know," insisted Stevenson, "is what I see." "And all I know," the captain told him, "is Higgins put that name on his rifle himself. He says so." "And what made it so hot?" "Hell, man, he'd been firing that thing at people for an hour! What do you think made it hot?" "All of a sudden?" "He noticed it all of a sudden, when it started to burn him." "How come the same name showed up each time, then?" Stevenson asked desperately. "How should I know? And why not, anyway? You know as well as I do these things happen. A bunch of teen-agers burgle a liquor store and they write 'The Golden Avengers' on the plate glass in lipstick. It happens all the time. Why not 'The Scorpion'? It couldn't occur to two people?" "But there's no explanation—" started Stevenson. "What do you mean, there's no explanation? I just gave you the explanation. Look, Stevenson, I'm a busy man. You got a nutty idea—like Wilcox a few years ago, remember him? Got the idea there was a fiend around loose, stuffing all those kids into abandoned refrigerators to starve. He went around trying to prove it, and getting all upset, and pretty soon they had to put him away in the nut hatch. Remember?" "I remember," said Stevenson. "Forget this silly stuff, Stevenson," the captain advised him. "Yes, sir," said Stevenson.... The day after Jerome Higgins went berserk, the afternoon mail brought a crank letter to the Daily News : Dear Mr. Editor, You did not warn your readers. The man who shot all those people could not escape the Scorpion. The Scorpion fights crime. No criminal is safe from the Scorpion. WARN YOUR READERS. Sincerely yours, THE SCORPION Unfortunately, this letter was not read by the same individual who had seen the first one, two months before. At any rate, it was filed in the same place, and forgotten. III Hallowe'en is a good time for a rumble. There's too many kids around for the cops to keep track of all of them, and if you're picked up carrying a knife or a length of tire chain or something, why, you're on your way to a Hallowe'en party and you're in costume. You're going as a JD. The problem was this schoolyard. It was a block wide, with entrances on two streets. The street on the north was Challenger territory, and the street on the south was Scarlet Raider territory, and both sides claimed the schoolyard. There had been a few skirmishes, a few guys from both gangs had been jumped and knocked around a little, but that had been all. Finally, the War Lords from the two gangs had met, and determined that the matter could only be settled in a war. The time was chosen: Hallowe'en. The place was chosen: the schoolyard. The weapons were chosen: pocket knives and tire chains okay, but no pistols or zip-guns. The time was fixed: eleven P.M. And the winner would have undisputed territorial rights to the schoolyard, both entrances. The night of the rumble, the gangs assembled in their separate clubrooms for last-minute instructions. Debs were sent out to play chicken at the intersections nearest the schoolyard, both to warn of the approach of cops and to keep out any non-combatant kids who might come wandering through. Judy Canzanetti was a Deb with the Scarlet Raiders. She was fifteen years old, short and black-haired and pretty in a movie-magazine, gum-chewing sort of way. She was proud of being in the Auxiliary of the Scarlet Raiders, and proud also of the job that had been assigned to her. She was to stand chicken on the southwest corner of the street. Judy took up her position at five minutes to eleven. The streets were dark and quiet. Few people cared to walk this neighborhood after dark, particularly on Hallowe'en. Judy leaned her back against the telephone pole on the corner, stuck her hands in the pockets of her Scarlet Raider jacket and waited. At eleven o'clock, she heard indistinct noises begin behind her. The rumble had started. At five after eleven, a bunch of little kids came wandering down the street. They were all about ten or eleven years old, and most of them carried trick-or-treat shopping bags. Some of them had Hallowe'en masks on. They started to make the turn toward the schoolyard. Judy said, "Hey, you kids. Take off." One of them, wearing a red mask, turned to look at her. "Who, us?" "Yes, you! Stay out of that street. Go on down that way." "The subway's this way," objected the kid in the red mask. "Who cares? You go around the other way." "Listen, lady," said the kid in the red mask, aggrieved, "we got a long way to go to get home." "Yeah," said another kid, in a black mask, "and we're late as it is." "I couldn't care less," Judy told them callously. "You can't go down that street." "Why not?" demanded yet another kid. This one was in the most complete and elaborate costume of them all, black leotards and a yellow shirt and a flowing: black cape. He wore a black and gold mask and had a black knit cap jammed down tight onto his head. "Why can't we go down there?" this apparition demanded. "Because I said so," Judy told him. "Now, you kids get away from here. Take off." "Hey!" cried the kid in the black-and-yellow costume. "Hey, they're fighting down there!" "It's a rumble," said Judy proudly. "You twerps don't want to be involved." "Hey!" cried the kid in the black-and-yellow costume again. And he went running around Judy and dashing off down the street. "Hey, Eddie!" shouted one of the other kids. "Eddie, come back!" Judy wasn't sure what to do next. If she abandoned her post to chase the one kid who'd gotten through, then maybe all the rest of them would come running along after her. She didn't know what to do. A sudden siren and a distant flashing red light solved her problems. "Cheez," said one of the kids. "The cops!" "Fuzz!" screamed Judy. She turned and raced down the block toward the schoolyard, shouting, "Fuzz! Fuzz! Clear out, it's the fuzz!" But then she stopped, wide-eyed, when she saw what was going on in the schoolyard. The guys from both gangs were dancing. They were jumping around, waving their arms, throwing their weapons away. Then they all started pulling off their gang jackets and throwing them away, whooping and hollering. They were making such a racket themselves that they never heard Judy's warning. They didn't even hear the police sirens. And all at once both schoolyard entrances were full of cops, a cop had tight hold of Judy and the rumble was over. Judy was so baffled and terrified that everything was just one great big blur. But in the middle of it all, she did see the little kid in the yellow-and-black costume go scooting away down the street. And she had the craziest idea that it was all his fault. Captain Hanks was still in his realistic cycle this morning, and he was impatient as well. "All right, Stevenson," he said. "Make it fast, I've got a lot to do this morning. And I hope it isn't this comic-book thing of yours again." "I'm afraid it is, Captain," said Stevenson. "Did you see the morning paper?" "So what?" "Did you see that thing about the gang fight up in Manhattan?" Captain Hanks sighed. "Stevenson," he said wearily, "are you going to try to connect every single time the word 'scorpion' comes up? What's the problem with this one? These kid gangs have names, so what?" "Neither one of them was called 'The Scorpions,'" Stevenson told him. "One of them was the Scarlet Raiders and the other gang was the Challengers." "So they changed their name," said Hanks. "Both gangs? Simultaneously? To the same name?" "Why not? Maybe that's what they were fighting over." "It was a territorial war," Stevenson reminded him. "They've admitted that much. It says so in the paper. And it also says they all deny ever seeing that word on their jackets until after the fight." "A bunch of juvenile delinquents," said Hanks in disgust. "You take their word?" "Captain, did you read the article in the paper?" "I glanced through it." "All right. Here's what they say happened: They say they started fighting at eleven o'clock. And they just got going when all at once all the metal they were carrying—knives and tire chains and coins and belt buckles and everything else—got freezing cold, too cold to touch. And then their leather jackets got freezing cold, so cold they had to pull them off and throw them away. And when the jackets were later collected, across the name of the gang on the back of each one had been branded 'The Scorpion.'" "Now, let me tell you something," said Hanks severely. "They heard the police sirens, and they threw all their weapons away. Then they threw their jackets away, to try to make believe they hadn't been part of the gang that had been fighting. But they were caught before they could get out of the schoolyard. If the squad cars had showed up a minute later, the schoolyard wouldn't have had anything in it but weapons and jackets, and the kids would have been all over the neighborhood, nice as you please, minding their own business and not bothering anybody. That's what happened. And all this talk about freezing cold and branding names into jackets is just some smart-alec punk's idea of a way to razz the police. Now, you just go back to worrying about what's happening in this precinct and forget about kid gangs up in Manhattan and comic book things like the Scorpion, or you're going to wind up like Wilcox, with that refrigerator business. Now, I don't want to hear any more about this nonsense, Stevenson." "Yes, sir," said Stevenson.
train	63527	[ "Why was Queazy given his said nickname?", "Why were Parker and Queazy voyaging on the trip looking for an asteroid?", "What would have likely happened had Parker and Queazy or the Saylor brothers never located the asteroid?", "Why was Mr. Burnside so determined to have such a large and specific asteroid delivered to his backyard?", "How long were Parker, Queazy and Starre floating around in space while unconcious?", "What gave Starre the right to claim the asteroid as her own when Parker and Queazy arrived?", "How was Queazy able to determine how long the trio were floating around in space before waking?", "What was the indication in the passage to show that Starre was aware of Parker's newfound love for her?", "What can be determined would happen after Parker and Queazy retrieved the asteroid?", "Had Starre not been able to rescue herself, Parker, and Queazy, what would have likely happened to them after the Saylor brothers attack?" ]	[ [ "Because his name was Quentin Zuyler", "Because no one could recall his real name. ", "Because he had been known for being whimsical", "Because he often became queasy while flying" ], [ "The Interplanetary Hauling & Moving Co. was in difficult competition with Saylor & Saylor to get to it first. ", "The Interplanetary Hauling & Moving Co. had to have it to prove their business was legitimate. ", "From the request of Andrew Burnside to purchase it", "From the request of Andrew Burnside to destroy it" ], [ "Starre would have been able to call off the wedding to Mac. ", "They would have received their payment anyways because of their long travel in space. ", "Mr. Burnside would have traveled to get the asteroid himself. ", "The wedding would have been held on a different asteroid that looked similar. " ], [ "He didn't actually want it, he just wanted the Saylor brothers and Parker and Queazy to be occupied. ", "He had previously had one that was similar and wanted another for reminiscing. ", "He wanted something more grand and valuable than anyone else.", "His granddaughter had requested one for her wedding. " ], [ "Three days ", "Three days", "One week", "Three weeks" ], [ "She had made a deal with the Interplanetary Commission.", "Her grandfather had purchased the asteroid for her. ", "By common law, asteroids up to a certain size belong to whoever happens to be on them.", "She had signed an interplanetary lease agreement. " ], [ "From the chronometer", "By how much fuel was left in their ship", "From how much oxygen was left in their suits", "By his declared level of hunger" ], [ "His decision to not deliver the asteroid to her grandfather for the wedding. ", "His protectiveness over her towards Queazy.", "His determination to help her stop the wedding to Mac. ", "His affection while teaching her about the mechanics of the hauler. " ], [ "They would retrieve it and sell it to Mr. Burnside for their large profit", "They would end up losing it while traveling back to Earth. ", "They would return it to space and Starre would continue to live on it. ", "They would return it to space and return empty handed" ], [ "They would have eventually orbited back to their ship", "They would have reached their ship for more oxygen . ", "They would have died from starvation or lack of oxygen.", "They would have been lost in space alone forever. " ] ]	[ 1, 3, 1, 4, 4, 3, 1, 4, 1, 3 ]	[ 0, 0, 1, 0, 0, 1, 1, 1, 0, 0 ]	COSMIC YO-YO By ROSS ROCKLYNNE "Want an asteroid in your backyard? We supply cheap. Trouble also handled without charge." Interplanetary Hauling Company. (ADVT.) [Transcriber's Note: This etext was produced from Planet Stories Summer 1945. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] Bob Parker, looking through the photo-amplifiers at the wedge-shaped asteroid, was plainly flabbergasted. Not in his wildest imaginings had he thought they would actually find what they were looking for. "Cut the drive!" he yelled at Queazy. "I've got it, right on the nose. Queazy, my boy, can you imagine it? We're in the dough. Not only that, we're rich! Come here!" Queazy discharged their tremendous inertia into the motive-tubes in such a manner that the big, powerful ship was moving at the same rate as the asteroid below—47.05 miles per second. He came slogging back excitedly, put his eyes to the eyepiece. He gasped, and his big body shook with joyful ejaculations. "She checks down to the last dimension," Bob chortled, working with slide-rule and logarithm tables. "Now all we have to do is find out if she's made of tungsten, iron, quartz crystals, and cinnabar! But there couldn't be two asteroids of that shape anywhere else in the Belt, so this has to be it!" He jerked a badly crumpled ethergram from his pocket, smoothed it out, and thumbed his nose at the signature. "Whee! Mr. Andrew S. Burnside, you owe us five hundred and fifty thousand dollars!" Queazy straightened. A slow, likeable smile wreathed his tanned face. "Better take it easy," he advised, "until I land the ship and we use the atomic whirl spectroscope to determine the composition of the asteroid." "Have it your way," Bob Parker sang, happily. He threw the ethergram to the winds and it fell gently to the deck-plates. While Queazy—so called because his full name was Quentin Zuyler—dropped the ship straight down to the smooth surface of the asteroid, and clamped it tight with magnetic grapples, Bob flung open the lazarette, brought out two space-suits. Moments later, they were outside the ship, with star-powdered infinity spread to all sides. In the ship, the ethergram from Andrew S. Burnside, of Philadelphia, one of the richest men in the world, still lay on the deck-plates. It was addressed to: Mr. Robert Parker, President Interplanetary Hauling & Moving Co., 777 Main Street, Satterfield City, Fontanaland, Mars. The ethergram read: Received your advertising literature a week ago. Would like to state that yes I would like an asteroid in my back yard. Must meet following specifications: 506 feet length, long enough for wedding procession; 98 feet at base, tapering to 10 feet at apex; 9-12 feet thick; topside smooth-plane, underside rough-plane; composed of iron ore, tungsten, quartz crystals, and cinnabar. Must be in my back yard before 11:30 A.M. my time, for important wedding June 2, else order is void. Will pay $5.00 per ton. Bob Parker had received that ethergram three weeks ago. And if The Interplanetary Hauling & Moving Co., hadn't been about to go on the rocks (chiefly due to the activities of Saylor & Saylor, a rival firm) neither Bob nor Queazy would have thought of sending an answering ethergram to Burnside stating that they would fill the order. It was, plainly, a hair-brained request. And yet, if by some chance there was such a rigidly specified asteroid, their financial worries would be over. That they had actually discovered the asteroid, using their mass-detectors in a weight-elimination process, seemed like an incredible stroke of luck. For there are literally millions of asteroids in the asteroid belt, and they had been out in space only three weeks. The "asteroid in your back yard" idea had been Bob Parker's originally. Now it was a fad that was sweeping Earth, and Burnside wasn't the first rich man who had decided to hold a wedding on top of an asteroid. Unfortunately, other interplanetary moving companies had cashed in on that brainstorm, chiefly the firm of the Saylor brothers—which persons Bob Parker intended to punch in the nose some day. And would have before this if he hadn't been lanky and tall while they were giants. Now that he and Queazy had found the asteroid, they were desperate to get it to its destination, for fear that the Saylor brothers might get wind of what was going on, and try to beat them out of their profits. Which was not so far-fetched, because the firm of Saylor & Saylor made no pretense of being scrupulous. Now they scuffed along the smooth-plane topside of the asteroid, the magnets in their shoes keeping them from stepping off into space. They came to the broad base of the asteroid-wedge, walked over the edge and "down" the twelve-foot thickness. Here they squatted, and Bob Parker happily clamped the atomic-whirl spectroscope to the rough surface. By the naked eye, they could see iron ore, quartz crystals, cinnabar, but he had the spectroscope and there was no reason why he shouldn't use it. He satisfied himself as to the exterior of the asteroid, and then sent the twin beams deep into its heart. The beams crossed, tore atoms from molecules, revolved them like an infinitely fine powder. The radiations from the sundered molecules traveled back up the beams to the atomic-whirl spectroscope. Bob watched a pointer which moved slowly up and up—past tungsten, past iridium, past gold— Bob Parker said, in astonishment, "Hell! There's something screwy about this business. Look at that point—" Neither he nor Queazy had the opportunity to observe the pointer any further. A cold, completely disagreeable feminine voice said, "May I ask what you interlopers are doing on my asteroid?" Bob started so badly that the spectroscope's settings were jarred and the lights in its interior died. Bob twisted his head around as far as he could inside the "aquarium"—the glass helmet, and found himself looking at a space-suited girl who was standing on the edge of the asteroid "below." "Ma'am," said Bob, blinking, "did you say something?" Queazy made a gulping sound and slowly straightened. He automatically reached up as if he would take off his hat and twist it in his hands. "I said," remarked the girl, "that you should scram off of my asteroid. And quit poking around at it with that spectroscope. I've already taken a reading. Cinnabar, iron ore, quartz crystals, tungsten. Goodbye." Bob's nose twitched as he adjusted his glasses, which he wore even inside his suit. He couldn't think of anything pertinent to say. He knew that he was slowly working up a blush. Mildly speaking, the girl was beautiful, and though only her carefully made-up face was visible—cool blue eyes, masterfully coiffed, upswept, glinting brown hair, wilful lips and chin—Bob suspected the rest of her compared nicely. Her expression darkened as she saw the completely instinctive way he was looking at her and her radioed-voice rapped out, "Now you two boys go and play somewhere else! Else I'll let the Interplanetary Commission know you've infringed the law. G'bye!" She turned and disappeared. Bob awoke from his trance, shouted desperately, "Hey! Wait! You! " He and Queazy caught up with her on the side of the asteroid they hadn't yet examined. It was a rough plane, completing the rigid qualifications Burnside had set down. "Wait a minute," Bob Parker begged nervously. "I want to make some conversation, lady. I'm sure you don't understand the conditions—" The girl turned and drew a gun from a holster. It was a spasticizer, and it was three times as big as her gloved hand. "I understand conditions better than you do," she said. "You want to move this asteroid from its orbit and haul it back to Earth. Unfortunately, this is my home, by common law. Come back in a month. I don't expect to be here then." "A month!" Parker burst the word out. He started to sweat, then his face became grim. He took two slow steps toward the girl. She blinked and lost her composure and unconsciously backed up two steps. About twenty steps away was her small dumbbell-shaped ship, so shiny and unscarred that it reflected starlight in highlights from its curved surface. A rich girl's ship, Bob Parker thought angrily. A month would be too late! He said grimly, "Don't worry. I don't intend to pull any rough stuff. I just want you to listen to reason. You've taken a whim to stay on an asteroid that doesn't mean anything to you one way or another. But to us—to me and Queazy here—it means our business. We got an order for this asteroid. Some screwball millionaire wants it for a backyard wedding see? We get five hundred and fifty thousand dollars for it! If we don't take this asteroid to Earth before June 2, we go back to Satterfield City and work the rest of our lives in the glass factories. Don't we, Queazy?" Queazy said simply, "That's right, miss. We're in a spot. I assure you we didn't expect to find someone living here." The girl holstered her spasticizer, but her completely inhospitable expression did not change. She put her hands on the bulging hips of her space-suit. "Okay," she said. "Now I understand the conditions. Now we both understand each other. G'bye again. I'm staying here and—" she smiled sweetly "—it may interest you to know that if I let you have the asteroid you'll save your business, but I'll meet a fate worse than death! So that's that." Bob recognized finality when he saw it. "Come on, Queazy," he said fuming. "Let this brat have her way. But if I ever run across her without a space-suit on I'm going to give her the licking of her life, right where it'll do the most good!" He turned angrily, but Queazy grabbed his arm, his mouth falling open. He pointed off into space, beyond the girl. "What's that?" he whispered. "What's wha— Oh! " Bob Parker's stomach caved in. A few hundred feet away, floating gently toward the asteroid, came another ship—a ship a trifle bigger than their own. The girl turned, too. They heard her gasp. In another second, Bob was standing next to her. He turned the audio-switch to his headset off, and spoke to the girl by putting his helmet against hers. "Listen to me, miss," he snapped earnestly, when she tried to draw away. "Don't talk by radio. That ship belongs to the Saylor brothers! Oh, Lord, that this should happen! Somewhere along the line, we've been double-crossed. Those boys are after this asteroid too, and they won't hesitate to pull any rough stuff. We're in this together, understand? We got to back each other up." The girl nodded dumbly. Suddenly she seemed to be frightened. "It's—it's very important that this—this asteroid stay right where it is," she said huskily. "What—what will they do?" Bob Parker didn't answer. The big ship had landed, and little blue sparks crackled between the hull and the asteroid as the magnetic clamps took hold. A few seconds later, the airlocks swung down, and five men let themselves down to the asteroid's surface and stood surveying the three who faced them. The two men in the lead stood with their hands on their hips; their darkish, twin faces were grinning broadly. "A pleasure," drawled Wally Saylor, looking at the girl. "What do you think of this situation Billy?" "It's obvious," drawled Billy Saylor, rocking back and forth on his heels, "that Bob Parker and company have double-crossed us. We'll have to take steps." The three men behind the Saylor twins broke into rough, chuckling laughter. Bob Parker's gorge rose. "Scram," he said coldly. "We've got an ethergram direct from Andrew S. Burnside ordering this asteroid." "So have we," Wally Saylor smiled—and his smile remained fixed, dangerous. He started moving forward, and the three men in back came abreast, forming a semi-circle which slowly closed in. Bob Parker gave back a step, as he saw their intentions. "We got here first," he snapped harshly. "Try any funny stuff and we'll report you to the Interplanetary Commission!" It was Bob Parker's misfortune that he didn't carry a weapon. Each of these men carried one or more, plainly visible. But he was thinking of the girl's spasticizer—a paralyzing weapon. He took a hair-brained chance, jerked the spasticizer from the girl's holster and yelled at Queazy. Queazy got the idea, urged his immense body into motion. He hurled straight at Billy Saylor, lifted him straight off the asteroid and threw him away, into space. He yelled with triumph. At the same time, the spasticizer Bob held was shot cleanly out of his hand by Wally Saylor. Bob roared, started toward Wally Saylor, knocked the smoking gun from his hand with a sweeping arm. Then something crushing seemed to hit him in the stomach, grabbing at his solar plexus. He doubled up, gurgling with agony. He fell over on his back, and his boots were wrenched loose from their magnetic grip. Vaguely, before the flickering points of light in his brain subsided to complete darkness, he heard the girl's scream of rage—then a scream of pain. What had happened to Queazy he didn't know. He felt so horribly sick, he didn't care. Then—lights out. Bob Parker came to, the emptiness of remote starlight in his face. He opened his eyes. He was slowly revolving on an axis. Sometimes the Sun swept across his line of vision. A cold hammering began at the base of his skull, a sensation similar to that of being buried alive. There was no asteroid, no girl, no Queazy. He was alone in the vastness of space. Alone in a space-suit. "Queazy!" he whispered. "Queazy! I'm running out of air!" There was no answer from Queazy. With sick eyes, Bob studied the oxygen indicator. There was only five pounds pressure. Five pounds! That meant he had been floating around out here—how long? Days at least—maybe weeks! It was evident that somebody had given him a dose of spastic rays, enough to screw up every muscle in his body to the snapping point, putting him in such a condition of suspended animation that his oxygen needs were small. He closed his eyes, trying to fight against panic. He was glad he couldn't see any part of his body. He was probably scrawny. And he was hungry! "I'll starve," he thought. "Or suffocate to death first!" He couldn't keep himself from taking in great gulps of air. Minutes, then hours passed. He was breathing abnormally, and there wasn't enough air in the first place. He pleaded continually for Queazy, hoping that somehow Queazy could help, when probably Queazy was in the same condition. He ripped out wild curses directed at the Saylor brothers. Murderers, both of them! Up until this time, he had merely thought of them as business rivals. If he ever got out of this— He groaned. He never would get out of it! After another hour, he was gasping weakly, and yellow spots danced in his eyes. He called Queazy's name once more, knowing that was the last time he would have strength to call it. And this time the headset spoke back! Bob Parker made a gurgling sound. A voice came again, washed with static, far away, burbling, but excited. Bob made a rattling sound in his throat. Then his eyes started to close, but he imagined that he saw a ship, shiny and small, driving toward him, growing in size against the backdrop of the Milky Way. He relapsed, a terrific buzzing in his ears. He did not lose consciousness. He heard voices, Queazy's and the girl's, whoever she was. Somebody grabbed hold of his foot. His "aquarium" was unbuckled and good air washed over his streaming face. The sudden rush of oxygen to his brain dizzied him. Then he was lying on a bunk, and gradually the world beyond his sick body focussed in his clearing eyes and he knew he was alive—and going to stay that way, for awhile anyway. "Thanks, Queazy," he said huskily. Queazy was bending over him, his anxiety clearing away from his suddenly brightening face. "Don't thank me," he whispered. "We'd have both been goners if it hadn't been for her. The Saylor brothers left her paralyzed like us, and when she woke up she was on a slow orbit around her ship. She unstrapped her holster and threw it away from her and it gave her enough reaction to reach the ship. She got inside and used the direction-finder on the telaudio and located me first. The Saylors scattered us far and wide." Queazy's broad, normally good-humored face twisted blackly. "The so and so's didn't care if we lived or died." Bob saw the girl now, standing a little behind Queazy, looking down at him curiously, but unhappily. Her space-suit was off. She was wearing lightly striped blue slacks and blue silk blouse and she had a paper flower in her hair. Something in Bob's stomach caved in as his eyes widened on her. The girl said glumly, "I guess you men won't much care for me when you find out who I am and what I've done. I'm Starre Lowenthal—Andrew S. Burnside's granddaughter!" Bob came slowly to his feet, and matched Queazy's slowly growing anger. "Say that again?" he snapped. "This is some kind of dirty trick you and your grandfather cooked up?" "No!" she exclaimed. "No. My grandfather didn't even know there was an asteroid like this. But I did, long before he ordered it from you—or from the Saylor brothers. You see—well, my granddad's about the stubbornest old hoot-owl in this universe! He's always had his way, and when people stand in his way, that's just a challenge to him. He's been badgering me for years to marry Mac, and so has Mac—" "Who's Mac?" Queazy demanded. "My fiancé, I guess," she said helplessly. "He's one of my granddad's protégés. Granddad's always financing some likely young man and giving him a start in life. Mac has become pretty famous for his Mercurian water-colors—he's an artist. Well, I couldn't hold out any longer. If you knew my grandfather, you'd know how absolutely impossible it is to go against him when he's got his mind set! I was just a mass of nerves. So I decided to trick him and I came out to the asteroid belt and picked out an asteroid that was shaped so a wedding could take place on it. I took the measurements and the composition, then I told my grandfather I'd marry Mac if the wedding was in the back yard on top of an asteroid with those measurements and made of iron ore, tungsten, and so forth. He agreed so fast he scared me, and just to make sure that if somebody did find the asteroid in time they wouldn't be able to get it back to Earth, I came out here and decided to live here. Asteroids up to a certain size belong to whoever happens to be on them, by common law.... So I had everything figured out—except," she added bitterly, "the Saylor brothers! I guess Granddad wanted to make sure the asteroid was delivered, so he gave the order to several companies." Bob swore under his breath. He went reeling across to a port, and was gratified to see his and Queazy's big interplanetary hauler floating only a few hundred feet away. He swung around, looked at Queazy. "How long were we floating around out there?" "Three weeks, according to the chronometer. The Saylor boys gave us a stiff shot." " Ouch! " Bob groaned. Then he looked at Starre Lowenthal with determination. "Miss, pardon me if I say that this deal you and your granddad cooked up is plain screwy! With us on the butt end. But I'm going to put this to you plainly. We can catch up with the Saylor brothers even if they are three weeks ahead of us. The Saylor ship and ours both travel on the HH drive—inertia-less. But the asteroid has plenty of inertia, and so they'll have to haul it down to Earth by a long, spiraling orbit. We can go direct and probably catch up with them a few hundred thousand miles this side of Earth. And we can have a fling at getting the asteroid back!" Her eyes sparkled. "You mean—" she cried. Then her attractive face fell. "Oh," she said. " Oh! And when you get it back, you'll land it." "That's right," Bob said grimly. "We're in business. For us, it's a matter of survival. If the by-product of delivering the asteroid is your marriage—sorry! But until we do get the asteroid back, we three can work as a team if you're willing. We'll fight the other problem out later. Okay?" She smiled tremulously. "Okay, I guess." Queazy looked from one to another of them. He waved his hand scornfully at Bob. "You're plain nuts," he complained. "How do you propose to go about convincing the Saylor brothers they ought to let us have the asteroid back? Remember, commercial ships aren't allowed to carry long-range weapons. And we couldn't ram the Saylor brothers' ship—not without damaging our own ship just as much. Go ahead and answer that." Bob looked at Queazy dismally. "The old balance-wheel," he groaned at Starre. "He's always pulling me up short when I go off half-cocked. All I know is, that maybe we'll get a good idea as we go along. In the meantime, Starre—ahem—none of us has eaten in three weeks...?" Starre got the idea. She smiled dazzlingly and vanished toward the galley. Bob Parker was in love with Starre Lowenthal. He knew that after five days out, as the ship hurled itself at breakneck speed toward Earth; probably that distracting emotion was the real reason he couldn't attach any significance to Starre's dumbbell-shaped ship, which trailed astern, attached by a long cable. Starre apparently knew he was in love with her, too, for on the fifth day Bob was teaching her the mechanics of operating the hauler, and she gently lifted his hand from a finger-switch. "Even I know that isn't the control to the Holloway vacuum-feeder, Bob. That switch is for the—ah—the anathern tube, you told me. Right?" "Right," he said unsteadily. "Anyway, Starre, as I was saying, this ship operates according to the reverse Fitzgerald Contraction Formula. All moving bodies contract in the line of motion. What Holloway and Hammond did was to reverse that universal law. They caused the contraction first—motion had to follow! The gravitonic field affects every atom in the ship with the same speed at the same time. We could go from zero speed to our top speed of two thousand miles a second just like that!" He snapped his fingers. "No acceleration effects. This type of ship, necessary in our business, can stop flat, back up, ease up, move in any direction, and the passengers wouldn't have any feeling of motion at—Oh, hell!" Bob groaned, the serious glory of her eyes making him shake. He took her hand. "Starre," he said desperately, "I've got to tell you something—" She jerked her hand away. "No," she exclaimed in an almost frightened voice. "You can't tell me. There's—there's Mac," she finished, faltering. "The asteroid—" "You have to marry him?" Her eyes filled with tears. "I have to live up to the bargain." "And ruin your whole life," he ground out. Suddenly, he turned back to the control board, quartered the vision plate. He pointed savagely to the lower left quarter, which gave a rearward view of the dumbbell ship trailing astern. "There's your ship, Starre." He jabbed his finger at it. "I've got a feeling—and I can't put the thought into concrete words—that somehow the whole solution of the problem of grabbing the asteroid back lies there. But how? How? " Starre's blue eyes followed the long cable back to where it was attached around her ship's narrow midsection. She shook her head helplessly. "It just looks like a big yo-yo to me." "A yo-yo?" "Yes, a yo-yo. That's all." She was belligerent. "A yo-yo !" Bob Parker yelled the word and almost hit the ceiling, he got out of the chair so fast. "Can you imagine it! A yo-yo!" He disappeared from the room. "Queazy!" he shouted. " Queazy, I've got it! " It was Queazy who got into his space-suit and did the welding job, fastening two huge supra-steel "eyes" onto the dumbbell-shaped ship's narrow midsection. Into these eyes cables which trailed back to two winches in the big ship's nose were inserted, welded fast, and reinforced. The nose of the hauler was blunt, perfectly fitted for the job. Bob Parker practiced and experimented for three hours with this yo-yo of cosmic dimensions, while Starre and Queazy stood over him bursting into strange, delighted squeals of laughter whenever the yo-yo reached the end of its double cable and started rolling back up to the ship. Queazy snapped his fingers. "It'll work!" His gray eyes showed satisfaction. "Now, if only the Saylor brothers are where we calculated!" They weren't where Bob and Queazy had calculated, as they had discovered the next day. They had expected to pick up the asteroid on their mass-detectors a few hundred thousand miles outside of the Moon's orbit. But now they saw the giant ship attached like a leech to the still bigger asteroid—inside the Moon's orbit! A mere two hundred thousand miles from Earth! "We have to work fast," Bob stammered, sweating. He got within naked-eye distance of the Saylor brothers' ship. Below, Earth was spread out, a huge crescent shape, part of the Eastern hemisphere vaguely visible through impeding clouds and atmosphere. The enemy ship was two miles distant, a black shadow occulting part of the brilliant sky. It was moving along a down-spiraling path toward Earth. Queazy's big hand gripped his shoulder. "Go to it, Bob!" Bob nodded grimly. He backed the hauler up about thirty miles, then sent it forward again, directly toward the Saylor brothers' ship at ten miles per second. And resting on the blunt nose of the ship was the "yo-yo." There was little doubt the Saylors' saw their approach. But, scornfully, they made no attempt to evade. There was no possible harm the oncoming ship could wreak. Or at least that was what they thought, for Bob brought the hauler's speed down to zero—and Starre Lowenthal's little ship, possessing its own inertia, kept on moving! It spun away from the hauler's blunt nose, paying out two rigid lengths of cable behind it as it unwound, hurled itself forward like a fantastic spinning cannon ball. "It's going to hit!" The excited cry came from Starre. But Bob swore. The dumbbell ship reached the end of its cables, falling a bare twenty feet short of completing its mission. It didn't stop spinning, but came winding back up the cable, at the same terrific speed with which it had left. Bob sweated, having only fractions of seconds in which to maneuver for the "yo-yo" could strike a fatal blow at the hauler too. It was ticklish work completely to nullify the "yo-yo's" speed. Bob used exactly the same method of catching the "yo-yo" on the blunt nose of the ship as a baseball player uses to catch a hard-driven ball in his glove—namely, by matching the ball's speed and direction almost exactly at the moment of impact. And now Bob's hours of practice paid dividends, for the "yo-yo" came to rest snugly, ready to be released again. All this had happened in such a short space of time that the Saylor brothers must have had only a bare realization of what was going on. But by the time the "yo-yo" was flung at them again, this time with better calculations, they managed to put the firmly held asteroid between them and the deadly missile. But it was clumsy evasion, for the asteroid was several times as massive as the ship which was towing it, and its inertia was great. And as soon as the little ship came spinning back to rest, Bob flung the hauler to a new vantage point and again the "yo-yo" snapped out. And this time—collision! Bob yelled as he saw the stern section of the Saylor brothers' ship crumple like tissue paper crushed between the hand. The dumbbell-shaped ship, smaller, and therefore stauncher due to the principle of the arch, wound up again, wobbling a little. It had received a mere dent in its starboard half. Starre was chortling with glee. Queazy whispered, "Attaboy, Bob! This time we'll knock 'em out of the sky!" The "yo-yo" came to rest and at the same moment a gong rang excitedly. Bob knew what that meant. The Saylor brothers were trying to establish communication. Queazy was across the room in two running strides. He threw in the telaudio and almost immediately, Wally Saylor's big body built up in the plate. Wally Saylor's face was quivering with wrath. "What do you damned fools think you're trying to do?" he roared. "You've crushed in our stern section. You've sliced away half of our stern jets. Air is rushing out! You'll kill us!" "Now," Bob drawled, "you're getting the idea." "I'll inform the Interplanetary Commission!" screamed Saylor. " If you're alive," Bob snarled wrathfully. "And you won't be unless you release the asteroid." "I'll see you in Hades first!" "Hades," remarked Bob coldly, "here you come!" He snapped the hauler into its mile-a-second speed again, stopped it at zero. And the "yo-yo" went on its lone, destructive sortie. For a fraction of a second Wally Saylor exhibited the countenance of a doomed man. In the telaudio plate, he whirled, and diminished in size with a strangled yell. The "yo-yo" struck again, but Bob Parker maneuvered its speed in such a manner that it struck in the same place as before, but not as heavily, then rebounded and came spinning back with perfect, sparkling precision. And even before it snugged itself into its berth, it was apparent that the Saylor brothers had given up. Like a wounded terrier, their ship shook itself free of the asteroid, hung in black space for a second, then vanished with a flaming puff of released gravitons from its still-intact jets. The battle was won!
train	62619	[ "Why did Lorelei choose to not keep up with the news for herself?", "When Peter woke in the hospital, how long was he told that he had been there?", "What was Peter's occupation?", "Why did Robert choose to not return to Earth after Peter had told him that he was ready?", "Why did Peter choose to go on the mission by himself rather than taking Lorelei with him?", "Why did Peter choose to break all the mirrors inside the ship?", "How did Peter get the scar on his cheek?", "What emotions could likely be behind the expression on Peter's face at the end of the passage when he was told that they could not return to Earth?", "Why was Robert the only choice for returning to Earh?", "Based on the remainder of the passage, from whose perspective is the introduction?" ]	[ [ "Peter always kept her informed well enough. ", "She didn't care enough to know the news. ", "She found it to be depressing or boring. ", "She didn't have time to keep up with current events. " ], [ "nine and a half days ", "nine and a half months", "Three days", "Three months" ], [ "Doctor", "Lab Technician", "Scientist", "Journalist" ], [ "He wanted to stay with Peter, alone. ", "His fear of the Invaders after hearing the story from Peter's diary", "His logic wouldn't allow him to fulfill the purpose", "He couldn't decipher the difference in killing the humans and the Invaders" ], [ "Women needed to stay underground for reproduction purposes", "There was only room for one passenger in the ship. ", "There was a slim chance of survial", "Lorelei was too afraid to make the journey with him. " ], [ "The mirrors were harmful to the embryos ", "The mirrors reflected too much light. ", "He needed his full attention on the task at hand. ", "He didn't want to see the changes to himself due to the rays." ], [ "From an accidental talon scratch", "From traveling through the dangerous rays.", "From the construction of his ship", "From the Invaders attack." ], [ "Fear", "Satisfaction", "Defeat", "Contentment" ], [ "He was the only changeling-child who grew to have no fear. ", "He was the only changeling-child who had not been destroyed", "He was the only one will the powerfully strong talons that could defeat the Invaders", "He was the strongest of the group" ], [ "Robert", "Peter", "An Invader", "Lorelei" ] ]	[ 3, 4, 3, 3, 3, 4, 1, 3, 2, 1 ]	[ 1, 0, 1, 1, 0, 0, 0, 0, 1, 1 ]	THE AVENGER By STUART FLEMING Karson was creating a superman to fight the weird super-monsters who had invaded Earth. But he was forgetting one tiny thing—like calls to like. [Transcriber's Note: This etext was produced from Planet Stories Spring 1944. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] Peter Karson was dead. He had been dead for some time now, but the dark blood was still oozing from the crushed ruin of his face, trickling down into his sodden sleeve, and falling, drop by slow drop, from his fingertips. His head was tilted over the back of the chair at a queer, unnatural angle, so that the light made deep pools of shadow where his eyes had been. There was no sound in the room except for the small splashing the blood made as it dropped into the sticky pool on the floor. The great banks of machinery around the walls were silent. I knew that they would never come to life again. I rose and walked over to the window. Outside, the stars were as before: tiny, myriad points of light, infinitely far away. They had not changed, and yet they were suddenly no longer friendly. They were cold and alien. It was I who had changed: something inside me was dead, like the machinery, and like Peter. It was a kind of indefinable emptiness. I do not think it was what Peter called an emotion; and yet it had nothing to do with logic, either. It was just an emptiness—a void that could not be filled by eating or drinking. It was not a longing. I had no desire that things should be otherwise than they were. I did not even wish that Peter were not dead, for reason had told me that he had to die. That was the end of it. But the void was still there, unexplainable and impossible to ignore. For the first time in all my life I had found a problem that I could not solve. Strange, disturbing sensations stirred and whispered within me, nagging, gnawing. And suddenly—something moved on the skin of my cheek. I raised a hand to it, slowly. A tear was trickling down my cheek. Young Peter Karson put the last black-print down and sighed with satisfaction. His dream was perfect; the Citadel was complete, every minutest detail provided for—on paper. In two weeks they would be laying the core, and then the metal giant itself would begin to grow, glittering, pulsing with each increment of power, until at last it lay finished, a living thing. Then there would remain only the task of blasting the great, shining ship out into the carefully-calculated orbit that would be its home. In his mind's eye he could see it, slowly wheeling, like a second satellite, about the Earth; endlessly gathering knowledge into its insatiable mechanisms. He could see, too, the level on level of laboratories and storerooms that filled its interlocking segments; the meteor deflectors, the air renewal system, the mighty engines at the stern—all the children of his brain. Out there, away from the muffling, distorting, damnable blanket of atmosphere, away from Earth's inexorable gravitational pull, would be a laboratory such as man had never seen. The ship would be filled with the sounds of busy men and women, wresting secrets from the reluctant ether. A new chemistry, a new physics; perhaps even a new biochemistry. A discordant note suddenly entered his fantasy. He looked up, conscious of the walls of his office again, but could see nothing unusual. Still, that thin, dark whisper of dread was at the back of his mind. Slowly, as if reluctantly compelled, he turned around to face the window at his back. There, outside the window, fifty stories up, a face was staring impassively in at him. That was the first impression he got; just a face, staring. Then he saw, with a queer, icy chill, that the face was blood-red and subtly inhuman. It tapered off into a formless, shriveled body. For a moment or an eternity it hung there, unsupported, the bulging eyes staring at him. Then it grew misty at the edges. It dissolved slowly away and was gone. "Lord!" he said. He stared after it, stunned into immobility. Down in the street somewhere, a portable video was shrilling a popular song; after a moment he heard the faint swish of a tube car going past. Everything was normal. Nothing, on examination, seemed to have changed. But the world had grown suddenly unreal. One part of his brain had been shocked into its shell. It was hiding from the thing that had hurt it, and it refused to respond. But the other part was going calmly, lucidly on, quite without his volition. It considered the possibility that he had gone temporarily insane, and decided that this was probable. Hardly knowing what he did, he found a cigarette and lit it. His hands were shaking. He stared at them dully, and then he reached over to the newsbox on his desk, and switched it on. There were flaring red headlines. Relief washed over him, leaving him breathless. He was horrified, of course, but only abstractedly. For the moment he could only be glad that what he had seen was terrible reality rather than even more terrible illusion. INVADERS APPEAR IN BOSTON. 200 DEAD Then lines of type, and farther down: 50 CHILDREN DISAPPEAR FROM PARIS MATERNITY CENTER He pressed the stud. The roll was full of them. MOON SHIP DESTROYED IN TRANSIT NO COMMUNICATION FROM ANTARCTICA IN 6 HOURS STRANGE FORCE DEFLECTS PLANES FROM SAHARA AREA WORLD POLICE MOBILIZING The item below the last one said: Pacifica, June 7—The World Police are mobilizing, for the first time in fifty years. The order was made public early this morning by R. Stein, Secretary of the Council, who said in part: "The reason for this ... order must be apparent to all civilized peoples. For the Invaders have spared no part of this planet in their depredations: they have laid Hong Kong waste; they have terrorized London; they have destroyed the lives of citizens in every member state and in every inhabited area. There can be few within reach of printed reports or my words who have not seen the Invaders, or whose friends have not seen them. "The peoples of the world, then, know what they are, and know that we face the most momentous struggle in our history. We face an enemy superior to ourselves in every way . "Since the Invaders first appeared in Wood River, Oregon, 24 hours ago, they have not once acknowledged our attempts to communicate, or in any way taken notice of our existence as reasoning beings. They have treated us precisely as we, in less enlightened days, might have treated a newly-discovered race of lower animals. They have not attacked our centers of government, nor immobilized our communications, nor laid siege to our defenses. But in instance after instance, they have done as they would with us. They have examined us, dissected us, driven us mad, killed us with no discernable provocation; and this is more intolerable than any normal invasion. "I have no fear that the people of Earth will fail to meet this challenge, for there is no alternative. Not only our individual lives are threatened, but our existence as a race. We must, and will, destroy the Invaders!" Peter sank back in his chair, the full shock of it striking him for the first time. " Will we?" he asked himself softly. It was only two stories down the moving ramp to Lorelei Cooper's laboratory. Peter took it in fifteen seconds, running, and stumbled to a halt in front of the door marked "Radiation." She had set her door mechanism to "Etaoin Shrdlu," principally because he hated double-talk. He mouthed the syllables, had to repeat them because he put an accent in the wrong place, and squeezed through the door as soon as it opened far enough to admit him. Lorelei, beautiful in spite of dark-circled eyes and a smear of grease on her chin, looked up from a huge ledger at the end of the room. One blonde eyebrow arched in the quizzical expression he knew so well. "What makes, Peter my love?" she asked, and bent back to the ledger. Then she did a double-take, looked at his face intently, and said, "Darling, what's wrong?" He said, "Have you seen the news recently?" She frowned. "Why, no—Harry and I have been working for thirty-six hours straight. Haven't seen anybody, haven't heard anything. Why?" "You wouldn't believe me. Where's your newsbox?" She came around the desk and put her hands on his shoulders. "Pete, you know I haven't one—it bores me or upsets me, depending on whether there's trouble or not. What—" "I'm sorry, I forgot," he said. "But you have a scanner?" "Yes, of course. But really, Pete—" "You'll understand in a minute. Turn it on, Lorelei." She gazed at him levelly for a moment, kissed him impulsively, and then walked over to the video panel on the wall and swept a mountain of papers away from in front of it. She turned the selector dial to "News" and pressed the stud. A faint wash of color appeared on the panel, strengthened slowly, and suddenly leapt into full brilliance. Lorelei caught her breath. It was a street scene in the Science City of Manhattan, flooded by the warm spring sunshine. Down on the lowest level, visible past the transport and passenger tubes, the parks and moving ways should have been dotted with colorful, holiday crowds. The people were there, yes but they were flowing away in a swiftly-widening circle. They disappeared into buildings, and the ways snatched them up, and in a heartbeat they were gone. There were left only two blood-red, malignant monstrosities somehow defiling the air they floated in; and below them, a pitiful huddle of flesh no longer recognizable as human beings. They were not dead, those men and women, but they wanted to be. Their bodies had been impossibly joined, fused together into a single obscene, floundering mass of helpless protoplasm. The thin moaning that went up from them was more horrible than any cry of agony. "The Invaders are here, citizens," the commentator was saying in a strangled voice. "Stay off the streets. Hide yourselves. Stay off the streets...." His voice droned on, but neither of them heard it. Lorelei buried her head on his chest, clutching at him desperately. "Peter!" she said faintly. "Why do they broadcast such things?" "They have to," he told her grimly. "There will be panics and suicides, and they know it; but they have to do it. This isn't like a war, where the noncombatants' morale has to be kept up. There aren't going to be any noncombatants, this time. Everybody in the world has to know about them, so that he can fight them—and then it may not be enough." The viewpoint of the teleo sender changed as the two red beings soared away from their victims and angled slowly up the street. Peter reached out to switch off the scanner, and froze. The girl felt his muscles tense abruptly, looked back at the scene. The Invaders were floating up the sloping side of a tall, pure white structure that dominated the rest. "That's the Atlas building," she said unbelievingly. "Us!" "Yes." Silently, they counted stories as the two beings rose. Forty-five ... forty-six ... forty-seven ... forty-eight. Inevitably, they halted. Then they faded slowly. It was impossible to say whether they had gone through the solid wall, or simply melted away. The man and woman clung together, waiting. There was a thick, oppressive silence, full of small rustlings and other faint sounds that were no longer normal. Then, very near, a man screamed in a high, inhuman voice. The screamed dwindled into a throaty gurgle and died, leaving silence again. Peter's lips were cold with sweat. Tiny nerves in his face and arms were jumping convulsively. His stomach crawled. He thrust the girl away from him and started toward the inner room. "Wait here," he mouthed. She was after him, clinging to his arms. "No, Peter! Don't go in there! Peter! " But he pushed her away again, woodenly, and stalked forward. There was a space in the middle of the room where machinery had been cleared away to make room for an incompleted setup. Peter walked down the narrow aisle, past bakelite-sheathed mechanisms and rows of animal cages, and paused just short of it. The two red beings were there, formless bodies hazy in midair, the distorted, hairless skulls in profile, staring at something outside his range of vision. Peter forced himself forward another step. Little Harry Kanin, Lorelei's assistant, was crumpled in a corner, half supported by the broad base of an X-ray chamber. His face was flaccid and bloated. His glazed eyes, impassive yet somehow pleading, stared at nothingness straight ahead of him. The Invaders ignored Peter, staring expressionlessly down at Kanin. In a moment Peter realized what they were doing to him. He stood, paralyzed with horror, and watched it happen. The little man's body was sagging, ever so slowly, as if he were relaxing tiredly. His torso was telescoping, bit by bit; his spread legs grew wider and more shapeless, his cheeks caved in and his skull grew gradually flatter. When it was over, the thing that had been Kanin was a limp, boneless puddle of flesh. Peter could not look at it. There was a scream in his throat that would not come out. He was beyond fear, beyond agony. He turned to the still-hovering monsters and said in a terrible voice, "Why? Why?" The nearest being turned slowly to regard him. Its lips did not move, but there was a tiny sound in Peter's brain, a thin, dry whispering. The scream was welling up. He fought it down and listened. " Wurnkomellilonasendiktolsasangkanmiamiamimami.... " The face was staring directly into his, the bulging eyes hypnotic. The ears were small, no more than excresences of skin. The narrow lips seemed sealed together; a thin, slimy ichor drooled from them. There were lines in the face, but they were lines of age, not emotion. Only the eyes were alive. " ... raswilopreatadvuonistuwurncchtusanlgkelglawwalinom.... " "I can't understand," he cried wildly. "What do you want?" " ... morofelcovisyanmamiwurlectaunntous. " He heard a faint sound behind him, and whirled. It was the first time he had realized that Lorelei had followed him. She stood there, swaying, very pale, looking at the red Invaders. Her eyes swiveled slowly.... " Opreniktoulestritifenrelngetnaktwiltoctpre. " His voice was hoarse. "Don't look! Don't—Go back!" The horrible, mindless noise in his throat was almost beyond his power to repress. His insides writhed to thrust it out. She didn't see him. Her eyes glazed, and she dropped limply to the floor. The scream came out then. Before he knew, even, that he could hold it back no longer, his mouth was wide open, his muscles tensed, his fingernails slicing his palms. It echoed with unbelievable volume in the room. It was a scream to split eardrums; a scream to wake the dead. Somebody said, "Doctor!" He wanted to say, "Yes, get a doctor. Lorelei—" but his mouth only twitched feebly. He couldn't seem to get it to work properly. He tried again. "Doctor." "Yes?" A gentle, masculine voice. He opened his eyes with an effort. There was a blurred face before him; in a moment it grew clearer. The strong, clean-shaven chin contrasted oddly with the haggard circles under the eyes. There was a clean, starched odor. "Where am I?" he said. He tried to turn his head, but a firm hand pressed him back into the sheets. "You're in a hospital. Just lie quietly, please." He tried to get up again. "Where's Lorelei?" "She's well, and you'll see her soon. Now lie quietly. You've been a very sick man." Peter sank back in the bed. The room was coming into focus. He looked around him slowly. He felt very weak, but perfectly lucid. "Yes...." he said. "How long have I been here, Doctor?" The man hesitated, looked at him intently. "Three months," he said. He turned and gave low-voiced instructions to a nurse, and then went away. Peter's head began spinning just a little. Glass clinked from a metal stand near his head; the nurse bent over him with a glass half full of milky fluid. It tasted awful, but she made him drink it all. In a moment he began to relax, and the room got fuzzy again. Just before he drifted off, he said sleepily, "You can't—fool me. It's been more —than three—months." He was right. All the nurses, and even Dr. Arnold, were evasive, but he kept asking them why he couldn't see Lorelei, and finally he wormed it out of them. It had been nine and a half months, not three, and he'd been in a coma all that time. Lorelei, it seemed, had recovered much sooner. "She was only suffering from ordinary shock," Arnold explained. "Seeing that assistant of hers—it was enough to knock anybody out, especially a woman. But you stood actual mental contact with them for approximately five minutes. Yes, we know—you talked a lot. It's a miracle you're alive, and rational." "But where is she?" Peter complained. "You still haven't explained why I haven't been able to see her." Arnold frowned. "All right," he said. "I guess you're strong enough to take it. She's underground, with the rest of the women and children, and a good two-thirds of the male population. That's where you'll go, as soon as you're well enough to be moved. We started digging in six months ago." "But why?" Peter whispered. Arnold's strong jaw knotted. "We're hiding," he said. "Everything else has failed." Peter couldn't think of anything to say. Dr. Arnold's voice went on after a moment, musingly. "We're burrowing into the earth, like worms. It didn't take us long to find out we couldn't kill them. They didn't even take any notice of our attempts to do so, except once. That was when a squadron of the Police caught about fifty of them together at one time, and attacked with flame guns and a new secret weapon. It didn't hurt them, but it annoyed them. It was the first time they'd been annoyed, I think. They blew up half a state, and it's still smoldering." "And since then?" Peter asked huskily. "Since then, we've been burrowing. All the big cities.... It would be an impossible task if we tried to include all the thinly-populated areas, of course, but it doesn't matter. By the time we excavate enough to take care of a quarter of the earth's population, the other three-quarters will be dead, or worse." "I wonder," Peter said shakily, "if I am strong enough to take it." Arnold laughed harshly. "You are. You've got to be. You're part of our last hope, you see." "Our last hope?" "Yes. You're a scientist." "I see," said Peter. And for the first time, he thought of the Citadel . No plan leaped full-born into his mind, but, maybe , he thought, there's a chance .... It wasn't very big, the thing that had been his shining dream. It lay there in its rough cradle, a globe of raw dura-steel not more than five hundred meters in diameter, where the Citadel was to have been a thousand. It wouldn't house a hundred scientists, eagerly delving into the hinterland of research. The huge compartments weren't filled with the latest equipment for chemical and physical experiment; instead, there was compressed oxygen there, and concentrated food, enough to last a lifetime. It was a new world, all by itself; or else it was a tomb. And there was one other change, one that you couldn't see from the outside. The solid meters of lead in its outer skin, the shielding to keep out cosmic rays, were gone. A man had just finished engraving the final stroke on its nameplate, to the left of the airlock— The Avenger . He stepped away now, and joined the group a little distance away, silently waiting. Lorelei said, "You can't do it. I won't let you! Peter—" "Darling," he began wearily. "Don't throw your life away! Give us time—there must be another way." "There's no other way," Peter said. He gripped her arms tightly, as if he could compel her to understand by the sheer pressure of his fingers. "Darling, listen to me. We've tried everything. We've gone underground, but that's only delaying the end. They still come down here, only not as many. The mortality rate is up, the suicide rate is up, the birth rate is down, in spite of anything we can do. You've seen the figures: we're riding a curve that ends in extinction fifty years from now. "They'll live, and we'll die, because they're a superior race. We're a million years too far back even to understand what they are or where they came from. Besides them, we're apes. There's only one answer." She was crying now, silently, with great racking sobs that shook her slender body. But he went remorselessly on. "Out there, in space, the cosmics change unshielded life. They make tentacles out of arms; or scales out of hair; or twelve toes, or a dozen ears—or a better brain. Out of those millions of possible mutations, there's one that will save the human race. We can't fight them , but a superman could. That's our only chance. Lorelei—darling—don't you see that?" She choked, "But why can't you take me along?" He stared unseeingly past her wet, upturned face. "You know why," he said bitterly. "Those rays are strong. They don't only work on embryos; they change adult life forms, too. I have one chance in seven of staying alive. You'd have one chance in a million of staying beautiful. I couldn't stand that. I'd kill myself, and then humanity would die, too. You'd be their murderer." Her sobs gradually died away. She straightened slowly until he no longer had to support her, but all the vitality and resilience was gone out of her body. "All right," she said in a lifeless voice. "You'll come back, Peter." He turned away suddenly, not trusting himself to kiss her goodbye. A line from an old film kept echoing through his head. " They'll come back—but not as boys !" We'll come back, but not as men. We'll come back, but not as elephants. We'll come back, but not as octopi. He was trembling violently. He ran the last few steps, stumbled into the airlock, and pressed the stud that would seal the door behind him. We'll come back.... He heard the massive disk sink home, closing him off. Then he sank down on the floor of the airlock and put his head in shaking hands. After a while he roused himself, closed the inner door of the lock behind him, and walked down the long corridor into the control chamber. The shining banks of keys were there, waiting for his touch; he slumped down before them and listlessly closed the contact of the visiplate. He swung its field slowly, scanning for the last time the bare walls of the underground chamber, making sure that all the spectators had retired out of the way of the blast. Then his clawed fingers poised over the keys, hovered a moment, and thrust down. Acceleration pressed him deep into his chair. In the visiplate, the heavy doors that closed the tunnel above him flashed back, one by one. The energy-charged screen flickered off to let him pass, and closed smoothly behind him. The last doors, cleverly camouflaged, slipped back into place and then dwindled in the distance. It was done. He flashed on out, past the moon, past Mars, over the asteroid belt. The days merged into weeks, then months, and finally, far out, The Avenger curved into an orbit and held it. The great motors died, and the silence pressed in about him. Already he could feel the invisible rays burning resistlessly through his flesh as if it were water, shifting the cells of his body, working its slow, monstrous alchemy upon him. Peter waited until the changes were unmistakably evident in his skin and hair, and then he smashed all the mirrors in the ship. The embryos were pulsing with unnatural life, even in the suspended animation of their crystal cells. One by one he allowed them to mature, and after weeks or years destroyed the monstrosities that came from the incubators. Time went by, meaninglessly. He ate when he was hungry, slept when his driving purpose let him, and worked unceasingly, searching for the million-to-one chance. He stared sometimes through changed eyes at the tiny blue star that was Earth, wondering if the race he had left behind still burrowed in its worm-tunnels, digging deeper and deeper away from the sunlight. But after a time he ceased even to wonder. And one changeling-child he did not destroy. He fed knowledge to its eager brain, and watched it through the swift years, with a dawning hope.... Peter closed the diary. "The rest you know, Robert," he said. "Yes," I told him. "I was that child. I am the millionth mutation you were searching for." His eyes glowed suddenly in their misshapen sockets. "You are. Your brain is as superior to mine as mine is to an anthropoid's. You solve instinctively problems that would take our mechanical computers hours of work. You are a superman." "I am without your imperfections," I said, flexing my arms. He rose and strode nervously over to the window. I watched him as he stood there, outlined against the blazing galaxies. He had changed but little in the years that I had known him. His lank gray hair straggled over his sunken eyes; his cheeks were blobbed with excresences of flesh; one corner of his mouth was drawn up in a perpetual grin. He had a tiny sixth finger on his left hand. He turned again, and I saw the old scar on his cheek where I had once accidentally drawn one of my talons across his face. "And now," he said softly, "we will go home. I've waited so long—keeping the control chamber and the engine room locked away from you, not telling you, even, about Earth until now—because I had to be sure. But now, the waiting is over. "They're still there, I'm sure of it—the people, and the Invaders. You can kill the Invaders, Robert." He looked at me, a little oddly, almost as if he had some instinctive knowledge of what was to come. But he went on swiftly, "On Earth we had a saying: 'Fight fire with fire.' That is the way it will be with you. You are completely, coldly logical, just as they are. You can understand them, and so you can conquer them." I said, "That is the reason why we will not go back to Earth." He stared at me, his jaw slack, his hands trembling. "What—what did you say?" I repeated it patiently. "But why?" he cried, sinking down into the chair before me. In an instant all the joy had gone out of him. I could not understand his suffering, but I could recognize it. "You yourself have said it," I told him. "I am a being of logic, just as the beings who have invaded your planet are. I do not comprehend the things which you call hate, fear, joy and love, as they do not. If I went to Earth, I would use your people to further my knowledge, just as the invaders do. I would have no reason to kill the invaders. They are more nearly kin to me than your people." Peter's eyes were dull, his limbs slumped. For a moment I thought that the shock had deranged his mind. His voice trembled when he said, "But if I ask you to kill them, and not my people?" "To do so would be illogical." He waved his hands helplessly. "Gratitude?" he muttered. "No, you don't understand that, either." Then he cried suddenly, "But I am your friend, Robert!" "I do not understand 'friend,'" I said. I did understand "gratitude," a little. It was a reciprocal arrangement: I did what Peter wished, so long as I did not actively want to do otherwise, because he had done things for me. Very well, then we must not go back. It was very simple, but I knew that he could not comprehend it. I tried to explain it to him, however. But he only stared at me, with an expression on his face that I had never seen there before, and that, somehow, I did not like to see. It was disquieting, and so I hastened to the end that I knew was inevitable.
train	61228	[ "Why was Ferris against testing the discovery made by himself and Mitchell on himself?", "What was the name that came to mind when people thought of \n mathematician or scientist in the passage?", "From the passage, what is said to be the most common complaint of man?", "Which of these is NOT said to be a cause for headaches?", "Why was the Army doctor concerned about the wellness of Macklin?", "Why was Mitchell irritated that the story on the virus for headaches had been leaked to the newspapers?", "Why was Macklin's wife hysterical when she called to speak with Ferris and Mitchell?", "What caused Macklin to lose his intelligence?", "Why was Macklin against having an antitoxin to combat the virus?" ]	[ [ "Because it was too dangerous. ", "Because it was unethical. ", "Because he had a headache.", "Because they were underfunded. " ], [ "Macklin", "Mitchell", "Harold", "Ferris" ], [ "sinus infections ", "headaches", "The common cold", "lack of sleep" ], [ "nervous strain", "fatigue", "over-indulgence", "UV rays " ], [ "He appeared to now be a moron", "He showed signs of sudden weight loss", "His blood pressure had dropped dangerously low", "He was now anemic" ], [ "He feared the virus was counteractive.", "He feared that Macklin's wife would be angry", "He felt it was too early to release without verified results.", "He feared that the government would shut their project down." ], [ "Her husband was very ill from the virus", "Her husband was still having headaches", "She thought they had given her husband heroin.", "Her husband's blood pressure had dropped extremely low. " ], [ "He had suffered a stroke", "His brain cells were not working properly", "He was using heroin", "He was only pretending " ], [ "He feared the additional side-effects of the antitoxin.", "He didn't want the headaches to return. ", "He enjoyed the attention he was receiving.", "He enjoyed the newly found free time he had. " ] ]	[ 2, 1, 2, 4, 1, 3, 3, 2, 2 ]	[ 0, 0, 0, 0, 1, 0, 1, 1, 0 ]	THE BIG HEADACHE BY JIM HARMON What's the principal cause of headaches? Why, having a head, of course! [Transcriber's Note: This etext was produced from Worlds of If Science Fiction, September 1962. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] I "Do you think we'll have to use force on Macklin to get him to cooperate in the experiment?" Ferris asked eagerly. "How are you going to go about forcing him, Doctor?" Mitchell inquired. "He outweighs you by fifty pounds and you needn't look to me for help against that repatriated fullback." Ferris fingered the collar of his starched lab smock. "Guess I got carried away for a moment. But Macklin is exactly what we need for a quick, dramatic test. We've had it if he turns us down." "I know," Mitchell said, exhaling deeply. "Somehow the men with the money just can't seem to understand basic research. Who would have financed a study of cyclic periods of the hedgehog? Yet the information gained from that study is vital in cancer research." "When we prove our results that should be of enough practical value for anyone. But those crummy trustees didn't even leave us enough for a field test." Ferris scrubbed his thin hand over the bony ridge of his forehead. "I've been worrying so much about this I've got the ancestor of all headaches." Mitchell's blue eyes narrowed and his boyish face took on an expression of demonic intensity. "Ferris, would you consider—?" "No!" the smaller man yelled. "You can't expect me to violate professional ethics and test my own discovery on myself." " Our discovery," Mitchell said politely. "That's what I meant to say. But I'm not sure it would be completely ethical with even a discovery partly mine." "You're right. Besides who cares if you or I are cured of headaches? Our reputations don't go outside our own fields," Mitchell said. "But now Macklin—" Elliot Macklin had inherited the reputation of the late Albert Einstein in the popular mind. He was the man people thought of when the word "mathematician" or even "scientist" was mentioned. No one knew whether his Theory of Spatium was correct or not because no one had yet been able to frame an argument with it. Macklin was in his early fifties but looked in his late thirties, with the build of a football player. The government took up a lot of his time using him as the symbol of the Ideal Scientist to help recruit Science and Engineering Cadets. For the past seven years Macklin—who was the Advanced Studies Department of Firestone University—had been involved in devising a faster-than-light drive to help the Army reach Pluto and eventually the nearer stars. Mitchell had overheard two coeds talking and so knew that the project was nearing completion. If so, it was a case of Ad astra per aspirin . The only thing that could delay the project was Macklin's health. Despite his impressive body, some years before he had suffered a mild stroke ... or at least a vascular spasm of a cerebral artery. It was known that he suffered from the vilest variety of migraine. A cycle of the headaches had caused him to be absent from his classes for several weeks, and there were an unusual number of military uniforms seen around the campus. Ferris paced off the tidy measurements of the office outside the laboratory in the biology building. Mitchell sat slumped in the chair behind the blond imitation wood desk, watching him disinterestedly. "Do you suppose the Great Man will actually show up?" Ferris demanded, pausing in mid-stride. "I imagine he will," Mitchell said. "Macklin's always seemed a decent enough fellow when I've had lunch with him or seen him at the trustees meetings." "He's always treated me like dirt," Ferris said heatedly. "Everyone on this campus treats biologists like dirt. Sometimes I want to bash in their smug faces." Sometimes, Mitchell reflected, Ferris displayed a certain lack of scientific detachment. There came a discreet knock on the door. "Please come in," Mitchell said. Elliot Macklin entered in a cloud of pipe smoke and a tweed jacket. He looked more than a little like a postgraduate student, and Mitchell suspected that that was his intention. He shook hands warmly with Mitchell. "Good of you to ask me over, Steven." Macklin threw a big arm across Ferris' shoulders. "How have you been, Harold?" Ferris' face flickered between pink and white. "Fine, thank you, doctor." Macklin dropped on the edge of the desk and adjusted his pipe. "Now what's this about you wanting my help on something? And please keep the explanation simple. Biology isn't my field, you know." Mitchell moved around the desk casually. "Actually, Doctor, we haven't the right to ask this of a man of your importance. There may be an element of risk." The mathematician clamped onto his pipe and showed his teeth. "Now you have me intrigued. What is it all about?" "Doctor, we understand you have severe headaches," Mitchell said. Macklin nodded. "That's right, Steven. Migraine." "That must be terrible," Ferris said. "All your fine reputation and lavish salary can't be much consolation when that ripping, tearing agony begins, can it?" "No, Harold, it isn't," Macklin admitted. "What does your project have to do with my headaches?" "Doctor," Mitchell said, "what would you say the most common complaint of man is?" "I would have said the common cold," Macklin replied, "but I suppose from what you have said you mean headaches." "Headaches," Mitchell agreed. "Everybody has them at some time in his life. Some people have them every day. Some are driven to suicide by their headaches." "Yes," Macklin said. "But think," Ferris interjected, "what a boon it would be if everyone could be cured of headaches forever by one simple injection." "I don't suppose the manufacturers of aspirin would like you. But it would please about everybody else." "Aspirins would still be used to reduce fever and relieve muscular pains," Mitchell said. "I see. Are you two saying you have such a shot? Can you cure headaches?" "We think we can," Ferris said. "How can you have a specific for a number of different causes?" Macklin asked. "I know that much about the subject." "There are a number of different causes for headaches—nervous strain, fatigue, physical diseases from kidney complaints to tumors, over-indulgence—but there is one effect of all of this, the one real cause of headaches," Mitchell announced. "We have definitely established this for this first time," Ferris added. "That's fine," Macklin said, sucking on his pipe. "And this effect that produces headaches is?" "The pressure effect caused by pituitrin in the brain," Mitchell said eagerly. "That is, the constriction of blood vessels in the telencephalon section of the frontal lobes. It's caused by an over-production of the pituitary gland. We have artificially bred a virus that feeds on pituitrin." "That may mean the end of headaches, but I would think it would mean the end of the race as well," Macklin said. "In certain areas it is valuable to have a constriction of blood vessels." "The virus," Ferris explained, "can easily be localized and stabilized. A colony of virus in the brain cells will relax the cerebral vessels—and only the cerebral vessels—so that the cerebrospinal fluid doesn't create pressure in the cavities of the brain." The mathematician took the pipe out of his mouth. "If this really works, I could stop using that damned gynergen, couldn't I? The stuff makes me violently sick to my stomach. But it's better than the migraine. How should I go about removing my curse?" He reinserted the pipe. "I assure you, you can forget ergotamine tartrate," Ferris said. "Our discovery will work." "Will work," Macklin said thoughtfully. "The operative word. It hasn't worked then?" "Certainly it has," Ferris said. "On rats, on chimps...." "But not on humans?" Macklin asked. "Not yet," Mitchell admitted. "Well," Macklin said. "Well." He thumped pipe ashes out into his palm. "Certainly you can get volunteers. Convicts. Conscientious objectors from the Army." "We want you," Ferris told him. Macklin coughed. "I don't want to overestimate my value but the government wouldn't like it very well if I died in the middle of this project. My wife would like it even less." Ferris turned his back on the mathematician. Mitchell could see him mouthing the word yellow . "Doctor," Mitchell said quickly, "I know it's a tremendous favor to ask of a man of your position. But you can understand our problem. Unless we can produce quick, conclusive and dramatic proof of our studies we can get no more financial backing. We should run a large-scale field test. But we haven't the time or money for that. We can cure the headaches of one person and that's the limit of our resources." "I'm tempted," Macklin said hesitantly, "but the answer is go. I mean ' no '. I'd like to help you out, but I'm afraid I owe too much to others to take the rest—the risk, I mean." Macklin ran the back of his knuckles across his forehead. "I really would like to take you up on it. When I start making slips like that it means another attack of migraine. The drilling, grinding pain through my temples and around my eyeballs. The flashes of light, the rioting pools of color playing on the back of my lids. Ugh." Ferris smiled. "Gynergen makes you sick, does it, doctor? Produces nausea, eh? The pain of that turns you almost wrong side out, doesn't it? You aren't much better off with it than without, are you? I've heard some say they preferred the migraine." Macklin carefully arranged his pipe along with the tools he used to tend it in a worn leather case. "Tell me," he said, "what is the worst that could happen to me?" "Low blood pressure," Ferris said. "That's not so bad," Macklin said. "How low can it get?" "When your heart stops, your blood pressure goes to its lowest point," Mitchell said. A dew of perspiration had bloomed on Macklin's forehead. "Is there much risk of that?" "Practically none," Mitchell said. "We have to give you the worst possibilities. All our test animals survived and seem perfectly happy and contented. As I said, the virus is self-stabilizing. Ferris and I are confident that there is no danger.... But we may be wrong." Macklin held his head in both hands. "Why did you two select me ?" "You're an important man, doctor," Ferris said. "Nobody would care if Mitchell or I cured ourselves of headaches—they might not even believe us if we said we did. But the proper authorities will believe a man of your reputation. Besides, neither of us has a record of chronic migraine. You do." "Yes, I do," Macklin said. "Very well. Go ahead. Give me your injection." Mitchell cleared his throat. "Are you positive, doctor?" he asked uncertainly. "Perhaps you would like a few days to think it over." "No! I'm ready. Go ahead, right now." "There's a simple release," Ferris said smoothly. Macklin groped in his pocket for a pen. II "Ferris!" Mitchell yelled, slamming the laboratory door behind him. "Right here," the small man said briskly. He was sitting at a work table, penciling notes. "I've been expecting you." "Doctor—Harold—you shouldn't have given this story to the newspapers," Mitchell said. He tapped the back of his hand against the folded paper. "On the contrary, I should and I did," Ferris answered. "We wanted something dramatic to show to the trustees and here it is." "Yes, we wanted to show our proof to the trustees—but not broadcast unverified results to the press. It's too early for that!" "Don't be so stuffy and conservative, Mitchell! Macklin's cured, isn't he? By established periodic cycle he should be suffering hell right now, shouldn't he? But thanks to our treatment he is perfectly happy, with no unfortunate side effects such as gynergen produces." "It's a significant test case, yes. But not enough to go to the newspapers with. If it wasn't enough to go to the press with, it wasn't enough to try and breach the trustees with. Don't you see? The public will hand down a ukase demanding our virus, just as they demanded the Salk vaccine and the Grennell serum." "But—" The shrill call of the telephone interrupted Mitchell's objections. Ferris excused himself and crossed to the instrument. He answered it and listened for a moment, his face growing impatient. "It's Macklin's wife," Ferris said. "Do you want to talk to her? I'm no good with hysterical women." "Hysterical?" Mitchell muttered in alarm and went to the phone. "Hello?" Mitchell said reluctantly. "Mrs. Macklin?" "You are the other one," the clear feminine voice said. "Your name is Mitchell." She couldn't have sounded calmer or more self-possessed, Mitchell thought. "That's right, Mrs. Macklin. I'm Dr. Steven Mitchell, Dr. Ferris's associate." "Do you have a license to dispense narcotics?" "What do you mean by that, Mrs. Macklin," Mitchell said sharply. "I used to be a nurse, Dr. Mitchell. I know you've given my husband heroin." "That's absurd. What makes you think a thing like that?" "The—trance he's in now." "Now, Mrs. Macklin. Neither Dr. Ferris or myself have been near your husband for a full day. The effects of a narcotic would have worn off by this time." "Most known narcotics," she admitted, "but evidently you have discovered something new. Is it so expensive to refine you and Ferris have to recruit new customers to keep yourselves supplied?" "Mrs. Macklin! I think I had better talk to you later when you are calmer." Mitchell dropped the receiver heavily. "What could be wrong with Macklin?" he asked without removing his hand from the telephone. Ferris frowned, making quotation marks above his nose. "Let's have a look at the test animals." Together they marched over to the cages and peered through the honeycomb pattern of the wire. The test chimp, Dean, was sitting peacefully in a corner scratching under his arms with the back of his knuckles. Jerry, their control in the experiment, who was practically Dean's twin except that he had received no injection of the E-M Virus, was stomping up and down punching his fingers through the wire, worrying the lock on the cage. "Jerry is a great deal more active than Dean," Mitchell said. "Yes, but Dean isn't sick. He just doesn't seem to have as much nervous energy to burn up. Nothing wrong with his thyroid either." They went to the smaller cages. They found the situation with the rats, Bud and Lou, much the same. "I don't know. Maybe they just have tired blood," Mitchell ventured. "Iron deficiency anemia?" "Never mind, doctor. It was a form of humor. I think we had better see exactly what is wrong with Elliot Macklin." "There's nothing wrong with him," Ferris snapped. "He's probably just trying to get us in trouble, the ingrate!" Macklin's traditional ranch house was small but attractive in aqua-tinted aluminum. Under Mitchell's thumb the bell chimbed dum-de-de-dum-dum-dum . As they waited Mitchell glanced at Ferris. He seemed completely undisturbed, perhaps slightly curious. The door unlatched and swung back. "Mrs. Macklin," Mitchell said quickly, "I'm sure we can help if there is anything wrong with your husband. This is Dr. Ferris. I am Dr. Mitchell." "You had certainly better help him, gentlemen." She stood out of the doorway for them to pass. Mrs. Macklin was an attractive brunette in her late thirties. She wore an expensive yellow dress. And she had a sharp-cornered jawline. The Army officer came out into the hall to meet them. "You are the gentlemen who gave Dr. Macklin the unauthorized injection," he said. It wasn't a question. "I don't like that 'unauthorized'," Ferris snapped. The colonel—Mitchell spotted the eagles on his green tunic—lifted a heavy eyebrow. "No? Are you medical doctors? Are you authorized to treat illnesses?" "We weren't treating an illness," Mitchell said. "We were discovering a method of treatment. What concern is it of yours?" The colonel smiled thinly. "Dr. Macklin is my concern. And everything that happens to him. The Army doesn't like what you have done to him." Mitchell wondered desperately just what they had done to the man. "Can we see him?" Mitchell asked. "Why not? You can't do much worse than murder him now. That might be just as well. We have laws to cover that." The colonel led them into the comfortable, over-feminine living room. Macklin sat in an easy chair draped in embroidery, smoking. Mitchell suddenly realized Macklin used a pipe as a form of masculine protest to his home surroundings. On the coffee table in front of Macklin were some odd-shaped building blocks such as were used in nursery schools. A second uniformed man—another colonel but with the snake-entwined staff of the medical corps in his insignia—was kneeling at the table on the marble-effect carpet. The Army physician stood up and brushed his knees, undusted from the scrupulously clean rug. "What's wrong with him, Sidney?" the other officer asked the doctor. "Not a thing," Sidney said. "He's the healthiest, happiest, most well-adjusted man I've ever examined, Carson." "But—" Colonel Carson protested. "Oh, he's changed all right," the Army doctor answered. "He's not the same man as he used to be." "How is he different?" Mitchell demanded. The medic examined Mitchell and Ferris critically before answering. "He used to be a mathematical genius." "And now?" Mitchell said impatiently. "Now he is a moron," the medic said. III Mitchell tried to stop Colonel Sidney as he went past, but the doctor mumbled he had a report to make. Mitchell and Ferris stared at Colonel Carson and Macklin and at each other. "What did he mean, Macklin is an idiot?" Mitchell asked. "Not an idiot," Colonel Carson corrected primly. "Dr. Macklin is a moron. He's legally responsible, but he's extremely stupid." "I'm not so dumb," Macklin said defensively. "I beg your pardon, sir," Carson said. "I didn't intend any offense. But according to all the standard intelligence tests we have given you, your clinical intelligence quotient is that of a moron." "That's just on book learning," Macklin said. "There's a lot you learn in life that you don't get out of books, son." "I'm confident that's true, sir," Colonel Carson said. He turned to the two biologists. "Perhaps we had better speak outside." "But—" Mitchell said, impatient to examine Macklin for himself. "Very well. Let's step into the hall." Ferris followed them docilely. "What have you done to him?" the colonel asked straightforwardly. "We merely cured him of his headaches," Mitchell said. "How?" Mitchell did his best to explain the F-M Virus. "You mean," the Army officer said levelly "you have infected him with some kind of a disease to rot his brain?" "No, no! Could I talk to the other man, the doctor? Maybe I can make him understand." "All I want to know is why Elliot Macklin has been made as simple as if he had been kicked in the head by a mule," Colonel Carson said. "I think I can explain," Ferris interrupted. "You can?" Mitchell said. Ferris nodded. "We made a slight miscalculation. It appears as if the virus colony overcontrols the supply of posterior pituitary extract in the cerebrum. It isn't more than necessary to stop headaches. But that necessary amount of control to stop pain is too much to allow the brain cells to function properly." "Why won't they function?" Carson roared. "They don't get enough food—blood, oxygen, hemoglobin," Ferris explained. "The cerebral vessels don't contract enough to pump the blood through the brain as fast and as hard as is needed. The brain cells remain sluggish, dormant. Perhaps decaying." The colonel yelled. Mitchell groaned. He was abruptly sure Ferris was correct. The colonel drew himself to attention, fists trembling at his sides. "I'll see you hung for treason! Don't you know what Elliot Macklin means to us? Do you want those filthy Luxemburgians to reach Pluto before we do? Macklin's formula is essential to the FTL engine. You might just as well have blown up Washington, D.C. Better! The capital is replaceable. But the chances of an Elliot Macklin are very nearly once in a human race." "Just a moment," Mitchell interrupted, "we can cure Macklin." "You can ?" Carson said. For a moment Mitchell thought the man was going to clasp his hands and sink to his knees. "Certainly. We have learned to stabilize the virus colonies. We have antitoxin to combat the virus. We had always thought of it as a beneficial parasite, but we can wipe it out if necessary." "Good!" Carson clasped his hands and gave at least slightly at the knees. "Just you wait a second now, boys," Elliot Macklin said. He was leaning in the doorway, holding his pipe. "I've been listening to what you've been saying and I don't like it." "What do you mean you don't like it?" Carson demanded. He added, "Sir?" "I figure you mean to put me back like I used to be." "Yes, doctor," Mitchell said eagerly, "just as you used to be." " With my headaches, like before?" Mitchell coughed into his fist for an instant, to give him time to frame an answer. "Unfortunately, yes. Apparently if your mind functions properly once again you will have the headaches again. Our research is a dismal failure." "I wouldn't go that far," Ferris remarked cheerfully. Mitchell was about to ask his associate what he meant when he saw Macklin slowly shaking his head. "No, sir!" the mathematician said. "I shall not go back to my original state. I can remember what it was like. Always worrying, worrying, worrying." "You mean wondering," Mitchell said. Macklin nodded. "Troubled, anyway. Disturbed by every little thing. How high was up, which infinity was bigger than what infinity—say, what was an infinity anyway? All that sort of schoolboy things. It's peaceful this way. My head doesn't hurt. I've got a good-looking wife and all the money I need. I've got it made. Why worry?" Colonel Carson opened his mouth, then closed it. "That's right, Colonel. There's no use in arguing with him," Mitchell said. "It's not his decision to make," the colonel said. "He's an idiot now." "No, Colonel. As you said, he's a moron. He seems an idiot compared to his former level of intelligence but he's legally responsible. There are millions of morons running around loose in the United States. They can get married, own property, vote, even hold office. Many of them do. You can't force him into being cured.... At least, I don't think you can." "No, I can't. This is hardly a totalitarian state." The colonel looked momentarily glum that it wasn't. Mitchell looked back at Macklin. "Where did his wife get to, Colonel? I don't think that even previously he made too many personal decisions for himself. Perhaps she could influence him." "Maybe," the colonel said. "Let's find her." They found Mrs. Macklin in the dining room, her face at the picture window an attractive silhouette. She turned as the men approached. "Mrs. Macklin," the colonel began, "these gentlemen believe they can cure your husband of his present condition." "Really?" she said. "Did you speak to Elliot about that?" "Y-yes," Colonel Carson said, "but he's not himself. He refused the treatment. He wants to remain in his state of lower intelligence." She nodded. "If those are his wishes, I can't go against them." "But Mrs. Macklin!" Mitchell protested. "You will have to get a court order overruling your husband's wishes." She smoothed an eyebrow with the third finger of her right hand. "That was my original thought. But I've redecided." "Redecided!" Carson burst out almost hysterically. "Yes. I can't go against Elliot's wishes. It would be monstrous to put him back where he would suffer the hell of those headaches once again, where he never had a moment's peace from worry and pressure. He's happy now. Like a child, but happy." "Mrs. Macklin," the Army man said levelly, "if you don't help us restore your husband's mind we will be forced to get a court order declaring him incompetent." "But he is not! Legally, I mean," the woman stormed. "Maybe not. It's a borderline case. But I think any court would give us the edge where restoring the mind of Elliot Macklin was concerned. Once he's certified incompetent, authorities can rule whether Mitchell and Ferris' antitoxin treatment is the best method of restoring Dr. Macklin to sanity." "I doubt very much if the court would rule in that manner," she said. The colonel looked smug. "Why not?" "Because, Colonel, the matter of my husband's health, his very life, is involved." "There is some degree of risk in shock treatments, too. But—" "It isn't quite the same, Colonel. Elliot Macklin has a history of vascular spasm, a mild pseudostroke some years ago. Now you want to give those cerebral arteries back the ability to constrict. To paralyze. To kill. No court would give you that authority." "I suppose there's some chance of that. But without the treatment there is no chance of your husband regaining his right senses, Mrs. Macklin," Mitchell interjected. Her mouth grew petulant. "I don't care. I would rather have a live husband than a dead genius. I can take care of him this way, make him comfortable...." Carson opened his mouth and closed his fist, then relaxed. Mitchell led him back into the hall. "I'm no psychiatrist," Mitchell said, "but I think she wants Macklin stupid. Prefers it that way. She's always dominated his personal life, and now she can dominate him completely." "What is she? A monster?" the Army officer muttered. "No," Mitchell said. "She's an intelligent woman unconsciously jealous of her husband's genius." "Maybe," Carson said. "I don't know. I don't know what the hell to tell the Pentagon. I think I'll go out and get drunk." "I'll go with you," Ferris said. Mitchell glanced sharply at the little biologist. Carson squinted. "Any particular reason, doctor?" "To celebrate," Ferris said. The colonel shrugged. "That's as good a reason as any." On the street, Mitchell watched the two men go off together in bewilderment. IV Macklin was playing jacks. He didn't have a head on his shoulders and he was squatting on a great curving surface that was Spacetime, and his jacks were Earth and Pluto and the rest of the planets. And for a ball he was using a head. Not his head. Mitchell's. Both heads were initialed "M" so it was all the same. Mitchell forced himself to awaken, with some initial difficulty. He lay there, blinking the sleep out of his eyes, listening to his heart race, and then convulsively snatched the telephone receiver from the nightstand. He stabbed out a number with a vicious index finger. After a time there came a dull click and a sleepy answer. "Hello?" Elliot Macklin said. Mitchell smiled to himself. He was in luck; Macklin had answered the phone instead of his wife. "Can you speak freely, doctor?" Mitchell asked. "Of course," the mathematician said. "I can talk fine." "I mean, are you alone?" "Oh, you want to know if my wife is around. No, she's asleep. That Army doctor, Colonel Sidney, he gave her a sedative. I wouldn't let him give me anything, though." "Good boy," the biologist said. "Listen, doctor—Elliot—El, old son. I'm not against you like all the others. I don't want to make you go back to all that worrying and thinking and headaches. You believe me, don't you?" There was a slight hesitation. "Sure," Macklin said, "if you say so. Why shouldn't I believe you?" "But there was a hesitation there, El. You worried for just a second if I could have some reason for not telling you the truth." "I suppose so," Macklin said humbly. "You've found yourself worrying—thinking—about a lot of other problems since we left you, haven't you? Maybe not the same kind of scientific problem. But more personal ones, ones you didn't used to have time to think about." "If you say so." "Now, you know it's so. But how would you like to get rid of those worries just as you got rid of the others?" Mitchell asked. "I guess I'd like that," the mathematician replied. "Then come on over to my laboratory. You remember where it's at, don't you?" "No, I—yes, I guess I do. But how do I know you won't try to put me back where I was instead of helping me more?" "I couldn't do that against your wishes. That would be illegal!" "If you say so. But I don't guess I can come anyway. The Army is watching me pretty close." "That's alright," Mitchell said quickly. "You can bring along Colonel Carson." "But he won't like you fixing me up more." "But he can't stop me! Not if you want me to do it. Now listen to me—I want you to come right on over here, El." "If you say so," Macklin said uncertainly.
train	61242	[ "What was the problem with the tubes of calking compound that the crew was trying to use?", "What was the issue with having Pinov on the communication system?", "What happened to cause panic during the communicaton between Freedom 19 and the Cape?", "How long would it take for the needed replacements to be delivered to Freedom 19?", "Why did Capt. Lawler and Lt. Chandler return with a fifty-five gallon drum of calking compound rather than the needed cup?", "What was the problem with having the fifty-five gallon barrell in the dome?", "What caused the explosion that resulted in the loss of air on Freedom 19?", "Why was the general said to have been upset by the quake?", "Why did Major Winship likely refuse to call for help when they could not communicate with Pinov?" ]	[ [ "They were hardening too fast when connected with air", "They took too long to harden and dry", "They were expired and unusable", "They were too small to fill what they needed" ], [ "He rarely paid attention well enough to handle the communications. ", "He didn't speak English", "He didn't know how to work the system properly.", "He always selected the wrong communcations channel" ], [ "They lost connection due to the leak.", "The speaker became unplugged.", "There was another underground atomic device fired.", "The organic air reconditioner was destroyed." ], [ "three hours", "90 seconds", "ten days", "three weeks" ], [ "The steel drum offered the extra, needed weight.", "They could only obtain the 55-gallon drums", "They needed the full fifty-five gallons for repairs", "They needed the drum for a chair." ], [ "It would be impossible to get out once it was inside the dome.", "It took up too much room in an already crowded area.", "It had a terribly overpowering smell.", "It weighed too much to be supported by the dome." ], [ "The room became too hot from overcrowding", "The calking mixture leaked onto the air tank.", "The compound mixture became too hot because of the lack of the air reconditioner", "The compound mixture was mixed too quickly." ], [ "Because his people had misfigured so bad.", "Because his work was being destroyed.", "Because the communications were left unanswered.", "Because he was scared of the damage to the dome." ], [ "He was stubborn.", "He wanted to handle the situation by protocol. ", "He wanted to be responsible for saving the day.", "He was afraid of the consequences." ] ]	[ 1, 2, 2, 3, 2, 2, 2, 1, 1 ]	[ 0, 0, 1, 0, 1, 1, 1, 1, 1 ]	The Winning of the Moon BY KRIS NEVILLE The enemy was friendly enough. Trouble was—their friendship was as dangerous as their hate! [Transcriber's Note: This etext was produced from Worlds of If Science Fiction, September 1962. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] General Finogenov notified Major Winship that the underground blast was scheduled for the following morning. Major Winship, after receiving the message, discussed precautions with the three other Americans. Next morning, before the sunlight exploded, the four of them donned their space suits and went and sat outside the dome, waiting. The sun rose with its bright, silent clap of radiance. Black pools of shadows lay in harsh contrast, their edges drawn with geometric precision. Major Winship attempted unsuccessfully to communicate with Base Gagarin. "Will you please request the general to keep us informed on the progress of the countdown?" "Is Pinov," came the reply. "Help?" " Nyet ," said Major Winship, exhausting his Russian. "Count down. Progress. When—boom?" "Is Pinov," came the reply. "Boom! Boom!" said Major Winship in exasperation. "Boom!" said Pinov happily. "When?" "Boom—boom!" said Pinov. "Oh, nuts." Major Winship cut out the circuit. "They've got Pinov on emergency watch this morning," he explained to the other Americans. "The one that doesn't speak English." "He's done it deliberately," said Capt. Wilkins, the eldest of the four Americans. "How are we going to know when it's over?" No one bothered to respond. They sat for a while in silence while the shadows evaporated. One by one they clicked on their cooling systems. Ultimately, Lt. Chandler said, "This is a little ridiculous. I'm going to switch over to their channel. Rap if you want me." He sat transfixed for several minutes. "Ah, it's all Russian. Jabbering away. I can't tell a thing that's going on." In the airless void of the moon, the blast itself would be silent. A moth's wing of dust would, perhaps, rise and settle beyond the horizon: no more. "Static?" "Nope." "We'll get static on these things." A small infinity seemed to pass very slowly. Major Winship shifted restlessly. "My reefer's gone on the fritz." Perspiration was trickling down his face. "Let's all go in," said the fourth American, Capt. Lawler. "It's probably over by now." "I'll try again," Major Winship said and switched to the emergency channel. "Base Gagarin? Base Gagarin?" "Is Pinov. Help?" " Nyet. " "Pinov's still there," Major Winship said. "Tell him, 'Help'," said Capt. Wilkins, "so he'll get somebody we can talk to." "I'll see them all in hell, first," Major Winship said. Five minutes later, the perspiration was rivers across his face. "This is it," he said. "I'm going in." "Let's all—" "No. I've got to cool off." "Hell, Charlie, I feel stupid sitting out here," Capt. Lawler said. "The shot probably went off an hour ago." "The static level hasn't gone up much, if at all." "Maybe," Lt. Chandler said, "it's buried too deep." "Maybe so," Major Winship said. "But we can't have the dome fall down around all our ears." He stood. "Whew! You guys stay put." He crossed with the floating moon-motion to the airlock and entered, closing the door behind him. The darkness slowly filled with air, and the temperature inside the suit declined steadily. At the proper moment of pressure, the inner lock slid open and Major Winship stepped into the illuminated central area. His foot was lifted for the second step when the floor beneath him rose and fell gently, pitching him forward, off balance. He stumbled against the table and ended up seated beside the radio equipment. The ground moved again. "Charlie! Charlie!" "I'm okay," Major Winship answered. "Okay! Okay!" "It's—" There was additional surface movement. The movement ceased. "Hey, Les, how's it look?" Capt. Wilkins asked. "Okay from this side. Charlie, you still okay?" "Okay," Major Winship said. "We told them this might happen," he added bitterly. There was a wait during which everyone seemed to be holding their breath. "I guess it's over," said Major Winship, getting to his feet. "Wait a bit more, there may be an after-shock." He switched once again to the emergency channel. "Is Pinov," came the supremely relaxed voice. "Help?" Major Winship whinnied in disgust. " Nyet! " he snarled. To the other Americans: "Our comrades seem unconcerned." "Tough." They began to get the static for the first time. It crackled and snapped in their speakers. They made sounds of disapproval at each other. For a minute or two, static blanked out the communications completely. It then abated to something in excess of normal. "Well," Lt. Chandler commented, "even though we didn't build this thing to withstand a moonquake, it seems to have stood up all right." "I guess I was just—" Major Winship began. "Oh, hell! We're losing pressure. Where's the markers?" "By the lug cabinet." "Got 'em," Major Winship said a moment later. He peeled back a marker and let it fall. Air currents whisked it away and plastered it against a riveted seam of the dome. It pulsed as though it were breathing and then it ruptured. Major Winship moved quickly to cut out the emergency air supply which had cut in automatically with the pressure drop. "You guys wait. It's on your right side, midway up. I'll try to sheet it." He moved for the plastic sheeting. "We've lost about three feet of calk out here," Capt. Lawler said. "I can see more ripping loose. You're losing pressure fast at this rate." Major Winship pressed the sheeting over the leak. "How's that?" "Not yet." "I don't think I've got enough pressure left to hold it, now. It's sprung a little, and I can't get it to conform over the rivet heads." There was a splatter of static. "Damn!" Major Winship said, "they should have made these things more flexible." "Still coming out." "Best I can do." Major Winship stepped back. The sheet began slowly to slide downward, then it fell away completely and lay limply on the floor. "Come on in," he said dryly. With the four of them inside, it was somewhat cramped. Most of the five hundred square feet was filled with equipment. Electrical cables trailed loosely along the walls and were festooned from the ceiling, radiating from the connections to the outside solar cells. The living space was more restricted than in a submarine, with the bunks jutting out from the walls about six feet from the floor. Lt. Chandler mounted one of the bunks to give them more room. "Well," he said wryly, "it doesn't smell as bad now." "Oops," said Major Winship. "Just a second. They're coming in." He switched over to the emergency channel. It was General Finogenov. "Major Winship! Hello! Hello, hello, hello. You A Okay?" "This is Major Winship." "Oh! Excellent, very good. Any damage, Major?" "Little leak. You?" "Came through without damage." General Finogenov paused a moment. When no comment was forthcoming, he continued: "Perhaps we built a bit more strongly, Major." "You did this deliberately," Major Winship said testily. "No, no. Oh, no, no, no, no. Major Winship, please believe me. I very much regret this. Very much so. I am very distressed. Depressed. After repeatedly assuring you there was no danger of a quake—and then to have something like this happen. Oh, this is very embarrassing to me. Is there anything at all we can do?" "Just leave us alone, thank you," Major Winship said and cut off the communication. "What'd they say?" Capt. Wilkins asked. "Larry, General Finogenov said he was very embarrassed by this." "That's nice," Lt. Chandler said. "I'll be damned surprised," Major Winship said, "if they got any seismic data out of that shot.... Well, to hell with them, let's get this leak fixed. Skip, can you get the calking compound?" "Larry, where's the inventory?" "Les has got it." Lt. Chandler got down from the bunk and Capt. Wilkins mounted. "Larry," Major Winship said, "why don't you get Earth?" "Okay." Capt. Wilkins got down from the bunk and Capt. Lawler ascended. "Got the inventory sheet, Les?" "Right here." Squeezed in front of the massive transmitter, Capt. Wilkins had energized the circuits. There was a puzzled look on his face. He leaned his helmet against the speaker and then shook his head sadly. "We can't hear anything without any air." Major Winship looked at the microphone. "Well, I'll just report and—" He started to pick up the microphone and reconsidered. "Yes," he said. "That's right, isn't it." Capt. Wilkins flicked off the transmitter. "Some days you don't mine at all," he said. "Les, have you found it?" "It's around here somewhere. Supposed to be back here." "Well, find it." Lt. Chandler began moving boxes. "I saw it—" "Skip, help look." Capt. Lawler got down from the bunk and Major Winship mounted. "We haven't got all day." A few minutes later, Lt. Chandler issued the triumphant cry. "Here it is! Dozen tubes. Squeeze tubes. It's the new stuff." Major Winship got down and Capt. Wilkins got up. "Marker showed it over here," Major Winship said, inching over to the wall. He traced the leak with a metallic finger. "How does this stuff work?" Capt. Lawler asked. They huddled over the instruction sheet. "Let's see. Squeeze the tube until the diaphragm at the nozzle ruptures. Extrude paste into seam. Allow to harden one hour before service." Major Winship said dryly, "Never mind. I notice it hardens on contact with air." Capt. Wilkins lay back on the bunk and stared upward. He said, "Now that makes a weird kind of sense, doesn't it?" "How do they possibly think—?" "Gentlemen! It doesn't make any difference," Lt. Chandler said. "Some air must already have leaked into this one. It's hard as a rock. A gorilla couldn't extrude it." "How're the other ones?" asked Major Winship. Lt. Chandler turned and made a quick examination. "Oh, they're all hard, too." "Who was supposed to check?" demanded Capt. Wilkins in exasperation. "The only way you can check is to extrude it," Lt. Chandler said, "and if it does extrude, you've ruined it." "That's that," Major Winship said. "There's nothing for it but to yell help." II Capt. Lawler and Lt. Chandler took the land car to Base Gagarin. The Soviet base was situated some ten miles toward sunset at the bottom of a natural fold in the surface. The route was moderately direct to the tip of the gently rolling ridge. At that point, the best pathway angled left and made an S-shaped descent to the basin. It was a one-way trip of approximately thirty exhausting minutes. Major Winship, with his deficient reefer, remained behind. Capt. Wilkins stayed for company. "I want a cigarette in the worst way," Capt. Wilkins said. "So do I, Larry. Shouldn't be more than a couple of hours. Unless something else goes wrong." "As long as they'll loan us the calking compound," Capt. Wilkins said. "Yeah, yeah," Major Winship said. "Let's eat." "You got any concentrate? I'm empty." "I'll load you," Capt. Wilkins volunteered wearily. It was an awkward operation that took several minutes. Capt. Wilkins cursed twice during the operation. "I'd hate to live in this thing for any period." "I think these suits are one thing we've got over the Russians," Major Winship said. "I don't see how they can manipulate those bulky pieces of junk around." They ate. "Really horrible stuff." "Nutritious." After the meal, Major Winship said reflectively, "Now I'd like a cup of hot tea. I'm cooled off." Capt. Wilkins raised eyebrows. "What brought this on?" "I was just thinking.... They really got it made, Larry. They've got better than three thousand square feet in the main dome and better than twelve hundred square feet in each of the two little ones. And there's only seven of them right now. That's living." "They've been here six years longer, after all." "Finogenov had a clay samovar sent up. Lemon and nutmeg, too. Real, by God, fresh lemons for the tea, the last time I was there. His own office is about ten by ten. Think of that. One hundred square feet. And a wooden desk. A wooden desk. And a chair. A wooden chair. Everything big and heavy. Everything. Weight, hell. Fifty pounds more or less—" "They've got the power-plants for it." "Do you think he did that deliberately?" Major Winship asked. "I think he's trying to force us off. I think he hoped for the quake. Gagarin's built to take it, I'll say that. Looks like it, anyhow. You don't suppose they planned this all along? Even if they didn't, they sure got the jump on us again, didn't they? I told you what he told me?" "You told me," Capt. Wilkins said. After a moment, Major Winship said bitterly, "To hell with the Russian engineer." "If you've got all that power...." "That's the thing. That's the thing that gripes me, know what I mean? It's just insane to send up a heavy wooden desk. That's showing off. Like a little kid." "Maybe they don't make aluminum desks." "They've—got—aluminum. Half of everything on the whole planet is aluminum. You know they're just showing off." "Let me wire you up," Capt. Wilkins said. "We ought to report." "That's going to take awhile." "It's something to do while we wait." "I guess we ought to." Major Winship came down from the bunk and sat with his back toward the transmitter. Capt. Wilkins slewed the equipment around until the emergency jacks were accessible. He unearthed the appropriate cable and began unscrewing the exterior plate to the small transmitter-receiver set on Major Winship's back. Eventually, trailing wires, Major Winship was coupled into the network. "Okay?" "Okay," Major Winship gestured. They roused Earth. "This is Major Charles Winship, Commanding Officer, Freedom 19, the American moonbase." At this point, Major Winship observed for the first time that he was now on emergency air. He started to ask Capt. Wilkins to change his air bottle, but then he realized his communications were cut off. He reached over and rapped Capt. Wilkins' helmet. "This is the Cape. Come in, Major Winship." "Just a moment." "Is everything all right?" Major Winship was squirming nervously, obviously perturbed. "A-Okay," he said. "Just a moment." "What's wrong?" came the worried question. In the background, he heard someone say, "I think there's something wrong." Capt. Wilkins peered intently. Major Winship contorted his face in a savage grimace. Capt. Wilkins raised his eyebrows in alarm. They were face to face through their helmets, close together. Each face appeared monstrously large to the other. Major Winship made a strangling motion and reached for his throat. One arm tangled a cable and jerked the speaker jack loose. Major Winship could no longer hear the alarmed expressions from the Cape. The effort was not entirely subvocal, since he emitted a little gasping cry in involuntary realism. This, in the course of some 90 seconds, was transmitted to Earth. Capt. Wilkins's lips were desperately forming the word "Leak?" Air, Major Winship said silently. Leak? Bottle! Bottle! Bottle! It was a frog-like, unvocal expletive. Comprehension dawned. Capt. Wilkins nodded and started to turn away. Major Winship caught his arm and nodded his head toward the loose jack. Oh. Capt. Wilkins nodded and smiled. He reached across and plugged the speaker in again. "... Freedom 19! Hello, Freedom 19! Come in!" "We're here," Major Winship said. "All right? Are you all right?" "We're all right. A-Okay." Major Winship, mindful of the extent of his potential audience, took a deep breath. "Earlier this morning, the Soviet Union fired an underground atomic device for the ostensible purpose of investigating the composition of the lunar mass by means of seismic analysis of the resultant shock waves. This was done in spite of American warnings that such a disturbance might release accumulated stresses in the long undisturbed satellite, and was done in the face of vigorous American protests." Capt. Wilkins tapped his helmet and gestured for him to swivel around. The turn was uncomfortably tight and complicated by the restraining cables. Capt. Wilkins began replacement of the air bottle. "These protests have proved well founded," Major Winship continued. "Immediately following the detonation, Freedom 19 was called on to withstand a moderately severe shifting of the Lunar surface. No personnel were injured and there was no equipment damage." Capt. Wilkins tapped his shoulder to indicate the new air bottle was being inserted. Another tap indicated it was seated. Major Winship flicked the appropriate chest button and nodded in appreciation. "However," he continued, "we did experience a minor leak in the dome, which is presently being repaired." "The Soviet Union," came the reply, "has reported the disturbance and has tendered their official apology. You want it?" "It can wait until later. Send it by mail for all I care. Vacuum has destroyed our organic air reconditioner. We have approximately three weeks of emergency air. However, Base Gagarin reports no damage, so that, in the event we exhaust our air, we will be able to obtain the necessary replacement." The wait of a little better than three seconds for the response gave the conversation a tone of deliberation. A new voice came on. "We tried to contact you earlier, Major. We will be able to deliver replacements in about ten days." "I will forward a coded report on the occurrence," Major Winship said. "Let us hear from you again in ... about three hours. Is the leak repaired?" "The leak has not yet been repaired. Over and out." He nodded to Capt. Wilkins and leaned back. Methodically, Capt. Wilkins set about disconnecting the major from the transmitter. "Wow!" said Major Winship when he was once more in communication. "For a moment there, I thought...." "What?" Capt. Wilkins asked with interest. "I could see myself asking them to ask the Russians to ask Finogenov to get on the emergency channel to ask you to charge the air bottle. I never felt so ... idiotic is not quite strong enough ... there for a minute in my whole life. I didn't know how much emergency air was left, and I thought, my God, I'll never live this down. All the hams in the world listening, while I try to explain the situation. I could see the nickname being entered in my files: aka. The Airless Idiot. I tell you, that was rough." III Capt. Lawler and Lt. Chandler returned with the calking compound. It occupied the rear section of the land car. Lt. Chandler sat atop it. It was a fifty-five gallon drum. The airlock to Freedom 19 was open. "What is that ?" asked Major Winship, squinting out into the glaring sunlight. "That," said Capt. Lawler, "is the calking compound." "You're kidding," said Capt. Wilkins. "I am not kidding." Capt. Lawler and Lt. Chandler came inside. Capt. Wilkins mounted a bunk. "Why didn't you just borrow a cupful?" Major Winship said sarcastically. "It's this way," Lt. Chandler said. "They didn't have anything but 55-gallon drums of it." "Oh, my," said Capt. Wilkins. "I suppose it's a steel drum. Those things must weigh...." "Actually, I think you guys have got the general wrong," Capt. Lawler said. "He was out, himself, to greet us. I think he was really quite upset by the quake. Probably because his people had misfigured so bad." "He's too damned suspicious," Major Winship said. "You know and I know why they set that blast off. I tried to tell him. Hell. He looks at me like an emasculated owl and wants to know our ulterior motive in trying to prevent a purely scientific experiment, the results of which will be published in the technical press for the good of everybody. I'll bet!" "About this drum," Capt. Wilkins said. "Well, like I said, it's this way," Lt. Chandler resumed. "I told him we needed about a pint. Maybe a quart. But this stuff you have to mix up. He only had these drums. There's two parts to it, and you have to combine them in just the right proportion. He told me to take a little scale—" "A little scale?" asked Capt. Wilkins, rolling his eyes at the dome. "That's what I told him. We don't have any little scale." "Yeah," said Captain Lawler, "and he looked at us with that mute, surprised look, like everybody, everywhere has dozens of little scales." "Well, anyway," Lt. Chandler continued, "he told us just to mix up the whole fifty-five gallon drum. There's a little bucket of stuff that goes in, and it's measured just right. We can throw away what we don't need." "Somehow, that sounds like him," Major Winship said. "He had five or six of them." "Jesus!" said Capt. Wilkins. "That must be three thousand pounds of calking compound. Those people are insane." "The question is," Capt. Lawler said, "'How are we going to mix it?' It's supposed to be mixed thoroughly." They thought over the problem for a while. "That will be a man-sized job," Major Winship said. "Let's see, Charlie. Maybe not too bad," said Capt. Wilkins. "If I took the compressor motor, we could make up a shaft and ... let's see ... if we could...." It took the better part of an hour to rig up the electric mixer. Capt. Wilkins was profusely congratulated. "Now," Major Winship said, "we can either bring the drum inside or take the mixer out there." "We're going to have to bring the drum in," Capt. Wilkins said. "Well," said Capt. Lawler, "that will make it nice and cozy." It took the four of them to roll the drum inside, rocking it back and forth through the airlock. At that time, it was apparent the table was interposing itself. Lt. Chandler tried to dismantle the table. "Damn these suits," he said. "You've got it stuck between the bunk post." "I know that." "I don't think this is the way to do it," Major Winship said. "Let's back the drum out." Reluctantly, they backed the drum out and deposited it. With the aid of Capt. Lawler, Lt. Chandler got the table unstuck. They passed it over to Major Winship, who handed it out to Capt. Wilkins. Captain Wilkins carried it around the drum of calking compound and set it down. It rested uneasily on the uneven surface. "Now, let's go," said Major Winship. Eventually, they accomplished the moving. They wedged the drum between the main air-supply tank and the transmitter. They were all perspiring. "It's not the weight, it's the mass," said Capt. Wilkins brightly. "The hell it isn't the weight," said Lt. Chandler. "That's heavy." "With my reefer out," said Major Winship, "I'm the one it's rough on." He shook perspiration out of his eyes. "They should figure a way to get a mop in here, or a towel, or a sponge, or something. I'll bet you've forgotten how much sweat stings in the eyes." "It's the salt." "Speaking of salt. I wish I had some salt tablets," Major Winship said. "I've never sweat so much since basic." "Want to bet Finogenov hasn't got a bushel of them?" "No!" Major Winship snapped. With the drum of calking compound inside, both Capt. Lawler and Lt. Chandler retreated to the bunks. Capt. Wilkins maneuvered the mixing attachment. "I feel crowded," he said. "Cozy's the word." "Watch it! Watch it! You almost hit me in the face plate with that!" "Sorry." At length the mixer was in operation in the drum. "Works perfectly," said Capt. Wilkins proudly. "Now what, Skip? The instructions aren't in English." "You're supposed to dump the bucket of stuff in. Then clean the area thoroughly around the leak." "With what?" asked Major Winship. "Sandpaper, I guess." "With sandpaper?" Major Winship said, emptying the bucket of fluid into the drum. "We don't have any sandpaper." "It's been a long day," Capt. Wilkins said. "Mix it thoroughly," Lt. Chandler mused. "I guess that means let it mix for about ten minutes or so. Then you apply it. It sets for service in just a little bit, Finogenov said. An hour or so, maybe." "I hope this doesn't set on exposure to air." "No," Capt. Lawler said. "It sets by some kind of chemical action. General Finogenov wasn't sure of the English name for it. Some kind of plastic." "Let's come back to how we're going to clean around the leak," Major Winship said. "Say, I—" interrupted Capt. Wilkins. There was a trace of concern in his voice. "This is a hell of a time for this to occur to me. I just wasn't thinking, before. You don't suppose it's a room-temperature-curing epoxy resin, do you? " "Larry," said Major Winship, "I wouldn't know a room-temperature-curing epoxy resin from—" "Hey!" exclaimed Capt. Wilkins. "The mixer's stopped." He bent forward and touched the drum. He jerked back. "Ye Gods! that's hot! And it's harder than a rock! It is an epoxy! Let's get out of here." "Huh?" "Out! Out!" Major Winship, Lt. Chandler, and Capt. Lawler, recognizing the sense of urgency, simultaneously glanced at the drum. It was glowing cherry red. "Let's go!" Capt. Wilkins said. He and the Major reached the airlock at the same time and became temporarily engaged with each other. Movement was somewhat ungainly in the space suits under the best of conditions, and now, with the necessity for speed, was doubly so. The other two crashed into them from behind, and they spewed forth from the dome in a tangle of arms and legs. At the table, they separated, two going to the left, two to the right. The table remained untouched. When they halted, Capt. Wilkins said, "Get to one side, it may go off like shrapnel." They obeyed. "What—what—what?" Capt. Lawler stuttered. They were still separated, two on one side of the airlock, two on the other. "I'm going to try to look," Capt. Wilkins said. "Let me go." He lumbered directly away from the dome for a distance of about fifteen feet, then turned and positioned himself, some five feet behind the table, on a line of sight with the airlock. "I can see it," he said. "It's getting redder. It's ... it's ... melting, yes. Melting down at the bottom a little. Now it's falling over to one side and laying on the air tank. The air tank is getting red, too. I'm afraid ... it's weakening it.... Redder. Oh, oh." "What?" said Capt. Lawler. "Watch out! There. There! " Capt. Wilkins leaped from his position. He was still floating toward the ground when there was an incredibly bright flare from inside the dome, and a great, silent tongue of flame lashed through the airlock and rolled across the lunar surface. The table was sent tumbling. The flame was gone almost instantly. "There went the air," Capt. Lawler commented. "We got T-Trouble," said Lt. Chandler.
train	62198	[ "What was Lewis doing when he was captured by Thig?", "Why was Thig informed that he should be camouflaged as a human?", "How long did Thig spend traveling with Ellen while posing as Lewis?", "What would happen if Lewis did not finish his short stories in the timeline he was given?", "What did Torp and Kam plan to do while Thig was posing as Lewis?", "Why was Thig so confused by the overwhelming senses he felt when he saw Ellen while posing a Lewis?", "Why did Torp feel it was necessary to test Thig's blood for disease after he returned?", "Why did Thig react with violence towards Kam while they were traveling back to Ortha?", "What would have likely happened if Thig had allowed the crew to return information to Ortha that Earth was habitable?" ]	[ [ "Going swimming", "Going fishing", "Trying to type on his typewriter", "Finalizing a novelet" ], [ "So that he could scout out the surroundings without suspicions", "So that he could learn the inner thoughts of humans.", "So that no one would know that Lewis was taken.", "So that he could impersonate Lewis and fool his family." ], [ "Four weeks", "Twelve weeks", "Four months", "Two weeks" ], [ "He would lose his typewriter", "The trip with Ellen would be off.", "Outlaws would be raiding his trailer home", "He would be fired from his job" ], [ "Report back to the rest of the Orthans that they were making progress", "Try to cover up the death of Lewis ", "Scout out the other two inner planets", "Wait in the ship for the next call to action" ], [ "She looked familiar to him", "Men had no mates on Ortha", "He had never seen a woman in person and was mesmorized by her beauty", "He felt overwhelmed by sadness for her due to the unknown death of her husband." ], [ "Thig did not want to return to Ortha.", "Thig seemed to be sick after he returned.", "Thig had become sentimental over the people of Earth.", "Thig's eyes were roaming and he seemed disoriented." ], [ "He wanted to return to Earth and to Ellen.", "He did not want his blood tested for disease.", "He was angry that they had killed Lewis.", "He did not want to live on Earth any longer. " ], [ "He would have had to forget all about Ellen and continue life on Ortha as before.", "The Orthans would have made the voyage to Earth and lived in harmony with the people of Earth.", "Earth would have been blown away by Orthans and no longer be habitable. ", "The people of Earth would have been wiped out and Ortha would take over." ] ]	[ 2, 1, 2, 2, 3, 2, 3, 1, 4 ]	[ 0, 0, 0, 0, 1, 1, 1, 0, 0 ]	QUEST OF THIG By BASIL WELLS Thig of Ortha was the vanguard of the conquering "HORDE." He had blasted across trackless space to subdue a defenseless world—only to meet on Earth emotions that were more deadly than weapons. [Transcriber's Note: This etext was produced from Planet Stories Fall 1942. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] Thig carefully smoothed the dark sand and seaweed of the lonely beach over the metal lid of the flexible ringed tunnel that linked the grubby ship from another planet with the upper air. He looked out across the heaving waters of the Sound toward Connecticut. He stared appraisingly around at the luxuriant green growth of foliage further inland; and started toward the little stretch of trees and brush, walking carefully because of the lesser gravitation. Thig was shorter than the average Earthman—although on Ortha he was well above the average in height—but his body was thick and powerfully muscled. His skull was well-shaped and large; his features were regular, perhaps a trifle oversize, and his hair and eyes were a curiously matching blend of reddish brown. Oddest of all, he wore no garments, other than the necessary belt and straps to support his rod-like weapon of white metal and his pouches for food and specimens. The Orthan entered the narrow strip of trees and crossed to the little-used highway on the other side. Here he patiently sat down to wait for an Earthman or an Earthwoman to pass. His task now was to bring a native, intact if possible, back to the carefully buried space cruiser where his two fellows and himself would drain the creature's mentality of all its knowledge. In this way they could learn whether a planet was suited for colonization by later swarms of Orthans. Already they had charted over a hundred celestial bodies but of them all only three had proven worthy of consideration. This latest planet, however, 72-P-3 on the chart, appeared to be an ideal world in every respect. Sunlight, plenty of water and a dense atmospheric envelope made of 72-P-3 a paradise among planets. The explorer from another world crouched into the concealment of a leafy shrub. A creature was approaching. Its squat body was covered with baggy strips of bluish cloth and it carried a jointed rod of metal and wood in its paw. It walked upright as did the men of Ortha. Thig's cold eyes opened a trifle wider as he stared into the thing's stupid face. It was as though he was looking into a bit of polished metal at the reflection of himself! The Earthman was opposite now and he must waste no more precious time. The mighty muscles of the Orthan sent him hurtling across the intervening space in two prodigious bounds, and his hands clamped across the mouth and neck of the stranger.... Lewis Terry was going fishing. For a week the typewriter mill that had ground out a thousand assorted yarns of the untamed West and the frigid desolation of the Northwoods had been silent. Lewis wondered if he was going stale. He had sat every day for eight hours in front of that shiny-buttoned bane of the typist, but there were no results. Feebly he had punched a key two days ago and a $ sign had appeared. He hadn't dared touch the machine since. For Mr. Terry, that hard-hitting writer of two-gun action, had never been further west of Long Island than Elizabeth, and he had promised his wife, Ellen, that he would take the three children and herself on a trailer tour of the West that very summer. Since that promise, he could not write a word. Visions of whooping red-skinned Apaches and be-chapped outlaws raiding his little trailer home kept rolling up out of his subconscious. Yet he had to write at least three novelets and a fistful of short stories in the next two weeks to finance the great adventure—or the trip was off. So Lewis left the weathered old cottage in the early dawn and headed for his tubby old boat at the landing in an attempt to work out a salable yarn.... "Hey!" he shouted as a naked man sprang out of the bushes beside the road. "What's the trouble?" Then he had no time for further speech, the massive arms of the stranger had wound around him and two hamlike hands shut off his speech and his wind. He fought futilely against trained muscles. The hand clamping his throat relaxed for a moment and hacked along the side of his head. Blackness flooded the brain of Lewis, and he knew no more. "There it is," announced Thig, dropping the limp body of the captured Earthman to the metal deck-plates. "It is a male of the species that must have built the cities we saw as we landed." "He resembles Thig," announced Kam. "But for the strange covering he wears he might be Thig." "Thig will be this creature!" announced Torp. "With a psychic relay we will transfer the Earthman's memories and meager store of knowledge to the brain of Thig! He can then go out and scout this world without arousing suspicion. While he is gone, I will take Kam and explore the two inner planets." "You are the commander," said Thig. "But I wish this beast did not wear these clumsy sheathing upon his body. On Ortha we do not hamper the use of our limbs so." "Do not question the word of your commander," growled Torp, swelling out his thick chest menacingly. "It is for the good of our people that you disguise yourself as an Earthman." "For the good of the Horde," Thig intoned almost piously as he lifted Terry's body and headed for the laboratory. Service for the Horde was all that the men of Ortha knew. Carefully cultured and brought to life in the laboratories of their Horde, they knew neither father nor mother. Affection and love were entirely lacking in their early training and later life. They were trained antlike from childhood that only the growth and power of the Horde were of any moment. Men and women alike toiled and died like unfeeling robots of flesh and bone for the Horde. The Horde was their religion, their love-life, their everything! So it was that the bodies of the Earthman and the Orthan were strapped on two parallel tables of chill metal and the twin helmets, linked to one another by the intricacies of the psychic relay, put upon their heads. For ten hours or more the droning hum of the relay sucked Terry's brain dry of knowledge. The shock upon the nervous system of the Earthman proved too violent and his heart faltered after a time and stopped completely. Twice, with subtle drugs they restored pseudo-life to his body and kept the electrical impulses throbbing from his tortured brain, but after the third suspension of life Thig removed his helmet. "There is nothing more to learn," he informed his impassive comrades. "Now, let us get on with the plastic surgery that is required. My new body must return to its barbaric household before undue attention is aroused. And when I return I will take along some of the gleaming baubles we found on the red planet—these people value them highly." An hour later, his scars and altered cartilage already healed and painless, Thig again scraped sand over the entrance to the space ship and set out along the moonlit beach toward the nearest path running inland to his home. Memory was laying the country bare about him, Terry's own childhood memories of this particular section of Long Island. Here was the place where Jake and Ted had helped him dig for the buried treasure that old 'Notch-ear' Beggs had told them so exactly about. Remembrance of that episode gave Thig an idea about the little lump of jewels in his pocket. He had found them in a chest along the beach! He was coming up on the porch now and at the sound of his foot on the sagging boards the screen door burst open and three little Earth-creatures were hugging at his legs. An odd sensation, that his acquired memories labeled as pleasure, sent a warm glow upward from around his heart. Then he saw the slender red-haired shape of a woman, the mate of the dead man he knew, and confusion struck his well-trained brain. Men had no mates on Ortha, sex had been overthrown with all the other primitive impulses of barbarism; so he was incapable of understanding the emotions that swept through his acquired memory. Unsteadily he took her in his arms and felt her warm lips pressed, trembling, against his own. That same hot wave of pulsing blood choked achingly up into his throat. "Lew, dear," Ellen was asking, "where have you been all day? I called up at the landing but you were not there. I wanted to let you know that Saddlebag Publications sent a check for $50 for "Reversed Revolvers" and three other editors asked for shorts soon." "Shoulda got a hundred bucks for that yarn," grunted Thig, and gasped. For the moment he had been Lewis Terry and not Thig! So thoroughly had he acquired the knowledge of Terry that he found himself unconsciously adopting the thinking and mannerism of the other. All the better this way, he realized—more natural. "Sorry I was late," he said, digging into his pocket for the glittering baubles, "but I was poking around on the beach where we used to hunt treasure and I found an old chest. Inside it I found nothing but a handful of these." He flashed the jewels in front of Ellen's startled eyes and she clung, unbelieving, to his arm. "Why, Lew," she gasped, "they're worth a fortune! We can buy that new trailer now and have a rebuilt motor in the car. We can go west right away.... Hollywood, the Grand Canyon, cowboys!" "Uh huh," agreed the pseudo Lewis, memories of the ferocious savages and gunmen of his stories rendering him acutely unhappy. Sincerely he hoped that the west had reformed. "I saved some kraut and weiners," Ellen said. "Get washed up while I'm warming them up. Kids ate all the bread so I had to borrow some from the Eskoes. Want coffee, too?" "Mmmmmm," came from the depths of the chipped white wash-basin. "Home again," whispered Ellen as she stood beside Thig twelve weeks later and gazed tearfully at the weathered little gray house. She knelt beside the front stoop and reached for the key hidden beneath it. "The west was wonderful; tremendous, vast and beautiful," she went on as they climbed the steps, "but nowhere was there any place as beautiful as our own little strip of sky and water." Thig sank into a dusty old swing that hung on creaking chains from the exposed rafters of the porch roof. He looked down at the dusty gray car and the bulbous silvery bulk of the trailer that had been their living quarters for almost three months. Strange thoughts were afloat in the chaos of his cool Orthan brain. Tonight or tomorrow night at the latest he must contact his two fellows and report that Earth was a planetary paradise. No other world, including Ortha, was so well-favored and rich. An expeditionary force to wipe the grotesque civilizations of Earth out of existence would, of course, be necessary before the first units of new Hordes could be landed. And there Thig balked. Why must they destroy these people, imperfect though their civilization might be, to make room for the Hordes? Thig tried to tell himself that it was the transmitted thoughts of the dead Earthman that made him feel so, but he was not too sure. For three months he had lived with people who loved, hated, wept and sacrificed for reasons that he had never known existed. He had learned the heady glory of thinking for himself and making his own decisions. He had experienced the primitive joy of matching his wits and tongue against the wits of other unpredictable human beings. There was no abrupt division of men and women into definite classes of endeavor. A laborer thought the same thoughts that a governor might think. Uncertainty added zest to every day's life. The Orthan had come to question the sole devotion of the individual to the Horde to the exclusion of all other interests. What, he wondered, would one new world—or a hundred—populated by the Hordes add to the progress of humanity? For a hundred thousand years the Orthan civilization had remained static, its energies directed into certain well-defined channels. They were mindless bees maintaining their vast mechanical hives. There was that moment on the brink of the Grand Canyon when Ellen had caught his arm breathlessly at all the beauty spread away there beneath them. There were mornings in the desert when the sun painted in lurid red the peaks above the harsh black-and-whites of the sagebrush and cactus slopes. There was the little boy, his body burning with fever, who nestled trustingly against his tense man's body and slept—the son of Ellen and the man he had destroyed. Thig groaned. He was a weakling to let sentimentality so get the better of his judgment. He would go now to the space ship and urge them to blast off for Ortha. He sprang off the porch and strode away down the road toward the beach. The children ran to him; wanted to go along. He sent them away harshly but they smiled and waved their brown little hands. Ellen came to the door and called after him. "Hurry home, dear," she said. "I'll have a bite ready in about an hour." He dared not say anything, for his voice would have broken and she would have known something was wrong. She was a very wise sort of person when something was troubling him. He waved his stubby paw of a hand to show that he had heard, and blindly hurried toward the Sound. Oddly enough, as he hurried away along the narrow path through the autumn woods, his mind busied itself with a new epic of the west that lived no longer. He mentally titled it: "Rustlers' Riot" and blocked in the outlines of his plot. One section of his brain was that of the careless author of gunslinging yarns, a section that seemed to be sapping the life from his own brain. He knew that the story would never be written, but he toyed with the idea. So far had Thig the emotionless, robot-being from Ortha drifted from the unquestioning worship of the Horde! "You have done well," announced Torp when Thig had completed his report on the resources and temperatures of various sections of Terra. "We now have located three worlds fit for colonization and so we will return to Ortha at once. "I will recommend the conquest of this planet, 72-P-3 at once and the complete destruction of all biped life upon it. The mental aberrations of the barbaric natives might lead to endless complications if they were permitted to exist outside our ordered way of life. I imagine that three circuits of the planet about its primary should prove sufficient for the purposes of complete liquidation." "But why," asked Thig slowly, "could we not disarm all the natives and exile them on one of the less desirable continents, Antarctica for example or Siberia? They are primitive humans even as our race was once a race of primitives. It is not our duty to help to attain our own degree of knowledge and comfort?" "Only the good of the Horde matters!" shouted Torp angrily. "Shall a race of feeble-witted beasts, such as these Earthmen, stand in the way of a superior race? We want their world, and so we will take it. The Law of the Horde states that all the universe is ours for the taking." "Let us get back to Ortha at once, then," gritted out Thig savagely. "Never again do I wish to set foot upon the soil of this mad planet. There are forces at work upon Earth that we of Ortha have long forgotten." "Check the blood of Thig for disease, Kam," ordered Torp shortly. "His words are highly irrational. Some form of fever perhaps native to this world. While you examine him I will blast off for Ortha." Thig followed Kam into the tiny laboratory and found a seat beside the squat scientist's desk. His eyes roamed over the familiar instruments and gauges, each in its own precise position in the cases along the walls. His gaze lingered longest on the stubby black ugliness of a decomposition blaster in its rack close to the deck. A blast of the invisible radiations from that weapon's hot throat and flesh or vegetable fiber rotted into flaky ashes. The ship trembled beneath their feet; it tore free from the feeble clutch of the sand about it, and they were rocketing skyward. Thig's broad fingers bit deep into the unyielding metal of his chair. Suddenly he knew that he must go back to Earth, back to Ellen and the children of the man he had helped destroy. He loved Ellen, and nothing must stand between them! The Hordes of Ortha must find some other world, an empty world—this planet was not for them. "Turn back!" he cried wildly. "I must go back to Earth. There is a woman there, helpless and alone, who needs me! The Horde does not need this planet." Kam eyed him coldly and lifted a shining hypodermic syringe from its case. He approached Thig warily, aware that disease often made a maniac of the finest members of the Horde. "No human being is more important than the Horde," he stated baldly. "This woman of whom you speak is merely one unit of the millions we must eliminate for the good of the Horde." Then it was that Thig went berserk. His fists slashed into the thick jaw of the scientist and his fingers ripped at the hard cords overlying the Orthan's vital throat tubes. His fingers and thumb gouged deep into Kam's startled throat and choked off any cry for assistance before it could be uttered. Kam's hand swept down to the holster swung from his intricate harness and dragged his blaster from it. Thig's other hand clamped over his and for long moments they swayed there, locked together in silent deadly struggle. The fate of a world hung in the balance as Kam's other hand fought against that lone arm of Thig. The scales swung in favor of Kam. Slowly the flaring snout of his weapon tilted upward until it reached the level of Thig's waist. Thig suddenly released his grip and dragged his enemy toward him. A sudden reversal of pressure on Kam's gun hand sent the weapon swivelling about full upon its owner's thick torso. Thig's fingers pressed down upon Kam's button finger, down upon the stud set into the grip of the decomposition blaster, and Kam's muscles turned to water. He shrieked. Before Thig's eyes half of his comrade's body sloughed away into foul corruption that swiftly gave way to hardened blobs of dessicated matter. Horror for what he had done—that he had slain one of his own Horde—made his limbs move woodenly. All of his thoughts were dulled for the moment. Painfully slow, he turned his body around toward the control blister, turned around on leaden feet, to look full into the narrowed icy eyes of his commander. He saw the heavy barrel of the blaster slashing down against his skull but he could not swing a fraction of an inch out of the way. His body seemed paralyzed. This was the end, he thought as he waited stupidly for the blow to fall, the end for Ellen and the kids and all the struggling races of Earth. He would never write another cowboy yarn—they would all be dead anyhow soon. Then a thunderclap exploded against his head and he dropped endlessly toward the deck. Blows rained against his skull. He wondered if Torp would ever cease to hammer at him and turn the deadly ray of the weapon upon him. Blood throbbed and pounded with every blow.... Bam, Bam, Bam, the blood pounded in his ears. Like repeated blows of a hammer they shook his booming head. No longer was Torp above him. He was in the corner of the laboratory, a crumpled blood-smeared heap of bruised flesh and bone. He was unfettered and the blood was caked upon his skull and in his matted hair. Torp must have thought he had killed him with those savage blows upon the head. Even Torp, thought Thig ruefully, gave way to the primitive rage of his ancestors at times; but to that very bit of unconscious atavism he now owed his life. A cool-headed robot of an Orthan would have efficiently used the blaster to destroy any possibility of remaining life in his unconscious body. Thig rolled slowly over so that his eye found the door into the control room. Torp would be coming back again to dispose of their bodies through the refuse lock. Already the body of Kam was gone. He wondered why he had been left until last. Perhaps Torp wished to take cultures of his blood and tissues to determine whether a disease was responsible for his sudden madness. The cases of fragile instruments were just above his head. Association of memories brought him the flash of the heavy blaster in its rack beneath them. His hand went up and felt the welcome hardness of the weapon. He tugged it free. In a moment he was on his knees crawling across the plates of the deck toward the door. Halfway across the floor he collapsed on his face, the metal of the gun making a harsh clang. He heard the feet of Torp scuffle out of silence and a choked cry in the man's throat squalled out into a senseless whinny. Thig raised himself up on a quivering elbow and slid the black length of the blaster in front of him. His eyes sought the doorway and stared full into the glaring vacant orbs of his commander. Torp leaned there watching him, his breath gurgling brokenly through his deep-bitten lips. The clawing marks of nails, fingernails, furrowed his face and chest. He was a madman! The deadly attack of Thig; his own violent avenging of Kam's death, and now the apparent return of the man he had killed come to life had all served to jolt his rigidly trained brain from its accustomed groove. The shock had been too much for the established thought-processes of the Orthan. So Thig shot him where he stood, mercifully, before that vacant mad stare set him, too, to gibbering and shrieking. Then he stepped over the skeleton-thing that had been Torp, using the new strength that victory had given him to drive him along. He had saved a world's civilization from extinction! The thought sobered him; yet, somehow, he was pleased that he had done so. After all, it had been the Earthwoman and the children he had been thinking of while he battled Kam, a selfish desire to protect them all. He went to the desk where Torp had been writing in the ship's log and read the last few nervously scrawled lines: Planet 72-P-3 unfit for colonization. Some pernicious disease that strikes at the brain centers and causes violent insanity is existent there. Thig, just returned from a survey of the planet, went mad and destroyed Kam. In turn I was forced to slay him. But it is not ended. Already I feel the insidious virus of.... And there his writing ended abruptly. Thig nodded. That would do it. He set the automatic pilot for the planet Ortha. Unless a rogue asteroid or a comet crossed the ship's path she would return safely to Ortha with that mute warning of danger on 72-P-3. The body of Torp would help to confirm his final message. Then Thig crossed the cabin to the auxiliary life boat there, one of a half-dozen space ships in miniature nested within the great ship's hull, and cut free from the mother vessel. He flipped the drive lever, felt the thrumming of the rockets driving him from the parent ship. The sensation of free flight against his new body was strangely exhilerating and heady. It was the newest of the emotions he had experienced on Earth since that day, so many months before, when he had felt the warmness of Ellen's lips tight against his. Thig flipped the drive lever, felt the thrumming of the rockets driving him from the parent ship. He swung about to the port, watched the flaming drive-rockets of the great exploratory ship hurl it toward far-away Ortha, and there was no regret in his mind that he was not returning to the planet of his first existence. He thought of the dull greys and blacks of his planet, of the monotonous routine of existence that had once been his—and his heart thrilled to the memories of the starry nights and perfect exciting days he had spent on his three month trip over Earth. He made a brief salute to the existence he had known, turned with a tiny sigh, and his fingers made brief adjustments in the controls. The rocket-thrum deepened, and the thin whistle of tenuous air clutching the ship echoed through the hull-plates. He thought of many things in those few moments. He watched the roundness of Earth flatten out, then take on the cup-like illusion that all planets had for an incoming ship. He reduced the drive of his rockets to a mere whisper, striving to control the impatience that crowded his mind. He shivered suddenly, remembering his utter callousness the first time he had sent a space ship whipping down toward the hills and valleys below. And there was a sickness within him when he fully realized that, despite his acquired memory and traits, he was an alien from outer space. He fingered the tiny scars that had completely obliterated the slight differences in his appearance from an Earthman's, and his fingers trembled a bit, as he bent and stared through the vision port. He said a brief prayer in his heart to a God whose presence he now felt very deeply. There were tears in the depths of his eyes, then, and memories were hot, bitter pains. Earth was not far below him. As he let gravity suck him earthward, he heaved a gasp of relief. He was no longer Thig, a creature of a Horde's creation, but Lewis Terry, writer of lurid gun-smoking tales of the West. He must remember that always. He had destroyed the real Terry and now, for the rest of his life, he must make up to the dead man's family. The knowledge that Ellen's love was not really meant for him would be a knife twisting in his heart but for her sake he must endure it. Her dreams and happiness must never be shattered. The bulge of Earth was flattening out now and he could see the outlines of Long Island in the growing twilight. A new plot was growing in the brain of Lewis Terry, a yarn about a cowboy suddenly transported to another world. He smiled ironically. He had seen those other worlds. Perhaps some day he would write about them.... He was Lewis Terry! He must remember that!
train	63398	[ "How many caves had Garmon and Rolf traveled through before their crash?", "After realizing his situation after the crash, why did Rolf laugh?", "What was Rolf looking for when he set off around the wall of the pit?", "What was the special power held by Altha?", "Why was Altha away from the other Hairy People of her kind?", "Why was there fear for the wind shifting around the Hairy People?", "Why would the Furry Ones not follow Rolf and the others when the retreated?", "What was the outlaw weapon loaded with?" ]	[ [ "thirty seven", "forty seven", "thirty", "forty" ], [ "He was facing certain death", "His laughter was caused from the thick air", "He was satisfied with their journey.", "He was happy to be away from Garmon" ], [ "Garmon", "Light", "Food", "Other survivors" ], [ "She could see in the dark.", "She could see into other's minds. ", "She feared nothing.", "She could see into the future." ], [ "The outlaws had turned the others against her.", "She had left their group in fear of attacks.", "The outlaws had stolen her. ", "She had been lost from their group and never reconnected." ], [ "They wind would block the mind reading abilties of the Hairy People.", "The wind would cause explosions.", "The wind would spread the hair from the Hairy People and block vision.", "The wind would spread the scent of the Earthmen and cause an attack" ], [ "They had lost too many to continue fighting.", "They were warned not to by Altha. ", "They feared the Ancients.", "They knew they were losing the battle." ], [ "a drum of fuselage", "a drum of poisoned shrapnel", "a drum of poisoned bullets", "a drum of poisoned needles" ] ]	[ 1, 1, 2, 2, 1, 4, 3, 4 ]	[ 0, 0, 0, 0, 1, 0, 0, 0 ]	THE HAIRY ONES by BASIL WELLS Marooned on a world within a world, aided by a slim girl and an old warrior, Patrolman Sisko Rolf was fighting his greatest battle—to bring life to dying Mars. [Transcriber's Note: This etext was produced from Planet Stories Winter 1944. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] "The outlaw ships are attacking!" Old Garmon Nash's harsh voice snapped like a thunderclap in the cramped rocket flyer's cabin. "Five or six of them. Cut the searchlights!" Sisko Rolf's stocky body was a blur of motion as he cut the rocket jets, doused the twin searchlights, and switched over to the audio beams that served so well on the surface when blind flying was in order. But here in the cavern world, thirty-seventh in the linked series of vast caves that underlie the waterless wastes of Mars, the reflected waves of sound were of little value. Distances were far too cramped—disaster might loom but a few hundred feet away. "Trapped us neatly," Rolf said through clenched teeth. "Tolled into their underground hideout by that water-runner we tried to capture. We can't escape, that's certain. They know these caverns better than.... We'll down some of them, though." "Right!" That was old Garmon Nash, his fellow patrolman aboard the Planet Patrol ship as he swung the deadly slimness of his rocket blast's barrel around to center on the fiery jets that betrayed the approaching outlaw flyers. Three times he fired the gun, the rocket projectiles blasting off with their invisible preliminary jets of gas, and three times an enemy craft flared up into an intolerable torch of flame before they realized the patrol ship had fired upon them. Then a barrage of enemy rocket shells exploded into life above and before them. Rolf swung the lax controls over hard as the bursts of fire revealed a looming barrier of stone dead ahead, and then he felt the tough skin of the flyer crumple inward. The cabin seemed to telescope about him. In a slow sort of wonder Rolf felt the scrape of rock against metal, and then the screeching of air through the myriad rents in the cabin's meralloy walls grew to a mad whining wail. Down plunged the battered ship, downward ever downward. Somehow Rolf found the strength to wrap his fingers around the control levers and snap on a quick burst from the landing rockets. Their mad speed checked momentarily, but the nose of the vertically plunging ship dissolved into an inferno of flame. The ship struck; split open like a rotten squash, and Rolf felt himself being flung far outward through thick blackness. For an eternity it seemed he hung in the darkness before something smashed the breath and feeling from his nerveless body. With a last glimmer of sanity he knew that he lay crushed against a rocky wall. Much later Rolf groaned with the pain of bruised muscles and tried to rise. To his amazement he could move all his limbs. Carefully he came to his knees and so to his feet. Not a bone was broken, unless the sharp breathlessness that strained at his chest meant cracked ribs. There was light in the narrow pit in which he found himself, light and heat from the yet-glowing debris of the rocket flyer. The outlaws had blasted the crashed ship, his practiced eyes told him, and Garmon Nash must have died in the wreckage. He was alone in the waterless trap of a deep crevice. In the fading glow of the super-heated metal the vertical walls above mocked him. There could be no ascent from this natural prison-pit, and even if there were he could never hope to reach the surface forty miles and more overhead. The floors of the thirty-seven caves through which they had so carefully jetted were a splintered, creviced series of canyon-like wastes, and as he ascended the rarefied atmosphere of the higher levels would spell death. Rolf laughed. Without a pressure mask on the surface of Mars an Earthman was licked. Without water and food certain death grinned in his face, for beyond the sand-buried entrance to these lost equatorial caves there were no pressure domes for hundreds of miles. Here at least the air was thick enough to support life, and somewhere nearby the outlaws who smuggled their precious contraband water into the water-starved domes of North Mars lay hidden. The young patrolman unzippered his jacket pocket and felt for the emergency concentrate bars that were standard equipment. Half of the oval bar he crushed between his teeth, and when the concentrated energy flooded into his muscles he set off around the irregular wall of the pit. He found the opening less than ten paces from the starting point, an empty cavity higher than a man and half as wide. The glow from the gutted ship was failing and he felt for the solar torch that hugged flatly against his hip. He uncapped the torch and the miniature sun glowed redly from its lensed prison to reveal the rocky corridor stretching out ahead. Light! How many hours later it was when the first faint glow of white light reached his eyes Rolf did not know—it had seemed an eternity of endless plodding along that smooth-floored descending tunnel. Rolf capped the solar torch. No use wasting the captive energy needlessly he reasoned. And he loosened the expoder in its holster as he moved carefully forward. The outlaw headquarters might be close ahead, headquarters where renegade Frogs, Venusians from the southern sunken marshes of Mars, and Earthmen from dusty North Mars, concealed their precious hoard of water from the thirsty colonists of North Mars. "They may have found the sunken seas of Mars," thought Rolf as he moved alertly forward, "water that would give the mining domes new life." His fists clenched dryly. "Water that should be free!" Then the light brightened before him as he rounded a shouldering wall of smoothly trimmed stone, and the floor fell away beneath his feet! He found himself shooting downward into a vast void that glowed softly with a mysterious all-pervading radiance. His eyes went searching out, out into undreamed distance. For miles below him there was nothing but emptiness, and for miles before him there was that same glowing vacancy. Above the cavern's roof soared majestically upward; he could see the narrow dark slit through which his feet had betrayed him, and he realized that he had fallen through the vaulted rocky dome of this fantastic abyss. It was then, even as he snapped the release of his spinner and the nested blades spun free overhead, that he saw the slowly turning bulk of the cloud-swathed world, a tiny five mile green ball of a planet! The weird globe was divided equally into hemispheres, and as the tiny world turned between its confining columns a green, lake-dotted half alternated with a blasted, splintered black waste of rocky desert. As the spinner dropped him slowly down into the vast emptiness of the great shining gulf, Rolf could see that a broad band of stone divided the green fertile plains and forests from the desolate desert wastes of the other half. Toward this barrier the spinner bore him, and Rolf was content to let it move in that direction—from the heights of the wall he could scout out the country beyond. The wall expanded as he came nearer to the pygmy planet. The spinner had slowed its speed; it seemed to Rolf that he must be falling free in space for a time, but the feeble gravity of the tiny world tugged at him more strongly as he neared the wall. And the barrier became a jumbled mass of roughly-dressed stone slabs, from whose earth-filled crevices sprouted green life. So slowly was the spinner dropping that the blackened desolation of the other hemisphere came sliding up beneath his boots. He looked down into great gashes in the blackness of the desert and saw there the green of sunken oases and watered canyons. He drifted slowly toward the opposite loom of the mysterious wall with a swift wind off the desert behind him. A hundred yards from the base of the rocky wall his feet scraped through black dust, and he came to a stop. Deftly Rolf nested the spinners again in their pack before he set out toward the heaped-up mass of stone blocks that was the wall. Ten steps he took before an excited voice called out shrilly from the rocks ahead. Rolf's slitted gray eyes narrowed yet more and his hand dropped to the compact expoder machine-gun holstered at his hip. There was the movement of a dark shape behind the screen of vines and ragged bushes. "Down, Altha," a deeper voice rumbled from above, "it's one of the Enemy." The voice had spoken in English! Rolf took a step forward eagerly and then doubt made his feet falter. There were Earthmen as well as Frogs among the outlaws. This mysterious world that floated above the cavern floor might be their headquarters. "But, Mark," the voice that was now unmistakably feminine argued, "he wears the uniform of a patrolman." "May be a trick." The deep voice was doubtful. "You know their leader, Cannon, wanted you. This may be a trick to join the Outcasts and kidnap you." The girl's voice was merry. "Come on Spider-legs," she said. Rolf found himself staring, open-mouthed, at the sleek-limbed vision that parted the bushes and came toward him. A beautiful woman she was, with the long burnished copper of her hair down around her waist, but beneath the meager shortness of the skin tunic he saw that her firm flesh was covered with a fine reddish coat of hair. Even her face was sleek and gleaming with its coppery covering of down. "Hello, patrol-a-man," she said shyly. An elongated pencil-ray of a man bounced nervously out to her side. "Altha," he scolded, scrubbing at his reddened bald skull with a long-fingered hand, "why do you never listen to me? I promised your father I'd look after you." He hitched at his tattered skin robe. The girl laughed, a low liquid sound that made Rolf's heart pump faster. "This Mark Tanner of mine," she explained to the patrolman, "is always afraid for me. He does not remember that I can see into the minds of others." She smiled again as Rolf's face slowly reddened. "Do not be ashamed," she said. "I am not angry that you think I am—well, not too unattractive." Rolf threw up the mental block that was the inheritance from his grueling years of training on Earth Base. His instructors there had known that a few gifted mortals possess the power of a limited telepathy, and the secrets of the Planet Patrol must be guarded. "That is better, perhaps." The girl's face was demure. "And now perhaps you will visit us in the safety of the vaults of ancient Aryk." "Sorry," said the tall man as Rolf sprang easily from the ground to their side. "I'm always forgetting the mind-reading abilities of the Hairy People." "She one of them?" Rolf's voice was low, but he saw Altha's lip twitch. "Mother was." Mark Tanner's voice was louder. "Father was Wayne Stark. Famous explorer you know. I was his assistant." "Sure." Rolf nodded. "Lost in equatorial wastelands—uh, about twenty years ago—2053, I believe." "Only we were not lost on the surface," explained Tanner, his booming voice much too powerful for his reedy body, "Wayne Stark was searching for the lost seas of Mars. Traced them underground. Found them too." He paused to look nervously out across the blasted wasteland. "We ran out of fuel here on Lomihi," he finished, "with the vanished surface waters of Mars less than four miles beneath us." Rolf followed the direction of the other's pale blue eyes. Overhead now hung the bottom of the cavern. An almost circular island of pale yellow lifted above the restless dark waters of a vast sea. Rolf realized with a wrench of sudden fear that they actually hung head downward like flies walking across a ceiling. "There," roared Tanner's voice, "is one of the seas of Mars." "One," repeated Rolf slowly. "You mean there are more?" "Dozens of them," the older man's voice throbbed with helpless rage. "Enough to make the face of Mars green again. Cavern after cavern lies beyond this first one, their floors flooded with water." Rolf felt new strength pump into his tired bruised muscles. Here lay the salvation of Earth's thirsting colonies almost within reach. Once he could lead the scientists of North Mars to this treasure trove of water.... "Mark!" The girl's voice was tense. Rolf felt her arm tug at his sleeve and he dropped beside her in the shelter of a clump of coarse-leaved gray bushes. "The Furry Women attack!" A hundred paces away Rolf made the dark shapes of armed warriors as they filed downward from the Barrier into the blackened desolation of the desert half of Lomihi. "Enemies?" he whispered to Mark Tanner hoarsely. "Right." The older man was slipping the stout bowstring into its notched recess on the upper end of his long bow. "They cross the Barrier from the fertile plains of Nyd to raid the Hairy People. They take them for slaves." "I must warn them." Altha's lips thinned and her brown-flecked eyes flamed. "The outlaws may capture," warned Tanner. "They have taken over the canyons of Gur and Norpar, remember." "I will take the glider." Altha was on her feet, her body crouched over to take advantage of the sheltering shrubs. She threaded her way swiftly back along a rocky corridor in the face of the Barrier toward the ruins of ancient Aryk. Tanner shrugged his shoulders. "What can I do? Altha has the blood of the Hairy People in her veins. She will warn them even though the outlaws have turned her people against her." Rolf watched the column of barbarically clad warriors file out upon the barren desert and swing to the right along the base of the Barrier. Spear tips and bared swords glinted dully. "They will pass within a few feet!" he hissed. "Right." Tanner's fingers bit into Rolf's arm. "Pray that the wind does not shift, their nostrils are sensitive as those of the weasels they resemble." Rolf's eyes slitted. There was something vaguely unhuman about those gracefully marching figures. He wondered what Tanner had meant by calling them weasels, wondered until they came closer. Then he knew. Above half naked feminine bodies, sinuous and supple as the undulating coils of a serpent, rose the snaky ditigrade head of a weasel-brute! Their necks were long and wide, merging into the gray-furred muscles of their narrow bodies until they seemed utterly shoulderless, and beneath their furry pelts the ripples of smooth-flowing muscles played rhythmically. There was a stench, a musky penetrating scent that made the flesh of his body crawl. "See!" Tanner's voice was muted. "Giffa, Queen of the Furry Ones!" Borne on a carved and polished litter of ebon-hued wood and yellowed bone lolled the hideous queen of that advancing horde. Gaunt of body she was, her scarred gray-furred hide hanging loose upon her breastless frame. One eye was gone but the other gleamed, black and beady, from her narrow earless skull. And the skulls of rodents and men alike linked together into ghastly festoons about her heavy, short-legged litter. Men bore the litter, eight broad-shouldered red-haired men whose arms had been cut off at the shoulders and whose naked backs bore the weals of countless lashes. Their bodies, like that of Altha, were covered with a silky coat of reddish hair. Rolf raised his expoder, red anger clouding his eyes as he saw these maimed beasts of burden, but the hand of Mark Tanner pressed down firmly across his arm. The older man shook his head. "Not yet," he said. "When Altha has warned the Hairy People we can cut off their retreat. After they have passed I will arouse the Outcasts who live here upon the Barrier. Though their blood is that of the two races mingled they hate the Furry Ones." A shadow passed over their hiding place. The Furry Amazons too saw the indistinct darkness and looked up. High overhead drifted the narrow winged shape of a glider, and the warrior women shrieked their hatred. Gone now was their chance for a surprise attack on the isolated canyons of the Hairy People. They halted, clustered about their leader. Giffa snarled quick orders at them, her chisel-teeth clicking savagely. The column swung out into the wasteland toward the nearest sunken valleys of the Hairy People. Rolf and Mark Tanner came to their feet. Abruptly, then, the wind veered. From behind the two Earthmen it came, bearing the scent of their bodies out to the sensitive nostrils of the beast-women. Again the column turned. They glimpsed the two men and a hideous scrawling battle-cry burst from their throats. Rolf's expoder rattled briefly like a high-speed sewing machine as he flicked its muzzle back and forth along the ranks of attacking Furry Ones. Dozens of the hideous weasel creatures fell as the needles of explosive blasted them but hundreds more were swarming over their fallen sisters. Mark Tanner's bow twanged again and again as he drove arrows at the bloodthirsty warrior women. But the Furry Ones ran fearlessly into that rain of death. The expoder hammered in Rolf's heavy fist. Tanner smashed an elbow into Rolf's side. "Retreat!" he gasped. The Furry Amazons swarmed up over the lower terraces of rocks, their snaky heads thrust forward and their swords slashing. The two Earthmen bounded up and backward to the next jumbled layer of giant blocks behind them, their powerful earthly muscles negating Lomihi's feeble gravity. Spears showered thick about them and then they dropped behind the sheltering bulk of a rough square boulder. "Now where?" Rolf snapped another burst of expoder needles at the furry attackers as he asked. "To the vaults beneath the Forbidden City," Mark Tanner cried. "None but the Outcasts and we two have entered the streets of deserted Aryk." The bald scientist slung his bow over his head and one shoulder and went bounding away along a shadowy crevice that plunged raggedly into the heart of the Barrier. Rolf blasted another spurt of explosive needles at the Furry Ones and followed. Darkness thickened as they penetrated into the maze of the Barrier's shattered heart. An unseen furry shape sprang upon Rolf's shoulders and as he sank to his knees he felt hot saliva drip like acid upon his neck. His fist sent the attacker's bulk smashing against the rocky floor before fangs or claws could rip at his tender flesh, and he heard a choked snarl that ended convulsively in silence. Bat-winged blobs of life dragged wet leathery hide across his face, and beneath his feet slimy wriggling things crushed into quivering pulp. Then there was faint light again, and the high-vaulted roof of a rock dungeon rose above him. Mark Tanner was peering out a slitted embrasure that overlooked the desolate land of the Hairy People. Tanner's finger pointed. "Altha!" Rolf saw the graceful wings of the glider riding the thermals back toward the Barrier. "She had warned the Hairy People, and now she returns." "The weasel heads won't follow us here?" asked Rolf. Tanner laughed. "Hardly. They fear the spirits of the Ancients too much for that. They believe the invisible powers will drink their souls." "Then how about telling me about this hanging world?" "Simply the whim of an ancient Martian ruler. As I have learned from the inscriptions and metal tablets here in Aryk he could not conquer all of Mars so he created a world that would be all his own." Rolf laughed. "Like the pleasure globes of the wealthy on Earth." "Right." Tanner kept his eyes on the enlarging winged shape of Altha's flyer as he spoke. "Later, when the nations of Mars began draining off the seas and hoarding them in their underground caverns, Lomihi became a fortress for the few thousand aristocrats and slaves who escaped the surface wars. "The Hairy People were the rulers," he went on, "and the Furry Ones were their slaves. In the revolt that eventually split Lomihi into two warring races this city, Aryk, was destroyed by a strange vegetable blight and the ancient knowledge was lost to both races." "But," Rolf frowned thoughtfully, "what keeps Lomihi from crashing into the island? Surely the two columns at either end cannot support it?" "The island is the answer," said Tanner. "Somehow it blocks the force of gravity—shields Lomihi from...." He caught his breath suddenly. "The outlaws!" he cried. "They're after Altha." Rolf caught a glimpse of a sleek rocket flyer diving upon Altha's frail wing. He saw the girl go gliding steeply down toward a ragged jumble of volcanic spurs and pits and disappear from view. He turned to see the old man pushing another crudely constructed glider toward the outer wall of the rock chamber. Tanner tugged at a silvery metal bar inset into the stone wall. A section of the wall swung slowly inward. Rolf sprang to his side. "Let me follow," he said. "I can fly a glider, and I have my expoder." The older man's eyes were hot. He jerked at Rolf's hands and then suddenly thought better of it. "You're right," he agreed. "Help her if you can. Your weapon is our only hope now." Rolf pushed up and outward with all the strength of his weary muscles. The glider knifed forward with that first swift impetus, and drove out over the Barrier. The Furry Ones were struggling insect shapes below him, and he saw with a thrill that larger bodied warriors, whose bodies glinted with a dull bronze, were attacking them from the burnt-out wastelands. The Hairy People had come to battle the invaders. He guided the frail wing toward the shattered badlands where the girl had taken shelter, noting as he did so that the rocket flyer had landed near its center in a narrow strip of rocky gulch. A sudden thought made him grin. He drove directly toward the grounded ship. With this rocket flyer he could escape from Lomihi, return through the thirty-seven caverns to the upper world, and give to thirsty Mars the gift of limitless water again. A man stood on guard just outside the flyer's oval door. Rolf lined up his expoder and his jaw tensed. He guided the tiny soarer closer with one hand. If he could crash the glider into the guard, well and good. There would be no explosion of expoder needles to warn the fellow's comrades. But if the outlaw saw him Rolf knew that he would be the first to fire—his was the element of surprise. A score of feet lay between them, and suddenly the outlaw whirled about. Rolf pressed the firing button; the expoder clicked over once and the trimmer key jammed, and the doughy-faced Venusian swung up his own long-barreled expoder! Rolf snapped his weapon overhand at the Frog's hairless skull. The fish-bellied alien ducked but his expoder swung off the target momentarily. In that instant Rolf launched himself from the open framework of the slowly diving glider, full upon the Venusian. They went down, Rolf swinging his fist like a hammer. He felt the Frog go limp and he loosed a relieved whistle. Now with a rocket flyer and the guard's rifle expoder in his grasp the problem of escape from the inner caverns was solved. He would rescue the girl, stop at the Forbidden City for Mark Tanner, and blast off for the upper crust forty miles and more overhead. He knelt over the prostrate Venusian, using his belt and a strip torn from his greenish tunic to bind the unconscious man. The knots were not too tight, the man could free himself in the course of a few hours. He shrugged his shoulders wearily and started to get up. A foot scraped on stone behind him. He spun on bent knees and flung himself fifty feet to the further side of the narrow gulch with the same movement. Expoder needles splintered the rocks about him as he dropped behind a sheltering rocky ledge, and he caught a glimpse of two green-clad men dragging the bronze-haired body of the girl he had come to save into the shelter of the flyer. A green bulge showed around the polished fuselage and Rolf pressed his captured weapon's firing button. A roar of pain came from the wounded man, and he saw an outflung arm upon the rocky ground that clenched tightly twice and relaxed to move no more. The outlaw weapon must have been loaded with a drum of poisoned needles, the expoder needles had not blasted a vital spot in the man's body. The odds were evening, he thought triumphantly. There might be another outlaw somewhere out there in the badlands, but no more than that. The flyer was built to accommodate no more than five passengers and four was the usual number. He shifted his expoder to cover the opposite end of the ship's squatty fuselage. And something that felt like a mountain smashed into his back. He was crushed downward, breathless, his eyes glimpsing briefly the soiled greenish trousers of his attacker as they locked on either side of his neck, and then blackness engulfed him as a mighty sledge battered endlessly at his skull. This sledge was hammering relentlessly as Rolf sensed his first glimmer of returning light. There were two sledges, one of them that he identified as the hammering of blood in his throbbing temples, and the other the measured blasting pulse of rocket jets. He opened his eyes slowly to find himself staring at the fine-crusted metal plates of a flyer's deck. His nose was grinding into the oily muck that only undisciplined men would have permitted to accumulate. Cautiously his head twisted until he could look forward toward the controls. The bound body of Altha Stark faced him, and he saw her lips twist into a brief smile of recognition. She shook her head and frowned as he moved his arm. But Rolf had learned that his limbs were not bound—apparently the outlaws had considered him out of the blasting for the moment. By degrees Rolf worked his arm down to his belt where his solar torch was hooked. His fingers made careful adjustments within the inset base of the torch, pushing a lever here and adjusting a tension screw there. The ship bumped gently as it landed and the thrum of rockets ceased. The cabin shifted with the weight of bodies moving from their seats. Rolf heard voices from a distance and the answering triumphant bawling of his two captors. The moment had come. He turned the cap of the solar torch away from his body and freed it. Heat blasted at his body as the stepped-up output of the torch made the oily floor flame. He lay unmoving while the thick smoke rolled over him. "Fire!" There was panic in the outlaw's voice. Rolf came to his knees in the blanketing fog and looked forward. One of the men flung himself out the door, but the other reached for the extinguisher close at hand. His thoughts were on the oily smoke; not on the prisoners, and so the impact of Rolf's horizontally propelled body drove the breath from his lungs before his hand could drop to his belted expoder. The outlaw was game. His fists slammed back at Rolf, and his knees jolted upward toward the patrolman's vulnerable middle. But Rolf bored in, his own knotted hands pumping, and his trained body weaving instinctively aside from the crippling blows aimed at his body. For a moment they fought, coughing and choking from the thickening pall of smoke, and then the fingers of the outlaw clamped around Rolf's throat and squeezed hard. The patrolman was weary; the wreck in the upper cavern and the long trek afterward through the dark tunnels had sapped his strength, and now he felt victory slipping from his grasp. He felt something soft bump against his legs, legs so far below that he could hardly realize that they were his, and then he was falling with the relentless fingers still about his throat. As from a great distant he heard a cry of pain and the blessed air gulped into his raw throat. His eyes cleared. He saw Altha's bound body and head. Her jaws were clamped upon the arm of the outlaw and even as he fought for more of the reeking smoky air of the cabin he saw the man's clenched fist batter at her face. Rolf swung, all the weight of his stocky body behind the blow, and the outlaw thudded limply against the opposite wall of the little cabin. No time to ask the girl if she were injured. The patrolman flung himself into the spongy control chair's cushions and sent the ship rocketing skyward. Behind him the thin film of surface oil no longer burned and the conditioning unit was clearing the air. "Patrolman," the girl's voice was beside him. "We're safe!" "Everything bongo?" Rolf wanted to know. "Of course," she smiled crookedly. "Glad of that." Rolf felt the warmth of her body so close beside him. A sudden strange restlessness came with the near contact. Altha smiled shyly and winced with pain. "Do you know," she said, "even yet I do not know your name." Rolf grinned up at her. "Need to?" he asked. The girl's eyes widened. A responsive spark blazed in them. "Handier than calling you Shorty all the time," she quipped. Then they were over the Barrier and Rolf saw the last of the beaten Furry Ones racing back across the great wall toward the Plains of Nyd. He nosed the captured ship down toward the ruined plaza of the Forbidden City. Once Mark Tanner was aboard they would blast surfaceward with their thrilling news that all Mars could have water in plenty again. Rolf snorted. "Shorty," he said disgustedly as they landed, but his arm went out toward the girl's red-haired slimness, and curved around it.
train	20015	[ "Presumably why did Shawn seem to blush at the comment made by Green in regards to his creation of exquisite work?", "What was said to be concernig about the relationship between Shawn and Ross?", "Who received the worste abuse of all who are mentioned?", "What is the coorelation to the reference of Shawn to Prince Myshkin in The Idiot?", "Who was said to have been blinded by meningitis as a child in the passage?", "Who was said to have inadvertently committed plagerism?", "What was said about Mehta's book in the passage?", "Who was the editor for The New Yorker when Shawn died?", "What was the new editor trying to convince Ross into doing?", "Who had the opinion that Shawn had stopped reading the magazine after Tina Brown became editor?" ]	[ [ "He took business very seriously. ", "He was a prude.", "He lacked the sense of humor that Green had.", "The comment hit too close to home for him." ], [ "They began their relationship as an affair.", "Their work suffered from their lack of concentration.", "They seemed to proritize their romance rather than their work.", "They argued often, publicly." ], [ "Ross", "Gill ", "Mehta", "Shawn" ], [ "He was someone who did not value his work", "He was someone who must be protected ", "He was someone who didn't care to hurt someone's feelings. ", "He was someone who lacked intelligence " ], [ "Mehta", "Kahn", "Myshkin", "Brown" ], [ "Poota", "Perkupp", "Shawn", "Mehta" ], [ "It was full of neglect", "It was very enjoyable", "It lacked depth and intelligence", "It was a bit too extreme" ], [ "Brown", "Ross", "Mehta", "Breenan" ], [ "Re-joining the magazine", "Leaving Shawn for good", "Retiring from the magazine", "Booting out Mehta" ], [ "Newhouse ", "Brown", "Mehta", "Ross" ] ]	[ 4, 1, 3, 2, 1, 4, 2, 1, 1, 3 ]	[ 0, 1, 0, 1, 0, 0, 0, 1, 1, 1 ]	Goings On About Town One of the funniest moments in Brendan Gill's 1975 memoir, Here at "The New Yorker ," comes during a luncheon at the now vanished Ritz in Manhattan. At the table are Gill; William Shawn, then editor of The New Yorker ; and the reclusive English writer Henry Green. Green's new novel, Loving , has just received a very favorable review in The New Yorker . Shawn--"with his usual hushed delicacy of speech and manner"--inquires of the novelist whether he could possibly reveal what prompted the creation of such an exquisite work. Green obliges. "I once asked an old butler in Ireland what had been the happiest times of his life," he says. "The butler replied, 'Lying in bed on Sunday morning, eating tea and toast with cunty fingers.' " This was not the explanation Shawn was expecting, Gill tells us. "Discs of bright red begin to burn in his cheeks." Was Shawn blushing out of prudishness, as we are meant to infer? This was, after all, a man renowned for his retiring propriety, a man who sedulously barred anything smacking of the salacious--from lingerie ads to four-letter words--from the magazine he stewarded from 1952 until 1987, five years before his death. But after reading these two new memoirs about Shawn, I wonder. "He longed for the earthiest and wildest kinds of sexual adventures," Lillian Ross discloses in hers, adding that he lusted after Hannah Arendt, Evonne Goolagong, and Madonna. As for Ved Mehta, he reports that Shawn's favorite thing to watch on television was "people dancing uninhibitedly" ( Soul Train , one guesses). I suspect Shawn did not blush at the "cunty fingers" remark out of prudery. He blushed because it had hit too close to home. Both these memoirs must be read by everyone--everyone, that is, who takes seriously the important business of sorting out precisely how he or she feels about The New Yorker , then and now. Of the two, Mehta's is far and away the more entertaining. This may seem odd, for Mehta is reputed to be a very dull writer whereas Ross is a famously zippy one. Moreover, Mehta writes as Shawn's adoring acolyte, whereas Ross writes as his longtime adulterous lover. Just knowing that Mrs. Shawn is still alive adds a certain tension to reading much of what this Other Woman chooses to divulge. Evidently, "Bill" and Lillian loved each other with a fine, pure love, a love that was more than love, a love coveted by the winged seraphs of heaven. "We had indeed become one," she tells us, freely venting the inflations of her heart. Shawn was managing editor of The New Yorker when he hired Ross in 1945 as the magazine's second woman reporter (the first was Andy Logan). He was short and balding but had pale blue eyes to die for. As for Ross, "I was aware of the fact that I was not unappealing." During a late-night editorial session, she says, Shawn blurted out his love. A few weeks later at the office, their eyes met. Without a word--even, it seems, to the cab driver--they hied uptown to the Plaza, where matters were consummated. Thereafter, the couple set up housekeeping together in an apartment 20 blocks downtown from the Shawn residence on upper Fifth Avenue and stoically endured the sufferings of Shawn's wife, who did not want a divorce. Now, Ross seems like a nice lady, and I certainly have nothing against adultery, which I hear is being carried on in the best circles these days. But the public flaunting of adultery--especially when spouses and children are around--well, it brings out the bourgeois in me. It also made me feel funny about William Shawn, whom I have always regarded as a great man. I loved his New Yorker . The prose it contained--the gray stuff around the cartoons--was balm for the soul: unfailingly clear, precise, logical, and quietly stylish. So what if the articles were occasionally boring? It was a sweet sort of boredom, serene and restorative, not at all like the kind induced by magazines today, which is more akin to nervous exhaustion. Besides, the moral tone of the magazine was almost wholly admirable--it was ahead of the pack on Hiroshima, civil rights, Vietnam, Watergate, the environment--and this was very much Shawn's doing. I do not like to think of him in an illicit love nest, eating tea and toast with cunty fingers. Happily, Ross has sprinkled her memoir with clues that it is not to be taken as entirely factual. To say that Shawn was "a man who grieved over all living creatures" is forgivable hyperbole; but later to add that he "mourned" for Si Newhouse when Newhouse unceremoniously fired him in 1987 (a couple of years after buying the magazine)--well, that's a bit much. Even Jesus had his limits. Elsewhere, Ross refers to her lover's "very powerful masculinity," only to note on the very next page that "if he suffered a paper cut on a finger and saw blood, he would come into my office, looking pale." She declares that "Bill was incapable of engendering a cliché, in deed as well as in word." But then she puts the most toe-curling clichés into his mouth: "Why am I more ghost than man?" Or: "We must arrest our love in midflight. And we fix it forever as of today, a point of pure light that will reach into eternity." (File that under Romantic Effusions We Doubt Ever Got Uttered.) Nor is Ross incapable of a melodramatic cliché herself. "Why can't we just live, just live ?" she cries in anguish when she and Shawn, walking hand in hand out of Central Park, chance to see Shawn's wife slowly making her way down the block with a burden of packages. And what does she think of Mrs. Shawn? "I found her to be sensitive and likeable." Plus, she could "do a mean Charleston." There is nothing more poignant than the image of an openly cheated-upon and humiliated wife doing "a mean Charleston." William Shawn's indispensability as an editor is amply manifest in Ross' memoir. Word repetition? "Whatever reporting Bill asked me to do turned out to be both challenging and fun. ... For me, reporting and writing for the magazine was fun, pure fun. ... It was never 'work' for me. It was fun." Even in praising his skill as an editor, she betrays the presence of its absence. "All writers, of course, have needed the one called the 'editor,' who singularly, almost mystically, embodies the many-faceted, unique life force infusing the entire enchilada." Nice touch, that enchilada. When cocktail party malcontents mocked Shawn's New Yorker in the late '70s and early '80s, they would make fun of such things as E.J. Kahn's five-part series on "Grains of the World" or Elizabeth Drew's supposedly soporific reporting from Washington. But Ved Mehta was always the butt of the worst abuse. Shawn was allowing him to publish an autobiography in the pages of the magazine that was mounting up to millions of words over the years, and the very idea of it seemed to bore people silly. After the publication of two early installments, "Daddyji" and "Mamaji," each the length of a book, one critic cried: "Enoughji!" But it kept coming. And I, for one, was grateful. Here was a boy growing up in Punjab during the fall of the Raj and the Partition, a boy who had been blinded by meningitis at the age of 3, roller-skating through the back streets of Lahore as Sikhs slaughtered Hindus and Hindus slaughtered Muslims and civilization was collapsing and then, decades later, having made his way from India to an Arkansas school for the blind to Balliol College, Oxford, to The New Yorker , re-creating the whole thing in Proustian detail and better-than-Proustian prose ... ! Mehta's multivolume autobiography, titled Continents of Exile , has loss as its overarching theme: loss of sight, of childhood, of home and country, and now--with this volume--loss of Mr. Shawn's New Yorker . The memoir takes us from the time the author was hired as a staff writer in the early '60s up to 1994, when he was "terminated" by the loathed Tina Brown in her vandalization of his cherished magazine. Mehta evidently loved William Shawn at least as much as Lillian Ross did, although his love was not requited in the same way. He likens the revered editor to the character Prince Myshkin in The Idiot : innocent and vulnerable, someone who must be protected. And long-suffering, one might infer: "He was so careful of not hurting anyone's feelings that he often listened to utterly fatuous arguments for hours on end." Like Ross, Mehta struggles to express William Shawn's ineffable virtues. "It is as if, Mehta, he were beyond our human conception," Janet Flanner tells him once to calm him down. At times I wondered whether the author, in his ecstasies of devotion, had not inadvertently committed plagiarism. His words on Mr. Shawn sound suspiciously like those of Mr. Pooter on his boss Mr. Perkupp in The Diary of a Nobody . Compare. Mehta on Shawn: "His words were so generous that I could scarcely find my tongue, even to thank him." Pooter on Perkupp: "My heart was too full to thank him." Mehta: "I started saying to myself compulsively, 'I wish Mr. Shawn would ring,' at the oddest times of the day or night. ... How I longed for the parade of proofs, the excitement of rewriting and perfecting!" Pooter: "Mr. Perkupp, I will work night and day to serve you!" I am not sure I have made it sound this way so far, but Mehta's book is completely engrossing--the most enjoyable book, I think, I have ever reviewed. It oozes affection and conviction, crackles with anger, and is stuffed with thumping good stories. Many are about Mehta's daft colleagues at The New Yorker , such as the guy in the next office: His door was always shut, but I could hear him through the wall that separated his cubicle from mine typing without pause. ... Even the changing of the paper in the typewriter seemed somehow to be incorporated into the rhythmic rat-tat-tat ... year after year went by to the sound of his typing but without a word from his typewriter appearing in the magazine. Or the great and eccentric Irish writer Maeve Breenan, who fetched up as a bag lady. Or the legendary St. Clair McKelway, whose decisive breakdown came when he hailed a cab and prevailed upon the driver to take him to the New Yorker office at 24 West 43 rd St. "O.K., Mac, if that's what you want." He was in Boston at the time. (McKelway later told Mehta that if the cabby had not called him "Mac," his nickname, an alarm might have gone off in his head.) Mehta's writerly persona, a disarming mixture of the feline and the naive, is perfect for relating the little scandals that worried The New Yorker in the late '70s (plagiarism, frozen turbot), the drama of finding a worthy candidate to succeed the aging Shawn as editor, the purchase of the magazine by the evil Si Newhouse ("We all took fright") and the resultant plague of Gottliebs and Florios visited upon it, and what he sees as the final debacle: Tinaji. Lillian Ross, by contrast, takes a rather cheerful view of the Brown dispensation. Indeed, the new editor even coaxed Ross into re-joining the magazine, just as she was booting Mehta out. "I found that she possessed--under the usual disguises--her own share of Bill's kind of naivete, insight, and sensitivity," Ross says of Brown. "She, too, 'got it.' " A few months after Brown was appointed editor, Shawn died at the age of 85. He had long since stopped reading his beloved magazine, in sorrow and relief. That's if you believe Mehta. Ross assures us that Mr. Shawn was reading Tina Brown's New Yorker "with new interest" in the weeks prior to his death. Has Tina Brown betrayed the legacy of William Shawn, as Mehta fiercely believes, or has she continued and built upon it, as Ross is evidently convinced? Have the changes she has wrought enlivened a stodgy magazine or vulgarized a dignified one--or both? These are weighty questions, and one is of course loath to compromise one's life chances by hazarding unripe opinions in a public forum such as this.
train	20001	[ "Why does the author say that the imposing the ban was a contradiction by whom it was imposed?", "Who placed the ban on funding for human cloning research?", "Why does the author say the pope does not respect freedom of other?", "From the passage, are we able to infer that the author is for or against cloning and why?", "What concern was raised in recent years that is similar to cloning?", "What does the auther say the fear of cloning is a form of?", "Who does the author believe would be most upsetting possibity to clone themselves?", "What would the world be like if people stopped having children naturally and started producing clones of themselves?", "Despite the federal ban on funding human cloning research, how much funding has been stopped?", "According to the author, if human cloning were allowed, how much of the population would be affected?" ]	[ [ "Because he has shown interest in cloning himself", "Because he lacked the means to ban cloning", "Because he is known for not resisting temptation of the flesh", "Because he was only banning the nonexistent to show power" ], [ "Congress", "President Bush ", "President Clinton", "The Federal Funding Agency " ], [ "He wants all people to follow his set of laws", "He expects all citizens to live by his standards", "He tried to extend his power beyond his jurisdiction", "His views are too far dated " ], [ "Against, because he says humans have no right to reproduce themselves", "Against, because he fears the cloned warriors", "For, because he says that humans have the right to reproduce how they see fit. ", "For, because he hopes for the cloned warriors" ], [ "Genetic engineering ", "Same DNA in identical twins", "Surfacing long-lost twins", "IVF" ], [ "Evolution ", "Racism", "Unpredictable reproduction", "Genetic engineering" ], [ "The rich with big egos", "The normal men", "The elderly who wanted to cheat death", "The normal women " ], [ "More dangerous than now", "Less individualistic", "The same as now. ", "More unique" ], [ "Less than half", "All funding", "Over half", "Almost none" ], [ "All of the population ", "None of the population", "Only a tiny fraction of the population", "Over half the population" ] ]	[ 3, 3, 3, 3, 4, 2, 1, 3, 4, 3 ]	[ 1, 0, 1, 0, 0, 0, 0, 0, 0, 0 ]	Human Clones: Why Not? If you can clone a sheep, you can almost certainly clone a human being. Some of the most powerful people in the world have felt compelled to act against this threat. President Clinton swiftly imposed a ban on federal funding for human-cloning research. Bills are in the works in both houses of Congress to outlaw human cloning--a step urged on all governments by the pope himself. Cloning humans is taken to be either 1) a fundamentally evil thing that must be stopped or, at the very least, 2) a complex ethical issue that needs legislation and regulation. But what, exactly, is so bad about it? Start by asking whether human beings have a right to reproduce. I say "yes." I have no moral right to tell other people they shouldn't be able to have children, and I don't see that Bill Clinton has that right either. When Clinton says, "Let us resist the temptation to copy ourselves," it comes from a man not known for resisting other temptations of the flesh. And for a politician, making noise about cloning is pretty close to a fleshly temptation itself. It's an easy way to show sound-bite leadership on an issue that everybody is talking about, without much risk of bitter consequences. After all, how much federally funded research was stopped by this ban? Probably almost none, because Clinton has maintained Ronald Reagan's policy of minimizing federal grants for research in human reproduction. Besides, most researchers thought cloning humans was impossible--so, for the moment, there's unlikely to be a grant-request backlog. There is nothing like banning the nonexistent to show true leadership. The pope, unlike the president, is known for resisting temptation. He also openly claims the authority to decide how people reproduce. I respect the pope's freedom to lead his religion, and his followers' freedom to follow his dictate. But calling for secular governments to implement a ban, thus extending his power beyond those he can persuade, shows rather explicitly that the pope does not respect the freedom of others. The basic religious doctrine he follows was set down some two millennia ago. Sheep feature prominently in the Bible, but cloning does not. So the pope's views on cloning are 1 st century rules applied using 15 th century religious thinking to a 21 st century issue. If humans have a right to reproduce, what right does society have to limit the means? Essentially all reproduction is done these days with medical help--at delivery, and often before. Truly natural human reproduction would mean 50 percent infant mortality and make pregnancy-related death the No. 1 killer of adult women. True, some forms of medical help are more invasive than others. With in vitro fertilization, the sperm and egg are combined in the lab and surgically implanted in the womb. Less than two decades ago, a similar concern was raised over the ethical issues involved in "test-tube babies." To date, nearly 30,000 such babies have been born in the United States alone. Many would-be parents have been made happy. Who has been harmed? The cloning procedure is similar to IVF. The only difference is that the DNA of sperm and egg would be replaced by DNA from an adult cell. What law or principle--secular, humanist, or religious--says that one combination of genetic material in a flask is OK, but another is not? No matter how closely you study the 1 st century texts, I don't think you'll find the answer. Even if people have the right to do it, is cloning a good idea? Suppose that every prospective parent in the world stopped having children naturally, and instead produced clones of themselves. What would the world be like in another 20 or 30 years? The answer is: much like today. Cloning would only copy the genetic aspects of people who are already here. Hating a world of clones is hating the current populace. Never before was Pogo so right: We have met the enemy, and he is us ! Adifferent scare scenario is a world filled with copies of famous people only. We'll treat celebrity DNA like designer clothes, hankering for Michael Jordan's genes the way we covet his Nike sneakers today. But even celebrity infatuation has its limits. People are not more taken with celebrities than they are with themselves. Besides, such a trend would correct itself in a generation or two, because celebrity is closely linked to rarity. The world seems amused by one Howard Stern, but give us a hundred or a million of them, and they'll seem a lot less endearing. Clones already exist. About one in every 1,000 births results in a pair of babies with the same DNA. We know them as identical twins. Scientific studies on such twins--reared together or apart--show that they share many characteristics. Just how many they share is a contentious topic in human biology. But genetic determinism is largely irrelevant to the cloning issue. Despite how many or how few individual characteristics twins--or other clones--have in common, they are different people in the most fundamental sense . They have their own identities, their own thoughts, and their own rights. Should you be confused on this point, just ask a twin. Suppose that Unsolved Mysteries called you with news of a long-lost identical twin. Would that suddenly make you less of a person, less of an individual? It is hard to see how. So, why would a clone be different? Your clone would be raised in a different era by different people--like the lost identical twin, only younger than you. A person's basic humanity is not governed by how he or she came into this world, or whether somebody else happens to have the same DNA. Twins aren't the only clones in everyday life. Think about seedless grapes or navel oranges--if there are no seeds, where did they come from? It's the plant equivalent of virgin birth--which is to say that they are all clones, propagated by cutting a shoot and planting it. Wine is almost entirely a cloned product. The grapes used for wine have seeds, but they've been cloned from shoots for more than a hundred years in the case of many vineyards. The same is true for many flowers. Go to a garden store, and you'll find products with delightful names like "Olivia's Cloning Compound," a mix of hormones to dunk on the cut end of a shoot to help it take root. One recurring image in anti-cloning propaganda is of some evil dictator raising an army of cloned warriors. Excuse me, but who is going to raise such an army ("raise" in the sense used by parents)? Clones start out life as babies . Armies are far easier to raise the old fashioned way--by recruiting or drafting naive young adults. Dulce et decorum est pro patria mori has worked well enough to send countless young men to their deaths through the ages. Why mess with success? Remember that cloning is not the same as genetic engineering. We don't get to make superman--we have to find him first. Maybe we could clone the superwarrior from Congressional Medal of Honor winners. Their bravery might--or might not--be genetically determined. But, suppose that it is. You might end up with such a brave battalion of heroes that when a grenade lands in their midst, there is a competition to see who gets to jump on it to save the others. Admirable perhaps, but not necessarily the way to win a war. And what about the supply sergeants? The army has a lot more of them than heroes. You could try to breed an expert for every job, including the petty bureaucrats, but what's the point? There's not exactly a shortage of them. What if Saddam Hussein clones were to rule Iraq for another thousand years? Sounds bad, but Saddam's natural son Uday is reputed to make his father seem saintly by comparison. We have no more to fear from a clone of Saddam, or of Hitler, than we do from their natural-born kin--which is to say, we don't have much to fear: Dictators' kids rarely pose a problem. Stalin's daughter retired to Arizona, and Kim Jong Il of North Korea is laughable as Great Leader, Version 2.0. The notion of an 80-year-old man cloning himself to cheat death is quaint, but it is unrealistic. First, the baby wouldn't really be him. Second, is the old duffer really up to changing diapers? A persistent octogenarian might convince a younger couple to have his clone and raise it, but that is not much different from fathering a child via a surrogate mother. Fear of clones is just another form of racism. We all agree it is wrong to discriminate against people based on a set of genetic characteristics known as "race." Calls for a ban on cloning amount to discrimination against people based on another genetic trait--the fact that somebody already has an identical DNA sequence. The most extreme form of discrimination is genocide--seeking to eliminate that which is different. In this case, the genocide is pre-emptive--clones are so scary that we must eliminate them before they exist with a ban on their creation. What is so special about natural reproduction anyway? Cloning is the only predictable way to reproduce, because it creates the identical twin of a known adult. Sexual reproduction is a crap shoot by comparison--some random mix of mom and dad. In evolutionary theory, this combination is thought to help stir the gene pool, so to speak. However, evolution for humans is essentially over, because we use medical science to control the death rate. Whatever the temptations of cloning, the process of natural reproduction will always remain a lot more fun. An expensive and uncomfortable lab procedure will never offer any real competition for sex. The people most likely to clone will be those in special circumstances--infertile couples who must endure IVF anyway, for example. Even there, many will mix genetics to mimic nature. Another special case is where one member of a couple has a severe genetic disease. They might choose a clone of the healthy parent, rather than burden their child with a joint heritage that could be fatal. The most upsetting possibility in human cloning isn't superwarriors or dictators. It's that rich people with big egos will clone themselves. The common practice of giving a boy the same name as his father or choosing a family name for a child of either sex reflects our hunger for vicarious immortality. Clones may resonate with this instinct and cause some people to reproduce this way. So what? Rich and egotistic folks do all sorts of annoying things, and the law is hardly the means with which to try and stop them. The "deep ethical issues" about cloning mainly boil down to jealousy. Economic jealousy is bad enough, and it is a factor here, but the thing that truly drives people crazy is sexual jealousy. Eons of evolution through sexual selection have made the average man or woman insanely jealous of any interloper who gains a reproductive advantage--say by diddling your spouse. Cloning is less personal than cuckoldry, but it strikes a similar chord: Someone has got the reproductive edge on you. Once the fuss has died down and further animal research has paved the way, direct human cloning will be one more option among many specialized medical interventions in human reproduction, affecting only a tiny fraction of the population. Research into this area could bring far wider benefits. Clinton's knee-jerk policy changes nothing in the short run, but it is ultimately a giant step backward. In using an adult cell to create a clone, the "cellular clock" that determines the difference between an embryo and adult was somehow reset. Work in this area might help elucidate the process by which aging occurs and yield a way to reset the clocks in some of our own cells, allowing us to regenerate. Selfishly speaking, that would be more exciting to me than cloning, because it would help me . That's a lot more directly useful than letting me sire an identical twin 40 years my junior. To some, the scientist laboring away to unlock the mysteries of life is a source of evil, never to be trusted. To others, including me, the scientist is the ray of light, illuminating the processes that make the universe work and making us better through that knowledge. Various arguments can be advanced toward either view, but one key statistic is squarely on my side. The vast majority of people, including those who rail against science, owe their very lives to previous medical discoveries. They embody the fruits of science. Don't let the forces of darkness, ignorance, and fear turn us back from research. Instead, let us raise--and yes, even clone--new generations of hapless ingrates, who can whine and rail against the discoveries of the next age.
train	60507	[ "Which is not a competitor to the Piltdon Can Opener?", "Which is not a can-opener feature that Ogden Piltdon cares about?", "Why did Kalvin commit to Piltdon’s unreasonable deadline?", "Why did Kalvin hesitate to share information about the new invention?", "Why did Kalvin continue researching on his own at home?", "What was not a result of the “Borenchuck Incident”?", "When applying for new jobs, Kalvin found that…", "The area in which Kalvin wanted to devote most of his time was:", "What new emotion was Kalvin experiencing after quitting Piltdon Opener Company?", "What was the “Piltdon Effect”?" ]	[ [ "International", "Minerva Mighty Midget", "Universal", "Super-Opener" ], [ "Lightweight", "Musical", "Speed", "Stability" ], [ "He felt challenged to develop creative solutions.", "He didn’t want to lose his job.", "He wanted to earn recognition.", "He was able to hire more staff." ], [ "He wanted to do more research into how it works.", "He wanted to be the one to tell Piltdon.", "He wanted to keep the invention for himself.", "He wanted to save his job." ], [ "He wanted to be sure it was safe.", "He needed to work extra hours to meet the deadline.", "He wanted to patent the Super-Opener idea for himself.", "He wanted to better understand the technology and create a solution." ], [ "A state of emergency was declared.", "Piltdon filed a lawsuit against Kalvin.", "Sales of helmets increased.", "Super-Opener sales plummeted." ], [ "Companies did not approve of what they heard about his previous work.", "Companies did not have open positions.", "Piltdon gave him a positive reference.", "He had multiple offers." ], [ "Research", "Production", "Marketing", "Management" ], [ "Cowardice", "Anger", "Misery", "Submission" ], [ "The ability to meet a tight deadline.", "The can-opener causing the cans to disappear.", "The deluge of cans falling from the sky.", "Viral interest in a new product." ] ]	[ 4, 4, 2, 1, 4, 2, 1, 1, 2, 2 ]	[ 0, 0, 0, 1, 1, 1, 0, 0, 1, 1 ]	THE SUPER OPENER BY MICHAEL ZUROY Here's why you should ask for a "Feetch M-D" next time you get a can opener! [Transcriber's Note: This etext was produced from Worlds of If Science Fiction, August 1958. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] "Feetch!" grated Ogden Piltdon, president of the Piltdon Opener Company, slamming the drafting board with his hairy fist, "I want results!" Heads lifted over boards. Kalvin Feetch shrunk visibly. "As chief engineer you're not carrying the ball," Piltdon went on savagely. "The Piltdon Can-Opener is trailing the competition. Advertising and Sales are breaking their necks. It's Engineering that's missing the boat!" "But Mr. Piltdon," remonstrated Feetch unsteadily under his employer's glare, "don't you remember? I tried to...." "For two years there hasn't been one lousy improvement in the Piltdon Can-Opener!" roared Mr. Piltdon. "Look at our competitors. The International rips apart cans in three and three-tenths seconds. Universal does it in four." "But Mr. Piltdon—" "The Minerva Mighty Midget does it in four point two two and plays Home Sweet Home in chimes. Our own Piltdon opener barely manages to open a can in eight point nine without chimes. Is this what I'm paying you for?" Feetch adjusted his spectacles with shaking hands. "But Mr. Piltdon, our opener still has stability, solidity. It is built to last. It has dignity...." "Dignity," pronounced Piltdon, "is for museums. Four months, Feetch! In four months I want a new can-opener that will be faster, lighter, stronger, flashier and more musical than any other on the market. I want it completely developed, engineered and tooled-up, ready for production. Otherwise, Feetch—" Feetch's body twitched. "But Mr. Piltdon, four months is hardly time enough for development, even with an adequate staff. I've been trying to tell you for years that we're bound to fall behind because we don't have enough personnel to conduct research. Our men can barely keep up with production and maintenance. If you would let me put on a few draftsmen and...." "Excuses," sneered Mr. Piltdon. "Your staff is more than adequate. I will not allow you to throw out my money. Four months, Feetch, no more!" Piltdon trudged out of the room, leaving behind him an oppressive silence. How could you set a time limit on research and development? A designer had to dream at his board, investigate, search, build, test, compare, discard. He had always wanted to devote all his time to research, but Piltdon Opener had not given him that opportunity. Twenty-five years! thought Feetch. Twenty-five years of close supervision, dead-lines, production headaches, inadequate facilities and assistance. What had happened, to the proud dream he once had, the dream of exploring uncharted engineering regions, of unlimited time to investigate and develop? Ah, well, thought Feetch straightening his thin shoulders, he had managed somehow to design a few good things during his twenty-five years with Piltdon. That was some satisfaction. What now? He had to hang on to his job. Technical work was scarce. Since the early 1980's the schools had been turning out more technicians than industry could absorb. He was too old to compete in the employment market. He couldn't afford to lose any money. Jenny wasn't well. How to meet this four month dead-line? He would get right on it himself, of course; Hanson—good man—could work with him. He shook his head despairingly. Something would be sure to blow up. Well, he had to start— "Chief," said Hanson a few weeks later as they entered the lab, "I'm beginning to wonder if the answer is in the hand mechanical type at all." "Got to be," answered Feetch tiredly. "We must work along classical can-opener lines. Departures, such as the thermal or motor-driven types, would be too expensive for mass production." Three new models and a group of cans were waiting for them on the bench. They began testing, Hanson operating the openers and Feetch clocking. "Four point four," announced Feetch after the last test. "Good, but not good enough. Too bulky. Appearance unsatisfactory. Chimes tinny. We've made progress, but we've a long way to go." The problem was tricky. It might seem that use of the proper gear ratios would give the required velocity, but there were too many other factors that negated this direct approach. The mechanism had to be compact and streamlined. Gear sizes had to be kept down. Can-top resistance, internal resistance, cutting tooth performance, handle size and moment, the minimum strength of a woman's hand were some of the variables that had to be balanced within rigid limits. Sector type cutters, traversing several arcs at the same time, had seemed to offer the answer for a while, but the adjusting mechanism necessary to compensate for variable can sizes had been too complex to be practical. There was the ever-present limit to production cost. Hanson's eyes were upon him. "Chief," he said, "it's a rotten shame. Twenty-five years of your life you put in with Piltdon, and he'd fire you just like that if you don't do the impossible. The Piltdon Company is built upon your designs and you get handed this deal!" "Well, well," said Feetch. "I drew my pay every week so I suppose I have no complaints. Although," a wistful note crept into his voice "I would have liked a little recognition. Piltdon is a household word, but who has heard of Feetch? Well,"—Feetch blew his nose—"how do we stand, Hanson?" Hanson's bull-dog features drew into a scowl. "Piltdon ought to be rayed," he growled. "O.K., Chief. Eleven experimental models designed to date. Two more on the boards. Nine completed and tested, two in work. Best performance, four point four, but model otherwise unsatisfactory." "Hello," said Feetch as an aproned machinist entered carrying a glistening mechanism. "Here's another model. Let's try it." The machinist departed and Hanson locked the opener on a can. "I hope——" he turned the handle, and stopped abruptly, staring down open-mouthed. A cylinder of close-packed beans rested on the bench under the opener. The can itself had disappeared. "Chief," said Hanson. "Chief." "Yes," said Feetch. "I see it too. Try another can." "Vegetable soup or spinach?" inquired Hanson dreamily. "Spinach, I think," said Feetch. "Where did the can go, do you suppose?" The spinach can disappeared. Likewise several corn cans, sweet potato cans and corned-beef hash cans, leaving their contents intact. It was rather disconcerting. "Dear, dear," said Feetch, regarding the piles of food on the bench. "There must be some explanation. I designed this opener with sixteen degree, twenty-two minute pressure angle modified involute gear teeth, seven degree, nineteen minute front clearance cutter angle and thirty-six degree, twelve minute back rake angle. I expected that such departures from the norm might achieve unconventional performance, but this—Dear, dear. Where do the cans go, I wonder?" "What's the difference? Don't you see what you've got here? It's the answer! It's more than the answer! We can put this right into work and beat the dead-line." Feetch shook his head. "No, Hanson. We're producing something we don't understand. What forces have we uncovered here? Where do the cans go? What makes them disappear? Are we dealing with a kinetic or a kinematic effect? What motions can we plot in the area of disappearance and what are their analytical mathematical formulae? What masses may be critical here? What transformations of energy are involved? No, Hanson, we must learn a lot more." "But Chief, your job." "I'll risk that. Not a word to Piltdon." Several days later, however, Piltdon himself charged into the drawing room and slapped Feetch heartily on the back, causing him to break a pencil point. "Feetch!" roared Piltdon. "Is this talk that's going around the plant true? Why didn't you tell me? Let's see it." After Piltdon had seen it his eyes took on a feverish glint. "This," he exulted, "will make can-opener history. Instantaneous opening! Automatic disposal! Wait until Advertising and Sales get hold of this! We'll throttle our competitors! The Piltdon Super-Opener we'll call it." "Mr. Piltdon—" said Feetch shakily. Piltdon stared at his chief engineer sharply. "What's the matter, Feetch? The thing can be duplicated, can't it?" "Yes, sir. I've just finished checking that. But I'm in the midst of further investigation of the effect. There's more here than just a new type can-opener, sir. A whole new field of physics. New principles. This is big, Mr. Piltdon. I recommend that we delay production until further research can be completed. Hire a few top scientists and engineers. Find out where the cans go. Put out a scientific paper on the effect." "Feetch," bit out Piltdon, his face growing hard. "Stow this hooey. I don't give a damn where the cans go. May I remind you that under our standard patent agreement, all rights to your invention belong to the company? As well as anything you may produce in the field within a year after leaving our employ? We have a good thing here, and I don't want you holding it back. We're going into production immediately." Close, thought Feetch, wearily. It had been a man-killing job, and it had been close, but he'd made it. Beat the time limit by a half-day. The first tentative shipments of Piltdon Super-Openers had gone to distributors along the Eastern seaboard. The first advertisements blazed in selected media. The first reorders came back, and then: "It's a sell-out!" crowed Piltdon, waving a sheaf of telegrams. "Step up production! Let 'er rip!" The Super-Openers rolled over the country. In a remarkably short time they appeared in millions of kitchens from coast-to-coast. Sales climbed to hundreds of thousands per day. Piltdon Opener went into peak production in three shifts, but was still unable to keep up with the demand. Construction was begun on a new plant, and additional plants were planned. Long lines waited in front of houseware stores. Department stores, lucky enough to have Super-Openers on hand, limited sales to one to a customer. Piltdon cancelled his advertising program. Newspapers, magazines, radio, television and word-of-mouth spread the fame of the opener so that advertising was unnecessary. Meanwhile, of course, government scientists, research foundations, universities and independent investigators began to look into this new phenomonen. Receiving no satisfactory explanation from Piltdon, they set up their own research. Far into the night burned the lights of countless laboratories. Noted physicists probed, measured, weighed, traced, X-rayed, dissolved, spun, peered at, photographed, magnetized, exploded, shattered and analyzed Super-Openers without achieving the glimmer of a satisfactory explanation. Competitors found the patent impossible to circumvent, for any departure from its exact specifications nullified the effect. Piltdon, genial these days with success and acclaim, roared at Feetch: "I'm putting you in for a raise. Yes sir! To reward you for assisting me with my invention I'm raising your pay two hundred dollars a year. That's almost four dollars a week, man." "Thank you, Mr. Piltdon." And still, thought Feetch wryly, he received no recognition. His name did not even appear on the patent. Well, well, that was the way it went. He must find his satisfaction in his work. And it had been interesting lately, the work he had been doing nights at home investigating what had been named the Piltdon Effect. It had been difficult, working alone and buying his own equipment. The oscillator and ultra microwave tracking unit had been particularly expensive. He was a fool, he supposed, to try independent research when so many huge scientific organizations were working on it. But he could no more keep away from it than he could stop eating. He still didn't know where the cans went, but somehow he felt that he was close to the answer. When he finally found the answer, it was too late. The Borenchuck incident was only hours away. As soon as he could get hold of Piltdon, Feetch said trembling, "Sir, I think I know where those cans are going. I recommend—" "Are you still worrying about that?" Piltdon roared jovially. "Leave that to the long-hairs. We're making money, that's all that counts, eh Feetch?" That night, at six-ten p.m., the Borenchuck family of Selby, South Dakota, sat down to their evening meal. Just as they started in on the soup, a rain of empty tin cans clattered down, splashed into the soup, raised a welt on the forehead of Borenchuck senior, settled down to a gentle, steady klunk! klunk! klunk! and inexorably began to pile up on the dining-room floor. They seemed to materialize from a plane just below the ceiling. The police called the fire department and the fire department stared helplessly and recommended the sanitation department. The incident made headlines in the local papers. The next day other local papers in widely scattered locations reported similar incidents. The following day, cans began falling on Chicago. St. Louis was next, and then over the entire nation the cans began to rain down. They fell outdoors and indoors, usually materializing at heights that were not dangerous. The deluge followed no pattern. Sometimes it would slacken, sometimes it would stop, sometimes begin heavily again. It fell in homes, on the streets, in theatres, trains, ships, universities and dog-food factories. No place was immune. People took to wearing hats indoors and out, and the sale of helmets boomed. All activity was seriously curtailed. A state of national emergency was declared. Government investigators went to work and soon confirmed what was generally suspected: these were the same cans that had been opened by the Piltdon Super-Opener. Statisticians and mathematicians calculated the mean rate of can precipitation and estimated that if all the cans opened by Piltdon openers were to come back, the deluge should be over in fifteen point twenty-nine days. Super-Opener sales of course immediately plummeted to zero and stayed there. Anti-Piltdon editorials appeared in the papers. Commentators accused Piltdon of deliberately hoaxing the public for his own gain. A Congressional investigation was demanded. Piltdon received threats of bodily injury. Lawsuits were filed against him. He barricaded himself in the plant, surrounded by bodyguards. Livid with fury and apprehension, he screamed at Feetch, "This is your doing, you vandal! I'm a ruined man!" A falling can caught him neatly on the tip of his nose. "But sir," trembled Feetch, dodging three spaghetti cans, "I tried to warn you." "You're through, Feetch!" raved Piltdon. "Fired! Get out! But before you go, I want you to know that I've directed the blame where it belongs. I've just released to the press the truth about who created the Super-Opener. Now, get out!" "Yes, sir," said Feetch paling. "Then you don't want to hear about my discovery of a way to prevent the cans from coming back?" Klunk! A barrage of cans hit the floor, and both men took refuge under Piltdon's huge desk. "No!" yelled Piltdon at Feetch's face which was inches away. "No, I——What did you say?" "A small design improvement sir, and the cans would disappear forever." Klunk! "Forever, Feetch?" "Yes sir." Klunk! Klunk! "You're positive, Feetch?" Piltdon's eyes glared into Feetch's. "Sir, I never make careless claims." "That's true," said Piltdon. His eyes grew dreamy. "It can be done," he mused. "The New Type Super-Opener. Free exchanges for the old. Cash guarantee that empty cans will never bother you. Take a licking at first, but then monopolize the market. All right, Feetch, I'll give you another chance. You'll turn over all the details to me. The patent on the improvement will naturally be mine. I'll get the credit for rectifying your blunder. Fine, fine. We'll work it out. Hop on production, at once, Feetch." Feetch felt himself sag inwardly. "Mr. Piltdon," he said. "I'm asking only one favor. Let me work full time on research and development, especially on the Piltdon effect. Hire a couple of extra men to help with production. I assure you the company will benefit in the end." "Damn it, no!" roared Piltdon. "How many times must I tell you? You got your job back, didn't you?" The prospect of long years of heavy production schedules, restricted engineering and tight supervision suddenly made Kalvin Feetch feel very tired. Research, he thought. Development. What he had always wanted. Over the years he had waited, thinking that there would be opportunities later. But now he was growing older, and he felt that there might not be a later. Somehow he would manage to get along. Perhaps someone would give him a job working in the new field he had pioneered. With a sense of relief he realized that he had made his decision. "Mr. Piltdon," Feetch said. "I—" klunk!—"resign." Piltdon started, extreme astonishment crossing his face. "No use," said Feetch. "Nothing you can say—" klunk! klunk! klunk!—"will make any difference now." "But see here, the New Type Super-Opener...!" "Will remain my secret. Good day." "Feetch!" howled Piltdon. "I order you to remain!" Feetch almost submitted from force of habit. He hesitated for a moment, then turned abruptly. "Good-day," said Feetch firmly, sprinting through the falling cans to the door. Money, Feetch decided after a while, was a good thing to have. His supply was running pretty low. He was not having any luck finding another job. Although the cans had stopped falling on the fifteenth day, as predicted by the statisticians, industry would not soon forget the inconvenience and losses caused by the deluge. It was not anxious to hire the man it regarded as responsible for the whole thing. "Feetch," the personnel man would read. "Kalvin Feetch." Then, looking up, "Not the Kalvin Feetch who—" "Yes," Feetch would admit miserably. "I am sorry, but—" He did no better with research organizations. Typical was a letter from the Van Terrel Foundation: "—cannot accept your application inasmuch as we feel your premature application of your discovery to profit-making denotes a lack of scientific responsibility and ethics not desirable in a member of our organization—former employer states the decision was yours entirely. Unfavorable reference—" Piltdon, Feetch thought, feeling a strange sensation deep within his chest that he had not the experience to recognize as the beginning of a slow anger, Piltdon was hitting low and getting away with it. Of course, if he were to agree to reveal his latest discoveries to a research organization, he would undoubtedly get an appointment. But how could he? Everything patentable in his work would automatically revert to Piltdon under the one year clause in the company patent agreement. No, Feetch told himself, he was revealing nothing that Piltdon might grab. The anger began to mount. But he was beginning to need money desperately. Jenny wasn't getting any better and medical bills were running high. The phone rang. Feetch seized it and said to the image: "Absolutely not." "I'll go up another ten dollars," grated the little Piltdon image. "Do you realize, man, this is the fourteenth raise I've offered you? A total increase of one hundred and twenty-six dollars? Be sensible, Feetch. I know you can't find work anywhere else." "Thanks to you. Mr. Piltdon, I wouldn't work for you if—" A barrage of rocks crashed against the heavy steel screening of the window. "What's going on!" yelled Piltdon. "Oh, I see. People throwing rocks at your house again? Oh, I know all about that, Feetch. I know that you're probably the most unpopular man alive to-day. I know about the rocks, the tomatoes, the rotten eggs, the sneaking out at night, the disguises you've had to use. Why don't you come back to us and change all that, Feetch? We'll put out the New Type Super-Opener and the world will soon forget about the old one." "No," said Feetch. "People will forget anyway—I hope." "If you won't think of yourself, at least think of your fellow workmen," begged Piltdon, his voice going blurry. "Do you realize that Piltdon Opener will soon be forced to close down, throwing all your former associates out of work? Think of Hanson, Sanchez, Forbes. They have families too. Think of the men in the shop, the girls in the office, the salesmen on the road. All, all unemployed because of you. Think of that, Feetch." Feetch blinked. This had not occurred to him. Piltdon eyed him sharply, then smiled with a hint of triumph. "Think it over, Feetch." Feetch sat, thinking it over. Was it right to let all these people lose their jobs? Frowning, he dialed Hanson's number. "Chief," said Hanson, "Forget it. The boys are behind you one hundred per cent. We'll make out." "But that's the trouble. I thought you'd feel like this, and I can't let you." "You're beginning to weaken. Don't. Think, chief, think. The brain that figured the Super-Opener can solve this." Feetch hung up. A glow of anger that had been building up in his chest grew warmer. He began pacing the floor. How he hated to do it. Think, Hanson had said. But he had. He's considered every angle, and there was no solution. Feetch walked into the kitchen and carefully poured himself a drink of water. He drank the water slowly and placed the glass on the washstand with a tiny click. It was the tiny click that did it. Something about it touched off the growing rage. If Piltdon were there he would have punched him in the nose. The twenty-five years. The tricks. The threats. Think? He'd figured the solution long ago, only he hadn't allowed himself to see it. Not lack of brains, lack of guts. Well, he thought grimly, dialing Piltdon's number, he was going through with it now. "Piltdon!" he barked. "Three p.m. tomorrow. My place. Be here. That's all." He hung up. In the same grim mood the following morning, he placed a few more calls. In the same mood that afternoon he stood in the middle of his living-room and looked at his visitors: Piltdon, Williams, the Government man; Billings from the Van Terrel Foundation; Steiner of Westchester University; the members of the press. "Gentlemen," he said. "I'll make it brief." He waved the papers in his hand. "Here is everything I know about what I call the Feetch Effect, including plans and specifications for the New Type Super-Opener. All of you have special reasons for being keenly interested in this information. I am now going to give a copy to each of you, providing one condition is met by Mr. Piltdon." He stared at Piltdon. "In short, I want fifty-one per cent of the stock of Piltdon Opener." Piltdon leaped from his chair. "Outrageous!" He roared. "Ridiculous!" "Fifty-one percent," said Feetch firmly. "Don't bother with any counterproposals or the interview is at an end." "Gentlemen!" squawked Piltdon, "I appeal to you—" "Stop bluffing," said Feetch coldly. "There's no other way out for you. Otherwise you're ruined. Here, sign this agreement." Piltdon threw the paper to the floor and screamed: "Gentlemen, will you be a party to this?" "Well," murmured the Government man, "I never did think Feetch got a fair shake." "This information is important to science," said the Van Terrel man. After Piltdon had signed, the papers were distributed. Published in the newspapers the following day, Feetch's statement read, in part: "The motion in space and time of the singular curvilinear proportions of the original Super-Opener combined with the capacitor effect built up as it increased its frictional electro-static charge in inverse proportion to the cube root of the tolerance between the involute teeth caused an instantaneous disruption of what I call the Alpha multi-dimensional screen. The can, being metallic, dropped through, leaving its non-metallic contents behind. The disruption was instantly repaired by the stable nature of the screen. "Beyond the screen is what I call Alpha space, a space apparently quite as extensive as our own universe. Unfortunately, as my investigations indicated, Alpha space seems to be thickly inhabited. These inhabitants, the nature of whom I have not yet ascertained, obviously resented the intrusion of the cans, developed a method of disrupting the screen from their side, and hurled the cans back at us. "However, I have established the existence of other spaces up to Mu space, and suspect that others exist beyond that. Beta space, which is also adjacent to our own space, is devoid of any form of life. The New Type Super-Opener is designed to pass cans through the Beta screen. Beta space will safely absorb an infinite number of cans. "I sincerely and humbly venture the opinion that we are on the threshold of tremendous and mighty discoveries. It is my belief that possibly an infinite number of universes exist in a type of laminated block separated by screens. "Therefore, might it not be that an infinite number of laminated blocks exist—?" "Mr Feetch—" said Piltdon. Feetch looked up from his desk in the newly constructed Feetch Multi-Dimensional Development Division of the Piltdon Opener Company. "Piltdon, don't bother me about production. Production is your problem." "But Mr. Feetch—" "Get out," said Feetch. Piltdon blanched and left. "As I was saying, Hanson—" continued Feetch.
train	63875	[ "What is the Mercury Sam’s Garden?", "What would happen if the supply of Latonka were to be cut off?", "After the death of Karfial Hodes…", "How did the Mercurians adjust to the heat?", "Why did the Latonka Trust stock start dropping?", "Why did Moynihan shoot Stanley?", "Which planet was considered the new frontier?", "What was expressed as the time limit on Moynihan’s work?", "What was the main reason Moynihan asked Miss Webb to meet him at the grog shop?" ]	[ [ "An apartment building", "A club", "An amusement park", "A family restaurant" ], [ "The Latonka Trust stock would increase.", "Mercury Sam’s Garden would gain customers.", "Demand would decrease throughout the universe.", "Albert Peet would lose his fortune." ], [ "The rebels would be lost without him & disband.", "Albert Peet would lose a lot of power.", "The rebellion would win power.", "Jaro Moynihan would be paid 20,000 Earth notes." ], [ "Their yellow eyes filtered the sun’s rays.", "They mostly lived under the ground.", "Their skin kept them cool.", "They would sweat to cool off." ], [ "Alternatives to Latonka flooded the market.", "Demand for Latonka was decreasing.", "There were rumors that the Earth Congress would grant Mercurians independence.", "People suspected the revolution would be successful." ], [ "It was an accident.", "Stanley tried to poison him.", "Stanley was protecting Albert Peet.", "He was hired to shoot Stanley." ], [ "Mars", "Earth", "Mercury", "Jupiter" ], [ "Before Karfial Hodes’ capture", "Before the Earth Congress votes on Mercurian independence", "Before the The Festival of the Rains", "Before Moynihan’s return to Mars" ], [ "He wanted her to call the police.", "He was asking her out on a date.", "She is a spy for the revolution.", "He wanted to find out what she knew." ] ]	[ 2, 4, 1, 2, 3, 2, 3, 3, 4 ]	[ 0, 0, 0, 1, 0, 1, 0, 0, 0 ]	Red Witch of Mercury By EMMETT McDOWELL Death was Jaro Moynahan's stock in trade, and every planet had known his touch. But now, on Mercury, he was selling his guns into the weirdest of all his exploits—gambling his life against the soft touch of a woman's lips. [Transcriber's Note: This etext was produced from Planet Stories Summer 1945. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] On the stage of Mercury Sam's Garden , a tight-frocked, limber-hipped, red-head was singing " The Lady from Mars ." The song was a rollicking, ribald ditty, a favorite of the planters and miners, the space pilots and army officers who frequented the garden. The girl rendered it with such gusto that the audience burst into a roar of applause. She bent her head in acknowledgment so that her bronze red hair fell down about her face. There was perspiration on her upper lip and temples. Her crimson mouth wore a fixed smile. Her eyes were frightened. The man, who had accompanied the singer on the piano, sat at the foot of the stage, his back to the crowded tables. He did not look up at the singer but kept his pale, immature face bent over the keys, while his fingers lightly, automatically picked out the tune. Sweat trickled down the back of his neck, plastered his white coat to his back. Without looking up, he said: "Have you spotted him?" His voice was pitched to reach the singer alone. The girl, with an almost imperceptible gesture, shook her head. The night was very hot; but then it is always hot on Mercury, the newest, the wildest, the hottest of Earth's frontiers. Fans spaced about the garden's walls sluggishly stirred the night air, while the men and women sitting at the tables drank heavily of Latonka, the pale green wine of Mercury. Only the native waiters, the enigmatic, yellow-eyed Mercurians, seemed unaffected by the heat. They didn't sweat at all. Up on the stage the singer was about to begin another number when she stiffened. "Here he is," she said to the pianist without moving her lips. The pianist swung around on his stool, lifted his black eyes to the gate leading to the street. Just within the entrance, a tall, thin man was standing. He looked like a gaunt gray wolf loitering in the doorway. His white duraloes suit hung faultlessly. His black hair was close-cropped, his nose thin and aquiline. For a moment he studied the crowded garden before making his way to a vacant table. "Go on," said the pianist in a flat voice. The red-head shivered. Stepping from the stage she picked her way through the tables until she came to the one occupied by the newcomer. "May I join you?" she asked in a low voice. The man arose. "Of course. I was expecting you. Here, sit down." He pulled out a chair, motioned for the waiter. The Mercurian, his yellow incurious eyes like two round topazes, sidled up. "Bring us a bottle of Latonka from the Veederman region, well iced." The waiter slipped away. "So," said the red-head; "you have come. I did not think you would be in time." Her hands were clenched in her lap. The knuckles were white. The man said nothing. "I did not want to call you in, Jaro Moynahan." It was the first time she had used his name. "You have the reputation of being unpredictable. I don't trust you, but since...." She stopped as the waiter placed glasses on the table and deftly poured the pale green wine. The man, Jaro Moynahan, raised his glass. "Here's to the revolution," he said. His low voice carried an odd, compelling note. His eyes, light blue and amused, were pale against his brown face. The girl drew in her breath. "No! Mercury is not ready for freedom. Only a handful of fanatics are engineering the revolution. The real Mercurian patriots are against it, but they are afraid to protest. You've got to believe me. The revolution is scheduled to break during the Festival of the Rains. If it does, the Terrestrials here will be massacred. The Mercurians hate them. We haven't but a handful of troops." Jaro Moynahan wiped the sweat from his forehead with a fine duraweb handkerchief. "I had forgotten how abominably hot it can be here." The girl ignored the interruption. "There is one man; he is the leader, the very soul of the revolution. The Mercurians worship him. They will do whatever he says. Without him they would be lost. He is the rebel, Karfial Hodes. I am to offer you ten thousand Earth notes to kill Karfial Hodes." Jaro Moynahan refilled their empty glasses. He was a big man, handsome in a gaunt fashion. Only his eyes were different. They were flat and a trifle oblique with straight brows. The pupils were a pale and penetrating blue that could probe like a surgeon's knife. Now he caught the girl's eyes and held them with his own as a man spears a fish. "Why call me all the way from Mars for that? Why not have that gunman at the piano rub Hodes out?" The girl started, glanced at the pianist, said with a shiver: "We can't locate Karfial Hodes. Don't look at me that way, Jaro. You frighten me. I'm telling the truth. We can't find him. That's why we called you. You've got to find him, Jaro. He's stirring up all Mercury." "Who's putting up the money?" "I can't tell you." "Ah," said Jaro Moynahan; "so that's the way it is." "That's the way it is." "There isn't much time," he said after a moment. "The Rains are due any day now." "No," the girl replied. "But we think he's here in the city." "Why? What makes you think that?" "He was seen," she began, then stopped with a gasp. The lights had gone out. It was as unexpected as a shot in the back. One moment the garden was glowing in light, the next the hot black night swooped down on the revelers, pressing against their eyes like dark wool. The fans about the walls slowed audibly and stopped. It grew hotter, closer. Jaro Moynahan slipped sideways from the table. He felt something brush his sleeve. Somewhere a girl giggled. "What's coming off here?" growled a petulant male voice. Other voices took up the plaint. Across the table from Jaro there was the feel of movement; he could sense it. An exclamation was suddenly choked off as if a hand had been clamped over the girl's mouth. "Red!" said Jaro in a low voice. There was no answer. "Red!" he repeated, louder. Unexpectedly, the deep, ringing voice of Mercury Sam boomed out from the stage. "It's all right. The master fuse blew out. The lights will be on in a moment." On the heels of his speech the lights flashed on, driving the night upward. The fans recommenced their monotonous whirring. Jaro Moynahan glanced at the table. The red-headed singer was gone. So was the pianist. Jaro Moynahan sat quietly back down and poured himself another glass of Latonka. The pale green wine had a delicate yet exhilarating taste. It made him think of cool green grapes beaded with dew. On the hot, teeming planet of Mercury it was as refreshing as a cold plunge. He wondered who was putting up the ten thousand Earth notes? Who stood to lose most in case of a revolution? The answer seemed obvious enough. Who, but Albert Peet. Peet controlled the Latonka trade for which there was a tremendous demand throughout the Universe. And what had happened to the girl. Had the rebels abducted her. If so, he suspected that they had caught a tartar. The Red Witch had the reputation of being able to take care of herself. He beckoned a waiter, paid his bill. As the Mercurian started to leave, a thought struck Jaro. These yellow-eyed Mercurians could see as well in the dark as any alley-prowling cat. For centuries they had lived most their lives beneath ground to escape the terrible rays of the sun. Only at night did they emerge to work their fields and ply their trades. He peeled off a bill, put it in the waiter's hands. "What became of the red-headed singer?" The Mercurian glanced at the bill, then back at the Earthman. There was no expression in his yellow eyes. "She and the man, the queer white one who plays the piano, slipped out the gate to the street." Jaro shrugged, dismissed the waiter. He had not expected to get much information from the waiter, but he was not a man to overlook any possibility. If the girl had been abducted, only Mercurians could have engineered it in the dark; and the Mercurians were a clannish lot. Back on the narrow alley-like street Jaro Moynahan headed for his hostelry. By stretching out his arms he could touch the buildings on either side: buildings with walls four feet thick to keep out the heat of the sun. Beneath his feet, he knew, stretched a labyrinth of rooms and passages. Somewhere in those rat-runs was Karfial Hodes, the revolutionist, and the girl. At infrequent intervals green globes cut a hole in the night, casting a faint illumination. He had just passed one of these futile street lamps when he thought he detected a footfall behind him. It was only the whisper of a sound, but as he passed beyond the circle of radiation, he flattened himself in a doorway. Nothing stirred. There was no further sound. Again he started forward, but now he was conscious of shadows following him. They were never visible, but to his trained ears there came stealthy, revealing noises: the brush of cloth against the baked earth walls, the sly shuffle of a step. He ducked down a bisecting alley, faded into a doorway. Immediately all sounds of pursuit stopped. But as soon as he emerged he was conscious again of the followers. In the dense, humid night, he was like a blind man trying to elude the cat-eyed Mercurians. Jaro Moynahan In the East a sullen red glow stained the heavens like the reflection of a fire. The Mercurian dawn was about to break. With an oath, he set out again for his hostelry. He made no further effort to elude the followers. Once back in his room, Jaro Moynahan stripped off his clothes, unbuckled a shoulder holster containing a compressed air slug gun, stepped under the shower. His body was lean and brown as his face and marked with innumerable scars. There were small round puckered scars and long thin ones, and his left shoulder bore the unmistakable brownish patch of a ray burn. Stepping out of the shower, he dried, rebuckled on the shoulder holster, slipped into pajamas. The pajamas were blue with wide gaudy stripes. Next he lit a cigarette and stretching out on the bed began to contemplate his toes with singular interest. He had, he supposed, killed rather a lot of men. He had fought in the deadly little wars of the Moons of Jupiter for years, then the Universal Debacle of 3368, after that the Martian Revolution as well as dozens of skirmishes between the Federated Venusian States. No, there was little doubt but that he had killed quite a number of men. But this business of hunting a man through the rat-runs beneath the city was out of his line. Furthermore, there was something phony about the entire set up. The Mercurians, he knew, had been agitating for freedom for years. Why, at this time when the Earth Congress was about to grant them self-government, should they stage a revolution? A loud, authoritative rapping at the door interrupted further speculation. He swung his bare feet over the edge of the bed, stood up and ground out his cigarette. Before he could reach the door the rapping came again. Throwing off the latch, he stepped back, balancing on the balls of his feet. "Come in," he called. The door swung open. A heavy set man entered, shut and locked the door, then glanced around casually. His eyes fastened on Jaro. He licked his lips. "Mr. Moynahan, the—ah—professional soldier, I believe." His voice was high, almost feminine. "I'm Albert Peet." He held out a fat pink hand. Jaro said nothing. He ignored the hand, waited, poised like a cat. Mr. Peet licked his lips again. "I have come, Mr. Moynahan, on a matter of business, urgent business. I had not intended to appear in this matter. I preferred to remain behind the scenes, but the disappearance of Miss Mikail has—ah—forced my hand." He paused. Jaro still said nothing. Miss Mikail must be the red-headed singer, whom at different times he had known under a dozen different aliases. He doubted that even she remembered her right name. "Miss Mikail made you a proposition?" Albert Peet's voice was tight. "Yes," said Jaro. "You accepted?" "Why, no. As it happened she was abducted before I had the chance." Mr. Peet licked his lips. "But you will, surely you will. Unless Karfial Hodes is stopped immediately there will be a bloody uprising all over the planet during the Festival of the Rains. Earth doesn't realize the seriousness of the situation." "Then I was right; it is you who are putting up the ten thousand Earth notes." "Not entirely," said Peet uncomfortably. "There are many of us here, Mercurians as well as Earthmen, who recognize the danger. We have—ah—pooled our resources." "But you stand to lose most in case of a successful revolution?" "Perhaps. I have a large interest in the Latonka trade. It is—ah—lucrative." Jaro Moynahan lit a cigarette, sat down on the edge of the bed. "Why beat about the bush," he asked with a sudden grin. "Mr. Peet, you've gained control of the Latonka trade. Other Earthmen are in control of the mines and the northern plantations. Together you form perhaps the strongest combine the Universe has ever seen. You actually run Mercury, and you've squeezed out every possible penny. Every time self-government has come before the Earth Congress you've succeeded in blocking it. You are, perhaps, the most cordially-hated group anywhere. I don't wonder that you are afraid of a revolution." Mr. Peet took out a handkerchief and mopped his forehead. "Fifteen thousand Earth notes I can offer you. But no more. That is as high as I can go." Jaro laughed. "How did you know Red had been kidnapped?" "We have a very efficient information system. I had the report of Miss Mikail's abduction fifteen minutes after the fact." Jaro raised his eyebrows. "Perhaps then you know where she is?" Mr. Peet shook his head. "No. Karfial Hodes' men abducted her." A second rapping at the door caused them to exchange glances. Jaro went to the door, opened it. The pianist at the gardens was framed in the entrance. His black eyes burned holes in his pale boyish face. His white suit was blotched with sweat and dirt. "They told me Mr. Peet was here," he said. "It's for you," said Jaro over his shoulder. Mr. Peet came to the door. "Hello, Stanley. I thought Hodes had you? Where's Miss Mikail?" "I got away. Look, Mr. Peet, I got to see you alone." Albert Peet said, "Would you excuse me, Mr. Moynahan?" He licked his lips. "I'll just step out into the hall a moment." He went out, drawing the door shut after him. Jaro lit a cigarette. He padded nervously back and forth across the room, his bare feet making no noise. He sat down on the edge of the bed. He got up and ground out the cigarette. He went to the door, but did not open it. Instead, he took another turn about the room. Again he came to a halt before the door, pressed his ear against the panel. For a long time he listened but could distinguish no murmur of voices. With an oath he threw open the door. The hall was empty. II Jaro returned to his room, stripped off his pajamas, climbed back into his suit. He tested the slug gun. It was a flat, ugly weapon which hurled a slug the size of a quarter. He preferred it because, though he seldom shot to kill, it stopped a man like a well placed mule's hoof. He adjusted the gun lightly in its holster in order that it wouldn't stick if he were called upon to use it in a hurry. Then he went out into the hall. At the desk he inquired if any messages had come for him. There were none, but the clerk had seen Mr. Peet with a young fellow take the incline to the underground. Above the clerk's head a newsograph was reeling off the current events almost as soon as they happened. Jaro read: " Earth Congress suspends negotiations on Mercurian freedom pending investigation of rumored rebellion. Terrestrials advised to return to Earth. Karfial Hodes, Mercurian patriot, being sought. " Jaro descended the incline to the network of burrows which served as streets during the flaming days. Here in the basements and sub-basements were located the shops and dram houses where the Mercurians sat around little tables drinking silently of the pale green Latonka. The burrows were but poorly lit, the natives preferring the cool gloom, and Jaro had to feel his way, rubbing shoulders with the strange, silent populace. But when he reached the Terrestrial quarter of the city, bright radoxide lights took the place of the green globes, and there was a sprinkling of Colonial guards among the throng. Jaro halted before a door bearing a placard which read: "LATONKA TRUST" He pushed through the door into a rich carpeted reception room. At the far end was a second door beside which sat a desk, door and desk being railed off from the rest of the office. The door into Albert Peet's inner sanctum was ajar. Jaro could distinguish voices; then quite clearly he heard Albert Peet say in a high girlish tone: "Stanley, I thought I left you in the native quarter. Why did you follow me? How many times have I told you never to come here?" The reply was unintelligible. Then the pale-faced young man came through the door shutting it after himself. At the sight of Jaro Moynahan he froze. "What're you sneaking around here for?" Jaro settled himself warily, his light blue eyes flicking over the youth. "Let's get this straight," he said mildly. "I've known your kind before. Frankly, ever since I saw you I've had to repress a desire to step on you as I might a spider." The youth's black eyes were hot as coals, his fingers twitching. His hands began to creep upward. "You dirty ..." he began, but he got no further. Jaro Moynahan shot him in the shoulder. The compressed air slug gun had seemed to leap into Jaro's hand. The big slug, smacked the gunman's shoulder with a resounding thwack, hurled him against the wall. Jaro vaulted the rail, deftly relieved him of two poisoned needle guns. "I'll get you for this," said Stanley, his mouth twisted in pain. "You've broken my shoulder. I'll kill you." The door to the inner sanctum swung open. "What's happened?" cried Albert Peet in distress. "What's wrong with you, Stanley?" "This dirty slob shot me in the shoulder." "But how badly?" Peet was wringing his hands. "Nothing serious," said Jaro. "He'll have his arm in a sling for a while. That's all." "Stanley," said Mr. Peet. "You're bleeding all over my carpet. Why can't you go in the washroom. There's a tile floor in there. If you hadn't disobeyed this wouldn't have happened. You and your fights. Has anyone called a doctor? Where's Miss Webb? Miss Webb! Oh, Miss Webb! That girl. Miss Webb!" Stanley climbed to his feet, swayed a moment drunkenly, then wobbled out a door on the left just as a tall brunette hurried in from the right. She had straight black hair which hung not quite to her shoulders, and dark brown eyes, and enough of everything else to absorb Jaro's attention. "Oh!" exclaimed Miss Webb as she caught sight of the blood staining the carpet. Joan Webb "There's been an—ah—accident," said Mr. Peet, and he licked his lips. "Call a doctor, Miss Webb." Miss Webb raised an eyebrow, went to the visoscreen. In a moment she had tuned in the prim starched figure of a nurse seated at a desk. "Could Dr. Baer rush right over here? There's been an accident." "Rush over where?" said the girl in the visoscreen. "These gadgets aren't telepathic, honey." "Oh," said Miss Webb, "the offices of the Latonka Trust." The girl in the visoscreen thawed like ice cream in the sun. "I'm sure Dr. Baer can come. He'll be there in a moment." "Thank you," said Miss Webb. She flicked the machine off, then added: "You trollop." Mr. Peet regarded Jaro Moynahan with distress. "Really, Mr. Moynahan, was it necessary to shoot Stanley? Isn't that—ah—a little extreme? I'm afraid it might incapacitate him, and I had a job for him." "Oh," cried Miss Webb, her brown eyes crackling. "Did you shoot that poor boy? Aren't you the big brave man?" "Poor boy?" said Jaro mildly. "Venomous little rattlesnake. I took these toys away from him." He held out the poisoned dart guns. "You take them, Mr. Peet. Frankly, they give me the creeps. They might go off. A scratch from one of those needles would be enough." Mr. Peet accepted the guns gingerly. He held them as if they might explode any minute. He started to put them in his pocket, thought better of it, glanced around helplessly. "Here, Miss Webb," he said, "do something with these. Put them in my desk." Miss Webb's eyes grew round as marbles. "I wouldn't touch one of those nasty little contraptions for all the Latonka on Mercury." "Here, I'll take them," said Stanley coming back into the room. He had staunched the flow of blood. His face was even whiter, if possible. Jaro eyed him coldly as with his good hand the youth dropped the dart guns back into their holsters. "Act like you want to use those and I'll put a slug in your head next time." "Now, Mr. Moynahan." Mr. Peet licked his lips nervously. "Stanley, go into my office. The doctor will be here in a moment. Miss Webb, you may go home. I'll have no more work for you today." Albert Peet led Stanley through the door. Jaro and Miss Webb were alone. With his eye on the door, Jaro said: "When you go out, turn left toward the native quarter. Wait for me in the first grog shop you come to." Miss Webb raised her eyebrows. "What's this? A new technique?" "Look," began Jaro annoyed. "My eyes are practically popping out of my head now," she interrupted. "Another morning like this and I take the first space liner back to Earth." She jammed her hat on backward, snatched her bag from the desk drawer. "I'm not trying to pick you up. This is...." "How disappointing." Jaro began again patiently. "Wait for me in the first grog shop. There's something I must know. It's important." He cleared his throat. "Don't you find the heat rather uncomfortable, Miss Webb. But perhaps you've become accustomed to it." Mr. Peet came back into the room. "Why, no, I mean yes," replied Miss Webb, a blank expression in her eyes. "Goodbye, Miss Webb," said Mr. Peet firmly. Jaro grinned and winked at her. Miss Webb tottered out of the room. As the door closed behind the girl, Albert Peet licked his lips, said: "Mr. Moynahan, I suppose my disappearance back at your room requires some explanation. But the fact is that Stanley brought an important bit of news." He paused. Jaro said nothing. "You might be interested to know that Miss Mikail is quite safe. Karfial Hodes has her, but Stanley assures me she will be quite safe." Again he paused. As Jaro remained silent, his neck mottled up pinkly. "The fact is, Mr. Moynahan, that we won't need you after all. I realize that we've put you to considerable trouble and we're prepared to pay you whatever you believe your time is worth. Say five hundred Earth notes?" "That's fair enough," replied Jaro. Albert Peet sighed. "I have the check made out." "Only," continued Jaro coldly, "I'm not ready to be bought off. I think I'll deal myself a hand in this game." Mr. Peet's face fell. "You won't reconsider?" "Sorry," said Jaro; "but I've got a date. I'm late now." He started to leave. "Stanley!" called Albert Peet. The pale-faced young man appeared in the doorway, the dart gun in his good hand. Jaro Moynahan dropped on his face, jerking out his slug gun as he fell. There was a tiny plop like a cap exploding. He heard the whisper of the poisoned dart as it passed overhead. Then he fired from the floor. The pale-faced young man crumpled like an empty sack. Jaro got up, keeping an eye on Albert Peet, brushed off his knees. "You've killed him," said Peet. "If I were you, Mr. Moynahan, I would be on the next liner back to Earth." Without answering, Jaro backed watchfully from the room. Once Jaro Moynahan had regained the street, he mopped his forehead with his handkerchief. Whatever was going on, these boys played for keeps. Warily he started down the passage toward the native quarter. At the first basement grog shop he turned in. His eyes swept the chamber, then he grinned. At a corner table, a tall glass of Latonka before her, sat Miss Webb. Her hat was still on backwards, and she was perched on the edge of her chair as if ready to spring up and away like a startled faun. " Bang! " said Jaro coming up behind her and poking a long brown finger in the small of her back. Miss Webb uttered a shriek, jerked so violently that her hat tilted over one eye. She regarded him balefully from beneath the brim. "Never a dull moment," she gritted. Still grinning, Jaro sat down. "I'm Jaro Moynahan, Miss Webb. I think Albert Peet forgot to introduce us. There's some skullduggery going on here that I'm particularly anxious to get to the bottom of. I thought you might be able to help me." "Yes," replied Miss Webb sweetly. A native waiter, attracted no doubt by her scream, came over and took Jaro's order. "All right," Jaro smiled, but his pale blue eyes probed the girl thoughtfully. "I'll have to confide certain facts which might be dangerous for you to know. Are you game, Miss Webb?" "Since we're going to be so chummy," she replied; "you might begin by calling me Joan. You make me feel downright ancient." "Well then," he said. "In the first place, I just killed that baby-faced gunman your boss had in his office." " Awk! " said Joan, choking on the Latonka. "It was self-defense," he hastened to assure her. "He took a pot shot at me with that poisoned dart gun." "But the police!" she cried, as she caught her breath. "There'll never be an investigation. Albert Peet will see to that. I was called here on what I supposed was a legitimate revolution. Instead I was offered ten thousand Earth notes to assassinate the leader of the revolution." "What revolution? I'm going around in circles." "The Mercurians, of course." "I don't believe it," said the girl. "The Mercurians are the most peaceable people in the Universe. They've been agitating for freedom, yes. But they believe in passive resistance. I don't believe you could induce a Mercurian to kill, even in self-protection. That's why Albert Peet and the rest of the combine had such an easy time gaining control of the Latonka trade." "Score one," breathed Jaro, "I begin to see light. Miss Webb—ah, Joan—I've a notion that we're going to be a great team. How do you happen to be Albert Peet's private secretary?" "A gal's gotta eat. But the truth is, I was quitting. The Latonka Trust is almost on the rocks. Their stock has been dropping like a meteor." Jaro Moynahan raised his oblique brows but did not interrupt. "Albert Peet," she continued, "has been trying to sell out but nobody will touch the stock, not since it looks as if the Earth Congress is going to grant the Mercurians their freedom. Everybody knows that the first thing the Mercurians will do, will be to boot out the Latonka Trust." "What about this Karfial Hodes?" said Jaro. "I've heard that he's inciting the Mercurians to rebellion. The newscaster had a line about the revolution too. The government has advised all Terrestrials to return to Earth." "It's not true," Joan flared. "It's all a pack of lies invented by the Latonka Trust. I know." "But I should think rumors like that would run down the Latonka stock."
train	61081	[ "Why did the Treasury Department want Orison McCall to apply for a job at the William Howard Taft National Bank and Trust Company?", "Why did Orison prefer to send her reports to Washington by mail?", "How was Orison treated by her female co-workers?", "People around him describe Dink as a…", "What did Orison do when she met Kraft Gerding?", "Why did Orison think that Dink had a European background?", "Orison’s introduction to Auga Vingt could best be described as...", "What was Orison’s excuse to visit the upper floors?", "Why did Dink punch Kraft?", "What is a likely explanation for Orison seeing Benjamin Franklin images in the Microfabridae tank?" ]	[ [ "To gather information about their unusual people and banking practices.", "To do an official audit of the bank’s books.", "To provide the bank employees with training.", "To read text into a microphone." ], [ "She preferred to put everything in writing.\n", "She found the “pillow talk” to be improper.", "So the reports could be done faster.", "So the reports would be more secure." ], [ "Welcoming", "Indifferent", "Friendly", "Guarded" ], [ "brute", "ladies’ man", "hard-working entrepreneur", "nerd" ], [ "She went to visit him on the upstairs floors.", "She typed up a dictated letter for him.", "She set up a date with him for that evening.", "She snapped at him and threatened to quit." ], [ "His accent\n", "The languages he speaks", "His manners", "His physique" ], [ "Friendly", "Cordial", "Passive-aggressive", "Heated" ], [ "To deliver a message from Mr. Wanji", "To see what the Earmuffs were doing", "To feed the Microfabridae", "To complain about Auga Vingt" ], [ "Self-defense", "He wasn’t listening", "He insulted Dink", "He was threatening Orison" ], [ "The Microfabridae are killing people and the faces look like Benjamin franklin.", "It was a play of the eyes.", "The Microfabridae are being used to process $100 bills for illegal purposes.", "Someone accidentally dropped $100 bills into the tanks." ] ]	[ 1, 2, 4, 2, 4, 3, 3, 1, 4, 3 ]	[ 0, 0, 0, 0, 1, 0, 0, 0, 0, 1 ]	CINDERELLA STORY By ALLEN KIM LANG What a bank! The First Vice-President was a cool cat—the elevator and the money operators all wore earmuffs—was just as phony as a three-dollar bill! [Transcriber's Note: This etext was produced from Worlds of If Science Fiction, May 1961. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] I The First Vice-President of the William Howard Taft National Bank and Trust Company, the gentleman to whom Miss Orison McCall was applying for a job, was not at all the public picture of a banker. His suit of hound's-tooth checks, the scarlet vest peeping above the vee of his jacket, were enough to assure Orison that the Taft Bank was a curious bank indeed. "I gotta say, chick, these references of yours really swing," said the Vice-President, Mr. Wanji. "Your last boss says you come on real cool in the secretary-bit." "He was a very kind employer," Orison said. She tried to keep from staring at the most remarkable item of Mr. Wanji's costume, a pair of furry green earmuffs. It was not cold. Mr. Wanji returned to Orison her letters of reference. "What color bread you got eyes for taking down, baby?" he asked. "Beg pardon?" "What kinda salary you bucking for?" he translated, bouncing up and down on the toes of his rough-leather desert boots. "I was making one-twenty a week in my last position," Miss McCall said. "You're worth more'n that, just to jazz up the decor," Mr. Wanji said. "What you say we pass you a cee-and-a-half a week. Okay?" He caught Orison's look of bewilderment. "One each, a Franklin and a Grant," he explained further. She still looked blank. "Sister, you gonna work in a bank, you gotta know who's picture's on the paper. That's a hunnerd-fifty a week, doll." "That will be most satisfactory, Mr. Wanji," Orison said. It was indeed. "Crazy!" Mr. Wanji grabbed Orison's right hand and shook it with athletic vigor. "You just now joined up with our herd. I wanna tell you, chick, it's none too soon we got some decent scenery around this tomb, girlwise." He took her arm and led her toward the bank of elevators. The uniformed operator nodded to Mr. Wanji, bowed slightly to Orison. He, too, she observed, wore earmuffs. His were more formal than Mr. Wanji's, being midnight blue in color. "Lift us to five, Mac," Mr. Wanji said. As the elevator door shut he explained to Orison, "You can make the Taft Bank scene anywhere between the street floor and floor five. Basement and everything higher'n fifth floor is Iron Curtain Country far's you're concerned. Dig, baby?" "Yes, sir," Orison said. She was wondering if she'd be issued earmuffs, now that she'd become an employee of this most peculiar bank. The elevator opened on five to a tiny office, just large enough to hold a single desk and two chairs. On the desk were a telephone and a microphone. Beside them was a double-decked "In" and "Out" basket. "Here's where you'll do your nine-to-five, honey," Mr. Wanji said. "What will I be doing, Mr. Wanji?" Orison asked. The Vice-President pointed to the newspaper folded in the "In" basket. "Flip on the microphone and read the paper to it," he said. "When you get done reading the paper, someone will run you up something new to read. Okay?" "It seems a rather peculiar job," Orison said. "After all, I'm a secretary. Is reading the newspaper aloud supposed to familiarize me with the Bank's operation?" "Don't bug me, kid," Mr. Wanji said. "All you gotta do is read that there paper into this here microphone. Can do?" "Yes, sir," Orison said. "While you're here, Mr. Wanji, I'd like to ask you about my withholding tax, social security, credit union, coffee-breaks, union membership, lunch hour and the like. Shall we take care of these details now? Or would you—" "You just take care of that chicken-flickin' kinda stuff any way seems best to you, kid," Mr. Wanji said. "Yes, sir," Orison said. This laissez-faire policy of Taft Bank's might explain why she'd been selected from the Treasury Department's secretarial pool to apply for work here, she thought. Orison McCall, girl Government spy. She picked up the newspaper from the "In" basket, unfolded it to discover the day's Wall Street Journal , and began at the top of column one to read it aloud. Wanji stood before the desk, nodding his head as he listened. "You blowing real good, kid," he said. "The boss is gonna dig you the most." Orison nodded. Holding her newspaper and her microphone, she read the one into the other. Mr. Wanji flicked his fingers in a good-by, then took off upstairs in the elevator. By lunchtime Orison had finished the Wall Street Journal and had begun reading a book an earmuffed page had brought her. The book was a fantastic novel of some sort, named The Hobbit . Reading this peculiar fare into the microphone before her, Miss McCall was more certain than ever that the Taft Bank was, as her boss in Washington had told her, the front for some highly irregular goings-on. An odd business for a Federal Mata Hari, Orison thought, reading a nonsense story into a microphone for an invisible audience. Orison switched off her microphone at noon, marked her place in the book and took the elevator down to the ground floor. The operator was a new man, ears concealed behind scarlet earmuffs. In the car, coming down from the interdicted upper floors, were several gentlemen with briefcases. As though they were members of a ballet-troupe, these gentlemen whipped off their hats with a single motion as Orison stepped aboard the elevator. Each of the chivalrous men, hat pressed to his heart, wore a pair of earmuffs. Orison nodded bemused acknowledgment of their gesture, and got off in the lobby vowing never to put a penny into this curiousest of banks. Lunch at the stand-up counter down the street was a normal interlude. Girls from the ground-floor offices of Taft Bank chattered together, eyed Orison with the coolness due so attractive a competitor, and favored her with no gambit to enter their conversations. Orison sighed, finished her tuna salad on whole-wheat, then went back upstairs to her lonely desk and her microphone. By five, Orison had finished the book, reading rapidly and becoming despite herself engrossed in the saga of Bilbo Baggins, Hobbit. She switched off the microphone, put on her light coat, and rode downstairs in an elevator filled with earmuffed, silent, hat-clasping gentlemen. What I need, Orison thought, walking rapidly to the busline, is a double Scotch, followed by a double Scotch. And what the William Howard Taft National Bank and Trust Company needs is a joint raid by forces of the U.S. Treasury Department and the American Psychiatric Association. Earmuffs, indeed. Fairy-tales read into a microphone. A Vice-President with the vocabulary of a racetrack tout. And what goes on in those upper floors? Orison stopped in at the restaurant nearest her apartment house—the Windsor Arms—and ordered a meal and a single Martini. Her boss in Washington had told her that this job of hers, spying on Taft Bank from within, might prove dangerous. Indeed it was, she thought. She was in danger of becoming a solitary drinker. Home in her apartment, Orison set the notes of her first day's observations in order. Presumably Washington would call tonight for her initial report. Item: some of the men at the Bank wore earmuffs, several didn't. Item: the Vice-President's name was Mr. Wanji: Oriental? Item: the top eight floors of the Taft Bank Building seemed to be off-limits to all personnel not wearing earmuffs. Item: she was being employed at a very respectable salary to read newsprint and nonsense into a microphone. Let Washington make sense of that, she thought. In a gloomy mood, Orison McCall showered and dressed for bed. Eleven o'clock. Washington should be calling soon, inquiring after the results of her first day's spying. No call. Orison slipped between the sheets at eleven-thirty. The clock was set; the lights were out. Wasn't Washington going to call her? Perhaps, she thought, the Department had discovered that the Earmuffs had her phone tapped. "Testing," a baritone voice muttered. Orison sat up, clutching the sheet around her throat. "Beg pardon?" she said. "Testing," the male voice repeated. "One, two, three; three, two, one. Do you read me? Over." Orison reached under the bed for a shoe. Gripping it like a Scout-ax, she reached for the light cord with her free hand and tugged at it. The room was empty. "Testing," the voice repeated. "What you're testing," Orison said in a firm voice, "is my patience. Who are you?" "Department of Treasury Monitor J-12," the male voice said. "Do you have anything to report, Miss McCall?" "Where are you, Monitor?" she demanded. "That's classified information," the voice said. "Please speak directly to your pillow, Miss McCall." Orison lay down cautiously. "All right," she whispered to her pillow. "Over here," the voice instructed her, coming from the unruffled pillow beside her. Orison transferred her head to the pillow to her left. "A radio?" she asked. "Of a sort," Monitor J-12 agreed. "We have to maintain communications security. Have you anything to report?" "I got the job," Orison said. "Are you ... in that pillow ... all the time?" "No, Miss McCall," the voice said. "Only at report times. Shall we establish our rendezvous here at eleven-fifteen, Central Standard Time, every day?" "You make it sound so improper," Orison said. "I'm far enough away to do you no harm, Miss McCall," the monitor said. "Now, tell me what happened at the bank today." Orison briefed her pillow on the Earmuffs, on her task of reading to a microphone, and on the generally mimsy tone of the William Howard Taft National Bank and Trust Company. "That's about it, so far," she said. "Good report," J-12 said from the pillow. "Sounds like you've dropped into a real snakepit, beautiful." "How do you know ... why do you think I'm beautiful?" Orison asked. "Native optimism," the voice said. "Good night." J-12 signed off with a peculiar electronic pop that puzzled Orison for a moment. Then she placed the sound: J-12 had kissed his microphone. Orison flung the shoe and the pillow under her bed, and resolved to write Washington for permission to make her future reports by registered mail. II At ten o'clock the next morning, reading page four of the current Wall Street Journal , Orison was interrupted by the click of a pair of leather heels. The gentleman whose heels had just slammed together was bowing. And she saw with some gratification that he was not wearing earmuffs. "My name," the stranger said, "is Dink Gerding. I am President of this bank, and wish at this time to welcome you to our little family." "I'm Orison McCall," she said. A handsome man, she mused. Twenty-eight? So tall. Could he ever be interested in a girl just five-foot-three? Maybe higher heels? "We're pleased with your work, Miss McCall," Dink Gerding said. He took the chair to the right of her desk. "It's nothing," Orison said, switching off the microphone. "On the contrary, Miss McCall. Your duties are most important," he said. "Reading papers and fairy-tales into this microphone is nothing any reasonably astute sixth-grader couldn't do as well," Orison said. "You'll be reading silently before long," Mr. Gerding said. He smiled, as though this explained everything. "By the way, your official designation is Confidential Secretary. It's me whose confidences you're to keep secret. If I ever need a letter written, may I stop down here and dictate it?" "Please do," Orison said. This bank president, for all his grace and presence, was obviously as kookie as his bank. "Have you ever worked in a bank before, Miss McCall?" Mr. Gerding asked, as though following her train of thought. "No, sir," she said. "Though I've been associated with a rather large financial organization." "You may find some of our methods a little strange, but you'll get used to them," he said. "Meanwhile, I'd be most grateful if you'd dispense with calling me 'sir.' My name is Dink. It is ridiculous, but I'd enjoy your using it." "Dink?" she asked. "And I suppose you're to call me Orison?" "That's the drill," he said. "One more question, Orison. Dinner this evening?" Direct, she thought. Perhaps that's why he's president of a bank, and still so young. "We've hardly met," she said. "But we're on a first-name basis already," he pointed out. "Dance?" "I'd love to," Orison said, half expecting an orchestra to march, playing, from the elevator. "Then I'll pick you up at seven. Windsor Arms, if I remember your personnel form correctly." He stood, lean, all bone and muscle, and bowed slightly. West Point? Hardly. His manners were European. Sandhurst, perhaps, or Saint Cyr. Was she supposed to reply with a curtsy? Orison wondered. "Thank you," she said. He was a soldier, or had been: the way, when he turned, his shoulders stayed square. The crisp clicking of his steps, a military metronome, to the elevator. When the door slicked open Orison, staring after Dink, saw that each of the half-dozen men aboard snapped off their hats (but not their earmuffs) and bowed, the earmuffed operator bowing with them. Small bows, true; just head-and-neck. But not to her. To Dink Gerding. Orison finished the Wall Street Journal by early afternoon. A page came up a moment later with fresh reading-matter: a copy of yesterday's Congressional Record . She launched into the Record , thinking as she read of meeting again this evening that handsome madman, that splendid lunatic, that unlikely bank-president. "You read so well , darling," someone said across the desk. Orison looked up. "Oh, hello," she said. "I didn't hear you come up." "I walk ever so lightly," the woman said, standing hip-shot in front of the desk, "and pounce ever so hard." She smiled. Opulent, Orison thought. Built like a burlesque queen. No, she thought, I don't like her. Can't. Wouldn't if I could. Never cared for cats. "I'm Orison McCall," she said, and tried to smile back without showing teeth. "Delighted," the visitor said, handing over an undelighted palm. "I'm Auga Vingt. Auga, to my friends." "Won't you sit down, Miss Vingt?" "So kind of you, darling," Auga Vingt said, "but I shan't have time to visit. I just wanted to stop and welcome you as a Taft Bank co-worker. One for all, all for one. Yea, Team. You know." "Thanks," Orison said. "Common courtesy," Miss Vingt explained. "Also, darling, I'd like to draw your attention to one little point. Dink Gerding—you know, the shoulders and muscles and crewcut? Well, he's posted property. Should you throw your starveling charms at my Dink, you'd only get your little eyes scratched out. Word to the wise, n'est-ce pas ?" "Sorry you have to leave so suddenly," Orison said, rolling her Wall Street Journal into a club and standing. "Darling." "So remember, Tiny, Dink Gerding is mine. You're all alone up here. You could get broken nails, fall down the elevator shaft, all sorts of annoyance. Understand me, darling?" "You make it very clear," Orison said. "Now you'd best hurry back to your stanchion, Bossy, before the hay's all gone." "Isn't it lovely, the way you and I reached an understanding right off?" Auga asked. "Well, ta-ta." She turned and walked to the elevator, displaying, Orison thought, a disgraceful amount of ungirdled rhumba motion. The elevator stopped to pick up the odious Auga. A passenger, male, stepped off. "Good morning, Mr. Gerding," Miss Vingt said, bowing. "Carry on, Colonel," the stranger replied. As the elevator door closed, he stepped up to Orison's desk. "Good morning. Miss McCall," he said. "What is this?" Orison demanded. "Visiting-day at the zoo?" She paused and shook her head. "Excuse me, sir," she said. "It's just that ... Vingt thing...." "Auga is rather intense," the new Mr. Gerding said. "Yeah, intense," Orison said. "Like a kidney-stone." "I stopped by to welcome you to the William Howard Taft National Bank and Trust Company family, Miss McCall," he said. "I'm Kraft Gerding, Dink's elder brother. I understand you've met Dink already." "Yes, sir," Orison said. The hair of this new Mr. Gerding was cropped even closer than Dink's. His mustache was gray-tipped, like a patch of frosted furze; and his eyes, like Dink's, were cobalt blue. The head, Orison mused, would look quite at home in one of Kaiser Bill's spike-topped Pickelhauben ; but the ears were in evidence, and seemed normal. Mr. Kraft Gerding bowed—what continental manners these bankers had!—and Orison half expected him to free her hand from the rolled-up paper she still clutched and plant a kiss on it. Instead, Kraft Gerding smiled a smile as frosty as his mustache and said, "I understand that my younger brother has been talking with you, Miss McCall. Quite proper, I know. But I must warn you against mixing business with pleasure." Orison jumped up, tossing the paper into her wastebasket. "I quit!" she shouted. "You can take this crazy bank ... into bankruptcy, for all I care. I'm not going to perch up here, target for every uncaged idiot in finance, and listen to another word." "Dearest lady, my humblest pardon," Kraft Gerding said, bowing again, a bit lower. "Your work is splendid; your presence is Taft Bank's most charming asset; my only wish is to serve and protect you. To this end, dear lady, I feel it my duty to warn you against my brother. A word to the wise...." " N'est-ce pas? " Orison said. "Well, Buster, here's a word to the foolish. Get lost." Kraft Gerding bowed and flashed his gelid smile. "Until we meet again?" "I'll hold my breath," Orison promised. "The elevator is just behind you. Push a button, will you? And bon voyage ." Kraft Gerding called the elevator, marched aboard, favored Orison with a cold, quick bow, then disappeared into the mysterious heights above fifth floor. First the unspeakable Auga Vingt, then the obnoxious Kraft Gerding. Surely, Orison thought, recovering the Wall Street Journal from her wastebasket and smoothing it, no one would convert a major Midwestern bank into a lunatic asylum. How else, though, could the behavior of the Earmuffs be explained? Could madmen run a bank? Why not, she thought. History is rich in examples of madmen running nations, banks and all. She began again to read the paper into the microphone. If she finished early enough, she might get a chance to prowl those Off-Limits upper floors. Half an hour further into the paper, Orison jumped, startled by the sudden buzz of her telephone. She picked it up. " Wanji e-Kal, Datto. Dink ger-Dink d'summa. " Orison scribbled down this intelligence in bemused Gregg before replying, "I'm a local girl. Try me in English." "Oh. Hi, Miss McCall," the voice said. "Guess I goofed. I'm in kinda clutch. This is Wanji. I got a kite for Mr. Dink Gerding. If you see him, tell him the escudo green is pale. Got that, doll?" "Yes, Mr. Wanji. I'll tell Mr. Gerding." Orison clicked the phone down. What now, Mata Hari? she asked herself. What was the curious language Mr. Wanji had used? She'd have to report the message to Washington by tonight's pillow, and let the polyglots of Treasury Intelligence puzzle it out. Meanwhile, she thought, scooting her chair back from her desk, she had a vague excuse to prowl the upper floors. The Earmuffs could only fire her. Orison folded the paper and put it in the "Out" basket. Someone would be here in a moment with something new to read. She'd best get going. The elevator? No. The operators had surely been instructed to keep her off the upstairs floors. But the building had a stairway. III The door on the sixth floor was locked. Orison went on up the stairs to seven. The glass of the door there was painted black on the inside, and the landing was cellar-dark. Orison closed her eyes for a moment. There was a curious sound. The buzzing of a million bees, barely within the fringes of her hearing. Somehow, a very pleasant sound. She opened her eyes and tried the knob. The door opened. Orison was blinded by the lights, brilliant as noonday sun. The room extended through the entire seventh floor, its windows boarded shut, its ceiling a mass of fluorescent lamps. Set about the floor were galvanized steel tanks, rectangular and a little bigger than bathtubs. Orison counted the rows of tanks. Twelve rows, nine tiers. One hundred and eight tanks. She walked closer. The tubs were laced together by strands of angel-hair, delicate white lattices scintillating with pink. She walked to the nearest of the tubs and looked in. It was half full of a greenish fluid, seething with tiny pink bubbles. For a moment Orison thought she saw Benjamin Franklin winking up at her from the liquid. Then she screamed. The pink bubbles, the tiny flesh-colored flecks glinting light from the spun-sugar bridges between the tanks, were spiders. Millions upon millions of spiders, each the size of a mustard-seed; crawling, leaping, swinging, spinning webs, seething in the hundred tanks. Orison put her hands over her ears and screamed again, backing toward the stairway door. Into a pair of arms. "I had hoped you'd be happy here, Miss McCall," Kraft Gerding said. Orison struggled to release herself. She broke free only to have her wrists seized by two Earmuffs that had appeared with the elder Gerding. "It seems that our Pandora doesn't care for spiders," he said. "Really, Miss McCall, our little pets are quite harmless. Were we to toss you into one of these tanks...." Orison struggled against her two sumo -sized captors, whose combined weights exceeded hers by some quarter-ton, without doing more than lifting her feet from the floor. "... your flesh would be unharmed, though they spun and darted all around you. Our Microfabridae are petrovorous, Miss McCall. Of course, once they discovered your teeth, and through them a skeleton of calcium, a delicacy they find most toothsome, you'd be filleted within minutes." "Elder Compassion wouldn't like your harming the girl, Sire," one of the earmuffed sumo -wrestlers protested. "Elder Compassion has no rank," Kraft Gerding said. "Miss McCall, you must tell me what you were doing here, or I'll toss you to the spiders." "Dink ... Dink!" Orison shouted. "My beloved younger brother is otherwise engaged than in the rescue of damsels in distress," Kraft said. "Someone, after all, has to mind the bank." "I came to bring a message to Dink," Orison said. "Let me go, you acromegalic apes!" "The message?" Kraft Gerding demanded. "Something about escudo green. Put me down!" Suddenly she was dropped. Her mountainous keepers were on the floor as though struck by lightning, their arms thrown out before them, their faces abject against the floor. Kraft Gerding was slowly lowering himself to one knee. Dink had entered the spider-room. Without questions, he strode between the shiko-ing Earmuffs and put his arms around Orison. "They can't harm you," he said. She turned to press her face against his chest. "You're all right, child. Breathe deep, swallow, and turn your brain back on. All right, now?" "All right," she said, still trembling. "They were going to throw me to the spiders." "Kraft told you that?" Dink Gerding released her and turned to the kneeling man. "Stand up, Elder Brother." "I...." Dink brought his right fist up from hip-level, crashing it into Kraft's jaw. Kraft Gerding joined the Earmuffs on the floor. "If you'd care to stand again, Elder Brother, you may attempt to recover your dignity without regard for the difference in our rank." Kraft struggled to one knee and remained kneeling, gazing up at Dink through half-closed eyes. "No? Then get out of here, all of you. Samma! " Kraft Gerding arose, stared for a moment at Dink and Orison, then, with the merest hint of a bow, led his two giant Earmuffs to the elevator. "I wish you hadn't come up here, Orison," Dink said. "Why did you do it?" "Have you read the story of Bluebeard?" Orison asked. She stood close to Dink, keeping her eyes on the nearest spidertank. "I had to see what it was you kept up here so secretly, what it was that I was forbidden to see. My excuse was to have been that I was looking for you, to deliver a message from Mr. Wanji. He said I was to tell you that the escudo green is pale." "You're too curious, and Wanji is too careless," Dink said. "Now, what is this thing you have about spiders?" "I've always been terrified of them," Orison said. "When I was a little girl, I had to stay upstairs all day one Sunday because there was a spider hanging from his thread in the stairway. I waited until Dad came home and took it down with a broom. Even then, I didn't have appetite for supper." "Strange," Dink said. He walked over to the nearest tank and plucked one of the tiny pink creatures from a web-bridge. "This is no spider, Orison," he said. She backed away from Dink Gerding and the minuscule creature he cupped in the palm of his hand. "These are Microfabridae, more nearly related to shellfish than to spiders," he said. "They're stone-and-metal eaters. They literally couldn't harm a fly. Look at it, Orison." He extended his palm. Orison forced herself to look. The little creature, flesh-colored against his flesh, was nearly invisible, scuttling around the bowl of his hand. "Pretty little fellow, isn't he?" Dink asked. "Here. You hold him." "I'd rather not," she protested. "I'd be happier if you did," Dink said. Orison extended her hand as into a furnace. Dink brushed the Microfabridus from his palm to hers. It felt crisp and hard, like a legged grain of sand. Dink took a magnifier from his pocket and unfolded it, to hold it over Orison's palm. "He's like a baby crawdad," Orison said. "A sort of crustacean," Dink agreed. "We use them in a commercial process we're developing. That's why we keep this floor closed off and secret. We don't have a patent on the use of Microfabridae, you see." "What do they do?" Orison asked. "That's still a secret," Dink said, smiling. "I can't tell even you that, not yet, even though you're my most confidential secretary." "What's he doing now?" Orison asked, watching the Microfabridus, perched up on the rear four of his six microscopic legs, scratching against her high-school class-ring with his tiny chelae. "They like gold," Dink explained, peering across her shoulder, comfortably close. "They're attracted to it by a chemical tropism, as children are attracted to candy. Toss him back into his tank, Orison. We'd better get you down where you belong." Orison brushed the midget crustacean off her finger into the nearest tank, where he joined the busy boil of his fellows. She felt her ring. It was pitted where the Microfabridus had been nibbling. "Strange, using crawdads in a bank," she said. She stood silent for a moment. "I thought I heard music," she said. "I heard it when I came in. Something like the sighing of wind in winter trees." "That's the hymn of the Microfabridae," Dink said. "They all sing together while they work, a chorus of some twenty million voices." He took her arm. "If you listen very carefully, you'll find the song these little workers sing the most beautiful music in the world." Orison closed her eyes, leaning back into Dink's arms, listening to the music that seemed on the outermost edge of her hearing. Wildness, storm and danger were its theme, counterpointed by promises of peace and harbor. She heard the wash of giant waves in the song, the crash of breakers against granite, cold and insatiable. And behind this, the quiet of sheltered tide-pools, the soft lub of sea-arms landlocked. "It's an ancient song," Dink said. "The Microfabridae have been singing it for a million years." He released her, and opened a wood-covered wooden box. He scooped up a cupful of the sand inside. "Hold out your hands," he told Orison. He filled them with the sand. "Throw our singers some supper for their song," he said. Orison went with her cupped hands to the nearest tank and sprinkled the mineral fishfood around inside it. The Microfabridae leaped from the liquid like miniature porpoises, seizing the grains of sand in mid-air. "They're so very strange," Orison said. At the bottom of the tank she thought she saw Ben Franklin again, winking at her through the bubbling life. Nonsense, she thought, brushing her hands.
train	61052	[ "Why was the mission of the Pandora initially referred to as a “fool’s errand”?", "Why were the cadets outside alone?", "How was Hennessy’s ship found?", "How did Gwayne subdue the alien leader?", "Why did Gwayne ask the alien leader about barmaids and puppies?", "Who were the horde members?", "What is the power of the blobs?", "What lie does Gwayne plan to tell the crew?", "What is the reasoning behind Gwayne’s decision?", "What is the future of the Pandora?" ]	[ [ "The original exploration party had already reported back about the planet.", "They had already learned everything they could about the blobs.", "They had found Hennessy’s crew.", "The crew hadn’t found anything new or dangerous." ], [ "They were lost.", "They were young and untrained.", "They were on a mission.", "They were insubordinate." ], [ "Rain moved the haze long enough to spot it.", "Searchers found it by walking around with metal detectors.", "A landslide exposed its location buried in a deep gorge.", "The crew approached the Pandora." ], [ "He ran over it with the Jeep.", "He wrestled it with his hands.", "The leader surrendered.", "He used a spear to injure it." ], [ "To see if he spoke English.", "To test if he was Hennessy.", "To test if he was familiar with Earth culture.", "To get him to speak so he could listen to the sound of his voice." ], [ "Angry aliens", "Aliens pretending to be Hennessy’s crew and the children of the exploring party", "Lonely aliens \n", "Hennessy’s crew and the children of the exploring party" ], [ "To make creatures sleep.", "To change creatures to adapt to a new environment.", "To change creatures so they go insane.", "To make creatures die." ], [ "There is not enough fuel to get back to Earth.", "The ship is broken.", "Earth no longer exists.", "Everyone is already infected." ], [ "They can take the information they learned to improve conditions on Earth.", "Earth is struggling to find suitable colonies, so they need to rescue the people here and keep looking.", "They can bring more people to this planet to live.", "Earth is struggling to find suitable colonies, and this planet has proven to be livable despite the drawbacks." ], [ "It will stay on the planet forever.", "It will return to Earth to report back on what they found.", "It will rescue Hennessy’s crew and the exploring party.", "It will remain in space." ] ]	[ 4, 2, 3, 2, 2, 4, 2, 4, 4, 1 ]	[ 0, 1, 0, 0, 1, 1, 0, 1, 0, 1 ]	Spawning Ground By LESTER DEL REY They weren't human. They were something more—and something less—they were, in short, humanity's hopes for survival! [Transcriber's Note: This etext was produced from Worlds of If Science Fiction, September 1961. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] The Starship Pandora creaked and groaned as her landing pads settled unevenly in the mucky surface of the ugly world outside. She seemed to be restless to end her fool's errand here, two hundred light years from the waiting hordes on Earth. Straining metal plates twanged and echoed through her hallways. Captain Gwayne cursed and rolled over, reaching for his boots. He was a big, rawboned man, barely forty; but ten years of responsibility had pressed down his shoulders and put age-feigning hollows under his reddened eyes. The starlanes between Earth and her potential colonies were rough on the men who traveled them now. He shuffled toward the control room, grumbling at the heavy gravity. Lieutenant Jane Corey looked up, nodding a blonde head at him as he moved toward the ever-waiting pot of murky coffee. "Morning, Bob. You need a shave." "Yeah." He swallowed the hot coffee without tasting it, then ran a hand across the dark stubble on his chin. It could wait. "Anything new during the night?" "About a dozen blobs held something like a convention a little ways north of us. They broke up about an hour ago and streaked off into the clouds." The blobs were a peculiarity of this planet about which nobody knew anything. They looked like overgrown fireballs, but seemed to have an almost sentient curiosity about anything moving on the ground. "And our two cadets sneaked out again. Barker followed them, but lost them in the murk. I've kept a signal going to guide them back." Gwayne swore softly to himself. Earth couldn't turn out enough starmen in the schools, so promising kids were being shipped out for training as cadets on their twelfth birthday. The two he'd drawn, Kaufman and Pinelli, seemed to be totally devoid of any sense of caution. Of course there was no obvious need for caution here. The blobs hadn't seemed dangerous, and the local animals were apparently all herbivorous and harmless. They were ugly enough, looking like insects in spite of their internal skeletons, with anywhere from four to twelve legs each on their segmented bodies. None acted like dangerous beasts. But something had happened to the exploration party fifteen years back, and to the more recent ship under Hennessy that was sent to check up. He turned to the port to stare out at the planet. The Sol-type sun must be rising, since there was a dim light. But the thick clouds that wrapped the entire world diffused its rays into a haze. For a change, it wasn't raining, though the ground was covered by thick swirls of fog. In the distance, the tops of shrubs that made a scrub forest glowed yellow-green. Motions around them suggested a herd of feeding animals. Details were impossible to see through the haze. Even the deep gorge where they'd found Hennessy's carefully buried ship was completely hidden by the fog. There were three of the blobs dancing about over the grazing animals now, as they often seemed to do. Gwayne stared at them for a minute, trying to read sense into the things. If he had time to study them.... But there was no time. Earth had ordered him to detour here, after leaving his load of deep-sleep stored colonists on Official World 71, to check on any sign of Hennessy. He'd been here a week longer than he should have stayed already. If there was no sign in another day or so of what had happened to the men who'd deserted their ship and its equipment, he'd have to report back. He would have left before, if a recent landslip hadn't exposed enough of the buried ship for his metal locators to spot from the air by luck. It had obviously been hidden deep enough to foil the detectors originally. "Bob!" Jane Corey's voice cut through his pondering. "Bob, there are the kids!" Before he could swing to follow her pointing finger, movement caught his eye. The blobs had left the herd. Now the three were streaking at fantastic speed to a spot near the ship, to hover excitedly above something that moved there. He saw the two cadets then, heading back to the waiting ship, just beyond the movement he'd seen through the mist. Whatever was making the fog swirl must have reached higher ground. Something began to heave upwards. It was too far to see clearly, but Gwayne grabbed the microphone, yelling into the radio toward the cadets. They must have seen whatever it was just as the call reached them. Young Kaufman grabbed at Pinelli, and they swung around together. Then the mists cleared. Under the dancing blobs, a horde of things was heading for the cadets. Shaggy heads, brute bodies vaguely man-like! One seemed to be almost eight feet tall, leading the others directly toward the spacesuited cadets. Some of the horde were carrying spears or sticks. There was a momentary halt, and then the leader lifted one arm, as if motioning the others forward. "Get the jeeps out!" Gwayne yelled at Jane. He yanked the door of the little officers' lift open and jabbed the down button. It was agonizingly slow, but faster than climbing down. He ripped the door back at the exit deck. Men were dashing in, stumbling around in confusion. But someone was taking over now—one of the crew women. The jeeps were lining up. One, at the front, was stuttering into life, and Gwayne dashed for it as the exit port slid back. There was no time for suits or helmets. The air on the planet was irritating and vile smelling, but it could be breathed. He leaped to the seat, to see that the driver was Doctor Barker. At a gesture, the jeep rolled down the ramp, grinding its gears into second as it picked up speed. The other two followed. There was no sign of the cadets at first. Then Gwayne spotted them; surrounded by the menacing horde. Seen from here, the things looked horrible in a travesty of manhood. The huge leader suddenly waved and pointed toward the jeeps that were racing toward him. He made a fantastic leap backwards. Others swung about, two of them grabbing up the cadets. The jeep was doing twenty miles an hour now, but the horde began to increase the distance, in spite of the load of the two struggling boys! The creatures dived downward into lower ground, beginning to disappear into the mists. "Follow the blobs," Gwayne yelled. He realized now he'd been a fool to leave his suit; the radio would have let him keep in contact with the kids. But it was too late to go back. The blobs danced after the horde. Barker bounced the jeep downward into a gorge. Somewhere the man had learned to drive superlatively; but he had to slow as the fog thickened lower down. Then it cleared to show the mob of creatures doubling back on their own trail to confuse the pursuers. There was no time to stop. The jeep plowed through them. Gwayne had a glimpse of five-foot bodies tumbling out of the way. Monstrously coarse faces were half hidden by thick hair. A spear crunched against the windshield from behind, and Gwayne caught it before it could foul the steering wheel. It had a wickedly beautiful point of stone. The creatures vanished as Barker fought to turn to follow them. The other jeeps were coming up, by the sound of their motors, but too late to help. They'd have to get to the group with the cadets in a hurry or the horde would all vanish in the uneven ground, hidden by the fog. A blob dropped down, almost touching Gwayne. He threw up an instinctive hand. There was a tingling as the creature seemed to pass around it. It lifted a few inches and drifted off. Abruptly, Barker's foot ground at the brake. Gwayne jolted forward against the windshield, just as he made out the form of the eight-foot leader. The thing was standing directly ahead of him, a cadet on each shoulder. The wheels locked and the jeep slid protestingly forward. The creature leaped back. But Gwayne was out of the jeep before it stopped, diving for the figure. It dropped the boys with a surprised grunt. The arms were thin and grotesque below the massively distorted shoulders, but amazingly strong. Gwayne felt them wrench at him as his hands locked on the thick throat. A stench of alien flesh was in his nose as the thing fell backwards. Doc Barker had hit it seconds after the captain's attack. Its head hit rocky ground with a dull, heavy sound, and it collapsed. Gwayne eased back slowly, but it made no further move, though it was still breathing. Another jeep had drawn up, and men were examining the cadets. Pinelli was either laughing or crying, and Kaufman was trying to break free to kick at the monster. But neither had been harmed. The two were loaded onto a jeep while men helped Barker and Gwayne stow the bound monster on another before heading back. "No sign of skull fracture. My God, what a tough brute!" Barker shook his own head, as if feeling the shock of the monster's landing. "I hope so," Gwayne told him. "I want that thing to live—and you're detailed to save it and revive it. Find out if it can make sign language or draw pictures. I want to know what happened to Hennessy and why that ship was buried against detection. This thing may be the answer." Barker nodded grimly. "I'll try, though I can't risk drugs on an alien metabolism." He sucked in on the cigarette he'd dug out, then spat sickly. Smoke and this air made a foul combination. "Bob, it still makes no sense. We've scoured this planet by infra-red, and there was no sign of native villages or culture. We should have found some." "Troglodytes, maybe," Gwayne guessed. "Anyhow, send for me when you get anything. I've got to get this ship back to Earth. We're overstaying our time here already." The reports from the cadets were satisfactory enough. They'd been picked up and carried, but no harm had been done them. Now they were busy being little heroes. Gwayne sentenced them to quarters as soon as he could, knowing their stories would only get wilder and less informative with retelling. If they could get any story from the captured creature, they might save time and be better off than trying to dig through Hennessy's ship. That was almost certainly spoorless by now. The only possible answer seemed to be that the exploring expedition and Hennessy's rescue group had been overcome by the aliens. It was an answer, but it left a lot of questions. How could the primitives have gotten to the men inside Hennessy's ship? Why was its fuel dumped? Only men would have known how to do that. And who told these creatures that a space ship's metal finders could be fooled by a little more than a hundred feet of solid rock? They'd buried the ship cunningly, and only the accidental slippage had undone their work. Maybe there would never be a full answer, but he had to find something—and find it fast. Earth needed every world she could make remotely habitable, or mankind was probably doomed to extinction. The race had blundered safely through its discovery of atomic weapons into a peace that had lasted two hundred years. It had managed to prevent an interplanetary war with the Venus colonists. It had found a drive that led to the stars, and hadn't even found intelligent life there to be dangerous on the few worlds that had cultures of their own. But forty years ago, observations from beyond the Solar System had finally proved that the sun was going to go nova. It wouldn't be much of an explosion, as such things go—but it would render the whole Solar System uninhabitable for millenia. To survive, man had to colonize. And there were no worlds perfect for him, as Earth had been. The explorers went out in desperation to find what they could; the terraforming teams did what they could. And then the big starships began filling worlds with colonists, carried in deep sleep to conserve space. Almost eighty worlds. The nearest a four month journey from Earth and four more months back. In another ten years, the sun would explode, leaving man only on the footholds he was trying to dig among other solar systems. Maybe some of the strange worlds would let men spread his seed again. Maybe none would be spawning grounds for mankind in spite of the efforts. Each was precious as a haven for the race. If this world could be used, it would be nearer than most. If not, as it now seemed, no more time could be wasted here. Primitives could be overcome, maybe. It would be ruthless and unfair to strip them of their world, but the first law was survival. But how could primitives do what these must have done? He studied the spear he had salvaged. It was on a staff made of cemented bits of smaller wood from the scrub growth, skillfully laminated. The point was of delicately chipped flint, done as no human hand had been able to do for centuries. "Beautiful primitive work," he muttered. Jane pulled the coffee cup away from her lips and snorted. "You can see a lot more of it out there," she suggested. He went to the port and glanced out. About sixty of the things were squatting in the clearing fog, holding lances and staring at the ship. They were perhaps a thousand yards away, waiting patiently. For what? For the return of their leader—or for something that would give the ship to them? Gwayne grabbed the phone and called Barker. "How's the captive coming?" Barker's voice sounded odd. "Physically fine. You can see him. But—" Gwayne dropped the phone and headed for the little sick bay. He swore at Doc for not calling him at once, and then at himself for not checking up sooner. Then he stopped at the sound of voices. There was the end of a question from Barker and a thick, harsh growling sound that lifted the hair along the nape of Gwayne's neck. Barker seemed to understand, and was making a comment as the captain dashed in. The captive was sitting on the bunk, unbound and oddly unmenacing. The thick features were relaxed and yet somehow intent. He seemed to make some kind of a salute as he saw Gwayne enter, and his eyes burned up unerringly toward the device on the officer's cap. "Haarroo, Cabbaan!" the thing said. "Captain Gwayne, may I present your former friend, Captain Hennessy?" Barker said. There was a grin on the doctor's lips, but his face was taut with strain. The creature nodded slowly and drew something from the thick hair on its head. It was the golden comet of a captain. "He never meant to hurt the kids—just to talk to them," Barker cut in quickly. "I've got some of the story. He's changed. He can't talk very well. Says they've had to change the language around to make the sounds fit, and he's forgotten how to use what normal English he can. But it gets easier as you listen. It's Hennessy, all right. I'm certain." Gwayne had his own ideas on that. It was easy for an alien to seize on the gold ornament of a captive earthman, even to learn a little English, maybe. But Hennessy had been his friend. "How many barmaids in the Cheshire Cat? How many pups did your oldest kid's dog have? How many were brown?" The lips contorted into something vaguely like a smile, and the curiously shaped fingers that could handle no human-designed equipment spread out. Three. Seven. Zero. The answers were right. By the time the session was over, Gwayne had begun to understand the twisted speech from inhuman vocal cords better. But the story took a long time telling. When it was finished, Gwayne and Barker sat for long minutes in silence. Finally Gwayne drew a shuddering breath and stood up. "Is it possible, Doc?" "No," Barker said flatly. He spread his hands and grimaced. "No. Not by what I know. But it happened. I've looked at a few tissues under the microscope. The changes are there. It's hard to believe about their kids. Adults in eight years, but they stay shorter. It can't be a hereditary change—the things that affect the body don't change the germ plasm. But in this case, what changed Hennessy is real, so maybe the fact that the change is passed on is as real as he claims." Gwayne led the former Hennessy to the exit. The waiting blobs dropped down to touch the monstrous man, then leaped up again. The crowd of monsters began moving forward toward their leader. A few were almost as tall as Hennessy, but most were not more than five feet high. The kids of the exploring party.... Back in the control room, Gwayne found the emergency release levers, set the combinations and pressed the studs. There was a hiss and gurgle as the great tanks of fuel discharged their contents out onto the ground where no ingenuity could ever recover it to bring life to the ship again. He'd have to tell the men and women of the crew later, after he'd had time to organize things and present it all in a way they could accept, however much they might hate it at first. But there was no putting off giving the gist of it to Jane. "It was the blobs," he summarized it. "They seem to be amused by men. They don't require anything from us, but they like us around. Hennessy doesn't know why. They can change our cells, adapt us. Before men came, all life here had twelve legs. Now they're changing that, as we've seen. "And they don't have to be close to do it. We've all been outside the hull. It doesn't show yet—but we're changed. In another month, Earth food would kill us. We've got to stay here. We'll bury the ships deeper this time, and Earth won't find us. They can't risk trying a colony where three ships vanish, so we'll just disappear. And they'll never know." Nobody would know. Their children—odd children who matured in eight years—would be primitive savages in three generations. The Earth tools would be useless, impossible for the hands so radically changed. Nothing from the ship would last. Books could never be read by the new eyes. And in time, Earth wouldn't even be a memory to this world. She was silent a long time, staring out of the port toward what must now be her home. Then she sighed. "You'll need practice, but the others don't know you as well as I do, Bob. I guess we can fix it so they'll believe it all. And it's too late now. But we haven't really been changed yet, have we?" "No," he admitted. Damn his voice! He'd never been good at lying. "No. They have to touch us. I've been touched, but the rest could go back." She nodded. He waited for the condemnation, but there was only puzzlement in her face. "Why?" And then, before he could answer, her own intelligence gave her the same answer he had found for himself. "The spawning ground!" It was the only thing they could do. Earth needed a place to plant her seed, but no world other than Earth could ever be trusted to preserve that seed for generation after generation. Some worlds already were becoming uncertain. Here, though, the blobs had adapted men to the alien world instead of men having to adapt the whole planet to their needs. Here, the strange children of man's race could grow, develop and begin the long trek back to civilization. The gadgets would be lost for a time. But perhaps some of the attitudes of civilized man would remain to make the next rise to culture a better one. "We're needed here," he told her, his voice pleading for the understanding he couldn't yet fully give himself. "These people need as rich a set of bloodlines as possible to give the new race strength. The fifty men and women on this ship will be needed to start them with a decent chance. We can't go to Earth, where nobody would believe or accept the idea—or even let us come back. We have to stay here." She smiled then and moved toward him, groping for his strength. "Be fruitful," she whispered. "Be fruitful and spawn and replenish an earth." "No," he told her. "Replenish the stars." But she was no longer listening, and that part of his idea could wait. Some day, though, their children would find a way to the starlanes again, looking for other worlds. With the blobs to help them, they could adapt to most worlds. The unchanged spirit would lead them through all space, and the changing bodies would claim worlds beyond numbering. Some day, the whole universe would be a spawning ground for the children of men!
train	61053	[ "How do the crew feel about “home office relatives”?", "What is Jeffers’ opinion about taking graft?", "What and where is Ganymede?", "What is the landscape of Ganymede like?", "Why did “Betty Koslow” really come to Ganymede?", "What was the number that Betty called?", "What is the purpose of “touching helmets”?", "Why was the Space Patrolman surprised that Tolliver referred to Betty as \"Miss Koslow\"?", "Where was the space craft heading in the end?" ]	[ [ "It’s a waste of time and fuel to bring them back and forth.", "It’s a chance to impress the bosses and land better positions.", "It’s a great way to have fun and earn tips.", "It’s a chance to go on dates with pretty girls." ], [ "Taking extra is stealing and is wrong.", "He takes extra in order to spend it on improvements for the crew.", "He takes extra as part of a hazard duty pay package.", "Taking extra is expected and nobody would notice." ], [ "It’s a planet close to Earth.", "It’s a planet close to Jupiter.", "It’s a moon close to Mercury.", "It’s a moon close to Jupiter." ], [ "Steaming hot and rugged", "Riddled with volcanic puffballs", "Frozen, cold, and dim", "Steep mountains of rock and ice" ], [ "To investigate possible criminal behavior.", "To learn about business management.", "To arrest Jeffers.", "To take a vacation and date pilots." ], [ "To her Space Patrol colleagues", "To the family’s private security team", "To the Ganymede superiors", "To Daddy’s private office at Koslow Space headquarters" ], [ "To communicate without using the radio.", "To share oxygen.", "To maintain the vacuum seal of the suits.", "To keep the dust out." ], [ "It was a cover name, not her real name.", "He realized that she was the boss' daughter.", "The Space Patrolman didn’t know her name.", "She wasn’t supposed to tell anyone who she was." ], [ "In orbit around Ganymede", "To the Space Patrol ship", "To Koslow Spaceways headquarters", "A 6-month journey back to Earth" ] ]	[ 1, 4, 4, 3, 1, 1, 1, 1, 1 ]	[ 0, 0, 0, 0, 0, 1, 0, 1, 1 ]	TOLLIVER'S ORBIT was slow—but it wasn't boring. And it would get you there—as long as you weren't going anywhere anyhow! By H. B. FYFE [Transcriber's Note: This etext was produced from Worlds of If Science Fiction, September 1961. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] Johnny Tolliver scowled across the desk at his superior. His black thatch was ruffled, as if he had been rubbed the wrong way. "I didn't ask you to cut out your own graft, did I?" he demanded. "Just don't try to sucker me in on the deal. I know you're operating something sneaky all through the colony, but it's not for me." The big moon-face of Jeffers, manager of the Ganymedan branch of Koslow Spaceways, glowered back at him. Its reddish tinge brightened the office noticeably, for such of Ganymede's surface as could be seen through the transparent dome outside the office window was cold, dim and rugged. The glowing semi-disk of Jupiter was more than half a million miles distant. "Try not to be simple—for once!" growled Jeffers. "A little percentage here and there on the cargoes never shows by the time figures get back to Earth. The big jets in the home office don't care. They count it on the estimates." "You asked any of them lately?" Tolliver prodded. "Now, listen ! Maybe they live soft back on Earth since the mines and the Jovian satellite colonies grew; but they were out here in the beginning, most of them. They know what it's like. D'ya think they don't expect us to make what we can on the side?" Tolliver rammed his fists into the side pockets of his loose blue uniform jacket. He shook his head, grinning resignedly. "You just don't listen to me ," he complained. "You know I took this piloting job just to scrape up money for an advanced engineering degree back on Earth. I only want to finish my year—not get into something I can't quit." Jeffers fidgeted in his chair, causing it to creak under the bulk of his body. It had been built for Ganymede, but not for Jeffers. "Aw, it's not like that," the manager muttered. "You can ease out whenever your contract's up. Think we'd bend a good orbit on your account?" Tolliver stared at him silently, but the other had difficulty meeting his eye. "All right, then!" Jeffers snapped after a long moment. "If you want it that way, either you get in line with us or you're through right now!" "You can't fire me," retorted the pilot pityingly. "I came out here on a contract. Five hundred credits a week base pay, five hundred for hazardous duty. How else can you get pilots out to Jupiter?" "Okay I can't fire you legally—as long as you report for work," grumbled Jeffers, by now a shade more ruddy. "We'll see how long you keep reporting. Because you're off the Callisto run as of now! Sit in your quarters and see if the company calls that hazardous duty!" "Doesn't matter," answered Tolliver, grinning amiably. "The hazardous part is just being on the same moon as you for the next six months." He winked and walked out, deliberately leaving the door open behind him so as to enjoy the incoherent bellowing that followed him. Looks like a little vacation , he thought, unperturbed. He'll come around. I just want to get back to Earth with a clean rep. Let Jeffers and his gang steal the Great Red Spot off Jupiter if they like! It's their risk. Tolliver began to have his doubts the next day; which was "Tuesday" by the arbitrary calender constructed to match Ganymede's week-long journey around Jupiter. His contract guaranteed a pilot's rating, but someone had neglected to specify the type of craft to be piloted. On the bulletin board, Tolliver's name stood out beside the number of one of the airtight tractors used between the dome city and the spaceport, or for hauling cross-country to one of the mining domes. He soon found that there was nothing for him to do but hang around the garage in case a spaceship should land. The few runs to other domes seemed to be assigned to drivers with larger vehicles. The following day was just as boring, and the next more so. He swore when he found the assignment unchanged by "Friday." Even the reflection that it was payday was small consolation. "Hey, Johnny!" said a voice at his shoulder. "The word is that they're finally gonna trust you to take that creeper outside." Tolliver turned to see Red Higgins, a regular driver. "What do you mean?" "They say some home-office relative is coming in on the Javelin ." "What's wrong with that?" asked Tolliver. "Outside of the way they keep handing out soft jobs to nephews, I mean." "Aah, these young punks just come out for a few months so they can go back to Earth making noises like spacemen. Sometimes there's no reason but them for sending a ship back with a crew instead of in an economy orbit. Wait till you see the baggage you'll have to load!" Later in the day-period, Tolliver recalled this warning. Under a portable, double-chambered plastic dome blown up outside the ship's airlock, a crewman helped him load two trunks and a collection of bags into the tractor. He was struggling to suppress a feeling of outrage at the waste of fuel involved when the home-office relative emerged. She was about five feet four and moved as if she walked lightly even in stronger gravity than Ganymede's. Her trim coiffure was a shade too blonde which served to set off both the blue of her eyes and the cap apparently won from one of the pilots. She wore gray slacks and a heavy sweater, like a spacer. "Sorry to keep you waiting," she said, sliding into the seat beside Tolliver. "By the way, just call me Betty." "Sure," agreed Tolliver thinking, Ohmigod! Trying already to be just one of the gang, instead of Lady Betty! Is her old man the treasurer, or does he just know where bodies are buried? "They were making dates," said the girl. "Were they ribbing me, or is it true that none of the four of them goes back with the ship?" "It's true enough," Tolliver assured her. "We need people out here, and it costs a lot to make the trip. They found they could send back loaded ships by 'automatic' flight—that is, a long, slow, economical orbit and automatic signalling equipment. Then they're boarded approaching Earth's orbit and landed by pilots who don't have to waste their time making the entire trip." He followed the signals of a spacesuited member of the port staff and maneuvered out of the dome. Then he headed the tractor across the frozen surface of Ganymede toward the permanent domes of the city. "How is it here?" asked the girl. "They told me it's pretty rough." "What did you expect?" asked Tolliver. "Square dances with champagne?" "Don't be silly. Daddy says I'm supposed to learn traffic routing and the business management of a local branch. They probably won't let me see much else." "You never can tell," said the pilot, yielding to temptation. "Any square inch of Ganymede is likely to be dangerous." I'll be sorry later , he reflected, but if Jeffers keeps me jockeying this creeper, I'm entitled to some amusement. And Daddy's little girl is trying too hard to sound like one of the gang. "Yeah," he went on, "right now, I don't do a thing but drive missions from the city to the spaceport." "Missions! You call driving a mile or so a mission ?" Tolliver pursed his lips and put on a shrewd expression. "Don't sneer at Ganymede, honey!" he warned portentously. "Many a man who did isn't here today. Take the fellow who used to drive this mission!" "You can call me Betty. What happened to him?" "I'll tell you some day," Tolliver promised darkly. "This moon can strike like a vicious animal." "Oh, they told me there was nothing alive on Ganymede!" "I was thinking of the mountain slides," said the pilot. "Not to mention volcanic puffballs that pop out through the frozen crust where you'd least expect. That's why I draw such high pay for driving an unarmored tractor." "You use armored vehicles?" gasped the girl. She was now sitting bolt upright in the swaying seat. Tolliver deliberately dipped one track into an icy hollow. In the light gravity, the tractor responded with a weird, floating lurch. "Those slides," he continued. "Ganymede's only about the size of Mercury, something like 3200 miles in diameter, so things get heaped up at steep angles. When the rock and ice are set to sliding, they come at you practically horizontally. It doesn't need much start, and it barrels on for a long way before there's enough friction to stop it. If you're in the way—well, it's just too bad!" Say, that's pretty good! he told himself. What a liar you are, Tolliver! He enlarged upon other dangers to be encountered on the satellite, taking care to impress the newcomer with the daredeviltry of John Tolliver, driver of "missions" across the menacing wastes between dome and port. In the end, he displayed conclusive evidence in the form of the weekly paycheck he had received that morning. It did not, naturally, indicate he was drawing the salary of a space pilot. Betty looked thoughtful. "I'm retiring in six months if I'm still alive," he said bravely, edging the tractor into the airlock at their destination. "Made my pile. No use pushing your luck too far." His charge seemed noticeably subdued, but cleared her throat to request that Tolliver guide her to the office of the manager. She trailed along as if with a burden of worry upon her mind, and the pilot's conscience prickled. I'll get hold of her after Jeffers is through and set her straight , he resolved. It isn't really funny if the sucker is too ignorant to know better. Remembering his grudge against the manager, he took pleasure in walking in without knocking. "Jeffers," he announced, "this is ... just call her Betty." The manager's jowled features twisted into an expression of welcome as jovial as that of a hungry crocodile. "Miss Koslow!" he beamed, like a politician the day before the voting. "It certainly is an honor to have you on Ganymede with us! That's all, Tolliver, you can go. Yes, indeed! Mr. Koslow—the president, that is: your father—sent a message about you. I repeat, it will be an honor to show you the ropes. Did you want something else, Tolliver?" "Never mind him, Mr. Jeffers," snapped the girl, in a tone new to Tolliver. "We won't be working together, I'm afraid. You've already had enough rope." Jeffers seemed to stagger standing still behind his desk. His loose lips twitched uncertainly, and he looked questioningly to Tolliver. The pilot stared at Betty, trying to recall pictures he had seen of the elder Koslow. He was also trying to remember some of the lies he had told en route from the spaceport. "Wh-wh-what do you mean, Miss Koslow?" Jeffers stammered. He darted a suspicious glare at Tolliver. "Mr. Jeffers," said the girl, "I may look like just another spoiled little blonde, but the best part of this company will be mine someday. I was not allowed to reach twenty-two without learning something about holding on to it." Tolliver blinked. He had taken her for three or four years older. Jeffers now ignored him, intent upon the girl. "Daddy gave me the title of tenth vice-president mostly as a joke, when he told me to find out what was wrong with operations on Ganymede. I have some authority, though. And you look like the source of the trouble to me." "You can't prove anything," declared Jeffers hoarsely. "Oh, can't I? I've already seen certain evidence, and the rest won't be hard to find. Where are your books, Mr. Jeffers? You're as good as fired!" The manager dropped heavily to his chair. He stared unbelievingly at Betty, and Tolliver thought he muttered something about "just landed." After a moment, the big man came out of his daze enough to stab an intercom button with his finger. He growled at someone on the other end to come in without a countdown. Tolliver, hardly thinking about it, expected the someone to be a secretary, but it turned out to be three members of Jeffers' headquarters staff. He recognized one as Rawlins, a warehouse chief, and guessed that the other two might be his assistants. They were large enough. "No stupid questions!" Jeffers ordered. "Lock these two up while I think!" Tolliver started for the door immediately, but was blocked off. "Where should we lock—?" the fellow paused to ask. Tolliver brought up a snappy uppercut to the man's chin, feeling that it was a poor time to engage Jeffers in fruitless debate. In the gravity of Ganymede, the man was knocked off balance as much as he was hurt, and sprawled on the floor. "I told you no questions!" bawled Jeffers. The fallen hero, upon arising, had to content himself with grabbing Betty. The others were swarming over Tolliver. Jeffers came around his desk to assist. Tolliver found himself dumped on the floor of an empty office in the adjoining warehouse building. It seemed to him that a long time had been spent in carrying him there. He heard an indignant yelp, and realized that the girl had been pitched in with him. The snapping of a lock was followed by the tramp of departing footsteps and then by silence. After considering the idea a few minutes, Tolliver managed to sit up. He had his wind back. But when he fingered the swelling lump behind his left ear, a sensation befuddled him momentarily. "I'm sorry about that," murmured Betty. Tolliver grunted. Sorrow would not reduce the throbbing, nor was he in a mood to undertake an explanation of why Jeffers did not like him anyway. "I think perhaps you're going to have a shiner," remarked the girl. "Thanks for letting me know in time," said Tolliver. The skin under his right eye did feel a trifle tight, but he could see well enough. The abandoned and empty look of the office worried him. "What can we use to get out of here?" he mused. "Why should we try?" asked the girl. "What can he do?" "You'd be surprised. How did you catch on to him so soon?" "Your paycheck," said Betty. "As soon as I saw that ridiculous amount, it was obvious that there was gross mismanagement here. It had to be Jeffers." Tolliver groaned. "Then, on the way over here, he as good as admitted everything. You didn't hear him, I guess. Well, he seemed to be caught all unaware, and seemed to blame you for it." "Sure!" grumbled the pilot. "He thinks I told you he was grafting or smuggling, or whatever he has going for him here. That's why I want to get out of here—before I find myself involved in some kind of fatal accident!" "What do you know about the crooked goings-on here?" asked Betty after a startled pause. "Nothing," retorted Tolliver. "Except that there are some. There are rumors, and I had a halfway invitation to join in. I think he sells things to the mining colonies and makes a double profit for himself by claiming the stuff lost in transit. You didn't think you scared him that bad over a little slack managing?" The picture of Jeffers huddled with his partners in the headquarters building, plotting the next move, brought Tolliver to his feet. There was nothing in the unused office but an old table and half a dozen plastic crates. He saw that the latter contained a mess of discarded records. "Better than nothing at all," he muttered. He ripped out a double handful of the forms, crumpled them into a pile at the doorway, and pulled out his cigarette lighter. "What do you think you're up to?" asked Betty with some concern. "This plastic is tough," said Tolliver, "but it will bend with enough heat. If I can kick loose a hinge, maybe we can fool them yet!" He got a little fire going, and fed it judiciously with more papers. "You know," he reflected, "it might be better for you to stay here. He can't do much about you, and you don't have any real proof just by yourself." "I'll come along with you, Tolliver," said the girl. "No, I don't think you'd better." "Why not?" "Well ... after all, what would he dare do? Arranging an accident to the daughter of the boss isn't something that he can pull off without a lot of investigation. He'd be better off just running for it." "Let's not argue about it," said Betty, a trifle pale but looking determined. "I'm coming with you. Is that stuff getting soft yet?" Tolliver kicked at the edge of the door experimentally. It seemed to give slightly, so he knocked the burning papers aside and drove his heel hard at the corner below the hinge. The plastic yielded. "That's enough already, Tolliver," whispered the girl. "We can crawl through!" Hardly sixty seconds later, he led her into a maze of stacked crates in the warehouse proper. The building was not much longer than wide, for each of the structures in the colony had its own hemispherical emergency dome of transparent plastic. They soon reached the other end. "I think there's a storeroom for spacesuits around here," muttered Tolliver. "Why do you want them?" "Honey, I just don't think it will be so easy to lay hands on a tractor. I bet Jeffers already phoned the garage and all the airlocks with some good lie that will keep me from getting through." After a brief search, he located the spacesuits. Many, evidently intended for replacements, had never been unpacked, but there were a dozen or so serviced and standing ready for emergencies. He showed Betty how to climb into one, and checked her seals and valves after donning a suit himself. "That switch under your chin," he said, touching helmets so she could hear him. "Leave it turned off. Anybody might be listening!" He led the way out a rear door of the warehouse. With the heavy knife that was standard suit equipment, he deliberately slashed a four-foot square section out of the dome. He motioned to Betty to step through, then trailed along with the plastic under his arm. He caught up and touched helmets again. "Just act as if you're on business," he told her. "For all anyone can see, we might be inspecting the dome." "Where are you going?" asked Betty. "Right through the wall, and then head for the nearest mine. Jeffers can't be running everything !" "Is there any way to get to a TV?" asked the girl. "I ... uh ... Daddy gave me a good number to call if I needed help." "How good?" "Pretty official, as a matter of fact." "All right," Tolliver decided. "We'll try the ship you just came in on. They might have finished refueling and left her empty." They had to cross one open lane between buildings, and Tolliver was very conscious of moving figures in the distance; but no one seemed to look their way. Reaching the foot of the main dome over the establishment, he glanced furtively about, then plunged his knife into the transparent material. From the corner of his eye, he thought he saw Betty make a startled gesture, but he had his work cut out for him. This was tougher than the interior dome. Finally, he managed to saw a ragged slit through which they could squeeze. There was room to walk between the inner and outer layer, so he moved along a few yards. A little dust began to blow about where they had gone through. He touched helmets once more. "This time," he said, "the air will really start to blow, so get through as fast as you can. If I can slap this piece of plastic over the rip, it may stow down the loss of pressure enough to give us quite a lead before the alarms go off." Through the faceplates, he saw the girl nod, wide-eyed. As soon as he plunged the knife into the outer layer, he could see dusty, moist air puffing out into the near-vacuum of Ganymede's surface. Fumbling, he cut as fast as he could and shoved Betty through the small opening. Squeezing through in his turn, he left one arm inside to spread the plastic sheet as best he could. The internal air pressure slapped it against the inside of the dome as if glued, although it immediately showed an alarming tendency to balloon through the ruptured spot. They'll find it, all right , Tolliver reminded himself. Don't be here when they do! He grabbed Betty by the wrist of her spacesuit and headed for the nearest outcropping of rock. It promptly developed that she had something to learn about running on ice in such low gravity. Until they were out of direct line of sight from the settlement, Tolliver simply dragged her. Then, when he decided that it was safe enough to pause and tell her how to manage better, the sight of her outraged scowl through the face-plate made him think better of it. By the time we reach the ship, she'll have learned , he consoled himself. It was a long mile, even at the pace human muscles could achieve on Ganymede. They took one short rest, during which Tolliver was forced to explain away the dangers of slides and volcanic puffballs. He admitted to having exaggerated slightly. In the end, they reached the spaceship. There seemed to be no one about. The landing dome had been collapsed and stored, and the ship's airlock port was closed. "That's all right," Tolliver told the girl. "We can get in with no trouble." It was when he looked about to make sure that they were unobserved that he caught a glimpse of motion back toward the city. He peered at the spot through the dim light. After a moment, he definitely recognized the outline of a tractor breasting a rise in the ground and tilting downward again. "In fact, we have to get in to stay out of trouble," he said to Betty. He located the switch-cover in the hull, opened it and activated the mechanism that swung open the airlock and extended the ladder. It took him considerable scrambling to boost the girl up the ladder and inside, but he managed. They passed through the airlock, fretting at the time required to seal, pump air and open the inner hatch; and then Tolliver led the way up another ladder to the control room. It was a clumsy trip in their spacesuits, but he wanted to save time. In the control room, he shoved the girl into an acceleration seat, glanced at the gauges and showed her how to open her helmet. "Leave the suit on," he ordered, getting in the first word while she was still shaking her head. "It will help a little on the takeoff." "Takeoff!" shrilled Betty. "What do you think you're going to do? I just want to use the radio or TV!" "That tractor will get here in a minute or two. They might cut your conversation kind of short. Now shut up and let me look over these dials!" He ran a practiced eye over the board, reading the condition of the ship. It pleased him. Everything was ready for a takeoff into an economy orbit for Earth. He busied himself making a few adjustments, doing his best to ignore the protests from his partner in crime. He warned her the trip might be long. "I told you not to come," he said at last. "Now sit back!" He sat down and pushed a button to start the igniting process. In a moment, he could feel the rumble of the rockets through the deck, and then it was out of his hands for several minutes. "That wasn't so bad," Betty admitted some time later. "Did you go in the right direction?" "Who knows?" retorted Tolliver. "There wasn't time to check everything . We'll worry about that after we make your call." "Oh!" Betty looked helpless. "It's in my pocket." Tolliver sighed. In their weightless state, it was no easy task to pry her out of the spacesuit. He thought of inquiring if she needed any further help, but reminded himself that this was the boss's daughter. When Betty produced a memo giving frequency and call sign, he set about making contact. It took only a few minutes, as if the channel had been monitored expectantly, and the man who flickered into life on the screen wore a uniform. "Space Patrol?" whispered Tolliver incredulously. "That's right," said Betty. "Uh ... Daddy made arrangements for me." Tolliver held her in front of the screen so she would not float out of range of the scanner and microphone. As she spoke, he stared exasperatedly at a bulkhead, marveling at the influence of a man who could arrange for a cruiser to escort his daughter to Ganymede and wondering what was behind it all. When he heard Betty requesting assistance in arresting Jeffers and reporting the manager as the head of a ring of crooks, he began to suspect. He also noticed certain peculiarities about the remarks of the Patrolman. For one thing, though the officer seemed well acquainted with Betty, he never addressed her by the name of Koslow. For another, he accepted the request as if he had been hanging in orbit merely until learning who to go down after. They really sent her out to nail someone , Tolliver realized. Of course, she stumbled onto Jeffers by plain dumb luck. But she had an idea of what to look for. How do I get into these things? She might have got me killed! "We do have one trouble," he heard Betty saying. "This tractor driver, Tolliver, saved my neck by making the ship take off somehow, but he says it's set for a six-month orbit, or economy flight. Whatever they call it. I don't think he has any idea where we're headed." Tolliver pulled her back, holding her in mid-air by the slack of her sweater. "Actually, I have a fine idea," he informed the officer coldly. "I happen to be a qualified space pilot. Everything here is under control. If Miss Koslow thinks you should arrest Jeffers, you can call us later on this channel." "Miss Koslow?" repeated the spacer. "Did she tell you—well, no matter! If you'll be okay, we'll attend to the other affair immediately." He signed off promptly. The pilot faced Betty, who looked more offended than reassured at discovering his status. "This 'Miss Koslow' business," he said suspiciously. "He sounded funny about that." The girl grinned. "Relax, Tolliver," she told him. "Did you really believe Daddy would send his own little girl way out here to Ganymede to look for whoever was gypping him?" "You ... you...?" "Sure. The name's Betty Hanlon. I work for a private investigating firm. If old Koslow had a son to impersonate—" "I'd be stuck for six months in this orbit with some brash young man," Tolliver finished for her. "I guess it's better this way," he said meditatively a moment later. "Oh, come on ! Can't they get us back? How can you tell where we're going?" "I know enough to check takeoff time. It was practically due anyhow, so we'll float into the vicinity of Earth at about the right time to be picked up." He went on to explain something of the tremendous cost in fuel necessary to make more than minor corrections to their course. Even though the Patrol ship could easily catch the slow freighter, bringing along enough fuel to head back would be something else again. "We'll just have to ride it out," he said sympathetically. "The ship is provisioned according to law, and you were probably going back anyhow." "I didn't expect to so soon." "Yeah, you were pretty lucky. They'll think you're a marvel to crack the case in about three hours on Ganymede." "Great!" muttered Betty. "What a lucky girl I am!" "Yes," admitted Tolliver, "there are problems. If you like, we might get the captain of that Patrol ship to legalize the situation by TV." "I can see you're used to sweeping girls off their feet," she commented sourly. "The main problem is whether you can cook." Betty frowned at him. "I'm pretty good with a pistol," she offered, "or going over crooked books. But cook? Sorry." "Well, one of us had better learn, and I'll have other things to do." "I'll think about it," promised the girl, staring thoughtfully at the deck. Tolliver anchored himself in a seat and grinned as he thought about it too. After a while , he promised himself, I'll explain how I cut the fuel flow and see if she's detective enough to suspect that we're just orbiting Ganymede!
train	20012	[ "What was Brian Arthur’s claim to fame?", "What was “The Legend of Arthur”?", "Who does John Cassidy refer to as the “Santa Fe professor”?", "What is the educational background of the person who wrote “Complexity”?", "What is the most accurate paraphrase of Paul Krugman’s reply to John Cassidy?", "Where was John Cassidy’s piece published?", "What solution does Paul Krugman suggest to address his concerns?", "Why didn’t M. Mitchell Waldrop give credit to other economists in his book?", "Where was Brian Arthur born?" ]	[ [ "An economist who applied an understanding of increasing returns to high-technology markets.", "The author of “Complexity.”", "A founder of modern economics.", "A scholar of international trade who was primarily responsible for the rediscovering of increasing returns." ], [ "A comparison of the economic models of simplicity and determinism.", "A criticism of reporters who do not check their facts before publishing a story.", "A criticism of the direction that macroeconomic research has taken during the past 20 years.", "A criticism of economic scholars who take credit for others’ work." ], [ "Joel Klein", "Brian Arthur", "Daniel Rubinfeld", "Paul Krugman" ], [ "Law", "Economics", "Journalism", "Physics" ], [ "“I disagree with you.”", "“Your article was better than David Warsh’s.”", "“My article was a necessary contribution to the research.”", "“David Warsh is a journalist who did it right.”" ], [ "Simon & Schuster", "The Boston Globe", "Handbook of International Economics", "The New Yorker" ], [ "Journalists and authors should rely on only a handful of trusted sources.", "Journalists and authors should show more care in referencing and crediting work done by all parties.", "Journalists and authors should always fact-check information through Nobel laureates.", "More media attention should be given to issues of academic plagiarism." ], [ "He didn’t know about them.", "He left them out of the book deliberately.", "He wrote about them but it was cut during the editing process.", "This is untrue; the book includes this information." ], [ "Ireland", "England", "Boston", "Santa Fe" ] ]	[ 1, 2, 2, 4, 4, 4, 2, 3, 1 ]	[ 0, 0, 0, 1, 0, 0, 0, 1, 0 ]	Krugman's Life of Brian Where it all started: Paul Krugman's "The Legend of Arthur." Letter from John Cassidy Paul Krugman replies to John Cassidy Letter from M. Mitchell Waldrop Paul Krugman replies to M. Mitchell Waldrop Letter from Kenneth J. Arrow Letter from Ted C. Fishman David Warsh's July 3, 1994, Boston Globe Letter from John Cassidy: Paul Krugman loves to berate journalists for their ignorance of economics, particularly his economics, but on this occasion, I fear, his logic is more addled than usual. I am reluctant to dignify his hatchet job with a lengthy reply, but some of his claims are so defamatory that they should be addressed, if only for the record. 1) Krugman claims that my opening sentence--"In a way, Bill Gates's current troubles with the Justice Department grew out of an economics seminar that took place thirteen years ago, at Harvard's John F. Kennedy School of Government"--is "pure fiction." Perhaps so, but in that case somebody should tell this to Joel Klein, the assistant attorney general in charge of the antitrust division. When I interviewed Klein for my piece about the Microsoft case, he singled out Brian Arthur as the economist who has most influenced his thinking about the way in which high-technology markets operate. It was Klein's words, not those of Arthur, that prompted me to use Arthur in the lead of the story. 2) Krugman wrote: "Cassidy's article tells the story of how Stanford Professor Brian Arthur came up with the idea of increasing returns." I wrote no such thing, and Arthur has never, to my knowledge, claimed any such thing. The notion of increasing returns has been around since Adam Smith, and it was written about at length by Alfred Marshall in 1890. What I did say in my article was that increasing returns was largely ignored by mainstream economists for much of the postwar era, a claim that simply isn't controversial. (As Krugman notes, one reason for this was technical, not ideological. Allowing for the possibility of increasing returns tends to rob economic models of two properties that economists cherish: simplicity and determinism. As long ago as 1939, Sir John Hicks, one of the founders of modern economics, noted that increasing returns, if tolerated, could lead to the "wreckage" of a large part of economic theory.) 3) Pace Krugman, I also did not claim that Arthur bears principal responsibility for the rediscovery of increasing returns by economists in the 1970s and 1980s. As Krugman notes, several scholars (himself included) who were working in the fields of game theory and international trade published articles incorporating increasing returns before Arthur did. My claim was simply that Arthur applied increasing returns to high-technology markets, and that his work influenced how other economists and government officials think about these markets. Krugman apart, virtually every economist I have spoken to, including Daniel Rubinfeld, a former Berkeley professor who is now the chief economist at the Justice Department's antitrust division, told me this was the case. (Rubinfeld also mentioned several other economists who did influential work, and I cited three of them in the article.) 4) Krugman appears to suggest that I made up some quotes, a charge that, if it came from a more objective source, I would consider to be a serious matter. In effect, he is accusing Brian Arthur, a man he calls a "nice guy," of being a fabricator or a liar. The quotes in question came from Arthur, and they were based on his recollections of two meetings that he attended some years ago. After Krugman's article appeared, the Santa Fe professor called me to say that he still recalled the meetings in question as I described them. Krugman, as he admits, wasn't present at either of the meetings. 5) For a man who takes his own cogitations extremely seriously, Krugman is remarkably cavalier about attributing motives and beliefs to others. "Cassidy has made it clear in earlier writing that he does not like mainstream economists, and he may have been overly eager to accept a story that puts them in a bad light," he pronounces. I presume this statement refers to a critical piece I wrote in 1996 about the direction that economic research, principally macroeconomic research, has taken over the past two decades. In response to that article, I received dozens of messages of appreciation from mainstream economists, including from two former presidents of the American Economic Association. Among the sources quoted in that piece were the then-chairman of the White House Council of Economic Advisers (Joseph Stiglitz), a governor of the Federal Reserve Board (Laurence Meyer), and a well-known Harvard professor (Gregory Mankiw). To claim, as Krugman does, that I "don't like mainstream economists" and that I am out to denigrate their work is malicious hogwash. The fact of the matter is that I spend much of my life reading the work of mainstream economists, speaking to them, and trying to find something they have written that might interest the general public. In my experience, most economists appreciate the attention. 6) I might attach more weight to Krugman's criticisms if I hadn't recently reread his informative 1994 book Peddling Prosperity , in which he devotes a chapter to the rediscovery of increasing returns by contemporary economists. Who are the first scholars Krugman mentions in his account? Paul David, an economic historian who wrote a famous paper about how the QWERTYUIOP typewriter keyboard evolved and, you guessed it, Brian Arthur. "Why QWERTYUIOP?" Krugman wrote. "In the early 1980s, Paul David and his Stanford colleague Brian Arthur asked that question, and quickly realized that it led them into surprisingly deep waters. ... What Paul David, Brian Arthur, and a growing number of other economists began to realize in the late seventies and early eighties was that stories like that of the typewriter keyboard are, in fact, pervasive in the economy." Evidently, Krugman felt four years ago that Arthur's contribution was important enough to merit a prominent mention in his book. Now, he dismisses the same work, saying it "didn't tell me anything that I didn't already know." Doubtless, this change in attitude on Krugman's part is unconnected to the fact that Arthur has started to receive some public recognition. The eminent MIT professor, whose early academic work received widespread media attention, is far too generous a scholar to succumb to such pettiness. --John Cassidy Paul Krugman replies to John Cassidy: I think that David Warsh's 1994 in the Boston Globe says it all. If other journalists would do as much homework as he did, I wouldn't have had to write that article. Letter from M. Mitchell Waldrop: Thanks to Paul Krugman for his lament about credulous reporters who refuse to let facts stand in the way of a good story ("The Legend of Arthur"). As a professional journalist, I found his points well taken--even when he cites my own book, Complexity as a classic example of the gullibility genre. Among many other things, Complexity tells the story of the Irish-born economist Brian Arthur and how he came to champion a principle known as "increasing returns." The recent New Yorker article explains how that principle has since become the intellectual foundation of the Clinton administration's antitrust case against Microsoft. Krugman's complaint is that the popular press--including Complexity and The New Yorker --is now hailing Brian Arthur as the originator of increasing returns, even though Krugman and many others had worked on the idea long before Arthur did. I leave it for others to decide whether I was too gullible in writing Complexity . For the record, however, I would like to inject a few facts into Krugman's story, which he summarizes nicely in the final paragraph: When Waldrop's book came out, I wrote him as politely as I could, asking exactly how he had managed to come up with his version of events. He did, to his credit, write back. He explained that while he had become aware of some other people working on increasing returns, trying to put them in would have pulled his story line out of shape. ... So what we really learn from the legend of Arthur is that some journalists like a good story too much to find out whether it is really true. Now, I will admit to many sins, not the least of them being a profound ignorance of graduate-level economics; I spent my graduate-school career in the physics department instead, writing a Ph.D. dissertation on the quantum-field theory of elementary particle collisions at relativistic energies. However, I am not so ignorant of the canons of journalism (and of common sense) that I would take a plausible fellow like Brian Arthur at face value without checking up on him. During my research for Complexity I spoke to a number of economists about his work, including Nobel laureate Kenneth Arrow, co-creator of the General Equilibrium Theory of economics that Brian so eloquently criticizes. They generally agreed that Brian was a maverick in the field--and perhaps a bit too much in love with his own self-image as a misunderstood outsider--but basically sound. None of them warned me that he was usurping credit where credit was not due. Which brings me to Professor Krugman's letter, and my reply. I remember the exchange very well. Obviously, however, my reply failed to make clear what I was really trying to say. So I'll try again: a) During our interviews, Brian went out of his way to impress upon me that many other economists had done work in increasing returns--Paul Krugman among them. He was anxious that they be given due credit in anything I wrote. So was I. b) Accordingly, I included a passage in Complexity in which Brian does indeed describe what others had done in the field--Paul Krugman among them. Elsewhere in that same chapter, I tried to make it clear that the concept of increasing returns was already well known to Brian's professors at Berkeley, where he first learned of it. Indeed, I quote Brian pointing out that increasing returns had been extensively discussed by the great English economist Alfred Marshall in 1891. c) So, when I received Krugman's letter shortly after Complexity came out, I was puzzled: He was complaining that I hadn't referenced others in the increasing-returns field--Paul Krugman among them--although I had explicitly done so. d) But, when I checked the published text, I was chagrined to discover that the critical passage mentioning Krugman wasn't there. e) Only then did I realize what had happened. After I had submitted the manuscript, my editor at Simon & Schuster had suggested a number of cuts to streamline what was already a long and involved chapter on Brian's ideas. I accepted some of the cuts, and restored others--including (I thought) the passage that mentioned Krugman. In the rush to get Complexity to press, however, that passage somehow wound up on the cutting-room floor anyway, and I didn't notice until too late. That oversight was my fault entirely, not my editor's, and certainly not Brian Arthur's. I take full responsibility, I regret it, and--if Simon & Schuster only published an errata column--I would happily correct it publicly. However, contrary to what Professor Krugman implies, it was an oversight, not a breezy disregard of facts for the sake of a good story. --M. Mitchell Waldrop Washington Paul Krugman replies to M. Mitchell Waldrop: I am truly sorry that The New Yorker has not yet established a Web presence so that we could include a link directly to the Cassidy piece. However, you can get a pretty good idea of what the piece said by reading the summary of it presented in "Tasty Bits from the Technology Front." Cassidy did not present a story about one guy among many who worked on increasing returns. On the contrary: He presented a morality play in which a lonely hero struggled to make his ideas heard against the unified opposition of a narrow-minded profession both intellectually and politically conservative. As TBTF's host--not exactly a naive reader--put it, "These ideas were anathema to mainstream economists in 1984 when Arthur first tried to publish them." That morality play--not the question of who deserves credit--was the main point of my column, because it is a pure (and malicious) fantasy that has nonetheless become part of the story line people tell about increasing returns and its relationship to mainstream economics. The fact, which is easily documented, is that during the years that, according to the legend, increasing returns was unacceptable in mainstream economics, papers about increasing returns were in fact being cheerfully published by all the major journals. And as I pointed out in the chronology I provided with the article, even standard reference volumes like the Handbook of International Economics (published in 1984, the year Arthur supposedly met a blank wall of resistance) have long contained chapters on increasing returns. Whatever the reason that Arthur had trouble getting his own paper published, ideological rigidity had nothing to do with it. How did this fantasy come to be so widely believed? I am glad to hear that you tried to tell a more balanced story, Mr. Waldrop, even if sloppy paperwork kept it from seeing the light of day. And I am glad that you talked to Ken Arrow. But Nobel laureates, who have wide responsibilities and much on their mind, are not necessarily on top of what has been going on in research outside their usual field. I happen to know of one laureate who, circa 1991, was quite unaware that anyone had thought about increasing returns in either growth or trade. Did you try talking to anyone else--say, to one of the economists who are the straight men in the stories you tell? For example, your book starts with the story of Arthur's meeting in 1987 with Al Fishlow at Berkeley, in which Fishlow supposedly said, "We know that increasing returns can't exist"--and Arthur went away in despair over the unwillingness of economists to think the unthinkable. Did you call Fishlow to ask whether he said it, and what he meant? Since by 1987 Paul Romer's 1986 papers on increasing returns and growth had started an avalanche of derivative work, he was certainly joking--what he probably meant was "Oh no, not you too." And let me say that I simply cannot believe that you could have talked about increasing returns with any significant number of economists outside Santa Fe without Romer's name popping up in the first 30 seconds of every conversation--unless you were very selective about whom you talked to. And oh, by the way, there are such things as libraries, where you can browse actual economics journals and see what they contain. The point is that it's not just a matter of failing to cite a few more people. Your book, like the Cassidy article, didn't just tell the story of Brian Arthur; it also painted a picture of the economics profession, its intellectual bigotry and prejudice, which happens to be a complete fabrication (with some real, named people cast as villains) that somehow someone managed to sell you. I wonder who? Even more to the point: How did Cassidy come by his story? Is it possible that he completely misunderstood what Brian Arthur was saying--that the whole business about the seminar at Harvard where nobody would accept increasing returns, about the lonely struggle of Arthur in the face of ideological rigidity, even the quotation from Arthur about economists being unwilling to consider the possibility of imperfect markets because of the Cold War (give me a break!) were all in Cassidy's imagination? Let me say that I am actually quite grateful to Cassidy and The New Yorker . A number of people have long been furious about your book--for example, Victor Norman, whom you portrayed as the first of many economists too dumb or perhaps narrow-minded to understand Arthur's brilliant innovation. Norman e-mailed me to say that "I have read the tales from the Vienna woods before and had hoped that it could be cleared up by someone at some point." Yet up to now there was nothing anyone could do about the situation. The trouble was that while "heroic rebel defies orthodoxy" is a story so good that nobody even tries to check it out, "guy makes minor contribution to well-established field, proclaims himself its founder" is so boring as to be unpublishable. (David Warsh's 1994 series of columns in the Boston Globe on the increasing-returns revolution in economics, the basis for a forthcoming book from Harvard University Press, is far and away the best reporting on the subject, did include a sympathetic but devastating exposÃ© of Arthur's pretensions--but to little effect. [Click to read Warsh on Arthur.]) Only now did I have a publishable story: "guy makes minor contribution to well-established field, portrays himself as heroic rebel--and The New Yorker believes him." Thank you, Mr. Cassidy. Letter from Kenneth J. Arrow: Paul Krugman's attack on Brian Arthur ("The Legend of Arthur") requires a correction of its misrepresentations of fact. Arthur is a reputable and significant scholar whose work is indeed having influence in the field of industrial organization and in particular public policy toward antitrust policy in high-tech industries. Krugman admits that he wrote the article because he was "just pissed off," not a very good state for a judicious statement of facts, as his column shows. His theme is stated in his first paragraph: "Cassidy's article [in The New Yorker of Jan. 12] tells the story of how Stanford Professor Brian Arthur came up with the idea of increasing returns." Cassidy, however, said nothing of the sort. The concept of increasing returns is indeed very old, and Cassidy at no point attributed that idea to Arthur. Indeed, the phrase "increasing returns" appears just once in Cassidy's article and then merely to say that Arthur had used the term while others refer to network externalities. Further, Arthur has never made any such preposterous claim at any other time. On the contrary, his papers have fully cited the history of the field and made references to the previous papers, including those of Paul Krugman. (See Arthur's papers collected in the volume Increasing Returns and Path Dependence in the Economy, especially his preface and my foreword for longer comments on Arthur's work in historic perspective. Click to see the foreword.) Hence, Krugman's whole attack is directed at a statement made neither by Arthur nor by Cassidy. Krugman has not read Cassidy's piece with any care nor has he bothered to review what Arthur has in fact said. What Cassidy in fact did in his article was to trace a line of influence between one of Arthur's early articles and the current claims of the Department of Justice against Microsoft. It appears that Cassidy based his article on several interviews, not just one. The point that Arthur has emphasized and which is influential in the current debates about antitrust policy is the dynamic implication of increasing returns. It is the concept of path-dependence, that small events, whether random or the result of corporate strategic choice, may have large consequences because of increasing returns of various kinds. Initial small advantages become magnified, for example, by creating a large installed base, and direct the future, possibly in an inefficient direction. Techniques of production may be locked in at an early stage. Similar considerations apply to regional development and learning. --Kenneth J. Arrow Nobel laureate and Joan Kenney professor of economics emeritus Stanford University Letter from Ted C. Fishman: After reading Paul Krugman vent his spleen against fellow economist Brian Arthur in "The Legend of Arthur," I couldn't help wondering whose reputation he was out to trash, Arthur's or his own. Krugman seems to fear a plot to deny economists their intellectual due. If one exists, Arthur is not a likely suspect. In a series of long interviews with me a year ago (for Worth magazine), I tried, vainly, to get Arthur to tell me how his ideas about increasing returns have encouraged a new strain of economic investigations. Despite much prodding, Arthur obliged only by placing himself in a long line of theorists dating back to Adam Smith and Alfred Marshall. I also found him disarmingly generous in giving credit to the biologists, physicists, and fellow economists who have helped advance his own thinking. Savvy to the journalist's quest for heroes, Arthur urged me to focus on his ideas, not his rank among his peers. Krugman has made a career out of telling other economists to pay better attention to the facts, yet as a chronicler of Arthur's career and inner life, Krugman seems to have listened only to his own demons. --Ted C. Fishman (For additional background on the history of "increasing returns" and Brian Arthur's standing in the field, click for David Warsh's July 3, 1994, Boston Globe article on Brian Arthur)
train	20010	[ "Why does the author describe Charles Murray as a “publicity genius”?", "What is the main purpose of a “galley proof”?", "How long did it take for damaging criticism of the book to come out?", "What was an effect of the delay in the book’s circulation?", "According to Murray and Herrnstein:", "The author of “The Bell Curve Flattened” disagrees with Murray and Herrnstein’s assertions that:", "What is one reason the author thinks the regression analysis used by Murray and Herrstein was inadequate?", "Murray and Herrstein believe that _____ is not important to an individual’s success.", "What is the main message the author is sending by mentioning the tale of Plato’s cave?" ]	[ [ "He sent out numerous press releases and did a press tour for this book.", "He published first in academic journals to increase the book’s authority.", "He limited access as a way to increase the allure of the book before publication.", "He attacked critics of his book to discredit them." ], [ "To give editors a final version to proofread.", "To give readers a chance to pre-order the book.", "To offer experts an opportunity to critique the book.", "To generate buzz about a book before its publication." ], [ "There has never been criticism leveled at the book.", "Five years", "Six months", "A full year" ], [ "The book didn’t reach the top of the charts.", "Experts weren’t able to read through and collect evidence proving the book’s hypotheses wrong.", "Criticism of the book immediately created a backlash.", "The book sold fewer copies." ], [ "Poor black people are unintelligent.", "Poor people are able to work hard and get ahead.", "There are different types of intelligence.", "Successful people are clustered among the unintelligent." ], [ "IQ has more predictive power on success than parental socio-economics status.", "Education can increase opportunity.", "There is consensus that intelligence is a meaningless concept.", "Power and success are open to one and all on the basis of merit." ], [ "The results were able to be duplicated by other social scientists.", "The independent and dependent variables were clearly defined.", "The tests relied upon in the database were not truly IQ tests. ", "The sources relied upon were balanced and reliable." ], [ "Education", "IQ", "Parents' status", "Ability" ], [ "Caution that people who think they see things clearly may just be blinded by what they want to be true.", "Reminder to be careful what you read.", "Caution against the shadows of political correctness.", "Reminder that Plato believed in education." ] ]	[ 3, 4, 4, 2, 1, 1, 3, 1, 1 ]	[ 1, 0, 0, 1, 0, 0, 0, 1, 0 ]	The Bell Curve Flattened Charles Murray is a publicity genius, and the publication of his and Richard Herrnstein's book, The Bell Curve: Intelligence and Class Structure in American Life , in the fall of 1994 was his masterpiece. Virtually all ambitious trade hardcover books are preceded by an edition of 100 to 200 flimsy "galley proofs." These are sent out to people who might generate buzz for the book: blurbists, bookers for television talk shows, editors, and--most important--book critics. There is an ethos of letting the chips fall where they may about the sending out of galleys: Now the book will begin to receive uncontrolled reaction. (For example, back in 1991, Murray somehow got hold of the galleys of my own last book, and wrote me heatedly denying that he was working on a book about black genetic intellectual inferiority, as I had asserted. I left the passage in, but softened it.) The Bell Curve was not circulated in galleys before publication. The effect was, first, to increase the allure of the book (There must be something really hot in there!), and second, to ensure that no one inclined to be skeptical would be able to weigh in at the moment of publication. The people who had galley proofs were handpicked by Murray and his publisher. The ordinary routine of neutral reviewers having a month or two to go over the book with care did not occur. Another handpicked group was flown to Washington at the expense of the American Enterprise Institute and given a weekend-long personal briefing on the book's contents by Murray himself (Herrnstein had died very recently), just before publication. The result was what you'd expect: The first wave of publicity was either credulous or angry, but short on evidence, because nobody had had time to digest and evaluate the book carefully. The Bell Curve isn't a typical work of trade nonfiction. It is gotten up as a work of original scholarly research. Most works containing fresh regression analysis and historical argument from primary sources would be published in academic quarterlies that send manuscripts out for elaborate, lengthy evaluation before deciding whether to publish them. Herrnstein and Murray didn't do this, so it wasn't until a full year or more after The Bell Curve was published that the leading experts on its subject had a chance to go through the underlying data with care. Therefore, as time went on, the knowledgeability of the Bell Curve discussion grew, but the attention paid to that discussion inevitably shrank. The debate on publication day was conducted in the mass media by people with no independent ability to assess the book. Over the next few months, intellectuals took some pretty good shots at it in smaller publications like the New Republic and the New York Review of Books . It wasn't until late 1995 that the most damaging criticism of The Bell Curve began to appear, in tiny academic journals. What follows is a brief summary of that last body of work. The Bell Curve , it turns out, is full of mistakes ranging from sloppy reasoning to mis-citations of sources to outright mathematical errors. Unsurprisingly, all the mistakes are in the direction of supporting the authors' thesis. First, a quick prÃ©cis of The Bell Curve . IQ tests, according to Murray and Herrnstein, measure an essential human quality, general intelligence. During the second half of the 20 th century, this quality has risen to supreme importance, because society has become increasingly complex. The intelligent have therefore gone through an "invisible migration," from points of origin all over the class system to a concentration at the top of business, government, and the professions. They are likely to become ever more dominant and prosperous. The unintelligent are falling further and further behind. Because intelligence is substantially inherited, nothing is likely to reverse this process. Blacks are overrepresented among the unintelligent. Any efforts government might make to improve the economic opportunities of poor people, especially poor black people, are likely to fail, because their poverty is so much the result of inherited low intelligence. About the best that can be done for these people is an effort to create a world of simple, decent, honorable toil for them. Herrnstein and Murray begin by telling us that the liberal position on IQ--namely, "Intelligence is a bankrupt concept"--has been discredited, and that "a scholarly consensus has been reached" around their position. This consensus is "beyond significant technical dispute." Thus, by the end of their introduction, they have arranged matters so that if intelligence has any meaning at all, the idiotic liberals stand discredited; and meanwhile, extremely broad claims for intelligence have the cover of "consensus." The notion that IQ tests are completely useless never prevailed in liberal academia to nearly the extent that Herrnstein and Murray say. A more accurate rendering of the liberal position would be that rather than a single "general intelligence," there are a handful of crucial--and separate--mental abilities; that none of these abilities is important enough to obviate the role of family background and education; and that native ability (and economic success independent of native ability) can be enhanced by improving education, training, and public health. The Bell Curve refers in passing to some of these points, but on the whole it sets up a cartoon-left position as its (easy) target. Meanwhile, the psychometricians who dominate the footnotes of The Bell Curve are John Hunter, Arthur Jensen, Malcolm Ree, and Frank Schmidt. These men are well known within the field as representing its right wing, not a mainstream consensus. The next problem with The Bell Curve 's thesis is in the idea of the rise to dominance of the cognitive elite. To the book's initial audience of Ivy Leaguers, this idea seemed valid on its face. Everybody knows that the best universities, law firms, hospitals, investment banks, and the State Department used to be run by preppies whose main virtue was fortunate birth, and are now open to one and all on the basis of merit. But the larger premise--that intelligent people used to be scattered throughout the class structure, and are now concentrated at the top--is almost impossible to prove, simply because the mass administration of mental tests is such a recent phenomenon. High scorers on mental tests do "bunch up" (as Herrnstein and Murray put it) in elite-university student bodies. But this is tautological: Any group selected on the basis of scores on mental tests will be composed disproportionately of people who score high on mental tests. Proving The Bell Curve 's thesis would require proving that success increasingly correlates with IQ in areas of life where mental tests are not the explicit gatekeepers. To see how The Bell Curve tries and fails to get around these inherent problems, see and . Having conditioned its audience to view IQ as all-important, The Bell Curve then manipulates statistics in a way that makes IQ look bigger, and everything else smaller, in determining Americans' life-chances. The basic tool of statistical social science in general, and of The Bell Curve in particular, is regression analysis, a technique used to assign weights to various factors (called "independent variables") in determining a final outcome (called the "dependent variable"). The original statistical work in The Bell Curve consists of regression analyses on a database called the National Longitudinal Study of Youth. The authors claim to demonstrate that high IQ is more predictive of economic success than any other factor, and that low IQ is more predictive of poverty and social breakdown. Virtually all the early commentators on The Bell Curve were unable to assess the merits of the regression analysis. "I am not a scientist. I know nothing about psychometrics," wrote Leon Wieseltier (who was otherwise quite critical) in a typical disclaimer. But by now the statistics have been gone over by professionals, who have come up with different results. The key points of their critique of The Bell Curve are as follows: What Herrnstein and Murray used to measure IQ is actually a measure of education as well as intelligence. All the people tracked in the National Longitudinal Study of Youth took the Armed Forces Qualifying Test, which Herrnstein and Murray treat as a good measure of intelligence. Because the material covered in the test includes subjects like trigonometry, many academic critics of The Bell Curve have objected to its use as a measure only of IQ and not at all of academic achievement. Herrnstein and Murray concede in the footnotes that scores tend to rise with the subjects' education--but they seriously underestimate the magnitude of this rise, as shows. And they resist the obvious inference that the test scores are measuring something other than intelligence. Most of The Bell Curve 's analysis is devoted to proving that IQ has more predictive power than parental "socio-economic status." But Herrnstein and Murray's method of figuring socioeconomic status seems designed to low-ball its influence, as explains. Herrnstein and Murray begin their discussion of the National Longitudinal Study of Youth data by announcing that they aren't going to analyze the effect of education, because education is too much a result of IQ. It's not an independent variable. (Of course, according to their theory, socioeconomic status is also a result of IQ, but somehow, that doesn't stop them.) Therefore, what you'd most want to know from a policy standpoint--how much education can increase opportunity--isn't dealt with in the book, except in two obscure footnotes. Both would seem to support the liberal, pro-education position that Herrnstein and Murray say is futile. One footnote shows education increasing IQ year by year. The other shows a higher correlation between college degree and family income than between IQ and family income. One of The Bell Curve 's theoretical linchpins is the high heritability of IQ. Herrnstein and Murray, sounding like the souls of caution, write that "half a century of work, now amounting to hundreds of empirical and theoretical studies, permits a broad conclusion that the genetic component of IQ is unlikely to be smaller than 40 per cent or higher than 80 per cent. ... For purposes of this discussion, we will adopt a middling estimate of 60 per cent heritability." This now looks seriously overstated. Michael Daniels, Bernie Devlin, and Kathryn Roeder of Carnegie Mellon University took the same studies on which Herrnstein and Murray based their estimate, and subjected them to a computer meta-analysis ("a powerful method of statistical analysis"-- The Bell Curve ). Their paper, which has not yet been published, says: "In brief, studies of IQ, and our reanalyses of them, suggest a narrow-sense heritability of 34 per cent and a broad-sense heritability of 46 per cent. [The difference between broad and narrow is too technical to explain in this limited space.] This is a far cry from Herrnstein and Murray's maximum value of 80 per cent or their middling value of 60 per cent. Consequently, Herrnstein and Murray give the impression that IQ is highly 'heritable,' but it is not." If the purpose of the whole exercise is to figure out what our social policies should be, then, "Which is more predictive, IQ or socioeconomic status?" isn't the essential question anyway. Making it the essential question avoids the issue of whether IQ is really so massively predictive that it drowns out everything else. (Herrnstein and Murray mostly leave the evidence for this, their central contention, to footnotes. The figures they offer are far from dispositive.) The chapter of The Bell Curve on policies that might be able to overcome the fate of a low IQ focuses mainly on whether early-childhood programs like Head Start (most of which aren't run with raising IQ as their primary goal) can raise IQ significantly over the long term, and sorrowfully concludes that they can't. What the book doesn't discuss is whether public schools--by far the biggest government social program--can raise IQ, or earnings after you control for IQ. As James Heckman of the University of Chicago wrote in the Journal of Political Economy , " Evidence of a genetic component to skills has no bearing on the efficacy of any social policy. ... The relevant issue is the cost effectiveness of the intervention." (As an example of where the kind of analysis Herrnstein and Murray didn't do can lead, a new study by Jay Girotto and Paul Peterson of Harvard shows that students who raise their grades and take harder courses can increase their IQ scores by an average of eight points during the first three years of high school.) At the beginning of The Bell Curve , Herrnstein and Murray declare that "the concept of intelligence has taken on a much higher place in the pantheon of human virtues than it deserves." And they claim that their view of IQ tests is "squarely in the middle of the scientific road." They end by expressing the hope that we can "be a society that makes good on the fundamental promise of the American tradition: the opportunity for everyone, not just the lucky ones, to live a satisfying life." Throughout, Herrnstein and Murray consistently present themselves as fair- (or even liberal-) minded technicians who have, with great caution, followed the evidence where it leads--which, unfortunately, is to a few unassailable if unpleasant scientific truths that it is their reluctant duty to report. In fact, The Bell Curve is a relentless brief for the conservative position in psychometrics and social policy. For all its talk of reflecting a consensus, the sources it draws upon are heavily skewed to the right. Herrnstein and Murray used quasi-nutty studies that support their position (as Charles Lane demonstrated in the New York Review of Books ), and ignore mainstream studies that contradict it (as Richard Nisbett showed in the New Republic ). The data in The Bell Curve are consistently massaged to produce conservative conclusions; not once is a finding that contradicts the main thesis reported in the text. ( shows how Herrnstein and Murray have made the convergence in black-white IQ scores, which they claim to find "encouraging," look smaller than it actually is.) The Bell Curve 's air of strict scientism doesn't preclude the use of lightly sourced or unsourced assertions, such as the statement that the median IQ of all black Africans is 75, or that "intermarriage among people in the top few percentiles of intelligence may be increasing far more rapidly than suspected" (no footnote). Though they piously claim not to be doing so, Herrnstein and Murray leave readers with the distinct impression that IQ is the cause of economic success and failure, and that genetic difference explains the black-white IQ gap. In the most famous passage in The Republic , Plato describes an underground cave where people are held prisoner in chains, unable to see anything but the shadows cast by figures passing outside; they mistake the shadows for reality. The Republic is probably the first place in history where an idea like that of Murray and Herrnstein's cognitive elite appears. Plato believed that through education, people could leave the cave and be able to see the truth instead of the shadows, thus fitting themselves to become the wise rulers of society. But he was quick to insert a cautionary note: Those who have left the cave might be tempted to think they can see perfectly clearly, while actually they would be "dazzled by excess of light." The image applies to The Bell Curve : Presented as an exact representation of reality, in opposition to the shadows of political correctness, it actually reflects the blinkered vision of one part of the American elite. It constantly tells these people that they are naturally superior, and offers lurid descriptions of aspects of national life that they know about only by rumor. Readers who accept The Bell Curve as tough-minded and realistic, and who assume that all criticism of it is ignorant and ideologically motivated, are not as far removed from Plato's cave as they might think. : Dumb College Students : Smart Rich People : Education and IQ : Socioeconomic Status : Black-White Convergence
train	60507	[ "What was Piltdon most interested in?", "What was Feetch most interested in?", "How did the majority of Piltdon workers feel about Feetch?", "Why didn't Feetch show Piltdon his new invention right away?", "What didn't happen because of the original Super-Opener?", "How did Piltdon feel about Feetch throughout most of the story?", "Why did Feetch quit?", "Why were people throwing things at Feetch's house?", "What didn't Feetch discover?", "What didn't Feetch get at the end of the story?" ]	[ [ "Making money", "Being known around the world", "Keeping Feetch on the payroll", "Having more patents than anyone else" ], [ "Making money", "Research and development", "Working for Piltdon", "Being known around the world" ], [ "They respected him", "They thought he was too careless", "They felt indifferent towards him", "They thought he was only thinking about money" ], [ "He wanted to keep the new invention to himself", "He knew Piltdon wouldn't wait to research further", "He was afraid he couldn't recreate it", "He wanted a raise first" ], [ "Feetch became famous", "Feetch got a raise", "People had to begin wearing hats and helmets", "Piltdon made a lot of money" ], [ "He thought Feetch was brilliant", "Feetch deserved credit for his work", "Feetch was making more money than he deserved", "Feetch was just another worker to control" ], [ "Piltdon never appreciated or listened to him", "Piltdon took all the credit for the Super-Opener", "Feetch wanted to retire", "Piltdon wouldn't give him enough money" ], [ "They were jealous of Feetch's invention", "They thought the falling cans were all his fault", "Piltdon told them to", "Cans were still falling on people" ], [ "Where the cans were going", "The fastest-opening can opener", "Multiple different universes", "How to make the cans disappear safely" ], [ "Money to pay for his wife's medical bills", "Credit for his discoveries", "The job he wanted", "Piltdon's job" ] ]	[ 1, 2, 1, 2, 1, 4, 1, 2, 2, 4 ]	[ 0, 0, 1, 0, 1, 0, 1, 0, 1, 1 ]	THE SUPER OPENER BY MICHAEL ZUROY Here's why you should ask for a "Feetch M-D" next time you get a can opener! [Transcriber's Note: This etext was produced from Worlds of If Science Fiction, August 1958. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] "Feetch!" grated Ogden Piltdon, president of the Piltdon Opener Company, slamming the drafting board with his hairy fist, "I want results!" Heads lifted over boards. Kalvin Feetch shrunk visibly. "As chief engineer you're not carrying the ball," Piltdon went on savagely. "The Piltdon Can-Opener is trailing the competition. Advertising and Sales are breaking their necks. It's Engineering that's missing the boat!" "But Mr. Piltdon," remonstrated Feetch unsteadily under his employer's glare, "don't you remember? I tried to...." "For two years there hasn't been one lousy improvement in the Piltdon Can-Opener!" roared Mr. Piltdon. "Look at our competitors. The International rips apart cans in three and three-tenths seconds. Universal does it in four." "But Mr. Piltdon—" "The Minerva Mighty Midget does it in four point two two and plays Home Sweet Home in chimes. Our own Piltdon opener barely manages to open a can in eight point nine without chimes. Is this what I'm paying you for?" Feetch adjusted his spectacles with shaking hands. "But Mr. Piltdon, our opener still has stability, solidity. It is built to last. It has dignity...." "Dignity," pronounced Piltdon, "is for museums. Four months, Feetch! In four months I want a new can-opener that will be faster, lighter, stronger, flashier and more musical than any other on the market. I want it completely developed, engineered and tooled-up, ready for production. Otherwise, Feetch—" Feetch's body twitched. "But Mr. Piltdon, four months is hardly time enough for development, even with an adequate staff. I've been trying to tell you for years that we're bound to fall behind because we don't have enough personnel to conduct research. Our men can barely keep up with production and maintenance. If you would let me put on a few draftsmen and...." "Excuses," sneered Mr. Piltdon. "Your staff is more than adequate. I will not allow you to throw out my money. Four months, Feetch, no more!" Piltdon trudged out of the room, leaving behind him an oppressive silence. How could you set a time limit on research and development? A designer had to dream at his board, investigate, search, build, test, compare, discard. He had always wanted to devote all his time to research, but Piltdon Opener had not given him that opportunity. Twenty-five years! thought Feetch. Twenty-five years of close supervision, dead-lines, production headaches, inadequate facilities and assistance. What had happened, to the proud dream he once had, the dream of exploring uncharted engineering regions, of unlimited time to investigate and develop? Ah, well, thought Feetch straightening his thin shoulders, he had managed somehow to design a few good things during his twenty-five years with Piltdon. That was some satisfaction. What now? He had to hang on to his job. Technical work was scarce. Since the early 1980's the schools had been turning out more technicians than industry could absorb. He was too old to compete in the employment market. He couldn't afford to lose any money. Jenny wasn't well. How to meet this four month dead-line? He would get right on it himself, of course; Hanson—good man—could work with him. He shook his head despairingly. Something would be sure to blow up. Well, he had to start— "Chief," said Hanson a few weeks later as they entered the lab, "I'm beginning to wonder if the answer is in the hand mechanical type at all." "Got to be," answered Feetch tiredly. "We must work along classical can-opener lines. Departures, such as the thermal or motor-driven types, would be too expensive for mass production." Three new models and a group of cans were waiting for them on the bench. They began testing, Hanson operating the openers and Feetch clocking. "Four point four," announced Feetch after the last test. "Good, but not good enough. Too bulky. Appearance unsatisfactory. Chimes tinny. We've made progress, but we've a long way to go." The problem was tricky. It might seem that use of the proper gear ratios would give the required velocity, but there were too many other factors that negated this direct approach. The mechanism had to be compact and streamlined. Gear sizes had to be kept down. Can-top resistance, internal resistance, cutting tooth performance, handle size and moment, the minimum strength of a woman's hand were some of the variables that had to be balanced within rigid limits. Sector type cutters, traversing several arcs at the same time, had seemed to offer the answer for a while, but the adjusting mechanism necessary to compensate for variable can sizes had been too complex to be practical. There was the ever-present limit to production cost. Hanson's eyes were upon him. "Chief," he said, "it's a rotten shame. Twenty-five years of your life you put in with Piltdon, and he'd fire you just like that if you don't do the impossible. The Piltdon Company is built upon your designs and you get handed this deal!" "Well, well," said Feetch. "I drew my pay every week so I suppose I have no complaints. Although," a wistful note crept into his voice "I would have liked a little recognition. Piltdon is a household word, but who has heard of Feetch? Well,"—Feetch blew his nose—"how do we stand, Hanson?" Hanson's bull-dog features drew into a scowl. "Piltdon ought to be rayed," he growled. "O.K., Chief. Eleven experimental models designed to date. Two more on the boards. Nine completed and tested, two in work. Best performance, four point four, but model otherwise unsatisfactory." "Hello," said Feetch as an aproned machinist entered carrying a glistening mechanism. "Here's another model. Let's try it." The machinist departed and Hanson locked the opener on a can. "I hope——" he turned the handle, and stopped abruptly, staring down open-mouthed. A cylinder of close-packed beans rested on the bench under the opener. The can itself had disappeared. "Chief," said Hanson. "Chief." "Yes," said Feetch. "I see it too. Try another can." "Vegetable soup or spinach?" inquired Hanson dreamily. "Spinach, I think," said Feetch. "Where did the can go, do you suppose?" The spinach can disappeared. Likewise several corn cans, sweet potato cans and corned-beef hash cans, leaving their contents intact. It was rather disconcerting. "Dear, dear," said Feetch, regarding the piles of food on the bench. "There must be some explanation. I designed this opener with sixteen degree, twenty-two minute pressure angle modified involute gear teeth, seven degree, nineteen minute front clearance cutter angle and thirty-six degree, twelve minute back rake angle. I expected that such departures from the norm might achieve unconventional performance, but this—Dear, dear. Where do the cans go, I wonder?" "What's the difference? Don't you see what you've got here? It's the answer! It's more than the answer! We can put this right into work and beat the dead-line." Feetch shook his head. "No, Hanson. We're producing something we don't understand. What forces have we uncovered here? Where do the cans go? What makes them disappear? Are we dealing with a kinetic or a kinematic effect? What motions can we plot in the area of disappearance and what are their analytical mathematical formulae? What masses may be critical here? What transformations of energy are involved? No, Hanson, we must learn a lot more." "But Chief, your job." "I'll risk that. Not a word to Piltdon." Several days later, however, Piltdon himself charged into the drawing room and slapped Feetch heartily on the back, causing him to break a pencil point. "Feetch!" roared Piltdon. "Is this talk that's going around the plant true? Why didn't you tell me? Let's see it." After Piltdon had seen it his eyes took on a feverish glint. "This," he exulted, "will make can-opener history. Instantaneous opening! Automatic disposal! Wait until Advertising and Sales get hold of this! We'll throttle our competitors! The Piltdon Super-Opener we'll call it." "Mr. Piltdon—" said Feetch shakily. Piltdon stared at his chief engineer sharply. "What's the matter, Feetch? The thing can be duplicated, can't it?" "Yes, sir. I've just finished checking that. But I'm in the midst of further investigation of the effect. There's more here than just a new type can-opener, sir. A whole new field of physics. New principles. This is big, Mr. Piltdon. I recommend that we delay production until further research can be completed. Hire a few top scientists and engineers. Find out where the cans go. Put out a scientific paper on the effect." "Feetch," bit out Piltdon, his face growing hard. "Stow this hooey. I don't give a damn where the cans go. May I remind you that under our standard patent agreement, all rights to your invention belong to the company? As well as anything you may produce in the field within a year after leaving our employ? We have a good thing here, and I don't want you holding it back. We're going into production immediately." Close, thought Feetch, wearily. It had been a man-killing job, and it had been close, but he'd made it. Beat the time limit by a half-day. The first tentative shipments of Piltdon Super-Openers had gone to distributors along the Eastern seaboard. The first advertisements blazed in selected media. The first reorders came back, and then: "It's a sell-out!" crowed Piltdon, waving a sheaf of telegrams. "Step up production! Let 'er rip!" The Super-Openers rolled over the country. In a remarkably short time they appeared in millions of kitchens from coast-to-coast. Sales climbed to hundreds of thousands per day. Piltdon Opener went into peak production in three shifts, but was still unable to keep up with the demand. Construction was begun on a new plant, and additional plants were planned. Long lines waited in front of houseware stores. Department stores, lucky enough to have Super-Openers on hand, limited sales to one to a customer. Piltdon cancelled his advertising program. Newspapers, magazines, radio, television and word-of-mouth spread the fame of the opener so that advertising was unnecessary. Meanwhile, of course, government scientists, research foundations, universities and independent investigators began to look into this new phenomonen. Receiving no satisfactory explanation from Piltdon, they set up their own research. Far into the night burned the lights of countless laboratories. Noted physicists probed, measured, weighed, traced, X-rayed, dissolved, spun, peered at, photographed, magnetized, exploded, shattered and analyzed Super-Openers without achieving the glimmer of a satisfactory explanation. Competitors found the patent impossible to circumvent, for any departure from its exact specifications nullified the effect. Piltdon, genial these days with success and acclaim, roared at Feetch: "I'm putting you in for a raise. Yes sir! To reward you for assisting me with my invention I'm raising your pay two hundred dollars a year. That's almost four dollars a week, man." "Thank you, Mr. Piltdon." And still, thought Feetch wryly, he received no recognition. His name did not even appear on the patent. Well, well, that was the way it went. He must find his satisfaction in his work. And it had been interesting lately, the work he had been doing nights at home investigating what had been named the Piltdon Effect. It had been difficult, working alone and buying his own equipment. The oscillator and ultra microwave tracking unit had been particularly expensive. He was a fool, he supposed, to try independent research when so many huge scientific organizations were working on it. But he could no more keep away from it than he could stop eating. He still didn't know where the cans went, but somehow he felt that he was close to the answer. When he finally found the answer, it was too late. The Borenchuck incident was only hours away. As soon as he could get hold of Piltdon, Feetch said trembling, "Sir, I think I know where those cans are going. I recommend—" "Are you still worrying about that?" Piltdon roared jovially. "Leave that to the long-hairs. We're making money, that's all that counts, eh Feetch?" That night, at six-ten p.m., the Borenchuck family of Selby, South Dakota, sat down to their evening meal. Just as they started in on the soup, a rain of empty tin cans clattered down, splashed into the soup, raised a welt on the forehead of Borenchuck senior, settled down to a gentle, steady klunk! klunk! klunk! and inexorably began to pile up on the dining-room floor. They seemed to materialize from a plane just below the ceiling. The police called the fire department and the fire department stared helplessly and recommended the sanitation department. The incident made headlines in the local papers. The next day other local papers in widely scattered locations reported similar incidents. The following day, cans began falling on Chicago. St. Louis was next, and then over the entire nation the cans began to rain down. They fell outdoors and indoors, usually materializing at heights that were not dangerous. The deluge followed no pattern. Sometimes it would slacken, sometimes it would stop, sometimes begin heavily again. It fell in homes, on the streets, in theatres, trains, ships, universities and dog-food factories. No place was immune. People took to wearing hats indoors and out, and the sale of helmets boomed. All activity was seriously curtailed. A state of national emergency was declared. Government investigators went to work and soon confirmed what was generally suspected: these were the same cans that had been opened by the Piltdon Super-Opener. Statisticians and mathematicians calculated the mean rate of can precipitation and estimated that if all the cans opened by Piltdon openers were to come back, the deluge should be over in fifteen point twenty-nine days. Super-Opener sales of course immediately plummeted to zero and stayed there. Anti-Piltdon editorials appeared in the papers. Commentators accused Piltdon of deliberately hoaxing the public for his own gain. A Congressional investigation was demanded. Piltdon received threats of bodily injury. Lawsuits were filed against him. He barricaded himself in the plant, surrounded by bodyguards. Livid with fury and apprehension, he screamed at Feetch, "This is your doing, you vandal! I'm a ruined man!" A falling can caught him neatly on the tip of his nose. "But sir," trembled Feetch, dodging three spaghetti cans, "I tried to warn you." "You're through, Feetch!" raved Piltdon. "Fired! Get out! But before you go, I want you to know that I've directed the blame where it belongs. I've just released to the press the truth about who created the Super-Opener. Now, get out!" "Yes, sir," said Feetch paling. "Then you don't want to hear about my discovery of a way to prevent the cans from coming back?" Klunk! A barrage of cans hit the floor, and both men took refuge under Piltdon's huge desk. "No!" yelled Piltdon at Feetch's face which was inches away. "No, I——What did you say?" "A small design improvement sir, and the cans would disappear forever." Klunk! "Forever, Feetch?" "Yes sir." Klunk! Klunk! "You're positive, Feetch?" Piltdon's eyes glared into Feetch's. "Sir, I never make careless claims." "That's true," said Piltdon. His eyes grew dreamy. "It can be done," he mused. "The New Type Super-Opener. Free exchanges for the old. Cash guarantee that empty cans will never bother you. Take a licking at first, but then monopolize the market. All right, Feetch, I'll give you another chance. You'll turn over all the details to me. The patent on the improvement will naturally be mine. I'll get the credit for rectifying your blunder. Fine, fine. We'll work it out. Hop on production, at once, Feetch." Feetch felt himself sag inwardly. "Mr. Piltdon," he said. "I'm asking only one favor. Let me work full time on research and development, especially on the Piltdon effect. Hire a couple of extra men to help with production. I assure you the company will benefit in the end." "Damn it, no!" roared Piltdon. "How many times must I tell you? You got your job back, didn't you?" The prospect of long years of heavy production schedules, restricted engineering and tight supervision suddenly made Kalvin Feetch feel very tired. Research, he thought. Development. What he had always wanted. Over the years he had waited, thinking that there would be opportunities later. But now he was growing older, and he felt that there might not be a later. Somehow he would manage to get along. Perhaps someone would give him a job working in the new field he had pioneered. With a sense of relief he realized that he had made his decision. "Mr. Piltdon," Feetch said. "I—" klunk!—"resign." Piltdon started, extreme astonishment crossing his face. "No use," said Feetch. "Nothing you can say—" klunk! klunk! klunk!—"will make any difference now." "But see here, the New Type Super-Opener...!" "Will remain my secret. Good day." "Feetch!" howled Piltdon. "I order you to remain!" Feetch almost submitted from force of habit. He hesitated for a moment, then turned abruptly. "Good-day," said Feetch firmly, sprinting through the falling cans to the door. Money, Feetch decided after a while, was a good thing to have. His supply was running pretty low. He was not having any luck finding another job. Although the cans had stopped falling on the fifteenth day, as predicted by the statisticians, industry would not soon forget the inconvenience and losses caused by the deluge. It was not anxious to hire the man it regarded as responsible for the whole thing. "Feetch," the personnel man would read. "Kalvin Feetch." Then, looking up, "Not the Kalvin Feetch who—" "Yes," Feetch would admit miserably. "I am sorry, but—" He did no better with research organizations. Typical was a letter from the Van Terrel Foundation: "—cannot accept your application inasmuch as we feel your premature application of your discovery to profit-making denotes a lack of scientific responsibility and ethics not desirable in a member of our organization—former employer states the decision was yours entirely. Unfavorable reference—" Piltdon, Feetch thought, feeling a strange sensation deep within his chest that he had not the experience to recognize as the beginning of a slow anger, Piltdon was hitting low and getting away with it. Of course, if he were to agree to reveal his latest discoveries to a research organization, he would undoubtedly get an appointment. But how could he? Everything patentable in his work would automatically revert to Piltdon under the one year clause in the company patent agreement. No, Feetch told himself, he was revealing nothing that Piltdon might grab. The anger began to mount. But he was beginning to need money desperately. Jenny wasn't getting any better and medical bills were running high. The phone rang. Feetch seized it and said to the image: "Absolutely not." "I'll go up another ten dollars," grated the little Piltdon image. "Do you realize, man, this is the fourteenth raise I've offered you? A total increase of one hundred and twenty-six dollars? Be sensible, Feetch. I know you can't find work anywhere else." "Thanks to you. Mr. Piltdon, I wouldn't work for you if—" A barrage of rocks crashed against the heavy steel screening of the window. "What's going on!" yelled Piltdon. "Oh, I see. People throwing rocks at your house again? Oh, I know all about that, Feetch. I know that you're probably the most unpopular man alive to-day. I know about the rocks, the tomatoes, the rotten eggs, the sneaking out at night, the disguises you've had to use. Why don't you come back to us and change all that, Feetch? We'll put out the New Type Super-Opener and the world will soon forget about the old one." "No," said Feetch. "People will forget anyway—I hope." "If you won't think of yourself, at least think of your fellow workmen," begged Piltdon, his voice going blurry. "Do you realize that Piltdon Opener will soon be forced to close down, throwing all your former associates out of work? Think of Hanson, Sanchez, Forbes. They have families too. Think of the men in the shop, the girls in the office, the salesmen on the road. All, all unemployed because of you. Think of that, Feetch." Feetch blinked. This had not occurred to him. Piltdon eyed him sharply, then smiled with a hint of triumph. "Think it over, Feetch." Feetch sat, thinking it over. Was it right to let all these people lose their jobs? Frowning, he dialed Hanson's number. "Chief," said Hanson, "Forget it. The boys are behind you one hundred per cent. We'll make out." "But that's the trouble. I thought you'd feel like this, and I can't let you." "You're beginning to weaken. Don't. Think, chief, think. The brain that figured the Super-Opener can solve this." Feetch hung up. A glow of anger that had been building up in his chest grew warmer. He began pacing the floor. How he hated to do it. Think, Hanson had said. But he had. He's considered every angle, and there was no solution. Feetch walked into the kitchen and carefully poured himself a drink of water. He drank the water slowly and placed the glass on the washstand with a tiny click. It was the tiny click that did it. Something about it touched off the growing rage. If Piltdon were there he would have punched him in the nose. The twenty-five years. The tricks. The threats. Think? He'd figured the solution long ago, only he hadn't allowed himself to see it. Not lack of brains, lack of guts. Well, he thought grimly, dialing Piltdon's number, he was going through with it now. "Piltdon!" he barked. "Three p.m. tomorrow. My place. Be here. That's all." He hung up. In the same grim mood the following morning, he placed a few more calls. In the same mood that afternoon he stood in the middle of his living-room and looked at his visitors: Piltdon, Williams, the Government man; Billings from the Van Terrel Foundation; Steiner of Westchester University; the members of the press. "Gentlemen," he said. "I'll make it brief." He waved the papers in his hand. "Here is everything I know about what I call the Feetch Effect, including plans and specifications for the New Type Super-Opener. All of you have special reasons for being keenly interested in this information. I am now going to give a copy to each of you, providing one condition is met by Mr. Piltdon." He stared at Piltdon. "In short, I want fifty-one per cent of the stock of Piltdon Opener." Piltdon leaped from his chair. "Outrageous!" He roared. "Ridiculous!" "Fifty-one percent," said Feetch firmly. "Don't bother with any counterproposals or the interview is at an end." "Gentlemen!" squawked Piltdon, "I appeal to you—" "Stop bluffing," said Feetch coldly. "There's no other way out for you. Otherwise you're ruined. Here, sign this agreement." Piltdon threw the paper to the floor and screamed: "Gentlemen, will you be a party to this?" "Well," murmured the Government man, "I never did think Feetch got a fair shake." "This information is important to science," said the Van Terrel man. After Piltdon had signed, the papers were distributed. Published in the newspapers the following day, Feetch's statement read, in part: "The motion in space and time of the singular curvilinear proportions of the original Super-Opener combined with the capacitor effect built up as it increased its frictional electro-static charge in inverse proportion to the cube root of the tolerance between the involute teeth caused an instantaneous disruption of what I call the Alpha multi-dimensional screen. The can, being metallic, dropped through, leaving its non-metallic contents behind. The disruption was instantly repaired by the stable nature of the screen. "Beyond the screen is what I call Alpha space, a space apparently quite as extensive as our own universe. Unfortunately, as my investigations indicated, Alpha space seems to be thickly inhabited. These inhabitants, the nature of whom I have not yet ascertained, obviously resented the intrusion of the cans, developed a method of disrupting the screen from their side, and hurled the cans back at us. "However, I have established the existence of other spaces up to Mu space, and suspect that others exist beyond that. Beta space, which is also adjacent to our own space, is devoid of any form of life. The New Type Super-Opener is designed to pass cans through the Beta screen. Beta space will safely absorb an infinite number of cans. "I sincerely and humbly venture the opinion that we are on the threshold of tremendous and mighty discoveries. It is my belief that possibly an infinite number of universes exist in a type of laminated block separated by screens. "Therefore, might it not be that an infinite number of laminated blocks exist—?" "Mr Feetch—" said Piltdon. Feetch looked up from his desk in the newly constructed Feetch Multi-Dimensional Development Division of the Piltdon Opener Company. "Piltdon, don't bother me about production. Production is your problem." "But Mr. Feetch—" "Get out," said Feetch. Piltdon blanched and left. "As I was saying, Hanson—" continued Feetch.
train	63875	[ "What isn't true of the red-headed girl?", "What doesn't describe Jaro?", "Which isn't true about the Mercurians?", "Which isn't true about Stanley?", "Why did Jaro sneak out of his hostelry?", "What does Peet seem to care about the most?", "What words best describe Miss Webb?", "Why did Jaro ask to meet Miss Webb?", "Who wanted Jaro dead?", "What's really happening on Mercury?" ]	[ [ "she was undercover", "she was sure her plan would succeed", "she was trying to set up an assassination", "she was kidnapped" ], [ "he's curious", "he's a murderer", "he'll do anything for money", "he's well-known on many planets" ], [ "they're peaceful people", "most want a revolution", "they can handle extreme heat ", "they can see well in the day" ], [ "he can play piano", "he works for Mr. Peet", "he cares about the Mercurians", "he's killed people before" ], [ "he wanted his money from Mr. Peet", "he wanted to meet Joan", "he was in need of more Latonka", "he wanted to figure out the mystery" ], [ "keeping all of his power and money", "the safety of all citizens on Mercury", "getting off of Mercury", "the people that work for him" ], [ "secretive and manipulative", "annoyed and rude", "witty and sarcastic", "careful and cautious" ], [ "He doesn't have anyone else to talk to", "He wants to know what's really going on", "He wants her to be an assassin", "He found her attractive" ], [ "Karfial Hodes", "Miss Mikhail and Miss Webb", "the Martian rebellion", "Stanley and Mr. Peet" ], [ "The Mercurians are rebelling against Peet and will do what it takes to get their freedom.", "Peet wants to sell his Lotonka Trust and get back to Earth.", "Karfial Hodes is taking hostages to win his battle against Terrestrials.", "Peet is lying to stop Earth from granting Mercurians their freedom." ] ]	[ 2, 3, 2, 3, 4, 1, 3, 2, 4, 4 ]	[ 0, 1, 1, 0, 1, 0, 1, 1, 0, 1 ]	Red Witch of Mercury By EMMETT McDOWELL Death was Jaro Moynahan's stock in trade, and every planet had known his touch. But now, on Mercury, he was selling his guns into the weirdest of all his exploits—gambling his life against the soft touch of a woman's lips. [Transcriber's Note: This etext was produced from Planet Stories Summer 1945. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] On the stage of Mercury Sam's Garden , a tight-frocked, limber-hipped, red-head was singing " The Lady from Mars ." The song was a rollicking, ribald ditty, a favorite of the planters and miners, the space pilots and army officers who frequented the garden. The girl rendered it with such gusto that the audience burst into a roar of applause. She bent her head in acknowledgment so that her bronze red hair fell down about her face. There was perspiration on her upper lip and temples. Her crimson mouth wore a fixed smile. Her eyes were frightened. The man, who had accompanied the singer on the piano, sat at the foot of the stage, his back to the crowded tables. He did not look up at the singer but kept his pale, immature face bent over the keys, while his fingers lightly, automatically picked out the tune. Sweat trickled down the back of his neck, plastered his white coat to his back. Without looking up, he said: "Have you spotted him?" His voice was pitched to reach the singer alone. The girl, with an almost imperceptible gesture, shook her head. The night was very hot; but then it is always hot on Mercury, the newest, the wildest, the hottest of Earth's frontiers. Fans spaced about the garden's walls sluggishly stirred the night air, while the men and women sitting at the tables drank heavily of Latonka, the pale green wine of Mercury. Only the native waiters, the enigmatic, yellow-eyed Mercurians, seemed unaffected by the heat. They didn't sweat at all. Up on the stage the singer was about to begin another number when she stiffened. "Here he is," she said to the pianist without moving her lips. The pianist swung around on his stool, lifted his black eyes to the gate leading to the street. Just within the entrance, a tall, thin man was standing. He looked like a gaunt gray wolf loitering in the doorway. His white duraloes suit hung faultlessly. His black hair was close-cropped, his nose thin and aquiline. For a moment he studied the crowded garden before making his way to a vacant table. "Go on," said the pianist in a flat voice. The red-head shivered. Stepping from the stage she picked her way through the tables until she came to the one occupied by the newcomer. "May I join you?" she asked in a low voice. The man arose. "Of course. I was expecting you. Here, sit down." He pulled out a chair, motioned for the waiter. The Mercurian, his yellow incurious eyes like two round topazes, sidled up. "Bring us a bottle of Latonka from the Veederman region, well iced." The waiter slipped away. "So," said the red-head; "you have come. I did not think you would be in time." Her hands were clenched in her lap. The knuckles were white. The man said nothing. "I did not want to call you in, Jaro Moynahan." It was the first time she had used his name. "You have the reputation of being unpredictable. I don't trust you, but since...." She stopped as the waiter placed glasses on the table and deftly poured the pale green wine. The man, Jaro Moynahan, raised his glass. "Here's to the revolution," he said. His low voice carried an odd, compelling note. His eyes, light blue and amused, were pale against his brown face. The girl drew in her breath. "No! Mercury is not ready for freedom. Only a handful of fanatics are engineering the revolution. The real Mercurian patriots are against it, but they are afraid to protest. You've got to believe me. The revolution is scheduled to break during the Festival of the Rains. If it does, the Terrestrials here will be massacred. The Mercurians hate them. We haven't but a handful of troops." Jaro Moynahan wiped the sweat from his forehead with a fine duraweb handkerchief. "I had forgotten how abominably hot it can be here." The girl ignored the interruption. "There is one man; he is the leader, the very soul of the revolution. The Mercurians worship him. They will do whatever he says. Without him they would be lost. He is the rebel, Karfial Hodes. I am to offer you ten thousand Earth notes to kill Karfial Hodes." Jaro Moynahan refilled their empty glasses. He was a big man, handsome in a gaunt fashion. Only his eyes were different. They were flat and a trifle oblique with straight brows. The pupils were a pale and penetrating blue that could probe like a surgeon's knife. Now he caught the girl's eyes and held them with his own as a man spears a fish. "Why call me all the way from Mars for that? Why not have that gunman at the piano rub Hodes out?" The girl started, glanced at the pianist, said with a shiver: "We can't locate Karfial Hodes. Don't look at me that way, Jaro. You frighten me. I'm telling the truth. We can't find him. That's why we called you. You've got to find him, Jaro. He's stirring up all Mercury." "Who's putting up the money?" "I can't tell you." "Ah," said Jaro Moynahan; "so that's the way it is." "That's the way it is." "There isn't much time," he said after a moment. "The Rains are due any day now." "No," the girl replied. "But we think he's here in the city." "Why? What makes you think that?" "He was seen," she began, then stopped with a gasp. The lights had gone out. It was as unexpected as a shot in the back. One moment the garden was glowing in light, the next the hot black night swooped down on the revelers, pressing against their eyes like dark wool. The fans about the walls slowed audibly and stopped. It grew hotter, closer. Jaro Moynahan slipped sideways from the table. He felt something brush his sleeve. Somewhere a girl giggled. "What's coming off here?" growled a petulant male voice. Other voices took up the plaint. Across the table from Jaro there was the feel of movement; he could sense it. An exclamation was suddenly choked off as if a hand had been clamped over the girl's mouth. "Red!" said Jaro in a low voice. There was no answer. "Red!" he repeated, louder. Unexpectedly, the deep, ringing voice of Mercury Sam boomed out from the stage. "It's all right. The master fuse blew out. The lights will be on in a moment." On the heels of his speech the lights flashed on, driving the night upward. The fans recommenced their monotonous whirring. Jaro Moynahan glanced at the table. The red-headed singer was gone. So was the pianist. Jaro Moynahan sat quietly back down and poured himself another glass of Latonka. The pale green wine had a delicate yet exhilarating taste. It made him think of cool green grapes beaded with dew. On the hot, teeming planet of Mercury it was as refreshing as a cold plunge. He wondered who was putting up the ten thousand Earth notes? Who stood to lose most in case of a revolution? The answer seemed obvious enough. Who, but Albert Peet. Peet controlled the Latonka trade for which there was a tremendous demand throughout the Universe. And what had happened to the girl. Had the rebels abducted her. If so, he suspected that they had caught a tartar. The Red Witch had the reputation of being able to take care of herself. He beckoned a waiter, paid his bill. As the Mercurian started to leave, a thought struck Jaro. These yellow-eyed Mercurians could see as well in the dark as any alley-prowling cat. For centuries they had lived most their lives beneath ground to escape the terrible rays of the sun. Only at night did they emerge to work their fields and ply their trades. He peeled off a bill, put it in the waiter's hands. "What became of the red-headed singer?" The Mercurian glanced at the bill, then back at the Earthman. There was no expression in his yellow eyes. "She and the man, the queer white one who plays the piano, slipped out the gate to the street." Jaro shrugged, dismissed the waiter. He had not expected to get much information from the waiter, but he was not a man to overlook any possibility. If the girl had been abducted, only Mercurians could have engineered it in the dark; and the Mercurians were a clannish lot. Back on the narrow alley-like street Jaro Moynahan headed for his hostelry. By stretching out his arms he could touch the buildings on either side: buildings with walls four feet thick to keep out the heat of the sun. Beneath his feet, he knew, stretched a labyrinth of rooms and passages. Somewhere in those rat-runs was Karfial Hodes, the revolutionist, and the girl. At infrequent intervals green globes cut a hole in the night, casting a faint illumination. He had just passed one of these futile street lamps when he thought he detected a footfall behind him. It was only the whisper of a sound, but as he passed beyond the circle of radiation, he flattened himself in a doorway. Nothing stirred. There was no further sound. Again he started forward, but now he was conscious of shadows following him. They were never visible, but to his trained ears there came stealthy, revealing noises: the brush of cloth against the baked earth walls, the sly shuffle of a step. He ducked down a bisecting alley, faded into a doorway. Immediately all sounds of pursuit stopped. But as soon as he emerged he was conscious again of the followers. In the dense, humid night, he was like a blind man trying to elude the cat-eyed Mercurians. Jaro Moynahan In the East a sullen red glow stained the heavens like the reflection of a fire. The Mercurian dawn was about to break. With an oath, he set out again for his hostelry. He made no further effort to elude the followers. Once back in his room, Jaro Moynahan stripped off his clothes, unbuckled a shoulder holster containing a compressed air slug gun, stepped under the shower. His body was lean and brown as his face and marked with innumerable scars. There were small round puckered scars and long thin ones, and his left shoulder bore the unmistakable brownish patch of a ray burn. Stepping out of the shower, he dried, rebuckled on the shoulder holster, slipped into pajamas. The pajamas were blue with wide gaudy stripes. Next he lit a cigarette and stretching out on the bed began to contemplate his toes with singular interest. He had, he supposed, killed rather a lot of men. He had fought in the deadly little wars of the Moons of Jupiter for years, then the Universal Debacle of 3368, after that the Martian Revolution as well as dozens of skirmishes between the Federated Venusian States. No, there was little doubt but that he had killed quite a number of men. But this business of hunting a man through the rat-runs beneath the city was out of his line. Furthermore, there was something phony about the entire set up. The Mercurians, he knew, had been agitating for freedom for years. Why, at this time when the Earth Congress was about to grant them self-government, should they stage a revolution? A loud, authoritative rapping at the door interrupted further speculation. He swung his bare feet over the edge of the bed, stood up and ground out his cigarette. Before he could reach the door the rapping came again. Throwing off the latch, he stepped back, balancing on the balls of his feet. "Come in," he called. The door swung open. A heavy set man entered, shut and locked the door, then glanced around casually. His eyes fastened on Jaro. He licked his lips. "Mr. Moynahan, the—ah—professional soldier, I believe." His voice was high, almost feminine. "I'm Albert Peet." He held out a fat pink hand. Jaro said nothing. He ignored the hand, waited, poised like a cat. Mr. Peet licked his lips again. "I have come, Mr. Moynahan, on a matter of business, urgent business. I had not intended to appear in this matter. I preferred to remain behind the scenes, but the disappearance of Miss Mikail has—ah—forced my hand." He paused. Jaro still said nothing. Miss Mikail must be the red-headed singer, whom at different times he had known under a dozen different aliases. He doubted that even she remembered her right name. "Miss Mikail made you a proposition?" Albert Peet's voice was tight. "Yes," said Jaro. "You accepted?" "Why, no. As it happened she was abducted before I had the chance." Mr. Peet licked his lips. "But you will, surely you will. Unless Karfial Hodes is stopped immediately there will be a bloody uprising all over the planet during the Festival of the Rains. Earth doesn't realize the seriousness of the situation." "Then I was right; it is you who are putting up the ten thousand Earth notes." "Not entirely," said Peet uncomfortably. "There are many of us here, Mercurians as well as Earthmen, who recognize the danger. We have—ah—pooled our resources." "But you stand to lose most in case of a successful revolution?" "Perhaps. I have a large interest in the Latonka trade. It is—ah—lucrative." Jaro Moynahan lit a cigarette, sat down on the edge of the bed. "Why beat about the bush," he asked with a sudden grin. "Mr. Peet, you've gained control of the Latonka trade. Other Earthmen are in control of the mines and the northern plantations. Together you form perhaps the strongest combine the Universe has ever seen. You actually run Mercury, and you've squeezed out every possible penny. Every time self-government has come before the Earth Congress you've succeeded in blocking it. You are, perhaps, the most cordially-hated group anywhere. I don't wonder that you are afraid of a revolution." Mr. Peet took out a handkerchief and mopped his forehead. "Fifteen thousand Earth notes I can offer you. But no more. That is as high as I can go." Jaro laughed. "How did you know Red had been kidnapped?" "We have a very efficient information system. I had the report of Miss Mikail's abduction fifteen minutes after the fact." Jaro raised his eyebrows. "Perhaps then you know where she is?" Mr. Peet shook his head. "No. Karfial Hodes' men abducted her." A second rapping at the door caused them to exchange glances. Jaro went to the door, opened it. The pianist at the gardens was framed in the entrance. His black eyes burned holes in his pale boyish face. His white suit was blotched with sweat and dirt. "They told me Mr. Peet was here," he said. "It's for you," said Jaro over his shoulder. Mr. Peet came to the door. "Hello, Stanley. I thought Hodes had you? Where's Miss Mikail?" "I got away. Look, Mr. Peet, I got to see you alone." Albert Peet said, "Would you excuse me, Mr. Moynahan?" He licked his lips. "I'll just step out into the hall a moment." He went out, drawing the door shut after him. Jaro lit a cigarette. He padded nervously back and forth across the room, his bare feet making no noise. He sat down on the edge of the bed. He got up and ground out the cigarette. He went to the door, but did not open it. Instead, he took another turn about the room. Again he came to a halt before the door, pressed his ear against the panel. For a long time he listened but could distinguish no murmur of voices. With an oath he threw open the door. The hall was empty. II Jaro returned to his room, stripped off his pajamas, climbed back into his suit. He tested the slug gun. It was a flat, ugly weapon which hurled a slug the size of a quarter. He preferred it because, though he seldom shot to kill, it stopped a man like a well placed mule's hoof. He adjusted the gun lightly in its holster in order that it wouldn't stick if he were called upon to use it in a hurry. Then he went out into the hall. At the desk he inquired if any messages had come for him. There were none, but the clerk had seen Mr. Peet with a young fellow take the incline to the underground. Above the clerk's head a newsograph was reeling off the current events almost as soon as they happened. Jaro read: " Earth Congress suspends negotiations on Mercurian freedom pending investigation of rumored rebellion. Terrestrials advised to return to Earth. Karfial Hodes, Mercurian patriot, being sought. " Jaro descended the incline to the network of burrows which served as streets during the flaming days. Here in the basements and sub-basements were located the shops and dram houses where the Mercurians sat around little tables drinking silently of the pale green Latonka. The burrows were but poorly lit, the natives preferring the cool gloom, and Jaro had to feel his way, rubbing shoulders with the strange, silent populace. But when he reached the Terrestrial quarter of the city, bright radoxide lights took the place of the green globes, and there was a sprinkling of Colonial guards among the throng. Jaro halted before a door bearing a placard which read: "LATONKA TRUST" He pushed through the door into a rich carpeted reception room. At the far end was a second door beside which sat a desk, door and desk being railed off from the rest of the office. The door into Albert Peet's inner sanctum was ajar. Jaro could distinguish voices; then quite clearly he heard Albert Peet say in a high girlish tone: "Stanley, I thought I left you in the native quarter. Why did you follow me? How many times have I told you never to come here?" The reply was unintelligible. Then the pale-faced young man came through the door shutting it after himself. At the sight of Jaro Moynahan he froze. "What're you sneaking around here for?" Jaro settled himself warily, his light blue eyes flicking over the youth. "Let's get this straight," he said mildly. "I've known your kind before. Frankly, ever since I saw you I've had to repress a desire to step on you as I might a spider." The youth's black eyes were hot as coals, his fingers twitching. His hands began to creep upward. "You dirty ..." he began, but he got no further. Jaro Moynahan shot him in the shoulder. The compressed air slug gun had seemed to leap into Jaro's hand. The big slug, smacked the gunman's shoulder with a resounding thwack, hurled him against the wall. Jaro vaulted the rail, deftly relieved him of two poisoned needle guns. "I'll get you for this," said Stanley, his mouth twisted in pain. "You've broken my shoulder. I'll kill you." The door to the inner sanctum swung open. "What's happened?" cried Albert Peet in distress. "What's wrong with you, Stanley?" "This dirty slob shot me in the shoulder." "But how badly?" Peet was wringing his hands. "Nothing serious," said Jaro. "He'll have his arm in a sling for a while. That's all." "Stanley," said Mr. Peet. "You're bleeding all over my carpet. Why can't you go in the washroom. There's a tile floor in there. If you hadn't disobeyed this wouldn't have happened. You and your fights. Has anyone called a doctor? Where's Miss Webb? Miss Webb! Oh, Miss Webb! That girl. Miss Webb!" Stanley climbed to his feet, swayed a moment drunkenly, then wobbled out a door on the left just as a tall brunette hurried in from the right. She had straight black hair which hung not quite to her shoulders, and dark brown eyes, and enough of everything else to absorb Jaro's attention. "Oh!" exclaimed Miss Webb as she caught sight of the blood staining the carpet. Joan Webb "There's been an—ah—accident," said Mr. Peet, and he licked his lips. "Call a doctor, Miss Webb." Miss Webb raised an eyebrow, went to the visoscreen. In a moment she had tuned in the prim starched figure of a nurse seated at a desk. "Could Dr. Baer rush right over here? There's been an accident." "Rush over where?" said the girl in the visoscreen. "These gadgets aren't telepathic, honey." "Oh," said Miss Webb, "the offices of the Latonka Trust." The girl in the visoscreen thawed like ice cream in the sun. "I'm sure Dr. Baer can come. He'll be there in a moment." "Thank you," said Miss Webb. She flicked the machine off, then added: "You trollop." Mr. Peet regarded Jaro Moynahan with distress. "Really, Mr. Moynahan, was it necessary to shoot Stanley? Isn't that—ah—a little extreme? I'm afraid it might incapacitate him, and I had a job for him." "Oh," cried Miss Webb, her brown eyes crackling. "Did you shoot that poor boy? Aren't you the big brave man?" "Poor boy?" said Jaro mildly. "Venomous little rattlesnake. I took these toys away from him." He held out the poisoned dart guns. "You take them, Mr. Peet. Frankly, they give me the creeps. They might go off. A scratch from one of those needles would be enough." Mr. Peet accepted the guns gingerly. He held them as if they might explode any minute. He started to put them in his pocket, thought better of it, glanced around helplessly. "Here, Miss Webb," he said, "do something with these. Put them in my desk." Miss Webb's eyes grew round as marbles. "I wouldn't touch one of those nasty little contraptions for all the Latonka on Mercury." "Here, I'll take them," said Stanley coming back into the room. He had staunched the flow of blood. His face was even whiter, if possible. Jaro eyed him coldly as with his good hand the youth dropped the dart guns back into their holsters. "Act like you want to use those and I'll put a slug in your head next time." "Now, Mr. Moynahan." Mr. Peet licked his lips nervously. "Stanley, go into my office. The doctor will be here in a moment. Miss Webb, you may go home. I'll have no more work for you today." Albert Peet led Stanley through the door. Jaro and Miss Webb were alone. With his eye on the door, Jaro said: "When you go out, turn left toward the native quarter. Wait for me in the first grog shop you come to." Miss Webb raised her eyebrows. "What's this? A new technique?" "Look," began Jaro annoyed. "My eyes are practically popping out of my head now," she interrupted. "Another morning like this and I take the first space liner back to Earth." She jammed her hat on backward, snatched her bag from the desk drawer. "I'm not trying to pick you up. This is...." "How disappointing." Jaro began again patiently. "Wait for me in the first grog shop. There's something I must know. It's important." He cleared his throat. "Don't you find the heat rather uncomfortable, Miss Webb. But perhaps you've become accustomed to it." Mr. Peet came back into the room. "Why, no, I mean yes," replied Miss Webb, a blank expression in her eyes. "Goodbye, Miss Webb," said Mr. Peet firmly. Jaro grinned and winked at her. Miss Webb tottered out of the room. As the door closed behind the girl, Albert Peet licked his lips, said: "Mr. Moynahan, I suppose my disappearance back at your room requires some explanation. But the fact is that Stanley brought an important bit of news." He paused. Jaro said nothing. "You might be interested to know that Miss Mikail is quite safe. Karfial Hodes has her, but Stanley assures me she will be quite safe." Again he paused. As Jaro remained silent, his neck mottled up pinkly. "The fact is, Mr. Moynahan, that we won't need you after all. I realize that we've put you to considerable trouble and we're prepared to pay you whatever you believe your time is worth. Say five hundred Earth notes?" "That's fair enough," replied Jaro. Albert Peet sighed. "I have the check made out." "Only," continued Jaro coldly, "I'm not ready to be bought off. I think I'll deal myself a hand in this game." Mr. Peet's face fell. "You won't reconsider?" "Sorry," said Jaro; "but I've got a date. I'm late now." He started to leave. "Stanley!" called Albert Peet. The pale-faced young man appeared in the doorway, the dart gun in his good hand. Jaro Moynahan dropped on his face, jerking out his slug gun as he fell. There was a tiny plop like a cap exploding. He heard the whisper of the poisoned dart as it passed overhead. Then he fired from the floor. The pale-faced young man crumpled like an empty sack. Jaro got up, keeping an eye on Albert Peet, brushed off his knees. "You've killed him," said Peet. "If I were you, Mr. Moynahan, I would be on the next liner back to Earth." Without answering, Jaro backed watchfully from the room. Once Jaro Moynahan had regained the street, he mopped his forehead with his handkerchief. Whatever was going on, these boys played for keeps. Warily he started down the passage toward the native quarter. At the first basement grog shop he turned in. His eyes swept the chamber, then he grinned. At a corner table, a tall glass of Latonka before her, sat Miss Webb. Her hat was still on backwards, and she was perched on the edge of her chair as if ready to spring up and away like a startled faun. " Bang! " said Jaro coming up behind her and poking a long brown finger in the small of her back. Miss Webb uttered a shriek, jerked so violently that her hat tilted over one eye. She regarded him balefully from beneath the brim. "Never a dull moment," she gritted. Still grinning, Jaro sat down. "I'm Jaro Moynahan, Miss Webb. I think Albert Peet forgot to introduce us. There's some skullduggery going on here that I'm particularly anxious to get to the bottom of. I thought you might be able to help me." "Yes," replied Miss Webb sweetly. A native waiter, attracted no doubt by her scream, came over and took Jaro's order. "All right," Jaro smiled, but his pale blue eyes probed the girl thoughtfully. "I'll have to confide certain facts which might be dangerous for you to know. Are you game, Miss Webb?" "Since we're going to be so chummy," she replied; "you might begin by calling me Joan. You make me feel downright ancient." "Well then," he said. "In the first place, I just killed that baby-faced gunman your boss had in his office." " Awk! " said Joan, choking on the Latonka. "It was self-defense," he hastened to assure her. "He took a pot shot at me with that poisoned dart gun." "But the police!" she cried, as she caught her breath. "There'll never be an investigation. Albert Peet will see to that. I was called here on what I supposed was a legitimate revolution. Instead I was offered ten thousand Earth notes to assassinate the leader of the revolution." "What revolution? I'm going around in circles." "The Mercurians, of course." "I don't believe it," said the girl. "The Mercurians are the most peaceable people in the Universe. They've been agitating for freedom, yes. But they believe in passive resistance. I don't believe you could induce a Mercurian to kill, even in self-protection. That's why Albert Peet and the rest of the combine had such an easy time gaining control of the Latonka trade." "Score one," breathed Jaro, "I begin to see light. Miss Webb—ah, Joan—I've a notion that we're going to be a great team. How do you happen to be Albert Peet's private secretary?" "A gal's gotta eat. But the truth is, I was quitting. The Latonka Trust is almost on the rocks. Their stock has been dropping like a meteor." Jaro Moynahan raised his oblique brows but did not interrupt. "Albert Peet," she continued, "has been trying to sell out but nobody will touch the stock, not since it looks as if the Earth Congress is going to grant the Mercurians their freedom. Everybody knows that the first thing the Mercurians will do, will be to boot out the Latonka Trust." "What about this Karfial Hodes?" said Jaro. "I've heard that he's inciting the Mercurians to rebellion. The newscaster had a line about the revolution too. The government has advised all Terrestrials to return to Earth." "It's not true," Joan flared. "It's all a pack of lies invented by the Latonka Trust. I know." "But I should think rumors like that would run down the Latonka stock."
train	61081	[ "How did Orison feel on the first day of her job?", "Would Orison be able to go out until midnight?", "Who seems to be the only person that Orison seems to trust at the bank?", "Which best describes Orison's personality?", "Why did Orison say that she quit?", "What is Orison's main reason for going to floor seven?", "What are Microfabridae?", "Does Orison know what is taking place at the bank?" ]	[ [ "confused about her job duties", "frustrated with the other women that worked there", "excited about such a large raise", "in love with the quirkiness of the employees" ], [ "No - she needed to be in her bed before then", "No - she works too early in the morning to be out so late", "Yes - she has no curfew", "Yes - Mr. Gerding will probably take her dancing far later" ], [ "Dink Gerding", "Kraft Gerding", "no one - they all seem suspicious", "Auga Vingt" ], [ "smart and bossy", "patient and polite", "kind and innocent", "curious and confident" ], [ "She was frustrated with her visitors", "She didn't understand her job", "She didn't like reading every day", "Kraft was being rude to her" ], [ "To figure out what escudo green meant", "To have a good reason to get fired", "To find out what else is happening at the bank", "To give Dink a message" ], [ "tiny crustaceans that eat calcium and metals", "tiny crustaceans that they're breeding for profit", "tiny spiders that eat people", "tiny spiders that create tiny webs" ], [ "Yes - Dink is very open and honest with her", "No - there are many secrets and oddities", "Yes - she's a very smart woman", "No - no one will tell her anything" ] ]	[ 1, 1, 1, 4, 1, 3, 1, 2 ]	[ 0, 0, 1, 1, 0, 0, 0, 0 ]	CINDERELLA STORY By ALLEN KIM LANG What a bank! The First Vice-President was a cool cat—the elevator and the money operators all wore earmuffs—was just as phony as a three-dollar bill! [Transcriber's Note: This etext was produced from Worlds of If Science Fiction, May 1961. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] I The First Vice-President of the William Howard Taft National Bank and Trust Company, the gentleman to whom Miss Orison McCall was applying for a job, was not at all the public picture of a banker. His suit of hound's-tooth checks, the scarlet vest peeping above the vee of his jacket, were enough to assure Orison that the Taft Bank was a curious bank indeed. "I gotta say, chick, these references of yours really swing," said the Vice-President, Mr. Wanji. "Your last boss says you come on real cool in the secretary-bit." "He was a very kind employer," Orison said. She tried to keep from staring at the most remarkable item of Mr. Wanji's costume, a pair of furry green earmuffs. It was not cold. Mr. Wanji returned to Orison her letters of reference. "What color bread you got eyes for taking down, baby?" he asked. "Beg pardon?" "What kinda salary you bucking for?" he translated, bouncing up and down on the toes of his rough-leather desert boots. "I was making one-twenty a week in my last position," Miss McCall said. "You're worth more'n that, just to jazz up the decor," Mr. Wanji said. "What you say we pass you a cee-and-a-half a week. Okay?" He caught Orison's look of bewilderment. "One each, a Franklin and a Grant," he explained further. She still looked blank. "Sister, you gonna work in a bank, you gotta know who's picture's on the paper. That's a hunnerd-fifty a week, doll." "That will be most satisfactory, Mr. Wanji," Orison said. It was indeed. "Crazy!" Mr. Wanji grabbed Orison's right hand and shook it with athletic vigor. "You just now joined up with our herd. I wanna tell you, chick, it's none too soon we got some decent scenery around this tomb, girlwise." He took her arm and led her toward the bank of elevators. The uniformed operator nodded to Mr. Wanji, bowed slightly to Orison. He, too, she observed, wore earmuffs. His were more formal than Mr. Wanji's, being midnight blue in color. "Lift us to five, Mac," Mr. Wanji said. As the elevator door shut he explained to Orison, "You can make the Taft Bank scene anywhere between the street floor and floor five. Basement and everything higher'n fifth floor is Iron Curtain Country far's you're concerned. Dig, baby?" "Yes, sir," Orison said. She was wondering if she'd be issued earmuffs, now that she'd become an employee of this most peculiar bank. The elevator opened on five to a tiny office, just large enough to hold a single desk and two chairs. On the desk were a telephone and a microphone. Beside them was a double-decked "In" and "Out" basket. "Here's where you'll do your nine-to-five, honey," Mr. Wanji said. "What will I be doing, Mr. Wanji?" Orison asked. The Vice-President pointed to the newspaper folded in the "In" basket. "Flip on the microphone and read the paper to it," he said. "When you get done reading the paper, someone will run you up something new to read. Okay?" "It seems a rather peculiar job," Orison said. "After all, I'm a secretary. Is reading the newspaper aloud supposed to familiarize me with the Bank's operation?" "Don't bug me, kid," Mr. Wanji said. "All you gotta do is read that there paper into this here microphone. Can do?" "Yes, sir," Orison said. "While you're here, Mr. Wanji, I'd like to ask you about my withholding tax, social security, credit union, coffee-breaks, union membership, lunch hour and the like. Shall we take care of these details now? Or would you—" "You just take care of that chicken-flickin' kinda stuff any way seems best to you, kid," Mr. Wanji said. "Yes, sir," Orison said. This laissez-faire policy of Taft Bank's might explain why she'd been selected from the Treasury Department's secretarial pool to apply for work here, she thought. Orison McCall, girl Government spy. She picked up the newspaper from the "In" basket, unfolded it to discover the day's Wall Street Journal , and began at the top of column one to read it aloud. Wanji stood before the desk, nodding his head as he listened. "You blowing real good, kid," he said. "The boss is gonna dig you the most." Orison nodded. Holding her newspaper and her microphone, she read the one into the other. Mr. Wanji flicked his fingers in a good-by, then took off upstairs in the elevator. By lunchtime Orison had finished the Wall Street Journal and had begun reading a book an earmuffed page had brought her. The book was a fantastic novel of some sort, named The Hobbit . Reading this peculiar fare into the microphone before her, Miss McCall was more certain than ever that the Taft Bank was, as her boss in Washington had told her, the front for some highly irregular goings-on. An odd business for a Federal Mata Hari, Orison thought, reading a nonsense story into a microphone for an invisible audience. Orison switched off her microphone at noon, marked her place in the book and took the elevator down to the ground floor. The operator was a new man, ears concealed behind scarlet earmuffs. In the car, coming down from the interdicted upper floors, were several gentlemen with briefcases. As though they were members of a ballet-troupe, these gentlemen whipped off their hats with a single motion as Orison stepped aboard the elevator. Each of the chivalrous men, hat pressed to his heart, wore a pair of earmuffs. Orison nodded bemused acknowledgment of their gesture, and got off in the lobby vowing never to put a penny into this curiousest of banks. Lunch at the stand-up counter down the street was a normal interlude. Girls from the ground-floor offices of Taft Bank chattered together, eyed Orison with the coolness due so attractive a competitor, and favored her with no gambit to enter their conversations. Orison sighed, finished her tuna salad on whole-wheat, then went back upstairs to her lonely desk and her microphone. By five, Orison had finished the book, reading rapidly and becoming despite herself engrossed in the saga of Bilbo Baggins, Hobbit. She switched off the microphone, put on her light coat, and rode downstairs in an elevator filled with earmuffed, silent, hat-clasping gentlemen. What I need, Orison thought, walking rapidly to the busline, is a double Scotch, followed by a double Scotch. And what the William Howard Taft National Bank and Trust Company needs is a joint raid by forces of the U.S. Treasury Department and the American Psychiatric Association. Earmuffs, indeed. Fairy-tales read into a microphone. A Vice-President with the vocabulary of a racetrack tout. And what goes on in those upper floors? Orison stopped in at the restaurant nearest her apartment house—the Windsor Arms—and ordered a meal and a single Martini. Her boss in Washington had told her that this job of hers, spying on Taft Bank from within, might prove dangerous. Indeed it was, she thought. She was in danger of becoming a solitary drinker. Home in her apartment, Orison set the notes of her first day's observations in order. Presumably Washington would call tonight for her initial report. Item: some of the men at the Bank wore earmuffs, several didn't. Item: the Vice-President's name was Mr. Wanji: Oriental? Item: the top eight floors of the Taft Bank Building seemed to be off-limits to all personnel not wearing earmuffs. Item: she was being employed at a very respectable salary to read newsprint and nonsense into a microphone. Let Washington make sense of that, she thought. In a gloomy mood, Orison McCall showered and dressed for bed. Eleven o'clock. Washington should be calling soon, inquiring after the results of her first day's spying. No call. Orison slipped between the sheets at eleven-thirty. The clock was set; the lights were out. Wasn't Washington going to call her? Perhaps, she thought, the Department had discovered that the Earmuffs had her phone tapped. "Testing," a baritone voice muttered. Orison sat up, clutching the sheet around her throat. "Beg pardon?" she said. "Testing," the male voice repeated. "One, two, three; three, two, one. Do you read me? Over." Orison reached under the bed for a shoe. Gripping it like a Scout-ax, she reached for the light cord with her free hand and tugged at it. The room was empty. "Testing," the voice repeated. "What you're testing," Orison said in a firm voice, "is my patience. Who are you?" "Department of Treasury Monitor J-12," the male voice said. "Do you have anything to report, Miss McCall?" "Where are you, Monitor?" she demanded. "That's classified information," the voice said. "Please speak directly to your pillow, Miss McCall." Orison lay down cautiously. "All right," she whispered to her pillow. "Over here," the voice instructed her, coming from the unruffled pillow beside her. Orison transferred her head to the pillow to her left. "A radio?" she asked. "Of a sort," Monitor J-12 agreed. "We have to maintain communications security. Have you anything to report?" "I got the job," Orison said. "Are you ... in that pillow ... all the time?" "No, Miss McCall," the voice said. "Only at report times. Shall we establish our rendezvous here at eleven-fifteen, Central Standard Time, every day?" "You make it sound so improper," Orison said. "I'm far enough away to do you no harm, Miss McCall," the monitor said. "Now, tell me what happened at the bank today." Orison briefed her pillow on the Earmuffs, on her task of reading to a microphone, and on the generally mimsy tone of the William Howard Taft National Bank and Trust Company. "That's about it, so far," she said. "Good report," J-12 said from the pillow. "Sounds like you've dropped into a real snakepit, beautiful." "How do you know ... why do you think I'm beautiful?" Orison asked. "Native optimism," the voice said. "Good night." J-12 signed off with a peculiar electronic pop that puzzled Orison for a moment. Then she placed the sound: J-12 had kissed his microphone. Orison flung the shoe and the pillow under her bed, and resolved to write Washington for permission to make her future reports by registered mail. II At ten o'clock the next morning, reading page four of the current Wall Street Journal , Orison was interrupted by the click of a pair of leather heels. The gentleman whose heels had just slammed together was bowing. And she saw with some gratification that he was not wearing earmuffs. "My name," the stranger said, "is Dink Gerding. I am President of this bank, and wish at this time to welcome you to our little family." "I'm Orison McCall," she said. A handsome man, she mused. Twenty-eight? So tall. Could he ever be interested in a girl just five-foot-three? Maybe higher heels? "We're pleased with your work, Miss McCall," Dink Gerding said. He took the chair to the right of her desk. "It's nothing," Orison said, switching off the microphone. "On the contrary, Miss McCall. Your duties are most important," he said. "Reading papers and fairy-tales into this microphone is nothing any reasonably astute sixth-grader couldn't do as well," Orison said. "You'll be reading silently before long," Mr. Gerding said. He smiled, as though this explained everything. "By the way, your official designation is Confidential Secretary. It's me whose confidences you're to keep secret. If I ever need a letter written, may I stop down here and dictate it?" "Please do," Orison said. This bank president, for all his grace and presence, was obviously as kookie as his bank. "Have you ever worked in a bank before, Miss McCall?" Mr. Gerding asked, as though following her train of thought. "No, sir," she said. "Though I've been associated with a rather large financial organization." "You may find some of our methods a little strange, but you'll get used to them," he said. "Meanwhile, I'd be most grateful if you'd dispense with calling me 'sir.' My name is Dink. It is ridiculous, but I'd enjoy your using it." "Dink?" she asked. "And I suppose you're to call me Orison?" "That's the drill," he said. "One more question, Orison. Dinner this evening?" Direct, she thought. Perhaps that's why he's president of a bank, and still so young. "We've hardly met," she said. "But we're on a first-name basis already," he pointed out. "Dance?" "I'd love to," Orison said, half expecting an orchestra to march, playing, from the elevator. "Then I'll pick you up at seven. Windsor Arms, if I remember your personnel form correctly." He stood, lean, all bone and muscle, and bowed slightly. West Point? Hardly. His manners were European. Sandhurst, perhaps, or Saint Cyr. Was she supposed to reply with a curtsy? Orison wondered. "Thank you," she said. He was a soldier, or had been: the way, when he turned, his shoulders stayed square. The crisp clicking of his steps, a military metronome, to the elevator. When the door slicked open Orison, staring after Dink, saw that each of the half-dozen men aboard snapped off their hats (but not their earmuffs) and bowed, the earmuffed operator bowing with them. Small bows, true; just head-and-neck. But not to her. To Dink Gerding. Orison finished the Wall Street Journal by early afternoon. A page came up a moment later with fresh reading-matter: a copy of yesterday's Congressional Record . She launched into the Record , thinking as she read of meeting again this evening that handsome madman, that splendid lunatic, that unlikely bank-president. "You read so well , darling," someone said across the desk. Orison looked up. "Oh, hello," she said. "I didn't hear you come up." "I walk ever so lightly," the woman said, standing hip-shot in front of the desk, "and pounce ever so hard." She smiled. Opulent, Orison thought. Built like a burlesque queen. No, she thought, I don't like her. Can't. Wouldn't if I could. Never cared for cats. "I'm Orison McCall," she said, and tried to smile back without showing teeth. "Delighted," the visitor said, handing over an undelighted palm. "I'm Auga Vingt. Auga, to my friends." "Won't you sit down, Miss Vingt?" "So kind of you, darling," Auga Vingt said, "but I shan't have time to visit. I just wanted to stop and welcome you as a Taft Bank co-worker. One for all, all for one. Yea, Team. You know." "Thanks," Orison said. "Common courtesy," Miss Vingt explained. "Also, darling, I'd like to draw your attention to one little point. Dink Gerding—you know, the shoulders and muscles and crewcut? Well, he's posted property. Should you throw your starveling charms at my Dink, you'd only get your little eyes scratched out. Word to the wise, n'est-ce pas ?" "Sorry you have to leave so suddenly," Orison said, rolling her Wall Street Journal into a club and standing. "Darling." "So remember, Tiny, Dink Gerding is mine. You're all alone up here. You could get broken nails, fall down the elevator shaft, all sorts of annoyance. Understand me, darling?" "You make it very clear," Orison said. "Now you'd best hurry back to your stanchion, Bossy, before the hay's all gone." "Isn't it lovely, the way you and I reached an understanding right off?" Auga asked. "Well, ta-ta." She turned and walked to the elevator, displaying, Orison thought, a disgraceful amount of ungirdled rhumba motion. The elevator stopped to pick up the odious Auga. A passenger, male, stepped off. "Good morning, Mr. Gerding," Miss Vingt said, bowing. "Carry on, Colonel," the stranger replied. As the elevator door closed, he stepped up to Orison's desk. "Good morning. Miss McCall," he said. "What is this?" Orison demanded. "Visiting-day at the zoo?" She paused and shook her head. "Excuse me, sir," she said. "It's just that ... Vingt thing...." "Auga is rather intense," the new Mr. Gerding said. "Yeah, intense," Orison said. "Like a kidney-stone." "I stopped by to welcome you to the William Howard Taft National Bank and Trust Company family, Miss McCall," he said. "I'm Kraft Gerding, Dink's elder brother. I understand you've met Dink already." "Yes, sir," Orison said. The hair of this new Mr. Gerding was cropped even closer than Dink's. His mustache was gray-tipped, like a patch of frosted furze; and his eyes, like Dink's, were cobalt blue. The head, Orison mused, would look quite at home in one of Kaiser Bill's spike-topped Pickelhauben ; but the ears were in evidence, and seemed normal. Mr. Kraft Gerding bowed—what continental manners these bankers had!—and Orison half expected him to free her hand from the rolled-up paper she still clutched and plant a kiss on it. Instead, Kraft Gerding smiled a smile as frosty as his mustache and said, "I understand that my younger brother has been talking with you, Miss McCall. Quite proper, I know. But I must warn you against mixing business with pleasure." Orison jumped up, tossing the paper into her wastebasket. "I quit!" she shouted. "You can take this crazy bank ... into bankruptcy, for all I care. I'm not going to perch up here, target for every uncaged idiot in finance, and listen to another word." "Dearest lady, my humblest pardon," Kraft Gerding said, bowing again, a bit lower. "Your work is splendid; your presence is Taft Bank's most charming asset; my only wish is to serve and protect you. To this end, dear lady, I feel it my duty to warn you against my brother. A word to the wise...." " N'est-ce pas? " Orison said. "Well, Buster, here's a word to the foolish. Get lost." Kraft Gerding bowed and flashed his gelid smile. "Until we meet again?" "I'll hold my breath," Orison promised. "The elevator is just behind you. Push a button, will you? And bon voyage ." Kraft Gerding called the elevator, marched aboard, favored Orison with a cold, quick bow, then disappeared into the mysterious heights above fifth floor. First the unspeakable Auga Vingt, then the obnoxious Kraft Gerding. Surely, Orison thought, recovering the Wall Street Journal from her wastebasket and smoothing it, no one would convert a major Midwestern bank into a lunatic asylum. How else, though, could the behavior of the Earmuffs be explained? Could madmen run a bank? Why not, she thought. History is rich in examples of madmen running nations, banks and all. She began again to read the paper into the microphone. If she finished early enough, she might get a chance to prowl those Off-Limits upper floors. Half an hour further into the paper, Orison jumped, startled by the sudden buzz of her telephone. She picked it up. " Wanji e-Kal, Datto. Dink ger-Dink d'summa. " Orison scribbled down this intelligence in bemused Gregg before replying, "I'm a local girl. Try me in English." "Oh. Hi, Miss McCall," the voice said. "Guess I goofed. I'm in kinda clutch. This is Wanji. I got a kite for Mr. Dink Gerding. If you see him, tell him the escudo green is pale. Got that, doll?" "Yes, Mr. Wanji. I'll tell Mr. Gerding." Orison clicked the phone down. What now, Mata Hari? she asked herself. What was the curious language Mr. Wanji had used? She'd have to report the message to Washington by tonight's pillow, and let the polyglots of Treasury Intelligence puzzle it out. Meanwhile, she thought, scooting her chair back from her desk, she had a vague excuse to prowl the upper floors. The Earmuffs could only fire her. Orison folded the paper and put it in the "Out" basket. Someone would be here in a moment with something new to read. She'd best get going. The elevator? No. The operators had surely been instructed to keep her off the upstairs floors. But the building had a stairway. III The door on the sixth floor was locked. Orison went on up the stairs to seven. The glass of the door there was painted black on the inside, and the landing was cellar-dark. Orison closed her eyes for a moment. There was a curious sound. The buzzing of a million bees, barely within the fringes of her hearing. Somehow, a very pleasant sound. She opened her eyes and tried the knob. The door opened. Orison was blinded by the lights, brilliant as noonday sun. The room extended through the entire seventh floor, its windows boarded shut, its ceiling a mass of fluorescent lamps. Set about the floor were galvanized steel tanks, rectangular and a little bigger than bathtubs. Orison counted the rows of tanks. Twelve rows, nine tiers. One hundred and eight tanks. She walked closer. The tubs were laced together by strands of angel-hair, delicate white lattices scintillating with pink. She walked to the nearest of the tubs and looked in. It was half full of a greenish fluid, seething with tiny pink bubbles. For a moment Orison thought she saw Benjamin Franklin winking up at her from the liquid. Then she screamed. The pink bubbles, the tiny flesh-colored flecks glinting light from the spun-sugar bridges between the tanks, were spiders. Millions upon millions of spiders, each the size of a mustard-seed; crawling, leaping, swinging, spinning webs, seething in the hundred tanks. Orison put her hands over her ears and screamed again, backing toward the stairway door. Into a pair of arms. "I had hoped you'd be happy here, Miss McCall," Kraft Gerding said. Orison struggled to release herself. She broke free only to have her wrists seized by two Earmuffs that had appeared with the elder Gerding. "It seems that our Pandora doesn't care for spiders," he said. "Really, Miss McCall, our little pets are quite harmless. Were we to toss you into one of these tanks...." Orison struggled against her two sumo -sized captors, whose combined weights exceeded hers by some quarter-ton, without doing more than lifting her feet from the floor. "... your flesh would be unharmed, though they spun and darted all around you. Our Microfabridae are petrovorous, Miss McCall. Of course, once they discovered your teeth, and through them a skeleton of calcium, a delicacy they find most toothsome, you'd be filleted within minutes." "Elder Compassion wouldn't like your harming the girl, Sire," one of the earmuffed sumo -wrestlers protested. "Elder Compassion has no rank," Kraft Gerding said. "Miss McCall, you must tell me what you were doing here, or I'll toss you to the spiders." "Dink ... Dink!" Orison shouted. "My beloved younger brother is otherwise engaged than in the rescue of damsels in distress," Kraft said. "Someone, after all, has to mind the bank." "I came to bring a message to Dink," Orison said. "Let me go, you acromegalic apes!" "The message?" Kraft Gerding demanded. "Something about escudo green. Put me down!" Suddenly she was dropped. Her mountainous keepers were on the floor as though struck by lightning, their arms thrown out before them, their faces abject against the floor. Kraft Gerding was slowly lowering himself to one knee. Dink had entered the spider-room. Without questions, he strode between the shiko-ing Earmuffs and put his arms around Orison. "They can't harm you," he said. She turned to press her face against his chest. "You're all right, child. Breathe deep, swallow, and turn your brain back on. All right, now?" "All right," she said, still trembling. "They were going to throw me to the spiders." "Kraft told you that?" Dink Gerding released her and turned to the kneeling man. "Stand up, Elder Brother." "I...." Dink brought his right fist up from hip-level, crashing it into Kraft's jaw. Kraft Gerding joined the Earmuffs on the floor. "If you'd care to stand again, Elder Brother, you may attempt to recover your dignity without regard for the difference in our rank." Kraft struggled to one knee and remained kneeling, gazing up at Dink through half-closed eyes. "No? Then get out of here, all of you. Samma! " Kraft Gerding arose, stared for a moment at Dink and Orison, then, with the merest hint of a bow, led his two giant Earmuffs to the elevator. "I wish you hadn't come up here, Orison," Dink said. "Why did you do it?" "Have you read the story of Bluebeard?" Orison asked. She stood close to Dink, keeping her eyes on the nearest spidertank. "I had to see what it was you kept up here so secretly, what it was that I was forbidden to see. My excuse was to have been that I was looking for you, to deliver a message from Mr. Wanji. He said I was to tell you that the escudo green is pale." "You're too curious, and Wanji is too careless," Dink said. "Now, what is this thing you have about spiders?" "I've always been terrified of them," Orison said. "When I was a little girl, I had to stay upstairs all day one Sunday because there was a spider hanging from his thread in the stairway. I waited until Dad came home and took it down with a broom. Even then, I didn't have appetite for supper." "Strange," Dink said. He walked over to the nearest tank and plucked one of the tiny pink creatures from a web-bridge. "This is no spider, Orison," he said. She backed away from Dink Gerding and the minuscule creature he cupped in the palm of his hand. "These are Microfabridae, more nearly related to shellfish than to spiders," he said. "They're stone-and-metal eaters. They literally couldn't harm a fly. Look at it, Orison." He extended his palm. Orison forced herself to look. The little creature, flesh-colored against his flesh, was nearly invisible, scuttling around the bowl of his hand. "Pretty little fellow, isn't he?" Dink asked. "Here. You hold him." "I'd rather not," she protested. "I'd be happier if you did," Dink said. Orison extended her hand as into a furnace. Dink brushed the Microfabridus from his palm to hers. It felt crisp and hard, like a legged grain of sand. Dink took a magnifier from his pocket and unfolded it, to hold it over Orison's palm. "He's like a baby crawdad," Orison said. "A sort of crustacean," Dink agreed. "We use them in a commercial process we're developing. That's why we keep this floor closed off and secret. We don't have a patent on the use of Microfabridae, you see." "What do they do?" Orison asked. "That's still a secret," Dink said, smiling. "I can't tell even you that, not yet, even though you're my most confidential secretary." "What's he doing now?" Orison asked, watching the Microfabridus, perched up on the rear four of his six microscopic legs, scratching against her high-school class-ring with his tiny chelae. "They like gold," Dink explained, peering across her shoulder, comfortably close. "They're attracted to it by a chemical tropism, as children are attracted to candy. Toss him back into his tank, Orison. We'd better get you down where you belong." Orison brushed the midget crustacean off her finger into the nearest tank, where he joined the busy boil of his fellows. She felt her ring. It was pitted where the Microfabridus had been nibbling. "Strange, using crawdads in a bank," she said. She stood silent for a moment. "I thought I heard music," she said. "I heard it when I came in. Something like the sighing of wind in winter trees." "That's the hymn of the Microfabridae," Dink said. "They all sing together while they work, a chorus of some twenty million voices." He took her arm. "If you listen very carefully, you'll find the song these little workers sing the most beautiful music in the world." Orison closed her eyes, leaning back into Dink's arms, listening to the music that seemed on the outermost edge of her hearing. Wildness, storm and danger were its theme, counterpointed by promises of peace and harbor. She heard the wash of giant waves in the song, the crash of breakers against granite, cold and insatiable. And behind this, the quiet of sheltered tide-pools, the soft lub of sea-arms landlocked. "It's an ancient song," Dink said. "The Microfabridae have been singing it for a million years." He released her, and opened a wood-covered wooden box. He scooped up a cupful of the sand inside. "Hold out your hands," he told Orison. He filled them with the sand. "Throw our singers some supper for their song," he said. Orison went with her cupped hands to the nearest tank and sprinkled the mineral fishfood around inside it. The Microfabridae leaped from the liquid like miniature porpoises, seizing the grains of sand in mid-air. "They're so very strange," Orison said. At the bottom of the tank she thought she saw Ben Franklin again, winking at her through the bubbling life. Nonsense, she thought, brushing her hands.
train	61052	[ "In the beginning, how does the author try to make you feel about this world?", "Why were they getting the jeeps out?", "Which words best describe the mob of creatures?", "Which word doesn't describe the cadets?", "What isn't a reason that it was foolish for Gwayne to leave the ship in such a hurry?", "What isn't a reason for bringing the creature back to the ship?", "Why was space exploration so important?", "Why was the fuel drained out of Hennessy's ship's tank?", "Why did Gwayne decide that they all had to stay?" ]	[ [ "skeptical but optimistic", "curious and interested", "like it's uninhabited and scary", "like it's a place unworthy of going to" ], [ "to tour the planet", "to attack the natives", "to find the lost crew", "to go on an urgent rescue mission" ], [ "ugly, hairy, and clever", "monstrous, large, and foolish", "slow, strong, and mean", "tall, thick, and caring" ], [ "cautious", "naïve", "embellishers", "young" ], [ "the air is dangerous for him to breathe", "he forgot to bring the radio", "they didn't know for sure what was out there", "he was outnumbered" ], [ "they want to learn more about him", "they want to know why the ship had been hidden", "they want to know what happened to Hennessy's group", "they want revenge for what it did to the cadets" ], [ "it was trendy to live on a different planet", "there was a lot of interest in life on other planets", "they were running out of time on Earth", "people were trying to leave the wars on Earth" ], [ "Gwayne doesn't know", "Hennessy drained it so they couldn't leave", "it was destroyed by creatures from the planet", "the blobs used it for energy" ], [ "to discover all of the secrets on the planet", "because it was the best chance at human survival", "because everyone outside the hull is beyond saving", "to try to save Hennessy and his crew" ] ]	[ 4, 4, 1, 1, 1, 4, 3, 2, 2 ]	[ 1, 0, 0, 0, 1, 1, 0, 1, 0 ]	Spawning Ground By LESTER DEL REY They weren't human. They were something more—and something less—they were, in short, humanity's hopes for survival! [Transcriber's Note: This etext was produced from Worlds of If Science Fiction, September 1961. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] The Starship Pandora creaked and groaned as her landing pads settled unevenly in the mucky surface of the ugly world outside. She seemed to be restless to end her fool's errand here, two hundred light years from the waiting hordes on Earth. Straining metal plates twanged and echoed through her hallways. Captain Gwayne cursed and rolled over, reaching for his boots. He was a big, rawboned man, barely forty; but ten years of responsibility had pressed down his shoulders and put age-feigning hollows under his reddened eyes. The starlanes between Earth and her potential colonies were rough on the men who traveled them now. He shuffled toward the control room, grumbling at the heavy gravity. Lieutenant Jane Corey looked up, nodding a blonde head at him as he moved toward the ever-waiting pot of murky coffee. "Morning, Bob. You need a shave." "Yeah." He swallowed the hot coffee without tasting it, then ran a hand across the dark stubble on his chin. It could wait. "Anything new during the night?" "About a dozen blobs held something like a convention a little ways north of us. They broke up about an hour ago and streaked off into the clouds." The blobs were a peculiarity of this planet about which nobody knew anything. They looked like overgrown fireballs, but seemed to have an almost sentient curiosity about anything moving on the ground. "And our two cadets sneaked out again. Barker followed them, but lost them in the murk. I've kept a signal going to guide them back." Gwayne swore softly to himself. Earth couldn't turn out enough starmen in the schools, so promising kids were being shipped out for training as cadets on their twelfth birthday. The two he'd drawn, Kaufman and Pinelli, seemed to be totally devoid of any sense of caution. Of course there was no obvious need for caution here. The blobs hadn't seemed dangerous, and the local animals were apparently all herbivorous and harmless. They were ugly enough, looking like insects in spite of their internal skeletons, with anywhere from four to twelve legs each on their segmented bodies. None acted like dangerous beasts. But something had happened to the exploration party fifteen years back, and to the more recent ship under Hennessy that was sent to check up. He turned to the port to stare out at the planet. The Sol-type sun must be rising, since there was a dim light. But the thick clouds that wrapped the entire world diffused its rays into a haze. For a change, it wasn't raining, though the ground was covered by thick swirls of fog. In the distance, the tops of shrubs that made a scrub forest glowed yellow-green. Motions around them suggested a herd of feeding animals. Details were impossible to see through the haze. Even the deep gorge where they'd found Hennessy's carefully buried ship was completely hidden by the fog. There were three of the blobs dancing about over the grazing animals now, as they often seemed to do. Gwayne stared at them for a minute, trying to read sense into the things. If he had time to study them.... But there was no time. Earth had ordered him to detour here, after leaving his load of deep-sleep stored colonists on Official World 71, to check on any sign of Hennessy. He'd been here a week longer than he should have stayed already. If there was no sign in another day or so of what had happened to the men who'd deserted their ship and its equipment, he'd have to report back. He would have left before, if a recent landslip hadn't exposed enough of the buried ship for his metal locators to spot from the air by luck. It had obviously been hidden deep enough to foil the detectors originally. "Bob!" Jane Corey's voice cut through his pondering. "Bob, there are the kids!" Before he could swing to follow her pointing finger, movement caught his eye. The blobs had left the herd. Now the three were streaking at fantastic speed to a spot near the ship, to hover excitedly above something that moved there. He saw the two cadets then, heading back to the waiting ship, just beyond the movement he'd seen through the mist. Whatever was making the fog swirl must have reached higher ground. Something began to heave upwards. It was too far to see clearly, but Gwayne grabbed the microphone, yelling into the radio toward the cadets. They must have seen whatever it was just as the call reached them. Young Kaufman grabbed at Pinelli, and they swung around together. Then the mists cleared. Under the dancing blobs, a horde of things was heading for the cadets. Shaggy heads, brute bodies vaguely man-like! One seemed to be almost eight feet tall, leading the others directly toward the spacesuited cadets. Some of the horde were carrying spears or sticks. There was a momentary halt, and then the leader lifted one arm, as if motioning the others forward. "Get the jeeps out!" Gwayne yelled at Jane. He yanked the door of the little officers' lift open and jabbed the down button. It was agonizingly slow, but faster than climbing down. He ripped the door back at the exit deck. Men were dashing in, stumbling around in confusion. But someone was taking over now—one of the crew women. The jeeps were lining up. One, at the front, was stuttering into life, and Gwayne dashed for it as the exit port slid back. There was no time for suits or helmets. The air on the planet was irritating and vile smelling, but it could be breathed. He leaped to the seat, to see that the driver was Doctor Barker. At a gesture, the jeep rolled down the ramp, grinding its gears into second as it picked up speed. The other two followed. There was no sign of the cadets at first. Then Gwayne spotted them; surrounded by the menacing horde. Seen from here, the things looked horrible in a travesty of manhood. The huge leader suddenly waved and pointed toward the jeeps that were racing toward him. He made a fantastic leap backwards. Others swung about, two of them grabbing up the cadets. The jeep was doing twenty miles an hour now, but the horde began to increase the distance, in spite of the load of the two struggling boys! The creatures dived downward into lower ground, beginning to disappear into the mists. "Follow the blobs," Gwayne yelled. He realized now he'd been a fool to leave his suit; the radio would have let him keep in contact with the kids. But it was too late to go back. The blobs danced after the horde. Barker bounced the jeep downward into a gorge. Somewhere the man had learned to drive superlatively; but he had to slow as the fog thickened lower down. Then it cleared to show the mob of creatures doubling back on their own trail to confuse the pursuers. There was no time to stop. The jeep plowed through them. Gwayne had a glimpse of five-foot bodies tumbling out of the way. Monstrously coarse faces were half hidden by thick hair. A spear crunched against the windshield from behind, and Gwayne caught it before it could foul the steering wheel. It had a wickedly beautiful point of stone. The creatures vanished as Barker fought to turn to follow them. The other jeeps were coming up, by the sound of their motors, but too late to help. They'd have to get to the group with the cadets in a hurry or the horde would all vanish in the uneven ground, hidden by the fog. A blob dropped down, almost touching Gwayne. He threw up an instinctive hand. There was a tingling as the creature seemed to pass around it. It lifted a few inches and drifted off. Abruptly, Barker's foot ground at the brake. Gwayne jolted forward against the windshield, just as he made out the form of the eight-foot leader. The thing was standing directly ahead of him, a cadet on each shoulder. The wheels locked and the jeep slid protestingly forward. The creature leaped back. But Gwayne was out of the jeep before it stopped, diving for the figure. It dropped the boys with a surprised grunt. The arms were thin and grotesque below the massively distorted shoulders, but amazingly strong. Gwayne felt them wrench at him as his hands locked on the thick throat. A stench of alien flesh was in his nose as the thing fell backwards. Doc Barker had hit it seconds after the captain's attack. Its head hit rocky ground with a dull, heavy sound, and it collapsed. Gwayne eased back slowly, but it made no further move, though it was still breathing. Another jeep had drawn up, and men were examining the cadets. Pinelli was either laughing or crying, and Kaufman was trying to break free to kick at the monster. But neither had been harmed. The two were loaded onto a jeep while men helped Barker and Gwayne stow the bound monster on another before heading back. "No sign of skull fracture. My God, what a tough brute!" Barker shook his own head, as if feeling the shock of the monster's landing. "I hope so," Gwayne told him. "I want that thing to live—and you're detailed to save it and revive it. Find out if it can make sign language or draw pictures. I want to know what happened to Hennessy and why that ship was buried against detection. This thing may be the answer." Barker nodded grimly. "I'll try, though I can't risk drugs on an alien metabolism." He sucked in on the cigarette he'd dug out, then spat sickly. Smoke and this air made a foul combination. "Bob, it still makes no sense. We've scoured this planet by infra-red, and there was no sign of native villages or culture. We should have found some." "Troglodytes, maybe," Gwayne guessed. "Anyhow, send for me when you get anything. I've got to get this ship back to Earth. We're overstaying our time here already." The reports from the cadets were satisfactory enough. They'd been picked up and carried, but no harm had been done them. Now they were busy being little heroes. Gwayne sentenced them to quarters as soon as he could, knowing their stories would only get wilder and less informative with retelling. If they could get any story from the captured creature, they might save time and be better off than trying to dig through Hennessy's ship. That was almost certainly spoorless by now. The only possible answer seemed to be that the exploring expedition and Hennessy's rescue group had been overcome by the aliens. It was an answer, but it left a lot of questions. How could the primitives have gotten to the men inside Hennessy's ship? Why was its fuel dumped? Only men would have known how to do that. And who told these creatures that a space ship's metal finders could be fooled by a little more than a hundred feet of solid rock? They'd buried the ship cunningly, and only the accidental slippage had undone their work. Maybe there would never be a full answer, but he had to find something—and find it fast. Earth needed every world she could make remotely habitable, or mankind was probably doomed to extinction. The race had blundered safely through its discovery of atomic weapons into a peace that had lasted two hundred years. It had managed to prevent an interplanetary war with the Venus colonists. It had found a drive that led to the stars, and hadn't even found intelligent life there to be dangerous on the few worlds that had cultures of their own. But forty years ago, observations from beyond the Solar System had finally proved that the sun was going to go nova. It wouldn't be much of an explosion, as such things go—but it would render the whole Solar System uninhabitable for millenia. To survive, man had to colonize. And there were no worlds perfect for him, as Earth had been. The explorers went out in desperation to find what they could; the terraforming teams did what they could. And then the big starships began filling worlds with colonists, carried in deep sleep to conserve space. Almost eighty worlds. The nearest a four month journey from Earth and four more months back. In another ten years, the sun would explode, leaving man only on the footholds he was trying to dig among other solar systems. Maybe some of the strange worlds would let men spread his seed again. Maybe none would be spawning grounds for mankind in spite of the efforts. Each was precious as a haven for the race. If this world could be used, it would be nearer than most. If not, as it now seemed, no more time could be wasted here. Primitives could be overcome, maybe. It would be ruthless and unfair to strip them of their world, but the first law was survival. But how could primitives do what these must have done? He studied the spear he had salvaged. It was on a staff made of cemented bits of smaller wood from the scrub growth, skillfully laminated. The point was of delicately chipped flint, done as no human hand had been able to do for centuries. "Beautiful primitive work," he muttered. Jane pulled the coffee cup away from her lips and snorted. "You can see a lot more of it out there," she suggested. He went to the port and glanced out. About sixty of the things were squatting in the clearing fog, holding lances and staring at the ship. They were perhaps a thousand yards away, waiting patiently. For what? For the return of their leader—or for something that would give the ship to them? Gwayne grabbed the phone and called Barker. "How's the captive coming?" Barker's voice sounded odd. "Physically fine. You can see him. But—" Gwayne dropped the phone and headed for the little sick bay. He swore at Doc for not calling him at once, and then at himself for not checking up sooner. Then he stopped at the sound of voices. There was the end of a question from Barker and a thick, harsh growling sound that lifted the hair along the nape of Gwayne's neck. Barker seemed to understand, and was making a comment as the captain dashed in. The captive was sitting on the bunk, unbound and oddly unmenacing. The thick features were relaxed and yet somehow intent. He seemed to make some kind of a salute as he saw Gwayne enter, and his eyes burned up unerringly toward the device on the officer's cap. "Haarroo, Cabbaan!" the thing said. "Captain Gwayne, may I present your former friend, Captain Hennessy?" Barker said. There was a grin on the doctor's lips, but his face was taut with strain. The creature nodded slowly and drew something from the thick hair on its head. It was the golden comet of a captain. "He never meant to hurt the kids—just to talk to them," Barker cut in quickly. "I've got some of the story. He's changed. He can't talk very well. Says they've had to change the language around to make the sounds fit, and he's forgotten how to use what normal English he can. But it gets easier as you listen. It's Hennessy, all right. I'm certain." Gwayne had his own ideas on that. It was easy for an alien to seize on the gold ornament of a captive earthman, even to learn a little English, maybe. But Hennessy had been his friend. "How many barmaids in the Cheshire Cat? How many pups did your oldest kid's dog have? How many were brown?" The lips contorted into something vaguely like a smile, and the curiously shaped fingers that could handle no human-designed equipment spread out. Three. Seven. Zero. The answers were right. By the time the session was over, Gwayne had begun to understand the twisted speech from inhuman vocal cords better. But the story took a long time telling. When it was finished, Gwayne and Barker sat for long minutes in silence. Finally Gwayne drew a shuddering breath and stood up. "Is it possible, Doc?" "No," Barker said flatly. He spread his hands and grimaced. "No. Not by what I know. But it happened. I've looked at a few tissues under the microscope. The changes are there. It's hard to believe about their kids. Adults in eight years, but they stay shorter. It can't be a hereditary change—the things that affect the body don't change the germ plasm. But in this case, what changed Hennessy is real, so maybe the fact that the change is passed on is as real as he claims." Gwayne led the former Hennessy to the exit. The waiting blobs dropped down to touch the monstrous man, then leaped up again. The crowd of monsters began moving forward toward their leader. A few were almost as tall as Hennessy, but most were not more than five feet high. The kids of the exploring party.... Back in the control room, Gwayne found the emergency release levers, set the combinations and pressed the studs. There was a hiss and gurgle as the great tanks of fuel discharged their contents out onto the ground where no ingenuity could ever recover it to bring life to the ship again. He'd have to tell the men and women of the crew later, after he'd had time to organize things and present it all in a way they could accept, however much they might hate it at first. But there was no putting off giving the gist of it to Jane. "It was the blobs," he summarized it. "They seem to be amused by men. They don't require anything from us, but they like us around. Hennessy doesn't know why. They can change our cells, adapt us. Before men came, all life here had twelve legs. Now they're changing that, as we've seen. "And they don't have to be close to do it. We've all been outside the hull. It doesn't show yet—but we're changed. In another month, Earth food would kill us. We've got to stay here. We'll bury the ships deeper this time, and Earth won't find us. They can't risk trying a colony where three ships vanish, so we'll just disappear. And they'll never know." Nobody would know. Their children—odd children who matured in eight years—would be primitive savages in three generations. The Earth tools would be useless, impossible for the hands so radically changed. Nothing from the ship would last. Books could never be read by the new eyes. And in time, Earth wouldn't even be a memory to this world. She was silent a long time, staring out of the port toward what must now be her home. Then she sighed. "You'll need practice, but the others don't know you as well as I do, Bob. I guess we can fix it so they'll believe it all. And it's too late now. But we haven't really been changed yet, have we?" "No," he admitted. Damn his voice! He'd never been good at lying. "No. They have to touch us. I've been touched, but the rest could go back." She nodded. He waited for the condemnation, but there was only puzzlement in her face. "Why?" And then, before he could answer, her own intelligence gave her the same answer he had found for himself. "The spawning ground!" It was the only thing they could do. Earth needed a place to plant her seed, but no world other than Earth could ever be trusted to preserve that seed for generation after generation. Some worlds already were becoming uncertain. Here, though, the blobs had adapted men to the alien world instead of men having to adapt the whole planet to their needs. Here, the strange children of man's race could grow, develop and begin the long trek back to civilization. The gadgets would be lost for a time. But perhaps some of the attitudes of civilized man would remain to make the next rise to culture a better one. "We're needed here," he told her, his voice pleading for the understanding he couldn't yet fully give himself. "These people need as rich a set of bloodlines as possible to give the new race strength. The fifty men and women on this ship will be needed to start them with a decent chance. We can't go to Earth, where nobody would believe or accept the idea—or even let us come back. We have to stay here." She smiled then and moved toward him, groping for his strength. "Be fruitful," she whispered. "Be fruitful and spawn and replenish an earth." "No," he told her. "Replenish the stars." But she was no longer listening, and that part of his idea could wait. Some day, though, their children would find a way to the starlanes again, looking for other worlds. With the blobs to help them, they could adapt to most worlds. The unchanged spirit would lead them through all space, and the changing bodies would claim worlds beyond numbering. Some day, the whole universe would be a spawning ground for the children of men!
train	61053	[ "Which word doesn't describe Jeffers?", "Which word doesn't describe Tolliver?", "How does Tolliver feel about Betty at first?", "What did Tolliver tell Betty that was actually true?", "Why had Betty really come to Ganymede?" ]	[ [ "clever", "persistent", "hot-headed", "cocky" ], [ "hot-headed", "stubborn", "clever", "liar" ], [ "she's a rich man's daughter deserving of the company", "she's attractive and someone he should get to know", "she's an entitled girl that doesn't know what she's getting into", "she's a fun girl to joke around with while on Ganymede" ], [ "he regularly drives armored vehicles on missions", "the rock and ice slides kill people often", "volcanic puffballs pop out through the frozen crust", "how much he's making to work on Ganymede" ], [ "to stay as long as it takes to discover who was behaving illegally", "to arrest Jeffers for the crimes they knew he committed", "to study how the business was run", "to see if the real Betty could handle working there" ] ]	[ 1, 1, 3, 4, 1 ]	[ 0, 1, 0, 1, 0 ]	TOLLIVER'S ORBIT was slow—but it wasn't boring. And it would get you there—as long as you weren't going anywhere anyhow! By H. B. FYFE [Transcriber's Note: This etext was produced from Worlds of If Science Fiction, September 1961. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] Johnny Tolliver scowled across the desk at his superior. His black thatch was ruffled, as if he had been rubbed the wrong way. "I didn't ask you to cut out your own graft, did I?" he demanded. "Just don't try to sucker me in on the deal. I know you're operating something sneaky all through the colony, but it's not for me." The big moon-face of Jeffers, manager of the Ganymedan branch of Koslow Spaceways, glowered back at him. Its reddish tinge brightened the office noticeably, for such of Ganymede's surface as could be seen through the transparent dome outside the office window was cold, dim and rugged. The glowing semi-disk of Jupiter was more than half a million miles distant. "Try not to be simple—for once!" growled Jeffers. "A little percentage here and there on the cargoes never shows by the time figures get back to Earth. The big jets in the home office don't care. They count it on the estimates." "You asked any of them lately?" Tolliver prodded. "Now, listen ! Maybe they live soft back on Earth since the mines and the Jovian satellite colonies grew; but they were out here in the beginning, most of them. They know what it's like. D'ya think they don't expect us to make what we can on the side?" Tolliver rammed his fists into the side pockets of his loose blue uniform jacket. He shook his head, grinning resignedly. "You just don't listen to me ," he complained. "You know I took this piloting job just to scrape up money for an advanced engineering degree back on Earth. I only want to finish my year—not get into something I can't quit." Jeffers fidgeted in his chair, causing it to creak under the bulk of his body. It had been built for Ganymede, but not for Jeffers. "Aw, it's not like that," the manager muttered. "You can ease out whenever your contract's up. Think we'd bend a good orbit on your account?" Tolliver stared at him silently, but the other had difficulty meeting his eye. "All right, then!" Jeffers snapped after a long moment. "If you want it that way, either you get in line with us or you're through right now!" "You can't fire me," retorted the pilot pityingly. "I came out here on a contract. Five hundred credits a week base pay, five hundred for hazardous duty. How else can you get pilots out to Jupiter?" "Okay I can't fire you legally—as long as you report for work," grumbled Jeffers, by now a shade more ruddy. "We'll see how long you keep reporting. Because you're off the Callisto run as of now! Sit in your quarters and see if the company calls that hazardous duty!" "Doesn't matter," answered Tolliver, grinning amiably. "The hazardous part is just being on the same moon as you for the next six months." He winked and walked out, deliberately leaving the door open behind him so as to enjoy the incoherent bellowing that followed him. Looks like a little vacation , he thought, unperturbed. He'll come around. I just want to get back to Earth with a clean rep. Let Jeffers and his gang steal the Great Red Spot off Jupiter if they like! It's their risk. Tolliver began to have his doubts the next day; which was "Tuesday" by the arbitrary calender constructed to match Ganymede's week-long journey around Jupiter. His contract guaranteed a pilot's rating, but someone had neglected to specify the type of craft to be piloted. On the bulletin board, Tolliver's name stood out beside the number of one of the airtight tractors used between the dome city and the spaceport, or for hauling cross-country to one of the mining domes. He soon found that there was nothing for him to do but hang around the garage in case a spaceship should land. The few runs to other domes seemed to be assigned to drivers with larger vehicles. The following day was just as boring, and the next more so. He swore when he found the assignment unchanged by "Friday." Even the reflection that it was payday was small consolation. "Hey, Johnny!" said a voice at his shoulder. "The word is that they're finally gonna trust you to take that creeper outside." Tolliver turned to see Red Higgins, a regular driver. "What do you mean?" "They say some home-office relative is coming in on the Javelin ." "What's wrong with that?" asked Tolliver. "Outside of the way they keep handing out soft jobs to nephews, I mean." "Aah, these young punks just come out for a few months so they can go back to Earth making noises like spacemen. Sometimes there's no reason but them for sending a ship back with a crew instead of in an economy orbit. Wait till you see the baggage you'll have to load!" Later in the day-period, Tolliver recalled this warning. Under a portable, double-chambered plastic dome blown up outside the ship's airlock, a crewman helped him load two trunks and a collection of bags into the tractor. He was struggling to suppress a feeling of outrage at the waste of fuel involved when the home-office relative emerged. She was about five feet four and moved as if she walked lightly even in stronger gravity than Ganymede's. Her trim coiffure was a shade too blonde which served to set off both the blue of her eyes and the cap apparently won from one of the pilots. She wore gray slacks and a heavy sweater, like a spacer. "Sorry to keep you waiting," she said, sliding into the seat beside Tolliver. "By the way, just call me Betty." "Sure," agreed Tolliver thinking, Ohmigod! Trying already to be just one of the gang, instead of Lady Betty! Is her old man the treasurer, or does he just know where bodies are buried? "They were making dates," said the girl. "Were they ribbing me, or is it true that none of the four of them goes back with the ship?" "It's true enough," Tolliver assured her. "We need people out here, and it costs a lot to make the trip. They found they could send back loaded ships by 'automatic' flight—that is, a long, slow, economical orbit and automatic signalling equipment. Then they're boarded approaching Earth's orbit and landed by pilots who don't have to waste their time making the entire trip." He followed the signals of a spacesuited member of the port staff and maneuvered out of the dome. Then he headed the tractor across the frozen surface of Ganymede toward the permanent domes of the city. "How is it here?" asked the girl. "They told me it's pretty rough." "What did you expect?" asked Tolliver. "Square dances with champagne?" "Don't be silly. Daddy says I'm supposed to learn traffic routing and the business management of a local branch. They probably won't let me see much else." "You never can tell," said the pilot, yielding to temptation. "Any square inch of Ganymede is likely to be dangerous." I'll be sorry later , he reflected, but if Jeffers keeps me jockeying this creeper, I'm entitled to some amusement. And Daddy's little girl is trying too hard to sound like one of the gang. "Yeah," he went on, "right now, I don't do a thing but drive missions from the city to the spaceport." "Missions! You call driving a mile or so a mission ?" Tolliver pursed his lips and put on a shrewd expression. "Don't sneer at Ganymede, honey!" he warned portentously. "Many a man who did isn't here today. Take the fellow who used to drive this mission!" "You can call me Betty. What happened to him?" "I'll tell you some day," Tolliver promised darkly. "This moon can strike like a vicious animal." "Oh, they told me there was nothing alive on Ganymede!" "I was thinking of the mountain slides," said the pilot. "Not to mention volcanic puffballs that pop out through the frozen crust where you'd least expect. That's why I draw such high pay for driving an unarmored tractor." "You use armored vehicles?" gasped the girl. She was now sitting bolt upright in the swaying seat. Tolliver deliberately dipped one track into an icy hollow. In the light gravity, the tractor responded with a weird, floating lurch. "Those slides," he continued. "Ganymede's only about the size of Mercury, something like 3200 miles in diameter, so things get heaped up at steep angles. When the rock and ice are set to sliding, they come at you practically horizontally. It doesn't need much start, and it barrels on for a long way before there's enough friction to stop it. If you're in the way—well, it's just too bad!" Say, that's pretty good! he told himself. What a liar you are, Tolliver! He enlarged upon other dangers to be encountered on the satellite, taking care to impress the newcomer with the daredeviltry of John Tolliver, driver of "missions" across the menacing wastes between dome and port. In the end, he displayed conclusive evidence in the form of the weekly paycheck he had received that morning. It did not, naturally, indicate he was drawing the salary of a space pilot. Betty looked thoughtful. "I'm retiring in six months if I'm still alive," he said bravely, edging the tractor into the airlock at their destination. "Made my pile. No use pushing your luck too far." His charge seemed noticeably subdued, but cleared her throat to request that Tolliver guide her to the office of the manager. She trailed along as if with a burden of worry upon her mind, and the pilot's conscience prickled. I'll get hold of her after Jeffers is through and set her straight , he resolved. It isn't really funny if the sucker is too ignorant to know better. Remembering his grudge against the manager, he took pleasure in walking in without knocking. "Jeffers," he announced, "this is ... just call her Betty." The manager's jowled features twisted into an expression of welcome as jovial as that of a hungry crocodile. "Miss Koslow!" he beamed, like a politician the day before the voting. "It certainly is an honor to have you on Ganymede with us! That's all, Tolliver, you can go. Yes, indeed! Mr. Koslow—the president, that is: your father—sent a message about you. I repeat, it will be an honor to show you the ropes. Did you want something else, Tolliver?" "Never mind him, Mr. Jeffers," snapped the girl, in a tone new to Tolliver. "We won't be working together, I'm afraid. You've already had enough rope." Jeffers seemed to stagger standing still behind his desk. His loose lips twitched uncertainly, and he looked questioningly to Tolliver. The pilot stared at Betty, trying to recall pictures he had seen of the elder Koslow. He was also trying to remember some of the lies he had told en route from the spaceport. "Wh-wh-what do you mean, Miss Koslow?" Jeffers stammered. He darted a suspicious glare at Tolliver. "Mr. Jeffers," said the girl, "I may look like just another spoiled little blonde, but the best part of this company will be mine someday. I was not allowed to reach twenty-two without learning something about holding on to it." Tolliver blinked. He had taken her for three or four years older. Jeffers now ignored him, intent upon the girl. "Daddy gave me the title of tenth vice-president mostly as a joke, when he told me to find out what was wrong with operations on Ganymede. I have some authority, though. And you look like the source of the trouble to me." "You can't prove anything," declared Jeffers hoarsely. "Oh, can't I? I've already seen certain evidence, and the rest won't be hard to find. Where are your books, Mr. Jeffers? You're as good as fired!" The manager dropped heavily to his chair. He stared unbelievingly at Betty, and Tolliver thought he muttered something about "just landed." After a moment, the big man came out of his daze enough to stab an intercom button with his finger. He growled at someone on the other end to come in without a countdown. Tolliver, hardly thinking about it, expected the someone to be a secretary, but it turned out to be three members of Jeffers' headquarters staff. He recognized one as Rawlins, a warehouse chief, and guessed that the other two might be his assistants. They were large enough. "No stupid questions!" Jeffers ordered. "Lock these two up while I think!" Tolliver started for the door immediately, but was blocked off. "Where should we lock—?" the fellow paused to ask. Tolliver brought up a snappy uppercut to the man's chin, feeling that it was a poor time to engage Jeffers in fruitless debate. In the gravity of Ganymede, the man was knocked off balance as much as he was hurt, and sprawled on the floor. "I told you no questions!" bawled Jeffers. The fallen hero, upon arising, had to content himself with grabbing Betty. The others were swarming over Tolliver. Jeffers came around his desk to assist. Tolliver found himself dumped on the floor of an empty office in the adjoining warehouse building. It seemed to him that a long time had been spent in carrying him there. He heard an indignant yelp, and realized that the girl had been pitched in with him. The snapping of a lock was followed by the tramp of departing footsteps and then by silence. After considering the idea a few minutes, Tolliver managed to sit up. He had his wind back. But when he fingered the swelling lump behind his left ear, a sensation befuddled him momentarily. "I'm sorry about that," murmured Betty. Tolliver grunted. Sorrow would not reduce the throbbing, nor was he in a mood to undertake an explanation of why Jeffers did not like him anyway. "I think perhaps you're going to have a shiner," remarked the girl. "Thanks for letting me know in time," said Tolliver. The skin under his right eye did feel a trifle tight, but he could see well enough. The abandoned and empty look of the office worried him. "What can we use to get out of here?" he mused. "Why should we try?" asked the girl. "What can he do?" "You'd be surprised. How did you catch on to him so soon?" "Your paycheck," said Betty. "As soon as I saw that ridiculous amount, it was obvious that there was gross mismanagement here. It had to be Jeffers." Tolliver groaned. "Then, on the way over here, he as good as admitted everything. You didn't hear him, I guess. Well, he seemed to be caught all unaware, and seemed to blame you for it." "Sure!" grumbled the pilot. "He thinks I told you he was grafting or smuggling, or whatever he has going for him here. That's why I want to get out of here—before I find myself involved in some kind of fatal accident!" "What do you know about the crooked goings-on here?" asked Betty after a startled pause. "Nothing," retorted Tolliver. "Except that there are some. There are rumors, and I had a halfway invitation to join in. I think he sells things to the mining colonies and makes a double profit for himself by claiming the stuff lost in transit. You didn't think you scared him that bad over a little slack managing?" The picture of Jeffers huddled with his partners in the headquarters building, plotting the next move, brought Tolliver to his feet. There was nothing in the unused office but an old table and half a dozen plastic crates. He saw that the latter contained a mess of discarded records. "Better than nothing at all," he muttered. He ripped out a double handful of the forms, crumpled them into a pile at the doorway, and pulled out his cigarette lighter. "What do you think you're up to?" asked Betty with some concern. "This plastic is tough," said Tolliver, "but it will bend with enough heat. If I can kick loose a hinge, maybe we can fool them yet!" He got a little fire going, and fed it judiciously with more papers. "You know," he reflected, "it might be better for you to stay here. He can't do much about you, and you don't have any real proof just by yourself." "I'll come along with you, Tolliver," said the girl. "No, I don't think you'd better." "Why not?" "Well ... after all, what would he dare do? Arranging an accident to the daughter of the boss isn't something that he can pull off without a lot of investigation. He'd be better off just running for it." "Let's not argue about it," said Betty, a trifle pale but looking determined. "I'm coming with you. Is that stuff getting soft yet?" Tolliver kicked at the edge of the door experimentally. It seemed to give slightly, so he knocked the burning papers aside and drove his heel hard at the corner below the hinge. The plastic yielded. "That's enough already, Tolliver," whispered the girl. "We can crawl through!" Hardly sixty seconds later, he led her into a maze of stacked crates in the warehouse proper. The building was not much longer than wide, for each of the structures in the colony had its own hemispherical emergency dome of transparent plastic. They soon reached the other end. "I think there's a storeroom for spacesuits around here," muttered Tolliver. "Why do you want them?" "Honey, I just don't think it will be so easy to lay hands on a tractor. I bet Jeffers already phoned the garage and all the airlocks with some good lie that will keep me from getting through." After a brief search, he located the spacesuits. Many, evidently intended for replacements, had never been unpacked, but there were a dozen or so serviced and standing ready for emergencies. He showed Betty how to climb into one, and checked her seals and valves after donning a suit himself. "That switch under your chin," he said, touching helmets so she could hear him. "Leave it turned off. Anybody might be listening!" He led the way out a rear door of the warehouse. With the heavy knife that was standard suit equipment, he deliberately slashed a four-foot square section out of the dome. He motioned to Betty to step through, then trailed along with the plastic under his arm. He caught up and touched helmets again. "Just act as if you're on business," he told her. "For all anyone can see, we might be inspecting the dome." "Where are you going?" asked Betty. "Right through the wall, and then head for the nearest mine. Jeffers can't be running everything !" "Is there any way to get to a TV?" asked the girl. "I ... uh ... Daddy gave me a good number to call if I needed help." "How good?" "Pretty official, as a matter of fact." "All right," Tolliver decided. "We'll try the ship you just came in on. They might have finished refueling and left her empty." They had to cross one open lane between buildings, and Tolliver was very conscious of moving figures in the distance; but no one seemed to look their way. Reaching the foot of the main dome over the establishment, he glanced furtively about, then plunged his knife into the transparent material. From the corner of his eye, he thought he saw Betty make a startled gesture, but he had his work cut out for him. This was tougher than the interior dome. Finally, he managed to saw a ragged slit through which they could squeeze. There was room to walk between the inner and outer layer, so he moved along a few yards. A little dust began to blow about where they had gone through. He touched helmets once more. "This time," he said, "the air will really start to blow, so get through as fast as you can. If I can slap this piece of plastic over the rip, it may stow down the loss of pressure enough to give us quite a lead before the alarms go off." Through the faceplates, he saw the girl nod, wide-eyed. As soon as he plunged the knife into the outer layer, he could see dusty, moist air puffing out into the near-vacuum of Ganymede's surface. Fumbling, he cut as fast as he could and shoved Betty through the small opening. Squeezing through in his turn, he left one arm inside to spread the plastic sheet as best he could. The internal air pressure slapped it against the inside of the dome as if glued, although it immediately showed an alarming tendency to balloon through the ruptured spot. They'll find it, all right , Tolliver reminded himself. Don't be here when they do! He grabbed Betty by the wrist of her spacesuit and headed for the nearest outcropping of rock. It promptly developed that she had something to learn about running on ice in such low gravity. Until they were out of direct line of sight from the settlement, Tolliver simply dragged her. Then, when he decided that it was safe enough to pause and tell her how to manage better, the sight of her outraged scowl through the face-plate made him think better of it. By the time we reach the ship, she'll have learned , he consoled himself. It was a long mile, even at the pace human muscles could achieve on Ganymede. They took one short rest, during which Tolliver was forced to explain away the dangers of slides and volcanic puffballs. He admitted to having exaggerated slightly. In the end, they reached the spaceship. There seemed to be no one about. The landing dome had been collapsed and stored, and the ship's airlock port was closed. "That's all right," Tolliver told the girl. "We can get in with no trouble." It was when he looked about to make sure that they were unobserved that he caught a glimpse of motion back toward the city. He peered at the spot through the dim light. After a moment, he definitely recognized the outline of a tractor breasting a rise in the ground and tilting downward again. "In fact, we have to get in to stay out of trouble," he said to Betty. He located the switch-cover in the hull, opened it and activated the mechanism that swung open the airlock and extended the ladder. It took him considerable scrambling to boost the girl up the ladder and inside, but he managed. They passed through the airlock, fretting at the time required to seal, pump air and open the inner hatch; and then Tolliver led the way up another ladder to the control room. It was a clumsy trip in their spacesuits, but he wanted to save time. In the control room, he shoved the girl into an acceleration seat, glanced at the gauges and showed her how to open her helmet. "Leave the suit on," he ordered, getting in the first word while she was still shaking her head. "It will help a little on the takeoff." "Takeoff!" shrilled Betty. "What do you think you're going to do? I just want to use the radio or TV!" "That tractor will get here in a minute or two. They might cut your conversation kind of short. Now shut up and let me look over these dials!" He ran a practiced eye over the board, reading the condition of the ship. It pleased him. Everything was ready for a takeoff into an economy orbit for Earth. He busied himself making a few adjustments, doing his best to ignore the protests from his partner in crime. He warned her the trip might be long. "I told you not to come," he said at last. "Now sit back!" He sat down and pushed a button to start the igniting process. In a moment, he could feel the rumble of the rockets through the deck, and then it was out of his hands for several minutes. "That wasn't so bad," Betty admitted some time later. "Did you go in the right direction?" "Who knows?" retorted Tolliver. "There wasn't time to check everything . We'll worry about that after we make your call." "Oh!" Betty looked helpless. "It's in my pocket." Tolliver sighed. In their weightless state, it was no easy task to pry her out of the spacesuit. He thought of inquiring if she needed any further help, but reminded himself that this was the boss's daughter. When Betty produced a memo giving frequency and call sign, he set about making contact. It took only a few minutes, as if the channel had been monitored expectantly, and the man who flickered into life on the screen wore a uniform. "Space Patrol?" whispered Tolliver incredulously. "That's right," said Betty. "Uh ... Daddy made arrangements for me." Tolliver held her in front of the screen so she would not float out of range of the scanner and microphone. As she spoke, he stared exasperatedly at a bulkhead, marveling at the influence of a man who could arrange for a cruiser to escort his daughter to Ganymede and wondering what was behind it all. When he heard Betty requesting assistance in arresting Jeffers and reporting the manager as the head of a ring of crooks, he began to suspect. He also noticed certain peculiarities about the remarks of the Patrolman. For one thing, though the officer seemed well acquainted with Betty, he never addressed her by the name of Koslow. For another, he accepted the request as if he had been hanging in orbit merely until learning who to go down after. They really sent her out to nail someone , Tolliver realized. Of course, she stumbled onto Jeffers by plain dumb luck. But she had an idea of what to look for. How do I get into these things? She might have got me killed! "We do have one trouble," he heard Betty saying. "This tractor driver, Tolliver, saved my neck by making the ship take off somehow, but he says it's set for a six-month orbit, or economy flight. Whatever they call it. I don't think he has any idea where we're headed." Tolliver pulled her back, holding her in mid-air by the slack of her sweater. "Actually, I have a fine idea," he informed the officer coldly. "I happen to be a qualified space pilot. Everything here is under control. If Miss Koslow thinks you should arrest Jeffers, you can call us later on this channel." "Miss Koslow?" repeated the spacer. "Did she tell you—well, no matter! If you'll be okay, we'll attend to the other affair immediately." He signed off promptly. The pilot faced Betty, who looked more offended than reassured at discovering his status. "This 'Miss Koslow' business," he said suspiciously. "He sounded funny about that." The girl grinned. "Relax, Tolliver," she told him. "Did you really believe Daddy would send his own little girl way out here to Ganymede to look for whoever was gypping him?" "You ... you...?" "Sure. The name's Betty Hanlon. I work for a private investigating firm. If old Koslow had a son to impersonate—" "I'd be stuck for six months in this orbit with some brash young man," Tolliver finished for her. "I guess it's better this way," he said meditatively a moment later. "Oh, come on ! Can't they get us back? How can you tell where we're going?" "I know enough to check takeoff time. It was practically due anyhow, so we'll float into the vicinity of Earth at about the right time to be picked up." He went on to explain something of the tremendous cost in fuel necessary to make more than minor corrections to their course. Even though the Patrol ship could easily catch the slow freighter, bringing along enough fuel to head back would be something else again. "We'll just have to ride it out," he said sympathetically. "The ship is provisioned according to law, and you were probably going back anyhow." "I didn't expect to so soon." "Yeah, you were pretty lucky. They'll think you're a marvel to crack the case in about three hours on Ganymede." "Great!" muttered Betty. "What a lucky girl I am!" "Yes," admitted Tolliver, "there are problems. If you like, we might get the captain of that Patrol ship to legalize the situation by TV." "I can see you're used to sweeping girls off their feet," she commented sourly. "The main problem is whether you can cook." Betty frowned at him. "I'm pretty good with a pistol," she offered, "or going over crooked books. But cook? Sorry." "Well, one of us had better learn, and I'll have other things to do." "I'll think about it," promised the girl, staring thoughtfully at the deck. Tolliver anchored himself in a seat and grinned as he thought about it too. After a while , he promised himself, I'll explain how I cut the fuel flow and see if she's detective enough to suspect that we're just orbiting Ganymede!
train	20012	[ "Who seems to be writing the most falsehoods?", "Do Cassidy and Arrow feel the same way about Krugman?", "Which writer seemed to like Krugman the most?", "Which would Fishman not use to describe Brian Arthur?", "What seems to be Krugman's biggest issue with Arthur?", "Which of the following most likely happened to Krugman after these letters?" ]	[ [ "M. Mitchell Waldrop", "John Cassidy", "Paul Krugman", "Kenneth J. Arrow" ], [ "No - Arrow finds him less offensive than Cassidy", "Yes - They both think he was misinformed", "No - Cassidy thinks he's a liar, but Arrow doesn't", "Yes - They both think he wrote inaccurate statements about people" ], [ "Waldrop", "Arrow", "Cassidy", "Fishman" ], [ "innovative", "vain", "a nice guy", "intelligent" ], [ "Arthur allows too many people to misquote him.", "Arthur received too much credit for increasing returns.", "Arthur provided inaccurate information.", "Arthur didn't do enough research on increasing returns." ], [ "Krugman wrote an official apology to the writers.", "Krugman wrote another book about increasing returns.", "Krugman quit writing in newspapers.", "Krugman lost credibility among his colleagues." ] ]	[ 3, 4, 1, 2, 2, 4 ]	[ 0, 0, 0, 0, 1, 0 ]	Krugman's Life of Brian Where it all started: Paul Krugman's "The Legend of Arthur." Letter from John Cassidy Paul Krugman replies to John Cassidy Letter from M. Mitchell Waldrop Paul Krugman replies to M. Mitchell Waldrop Letter from Kenneth J. Arrow Letter from Ted C. Fishman David Warsh's July 3, 1994, Boston Globe Letter from John Cassidy: Paul Krugman loves to berate journalists for their ignorance of economics, particularly his economics, but on this occasion, I fear, his logic is more addled than usual. I am reluctant to dignify his hatchet job with a lengthy reply, but some of his claims are so defamatory that they should be addressed, if only for the record. 1) Krugman claims that my opening sentence--"In a way, Bill Gates's current troubles with the Justice Department grew out of an economics seminar that took place thirteen years ago, at Harvard's John F. Kennedy School of Government"--is "pure fiction." Perhaps so, but in that case somebody should tell this to Joel Klein, the assistant attorney general in charge of the antitrust division. When I interviewed Klein for my piece about the Microsoft case, he singled out Brian Arthur as the economist who has most influenced his thinking about the way in which high-technology markets operate. It was Klein's words, not those of Arthur, that prompted me to use Arthur in the lead of the story. 2) Krugman wrote: "Cassidy's article tells the story of how Stanford Professor Brian Arthur came up with the idea of increasing returns." I wrote no such thing, and Arthur has never, to my knowledge, claimed any such thing. The notion of increasing returns has been around since Adam Smith, and it was written about at length by Alfred Marshall in 1890. What I did say in my article was that increasing returns was largely ignored by mainstream economists for much of the postwar era, a claim that simply isn't controversial. (As Krugman notes, one reason for this was technical, not ideological. Allowing for the possibility of increasing returns tends to rob economic models of two properties that economists cherish: simplicity and determinism. As long ago as 1939, Sir John Hicks, one of the founders of modern economics, noted that increasing returns, if tolerated, could lead to the "wreckage" of a large part of economic theory.) 3) Pace Krugman, I also did not claim that Arthur bears principal responsibility for the rediscovery of increasing returns by economists in the 1970s and 1980s. As Krugman notes, several scholars (himself included) who were working in the fields of game theory and international trade published articles incorporating increasing returns before Arthur did. My claim was simply that Arthur applied increasing returns to high-technology markets, and that his work influenced how other economists and government officials think about these markets. Krugman apart, virtually every economist I have spoken to, including Daniel Rubinfeld, a former Berkeley professor who is now the chief economist at the Justice Department's antitrust division, told me this was the case. (Rubinfeld also mentioned several other economists who did influential work, and I cited three of them in the article.) 4) Krugman appears to suggest that I made up some quotes, a charge that, if it came from a more objective source, I would consider to be a serious matter. In effect, he is accusing Brian Arthur, a man he calls a "nice guy," of being a fabricator or a liar. The quotes in question came from Arthur, and they were based on his recollections of two meetings that he attended some years ago. After Krugman's article appeared, the Santa Fe professor called me to say that he still recalled the meetings in question as I described them. Krugman, as he admits, wasn't present at either of the meetings. 5) For a man who takes his own cogitations extremely seriously, Krugman is remarkably cavalier about attributing motives and beliefs to others. "Cassidy has made it clear in earlier writing that he does not like mainstream economists, and he may have been overly eager to accept a story that puts them in a bad light," he pronounces. I presume this statement refers to a critical piece I wrote in 1996 about the direction that economic research, principally macroeconomic research, has taken over the past two decades. In response to that article, I received dozens of messages of appreciation from mainstream economists, including from two former presidents of the American Economic Association. Among the sources quoted in that piece were the then-chairman of the White House Council of Economic Advisers (Joseph Stiglitz), a governor of the Federal Reserve Board (Laurence Meyer), and a well-known Harvard professor (Gregory Mankiw). To claim, as Krugman does, that I "don't like mainstream economists" and that I am out to denigrate their work is malicious hogwash. The fact of the matter is that I spend much of my life reading the work of mainstream economists, speaking to them, and trying to find something they have written that might interest the general public. In my experience, most economists appreciate the attention. 6) I might attach more weight to Krugman's criticisms if I hadn't recently reread his informative 1994 book Peddling Prosperity , in which he devotes a chapter to the rediscovery of increasing returns by contemporary economists. Who are the first scholars Krugman mentions in his account? Paul David, an economic historian who wrote a famous paper about how the QWERTYUIOP typewriter keyboard evolved and, you guessed it, Brian Arthur. "Why QWERTYUIOP?" Krugman wrote. "In the early 1980s, Paul David and his Stanford colleague Brian Arthur asked that question, and quickly realized that it led them into surprisingly deep waters. ... What Paul David, Brian Arthur, and a growing number of other economists began to realize in the late seventies and early eighties was that stories like that of the typewriter keyboard are, in fact, pervasive in the economy." Evidently, Krugman felt four years ago that Arthur's contribution was important enough to merit a prominent mention in his book. Now, he dismisses the same work, saying it "didn't tell me anything that I didn't already know." Doubtless, this change in attitude on Krugman's part is unconnected to the fact that Arthur has started to receive some public recognition. The eminent MIT professor, whose early academic work received widespread media attention, is far too generous a scholar to succumb to such pettiness. --John Cassidy Paul Krugman replies to John Cassidy: I think that David Warsh's 1994 in the Boston Globe says it all. If other journalists would do as much homework as he did, I wouldn't have had to write that article. Letter from M. Mitchell Waldrop: Thanks to Paul Krugman for his lament about credulous reporters who refuse to let facts stand in the way of a good story ("The Legend of Arthur"). As a professional journalist, I found his points well taken--even when he cites my own book, Complexity as a classic example of the gullibility genre. Among many other things, Complexity tells the story of the Irish-born economist Brian Arthur and how he came to champion a principle known as "increasing returns." The recent New Yorker article explains how that principle has since become the intellectual foundation of the Clinton administration's antitrust case against Microsoft. Krugman's complaint is that the popular press--including Complexity and The New Yorker --is now hailing Brian Arthur as the originator of increasing returns, even though Krugman and many others had worked on the idea long before Arthur did. I leave it for others to decide whether I was too gullible in writing Complexity . For the record, however, I would like to inject a few facts into Krugman's story, which he summarizes nicely in the final paragraph: When Waldrop's book came out, I wrote him as politely as I could, asking exactly how he had managed to come up with his version of events. He did, to his credit, write back. He explained that while he had become aware of some other people working on increasing returns, trying to put them in would have pulled his story line out of shape. ... So what we really learn from the legend of Arthur is that some journalists like a good story too much to find out whether it is really true. Now, I will admit to many sins, not the least of them being a profound ignorance of graduate-level economics; I spent my graduate-school career in the physics department instead, writing a Ph.D. dissertation on the quantum-field theory of elementary particle collisions at relativistic energies. However, I am not so ignorant of the canons of journalism (and of common sense) that I would take a plausible fellow like Brian Arthur at face value without checking up on him. During my research for Complexity I spoke to a number of economists about his work, including Nobel laureate Kenneth Arrow, co-creator of the General Equilibrium Theory of economics that Brian so eloquently criticizes. They generally agreed that Brian was a maverick in the field--and perhaps a bit too much in love with his own self-image as a misunderstood outsider--but basically sound. None of them warned me that he was usurping credit where credit was not due. Which brings me to Professor Krugman's letter, and my reply. I remember the exchange very well. Obviously, however, my reply failed to make clear what I was really trying to say. So I'll try again: a) During our interviews, Brian went out of his way to impress upon me that many other economists had done work in increasing returns--Paul Krugman among them. He was anxious that they be given due credit in anything I wrote. So was I. b) Accordingly, I included a passage in Complexity in which Brian does indeed describe what others had done in the field--Paul Krugman among them. Elsewhere in that same chapter, I tried to make it clear that the concept of increasing returns was already well known to Brian's professors at Berkeley, where he first learned of it. Indeed, I quote Brian pointing out that increasing returns had been extensively discussed by the great English economist Alfred Marshall in 1891. c) So, when I received Krugman's letter shortly after Complexity came out, I was puzzled: He was complaining that I hadn't referenced others in the increasing-returns field--Paul Krugman among them--although I had explicitly done so. d) But, when I checked the published text, I was chagrined to discover that the critical passage mentioning Krugman wasn't there. e) Only then did I realize what had happened. After I had submitted the manuscript, my editor at Simon & Schuster had suggested a number of cuts to streamline what was already a long and involved chapter on Brian's ideas. I accepted some of the cuts, and restored others--including (I thought) the passage that mentioned Krugman. In the rush to get Complexity to press, however, that passage somehow wound up on the cutting-room floor anyway, and I didn't notice until too late. That oversight was my fault entirely, not my editor's, and certainly not Brian Arthur's. I take full responsibility, I regret it, and--if Simon & Schuster only published an errata column--I would happily correct it publicly. However, contrary to what Professor Krugman implies, it was an oversight, not a breezy disregard of facts for the sake of a good story. --M. Mitchell Waldrop Washington Paul Krugman replies to M. Mitchell Waldrop: I am truly sorry that The New Yorker has not yet established a Web presence so that we could include a link directly to the Cassidy piece. However, you can get a pretty good idea of what the piece said by reading the summary of it presented in "Tasty Bits from the Technology Front." Cassidy did not present a story about one guy among many who worked on increasing returns. On the contrary: He presented a morality play in which a lonely hero struggled to make his ideas heard against the unified opposition of a narrow-minded profession both intellectually and politically conservative. As TBTF's host--not exactly a naive reader--put it, "These ideas were anathema to mainstream economists in 1984 when Arthur first tried to publish them." That morality play--not the question of who deserves credit--was the main point of my column, because it is a pure (and malicious) fantasy that has nonetheless become part of the story line people tell about increasing returns and its relationship to mainstream economics. The fact, which is easily documented, is that during the years that, according to the legend, increasing returns was unacceptable in mainstream economics, papers about increasing returns were in fact being cheerfully published by all the major journals. And as I pointed out in the chronology I provided with the article, even standard reference volumes like the Handbook of International Economics (published in 1984, the year Arthur supposedly met a blank wall of resistance) have long contained chapters on increasing returns. Whatever the reason that Arthur had trouble getting his own paper published, ideological rigidity had nothing to do with it. How did this fantasy come to be so widely believed? I am glad to hear that you tried to tell a more balanced story, Mr. Waldrop, even if sloppy paperwork kept it from seeing the light of day. And I am glad that you talked to Ken Arrow. But Nobel laureates, who have wide responsibilities and much on their mind, are not necessarily on top of what has been going on in research outside their usual field. I happen to know of one laureate who, circa 1991, was quite unaware that anyone had thought about increasing returns in either growth or trade. Did you try talking to anyone else--say, to one of the economists who are the straight men in the stories you tell? For example, your book starts with the story of Arthur's meeting in 1987 with Al Fishlow at Berkeley, in which Fishlow supposedly said, "We know that increasing returns can't exist"--and Arthur went away in despair over the unwillingness of economists to think the unthinkable. Did you call Fishlow to ask whether he said it, and what he meant? Since by 1987 Paul Romer's 1986 papers on increasing returns and growth had started an avalanche of derivative work, he was certainly joking--what he probably meant was "Oh no, not you too." And let me say that I simply cannot believe that you could have talked about increasing returns with any significant number of economists outside Santa Fe without Romer's name popping up in the first 30 seconds of every conversation--unless you were very selective about whom you talked to. And oh, by the way, there are such things as libraries, where you can browse actual economics journals and see what they contain. The point is that it's not just a matter of failing to cite a few more people. Your book, like the Cassidy article, didn't just tell the story of Brian Arthur; it also painted a picture of the economics profession, its intellectual bigotry and prejudice, which happens to be a complete fabrication (with some real, named people cast as villains) that somehow someone managed to sell you. I wonder who? Even more to the point: How did Cassidy come by his story? Is it possible that he completely misunderstood what Brian Arthur was saying--that the whole business about the seminar at Harvard where nobody would accept increasing returns, about the lonely struggle of Arthur in the face of ideological rigidity, even the quotation from Arthur about economists being unwilling to consider the possibility of imperfect markets because of the Cold War (give me a break!) were all in Cassidy's imagination? Let me say that I am actually quite grateful to Cassidy and The New Yorker . A number of people have long been furious about your book--for example, Victor Norman, whom you portrayed as the first of many economists too dumb or perhaps narrow-minded to understand Arthur's brilliant innovation. Norman e-mailed me to say that "I have read the tales from the Vienna woods before and had hoped that it could be cleared up by someone at some point." Yet up to now there was nothing anyone could do about the situation. The trouble was that while "heroic rebel defies orthodoxy" is a story so good that nobody even tries to check it out, "guy makes minor contribution to well-established field, proclaims himself its founder" is so boring as to be unpublishable. (David Warsh's 1994 series of columns in the Boston Globe on the increasing-returns revolution in economics, the basis for a forthcoming book from Harvard University Press, is far and away the best reporting on the subject, did include a sympathetic but devastating exposÃ© of Arthur's pretensions--but to little effect. [Click to read Warsh on Arthur.]) Only now did I have a publishable story: "guy makes minor contribution to well-established field, portrays himself as heroic rebel--and The New Yorker believes him." Thank you, Mr. Cassidy. Letter from Kenneth J. Arrow: Paul Krugman's attack on Brian Arthur ("The Legend of Arthur") requires a correction of its misrepresentations of fact. Arthur is a reputable and significant scholar whose work is indeed having influence in the field of industrial organization and in particular public policy toward antitrust policy in high-tech industries. Krugman admits that he wrote the article because he was "just pissed off," not a very good state for a judicious statement of facts, as his column shows. His theme is stated in his first paragraph: "Cassidy's article [in The New Yorker of Jan. 12] tells the story of how Stanford Professor Brian Arthur came up with the idea of increasing returns." Cassidy, however, said nothing of the sort. The concept of increasing returns is indeed very old, and Cassidy at no point attributed that idea to Arthur. Indeed, the phrase "increasing returns" appears just once in Cassidy's article and then merely to say that Arthur had used the term while others refer to network externalities. Further, Arthur has never made any such preposterous claim at any other time. On the contrary, his papers have fully cited the history of the field and made references to the previous papers, including those of Paul Krugman. (See Arthur's papers collected in the volume Increasing Returns and Path Dependence in the Economy, especially his preface and my foreword for longer comments on Arthur's work in historic perspective. Click to see the foreword.) Hence, Krugman's whole attack is directed at a statement made neither by Arthur nor by Cassidy. Krugman has not read Cassidy's piece with any care nor has he bothered to review what Arthur has in fact said. What Cassidy in fact did in his article was to trace a line of influence between one of Arthur's early articles and the current claims of the Department of Justice against Microsoft. It appears that Cassidy based his article on several interviews, not just one. The point that Arthur has emphasized and which is influential in the current debates about antitrust policy is the dynamic implication of increasing returns. It is the concept of path-dependence, that small events, whether random or the result of corporate strategic choice, may have large consequences because of increasing returns of various kinds. Initial small advantages become magnified, for example, by creating a large installed base, and direct the future, possibly in an inefficient direction. Techniques of production may be locked in at an early stage. Similar considerations apply to regional development and learning. --Kenneth J. Arrow Nobel laureate and Joan Kenney professor of economics emeritus Stanford University Letter from Ted C. Fishman: After reading Paul Krugman vent his spleen against fellow economist Brian Arthur in "The Legend of Arthur," I couldn't help wondering whose reputation he was out to trash, Arthur's or his own. Krugman seems to fear a plot to deny economists their intellectual due. If one exists, Arthur is not a likely suspect. In a series of long interviews with me a year ago (for Worth magazine), I tried, vainly, to get Arthur to tell me how his ideas about increasing returns have encouraged a new strain of economic investigations. Despite much prodding, Arthur obliged only by placing himself in a long line of theorists dating back to Adam Smith and Alfred Marshall. I also found him disarmingly generous in giving credit to the biologists, physicists, and fellow economists who have helped advance his own thinking. Savvy to the journalist's quest for heroes, Arthur urged me to focus on his ideas, not his rank among his peers. Krugman has made a career out of telling other economists to pay better attention to the facts, yet as a chronicler of Arthur's career and inner life, Krugman seems to have listened only to his own demons. --Ted C. Fishman (For additional background on the history of "increasing returns" and Brian Arthur's standing in the field, click for David Warsh's July 3, 1994, Boston Globe article on Brian Arthur)
train	20010	[ "Which is the least likely reason for not circulating The Bell Curve in galleys?", "What was the basic purpose of The Bell Curve?", "Which wouldn't the author use to describe Herrnstein and Murray?", "What is the problem with using IQ to predict economic success?", "What do Herrnstein and Murray want you to believe?" ]	[ [ "by the time people could intelligently criticize it, it was nearly too late", "it made people more excited to read it when it did come out", "it gave little time for people to check the facts", "there wasn't enough time between the galley publication and the official publication" ], [ "to show that our government really can't help poor people become more successful", "to get people to stop believing in IQ tests", "to explain how to improve peoples' intelligence", "to help people learn how to improve their social status" ], [ "overgeneralizing", "strategic", "manipulative", "unbiased" ], [ "IQ tests are not aimed at people of all races", "IQ tests are impacted by the amount of education a person has had", "IQ tests aren't all the same, so it's not a fair control", "IQ tests only test inherited intelligence" ], [ "be happy with your current status - it's where you're going to stay", "the government should put more money into closing the socio-economic gap", "people of all races should be treated equally", "if you work hard enough, you can do anything" ] ]	[ 4, 1, 4, 2, 1 ]	[ 1, 0, 0, 0, 0 ]	The Bell Curve Flattened Charles Murray is a publicity genius, and the publication of his and Richard Herrnstein's book, The Bell Curve: Intelligence and Class Structure in American Life , in the fall of 1994 was his masterpiece. Virtually all ambitious trade hardcover books are preceded by an edition of 100 to 200 flimsy "galley proofs." These are sent out to people who might generate buzz for the book: blurbists, bookers for television talk shows, editors, and--most important--book critics. There is an ethos of letting the chips fall where they may about the sending out of galleys: Now the book will begin to receive uncontrolled reaction. (For example, back in 1991, Murray somehow got hold of the galleys of my own last book, and wrote me heatedly denying that he was working on a book about black genetic intellectual inferiority, as I had asserted. I left the passage in, but softened it.) The Bell Curve was not circulated in galleys before publication. The effect was, first, to increase the allure of the book (There must be something really hot in there!), and second, to ensure that no one inclined to be skeptical would be able to weigh in at the moment of publication. The people who had galley proofs were handpicked by Murray and his publisher. The ordinary routine of neutral reviewers having a month or two to go over the book with care did not occur. Another handpicked group was flown to Washington at the expense of the American Enterprise Institute and given a weekend-long personal briefing on the book's contents by Murray himself (Herrnstein had died very recently), just before publication. The result was what you'd expect: The first wave of publicity was either credulous or angry, but short on evidence, because nobody had had time to digest and evaluate the book carefully. The Bell Curve isn't a typical work of trade nonfiction. It is gotten up as a work of original scholarly research. Most works containing fresh regression analysis and historical argument from primary sources would be published in academic quarterlies that send manuscripts out for elaborate, lengthy evaluation before deciding whether to publish them. Herrnstein and Murray didn't do this, so it wasn't until a full year or more after The Bell Curve was published that the leading experts on its subject had a chance to go through the underlying data with care. Therefore, as time went on, the knowledgeability of the Bell Curve discussion grew, but the attention paid to that discussion inevitably shrank. The debate on publication day was conducted in the mass media by people with no independent ability to assess the book. Over the next few months, intellectuals took some pretty good shots at it in smaller publications like the New Republic and the New York Review of Books . It wasn't until late 1995 that the most damaging criticism of The Bell Curve began to appear, in tiny academic journals. What follows is a brief summary of that last body of work. The Bell Curve , it turns out, is full of mistakes ranging from sloppy reasoning to mis-citations of sources to outright mathematical errors. Unsurprisingly, all the mistakes are in the direction of supporting the authors' thesis. First, a quick prÃ©cis of The Bell Curve . IQ tests, according to Murray and Herrnstein, measure an essential human quality, general intelligence. During the second half of the 20 th century, this quality has risen to supreme importance, because society has become increasingly complex. The intelligent have therefore gone through an "invisible migration," from points of origin all over the class system to a concentration at the top of business, government, and the professions. They are likely to become ever more dominant and prosperous. The unintelligent are falling further and further behind. Because intelligence is substantially inherited, nothing is likely to reverse this process. Blacks are overrepresented among the unintelligent. Any efforts government might make to improve the economic opportunities of poor people, especially poor black people, are likely to fail, because their poverty is so much the result of inherited low intelligence. About the best that can be done for these people is an effort to create a world of simple, decent, honorable toil for them. Herrnstein and Murray begin by telling us that the liberal position on IQ--namely, "Intelligence is a bankrupt concept"--has been discredited, and that "a scholarly consensus has been reached" around their position. This consensus is "beyond significant technical dispute." Thus, by the end of their introduction, they have arranged matters so that if intelligence has any meaning at all, the idiotic liberals stand discredited; and meanwhile, extremely broad claims for intelligence have the cover of "consensus." The notion that IQ tests are completely useless never prevailed in liberal academia to nearly the extent that Herrnstein and Murray say. A more accurate rendering of the liberal position would be that rather than a single "general intelligence," there are a handful of crucial--and separate--mental abilities; that none of these abilities is important enough to obviate the role of family background and education; and that native ability (and economic success independent of native ability) can be enhanced by improving education, training, and public health. The Bell Curve refers in passing to some of these points, but on the whole it sets up a cartoon-left position as its (easy) target. Meanwhile, the psychometricians who dominate the footnotes of The Bell Curve are John Hunter, Arthur Jensen, Malcolm Ree, and Frank Schmidt. These men are well known within the field as representing its right wing, not a mainstream consensus. The next problem with The Bell Curve 's thesis is in the idea of the rise to dominance of the cognitive elite. To the book's initial audience of Ivy Leaguers, this idea seemed valid on its face. Everybody knows that the best universities, law firms, hospitals, investment banks, and the State Department used to be run by preppies whose main virtue was fortunate birth, and are now open to one and all on the basis of merit. But the larger premise--that intelligent people used to be scattered throughout the class structure, and are now concentrated at the top--is almost impossible to prove, simply because the mass administration of mental tests is such a recent phenomenon. High scorers on mental tests do "bunch up" (as Herrnstein and Murray put it) in elite-university student bodies. But this is tautological: Any group selected on the basis of scores on mental tests will be composed disproportionately of people who score high on mental tests. Proving The Bell Curve 's thesis would require proving that success increasingly correlates with IQ in areas of life where mental tests are not the explicit gatekeepers. To see how The Bell Curve tries and fails to get around these inherent problems, see and . Having conditioned its audience to view IQ as all-important, The Bell Curve then manipulates statistics in a way that makes IQ look bigger, and everything else smaller, in determining Americans' life-chances. The basic tool of statistical social science in general, and of The Bell Curve in particular, is regression analysis, a technique used to assign weights to various factors (called "independent variables") in determining a final outcome (called the "dependent variable"). The original statistical work in The Bell Curve consists of regression analyses on a database called the National Longitudinal Study of Youth. The authors claim to demonstrate that high IQ is more predictive of economic success than any other factor, and that low IQ is more predictive of poverty and social breakdown. Virtually all the early commentators on The Bell Curve were unable to assess the merits of the regression analysis. "I am not a scientist. I know nothing about psychometrics," wrote Leon Wieseltier (who was otherwise quite critical) in a typical disclaimer. But by now the statistics have been gone over by professionals, who have come up with different results. The key points of their critique of The Bell Curve are as follows: What Herrnstein and Murray used to measure IQ is actually a measure of education as well as intelligence. All the people tracked in the National Longitudinal Study of Youth took the Armed Forces Qualifying Test, which Herrnstein and Murray treat as a good measure of intelligence. Because the material covered in the test includes subjects like trigonometry, many academic critics of The Bell Curve have objected to its use as a measure only of IQ and not at all of academic achievement. Herrnstein and Murray concede in the footnotes that scores tend to rise with the subjects' education--but they seriously underestimate the magnitude of this rise, as shows. And they resist the obvious inference that the test scores are measuring something other than intelligence. Most of The Bell Curve 's analysis is devoted to proving that IQ has more predictive power than parental "socio-economic status." But Herrnstein and Murray's method of figuring socioeconomic status seems designed to low-ball its influence, as explains. Herrnstein and Murray begin their discussion of the National Longitudinal Study of Youth data by announcing that they aren't going to analyze the effect of education, because education is too much a result of IQ. It's not an independent variable. (Of course, according to their theory, socioeconomic status is also a result of IQ, but somehow, that doesn't stop them.) Therefore, what you'd most want to know from a policy standpoint--how much education can increase opportunity--isn't dealt with in the book, except in two obscure footnotes. Both would seem to support the liberal, pro-education position that Herrnstein and Murray say is futile. One footnote shows education increasing IQ year by year. The other shows a higher correlation between college degree and family income than between IQ and family income. One of The Bell Curve 's theoretical linchpins is the high heritability of IQ. Herrnstein and Murray, sounding like the souls of caution, write that "half a century of work, now amounting to hundreds of empirical and theoretical studies, permits a broad conclusion that the genetic component of IQ is unlikely to be smaller than 40 per cent or higher than 80 per cent. ... For purposes of this discussion, we will adopt a middling estimate of 60 per cent heritability." This now looks seriously overstated. Michael Daniels, Bernie Devlin, and Kathryn Roeder of Carnegie Mellon University took the same studies on which Herrnstein and Murray based their estimate, and subjected them to a computer meta-analysis ("a powerful method of statistical analysis"-- The Bell Curve ). Their paper, which has not yet been published, says: "In brief, studies of IQ, and our reanalyses of them, suggest a narrow-sense heritability of 34 per cent and a broad-sense heritability of 46 per cent. [The difference between broad and narrow is too technical to explain in this limited space.] This is a far cry from Herrnstein and Murray's maximum value of 80 per cent or their middling value of 60 per cent. Consequently, Herrnstein and Murray give the impression that IQ is highly 'heritable,' but it is not." If the purpose of the whole exercise is to figure out what our social policies should be, then, "Which is more predictive, IQ or socioeconomic status?" isn't the essential question anyway. Making it the essential question avoids the issue of whether IQ is really so massively predictive that it drowns out everything else. (Herrnstein and Murray mostly leave the evidence for this, their central contention, to footnotes. The figures they offer are far from dispositive.) The chapter of The Bell Curve on policies that might be able to overcome the fate of a low IQ focuses mainly on whether early-childhood programs like Head Start (most of which aren't run with raising IQ as their primary goal) can raise IQ significantly over the long term, and sorrowfully concludes that they can't. What the book doesn't discuss is whether public schools--by far the biggest government social program--can raise IQ, or earnings after you control for IQ. As James Heckman of the University of Chicago wrote in the Journal of Political Economy , " Evidence of a genetic component to skills has no bearing on the efficacy of any social policy. ... The relevant issue is the cost effectiveness of the intervention." (As an example of where the kind of analysis Herrnstein and Murray didn't do can lead, a new study by Jay Girotto and Paul Peterson of Harvard shows that students who raise their grades and take harder courses can increase their IQ scores by an average of eight points during the first three years of high school.) At the beginning of The Bell Curve , Herrnstein and Murray declare that "the concept of intelligence has taken on a much higher place in the pantheon of human virtues than it deserves." And they claim that their view of IQ tests is "squarely in the middle of the scientific road." They end by expressing the hope that we can "be a society that makes good on the fundamental promise of the American tradition: the opportunity for everyone, not just the lucky ones, to live a satisfying life." Throughout, Herrnstein and Murray consistently present themselves as fair- (or even liberal-) minded technicians who have, with great caution, followed the evidence where it leads--which, unfortunately, is to a few unassailable if unpleasant scientific truths that it is their reluctant duty to report. In fact, The Bell Curve is a relentless brief for the conservative position in psychometrics and social policy. For all its talk of reflecting a consensus, the sources it draws upon are heavily skewed to the right. Herrnstein and Murray used quasi-nutty studies that support their position (as Charles Lane demonstrated in the New York Review of Books ), and ignore mainstream studies that contradict it (as Richard Nisbett showed in the New Republic ). The data in The Bell Curve are consistently massaged to produce conservative conclusions; not once is a finding that contradicts the main thesis reported in the text. ( shows how Herrnstein and Murray have made the convergence in black-white IQ scores, which they claim to find "encouraging," look smaller than it actually is.) The Bell Curve 's air of strict scientism doesn't preclude the use of lightly sourced or unsourced assertions, such as the statement that the median IQ of all black Africans is 75, or that "intermarriage among people in the top few percentiles of intelligence may be increasing far more rapidly than suspected" (no footnote). Though they piously claim not to be doing so, Herrnstein and Murray leave readers with the distinct impression that IQ is the cause of economic success and failure, and that genetic difference explains the black-white IQ gap. In the most famous passage in The Republic , Plato describes an underground cave where people are held prisoner in chains, unable to see anything but the shadows cast by figures passing outside; they mistake the shadows for reality. The Republic is probably the first place in history where an idea like that of Murray and Herrnstein's cognitive elite appears. Plato believed that through education, people could leave the cave and be able to see the truth instead of the shadows, thus fitting themselves to become the wise rulers of society. But he was quick to insert a cautionary note: Those who have left the cave might be tempted to think they can see perfectly clearly, while actually they would be "dazzled by excess of light." The image applies to The Bell Curve : Presented as an exact representation of reality, in opposition to the shadows of political correctness, it actually reflects the blinkered vision of one part of the American elite. It constantly tells these people that they are naturally superior, and offers lurid descriptions of aspects of national life that they know about only by rumor. Readers who accept The Bell Curve as tough-minded and realistic, and who assume that all criticism of it is ignorant and ideologically motivated, are not as far removed from Plato's cave as they might think. : Dumb College Students : Smart Rich People : Education and IQ : Socioeconomic Status : Black-White Convergence
train	53016	[ "Who is Beula and what is her connection to the narrator?", "In what room does Captain Hannah barricade himself? ", "What central difference between the planets Gloryanna and Mypore is most important to the story? Why is this significant to Hannah and the narrator?", "What kind of literary device is being used in the story’s title? \n", "What is Ironic about Captain Hannah’s time with the marocca plants? \n", "What is the last step Captain Hannah must conduct in order to deliver successfully fruited plants to Gloryanna. What is the symbolic significance of this? \n", "What does Captain Hannah use as an organic processor? \n", "What does the narrator say Captain Hannah has never been? \n" ]	[ [ "Beula is the narrator’s pet elephant. Her baby belongs to Captain Hannah, linking the two men even though they don’t like each other. \n\n", "Beula is Captain Hannah’s pet elephant. The narrator sold her Captain Hannah years ago, leading to a business relationship between the two men. \n\n", "Beula is Captain Hannah’s pet elephant. Her baby belongs to the narrator, linking the captain and the narrator. \n\n", "Beula is the narrator’s pet elephant. Her baby was sold to Captain Hannah, which led to a business relationship between the two men. \n\n" ], [ "The bathroom of the space bar\n", "The cockpit of the Delta Crucis", "The lobby of the Delta Crucis", "The bathroom of the Delta Crucis \n" ], [ "Mypore has outlawed and eradicated the marocca plants, while Gloryanna continues to cultivate them. Hannah and the narrator think they will be able to make an enormous profit by transporting and selling the plants to Mypore. ", "Gloryanna has outlawed and eradicated the marocca plants, while Mypore continues to to cultivate the plants. Gloryanna’s population is sick of making treks to Mypore just to purchase marocca, so the narrator and Hannah hope to capitalize on their desire by creating a shipping line between Gloryanna and Mypore.", "Gloryanna has outlawed and eradicated the marocca plants, while Mypore continues to to cultivate them. Gloryanna’s population is sick of Myporians trying to sell marocca on their planet, so the narrator and Hannah hope to capitalize on the issue by bringing them to Gloryanna’s black market.", "Gloryanna has outlawed and eradicated the marocca plants, while Mypore continues to cultivate the plants. Hannah and the narrator think they will be able to make an enormous profit by transporting and selling the plants to Gloryanna." ], [ "Metonymy: “Cake Walk” is a literal attribute/adjunct for the part of the ship Captain Hannah grows the marocca in. \n", "Irony: Captain Hannah faces so many trials and tribulations during his time with the plants that his voyage is very much NOT a cakewalk to Gloryanna. \n ", "Metaphor: Cake walk is a metaphor the narrator uses to describe Captain Hannah’s journey once complete. They were both surprised at the venture’s absurd ease. \n", "Euphemism: “Cake walk” is used by the narrator to politely suggest that the plants had their way with Captain Hannah.\n" ], [ "After all Captain Hannah suffers through in order to get to the plants to Gloryanna, it turns out that the Gloryannans have stopped all trade lines. He is asked to leave Gloryannan customs and never return. Hannah suffered for nothing. \n", "After all Captain Hannah suffers through in order to get to the plants to Gloryanna, it turns out that the Gloryannans absolutely detest the plant, and that it is illegal for good reason. The narrator’s plan to earn a profit by selling marocca where they don’t grow was completely wrong. Hannah suffered for nothing.", "After all Captain Hannah suffers through in order to get to the plants to Gloryanna, it turns out that the Myporians are the only people in the solar system who eat its fruit, and that virtually everybody else in the universe is pathologically allergic. ", "After all Captain Hannah suffers through in order to get to the plants to Gloryanna, it turns out that the Gloryannans won’t buy any from him because they are scared of their government. Hannah suffered for nothing. \n" ], [ "Captain Hannah must simulate proper sun exposure in order to ensure the plants’ vines don’t die. Their death would mean no fruit, symbolizing the way in which Hannah’s failure to keep the vines alive is the last possible way in which the narrator’s plan could fail. \n", "Captain Hannah must exterminate all of the spores and bugs before reaching Gloryanna, seeing as the Gloryannans will only accept marocca fruit alone for fear of reinfecting their planet with its spores. It is symbolic that Hannah cannot sell the objects which make the fruit, but only the fruit alone. \n", "Captain Hannah must feed the marocca cuttings from their vines, but only after mulching them through an organic processor. His body turns out to be the only processor on board, meaning Captain Hannah must eat and process the vine clippings with his own body. This symbolizes the kind of will the plants’ have over Hannah—they have inconvenienced him to the extent of his own insides. \n", "Captain Hannah must feed the carollas to the dingleburys, but only after mulching them through an organic processor. His body turns out to be the only processor on board, meaning Captain Hannah must eat and process the bugs with his own body. This symbolizes the kind of will the carollas have over Hannah—they have inconvenienced him to the extent of his own insides. \n" ], [ "A fire pump\n", "The bodies of dead dinglebury bugs\n", "He uses a lamp to simulate the sun’s orbit on the planet Mypore \n", "His own body" ], [ "A gardener \n", "A good pilot \n", "An adequate elephant owner \n", "A handsome man\n" ] ]	[ 3, 4, 4, 2, 2, 3, 4, 4 ]	[ 0, 0, 1, 0, 0, 0, 1, 0 ]	CAKEWALK TO GLORYANNA BY L. J. STECHER, JR. [Transcriber's Note: This etext was produced from Worlds of Tomorrow June 1963 Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] The job was easy. The profit was enormous. The only trouble was—the cargo had a will of its own! Captain Hannah climbed painfully down from the Delta Crucis , hobbled across the spaceport to where Beulah and I were waiting to greet him and hit me in the eye. Beulah—that's his elephant, but I have to take care of her for him because Beulah's baby belongs to me and Beulah has to take care of it—kept us apart until we both cooled down a little. Then, although still somewhat dubious about it, she let us go together across the field to the spaceport bar. I didn't ask Captain Hannah why he had socked me. Although he has never been a handsome man, he usually has the weathered and austere dignity that comes from plying the remote reaches among the stars. Call it the Look of Eagles. Captain Hannah had lost the Look of Eagles. His eyes were swollen almost shut; every inch of him that showed was a red mass of welts piled on more welts, as though he had tangled with a hive of misanthropic bees. The gold-braided hat of his trade was not clamped in its usual belligerent position slightly over one eye. It was riding high on his head, apparently held up by more of the ubiquitous swellings. I figured that he figured that I had something to do with the way he looked. "Shipping marocca to Gloryanna III didn't turn out to be a cakewalk after all?" I suggested. He glared at me in silence. "Perhaps you would like a drink first, and then you would be willing to tell me about it?" I decided that his wince was intended for a nod, and ordered rhial. I only drink rhial when I've been exposed to Captain Hannah. It was almost a pleasure to think that I was responsible, for a change, for having him take the therapy. "A Delta Class freighter can carry almost anything," he said at last, in a travesty of his usual forceful voice. "But some things it should never try." He lapsed back into silence after this uncharacteristic admission. I almost felt sorry for him, but just then Beulah came racking across the field with her two-ton infant in tow, to show her off to Hannah. I walled off my pity. He had foisted those two maudlin mastodons off onto me in one of our earlier deals, and if I had somehow been responsible for his present troubles, it was no more than he deserved. I rated winning for once. "You did succeed in getting the marocca to Gloryanna III?" I asked anxiously, after the elephants had been admired and sent back home. The success of that venture—even if the job had turned out to be more difficult than we had expected—meant an enormous profit to both of us. The fruit of the marocca is delicious and fabulously expensive. The plant grew only on the single planet Mypore II. Transshipped seeds invariably failed to germinate, which explained its rarity. The Myporians were usually, and understandably, bitterly, opposed to letting any of the living plants get shipped off their planet. But when I offered them a sizable piece of cash plus a perpetual share of the profits for letting us take a load of marocca plants to Gloryanna III, they relented and, for the first time in history, gave their assent. In fact, they had seemed delighted. "I got them there safely," said Captain Hannah. "And they are growing all right?" I persisted. "When I left, marocca was growing like mad," said Captain Hannah. I relaxed and leaned back in my chair. I no longer felt the need of rhial for myself. "Tell me about it," I suggested. "It was you who said that we should carry those damn plants to Gloryanna III," he said balefully. "I ought to black your other eye." "Simmer down and have some more rhial," I told him. "Sure I get the credit for that. Gloryanna III is almost a twin to Mypore II. You know that marocca takes a very special kind of environment. Bright sun most of the time—that means an almost cloudless environment. A very equable climate. Days and nights the same length and no seasons—that means no ecliptical and no axial tilt. But our tests showed that the plants had enough tolerance to cause no trouble in the trip in Delta Crucis ." A light dawned. "Our tests were no good?" "Your tests were no good," agreed the captain with feeling. "I'll tell you about it first, and then I'll black your other eye," he decided. "You'll remember that I warned you that we should take some marocca out into space and solve any problems we might find before committing ourselves to hauling a full load of it?" asked Captain Hannah. "We couldn't," I protested. "The Myporians gave us a deadline. If we had gone through all of that rigamarole, we would have lost the franchise. Besides, they gave you full written instructions about what to do under all possible circumstances." "Sure. Written in Myporian. A very difficult language to translate. Especially when you're barricaded in the head." I almost asked him why he had been barricaded in the bathroom of the Delta Crucis , but I figured it was safer to let him tell me in his own way, in his own time. "Well," he said, "I got into parking orbit around Mypore without any trouble. The plastic film kept the water in the hydroponic tanks without any trouble, even in a no-gravity condition. And by the time I had lined up for Gloryanna and Jumped, I figured, like you said, that the trip would be a cakewalk. "Do you remember how the plants always keep their leaves facing the sun? They twist on their stems all day, and then they go on twisting them all night, still pointing at the underground sun, so that they're aimed right at sunrise. So the stem looks like a corkscrew?" I nodded. "Sure. That's why they can't stand an axial tilt. They 'remember' the rate and direction of movement, and keep it up during the night time. So what? We had that problem all figured out." "You think so? That solution was one of yours, too, wasn't it?" He gazed moodily at his beaker of rhial. "I must admit it sounded good to me, too. In Limbo, moving at multiple light-speeds, the whole Universe, of course, turns into a bright glowing spot in our direction of motion, with everything else dark. So I lined up the Delta Crucis perpendicular to her direction of motion, put a once-every-twenty-one hour spin on her to match the rotation rates of Mypore II and Gloryanna III, and uncovered the view ports to let in the light. It gradually brightened until 'noon time', with the ports pointing straight at the light source, and then dimmed until we had ten and one-half hours of darkness. "Of course, it didn't work." "For Heaven's sake, why not?" "For Heaven's sake why should it? With no gravity for reference, how were the plants supposed to know that the 'sun' was supposed to be moving?" "So what did you do?" I asked, when that had sunk in. "If the stem doesn't keep winding, the plants die; and they can only take a few extra hours of night time before they run down." "Oh," said Captain Hannah in quiet tones of controlled desperation, "it was very simple. I just put enough spin on the ship to make artificial gravity, and then I strung a light and moved it every fifteen minutes for ten and one-half hours, until I had gone halfway around the room. Then I could turn the light off and rest for ten and one-half hours. The plants liked it fine. "Of course, first I had to move all the hydroponic tanks from their original positions perpendicular to the axial thrust line of the ship to a radial position. And because somehow we had picked up half of the plants in the northern hemisphere of Mypore and the other half in the southern hemisphere, it turned out that half of the plants had a sinistral corkscrew and the other half had a dextral. So I had to set the plants up in two different rooms, and run an artificial sun for each, going clockwise with one, widdershins with the other. "I won't even talk about what I went through while I was shifting the hydroponic tanks, when all the plastic membranes that were supposed to keep the water in place started to break." "I'd like to know," I said sincerely. He stared at me in silence for a moment. "Well, it filled the cabin with great solid bubbles of water. Water bubbles will oscillate and wobble like soap bubbles," he went on dreamily, "but of course, they're not empty, like soap bubbles. The surface acts a little like a membrane, so that sometimes two of the things will touch and gently bounce apart without joining. But just try touching one of them. You could drown—I almost did. Several times. "I got a fire pump—an empty one. You know the kind; a wide cylinder with a piston with a handle, and a hose that you squirt the water out of, or can suck water in with. The way you use it is, you float up on a big ball of water, with the pump piston down—closed. You carefully poke the end of the hose into the ball of water, letting only the metal tip touch. Never the hose. If you let the hose touch, the water runs up it and tries to drown you. Then you pull up on the piston, and draw all the water into the cylinder. Of course, you have to hold the pump with your feet while you pull the handle with your free hand." "Did it work?" I asked eagerly. "Eventually. Then I stopped to think of what to do with the water. It was full of minerals and manure and such, and I didn't want to introduce it into the ship's tanks." "But you solved the problem?" "In a sense," said the captain. "I just emptied the pump back into the air, ignored the bubbles, repositioned the tanks, put spin on the ship and then ladled the liquid back into the tanks with a bucket." "Didn't you bump into a lot of the bubbles and get yourself dunked a good deal while you were working with the tanks?" He shrugged. "I couldn't say. By that time I was ignoring them. It was that or suicide. I had begun to get the feeling that they were stalking me. So I drew a blank." "Then after that you were all right, except for the tedium of moving the lights around?" I asked him. I answered myself at once. "No. There must be more. You haven't told me why you hid out in the bathroom, yet." "Not yet," said Captain Hannah. "Like you, I figured I had the situation fairly well under control, but like you, I hadn't thought things through. The plastic membranes hadn't torn when we brought the tanks in board the Delta Crucis . It never occurred to me to hunt around for the reasons for the change. But I wouldn't have had long to hunt anyway, because in a few hours the reasons came looking for me. "They were a tiny skeeter-like thing. A sort of midge or junior grade mosquito. They had apparently been swimming in the water during their larval stage. Instead of making cocoons for themselves, they snipped tiny little pieces of plastic to use as protective covers in the pupal stage. I guess they were more like butterflies than mosquitoes in their habits. And now they were mature. "There were thousands and thousands of them, and each one of them made a tiny, maddening whine as it flew." "And they bit? That explains your bumps?" I asked sympathetically. "Oh, no. These things didn't bite, they itched. And they got down inside of everything they could get down inside, and clung. That included my ears and my eyes and my nose. "I broke out a hand sprayer full of a DDT solution, and sprayed it around me to try to clear the nearby air a little, so that I could have room to think. The midges loved it. But the plants that were in reach died so fast that you could watch their leaves curl up and drop off. "I couldn't figure whether to turn up the fans and dissipate the cloud—by spreading it all through the ship—or whether to try to block off the other plant room, and save it at least. So I ended up by not doing anything, which was the right thing to do. No more plants died from the DDT. "So then I did a few experiments, and found that the regular poison spray in the ship's fumigation system worked just fine. It killed the bugs without doing the plants any harm at all. Of course, the fumigation system is designed to work with the fumigator off the ship, because it's poisonous to humans too. "I finally blocked the vents and the door edges in the head, after running some remote controls into there, and then started the fumigation system going. While I was sitting there with nothing much to do, I tried to translate what I could of the Myporian instructions. It was on page eleven that it mentioned casually that the midges—the correct word is carolla—are a necessary part of the life cycle of the marocca. The larvae provide an enzyme without which the plants die. "Of course. I immediately stopped slapping at the relatively few midges that had made their way into the head with me, and started to change the air in the ship to get rid of the poison. I knew it was too late before I started, and for once I was right. "The only live midges left in the ship were the ones that had been with me during the fumigation process. I immediately tried to start a breeding ground for midges, but the midges didn't seem to want to cooperate. Whatever I tried to do, they came back to me. I was the only thing they seemed to love. I didn't dare bathe, or scratch, or even wriggle, for fear of killing more of them. And they kept on itching. It was just about unbearable, but I bore it for three interminable days while the midges died one by one. It was heartbreaking—at least, it was to me. "And it was unnecessary, too. Because apparently the carolla had already laid their eggs, or whatever it is that they do, before I had fumigated them. After my useless days of agony, a new batch came swarming out. And this time there were a few of a much larger thing with them—something like an enormous moth. The new thing just blundered around aimlessly. "I lit out for the head again, to keep away from that intolerable whining. This time I took a luxurious shower and got rid of most of the midges that came through the door with me. I felt almost comfortable, in fact, until I resumed my efforts to catch up on my reading. "The mothlike things—they are called dingleburys—also turn out to provide a necessary enzyme. They are supposed to have the same timing of their life cycle as the carolla. Apparently the shaking up I had given their larvae in moving the tanks and dipping the water up in buckets and all that had inhibited them in completing their cycle the first time around. "And the reason they had the same life cycle as the carolla was that the adult dinglebury will eat only the adult carolla, and it has to fill itself full to bursting before it will reproduce. If I had the translation done correctly, they were supposed to dart gracefully around, catching carolla on the wing and stuffing themselves happily. "I had to find out what was wrong with my awkward dingleburys. And that, of course, meant going out into the ship again. But I had to do that anyway, because it was almost 'daylight', and time for me to start shifting the lights again. "The reason for the dingleburys' problem is fairly obvious. When you set up artificial gravity by spinning a ship, the gravity is fine down near the skin where the plants are. But the gravity potential is very high, and it gets very light up where things fly around, going to zero on the middle line of the ship. And the unfamiliar gravity gradient, together with the Coriolis effect and all, makes the poor dingleburys dizzy, so they can't catch carolla. "And if you think I figured all that out about dingleburys getting dizzy at the time, in that madhouse of a ship, then you're crazy. What happened was that I saw that there was one of the creatures that didn't seem to be having any trouble, but was acting like the book said it should. I caught it and examined it. The poor thing was blind, and was capturing her prey by sound alone. "So I spent the whole day—along with my usual chore of shifting the lights—blindfolding dingleburys. Which is a hell of a sport for a man who is captain of his own ship." I must say that I agreed with him, but it seemed to be a good time for me to keep my mouth shut. "Well, after the dingleburys had eaten and propagated, they became inquisitive. They explored the whole ship, going into places I wouldn't have believed it to be possible for them to reach, including the inside of the main computer, which promptly shorted out. I finally figured that one of the things had managed to crawl up the cooling air exhaust duct, against the flow of air, to see what was going on inside. "I didn't dare to get rid of the things without checking my book, of course, so it was back to the head for me. 'Night' had come again—and it was the only place I could get any privacy. There were plenty of the carolla left to join me outside. "I showered and swatted and started to read. I got as far as where it said that the dingleburys continued to be of importance, and then I'm afraid I fell asleep. "I got up with the sun the next morning. Hell, I had to, considering that it was I who turned the sun on! I found that the dingleburys immediately got busy opening small buds on the stems of the marocca plants. Apparently they were pollinating them. I felt sure that these buds weren't the marocca blossoms from which the fruit formed—I'd seen a lot of those while we were on Mypore II and they were much bigger and showier than these little acorn-sized buds. "Of course, I should have translated some more of my instruction book, but I was busy. "Anyway, the action of the dingleburys triggered the violent growth phase of the marocca plants. Did you know that they plant marocca seedlings, back on Mypore II, at least a hundred feet apart? If you'll recall, a mature field, which was the only kind we ever saw, is one solid mass of green growth. "The book says that it takes just six hours for a marocca field to shift from the seedling stage to the mature stage. It didn't seem that long. You could watch the stuff grow—groping and crawling along; one plant twining with another as they climbed toward the light. "It was then that I began to get worried. If they twined around the light, they would keep me from moving it, and they would shadow it so it wouldn't do its job right. In effect, their growth would put out the sun. "I thought of putting up an electrically charged fence around the light, but the bugs had put most of my loose equipment out of action, so I got a machete. When I took a swing at one of the vines, something bit me on the back of the neck so hard it almost knocked me down. It was one of the dingleburys, and it was as mad as blazes. It seems that one of the things they do is to defend the marocca against marauders. That was the first of my welts, and it put me back in the head in about two seconds. "And what's more, I found that I couldn't kill the damn things. Not if I wanted to save the plants. The growth only stops at the end of six hours, after the blossoms appear and are visited by the dingleburys. No dingleburys, no growth stoppage. "So for the next several hours I had to keep moving those lights, and keep them clear of the vines, and keep the vines from shadowing each other to the point where they curled up and died, and I had to do it gently , surrounded by a bunch of worried dingleburys. "Every time they got a little too worried, or I slipped and bumped into a plant too hard, or looked crosseyed at them, they bit me. If you think I look bad now, you should have seen me just about the time the blossoms started to burst. "I was worried about those blossoms. I felt sure that they would smell terrible, or make me sick, or hypnotize me, or something. But they just turned out to be big, white, odorless flowers. They did nothing for me or to me. They drove the dingleburys wild, though, I'm happy to say. Made them forget all about me. "While they were having their orgy, I caught up on my reading. It was necessary for me to cut back the marocca vines. For one thing, I couldn't get up to the area of the bridge. For another, the main computer was completely clogged. I could use the auxiliary, on the bridge, if I could get to it, but it's a poor substitute. For another thing, I would have to cut the stuff way back if I was ever going to get the plants out of the ship. And I was a little anxious to get my Delta Crucis back to normal as soon as possible. But before cutting, I had to translate the gouge. "It turns out that it's all right to cut marocca as soon as it stops growing. To keep the plants from dying, though, you have to mulch the cuttings and then feed them back to the plants, where the roots store whatever they need against the time of the next explosive period of growth. Of course, if you prefer you can wait for the vines to die back naturally, which takes several months. "There was one little catch, of course. The cuttings from the vines will poison the plants if they are fed back to them without having been mixed with a certain amount of processed mulch. Enzymes again. And there was only one special processor on board. "I was the special processor. That's what the instructions said—I translated very carefully—it required an 'organic processor'. "So I had to eat pounds of that horrible tasting stuff every day, and process it the hard way. "I didn't even have time to scratch my bites. I must have lost weight everywhere but in the swollen places, and they looked worse than they do now. The doctor says it may take a year before the bumps all go away—if they ever do—but I have improved a lot already. "For a while I must have been out of my head. I got so caught up in the rhythm of the thing that I didn't even notice when we slipped out of Limbo into real space near Gloryanna III. It was three days, the Control Tower on Gloryanna III told me, that they tried continuously to raise me on the communications gear before I heard the alarm bell and answered them, so I had to do a good deal of backtracking before I could get into parking orbit around the planet, and then set Delta Crucis down safely. Even as shaky as I was, Delta Crucis behaved like a lady. "I hadn't chopped off all of the new growth, although I had the plants down to manageable size. Some of the blossoms left on the plants had formed fruit, and the fruit had ripened and dried, and the seeds had developed fully. They were popping and spreading fine dust-like spores all over the ship, those last few hours before I landed. "By that time, though, an occasional sneezing fit and watering eyes didn't bother me any. I was far beyond the point where hay fever could add to my troubles. "When I opened the airlock door, though, the spores drifting outside set the customs inspectors to sneezing and swearing more than seemed reasonable at the time." Captain Hannah inhaled a sip of rhial, and seemed to be enjoying the powerful stuff. He acted as if he thought he had finished. "Well, go on," I urged him. "The marocca plants were still in good shape, weren't they?" Hannah nodded. "They were growing luxuriously." He nodded his head a couple of more times, in spite of the discomfort it must have given him. He said, "They made me burn the entire crop right away, of course. They didn't get all of the carolla or dingleburys, though. Or spores." "Gloryanna III is the original home planet of marocca. They hated the stuff, of course, but they liked the profit. Then, when a plague almost wiped out the dingleburys, they introduced khorram furs as a cash crop. It wasn't as lucrative, but it was so much more pleasant that they outlawed marocca. Took them almost fifty years to stamp it out completely. Meanwhile, some clever native shipped a load of the stuff to Mypore II. He took his time, did it without any trouble and made his fortune. And got out again quickly. "The Gloryannans were going to hold my Delta Crucis as security to pay for the cost of stamping out marocca all over again—those spores sprout fast—and for a time I was worried. "Of course, when I showed them our contract—that you alone were responsible for everything once I landed the plants safely on Gloryanna III, they let me go. "They'll send you the bill. They don't figure it will take them more than a few months to complete the job." Captain Hannah stopped talking and stood up, painfully and a little unsteadily. I'm afraid I didn't even notice when he blacked my other eye. I was too busy reaching for the rhial. END
train	61204	[ "Why doesn’t Wayne like his parents? \n", "Which category and description best describes the type of story “The Recruit” is using as its base? \n", "What idea is introduced during the armory scene that becomes a motif throughout the rest of the story? \n", "What is the purpose of “the break out” instituted by the Youth Board? \n", "Which word best describe Wayne’s worst fear?\n", "What is the paradox of Wayne’s “breaking out” experience? \n", "Who is with Red when Wayne enters the Four Aces Club? \n", "What is significant about Wayne’s averse reaction to witnessing the stewbum beating? \n", "What is ironic about Wayne’s laughing in the face of violence?—First when he leaves his parents house and again when he chases Red. \n" ]	[ [ "His parents broke out when they were much younger than the age he is now, and he is embarrassed by this. \n", "His parents want to keep him from breaking out, knowing that the horrors Wayne will face are too much for him. \n", "No reason. Wayne is a bad egg and enjoys tormenting them. \n", "He feels that they are soft and stupid, that they’ve given up on what life has to offer.\n" ], [ "Coming of age: Wayne must kill one person during the break out test in order to become a functioning member of society. Breaking out is a rite of passage. ", "Boy Meets Girl: When Wayne chases Red and attempts to kill her, he realizes that killing isn’t for him and that the rest of his life should\n", "Animal Rights: The story is an exploration of Wayne’s realization that cats and mice should not be subject to violence. \n", "Man vs. Nature: The entire story is dedicated to exploring how a society can kill the animalistic natures within a human body and soul. \n" ], [ "The idea that Wayne's end of curfew will mean more trips to the armory. More weapons always. ", "The idea of cat and mouse games. From this point on Wayne thinks of his duty in terms of hunting. \nThe end of curfew. From this point on Wayne wants to live the rest of his life without curfew.", "The fear of ending up a counter boy like the corporal. From this point on Wayne does everything he can not to end up like the corporal.\n", "The exciting and scary power of the .38 and the switch blade. From this point on Wayne feels more powerful than ever\n" ], [ "Requiring that all youths commit one violent act as a rite of passage to adulthood is the only way the city has found to best fight crime. \n", "Requiring that all youths commit one violent act as a rite of passage to adulthood is thought to eradicate any violent urges that might occur later in life. \n", "Requiring that all youths commit one violent act as a rite of passage to adulthood is thought to show what skillset each teen is most capable of. \n", "Requiring that all youths commit one violent act as a rite of passage to adulthood is thought to be the best way to take care of the city’s mouse and cat infestation. \n" ], [ "Gun", "Cat", "Punk", "Red" ], [ "The fact that Wayne feels bad for the stewbum demonstrates that he feels more for humanity than the Corporal accuses him of. \n", "The fact that Wayne laughs during his chase with Red is paradoxical to the way he demonstrates empathy for his father. \n", "-The fact that Wayne cannot complete his kill suggests that violence is not necessarily an inherent part of humanity, such as the state claims. \n", "The fact that Wayne cannot complete his kills suggests that he will become like how mother, which is the opposite of what he wants for himself. \n" ], [ "A hefty psycho who drinks too much \n", "A hefty psycho who has killed five people \n", "A hefty psycho with a cat’s face \n", "A hefty psycho who has abducted Red \n" ], [ "It foreshadows that Wayne will not be able to go through with his kill\n", "It is symbolic for the inner rage bubbling within Wayne’s teenage brain. \n", "It references the rage he feels toward his cowardly and stupid father\n", "It foreshadows the violence Wayne will do to Red\n" ], [ "His laughs suggest he enjoys violence, but really they are a cry for help. \n", "His real feelings about violence are the opposite of anything comical. He takes his job with the state very seriously.\n", "His real feelings about violence are the opposite of what his maniacal laugh suggests. It turns out he isn’t a heartless killer. \n", "Wayne’s laughing suggests that he is always in control, when in reality it is actually his mother and Red who know the truth about the world.\n" ] ]	[ 4, 1, 2, 2, 3, 3, 2, 1, 3 ]	[ 1, 0, 0, 1, 1, 1, 0, 0, 1 ]	THE RECRUIT BY BRYCE WALTON It was dirty work, but it would make him a man. And kids had a right to grow up—some of them! [Transcriber's Note: This etext was produced from Worlds of If Science Fiction, July 1962. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] Wayne, unseen, sneered down from the head of the stairs. The old man with his thick neck, thick cigar, evening highball, potgut and bald head without a brain in it. His slim mother with nervously polite smiles and voice fluttering, assuring the old man by her frailty that he was big in the world. They were squareheads one and all, marking moron time in a gray dream. Man, was he glad to break out. The old man said, "He'll be okay. Let him alone." "But he won't eat. Just lies there all the time." "Hell," the old man said. "Sixteen's a bad time. School over, waiting for the draft and all. He's in between. It's rough." Mother clasped her forearms and shook her head once slowly. "We got to let him go, Eva. It's a dangerous time. You got to remember about all these dangerous repressed impulses piling up with nowhere to go, like they say. You read the books." "But he's unhappy." "Are we specialists? That's the Youth Board's headache, ain't it? What do we know about adolescent trauma and like that? Now get dressed or we'll be late." Wayne watched the ritual, grinning. He listened to their purposeless noises, their blabbing and yakking as if they had something to say. Blab-blab about the same old bones, and end up chewing them in the same old ways. Then they begin all over again. A freak sideshow all the way to nowhere. Squareheads going around either unconscious or with eyes looking dead from the millennium in the office waiting to retire into limbo. How come he'd been stuck with parental images like that? One thing—when he was jockeying a rocket to Mars or maybe firing the pants off Asiatic reds in some steamy gone jungle paradise, he'd forget his punkie origins in teeveeland. But the old man was right on for once about the dangerous repressed impulses. Wayne had heard about it often enough. Anyway there was no doubt about it when every move he made was a restrained explosion. So he'd waited in his room, and it wasn't easy sweating it out alone waiting for the breakout call from HQ. "Well, dear, if you say so," Mother said, with the old resigned sigh that must make the old man feel like Superman with a beerbelly. They heard Wayne slouching loosely down the stairs and looked up. "Relax," Wayne said. "You're not going anywhere tonight." "What, son?" his old man said uneasily. "Sure we are. We're going to the movies." He could feel them watching him, waiting; and yet still he didn't answer. Somewhere out in suburban grayness a dog barked, then was silent. "Okay, go," Wayne said. "If you wanta walk. I'm taking the family boltbucket." "But we promised the Clemons, dear," his mother said. "Hell," Wayne said, grinning straight into the old man. "I just got my draft call." He saw the old man's Adam's apple move. "Oh, my dear boy," Mother cried out. "So gimme the keys," Wayne said. The old man handed the keys over. His understanding smile was strained, and fear flicked in his sagging eyes. "Do be careful, dear," his mother said. She ran toward him as he laughed and shut the door on her. He was still laughing as he whoomed the Olds between the pale dead glow of houses and roared up the ramp onto the Freeway. Ahead was the promising glitter of adventure-calling neon, and he looked up at the high skies of night and his eyes sailed the glaring wonders of escape. He burned off some rubber finding a slot in the park-lot. He strode under a sign reading Public Youth Center No. 947 and walked casually to the reception desk, where a thin man with sergeant's stripes and a pansy haircut looked out of a pile of paperwork. "Where you think you're going, my pretty lad?" Wayne grinned down. "Higher I hope than a typewriter jockey." "Well," the sergeant said. "How tough we are this evening. You have a pass, killer?" "Wayne Seton. Draft call." "Oh." The sergeant checked his name off a roster and nodded. He wrote on a slip of paper, handed the pass to Wayne. "Go to the Armory and check out whatever your lusting little heart desires. Then report to Captain Jack, room 307." "Thanks, sarge dear," Wayne said and took the elevator up to the Armory. A tired fat corporal with a naked head blinked up at tall Wayne. Finally he said, "So make up your mind, bud. Think you're the only kid breaking out tonight?" "Hold your teeth, pop," Wayne said, coolly and slowly lighting a cigarette. "I've decided." The corporal's little eyes studied Wayne with malicious amusement. "Take it from a vet, bud. Sooner you go the better. It's a big city and you're starting late. You can get a cat, not a mouse, and some babes are clever hellcats in a dark alley." "You must be a genius," Wayne said. "A corporal with no hair and still a counterboy. I'm impressed. I'm all ears, Dad." The corporal sighed wearily. "You can get that balloon head ventilated, bud, and good." Wayne's mouth twitched. He leaned across the counter toward the shelves and racks of weapons. "I'll remember that crack when I get my commission." He blew smoke in the corporal's face. "Bring me a Smith and Wesson .38, shoulder holster with spring-clip. And throw in a Skelly switchblade for kicks—the six-inch disguised job with the double springs." The corporal waddled back with the revolver and the switchblade disguised in a leather comb case. He checked them on a receipt ledger, while Wayne examined the weapons, broke open the revolver, twirled the cylinder and pushed cartridges into the waiting chamber. He slipped the knife from the comb case, flicked open the blade and stared at its gleam in the buttery light as his mouth went dry and the refracted incandescence of it trickled on his brain like melted ice, exciting and scary. He removed his leather jacket. He slung the holster under his left armpit and tested the spring clip release several times, feeling the way the serrated butt dropped into his wet palm. He put his jacket back on and the switchblade case in his pocket. He walked toward the elevator and didn't look back as the corporal said, "Good luck, tiger." Captain Jack moved massively. The big stone-walled office, alive with stuffed lion and tiger and gunracks, seemed to grow smaller. Captain Jack crossed black-booted legs and whacked a cane at the floor. It had a head shaped like a grinning bear. Wayne felt the assured smile die on his face. Something seemed to shrink him. If he didn't watch himself he'd begin feeling like a pea among bowling balls. Contemptuously amused little eyes glittered at Wayne from a shaggy head. Shoulders hunched like stuffed sea-bags. "Wayne Seton," said Captain Jack as if he were discussing something in a bug collection. "Well, well, you're really fired up aren't you? Really going out to eat 'em. Right, punk?" "Yes, sir," Wayne said. He ran wet hands down the sides of his chinos. His legs seemed sheathed in lead as he bit inwardly at shrinking fear the way a dog snaps at a wound. You big overblown son, he thought, I'll show you but good who is a punk. They made a guy wait and sweat until he screamed. They kept a guy on the fire until desire leaped in him, ran and billowed and roared until his brain was filled with it. But that wasn't enough. If this muscle-bound creep was such a big boy, what was he doing holding down a desk? "Well, this is it, punk. You go the distance or start a butterfly collection." The cane darted up. A blade snicked from the end and stopped an inch from Wayne's nose. He jerked up a shaky hand involuntarily and clamped a knuckle-ridged gag to his gasping mouth. Captain Jack chuckled. "All right, superboy." He handed Wayne his passcard. "Curfew's off, punk, for 6 hours. You got 6 hours to make out." "Yes, sir." "Your beast is primed and waiting at the Four Aces Club on the West Side. Know where that is, punk?" "No, sir, but I'll find it fast." "Sure you will, punk," smiled Captain Jack. "She'll be wearing yellow slacks and a red shirt. Black hair, a cute trick. She's with a hefty psycho who eats punks for breakfast. He's butchered five people. They're both on top of the Undesirable list, Seton. They got to go and they're your key to the stars." "Yes, sir," Wayne said. "So run along and make out, punk," grinned Captain Jack. A copcar stopped Wayne as he started over the bridge, out of bright respectable neon into the murky westside slum over the river. Wayne waved the pass card, signed by Captain Jack, under the cop's quivering nose. The cop shivered and stepped back and waved him on. The Olds roared over the bridge as the night's rain blew away. The air through the open window was chill and damp coming from Slumville, but Wayne felt a cold that wasn't of the night or the wind. He turned off into a rat's warren of the inferiors. Lights turned pale, secretive and sparse, the uncared-for streets became rough with pitted potholes, narrow and winding and humid with wet unpleasant smells. Wayne's fearful exhilaration increased as he cruised with bated breath through the dark mazes of streets and rickety tenements crawling with the shadows of mysterious promise. He found the alley, dark, a gloom-dripping tunnel. He drove cautiously into it and rolled along, watching. His belly ached with expectancy as he spotted the sick-looking dab of neon wanly sparkling. FOUR ACES CLUB He parked across the alley. He got out and stood in shadows, digging the sultry beat of a combo, the wild pulse of drums and spinning brass filtering through windows painted black. He breathed deep, started over, ducked back. A stewbum weaved out of a bank of garbage cans, humming to himself, pulling at a rainsoaked shirt clinging to a pale stick body. He reminded Wayne of a slim grub balanced on one end. The stewbum stumbled. His bearded face in dim breaking moonlight had a dirty, greenish tinge as he sensed Wayne there. He turned in a grotesque uncoordinated jiggling and his eyes were wide with terror and doom. "I gotta hide, kid. They're on me." Wayne's chest rose and his hands curled. The bum's fingers drew at the air like white talons. "Help me, kid." He turned with a scratchy cry and retreated before the sudden blast of headlights from a Cad bulleting into the alley. The Cad rushed past Wayne and he felt the engine-hot fumes against his legs. Tires squealed. The Cad stopped and a teener in black jacket jumped out and crouched as he began stalking the old rummy. "This is him! This is him all right," the teener yelled, and one hand came up swinging a baseball bat. A head bobbed out of the Cad window and giggled. The fumble-footed rummy tried to run and plopped on wet pavement. The teener moved in, while a faint odor of burnt rubber hovered in the air as the Cad cruised in a slow follow-up. Wayne's breath quickened as he watched, feeling somehow blank wonder at finding himself there, free and breaking out at last with no curfew and no law but his own. He felt as though he couldn't stop anything. Living seemed directionless, but he still would go with it regardless, until something dropped off or blew to hell like a hot light-bulb. He held his breath, waiting. His body was tensed and rigid as he moved in spirit with the hunting teener, an omniscient shadow with a hunting license and a ghetto jungle twenty miles deep. The crawling stewbum screamed as the baseball bat whacked. The teener laughed. Wayne wanted to shout. He opened his mouth, but the yell clogged up somewhere, so that he remained soundless yet with his mouth still open as he heard the payoff thuds where the useless wino curled up with stick arms over his rheumy face. The teener laughed, tossed the bat away and began jumping up and down with his hobnailed, mail-order air force boots. Then he ran into the Cad. A hootch bottle soared out, made a brittle tink-tink of falling glass. "Go, man!" The Cad wooshed by. It made a sort of hollow sucking noise as it bounced over the old man twice. Then the finlights diminished like bright wind-blown sparks. Wayne walked over and sneered down at the human garbage lying in scummed rain pools. The smell of raw violence, the scent of blood, made his heart thump like a trapped rubber ball in a cage. He hurried into the Four Aces, drawn by an exhilarating vision ... and pursued by the hollow haunting fears of his own desires. He walked through the wavering haze of smoke and liquored dizziness and stood until his eyes learned the dark. He spotted her red shirt and yellow legs over in the corner above a murky lighted table. He walked toward her, watching her little subhuman pixie face lift. The eyes widened with exciting terror, turned even paler behind a red slash of sensuous mouth. Briefed and waiting, primed and eager for running, she recognized her pursuer at once. He sat at a table near her, watching and grinning and seeing her squirm. She sat in that slightly baffled, fearful and uncomprehending attitude of being motionless, as though they were all actors performing in a weirdo drama being staged in that smoky thick-aired dive. Wayne smiled with wry superiority at the redheaded psycho in a dirty T-shirt, a big bruiser with a gorilla face. He was tussling his mouse heavy. "What's yours, teener?" the slug-faced waiter asked. "Bring me a Crusher, buddyroo," Wayne said, and flashed his pass card. "Sure, teener." Red nuzzled the mouse's neck and made drooly noises. Wayne watched and fed on the promising terror and helplessness of her hunted face. She sat rigid, eyes fixed on Wayne like balls of frozen glass. Red looked up and stared straight at Wayne with eyes like black buttons imbedded in the waxlike skin of his face. Then he grinned all on one side. One huge hand scratched across the wet table top like a furious cat's. Wayne returned the challenging move but felt a nervous twitch jerk at his lips. A numbness covered his brain like a film as he concentrated on staring down Red the psycho. But Red kept looking, his eyes bright but dead. Then he began struggling it up again with the scared little mouse. The waiter sat the Crusher down. Wayne signed a chit; tonight he was in the pay of the state. "What else, teener?" "One thing. Fade." "Sure, teener," the waiter said, his breathy words dripping like syrup. Wayne drank. Liquored heat dripped into his stomach. Fire tickled his veins, became hot wire twisting in his head. He drank again and forced out a shaky breath. The jazz beat thumped fast and muted brass moaned. Drumpulse, stabbing trumpet raped the air. Tension mounted as Wayne watched her pale throat convulsing, the white eyelids fluttering. Red fingered at her legs and salivated at her throat, glancing now and then at Wayne, baiting him good. "Okay, you creep," Wayne said. He stood up and started through the haze. The psycho leaped and a table crashed. Wayne's .38 dropped from its spring-clip holster and the blast filled the room. The psycho screamed and stumbled toward the door holding something in. The mouse darted by, eluded Wayne's grasp and was out the door. Wayne went out after her in a laughing frenzy of release. He felt the cold strange breath of moist air on his sweating skin as he sprinted down the alley into a wind full of blowing wet. He ran laughing under the crazy starlight and glimpsed her now and then, fading in and out of shadows, jumping, crawling, running with the life-or-death animation of a wild deer. Up and down alleys, a rat's maze. A rabbit run. Across vacant lots. Through shattered tenement ruins. Over a fence. There she was, falling, sliding down a brick shute. He gained. He moved up. His labored breath pumped more fire. And her scream was a rejuvenation hypo in his blood. She quivered above him on the stoop, panting, her eyes afire with terror. "You, baby," Wayne gasped. "I gotcha." She backed into darkness, up there against the sagging tenement wall, her arms out and poised like crippled wings. Wayne crept up. She gave a squeaking sob, turned, ran. Wayne leaped into gloom. Wood cracked. He clambered over rotten lumber. The doorway sagged and he hesitated in the musty dark. A few feet away was the sound of loose trickling plaster, a whimpering whine. "No use running," Wayne said. "Go loose. Give, baby. Give now." She scurried up sagging stairs. Wayne laughed and dug up after her, feeling his way through debris. Dim moonlight filtered through a sagging stairway from a shattered skylight three floors up. The mouse's shadow floated ahead. He started up. The entire stair structure canted sickeningly. A railing ripped and he nearly went with it back down to the first floor. He heard a scream as rotten boards crumbled and dust exploded from cracks. A rat ran past Wayne and fell into space. He burst into the third-floor hallway and saw her half-falling through a door under the jagged skylight. Wayne took his time. He knew how she felt waiting in there, listening to his creeping, implacable footfalls. Then he yelled and slammed open the door. Dust and stench, filth so awful it made nothing of the dust. In the corner he saw something hardly to be called a bed. More like a nest. A dirty, lumpy pile of torn mattress, felt, excelsior, shredded newspapers and rags. It seemed to crawl a little under the moon-streaming skylight. She crouched in the corner panting. He took his time moving in. He snickered as he flashed the switchblade and circled it like a serpent's tongue. He watched what was left of her nerves go to pieces like rotten cloth. "Do it quick, hunter," she whispered. "Please do it quick." "What's that, baby?" "I'm tired running. Kill me first. Beat me after. They won't know the difference." "I'm gonna bruise and beat you," he said. "Kill me first," she begged. "I don't want—" She began to cry. She cried right up in his face, her wide eyes unblinking, and her mouth open. "You got bad blood, baby," he snarled. He laughed but it didn't sound like him and something was wrong with his belly. It was knotting up. "Bad, I know! So get it over with, please. Hurry, hurry." She was small and white and quivering. She moaned but kept staring up at him. He ripped off his rivet-studded belt and swung once, then groaned and shuffled away from her. He kept backing toward the door. She crawled after him, begging and clutching with both arms as she wriggled forward on her knees. "Don't run. Please. Kill me! It'll be someone else if you don't. Oh, God, I'm so tired waiting and running!" "I can't," he said, and sickness soured in his throat. "Please." "I can't, I can't!" He turned and ran blindly, half-fell down the cracking stairs. Doctor Burns, head of the readjustment staff at the Youth Center, studied Wayne with abstract interest. "You enjoyed the hunt, Seton? You got your kicks?" "Yes, sir." "But you couldn't execute them?" "No, sir." "They're undesirables. Incurables. You know that, Seton?" "Yes, sir." "The psycho you only wounded. He's a five-times murderer. And that girl killed her father when she was twelve. You realize there's nothing can be done for them? That they have to be executed?" "I know." "Too bad," the doctor said. "We all have aggressive impulses, primitive needs that must be expressed early, purged. There's murder in all of us, Seton. The impulse shouldn't be denied or suppressed, but educated . The state used to kill them. Isn't it better all around, Seton, for us to do it, as part of growing up? What was the matter, Seton?" "I—felt sorry for her." "Is that all you can say about it?" "Yes, sir." The doctor pressed a buzzer. Two men in white coats entered. "You should have got it out of your system, Seton, but now it's still in there. I can't turn you out and have it erupt later—and maybe shed clean innocent blood, can I?" "No, sir," Wayne mumbled. He didn't look up. "I'm sorry I punked out." "Give him the treatment," the doctor said wearily. "And send him back to his mother." Wayne nodded and they led him away. His mind screamed still to split open some prison of bone and lay bare and breathing wide. But there was no way out for the trapped. Now he knew about the old man and his poker-playing pals. They had all punked out. Like him.
train	63890	[ "What is the origin of the name Joe on Venus? \n", "Who is Joe? \n", "What is the first clue that hints at how Venusian culture has absorbed the name Joe? \n", "What is the significance of the mission Colonel Walsh gives Major Polk? \n", "Major Polk refers to his long hike through the jungle with guide Joe as being like. . . \n", "Which three things do Venusians love about Terrans?\n", "What is the relationship between Polk and Walsh? What is the central complication in their history together?\n", "Which “Joe” faces the brunt of Colonel Walsh’s racism? \n", "What is the name of the Captain in charge of briefing the Major when he arrives on Venus? \n" ]	[ [ "The Venusians use “Joe” as an idiom, referring to friends and family as Joe, even though that is not their given Venusian name. \n", "Terrans use the term “Joe” to refer to each other. The Venusians took the idiom literally and adopted it in earnest as the global name.", "There is a Venusian hero named Joe, prompting all Venusians to take the name.\n", "Venusians are required by Terrans to use the name as a sign of enslavement.\n" ], [ "The Major’s senior officer \n", "A Venusian who doesn’t like cigarettes \n", "The entire population of Venus \n", "A Venusian Trader \n" ], [ "The first Joe who Major Polk meets knows the Terran idiom, “stabbed in the back.” \n", "The first Joe who Major Polk meets knows the Terran idiom, “you’ve got the wrong number.”\n", "The first Joe who Major Polk meets knows the Terran idiom, “bite the bullet.” \n", "The first Joe who Major Polk meets knows the Terran idiom, “Joe,” as a way of causally referring to others. \n" ], [ "Walsh sends Polk on a fools errand in order to trick him into time away from Earth so that Walsh can botch the occupation on Mars once and for all. \n", "Walsh sends Major Polk on a fools errand so that he can trick Polk into the Venusian jungle and kill him, serving as revenge for the embarrassment Polk caused him years ago. \n", "Walsh sends Polk on a fools errands in order to trick him into a full time job on Venus.\n", "Walsh sends Polk on a fools errand in order to trick him into finding trader Joe, who is responsible for some of Walsh’s recent military problems.\n" ], [ "The time a friend took him on a journey through the city on his birthday.\n", "The time Walsh fell asleep on the job and almost destroyed the barracks.", "His time in boot camp.\n", "The relentless way in which Venusians constantly ask for more cigarettes.\n" ], [ "The name “Joe,” Terran cigarettes, and their fun jokes. \n", "The name “Joe,” Terran idioms, and Terran spaceships \n", "Terran idioms, Terran cigarettes, and the Terran interest in Venus. \n", "The name “Joe,” Terran spaceships, and Terran cigarettes. \n" ], [ "Colonel Walsh is Major Polk’s senior officer. Their relationship became contentious in boot camp, when Walsh reported Polk for falling asleep on the job. \n", "Colonel Walsh is Major Polk’s ex best friend. Their relationship became contentious during the Terran occupation of Mars, when Polk realized Walsh was prejudiced against Martian natives. \n", "Colonel Polk is Major Walsh’s ex best friend. Their relationship became contentious in boot camp, when Polk reported Walsh for falling asleep on the job.\n", "Colonel Walsh is Major Polk’s senior officer. Their relationship became contentious in boot camp, when Polk reported Walsh for falling asleep on the job. \n" ], [ "Bartender Joe \n", "Trader Joe \n", "Military Joe\n", "Jungle Guide Joe\n" ], [ "Bransten \n", "Trader Joe \n", "Walsh\n", "Bartender Joe \n" ] ]	[ 2, 3, 2, 2, 1, 1, 4, 4, 1 ]	[ 1, 0, 1, 1, 1, 1, 1, 1, 0 ]	A PLANET NAMED JOE By S. A. LOMBINO There were more Joes on Venus than you could shake a ray-gun at. Perhaps there was method in Colonel Walsh's madness—murder-madness—when he ordered Major Polk to scan the planet for a guy named Joe. [Transcriber's Note: This etext was produced from Planet Stories November 1952. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] Colonel Walsh had a great sense of humor. I hated his guts ever since we went through the Academy together, but he had a great sense of humor. For example, he could have chosen a Second Looie for the job on Venus. He might even have picked a Captain. But he liked me about as much as I liked him, and so he decided the job was just right for a Major. At least, that's what he told me. I stood at attention before his desk in the Patrol Station. We were somewhere in Area Two on Earth, takeoff point for any operations in Space II. The duty was fine, and I liked it a lot. Come to think of it, the most I ever did was inspect a few defective tubes every now and then. The rest was gravy, and Colonel Walsh wasn't going to let me get by with gravy. "It will be a simple assignment, Major," he said to me, peering over his fingers. He held them up in front of him like a cathedral. "Yes, sir," I said. "It will involve finding one man, a Venusian native." I wanted to say, "Then why the hell don't you send a green kid on the job? Why me?" Instead, I nodded and watched him playing with his fingers. "The man is a trader of sorts. Rather intelligent." He paused, then added, "For a native, that is." I had never liked Walsh's attitude toward natives. I hadn't liked the way he'd treated the natives on Mars ever since he'd taken over there. Which brought to mind an important point. "I always figured Venus was under the jurisdiction of Space III, sir. I thought our activities were confined to Mars." He folded his fingers like a deck of cards and dropped them on his desk as if he were waiting for me to cut. "Mmmm," he said, "yes, that's true. But this is a special job. It so happens this Venusian is the one man who can help us understand just what's happening on Mars." I tried to picture a Venusian understanding Mars and I didn't get very far. "He's had many dealings with the natives there," Walsh explained. "If anyone can tell us the reasons for the revolt, he can." If Walsh really wanted to know the reasons for the revolt, I could give them to him in one word: Walsh. I had to laugh at the way he called it "revolt." It had been going on for six months now and we'd lost at least a thousand men from Space II. Revolt. "And this man is on Venus now?" I asked for confirmation. I'd never been to Venus, being in Space II ever since I'd left the Moon run. It was just like Walsh to ship me off to a strange place. "Yes, Major," he said. "This man is on Venus." At the Academy he had called me Fred. That was before I'd reported him for sleeping on Boiler Watch. He'd goofed off on a pile of uranium that could've, and almost did, blow the barracks sky-high that night. He still thought it was my fault, as if I'd done the wrong thing by reporting him. And now, through the fouled-up machinery that exists in any military organization, he outranked me. "And the man's name, sir?" "Joe." A tight smile played on his face. "Joe what?" I asked. "Just Joe." "Just Joe?" "Yes," Walsh said. "A native, you know. They rarely go in for more than first names. But then, it should be simple to find a man with a name like Joe. Among the natives, I mean." "I don't know, sir." "A relatively simple assignment," Walsh said. "Can you tell me anything else about this man? Physical appearance? Personal habits? Anything?" Walsh seemed to consider this for a moment. "Well, physically he's like any of the other Venusians, so I can't give you much help there. He does have a peculiar habit, though." "What's that?" "He has an affinity for Terran cigarettes." I sighed. "Well, it's not very much to go on." "You'll find him," Walsh said, grinning. "I'm sure of it." The trip to Venus came off without a hitch. I did a lot of thinking on that trip. I thought about Mars and the revolt there. And I thought about Colonel Leonard Walsh and how he was supposed to be quelling that revolt. Ever since Walsh had taken command, ever since he'd started pushing the natives around, there'd been trouble. It was almost as if the whole damned planet had blown up in our faces the moment he took over. Swell guy, Walsh. Venus was hotter than I'd expected it to be. Much too hot for the tunic I was wearing. It smelled, too. A funny smell I couldn't place. Like a mixture of old shoe and after-shave. There were plants everywhere I looked. Big plants and small ones, some blooming with flowers I'd never seen before, and some as bare as cactus. I recognized a blue figure as one of the natives the pilot had told me about. He was tall, looking almost human except that everything about him was elongated. His features, his muscles, everything seemed to have been stretched like a rubber band. I kept expecting him to pop back to normal. Instead, he flashed a double row of brilliant teeth at me. I wondered if he spoke English. "Hey, boy," I called. He ambled over with long-legged strides that closed the distance between us in seconds. "Call me Joe," he said. I dropped my bags and stared at him. Maybe this was going to be a simple assignment after all. "I sure am glad to see you, Joe," I said. "Same here, Toots," he answered. "The guys back in Space II are searching high and low for you," I told him. "You've got the wrong number," he said, and I was a little surprised at his use of Terran idiom. "You are Joe, aren't you? Joe the trader?" "I'm Joe, all right," he said. "Only thing I ever traded, though, was a pocketknife. Got a set of keys for it." "Oh," I said, my voice conveying my disappointment. I sighed and began wondering just how I should go about contacting the Joe I was looking for. My orders said I was to report to Captain Bransten immediately upon arrival. I figured the hell with Captain Bransten. I outranked him anyway, and there wasn't much he could do if I decided to stop for a drink first. "Where's the Officer's Club?" I asked the Venusian. "Are you buying information or are you just curious?" "Can you take me there?" I asked. "Sure thing, Toots." He picked up my bags and started walking up a heavily overgrown path. We'd probably walked for about ten minutes when he dropped my bags and said, "There it is." The Officer's Club was a plasteel hut with window shields that protected it from the heat of the sun. It didn't look too comfortable but I really wanted that drink. I reached into my tunic and slipped the native thirty solars. He stared at the credits curiously and then shrugged his shoulders. "Oh well, you're new here. We'll let it go." He took off then, while I stared after him, wondering just what he'd meant. Had I tipped him too little? I shrugged and looked over at the Officer's Club. From the outside it looked as hot as hell. On the inside it was about two degrees short of that mark. I began to curse Walsh for taking me away from my nice soft job in Space II. There wasn't much inside the club. A few tables and chairs, a dart game and a bar. Behind the bar a tall Venusian lounged. I walked over and asked, "What are you serving, pal?" "Call me Joe," he answered. He caught me off balance. "What?" "Joe," he said again. A faint glimmer of understanding began to penetrate my thick skull. "You wouldn't happen to be Joe the trader? The guy who knows all about Mars, would you?" "I never left home," he said simply. "What are you drinking?" That rat! That dirty, filthy, stinking, unprincipled.... But then, it should be simple to find a man with a name like Joe. Among the natives, I mean. Sure. Oh sure. Real simple. Walsh was about the lowest, most contemptible.... "What are you drinking, pal?" the Venusian asked again. "Skip it," I said. "How do I get to the captain's shack?" "Follow your nose, pal. Can't miss it." I started to pick up my bag as another Venusian entered. He waved at the bartender. "Hello, Joe," he said. "How's it going?" "Not so hot, Joe," the bartender replied. I listened in fascination. Joe, Joe, Joe. So this was Walsh's idea of a great gag. Very funny. Very.... "You Major Polk, sweetheart?" the Venusian who'd just come in asked. "Yes," I said, still thinking of Colonel Walsh. "You better get your butt over to the captain's shack," he said. "He's about ready to post you as overdue." "Sure," I said wearily. "Will you take my bags, please?" "Roger," he answered. He picked up the bags and nodded at the bar. "So long, Joe," he said to the bartender. "See you, Joe," the bartender called back. Captain Bransten was a mousey, unimpressive sort of man. He was wearing a tropical tunic, but he still resembled a wilted lily more than he did an officer. "Have a seat, Major," he offered. He reached for a cigarette box on the desk and extended it to me. He coughed in embarrassment when he saw it was empty. Quickly, he pressed a button on his desk and the door popped open. A tall, blue Venusian stepped lithely into the room. "Sir?" the Venusian asked. "We're out of cigarettes, Joe," the Captain said. "Will you get us some, please?" "Sure thing," the Venusian answered. He smiled broadly and closed the door behind him. Another Joe , I thought. Another damned Joe. "They steal them," Captain Bransten said abruptly. "Steal what?" I asked. "Cigarettes. I sometimes think the cigarette is one of the few things they like about Terran culture." So Walsh had taken care of that angle too. He does have a peculiar habit, though. He has an affinity for Terran cigarettes. Cigarettes was the tip I should have given; not solars. "All right," I said, "suppose we start at the beginning." Captain Bransten opened his eyes wide. "Sir?" he asked. "What's with all this Joe business? It may be a very original name but I think its popularity here is a little outstanding." Captain Bransten began to chuckle softly. I personally didn't think it was so funny. I tossed him my withering Superior Officer's gaze and waited for his explanation. "I hadn't realized this was your first time on Venus," he said. "Is there a local hero named Joe?" I asked. "No, no, nothing like that," he assured me. "It's a simple culture, you know. Not nearly as developed as Mars." "I can see that," I said bitingly. "And the natives are only now becoming acquainted with Terran culture. Lots of enlisted men, you know." I began to get the idea. And I began to appreciate Walsh's doubtful ancestry more keenly. "It's impossible to tell exactly where it all started, of course," Bransten was saying. I was beginning to get angry. Very angry. I was thinking of Walsh sitting back in a nice cozy foam chair back on Earth. "Get to the point, Captain!" I barked. "Easy, sir," Bransten said, turning pale. I could see that the Captain wasn't used to entertaining Majors. "The enlisted men. You know how they are. They'll ask a native to do something and they'll call him Joe. 'Hey, Joe, give me a hand with this.' Or 'Listen, Joe, how'd you like to earn some cigarettes?' Do you follow?" "I follow, all right," I said bitterly. "Well," Bransten went on, "that sort of thing mushrooms. The natives are a simple, almost childish people. It appealed to them—the Joe business, I mean. Now they're all Joe. They like it. That and the cigarettes." He cleared his throat and looked at me apologetically as if he were personally responsible for Venusian culture. In fact, he looked as if he were responsible for having put Venus in the heavens in the first place. "Do you understand, Major? Just a case of extended idiom, that's all." Just a case of extended idiot , I thought. An idiot on a wild goose chase a hell of a long way from home. "I understand perfectly," I snapped. "Where are my quarters?" Bransten asked a Venusian named Joe to show me my quarters, reminding me that chow was at thirteen hundred. As I was leaving, the first Venusian came back with the cigarettes Bransten had ordered. I could tell by the look on his face that he probably had half a carton stuffed into his pockets. I shrugged and went to change into a tropical tunic. I called Earth right after chow. The Captain assured me that this sort of thing was definitely against regulations, but he submitted when I twinkled my little gold leaf under his nose. Walsh's face appeared on the screen. He was smiling, looking like a fat pussy cat. "What is it, Major?" he asked. "This man Joe," I said. "Can you give me any more on him?" Walsh's grin grew wider. "Why, Major," he said, "you're not having any difficulties, are you?" "None at all," I snapped back. "I just thought I'd be able to find him a lot sooner if...." "Take your time, Major," Walsh beamed. "There's no rush at all." "I thought...." "I'm sure you can do the job," Walsh cut in. "I wouldn't have sent you otherwise." Hell, I was through kidding around. "Look...." "He's somewhere in the jungle, you know," Walsh said. I wanted to ram my fist into the screen, right smack up against those big white teeth. Instead, I cut off the transmission and watched the surprised look on his face as his screen went blank millions of miles away. He blinked at the screen, trying to realize I'd deliberately hung up on him. "Polk!" he shouted, "can you hear me?" I smiled, saw the twisted hatred on his features, and then the screen on my end went blank, too. He's somewhere in the jungle, you know. I thanked Captain Bransten for his hospitality and went back to my quarters. As I saw it, there were two courses for me to follow. One: I could say the hell with Walsh and Venus. That would mean hopping the next ship back to Earth. It would also mean disobeying the direct order of a superior officer. It might mean demotion, and it might mean getting bounced out of the Service altogether. Two: I could assume there really was a guy name Joe somewhere in that jungle, a Joe separate and apart from the other Joes on this planet, a trader Joe who knew the Martians well. I could always admit failure, of course, and return empty handed. Mission not accomplished. Or, I might really find a guy who was trader Joe. I made my decision quickly. I wanted to stay in the Service, and besides Walsh may have been on the level for the first time in his life. Maybe there was a Joe here who could help us on Mars. If there was I'd try to find him. It was still a hell of a trick though. I cursed Walsh again and pushed the buzzer near my bed. A tall Venusian stepped into the room. "Joe?" I asked, just to be sure. "Who else, boss?" he answered. "I'm trying to locate someone," I said. "I'll need a guide to take me into the jungle. Can you get me one?" "It'll cost you, boss," the Venusian said. "How much?" "Two cartons of cigarettes at least." "Who's the guide?" I asked. "How's the price sound?" "Fine, fine," I said impatiently. And the Captain had said they were almost a childish people! "His name is Joe," the Venusian told me. "Best damn guide on the planet. Take you anywhere you want to go, do anything you want to do. Courageous. Doesn't know the meaning of fear. I've known him to...." "Skip it," I said, cutting the promotion short. "Tell him to show up around fifteen hundred with a complete list of what we'll need." The Venusian started to leave. "And Joe," I said, stopping him at the door, "I hope you're not overlooking your commission on the deal." His face broke into a wide grin. "No danger of that, boss," he said. When he was gone I began figuring out a plan of action. Obviously, I'd just have to traipse through the jungle looking for a guy named Joe on a planet where everyone was named Joe. Everybody, at least, but the Captain, the small garrison attached to the Station, and me. I began wondering why Walsh had gone to so much trouble to get rid of me. The job, as I saw it, would take a hell of a long time. It seemed like a silly thing to do, just to get even with a guy for something that had happened years ago. He surely must have realized that I'd be back again, sooner or later. Maybe he had another little junket all set for me. Or maybe he didn't expect me to come back. The thought hadn't occurred to me before this, and I began to consider it seriously. Walsh was no good, rotten clear through. He was failing at the job of keeping Mars in hand, and he probably realized that a few more mistakes on his part would mean the end of his career with Space II. I chuckled as I thought of him isolated in some God-forsaken place like Space V or Space VII. This probably bothered him a lot, too. But what probably bothered him more was the fact that I was next in command. If he were transferred, I'd be in charge of Space II, and I could understand how much that would appeal to Walsh. I tried to figure the thing out sensibly, tried to weigh his good points against his bad. But it all came back to the same thing. A guy who would deliberately go to sleep on Boiler Watch with a ton of uranium ready to blast a barracks to smithereens if it wasn't watched, would deliberately do just about anything. Sending me off on a wild goose chase after a character named Joe may have been a gag. But it may have been something a little grimmer than a gag, and I made up my mind to be extremely careful from here on in. The guide arrived at fifteen hundred on the dot. He was tall, elongated, looked almost like all the other Venusians I'd seen so far. "I understand you need a Grade A guide, sir," he said. "Are you familiar with the jungle?" I asked him. "Born and raised there, sir. Know it like the back of my hand." "Has Joe told you what the payment will be?" "Yes, sir. A carton and a half of cigarettes." I thought about Joe deducting his commission and smiled. "When can we leave?" "Right away, sir. We won't need much really. I've made a list of supplies and I can get them in less than an hour. I suggest you wear light clothing, boots, and a hat." "Will I need a weapon?" He looked at me, his eyes faintly amused. "Why, what for, sir?" "Never mind," I said. "What's your name, by the way?" He lifted his eyebrows, and his eyes widened in his narrow face. He was definitely surprised. "Joe," he said. "Didn't you know?" When we'd been out for a while I discovered why Joe had suggested the boots and the hat. The undergrowth was often sharp and jagged and it would have sliced my legs to ribbons were they not protected by the high boots. The hat kept the strong sun off my head. Joe was an excellent guide and a pleasant companion. He seemed to be enjoying a great romp, seemed to love the jungle and take a secret pleasure in the work he was doing. There were times when I couldn't see three feet ahead of me. He'd stand stock still for a few minutes, his head barely moving, his eyes darting from one plant to another. Then he'd say, "This way," and take off into what looked like more impenetrable jungle invariably to find a little path leading directly to another village. Each village was the same. The natives would come running out of their huts, tall and blue, shouting, "Cigarettes, Joe? Cigarettes?" It took me a while to realize they were addressing me and not my guide. Everybody was Joe. It was one beautiful, happy, joyous round of stinking, hot jungle. And I wasn't getting any nearer my man. Nor had I any idea how I was supposed to find him. I began to feel pretty low about the whole affair. Joe, on the other hand, enjoyed every moment of the trip. In each village he greeted the natives cheerfully, told them stories, swapped gossip and jokes. And when it was time to leave, he would say goodbye to all his friends and we would plunge into the twisted foliage again. His spirits were always high and he never failed to say the right thing that would give a momentary lift to my own depressed state of mind. He would talk for hours on end as we hacked our way through the jungle. "I like Venus," he said once. "I would never leave it." "Have you ever been to Earth?" I asked. "No," Joe replied. "I like Terrans too, you understand. They are good for Venus. And they are fun." "Fun?" I asked, thinking of a particular species of Terran: species Leonard Walsh. "Yes, yes," he said wholeheartedly. "They joke and they laugh and ... well, you know." "I suppose so," I admitted. Joe smiled secretly, and we pushed on. I began to find, more and more, that I had started to talk freely to Joe. In the beginning he had been just my guide. There had been the strained relationship of employer and employee. But as the days lengthened into weeks, the formal atmosphere began to crumble. I found myself telling him all about Earth, about the people there, about my decision to attend the Academy, the rigid tests, the grind, even the Moon run. Joe was a good listener, nodding sympathetically, finding experiences in his own life to parallel my own. And as our relationship progressed from a casual one to a definitely friendly one, Joe seemed more enthusiastic than ever to keep up our grinding pace to find what we were looking for. Once we stopped in a clearing to rest. Joe lounged on the matted greenery, his long body stretched out in front of him, the knife gleaming in his belt. I'd seen him slash his way through thick, tangled vines with that knife, his long, muscular arms powerfully slicing through them like strips of silk. "How far are we from the Station?" I asked. "Three or four Earth weeks," he replied. I sighed wearily. "Where do we go from here?" "There are more villages," he said. "We'll never find him." "Possibly," Joe mused, the smile creeping over his face again. "A wild goose chase. A fool's errand." "We'd better get started," Joe said simply. I got to my feet and we started the march again. Joe was still fresh, a brilliant contrast to me, weary and dejected. Somehow, I had the same feeling I'd had a long time ago on my sixteenth birthday. One of my friends had taken me all over the city, finally dropping me off at my own house where the whole gang was gathered for a surprise party. Joe reminded me of that friend. "There's a village ahead," he said, and the grin on his face was large now, his eyes shining. Something was missing here. Natives. There were no natives rushing out to greet us. No cries of "Cigarettes? Cigarettes?" I caught up with Joe. "What's the story?" I whispered. He shrugged knowingly and continued walking. And then I saw the ship, nose pointing into space, catching the rays of the sun like a great silver bullet. "What...?" I started. "It's all right," Joe said, smiling. The ship looked vaguely familiar. I noticed the crest of Space II near the nose, and a lot of things became clear then. I also saw Walsh standing near one of the huts, a stun gun in his hand. "Hello, Major," he called, almost cheerfully. The gun didn't look cheerful, though. It was pointed at my head. "Fancy meeting you here, Colonel," I said, trying to match his joviality. Somehow it didn't quite come off. Joe was walking beside me, waving at the colonel, beaming all over with happiness. "I see you found your man," Walsh said. I turned rapidly. Joe nodded and kept grinning, a grin that told me he was getting a big kick out of all this. Like a kid playing a game. I faced Walsh again. "Okay, what's it all about, pal?" "Colonel," Walsh corrected me. "You mustn't forget to say Colonel, Major ." He emphasized my rank, and he said it with a sort of ruthless finality. I waited. I could see he was just busting to tell me how clever he'd been. Besides, there wasn't much I could do but wait. Not with Walsh pointing the stun gun at my middle. "We've come a long way since the Academy, haven't we, Major?" "If you mean in miles," I said, looking around at the plants, "we sure have." Walsh grinned a little. "Always the wit," he said drily. And then the smile faded from his lips and his eyes took on a hard lustre. "I'm going to kill you, you know." He said it as if he were saying, "I think it'll rain tomorrow." Joe almost clapped his hands together with glee. He was really enjoying this. Another of those funny Terran games. "You gave me a powerful handicap to overcome," Walsh said. "I suppose I should thank you, really." "You're welcome," I said. "It wasn't easy living down the disgrace you caused me." "It was your own damn fault," I said. "You knew what you were doing when you decided to cork off." Beside me, Joe chuckled a little, enjoying the game immensely. "You didn't have to report me," Walsh said. "No? Maybe I should have forgotten all about it? Maybe I should have nudged you and served you orange juice? So you could do it again sometime and maybe blow up the whole damn Academy!" Walsh was silent for a long time. When he spoke his voice was barely audible. The heat was oppressive, as if it were concentrated on this little spot in the jungle, focusing all its penetration on a small, unimportant drama. I could hear Joe breathing beside me. "I'm on my way out," Walsh rasped. "Finished, do you understand?" "Good," I said. And I meant it. "This Mars thing. A terrible fix. Terrible." Beside me, a slight frown crossed Joe's face. Apparently he couldn't understand the seriousness of our voices. What had happened to the game, the fun? "You brought the Mars business on yourself," I told Walsh. "There was never any trouble before you took command." "The natives," he practically shouted. "They ... they...." Joe caught his breath sharply, and I wondered what Walsh was going to say about the natives. Apparently he'd realized that Joe was a native. Or maybe Joe's knife had something to do with it. "What about the natives?" I asked. "Nothing," Walsh said. "Nothing." He was silent for a while. "A man of my calibre," he said then, his face grim. "Dealing with savages." He caught himself again and threw a hasty glance at Joe. The perplexed frown had grown heavier on Joe's face. He looked at the colonel in puzzlement.
train	53269	[ "In Chapter one, what is the significance of describing Mr. Taylor as not having aged much? \n", "Who is Teena and what role does she play in Chapter one and chapter two?\n", "What is the Geiger counter and how exactly is it used in the present chapters? \n", "What dream does Eddie have and why is it significant? \n", "How does Eddie’s interest in radioactivity affect the story’s plot? \n", "Why doesn’t Eddie act excited about Teena going prospecting with him? \n", "Why did Eddie’s mother forget to make dinner? \n", "What is the significance of describing Mr. Ross as a funny person? \n", "How many times does Eddie go over to Teena’s house? What is the common thread, or reason, for Eddie going over there? \n", "How does Teena find out about radioactivity? \n" ]	[ [ "It provides the notion that Mr. Taylor is a fun, understanding, and competent professor. \n", "It provides the notion that despite Mr. Taylor’s dangerous job, the radioactivity hasn’t aged him a day. \n", "It provides a contrast for later in the story, when Mr. Taylor is described as looking aged and wary after the isotope is stolen. \n", "It provides a contrast against Mr. Ross, who is described as older and balding. \n" ], [ "Teena is Eddie’s friend and neighbor. She accompanies Eddie on a hike through the hills behind the college, where he teaches her all about isotopes. \n", "Teena is Eddie’s friend and neighbor. She accompanies him on a prospecting hike, where they don’t find any trace of radioactivity but still enjoy a lunch together. \n", "Teena is Eddie’s friend and neighbor. She accompanies Eddie to Cedar Point, where they are looking for traces of radioactivity. \n", "Teena is Eddie’s friend and neighbor. She accompanies Eddie to Cedar Point, where they eat sandwiches and prospect for radioactivity.\n" ], [ "A Geiger counter is used to measure radioactivity. Mr. Taylor uses it at Cedar Point. \n", "A Geiger counter is used to measure radioactivity. Mr. Taylor uses it to measure the radiation present in the hills behind his college.\n", "A Geiger counter is used to measure radioactivity. Eddie uses it to prospect the hills behind the college.", "A Geiger counter is used to measure radioactivity. Eddie uses it to prospect Cedar Point. \n" ], [ "Eddie has a dream about prospecting with his father at Cedar point. This dream is what inspires him to find out what happened to the missing isotope by searching the hills behind the college. \n", "Eddie has a dream about prospecting with his father’s Geiger counter. The dream is what inspires his hike to Cedar Point. \n", "Eddie has a dream about prospecting with his father’s Geiger counter. The dream is what inspires Eddie to go over to Teena’s house and teach her about isotopes. \n", "Eddie has a dream about prospecting with his father’s Geiger counter. The dream is what inspires the hike he has with Teena. \n" ], [ "It causes major holes for the reader when Eddie doesn’t explain his scientific jargon. \n", "It provides a basic subject matter for Eddie to use to get closer to Teena. \n", "It provides basic subject matter for the story and informs the brunt of Eddie’s characterization. \n", "It is used as a way of putting Eddie in contact with the story’s antagonist: Mr. Ross\n" ], [ "Eddie doesn’t want Teena to come because there isn’t much time left in the day for prospecting Cedar Point. \n", "Eddie has a crush on Teena, and therefore doesn’t want to act too eager and uncool.\n", "Eddie doesn’t want Teena to feel like she is obligated to help him fulfill his dream of finding radioactivity at Cedar Point.\n", "It is implied that Eddie doesn’t want Teena to feel like he knows a lot more science than she does. Eddie feels this will make Teena not like him. \n" ], [ "Eddie forgot to do some of his chores, so she had to do them for him. \n", "Mr. Taylor was injured at work. \n", "Mr. Taylor’s isotope was stolen\n", "Eddie forgot was home earlier than expected, so sinner wasn’t ready yet. \n" ], [ "It provides a stark contrast to the stressed Mr. Ross we meet in Chapter Two. It shows the reader that something has gone horribly wrong at Mr. Ross’s job.\n", "It demonstrates to the reader that Eddie will be able to get along with him, and therefore share what he knows about radiation. \n", "It throws Eddie off the scent of Mr. Ross being a culprit responsible for Mr. Taylor’s missing isotope. \n", "It provides a comparison to Mr. Taylor, who is more successful than Mr. Ross and therefore doesn’t have to rely on humor. \n" ], [ "Three times. Each time concern Eddie’s infatuation with Teena, which is why he makes up excuses like going prospecting at Cedar point. \n", "Twice. Both times concern Eddie’s infatuation with Teena, which is why he makes up excuses like going prospecting for uranium. \n", "Twice. Both times concern something to do with Eddie’s interest in radioactivity. \n", "Three times. Each time concern something to do with Eddie’s interest in radioactivity.\n" ], [ "Eddie teaches her about radioactivity during their hike to Cedar Point.\n", "Eddie teaches her about radioactivity while he helps her finish doing the dishes.\n", "Eddie teaches her about radioactivity when he is explaining the dream he had about Cedar Point.\n", "Eddie teaches Teena and her mother about about radioactivity after the news gets out about Mr. Taylor’s isotope being stolen. \n" ] ]	[ 3, 2, 3, 4, 3, 2, 3, 1, 3, 4 ]	[ 0, 1, 1, 1, 0, 0, 1, 0, 0, 1 ]	YOUNG READERS Atom Mystery 11 CHAPTER ONE It was only a dream. Eddie Taylor would like to have finished it, but the bar of morning sunlight poking in under the window shade pried his eyes open. The dream fled. Eddie kicked off the sheet, swung his feet to the floor, and groped under the bed for his tennis shoes. He heard his father’s heavy footsteps in the hallway. They stopped outside of his bedroom door. “You awake, Eddie?” “I’m awake, Dad,” Eddie answered. “Breakfast’s ready. Get washed and dressed.” 12 “Be right there,” Eddie said. Then, remembering the dream, he added, “Oh, Dad, is it all right if I use the Geiger counter today?” Mr. Taylor opened the door. He was a big man, broad-shouldered and still thin-waisted. Eddie found it easy to believe the stories he had heard about his father being an outstanding football player in his time. Even his glasses and the gray hair at his temples didn’t add much age, although Eddie knew it had been eighteen years since his father had played his last game of college football. “You may use the Geiger counter any time you want, Eddie,” Mr. Taylor said, “as long as you take good care of it. You figured out where you can find some uranium ore?” Eddie smiled sheepishly. “I—I had a dream,” he said. “Plain as day. It was out on Cedar Point. I was walking along over some rocks. Suddenly the Geiger counter began clicking like everything.” 13 “Cedar Point?” his father asked. “I’ve never been out there. But, from what I hear, there are plenty of rock formations. Might be worth a try, at that. You never can tell where you might strike some radioactivity.” “Do you believe in dreams, Dad?” “Well, now, that’s a tough question, son. I can’t say that I really do. Still, one clue is as good as another when it comes to hunting uranium ore, I guess. But right now we’d better get out to breakfast before your mother scalps us. Hurry it up.” His father turned and went back down the hallway toward the kitchen. Eddie pulled on his trousers and T shirt and went into the bathroom. He washed hurriedly, knowing that even if he missed a spot or two, he was fairly safe. During the summer months his freckles got so thick and dark that it would take a magnifying glass to detect any small smudges of dirt hiding among them. He plastered some water on his dark-red hair, pushed a comb through it, and shrugged as it snapped back almost to its original position. Oh, well, he had tried. 14 He grinned into the mirror, reached a finger into his mouth, and unhooked the small rubber bands from his tooth braces. He dropped them into the waste basket. He’d put fresh ones in after breakfast. He brushed his teeth carefully, taking particular pains around the metal braces. The tooth-straightening orthodontist had warned him about letting food gather around the metal clamps. It could start cavities. Finished, Eddie went out to breakfast. “Good morning, dear,” his mother greeted him, handing him a plate of eggs. “Hi, Mom,” Eddie said. “Gotta hurry. Big day today.” “So your father says. But I’m afraid your big day will have to start with sorting out and tying up those newspapers and magazines that have been collecting in the garage.” “Aw, Mom—” “Eddie, I asked you to do it three days ago. Remember? And the Goodwill truck comes around today.” “But, Mom—” 15 “No arguments, son,” his father put in calmly but firmly. “School vacation doesn’t mean that your chores around here are on vacation, too. Get at it right away, and you’ll still have time to hunt your uranium. “Well,” Mr. Taylor added, excusing himself from the table, “I’d better be getting over to school. I’m expecting to receive shipment of a new radioisotope today.” The very word excited Eddie. In fact, anything having to do with atomic science excited him. He knew something about isotopes—pronounced eye-suh-tope . You couldn’t have a father who was head of the atomic-science department at Oceanview College without picking up a little knowledge along the way. Eddie knew that a radioisotope was a material which had been “cooked” in an atomic reactor until it was “hot” with radioactivity. When carefully controlled, the radiation stored up in such isotopes was used in many beneficial ways. 16 “Why don’t college professors get summer vacations, too?” Eddie asked. One reason for asking that particular question was to keep from prying deeper into the subject of the radioisotope. Much of his father’s work at Oceanview College was of a secret nature. Eddie had learned not to ask questions about it. His father usually volunteered any information he wanted known, so Eddie stuck to questions which could and would be answered. “We get vacations,” his father said. “But—well, my work is a little different, you know. At the speed atomic science is moving today, we simply can’t afford to waste time. But don’t worry. We’ll take a week or so off before school starts in the fall. Maybe head for the mountains with our tent and sleeping bags.” “And Geiger counter?” Eddie asked eagerly. “Wouldn’t think of leaving it home,” his father said, smiling. “By the way, I put new batteries in it the other day. Take it easy on them. Remember to switch it off when you’re not actually using it.” “I will,” Eddie promised. He had forgotten several times before, weakening the batteries. 17 It took Eddie over an hour to sort out the newspapers and magazines in the garage, tie them in neat bundles, and place them out on the front curb for the Goodwill pickup. By that time the sun was high overhead. It had driven off the coolness which the ocean air had provided during the earlier hours. “Anything else, Mom?” he asked, returning to the house and getting the Geiger counter out of the closet. He edged toward the back door before his mother had much time to think of something more for him to do. “I guess not, dear,” Mrs. Taylor said, smiling over his hasty retreat. “What are you going to do?” “Think I’ll do a little prospecting,” Eddie said. “Where?” “Probably in the hills beyond the college,” Eddie said. The more he thought about it, the more he realized it was a little late in the day to go to Cedar Point. The best way to get there was by rowboat across Moon Bay, and that was too long a row to be starting now. Besides, there were plenty of other places around the outskirts of Oceanview where likely looking rock formations invited search with a Geiger counter. 18 “Are you going alone?” his mother asked. “Oh, guess I’ll stop by and see if Teena wants to go,” Eddie answered casually. He tried to make it sound as though he would be doing Teena Ross a big favor. After all, she was only a girl. Eddie didn’t figure a girl would make a very good uranium prospecting partner, but most of the fellows he knew were away at camp, or vacationing with their folks, or something like that. “She’ll enjoy it, I’m sure,” his mother said. “I’ll take Sandy, too,” Eddie said. “He needs the exercise.” “That’s a good idea, dear. Be back in time for an early dinner.” Eddie let Sandy off his chain. The taffy-colored cocker spaniel yipped wildly over his freedom, racing back and forth as Eddie started down the street. 19 Christina Ross—whom everybody called Teena—lived at the far end of the block. Eddie went around to the side door of the light-green stucco house and knocked. “Oh, hi, Eddie,” Teena greeted him, appearing at the screen door. “I was hoping you’d come over.” “Well, I—I just happened to be going by,” Eddie said. “Thought you might want to watch me do a little prospecting with the Geiger counter. But maybe you’re too busy.” That’s how to handle it, Eddie thought. Don’t act anxious. Let Teena be anxious. Then maybe she’ll even offer to bring along a couple of sandwiches or some fruit. “Oh, I’d love to go,” Teena said eagerly, “but I’m just finishing the dishes. Come on in.” “I’m in kind of a hurry.” “I’ll only be a minute.” She pushed the screen door open for him. “I’ll make us some sandwiches.” “Stay here, Sandy,” Eddie said. “Sit.” The dog minded, although he looked a bit rebellious. 20 Eddie went inside and followed Teena to the kitchen. He felt triumphant about the sandwiches. Teena tossed him a dish towel. “You dry them,” she said. “Who, me?” “Why not? You’re in a hurry, aren’t you? I can make the sandwiches while you dry the silverware.” She smiled, putting tiny crinkles in her small, slightly upturned nose. She wore her hair in a pony tail. Even though her hair was blond all year long, it seemed even lighter in the summer. Eddie couldn’t tell whether the sun had faded it, or whether her deep summer tan simply made her hair look lighter by contrast. Maybe both. “Hello, Eddie,” Mrs. Ross said, coming into the kitchen. “Looks like Teena put you to work.” “She always does, Mrs. Ross,” Eddie said, pretending great injury. “Don’t know why I keep coming over here.” “I know,” Teena spoke up quickly. “It’s because we’re friends, that’s why.” 21 Eddie knew she was right. They were friends—good friends. They had been ever since Eddie’s family had moved to Oceanview and his father had become head of the college’s atomic-science department. In fact, their parents were close friends, also. Teena’s father was chief engineer for the Acme Aviation Company, one of the coast town’s largest manufacturing concerns. “Well, I’ll be glad to finish them, Eddie,” Mrs. Ross offered. “I know how boys detest doing dishes.” “Oh, I don’t really mind, Mrs. Ross,” Eddie said. “Besides, Teena’s making sandwiches to take with us.” “Another prospecting trip?” Teena’s mother glanced at the Geiger counter which Eddie had set carefully on the dinette table. “I still think there must be some uranium around here,” Eddie insisted. “And we can find it if anyone can.” “I agree,” Mrs. Ross said. “But even if you don’t find it, you both seem to enjoy your hikes.” 22 “Oh, yes, it’s fun, Mother,” Teena replied, wrapping wax paper around a sandwich. “Guess I’m ready. I’ve got a bone for Sandy, too.” “Don’t go too far out from town,” Mrs. Ross cautioned, as Eddie picked up the Geiger counter. “And stick near the main roads. You know the rules.” “We sure do, Mrs. Ross,” Eddie assured her. “And we’ll be back early.” They walked past the college campus, and toward the rocky foothills beyond. At various rock mounds and outcroppings, Eddie switched on the Geiger counter. The needle of the dial on the black box wavered slightly. A slow clicking came through the earphones, but Eddie knew these indicated no more than a normal background count. There were slight traces of radioactivity in almost all earth or rocks. It was in the air itself, caused by mysterious and ever-present cosmic rays, so there was always a mild background count when the Geiger counter was turned on; but to mean anything, the needle had to jump far ahead on the gauge, and the clicking through the earphones had to speed up until it sounded almost like bacon frying in a hot skillet. 23 There was none of that today. After they had hiked and searched most of the forenoon, Eddie said, “We might as well call it a day, Teena. Doesn’t seem to be anything out here.” “It’s all right with me,” Teena agreed, plucking foxtails from Sandy’s ears. “Pretty hot, anyway. Let’s eat our sandwiches and go back home.” “All right,” Eddie said. “You know, one of these days I’d like to go out to Cedar Point and scout around. Maybe we’ll find something there.” Then he told Teena about his dream. Teena smiled. “A dream sure isn’t much to go on,” she said, “but they say it’s pretty out on Cedar Point. I’ll go any time you want to, Eddie.” She handed him one of the sandwiches. It was midafternoon by the time they arrived back at Teena’s house. They worked a while on a new jigsaw puzzle Teena had received on a recent birthday. Then Eddie said good-by and went on down the street toward his own home. 24 After putting Sandy on his long chain and filling his water dish, Eddie went in the back door. He put the Geiger counter in the closet and went into the kitchen. “What’s for dinner, Mom?” he asked. Mrs. Taylor turned from the sink. Eddie knew at once, just seeing the expression on his mother’s face, that something was wrong. “Dinner?” his mother said absently. “It’s not quite four o’clock yet, Eddie. Besides, dinner may be a little late today.” “But this morning you said it would be early,” Eddie reminded her, puzzled. “This morning I didn’t know what might happen.” 25 Then Eddie heard the sound of his father’s voice coming from the den. There was a strange urgent tone in it. The door to the den was open. Eddie went through the dining room and glanced into the den. His father sat stiffly behind his homemade desk, talking rapidly into the telephone. Eddie caught only the last few sketchy words. Then his father placed the telephone in its cradle, glanced up, and saw Eddie. If there had been even the slightest doubt in Eddie’s mind about something being wrong, it vanished now. Mr. Taylor looked years older than he had that very morning. Worry lay deep in his eyes. He fumbled thoughtfully with a pencil, turning it end over end on his desk. “Hello, son,” he said. He didn’t even ask whether Eddie had discovered any uranium ore that day. Always before, he had shown genuine interest in Eddie’s prospecting trips. “Dad,” Eddie said anxiously, “what—what’s the matter?” “It shows that much, does it, son?” his father said tiredly. “What’s wrong, Dad?” Eddie prompted. “Or can’t you tell me?” Mr. Taylor leaned back. “Quite a bit’s wrong, Eddie,” he said, “and I guess there’s no reason why I shouldn’t tell you. It’ll be in the evening papers, anyway.” 26 “Evening papers?” “Eddie, you remember me mentioning this morning about that radioisotope shipment I was expecting today?” “I remember,” Eddie said. “Did it come?” “It did—and it didn’t,” his father said. “What does that mean, Dad?” Eddie asked, puzzled. “The delivery truck arrived at the school with it,” his father explained, “but while the driver was inquiring where to put it, the container disappeared.” “Disappeared?” “The radioisotope was stolen, Eddie,” his father said slowly. “Stolen right out from under our noses!” 27 CHAPTER TWO At the moment, Eddie didn’t pry for further information on the theft of the valuable radioactive isotope. His father had plenty on his mind, as it was. The main information was in the evening Globe , which Eddie rushed out to get as soon as he heard it plop onto the front porch. He took the newspaper to his father to read first. After having finished, Mr. Taylor handed the paper to Eddie and leaned back thoughtfully in his chair. 28 “They’ve got it pretty straight, at that,” Mr. Taylor said, “but I’m afraid this is going to stir up quite a bit of trouble.” “It wasn’t your fault, was it, Dad?” Eddie defended. “It was as much mine as anybody’s, son,” his father said. “Probably more so. After all, I am head of the department. I knew about the shipment. That should make it my responsibility to see that it was properly received and placed in our atomic-materials storage vault. But there is little point in trying to place the blame on anyone. I’m willing to accept that part of it. The important thing is that we recover that radioisotope. Not only is it of a secret nature, but it is also dangerously radioactive if improperly handled.” “But—but wasn’t it in a safe container?” Eddie asked. 29 “Of course,” his father said. “There were only two ounces of it in a fifty-pound lead capsule. As long as it remains in that capsule it’s safe. As you know, the lead prevents any radiation from escaping. Out of that capsule, however, those two ounces of radioisotope can be very dangerous.” “Fifty pounds,” Eddie said thoughtfully. “That’s a pretty big thing to steal, isn’t it?” “Not when it’s lead, son,” his father replied. “Not much bigger than a two-quart milk bottle, in fact.” “Even at that, no kid could have taken it,” Eddie said. “Kid?” His father smiled thinly. “We don’t think it was any kid, Eddie. Not by a long shot. The whole thing was carefully planned and carefully carried out. It was not the work of amateurs.” Eddie read the newspaper account. The small truck from Drake Ridge, where one of the country’s newest atomic reactors was located, had arrived earlier than expected at Oceanview College. It had backed up to the receiving dock where all of the college supplies were delivered. Since deliveries during vacation months were few, there was no one on the dock when the truck arrived. A half hour later, when the delivery was expected, there would have been. The truck’s early arrival had caught them unprepared. 30 The driver had left the truck and had gone around the building to the front office. It had taken him less than five minutes to locate the receiving-dock foreman. Together, they had returned through the small warehouse and opened the rear door onto the dock. During that short time someone had pried open the heavy padlock on the delivery truck’s rear door and had stolen the fifty-pound lead capsule containing the radioisotope. Dusty footprints on the pavement around the rear of the truck indicated that two men had carried out the theft. A heavy iron pry bar had been dropped at the rear of the truck after the lock was sprung. It was a common type used by carpenters. There were no fingerprints or other identifying marks on it. The footprints were barely visible and of no help other than to indicate that two men were involved in the crime. 31 “Dad,” Eddie asked, looking up from the paper, “how could anyone carry away something weighing fifty pounds without being noticed?” “Chances are they had their car parked nearby,” his father said. “As you know, there are no fences or gates around Oceanview College. People come and go as they please. As a matter of fact, there are always quite a few automobiles parked around the shipping and receiving building, and parking space is scarce even during summer sessions. Anyone could park and wait there unnoticed. Or they could walk around without attracting any undue attention.” “But, Dad,” Eddie continued, “how would the men know that the delivery truck would arrive a half hour early?” “They wouldn’t,” his father said. “They may have had another plan. The way things worked out, they didn’t need to use it. The early delivery and the business of leaving the truck unguarded for a few minutes probably gave them a better opportunity than they had expected. At least, they took quick advantage of it.” 32 “I don’t see what anyone would want with a radioisotope,” Eddie said. “Maybe they figured there was something else inside of that lead capsule.” “That’s unlikely, son,” Mr. Taylor said. “Believe me, it was no common theft. Nor were the thieves ordinary thieves. That isotope was a new one. A very secret one. Our job at the college was to conduct various tests with it in order to find out exactly how it could best be put to use as a cure for disease, or for sterilizing food, or even as a source of power.” “Power?” Eddie said. “Boy, it must have been a strong isotope.” He knew that the strength of radioisotopes could be controlled largely by the length of time they were allowed to “cook” in an atomic reactor and soak up radioactivity. 33 “We weren’t planning to run a submarine with it,” his father said. “It wasn’t that strong. Still, it doesn’t take so very much radioactivity to make two ounces of an isotope quite powerful—and quite deadly. I only hope whoever stole it knows what he’s doing. However, I’m sure he does.” “You mean he must have been an atomic scientist himself?” Eddie asked. “Let’s just say he—or both of them—have enough training in the subject to know how to handle that isotope safely,” Mr. Taylor said. “But, Dad,” Eddie wondered, “what could they do with it?” “They could study it,” his father explained. “At least, they could send it somewhere to be broken down and studied. Being a new isotope, the formula is of great value.” “What do you mean, send it somewhere?” Eddie asked. “Perhaps to some other country.” “Then—then you mean whoever stole it were spies!” Eddie exclaimed breathlessly. “That’s entirely possible,” his father said. “In fact, it’s the only logical explanation I can think of. People simply don’t go around stealing radioactive isotopes without a mighty important reason.” 34 “Dinner’s ready,” Eddie’s mother called from the kitchen. During dinner Eddie wasn’t sure just what he was eating. The idea of spies stealing atomic materials kept building up in his mind. By the time dessert was finished, he was anxious to talk with someone, yet he knew he shouldn’t bother his father with any more questions. He asked if he could go over and visit with Teena for a while. “Well, you were together most of the day,” his mother said, “but I guess it’s all right. Be back in about an hour, though.” It was a balmy evening. On such evenings, he and Teena sometimes walked along the beach barefoot, collecting sea shells. Today Eddie had no desire to do that. He ran down the block. Teena answered his knock. “Come on in, Eddie,” she invited, seeming surprised to see him. “Mother and I are just finishing dinner.” “Oh, I figured you’d be through by now,” Eddie apologized, following her inside. 35 “Hello, Eddie,” Mrs. Ross said, but she didn’t seem as cheerful as usual. “Good evening, Mrs. Ross,” Eddie said. “I—I hope I’m not making a pest of myself.” He looked around for Mr. Ross, but Teena’s father apparently hadn’t arrived home from Acme Aircraft yet. There wasn’t a place set for him at the table, either. “You’re never a pest, Eddie,” Mrs. Ross assured him. “I was going to call your mother in a little while about that newspaper write-up.” “Oh, you read it?” Eddie said. “How could anyone miss it?” Teena said. “Right on the front page.” “I suppose your father is quite concerned over it,” Teena’s mother said. “Oh, yes,” Eddie affirmed. “He was the one who ordered the isotope.” “What’s an isotope?” Teena asked. “I’m not sure I know, either,” Mrs. Ross said. “Maybe we could understand more of what it’s all about if you could explain what a radioisotope is, Eddie.” 36 “Well,” Eddie said slowly, “it’s not easy to explain, but I’ll try. You know how rare uranium is. There’s not nearly enough of it to fill all the needs for radioactive materials. Besides, pure uranium is so powerful and expensive and dangerous to handle that it’s not a very good idea to try using it in its true form. So they build an atomic reactor like the one at Drake Ridge.” “We’ve driven by it,” Mrs. Ross said. “My, it’s a big place.” “I’ll say,” Eddie agreed. “Of course, only one building holds the reactor itself. It’s the biggest building near the center.” “I remember it,” Teena said. “Well, the reactor is about four stories high,” Eddie went on. “They call it a uranium ‘pile.’ It’s made up of hundreds and hundreds of graphite bricks. That’s where they get the name ‘pile’—from brick pile. Anyway, scattered around in between the bricks are small bits of uranium. Uranium atoms are radioactive. That is, they keep splitting up and sending out rays.” “Why do they do that?” Teena asked. 37 “It’s just the way nature made uranium, I guess,” Eddie said. “Most atoms stay in one piece, although they move around lickety-split all of the time. Uranium atoms not only move around, but they break apart. They shoot out little particles called neutrons. These neutrons hit other atoms and split them apart, sending out more neutrons. It’s a regular chain reaction.” “I’ve heard of chain reactions,” Mrs. Ross said. “Well, with all of the splitting up and moving around of the uranium atoms,” Eddie went on, “an awful lot of heat builds up. If they don’t control it—well, you’ve seen pictures of atomic-bomb explosions. That’s a chain reaction out of control.” “Out of control is right,” Teena said. 38 “But the atomic piles control the reaction,” Eddie said. “The graphite bricks keep the splitting-up atoms apart so one neutron won’t go smashing into other atoms unless they want it to. They have ways of controlling it so that only as much radiation builds up as they want. You can even hear the reactor hum as the radioactive rays go tearing through it. But by careful tending, the scientists keep the atomic collisions far enough apart so the thing doesn’t blow up.” “Boy, that sounds dangerous,” Teena said. “Well, they know just how to do it,” Eddie replied. “Aren’t the rays dangerous?” Mrs. Ross asked. “I’ll say they’re dangerous,” Eddie said. “But the whole pile is covered by a shield of concrete about eight feet thick. That keeps the rays from getting out and injuring the workmen.” “Goodness. Eight feet is a lot of cement.” “It takes a lot to stop radioactive atomic particles,” Eddie explained. “Especially the gamma rays. They’re the fastest and most dangerous, and the hardest to stop. Alpha and beta rays are fairly easy to stop. But the gamma rays are regular high-velocity invisible bullets. They’ll go right through a stone wall unless it’s plenty thick. Of course, you can’t see them. Not with even the most powerful microscope in the world.” 39 “I wouldn’t want to work around a place where I might get shot at by—by dangerous rays you can’t even see,” Teena said. “I would,” Eddie said. “Everyone is carefully protected. They see to that. Well, anyway, if all of those uranium atoms were shooting radioactive rays around inside of that pile and doing nothing, there would be an awful lot of energy going to waste. So the atomic scientists take certain elements which aren’t radioactive, but can be made radioactive, and shove small pieces of them into holes drilled in the pile.” “Isn’t that dangerous?” Teena asked. “They don’t shove them in with their bare hands,” Eddie said, trying not to show exasperation. “They use long holders to push the small chunks of material into the holes in the reactor. Then, as those uranium atoms keep splitting up and shooting particles around inside of the pile, some of them smack into the chunks of material, and stick there. Most elements will soak up radiation, just like a sponge soaks up water.” 40 “My, that’s interesting, Eddie,” Mrs. Ross said. “I’ve seen them do it,” Eddie said proudly, then added, “from behind a protective shield, of course. When the material has soaked up enough radiation, they pull it back out. They say it’s ‘cooked.’” “You mean it’s hot?” Teena asked. “It’s hot,” Eddie said, “but not like if it came out of a stove. By hot, they mean it’s radioactive. If you touched it, or even got near it, you would get burned, but you probably wouldn’t even know it for a while. It would be a radiation burn. That’s a kind of burn you don’t feel, but it destroys your blood cells and tissues, and—well, you’ve had it.” “So that’s what a radioisotope is,” Mrs. Ross said. “It’s like a sponge. Only instead of soaking up water, it soaks up radiation.” 41 “That’s about it,” Eddie said. “My dad says that as more is learned about the ways to use isotopes, the whole world is going to be improved. You’ve heard of radiocobalt for curing cancer. Well, that’s an isotope. They make it by cooking cobalt in an atomic reactor. Oh, there are hundreds of different isotopes. Like I said, isotopes can be made of most of the elements. And there are over a hundred elements. Some soak up a lot of radioactivity, and are strong and dangerous. Others absorb only a little and are pretty safe to use. Depends, too, on how long they let them cook in the reactor.” “What kind was the one stolen from the college today?” Teena asked. “Dad didn’t say exactly,” Eddie answered, “except he did say that if whoever took it didn’t know what he was doing and opened up the lead capsule, it could kill him. Of course, even the mild isotopes are deadly if they’re not handled right.” “My goodness, it is a serious matter, isn’t it?” Mrs. Ross said. 42 Eddie nodded. It was even more serious than its threat of danger to anyone who handled it carelessly. It was a new isotope—a secret isotope. His father hadn’t said whether it had been developed for curing things or for destroying things. But many radioisotopes could do either; it depended on how they were used. Eddie assumed that anyone who would stoop to stealing isotopes more than likely would be interested in their ability to destroy rather than their ability to benefit mankind. “Well, I certainly do hope everything works out all right,” Teena’s mother said. “So do I,” Teena agreed. Eddie glanced at the kitchen clock. “Oh, boy,” he said, “I’d better be heading back home. I didn’t mean to come over here and talk so long.” “Oh, we’re glad you did, Eddie,” Mrs. Ross said. “I’m afraid too few of us know anything about this atom business.” 43 “That’s right, Mrs. Ross,” Eddie agreed. “People should talk more and read more about it. After all, this is an atomic age. We might as well face it. My father says that in horse-and-buggy days everyone knew how to feed a horse and grease a wagon wheel. They knew what was needed to get the work done. But now that atoms are being harnessed to do the work, not many people even bother to find out what an atom is.” Mrs. Ross smiled. “I guess you’re right, Eddie,” she said, “but I wouldn’t quite know how to go about feeding an atom.” “Or greasing one,” Teena added. Eddie laughed. “I sure wouldn’t want the job of trying to feed a herd of them the size of a period,” he said. “Did you know that there are about three million billion atoms of carbon in a single period printed at the end of a sentence. That’s how small atoms are.” “Three million billion is a lot of something,” a man’s voice spoke behind him. “What are we talking about, Eddie?” “Oh, hello, Mr. Ross,” Eddie said, turning around and standing up. “I didn’t hear you come in.” 44 Teena’s father was a medium-sized man with light-brown hair which was getting somewhat thin on top. He was usually quite cheerful and full of fun, but tonight his face seemed unusually drawn and sober. He stepped to the table, leaned over, and gave both Teena and Mrs. Ross a kiss on the cheek. “Eddie was telling us about atoms,” Teena’s mother said. “Did you know there were three million billion of them in a period?” “How many in a comma?” Mr. Ross said to Eddie, then added quickly, “forget it, Eddie. It wasn’t very funny. I—I’m afraid I don’t feel very funny tonight.” “Sit down, dear,” Mrs. Ross said. “I’ll warm your dinner. You didn’t sound very cheerful when you called to say you would be late. How did everything go at the plant today?” “Not so good,” Teena’s father said tiredly. “In fact, not good at all.” Problems. It seemed that everyone had problems, Eddie thought, as he started to leave.
train	61481	[ "What is Androka trying to make? \n", "What is implied when the narrator describes Nelson’s light colored hair? \n", "Where do the creatures from another world come from? \n", "What is Androka’s motivation for using the zone of silence? \n", "What is the significance of the evidence of human lodging on the islet? \n", "The yellow-gray mist indicates which of the following? \n", "Who are the four to blame for the Comerford’s incident? \n", "To what is the title of the story, “Silence is—Deadly” referring? \n", "Why is Brandt interested in The Comerford? \n" ]	[ [ "A zone of silence that is intended to stop Axis economic flow. \n", "A zone of silence that is deadly to all who pass through it. \n", "A zone of silence that will stop Americans from being able to radio Europe. \n", "A zone of silence that stops all radio signals that attempt to penetrate it. \n" ], [ "Nelson is German by ancestry, raised sympathetic to Germany’s cause. \n", "Nelson is German by ancestry, but was raised on the side of the American effort. \n", "Curtis is prejudiced against people with light hair. \n", "Nelson is Czech\n" ], [ "The Carethusia \n", "The Sea \n", "Germany", "An alien world\n" ], [ "He is helping the Nazi war effort\n", "He is helping the American Navy. \n", "He is doing Bob Curtis a favor by helping his ship be the most successful in the Navy. \n", "He is planning revenge against the Nazis for harming his family. \n" ], [ "Nazis were hiding out there.\n", "It will give Curtis and his crew mates shelter while they a stranded. \n", "The Americans have outposts everywhere. \n", "The Islet is where the zone of silence is to be built. \n" ], [ "A direct result of the zone of silence \n", "Curtis will be killed. \n", "The Holland blitzkrieg was a travesty \n", "Nazis are on The Comerford. \n" ], [ "Nelson, Androka, Brandt, Bradford", "Curtis, Androka, Brandt, Bradford \n", "Bradford, Nelson, Androka, Curtis\n", "Androka, Curtis, the radioman, Bradford \n" ], [ "Androka’s zone of silence is used as a deadly tool against the Nazi war effort. \n", "Androka’s zone of silence is used as a deadly tool against the Comerford’s crew. \n", "Androka’s zone of silence is used as a deadly tool, made in the name of revenging the Czech war effort. \n", "Androka’s zone of silence is used as a deadly tool, helping the Americans sneak up on a Nazi Islet. \n" ], [ "He is holding the ship ransom as revenge for what American has done to Germany. \n", "He is holding the ship ransom for Boarts—black diamonds. \n", "He wants to use its zone of silence to apprehend the Carthusia. \n", "He wants to use its zone of silence to trick other ships into crashing on the islet. \n" ] ]	[ 4, 1, 3, 1, 1, 4, 1, 2, 3 ]	[ 0, 1, 1, 1, 1, 0, 1, 1, 1 ]	SILENCE IS—DEADLY By Bertrand L. Shurtleff Radio is an absolute necessity in modern organization—and particularly in modern naval organization. If you could silence all radio—silence of that sort would be deadly! [Transcriber's Note: This etext was produced from Astounding Science-Fiction April 1942. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] The hurried rat-a-tat of knuckles hammered on the cabin door. Commander Bob Curtis roused himself from his doze, got up from his chair, stretched himself to his full, lanky height and yawned. That would be Nelson, his navigating officer. Nelson always knocked that way—like a man in an external state of jitters over nothing at all. Curtis didn't hurry. It pleased him to let Nelson wait. He moved slowly to the door, paused there, and flung a backward glance at the man in the cabin with him—Zukor Androka, the elderly Czech scientist, a guest of the United States navy, here aboard the cruiser Comerford . The wizened face of the older man was molded in intent lines of concentration, as his bushy gray head bent over his drawing board. Curtis got a glimpse of the design on which he was working, and his lips relaxed in a faint smile. Androka had arrived on board the Comerford the day before she sailed from Norfolk. With him came a boatload of scientific apparatus and equipment, including a number of things that looked like oxygen tanks, which were now stored in the forward hold. Androka had watched over his treasures with the jealous care of a mother hen, and spent hours daily in the room in the superstructure that had been assigned as his laboratory. Sometimes, Curtis thought old Androka was a bit wacky—a scientist whose mind had been turned by the horror that had come to his country under the domination of the Nazi gestapo . At other times, the man seemed a genius. Perhaps that was the answer—a mad genius! Curtis opened the door and looked out. Rain whipped against his face like a stinging wet lash. Overhead, the sky was a storm-racked mass of clouds, broken in one spot by a tiny patch of starlit blue. His eyes rested inquiringly on the face of the man who stood before him. It was Nelson, his shaggy blond brows drawn scowlingly down over his pale eyes; his thin face a mass of tense lines; his big hands fumbling at the neck of his slicker. Rain was coursing down his white cheeks, streaking them with glistening furrows. The fellow was a headache to Curtis. He was overfriendly with a black-browed bos'n's mate named Joe Bradford—the worst trouble maker on board. But there was no question of his ability. He was a good navigating officer—dependable, accurate, conscientious. Nevertheless, his taut face, restless, searching eyes, and eternally nervous manner got Curtis' goat. "Come in, Nelson!" he said. Nelson shouldered his way inside, and stood there in his dripping oilskins, blinking his eyes against the yellow light. Curtis closed the door and nodded toward the bent form of Zukor Androka, with a quizzical grin. "Old Czech-and-Double-Czech is working hard on his latest invention to pull Hitler's teeth and re-establish the Czech Republic!" Nelson had no answering smile, although there had been a great deal of good-natured joking aboard the Comerford ever since the navy department had sent the scientist on board the cruiser to carry on his experiments. "I'm worried, sir!" Nelson said. "I'm not sure about my dead reckoning. This storm—" Curtis threw his arm around Nelson's dripping shoulders. "Forget it! Don't let a little error get you down!" "But this storm, sir!" Nelson avoided Curtis' friendly eyes and slipped out from under his arm. "It's got me worried. Quartering wind of undetermined force, variable and gusty. There's a chop to the sea—as if from unestimated currents among the islets. No chance to check by observation, and now there is a chance—look at me!" He held out his hands. They were shaking as if he had the chills. "You say there is a chance?" Curtis asked. "Stars out?" "As if by providence, sir, there's a clear patch. I'm wondering—" His voice trailed off, but his eyes swung toward the gleaming sextant on the rack. Commander Curtis shrugged good-naturedly and reached for the instrument. "Not that I've lost confidence in you, Nels, but just because you asked for it!" Curtis donned his slicker and went outside, sextant in hand. In a few minutes he returned and handed Nelson a sheet of paper with figures underlined heavily. "Here's what I make it," the commander told his navigating officer. "Bet you're not off appreciably." Nelson stared at the computations with shaking head. Then he mutely held up his own. Curtis stared, frowned, grabbed his own sheet again. "Any time I'm that far off old Figure-'em Nelson's estimate, I'm checking back," he declared, frowning at the two papers and hastily rechecking his own figures. "Call up to the bridge to stop her," he told Nelson. "We can't afford to move in these waters with such a possibility of error!" Nelson complied, and the throbbing drive of the engines lessened at once. Nelson said: "I've been wondering, sir, if it wouldn't be advisable to try getting a radio cross-bearing. With all these rocks and islets—" "Radio?" repeated the little Czech, thrusting his face between the other two, in his independent fashion that ignored ship's discipline. "You're using your radio?" He broke into a knowing chuckle, his keen old eyes twinkling behind their thick lenses. "Go ahead and try it. See how much you can get! It will be no more than Hitler can get when Zukor Androka decrees silence over the German airways! Try it! Try it, I say!" Bob Curtis stared at him, as if questioning his sanity. Then he hastened to the radio room, with Nelson at his heels, and the Czech trotting along behind. The door burst open as they neared it. A frightened operator came out, still wearing his earphones, and stood staring upward incredulously at the aërial. "Get us a radio cross-bearing for location at once," Curtis said sharply, for the operator seemed in a daze. "Bearing, sir?" The man brought his eyes down with difficulty, as if still dissatisfied. "I'm sorry, sir, but the outfit's dead. Went out on me about five minutes ago. I was taking the weather report when the set conked. I was trying to see if something's wrong." The Czech inventor giggled. Curtis gave him another curious look and thrust himself into the radio room. "Try again!" he told the operator. "See what you can get!" The radio man leaped to his seat and tried frantically. Again and again, he sent off a request for a cross-bearing from shore stations that had recently been established to insure safety to naval vessels, but there was no answer on any of the bands—not even the blare of a high-powered commercial program in the higher reach, nor the chatter of ships or amateurs on the shorter. "Dead!" Androka muttered, with a bitter laugh. "Yet not dead, gentlemen! The set is uninjured. The waves are what have been upset. I have shattered them around your ship, just as I can eventually shatter them all over Central Europe! For the next two hours, no radio messages can enter or leave my zone of radio silence—of refracted radio waves, set up by my little station on one of the neighboring islets!" There was a long pause, while commander and navigator stared at him. Curtis was the first to speak. "Your secrecy might well cost the United States navy one of its best light cruisers—and us our lives!" he said angrily. "We need that check by radio at once! If you're not talking nonsense, call off your dogs till we learn just where we are!" Androka held out his palms helplessly. "I can do nothing. I have given orders to my assistant that he must keep two hours of radio silence! I can get no message to him, for our radio is dead!" As if to mock him, the ship's radio began to answer: "Station 297 calling U. S. Cruiser Comerford . Station 297 calling U. S. Cruiser Comerford —" "U. S. Cruiser Comerford calling Station 297!" the operator intoned, winking at the two officers over Androka's discomfiture, and asked for the bearings. The answer came back: "Bearings north east by a quarter east, U. S. Cruiser Comerford !" Curtis sighed with relief. He saw that Nelson was staring fiercely at the radio operator, as the man went on calling: "U. S. Cruiser Comerford calling Station 364. U. S. Cruiser Comerford calling Station 364—" Then the instrument rasped again: "Station 364 calling U. S. Cruiser Comerford . Bearings north west by three west. Bearings north west by three west, U. S. Cruiser Comerford from Cay 364." Commander and navigator had both scribbled verifications of the numbers. Ignoring the gibbering Androka, who was wailing his disappointment that messages had penetrated his veil of silence, they raced for the chart room. Quickly the parallels stepped off the bearing from the designated points. Light intersecting lines proclaimed a check on their position. Curtis frowned and shook his head. Slowly he forced a reluctant grin as he stuck out his hand. "Shake, Nels," he said. "It's my turn to eat crow. You and the radio must be right. Continue as you were!" "I'm relieved, sir, just the same," Nelson admitted, "to have the radio bearings. We'd have piled up sure if you'd been right." They went on through the night. The starlit gap in the clouds had closed. The sky was again a blanket of darkness pouring sheets of rain at them. Nelson went back to the bridge, and Androka returned to the commander's cabin. Curtis lingered in the wireless room with the radio operator. "It's a funny thing," the latter said, still dialing and grousing, "how I got that cross-bearing through and can't get another squeak out of her. I'm wondering if that old goat really has done something to the ether. The set seems O. K." He lingered over the apparatus, checking and rechecking. Tubes lighted; wires were alive to the touch and set him to shaking his head at the tingle they sent through his inquiring fingers. Curtis left him at it, and went to rejoin Androka in the cabin. He found the little inventor pacing up and down, shaking his fists in the air; pausing every now and then to run his bony fingers through his tangled mop of gray hair, or to claw nervously at his beard. "You have seen a miracle, commander!" he shouted at Curtis. " My miracle! My invention has shattered the ether waves hereabouts hopelessly." "Seems to me," Curtis said dryly, "this invention can harm your friends as much as your enemies." The scientist drew himself up to his full height—which was only a little over five feet. His voice grew shrill. "Wait! Just wait! There are other inventions to supplement this one. Put them together, and they will defeat the Nazi hordes which have ravaged my country!" Curtis was a little shocked by the hatred that gleamed in Androka's eyes, under their bushy brows. There was something of the wild animal in the man's expression, as his lips drew back from his yellowed teeth. "Those tanks you have below," Curtis said, "have they some connection with this radio silence?" A far-away look came into Androka's eyes. He did not seem to hear the question. He lowered his voice: "My daughter is still in Prague. So are my sister and her husband, and their two daughters. If the gestapo knew what I am doing, all of them would be better dead. You understand—better dead?" Curtis said: "I understand." "And if the Nazi agents in America knew of the islet from which my zone of silence is projected—" Androka paused, his head tilted to one side, as if he were listening to something— On deck, there was shouting and commotion. Curtis rushed out, pulling on his slicker as he went. The shout from the watch forward had been picked up, and was being relayed all over the ship. The words struck on Curtis' ears with a note of impending tragedy. "Breakers ahead!" He was beside Navigating Officer Nelson on the bridge, and saw the helmsman climbing the rapidly spinning wheel like a monkey as he put it hard aport. Then the ship struck. Everything movable shot ahead until it brought up at the end of a swing or smacked against something solid. Curtis felt Nelson's hand grip his shoulder, as he put his lips close to his ear and shouted: "You must have been right, sir, and the radio bearings and my reckoning wrong. We've hit that reef a terrific smack. I'm afraid we're gored!" "Get out the collision mat!" Curtis ordered. "We ought to be able to keep her up!" And then he became aware of a deadly stillness. A vast wall of silence enveloped the entire cruiser. Looking over the side, he could no longer see the waves that a few minutes before had beaten savagely against the ship. The Comerford was shrouded in a huge pall of yellowish-gray mist, and more of it was coming up from below—from ventilators and hatchways and skylights—as if the whole ship were flooded with some evil vapor. Somehow, Curtis' mind flashed to the stories he'd heard of the forts of the Maginot Line, and of other forts in Holland and Belgium that had fallen before the early Nazi blitzkrieg, when their defenders found themselves struck numb and helpless by a gas that had been flooded into the inner compartments of their strongholds. There were those who said it was the work of sappers who had tunneled under the foundations, while others laid the induction of the gas to Fifth Column traitors. There were a hundred more or less plausible explanations— The vapor clouds that enveloped the Comerford were becoming thicker. All about the deck lay the forms of unconscious seamen, suddenly stricken helpless. And then Curtis saw other forms flitting about the deck—forms that looked like creatures from another world, but he recognized them for what they were—men wearing gas masks. Nelson was nowhere in sight. The steersman lay in a limp heap beside the swinging wheel. Then a gas-masked figure appeared through the shroud of mist and steadied it, so that the cruiser would not be completely at the mercy of the wind and the waves. Curtis heard the anchor let down, as if by invisible hands, the chain screaming and flailing its clanking way through the hawse hole. Then he was completely walled in by the yellowish-gray mist. He felt his senses swimming. Voices droned all around him in mumbling confusion—guttural voices that ebbed and flowed in a tide of excited talk. He caught a word of English now and then, mixed in with a flood of Teuton phonetics. Two words, in particular, registered clearly on his mind. One was " Carethusia "; the other was "convoy." But gradually his eardrums began to throb, as if someone were pounding on them from the inside. He couldn't get his breath; a cloud seemed to be mounting within him until it swept over his brain— He felt something strike the side of his head, and realized that he had fallen in a heap on the bridge. And after that, he wasn't conscious of anything— The rain had abated to a foggy drizzle. The wash of the surf swung the Comerford in a lazy, rolling motion, as she lay with her bow nosing into the sandbar at the entrance of the inlet. From her bridge, Navigating Officer Nelson watched the gas-masked figures moving about the decks, descending companionways—like goblins from an ancient fairy tale or a modern horror story. Nelson looked like a goblin himself, with his face covered by a respirator. At his side, stood his fellow conspirator Bos'n's Mate Joe Bradford, also wearing a gas mask. Nelson spoke in a low tone, his lips close to Bradford's ear. "It worked, Joe!" "Yeah!" Bradford agreed. "It worked—fine!" The limp bodies of the Comerford's crew were being carried to the lowered accommodation ladder and transferred into waiting lifeboats. Nelson swore under his breath. "Reckon it'll take a couple of hours before the ship's rid of that damn gas!" Bradford shook his head in disagreement. "The old geezer claims he's got a neutralizing chemical in one of them tanks of his that'll clear everything up inside half an hour." "I'd rather get along without Androka, if we could!" Nelson muttered. "He's nothing but a crackpot!" "It was a crackpot who invented the gas we used to break up the Maginot Line," Bradford reminded him. "It saved a lot of lives for the Fuehrer —lives that'd have been lost if the forts had to be taken by our storm troopers!" Nelson grunted and turned away. A short, thick-set figure in the uniform of a German naval commander had ascended the accommodation ladder and was mounting to the bridge. He, too, was equipped with a respirator. He came up to Nelson, saluted, and held out his hand, introducing himself as Herr Kommander Brandt. He began to speak in German, but Nelson stopped him. "I don't speak any German," he explained. "I was born and educated in the United States—of German parents, who had been ruined in the First World War. My mother committed suicide when she learned that we were penniless. My father—" He paused and cleared his throat. " Ja! Your father?" the German officer prompted, dropping into accented English. "Your father?" "My father dedicated me to a career of revenge—to wipe out his wrongs," Nelson continued. "If America hadn't gone into the First World War, he wouldn't have lost his business; my mother would still be living. When he joined the Nazi party, the way became clear to use me—to educate me in a military prep school, then send me to Annapolis, for a career in the United States navy—and no one suspected me. No one—" "Sometimes," Bradford put in, "I think Curtis suspected you." "Maybe Curtis'll find out his suspicions were justified," Nelson said bitterly. "But it won't do Curtis any good—a commander who's lost his ship." He turned to Brandt. "You have plenty of men to work the Comerford ?" Brandt nodded his square head. "We have a full crew—two hundred men—officers, seamen, mechanics, radio men, technical experts, all German naval reservists living in the United States, who've been sent here secretly, a few at a time, during the past six weeks!" The three—Brandt, Nelson and Bradford—stood on the bridge and talked, while the efficient stretcher-bearers worked industriously to remove the limp bodies of the Comerford's unconscious crew and row them ashore. And when that task was completed, lifeboats began to come alongside with strange-looking radio equipment, and more gas tanks like those Androka had brought aboard the Comerford with him, and dynamos and batteries that looked like something out of a scientific nightmare. And bustling all over the place, barking excited commands in German, pushing and pulling and pointing to emphasize his directions, was the strange figure of Professor Zukor Androka! "The professor's in his glory!" Nelson remarked to Kommander Brandt. "Funny thing about him," Bradford put in, "is that his inventions work. That zone of silence cut us off completely." Kommander Brandt nodded. "Goodt! But you got your message giving your bearings—the wrong ones?" "Yes," Nelson said. "That came through all right. And won't Curtis have a time explaining it!" "Hereafter," Brandt said solemnly, "the zone of silence vill be projected from the Comerford ; and ve have another invention of Androka's vich vill be even more useful vhen ve come to cut the Carethusia out of her convoy." "The Carethusia ?" Nelson asked, in a puzzled tone. Brandt said: "She's a freighter in a convoy out of St. Johns—twelve thousand tons. The orders are to take her; not sink her." "What's the idea?" "Her cargo," Brandt explained. "It iss more precious than rubies. It includes a large shipment of boarts." "Boarts?" Nelson repeated. "What are they?" "Boarts," Brandt told him, "are industrial diamonds—black, imperfectly crystallized stones, but far more valuable to us than flawless diamonds from Tiffany's on Fift' Avenue. They are needed for making machine tools. They come from northern Brazil—and our supply is low." "I should think we could get a shipment of these boarts direct from Brazil—through the blockade," Nelson said, "without taking the risk of capturing a United States navy cruiser." "There are other things Germany needs desperately on board the Carethusia ," Brandt explained. "Vanadium and nickel and hundreds of barrels of lard oil for machine-tool lubrication. Our agents have been watching the convoys closely for weeks for just such a cargo as the Carethusia is taking over." "Can we trust Androka?" Nelson asked, with a sudden note of suspicion in his voice. "Yes," Brandt assured him. "Of all men—we can trust Androka!" "But he's a Czech," Nelson argued. "The gestapo takes care of Czechs and Poles and Frenchmen and other foreigners whom it chooses as its agents," Brandt pointed out. "Androka has a daughter and other relations in Prague. He knows that if anything misfires, if there is the slightest suspicion of treachery on his part, his daughter and the others will suffer. Androka's loyalty is assured!" Nelson turned to watch the forward fighting top of the Comerford . The masked German seamen were installing some sort of apparatus up there—a strange-looking object that looked something like an old-fashioned trench mortar, and which connected with cables to the room that served as Androka's laboratory and workshop. Another crew was installing radio apparatus in the mizzentop turret. Descending a companionway to see what was going on below, Nelson found that portholes were being opened, and men were spraying chemical around to rid the below-decks atmosphere of the lethal gas that had overcome the Comerford's American crew. Returning to the bridge, he found that the tide in the inlet had risen considerably, and that the cruiser was riding more easily at her anchor. Then, at Brandt's orders, the anchor was hauled in, and lifeboats and a motor launch were used as tugs to work the vessel entirely free of the sand bar. This was accomplished without difficulty. Brandt came over to where Nelson was standing on the bridge and held out his hand. "Congratulations, Herr Kommander Nelson!" he said. "Ve have stolen one of the United States navy's newest and fastest cruisers!" He made a gesture as if raising a beer stein to drink a toast. " Prosit! " he added. " Prosit! " Nelson repeated, and the two grinned at each other. Stars were twinkling in a patch of black-blue sky, and broken mountains of gray cloud were skudding before the east wind. Commander Bob Curtis found himself lying in wet sand, on a beach, somewhere, with the rain—now a light, driving mist—beating on his face. He was chilled; his limbs were stiff and numb. His nose and throat felt parched inside, as if a wave of searing heat had scorched them. According to his last calculations, the Comerford had been cruising off the Maine coast. This probably was one of the islets of that region, or it might be the mainland. It was hard work getting to his feet, and when he did manage to stand, he could only plant his heels in the sand and sway to and fro for fully a minute, like a child learning to walk. All around him in the nearly total darkness, he could make out the dim forms of men sprawled on the beach; and of other men moving about, exploring. He heard the murmur of voices and saw the glow of lighted cigarettes. A man with a flashlight was approaching him. Its white glare shone for a moment in Curtis' face, and the familiar voice of Ensign Jack Dillon spoke: "Commander Curtis! Are you O. K., sir?" "I think so!" Curtis' heart warmed at the eager expression in Dillon's face; at the heartfelt concern in his friendly brown eyes. The young ensign was red-headed, impetuous, thoroughly genuine in his emotions. "How about yourself, Jack?" Curtis added. "A bit of a headache from the gas, but that's all. Any orders, sir?" Curtis thought for a moment. "Muster the crew, as best you can. We'll try to make a roll call. Is there any sign of the ship?" There was a solemn note in Dillon's voice. "No, sir. She's been worked off the sandbar and put to sea!" The words struck Curtis with the numbing shock of a blow on some nerve center. For the first time, he realized fully the tragedy that had swept down on him. He had lost his ship—one of the United States navy's fastest and newest small light cruisers—under circumstances which smelled strongly of treachery and sabotage. As he thought back, he realized that he might have prevented the loss, if he had been more alert, more suspicious. For it was clear to him now that the Comerford had been deliberately steered to this place; that the men who had seized her had been waiting here for that very purpose. The pieces of the picture fitted together like a jigsaw puzzle—Androka's zone of silence; the bearings given by radio; Navigating Officer Nelson's queer conduct. They were all part of a carefully laid plan! All the suspicious circumstances surrounding Nelson came flooding into Curtis' mind. He had never liked the man; never trusted him. Nelson always acted as if he had some secret, something to hide. Curtis recalled that Nelson and Androka had long conversations together—conversations which they would end abruptly when anyone else came within earshot. And Nelson had always been chummy with the worst trouble maker in the crew—Bos'n's Mate Bradford. Curtis went around, finding the officers, issuing orders. There were still some unconscious men to be revived. In a sheltered cove among the rocks, an exploring group had found enough dry driftwood to make a fire— In another hour, the skies had cleared, and white moonlight flooded the scene with a ghostly radiance. The men of the Comerford had all regained consciousness and were drying out in front of the big driftwood bonfires in the cove. Curtis ordered a beacon kept burning on a high promontory. Then he got the men lined up, according to their respective classifications, for a check-up on the missing. When this was completed, it was found that the Comerford's entire complement of two hundred and twenty men were present—except Navigating Officer Nelson, and Bos'n's Mate Bradford! And Zukor Androka was also missing! With the coming of dawn, a little exploration revealed that the Comerford's crew was marooned on an islet, about a square mile in area; that they had been put ashore without food or extra clothing or equipment of any kind, and that no boats had been left for them. One searching party reported finding the remains of what had been a radio station on a high promontory on the north shore of the islet. Another had found the remains of tents and log cabins, recently demolished, in a small, timbered hollow—a well-hidden spot invisible from the air, unless one were flying very low; a place where two hundred or more men could have camped. There was a good water supply—a small creek fed by springs—but nothing in the way of food. Evidently food was a precious commodity which the recent inhabitants of the islet couldn't afford to leave behind. Curtis was studying the wreckage of the wireless station, wondering if this might have been the source of Androka's zone of silence, when Ensign Jack Dillon came up to him. "There's a coast-guard cutter heading for the island, sir," he announced.
train	63097	[ "Who ordered that the narrator to Dondromogon? \n", "What is the significance of the narrator’s height? \n", "The purpose for the narrator losing his memory is. . . \n", "Who first tells the narrator about his destiny? \n", "What is the significance of the narrator’s thumb print?\n", "Who is Sporr and what is his authority in calling the narrator Yandro? \n", "What is the meaning of Dondromogon’s two extreme hemispheres? \n", "How do people live on Dondromogon? What is an example of a repercussion its people suffer as a result of its extreme temperatures? \n", "Who is Yandro and what is his relationship to Dandromogon? \n", "What is the meaning of the garments given to the narrator? \n" ]	[ [ "The Voice\n", "Old Sporr \n", "The Book", "The Masters of the Worlds\n" ], [ "It shows he is liar. \n", "It shows he is not from Dondromogon\n", "It shows he is the Conquering Stranger \n", "It shows he is not from Earth \n" ], [ "Earth is not something a Dondromogon leader should remember. \n", "So he can be birthed on a clean slate as the new Dondromogon leader. \n", "So that the Dondromogons will be suspicious of him\n", "To better assimilate to Dondromogon culture.\n" ], [ "Doriza \n", "The Masters of the Worlds\n", "The Voice \n", "Old Sporr\n" ], [ "It is proof that he is Yandro \n", "It is proof that he is from Earth \n", "It is proof that he is a Newcomer \n", "It is proof that he is a Master of Worlds \n" ], [ "He is a mystic in touch with faith, in charge of the materialization of gods.\n", "He is a mystic in touch with the spiritual realm, in charge of prophecies. \n", "He is a mystic in touch with the material space, in charge of prophecies. \n", "He is a mystic in touch with what is Good, in charge of the rational realm. \n" ], [ "It causes its people to develop two vastly different cultures, creating social tension.\n", "It causes its people to search for prophets, martyrs, and heroes, symbolizing the schizophrenia of the planet’s inhabitants. \n", "It causes its people to live underground, giving the story its setting. \n", "It causes its inhabitant groups to fight over what amount of the planet is habitable, the two extremes symbolizing the split between peoples. \n" ], [ "They have to battle the extreme heat and extreme cold. Because of these intense temperatures people suffer, wars often start out of general agitation. \n", "The live deep in the ground. They can only survive above ground for a short period, so they have to find what they need and quickly bring it back underground. \n", "The live deep in the ground. They have to find all necessities for life, such as food, deep within the mines they dug to survive. \n", "They live in a great temple, exactly on the twilight line between the light and dark side of their planet. They have to find all necessities for life inside. \n" ], [ "Yandro is the Conquering Stranger. He is prophesied to conquer Dondromogon. \n", "Yandro is the Conquering Stranger. He is prophesied to lead the planet Dondromogon. \n", "Yandro is the Conquering Stranger. He killed and conquered the brute Barak.\n", "Yandro is the New Prophet. He is said to tell of the destruction of the Newcomers.\n" ], [ "It shows the reader that Yandro is preparing to fight Barak. \n", "It shows the reader that the narrator is going to play the part of Yandro, but not believe in it. \n", "It shows the reader that the narrator is becoming Yandro. \n", "It shows the reader that all Dondromogon prophecies are true. \n" ] ]	[ 4, 2, 2, 3, 1, 2, 4, 3, 2, 3 ]	[ 0, 1, 0, 0, 0, 1, 0, 1, 0, 1 ]	Warrior of Two Worlds By MANLY WADE WELLMAN He was the man of two planets, drawn through the blackness of space to save a nation from ruthless invaders. He was Yandro, the Stranger of the Prophecy—and he found that he was destined to fight both sides. [Transcriber's Note: This etext was produced from Planet Stories Summer 1944. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] My senses came to me slowly and somehow shyly, as if not sure of their way or welcome. I felt first—pressure on my brow and chest, as if I lay face downward; then the tug and buffet of a strong, probing wind, insistent but not cold, upon my naked skin. Closing my hands, I felt them dig into coarse dirt. I turned my face downwind and opened my eyes. There was little to see, so thick was the dust cloud around me. Words formed themselves on my thick tongue, words that must have been spoken by so many reviving unfortunates through the ages: "Where am I?" And at once there was an answer: " You lie upon the world Dondromogon. " I knew the language of that answer, but where it came from—above, beneath, or indeed within me—I could not say. I lifted a hand, and knuckled dust from my eyes. "How did I get here?" I demanded of the speaker. "It was ordered—by the Masters of the Worlds—that you should be brought from your own home planet, called Earth in the System of the star called Sun. Do you remember Earth?" And I did not know whether I remembered or not. Vague matters stirred deep in me, but I could not for certain say they were memories. I asked yet again: "Who am I?" The voice had a note of triumph. "You do not know that. It is as well, for this will be a birth and beginning of your destined leadership on Dondromogon." "Destined—leadership—" I began to repeat, and fell silent. I had need to think. The voice was telling me that I had been snatched from worlds away, for a specified purpose here on whatever windswept planet Dondromogon might be. "Birth and beginning—destined leadership—" Fantastic! And yet, for all I could say to the contrary, unvarnishedly true. "Dondromogon?" I mumbled. "The name is strange to me." "It is a world the size of your native one," came words of information. "Around a star it spins, light-years away from the world of your birth. One face of Dondromogon ever looks to the light and heat, wherefore its metals run in glowing seas. The other face is ever away in cold darkness, with its air freezing into solid chunks. But because Dondromogon wavers on its axis, there are two lunes of its surface which from time to time shift from night to day. These are habitable." My eyes were tight shut against the dust, but they saw in imagination such a planet—one-half incandescent, one-half pitchy black. From pole to pole on opposite sides ran the two twilight zones, widest at the equators like the outer rind of two slices of melon. Of course, such areas, between the hot and cold hemispheres, would be buffeted by mighty gales ... the voice was to be heard again: "War is fought between the two strips of habitable ground. War, unceasing, bitter, with no quarter asked, given or expected. Dondromogon was found and settled long ago, by adventurers from afar. Now come invaders, to reap the benefits of discovery and toil." A pause. "You find that thought unpleasant? You wish to right that wrong?" "Anyone would wish that," I replied. "But how—" "You are going to ask how you were brought here. That is the mystery of the Masters ." The voice became grand. "Suffice it that you were needed, and that the time was ripe. There is a proper time, like a proper place, for each thing and each happening. Now, go to your destiny." I rose on my knees, shielding my face from the buffeting wind by lifting a forearm. Somewhere through the murky clouds showed a dim blocky silhouette, a building of sorts. The voice spoke no more. I had not the time to wonder about it. I got to my feet, bent double to keep from being blown over, and staggered toward the promised haven. I reached it, groped along until I found a door. There was no latch, handle or entry button, and I pounded heavily on the massive panels. The door opened from within, and I was blown inside, to fall sprawling. I struck my forehead upon a floor of stone or concrete, and so was half-stunned, but still I could distinguish something like the sound of agitated voices. Then I felt myself grasped, by both shoulders, and drawn roughly erect. The touch restored my senses, and I wrenched myself violently free. What had seized me? That was my first wonder. On this strange world called Dondromogon, what manner of intelligent life bade defiance to heat and cold and storm, and built these stout structures, and now laid hands—were they hands indeed?—upon me? I swung around, setting my back to a solid wall. My first glance showed me that my companions were creatures like myself—two-legged, fair-skinned men, shorter and slighter than I, but clad in metal-faced garments and wearing weapons in their girdles. I saw that each bore a swordlike device with a curved guard, set in a narrow sheath as long as my arm. Each also had a shorter weapon, with a curved stock to fit the palm of the hand, borne snugly in a holster. With such arms I had a faint sense of familiarity. "Who are you, and where are you from?" said one of the two, a broad-faced middle-aged fellow. "Don't lie any more than you can help." I felt a stirring of the hair on my neck, but kept my voice mild and level: "Why should I lie? Especially as I don't know who I am, or where I'm from, or anything that has happened longer ago than just a moment. I woke up out there in the dust storm, and I managed to come here for shelter." "He's a Newcomer spy," quoth the other. "Let's put him under arrest." "And leave this gate unguarded?" demanded the other. "Sound the signal," and he jerked his head toward a system of levers and gauges on the wall beside the door-jamb. "There's a bigger reward for capture than for warning," objected his friend in turn, "and whoever comes to take this man will claim 'capture.' I'll guard here, and you take him in, then we'll divide—" "No. Yours is the idea. I'll guard and you take him in." The second man studied me apprehensively. "He's big, and looks strong, even without weapons." "Don't be afraid," I urged. "I'll make no resistance, if you'll only conduct me to your commander. I can show him that I'm no spy or enemy." Both stared narrowly. "No spy? No enemy?" asked the broad-faced one who had first spoken. Then, to his comrade: "No reward, then." "I think there'll be a reward," was the rejoinder, and the second man's hand stole to the sword-weapon. With a whispering rasp it cleared from its scabbard. "If he's dead, we get pay for both warning and capture—" His thumb touched a button at the pommel of the hilt. The dull blade suddenly glowed like heated iron, and from it crackled and pulsed little rainbow rays. There was no time to think or plan or ponder. I moved in, with a knowing speed that surprised me as much as the two guards. Catching the fellow's weapon wrist, I clamped it firmly and bent it back and around. He whimpered and swore, and his glowing sword dropped. Its radiant blade almost fell on my naked foot. Before the clang of its fall was through echoing, I had caught it up, and set the point within inches of its owner's unprotected face. "Quiet, or I'll roast you," I told him. The other had drawn a weapon of his own, a pistol-form arrangement. I turned on him, but too late. He pressed the trigger, and from the muzzle came—not a projectile but a flying, spouting filament of cord that seemed to spring on me like a long thin snake and to fasten coil after coil around my body. The stuff that gushed from the gun-muzzle seemed plastic in form, but hardened so quickly upon contact with the air, it bound me like wire. Half a dozen adroit motions of the fellow's gun hand, and my arms were caught to my body. I dropped my sword to prevent it burning me, and tried to break away, but my bonds were too much for me. "Let me out of this," I growled, and kicked at the man with my still unbound foot. He snapped a half-hitch on my ankle, and threw me heavily. Triumphant laughter came from both adversaries. Then: "What's this?" The challenge was clear, rich, authoritative. Someone else had come, from a rearward door into the stone-walled vestibule where the encounter was taking place. A woman this time, not of great height, and robust but not heavy. She was dressed for vigorous action in dark slacks with buskins to make them snug around ankles and calves, a jerkin of stout material that was faced with metal armor plates and left bare her round, strong arms. A gold-worked fillet bound her tawny hair back from a rosy, bold-featured face—a nose that was positively regal, a mouth short and firm but not hard, and blue eyes that just now burned and questioned. She wore a holstered pistol, and a cross-belt supported several instruments of a kind I could not remember seeing before. A crimson cloak gave color and dignity to her costume, and plainly she was someone of position, for both the men stiffened to attention. "A spy," one ventured. "He pushed in, claimed he was no enemy, then tried to attack—" "They lie," I broke in, very conscious of my naked helplessness before her regard. "They wanted to kill me and be rewarded for a false story of vigilance. I only defended myself." "Get him on his feet," the young woman said, and the two guards obeyed. Then her eyes studied me again. "Gods! What a mountain of a man!" she exclaimed. "Can you walk, stranger?" "Barely, with these bonds." "Then manage to do so." She flung off her cloak and draped it over my nakedness. "Walk along beside me. No tricks, and I promise you fair hearing." We went through the door by which she had entered, into a corridor beyond. It was lighted by small, brilliant bulbs at regular intervals. Beyond, it gave into several passages. She chose one of them and conducted me along. "You are surely not of us," she commented. "Men I have seen who are heavier than you, but none taller. Whence came you?" I remembered the strange voice that had instructed me. "I am from a far world," I replied. "It is called—yes, Earth. Beyond that, I know nothing. Memory left me." "The story is a strange one," she commented. "And your name?" "I do not know that, either. Who are you?" "Doriza—a gentlewoman of the guard. My inspection tour brought me by chance to where you fought my outposts. But it is not for you to ask questions. Enter here." We passed through another door, and I found myself in an office. A man in richly-embossed armor platings sat there. He had a fringe of pale beard, and his eyes were bluer than the gentlewoman Doriza's. She made a gesture of salute, hand at shoulder height, and reported the matter. He nodded for her to fall back to a corner. "Stranger," he said to me, "can you think of no better tale to tell than you now offer?" "I tell the truth," was my reply, not very gracious. "You will have to prove that," he admonished me. "What proof have I?" I demanded. "On this world of yours—Dondromogon, isn't it called?—I'm no more than an hour old. Accident or shock has taken my memory. Let me have a medical examination. A scientist probably can tell what happened to put me in such a condition." "I am a scientist," offered Doriza, and came forward. Her eyes met mine, suddenly flickered and lowered. "His gaze," she muttered. The officer at the table was touching a button. An attendant appeared, received an order, and vanished again. In a few moments two other men came—one a heavily armed officer of rank, the other an elderly, bearded fellow in a voluminous robe that enfolded him in most dignified manner. This latter man opened wide his clear old eyes at sight of me. "The stranger of the prophecy!" he cried, in a voice that made us all jump. The officer rose from behind the table. "Are you totally mad, Sporr? You mystic doctors are too apt to become fuddled—" "But it is, it is!" The graybeard flourished a thin hand at me. "Look at him, you of little faith! Your mind dwells so much on material strength that you lose touch with the spiritual—" He broke off, and wheeled on the attendant who had led him in. "To my study," he commanded. "On the shelf behind my desk, bring the great gold-bound book that is third from the right." Then he turned back, and bowed toward me. "Surely you are Yandro, the Conquering Stranger," he said, intoning as if in formal prayer. "Pardon these short-sighted ones—deign to save us from our enemies—" The girl Doriza spoke to the officer: "If Sporr speaks truth, and he generally does, you have committed a blasphemy." The other made a little grimace. "This may be Yandro, though I'm a plain soldier and follow the classics very little. The First Comers are souls to worship, not to study. If indeed he is Yandro," and he was most respectful, "he will appreciate, like a good military mind, my caution against possible impostors." "Who might Yandro be?" I demanded, very uncomfortable in my bonds and loose draperies. Old Sporr almost crowed. "You see? If he was a true imposter, he would come equipped with all plausible knowledge. As it is—" "As it is, he may remember that the Conquering Stranger is foretold to come with no memory of anything," supplied the officer. "Score one against you, Sporr. You should have been able to instruct me, not I you." The attendant reentered, with a big book in his hands. It looked old and well-thumbed, with dim gold traceries on its binding. Sporr snatched it, and turned to a brightly colored picture. He looked once, his beard gaped, and he dropped to his knees. "Happy, happy the day," he jabbered, "that I was spared to see our great champion come among us in the flesh, as was foretold of ancient time by the First Comers!" Doriza and the officer crossed to his side, snatching the book. Their bright heads bent above it. Doriza was first to speak. "It is very like," she half-stammered. The officer faced me, with a sort of baffled respect. "I still say you will understand my caution," he addressed me, with real respect and shyness this time. "If you are Yandro himself, you can prove it. The prophecy even sketches a thumb-print—" And he held the book toward me. It contained a full-page likeness, in color, of myself wrapped in a scarlet robe. Under this was considerable printed description, and to one side a thumb-print, or a drawing of one, in black. "Behold," Doriza was saying, "matters which even expert identification men take into thought. The ears in the picture are like the ears of the real man—" "That could be plastic surgery," rejoined the officer. "Such things are artfully done by the Newcomers, and the red mantle he wears more easily assumed." Doriza shook her head. "That happens to be my cloak. I gave it to him because he was naked, and not for any treasonable masquerade. But the thumb-print—" "Oh, yes, the thumb-print," I repeated wearily. "By all means, study my thumbs, if you'll first take these bonds off of me." "Bonds," mumbled old Sporr. He got creakily up from his knees and bustled to me. From under his robe he produced a pouch, and took out a pencil-sized rod. Gingerly opening the red mantle, he touched my tether in several places with the glowing end of the rod. The coils dropped away from my grateful body and limbs. I thrust out my hands. "Thumb-prints?" I offered. Sporr had produced something else, a little vial of dark pigment. He carefully anointed one of my thumbs, and pressed it to the page. All three gazed. "The same," said Doriza. And they were all on their knees before me. "Forgive me, great Yandro," said the officer thickly. "I did not know." "Get up," I bade them. "I want to hear why I was first bound, and now worshipped." II They rose, but stood off respectfully. The officer spoke first. "I am Rohbar, field commander of this defense position," he said with crisp respect. "Sporr is a mystic doctor, full of godly wisdom. Doriza, a junior officer and chief of the guard. And you—how could you know?—are sent by the First Comers to save us from our enemies." "Enemies?" I repeated. "The Newcomers," supplemented Doriza. "They have taken the "Other Side" of Dondromogon, and would take our side as well. We defend ourselves at the poles. Now," and her voice rang joyously, "you will lead us to defeat and crush them utterly!" "Not naked like this," I said, and laughed. I must have sounded foolish, but it had its effect. "Follow me, deign to follow me," Sporr said. "Your clothing, your quarters, your destiny, all await you." We went out by the door at the rear, and Sporr respectfully gestured me upon a metal-plated platform. Standing beside me, he tinkered with a lever. We dropped smoothly away into a dark corridor, past level after level of light and sound. "Our cities are below ground," he quavered. "Whipped by winds above, we must scrabble in the depths for life's necessities—chemicals to transmute into food, to weave into clothing, to weld into tools and weapons—" The mention of food brought to me the thought that I was hungry. I said as much, even as our elevator platform came to the lowest level and stopped. "I have arranged for that," Sporr began, then fell silent, fingers combing his beard in embarrassment. "Arranged food for me?" I prompted sharply. "As if you know I had come? What—" "Pardon, great Yandro," babbled Sporr. "I was saying that I arranged food, as always, for whatever guest should come. Please follow." We entered a new small chamber, where a table was set with dishes of porcelain-like plastic. Sporr held a chair for me, and waited on me with the utmost gingerly respect. The food was a pungent and filling jelly, a little bundle of transparent leaves or scraps like cellophane and tasting of spice, and a tumbler of pink juice. I felt refreshed and satisfied, and thanked Sporr, who led me on to the next room. "Behold!" he said, with a dramatic gesture. "Your garments, even as they have been preserved against your coming!" It was a sleeping chamber, with a cot made fast to the wall, a metal locker or cupboard, with a glass door through which showed the garments of which Sporr spoke. The door closed softly behind me—I was left alone. Knowing that it was expected of me, I went to the locker and opened the door. The garments inside were old, I could see, but well kept and serviceable. I studied their type, and my hands, if not my mind, seemed familiar with them. There was a kiltlike item, belted at the waist and falling to mid-thigh. A resilient band at the top, with a series of belt-holes, made it adaptable to my own body or to any other. Then came an upper garment, a long strip of soft, close-woven fabric that spiralled around the torso from hip to armpit, the end looping over the left shoulder and giving full play to the arms. A gold-worked fillet bound the brows and swept back my longish hair, knotting at the nape of the neck. The only fitted articles were a pair of shoes, metal-soled and soft-uppered, that went on well enough and ran cross-garters up to below the knee, like buskins. The case also held a platinum chain for the neck, a belt-bag, and a handsome sword, with clips to fasten them in place. These things, too, I donned, and closed the glass door. The light struck it at such an angle as to make it serve for a full-length mirror. With some curiosity I gazed at my image. The close-fitting costume was rich and dark, with bright colors only for edgings and minor accessories. I myself—and it was as if I saw my body for the first time—towered rather bluffly, with great breadth of chest and shoulder, and legs robust enough to carry such bulk. The face was square but haggard, as if from some toil or pain which was now wiped from my recollection. That nose had been even bigger than it was now, but a fracture had shortened it somewhat. The eyes were deep set and dark and moody—small wonder!—the chin heavy, the mouth made grim by a scar at one corner. Black, shaggy hair hung down like brackets. All told, I looked like a proper person for physical labor, or even fierce fighting—but surely no inspirational leader or savior of a distressed people. I took the military cloak which Doriza had lent me and slung it over my shoulders. Turning, I clanked out on my metal-soled shoes. Sporr was waiting in the room where I had eaten. His eyes widened at sight of me, something like a grin of triumph flashed through his beard. Then he bowed, supple and humble, his palms together. "It is indeed Yandro, our great chief," he mumbled. Then he turned and crossed the room. A sort of mouthpiece sprouted from the wall. "I announce," he intoned into it. "I announce, I, Sporr, the reader and fore-teller of wisdom. Yandro is with us, he awaits his partners and friends. Let them meet him in the audience hall." Facing me again, he motioned most respectfully toward the door to the hall. I moved to open it, and he followed, muttering. Outside stood Doriza. Her blue eyes met mine, and her lips moved to frame a word. Then, suddenly, she was on her knee, catching my hand and kissing it. "I serve Yandro," she vowed tremulously. "Now and forever—and happy that I was fated to live when he returned for the rescue of all Dondromogon." "Please get up," I bade her, trying not to sound as embarrassed as I felt. "Come with me. There is still much that I do not understand." "I am Yandro's orderly and helper," she said. Rising, she ranged herself at my left hand. "Will Yandro come this way? He will be awaited in the audience hall." It seemed to me then that the corridors were vast and mixed as a labyrinth, but Doriza guided me without the slightest hesitation past one tangled crossway after another. My questions she answered with a mixture of awe and brightness. "It is necessary that we live like this," she explained. "The hot air of Dondromogon's sunlit face is ever rising, and the cold air from the dark side comes rushing under to fill the vacuum. Naturally, our strip of twilight country is never free of winds too high and fierce to fight. No crops can grow outside, no domestic animals flourish. We must pen ourselves away from the sky and soil, with stout walls and heavy sunken parapets. Our deep mines afford every element for necessities of life." I looked at my garments, and hers. There were various kinds of fabric, which I now saw plainly to be synthetic. "The other side, where those you call the Newcomers dwell and fight," I reminded. "Is it also windswept? Why can two people not join forces and face toil and nature together? They should fight, not each other, but the elements." Doriza had no answer that time, but Sporr spoke up behind us: "Great Yandro is wise as well as powerful. But the Newcomers do not want to help, not even to conquer. They want to obliterate us. There is nothing to do—not for lifetimes—but to fight them back at the two poles." We came to a main corridor. It had a line of armed guards, but no pedestrians or vehicles, though I thought I caught a murmur of far-off traffic. Doriza paused before a great portal, closed by a curtainlike sheet of dull metal. She spoke into a mouthpiece: "Doriza, gentlewoman of the guard, conducts Yandro, the Conquering Stranger, to greet his lieutenants!" I have said that the portal was closed by a curtainlike metal sheet; and like a curtain it lifted, letting us through into the auditorium. That spacious chamber had rows of benches, with galleries above, that might have seated a thousand. However, only a dozen or so were present, on metal chairs ranged across the stage upon which we entered. They were all men but two, and wore robes of black, plum-purple or red. At sight of me, they rose together, most respectfully. They looked at me, and I looked at them. My first thought was, that if these were people of authority and trust in the nation I seemed destined to save, my work was cut out for me. Not that they really seemed stupid—none had the look, or the subsequent action, of stupidity. But they were not pleasant. Their dozen pairs of eyes fixed me with some steadiness, but with no frankness anywhere. One man had a round, greedy-seeming face. Another was too narrow and cunning to look it. Of the women, one was nearly as tall as I and nobly proportioned, with hair of a red that would be inspiring were it not so blatantly dyed. The other was a little wisp of a brunette, with teeth too big for her scarlet mouth and bright eyes like some sort of a rodent. They all wore jewelry. Too much jewelry. My mind flew back to the two scrubby, venial guardsmen who had first welcomed me; to stuffy Rohbar, the commander; to Sporr, spry and clever enough, but somehow unwholesome; Doriza—no, she was not like these others, who may have lived too long in their earth-buried shelters. And Doriza now spoke to the gathering: "Yandro, folk of the Council! He deigns to give you audience." " Yandro! " They all spoke the name in chorus, and bowed toward me. Silence then, a silence which evidently I must break. I broke it: "Friends, I am among you with no more memory or knowledge than an infant. I hear wonderful things, of which I seem to be the center. Are they true?" "The tenth part of the wonders which concern mighty Yandro have not been told," intoned Sporr, ducking his bearded head in a bow, but fixing me with his wise old eyes. One of the group, called Council by Doriza, now moved a pace forward. He was the greedy-faced man, short but plump, and very conscious of the dignified folds of his purple robe. One carefully-tended hand brushed back his ginger-brown hair, then toyed with a little moustache. "I am Gederr, senior of this Council," he purred. "If Yandro permits, I will speak simply. Our hopes have been raised by Yandro's return—the return presaged of old by those who could see the future, and more recently by the death in battle of the Newcomer champion, called Barak." "Barak!" I repeated. "I—I—" And I paused. When I had to learn my own name, how could it be that I sensed memory of another's name? "Barak was a brute—mighty, but a brute." Thus Gederr continued. "Weapons in his hands were the instruments of fate. His hands alone caused fear and ruin. But it pleased our fortune-bringing stars to encompass his destruction." He grinned, and licked his full lips. "Now, even as they are without their battle-leader, so we have ours." "You honor me," I told him. "Yet I still know little. It seems that I am expected to aid and lead and save the people of this world called Dondromogon. But I must know them before I can help." Gederr turned his eyes upon the woman with the red hair, and gestured to her "Tell him, Elonie." Then he faced me. "Have we Yandro's permission to sit?" "By all means," I granted, a little impatiently, and sat down myself. The others followed suit—the Council on their range of chairs, Doriza on a bench near me, Sporr somewhere behind. The woman called Elonie remained upon her sandalled feet, great eyes the color of deep green water fixed upon me.
train	60515	[ "How can the description the protagonist’s eyes as “aflame” be understood as symbolic? \n", "Who is the protagonist of the story and what is their main objective? \n", "Why does the protagonist want to get back to his wife? \n", "What effect do the bombs have on the war?\n", "Who shows the protagonist the food and the rifle?\n", "How does the war affect the protagonist’s relationship with his wife? \n", "What happens to Europe after the bombs? \n", "How does the meaning of the engraved ring change throughout the story? \n", "What part of the narrator is responsible for the story’s exposition? \n", "What is the double meaning of the ring’s engraving, “It Is Forever.”\n" ]	[ [ "It is symbolic for his drive to win the war. \n", "It is symbolic for his drive to find shelter.\n", "It is symbolic for his drive to return home to his wife.\n", "It is symbolic for his drive to cross the Rio Grande. \n" ], [ "An ex soldier who fought in World War III, looking for his children who have gone missing. \n", "An ex soldier who fought in World War II, traveling home to his wife and children. \n", "An ex soldier who fought in World War III, traveling home to his wife. \n", "An ex soldier who fought in World War III, looking to avenge his wife’s death. \n" ], [ "He promised that he would return home after the Americans won the war.\n", "He promised that his love is “forever” and that he would return from the war.\n", "He promised that his love is “forever” and that he would take her to Europe once the war ended. \n", "He promised that he would return the locket she lent him for the war. \n" ], [ "They end the war but turn the world into a zombie landscape. \n", "They end he war and restore peace and harmony, even though there are still some stragglers wandering home from the war. \n", "They end the war, but turn it into a semi-apocalyptic landscape.\n", "They end the war, but turn the world into tribal groups with strict borders. \n" ], [ "A conquerer \n", "He found them himself \n", "A member of his battalion \n", "His horse \n" ], [ "She waits at home like they planned, greeting them lovingly. \n", "She is transformed into a monster, striking fear in the protagonist. \n", "She is killed during the war, her body nowhere to be found. \n", "She patiently waits for him at home. \n" ], [ "It becomes anarchic, with essentially no governments left. \n", "It becomes anarchic, with nothing but gangs to officially end what is left of the war. \n", "It falls to Russia, becoming a wasteland in the wake of its bombing. \n", "It becomes a festering wasteland. All living things dead. \n" ], [ "At first it is a declaration of everlasting love, but soon shows that its pledge exists\npast death, becoming a haunting symbol of how love can bleed into death. \n", "At first it is a declaration of everlasting love, but soon shows that its pledge exists\npast death, becoming a haunting symbol what can happen when love isn’t returned home. \n", "At first it is a declaration of everlasting marriage, but soon shows that its pledge even exists in war, becoming a symbol of how love can survive death and overcome all trials. \n", "At first it is a declaration of commitment, but soon shows that its pledge exists in death, becoming a haunting symbol of how love doesn’t last forever. \n\n" ], [ "His war experience. \n", "His memory. \n", "His heart. \n", "His love for his wife. \n" ], [ "Forever in marriage; forever after death. \n", "Forever in life; forever undead. \n", "Forever in life; forever in war. \n", "Forever in war; forever after. \n" ] ]	[ 3, 3, 2, 3, 4, 2, 1, 4, 2, 1 ]	[ 1, 1, 1, 0, 0, 0, 1, 1, 1, 1 ]	HOMECOMING BY MIGUEL HIDALGO What lasts forever? Does love? Does death?... Nothing lasts forever.... Not even forever [Transcriber's Note: This etext was produced from Worlds of If Science Fiction, April 1958. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] The large horse plodded slowly over the shifting sand. The rider was of medium size, with huge, strong hands and seemingly hollow eyes. Strange eyes, alive and aflame. They had no place in the dust-caked, tired body, yet there they were, seeking, always seeking—searching the clear horizon, and never seeming to find what they sought. The horse moved faster now. They were nearing a river; the water would be welcome on tired bodies and dry throats. He spurred his horse, and when they reached the water's edge, he dismounted and unsaddled the horse. Then both man and horse plunged headlong into the waiting torrent, deep into the cool embrace of the clear liquid. They soaked it into their pores and drank deeply of it, feeling life going once more through their veins. Satisfied, they lifted themselves from the water, and the man lay down on the yellow sand of the river bank to sleep. When he awoke, the sun was almost setting. The bright shafts of red light spilled across the sky, making the mountains silent scarlet shadows on the face of the rippling water. Quickly he gathered driftwood, and built a small fire. From his pack he removed some of the coffee he had found in one of the ruined cities. He brought water from the river in the battered coffee-pot he had salvaged, and while he waited for it to boil, he went to his horse, Conqueror, stroking his mane and whispering in his ear. Then he led him silently to a grassy slope where he hobbled him and left him for the night. In the fading light, he ate the hard beef jerky and drank the scalding coffee. Refreshed and momentarily content, he sat staring into the dying fire, seeing the bright glowing coals as living fingers clutching at the wood in consuming embrace, taking all and returning nothing but ashes. Slowly his eyelids yielded. His body sagged, and blood seemed to fill his brain, bathing it in a gentle, warm flood. He slept. His brain slept. But the portion of his brain called memory stirred. It was all alone; all else was at rest. Images began to appear, drawn from inexhaustible files, wherein are kept all thoughts, past, present, and future.... It was the night before he was to go overseas. World War III had been declared, and he had enlisted, receiving his old rank of captain. He was with his wife in the living room of their home. They had put the children to bed—their sons—and now sat on the couch, watching the blazing fire. It was then that he had showed it to her. "I've got something to tell you, and something to show you." He had removed the box from his pocket and opened it. And heard her cry of surprised joy. "Oh, a ring, and it's a diamond, too!" she cried in her rich, happy voice which always seemed to send a thrill through his body. "It's for you; so long as you wear it, I'll come back, even from the dead, if need be. Read the inscription." She held the ring up to the light and read aloud, "It is forever." Then she had slipped the ring on her finger and her arms around him. He held her very close, feeling the warmth from her body flowing into his and making him oblivious to everything except that she was there in his arms and that he was sinking deep, deep into a familiar sea, where he had been many times before but each time found something new and unexplored, some vastly different emotion he could never quite explain. "Wait!" she cried. "I've something for you, too." She took off the locket she wore about her neck and held it up to the shimmering light, letting it spin at the end of its chain. It caught the shadows of the fire and reflected them, greatly magnified, over the room. It was in the shape of a star, encrusted with emeralds, with one large ruby in the center. When he opened it, he found a picture of her in one side, and in the other a picture of the children. He took her in his arms again, and loosened her long, black hair, burying his face in it for a moment. Then he kissed her, and instantly was drawn down into the abyss which seemed to have no beginning or any end. The next morning had been bleak and gray. The mist clung to the wet, sodden ground, and the air was heavy in his lungs. He had driven off in the jeep the army had sent for him, watching her there on the porch until the mist swirled around her feet and she ran back into the house and slammed the door. His cold fingers found the locket, making a little bulge under his uniform, and the touch of it seemed to warm the blood in his veins. Three days later they had landed in Spain, merged with another division, then crossed the Pyrenees into France, and finally to Paris where the fighting had begun. Already the city was a silent graveyard, littered with the rubble of towers and cathedrals which had once been great. Three years later they were on the road to Moscow. Over a thousand miles lay behind, a dead man on every foot of those miles. Yet victory was near. The Russians had not yet used the H-bomb; the threat of annihilation by the retaliation forces had been too great. He had done well in the war, and had been decorated many times for bravery in action. Now he felt the victory that seemed to be in the air, and he had wished it would come quickly, so that he might return to her. Home. The very feel of the word was everything a battle-weary soldier needed to make him fight harder and live longer. Suddenly he had become aware of a droning, wooshing sound above him. It grew louder and louder until he knew what it was. "Heavy bombers!" The alarm had sounded, and the men had headed for their foxholes. But the planes had passed over, the sun glinting on their bellies, reflecting a blinding light. They were bound for bigger, more important targets. When the all-clear had sounded, the men clambered from their shelters. An icy wind swept the field, bringing with it clouds which covered the sun. A strange fear had gripped him then.... Across the Atlantic, over the pole, via Alaska, the great bombers flew. In cities, great and small, the air raid sirens sounded, high screaming noises which had jarred the people from sleep in time to die. The defending planes roared into the sky to intercept the on-rushing bombers. The horrendous battle split the universe. Many bombers fell, victims of fanatical suicide planes, or of missiles that streaked across the sky which none could escape. But too many bombers got through, dropping their deadly cargo upon the helpless cities. And not all the prayers or entreaties to any God had stopped their carnage. First there had been the red flashes that melted buildings into molten streams, and then the great triple-mushroom cloud filled with the poisonous gases that the wind swept away to other cities, where men had not died quickly and mercifully, but had rotted away, leaving shreds of putrid flesh behind to mark the places where they had crawled. The retaliatory forces had roared away to bomb the Russian cities. Few, if any, had returned. Too much blood and life were on their hands. Those who had remained alive had found a resting place on the crown of some distant mountain. Others had preferred the silent peaceful sea, where flesh stayed not long on bones, and only darting fishes and merciful beams of filtered light found their aluminum coffins. The war had ended. To no avail. Neither side had won. Most of the cities and the majority of the population of both countries had been destroyed. Even their governments had vanished, leaving a silent nothingness. The armies that remained were without leaders, without sources of supplies, save what they could forage and beg from an unfriendly people. They were alone now, a group of tired, battered men, for whom life held nothing. Their families had long since died, their bodies turned to dust, their spirits fled on the winds to a new world. Yet these remnants of an army must return—or at least try. Their exodus was just beginning. Somehow he had managed to hold together the few men left from his force. He had always nourished the hope that she might still be alive. And now that the war was over he had to return—had to know whether she was still waiting for him. They had started the long trek. Throughout Europe anarchy reigned. He and his men were alone. All they could do now was fight. Finally they reached the seaport city of Calais. With what few men he had left, he had commandeered a small yacht, and they had taken to the sea. After months of storms and bad luck, they had been shipwrecked somewhere off the coast of Mexico. He had managed to swim ashore, and had been found by a fisherman's family. Many months he had spent swimming and fishing, recovering his strength, inquiring about the United States. The Mexicans had spoken with fear of the land across the Rio Grande. All its great cities had been destroyed, and those that had been only partially destroyed were devoid of people. The land across the Rio Grande had become a land of shadows. The winds were poisoned, and the few people who might have survived, were crazed and maimed by the blasts. Few men had dared cross the Rio Grande into "El Mundo gris de Noviembre"—the November world. Those who had, had never returned. In time he had traveled north until he reached the Rio Grande. He had waded into the muddy waters and somehow landed on the American side. In the November world. It was rightly called. The deserts were long. All plant life had died, leaving to those once great fertile stretches, nothing but the sad, temporal beauty that comes with death. No people had he seen. Only the ruins of what had once been their cities. He had walked through them, and all that he had seen were the small mutant rodents, and all that he had heard was the occasional swish of the wind as it whisked along what might have been dead leaves, but wasn't. He had been on the trail for a long time. His food was nearly exhausted. The mountains were just beginning, and he hoped to find food there. He had not found food, but his luck had been with him. He had found a horse. Not a normal horse, but a mutation. It was almost twice as large as a regular horse. Its skin seemed to shimmer and was like glassy steel to the touch. From the center of its forehead grew a horn, straight out, as the horn of a unicorn. But most startling of all were the animal's eyes which seemed to speak—a silent mental speech, which he could understand. The horse had looked up as he approached it and seemed to say: "Follow me." And he had followed. Over a mountain, until they came to a pass, and finally to a narrow path which led to an old cabin. He had found it empty, but there were cans of food and a rifle and many shells. He had remained there a long time—how long he could not tell, for he could only measure time by the cycles of the sun and the moon. Finally he had taken the horse, the rifle and what food was left, and once again started the long journey home. The farther north he went, the more life seemed to have survived. He had seen great herds of horses like his own, stampeding across the plains, and strange birds which he could not identify. Yet he had seen no human beings. But he knew he was closer now. Closer to home. He recognized the land. How, he did not know, for it was much changed. A sensing, perhaps, of what it had once been. He could not be more than two days' ride away. Once he was through this desert, he would find her, he would be with her once again; all would be well, and his long journey would be over. The images faded. Even memory slept in a flow of warm blood. Body and mind slept into the shadows of the dawn. He awoke and stretched the cramped muscles of his body. At the edge of the water he removed his clothes and stared at himself in the rippling mirror. His muscles were lean and hard, evenly placed throughout the length of his frame. A deep ridge ran down the length of his torso, separating the muscles, making the chest broad. Well satisfied with his body, he plunged into the cold water, deep down, until he thought his lungs would burst; then swiftly returned to the clean air, tingling in every pore. He dried himself and dressed. Conqueror was eating the long grass near the stream. Quickly he saddled him. No time for breakfast. He would ride all day and the next night. And he would be home. Still northward. The hours crawled slower than a dying man. The sun was a torch that pierced his skin, seeming to melt his bones into a burning stream within his body. But day at last gave way to night, and the sun to the moon. The torch became a white pock-marked goddess, with streaming hair called stars. In the moonlight he had not seen the crater until he was at its very edge. Even then he might not have seen it had not the horse stopped suddenly. The wind swirled through its vast emptiness, slapping his face with dusty hands. For a moment he thought he heard voices—mournful, murmuring voices, echoing up from the misty depths. He turned quickly away and did not look back. Night paled into day; day burned into night. There were clouds in the sky now, and a gentle wind caressed the sweat from his tired body. He stopped. There it was! Barely discernible through the moonlight, he saw it. Home. Quickly he dismounted and ran. Now he could see a small light in the window, and he knew they were there. His breath came in hard ragged gulps. At the window he peered in, and as his eyes became accustomed to the inner gloom, he saw how bare the room was. No matter. Now that he was home he would build new furniture, and the house would be even better than it had been before. Then he saw her. She was sitting motionless in a straight wooden chair beside the fireplace, the feeble light cast by the embers veiling her in mauve shadows. He waited, wondering if she were.... Presently she stirred like a restless child in sleep, then moved from the chair to the pile of wood near the hearth, and replenished the fire. The wood caught quickly, sending up long tongues of flame, and forming a bright pool of light around her. His blood froze. The creature illuminated by the firelight was a monster. Large greasy scales covered its face and arms, and there was no hair on its head. Its gums were toothless cavities in a sunken, mumbling mouth. The eyes, turned momentarily toward the window, were empty of life. "No, no!" he cried soundlessly. This was not his house. In his delirium he had only imagined he had found it. He had been searching so long. He would go on searching. He was turning wearily away from the window when the movement of the creature beside the fire held his attention. It had taken a ring from one skeleton-like finger and stood, turning the ring slowly as if trying to decipher some inscription inside it. He knew then. He had come home. Slowly he moved toward the door. A great weakness was upon him. His feet were stones, reluctant to leave the earth. His body was a weed, shriveled by thirst. He grasped the doorknob and clung to it, looking up at the night sky and trying to draw strength from the wind that passed over him. It was no use. There was no strength. Only fear—a kind of fear he had never known. He fumbled at his throat, his fingers crawling like cold worms around his neck until he found the locket and the clasp which had held it safely through endless nightmare days and nights. He slipped the clasp and the locket fell into his waiting hand. As one in a dream, he opened it, and stared at the pictures, now in the dim moonlight no longer faces of those he loved, but grey ghosts from the past. Even the ruby had lost its glow. What had once been living fire was now a dull glob of darkness. "Nothing is forever!" He thought he had shouted the words, but only a thin sound, the sound of leaves ruffled by the wind, came back to him. He closed the locket and fastened the clasp, and hung it on the doorknob. It moved slowly in the wind, back and forth, like a pendulum. "Forever—forever. Only death is forever." He could have sworn he heard the words. He ran. Away from the house. To the large horse with a horn in the center of its forehead, like a unicorn. Once in the saddle, the spurt of strength left him. His shoulders slumped, his head dropped onto his chest. Conqueror trotted away, the sound of his hooves echoing hollowly in the vast emptiness.
train	61213	[ "What is Sandra reporting on? \n", "What role does Doc play in conjunction with Sandra? \n", "What is the significance of the players’ names? \n", "How does Sandra meet the chess players? \n", "Who is putting on the chess tournament? Why?\n", "What is the significance of Sandra persuading her paper into letting her write human interest stories? How does this affect the text’s composition?\n", "Which mode of exposition affects the story’s plot?\n", "According to the story, which famous writers have written about chess in the past? \n" ]	[ [ "A chess tournament where the old master, Krakatower, will be present. \n", "A chess-playing machine that is able to beat humans. \n", "A chess tournament where many chess masters will be present.\n", "A chess tournament where for the very first time a machine will be taught to play.\n" ], [ "He explains to Sandra that living human personality is key for beating the machine. \n", "He shows Sandra around the tournament. \n", "He explains to Sandra how the chess machine works and what the significance of each human chess player is. \n", "He explains the history of chess scandals to Sandra. \n" ], [ "The players’ names correspond with which countries won World War II \n", "The players’ names represent how chess rivals reflect political rivals. \n", "The players’ names signify the level of competence each chess master has, with American names being the most competent.\n", "The players’ names correspond with what country has the most chess mastery, with Russian names hold the utmost interest.\n" ], [ "Doc explains that she can use her tournament program to meet whichever player she wishes. \n", "Doc tells her their chess history and introduces her to them as they pass by. \n", "She uses her female charm to interest each player in an interview.\n", "She interviews each player in accordance with who Doc is friends with, save for Dr. Krakatower. \n" ], [ "WBM—to test the efficacy of their machine. \n", "Dr. Krakatower—to beat WBM’s chess ma Co own once and for all. \n", "WBM—to being down Russia’s chess mastery. \n", "WBM—to test the accuracy of their chess machine’s emotional programming. \n" ], [ "The human interest stories—i.e., Sandra’s interviews—provide the story’s central irony. The fact that humans cannot defeat the machine shows that the real interest is not human, but robotic.\n", "The human interest stories provide a structure for the story to sit on. As she watches each player challenge the machine, it becomes more and more apparent that human personality cannot win. \n", "-The human interest stories provide a structure for the story to sit on. As Doc introduces her to each chess player, their backstories help to unpack the significance of the chess tournament. \n", "The human interest stories—i.e., Sandra’s interviews—provide a red herring for the story’s central goal, which is to hide the fact of Dr. Krakatower’s ability to beat the WBM machine. \n" ], [ "The story uses the Doc character to help paint a portrait of what Sandra cannot understand. Namely, the world of chess. \n", "The story uses the chess player characters to help paint a portrait of what Sandra cannot understand. Namely, chess. \n", "The story uses Doc to hide the presence of Dr. Krakatower, the Frenchman responsible for defeating the WBM machines. \n", "The story uses the machine’s astonishing capabilities to distract from the true interest of the story: the human intellect’s ability to conquer computers. \n" ], [ "Doc and Sandra. \n", "Ambrose Bierce and Edgar Allen Poe. \n", "Sandra and Dr. Krakatower. \n", "Edgar Allen Poe and Sandra. \n" ] ]	[ 2, 3, 4, 2, 1, 3, 1, 2 ]	[ 0, 0, 1, 0, 0, 0, 0, 0 ]	THE 64-SQUARE MADHOUSE by FRITZ LEIBER The machine was not perfect. It could be tricked. It could make mistakes. And—it could learn! [Transcriber's Note: This etext was produced from Worlds of If Science Fiction, May 1962. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] Silently, so as not to shock anyone with illusions about well dressed young women, Sandra Lea Grayling cursed the day she had persuaded the Chicago Space Mirror that there would be all sorts of human interest stories to be picked up at the first international grandmaster chess tournament in which an electronic computing machine was entered. Not that there weren't enough humans around, it was the interest that was in doubt. The large hall was crammed with energetic dark-suited men of whom a disproportionately large number were bald, wore glasses, were faintly untidy and indefinably shabby, had Slavic or Scandinavian features, and talked foreign languages. They yakked interminably. The only ones who didn't were scurrying individuals with the eager-zombie look of officials. Chess sets were everywhere—big ones on tables, still bigger diagram-type electric ones on walls, small peg-in sets dragged from side pockets and manipulated rapidly as part of the conversational ritual and still smaller folding sets in which the pieces were the tiny magnetized disks used for playing in free-fall. There were signs featuring largely mysterious combinations of letters: FIDE, WBM, USCF, USSF, USSR and UNESCO. Sandra felt fairly sure about the last three. The many clocks, bedside table size, would have struck a familiar note except that they had little red flags and wheels sprinkled over their faces and they were all in pairs, two clocks to a case. That Siamese-twin clocks should be essential to a chess tournament struck Sandra as a particularly maddening circumstance. Her last assignment had been to interview the pilot pair riding the first American manned circum-lunar satellite—and the five alternate pairs who hadn't made the flight. This tournament hall seemed to Sandra much further out of the world. Overheard scraps of conversation in reasonably intelligible English were not particularly helpful. Samples: "They say the Machine has been programmed to play nothing but pure Barcza System and Indian Defenses—and the Dragon Formation if anyone pushes the King Pawn." "Hah! In that case...." "The Russians have come with ten trunkfuls of prepared variations and they'll gang up on the Machine at adjournments. What can one New Jersey computer do against four Russian grandmasters?" "I heard the Russians have been programmed—with hypnotic cramming and somno-briefing. Votbinnik had a nervous breakdown." "Why, the Machine hasn't even a Haupturnier or an intercollegiate won. It'll over its head be playing." "Yes, but maybe like Capa at San Sebastian or Morphy or Willie Angler at New York. The Russians will look like potzers." "Have you studied the scores of the match between Moon Base and Circum-Terra?" "Not worth the trouble. The play was feeble. Barely Expert Rating." Sandra's chief difficulty was that she knew absolutely nothing about the game of chess—a point that she had slid over in conferring with the powers at the Space Mirror , but that now had begun to weigh on her. How wonderful it would be, she dreamed, to walk out this minute, find a quiet bar and get pie-eyed in an evil, ladylike way. "Perhaps mademoiselle would welcome a drink?" "You're durn tootin' she would!" Sandra replied in a rush, and then looked down apprehensively at the person who had read her thoughts. It was a small sprightly elderly man who looked like a somewhat thinned down Peter Lorre—there was that same impression of the happy Slavic elf. What was left of his white hair was cut very short, making a silvery nap. His pince-nez had quite thick lenses. But in sharp contrast to the somberly clad men around them, he was wearing a pearl-gray suit of almost exactly the same shade as Sandra's—a circumstance that created for her the illusion that they were fellow conspirators. "Hey, wait a minute," she protested just the same. He had already taken her arm and was piloting her toward the nearest flight of low wide stairs. "How did you know I wanted a drink?" "I could see that mademoiselle was having difficulty swallowing," he replied, keeping them moving. "Pardon me for feasting my eyes on your lovely throat." "I didn't suppose they'd serve drinks here." "But of course." They were already mounting the stairs. "What would chess be without coffee or schnapps?" "Okay, lead on," Sandra said. "You're the doctor." "Doctor?" He smiled widely. "You know, I like being called that." "Then the name is yours as long as you want it—Doc." Meanwhile the happy little man had edged them into the first of a small cluster of tables, where a dark-suited jabbering trio was just rising. He snapped his fingers and hissed through his teeth. A white-aproned waiter materialized. "For myself black coffee," he said. "For mademoiselle rhine wine and seltzer?" "That'd go fine." Sandra leaned back. "Confidentially, Doc, I was having trouble swallowing ... well, just about everything here." He nodded. "You are not the first to be shocked and horrified by chess," he assured her. "It is a curse of the intellect. It is a game for lunatics—or else it creates them. But what brings a sane and beautiful young lady to this 64-square madhouse?" Sandra briefly told him her story and her predicament. By the time they were served, Doc had absorbed the one and assessed the other. "You have one great advantage," he told her. "You know nothing whatsoever of chess—so you will be able to write about it understandably for your readers." He swallowed half his demitasse and smacked his lips. "As for the Machine—you do know, I suppose, that it is not a humanoid metal robot, walking about clanking and squeaking like a late medieval knight in armor?" "Yes, Doc, but...." Sandra found difficulty in phrasing the question. "Wait." He lifted a finger. "I think I know what you're going to ask. You want to know why, if the Machine works at all, it doesn't work perfectly, so that it always wins and there is no contest. Right?" Sandra grinned and nodded. Doc's ability to interpret her mind was as comforting as the bubbly, mildly astringent mixture she was sipping. He removed his pince-nez, massaged the bridge of his nose and replaced them. "If you had," he said, "a billion computers all as fast as the Machine, it would take them all the time there ever will be in the universe just to play through all the possible games of chess, not to mention the time needed to classify those games into branching families of wins for White, wins for Black and draws, and the additional time required to trace out chains of key-moves leading always to wins. So the Machine can't play chess like God. What the Machine can do is examine all the likely lines of play for about eight moves ahead—that is, four moves each for White and Black—and then decide which is the best move on the basis of capturing enemy pieces, working toward checkmate, establishing a powerful central position and so on." "That sounds like the way a man would play a game," Sandra observed. "Look ahead a little way and try to make a plan. You know, like getting out trumps in bridge or setting up a finesse." "Exactly!" Doc beamed at her approvingly. "The Machine is like a man. A rather peculiar and not exactly pleasant man. A man who always abides by sound principles, who is utterly incapable of flights of genius, but who never makes a mistake. You see, you are finding human interest already, even in the Machine." Sandra nodded. "Does a human chess player—a grandmaster, I mean—ever look eight moves ahead in a game?" "Most assuredly he does! In crucial situations, say where there's a chance of winning at once by trapping the enemy king, he examines many more moves ahead than that—thirty or forty even. The Machine is probably programmed to recognize such situations and do something of the same sort, though we can't be sure from the information World Business Machines has released. But in most chess positions the possibilities are so very nearly unlimited that even a grandmaster can only look a very few moves ahead and must rely on his judgment and experience and artistry. The equivalent of those in the Machine is the directions fed into it before it plays a game." "You mean the programming?" "Indeed yes! The programming is the crux of the problem of the chess-playing computer. The first practical model, reported by Bernstein and Roberts of IBM in 1958 and which looked four moves ahead, was programmed so that it had a greedy worried tendency to grab at enemy pieces and to retreat its own whenever they were attacked. It had a personality like that of a certain kind of chess-playing dub—a dull-brained woodpusher afraid to take the slightest risk of losing material—but a dub who could almost always beat an utter novice. The WBM machine here in the hall operates about a million times as fast. Don't ask me how, I'm no physicist, but it depends on the new transistors and something they call hypervelocity, which in turn depends on keeping parts of the Machine at a temperature near absolute zero. However, the result is that the Machine can see eight moves ahead and is capable of being programmed much more craftily." "A million times as fast as the first machine, you say, Doc? And yet it only sees twice as many moves ahead?" Sandra objected. "There is a geometrical progression involved there," he told her with a smile. "Believe me, eight moves ahead is a lot of moves when you remember that the Machine is errorlessly examining every one of thousands of variations. Flesh-and-blood chess masters have lost games by blunders they could have avoided by looking only one or two moves ahead. The Machine will make no such oversights. Once again, you see, you have the human factor, in this case working for the Machine." "Savilly, I have been looking allplace for you!" A stocky, bull-faced man with a great bristling shock of black, gray-flecked hair had halted abruptly by their table. He bent over Doc and began to whisper explosively in a guttural foreign tongue. Sandra's gaze traveled beyond the balustrade. Now that she could look down at it, the central hall seemed less confusedly crowded. In the middle, toward the far end, were five small tables spaced rather widely apart and with a chessboard and men and one of the Siamese clocks set out on each. To either side of the hall were tiers of temporary seats, about half of them occupied. There were at least as many more people still wandering about. On the far wall was a big electric scoreboard and also, above the corresponding tables, five large dully glassy chessboards, the White squares in light gray, the Black squares in dark. One of the five wall chessboards was considerably larger than the other four—the one above the Machine. Sandra looked with quickening interest at the console of the Machine—a bank of keys and some half-dozen panels of rows and rows of tiny telltale lights, all dark at the moment. A thick red velvet cord on little brass standards ran around the Machine at a distance of about ten feet. Inside the cord were only a few gray-smocked men. Two of them had just laid a black cable to the nearest chess table and were attaching it to the Siamese clock. Sandra tried to think of a being who always checked everything, but only within limits beyond which his thoughts never ventured, and who never made a mistake.... "Miss Grayling! May I present to you Igor Jandorf." She turned back quickly with a smile and a nod. "I should tell you, Igor," Doc continued, "that Miss Grayling represents a large and influential Midwestern newspaper. Perhaps you have a message for her readers." The shock-headed man's eyes flashed. "I most certainly do!" At that moment the waiter arrived with a second coffee and wine-and-seltzer. Jandorf seized Doc's new demitasse, drained it, set it back on the tray with a flourish and drew himself up. "Tell your readers, Miss Grayling," he proclaimed, fiercely arching his eyebrows at her and actually slapping his chest, "that I, Igor Jandorf, will defeat the Machine by the living force of my human personality! Already I have offered to play it an informal game blindfold—I, who have played 50 blindfold games simultaneously! Its owners refuse me. I have challenged it also to a few games of rapid-transit—an offer no true grandmaster would dare ignore. Again they refuse me. I predict that the Machine will play like a great oaf—at least against me . Repeat: I, Igor Jandorf, by the living force of my human personality, will defeat the Machine. Do you have that? You can remember it?" "Oh yes," Sandra assured him, "but there are some other questions I very much want to ask you, Mr. Jandorf." "I am sorry, Miss Grayling, but I must clear my mind now. In ten minutes they start the clocks." While Sandra arranged for an interview with Jandorf after the day's playing session, Doc reordered his coffee. "One expects it of Jandorf," he explained to Sandra with a philosophic shrug when the shock-headed man was gone. "At least he didn't take your wine-and-seltzer. Or did he? One tip I have for you: don't call a chess master Mister, call him Master. They all eat it up." "Gee, Doc, I don't know how to thank you for everything. I hope I haven't offended Mis—Master Jandorf so that he doesn't—" "Don't worry about that. Wild horses couldn't keep Jandorf away from a press interview. You know, his rapid-transit challenge was cunning. That's a minor variety of chess where each player gets only ten seconds to make a move. Which I don't suppose would give the Machine time to look three moves ahead. Chess players would say that the Machine has a very slow sight of the board. This tournament is being played at the usual international rate of 15 moves an hour, and—" "Is that why they've got all those crazy clocks?" Sandra interrupted. "Oh, yes. Chess clocks measure the time each player takes in making his moves. When a player makes a move he presses a button that shuts his clock off and turns his opponent's on. If a player uses too much time, he loses as surely as if he were checkmated. Now since the Machine will almost certainly be programmed to take an equal amount of time on successive moves, a rate of 15 moves an hour means it will have 4 minutes a move—and it will need every second of them! Incidentally it was typical Jandorf bravado to make a point of a blindfold challenge—just as if the Machine weren't playing blindfold itself. Or is the Machine blindfold? How do you think of it?" "Gosh, I don't know. Say, Doc, is it really true that Master Jandorf has played 50 games at once blindfolded? I can't believe that." "Of course not!" Doc assured her. "It was only 49 and he lost two of those and drew five. Jandorf always exaggerates. It's in his blood." "He's one of the Russians, isn't he?" Sandra asked. "Igor?" Doc chuckled. "Not exactly," he said gently. "He is originally a Pole and now he has Argentinian citizenship. You have a program, don't you?" Sandra started to hunt through her pocketbook, but just then two lists of names lit up on the big electric scoreboard. THE PLAYERS William Angler, USA Bela Grabo, Hungary Ivan Jal, USSR Igor Jandorf, Argentina Dr. S. Krakatower, France Vassily Lysmov, USSR The Machine, USA (programmed by Simon Great) Maxim Serek, USSR Moses Sherevsky, USA Mikhail Votbinnik, USSR Tournament Director : Dr. Jan Vanderhoef FIRST ROUND PAIRINGS Sherevsky vs. Serek Jal vs. Angler Jandorf vs. Votbinnik Lysmov vs. Krakatower Grabo vs. Machine "Cripes, Doc, they all sound like they were Russians," Sandra said after a bit. "Except this Willie Angler. Oh, he's the boy wonder, isn't he?" Doc nodded. "Not such a boy any longer, though. He's.... Well, speak of the Devil's children.... Miss Grayling, I have the honor of presenting to you the only grandmaster ever to have been ex-chess-champion of the United States while still technically a minor—Master William Augustus Angler." A tall, sharply-dressed young man with a hatchet face pressed the old man back into his chair. "How are you, Savvy, old boy old boy?" he demanded. "Still chasing the girls, I see." "Please, Willie, get off me." "Can't take it, huh?" Angler straightened up somewhat. "Hey waiter! Where's that chocolate malt? I don't want it next year. About that ex- , though. I was swindled, Savvy. I was robbed." "Willie!" Doc said with some asperity. "Miss Grayling is a journalist. She would like to have a statement from you as to how you will play against the Machine." Angler grinned and shook his head sadly. "Poor old Machine," he said. "I don't know why they take so much trouble polishing up that pile of tin just so that I can give it a hit in the head. I got a hatful of moves it'll burn out all its tubes trying to answer. And if it gets too fresh, how about you and me giving its low-temperature section the hotfoot, Savvy? The money WBM's putting up is okay, though. That first prize will just fit the big hole in my bank account." "I know you haven't the time now, Master Angler," Sandra said rapidly, "but if after the playing session you could grant me—" "Sorry, babe," Angler broke in with a wave of dismissal. "I'm dated up for two months in advance. Waiter! I'm here, not there!" And he went charging off. Doc and Sandra looked at each other and smiled. "Chess masters aren't exactly humble people, are they?" she said. Doc's smile became tinged with sad understanding. "You must excuse them, though," he said. "They really get so little recognition or recompense. This tournament is an exception. And it takes a great deal of ego to play greatly." "I suppose so. So World Business Machines is responsible for this tournament?" "Correct. Their advertising department is interested in the prestige. They want to score a point over their great rival." "But if the Machine plays badly it will be a black eye for them," Sandra pointed out. "True," Doc agreed thoughtfully. "WBM must feel very sure.... It's the prize money they've put up, of course, that's brought the world's greatest players here. Otherwise half of them would be holding off in the best temperamental-artist style. For chess players the prize money is fabulous—$35,000, with $15,000 for first place, and all expenses paid for all players. There's never been anything like it. Soviet Russia is the only country that has ever supported and rewarded her best chess players at all adequately. I think the Russian players are here because UNESCO and FIDE (that's Federation Internationale des Echecs —the international chess organization) are also backing the tournament. And perhaps because the Kremlin is hungry for a little prestige now that its space program is sagging." "But if a Russian doesn't take first place it will be a black eye for them." Doc frowned. "True, in a sense. They must feel very sure.... Here they are now." Four men were crossing the center of the hall, which was clearing, toward the tables at the other end. Doubtless they just happened to be going two by two in close formation, but it gave Sandra the feeling of a phalanx. "The first two are Lysmov and Votbinnik," Doc told her. "It isn't often that you see the current champion of the world—Votbinnik—and an ex-champion arm in arm. There are two other persons in the tournament who have held that honor—Jal and Vanderhoef the director, way back." "Will whoever wins this tournament become champion?" "Oh no. That's decided by two-player matches—a very long business—after elimination tournaments between leading contenders. This tournament is a round robin: each player plays one game with every other player. That means nine rounds." "Anyway there are an awful lot of Russians in the tournament," Sandra said, consulting her program. "Four out of ten have USSR after them. And Bela Grabo, Hungary—that's a satellite. And Sherevsky and Krakatower are Russian-sounding names." "The proportion of Soviet to American entries in the tournament represents pretty fairly the general difference in playing strength between the two countries," Doc said judiciously. "Chess mastery moves from land to land with the years. Way back it was the Moslems and the Hindus and Persians. Then Italy and Spain. A little over a hundred years ago it was France and England. Then Germany, Austria and the New World. Now it's Russia—including of course the Russians who have run away from Russia. But don't think there aren't a lot of good Anglo-Saxon types who are masters of the first water. In fact, there are a lot of them here around us, though perhaps you don't think so. It's just that if you play a lot of chess you get to looking Russian. Once it probably made you look Italian. Do you see that short bald-headed man?" "You mean the one facing the Machine and talking to Jandorf?" "Yes. Now that's one with a lot of human interest. Moses Sherevsky. Been champion of the United States many times. A very strict Orthodox Jew. Can't play chess on Fridays or on Saturdays before sundown." He chuckled. "Why, there's even a story going around that one rabbi told Sherevsky it would be unlawful for him to play against the Machine because it is technically a golem —the clay Frankenstein's monster of Hebrew legend." Sandra asked, "What about Grabo and Krakatower?" Doc gave a short scornful laugh. "Krakatower! Don't pay any attention to him . A senile has-been, it's a scandal he's been allowed to play in this tournament! He must have pulled all sorts of strings. Told them that his lifelong services to chess had won him the honor and that they had to have a member of the so-called Old Guard. Maybe he even got down on his knees and cried—and all the time his eyes on that expense money and the last-place consolation prize! Yet dreaming schizophrenically of beating them all! Please, don't get me started on Dirty Old Krakatower." "Take it easy, Doc. He sounds like he would make an interesting article? Can you point him out to me?" "You can tell him by his long white beard with coffee stains. I don't see it anywhere, though. Perhaps he's shaved it off for the occasion. It would be like that antique womanizer to develop senile delusions of youthfulness." "And Grabo?" Sandra pressed, suppressing a smile at the intensity of Doc's animosity. Doc's eyes grew thoughtful. "About Bela Grabo (why are three out of four Hungarians named Bela?) I will tell you only this: That he is a very brilliant player and that the Machine is very lucky to have drawn him as its first opponent." He would not amplify his statement. Sandra studied the Scoreboard again. "This Simon Great who's down as programming the Machine. He's a famous physicist, I suppose?" "By no means. That was the trouble with some of the early chess-playing machines—they were programmed by scientists. No, Simon Great is a psychologist who at one time was a leading contender for the world's chess championship. I think WBM was surprisingly shrewd to pick him for the programming job. Let me tell you—No, better yet—" Doc shot to his feet, stretched an arm on high and called out sharply, "Simon!" A man some four tables away waved back and a moment later came over. "What is it, Savilly?" he asked. "There's hardly any time, you know." The newcomer was of middle height, compact of figure and feature, with graying hair cut short and combed sharply back. Doc spoke his piece for Sandra. Simon Great smiled thinly. "Sorry," he said, "But I am making no predictions and we are giving out no advance information on the programming of the Machine. As you know, I have had to fight the Players' Committee tooth and nail on all sorts of points about that and they have won most of them. I am not permitted to re-program the Machine at adjournments—only between games (I did insist on that and get it!) And if the Machine breaks down during a game, its clock keeps running on it. My men are permitted to make repairs—if they can work fast enough." "That makes it very tough on you," Sandra put in. "The Machine isn't allowed any weaknesses." Great nodded soberly. "And now I must go. They've almost finished the count-down, as one of my technicians keeps on calling it. Very pleased to have met you, Miss Grayling—I'll check with our PR man on that interview. Be seeing you, Savvy." The tiers of seats were filled now and the central space almost clear. Officials were shooing off a few knots of lingerers. Several of the grandmasters, including all four Russians, were seated at their tables. Press and company cameras were flashing. The four smaller wallboards lit up with the pieces in the opening position—white for White and red for Black. Simon Great stepped over the red velvet cord and more flash bulbs went off. "You know, Doc," Sandra said, "I'm a dog to suggest this, but what if this whole thing were a big fake? What if Simon Great were really playing the Machine's moves? There would surely be some way for his electricians to rig—" Doc laughed happily—and so loudly that some people at the adjoining tables frowned. "Miss Grayling, that is a wonderful idea! I will probably steal it for a short story. I still manage to write and place a few in England. No, I do not think that is at all likely. WBM would never risk such a fraud. Great is completely out of practice for actual tournament play, though not for chess-thinking. The difference in style between a computer and a man would be evident to any expert. Great's own style is remembered and would be recognized—though, come to think of it, his style was often described as being machinelike...." For a moment Doc's eyes became thoughtful. Then he smiled again. "But no, the idea is impossible. Vanderhoef as Tournament Director has played two or three games with the Machine to assure himself that it operates legitimately and has grandmaster skill." "Did the Machine beat him?" Sandra asked. Doc shrugged. "The scores weren't released. It was very hush-hush. But about your idea, Miss Grayling—did you ever read about Maelzel's famous chess-playing automaton of the 19th Century? That one too was supposed to work by machinery (cogs and gears, not electricity) but actually it had a man hidden inside it—your Edgar Poe exposed the fraud in a famous article. In my story I think the chess robot will break down while it is being demonstrated to a millionaire purchaser and the young inventor will have to win its game for it to cover up and swing the deal. Only the millionaire's daughter, who is really a better player than either of them ... yes, yes! Your Ambrose Bierce too wrote a story about a chess-playing robot of the clickety-clank-grr kind who murdered his creator, crushing him like an iron grizzly bear when the man won a game from him. Tell me, Miss Grayling, do you find yourself imagining this Machine putting out angry tendrils to strangle its opponents, or beaming rays of death and hypnotism at them? I can imagine...." While Doc chattered happily on about chess-playing robots and chess stories, Sandra found herself thinking about him. A writer of some sort evidently and a terrific chess buff. Perhaps he was an actual medical doctor. She'd read something about two or three coming over with the Russian squad. But Doc certainly didn't sound like a Soviet citizen. He was older than she'd first assumed. She could see that now that she was listening to him less and looking at him more. Tired, too. Only his dark-circled eyes shone with unquenchable youth. A useful old guy, whoever he was. An hour ago she'd been sure she was going to muff this assignment completely and now she had it laid out cold. For the umpteenth time in her career Sandra shied away from the guilty thought that she wasn't a writer at all or even a reporter, she just used dime-a-dozen female attractiveness to rope a susceptible man (young, old, American, Russian) and pick his brain.... She realized suddenly that the whole hall had become very quiet. Doc was the only person still talking and people were again looking at them disapprovingly. All five wallboards were lit up and the changed position of a few pieces showed that opening moves had been made on four of them, including the Machine's. The central space between the tiers of seats was completely clear now, except for one man hurrying across it in their direction with the rapid yet quiet, almost tip-toe walk that seemed to mark all the officials. Like morticians' assistants , she thought. He rapidly mounted the stairs and halted at the top to look around searchingly. His gaze lighted on their table, his eyebrows went up, and he made a beeline for Doc. Sandra wondered if she should warn him that he was about to be shushed. The official laid a hand on Doc's shoulder. "Sir!" he said agitatedly. "Do you realize that they've started your clock, Dr. Krakatower?"
train	61380	[ "What is the purpose of the strange objects in Herrell’s cell? \n", "Why is the supervising council worried about the Old Ones?\n", "Is Herrell as intelligent as Hatcher? Why or why not?\n", "What effect does Stage Two have on Herrell? \n", "What is the meaning of the lag between Herell’s radio and the Jodrell Bank? \n", "What does hatcher mean when he says, “to vibrate the atmosphere by means of resonating organs in his breathing passage.” \n", "What does it mean to be a navigator? \n", "What is the image Hatcher’s team sees on the viewing consul? \n" ]	[ [ "To make him use his senses. \n", "To make him feel at home. \n", "To make him use his space suit.\n", "To make him feel confused. \n" ], [ "The Old Ones have captured one of their probers.\n", "The Old Ones are not happy with the kind of science Hatcher is conducting.\n", "The Old Ones need Hatcher’s data on the human specimen. \n", "The Old Ones must be given a human tribute soon. \n" ], [ "No, Humans lack the organs that make Hatcher’s race smarter.\n", "No, Hatcher’s race is far more intelligent. \n", "Yes, but their intelligences operate differently. \n", "Yes, but humans absorb intelligence through concepts while Hatcher’s race absorbs intelligence through light. \n" ], [ "It distresses him to the point of leaving the cell in order to find the woman.\n", "It distresses him to the point of risking what wearing the space suit will do to him. \n", "It distresses him to the point of breaking out of the cell. \n", "The woman’s distress inspires him to break out of the cell. \n" ], [ "Because the radio transmits faster than the speed of light, the lag indicates Herrell is nearly 400 lightyears away from his ship. \n", "Because the radio transmits faster than the speed of light, the lag indicates Herrell is too far from his ship to ever be rescued.\n", "Because the radio transmits faster than the speed of light, the lag indicates Herrell is nearly 500 light years away from his ship. \n", "Because the radio transmits only a bit slower than the speed of light, the lag indicates Herrell is only 500 light years away from his ship.\n" ], [ "To speak \n", "To sigh\n", "To panic \n", "To breathe \n" ], [ "To trust mathematics and instrument readings for the greater good of exploring the cosmos. \n", "To have a quick wit sharp enough to parse the problem of becoming a captive. \n", "To trust mathematics and instrument readings more than common sense. \n", "To have a quick wit fast enough to escape the deadly trials of Hatcher’s Stage Two. \n" ], [ "A human female \n", "Hatcher’s specimen \n", "The Jordell Bank\n", "A human male\n" ] ]	[ 2, 1, 3, 3, 3, 1, 3, 1 ]	[ 1, 0, 1, 1, 1, 1, 0, 1 ]	THE FIVE HELLS OF ORION BY FREDERICK POHL Out in the great gas cloud of the Orion Nebula McCray found an ally—and a foe! [Transcriber's Note: This etext was produced from Worlds of If Science Fiction, January 1963. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] His name was Herrell McCray and he was scared. As best he could tell, he was in a sort of room no bigger than a prison cell. Perhaps it was a prison cell. Whatever it was, he had no business in it; for five minutes before he had been spaceborne, on the Long Jump from Earth to the thriving colonies circling Betelgeuse Nine. McCray was ship's navigator, plotting course corrections—not that there were any, ever; but the reason there were none was that the check-sightings were made every hour of the long flight. He had read off the azimuth angles from the computer sights, automatically locked on their beacon stars, and found them correct; then out of long habit confirmed the locking mechanism visually. It was only a personal quaintness; he had done it a thousand times. And while he was looking at Betelgeuse, Rigel and Saiph ... it happened. The room was totally dark, and it seemed to be furnished with a collection of hard, sharp, sticky and knobby objects of various shapes and a number of inconvenient sizes. McCray tripped over something that rocked under his feet and fell against something that clattered hollowly. He picked himself up, braced against something that smelled dangerously of halogen compounds, and scratched his shoulder, right through his space-tunic, against something that vibrated as he touched it. McCray had no idea where he was, and no way to find out. Not only was he in darkness, but in utter silence as well. No. Not quite utter silence. Somewhere, just at the threshold of his senses, there was something like a voice. He could not quite hear it, but it was there. He sat as still as he could, listening; it remained elusive. Probably it was only an illusion. But the room itself was hard fact. McCray swore violently and out loud. It was crazy and impossible. There simply was no way for him to get from a warm, bright navigator's cubicle on Starship Jodrell Bank to this damned, dark, dismal hole of a place where everything was out to hurt him and nothing explained what was going on. He cried aloud in exasperation: "If I could only see !" He tripped and fell against something that was soft, slimy and, like baker's dough, not at all resilient. A flickering halo of pinkish light appeared. He sat up, startled. He was looking at something that resembled a suit of medieval armor. It was, he saw in a moment, not armor but a spacesuit. But what was the light? And what were these other things in the room? Wherever he looked, the light danced along with his eyes. It was like having tunnel vision or wearing blinders. He could see what he was looking at, but he could see nothing else. And the things he could see made no sense. A spacesuit, yes; he knew that he could construct a logical explanation for that with no trouble—maybe a subspace meteorite striking the Jodrell Bank , an explosion, himself knocked out, brought here in a suit ... well, it was an explanation with more holes than fabric, like a fisherman's net, but at least it was rational. How to explain a set of Gibbon's Decline and Fall of the Roman Empire? A space-ax? Or the old-fashioned child's rocking-chair, the chemistry set—or, most of all, the scrap of gaily printed fabric that, when he picked it up, turned out to be a girl's scanty bathing suit? It was slightly reassuring, McCray thought, to find that most of the objects were more or less familiar. Even the child's chair—why, he'd had one more or less like that himself, long before he was old enough to go to school. But what were they doing here? Not everything he saw was familiar. The walls of the room itself were strange. They were not metal or plaster or knotty pine; they were not papered, painted or overlaid with stucco. They seemed to be made of some sort of hard organic compound, perhaps a sort of plastic or processed cellulose. It was hard to tell colors in the pinkish light. But they seemed to have none. They were "neutral"—the color of aged driftwood or unbleached cloth. Three of the walls were that way, and the floor and ceiling. The fourth wall was something else. Areas in it had the appearance of gratings; from them issued the pungent, distasteful halogen odor. They might be ventilators, he thought; but if so the air they brought in was worse than what he already had. McCray was beginning to feel more confident. It was astonishing how a little light made an impossible situation bearable, how quickly his courage flowed back when he could see again. He stood still, thinking. Item, a short time ago—subjectively it seemed to be minutes—he had been aboard the Jodrell Bank with nothing more on his mind than completing his check-sighting and meeting one of the female passengers for coffee. Item, apart from being shaken up and—he admitted it—scared damn near witless, he did not seem to be hurt. Item, wherever he was now, it became, not so much what had happened to him, but what had happened to the ship? He allowed that thought to seep into his mind. Suppose there had been an accident to the Jodrell Bank . He could, of course, be dead. All this could be the fantasies of a cooling brain. McCray grinned into the pink-lit darkness. The thought had somehow refreshed him, like icewater between rounds, and with a clearing head he remembered what a spacesuit was good for. It held a radio. He pressed the unsealing tabs, slipped his hand into the vacant chest of the suit and pulled out the hand mike. "This is Herrell McCray," he said, "calling the Jodrell Bank ." No response. He frowned. "This is Herrell McCray, calling Jodrell Bank . "Herrell McCray, calling anybody, come in, please." But there was no answer. Thoughtfully he replaced the microphone. This was ultrawave radio, something more than a million times faster than light, with a range measured, at least, in hundreds of light-years. If there was no answer, he was a good long way from anywhere. Of course, the thing might not be operating. He reached for the microphone again— He cried aloud. The pinkish lights went out. He was in the dark again, worse dark than before. For before the light had gone, McCray had seen what had escaped his eyes before. The suit and the microphone were clear enough in the pinkish glimmer; but the hand—his own hand, cupped to hold the microphone—he had not seen at all. Nor his arm. Nor, in one fleeting moment of study, his chest. McCray could not see any part of his own body at all. II Someone else could. Someone was watching Herrell McCray, with the clinical fascination of a biochemist observing the wigglings of paramecia in a new antibiotic—and with the prayerful emotions of a starving, shipwrecked, sailor, watching the inward bobbing drift of a wave-born cask that may contain food. Suppose you call him "Hatcher" (and suppose you call it a "him.") Hatcher was not exactly male, because his race had no true males; but it did have females and he was certainly not that. Hatcher did not in any way look like a human being, but they had features in common. If Hatcher and McCray had somehow managed to strike up an acquaintance, they might have got along very well. Hatcher, like McCray, was an adventurous soul, young, able, well-learned in the technical sciences of his culture. Both enjoyed games—McCray baseball, poker and three-dimensional chess; Hatcher a number of sports which defy human description. Both held positions of some importance—considering their ages—in the affairs of their respective worlds. Physically they were nothing alike. Hatcher was a three-foot, hard-shelled sphere of jelly. He had "arms" and "legs," but they were not organically attached to "himself." They were snakelike things which obeyed the orders of his brain as well as your mind can make your toes curl; but they did not touch him directly. Indeed, they worked as well a yard or a quarter-mile away as they did when, rarely, they rested in the crevices they had been formed from in his "skin." At greater distances they worked less well, for reasons irrelevant to the Law of Inverse Squares. Hatcher's principal task at this moment was to run the "probe team" which had McCray under observation, and he was more than a little excited. His members, disposed about the room where he had sent them on various errands, quivered and shook a little; yet they were the calmest limbs in the room; the members of the other team workers were in a state of violent commotion. The probe team had had a shock. "Paranormal powers," muttered Hatcher's second in command, and the others mumbled agreement. Hatcher ordered silence, studying the specimen from Earth. After a long moment he turned his senses from the Earthman. "Incredible—but it's true enough," he said. "I'd better report. Watch him," he added, but that was surely unnecessary. Their job was to watch McCray, and they would do their job; and even more, not one of them could have looked away to save his life from the spectacle of a creature as odd and, from their point of view, hideously alien as Herrell McCray. Hatcher hurried through the halls of the great buried structure in which he worked, toward the place where the supervising council of all probes would be in permanent session. They admitted him at once. Hatcher identified himself and gave a quick, concise report: "The subject recovered consciousness a short time ago and began to inspect his enclosure. His method of doing so was to put his own members in physical contact with the various objects in the enclosure. After observing him do this for a time we concluded he might be unable to see and so we illuminated his field of vision for him. "This appeared to work well for a time. He seemed relatively undisturbed. However, he then reverted to physical-contact, manipulating certain appurtenances of an artificial skin we had provided for him. "He then began to vibrate the atmosphere by means of resonating organs in his breathing passage. "Simultaneously, the object he was holding, attached to the artificial skin, was discovered to be generating paranormal forces." The supervising council rocked with excitement. "You're sure?" demanded one of the councilmen. "Yes, sir. The staff is preparing a technical description of the forces now, but I can say that they are electromagnetic vibrations modulating a carrier wave of very high speed, and in turn modulated by the vibrations of the atmosphere caused by the subject's own breathing." "Fantastic," breathed the councillor, in a tone of dawning hope. "How about communicating with him, Hatcher? Any progress?" "Well ... not much, sir. He suddenly panicked. We don't know why; but we thought we'd better pull back and let him recover for a while." The council conferred among itself for a moment, Hatcher waiting. It was not really a waste of time for him; with the organs he had left in the probe-team room, he was in fairly close touch with what was going on—knew that McCray was once again fumbling among the objects in the dark, knew that the team-members had tried illuminating the room for him briefly and again produced the rising panic. Still, Hatcher fretted. He wanted to get back. "Stop fidgeting," commanded the council leader abruptly. "Hatcher, you are to establish communication at once." "But, sir...." Hatcher swung closer, his thick skin quivering slightly; he would have gestured if he had brought members with him to gesture with. "We've done everything we dare. We've made the place homey for him—" actually, what he said was more like, we've warmed the biophysical nuances of his enclosure —"and tried to guess his needs; and we're frightening him half to death. We can't go faster. This creature is in no way similar to us, you know. He relies on paranormal forces—heat, light, kinetic energy—for his life. His chemistry is not ours, his processes of thought are not ours, his entire organism is closer to the inanimate rocks of a sea-bottom than to ourselves." "Understood, Hatcher. In your first report you stated these creatures were intelligent." "Yes, sir. But not in our way." "But in a way, and you must learn that way. I know." One lobster-claw shaped member drifted close to the councillor's body and raised itself in an admonitory gesture. "You want time. But we don't have time, Hatcher. Yours is not the only probe team working. The Central Masses team has just turned in a most alarming report." "Have they secured a subject?" Hatcher demanded jealously. The councillor paused. "Worse than that, Hatcher. I am afraid their subjects have secured one of them. One of them is missing." There was a moment's silence. Frozen, Hatcher could only wait. The council room was like a tableau in a museum until the councillor spoke again, each council member poised over his locus-point, his members drifting about him. Finally the councillor said, "I speak for all of us, I think. If the Old Ones have seized one of our probers our time margin is considerably narrowed. Indeed, we may not have any time at all. You must do everything you can to establish communication with your subject." "But the danger to the specimen—" Hatcher protested automatically. "—is no greater," said the councillor, "than the danger to every one of us if we do not find allies now ." Hatcher returned to his laboratory gloomily. It was just like the council to put the screws on; they had a reputation for demanding results at any cost—even at the cost of destroying the only thing you had that would make results possible. Hatcher did not like the idea of endangering the Earthman. It cannot be said that he was emotionally involved; it was not pity or sympathy that caused him to regret the dangers in moving too fast toward communication. Not even Hatcher had quite got over the revolting physical differences between the Earthman and his own people. But Hatcher did not want him destroyed. It had been difficult enough getting him here. Hatcher checked through the members that he had left with the rest of his team and discovered that there were no immediate emergencies, so he took time to eat. In Hatcher's race this was accomplished in ways not entirely pleasant to Earthmen. A slit in the lower hemisphere of his body opened, like a purse, emitting a thin, pussy, fetid fluid which Hatcher caught and poured into a disposal trough at the side of the eating room. He then stuffed the slit with pulpy vegetation the texture of kelp; it closed, and his body was supplied with nourishment for another day. He returned quickly to the room. His second in command was busy, but one of the other team workers reported—nothing new—and asked about Hatcher's appearance before the council. Hatcher passed the question off. He considered telling his staff about the disappearance of the Central Masses team member, but decided against it. He had not been told it was secret. On the other hand, he had not been told it was not. Something of this importance was not lightly to be gossiped about. For endless generations the threat of the Old Ones had hung over his race, those queer, almost mythical beings from the Central Masses of the galaxy. One brush with them, in ages past, had almost destroyed Hatcher's people. Only by running and hiding, bearing one of their planets with them and abandoning it—with its population—as a decoy, had they arrived at all. Now they had detected mapping parties of the Old Ones dangerously near the spiral arm of the galaxy in which their planet was located, they had begun the Probe Teams to find some way of combating them, or of fleeing again. But it seemed that the Probe Teams themselves might be betraying their existence to their enemies— "Hatcher!" The call was urgent; he hurried to see what it was about. It was his second in command, very excited. "What is it?" Hatcher demanded. "Wait...." Hatcher was patient; he knew his assistant well. Obviously something was about to happen. He took the moment to call his members back to him for feeding; they dodged back to their niches on his skin, fitted themselves into their vestigial slots, poured back their wastes into his own circulation and ingested what they needed from the meal he had just taken.... "Now!" cried the assistant. "Look!" At what passed among Hatcher's people for a viewing console an image was forming. Actually it was the assistant himself who formed it, not a cathode trace or projected shadow; but it showed what it was meant to show. Hatcher was startled. "Another one! And—is it a different species? Or merely a different sex?" "Study the probe for yourself," the assistant invited. Hatcher studied him frostily; his patience was not, after all, endless. "No matter," he said at last. "Bring the other one in." And then, in a completely different mood, "We may need him badly. We may be in the process of killing our first one now." "Killing him, Hatcher?" Hatcher rose and shook himself, his mindless members floating away like puppies dislodged from suck. "Council's orders," he said. "We've got to go into Stage Two of the project at once." III Before Stage Two began, or before Herrell McCray realized it had begun, he had an inspiration. The dark was absolute, but he remembered where the spacesuit had been and groped his way to it and, yes, it had what all spacesuits had to have. It had a light. He found the toggle that turned it on and pressed it. Light. White, flaring, Earthly light, that showed everything—even himself. "God bless," he said, almost beside himself with joy. Whatever that pinkish, dancing halo had been, it had thrown him into a panic; now that he could see his own hand again, he could blame the weird effects on some strange property of the light. At the moment he heard the click that was the beginning of Stage Two. He switched off the light and stood for a moment, listening. For a second he thought he heard the far-off voice, quiet, calm and almost hopeless, that he had sensed hours before; but then that was gone. Something else was gone. Some faint mechanical sound that had hardly registered at the time, but was not missing. And there was, perhaps, a nice new sound that had not been there before; a very faint, an almost inaudible elfin hiss. McCray switched the light on and looked around. There seemed to be no change. And yet, surely, it was warmer in here. He could see no difference; but perhaps, he thought, he could smell one. The unpleasant halogen odor from the grating was surely stronger now. He stood there, perplexed. A tinny little voice from the helmet of the space suit said sharply, amazement in its tone, "McCray, is that you? Where the devil are you calling from?" He forgot smell, sound and temperature and leaped for the suit. "This is Herrell McCray," he cried. "I'm in a room of some sort, apparently on a planet of approximate Earth mass. I don't know—" "McCray!" cried the tiny voice in his ear. "Where are you? This is Jodrell Bank calling. Answer, please!" "I am answering, damn it," he roared. "What took you so long?" "Herrell McCray," droned the tiny voice in his ear, "Herrell McCray, Herrell McCray, this is Jodrell Bank responding to your message, acknowledge please. Herrell McCray, Herrell McCray...." It kept on, and on. McCray took a deep breath and thought. Something was wrong. Either they didn't hear him, which meant the radio wasn't transmitting, or—no. That was not it; they had heard him, because they were responding. But it seemed to take them so long.... Abruptly his face went white. Took them so long! He cast back in his mind, questing for a fact, unable to face its implications. When was it he called them? Two hours ago? Three? Did that mean—did it possibly mean—that there was a lag of an hour or two each way? Did it, for example, mean that at the speed of his suit's pararadio, millions of times faster than light, it took hours to get a message to the ship and back? And if so ... where in the name of heaven was he? Herrell McCray was a navigator, which is to say, a man who has learned to trust the evidence of mathematics and instrument readings beyond the guesses of his "common sense." When Jodrell Bank , hurtling faster than light in its voyage between stars, made its regular position check, common sense was a liar. Light bore false witness. The line of sight was trustworthy directly forward and directly after—sometimes not even then—and it took computers, sensing their data through instruments, to comprehend a star bearing and convert three fixes into a position. If the evidence of his radio contradicted common sense, common sense was wrong. Perhaps it was impossible to believe what the radio's message implied; but it was not necessary to "believe," only to act. McCray thumbed down the transmitter button and gave a concise report of his situation and his guesses. "I don't know how I got here. I don't know how long I've been gone, since I was unconscious for a time. However, if the transmission lag is a reliable indication—" he swallowed and went on—"I'd estimate I am something more than five hundred light-years away from you at this moment. That's all I have to say, except for one more word: Help." He grinned sourly and released the button. The message was on its way, and it would be hours before he could have a reply. Therefore he had to consider what to do next. He mopped his brow. With the droning, repetitious call from the ship finally quiet, the room was quiet again. And warm. Very warm, he thought tardily; and more than that. The halogen stench was strong in his nostrils again. Hurriedly McCray scrambled into the suit. By the time he was sealed down he was coughing from the bottom of his lungs, deep, tearing rasps that pained him, uncontrollable. Chlorine or fluorine, one of them was in the air he had been breathing. He could not guess where it had come from; but it was ripping his lungs out. He flushed the interior of the suit out with a reckless disregard for the wastage of his air reserve, holding his breath as much as he could, daring only shallow gasps that made him retch and gag. After a long time he could breathe, though his eyes were spilling tears. He could see the fumes in the room now. The heat was building up. Automatically—now that he had put it on and so started its servo-circuits operating—the suit was cooling him. This was a deep-space suit, regulation garb when going outside the pressure hull of an FTL ship. It was good up to at least five hundred degrees in thin air, perhaps three or four hundred in dense. In thin air or in space it was the elastic joints and couplings that depolymerized when the heat grew too great; in dense air, with conduction pouring energy in faster than the cooling coils could suck it out and hurl it away, it was the refrigerating equipment that broke down. McCray had no way of knowing just how hot it was going to get. Nor, for that matter, had the suit been designed to operate in a corrosive medium. All in all it was time for him to do something. Among the debris on the floor, he remembered, was a five-foot space-ax, tungsten-steel blade and springy aluminum shaft. McCray caught it up and headed for the door. It felt good in his gauntlets, a rewarding weight; any weapon straightens the back of the man who holds it, and McCray was grateful for this one. With something concrete to do he could postpone questioning. Never mind why he had been brought here; never mind how. Never mind what he would, or could, do next; all those questions could recede into the background of his mind while he swung the ax and battered his way out of this poisoned oven. Crash-clang! The double jolt ran up the shaft of the ax, through his gauntlets and into his arm; but he was making progress, he could see the plastic—or whatever it was—of the door. It was chipping out. Not easily, very reluctantly; but flaking out in chips that left a white powdery residue. At this rate, he thought grimly, he would be an hour getting through it. Did he have an hour? But it did not take an hour. One blow was luckier than the rest; it must have snapped the lock mechanism. The door shook and slid ajar. McCray got the thin of the blade into the crack and pried it wide. He was in another room, maybe a hall, large and bare. McCray put the broad of his back against the broken door and pressed it as nearly closed as he could; it might not keep the gas and heat out, but it would retard them. The room was again unlighted—at least to McCray's eyes. There was not even that pink pseudo-light that had baffled him; here was nothing but the beam of his suit lamp. What it showed was cryptic. There were evidences of use: shelves, boxy contraptions that might have been cupboards, crude level surfaces attached to the walls that might have been workbenches. Yet they were queerly contrived, for it was not possible to guess from them much about the creatures who used them. Some were near the floor, some at waist height, some even suspended from the ceiling itself. A man would need a ladder to work at these benches and McCray, staring, thought briefly of many-armed blind giants or shapeless huge intelligent amoebae, and felt the skin prickle at the back of his neck. He tapped half-heartedly at one of the closed cupboards, and was not surprised when it proved as refractory as the door. Undoubtedly he could batter it open, but it was not likely that much would be left of its contents when he was through; and there was the question of time. But his attention was diverted by a gleam from one of the benches. Metallic parts lay heaped in a pile. He poked at them with a stiff-fingered gauntlet; they were oddly familiar. They were, he thought, very much like the parts of a bullet-gun. In fact, they were. He could recognize barrel, chamber, trigger, even a couple of cartridges, neatly opened and the grains of powder stacked beside them. It was an older, clumsier model than the kind he had seen in survival locker, on the Jodrell Bank —and abruptly wished he were carrying now—but it was a pistol. Another trophy, like the strange assortment in the other room? He could not guess. But the others had been more familiar; they all have come from his own ship. He was prepared to swear that nothing like this antique had been aboard. The drone began again in his ear, as it had at five-minute intervals all along: "Herrell McCray, Herrell McCray, Herrell McCray, this is Jodrell Bank calling Herrell McCray...." And louder, blaring, then fading to normal volume as the AVC circuits toned the signal down, another voice. A woman's voice, crying out in panic and fear: " Jodrell Bank! Where are you? Help!" IV Hatcher's second in command said: "He has got through the first survival test. In fact, he broke his way out! What next?" "Wait!" Hatcher ordered sharply. He was watching the new specimen and a troublesome thought had occurred to him. The new one was female and seemed to be in pain; but it was not the pain that disturbed Hatcher, it was something far more immediate to his interests. "I think," he said slowly, "that they are in contact." His assistant vibrated startlement. "I know," Hatcher said, "but watch. Do you see? He is going straight toward her." Hatcher, who was not human, did not possess truly human emotions; but he did feel amazement when he was amazed, and fear when there was cause to be afraid. These specimens, obtained with so much difficulty, needed so badly, were his responsibility. He knew the issues involved much better than any of his helpers. They could only be surprised at the queer antics of the aliens with attached limbs and strange powers. Hatcher knew that this was not a freak show, but a matter of life and death. He said, musing: "This new one, I cannot communicate with her, but I get—almost—a whisper, now and then. The first one, the male, nothing. But this female is perhaps not quite mute." "Then shall we abandon him and work with her, forgetting the first one?" Hatcher hesitated. "No," he said at last. "The male is responding well. Remember that when last this experiment was done every subject died; he is alive at least. But I am wondering. We can't quite communicate with the female—" "But?" "But I'm not sure that others can't." The woman's voice was at such close range that McCray's suit radio made a useful RDF set. He located her direction easily enough, shielding the tiny built-in antenna with the tungsten-steel blade of the ax, while she begged him to hurry. Her voice was heavily accented, with some words in a language he did not recognize. She seemed to be in shock. McCray was hardly surprised at that; he had been close enough to shock himself. He tried to reassure her as he searched for a way out of the hall, but in the middle of a word her voice stopped. He hesitated, hefting the ax, glancing back at the way he had come. There had to be a way out, even if it meant chopping through a wall. When he turned around again there was a door. It was oddly shaped and unlike the door he had hewn through, but clearly a door all the same, and it was open. McCray regarded it grimly. He went back in his memory with meticulous care. Had he not looked at, this very spot a matter of moments before? He had. And had there been an open door then? There had not. There hadn't been even a shadowy outline of the three-sided, uneven opening that stood there now. Still, it led in the proper direction. McCray added one more inexplicable fact to his file and walked through. He was in another hall—or tunnel—rising quite steeply to the right. By his reckoning it was the proper direction. He labored up it, sweating under the weight of the suit, and found another open door, this one round, and behind it— Yes, there was the woman whose voice he had heard. It was a woman, all right. The voice had been so strained that he hadn't been positive. Even now, short black hair might not have proved it, and she was lying face down but the waist and hips were a woman's, even though she wore a bulky, quilted suit of coveralls. He knelt beside her and gently turned her face. She was unconscious. Broad, dark face, with no make-up; she was apparently in her late thirties. She appeared to be Chinese. She breathed, a little raggedly but without visible discomfort; her face was relaxed as though she were sleeping. She did not rouse as he moved her. He realized she was breathing the air of the room they were in. His instant first thought was that she was in danger of asphyxiation;
train	61263	[ "What is the significance of Lovenbroy’s seasons?\n", "How often do Bachus vines mature and what is the significance of that timeline?\n", "What is a vintage? \n", "Who is the bucolic person and what do they want from MUDDLE?\n", "How is Croanie going to affect Lovenbroy? \n", "What is Hank’s relationship to Retief?\n", "Where are the two thousand students being shipped to? \n", "Who wanted to mine Lovenbroy’s minerals? \n", "During the duration of the story, what is Retief’s function in MUDDLE? \n" ]	[ [ "Each season’s weather brings a new set of cultural recreation and work. \n", "Each season calls for a new way to tend the Bacchus vine.\n", "Each season requires a new cultural shift in line with the needs of the young people.\n", "Each season’s weather brings a new approach to how the community thinks about its relationship to wine.\n" ], [ "Every 18 years a vintage is held, which is a kind of celebration of art. \n", "Every 12 years a vintage is held, which also serves as a cultural festival that encourage young people to procreate. \n", "Every 18 years a vintage is held, which serves as a kind of celebration of life for both young and old people.\n", "Every 12 years a vintage is held, wherein the young people are made to harvest all the grapes. \n" ], [ "The anniversary of Lovenbroy’s independence.\n", "The time of year that Lovenbroy switches to making music as their primary occupation.\n", "The time of year that wine grapes are harvested. \n", "The time of year that children are born.\n" ], [ "Hank Arapoulous. He wants Magnan to help him find men to pick his crops in time to pay back Croanie. \n", "Hank Arapoulous. He wants Retief to help him find men to fight the Croanie invasion. \n", "Hank Arapoulous. He wants Retief to help him find men to pick his crops in time to pay back Croanie. \n", "Hank Arapoulous. He wants Retief to help him find able bodied college students to help out on Lovenbroy.\n" ], [ "They are going to steal its students. \n", "They are going to help Lovenbroy pick it’s crop.\n", "They are going to steal all its wine.\n", "They are going to invade it. \n" ], [ "Hank is a farmer from Lovenbroy requesting that Retief’s division, Libraries and Education, help him solve his labor problem. \n", "He is a farmer from Lovenbroy requesting that Retief’s division, Commercial Markets, help him solve his labor problem. \n", "Hank is a farmer from Lovenbroy requesting that Retief’s division, MUDDLE, help him solve his wine drought.\n", "Hank is a musician from Lovenbroy requesting that Retief’s division, Libraries and Education, to help him solve his labor problem. \n" ], [ "MUDDLE\n", "Earth \n", "Boge", "Croanie \n" ], [ "Croanie\n", "MUDDEL\n", "Boge\n", "Lovenbroy neighbors \n" ], [ "He is taking a few weeks off and leaving his responsibility to Miss Furkle. \n", "He is in total control of MUDDLE while Magnan is away. \n", "He plays a rubber stamp function for the Libraries and Education division while Magnan is away. \n", "He is put in charge of investigating the Croanie-Boge conspiracy.\n" ] ]	[ 1, 2, 3, 3, 4, 1, 4, 3, 3 ]	[ 0, 1, 0, 0, 1, 1, 1, 1, 1 ]	CULTURAL EXCHANGE BY KEITH LAUMER It was a simple student exchange—but Retief gave them more of an education than they expected! [Transcriber's Note: This etext was produced from Worlds of If Science Fiction, September 1962. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] I Second Secretary Magnan took his green-lined cape and orange-feathered beret from the clothes tree. "I'm off now, Retief," he said. "I hope you'll manage the administrative routine during my absence without any unfortunate incidents." "That seems a modest enough hope," Retief said. "I'll try to live up to it." "I don't appreciate frivolity with reference to this Division," Magnan said testily. "When I first came here, the Manpower Utilization Directorate, Division of Libraries and Education was a shambles. I fancy I've made MUDDLE what it is today. Frankly, I question the wisdom of placing you in charge of such a sensitive desk, even for two weeks. But remember. Yours is purely a rubber-stamp function." "In that case, let's leave it to Miss Furkle. I'll take a couple of weeks off myself. With her poundage, she could bring plenty of pressure to bear." "I assume you jest, Retief," Magnan said sadly. "I should expect even you to appreciate that Bogan participation in the Exchange Program may be the first step toward sublimation of their aggressions into more cultivated channels." "I see they're sending two thousand students to d'Land," Retief said, glancing at the Memo for Record. "That's a sizable sublimation." Magnan nodded. "The Bogans have launched no less than four military campaigns in the last two decades. They're known as the Hoodlums of the Nicodemean Cluster. Now, perhaps, we shall see them breaking that precedent and entering into the cultural life of the Galaxy." "Breaking and entering," Retief said. "You may have something there. But I'm wondering what they'll study on d'Land. That's an industrial world of the poor but honest variety." "Academic details are the affair of the students and their professors," Magnan said. "Our function is merely to bring them together. See that you don't antagonize the Bogan representative. This will be an excellent opportunity for you to practice your diplomatic restraint—not your strong point, I'm sure you'll agree." A buzzer sounded. Retief punched a button. "What is it, Miss Furkle?" "That—bucolic person from Lovenbroy is here again." On the small desk screen, Miss Furkle's meaty features were compressed in disapproval. "This fellow's a confounded pest. I'll leave him to you, Retief," Magnan said. "Tell him something. Get rid of him. And remember: here at Corps HQ, all eyes are upon you." "If I'd thought of that, I'd have worn my other suit," Retief said. Magnan snorted and passed from view. Retief punched Miss Furkle's button. "Send the bucolic person in." A tall broad man with bronze skin and gray hair, wearing tight trousers of heavy cloth, a loose shirt open at the neck and a short jacket, stepped into the room. He had a bundle under his arm. He paused at sight of Retief, looked him over momentarily, then advanced and held out his hand. Retief took it. For a moment the two big men stood, face to face. The newcomer's jaw muscles knotted. Then he winced. Retief dropped his hand and motioned to a chair. "That's nice knuckle work, mister," the stranger said, massaging his hand. "First time anybody ever did that to me. My fault though. I started it, I guess." He grinned and sat down. "What can I do for you?" Retief said. "You work for this Culture bunch, do you? Funny. I thought they were all ribbon-counter boys. Never mind. I'm Hank Arapoulous. I'm a farmer. What I wanted to see you about was—" He shifted in his chair. "Well, out on Lovenbroy we've got a serious problem. The wine crop is just about ready. We start picking in another two, three months. Now I don't know if you're familiar with the Bacchus vines we grow...?" "No," Retief said. "Have a cigar?" He pushed a box across the desk. Arapoulous took one. "Bacchus vines are an unusual crop," he said, puffing the cigar alight. "Only mature every twelve years. In between, the vines don't need a lot of attention, so our time's mostly our own. We like to farm, though. Spend a lot of time developing new forms. Apples the size of a melon—and sweet—" "Sounds very pleasant," Retief said. "Where does the Libraries and Education Division come in?" Arapoulous leaned forward. "We go in pretty heavy for the arts. Folks can't spend all their time hybridizing plants. We've turned all the land area we've got into parks and farms. Course, we left some sizable forest areas for hunting and such. Lovenbroy's a nice place, Mr. Retief." "It sounds like it, Mr. Arapoulous. Just what—" "Call me Hank. We've got long seasons back home. Five of 'em. Our year's about eighteen Terry months. Cold as hell in winter; eccentric orbit, you know. Blue-black sky, stars visible all day. We do mostly painting and sculpture in the winter. Then Spring; still plenty cold. Lots of skiing, bob-sledding, ice skating; and it's the season for woodworkers. Our furniture—" "I've seen some of your furniture," Retief said. "Beautiful work." Arapoulous nodded. "All local timbers too. Lots of metals in our soil and those sulphates give the woods some color, I'll tell you. Then comes the Monsoon. Rain—it comes down in sheets. But the sun's getting closer. Shines all the time. Ever seen it pouring rain in the sunshine? That's the music-writing season. Then summer. Summer's hot. We stay inside in the daytime and have beach parties all night. Lots of beach on Lovenbroy; we're mostly islands. That's the drama and symphony time. The theatres are set up on the sand, or anchored off-shore. You have the music and the surf and the bonfires and stars—we're close to the center of a globular cluster, you know...." "You say it's time now for the wine crop?" "That's right. Autumn's our harvest season. Most years we have just the ordinary crops. Fruit, grain, that kind of thing; getting it in doesn't take long. We spend most of the time on architecture, getting new places ready for the winter or remodeling the older ones. We spend a lot of time in our houses. We like to have them comfortable. But this year's different. This is Wine Year." Arapoulous puffed on his cigar, looked worriedly at Retief. "Our wine crop is our big money crop," he said. "We make enough to keep us going. But this year...." "The crop isn't panning out?" "Oh, the crop's fine. One of the best I can remember. Course, I'm only twenty-eight; I can't remember but two other harvests. The problem's not the crop." "Have you lost your markets? That sounds like a matter for the Commercial—" "Lost our markets? Mister, nobody that ever tasted our wines ever settled for anything else!" "It sounds like I've been missing something," said Retief. "I'll have to try them some time." Arapoulous put his bundle on the desk, pulled off the wrappings. "No time like the present," he said. Retief looked at the two squat bottles, one green, one amber, both dusty, with faded labels, and blackened corks secured by wire. "Drinking on duty is frowned on in the Corps, Mr. Arapoulous," he said. "This isn't drinking . It's just wine." Arapoulous pulled the wire retainer loose, thumbed the cork. It rose slowly, then popped in the air. Arapoulous caught it. Aromatic fumes wafted from the bottle. "Besides, my feelings would be hurt if you didn't join me." He winked. Retief took two thin-walled glasses from a table beside the desk. "Come to think of it, we also have to be careful about violating quaint native customs." Arapoulous filled the glasses. Retief picked one up, sniffed the deep rust-colored fluid, tasted it, then took a healthy swallow. He looked at Arapoulous thoughtfully. "Hmmm. It tastes like salted pecans, with an undercurrent of crusted port." "Don't try to describe it, Mr. Retief," Arapoulous said. He took a mouthful of wine, swished it around his teeth, swallowed. "It's Bacchus wine, that's all. Nothing like it in the Galaxy." He pushed the second bottle toward Retief. "The custom back home is to alternate red wine and black." Retief put aside his cigar, pulled the wires loose, nudged the cork, caught it as it popped up. "Bad luck if you miss the cork," Arapoulous said, nodding. "You probably never heard about the trouble we had on Lovenbroy a few years back?" "Can't say that I did, Hank." Retief poured the black wine into two fresh glasses. "Here's to the harvest." "We've got plenty of minerals on Lovenbroy," Arapoulous said, swallowing wine. "But we don't plan to wreck the landscape mining 'em. We like to farm. About ten years back some neighbors of ours landed a force. They figured they knew better what to do with our minerals than we did. Wanted to strip-mine, smelt ore. We convinced 'em otherwise. But it took a year, and we lost a lot of men." "That's too bad," Retief said. "I'd say this one tastes more like roast beef and popcorn over a Riesling base." "It put us in a bad spot," Arapoulous went on. "We had to borrow money from a world called Croanie. Mortgaged our crops. Had to start exporting art work too. Plenty of buyers, but it's not the same when you're doing it for strangers." "Say, this business of alternating drinks is the real McCoy," Retief said. "What's the problem? Croanie about to foreclose?" "Well, the loan's due. The wine crop would put us in the clear. But we need harvest hands. Picking Bacchus grapes isn't a job you can turn over to machinery—and anyway we wouldn't if we could. Vintage season is the high point of living on Lovenbroy. Everybody joins in. First, there's the picking in the fields. Miles and miles of vineyards covering the mountain sides, and crowding the river banks, with gardens here and there. Big vines, eight feet high, loaded with fruit, and deep grass growing between. The wine-carriers keep on the run, bringing wine to the pickers. There's prizes for the biggest day's output, bets on who can fill the most baskets in an hour.... The sun's high and bright, and it's just cool enough to give you plenty of energy. Come nightfall, the tables are set up in the garden plots, and the feast is laid on: roast turkeys, beef, hams, all kinds of fowl. Big salads. Plenty of fruit. Fresh-baked bread ... and wine, plenty of wine. The cooking's done by a different crew each night in each garden, and there's prizes for the best crews. "Then the wine-making. We still tramp out the vintage. That's mostly for the young folks but anybody's welcome. That's when things start to get loosened up. Matter of fact, pretty near half our young-uns are born after a vintage. All bets are off then. It keeps a fellow on his toes though. Ever tried to hold onto a gal wearing nothing but a layer of grape juice?" "Never did," Retief said. "You say most of the children are born after a vintage. That would make them only twelve years old by the time—" "Oh, that's Lovenbroy years; they'd be eighteen, Terry reckoning." "I was thinking you looked a little mature for twenty-eight," Retief said. "Forty-two, Terry years," Arapoulous said. "But this year it looks bad. We've got a bumper crop—and we're short-handed. If we don't get a big vintage, Croanie steps in. Lord knows what they'll do to the land. Then next vintage time, with them holding half our grape acreage—" "You hocked the vineyards?" "Yep. Pretty dumb, huh? But we figured twelve years was a long time." "On the whole," Retief said, "I think I prefer the black. But the red is hard to beat...." "What we figured was, maybe you Culture boys could help us out. A loan to see us through the vintage, enough to hire extra hands. Then we'd repay it in sculpture, painting, furniture—" "Sorry, Hank. All we do here is work out itineraries for traveling side-shows, that kind of thing. Now, if you needed a troop of Groaci nose-flute players—" "Can they pick grapes?" "Nope. Anyway, they can't stand the daylight. Have you talked this over with the Labor Office?" "Sure did. They said they'd fix us up with all the electronics specialists and computer programmers we wanted—but no field hands. Said it was what they classified as menial drudgery; you'd have thought I was trying to buy slaves." The buzzer sounded. Miss Furkle's features appeared on the desk screen. "You're due at the Intergroup Council in five minutes," she said. "Then afterwards, there are the Bogan students to meet." "Thanks." Retief finished his glass, stood. "I have to run, Hank," he said. "Let me think this over. Maybe I can come up with something. Check with me day after tomorrow. And you'd better leave the bottles here. Cultural exhibits, you know." II As the council meeting broke up, Retief caught the eye of a colleague across the table. "Mr. Whaffle, you mentioned a shipment going to a place called Croanie. What are they getting?" Whaffle blinked. "You're the fellow who's filling in for Magnan, over at MUDDLE," he said. "Properly speaking, equipment grants are the sole concern of the Motorized Equipment Depot, Division of Loans and Exchanges." He pursed his lips. "However, I suppose there's no harm in telling you. They'll be receiving heavy mining equipment." "Drill rigs, that sort of thing?" "Strip mining gear." Whaffle took a slip of paper from a breast pocket, blinked at it. "Bolo Model WV/1 tractors, to be specific. Why is MUDDLE interested in MEDDLE's activities?" "Forgive my curiosity, Mr. Whaffle. It's just that Croanie cropped up earlier today. It seems she holds a mortgage on some vineyards over on—" "That's not MEDDLE's affair, sir," Whaffle cut in. "I have sufficient problems as Chief of MEDDLE without probing into MUDDLE'S business." "Speaking of tractors," another man put in, "we over at the Special Committee for Rehabilitation and Overhaul of Under-developed Nations' General Economies have been trying for months to get a request for mining equipment for d'Land through MEDDLE—" "SCROUNGE was late on the scene," Whaffle said. "First come, first served. That's our policy at MEDDLE. Good day, gentlemen." He strode off, briefcase under his arm. "That's the trouble with peaceful worlds," the SCROUNGE committeeman said. "Boge is a troublemaker, so every agency in the Corps is out to pacify her. While my chance to make a record—that is, assist peace-loving d'Land—comes to naught." He shook his head. "What kind of university do they have on d'Land?" asked Retief. "We're sending them two thousand exchange students. It must be quite an institution." "University? D'Land has one under-endowed technical college." "Will all the exchange students be studying at the Technical College?" "Two thousand students? Hah! Two hundred students would overtax the facilities of the college." "I wonder if the Bogans know that?" "The Bogans? Why, most of d'Land's difficulties are due to the unwise trade agreement she entered into with Boge. Two thousand students indeed!" He snorted and walked away. Retief stopped by the office to pick up a short cape, then rode the elevator to the roof of the 230-story Corps HQ building and hailed a cab to the port. The Bogan students had arrived early. Retief saw them lined up on the ramp waiting to go through customs. It would be half an hour before they were cleared through. He turned into the bar and ordered a beer. A tall young fellow on the next stool raised his glass. "Happy days," he said. "And nights to match." "You said it." He gulped half his beer. "My name's Karsh. Mr. Karsh. Yep, Mr. Karsh. Boy, this is a drag, sitting around this place waiting...." "You meeting somebody?" "Yeah. Bunch of babies. Kids. How they expect—Never mind. Have one on me." "Thanks. You a Scoutmaster?" "I'll tell you what I am. I'm a cradle-robber. You know—" he turned to Retief—"not one of those kids is over eighteen." He hiccupped. "Students, you know. Never saw a student with a beard, did you?" "Lots of times. You're meeting the students, are you?" The young fellow blinked at Retief. "Oh, you know about it, huh?" "I represent MUDDLE." Karsh finished his beer, ordered another. "I came on ahead. Sort of an advance guard for the kids. I trained 'em myself. Treated it like a game, but they can handle a CSU. Don't know how they'll act under pressure. If I had my old platoon—" He looked at his beer glass, pushed it back. "Had enough," he said. "So long, friend. Or are you coming along?" Retief nodded. "Might as well." At the exit to the Customs enclosure, Retief watched as the first of the Bogan students came through, caught sight of Karsh and snapped to attention, his chest out. "Drop that, mister," Karsh snapped. "Is that any way for a student to act?" The youth, a round-faced lad with broad shoulders, grinned. "Heck, no," he said. "Say, uh, Mr. Karsh, are we gonna get to go to town? We fellas were thinking—" "You were, hah? You act like a bunch of school kids! I mean ... no! Now line up!" "We have quarters ready for the students," Retief said. "If you'd like to bring them around to the west side, I have a couple of copters laid on." "Thanks," said Karsh. "They'll stay here until take-off time. Can't have the little dears wandering around loose. Might get ideas about going over the hill." He hiccupped. "I mean they might play hookey." "We've scheduled your re-embarkation for noon tomorrow. That's a long wait. MUDDLE's arranged theater tickets and a dinner." "Sorry," Karsh said. "As soon as the baggage gets here, we're off." He hiccupped again. "Can't travel without our baggage, y'know." "Suit yourself," Retief said. "Where's the baggage now?" "Coming in aboard a Croanie lighter." "Maybe you'd like to arrange for a meal for the students here." "Sure," Karsh said. "That's a good idea. Why don't you join us?" Karsh winked. "And bring a few beers." "Not this time," Retief said. He watched the students, still emerging from Customs. "They seem to be all boys," he commented. "No female students?" "Maybe later," Karsh said. "You know, after we see how the first bunch is received." Back at the MUDDLE office, Retief buzzed Miss Furkle. "Do you know the name of the institution these Bogan students are bound for?" "Why, the University at d'Land, of course." "Would that be the Technical College?" Miss Furkle's mouth puckered. "I'm sure I've never pried into these details." "Where does doing your job stop and prying begin, Miss Furkle?" Retief said. "Personally, I'm curious as to just what it is these students are travelling so far to study—at Corps expense." "Mr. Magnan never—" "For the present. Miss Furkle, Mr. Magnan is vacationing. That leaves me with the question of two thousand young male students headed for a world with no classrooms for them ... a world in need of tractors. But the tractors are on their way to Croanie, a world under obligation to Boge. And Croanie holds a mortgage on the best grape acreage on Lovenbroy." "Well!" Miss Furkle snapped, small eyes glaring under unplucked brows. "I hope you're not questioning Mr. Magnan's wisdom!" "About Mr. Magnan's wisdom there can be no question," Retief said. "But never mind. I'd like you to look up an item for me. How many tractors will Croanie be getting under the MEDDLE program?" "Why, that's entirely MEDDLE business," Miss Furkle said. "Mr. Magnan always—" "I'm sure he did. Let me know about the tractors as soon as you can." Miss Furkle sniffed and disappeared from the screen. Retief left the office, descended forty-one stories, followed a corridor to the Corps Library. In the stacks he thumbed through catalogues, pored over indices. "Can I help you?" someone chirped. A tiny librarian stood at his elbow. "Thank you, ma'am," Retief said. "I'm looking for information on a mining rig. A Bolo model WV tractor." "You won't find it in the industrial section," the librarian said. "Come along." Retief followed her along the stacks to a well-lit section lettered ARMAMENTS. She took a tape from the shelf, plugged it into the viewer, flipped through and stopped at a squat armored vehicle. "That's the model WV," she said. "It's what is known as a continental siege unit. It carries four men, with a half-megaton/second firepower." "There must be an error somewhere," Retief said. "The Bolo model I want is a tractor. Model WV M-1—" "Oh, the modification was the addition of a bulldozer blade for demolition work. That must be what confused you." "Probably—among other things. Thank you." Miss Furkle was waiting at the office. "I have the information you wanted," she said. "I've had it for over ten minutes. I was under the impression you needed it urgently, and I went to great lengths—" "Sure," Retief said. "Shoot. How many tractors?" "Five hundred." "Are you sure?" Miss Furkle's chins quivered. "Well! If you feel I'm incompetent—" "Just questioning the possibility of a mistake, Miss Furkle. Five hundred tractors is a lot of equipment." "Was there anything further?" Miss Furkle inquired frigidly. "I sincerely hope not," Retief said. III Leaning back in Magnan's padded chair with power swivel and hip-u-matic concontour, Retief leafed through a folder labelled "CERP 7-602-Ba; CROANIE (general)." He paused at a page headed Industry. Still reading, he opened the desk drawer, took out the two bottles of Bacchus wine and two glasses. He poured an inch of wine into each and sipped the black wine meditatively. It would be a pity, he reflected, if anything should interfere with the production of such vintages.... Half an hour later he laid the folder aside, keyed the phone and put through a call to the Croanie Legation. He asked for the Commercial Attache. "Retief here, Corps HQ," he said airily. "About the MEDDLE shipment, the tractors. I'm wondering if there's been a slip up. My records show we're shipping five hundred units...." "That's correct. Five hundred." Retief waited. "Ah ... are you there, Retief?" "I'm still here. And I'm still wondering about the five hundred tractors." "It's perfectly in order. I thought it was all settled. Mr. Whaffle—" "One unit would require a good-sized plant to handle its output," Retief said. "Now Croanie subsists on her fisheries. She has perhaps half a dozen pint-sized processing plants. Maybe, in a bind, they could handle the ore ten WV's could scrape up ... if Croanie had any ore. It doesn't. By the way, isn't a WV a poor choice as a mining outfit? I should think—" "See here, Retief! Why all this interest in a few surplus tractors? And in any event, what business is it of yours how we plan to use the equipment? That's an internal affair of my government. Mr. Whaffle—" "I'm not Mr. Whaffle. What are you going to do with the other four hundred and ninety tractors?" "I understood the grant was to be with no strings attached!" "I know it's bad manners to ask questions. It's an old diplomatic tradition that any time you can get anybody to accept anything as a gift, you've scored points in the game. But if Croanie has some scheme cooking—" "Nothing like that, Retief. It's a mere business transaction." "What kind of business do you do with a Bolo WV? With or without a blade attached, it's what's known as a continental siege unit." "Great Heavens, Retief! Don't jump to conclusions! Would you have us branded as warmongers? Frankly—is this a closed line?" "Certainly. You may speak freely." "The tractors are for transshipment. We've gotten ourselves into a difficult situation, balance-of-payments-wise. This is an accommodation to a group with which we have rather strong business ties." "I understand you hold a mortgage on the best land on Lovenbroy," Retief said. "Any connection?" "Why ... ah ... no. Of course not, ha ha." "Who gets the tractors eventually?" "Retief, this is unwarranted interference!" "Who gets them?" "They happen to be going to Lovenbroy. But I scarcely see—" "And who's the friend you're helping out with an unauthorized transshipment of grant material?" "Why ... ah ... I've been working with a Mr. Gulver, a Bogan representative." "And when will they be shipped?" "Why, they went out a week ago. They'll be half way there by now. But look here, Retief, this isn't what you're thinking!" "How do you know what I'm thinking? I don't know myself." Retief rang off, buzzed the secretary. "Miss Furkle, I'd like to be notified immediately of any new applications that might come in from the Bogan Consulate for placement of students." "Well, it happens, by coincidence, that I have an application here now. Mr. Gulver of the Consulate brought it in." "Is Mr. Gulver in the office? I'd like to see him." "I'll ask him if he has time." "Great. Thanks." It was half a minute before a thick-necked red-faced man in a tight hat walked in. He wore an old-fashioned suit, a drab shirt, shiny shoes with round toes and an ill-tempered expression. "What is it you wish?" he barked. "I understood in my discussions with the other ... ah ... civilian there'd be no further need for these irritating conferences." "I've just learned you're placing more students abroad, Mr. Gulver. How many this time?" "Two thousand." "And where will they be going?" "Croanie. It's all in the application form I've handed in. Your job is to provide transportation." "Will there be any other students embarking this season?" "Why ... perhaps. That's Boge's business." Gulver looked at Retief with pursed lips. "As a matter of fact, we had in mind dispatching another two thousand to Featherweight." "Another under-populated world—and in the same cluster, I believe," Retief said. "Your people must be unusually interested in that region of space." "If that's all you wanted to know, I'll be on my way. I have matters of importance to see to." After Gulver left, Retief called Miss Furkle in. "I'd like to have a break-out of all the student movements that have been planned under the present program," he said. "And see if you can get a summary of what MEDDLE has been shipping lately." Miss Furkle compressed her lips. "If Mr. Magnan were here, I'm sure he wouldn't dream of interfering in the work of other departments. I ... overheard your conversation with the gentleman from the Croanie Legation—" "The lists, Miss Furkle." "I'm not accustomed," Miss Furkle said, "to intruding in matters outside our interest cluster." "That's worse than listening in on phone conversations, eh? But never mind. I need the information, Miss Furkle." "Loyalty to my Chief—" "Loyalty to your pay-check should send you scuttling for the material I've asked for," Retief said. "I'm taking full responsibility. Now scat." The buzzer sounded. Retief flipped a key. "MUDDLE, Retief speaking...." Arapoulous's brown face appeared on the desk screen. "How-do, Retief. Okay if I come up?" "Sure, Hank. I want to talk to you." In the office, Arapoulous took a chair. "Sorry if I'm rushing you, Retief," he said. "But have you got anything for me?" Retief waved at the wine bottles. "What do you know about Croanie?" "Croanie? Not much of a place. Mostly ocean. All right if you like fish, I guess. We import our seafood from there. Nice prawns in monsoon time. Over a foot long." "You on good terms with them?" "Sure, I guess so. Course, they're pretty thick with Boge." "So?" "Didn't I tell you? Boge was the bunch that tried to take us over here a dozen years back. They'd've made it too, if they hadn't had a lot of bad luck. Their armor went in the drink, and without armor they're easy game." Miss Furkle buzzed. "I have your lists," she said shortly. "Bring them in, please." The secretary placed the papers on the desk. Arapoulous caught her eye and grinned. She sniffed and marched from the room. "What that gal needs is a slippery time in the grape mash," Arapoulous observed. Retief thumbed through the papers, pausing to read from time to time. He finished and looked at Arapoulous. "How many men do you need for the harvest, Hank?" Retief inquired. Arapoulous sniffed his wine glass and looked thoughtful. "A hundred would help," he said. "A thousand would be better. Cheers." "What would you say to two thousand?" "Two thousand? Retief, you're not fooling?" "I hope not." He picked up the phone, called the Port Authority, asked for the dispatch clerk. "Hello, Jim. Say, I have a favor to ask of you. You know that contingent of Bogan students. They're traveling aboard the two CDT transports. I'm interested in the baggage that goes with the students. Has it arrived yet? Okay, I'll wait." Jim came back to the phone. "Yeah, Retief, it's here. Just arrived. But there's a funny thing. It's not consigned to d'Land. It's ticketed clear through to Lovenbroy." "Listen, Jim," Retief said. "I want you to go over to the warehouse and take a look at that baggage for me." Retief waited while the dispatch clerk carried out the errand. The level in the two bottles had gone down an inch when Jim returned to the phone. "Hey, I took a look at that baggage, Retief. Something funny going on. Guns. 2mm needlers, Mark XII hand blasters, power pistols—" "It's okay, Jim. Nothing to worry about. Just a mix-up. Now, Jim, I'm going to ask you to do something more for me. I'm covering for a friend. It seems he slipped up. I wouldn't want word to get out, you understand. I'll send along a written change order in the morning that will cover you officially. Meanwhile, here's what I want you to do...." Retief gave instructions, then rang off and turned to Arapoulous. "As soon as I get off a couple of TWX's, I think we'd better get down to the port, Hank. I think I'd like to see the students off personally."
train	20014	[ "What does Fiss mean by Irony? \n", "What is the best description of what the article is doing with Fiss’s book? \n", "What is the meaning of Fiss’s title? \n", "What is one description of a putative right to individual self-expression?\n", "According to Fiss, free speech issues should be thought of as a conflict between...? \n", "Who is Owen Fiss and what did he do?\n", "Which groups does Fiss claim his book is advocating for? \n", "According to the article, why were people outraged by Mapplethorp’s portfolio? \n" ]	[ [ "That true freedom of speech calls for the silencing of a few groups. \n", "That true freedom of speech calls for the silencing of unorthodox artists, as their work so often offends on a large scale and does not bode positively for the groups the artist hopes to represents. \n", "That true freedom of speech depends on the silencing of the state in free speech trials.\n", "That true freedom of speech calls for an inspection of the pornography market. \n" ], [ "Taking a neutral approach in order to summarize the book. \n", "Challenging Fiss’s points while unpacking what the book has to say on the whole. \n", "Challenging Fiss’s points while offering better stats and better solutions. \n", "Taking a supportive approach and demonstrating how and where Fiss is especially effective.\n" ], [ "It is ironic that free speech requires the suppression of debunked ideas.\n", "It is ironic that the command, “Shut Up,” is paired with verb explain. This paradox is a metaphor for the way free speech works. \n", "It is ironic that free speech can only be achieved via the hand of the state.\n", "It is ironic that free speech requires the silencing of a few small groups. \n" ], [ "The right to orthodox self-expression \n", "The right to hate but not to be hated \n", "The right to engage in debate unencumbered by speech laws \n", "The right of the donkey to drool \n" ], [ "Individual liberty and the right to social equality \n", "Two kinds of equality: individual and social \n", "Two kinds of liberty: individual and social\n", "Liberty and equality\n" ], [ "He is a professor at Yale Law School. He is responsible taking Robert Mapplethorpe to court.\n", "He is a professor at Yale Law School. He is responsible for writing the book, The Irony of Free Speech \n", "He is a professor at Yale Law School. He is responsible for writing the book, Shut Up, He Explained.\n", "He is a professor at Harvard Law School. He is responsible for writing the book, Shut Up, He Explained. \n" ], [ "women, gays, victims of war crimes , the poor, and people who are critical of\nmarket capitalism\n", "women, gays, victims of racial-hate\nspeech, the rich, and people who are critical of\nmarket capitalism. \n", "women, gays, victims of racial-hate\nspeech, the poor, and those who are critical of market capitalism\n", "women, gays, victims of racial-hate\nspeech, the poor, and people who are critical of communism.\n" ], [ "Because it depicted homosexuality \n", "Because it depicted violence against women\n", "Because it outwardly depicted the AIDS crisis \n", "Because it depicted sadomasochism \n" ] ]	[ 1, 2, 4, 4, 3, 2, 3, 4 ]	[ 0, 1, 0, 1, 1, 1, 0, 1 ]	Shut Up, He Explained Owen Fiss is a professor at the Yale Law School and a highly regarded scholar of constitutional law. The subject of this short book is the present direction of the law governing the freedom of speech. What Professor Fiss has to say about it is worth attending to not merely because of his prominence in the field but because his argument is planted in the common assumptive ground of a lot of contemporary academic thought about the bankruptcy of individualism. The thesis of the book is Fiss', but the wisdom is conventional. Professor Fiss thinks the present direction of First Amendment law is a bad one, and he has an idea about how we might improve it. The short way to put his argument (though it is not quite the way he puts it) is to say that our approach to speech has become increasingly permissive. Courts have become more and more reluctant to allow the state to interfere with the rights of individual speakers to say what they wish, and it is time to roll back that permissiveness and to embark on a new approach that would permit the state to silence some speakers and promote others, but still, Fiss argues, in the name of freedom of speech. This is what Fiss means by the "irony" in his title: that true freedom of speech for all requires suppressing the speech of some. This is not, technically, an irony. It is a paradox. An irony would be the observation that an attempt to increase freedom for all often entails, despite our best efforts, a decrease in freedom for a few. If Fiss had addressed the subject of free speech in this spirit, as an irony, he would undoubtedly have had some interesting things to say, for he is a learned and temperate writer. But he has, instead, chosen to address the issue as an advocate for specific groups he regards as politically disadvantaged--women, gays, victims of racial-hate speech, the poor (or, at least, the not-rich), and people who are critical of market capitalism--and to design a constitutional theory that will enable those groups to enlist the state in efforts either to suppress speech they dislike or to subsidize speech they do like, without running afoul of the First Amendment. Embarked on this task, the most learned and temperate writer in the world would have a hard time avoiding tendentiousness. Fiss does not avoid it. The Irony of Free Speech is a discussion of several speech issues: campaign-finance laws, state funding for the arts, pornography, speech codes, and equal time. These discussions are not doctrinaire, but their general inclination is to favor state intervention, on political grounds, in each of those areas--that is, to favor restrictions on campaign spending, greater regulation of pornography, and so on. Fiss' analyses of specific cases are presented against a lightly sketched historical argument. Light though the sketching is, the historical argument is almost the most objectionable thing about the book, since it involves a distortion of the history of First Amendment law that is fairly plain even to someone who is not a professor at Yale Law School. The argument is that "the liberalism of the nineteenth century was defined by the claims of individual liberty and resulted in an unequivocal demand for liberal government, [while] the liberalism of today embraces the value of equality as well as liberty." The constitutional law of free speech, says Fiss, was shaped by the earlier type of liberalism--he calls it "libertarian"--which regarded free speech as a right of individual self-expression; it is now used to foil efforts to regulate speech in the name of the newer liberal value, equality. Contemporary liberals, inheriting both these traditions, find themselves in a bind. They want, let's say, black students to be free from harassment at institutions where they are, racially, in a minority, since liberals worry that black students cannot be "equal" if they feel intimidated. But those same liberals get upset at the thought of outlawing hate speech, since that would mean infringing upon the right of individuals to express themselves. Fiss' suggestion--this is the chief theoretical proposal of his book--is that liberals should stop thinking about this as a conflict between liberty and equality and start thinking about it as a conflict between two kinds of liberty: social vs. individual. The First Amendment, he says, was intended to foster (in William Brennan's words) "uninhibited, robust, and wide-open" debate in society as a whole; speech that inhibits or monopolizes that debate should therefore fall outside the protection of the law. We can maximize the total freedom of speech by silencing people who prevent others from speaking--when they utter racial epithets, represent women in degrading ways, use their wealth to dominate the press and the political process, or block the funding of unorthodox art. The historical part of this analysis rests on a canard, which is the assertion that the constitutional law of free speech emerged from 19 th -century classical laissez-faire liberalism. It did not. It emerged at the time of World War I, and the principal figures in its creation--Learned Hand, Oliver Wendell Holmes Jr., and Louis Brandeis--were not classical liberals; they were progressives. They abhorred the doctrine of natural rights because, in their time, that doctrine was construed to cover not the right to "self-expression" but the "right to property." Turn-of-the-century courts did not display a libertarian attitude toward civil rights; they displayed a libertarian attitude toward economic rights, tending to throw out legislation aimed at regulating industry and protecting workers on the grounds that people had a constitutional right to enter into contracts and to use their own property as they saw fit. Holmes, Brandeis, and their disciples consistently supported state intervention in economic affairs--the passage of health and safety regulations, the protection of unions, the imposition of taxes, and so on. The post-New Deal liberals whom Fiss associates with the value of equality are their heirs. The heirs of the19 th -century classical liberals are Jack Kemp and Newt Gingrich. Fiss' two "liberalisms" are, in fact, almost entirely different political philosophies. Hand, Holmes, and Brandeis based their First Amendment opinions not on some putative right to individual self-expression (an idea Holmes referred to as "the right of the donkey to drool") but on a democratic need for full and open political debate. First Amendment law since their time has performed its balancing acts on precisely that social value--the very value Fiss now proposes we need to insert into First Amendment jurisprudence. We don't need to insert it, because it was there from the start. Why does Fiss portray the history of First Amendment jurisprudence in this perverted way? Because he wants to line up his own free-speech argument within the conventional academic view that our problems are mostly the consequences of an antiquated and discreditable ideology of liberal individualism, and that they can mostly be solved by adopting a social-constructionist, or communitarian, or "intersubjective" view of human nature instead. The merits of liberal individualism vs. communitarianism can await another occasion to be debated. For since the law governing the freedom of speech does not emerge out of libertarianism, the matter does not boil down to replacing an obsolete belief in "self-expression" with a more up-to-date belief in "robust debate," as Fiss would like to think it does. What it boils down to is whether we need to replace the Hand-Holmes-Brandeis way of maximizing the benefits of free speech in a democratic society, which tries to push the state as far out of the picture as possible, with a different way, which tries to get the state farther into the picture. Here, assuming we want to try the interventionist approach, it is hard to see how a one-size theory can possibly fit all cases. The issues underlying pornography, hate speech, arts grants, campaign finance, and equal-time provisions are all different. The ideological impetus behind judicial developments in the last two areas, campaign finance and equal-time provisions, is related less to speech, except as a kind of constitutional cover, than to a revival of the old "right to property"--that is, the Supreme Court tends to disapprove of legislative and administrative efforts to require broadcasters to carry "opposing viewpoints" on the grounds that since it's their property, owners of television stations should be able to broadcast what they like. Fiss believes that the need for equal-time laws is as urgent today as it was in the 1970s, which is peculiar in light of the proliferation of media outlets. But the state does arguably have an interest, compatible with the First Amendment, in stipulating the way those media are used, and Fiss' discussion of those issues is the least aggravating in his book. Still, that discussion, like his discussions of the other issues, rests on a claim long associated with the left--the claim, in a phrase, that the minority is really the majority. In the case of speech, Fiss appears to believe that the reason the American public is less enlightened than he would wish it to be concerning matters such as feminism, the rights of homosexuals, and regulation of industry is that people are denied access to the opinions and information that would enlighten them. The public is denied this access because the state, in thrall to the ideology of individualism, refuses either to interfere with speech bullies--such as pornographers--who "silence" women, or to subsidize the speech of the unorthodox, such as Robert Mapplethorpe. Fiss' analysis of the Mapplethorpe case offers a good example of the perils of his interventionist approach. Arts policy is, unquestionably, a mess. The solution usually proposed is divorce: Either get the state out of the business altogether or invent some ironclad process for distributing the money using strictly artistic criteria. Fiss rejects both solutions; he wants the criteria to be political. He thinks the NEA should subsidize art that will enhance the "robustness" of the debate and should therefore prefer unorthodox art--though only, of course, if it represents a viewpoint the endowment considers, by virtue of social need and a prior history of exclusion, worthy of its megaphone. (No Nazi art, in other words.) Mapplethorpe's photographs seem to Fiss to qualify under these guidelines, since, he says, "in the late 1980s the AIDS crisis confronted America in the starkest fashion and provoked urgent questions regarding the scope and direction of publicly funded medical research. To address those issues the public--represented by the casual museum visitor--needed an understanding of the lives and practices of the gay community, so long hidden from view." This seems completely wrongheaded. People (for the most part) didn't find Mapplethorpe's X Portfolio photographs objectionable because they depicted homosexuality. They found them objectionable because they depicted sadomasochism. The notion that it was what Fiss calls a "source of empowerment for the members of the gay community" to have homosexuality associated with snarling guys prancing around in leather jockstraps, using bullwhips as sex toys, and pissing in each other's mouths, at a time when AIDS had become a national health problem and the issue of gays in the military was about to arise, is ludicrous. Any NEA chairperson who had the interests of the gay community at heart would have rushed to defund the exhibit. Jesse Helms could not have demonized homosexuality more effectively--which, of course, is why he was pleased to draw public attention to the pictures. Now that is what we call an irony of free speech. Awarding funding to the work of a gay artist because gay Americans need more political clout is an effort at cultural engineering, and the problem with cultural engineering is the problem with social engineering raised to a higher power. We have a hard enough time calculating the effects of the redistribution of wealth in our society. How can we possibly calculate the effects of redistributing the right to speak--of taking it away from people Professor Fiss feels have spoken long enough and mandating it for people he feels have not been adequately heard? One thing that is plain from the brief unhappy history of campus speech codes is that you automatically raise the value of the speech you punish and depress the value of the speech you sponsor. There are indeed many ironies here. Maybe someone will write a book about them.
train	20011	[ "In the context of the article, who is Si and what does he do? \n", "What is the best description of what “The Si” creates within the Condé Nast magazines? \n", "What is Si’s full name? \n", "What is the name of Si’s younger brother? Which of his are a “different story”? \n", "What group is more profligate than writers? \n", "How much did the Vanity Fair shoot of Arnold Schwarzenegger cost? What is this a demonstration of?\n", "According to the article, what is Condé Nast?\n", "Whose dog was thrown a birthday party? What is the article doing with this detail?\n" ]	[ [ "Si, or The Si, is the person responsible for covering the absurd costs of of the New York Editor lifestyle.\n", "Si, or The Si, is the person responsible for covering the absurd expenditure of New York parties. \n", "Si, or The Si, is the person responsible for the culture that has developed around the writer/editor lifestyle.\n", "Si, or The Si, is the person responsible for covering the absurd expenditure of the Condé Nast magazines. \n" ], [ "A closed economy \n", "A culture of guilt surrounding what it takes to put out a magazine\n", "A culture of partiers who aren’t interested in getting their work done\n", "A series of mantras that teach reckless spending\n" ], [ "S.I. Newsom Jr. \n", "S.I. Newhouse Jr. \n", "Silas Newhouse Jr.\n", "Silas Donald Newhouse \n" ], [ "Donald Newhouse—his photographers \n", "Donald Newhouse—his writers\n", "Donald Newhouse—his editors \n", "Donald Newhouse—his temps\n" ], [ "Editors \n", "Assistants\n", "Interior designers \n", "Photographers \n" ], [ "$100,000: The wasteful methods of photographers \n", "$1,000: The frugal character of writers as compared to photographers\n", "$10,000: The wasteful character of Vanity Fair \n", "$110,00: The vanity of photographers\n" ], [ "Magazines of the corporate elite \n", "15 magazines of “fabulousness”\n", "15 New York magazines of “fantasy”\n", "15 magazines of the New York “elite” \n" ], [ "Thomas Maier’s dog. The article uses this to demonstrate how Condé Nast has become a successful in group. \n", "S.I. Newhouse Jr.’s dog. The article uses this to demonstrate the absurd expenditure of the Condé Nast magazines. \n", "S.I. Newhouse Jr.’s dog. The article uses this to demonstrate that the absurd expenditure of the Condé Nast has a kind side \n", "Thomas Maier’s dog. The article uses this to demonstrate the absurd expenditure of the Condé Nast magazines. \n" ] ]	[ 4, 1, 2, 3, 4, 1, 2, 2 ]	[ 0, 0, 0, 0, 0, 0, 0, 0 ]	Let Si Get This During a typical lunch time at the Royalton Hotel restaurant in midtown Manhattan, The New Yorker 's Tina Brown might be installed at her usual table, and Vogue 's Anna Wintour might be at her usual table (chewing on her usual meal--a $25 hamburger). Vanity Fair 's Graydon Carter might be there too, although he has transferred his main allegiance to a place called Patroon. Filling out the room are other editors, publicists, and writers from these magazines and GQ and House & Garden and so on. And one man, who probably isn't there himself, picks up every tab. Some of the lesser fry may even utter the Condé Nast mantra--though it is hardly necessary at the Royalton--as they grab for the check: "Let Si get this." S.I. "Si" Newhouse Jr. and his younger brother, Donald, control Advance Publications, one of America's largest privately held companies. (Estimate of their combined wealth: $13 billion.) Donald tends to Advance's hugely profitable newspaper, radio, and TV holdings. Si runs the less profitable but more glamorous properties. These are the 15 Condé Nast magazines, including (in descending order of fabulousness) Vogue , Vanity Fair , GQ , Condé Nast Traveler , House & Garden , Allure , Details , Self , Mademoiselle , and Glamour ; ; and Random House. The expense-account lunch is a hallowed journalistic tradition. But consider a day in the life of an editor working for Si Newhouse. (Donald's editors are a different story, as they will be happy to tell you.) It's a closed economy where almost all human needs and desires can be gratified with a miraculous, unlimited currency called the Si. A Lincoln Town Car is waiting outside your door in the morning to take you to work. The car, which costs $50 an hour, is written into your contract. First stop, breakfast with a writer at the Four Seasons. The check may be as little as $40. When you reach the office, you realize you're out of cigarettes. No problem--you send your assistant to buy a pack for you. She gets reimbursed from petty cash ($3). (Could be worse for the assistant: She could be forced to pick up her boss's birth-control pills, or her boss's pet from the vet, or presents for her boss's children--regular duties for Condé Nast underlings.) You've forgotten to return the video your kids watched yesterday, so you have a messenger take it back to Blockbuster. Si spends $20; you save a $1.50 late fee. Then there's lunch. The magazines account for more than a quarter of daytime revenues at the Four Seasons and the Royalton. A modest lunch for two at the Royalton (no fancy wine or anything) might cost $80. But Si's generosity extends to even assistants and sub-sub-editors, dining on sushi at their desks. If you spend $10 or less on lunch, and claim you were working, Si pays. At Vogue and Vanity Fair , almost everyone has a "working lunch" every day . An editor at Allure says that "working lunches" there are limited to 10 a month. Back at the office, you hear that a friend at another Newhouse magazine has been promoted, so you send flowers. The tab: $100. Si pays. (One of my favorite Condé Nast stories is of an editor who had just been promoted to an extremely senior job. His office was jammed with congratulatory flowers and cards. All had been sent by fellow Condé Nast staffers. All had been billed to the company.) Four o'clock, and it's snack time. Your assistant joins the mob in the lobby newsstand. She bills your candy bar, juice, and cigarettes (as well as her own candy bar, juice, and cigarettes) to the magazine ($15). After all, it's a "working snack." Later, there's a birthday party for your assistant. You order champagne and a cake--on the company, of course, and present her with your gift--a Prada wallet ($200). Later, she submits the expense sheet for it. Finally, after a Random House book party at Le Cirque 2000 (estimated cost to Si: $35,000), your car ferries you home. Newhouse expense stories are a staple of New York literary-journalistic conversation. Stories about the $10,000 in expenses that a New Yorker editor billed for a single month. About the interior-decorating costs for the fashion-magazine editor who likes to have her office photographs rearranged every few months. About the hotel tab for the big-name New York writer who spent three weeks in Washington's Hay-Adams (basic room: $285 a night) researching a Vanity Fair story that will never run. About the Vogue editor who has furnished her summer house from items purchased for fashion shoots--beautiful furniture, designer pillows, coffee-table books. Vogue assistants have nicknamed the house "Petty Cash Junction." None of the 39 past and present Newhouse employees I spoke to for this story would talk on the record, for . And the nature of the subject makes it hard to separate apocrypha from the truth. Did Condé Nast pay, as sources insist it did, hundreds of thousands of dollars in back taxes on behalf of an editor who didn't bother to file tax forms? Did an editor really expense $20,000 in a weeklong trip to Paris? The people who pay the bills are not talking. But every example of excess cited here was told to me by at least one source (and usually more than one) in a position to know. Need a facial? Treat yourself and bill it to Si. This is what is called "scouting." It is also a great way to get free haircuts. To be fair, Si doesn't pay for all such treats. There is also a much-honored tradition of accepting tribute from companies that Condé Nast magazines cover. One magazine exec reportedly got so much loot last Christmas--Cuban cigars, "crates of wine," designer suits ("It was like a Spanish galleon")--that he needed three cars to cart it home. At yuletide, even midlevel fashion-mag writers and editors are inundated with "cashmere sweaters, Versace pillows, coats ..." recalls one ex- Vogue staffer wistfully. At the top of the masthead, the perks are perkier. His Si-ness (their joke, not mine) does not expect his editors in chief to actually live on their million-dollar salaries. He also gives them clothing allowances (up to $50,000 a year). He buys them cars of their choice and hires chauffeurs to drive them. He offers them low- or no-interest home loans. GQ editor Art Cooper reportedly received two $1-million loans, one for a Manhattan apartment, the other for a Connecticut farm. Tina Brown and her husband, Harold Evans, former president of Random House, reportedly just took a $2-million boost to buy a $3.7-million Manhattan house. Si's favorite courtiers lead lives of jaw-dropping privilege. When she was editor of British Vogue , Wintour commuted between London and New York--on the Concorde. Another Si confidant decided his office didn't feel right, so he hired one of the grandmasters of feng shui to rearrange it. Some editors prepare for trips by Federal Expressing their luggage to their destination. Why? "So you don't have to carry your bags. No one would be caught dead carrying a bag." Condé Nast has also created a class of mandarin journalists, writers who live much better than they ever could if they wrote only for normal magazines. One free-lancer tells of building much of a summer traveling with her husband in the West and Europe around a couple of Condé Nast assignments. Last summer, The New Yorker sent a staffer to Venice to cover the Venice Film Festival. The weeklong trip, which must have cost thousands, resulted in a short piece. Writers, of course, are nowhere near as profligate as photographers. Stories of wasteful shoots abound: the matching seaweed that had to be flown from California to the Caribbean for a fashion photo; the Annie Liebovitz Vanity Fair cover shot of Arnold Schwarzenegger that reportedly cost $100,000; the Vogue shoot in Africa in which, an ex- Vogue editor claims, the photographer and his huge entourage wined and dined to the tune of "hundreds of thousands of dollars." And then there are the parties. Last month The New Yorker spent--and this is not a joke--$500,000 on a two-day "Next Conference" at the Disney Institute in Florida, in connection with a special issue on the same theme. In order to get Vice President Gore, who was traveling in California at the time, The New Yorker paid for him and his entourage to fly Air Force Two from California to Florida and back. And vice presidents are not the only things that Condé Nast flies in for parties. The New Yorker once shipped silverware from New York to Chicago for a dinner. ("What, they don't have silverware in Chicago?" asks a New Yorker staffer.) Vanity Fair toted food from New York to Washington for this year's party on the night of the White House Correspondents Dinner. (What, they don't have food in Washington?) That annual Washington do has grown from an after-dinner gathering for drinks at a contributor's apartment to two huge blasts--before and after the dinner itself--at a rented embassy. VF 's annual Oscar-night party has become a similar institution in Hollywood. In addition to the parties themselves, Si also naturally pays to fly in VF staffers and to put them up at top hotels. (What, they don't have editors in Washington or L.A.?) Some Condé Nast parties are so ridiculous that even other Condé Nasties make fun of them. This week's New Yorker , for example, mocks a recent Vogue party in honor of food writer Jeffrey Steingarten. According to The New Yorker , Wintour so detested the carpet at Le Cirque 2000 that she ordered the florist to cover it with autumn leaves (handpicked, of course). The apogee of party absurdity is Vanity Fair 's sponsorship of an annual London dinner for the Serpentine Museum in Hyde Park. As one observer puts it, "Vanity Fair , an American magazine, pays more than $100,000 to a British art museum solely so that it can sponsor a dinner where Graydon Carter gets to sit next to Princess Diana." The princess was the museum's patron. Actually, paying $100,000 for face time with Princess Di may not have been a foolish investment for a magazine so dependent on peddling her image. And Condé Nast's excess has other plausible justifications as well. Some top editors may earn their perks. Vogue and GQ make millions, according to industry analysts. Vanity Fair is enjoying banner years, and while it probably hasn't made back the millions Newhouse lost in starting it up, it is certainly in the black. The New Yorker loses money--how much may even surpass perks as a topic of Newhouse gossip and speculation. On the other hand, The New Yorker is the most talked-about magazine in America, and Tina Brown is the most talked-about editor. That is worth something. Public media companies such as Time Warner (or, for that matter, Microsoft) can entice and hold journalists with stock options. Advance is private, so Newhouse uses other golden handcuffs. He runs a lifestyle prison. Top editors stay because they could never afford to live in a house as nice as the one Si's interest-free loan bought them, or to host parties as nice as the ones Si's party planners throw for them. Condé Nast's magazines are all about glamour, wealth, prestige. To uphold that image, magazine editors need to circulate at the top of New York society. But the top of New York society consists of people who make far more money than magazine editors do--investment bankers, corporate chieftains, and fashion designers. Million-dollar salaries aren't enough to mix as equals with the Trumps and Karans. Si's perks are equalizers. And they say it's not as good as it used to be. In 1992, according to Thomas Maier's biography of Newhouse, the editor of Self held a birthday party for Si Newhouse's dog . (Owners ate caviar; dogs drank Evian.) The lowliest assistants used to take car services home. But new Condé Nast CEO Steve Florio has restricted cars and catering. Editors who used to fly the Concorde now fly first-class; those who used to fly first-class now fly business. Expense accounts are scrutinized. Even so, today's Condé Nast is economical only by Condé Nast standards. The belt is tighter, but it's still hand-tooled, hand-tanned, and fashioned from the finest Italian leather.
train	53016	[ "What word best describes Captain Hannah's physical description at the beginning of the article?", "What best describes the overall structure of Captain Hannah's dialogue when recounting his time caring for the marocca plants?", "What made Captain Hannah want to give the narrator a black eye?", "What can you infer about the environment within the Delta Crucis in terms of its suitability for growing marocca?", "If the marocca plants happened to die during transport, what would be one logical explanation for why they died based on the conditions they needed to survive in the article?", "Given the way that the marocca grow, will the narrator and Captain Hannah likely have to make trips back to Mypore II in the future to transport more marocca?", "After reading about the troubles of Captain Hannah maintaining the marocca during the transport to Gloryanna III, what can one infer about his character?", "What can you conclude about Captain Hannah and the narrator's relationship?" ]	[ [ "Sick", "Grotesque", "Feverish", "Exhausted" ], [ "An argument and supporting details along with counterclaims structure.", "A catchphrase followed by explanations structure.", "A purpose and explanation structure.", "A problem-solution structure." ], [ "Because the narrator offered no help in transporting the marocca plants.", "Because the welts on Captain Hannah were angering the captain.", "Because the narrator made an unfair deal to transport the plants to Gloryanna III.", "Because Captain Hannah's transportation of the marocca plants was frustrating and gruesome." ], [ "The Delta Crucis can not sustain marocca plant life.", "The Delta Crucis is capable of sustaining marocca plant life with appropriate interventions.", "The Delta Crucis must be operated by multiple individuals at a time to sustain the marocca in transport.", "The Delta Crucis can sustain marocca plant life if small batches of the plants are transferred at a time." ], [ "The temperature of the environment did not vary enough and was too stagnant for the plants.", "The carollas decided to start eating the dingleburys instead of vice versa.", "An error on the spaceship caused the artificial days and nights to not be equal length.", "The spaceship was not correctly simulating all the seasons that the marocca needed to be subjected to in order to grow." ], [ "Yes, because the marocca plants will not have a very long lifespan on Gloryanna III.", "No, because the marocca will be so difficult to maintain on Gloryanna III that any hopes of restarting a marocca industry on the planet will be abandoned.", "No, because the plants grow extraordinarily fast and they reproduce on a large-scale.", "Yes, because the marocca do not produce many fruits, so more plants will have to be transported to make the plant profitable. " ], [ "Captain Hannah is a clever and sharp man.", "Captain Hannah is a disorganized thinker.", "Captain Hannah becomes unmotivated after several failures.", "Captain Hannah is a meticulous and well-planned man." ], [ "The narrator is fearful of Captain Hannah.", "They experience tension in their relationship but work together regardless.", "The narrator and Captain Hannah have strong disdain for each other and frequently disagree.", "They are respectful of each other and work well together." ] ]	[ 2, 4, 4, 2, 3, 3, 1, 2 ]	[ 1, 0, 0, 0, 1, 1, 1, 0 ]	CAKEWALK TO GLORYANNA BY L. J. STECHER, JR. [Transcriber's Note: This etext was produced from Worlds of Tomorrow June 1963 Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] The job was easy. The profit was enormous. The only trouble was—the cargo had a will of its own! Captain Hannah climbed painfully down from the Delta Crucis , hobbled across the spaceport to where Beulah and I were waiting to greet him and hit me in the eye. Beulah—that's his elephant, but I have to take care of her for him because Beulah's baby belongs to me and Beulah has to take care of it—kept us apart until we both cooled down a little. Then, although still somewhat dubious about it, she let us go together across the field to the spaceport bar. I didn't ask Captain Hannah why he had socked me. Although he has never been a handsome man, he usually has the weathered and austere dignity that comes from plying the remote reaches among the stars. Call it the Look of Eagles. Captain Hannah had lost the Look of Eagles. His eyes were swollen almost shut; every inch of him that showed was a red mass of welts piled on more welts, as though he had tangled with a hive of misanthropic bees. The gold-braided hat of his trade was not clamped in its usual belligerent position slightly over one eye. It was riding high on his head, apparently held up by more of the ubiquitous swellings. I figured that he figured that I had something to do with the way he looked. "Shipping marocca to Gloryanna III didn't turn out to be a cakewalk after all?" I suggested. He glared at me in silence. "Perhaps you would like a drink first, and then you would be willing to tell me about it?" I decided that his wince was intended for a nod, and ordered rhial. I only drink rhial when I've been exposed to Captain Hannah. It was almost a pleasure to think that I was responsible, for a change, for having him take the therapy. "A Delta Class freighter can carry almost anything," he said at last, in a travesty of his usual forceful voice. "But some things it should never try." He lapsed back into silence after this uncharacteristic admission. I almost felt sorry for him, but just then Beulah came racking across the field with her two-ton infant in tow, to show her off to Hannah. I walled off my pity. He had foisted those two maudlin mastodons off onto me in one of our earlier deals, and if I had somehow been responsible for his present troubles, it was no more than he deserved. I rated winning for once. "You did succeed in getting the marocca to Gloryanna III?" I asked anxiously, after the elephants had been admired and sent back home. The success of that venture—even if the job had turned out to be more difficult than we had expected—meant an enormous profit to both of us. The fruit of the marocca is delicious and fabulously expensive. The plant grew only on the single planet Mypore II. Transshipped seeds invariably failed to germinate, which explained its rarity. The Myporians were usually, and understandably, bitterly, opposed to letting any of the living plants get shipped off their planet. But when I offered them a sizable piece of cash plus a perpetual share of the profits for letting us take a load of marocca plants to Gloryanna III, they relented and, for the first time in history, gave their assent. In fact, they had seemed delighted. "I got them there safely," said Captain Hannah. "And they are growing all right?" I persisted. "When I left, marocca was growing like mad," said Captain Hannah. I relaxed and leaned back in my chair. I no longer felt the need of rhial for myself. "Tell me about it," I suggested. "It was you who said that we should carry those damn plants to Gloryanna III," he said balefully. "I ought to black your other eye." "Simmer down and have some more rhial," I told him. "Sure I get the credit for that. Gloryanna III is almost a twin to Mypore II. You know that marocca takes a very special kind of environment. Bright sun most of the time—that means an almost cloudless environment. A very equable climate. Days and nights the same length and no seasons—that means no ecliptical and no axial tilt. But our tests showed that the plants had enough tolerance to cause no trouble in the trip in Delta Crucis ." A light dawned. "Our tests were no good?" "Your tests were no good," agreed the captain with feeling. "I'll tell you about it first, and then I'll black your other eye," he decided. "You'll remember that I warned you that we should take some marocca out into space and solve any problems we might find before committing ourselves to hauling a full load of it?" asked Captain Hannah. "We couldn't," I protested. "The Myporians gave us a deadline. If we had gone through all of that rigamarole, we would have lost the franchise. Besides, they gave you full written instructions about what to do under all possible circumstances." "Sure. Written in Myporian. A very difficult language to translate. Especially when you're barricaded in the head." I almost asked him why he had been barricaded in the bathroom of the Delta Crucis , but I figured it was safer to let him tell me in his own way, in his own time. "Well," he said, "I got into parking orbit around Mypore without any trouble. The plastic film kept the water in the hydroponic tanks without any trouble, even in a no-gravity condition. And by the time I had lined up for Gloryanna and Jumped, I figured, like you said, that the trip would be a cakewalk. "Do you remember how the plants always keep their leaves facing the sun? They twist on their stems all day, and then they go on twisting them all night, still pointing at the underground sun, so that they're aimed right at sunrise. So the stem looks like a corkscrew?" I nodded. "Sure. That's why they can't stand an axial tilt. They 'remember' the rate and direction of movement, and keep it up during the night time. So what? We had that problem all figured out." "You think so? That solution was one of yours, too, wasn't it?" He gazed moodily at his beaker of rhial. "I must admit it sounded good to me, too. In Limbo, moving at multiple light-speeds, the whole Universe, of course, turns into a bright glowing spot in our direction of motion, with everything else dark. So I lined up the Delta Crucis perpendicular to her direction of motion, put a once-every-twenty-one hour spin on her to match the rotation rates of Mypore II and Gloryanna III, and uncovered the view ports to let in the light. It gradually brightened until 'noon time', with the ports pointing straight at the light source, and then dimmed until we had ten and one-half hours of darkness. "Of course, it didn't work." "For Heaven's sake, why not?" "For Heaven's sake why should it? With no gravity for reference, how were the plants supposed to know that the 'sun' was supposed to be moving?" "So what did you do?" I asked, when that had sunk in. "If the stem doesn't keep winding, the plants die; and they can only take a few extra hours of night time before they run down." "Oh," said Captain Hannah in quiet tones of controlled desperation, "it was very simple. I just put enough spin on the ship to make artificial gravity, and then I strung a light and moved it every fifteen minutes for ten and one-half hours, until I had gone halfway around the room. Then I could turn the light off and rest for ten and one-half hours. The plants liked it fine. "Of course, first I had to move all the hydroponic tanks from their original positions perpendicular to the axial thrust line of the ship to a radial position. And because somehow we had picked up half of the plants in the northern hemisphere of Mypore and the other half in the southern hemisphere, it turned out that half of the plants had a sinistral corkscrew and the other half had a dextral. So I had to set the plants up in two different rooms, and run an artificial sun for each, going clockwise with one, widdershins with the other. "I won't even talk about what I went through while I was shifting the hydroponic tanks, when all the plastic membranes that were supposed to keep the water in place started to break." "I'd like to know," I said sincerely. He stared at me in silence for a moment. "Well, it filled the cabin with great solid bubbles of water. Water bubbles will oscillate and wobble like soap bubbles," he went on dreamily, "but of course, they're not empty, like soap bubbles. The surface acts a little like a membrane, so that sometimes two of the things will touch and gently bounce apart without joining. But just try touching one of them. You could drown—I almost did. Several times. "I got a fire pump—an empty one. You know the kind; a wide cylinder with a piston with a handle, and a hose that you squirt the water out of, or can suck water in with. The way you use it is, you float up on a big ball of water, with the pump piston down—closed. You carefully poke the end of the hose into the ball of water, letting only the metal tip touch. Never the hose. If you let the hose touch, the water runs up it and tries to drown you. Then you pull up on the piston, and draw all the water into the cylinder. Of course, you have to hold the pump with your feet while you pull the handle with your free hand." "Did it work?" I asked eagerly. "Eventually. Then I stopped to think of what to do with the water. It was full of minerals and manure and such, and I didn't want to introduce it into the ship's tanks." "But you solved the problem?" "In a sense," said the captain. "I just emptied the pump back into the air, ignored the bubbles, repositioned the tanks, put spin on the ship and then ladled the liquid back into the tanks with a bucket." "Didn't you bump into a lot of the bubbles and get yourself dunked a good deal while you were working with the tanks?" He shrugged. "I couldn't say. By that time I was ignoring them. It was that or suicide. I had begun to get the feeling that they were stalking me. So I drew a blank." "Then after that you were all right, except for the tedium of moving the lights around?" I asked him. I answered myself at once. "No. There must be more. You haven't told me why you hid out in the bathroom, yet." "Not yet," said Captain Hannah. "Like you, I figured I had the situation fairly well under control, but like you, I hadn't thought things through. The plastic membranes hadn't torn when we brought the tanks in board the Delta Crucis . It never occurred to me to hunt around for the reasons for the change. But I wouldn't have had long to hunt anyway, because in a few hours the reasons came looking for me. "They were a tiny skeeter-like thing. A sort of midge or junior grade mosquito. They had apparently been swimming in the water during their larval stage. Instead of making cocoons for themselves, they snipped tiny little pieces of plastic to use as protective covers in the pupal stage. I guess they were more like butterflies than mosquitoes in their habits. And now they were mature. "There were thousands and thousands of them, and each one of them made a tiny, maddening whine as it flew." "And they bit? That explains your bumps?" I asked sympathetically. "Oh, no. These things didn't bite, they itched. And they got down inside of everything they could get down inside, and clung. That included my ears and my eyes and my nose. "I broke out a hand sprayer full of a DDT solution, and sprayed it around me to try to clear the nearby air a little, so that I could have room to think. The midges loved it. But the plants that were in reach died so fast that you could watch their leaves curl up and drop off. "I couldn't figure whether to turn up the fans and dissipate the cloud—by spreading it all through the ship—or whether to try to block off the other plant room, and save it at least. So I ended up by not doing anything, which was the right thing to do. No more plants died from the DDT. "So then I did a few experiments, and found that the regular poison spray in the ship's fumigation system worked just fine. It killed the bugs without doing the plants any harm at all. Of course, the fumigation system is designed to work with the fumigator off the ship, because it's poisonous to humans too. "I finally blocked the vents and the door edges in the head, after running some remote controls into there, and then started the fumigation system going. While I was sitting there with nothing much to do, I tried to translate what I could of the Myporian instructions. It was on page eleven that it mentioned casually that the midges—the correct word is carolla—are a necessary part of the life cycle of the marocca. The larvae provide an enzyme without which the plants die. "Of course. I immediately stopped slapping at the relatively few midges that had made their way into the head with me, and started to change the air in the ship to get rid of the poison. I knew it was too late before I started, and for once I was right. "The only live midges left in the ship were the ones that had been with me during the fumigation process. I immediately tried to start a breeding ground for midges, but the midges didn't seem to want to cooperate. Whatever I tried to do, they came back to me. I was the only thing they seemed to love. I didn't dare bathe, or scratch, or even wriggle, for fear of killing more of them. And they kept on itching. It was just about unbearable, but I bore it for three interminable days while the midges died one by one. It was heartbreaking—at least, it was to me. "And it was unnecessary, too. Because apparently the carolla had already laid their eggs, or whatever it is that they do, before I had fumigated them. After my useless days of agony, a new batch came swarming out. And this time there were a few of a much larger thing with them—something like an enormous moth. The new thing just blundered around aimlessly. "I lit out for the head again, to keep away from that intolerable whining. This time I took a luxurious shower and got rid of most of the midges that came through the door with me. I felt almost comfortable, in fact, until I resumed my efforts to catch up on my reading. "The mothlike things—they are called dingleburys—also turn out to provide a necessary enzyme. They are supposed to have the same timing of their life cycle as the carolla. Apparently the shaking up I had given their larvae in moving the tanks and dipping the water up in buckets and all that had inhibited them in completing their cycle the first time around. "And the reason they had the same life cycle as the carolla was that the adult dinglebury will eat only the adult carolla, and it has to fill itself full to bursting before it will reproduce. If I had the translation done correctly, they were supposed to dart gracefully around, catching carolla on the wing and stuffing themselves happily. "I had to find out what was wrong with my awkward dingleburys. And that, of course, meant going out into the ship again. But I had to do that anyway, because it was almost 'daylight', and time for me to start shifting the lights again. "The reason for the dingleburys' problem is fairly obvious. When you set up artificial gravity by spinning a ship, the gravity is fine down near the skin where the plants are. But the gravity potential is very high, and it gets very light up where things fly around, going to zero on the middle line of the ship. And the unfamiliar gravity gradient, together with the Coriolis effect and all, makes the poor dingleburys dizzy, so they can't catch carolla. "And if you think I figured all that out about dingleburys getting dizzy at the time, in that madhouse of a ship, then you're crazy. What happened was that I saw that there was one of the creatures that didn't seem to be having any trouble, but was acting like the book said it should. I caught it and examined it. The poor thing was blind, and was capturing her prey by sound alone. "So I spent the whole day—along with my usual chore of shifting the lights—blindfolding dingleburys. Which is a hell of a sport for a man who is captain of his own ship." I must say that I agreed with him, but it seemed to be a good time for me to keep my mouth shut. "Well, after the dingleburys had eaten and propagated, they became inquisitive. They explored the whole ship, going into places I wouldn't have believed it to be possible for them to reach, including the inside of the main computer, which promptly shorted out. I finally figured that one of the things had managed to crawl up the cooling air exhaust duct, against the flow of air, to see what was going on inside. "I didn't dare to get rid of the things without checking my book, of course, so it was back to the head for me. 'Night' had come again—and it was the only place I could get any privacy. There were plenty of the carolla left to join me outside. "I showered and swatted and started to read. I got as far as where it said that the dingleburys continued to be of importance, and then I'm afraid I fell asleep. "I got up with the sun the next morning. Hell, I had to, considering that it was I who turned the sun on! I found that the dingleburys immediately got busy opening small buds on the stems of the marocca plants. Apparently they were pollinating them. I felt sure that these buds weren't the marocca blossoms from which the fruit formed—I'd seen a lot of those while we were on Mypore II and they were much bigger and showier than these little acorn-sized buds. "Of course, I should have translated some more of my instruction book, but I was busy. "Anyway, the action of the dingleburys triggered the violent growth phase of the marocca plants. Did you know that they plant marocca seedlings, back on Mypore II, at least a hundred feet apart? If you'll recall, a mature field, which was the only kind we ever saw, is one solid mass of green growth. "The book says that it takes just six hours for a marocca field to shift from the seedling stage to the mature stage. It didn't seem that long. You could watch the stuff grow—groping and crawling along; one plant twining with another as they climbed toward the light. "It was then that I began to get worried. If they twined around the light, they would keep me from moving it, and they would shadow it so it wouldn't do its job right. In effect, their growth would put out the sun. "I thought of putting up an electrically charged fence around the light, but the bugs had put most of my loose equipment out of action, so I got a machete. When I took a swing at one of the vines, something bit me on the back of the neck so hard it almost knocked me down. It was one of the dingleburys, and it was as mad as blazes. It seems that one of the things they do is to defend the marocca against marauders. That was the first of my welts, and it put me back in the head in about two seconds. "And what's more, I found that I couldn't kill the damn things. Not if I wanted to save the plants. The growth only stops at the end of six hours, after the blossoms appear and are visited by the dingleburys. No dingleburys, no growth stoppage. "So for the next several hours I had to keep moving those lights, and keep them clear of the vines, and keep the vines from shadowing each other to the point where they curled up and died, and I had to do it gently , surrounded by a bunch of worried dingleburys. "Every time they got a little too worried, or I slipped and bumped into a plant too hard, or looked crosseyed at them, they bit me. If you think I look bad now, you should have seen me just about the time the blossoms started to burst. "I was worried about those blossoms. I felt sure that they would smell terrible, or make me sick, or hypnotize me, or something. But they just turned out to be big, white, odorless flowers. They did nothing for me or to me. They drove the dingleburys wild, though, I'm happy to say. Made them forget all about me. "While they were having their orgy, I caught up on my reading. It was necessary for me to cut back the marocca vines. For one thing, I couldn't get up to the area of the bridge. For another, the main computer was completely clogged. I could use the auxiliary, on the bridge, if I could get to it, but it's a poor substitute. For another thing, I would have to cut the stuff way back if I was ever going to get the plants out of the ship. And I was a little anxious to get my Delta Crucis back to normal as soon as possible. But before cutting, I had to translate the gouge. "It turns out that it's all right to cut marocca as soon as it stops growing. To keep the plants from dying, though, you have to mulch the cuttings and then feed them back to the plants, where the roots store whatever they need against the time of the next explosive period of growth. Of course, if you prefer you can wait for the vines to die back naturally, which takes several months. "There was one little catch, of course. The cuttings from the vines will poison the plants if they are fed back to them without having been mixed with a certain amount of processed mulch. Enzymes again. And there was only one special processor on board. "I was the special processor. That's what the instructions said—I translated very carefully—it required an 'organic processor'. "So I had to eat pounds of that horrible tasting stuff every day, and process it the hard way. "I didn't even have time to scratch my bites. I must have lost weight everywhere but in the swollen places, and they looked worse than they do now. The doctor says it may take a year before the bumps all go away—if they ever do—but I have improved a lot already. "For a while I must have been out of my head. I got so caught up in the rhythm of the thing that I didn't even notice when we slipped out of Limbo into real space near Gloryanna III. It was three days, the Control Tower on Gloryanna III told me, that they tried continuously to raise me on the communications gear before I heard the alarm bell and answered them, so I had to do a good deal of backtracking before I could get into parking orbit around the planet, and then set Delta Crucis down safely. Even as shaky as I was, Delta Crucis behaved like a lady. "I hadn't chopped off all of the new growth, although I had the plants down to manageable size. Some of the blossoms left on the plants had formed fruit, and the fruit had ripened and dried, and the seeds had developed fully. They were popping and spreading fine dust-like spores all over the ship, those last few hours before I landed. "By that time, though, an occasional sneezing fit and watering eyes didn't bother me any. I was far beyond the point where hay fever could add to my troubles. "When I opened the airlock door, though, the spores drifting outside set the customs inspectors to sneezing and swearing more than seemed reasonable at the time." Captain Hannah inhaled a sip of rhial, and seemed to be enjoying the powerful stuff. He acted as if he thought he had finished. "Well, go on," I urged him. "The marocca plants were still in good shape, weren't they?" Hannah nodded. "They were growing luxuriously." He nodded his head a couple of more times, in spite of the discomfort it must have given him. He said, "They made me burn the entire crop right away, of course. They didn't get all of the carolla or dingleburys, though. Or spores." "Gloryanna III is the original home planet of marocca. They hated the stuff, of course, but they liked the profit. Then, when a plague almost wiped out the dingleburys, they introduced khorram furs as a cash crop. It wasn't as lucrative, but it was so much more pleasant that they outlawed marocca. Took them almost fifty years to stamp it out completely. Meanwhile, some clever native shipped a load of the stuff to Mypore II. He took his time, did it without any trouble and made his fortune. And got out again quickly. "The Gloryannans were going to hold my Delta Crucis as security to pay for the cost of stamping out marocca all over again—those spores sprout fast—and for a time I was worried. "Of course, when I showed them our contract—that you alone were responsible for everything once I landed the plants safely on Gloryanna III, they let me go. "They'll send you the bill. They don't figure it will take them more than a few months to complete the job." Captain Hannah stopped talking and stood up, painfully and a little unsteadily. I'm afraid I didn't even notice when he blacked my other eye. I was too busy reaching for the rhial. END
train	61204	[ "What does the description in the second paragraph of the article about Wayne's parents show about how Wayne feels towards them?", "How did Wayne's reaction to being drafted differ from his parents' reaction?", "How do Wayne's thoughts toward Captain Jack and his dialogue toward Captain Jack differ?", "Had Wayne actually accomplished his mission given to him by Captain Jack, would he have felt victorious?", "How did Wayne's attitude change by the end of the article?", "What realization do you think Wayne might have had after his journey?" ]	[ [ "He dislikes them because he feels repressed by them.", "He has strong disdain for them because they do not approve of his aspirations.", "He fears his parents because they are aggressively against his future goals. ", "He is annoyed by them because they will not let him be drafted." ], [ "Wayne reacted quickly, while his parents took longer to react to the news. ", "Wayne was overjoyed while his parents were annoyed.", "Wayne was excited while his parents were worried.", "Wayne was in shock while his parents were sad." ], [ "Wayne speaks to Captain Jack respectfully, but mocks him in his thoughts.", "Wayne speaks to Captain Jack in a fearful manner, but underestimates him in his thoughts.", "Wayne speaks to Captain Jack quietly, but wishes he could have more confidence on the inside.", "Wayne speaks to Captain Jack arrogantly, but is scared of him in his thoughts." ], [ "No, because Wayne would know that his parents would be disappointed in him.", "No, because Wayne would not be able to mentally handle the murders.", "Yes, because Wayne had been excited all along about his draft call.", "Yes, because Wayne wanted to make Captain Jack proud no matter what." ], [ "Wayne went from feeling excited to disgusted.", "Wayne went from feeling excited to regretful for not listening to his parents.", "Wayne went from feeling confident to feeling defeated.", "Wayne went from feeling nervous to guilty." ], [ "He realized he did not have the emotional strength he thought he had to complete the mission.", "He realized that Captain Jack had set him up to make him regret the draft call.", "He realized that his parents are to blame for his weaknesses.", "He realized that he was emotionally strong enough for the mission, but it was still too gruesome for him." ] ]	[ 1, 3, 1, 2, 3, 1 ]	[ 0, 0, 1, 1, 0, 0 ]	THE RECRUIT BY BRYCE WALTON It was dirty work, but it would make him a man. And kids had a right to grow up—some of them! [Transcriber's Note: This etext was produced from Worlds of If Science Fiction, July 1962. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] Wayne, unseen, sneered down from the head of the stairs. The old man with his thick neck, thick cigar, evening highball, potgut and bald head without a brain in it. His slim mother with nervously polite smiles and voice fluttering, assuring the old man by her frailty that he was big in the world. They were squareheads one and all, marking moron time in a gray dream. Man, was he glad to break out. The old man said, "He'll be okay. Let him alone." "But he won't eat. Just lies there all the time." "Hell," the old man said. "Sixteen's a bad time. School over, waiting for the draft and all. He's in between. It's rough." Mother clasped her forearms and shook her head once slowly. "We got to let him go, Eva. It's a dangerous time. You got to remember about all these dangerous repressed impulses piling up with nowhere to go, like they say. You read the books." "But he's unhappy." "Are we specialists? That's the Youth Board's headache, ain't it? What do we know about adolescent trauma and like that? Now get dressed or we'll be late." Wayne watched the ritual, grinning. He listened to their purposeless noises, their blabbing and yakking as if they had something to say. Blab-blab about the same old bones, and end up chewing them in the same old ways. Then they begin all over again. A freak sideshow all the way to nowhere. Squareheads going around either unconscious or with eyes looking dead from the millennium in the office waiting to retire into limbo. How come he'd been stuck with parental images like that? One thing—when he was jockeying a rocket to Mars or maybe firing the pants off Asiatic reds in some steamy gone jungle paradise, he'd forget his punkie origins in teeveeland. But the old man was right on for once about the dangerous repressed impulses. Wayne had heard about it often enough. Anyway there was no doubt about it when every move he made was a restrained explosion. So he'd waited in his room, and it wasn't easy sweating it out alone waiting for the breakout call from HQ. "Well, dear, if you say so," Mother said, with the old resigned sigh that must make the old man feel like Superman with a beerbelly. They heard Wayne slouching loosely down the stairs and looked up. "Relax," Wayne said. "You're not going anywhere tonight." "What, son?" his old man said uneasily. "Sure we are. We're going to the movies." He could feel them watching him, waiting; and yet still he didn't answer. Somewhere out in suburban grayness a dog barked, then was silent. "Okay, go," Wayne said. "If you wanta walk. I'm taking the family boltbucket." "But we promised the Clemons, dear," his mother said. "Hell," Wayne said, grinning straight into the old man. "I just got my draft call." He saw the old man's Adam's apple move. "Oh, my dear boy," Mother cried out. "So gimme the keys," Wayne said. The old man handed the keys over. His understanding smile was strained, and fear flicked in his sagging eyes. "Do be careful, dear," his mother said. She ran toward him as he laughed and shut the door on her. He was still laughing as he whoomed the Olds between the pale dead glow of houses and roared up the ramp onto the Freeway. Ahead was the promising glitter of adventure-calling neon, and he looked up at the high skies of night and his eyes sailed the glaring wonders of escape. He burned off some rubber finding a slot in the park-lot. He strode under a sign reading Public Youth Center No. 947 and walked casually to the reception desk, where a thin man with sergeant's stripes and a pansy haircut looked out of a pile of paperwork. "Where you think you're going, my pretty lad?" Wayne grinned down. "Higher I hope than a typewriter jockey." "Well," the sergeant said. "How tough we are this evening. You have a pass, killer?" "Wayne Seton. Draft call." "Oh." The sergeant checked his name off a roster and nodded. He wrote on a slip of paper, handed the pass to Wayne. "Go to the Armory and check out whatever your lusting little heart desires. Then report to Captain Jack, room 307." "Thanks, sarge dear," Wayne said and took the elevator up to the Armory. A tired fat corporal with a naked head blinked up at tall Wayne. Finally he said, "So make up your mind, bud. Think you're the only kid breaking out tonight?" "Hold your teeth, pop," Wayne said, coolly and slowly lighting a cigarette. "I've decided." The corporal's little eyes studied Wayne with malicious amusement. "Take it from a vet, bud. Sooner you go the better. It's a big city and you're starting late. You can get a cat, not a mouse, and some babes are clever hellcats in a dark alley." "You must be a genius," Wayne said. "A corporal with no hair and still a counterboy. I'm impressed. I'm all ears, Dad." The corporal sighed wearily. "You can get that balloon head ventilated, bud, and good." Wayne's mouth twitched. He leaned across the counter toward the shelves and racks of weapons. "I'll remember that crack when I get my commission." He blew smoke in the corporal's face. "Bring me a Smith and Wesson .38, shoulder holster with spring-clip. And throw in a Skelly switchblade for kicks—the six-inch disguised job with the double springs." The corporal waddled back with the revolver and the switchblade disguised in a leather comb case. He checked them on a receipt ledger, while Wayne examined the weapons, broke open the revolver, twirled the cylinder and pushed cartridges into the waiting chamber. He slipped the knife from the comb case, flicked open the blade and stared at its gleam in the buttery light as his mouth went dry and the refracted incandescence of it trickled on his brain like melted ice, exciting and scary. He removed his leather jacket. He slung the holster under his left armpit and tested the spring clip release several times, feeling the way the serrated butt dropped into his wet palm. He put his jacket back on and the switchblade case in his pocket. He walked toward the elevator and didn't look back as the corporal said, "Good luck, tiger." Captain Jack moved massively. The big stone-walled office, alive with stuffed lion and tiger and gunracks, seemed to grow smaller. Captain Jack crossed black-booted legs and whacked a cane at the floor. It had a head shaped like a grinning bear. Wayne felt the assured smile die on his face. Something seemed to shrink him. If he didn't watch himself he'd begin feeling like a pea among bowling balls. Contemptuously amused little eyes glittered at Wayne from a shaggy head. Shoulders hunched like stuffed sea-bags. "Wayne Seton," said Captain Jack as if he were discussing something in a bug collection. "Well, well, you're really fired up aren't you? Really going out to eat 'em. Right, punk?" "Yes, sir," Wayne said. He ran wet hands down the sides of his chinos. His legs seemed sheathed in lead as he bit inwardly at shrinking fear the way a dog snaps at a wound. You big overblown son, he thought, I'll show you but good who is a punk. They made a guy wait and sweat until he screamed. They kept a guy on the fire until desire leaped in him, ran and billowed and roared until his brain was filled with it. But that wasn't enough. If this muscle-bound creep was such a big boy, what was he doing holding down a desk? "Well, this is it, punk. You go the distance or start a butterfly collection." The cane darted up. A blade snicked from the end and stopped an inch from Wayne's nose. He jerked up a shaky hand involuntarily and clamped a knuckle-ridged gag to his gasping mouth. Captain Jack chuckled. "All right, superboy." He handed Wayne his passcard. "Curfew's off, punk, for 6 hours. You got 6 hours to make out." "Yes, sir." "Your beast is primed and waiting at the Four Aces Club on the West Side. Know where that is, punk?" "No, sir, but I'll find it fast." "Sure you will, punk," smiled Captain Jack. "She'll be wearing yellow slacks and a red shirt. Black hair, a cute trick. She's with a hefty psycho who eats punks for breakfast. He's butchered five people. They're both on top of the Undesirable list, Seton. They got to go and they're your key to the stars." "Yes, sir," Wayne said. "So run along and make out, punk," grinned Captain Jack. A copcar stopped Wayne as he started over the bridge, out of bright respectable neon into the murky westside slum over the river. Wayne waved the pass card, signed by Captain Jack, under the cop's quivering nose. The cop shivered and stepped back and waved him on. The Olds roared over the bridge as the night's rain blew away. The air through the open window was chill and damp coming from Slumville, but Wayne felt a cold that wasn't of the night or the wind. He turned off into a rat's warren of the inferiors. Lights turned pale, secretive and sparse, the uncared-for streets became rough with pitted potholes, narrow and winding and humid with wet unpleasant smells. Wayne's fearful exhilaration increased as he cruised with bated breath through the dark mazes of streets and rickety tenements crawling with the shadows of mysterious promise. He found the alley, dark, a gloom-dripping tunnel. He drove cautiously into it and rolled along, watching. His belly ached with expectancy as he spotted the sick-looking dab of neon wanly sparkling. FOUR ACES CLUB He parked across the alley. He got out and stood in shadows, digging the sultry beat of a combo, the wild pulse of drums and spinning brass filtering through windows painted black. He breathed deep, started over, ducked back. A stewbum weaved out of a bank of garbage cans, humming to himself, pulling at a rainsoaked shirt clinging to a pale stick body. He reminded Wayne of a slim grub balanced on one end. The stewbum stumbled. His bearded face in dim breaking moonlight had a dirty, greenish tinge as he sensed Wayne there. He turned in a grotesque uncoordinated jiggling and his eyes were wide with terror and doom. "I gotta hide, kid. They're on me." Wayne's chest rose and his hands curled. The bum's fingers drew at the air like white talons. "Help me, kid." He turned with a scratchy cry and retreated before the sudden blast of headlights from a Cad bulleting into the alley. The Cad rushed past Wayne and he felt the engine-hot fumes against his legs. Tires squealed. The Cad stopped and a teener in black jacket jumped out and crouched as he began stalking the old rummy. "This is him! This is him all right," the teener yelled, and one hand came up swinging a baseball bat. A head bobbed out of the Cad window and giggled. The fumble-footed rummy tried to run and plopped on wet pavement. The teener moved in, while a faint odor of burnt rubber hovered in the air as the Cad cruised in a slow follow-up. Wayne's breath quickened as he watched, feeling somehow blank wonder at finding himself there, free and breaking out at last with no curfew and no law but his own. He felt as though he couldn't stop anything. Living seemed directionless, but he still would go with it regardless, until something dropped off or blew to hell like a hot light-bulb. He held his breath, waiting. His body was tensed and rigid as he moved in spirit with the hunting teener, an omniscient shadow with a hunting license and a ghetto jungle twenty miles deep. The crawling stewbum screamed as the baseball bat whacked. The teener laughed. Wayne wanted to shout. He opened his mouth, but the yell clogged up somewhere, so that he remained soundless yet with his mouth still open as he heard the payoff thuds where the useless wino curled up with stick arms over his rheumy face. The teener laughed, tossed the bat away and began jumping up and down with his hobnailed, mail-order air force boots. Then he ran into the Cad. A hootch bottle soared out, made a brittle tink-tink of falling glass. "Go, man!" The Cad wooshed by. It made a sort of hollow sucking noise as it bounced over the old man twice. Then the finlights diminished like bright wind-blown sparks. Wayne walked over and sneered down at the human garbage lying in scummed rain pools. The smell of raw violence, the scent of blood, made his heart thump like a trapped rubber ball in a cage. He hurried into the Four Aces, drawn by an exhilarating vision ... and pursued by the hollow haunting fears of his own desires. He walked through the wavering haze of smoke and liquored dizziness and stood until his eyes learned the dark. He spotted her red shirt and yellow legs over in the corner above a murky lighted table. He walked toward her, watching her little subhuman pixie face lift. The eyes widened with exciting terror, turned even paler behind a red slash of sensuous mouth. Briefed and waiting, primed and eager for running, she recognized her pursuer at once. He sat at a table near her, watching and grinning and seeing her squirm. She sat in that slightly baffled, fearful and uncomprehending attitude of being motionless, as though they were all actors performing in a weirdo drama being staged in that smoky thick-aired dive. Wayne smiled with wry superiority at the redheaded psycho in a dirty T-shirt, a big bruiser with a gorilla face. He was tussling his mouse heavy. "What's yours, teener?" the slug-faced waiter asked. "Bring me a Crusher, buddyroo," Wayne said, and flashed his pass card. "Sure, teener." Red nuzzled the mouse's neck and made drooly noises. Wayne watched and fed on the promising terror and helplessness of her hunted face. She sat rigid, eyes fixed on Wayne like balls of frozen glass. Red looked up and stared straight at Wayne with eyes like black buttons imbedded in the waxlike skin of his face. Then he grinned all on one side. One huge hand scratched across the wet table top like a furious cat's. Wayne returned the challenging move but felt a nervous twitch jerk at his lips. A numbness covered his brain like a film as he concentrated on staring down Red the psycho. But Red kept looking, his eyes bright but dead. Then he began struggling it up again with the scared little mouse. The waiter sat the Crusher down. Wayne signed a chit; tonight he was in the pay of the state. "What else, teener?" "One thing. Fade." "Sure, teener," the waiter said, his breathy words dripping like syrup. Wayne drank. Liquored heat dripped into his stomach. Fire tickled his veins, became hot wire twisting in his head. He drank again and forced out a shaky breath. The jazz beat thumped fast and muted brass moaned. Drumpulse, stabbing trumpet raped the air. Tension mounted as Wayne watched her pale throat convulsing, the white eyelids fluttering. Red fingered at her legs and salivated at her throat, glancing now and then at Wayne, baiting him good. "Okay, you creep," Wayne said. He stood up and started through the haze. The psycho leaped and a table crashed. Wayne's .38 dropped from its spring-clip holster and the blast filled the room. The psycho screamed and stumbled toward the door holding something in. The mouse darted by, eluded Wayne's grasp and was out the door. Wayne went out after her in a laughing frenzy of release. He felt the cold strange breath of moist air on his sweating skin as he sprinted down the alley into a wind full of blowing wet. He ran laughing under the crazy starlight and glimpsed her now and then, fading in and out of shadows, jumping, crawling, running with the life-or-death animation of a wild deer. Up and down alleys, a rat's maze. A rabbit run. Across vacant lots. Through shattered tenement ruins. Over a fence. There she was, falling, sliding down a brick shute. He gained. He moved up. His labored breath pumped more fire. And her scream was a rejuvenation hypo in his blood. She quivered above him on the stoop, panting, her eyes afire with terror. "You, baby," Wayne gasped. "I gotcha." She backed into darkness, up there against the sagging tenement wall, her arms out and poised like crippled wings. Wayne crept up. She gave a squeaking sob, turned, ran. Wayne leaped into gloom. Wood cracked. He clambered over rotten lumber. The doorway sagged and he hesitated in the musty dark. A few feet away was the sound of loose trickling plaster, a whimpering whine. "No use running," Wayne said. "Go loose. Give, baby. Give now." She scurried up sagging stairs. Wayne laughed and dug up after her, feeling his way through debris. Dim moonlight filtered through a sagging stairway from a shattered skylight three floors up. The mouse's shadow floated ahead. He started up. The entire stair structure canted sickeningly. A railing ripped and he nearly went with it back down to the first floor. He heard a scream as rotten boards crumbled and dust exploded from cracks. A rat ran past Wayne and fell into space. He burst into the third-floor hallway and saw her half-falling through a door under the jagged skylight. Wayne took his time. He knew how she felt waiting in there, listening to his creeping, implacable footfalls. Then he yelled and slammed open the door. Dust and stench, filth so awful it made nothing of the dust. In the corner he saw something hardly to be called a bed. More like a nest. A dirty, lumpy pile of torn mattress, felt, excelsior, shredded newspapers and rags. It seemed to crawl a little under the moon-streaming skylight. She crouched in the corner panting. He took his time moving in. He snickered as he flashed the switchblade and circled it like a serpent's tongue. He watched what was left of her nerves go to pieces like rotten cloth. "Do it quick, hunter," she whispered. "Please do it quick." "What's that, baby?" "I'm tired running. Kill me first. Beat me after. They won't know the difference." "I'm gonna bruise and beat you," he said. "Kill me first," she begged. "I don't want—" She began to cry. She cried right up in his face, her wide eyes unblinking, and her mouth open. "You got bad blood, baby," he snarled. He laughed but it didn't sound like him and something was wrong with his belly. It was knotting up. "Bad, I know! So get it over with, please. Hurry, hurry." She was small and white and quivering. She moaned but kept staring up at him. He ripped off his rivet-studded belt and swung once, then groaned and shuffled away from her. He kept backing toward the door. She crawled after him, begging and clutching with both arms as she wriggled forward on her knees. "Don't run. Please. Kill me! It'll be someone else if you don't. Oh, God, I'm so tired waiting and running!" "I can't," he said, and sickness soured in his throat. "Please." "I can't, I can't!" He turned and ran blindly, half-fell down the cracking stairs. Doctor Burns, head of the readjustment staff at the Youth Center, studied Wayne with abstract interest. "You enjoyed the hunt, Seton? You got your kicks?" "Yes, sir." "But you couldn't execute them?" "No, sir." "They're undesirables. Incurables. You know that, Seton?" "Yes, sir." "The psycho you only wounded. He's a five-times murderer. And that girl killed her father when she was twelve. You realize there's nothing can be done for them? That they have to be executed?" "I know." "Too bad," the doctor said. "We all have aggressive impulses, primitive needs that must be expressed early, purged. There's murder in all of us, Seton. The impulse shouldn't be denied or suppressed, but educated . The state used to kill them. Isn't it better all around, Seton, for us to do it, as part of growing up? What was the matter, Seton?" "I—felt sorry for her." "Is that all you can say about it?" "Yes, sir." The doctor pressed a buzzer. Two men in white coats entered. "You should have got it out of your system, Seton, but now it's still in there. I can't turn you out and have it erupt later—and maybe shed clean innocent blood, can I?" "No, sir," Wayne mumbled. He didn't look up. "I'm sorry I punked out." "Give him the treatment," the doctor said wearily. "And send him back to his mother." Wayne nodded and they led him away. His mind screamed still to split open some prison of bone and lay bare and breathing wide. But there was no way out for the trapped. Now he knew about the old man and his poker-playing pals. They had all punked out. Like him.
train	63890	[ "Why did the narrator initially become frustrated with the task that Captain Walsh gave him.", "What made the narrator's mission so difficult?", "Given the details in the article, what best describes Captain Walsh and Major Polk's relationship?", "Who was the mission intended to benefit?", "What would have happened had Major Polk never reported Captain Walsh for sleeping on Boiler Watch at the Academy?", "What was Captain Walsh's main motive behind putting the narrator on the mission?" ]	[ [ "The narrator realized the directions he was given were unclear.", "The task proved much harder than the narrator thought.", "He realized that he was part of a more important mission.", "He realized he was sent to the wrong planet." ], [ "No one cooperated with the narrator to help him find the right Joe.", "He became incapacitated by the hot weather on Venus.", "He became physically lost on Venus.", "The inhabitants of Venus were all very much the same." ], [ "They had strong disdain for each other.", "They often bantered while still being close friends.", "They enjoyed competing with each other.", "They liked to make jokes out of each other." ], [ "Captain Walsh, because they desperately needed to find the right Joe.", "Major Polk, because he wanted to force Captain Walsh out of office.", "Major Polk, because he wanted to prove himself better than Major Walsh.", "Captain Walsh, because he wanted to see Major Polk suffer." ], [ "Major Polk would have outranked Captain Walsh in the military.", "Major Polk and Captain Walsh would have never worked together like they do now.", "Captain Walsh and Major Polk would still have the same feelings toward each other.", "Captain Walsh would have never sent Major Polk on the mission." ], [ "Walsh sought revenge against the narrator.", "Walsh wanted to test the narrator's intelligence.", "Walsh wanted the narrator fired from his position.", "Walsh wanted to test the narrator's competency." ] ]	[ 2, 4, 1, 4, 4, 1 ]	[ 0, 1, 1, 1, 1, 1 ]	A PLANET NAMED JOE By S. A. LOMBINO There were more Joes on Venus than you could shake a ray-gun at. Perhaps there was method in Colonel Walsh's madness—murder-madness—when he ordered Major Polk to scan the planet for a guy named Joe. [Transcriber's Note: This etext was produced from Planet Stories November 1952. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] Colonel Walsh had a great sense of humor. I hated his guts ever since we went through the Academy together, but he had a great sense of humor. For example, he could have chosen a Second Looie for the job on Venus. He might even have picked a Captain. But he liked me about as much as I liked him, and so he decided the job was just right for a Major. At least, that's what he told me. I stood at attention before his desk in the Patrol Station. We were somewhere in Area Two on Earth, takeoff point for any operations in Space II. The duty was fine, and I liked it a lot. Come to think of it, the most I ever did was inspect a few defective tubes every now and then. The rest was gravy, and Colonel Walsh wasn't going to let me get by with gravy. "It will be a simple assignment, Major," he said to me, peering over his fingers. He held them up in front of him like a cathedral. "Yes, sir," I said. "It will involve finding one man, a Venusian native." I wanted to say, "Then why the hell don't you send a green kid on the job? Why me?" Instead, I nodded and watched him playing with his fingers. "The man is a trader of sorts. Rather intelligent." He paused, then added, "For a native, that is." I had never liked Walsh's attitude toward natives. I hadn't liked the way he'd treated the natives on Mars ever since he'd taken over there. Which brought to mind an important point. "I always figured Venus was under the jurisdiction of Space III, sir. I thought our activities were confined to Mars." He folded his fingers like a deck of cards and dropped them on his desk as if he were waiting for me to cut. "Mmmm," he said, "yes, that's true. But this is a special job. It so happens this Venusian is the one man who can help us understand just what's happening on Mars." I tried to picture a Venusian understanding Mars and I didn't get very far. "He's had many dealings with the natives there," Walsh explained. "If anyone can tell us the reasons for the revolt, he can." If Walsh really wanted to know the reasons for the revolt, I could give them to him in one word: Walsh. I had to laugh at the way he called it "revolt." It had been going on for six months now and we'd lost at least a thousand men from Space II. Revolt. "And this man is on Venus now?" I asked for confirmation. I'd never been to Venus, being in Space II ever since I'd left the Moon run. It was just like Walsh to ship me off to a strange place. "Yes, Major," he said. "This man is on Venus." At the Academy he had called me Fred. That was before I'd reported him for sleeping on Boiler Watch. He'd goofed off on a pile of uranium that could've, and almost did, blow the barracks sky-high that night. He still thought it was my fault, as if I'd done the wrong thing by reporting him. And now, through the fouled-up machinery that exists in any military organization, he outranked me. "And the man's name, sir?" "Joe." A tight smile played on his face. "Joe what?" I asked. "Just Joe." "Just Joe?" "Yes," Walsh said. "A native, you know. They rarely go in for more than first names. But then, it should be simple to find a man with a name like Joe. Among the natives, I mean." "I don't know, sir." "A relatively simple assignment," Walsh said. "Can you tell me anything else about this man? Physical appearance? Personal habits? Anything?" Walsh seemed to consider this for a moment. "Well, physically he's like any of the other Venusians, so I can't give you much help there. He does have a peculiar habit, though." "What's that?" "He has an affinity for Terran cigarettes." I sighed. "Well, it's not very much to go on." "You'll find him," Walsh said, grinning. "I'm sure of it." The trip to Venus came off without a hitch. I did a lot of thinking on that trip. I thought about Mars and the revolt there. And I thought about Colonel Leonard Walsh and how he was supposed to be quelling that revolt. Ever since Walsh had taken command, ever since he'd started pushing the natives around, there'd been trouble. It was almost as if the whole damned planet had blown up in our faces the moment he took over. Swell guy, Walsh. Venus was hotter than I'd expected it to be. Much too hot for the tunic I was wearing. It smelled, too. A funny smell I couldn't place. Like a mixture of old shoe and after-shave. There were plants everywhere I looked. Big plants and small ones, some blooming with flowers I'd never seen before, and some as bare as cactus. I recognized a blue figure as one of the natives the pilot had told me about. He was tall, looking almost human except that everything about him was elongated. His features, his muscles, everything seemed to have been stretched like a rubber band. I kept expecting him to pop back to normal. Instead, he flashed a double row of brilliant teeth at me. I wondered if he spoke English. "Hey, boy," I called. He ambled over with long-legged strides that closed the distance between us in seconds. "Call me Joe," he said. I dropped my bags and stared at him. Maybe this was going to be a simple assignment after all. "I sure am glad to see you, Joe," I said. "Same here, Toots," he answered. "The guys back in Space II are searching high and low for you," I told him. "You've got the wrong number," he said, and I was a little surprised at his use of Terran idiom. "You are Joe, aren't you? Joe the trader?" "I'm Joe, all right," he said. "Only thing I ever traded, though, was a pocketknife. Got a set of keys for it." "Oh," I said, my voice conveying my disappointment. I sighed and began wondering just how I should go about contacting the Joe I was looking for. My orders said I was to report to Captain Bransten immediately upon arrival. I figured the hell with Captain Bransten. I outranked him anyway, and there wasn't much he could do if I decided to stop for a drink first. "Where's the Officer's Club?" I asked the Venusian. "Are you buying information or are you just curious?" "Can you take me there?" I asked. "Sure thing, Toots." He picked up my bags and started walking up a heavily overgrown path. We'd probably walked for about ten minutes when he dropped my bags and said, "There it is." The Officer's Club was a plasteel hut with window shields that protected it from the heat of the sun. It didn't look too comfortable but I really wanted that drink. I reached into my tunic and slipped the native thirty solars. He stared at the credits curiously and then shrugged his shoulders. "Oh well, you're new here. We'll let it go." He took off then, while I stared after him, wondering just what he'd meant. Had I tipped him too little? I shrugged and looked over at the Officer's Club. From the outside it looked as hot as hell. On the inside it was about two degrees short of that mark. I began to curse Walsh for taking me away from my nice soft job in Space II. There wasn't much inside the club. A few tables and chairs, a dart game and a bar. Behind the bar a tall Venusian lounged. I walked over and asked, "What are you serving, pal?" "Call me Joe," he answered. He caught me off balance. "What?" "Joe," he said again. A faint glimmer of understanding began to penetrate my thick skull. "You wouldn't happen to be Joe the trader? The guy who knows all about Mars, would you?" "I never left home," he said simply. "What are you drinking?" That rat! That dirty, filthy, stinking, unprincipled.... But then, it should be simple to find a man with a name like Joe. Among the natives, I mean. Sure. Oh sure. Real simple. Walsh was about the lowest, most contemptible.... "What are you drinking, pal?" the Venusian asked again. "Skip it," I said. "How do I get to the captain's shack?" "Follow your nose, pal. Can't miss it." I started to pick up my bag as another Venusian entered. He waved at the bartender. "Hello, Joe," he said. "How's it going?" "Not so hot, Joe," the bartender replied. I listened in fascination. Joe, Joe, Joe. So this was Walsh's idea of a great gag. Very funny. Very.... "You Major Polk, sweetheart?" the Venusian who'd just come in asked. "Yes," I said, still thinking of Colonel Walsh. "You better get your butt over to the captain's shack," he said. "He's about ready to post you as overdue." "Sure," I said wearily. "Will you take my bags, please?" "Roger," he answered. He picked up the bags and nodded at the bar. "So long, Joe," he said to the bartender. "See you, Joe," the bartender called back. Captain Bransten was a mousey, unimpressive sort of man. He was wearing a tropical tunic, but he still resembled a wilted lily more than he did an officer. "Have a seat, Major," he offered. He reached for a cigarette box on the desk and extended it to me. He coughed in embarrassment when he saw it was empty. Quickly, he pressed a button on his desk and the door popped open. A tall, blue Venusian stepped lithely into the room. "Sir?" the Venusian asked. "We're out of cigarettes, Joe," the Captain said. "Will you get us some, please?" "Sure thing," the Venusian answered. He smiled broadly and closed the door behind him. Another Joe , I thought. Another damned Joe. "They steal them," Captain Bransten said abruptly. "Steal what?" I asked. "Cigarettes. I sometimes think the cigarette is one of the few things they like about Terran culture." So Walsh had taken care of that angle too. He does have a peculiar habit, though. He has an affinity for Terran cigarettes. Cigarettes was the tip I should have given; not solars. "All right," I said, "suppose we start at the beginning." Captain Bransten opened his eyes wide. "Sir?" he asked. "What's with all this Joe business? It may be a very original name but I think its popularity here is a little outstanding." Captain Bransten began to chuckle softly. I personally didn't think it was so funny. I tossed him my withering Superior Officer's gaze and waited for his explanation. "I hadn't realized this was your first time on Venus," he said. "Is there a local hero named Joe?" I asked. "No, no, nothing like that," he assured me. "It's a simple culture, you know. Not nearly as developed as Mars." "I can see that," I said bitingly. "And the natives are only now becoming acquainted with Terran culture. Lots of enlisted men, you know." I began to get the idea. And I began to appreciate Walsh's doubtful ancestry more keenly. "It's impossible to tell exactly where it all started, of course," Bransten was saying. I was beginning to get angry. Very angry. I was thinking of Walsh sitting back in a nice cozy foam chair back on Earth. "Get to the point, Captain!" I barked. "Easy, sir," Bransten said, turning pale. I could see that the Captain wasn't used to entertaining Majors. "The enlisted men. You know how they are. They'll ask a native to do something and they'll call him Joe. 'Hey, Joe, give me a hand with this.' Or 'Listen, Joe, how'd you like to earn some cigarettes?' Do you follow?" "I follow, all right," I said bitterly. "Well," Bransten went on, "that sort of thing mushrooms. The natives are a simple, almost childish people. It appealed to them—the Joe business, I mean. Now they're all Joe. They like it. That and the cigarettes." He cleared his throat and looked at me apologetically as if he were personally responsible for Venusian culture. In fact, he looked as if he were responsible for having put Venus in the heavens in the first place. "Do you understand, Major? Just a case of extended idiom, that's all." Just a case of extended idiot , I thought. An idiot on a wild goose chase a hell of a long way from home. "I understand perfectly," I snapped. "Where are my quarters?" Bransten asked a Venusian named Joe to show me my quarters, reminding me that chow was at thirteen hundred. As I was leaving, the first Venusian came back with the cigarettes Bransten had ordered. I could tell by the look on his face that he probably had half a carton stuffed into his pockets. I shrugged and went to change into a tropical tunic. I called Earth right after chow. The Captain assured me that this sort of thing was definitely against regulations, but he submitted when I twinkled my little gold leaf under his nose. Walsh's face appeared on the screen. He was smiling, looking like a fat pussy cat. "What is it, Major?" he asked. "This man Joe," I said. "Can you give me any more on him?" Walsh's grin grew wider. "Why, Major," he said, "you're not having any difficulties, are you?" "None at all," I snapped back. "I just thought I'd be able to find him a lot sooner if...." "Take your time, Major," Walsh beamed. "There's no rush at all." "I thought...." "I'm sure you can do the job," Walsh cut in. "I wouldn't have sent you otherwise." Hell, I was through kidding around. "Look...." "He's somewhere in the jungle, you know," Walsh said. I wanted to ram my fist into the screen, right smack up against those big white teeth. Instead, I cut off the transmission and watched the surprised look on his face as his screen went blank millions of miles away. He blinked at the screen, trying to realize I'd deliberately hung up on him. "Polk!" he shouted, "can you hear me?" I smiled, saw the twisted hatred on his features, and then the screen on my end went blank, too. He's somewhere in the jungle, you know. I thanked Captain Bransten for his hospitality and went back to my quarters. As I saw it, there were two courses for me to follow. One: I could say the hell with Walsh and Venus. That would mean hopping the next ship back to Earth. It would also mean disobeying the direct order of a superior officer. It might mean demotion, and it might mean getting bounced out of the Service altogether. Two: I could assume there really was a guy name Joe somewhere in that jungle, a Joe separate and apart from the other Joes on this planet, a trader Joe who knew the Martians well. I could always admit failure, of course, and return empty handed. Mission not accomplished. Or, I might really find a guy who was trader Joe. I made my decision quickly. I wanted to stay in the Service, and besides Walsh may have been on the level for the first time in his life. Maybe there was a Joe here who could help us on Mars. If there was I'd try to find him. It was still a hell of a trick though. I cursed Walsh again and pushed the buzzer near my bed. A tall Venusian stepped into the room. "Joe?" I asked, just to be sure. "Who else, boss?" he answered. "I'm trying to locate someone," I said. "I'll need a guide to take me into the jungle. Can you get me one?" "It'll cost you, boss," the Venusian said. "How much?" "Two cartons of cigarettes at least." "Who's the guide?" I asked. "How's the price sound?" "Fine, fine," I said impatiently. And the Captain had said they were almost a childish people! "His name is Joe," the Venusian told me. "Best damn guide on the planet. Take you anywhere you want to go, do anything you want to do. Courageous. Doesn't know the meaning of fear. I've known him to...." "Skip it," I said, cutting the promotion short. "Tell him to show up around fifteen hundred with a complete list of what we'll need." The Venusian started to leave. "And Joe," I said, stopping him at the door, "I hope you're not overlooking your commission on the deal." His face broke into a wide grin. "No danger of that, boss," he said. When he was gone I began figuring out a plan of action. Obviously, I'd just have to traipse through the jungle looking for a guy named Joe on a planet where everyone was named Joe. Everybody, at least, but the Captain, the small garrison attached to the Station, and me. I began wondering why Walsh had gone to so much trouble to get rid of me. The job, as I saw it, would take a hell of a long time. It seemed like a silly thing to do, just to get even with a guy for something that had happened years ago. He surely must have realized that I'd be back again, sooner or later. Maybe he had another little junket all set for me. Or maybe he didn't expect me to come back. The thought hadn't occurred to me before this, and I began to consider it seriously. Walsh was no good, rotten clear through. He was failing at the job of keeping Mars in hand, and he probably realized that a few more mistakes on his part would mean the end of his career with Space II. I chuckled as I thought of him isolated in some God-forsaken place like Space V or Space VII. This probably bothered him a lot, too. But what probably bothered him more was the fact that I was next in command. If he were transferred, I'd be in charge of Space II, and I could understand how much that would appeal to Walsh. I tried to figure the thing out sensibly, tried to weigh his good points against his bad. But it all came back to the same thing. A guy who would deliberately go to sleep on Boiler Watch with a ton of uranium ready to blast a barracks to smithereens if it wasn't watched, would deliberately do just about anything. Sending me off on a wild goose chase after a character named Joe may have been a gag. But it may have been something a little grimmer than a gag, and I made up my mind to be extremely careful from here on in. The guide arrived at fifteen hundred on the dot. He was tall, elongated, looked almost like all the other Venusians I'd seen so far. "I understand you need a Grade A guide, sir," he said. "Are you familiar with the jungle?" I asked him. "Born and raised there, sir. Know it like the back of my hand." "Has Joe told you what the payment will be?" "Yes, sir. A carton and a half of cigarettes." I thought about Joe deducting his commission and smiled. "When can we leave?" "Right away, sir. We won't need much really. I've made a list of supplies and I can get them in less than an hour. I suggest you wear light clothing, boots, and a hat." "Will I need a weapon?" He looked at me, his eyes faintly amused. "Why, what for, sir?" "Never mind," I said. "What's your name, by the way?" He lifted his eyebrows, and his eyes widened in his narrow face. He was definitely surprised. "Joe," he said. "Didn't you know?" When we'd been out for a while I discovered why Joe had suggested the boots and the hat. The undergrowth was often sharp and jagged and it would have sliced my legs to ribbons were they not protected by the high boots. The hat kept the strong sun off my head. Joe was an excellent guide and a pleasant companion. He seemed to be enjoying a great romp, seemed to love the jungle and take a secret pleasure in the work he was doing. There were times when I couldn't see three feet ahead of me. He'd stand stock still for a few minutes, his head barely moving, his eyes darting from one plant to another. Then he'd say, "This way," and take off into what looked like more impenetrable jungle invariably to find a little path leading directly to another village. Each village was the same. The natives would come running out of their huts, tall and blue, shouting, "Cigarettes, Joe? Cigarettes?" It took me a while to realize they were addressing me and not my guide. Everybody was Joe. It was one beautiful, happy, joyous round of stinking, hot jungle. And I wasn't getting any nearer my man. Nor had I any idea how I was supposed to find him. I began to feel pretty low about the whole affair. Joe, on the other hand, enjoyed every moment of the trip. In each village he greeted the natives cheerfully, told them stories, swapped gossip and jokes. And when it was time to leave, he would say goodbye to all his friends and we would plunge into the twisted foliage again. His spirits were always high and he never failed to say the right thing that would give a momentary lift to my own depressed state of mind. He would talk for hours on end as we hacked our way through the jungle. "I like Venus," he said once. "I would never leave it." "Have you ever been to Earth?" I asked. "No," Joe replied. "I like Terrans too, you understand. They are good for Venus. And they are fun." "Fun?" I asked, thinking of a particular species of Terran: species Leonard Walsh. "Yes, yes," he said wholeheartedly. "They joke and they laugh and ... well, you know." "I suppose so," I admitted. Joe smiled secretly, and we pushed on. I began to find, more and more, that I had started to talk freely to Joe. In the beginning he had been just my guide. There had been the strained relationship of employer and employee. But as the days lengthened into weeks, the formal atmosphere began to crumble. I found myself telling him all about Earth, about the people there, about my decision to attend the Academy, the rigid tests, the grind, even the Moon run. Joe was a good listener, nodding sympathetically, finding experiences in his own life to parallel my own. And as our relationship progressed from a casual one to a definitely friendly one, Joe seemed more enthusiastic than ever to keep up our grinding pace to find what we were looking for. Once we stopped in a clearing to rest. Joe lounged on the matted greenery, his long body stretched out in front of him, the knife gleaming in his belt. I'd seen him slash his way through thick, tangled vines with that knife, his long, muscular arms powerfully slicing through them like strips of silk. "How far are we from the Station?" I asked. "Three or four Earth weeks," he replied. I sighed wearily. "Where do we go from here?" "There are more villages," he said. "We'll never find him." "Possibly," Joe mused, the smile creeping over his face again. "A wild goose chase. A fool's errand." "We'd better get started," Joe said simply. I got to my feet and we started the march again. Joe was still fresh, a brilliant contrast to me, weary and dejected. Somehow, I had the same feeling I'd had a long time ago on my sixteenth birthday. One of my friends had taken me all over the city, finally dropping me off at my own house where the whole gang was gathered for a surprise party. Joe reminded me of that friend. "There's a village ahead," he said, and the grin on his face was large now, his eyes shining. Something was missing here. Natives. There were no natives rushing out to greet us. No cries of "Cigarettes? Cigarettes?" I caught up with Joe. "What's the story?" I whispered. He shrugged knowingly and continued walking. And then I saw the ship, nose pointing into space, catching the rays of the sun like a great silver bullet. "What...?" I started. "It's all right," Joe said, smiling. The ship looked vaguely familiar. I noticed the crest of Space II near the nose, and a lot of things became clear then. I also saw Walsh standing near one of the huts, a stun gun in his hand. "Hello, Major," he called, almost cheerfully. The gun didn't look cheerful, though. It was pointed at my head. "Fancy meeting you here, Colonel," I said, trying to match his joviality. Somehow it didn't quite come off. Joe was walking beside me, waving at the colonel, beaming all over with happiness. "I see you found your man," Walsh said. I turned rapidly. Joe nodded and kept grinning, a grin that told me he was getting a big kick out of all this. Like a kid playing a game. I faced Walsh again. "Okay, what's it all about, pal?" "Colonel," Walsh corrected me. "You mustn't forget to say Colonel, Major ." He emphasized my rank, and he said it with a sort of ruthless finality. I waited. I could see he was just busting to tell me how clever he'd been. Besides, there wasn't much I could do but wait. Not with Walsh pointing the stun gun at my middle. "We've come a long way since the Academy, haven't we, Major?" "If you mean in miles," I said, looking around at the plants, "we sure have." Walsh grinned a little. "Always the wit," he said drily. And then the smile faded from his lips and his eyes took on a hard lustre. "I'm going to kill you, you know." He said it as if he were saying, "I think it'll rain tomorrow." Joe almost clapped his hands together with glee. He was really enjoying this. Another of those funny Terran games. "You gave me a powerful handicap to overcome," Walsh said. "I suppose I should thank you, really." "You're welcome," I said. "It wasn't easy living down the disgrace you caused me." "It was your own damn fault," I said. "You knew what you were doing when you decided to cork off." Beside me, Joe chuckled a little, enjoying the game immensely. "You didn't have to report me," Walsh said. "No? Maybe I should have forgotten all about it? Maybe I should have nudged you and served you orange juice? So you could do it again sometime and maybe blow up the whole damn Academy!" Walsh was silent for a long time. When he spoke his voice was barely audible. The heat was oppressive, as if it were concentrated on this little spot in the jungle, focusing all its penetration on a small, unimportant drama. I could hear Joe breathing beside me. "I'm on my way out," Walsh rasped. "Finished, do you understand?" "Good," I said. And I meant it. "This Mars thing. A terrible fix. Terrible." Beside me, a slight frown crossed Joe's face. Apparently he couldn't understand the seriousness of our voices. What had happened to the game, the fun? "You brought the Mars business on yourself," I told Walsh. "There was never any trouble before you took command." "The natives," he practically shouted. "They ... they...." Joe caught his breath sharply, and I wondered what Walsh was going to say about the natives. Apparently he'd realized that Joe was a native. Or maybe Joe's knife had something to do with it. "What about the natives?" I asked. "Nothing," Walsh said. "Nothing." He was silent for a while. "A man of my calibre," he said then, his face grim. "Dealing with savages." He caught himself again and threw a hasty glance at Joe. The perplexed frown had grown heavier on Joe's face. He looked at the colonel in puzzlement.
train	53269	[ "Given the information in the article, what is the purpose of a Geiger counter?", "What best describes how the overall tone changed from the beginning of the article?", "What best describes Eddie's character?", "What best describes Eddie's usual relationship with Teena and her family?", "Out of the choices below, predict which future career Eddie would most likely pick given his interests present in the article.", "What is Eddie's response to Teena's mother's concern over the missing isotope?", "How does Eddie's reaction and his father's reaction to the missing isotope different?", "How would Eddie's reaction to the missing isotope been different if he had not been so knowledgeable about radioactivity?", "What can you conclude about Eddie's attitude towards his father?", "What is one likely difference between Eddie and Teena?" ]	[ [ "To measure rock formation patterns.", "To measure for radiation.", "To find hidden rocks.", "To measure gravity." ], [ "From worrisome to frustrated.", "From apathetic to solemn.", "From lighthearted to tense.", "From upbeat to sympathetic." ], [ "He has a deep appreciation for nuclear science.", "He is boy who often gets into trouble.", "He tries to act older and more intelligent than he is.", "He tries to copy everything his father says, does, and feels." ], [ "Teena and her family often get annoyed when Eddie comes to their house.", "Teena and her family are welcoming of Eddie's presence since he is a friend of Teena's.", "Teena and her family only accept Eddie out of respect for the friendship of Eddie and Teena's parents.", "Eddie is often intrusive and interrupts the happenings of Teena and her family's house." ], [ "A nuclear scientist because he is always curious.", "A college professor as inspired by his father.", "An nuclear engineer because he enjoys inventing.", "A spy because they are intriguing." ], [ "He only causes more concern for her after explaining isotopes.", "He acts equally as concerned as her.", "He tries to comfort her by explaining isotopes.", "He tries to demonstrate his knowledge of radioactivity to her." ], [ "Eddie's father is horrified, while Eddie acts apathetic.", "Eddie's father is disappointed, while Eddie is unaware of the severity of the situation.", "Eddie's father is worried, while Eddie's curiosity is heightened.", "Eddie's father is panicked, while Eddie tries to remain lighthearted." ], [ "He would have been very worried due to the severity of the situation.", "He would not have cared because he would be disinterested in the situation.", "He would have been extremely curious about the situation.", "He would have found a way to be more helpful for his father's situation." ], [ "Eddie academically challenges his father.", "Eddie annoys his father.", "Eddie looks up to his father.", "Eddie tries to relate to his father." ], [ "Teena is more inspired by her parent(s) than Eddie.", "Teena is less intelligent than Eddie. ", "Teena is not as knowledgeable in science as Eddie.", "Teena dislikes science, unlike Eddie." ] ]	[ 2, 3, 1, 2, 1, 3, 3, 2, 3, 3 ]	[ 0, 1, 0, 0, 0, 1, 0, 0, 0, 0 ]	YOUNG READERS Atom Mystery 11 CHAPTER ONE It was only a dream. Eddie Taylor would like to have finished it, but the bar of morning sunlight poking in under the window shade pried his eyes open. The dream fled. Eddie kicked off the sheet, swung his feet to the floor, and groped under the bed for his tennis shoes. He heard his father’s heavy footsteps in the hallway. They stopped outside of his bedroom door. “You awake, Eddie?” “I’m awake, Dad,” Eddie answered. “Breakfast’s ready. Get washed and dressed.” 12 “Be right there,” Eddie said. Then, remembering the dream, he added, “Oh, Dad, is it all right if I use the Geiger counter today?” Mr. Taylor opened the door. He was a big man, broad-shouldered and still thin-waisted. Eddie found it easy to believe the stories he had heard about his father being an outstanding football player in his time. Even his glasses and the gray hair at his temples didn’t add much age, although Eddie knew it had been eighteen years since his father had played his last game of college football. “You may use the Geiger counter any time you want, Eddie,” Mr. Taylor said, “as long as you take good care of it. You figured out where you can find some uranium ore?” Eddie smiled sheepishly. “I—I had a dream,” he said. “Plain as day. It was out on Cedar Point. I was walking along over some rocks. Suddenly the Geiger counter began clicking like everything.” 13 “Cedar Point?” his father asked. “I’ve never been out there. But, from what I hear, there are plenty of rock formations. Might be worth a try, at that. You never can tell where you might strike some radioactivity.” “Do you believe in dreams, Dad?” “Well, now, that’s a tough question, son. I can’t say that I really do. Still, one clue is as good as another when it comes to hunting uranium ore, I guess. But right now we’d better get out to breakfast before your mother scalps us. Hurry it up.” His father turned and went back down the hallway toward the kitchen. Eddie pulled on his trousers and T shirt and went into the bathroom. He washed hurriedly, knowing that even if he missed a spot or two, he was fairly safe. During the summer months his freckles got so thick and dark that it would take a magnifying glass to detect any small smudges of dirt hiding among them. He plastered some water on his dark-red hair, pushed a comb through it, and shrugged as it snapped back almost to its original position. Oh, well, he had tried. 14 He grinned into the mirror, reached a finger into his mouth, and unhooked the small rubber bands from his tooth braces. He dropped them into the waste basket. He’d put fresh ones in after breakfast. He brushed his teeth carefully, taking particular pains around the metal braces. The tooth-straightening orthodontist had warned him about letting food gather around the metal clamps. It could start cavities. Finished, Eddie went out to breakfast. “Good morning, dear,” his mother greeted him, handing him a plate of eggs. “Hi, Mom,” Eddie said. “Gotta hurry. Big day today.” “So your father says. But I’m afraid your big day will have to start with sorting out and tying up those newspapers and magazines that have been collecting in the garage.” “Aw, Mom—” “Eddie, I asked you to do it three days ago. Remember? And the Goodwill truck comes around today.” “But, Mom—” 15 “No arguments, son,” his father put in calmly but firmly. “School vacation doesn’t mean that your chores around here are on vacation, too. Get at it right away, and you’ll still have time to hunt your uranium. “Well,” Mr. Taylor added, excusing himself from the table, “I’d better be getting over to school. I’m expecting to receive shipment of a new radioisotope today.” The very word excited Eddie. In fact, anything having to do with atomic science excited him. He knew something about isotopes—pronounced eye-suh-tope . You couldn’t have a father who was head of the atomic-science department at Oceanview College without picking up a little knowledge along the way. Eddie knew that a radioisotope was a material which had been “cooked” in an atomic reactor until it was “hot” with radioactivity. When carefully controlled, the radiation stored up in such isotopes was used in many beneficial ways. 16 “Why don’t college professors get summer vacations, too?” Eddie asked. One reason for asking that particular question was to keep from prying deeper into the subject of the radioisotope. Much of his father’s work at Oceanview College was of a secret nature. Eddie had learned not to ask questions about it. His father usually volunteered any information he wanted known, so Eddie stuck to questions which could and would be answered. “We get vacations,” his father said. “But—well, my work is a little different, you know. At the speed atomic science is moving today, we simply can’t afford to waste time. But don’t worry. We’ll take a week or so off before school starts in the fall. Maybe head for the mountains with our tent and sleeping bags.” “And Geiger counter?” Eddie asked eagerly. “Wouldn’t think of leaving it home,” his father said, smiling. “By the way, I put new batteries in it the other day. Take it easy on them. Remember to switch it off when you’re not actually using it.” “I will,” Eddie promised. He had forgotten several times before, weakening the batteries. 17 It took Eddie over an hour to sort out the newspapers and magazines in the garage, tie them in neat bundles, and place them out on the front curb for the Goodwill pickup. By that time the sun was high overhead. It had driven off the coolness which the ocean air had provided during the earlier hours. “Anything else, Mom?” he asked, returning to the house and getting the Geiger counter out of the closet. He edged toward the back door before his mother had much time to think of something more for him to do. “I guess not, dear,” Mrs. Taylor said, smiling over his hasty retreat. “What are you going to do?” “Think I’ll do a little prospecting,” Eddie said. “Where?” “Probably in the hills beyond the college,” Eddie said. The more he thought about it, the more he realized it was a little late in the day to go to Cedar Point. The best way to get there was by rowboat across Moon Bay, and that was too long a row to be starting now. Besides, there were plenty of other places around the outskirts of Oceanview where likely looking rock formations invited search with a Geiger counter. 18 “Are you going alone?” his mother asked. “Oh, guess I’ll stop by and see if Teena wants to go,” Eddie answered casually. He tried to make it sound as though he would be doing Teena Ross a big favor. After all, she was only a girl. Eddie didn’t figure a girl would make a very good uranium prospecting partner, but most of the fellows he knew were away at camp, or vacationing with their folks, or something like that. “She’ll enjoy it, I’m sure,” his mother said. “I’ll take Sandy, too,” Eddie said. “He needs the exercise.” “That’s a good idea, dear. Be back in time for an early dinner.” Eddie let Sandy off his chain. The taffy-colored cocker spaniel yipped wildly over his freedom, racing back and forth as Eddie started down the street. 19 Christina Ross—whom everybody called Teena—lived at the far end of the block. Eddie went around to the side door of the light-green stucco house and knocked. “Oh, hi, Eddie,” Teena greeted him, appearing at the screen door. “I was hoping you’d come over.” “Well, I—I just happened to be going by,” Eddie said. “Thought you might want to watch me do a little prospecting with the Geiger counter. But maybe you’re too busy.” That’s how to handle it, Eddie thought. Don’t act anxious. Let Teena be anxious. Then maybe she’ll even offer to bring along a couple of sandwiches or some fruit. “Oh, I’d love to go,” Teena said eagerly, “but I’m just finishing the dishes. Come on in.” “I’m in kind of a hurry.” “I’ll only be a minute.” She pushed the screen door open for him. “I’ll make us some sandwiches.” “Stay here, Sandy,” Eddie said. “Sit.” The dog minded, although he looked a bit rebellious. 20 Eddie went inside and followed Teena to the kitchen. He felt triumphant about the sandwiches. Teena tossed him a dish towel. “You dry them,” she said. “Who, me?” “Why not? You’re in a hurry, aren’t you? I can make the sandwiches while you dry the silverware.” She smiled, putting tiny crinkles in her small, slightly upturned nose. She wore her hair in a pony tail. Even though her hair was blond all year long, it seemed even lighter in the summer. Eddie couldn’t tell whether the sun had faded it, or whether her deep summer tan simply made her hair look lighter by contrast. Maybe both. “Hello, Eddie,” Mrs. Ross said, coming into the kitchen. “Looks like Teena put you to work.” “She always does, Mrs. Ross,” Eddie said, pretending great injury. “Don’t know why I keep coming over here.” “I know,” Teena spoke up quickly. “It’s because we’re friends, that’s why.” 21 Eddie knew she was right. They were friends—good friends. They had been ever since Eddie’s family had moved to Oceanview and his father had become head of the college’s atomic-science department. In fact, their parents were close friends, also. Teena’s father was chief engineer for the Acme Aviation Company, one of the coast town’s largest manufacturing concerns. “Well, I’ll be glad to finish them, Eddie,” Mrs. Ross offered. “I know how boys detest doing dishes.” “Oh, I don’t really mind, Mrs. Ross,” Eddie said. “Besides, Teena’s making sandwiches to take with us.” “Another prospecting trip?” Teena’s mother glanced at the Geiger counter which Eddie had set carefully on the dinette table. “I still think there must be some uranium around here,” Eddie insisted. “And we can find it if anyone can.” “I agree,” Mrs. Ross said. “But even if you don’t find it, you both seem to enjoy your hikes.” 22 “Oh, yes, it’s fun, Mother,” Teena replied, wrapping wax paper around a sandwich. “Guess I’m ready. I’ve got a bone for Sandy, too.” “Don’t go too far out from town,” Mrs. Ross cautioned, as Eddie picked up the Geiger counter. “And stick near the main roads. You know the rules.” “We sure do, Mrs. Ross,” Eddie assured her. “And we’ll be back early.” They walked past the college campus, and toward the rocky foothills beyond. At various rock mounds and outcroppings, Eddie switched on the Geiger counter. The needle of the dial on the black box wavered slightly. A slow clicking came through the earphones, but Eddie knew these indicated no more than a normal background count. There were slight traces of radioactivity in almost all earth or rocks. It was in the air itself, caused by mysterious and ever-present cosmic rays, so there was always a mild background count when the Geiger counter was turned on; but to mean anything, the needle had to jump far ahead on the gauge, and the clicking through the earphones had to speed up until it sounded almost like bacon frying in a hot skillet. 23 There was none of that today. After they had hiked and searched most of the forenoon, Eddie said, “We might as well call it a day, Teena. Doesn’t seem to be anything out here.” “It’s all right with me,” Teena agreed, plucking foxtails from Sandy’s ears. “Pretty hot, anyway. Let’s eat our sandwiches and go back home.” “All right,” Eddie said. “You know, one of these days I’d like to go out to Cedar Point and scout around. Maybe we’ll find something there.” Then he told Teena about his dream. Teena smiled. “A dream sure isn’t much to go on,” she said, “but they say it’s pretty out on Cedar Point. I’ll go any time you want to, Eddie.” She handed him one of the sandwiches. It was midafternoon by the time they arrived back at Teena’s house. They worked a while on a new jigsaw puzzle Teena had received on a recent birthday. Then Eddie said good-by and went on down the street toward his own home. 24 After putting Sandy on his long chain and filling his water dish, Eddie went in the back door. He put the Geiger counter in the closet and went into the kitchen. “What’s for dinner, Mom?” he asked. Mrs. Taylor turned from the sink. Eddie knew at once, just seeing the expression on his mother’s face, that something was wrong. “Dinner?” his mother said absently. “It’s not quite four o’clock yet, Eddie. Besides, dinner may be a little late today.” “But this morning you said it would be early,” Eddie reminded her, puzzled. “This morning I didn’t know what might happen.” 25 Then Eddie heard the sound of his father’s voice coming from the den. There was a strange urgent tone in it. The door to the den was open. Eddie went through the dining room and glanced into the den. His father sat stiffly behind his homemade desk, talking rapidly into the telephone. Eddie caught only the last few sketchy words. Then his father placed the telephone in its cradle, glanced up, and saw Eddie. If there had been even the slightest doubt in Eddie’s mind about something being wrong, it vanished now. Mr. Taylor looked years older than he had that very morning. Worry lay deep in his eyes. He fumbled thoughtfully with a pencil, turning it end over end on his desk. “Hello, son,” he said. He didn’t even ask whether Eddie had discovered any uranium ore that day. Always before, he had shown genuine interest in Eddie’s prospecting trips. “Dad,” Eddie said anxiously, “what—what’s the matter?” “It shows that much, does it, son?” his father said tiredly. “What’s wrong, Dad?” Eddie prompted. “Or can’t you tell me?” Mr. Taylor leaned back. “Quite a bit’s wrong, Eddie,” he said, “and I guess there’s no reason why I shouldn’t tell you. It’ll be in the evening papers, anyway.” 26 “Evening papers?” “Eddie, you remember me mentioning this morning about that radioisotope shipment I was expecting today?” “I remember,” Eddie said. “Did it come?” “It did—and it didn’t,” his father said. “What does that mean, Dad?” Eddie asked, puzzled. “The delivery truck arrived at the school with it,” his father explained, “but while the driver was inquiring where to put it, the container disappeared.” “Disappeared?” “The radioisotope was stolen, Eddie,” his father said slowly. “Stolen right out from under our noses!” 27 CHAPTER TWO At the moment, Eddie didn’t pry for further information on the theft of the valuable radioactive isotope. His father had plenty on his mind, as it was. The main information was in the evening Globe , which Eddie rushed out to get as soon as he heard it plop onto the front porch. He took the newspaper to his father to read first. After having finished, Mr. Taylor handed the paper to Eddie and leaned back thoughtfully in his chair. 28 “They’ve got it pretty straight, at that,” Mr. Taylor said, “but I’m afraid this is going to stir up quite a bit of trouble.” “It wasn’t your fault, was it, Dad?” Eddie defended. “It was as much mine as anybody’s, son,” his father said. “Probably more so. After all, I am head of the department. I knew about the shipment. That should make it my responsibility to see that it was properly received and placed in our atomic-materials storage vault. But there is little point in trying to place the blame on anyone. I’m willing to accept that part of it. The important thing is that we recover that radioisotope. Not only is it of a secret nature, but it is also dangerously radioactive if improperly handled.” “But—but wasn’t it in a safe container?” Eddie asked. 29 “Of course,” his father said. “There were only two ounces of it in a fifty-pound lead capsule. As long as it remains in that capsule it’s safe. As you know, the lead prevents any radiation from escaping. Out of that capsule, however, those two ounces of radioisotope can be very dangerous.” “Fifty pounds,” Eddie said thoughtfully. “That’s a pretty big thing to steal, isn’t it?” “Not when it’s lead, son,” his father replied. “Not much bigger than a two-quart milk bottle, in fact.” “Even at that, no kid could have taken it,” Eddie said. “Kid?” His father smiled thinly. “We don’t think it was any kid, Eddie. Not by a long shot. The whole thing was carefully planned and carefully carried out. It was not the work of amateurs.” Eddie read the newspaper account. The small truck from Drake Ridge, where one of the country’s newest atomic reactors was located, had arrived earlier than expected at Oceanview College. It had backed up to the receiving dock where all of the college supplies were delivered. Since deliveries during vacation months were few, there was no one on the dock when the truck arrived. A half hour later, when the delivery was expected, there would have been. The truck’s early arrival had caught them unprepared. 30 The driver had left the truck and had gone around the building to the front office. It had taken him less than five minutes to locate the receiving-dock foreman. Together, they had returned through the small warehouse and opened the rear door onto the dock. During that short time someone had pried open the heavy padlock on the delivery truck’s rear door and had stolen the fifty-pound lead capsule containing the radioisotope. Dusty footprints on the pavement around the rear of the truck indicated that two men had carried out the theft. A heavy iron pry bar had been dropped at the rear of the truck after the lock was sprung. It was a common type used by carpenters. There were no fingerprints or other identifying marks on it. The footprints were barely visible and of no help other than to indicate that two men were involved in the crime. 31 “Dad,” Eddie asked, looking up from the paper, “how could anyone carry away something weighing fifty pounds without being noticed?” “Chances are they had their car parked nearby,” his father said. “As you know, there are no fences or gates around Oceanview College. People come and go as they please. As a matter of fact, there are always quite a few automobiles parked around the shipping and receiving building, and parking space is scarce even during summer sessions. Anyone could park and wait there unnoticed. Or they could walk around without attracting any undue attention.” “But, Dad,” Eddie continued, “how would the men know that the delivery truck would arrive a half hour early?” “They wouldn’t,” his father said. “They may have had another plan. The way things worked out, they didn’t need to use it. The early delivery and the business of leaving the truck unguarded for a few minutes probably gave them a better opportunity than they had expected. At least, they took quick advantage of it.” 32 “I don’t see what anyone would want with a radioisotope,” Eddie said. “Maybe they figured there was something else inside of that lead capsule.” “That’s unlikely, son,” Mr. Taylor said. “Believe me, it was no common theft. Nor were the thieves ordinary thieves. That isotope was a new one. A very secret one. Our job at the college was to conduct various tests with it in order to find out exactly how it could best be put to use as a cure for disease, or for sterilizing food, or even as a source of power.” “Power?” Eddie said. “Boy, it must have been a strong isotope.” He knew that the strength of radioisotopes could be controlled largely by the length of time they were allowed to “cook” in an atomic reactor and soak up radioactivity. 33 “We weren’t planning to run a submarine with it,” his father said. “It wasn’t that strong. Still, it doesn’t take so very much radioactivity to make two ounces of an isotope quite powerful—and quite deadly. I only hope whoever stole it knows what he’s doing. However, I’m sure he does.” “You mean he must have been an atomic scientist himself?” Eddie asked. “Let’s just say he—or both of them—have enough training in the subject to know how to handle that isotope safely,” Mr. Taylor said. “But, Dad,” Eddie wondered, “what could they do with it?” “They could study it,” his father explained. “At least, they could send it somewhere to be broken down and studied. Being a new isotope, the formula is of great value.” “What do you mean, send it somewhere?” Eddie asked. “Perhaps to some other country.” “Then—then you mean whoever stole it were spies!” Eddie exclaimed breathlessly. “That’s entirely possible,” his father said. “In fact, it’s the only logical explanation I can think of. People simply don’t go around stealing radioactive isotopes without a mighty important reason.” 34 “Dinner’s ready,” Eddie’s mother called from the kitchen. During dinner Eddie wasn’t sure just what he was eating. The idea of spies stealing atomic materials kept building up in his mind. By the time dessert was finished, he was anxious to talk with someone, yet he knew he shouldn’t bother his father with any more questions. He asked if he could go over and visit with Teena for a while. “Well, you were together most of the day,” his mother said, “but I guess it’s all right. Be back in about an hour, though.” It was a balmy evening. On such evenings, he and Teena sometimes walked along the beach barefoot, collecting sea shells. Today Eddie had no desire to do that. He ran down the block. Teena answered his knock. “Come on in, Eddie,” she invited, seeming surprised to see him. “Mother and I are just finishing dinner.” “Oh, I figured you’d be through by now,” Eddie apologized, following her inside. 35 “Hello, Eddie,” Mrs. Ross said, but she didn’t seem as cheerful as usual. “Good evening, Mrs. Ross,” Eddie said. “I—I hope I’m not making a pest of myself.” He looked around for Mr. Ross, but Teena’s father apparently hadn’t arrived home from Acme Aircraft yet. There wasn’t a place set for him at the table, either. “You’re never a pest, Eddie,” Mrs. Ross assured him. “I was going to call your mother in a little while about that newspaper write-up.” “Oh, you read it?” Eddie said. “How could anyone miss it?” Teena said. “Right on the front page.” “I suppose your father is quite concerned over it,” Teena’s mother said. “Oh, yes,” Eddie affirmed. “He was the one who ordered the isotope.” “What’s an isotope?” Teena asked. “I’m not sure I know, either,” Mrs. Ross said. “Maybe we could understand more of what it’s all about if you could explain what a radioisotope is, Eddie.” 36 “Well,” Eddie said slowly, “it’s not easy to explain, but I’ll try. You know how rare uranium is. There’s not nearly enough of it to fill all the needs for radioactive materials. Besides, pure uranium is so powerful and expensive and dangerous to handle that it’s not a very good idea to try using it in its true form. So they build an atomic reactor like the one at Drake Ridge.” “We’ve driven by it,” Mrs. Ross said. “My, it’s a big place.” “I’ll say,” Eddie agreed. “Of course, only one building holds the reactor itself. It’s the biggest building near the center.” “I remember it,” Teena said. “Well, the reactor is about four stories high,” Eddie went on. “They call it a uranium ‘pile.’ It’s made up of hundreds and hundreds of graphite bricks. That’s where they get the name ‘pile’—from brick pile. Anyway, scattered around in between the bricks are small bits of uranium. Uranium atoms are radioactive. That is, they keep splitting up and sending out rays.” “Why do they do that?” Teena asked. 37 “It’s just the way nature made uranium, I guess,” Eddie said. “Most atoms stay in one piece, although they move around lickety-split all of the time. Uranium atoms not only move around, but they break apart. They shoot out little particles called neutrons. These neutrons hit other atoms and split them apart, sending out more neutrons. It’s a regular chain reaction.” “I’ve heard of chain reactions,” Mrs. Ross said. “Well, with all of the splitting up and moving around of the uranium atoms,” Eddie went on, “an awful lot of heat builds up. If they don’t control it—well, you’ve seen pictures of atomic-bomb explosions. That’s a chain reaction out of control.” “Out of control is right,” Teena said. 38 “But the atomic piles control the reaction,” Eddie said. “The graphite bricks keep the splitting-up atoms apart so one neutron won’t go smashing into other atoms unless they want it to. They have ways of controlling it so that only as much radiation builds up as they want. You can even hear the reactor hum as the radioactive rays go tearing through it. But by careful tending, the scientists keep the atomic collisions far enough apart so the thing doesn’t blow up.” “Boy, that sounds dangerous,” Teena said. “Well, they know just how to do it,” Eddie replied. “Aren’t the rays dangerous?” Mrs. Ross asked. “I’ll say they’re dangerous,” Eddie said. “But the whole pile is covered by a shield of concrete about eight feet thick. That keeps the rays from getting out and injuring the workmen.” “Goodness. Eight feet is a lot of cement.” “It takes a lot to stop radioactive atomic particles,” Eddie explained. “Especially the gamma rays. They’re the fastest and most dangerous, and the hardest to stop. Alpha and beta rays are fairly easy to stop. But the gamma rays are regular high-velocity invisible bullets. They’ll go right through a stone wall unless it’s plenty thick. Of course, you can’t see them. Not with even the most powerful microscope in the world.” 39 “I wouldn’t want to work around a place where I might get shot at by—by dangerous rays you can’t even see,” Teena said. “I would,” Eddie said. “Everyone is carefully protected. They see to that. Well, anyway, if all of those uranium atoms were shooting radioactive rays around inside of that pile and doing nothing, there would be an awful lot of energy going to waste. So the atomic scientists take certain elements which aren’t radioactive, but can be made radioactive, and shove small pieces of them into holes drilled in the pile.” “Isn’t that dangerous?” Teena asked. “They don’t shove them in with their bare hands,” Eddie said, trying not to show exasperation. “They use long holders to push the small chunks of material into the holes in the reactor. Then, as those uranium atoms keep splitting up and shooting particles around inside of the pile, some of them smack into the chunks of material, and stick there. Most elements will soak up radiation, just like a sponge soaks up water.” 40 “My, that’s interesting, Eddie,” Mrs. Ross said. “I’ve seen them do it,” Eddie said proudly, then added, “from behind a protective shield, of course. When the material has soaked up enough radiation, they pull it back out. They say it’s ‘cooked.’” “You mean it’s hot?” Teena asked. “It’s hot,” Eddie said, “but not like if it came out of a stove. By hot, they mean it’s radioactive. If you touched it, or even got near it, you would get burned, but you probably wouldn’t even know it for a while. It would be a radiation burn. That’s a kind of burn you don’t feel, but it destroys your blood cells and tissues, and—well, you’ve had it.” “So that’s what a radioisotope is,” Mrs. Ross said. “It’s like a sponge. Only instead of soaking up water, it soaks up radiation.” 41 “That’s about it,” Eddie said. “My dad says that as more is learned about the ways to use isotopes, the whole world is going to be improved. You’ve heard of radiocobalt for curing cancer. Well, that’s an isotope. They make it by cooking cobalt in an atomic reactor. Oh, there are hundreds of different isotopes. Like I said, isotopes can be made of most of the elements. And there are over a hundred elements. Some soak up a lot of radioactivity, and are strong and dangerous. Others absorb only a little and are pretty safe to use. Depends, too, on how long they let them cook in the reactor.” “What kind was the one stolen from the college today?” Teena asked. “Dad didn’t say exactly,” Eddie answered, “except he did say that if whoever took it didn’t know what he was doing and opened up the lead capsule, it could kill him. Of course, even the mild isotopes are deadly if they’re not handled right.” “My goodness, it is a serious matter, isn’t it?” Mrs. Ross said. 42 Eddie nodded. It was even more serious than its threat of danger to anyone who handled it carelessly. It was a new isotope—a secret isotope. His father hadn’t said whether it had been developed for curing things or for destroying things. But many radioisotopes could do either; it depended on how they were used. Eddie assumed that anyone who would stoop to stealing isotopes more than likely would be interested in their ability to destroy rather than their ability to benefit mankind. “Well, I certainly do hope everything works out all right,” Teena’s mother said. “So do I,” Teena agreed. Eddie glanced at the kitchen clock. “Oh, boy,” he said, “I’d better be heading back home. I didn’t mean to come over here and talk so long.” “Oh, we’re glad you did, Eddie,” Mrs. Ross said. “I’m afraid too few of us know anything about this atom business.” 43 “That’s right, Mrs. Ross,” Eddie agreed. “People should talk more and read more about it. After all, this is an atomic age. We might as well face it. My father says that in horse-and-buggy days everyone knew how to feed a horse and grease a wagon wheel. They knew what was needed to get the work done. But now that atoms are being harnessed to do the work, not many people even bother to find out what an atom is.” Mrs. Ross smiled. “I guess you’re right, Eddie,” she said, “but I wouldn’t quite know how to go about feeding an atom.” “Or greasing one,” Teena added. Eddie laughed. “I sure wouldn’t want the job of trying to feed a herd of them the size of a period,” he said. “Did you know that there are about three million billion atoms of carbon in a single period printed at the end of a sentence. That’s how small atoms are.” “Three million billion is a lot of something,” a man’s voice spoke behind him. “What are we talking about, Eddie?” “Oh, hello, Mr. Ross,” Eddie said, turning around and standing up. “I didn’t hear you come in.” 44 Teena’s father was a medium-sized man with light-brown hair which was getting somewhat thin on top. He was usually quite cheerful and full of fun, but tonight his face seemed unusually drawn and sober. He stepped to the table, leaned over, and gave both Teena and Mrs. Ross a kiss on the cheek. “Eddie was telling us about atoms,” Teena’s mother said. “Did you know there were three million billion of them in a period?” “How many in a comma?” Mr. Ross said to Eddie, then added quickly, “forget it, Eddie. It wasn’t very funny. I—I’m afraid I don’t feel very funny tonight.” “Sit down, dear,” Mrs. Ross said. “I’ll warm your dinner. You didn’t sound very cheerful when you called to say you would be late. How did everything go at the plant today?” “Not so good,” Teena’s father said tiredly. “In fact, not good at all.” Problems. It seemed that everyone had problems, Eddie thought, as he started to leave.
train	61481	[ "What do the harsh weather conditions described at the beginning of the article foreshadow about the tone of the rest of the reading?", "Of all the characters, who is seen as an antagonist in the article?", "What word best describes Commander Curtis?", "What would the main characters of the article all most likely agree with about Androka? ", "Was it Nelson's decision to become part of the military?", "Was the gas incident deadly?", "Why are many of the main characters so suspicious of each other?", "What is an important lesson Androka should have learned from his failed attempts in the article?" ]	[ [ "The article will be stressful.", "The article will be uneventful.", "The article will be gloomy.", "The article will be mysterious" ], [ "Androka's assistant because he turned off the radio.", "Commander Curtis because he rarely complied with the other crew members.", "The radio man on the ship because he could not complete Commander Curtis's orders.", "Androka, because his actions severely inconvenienced the crew of the ship." ], [ "Collaborative", "Egotistical", "Authoritative", "Fierce" ], [ "Androka is arrogant.", "Androka can be noncompliant.", "Androka is often clueless.", "Androka can be mysterious." ], [ "No, he would have rather fought on Germany's side.", "No, he was forced into a career in the military.", "Yes, he wanted to help America after the horrors of the First World War.", "Yes, he was influenced by his parents to live a life of service." ], [ "Yes, there were bodies scattered all over the ship.", "No, exposed crewmen were left nearly comatose.", "Yes, and only gas masks could help prevent death from the gas exposure.", "No, because Androka made sure to expose the crewmen to a nondeadly gas." ], [ "Because many of the characters are making ignorant mistakes.", "Because many of the characters have reason from prior experiences to not trust each other.", "Because many of characters are of different nationalities in the midst of a World War.", "Because many of the characters are in a state of confusion and fear after the gas incident." ], [ "Being motivated by hatred is the most beneficial motivation.", "Pursuing self-interest can have negative impacts all around you.", "Communication is key, especially when lost at sea.", "It is better to work alone than with others." ] ]	[ 1, 4, 3, 2, 2, 2, 3, 2 ]	[ 0, 1, 0, 1, 1, 1, 0, 1 ]	SILENCE IS—DEADLY By Bertrand L. Shurtleff Radio is an absolute necessity in modern organization—and particularly in modern naval organization. If you could silence all radio—silence of that sort would be deadly! [Transcriber's Note: This etext was produced from Astounding Science-Fiction April 1942. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] The hurried rat-a-tat of knuckles hammered on the cabin door. Commander Bob Curtis roused himself from his doze, got up from his chair, stretched himself to his full, lanky height and yawned. That would be Nelson, his navigating officer. Nelson always knocked that way—like a man in an external state of jitters over nothing at all. Curtis didn't hurry. It pleased him to let Nelson wait. He moved slowly to the door, paused there, and flung a backward glance at the man in the cabin with him—Zukor Androka, the elderly Czech scientist, a guest of the United States navy, here aboard the cruiser Comerford . The wizened face of the older man was molded in intent lines of concentration, as his bushy gray head bent over his drawing board. Curtis got a glimpse of the design on which he was working, and his lips relaxed in a faint smile. Androka had arrived on board the Comerford the day before she sailed from Norfolk. With him came a boatload of scientific apparatus and equipment, including a number of things that looked like oxygen tanks, which were now stored in the forward hold. Androka had watched over his treasures with the jealous care of a mother hen, and spent hours daily in the room in the superstructure that had been assigned as his laboratory. Sometimes, Curtis thought old Androka was a bit wacky—a scientist whose mind had been turned by the horror that had come to his country under the domination of the Nazi gestapo . At other times, the man seemed a genius. Perhaps that was the answer—a mad genius! Curtis opened the door and looked out. Rain whipped against his face like a stinging wet lash. Overhead, the sky was a storm-racked mass of clouds, broken in one spot by a tiny patch of starlit blue. His eyes rested inquiringly on the face of the man who stood before him. It was Nelson, his shaggy blond brows drawn scowlingly down over his pale eyes; his thin face a mass of tense lines; his big hands fumbling at the neck of his slicker. Rain was coursing down his white cheeks, streaking them with glistening furrows. The fellow was a headache to Curtis. He was overfriendly with a black-browed bos'n's mate named Joe Bradford—the worst trouble maker on board. But there was no question of his ability. He was a good navigating officer—dependable, accurate, conscientious. Nevertheless, his taut face, restless, searching eyes, and eternally nervous manner got Curtis' goat. "Come in, Nelson!" he said. Nelson shouldered his way inside, and stood there in his dripping oilskins, blinking his eyes against the yellow light. Curtis closed the door and nodded toward the bent form of Zukor Androka, with a quizzical grin. "Old Czech-and-Double-Czech is working hard on his latest invention to pull Hitler's teeth and re-establish the Czech Republic!" Nelson had no answering smile, although there had been a great deal of good-natured joking aboard the Comerford ever since the navy department had sent the scientist on board the cruiser to carry on his experiments. "I'm worried, sir!" Nelson said. "I'm not sure about my dead reckoning. This storm—" Curtis threw his arm around Nelson's dripping shoulders. "Forget it! Don't let a little error get you down!" "But this storm, sir!" Nelson avoided Curtis' friendly eyes and slipped out from under his arm. "It's got me worried. Quartering wind of undetermined force, variable and gusty. There's a chop to the sea—as if from unestimated currents among the islets. No chance to check by observation, and now there is a chance—look at me!" He held out his hands. They were shaking as if he had the chills. "You say there is a chance?" Curtis asked. "Stars out?" "As if by providence, sir, there's a clear patch. I'm wondering—" His voice trailed off, but his eyes swung toward the gleaming sextant on the rack. Commander Curtis shrugged good-naturedly and reached for the instrument. "Not that I've lost confidence in you, Nels, but just because you asked for it!" Curtis donned his slicker and went outside, sextant in hand. In a few minutes he returned and handed Nelson a sheet of paper with figures underlined heavily. "Here's what I make it," the commander told his navigating officer. "Bet you're not off appreciably." Nelson stared at the computations with shaking head. Then he mutely held up his own. Curtis stared, frowned, grabbed his own sheet again. "Any time I'm that far off old Figure-'em Nelson's estimate, I'm checking back," he declared, frowning at the two papers and hastily rechecking his own figures. "Call up to the bridge to stop her," he told Nelson. "We can't afford to move in these waters with such a possibility of error!" Nelson complied, and the throbbing drive of the engines lessened at once. Nelson said: "I've been wondering, sir, if it wouldn't be advisable to try getting a radio cross-bearing. With all these rocks and islets—" "Radio?" repeated the little Czech, thrusting his face between the other two, in his independent fashion that ignored ship's discipline. "You're using your radio?" He broke into a knowing chuckle, his keen old eyes twinkling behind their thick lenses. "Go ahead and try it. See how much you can get! It will be no more than Hitler can get when Zukor Androka decrees silence over the German airways! Try it! Try it, I say!" Bob Curtis stared at him, as if questioning his sanity. Then he hastened to the radio room, with Nelson at his heels, and the Czech trotting along behind. The door burst open as they neared it. A frightened operator came out, still wearing his earphones, and stood staring upward incredulously at the aërial. "Get us a radio cross-bearing for location at once," Curtis said sharply, for the operator seemed in a daze. "Bearing, sir?" The man brought his eyes down with difficulty, as if still dissatisfied. "I'm sorry, sir, but the outfit's dead. Went out on me about five minutes ago. I was taking the weather report when the set conked. I was trying to see if something's wrong." The Czech inventor giggled. Curtis gave him another curious look and thrust himself into the radio room. "Try again!" he told the operator. "See what you can get!" The radio man leaped to his seat and tried frantically. Again and again, he sent off a request for a cross-bearing from shore stations that had recently been established to insure safety to naval vessels, but there was no answer on any of the bands—not even the blare of a high-powered commercial program in the higher reach, nor the chatter of ships or amateurs on the shorter. "Dead!" Androka muttered, with a bitter laugh. "Yet not dead, gentlemen! The set is uninjured. The waves are what have been upset. I have shattered them around your ship, just as I can eventually shatter them all over Central Europe! For the next two hours, no radio messages can enter or leave my zone of radio silence—of refracted radio waves, set up by my little station on one of the neighboring islets!" There was a long pause, while commander and navigator stared at him. Curtis was the first to speak. "Your secrecy might well cost the United States navy one of its best light cruisers—and us our lives!" he said angrily. "We need that check by radio at once! If you're not talking nonsense, call off your dogs till we learn just where we are!" Androka held out his palms helplessly. "I can do nothing. I have given orders to my assistant that he must keep two hours of radio silence! I can get no message to him, for our radio is dead!" As if to mock him, the ship's radio began to answer: "Station 297 calling U. S. Cruiser Comerford . Station 297 calling U. S. Cruiser Comerford —" "U. S. Cruiser Comerford calling Station 297!" the operator intoned, winking at the two officers over Androka's discomfiture, and asked for the bearings. The answer came back: "Bearings north east by a quarter east, U. S. Cruiser Comerford !" Curtis sighed with relief. He saw that Nelson was staring fiercely at the radio operator, as the man went on calling: "U. S. Cruiser Comerford calling Station 364. U. S. Cruiser Comerford calling Station 364—" Then the instrument rasped again: "Station 364 calling U. S. Cruiser Comerford . Bearings north west by three west. Bearings north west by three west, U. S. Cruiser Comerford from Cay 364." Commander and navigator had both scribbled verifications of the numbers. Ignoring the gibbering Androka, who was wailing his disappointment that messages had penetrated his veil of silence, they raced for the chart room. Quickly the parallels stepped off the bearing from the designated points. Light intersecting lines proclaimed a check on their position. Curtis frowned and shook his head. Slowly he forced a reluctant grin as he stuck out his hand. "Shake, Nels," he said. "It's my turn to eat crow. You and the radio must be right. Continue as you were!" "I'm relieved, sir, just the same," Nelson admitted, "to have the radio bearings. We'd have piled up sure if you'd been right." They went on through the night. The starlit gap in the clouds had closed. The sky was again a blanket of darkness pouring sheets of rain at them. Nelson went back to the bridge, and Androka returned to the commander's cabin. Curtis lingered in the wireless room with the radio operator. "It's a funny thing," the latter said, still dialing and grousing, "how I got that cross-bearing through and can't get another squeak out of her. I'm wondering if that old goat really has done something to the ether. The set seems O. K." He lingered over the apparatus, checking and rechecking. Tubes lighted; wires were alive to the touch and set him to shaking his head at the tingle they sent through his inquiring fingers. Curtis left him at it, and went to rejoin Androka in the cabin. He found the little inventor pacing up and down, shaking his fists in the air; pausing every now and then to run his bony fingers through his tangled mop of gray hair, or to claw nervously at his beard. "You have seen a miracle, commander!" he shouted at Curtis. " My miracle! My invention has shattered the ether waves hereabouts hopelessly." "Seems to me," Curtis said dryly, "this invention can harm your friends as much as your enemies." The scientist drew himself up to his full height—which was only a little over five feet. His voice grew shrill. "Wait! Just wait! There are other inventions to supplement this one. Put them together, and they will defeat the Nazi hordes which have ravaged my country!" Curtis was a little shocked by the hatred that gleamed in Androka's eyes, under their bushy brows. There was something of the wild animal in the man's expression, as his lips drew back from his yellowed teeth. "Those tanks you have below," Curtis said, "have they some connection with this radio silence?" A far-away look came into Androka's eyes. He did not seem to hear the question. He lowered his voice: "My daughter is still in Prague. So are my sister and her husband, and their two daughters. If the gestapo knew what I am doing, all of them would be better dead. You understand—better dead?" Curtis said: "I understand." "And if the Nazi agents in America knew of the islet from which my zone of silence is projected—" Androka paused, his head tilted to one side, as if he were listening to something— On deck, there was shouting and commotion. Curtis rushed out, pulling on his slicker as he went. The shout from the watch forward had been picked up, and was being relayed all over the ship. The words struck on Curtis' ears with a note of impending tragedy. "Breakers ahead!" He was beside Navigating Officer Nelson on the bridge, and saw the helmsman climbing the rapidly spinning wheel like a monkey as he put it hard aport. Then the ship struck. Everything movable shot ahead until it brought up at the end of a swing or smacked against something solid. Curtis felt Nelson's hand grip his shoulder, as he put his lips close to his ear and shouted: "You must have been right, sir, and the radio bearings and my reckoning wrong. We've hit that reef a terrific smack. I'm afraid we're gored!" "Get out the collision mat!" Curtis ordered. "We ought to be able to keep her up!" And then he became aware of a deadly stillness. A vast wall of silence enveloped the entire cruiser. Looking over the side, he could no longer see the waves that a few minutes before had beaten savagely against the ship. The Comerford was shrouded in a huge pall of yellowish-gray mist, and more of it was coming up from below—from ventilators and hatchways and skylights—as if the whole ship were flooded with some evil vapor. Somehow, Curtis' mind flashed to the stories he'd heard of the forts of the Maginot Line, and of other forts in Holland and Belgium that had fallen before the early Nazi blitzkrieg, when their defenders found themselves struck numb and helpless by a gas that had been flooded into the inner compartments of their strongholds. There were those who said it was the work of sappers who had tunneled under the foundations, while others laid the induction of the gas to Fifth Column traitors. There were a hundred more or less plausible explanations— The vapor clouds that enveloped the Comerford were becoming thicker. All about the deck lay the forms of unconscious seamen, suddenly stricken helpless. And then Curtis saw other forms flitting about the deck—forms that looked like creatures from another world, but he recognized them for what they were—men wearing gas masks. Nelson was nowhere in sight. The steersman lay in a limp heap beside the swinging wheel. Then a gas-masked figure appeared through the shroud of mist and steadied it, so that the cruiser would not be completely at the mercy of the wind and the waves. Curtis heard the anchor let down, as if by invisible hands, the chain screaming and flailing its clanking way through the hawse hole. Then he was completely walled in by the yellowish-gray mist. He felt his senses swimming. Voices droned all around him in mumbling confusion—guttural voices that ebbed and flowed in a tide of excited talk. He caught a word of English now and then, mixed in with a flood of Teuton phonetics. Two words, in particular, registered clearly on his mind. One was " Carethusia "; the other was "convoy." But gradually his eardrums began to throb, as if someone were pounding on them from the inside. He couldn't get his breath; a cloud seemed to be mounting within him until it swept over his brain— He felt something strike the side of his head, and realized that he had fallen in a heap on the bridge. And after that, he wasn't conscious of anything— The rain had abated to a foggy drizzle. The wash of the surf swung the Comerford in a lazy, rolling motion, as she lay with her bow nosing into the sandbar at the entrance of the inlet. From her bridge, Navigating Officer Nelson watched the gas-masked figures moving about the decks, descending companionways—like goblins from an ancient fairy tale or a modern horror story. Nelson looked like a goblin himself, with his face covered by a respirator. At his side, stood his fellow conspirator Bos'n's Mate Joe Bradford, also wearing a gas mask. Nelson spoke in a low tone, his lips close to Bradford's ear. "It worked, Joe!" "Yeah!" Bradford agreed. "It worked—fine!" The limp bodies of the Comerford's crew were being carried to the lowered accommodation ladder and transferred into waiting lifeboats. Nelson swore under his breath. "Reckon it'll take a couple of hours before the ship's rid of that damn gas!" Bradford shook his head in disagreement. "The old geezer claims he's got a neutralizing chemical in one of them tanks of his that'll clear everything up inside half an hour." "I'd rather get along without Androka, if we could!" Nelson muttered. "He's nothing but a crackpot!" "It was a crackpot who invented the gas we used to break up the Maginot Line," Bradford reminded him. "It saved a lot of lives for the Fuehrer —lives that'd have been lost if the forts had to be taken by our storm troopers!" Nelson grunted and turned away. A short, thick-set figure in the uniform of a German naval commander had ascended the accommodation ladder and was mounting to the bridge. He, too, was equipped with a respirator. He came up to Nelson, saluted, and held out his hand, introducing himself as Herr Kommander Brandt. He began to speak in German, but Nelson stopped him. "I don't speak any German," he explained. "I was born and educated in the United States—of German parents, who had been ruined in the First World War. My mother committed suicide when she learned that we were penniless. My father—" He paused and cleared his throat. " Ja! Your father?" the German officer prompted, dropping into accented English. "Your father?" "My father dedicated me to a career of revenge—to wipe out his wrongs," Nelson continued. "If America hadn't gone into the First World War, he wouldn't have lost his business; my mother would still be living. When he joined the Nazi party, the way became clear to use me—to educate me in a military prep school, then send me to Annapolis, for a career in the United States navy—and no one suspected me. No one—" "Sometimes," Bradford put in, "I think Curtis suspected you." "Maybe Curtis'll find out his suspicions were justified," Nelson said bitterly. "But it won't do Curtis any good—a commander who's lost his ship." He turned to Brandt. "You have plenty of men to work the Comerford ?" Brandt nodded his square head. "We have a full crew—two hundred men—officers, seamen, mechanics, radio men, technical experts, all German naval reservists living in the United States, who've been sent here secretly, a few at a time, during the past six weeks!" The three—Brandt, Nelson and Bradford—stood on the bridge and talked, while the efficient stretcher-bearers worked industriously to remove the limp bodies of the Comerford's unconscious crew and row them ashore. And when that task was completed, lifeboats began to come alongside with strange-looking radio equipment, and more gas tanks like those Androka had brought aboard the Comerford with him, and dynamos and batteries that looked like something out of a scientific nightmare. And bustling all over the place, barking excited commands in German, pushing and pulling and pointing to emphasize his directions, was the strange figure of Professor Zukor Androka! "The professor's in his glory!" Nelson remarked to Kommander Brandt. "Funny thing about him," Bradford put in, "is that his inventions work. That zone of silence cut us off completely." Kommander Brandt nodded. "Goodt! But you got your message giving your bearings—the wrong ones?" "Yes," Nelson said. "That came through all right. And won't Curtis have a time explaining it!" "Hereafter," Brandt said solemnly, "the zone of silence vill be projected from the Comerford ; and ve have another invention of Androka's vich vill be even more useful vhen ve come to cut the Carethusia out of her convoy." "The Carethusia ?" Nelson asked, in a puzzled tone. Brandt said: "She's a freighter in a convoy out of St. Johns—twelve thousand tons. The orders are to take her; not sink her." "What's the idea?" "Her cargo," Brandt explained. "It iss more precious than rubies. It includes a large shipment of boarts." "Boarts?" Nelson repeated. "What are they?" "Boarts," Brandt told him, "are industrial diamonds—black, imperfectly crystallized stones, but far more valuable to us than flawless diamonds from Tiffany's on Fift' Avenue. They are needed for making machine tools. They come from northern Brazil—and our supply is low." "I should think we could get a shipment of these boarts direct from Brazil—through the blockade," Nelson said, "without taking the risk of capturing a United States navy cruiser." "There are other things Germany needs desperately on board the Carethusia ," Brandt explained. "Vanadium and nickel and hundreds of barrels of lard oil for machine-tool lubrication. Our agents have been watching the convoys closely for weeks for just such a cargo as the Carethusia is taking over." "Can we trust Androka?" Nelson asked, with a sudden note of suspicion in his voice. "Yes," Brandt assured him. "Of all men—we can trust Androka!" "But he's a Czech," Nelson argued. "The gestapo takes care of Czechs and Poles and Frenchmen and other foreigners whom it chooses as its agents," Brandt pointed out. "Androka has a daughter and other relations in Prague. He knows that if anything misfires, if there is the slightest suspicion of treachery on his part, his daughter and the others will suffer. Androka's loyalty is assured!" Nelson turned to watch the forward fighting top of the Comerford . The masked German seamen were installing some sort of apparatus up there—a strange-looking object that looked something like an old-fashioned trench mortar, and which connected with cables to the room that served as Androka's laboratory and workshop. Another crew was installing radio apparatus in the mizzentop turret. Descending a companionway to see what was going on below, Nelson found that portholes were being opened, and men were spraying chemical around to rid the below-decks atmosphere of the lethal gas that had overcome the Comerford's American crew. Returning to the bridge, he found that the tide in the inlet had risen considerably, and that the cruiser was riding more easily at her anchor. Then, at Brandt's orders, the anchor was hauled in, and lifeboats and a motor launch were used as tugs to work the vessel entirely free of the sand bar. This was accomplished without difficulty. Brandt came over to where Nelson was standing on the bridge and held out his hand. "Congratulations, Herr Kommander Nelson!" he said. "Ve have stolen one of the United States navy's newest and fastest cruisers!" He made a gesture as if raising a beer stein to drink a toast. " Prosit! " he added. " Prosit! " Nelson repeated, and the two grinned at each other. Stars were twinkling in a patch of black-blue sky, and broken mountains of gray cloud were skudding before the east wind. Commander Bob Curtis found himself lying in wet sand, on a beach, somewhere, with the rain—now a light, driving mist—beating on his face. He was chilled; his limbs were stiff and numb. His nose and throat felt parched inside, as if a wave of searing heat had scorched them. According to his last calculations, the Comerford had been cruising off the Maine coast. This probably was one of the islets of that region, or it might be the mainland. It was hard work getting to his feet, and when he did manage to stand, he could only plant his heels in the sand and sway to and fro for fully a minute, like a child learning to walk. All around him in the nearly total darkness, he could make out the dim forms of men sprawled on the beach; and of other men moving about, exploring. He heard the murmur of voices and saw the glow of lighted cigarettes. A man with a flashlight was approaching him. Its white glare shone for a moment in Curtis' face, and the familiar voice of Ensign Jack Dillon spoke: "Commander Curtis! Are you O. K., sir?" "I think so!" Curtis' heart warmed at the eager expression in Dillon's face; at the heartfelt concern in his friendly brown eyes. The young ensign was red-headed, impetuous, thoroughly genuine in his emotions. "How about yourself, Jack?" Curtis added. "A bit of a headache from the gas, but that's all. Any orders, sir?" Curtis thought for a moment. "Muster the crew, as best you can. We'll try to make a roll call. Is there any sign of the ship?" There was a solemn note in Dillon's voice. "No, sir. She's been worked off the sandbar and put to sea!" The words struck Curtis with the numbing shock of a blow on some nerve center. For the first time, he realized fully the tragedy that had swept down on him. He had lost his ship—one of the United States navy's fastest and newest small light cruisers—under circumstances which smelled strongly of treachery and sabotage. As he thought back, he realized that he might have prevented the loss, if he had been more alert, more suspicious. For it was clear to him now that the Comerford had been deliberately steered to this place; that the men who had seized her had been waiting here for that very purpose. The pieces of the picture fitted together like a jigsaw puzzle—Androka's zone of silence; the bearings given by radio; Navigating Officer Nelson's queer conduct. They were all part of a carefully laid plan! All the suspicious circumstances surrounding Nelson came flooding into Curtis' mind. He had never liked the man; never trusted him. Nelson always acted as if he had some secret, something to hide. Curtis recalled that Nelson and Androka had long conversations together—conversations which they would end abruptly when anyone else came within earshot. And Nelson had always been chummy with the worst trouble maker in the crew—Bos'n's Mate Bradford. Curtis went around, finding the officers, issuing orders. There were still some unconscious men to be revived. In a sheltered cove among the rocks, an exploring group had found enough dry driftwood to make a fire— In another hour, the skies had cleared, and white moonlight flooded the scene with a ghostly radiance. The men of the Comerford had all regained consciousness and were drying out in front of the big driftwood bonfires in the cove. Curtis ordered a beacon kept burning on a high promontory. Then he got the men lined up, according to their respective classifications, for a check-up on the missing. When this was completed, it was found that the Comerford's entire complement of two hundred and twenty men were present—except Navigating Officer Nelson, and Bos'n's Mate Bradford! And Zukor Androka was also missing! With the coming of dawn, a little exploration revealed that the Comerford's crew was marooned on an islet, about a square mile in area; that they had been put ashore without food or extra clothing or equipment of any kind, and that no boats had been left for them. One searching party reported finding the remains of what had been a radio station on a high promontory on the north shore of the islet. Another had found the remains of tents and log cabins, recently demolished, in a small, timbered hollow—a well-hidden spot invisible from the air, unless one were flying very low; a place where two hundred or more men could have camped. There was a good water supply—a small creek fed by springs—but nothing in the way of food. Evidently food was a precious commodity which the recent inhabitants of the islet couldn't afford to leave behind. Curtis was studying the wreckage of the wireless station, wondering if this might have been the source of Androka's zone of silence, when Ensign Jack Dillon came up to him. "There's a coast-guard cutter heading for the island, sir," he announced.
train	63097	[ "What is a likely reason that the narrator chooses to go with what the citizens of Dondromogon believe about him?", "What statement would the narrator most likely agree with?", "How did the man's treatment change by most of the people after his thumbprints were taken?", "Had the narrator vehemently denied his position as Yandro, would the opinions of the people have likely changed?", "What is one main mood that the narrator initially conveys in the article?", "Choose the most likely outcome if the narrator was not determined to be Yandro?", "Based on the information provided in the article, do you predict the narrator will fully step up to his position as Yandro?", "What statement best summarizes this article?" ]	[ [ "He thinks that going with what the citizens of Dondromogon believe will be his key to escape.", "The people of Dondromogon are harmless, so he perceives no danger in remaining on the planet.", "He does not remember anything, is confused, and cannot back himself up on who he truly is.", "He figures that he will eventually be returned to Earth just as mysteriously as he left." ], [ "He does not fully understand how or why he is Yandro.", "The inhabitants of Dondromogon are unwelcoming no matter his status.", "The inhabitants of Dondromogon are playing a joke on him.", "He has been mistakenly selected by the people of Dondromogon." ], [ "He went from being treated as a criminal to being treated as one of the usual inhabitants of Dondromogon.", "He went from being treated with suspicion to being revered.", "He went from being treated as an invader to reluctantly worshipped as Yandro.", "He went from being respected as a foreigner to being respected as a deity." ], [ "No, because the narrator would eventually be forced against his own will to be Yandro.", "Yes, because the narrator would have been sent back to Earth for his denial of the position.", "Yes, because the inhabitants would have instead acted distastefully towards the narrator for not wanting to assume the position.", "No, because the inhabitants strictly uphold and respect the prophecy that named the narrator as Yandro." ], [ "Superiority", "Fear", "Confusion", "Hatred" ], [ "He would have never met Doriza.", "He would be sent back to Earth.", "He would not be honored on Dondromogon.", "His memory would have came back faster." ], [ "No, he will never come out of his state of amnesia to be able to fulfil his duties.", "Yes, because he is willing to learn and work with the people of Dondromogon.", "Yes, because he will be arrested if he does not.", "No, because he firmly denies that he is the Yandro and wants to return to Earth." ], [ "A man suffers memory loss and violence as he tries to rediscover himself on a new planet.", "A man greedily assumes power on a new planet at the expense of learning who he previously was on planet Earth.", "A man shockingly learns that he will be the savior of a distressed community on another planet.", "A man vows to end a war on a new planet after being threatened to by the inhabitants." ] ]	[ 3, 1, 2, 4, 3, 3, 2, 3 ]	[ 0, 0, 1, 1, 0, 0, 0, 0 ]	Warrior of Two Worlds By MANLY WADE WELLMAN He was the man of two planets, drawn through the blackness of space to save a nation from ruthless invaders. He was Yandro, the Stranger of the Prophecy—and he found that he was destined to fight both sides. [Transcriber's Note: This etext was produced from Planet Stories Summer 1944. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] My senses came to me slowly and somehow shyly, as if not sure of their way or welcome. I felt first—pressure on my brow and chest, as if I lay face downward; then the tug and buffet of a strong, probing wind, insistent but not cold, upon my naked skin. Closing my hands, I felt them dig into coarse dirt. I turned my face downwind and opened my eyes. There was little to see, so thick was the dust cloud around me. Words formed themselves on my thick tongue, words that must have been spoken by so many reviving unfortunates through the ages: "Where am I?" And at once there was an answer: " You lie upon the world Dondromogon. " I knew the language of that answer, but where it came from—above, beneath, or indeed within me—I could not say. I lifted a hand, and knuckled dust from my eyes. "How did I get here?" I demanded of the speaker. "It was ordered—by the Masters of the Worlds—that you should be brought from your own home planet, called Earth in the System of the star called Sun. Do you remember Earth?" And I did not know whether I remembered or not. Vague matters stirred deep in me, but I could not for certain say they were memories. I asked yet again: "Who am I?" The voice had a note of triumph. "You do not know that. It is as well, for this will be a birth and beginning of your destined leadership on Dondromogon." "Destined—leadership—" I began to repeat, and fell silent. I had need to think. The voice was telling me that I had been snatched from worlds away, for a specified purpose here on whatever windswept planet Dondromogon might be. "Birth and beginning—destined leadership—" Fantastic! And yet, for all I could say to the contrary, unvarnishedly true. "Dondromogon?" I mumbled. "The name is strange to me." "It is a world the size of your native one," came words of information. "Around a star it spins, light-years away from the world of your birth. One face of Dondromogon ever looks to the light and heat, wherefore its metals run in glowing seas. The other face is ever away in cold darkness, with its air freezing into solid chunks. But because Dondromogon wavers on its axis, there are two lunes of its surface which from time to time shift from night to day. These are habitable." My eyes were tight shut against the dust, but they saw in imagination such a planet—one-half incandescent, one-half pitchy black. From pole to pole on opposite sides ran the two twilight zones, widest at the equators like the outer rind of two slices of melon. Of course, such areas, between the hot and cold hemispheres, would be buffeted by mighty gales ... the voice was to be heard again: "War is fought between the two strips of habitable ground. War, unceasing, bitter, with no quarter asked, given or expected. Dondromogon was found and settled long ago, by adventurers from afar. Now come invaders, to reap the benefits of discovery and toil." A pause. "You find that thought unpleasant? You wish to right that wrong?" "Anyone would wish that," I replied. "But how—" "You are going to ask how you were brought here. That is the mystery of the Masters ." The voice became grand. "Suffice it that you were needed, and that the time was ripe. There is a proper time, like a proper place, for each thing and each happening. Now, go to your destiny." I rose on my knees, shielding my face from the buffeting wind by lifting a forearm. Somewhere through the murky clouds showed a dim blocky silhouette, a building of sorts. The voice spoke no more. I had not the time to wonder about it. I got to my feet, bent double to keep from being blown over, and staggered toward the promised haven. I reached it, groped along until I found a door. There was no latch, handle or entry button, and I pounded heavily on the massive panels. The door opened from within, and I was blown inside, to fall sprawling. I struck my forehead upon a floor of stone or concrete, and so was half-stunned, but still I could distinguish something like the sound of agitated voices. Then I felt myself grasped, by both shoulders, and drawn roughly erect. The touch restored my senses, and I wrenched myself violently free. What had seized me? That was my first wonder. On this strange world called Dondromogon, what manner of intelligent life bade defiance to heat and cold and storm, and built these stout structures, and now laid hands—were they hands indeed?—upon me? I swung around, setting my back to a solid wall. My first glance showed me that my companions were creatures like myself—two-legged, fair-skinned men, shorter and slighter than I, but clad in metal-faced garments and wearing weapons in their girdles. I saw that each bore a swordlike device with a curved guard, set in a narrow sheath as long as my arm. Each also had a shorter weapon, with a curved stock to fit the palm of the hand, borne snugly in a holster. With such arms I had a faint sense of familiarity. "Who are you, and where are you from?" said one of the two, a broad-faced middle-aged fellow. "Don't lie any more than you can help." I felt a stirring of the hair on my neck, but kept my voice mild and level: "Why should I lie? Especially as I don't know who I am, or where I'm from, or anything that has happened longer ago than just a moment. I woke up out there in the dust storm, and I managed to come here for shelter." "He's a Newcomer spy," quoth the other. "Let's put him under arrest." "And leave this gate unguarded?" demanded the other. "Sound the signal," and he jerked his head toward a system of levers and gauges on the wall beside the door-jamb. "There's a bigger reward for capture than for warning," objected his friend in turn, "and whoever comes to take this man will claim 'capture.' I'll guard here, and you take him in, then we'll divide—" "No. Yours is the idea. I'll guard and you take him in." The second man studied me apprehensively. "He's big, and looks strong, even without weapons." "Don't be afraid," I urged. "I'll make no resistance, if you'll only conduct me to your commander. I can show him that I'm no spy or enemy." Both stared narrowly. "No spy? No enemy?" asked the broad-faced one who had first spoken. Then, to his comrade: "No reward, then." "I think there'll be a reward," was the rejoinder, and the second man's hand stole to the sword-weapon. With a whispering rasp it cleared from its scabbard. "If he's dead, we get pay for both warning and capture—" His thumb touched a button at the pommel of the hilt. The dull blade suddenly glowed like heated iron, and from it crackled and pulsed little rainbow rays. There was no time to think or plan or ponder. I moved in, with a knowing speed that surprised me as much as the two guards. Catching the fellow's weapon wrist, I clamped it firmly and bent it back and around. He whimpered and swore, and his glowing sword dropped. Its radiant blade almost fell on my naked foot. Before the clang of its fall was through echoing, I had caught it up, and set the point within inches of its owner's unprotected face. "Quiet, or I'll roast you," I told him. The other had drawn a weapon of his own, a pistol-form arrangement. I turned on him, but too late. He pressed the trigger, and from the muzzle came—not a projectile but a flying, spouting filament of cord that seemed to spring on me like a long thin snake and to fasten coil after coil around my body. The stuff that gushed from the gun-muzzle seemed plastic in form, but hardened so quickly upon contact with the air, it bound me like wire. Half a dozen adroit motions of the fellow's gun hand, and my arms were caught to my body. I dropped my sword to prevent it burning me, and tried to break away, but my bonds were too much for me. "Let me out of this," I growled, and kicked at the man with my still unbound foot. He snapped a half-hitch on my ankle, and threw me heavily. Triumphant laughter came from both adversaries. Then: "What's this?" The challenge was clear, rich, authoritative. Someone else had come, from a rearward door into the stone-walled vestibule where the encounter was taking place. A woman this time, not of great height, and robust but not heavy. She was dressed for vigorous action in dark slacks with buskins to make them snug around ankles and calves, a jerkin of stout material that was faced with metal armor plates and left bare her round, strong arms. A gold-worked fillet bound her tawny hair back from a rosy, bold-featured face—a nose that was positively regal, a mouth short and firm but not hard, and blue eyes that just now burned and questioned. She wore a holstered pistol, and a cross-belt supported several instruments of a kind I could not remember seeing before. A crimson cloak gave color and dignity to her costume, and plainly she was someone of position, for both the men stiffened to attention. "A spy," one ventured. "He pushed in, claimed he was no enemy, then tried to attack—" "They lie," I broke in, very conscious of my naked helplessness before her regard. "They wanted to kill me and be rewarded for a false story of vigilance. I only defended myself." "Get him on his feet," the young woman said, and the two guards obeyed. Then her eyes studied me again. "Gods! What a mountain of a man!" she exclaimed. "Can you walk, stranger?" "Barely, with these bonds." "Then manage to do so." She flung off her cloak and draped it over my nakedness. "Walk along beside me. No tricks, and I promise you fair hearing." We went through the door by which she had entered, into a corridor beyond. It was lighted by small, brilliant bulbs at regular intervals. Beyond, it gave into several passages. She chose one of them and conducted me along. "You are surely not of us," she commented. "Men I have seen who are heavier than you, but none taller. Whence came you?" I remembered the strange voice that had instructed me. "I am from a far world," I replied. "It is called—yes, Earth. Beyond that, I know nothing. Memory left me." "The story is a strange one," she commented. "And your name?" "I do not know that, either. Who are you?" "Doriza—a gentlewoman of the guard. My inspection tour brought me by chance to where you fought my outposts. But it is not for you to ask questions. Enter here." We passed through another door, and I found myself in an office. A man in richly-embossed armor platings sat there. He had a fringe of pale beard, and his eyes were bluer than the gentlewoman Doriza's. She made a gesture of salute, hand at shoulder height, and reported the matter. He nodded for her to fall back to a corner. "Stranger," he said to me, "can you think of no better tale to tell than you now offer?" "I tell the truth," was my reply, not very gracious. "You will have to prove that," he admonished me. "What proof have I?" I demanded. "On this world of yours—Dondromogon, isn't it called?—I'm no more than an hour old. Accident or shock has taken my memory. Let me have a medical examination. A scientist probably can tell what happened to put me in such a condition." "I am a scientist," offered Doriza, and came forward. Her eyes met mine, suddenly flickered and lowered. "His gaze," she muttered. The officer at the table was touching a button. An attendant appeared, received an order, and vanished again. In a few moments two other men came—one a heavily armed officer of rank, the other an elderly, bearded fellow in a voluminous robe that enfolded him in most dignified manner. This latter man opened wide his clear old eyes at sight of me. "The stranger of the prophecy!" he cried, in a voice that made us all jump. The officer rose from behind the table. "Are you totally mad, Sporr? You mystic doctors are too apt to become fuddled—" "But it is, it is!" The graybeard flourished a thin hand at me. "Look at him, you of little faith! Your mind dwells so much on material strength that you lose touch with the spiritual—" He broke off, and wheeled on the attendant who had led him in. "To my study," he commanded. "On the shelf behind my desk, bring the great gold-bound book that is third from the right." Then he turned back, and bowed toward me. "Surely you are Yandro, the Conquering Stranger," he said, intoning as if in formal prayer. "Pardon these short-sighted ones—deign to save us from our enemies—" The girl Doriza spoke to the officer: "If Sporr speaks truth, and he generally does, you have committed a blasphemy." The other made a little grimace. "This may be Yandro, though I'm a plain soldier and follow the classics very little. The First Comers are souls to worship, not to study. If indeed he is Yandro," and he was most respectful, "he will appreciate, like a good military mind, my caution against possible impostors." "Who might Yandro be?" I demanded, very uncomfortable in my bonds and loose draperies. Old Sporr almost crowed. "You see? If he was a true imposter, he would come equipped with all plausible knowledge. As it is—" "As it is, he may remember that the Conquering Stranger is foretold to come with no memory of anything," supplied the officer. "Score one against you, Sporr. You should have been able to instruct me, not I you." The attendant reentered, with a big book in his hands. It looked old and well-thumbed, with dim gold traceries on its binding. Sporr snatched it, and turned to a brightly colored picture. He looked once, his beard gaped, and he dropped to his knees. "Happy, happy the day," he jabbered, "that I was spared to see our great champion come among us in the flesh, as was foretold of ancient time by the First Comers!" Doriza and the officer crossed to his side, snatching the book. Their bright heads bent above it. Doriza was first to speak. "It is very like," she half-stammered. The officer faced me, with a sort of baffled respect. "I still say you will understand my caution," he addressed me, with real respect and shyness this time. "If you are Yandro himself, you can prove it. The prophecy even sketches a thumb-print—" And he held the book toward me. It contained a full-page likeness, in color, of myself wrapped in a scarlet robe. Under this was considerable printed description, and to one side a thumb-print, or a drawing of one, in black. "Behold," Doriza was saying, "matters which even expert identification men take into thought. The ears in the picture are like the ears of the real man—" "That could be plastic surgery," rejoined the officer. "Such things are artfully done by the Newcomers, and the red mantle he wears more easily assumed." Doriza shook her head. "That happens to be my cloak. I gave it to him because he was naked, and not for any treasonable masquerade. But the thumb-print—" "Oh, yes, the thumb-print," I repeated wearily. "By all means, study my thumbs, if you'll first take these bonds off of me." "Bonds," mumbled old Sporr. He got creakily up from his knees and bustled to me. From under his robe he produced a pouch, and took out a pencil-sized rod. Gingerly opening the red mantle, he touched my tether in several places with the glowing end of the rod. The coils dropped away from my grateful body and limbs. I thrust out my hands. "Thumb-prints?" I offered. Sporr had produced something else, a little vial of dark pigment. He carefully anointed one of my thumbs, and pressed it to the page. All three gazed. "The same," said Doriza. And they were all on their knees before me. "Forgive me, great Yandro," said the officer thickly. "I did not know." "Get up," I bade them. "I want to hear why I was first bound, and now worshipped." II They rose, but stood off respectfully. The officer spoke first. "I am Rohbar, field commander of this defense position," he said with crisp respect. "Sporr is a mystic doctor, full of godly wisdom. Doriza, a junior officer and chief of the guard. And you—how could you know?—are sent by the First Comers to save us from our enemies." "Enemies?" I repeated. "The Newcomers," supplemented Doriza. "They have taken the "Other Side" of Dondromogon, and would take our side as well. We defend ourselves at the poles. Now," and her voice rang joyously, "you will lead us to defeat and crush them utterly!" "Not naked like this," I said, and laughed. I must have sounded foolish, but it had its effect. "Follow me, deign to follow me," Sporr said. "Your clothing, your quarters, your destiny, all await you." We went out by the door at the rear, and Sporr respectfully gestured me upon a metal-plated platform. Standing beside me, he tinkered with a lever. We dropped smoothly away into a dark corridor, past level after level of light and sound. "Our cities are below ground," he quavered. "Whipped by winds above, we must scrabble in the depths for life's necessities—chemicals to transmute into food, to weave into clothing, to weld into tools and weapons—" The mention of food brought to me the thought that I was hungry. I said as much, even as our elevator platform came to the lowest level and stopped. "I have arranged for that," Sporr began, then fell silent, fingers combing his beard in embarrassment. "Arranged food for me?" I prompted sharply. "As if you know I had come? What—" "Pardon, great Yandro," babbled Sporr. "I was saying that I arranged food, as always, for whatever guest should come. Please follow." We entered a new small chamber, where a table was set with dishes of porcelain-like plastic. Sporr held a chair for me, and waited on me with the utmost gingerly respect. The food was a pungent and filling jelly, a little bundle of transparent leaves or scraps like cellophane and tasting of spice, and a tumbler of pink juice. I felt refreshed and satisfied, and thanked Sporr, who led me on to the next room. "Behold!" he said, with a dramatic gesture. "Your garments, even as they have been preserved against your coming!" It was a sleeping chamber, with a cot made fast to the wall, a metal locker or cupboard, with a glass door through which showed the garments of which Sporr spoke. The door closed softly behind me—I was left alone. Knowing that it was expected of me, I went to the locker and opened the door. The garments inside were old, I could see, but well kept and serviceable. I studied their type, and my hands, if not my mind, seemed familiar with them. There was a kiltlike item, belted at the waist and falling to mid-thigh. A resilient band at the top, with a series of belt-holes, made it adaptable to my own body or to any other. Then came an upper garment, a long strip of soft, close-woven fabric that spiralled around the torso from hip to armpit, the end looping over the left shoulder and giving full play to the arms. A gold-worked fillet bound the brows and swept back my longish hair, knotting at the nape of the neck. The only fitted articles were a pair of shoes, metal-soled and soft-uppered, that went on well enough and ran cross-garters up to below the knee, like buskins. The case also held a platinum chain for the neck, a belt-bag, and a handsome sword, with clips to fasten them in place. These things, too, I donned, and closed the glass door. The light struck it at such an angle as to make it serve for a full-length mirror. With some curiosity I gazed at my image. The close-fitting costume was rich and dark, with bright colors only for edgings and minor accessories. I myself—and it was as if I saw my body for the first time—towered rather bluffly, with great breadth of chest and shoulder, and legs robust enough to carry such bulk. The face was square but haggard, as if from some toil or pain which was now wiped from my recollection. That nose had been even bigger than it was now, but a fracture had shortened it somewhat. The eyes were deep set and dark and moody—small wonder!—the chin heavy, the mouth made grim by a scar at one corner. Black, shaggy hair hung down like brackets. All told, I looked like a proper person for physical labor, or even fierce fighting—but surely no inspirational leader or savior of a distressed people. I took the military cloak which Doriza had lent me and slung it over my shoulders. Turning, I clanked out on my metal-soled shoes. Sporr was waiting in the room where I had eaten. His eyes widened at sight of me, something like a grin of triumph flashed through his beard. Then he bowed, supple and humble, his palms together. "It is indeed Yandro, our great chief," he mumbled. Then he turned and crossed the room. A sort of mouthpiece sprouted from the wall. "I announce," he intoned into it. "I announce, I, Sporr, the reader and fore-teller of wisdom. Yandro is with us, he awaits his partners and friends. Let them meet him in the audience hall." Facing me again, he motioned most respectfully toward the door to the hall. I moved to open it, and he followed, muttering. Outside stood Doriza. Her blue eyes met mine, and her lips moved to frame a word. Then, suddenly, she was on her knee, catching my hand and kissing it. "I serve Yandro," she vowed tremulously. "Now and forever—and happy that I was fated to live when he returned for the rescue of all Dondromogon." "Please get up," I bade her, trying not to sound as embarrassed as I felt. "Come with me. There is still much that I do not understand." "I am Yandro's orderly and helper," she said. Rising, she ranged herself at my left hand. "Will Yandro come this way? He will be awaited in the audience hall." It seemed to me then that the corridors were vast and mixed as a labyrinth, but Doriza guided me without the slightest hesitation past one tangled crossway after another. My questions she answered with a mixture of awe and brightness. "It is necessary that we live like this," she explained. "The hot air of Dondromogon's sunlit face is ever rising, and the cold air from the dark side comes rushing under to fill the vacuum. Naturally, our strip of twilight country is never free of winds too high and fierce to fight. No crops can grow outside, no domestic animals flourish. We must pen ourselves away from the sky and soil, with stout walls and heavy sunken parapets. Our deep mines afford every element for necessities of life." I looked at my garments, and hers. There were various kinds of fabric, which I now saw plainly to be synthetic. "The other side, where those you call the Newcomers dwell and fight," I reminded. "Is it also windswept? Why can two people not join forces and face toil and nature together? They should fight, not each other, but the elements." Doriza had no answer that time, but Sporr spoke up behind us: "Great Yandro is wise as well as powerful. But the Newcomers do not want to help, not even to conquer. They want to obliterate us. There is nothing to do—not for lifetimes—but to fight them back at the two poles." We came to a main corridor. It had a line of armed guards, but no pedestrians or vehicles, though I thought I caught a murmur of far-off traffic. Doriza paused before a great portal, closed by a curtainlike sheet of dull metal. She spoke into a mouthpiece: "Doriza, gentlewoman of the guard, conducts Yandro, the Conquering Stranger, to greet his lieutenants!" I have said that the portal was closed by a curtainlike metal sheet; and like a curtain it lifted, letting us through into the auditorium. That spacious chamber had rows of benches, with galleries above, that might have seated a thousand. However, only a dozen or so were present, on metal chairs ranged across the stage upon which we entered. They were all men but two, and wore robes of black, plum-purple or red. At sight of me, they rose together, most respectfully. They looked at me, and I looked at them. My first thought was, that if these were people of authority and trust in the nation I seemed destined to save, my work was cut out for me. Not that they really seemed stupid—none had the look, or the subsequent action, of stupidity. But they were not pleasant. Their dozen pairs of eyes fixed me with some steadiness, but with no frankness anywhere. One man had a round, greedy-seeming face. Another was too narrow and cunning to look it. Of the women, one was nearly as tall as I and nobly proportioned, with hair of a red that would be inspiring were it not so blatantly dyed. The other was a little wisp of a brunette, with teeth too big for her scarlet mouth and bright eyes like some sort of a rodent. They all wore jewelry. Too much jewelry. My mind flew back to the two scrubby, venial guardsmen who had first welcomed me; to stuffy Rohbar, the commander; to Sporr, spry and clever enough, but somehow unwholesome; Doriza—no, she was not like these others, who may have lived too long in their earth-buried shelters. And Doriza now spoke to the gathering: "Yandro, folk of the Council! He deigns to give you audience." " Yandro! " They all spoke the name in chorus, and bowed toward me. Silence then, a silence which evidently I must break. I broke it: "Friends, I am among you with no more memory or knowledge than an infant. I hear wonderful things, of which I seem to be the center. Are they true?" "The tenth part of the wonders which concern mighty Yandro have not been told," intoned Sporr, ducking his bearded head in a bow, but fixing me with his wise old eyes. One of the group, called Council by Doriza, now moved a pace forward. He was the greedy-faced man, short but plump, and very conscious of the dignified folds of his purple robe. One carefully-tended hand brushed back his ginger-brown hair, then toyed with a little moustache. "I am Gederr, senior of this Council," he purred. "If Yandro permits, I will speak simply. Our hopes have been raised by Yandro's return—the return presaged of old by those who could see the future, and more recently by the death in battle of the Newcomer champion, called Barak." "Barak!" I repeated. "I—I—" And I paused. When I had to learn my own name, how could it be that I sensed memory of another's name? "Barak was a brute—mighty, but a brute." Thus Gederr continued. "Weapons in his hands were the instruments of fate. His hands alone caused fear and ruin. But it pleased our fortune-bringing stars to encompass his destruction." He grinned, and licked his full lips. "Now, even as they are without their battle-leader, so we have ours." "You honor me," I told him. "Yet I still know little. It seems that I am expected to aid and lead and save the people of this world called Dondromogon. But I must know them before I can help." Gederr turned his eyes upon the woman with the red hair, and gestured to her "Tell him, Elonie." Then he faced me. "Have we Yandro's permission to sit?" "By all means," I granted, a little impatiently, and sat down myself. The others followed suit—the Council on their range of chairs, Doriza on a bench near me, Sporr somewhere behind. The woman called Elonie remained upon her sandalled feet, great eyes the color of deep green water fixed upon me.
train	60515	[ "What is the overall tone of the article?", "How would the main character's reaction been different if his wife was alive when he came back home?", "How did the gloomy outcome of World War III in the article foreshadow the rest of the main character's story?", "What is a theme of the article?", "What can you best infer about the connection the main character had with his wife?", "How does the monster wearing the diamond ring send a different message than the main character's wife wearing the same ring? ", "Why did the main character no longer keep the ruby necklace?", "Would the main character had fought as hard in World War III if he knew that his family would not be home when he returned?", "Given that many of the animals in America seem to have a mutation, what is one probable explanation of what may have caused the mutations given that World War III had recently ended?" ]	[ [ "Serious", "Grim", "Violent", "Objective" ], [ "He would have realized her love for him had vanished.", "He would not have been as solemn as he was when he discovered she was no longer there. ", "He would have been in a state of confusion because he would not have recognized his wife.", "He would still be very depressed from the aftermath of the war." ], [ "The main character would still find ways to motivate himself regardless of what he faced.", "The main character would continue to realize how superficial the world is.", "The main character would continue to suffer loss.", "The main character would succumb to every failure." ], [ "With loss comes great strength.", "Material objects cannot replace emotional connection.", "Things will always stay right where you left them.", "With honor comes struggle." ], [ "He had a connection with her worth more than what could be captured in an object.", "He had a connection with her that would end once he left for war.", "His connection with her was not strong enough to withstand time.", "His connection with her was not as strong as he thought." ], [ "The ring now shows that material love is stronger than emotional love.", "The ring is meaningless now that it is not worn by his wife.", "The ring now shows that anyone can hold a symbol of love.", "The ring shows that the love between the main character and his wife was not exclusive between them." ], [ "He would rather the monster have the necklace.", "He wanted the necklace to remain with the house where his love was.", "He figured his wife might come back for the necklace and know that he had returned from war.", "The love that was symbolized by the necklace is now gone." ], [ "No, because he would be too devastated to fight.", "Yes, because he wanted to make sure that he and his men won World War III.", "No, because he would have nothing to come back home to anyways.", "Yes, because he was adamant on surviving World War III." ], [ "America experienced a famine that led to animals eating trash and experiencing mutations in later generations.", "There was a nuclear weapon attack in America from an opposing country that led to mutations in animals there.", "America spent all its money on war and neglected its land, which led to mutations in the animals.", "Most of World War III was fought in America, so all the gun powder and resources caused mutations in the animals." ] ]	[ 2, 2, 3, 2, 1, 2, 4, 3, 2 ]	[ 1, 0, 0, 1, 0, 1, 0, 1, 0 ]	HOMECOMING BY MIGUEL HIDALGO What lasts forever? Does love? Does death?... Nothing lasts forever.... Not even forever [Transcriber's Note: This etext was produced from Worlds of If Science Fiction, April 1958. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] The large horse plodded slowly over the shifting sand. The rider was of medium size, with huge, strong hands and seemingly hollow eyes. Strange eyes, alive and aflame. They had no place in the dust-caked, tired body, yet there they were, seeking, always seeking—searching the clear horizon, and never seeming to find what they sought. The horse moved faster now. They were nearing a river; the water would be welcome on tired bodies and dry throats. He spurred his horse, and when they reached the water's edge, he dismounted and unsaddled the horse. Then both man and horse plunged headlong into the waiting torrent, deep into the cool embrace of the clear liquid. They soaked it into their pores and drank deeply of it, feeling life going once more through their veins. Satisfied, they lifted themselves from the water, and the man lay down on the yellow sand of the river bank to sleep. When he awoke, the sun was almost setting. The bright shafts of red light spilled across the sky, making the mountains silent scarlet shadows on the face of the rippling water. Quickly he gathered driftwood, and built a small fire. From his pack he removed some of the coffee he had found in one of the ruined cities. He brought water from the river in the battered coffee-pot he had salvaged, and while he waited for it to boil, he went to his horse, Conqueror, stroking his mane and whispering in his ear. Then he led him silently to a grassy slope where he hobbled him and left him for the night. In the fading light, he ate the hard beef jerky and drank the scalding coffee. Refreshed and momentarily content, he sat staring into the dying fire, seeing the bright glowing coals as living fingers clutching at the wood in consuming embrace, taking all and returning nothing but ashes. Slowly his eyelids yielded. His body sagged, and blood seemed to fill his brain, bathing it in a gentle, warm flood. He slept. His brain slept. But the portion of his brain called memory stirred. It was all alone; all else was at rest. Images began to appear, drawn from inexhaustible files, wherein are kept all thoughts, past, present, and future.... It was the night before he was to go overseas. World War III had been declared, and he had enlisted, receiving his old rank of captain. He was with his wife in the living room of their home. They had put the children to bed—their sons—and now sat on the couch, watching the blazing fire. It was then that he had showed it to her. "I've got something to tell you, and something to show you." He had removed the box from his pocket and opened it. And heard her cry of surprised joy. "Oh, a ring, and it's a diamond, too!" she cried in her rich, happy voice which always seemed to send a thrill through his body. "It's for you; so long as you wear it, I'll come back, even from the dead, if need be. Read the inscription." She held the ring up to the light and read aloud, "It is forever." Then she had slipped the ring on her finger and her arms around him. He held her very close, feeling the warmth from her body flowing into his and making him oblivious to everything except that she was there in his arms and that he was sinking deep, deep into a familiar sea, where he had been many times before but each time found something new and unexplored, some vastly different emotion he could never quite explain. "Wait!" she cried. "I've something for you, too." She took off the locket she wore about her neck and held it up to the shimmering light, letting it spin at the end of its chain. It caught the shadows of the fire and reflected them, greatly magnified, over the room. It was in the shape of a star, encrusted with emeralds, with one large ruby in the center. When he opened it, he found a picture of her in one side, and in the other a picture of the children. He took her in his arms again, and loosened her long, black hair, burying his face in it for a moment. Then he kissed her, and instantly was drawn down into the abyss which seemed to have no beginning or any end. The next morning had been bleak and gray. The mist clung to the wet, sodden ground, and the air was heavy in his lungs. He had driven off in the jeep the army had sent for him, watching her there on the porch until the mist swirled around her feet and she ran back into the house and slammed the door. His cold fingers found the locket, making a little bulge under his uniform, and the touch of it seemed to warm the blood in his veins. Three days later they had landed in Spain, merged with another division, then crossed the Pyrenees into France, and finally to Paris where the fighting had begun. Already the city was a silent graveyard, littered with the rubble of towers and cathedrals which had once been great. Three years later they were on the road to Moscow. Over a thousand miles lay behind, a dead man on every foot of those miles. Yet victory was near. The Russians had not yet used the H-bomb; the threat of annihilation by the retaliation forces had been too great. He had done well in the war, and had been decorated many times for bravery in action. Now he felt the victory that seemed to be in the air, and he had wished it would come quickly, so that he might return to her. Home. The very feel of the word was everything a battle-weary soldier needed to make him fight harder and live longer. Suddenly he had become aware of a droning, wooshing sound above him. It grew louder and louder until he knew what it was. "Heavy bombers!" The alarm had sounded, and the men had headed for their foxholes. But the planes had passed over, the sun glinting on their bellies, reflecting a blinding light. They were bound for bigger, more important targets. When the all-clear had sounded, the men clambered from their shelters. An icy wind swept the field, bringing with it clouds which covered the sun. A strange fear had gripped him then.... Across the Atlantic, over the pole, via Alaska, the great bombers flew. In cities, great and small, the air raid sirens sounded, high screaming noises which had jarred the people from sleep in time to die. The defending planes roared into the sky to intercept the on-rushing bombers. The horrendous battle split the universe. Many bombers fell, victims of fanatical suicide planes, or of missiles that streaked across the sky which none could escape. But too many bombers got through, dropping their deadly cargo upon the helpless cities. And not all the prayers or entreaties to any God had stopped their carnage. First there had been the red flashes that melted buildings into molten streams, and then the great triple-mushroom cloud filled with the poisonous gases that the wind swept away to other cities, where men had not died quickly and mercifully, but had rotted away, leaving shreds of putrid flesh behind to mark the places where they had crawled. The retaliatory forces had roared away to bomb the Russian cities. Few, if any, had returned. Too much blood and life were on their hands. Those who had remained alive had found a resting place on the crown of some distant mountain. Others had preferred the silent peaceful sea, where flesh stayed not long on bones, and only darting fishes and merciful beams of filtered light found their aluminum coffins. The war had ended. To no avail. Neither side had won. Most of the cities and the majority of the population of both countries had been destroyed. Even their governments had vanished, leaving a silent nothingness. The armies that remained were without leaders, without sources of supplies, save what they could forage and beg from an unfriendly people. They were alone now, a group of tired, battered men, for whom life held nothing. Their families had long since died, their bodies turned to dust, their spirits fled on the winds to a new world. Yet these remnants of an army must return—or at least try. Their exodus was just beginning. Somehow he had managed to hold together the few men left from his force. He had always nourished the hope that she might still be alive. And now that the war was over he had to return—had to know whether she was still waiting for him. They had started the long trek. Throughout Europe anarchy reigned. He and his men were alone. All they could do now was fight. Finally they reached the seaport city of Calais. With what few men he had left, he had commandeered a small yacht, and they had taken to the sea. After months of storms and bad luck, they had been shipwrecked somewhere off the coast of Mexico. He had managed to swim ashore, and had been found by a fisherman's family. Many months he had spent swimming and fishing, recovering his strength, inquiring about the United States. The Mexicans had spoken with fear of the land across the Rio Grande. All its great cities had been destroyed, and those that had been only partially destroyed were devoid of people. The land across the Rio Grande had become a land of shadows. The winds were poisoned, and the few people who might have survived, were crazed and maimed by the blasts. Few men had dared cross the Rio Grande into "El Mundo gris de Noviembre"—the November world. Those who had, had never returned. In time he had traveled north until he reached the Rio Grande. He had waded into the muddy waters and somehow landed on the American side. In the November world. It was rightly called. The deserts were long. All plant life had died, leaving to those once great fertile stretches, nothing but the sad, temporal beauty that comes with death. No people had he seen. Only the ruins of what had once been their cities. He had walked through them, and all that he had seen were the small mutant rodents, and all that he had heard was the occasional swish of the wind as it whisked along what might have been dead leaves, but wasn't. He had been on the trail for a long time. His food was nearly exhausted. The mountains were just beginning, and he hoped to find food there. He had not found food, but his luck had been with him. He had found a horse. Not a normal horse, but a mutation. It was almost twice as large as a regular horse. Its skin seemed to shimmer and was like glassy steel to the touch. From the center of its forehead grew a horn, straight out, as the horn of a unicorn. But most startling of all were the animal's eyes which seemed to speak—a silent mental speech, which he could understand. The horse had looked up as he approached it and seemed to say: "Follow me." And he had followed. Over a mountain, until they came to a pass, and finally to a narrow path which led to an old cabin. He had found it empty, but there were cans of food and a rifle and many shells. He had remained there a long time—how long he could not tell, for he could only measure time by the cycles of the sun and the moon. Finally he had taken the horse, the rifle and what food was left, and once again started the long journey home. The farther north he went, the more life seemed to have survived. He had seen great herds of horses like his own, stampeding across the plains, and strange birds which he could not identify. Yet he had seen no human beings. But he knew he was closer now. Closer to home. He recognized the land. How, he did not know, for it was much changed. A sensing, perhaps, of what it had once been. He could not be more than two days' ride away. Once he was through this desert, he would find her, he would be with her once again; all would be well, and his long journey would be over. The images faded. Even memory slept in a flow of warm blood. Body and mind slept into the shadows of the dawn. He awoke and stretched the cramped muscles of his body. At the edge of the water he removed his clothes and stared at himself in the rippling mirror. His muscles were lean and hard, evenly placed throughout the length of his frame. A deep ridge ran down the length of his torso, separating the muscles, making the chest broad. Well satisfied with his body, he plunged into the cold water, deep down, until he thought his lungs would burst; then swiftly returned to the clean air, tingling in every pore. He dried himself and dressed. Conqueror was eating the long grass near the stream. Quickly he saddled him. No time for breakfast. He would ride all day and the next night. And he would be home. Still northward. The hours crawled slower than a dying man. The sun was a torch that pierced his skin, seeming to melt his bones into a burning stream within his body. But day at last gave way to night, and the sun to the moon. The torch became a white pock-marked goddess, with streaming hair called stars. In the moonlight he had not seen the crater until he was at its very edge. Even then he might not have seen it had not the horse stopped suddenly. The wind swirled through its vast emptiness, slapping his face with dusty hands. For a moment he thought he heard voices—mournful, murmuring voices, echoing up from the misty depths. He turned quickly away and did not look back. Night paled into day; day burned into night. There were clouds in the sky now, and a gentle wind caressed the sweat from his tired body. He stopped. There it was! Barely discernible through the moonlight, he saw it. Home. Quickly he dismounted and ran. Now he could see a small light in the window, and he knew they were there. His breath came in hard ragged gulps. At the window he peered in, and as his eyes became accustomed to the inner gloom, he saw how bare the room was. No matter. Now that he was home he would build new furniture, and the house would be even better than it had been before. Then he saw her. She was sitting motionless in a straight wooden chair beside the fireplace, the feeble light cast by the embers veiling her in mauve shadows. He waited, wondering if she were.... Presently she stirred like a restless child in sleep, then moved from the chair to the pile of wood near the hearth, and replenished the fire. The wood caught quickly, sending up long tongues of flame, and forming a bright pool of light around her. His blood froze. The creature illuminated by the firelight was a monster. Large greasy scales covered its face and arms, and there was no hair on its head. Its gums were toothless cavities in a sunken, mumbling mouth. The eyes, turned momentarily toward the window, were empty of life. "No, no!" he cried soundlessly. This was not his house. In his delirium he had only imagined he had found it. He had been searching so long. He would go on searching. He was turning wearily away from the window when the movement of the creature beside the fire held his attention. It had taken a ring from one skeleton-like finger and stood, turning the ring slowly as if trying to decipher some inscription inside it. He knew then. He had come home. Slowly he moved toward the door. A great weakness was upon him. His feet were stones, reluctant to leave the earth. His body was a weed, shriveled by thirst. He grasped the doorknob and clung to it, looking up at the night sky and trying to draw strength from the wind that passed over him. It was no use. There was no strength. Only fear—a kind of fear he had never known. He fumbled at his throat, his fingers crawling like cold worms around his neck until he found the locket and the clasp which had held it safely through endless nightmare days and nights. He slipped the clasp and the locket fell into his waiting hand. As one in a dream, he opened it, and stared at the pictures, now in the dim moonlight no longer faces of those he loved, but grey ghosts from the past. Even the ruby had lost its glow. What had once been living fire was now a dull glob of darkness. "Nothing is forever!" He thought he had shouted the words, but only a thin sound, the sound of leaves ruffled by the wind, came back to him. He closed the locket and fastened the clasp, and hung it on the doorknob. It moved slowly in the wind, back and forth, like a pendulum. "Forever—forever. Only death is forever." He could have sworn he heard the words. He ran. Away from the house. To the large horse with a horn in the center of its forehead, like a unicorn. Once in the saddle, the spurt of strength left him. His shoulders slumped, his head dropped onto his chest. Conqueror trotted away, the sound of his hooves echoing hollowly in the vast emptiness.
train	61213	[ "What can you best infer about the characteristics of the people in attendance at the tournament hall that Sandra was at?", "What role does Doc play for Sandra?", "Given all the nationalities present at the tournament and the information presented in the article, which nationality would be most likely to win?", "Why would a psychologist be a better programmer than a scientist in response to the WBM having picked a psychologist over a scientist for a programming job?", "Would Sandra consistently consider herself a skilled journalist?", "What statement would many of the chess players at the tournament NOT agree with?", "How would Sandra's journaling experience been if she had not met Doc?", "What is an accurate assumption about the Machine in the article?" ]	[ [ "They are arrogant and lackadaisical.", "They are sharp-minded and determined to win.", "They are confident yet humble.", "They are astute and put together." ], [ "He plays a comedic role.", "He plays a condescending role.", "He plays an entertaining role.", "He plays an informative role." ], [ "Russian", "Hungarian", "French", "American" ], [ "A psychologist would know how to program a chess game to avoid cheating.", "A psychologist can easily learn programming and has the background to be more effective at it than a scientist.", "A psychologist knows the rules of chess more than a scientist does.", "A psychologist could better predict a person's thinking during a chess game than a scientist could." ], [ "Yes, and the way she was able to easily journal about the chess competition shows her competency.", "No, because she usually knows very little about what she will be journaling about.", "No, she has her doubts that her skills are not what makes her successful at interviewing people.", "Yes, because she considers herself a very experienced talker." ], [ "The Machine is impossible to win against.", "There comes pride in winning against the Machine.", "Chess tournaments are serious competitions.", "Chess is a tedious game." ], [ "She would have struggled to identify all the competitors to name in her article if it was not for Doc.", "She would have had more time to get a better understanding to write about the Machine if Doc had not taken up all her time talking.", "She would have likely written a very vague article due to her lack of experience with chess.", "She would have not struggled as much with writing since Doc gave her excess information." ], [ "It \"thinks\" in a way that is more planned than a human.", "A human is more calculated than the Machine.", "The Machine is accurate yet slow compared to other computers.", "It has more experience than a human." ] ]	[ 2, 4, 1, 4, 3, 1, 3, 1 ]	[ 0, 0, 0, 0, 0, 1, 0, 1 ]	THE 64-SQUARE MADHOUSE by FRITZ LEIBER The machine was not perfect. It could be tricked. It could make mistakes. And—it could learn! [Transcriber's Note: This etext was produced from Worlds of If Science Fiction, May 1962. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] Silently, so as not to shock anyone with illusions about well dressed young women, Sandra Lea Grayling cursed the day she had persuaded the Chicago Space Mirror that there would be all sorts of human interest stories to be picked up at the first international grandmaster chess tournament in which an electronic computing machine was entered. Not that there weren't enough humans around, it was the interest that was in doubt. The large hall was crammed with energetic dark-suited men of whom a disproportionately large number were bald, wore glasses, were faintly untidy and indefinably shabby, had Slavic or Scandinavian features, and talked foreign languages. They yakked interminably. The only ones who didn't were scurrying individuals with the eager-zombie look of officials. Chess sets were everywhere—big ones on tables, still bigger diagram-type electric ones on walls, small peg-in sets dragged from side pockets and manipulated rapidly as part of the conversational ritual and still smaller folding sets in which the pieces were the tiny magnetized disks used for playing in free-fall. There were signs featuring largely mysterious combinations of letters: FIDE, WBM, USCF, USSF, USSR and UNESCO. Sandra felt fairly sure about the last three. The many clocks, bedside table size, would have struck a familiar note except that they had little red flags and wheels sprinkled over their faces and they were all in pairs, two clocks to a case. That Siamese-twin clocks should be essential to a chess tournament struck Sandra as a particularly maddening circumstance. Her last assignment had been to interview the pilot pair riding the first American manned circum-lunar satellite—and the five alternate pairs who hadn't made the flight. This tournament hall seemed to Sandra much further out of the world. Overheard scraps of conversation in reasonably intelligible English were not particularly helpful. Samples: "They say the Machine has been programmed to play nothing but pure Barcza System and Indian Defenses—and the Dragon Formation if anyone pushes the King Pawn." "Hah! In that case...." "The Russians have come with ten trunkfuls of prepared variations and they'll gang up on the Machine at adjournments. What can one New Jersey computer do against four Russian grandmasters?" "I heard the Russians have been programmed—with hypnotic cramming and somno-briefing. Votbinnik had a nervous breakdown." "Why, the Machine hasn't even a Haupturnier or an intercollegiate won. It'll over its head be playing." "Yes, but maybe like Capa at San Sebastian or Morphy or Willie Angler at New York. The Russians will look like potzers." "Have you studied the scores of the match between Moon Base and Circum-Terra?" "Not worth the trouble. The play was feeble. Barely Expert Rating." Sandra's chief difficulty was that she knew absolutely nothing about the game of chess—a point that she had slid over in conferring with the powers at the Space Mirror , but that now had begun to weigh on her. How wonderful it would be, she dreamed, to walk out this minute, find a quiet bar and get pie-eyed in an evil, ladylike way. "Perhaps mademoiselle would welcome a drink?" "You're durn tootin' she would!" Sandra replied in a rush, and then looked down apprehensively at the person who had read her thoughts. It was a small sprightly elderly man who looked like a somewhat thinned down Peter Lorre—there was that same impression of the happy Slavic elf. What was left of his white hair was cut very short, making a silvery nap. His pince-nez had quite thick lenses. But in sharp contrast to the somberly clad men around them, he was wearing a pearl-gray suit of almost exactly the same shade as Sandra's—a circumstance that created for her the illusion that they were fellow conspirators. "Hey, wait a minute," she protested just the same. He had already taken her arm and was piloting her toward the nearest flight of low wide stairs. "How did you know I wanted a drink?" "I could see that mademoiselle was having difficulty swallowing," he replied, keeping them moving. "Pardon me for feasting my eyes on your lovely throat." "I didn't suppose they'd serve drinks here." "But of course." They were already mounting the stairs. "What would chess be without coffee or schnapps?" "Okay, lead on," Sandra said. "You're the doctor." "Doctor?" He smiled widely. "You know, I like being called that." "Then the name is yours as long as you want it—Doc." Meanwhile the happy little man had edged them into the first of a small cluster of tables, where a dark-suited jabbering trio was just rising. He snapped his fingers and hissed through his teeth. A white-aproned waiter materialized. "For myself black coffee," he said. "For mademoiselle rhine wine and seltzer?" "That'd go fine." Sandra leaned back. "Confidentially, Doc, I was having trouble swallowing ... well, just about everything here." He nodded. "You are not the first to be shocked and horrified by chess," he assured her. "It is a curse of the intellect. It is a game for lunatics—or else it creates them. But what brings a sane and beautiful young lady to this 64-square madhouse?" Sandra briefly told him her story and her predicament. By the time they were served, Doc had absorbed the one and assessed the other. "You have one great advantage," he told her. "You know nothing whatsoever of chess—so you will be able to write about it understandably for your readers." He swallowed half his demitasse and smacked his lips. "As for the Machine—you do know, I suppose, that it is not a humanoid metal robot, walking about clanking and squeaking like a late medieval knight in armor?" "Yes, Doc, but...." Sandra found difficulty in phrasing the question. "Wait." He lifted a finger. "I think I know what you're going to ask. You want to know why, if the Machine works at all, it doesn't work perfectly, so that it always wins and there is no contest. Right?" Sandra grinned and nodded. Doc's ability to interpret her mind was as comforting as the bubbly, mildly astringent mixture she was sipping. He removed his pince-nez, massaged the bridge of his nose and replaced them. "If you had," he said, "a billion computers all as fast as the Machine, it would take them all the time there ever will be in the universe just to play through all the possible games of chess, not to mention the time needed to classify those games into branching families of wins for White, wins for Black and draws, and the additional time required to trace out chains of key-moves leading always to wins. So the Machine can't play chess like God. What the Machine can do is examine all the likely lines of play for about eight moves ahead—that is, four moves each for White and Black—and then decide which is the best move on the basis of capturing enemy pieces, working toward checkmate, establishing a powerful central position and so on." "That sounds like the way a man would play a game," Sandra observed. "Look ahead a little way and try to make a plan. You know, like getting out trumps in bridge or setting up a finesse." "Exactly!" Doc beamed at her approvingly. "The Machine is like a man. A rather peculiar and not exactly pleasant man. A man who always abides by sound principles, who is utterly incapable of flights of genius, but who never makes a mistake. You see, you are finding human interest already, even in the Machine." Sandra nodded. "Does a human chess player—a grandmaster, I mean—ever look eight moves ahead in a game?" "Most assuredly he does! In crucial situations, say where there's a chance of winning at once by trapping the enemy king, he examines many more moves ahead than that—thirty or forty even. The Machine is probably programmed to recognize such situations and do something of the same sort, though we can't be sure from the information World Business Machines has released. But in most chess positions the possibilities are so very nearly unlimited that even a grandmaster can only look a very few moves ahead and must rely on his judgment and experience and artistry. The equivalent of those in the Machine is the directions fed into it before it plays a game." "You mean the programming?" "Indeed yes! The programming is the crux of the problem of the chess-playing computer. The first practical model, reported by Bernstein and Roberts of IBM in 1958 and which looked four moves ahead, was programmed so that it had a greedy worried tendency to grab at enemy pieces and to retreat its own whenever they were attacked. It had a personality like that of a certain kind of chess-playing dub—a dull-brained woodpusher afraid to take the slightest risk of losing material—but a dub who could almost always beat an utter novice. The WBM machine here in the hall operates about a million times as fast. Don't ask me how, I'm no physicist, but it depends on the new transistors and something they call hypervelocity, which in turn depends on keeping parts of the Machine at a temperature near absolute zero. However, the result is that the Machine can see eight moves ahead and is capable of being programmed much more craftily." "A million times as fast as the first machine, you say, Doc? And yet it only sees twice as many moves ahead?" Sandra objected. "There is a geometrical progression involved there," he told her with a smile. "Believe me, eight moves ahead is a lot of moves when you remember that the Machine is errorlessly examining every one of thousands of variations. Flesh-and-blood chess masters have lost games by blunders they could have avoided by looking only one or two moves ahead. The Machine will make no such oversights. Once again, you see, you have the human factor, in this case working for the Machine." "Savilly, I have been looking allplace for you!" A stocky, bull-faced man with a great bristling shock of black, gray-flecked hair had halted abruptly by their table. He bent over Doc and began to whisper explosively in a guttural foreign tongue. Sandra's gaze traveled beyond the balustrade. Now that she could look down at it, the central hall seemed less confusedly crowded. In the middle, toward the far end, were five small tables spaced rather widely apart and with a chessboard and men and one of the Siamese clocks set out on each. To either side of the hall were tiers of temporary seats, about half of them occupied. There were at least as many more people still wandering about. On the far wall was a big electric scoreboard and also, above the corresponding tables, five large dully glassy chessboards, the White squares in light gray, the Black squares in dark. One of the five wall chessboards was considerably larger than the other four—the one above the Machine. Sandra looked with quickening interest at the console of the Machine—a bank of keys and some half-dozen panels of rows and rows of tiny telltale lights, all dark at the moment. A thick red velvet cord on little brass standards ran around the Machine at a distance of about ten feet. Inside the cord were only a few gray-smocked men. Two of them had just laid a black cable to the nearest chess table and were attaching it to the Siamese clock. Sandra tried to think of a being who always checked everything, but only within limits beyond which his thoughts never ventured, and who never made a mistake.... "Miss Grayling! May I present to you Igor Jandorf." She turned back quickly with a smile and a nod. "I should tell you, Igor," Doc continued, "that Miss Grayling represents a large and influential Midwestern newspaper. Perhaps you have a message for her readers." The shock-headed man's eyes flashed. "I most certainly do!" At that moment the waiter arrived with a second coffee and wine-and-seltzer. Jandorf seized Doc's new demitasse, drained it, set it back on the tray with a flourish and drew himself up. "Tell your readers, Miss Grayling," he proclaimed, fiercely arching his eyebrows at her and actually slapping his chest, "that I, Igor Jandorf, will defeat the Machine by the living force of my human personality! Already I have offered to play it an informal game blindfold—I, who have played 50 blindfold games simultaneously! Its owners refuse me. I have challenged it also to a few games of rapid-transit—an offer no true grandmaster would dare ignore. Again they refuse me. I predict that the Machine will play like a great oaf—at least against me . Repeat: I, Igor Jandorf, by the living force of my human personality, will defeat the Machine. Do you have that? You can remember it?" "Oh yes," Sandra assured him, "but there are some other questions I very much want to ask you, Mr. Jandorf." "I am sorry, Miss Grayling, but I must clear my mind now. In ten minutes they start the clocks." While Sandra arranged for an interview with Jandorf after the day's playing session, Doc reordered his coffee. "One expects it of Jandorf," he explained to Sandra with a philosophic shrug when the shock-headed man was gone. "At least he didn't take your wine-and-seltzer. Or did he? One tip I have for you: don't call a chess master Mister, call him Master. They all eat it up." "Gee, Doc, I don't know how to thank you for everything. I hope I haven't offended Mis—Master Jandorf so that he doesn't—" "Don't worry about that. Wild horses couldn't keep Jandorf away from a press interview. You know, his rapid-transit challenge was cunning. That's a minor variety of chess where each player gets only ten seconds to make a move. Which I don't suppose would give the Machine time to look three moves ahead. Chess players would say that the Machine has a very slow sight of the board. This tournament is being played at the usual international rate of 15 moves an hour, and—" "Is that why they've got all those crazy clocks?" Sandra interrupted. "Oh, yes. Chess clocks measure the time each player takes in making his moves. When a player makes a move he presses a button that shuts his clock off and turns his opponent's on. If a player uses too much time, he loses as surely as if he were checkmated. Now since the Machine will almost certainly be programmed to take an equal amount of time on successive moves, a rate of 15 moves an hour means it will have 4 minutes a move—and it will need every second of them! Incidentally it was typical Jandorf bravado to make a point of a blindfold challenge—just as if the Machine weren't playing blindfold itself. Or is the Machine blindfold? How do you think of it?" "Gosh, I don't know. Say, Doc, is it really true that Master Jandorf has played 50 games at once blindfolded? I can't believe that." "Of course not!" Doc assured her. "It was only 49 and he lost two of those and drew five. Jandorf always exaggerates. It's in his blood." "He's one of the Russians, isn't he?" Sandra asked. "Igor?" Doc chuckled. "Not exactly," he said gently. "He is originally a Pole and now he has Argentinian citizenship. You have a program, don't you?" Sandra started to hunt through her pocketbook, but just then two lists of names lit up on the big electric scoreboard. THE PLAYERS William Angler, USA Bela Grabo, Hungary Ivan Jal, USSR Igor Jandorf, Argentina Dr. S. Krakatower, France Vassily Lysmov, USSR The Machine, USA (programmed by Simon Great) Maxim Serek, USSR Moses Sherevsky, USA Mikhail Votbinnik, USSR Tournament Director : Dr. Jan Vanderhoef FIRST ROUND PAIRINGS Sherevsky vs. Serek Jal vs. Angler Jandorf vs. Votbinnik Lysmov vs. Krakatower Grabo vs. Machine "Cripes, Doc, they all sound like they were Russians," Sandra said after a bit. "Except this Willie Angler. Oh, he's the boy wonder, isn't he?" Doc nodded. "Not such a boy any longer, though. He's.... Well, speak of the Devil's children.... Miss Grayling, I have the honor of presenting to you the only grandmaster ever to have been ex-chess-champion of the United States while still technically a minor—Master William Augustus Angler." A tall, sharply-dressed young man with a hatchet face pressed the old man back into his chair. "How are you, Savvy, old boy old boy?" he demanded. "Still chasing the girls, I see." "Please, Willie, get off me." "Can't take it, huh?" Angler straightened up somewhat. "Hey waiter! Where's that chocolate malt? I don't want it next year. About that ex- , though. I was swindled, Savvy. I was robbed." "Willie!" Doc said with some asperity. "Miss Grayling is a journalist. She would like to have a statement from you as to how you will play against the Machine." Angler grinned and shook his head sadly. "Poor old Machine," he said. "I don't know why they take so much trouble polishing up that pile of tin just so that I can give it a hit in the head. I got a hatful of moves it'll burn out all its tubes trying to answer. And if it gets too fresh, how about you and me giving its low-temperature section the hotfoot, Savvy? The money WBM's putting up is okay, though. That first prize will just fit the big hole in my bank account." "I know you haven't the time now, Master Angler," Sandra said rapidly, "but if after the playing session you could grant me—" "Sorry, babe," Angler broke in with a wave of dismissal. "I'm dated up for two months in advance. Waiter! I'm here, not there!" And he went charging off. Doc and Sandra looked at each other and smiled. "Chess masters aren't exactly humble people, are they?" she said. Doc's smile became tinged with sad understanding. "You must excuse them, though," he said. "They really get so little recognition or recompense. This tournament is an exception. And it takes a great deal of ego to play greatly." "I suppose so. So World Business Machines is responsible for this tournament?" "Correct. Their advertising department is interested in the prestige. They want to score a point over their great rival." "But if the Machine plays badly it will be a black eye for them," Sandra pointed out. "True," Doc agreed thoughtfully. "WBM must feel very sure.... It's the prize money they've put up, of course, that's brought the world's greatest players here. Otherwise half of them would be holding off in the best temperamental-artist style. For chess players the prize money is fabulous—$35,000, with $15,000 for first place, and all expenses paid for all players. There's never been anything like it. Soviet Russia is the only country that has ever supported and rewarded her best chess players at all adequately. I think the Russian players are here because UNESCO and FIDE (that's Federation Internationale des Echecs —the international chess organization) are also backing the tournament. And perhaps because the Kremlin is hungry for a little prestige now that its space program is sagging." "But if a Russian doesn't take first place it will be a black eye for them." Doc frowned. "True, in a sense. They must feel very sure.... Here they are now." Four men were crossing the center of the hall, which was clearing, toward the tables at the other end. Doubtless they just happened to be going two by two in close formation, but it gave Sandra the feeling of a phalanx. "The first two are Lysmov and Votbinnik," Doc told her. "It isn't often that you see the current champion of the world—Votbinnik—and an ex-champion arm in arm. There are two other persons in the tournament who have held that honor—Jal and Vanderhoef the director, way back." "Will whoever wins this tournament become champion?" "Oh no. That's decided by two-player matches—a very long business—after elimination tournaments between leading contenders. This tournament is a round robin: each player plays one game with every other player. That means nine rounds." "Anyway there are an awful lot of Russians in the tournament," Sandra said, consulting her program. "Four out of ten have USSR after them. And Bela Grabo, Hungary—that's a satellite. And Sherevsky and Krakatower are Russian-sounding names." "The proportion of Soviet to American entries in the tournament represents pretty fairly the general difference in playing strength between the two countries," Doc said judiciously. "Chess mastery moves from land to land with the years. Way back it was the Moslems and the Hindus and Persians. Then Italy and Spain. A little over a hundred years ago it was France and England. Then Germany, Austria and the New World. Now it's Russia—including of course the Russians who have run away from Russia. But don't think there aren't a lot of good Anglo-Saxon types who are masters of the first water. In fact, there are a lot of them here around us, though perhaps you don't think so. It's just that if you play a lot of chess you get to looking Russian. Once it probably made you look Italian. Do you see that short bald-headed man?" "You mean the one facing the Machine and talking to Jandorf?" "Yes. Now that's one with a lot of human interest. Moses Sherevsky. Been champion of the United States many times. A very strict Orthodox Jew. Can't play chess on Fridays or on Saturdays before sundown." He chuckled. "Why, there's even a story going around that one rabbi told Sherevsky it would be unlawful for him to play against the Machine because it is technically a golem —the clay Frankenstein's monster of Hebrew legend." Sandra asked, "What about Grabo and Krakatower?" Doc gave a short scornful laugh. "Krakatower! Don't pay any attention to him . A senile has-been, it's a scandal he's been allowed to play in this tournament! He must have pulled all sorts of strings. Told them that his lifelong services to chess had won him the honor and that they had to have a member of the so-called Old Guard. Maybe he even got down on his knees and cried—and all the time his eyes on that expense money and the last-place consolation prize! Yet dreaming schizophrenically of beating them all! Please, don't get me started on Dirty Old Krakatower." "Take it easy, Doc. He sounds like he would make an interesting article? Can you point him out to me?" "You can tell him by his long white beard with coffee stains. I don't see it anywhere, though. Perhaps he's shaved it off for the occasion. It would be like that antique womanizer to develop senile delusions of youthfulness." "And Grabo?" Sandra pressed, suppressing a smile at the intensity of Doc's animosity. Doc's eyes grew thoughtful. "About Bela Grabo (why are three out of four Hungarians named Bela?) I will tell you only this: That he is a very brilliant player and that the Machine is very lucky to have drawn him as its first opponent." He would not amplify his statement. Sandra studied the Scoreboard again. "This Simon Great who's down as programming the Machine. He's a famous physicist, I suppose?" "By no means. That was the trouble with some of the early chess-playing machines—they were programmed by scientists. No, Simon Great is a psychologist who at one time was a leading contender for the world's chess championship. I think WBM was surprisingly shrewd to pick him for the programming job. Let me tell you—No, better yet—" Doc shot to his feet, stretched an arm on high and called out sharply, "Simon!" A man some four tables away waved back and a moment later came over. "What is it, Savilly?" he asked. "There's hardly any time, you know." The newcomer was of middle height, compact of figure and feature, with graying hair cut short and combed sharply back. Doc spoke his piece for Sandra. Simon Great smiled thinly. "Sorry," he said, "But I am making no predictions and we are giving out no advance information on the programming of the Machine. As you know, I have had to fight the Players' Committee tooth and nail on all sorts of points about that and they have won most of them. I am not permitted to re-program the Machine at adjournments—only between games (I did insist on that and get it!) And if the Machine breaks down during a game, its clock keeps running on it. My men are permitted to make repairs—if they can work fast enough." "That makes it very tough on you," Sandra put in. "The Machine isn't allowed any weaknesses." Great nodded soberly. "And now I must go. They've almost finished the count-down, as one of my technicians keeps on calling it. Very pleased to have met you, Miss Grayling—I'll check with our PR man on that interview. Be seeing you, Savvy." The tiers of seats were filled now and the central space almost clear. Officials were shooing off a few knots of lingerers. Several of the grandmasters, including all four Russians, were seated at their tables. Press and company cameras were flashing. The four smaller wallboards lit up with the pieces in the opening position—white for White and red for Black. Simon Great stepped over the red velvet cord and more flash bulbs went off. "You know, Doc," Sandra said, "I'm a dog to suggest this, but what if this whole thing were a big fake? What if Simon Great were really playing the Machine's moves? There would surely be some way for his electricians to rig—" Doc laughed happily—and so loudly that some people at the adjoining tables frowned. "Miss Grayling, that is a wonderful idea! I will probably steal it for a short story. I still manage to write and place a few in England. No, I do not think that is at all likely. WBM would never risk such a fraud. Great is completely out of practice for actual tournament play, though not for chess-thinking. The difference in style between a computer and a man would be evident to any expert. Great's own style is remembered and would be recognized—though, come to think of it, his style was often described as being machinelike...." For a moment Doc's eyes became thoughtful. Then he smiled again. "But no, the idea is impossible. Vanderhoef as Tournament Director has played two or three games with the Machine to assure himself that it operates legitimately and has grandmaster skill." "Did the Machine beat him?" Sandra asked. Doc shrugged. "The scores weren't released. It was very hush-hush. But about your idea, Miss Grayling—did you ever read about Maelzel's famous chess-playing automaton of the 19th Century? That one too was supposed to work by machinery (cogs and gears, not electricity) but actually it had a man hidden inside it—your Edgar Poe exposed the fraud in a famous article. In my story I think the chess robot will break down while it is being demonstrated to a millionaire purchaser and the young inventor will have to win its game for it to cover up and swing the deal. Only the millionaire's daughter, who is really a better player than either of them ... yes, yes! Your Ambrose Bierce too wrote a story about a chess-playing robot of the clickety-clank-grr kind who murdered his creator, crushing him like an iron grizzly bear when the man won a game from him. Tell me, Miss Grayling, do you find yourself imagining this Machine putting out angry tendrils to strangle its opponents, or beaming rays of death and hypnotism at them? I can imagine...." While Doc chattered happily on about chess-playing robots and chess stories, Sandra found herself thinking about him. A writer of some sort evidently and a terrific chess buff. Perhaps he was an actual medical doctor. She'd read something about two or three coming over with the Russian squad. But Doc certainly didn't sound like a Soviet citizen. He was older than she'd first assumed. She could see that now that she was listening to him less and looking at him more. Tired, too. Only his dark-circled eyes shone with unquenchable youth. A useful old guy, whoever he was. An hour ago she'd been sure she was going to muff this assignment completely and now she had it laid out cold. For the umpteenth time in her career Sandra shied away from the guilty thought that she wasn't a writer at all or even a reporter, she just used dime-a-dozen female attractiveness to rope a susceptible man (young, old, American, Russian) and pick his brain.... She realized suddenly that the whole hall had become very quiet. Doc was the only person still talking and people were again looking at them disapprovingly. All five wallboards were lit up and the changed position of a few pieces showed that opening moves had been made on four of them, including the Machine's. The central space between the tiers of seats was completely clear now, except for one man hurrying across it in their direction with the rapid yet quiet, almost tip-toe walk that seemed to mark all the officials. Like morticians' assistants , she thought. He rapidly mounted the stairs and halted at the top to look around searchingly. His gaze lighted on their table, his eyebrows went up, and he made a beeline for Doc. Sandra wondered if she should warn him that he was about to be shushed. The official laid a hand on Doc's shoulder. "Sir!" he said agitatedly. "Do you realize that they've started your clock, Dr. Krakatower?"
train	61380	[ "Based on the article, does McCray know he is being watched?", "What best describes Hatcher's team?", "What was the author's purpose on including a section about Hatcher's feedings?", "What can you conclude about Hatcher's relationship with the rest of his team?", "What feeling did McCray and Hatcher both feel at least once during this article?" ]	[ [ "No, or else he would have tried speaking with Hatcher and his team.", "Yes, because he was trying to escape where he was.", "No, or else he would not have tried to establish communication with the woman who appeared.", "Yes, because he was trying to radio Jodrell Bank so he could safely escape." ], [ "They are careless with decisions.", "They are hasty with decisions.", "They have cruel intentions towards humans.", "They are ignorant about humans." ], [ "To give insight on Hatcher's personality.", "To show that McCray will have to feed like Hatcher if he does not return to Jodrell Bank because there is no human food where he is.", "To further elaborate how different Hatcher and his kind are from a human.", "To show how grotesque his feeding process is." ], [ "He fights with them.", "He does not understand his team.", "He does not always agree with them.", "He is much more brilliant than his team." ], [ "Alarm", "Excitement", "Confidence", "Rage" ] ]	[ 1, 4, 3, 3, 1 ]	[ 1, 1, 0, 1, 1 ]	THE FIVE HELLS OF ORION BY FREDERICK POHL Out in the great gas cloud of the Orion Nebula McCray found an ally—and a foe! [Transcriber's Note: This etext was produced from Worlds of If Science Fiction, January 1963. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] His name was Herrell McCray and he was scared. As best he could tell, he was in a sort of room no bigger than a prison cell. Perhaps it was a prison cell. Whatever it was, he had no business in it; for five minutes before he had been spaceborne, on the Long Jump from Earth to the thriving colonies circling Betelgeuse Nine. McCray was ship's navigator, plotting course corrections—not that there were any, ever; but the reason there were none was that the check-sightings were made every hour of the long flight. He had read off the azimuth angles from the computer sights, automatically locked on their beacon stars, and found them correct; then out of long habit confirmed the locking mechanism visually. It was only a personal quaintness; he had done it a thousand times. And while he was looking at Betelgeuse, Rigel and Saiph ... it happened. The room was totally dark, and it seemed to be furnished with a collection of hard, sharp, sticky and knobby objects of various shapes and a number of inconvenient sizes. McCray tripped over something that rocked under his feet and fell against something that clattered hollowly. He picked himself up, braced against something that smelled dangerously of halogen compounds, and scratched his shoulder, right through his space-tunic, against something that vibrated as he touched it. McCray had no idea where he was, and no way to find out. Not only was he in darkness, but in utter silence as well. No. Not quite utter silence. Somewhere, just at the threshold of his senses, there was something like a voice. He could not quite hear it, but it was there. He sat as still as he could, listening; it remained elusive. Probably it was only an illusion. But the room itself was hard fact. McCray swore violently and out loud. It was crazy and impossible. There simply was no way for him to get from a warm, bright navigator's cubicle on Starship Jodrell Bank to this damned, dark, dismal hole of a place where everything was out to hurt him and nothing explained what was going on. He cried aloud in exasperation: "If I could only see !" He tripped and fell against something that was soft, slimy and, like baker's dough, not at all resilient. A flickering halo of pinkish light appeared. He sat up, startled. He was looking at something that resembled a suit of medieval armor. It was, he saw in a moment, not armor but a spacesuit. But what was the light? And what were these other things in the room? Wherever he looked, the light danced along with his eyes. It was like having tunnel vision or wearing blinders. He could see what he was looking at, but he could see nothing else. And the things he could see made no sense. A spacesuit, yes; he knew that he could construct a logical explanation for that with no trouble—maybe a subspace meteorite striking the Jodrell Bank , an explosion, himself knocked out, brought here in a suit ... well, it was an explanation with more holes than fabric, like a fisherman's net, but at least it was rational. How to explain a set of Gibbon's Decline and Fall of the Roman Empire? A space-ax? Or the old-fashioned child's rocking-chair, the chemistry set—or, most of all, the scrap of gaily printed fabric that, when he picked it up, turned out to be a girl's scanty bathing suit? It was slightly reassuring, McCray thought, to find that most of the objects were more or less familiar. Even the child's chair—why, he'd had one more or less like that himself, long before he was old enough to go to school. But what were they doing here? Not everything he saw was familiar. The walls of the room itself were strange. They were not metal or plaster or knotty pine; they were not papered, painted or overlaid with stucco. They seemed to be made of some sort of hard organic compound, perhaps a sort of plastic or processed cellulose. It was hard to tell colors in the pinkish light. But they seemed to have none. They were "neutral"—the color of aged driftwood or unbleached cloth. Three of the walls were that way, and the floor and ceiling. The fourth wall was something else. Areas in it had the appearance of gratings; from them issued the pungent, distasteful halogen odor. They might be ventilators, he thought; but if so the air they brought in was worse than what he already had. McCray was beginning to feel more confident. It was astonishing how a little light made an impossible situation bearable, how quickly his courage flowed back when he could see again. He stood still, thinking. Item, a short time ago—subjectively it seemed to be minutes—he had been aboard the Jodrell Bank with nothing more on his mind than completing his check-sighting and meeting one of the female passengers for coffee. Item, apart from being shaken up and—he admitted it—scared damn near witless, he did not seem to be hurt. Item, wherever he was now, it became, not so much what had happened to him, but what had happened to the ship? He allowed that thought to seep into his mind. Suppose there had been an accident to the Jodrell Bank . He could, of course, be dead. All this could be the fantasies of a cooling brain. McCray grinned into the pink-lit darkness. The thought had somehow refreshed him, like icewater between rounds, and with a clearing head he remembered what a spacesuit was good for. It held a radio. He pressed the unsealing tabs, slipped his hand into the vacant chest of the suit and pulled out the hand mike. "This is Herrell McCray," he said, "calling the Jodrell Bank ." No response. He frowned. "This is Herrell McCray, calling Jodrell Bank . "Herrell McCray, calling anybody, come in, please." But there was no answer. Thoughtfully he replaced the microphone. This was ultrawave radio, something more than a million times faster than light, with a range measured, at least, in hundreds of light-years. If there was no answer, he was a good long way from anywhere. Of course, the thing might not be operating. He reached for the microphone again— He cried aloud. The pinkish lights went out. He was in the dark again, worse dark than before. For before the light had gone, McCray had seen what had escaped his eyes before. The suit and the microphone were clear enough in the pinkish glimmer; but the hand—his own hand, cupped to hold the microphone—he had not seen at all. Nor his arm. Nor, in one fleeting moment of study, his chest. McCray could not see any part of his own body at all. II Someone else could. Someone was watching Herrell McCray, with the clinical fascination of a biochemist observing the wigglings of paramecia in a new antibiotic—and with the prayerful emotions of a starving, shipwrecked, sailor, watching the inward bobbing drift of a wave-born cask that may contain food. Suppose you call him "Hatcher" (and suppose you call it a "him.") Hatcher was not exactly male, because his race had no true males; but it did have females and he was certainly not that. Hatcher did not in any way look like a human being, but they had features in common. If Hatcher and McCray had somehow managed to strike up an acquaintance, they might have got along very well. Hatcher, like McCray, was an adventurous soul, young, able, well-learned in the technical sciences of his culture. Both enjoyed games—McCray baseball, poker and three-dimensional chess; Hatcher a number of sports which defy human description. Both held positions of some importance—considering their ages—in the affairs of their respective worlds. Physically they were nothing alike. Hatcher was a three-foot, hard-shelled sphere of jelly. He had "arms" and "legs," but they were not organically attached to "himself." They were snakelike things which obeyed the orders of his brain as well as your mind can make your toes curl; but they did not touch him directly. Indeed, they worked as well a yard or a quarter-mile away as they did when, rarely, they rested in the crevices they had been formed from in his "skin." At greater distances they worked less well, for reasons irrelevant to the Law of Inverse Squares. Hatcher's principal task at this moment was to run the "probe team" which had McCray under observation, and he was more than a little excited. His members, disposed about the room where he had sent them on various errands, quivered and shook a little; yet they were the calmest limbs in the room; the members of the other team workers were in a state of violent commotion. The probe team had had a shock. "Paranormal powers," muttered Hatcher's second in command, and the others mumbled agreement. Hatcher ordered silence, studying the specimen from Earth. After a long moment he turned his senses from the Earthman. "Incredible—but it's true enough," he said. "I'd better report. Watch him," he added, but that was surely unnecessary. Their job was to watch McCray, and they would do their job; and even more, not one of them could have looked away to save his life from the spectacle of a creature as odd and, from their point of view, hideously alien as Herrell McCray. Hatcher hurried through the halls of the great buried structure in which he worked, toward the place where the supervising council of all probes would be in permanent session. They admitted him at once. Hatcher identified himself and gave a quick, concise report: "The subject recovered consciousness a short time ago and began to inspect his enclosure. His method of doing so was to put his own members in physical contact with the various objects in the enclosure. After observing him do this for a time we concluded he might be unable to see and so we illuminated his field of vision for him. "This appeared to work well for a time. He seemed relatively undisturbed. However, he then reverted to physical-contact, manipulating certain appurtenances of an artificial skin we had provided for him. "He then began to vibrate the atmosphere by means of resonating organs in his breathing passage. "Simultaneously, the object he was holding, attached to the artificial skin, was discovered to be generating paranormal forces." The supervising council rocked with excitement. "You're sure?" demanded one of the councilmen. "Yes, sir. The staff is preparing a technical description of the forces now, but I can say that they are electromagnetic vibrations modulating a carrier wave of very high speed, and in turn modulated by the vibrations of the atmosphere caused by the subject's own breathing." "Fantastic," breathed the councillor, in a tone of dawning hope. "How about communicating with him, Hatcher? Any progress?" "Well ... not much, sir. He suddenly panicked. We don't know why; but we thought we'd better pull back and let him recover for a while." The council conferred among itself for a moment, Hatcher waiting. It was not really a waste of time for him; with the organs he had left in the probe-team room, he was in fairly close touch with what was going on—knew that McCray was once again fumbling among the objects in the dark, knew that the team-members had tried illuminating the room for him briefly and again produced the rising panic. Still, Hatcher fretted. He wanted to get back. "Stop fidgeting," commanded the council leader abruptly. "Hatcher, you are to establish communication at once." "But, sir...." Hatcher swung closer, his thick skin quivering slightly; he would have gestured if he had brought members with him to gesture with. "We've done everything we dare. We've made the place homey for him—" actually, what he said was more like, we've warmed the biophysical nuances of his enclosure —"and tried to guess his needs; and we're frightening him half to death. We can't go faster. This creature is in no way similar to us, you know. He relies on paranormal forces—heat, light, kinetic energy—for his life. His chemistry is not ours, his processes of thought are not ours, his entire organism is closer to the inanimate rocks of a sea-bottom than to ourselves." "Understood, Hatcher. In your first report you stated these creatures were intelligent." "Yes, sir. But not in our way." "But in a way, and you must learn that way. I know." One lobster-claw shaped member drifted close to the councillor's body and raised itself in an admonitory gesture. "You want time. But we don't have time, Hatcher. Yours is not the only probe team working. The Central Masses team has just turned in a most alarming report." "Have they secured a subject?" Hatcher demanded jealously. The councillor paused. "Worse than that, Hatcher. I am afraid their subjects have secured one of them. One of them is missing." There was a moment's silence. Frozen, Hatcher could only wait. The council room was like a tableau in a museum until the councillor spoke again, each council member poised over his locus-point, his members drifting about him. Finally the councillor said, "I speak for all of us, I think. If the Old Ones have seized one of our probers our time margin is considerably narrowed. Indeed, we may not have any time at all. You must do everything you can to establish communication with your subject." "But the danger to the specimen—" Hatcher protested automatically. "—is no greater," said the councillor, "than the danger to every one of us if we do not find allies now ." Hatcher returned to his laboratory gloomily. It was just like the council to put the screws on; they had a reputation for demanding results at any cost—even at the cost of destroying the only thing you had that would make results possible. Hatcher did not like the idea of endangering the Earthman. It cannot be said that he was emotionally involved; it was not pity or sympathy that caused him to regret the dangers in moving too fast toward communication. Not even Hatcher had quite got over the revolting physical differences between the Earthman and his own people. But Hatcher did not want him destroyed. It had been difficult enough getting him here. Hatcher checked through the members that he had left with the rest of his team and discovered that there were no immediate emergencies, so he took time to eat. In Hatcher's race this was accomplished in ways not entirely pleasant to Earthmen. A slit in the lower hemisphere of his body opened, like a purse, emitting a thin, pussy, fetid fluid which Hatcher caught and poured into a disposal trough at the side of the eating room. He then stuffed the slit with pulpy vegetation the texture of kelp; it closed, and his body was supplied with nourishment for another day. He returned quickly to the room. His second in command was busy, but one of the other team workers reported—nothing new—and asked about Hatcher's appearance before the council. Hatcher passed the question off. He considered telling his staff about the disappearance of the Central Masses team member, but decided against it. He had not been told it was secret. On the other hand, he had not been told it was not. Something of this importance was not lightly to be gossiped about. For endless generations the threat of the Old Ones had hung over his race, those queer, almost mythical beings from the Central Masses of the galaxy. One brush with them, in ages past, had almost destroyed Hatcher's people. Only by running and hiding, bearing one of their planets with them and abandoning it—with its population—as a decoy, had they arrived at all. Now they had detected mapping parties of the Old Ones dangerously near the spiral arm of the galaxy in which their planet was located, they had begun the Probe Teams to find some way of combating them, or of fleeing again. But it seemed that the Probe Teams themselves might be betraying their existence to their enemies— "Hatcher!" The call was urgent; he hurried to see what it was about. It was his second in command, very excited. "What is it?" Hatcher demanded. "Wait...." Hatcher was patient; he knew his assistant well. Obviously something was about to happen. He took the moment to call his members back to him for feeding; they dodged back to their niches on his skin, fitted themselves into their vestigial slots, poured back their wastes into his own circulation and ingested what they needed from the meal he had just taken.... "Now!" cried the assistant. "Look!" At what passed among Hatcher's people for a viewing console an image was forming. Actually it was the assistant himself who formed it, not a cathode trace or projected shadow; but it showed what it was meant to show. Hatcher was startled. "Another one! And—is it a different species? Or merely a different sex?" "Study the probe for yourself," the assistant invited. Hatcher studied him frostily; his patience was not, after all, endless. "No matter," he said at last. "Bring the other one in." And then, in a completely different mood, "We may need him badly. We may be in the process of killing our first one now." "Killing him, Hatcher?" Hatcher rose and shook himself, his mindless members floating away like puppies dislodged from suck. "Council's orders," he said. "We've got to go into Stage Two of the project at once." III Before Stage Two began, or before Herrell McCray realized it had begun, he had an inspiration. The dark was absolute, but he remembered where the spacesuit had been and groped his way to it and, yes, it had what all spacesuits had to have. It had a light. He found the toggle that turned it on and pressed it. Light. White, flaring, Earthly light, that showed everything—even himself. "God bless," he said, almost beside himself with joy. Whatever that pinkish, dancing halo had been, it had thrown him into a panic; now that he could see his own hand again, he could blame the weird effects on some strange property of the light. At the moment he heard the click that was the beginning of Stage Two. He switched off the light and stood for a moment, listening. For a second he thought he heard the far-off voice, quiet, calm and almost hopeless, that he had sensed hours before; but then that was gone. Something else was gone. Some faint mechanical sound that had hardly registered at the time, but was not missing. And there was, perhaps, a nice new sound that had not been there before; a very faint, an almost inaudible elfin hiss. McCray switched the light on and looked around. There seemed to be no change. And yet, surely, it was warmer in here. He could see no difference; but perhaps, he thought, he could smell one. The unpleasant halogen odor from the grating was surely stronger now. He stood there, perplexed. A tinny little voice from the helmet of the space suit said sharply, amazement in its tone, "McCray, is that you? Where the devil are you calling from?" He forgot smell, sound and temperature and leaped for the suit. "This is Herrell McCray," he cried. "I'm in a room of some sort, apparently on a planet of approximate Earth mass. I don't know—" "McCray!" cried the tiny voice in his ear. "Where are you? This is Jodrell Bank calling. Answer, please!" "I am answering, damn it," he roared. "What took you so long?" "Herrell McCray," droned the tiny voice in his ear, "Herrell McCray, Herrell McCray, this is Jodrell Bank responding to your message, acknowledge please. Herrell McCray, Herrell McCray...." It kept on, and on. McCray took a deep breath and thought. Something was wrong. Either they didn't hear him, which meant the radio wasn't transmitting, or—no. That was not it; they had heard him, because they were responding. But it seemed to take them so long.... Abruptly his face went white. Took them so long! He cast back in his mind, questing for a fact, unable to face its implications. When was it he called them? Two hours ago? Three? Did that mean—did it possibly mean—that there was a lag of an hour or two each way? Did it, for example, mean that at the speed of his suit's pararadio, millions of times faster than light, it took hours to get a message to the ship and back? And if so ... where in the name of heaven was he? Herrell McCray was a navigator, which is to say, a man who has learned to trust the evidence of mathematics and instrument readings beyond the guesses of his "common sense." When Jodrell Bank , hurtling faster than light in its voyage between stars, made its regular position check, common sense was a liar. Light bore false witness. The line of sight was trustworthy directly forward and directly after—sometimes not even then—and it took computers, sensing their data through instruments, to comprehend a star bearing and convert three fixes into a position. If the evidence of his radio contradicted common sense, common sense was wrong. Perhaps it was impossible to believe what the radio's message implied; but it was not necessary to "believe," only to act. McCray thumbed down the transmitter button and gave a concise report of his situation and his guesses. "I don't know how I got here. I don't know how long I've been gone, since I was unconscious for a time. However, if the transmission lag is a reliable indication—" he swallowed and went on—"I'd estimate I am something more than five hundred light-years away from you at this moment. That's all I have to say, except for one more word: Help." He grinned sourly and released the button. The message was on its way, and it would be hours before he could have a reply. Therefore he had to consider what to do next. He mopped his brow. With the droning, repetitious call from the ship finally quiet, the room was quiet again. And warm. Very warm, he thought tardily; and more than that. The halogen stench was strong in his nostrils again. Hurriedly McCray scrambled into the suit. By the time he was sealed down he was coughing from the bottom of his lungs, deep, tearing rasps that pained him, uncontrollable. Chlorine or fluorine, one of them was in the air he had been breathing. He could not guess where it had come from; but it was ripping his lungs out. He flushed the interior of the suit out with a reckless disregard for the wastage of his air reserve, holding his breath as much as he could, daring only shallow gasps that made him retch and gag. After a long time he could breathe, though his eyes were spilling tears. He could see the fumes in the room now. The heat was building up. Automatically—now that he had put it on and so started its servo-circuits operating—the suit was cooling him. This was a deep-space suit, regulation garb when going outside the pressure hull of an FTL ship. It was good up to at least five hundred degrees in thin air, perhaps three or four hundred in dense. In thin air or in space it was the elastic joints and couplings that depolymerized when the heat grew too great; in dense air, with conduction pouring energy in faster than the cooling coils could suck it out and hurl it away, it was the refrigerating equipment that broke down. McCray had no way of knowing just how hot it was going to get. Nor, for that matter, had the suit been designed to operate in a corrosive medium. All in all it was time for him to do something. Among the debris on the floor, he remembered, was a five-foot space-ax, tungsten-steel blade and springy aluminum shaft. McCray caught it up and headed for the door. It felt good in his gauntlets, a rewarding weight; any weapon straightens the back of the man who holds it, and McCray was grateful for this one. With something concrete to do he could postpone questioning. Never mind why he had been brought here; never mind how. Never mind what he would, or could, do next; all those questions could recede into the background of his mind while he swung the ax and battered his way out of this poisoned oven. Crash-clang! The double jolt ran up the shaft of the ax, through his gauntlets and into his arm; but he was making progress, he could see the plastic—or whatever it was—of the door. It was chipping out. Not easily, very reluctantly; but flaking out in chips that left a white powdery residue. At this rate, he thought grimly, he would be an hour getting through it. Did he have an hour? But it did not take an hour. One blow was luckier than the rest; it must have snapped the lock mechanism. The door shook and slid ajar. McCray got the thin of the blade into the crack and pried it wide. He was in another room, maybe a hall, large and bare. McCray put the broad of his back against the broken door and pressed it as nearly closed as he could; it might not keep the gas and heat out, but it would retard them. The room was again unlighted—at least to McCray's eyes. There was not even that pink pseudo-light that had baffled him; here was nothing but the beam of his suit lamp. What it showed was cryptic. There were evidences of use: shelves, boxy contraptions that might have been cupboards, crude level surfaces attached to the walls that might have been workbenches. Yet they were queerly contrived, for it was not possible to guess from them much about the creatures who used them. Some were near the floor, some at waist height, some even suspended from the ceiling itself. A man would need a ladder to work at these benches and McCray, staring, thought briefly of many-armed blind giants or shapeless huge intelligent amoebae, and felt the skin prickle at the back of his neck. He tapped half-heartedly at one of the closed cupboards, and was not surprised when it proved as refractory as the door. Undoubtedly he could batter it open, but it was not likely that much would be left of its contents when he was through; and there was the question of time. But his attention was diverted by a gleam from one of the benches. Metallic parts lay heaped in a pile. He poked at them with a stiff-fingered gauntlet; they were oddly familiar. They were, he thought, very much like the parts of a bullet-gun. In fact, they were. He could recognize barrel, chamber, trigger, even a couple of cartridges, neatly opened and the grains of powder stacked beside them. It was an older, clumsier model than the kind he had seen in survival locker, on the Jodrell Bank —and abruptly wished he were carrying now—but it was a pistol. Another trophy, like the strange assortment in the other room? He could not guess. But the others had been more familiar; they all have come from his own ship. He was prepared to swear that nothing like this antique had been aboard. The drone began again in his ear, as it had at five-minute intervals all along: "Herrell McCray, Herrell McCray, Herrell McCray, this is Jodrell Bank calling Herrell McCray...." And louder, blaring, then fading to normal volume as the AVC circuits toned the signal down, another voice. A woman's voice, crying out in panic and fear: " Jodrell Bank! Where are you? Help!" IV Hatcher's second in command said: "He has got through the first survival test. In fact, he broke his way out! What next?" "Wait!" Hatcher ordered sharply. He was watching the new specimen and a troublesome thought had occurred to him. The new one was female and seemed to be in pain; but it was not the pain that disturbed Hatcher, it was something far more immediate to his interests. "I think," he said slowly, "that they are in contact." His assistant vibrated startlement. "I know," Hatcher said, "but watch. Do you see? He is going straight toward her." Hatcher, who was not human, did not possess truly human emotions; but he did feel amazement when he was amazed, and fear when there was cause to be afraid. These specimens, obtained with so much difficulty, needed so badly, were his responsibility. He knew the issues involved much better than any of his helpers. They could only be surprised at the queer antics of the aliens with attached limbs and strange powers. Hatcher knew that this was not a freak show, but a matter of life and death. He said, musing: "This new one, I cannot communicate with her, but I get—almost—a whisper, now and then. The first one, the male, nothing. But this female is perhaps not quite mute." "Then shall we abandon him and work with her, forgetting the first one?" Hatcher hesitated. "No," he said at last. "The male is responding well. Remember that when last this experiment was done every subject died; he is alive at least. But I am wondering. We can't quite communicate with the female—" "But?" "But I'm not sure that others can't." The woman's voice was at such close range that McCray's suit radio made a useful RDF set. He located her direction easily enough, shielding the tiny built-in antenna with the tungsten-steel blade of the ax, while she begged him to hurry. Her voice was heavily accented, with some words in a language he did not recognize. She seemed to be in shock. McCray was hardly surprised at that; he had been close enough to shock himself. He tried to reassure her as he searched for a way out of the hall, but in the middle of a word her voice stopped. He hesitated, hefting the ax, glancing back at the way he had come. There had to be a way out, even if it meant chopping through a wall. When he turned around again there was a door. It was oddly shaped and unlike the door he had hewn through, but clearly a door all the same, and it was open. McCray regarded it grimly. He went back in his memory with meticulous care. Had he not looked at, this very spot a matter of moments before? He had. And had there been an open door then? There had not. There hadn't been even a shadowy outline of the three-sided, uneven opening that stood there now. Still, it led in the proper direction. McCray added one more inexplicable fact to his file and walked through. He was in another hall—or tunnel—rising quite steeply to the right. By his reckoning it was the proper direction. He labored up it, sweating under the weight of the suit, and found another open door, this one round, and behind it— Yes, there was the woman whose voice he had heard. It was a woman, all right. The voice had been so strained that he hadn't been positive. Even now, short black hair might not have proved it, and she was lying face down but the waist and hips were a woman's, even though she wore a bulky, quilted suit of coveralls. He knelt beside her and gently turned her face. She was unconscious. Broad, dark face, with no make-up; she was apparently in her late thirties. She appeared to be Chinese. She breathed, a little raggedly but without visible discomfort; her face was relaxed as though she were sleeping. She did not rouse as he moved her. He realized she was breathing the air of the room they were in. His instant first thought was that she was in danger of asphyxiation;
train	61263	[ "Given Arapoulous' description of his homeland, what can you conclude about it?", "What can you infer about the industry in Arapoulous' homeland?", "Given d'Land's lack of a successful college, what can you best infer about the society there?", "What can you conclude about Retief's character?", "Why is Retief so concerned about the tractor order?", "Are the two thousand students truly being sent off to college?", "What is one common theme in this article?" ]	[ [ "The conditions allow for successful crop growing.", "The conditions there are inhospitable.", "Arapoulous' homeland has unpredictable seasons.", "There are few people living back on the land which Arapoulous comes from." ], [ "It is an agricultural industry, deriving its profit from the land.", "It is a small industry, deriving just enough profit for everyone to sustain themselves.", "It is a highly advanced industry, deriving its profit from mechanization.", "It is a technological industry, deriving its profit from intelligence." ], [ "It is not an intellectual society.", "It is a society that despises education.", "It is a society lacking sufficient leadership to establish better education sources.", "It is a society that has found it is more prosperous without high-level education." ], [ "He is gullible and easily tricked.", "He is firm but can be harsh.", "He has a soft spot for few in his life.", "He can greedy and demanding." ], [ "Because he knows whoever ordered the tractors has bad intentions.", "Because he knows the order is a mistake.", "Because the order of tractors is unusually large.", "Because no one else appears to be concerned about the tractors." ], [ "No, because there exists few academic resources for them where they are heading. ", "Yes, because there is a small college out where the students are heading.", "No, because they are going to a rural setting.", "No, because Retief has suspicions over the situation of transporting the students." ], [ "Money buys happiness.", "Suspicion indicates deception.", "Education does not always lead to success.", "Wit and charm are the keys for negotiation." ] ]	[ 1, 1, 1, 2, 3, 1, 2 ]	[ 1, 0, 1, 1, 0, 1, 1 ]	CULTURAL EXCHANGE BY KEITH LAUMER It was a simple student exchange—but Retief gave them more of an education than they expected! [Transcriber's Note: This etext was produced from Worlds of If Science Fiction, September 1962. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] I Second Secretary Magnan took his green-lined cape and orange-feathered beret from the clothes tree. "I'm off now, Retief," he said. "I hope you'll manage the administrative routine during my absence without any unfortunate incidents." "That seems a modest enough hope," Retief said. "I'll try to live up to it." "I don't appreciate frivolity with reference to this Division," Magnan said testily. "When I first came here, the Manpower Utilization Directorate, Division of Libraries and Education was a shambles. I fancy I've made MUDDLE what it is today. Frankly, I question the wisdom of placing you in charge of such a sensitive desk, even for two weeks. But remember. Yours is purely a rubber-stamp function." "In that case, let's leave it to Miss Furkle. I'll take a couple of weeks off myself. With her poundage, she could bring plenty of pressure to bear." "I assume you jest, Retief," Magnan said sadly. "I should expect even you to appreciate that Bogan participation in the Exchange Program may be the first step toward sublimation of their aggressions into more cultivated channels." "I see they're sending two thousand students to d'Land," Retief said, glancing at the Memo for Record. "That's a sizable sublimation." Magnan nodded. "The Bogans have launched no less than four military campaigns in the last two decades. They're known as the Hoodlums of the Nicodemean Cluster. Now, perhaps, we shall see them breaking that precedent and entering into the cultural life of the Galaxy." "Breaking and entering," Retief said. "You may have something there. But I'm wondering what they'll study on d'Land. That's an industrial world of the poor but honest variety." "Academic details are the affair of the students and their professors," Magnan said. "Our function is merely to bring them together. See that you don't antagonize the Bogan representative. This will be an excellent opportunity for you to practice your diplomatic restraint—not your strong point, I'm sure you'll agree." A buzzer sounded. Retief punched a button. "What is it, Miss Furkle?" "That—bucolic person from Lovenbroy is here again." On the small desk screen, Miss Furkle's meaty features were compressed in disapproval. "This fellow's a confounded pest. I'll leave him to you, Retief," Magnan said. "Tell him something. Get rid of him. And remember: here at Corps HQ, all eyes are upon you." "If I'd thought of that, I'd have worn my other suit," Retief said. Magnan snorted and passed from view. Retief punched Miss Furkle's button. "Send the bucolic person in." A tall broad man with bronze skin and gray hair, wearing tight trousers of heavy cloth, a loose shirt open at the neck and a short jacket, stepped into the room. He had a bundle under his arm. He paused at sight of Retief, looked him over momentarily, then advanced and held out his hand. Retief took it. For a moment the two big men stood, face to face. The newcomer's jaw muscles knotted. Then he winced. Retief dropped his hand and motioned to a chair. "That's nice knuckle work, mister," the stranger said, massaging his hand. "First time anybody ever did that to me. My fault though. I started it, I guess." He grinned and sat down. "What can I do for you?" Retief said. "You work for this Culture bunch, do you? Funny. I thought they were all ribbon-counter boys. Never mind. I'm Hank Arapoulous. I'm a farmer. What I wanted to see you about was—" He shifted in his chair. "Well, out on Lovenbroy we've got a serious problem. The wine crop is just about ready. We start picking in another two, three months. Now I don't know if you're familiar with the Bacchus vines we grow...?" "No," Retief said. "Have a cigar?" He pushed a box across the desk. Arapoulous took one. "Bacchus vines are an unusual crop," he said, puffing the cigar alight. "Only mature every twelve years. In between, the vines don't need a lot of attention, so our time's mostly our own. We like to farm, though. Spend a lot of time developing new forms. Apples the size of a melon—and sweet—" "Sounds very pleasant," Retief said. "Where does the Libraries and Education Division come in?" Arapoulous leaned forward. "We go in pretty heavy for the arts. Folks can't spend all their time hybridizing plants. We've turned all the land area we've got into parks and farms. Course, we left some sizable forest areas for hunting and such. Lovenbroy's a nice place, Mr. Retief." "It sounds like it, Mr. Arapoulous. Just what—" "Call me Hank. We've got long seasons back home. Five of 'em. Our year's about eighteen Terry months. Cold as hell in winter; eccentric orbit, you know. Blue-black sky, stars visible all day. We do mostly painting and sculpture in the winter. Then Spring; still plenty cold. Lots of skiing, bob-sledding, ice skating; and it's the season for woodworkers. Our furniture—" "I've seen some of your furniture," Retief said. "Beautiful work." Arapoulous nodded. "All local timbers too. Lots of metals in our soil and those sulphates give the woods some color, I'll tell you. Then comes the Monsoon. Rain—it comes down in sheets. But the sun's getting closer. Shines all the time. Ever seen it pouring rain in the sunshine? That's the music-writing season. Then summer. Summer's hot. We stay inside in the daytime and have beach parties all night. Lots of beach on Lovenbroy; we're mostly islands. That's the drama and symphony time. The theatres are set up on the sand, or anchored off-shore. You have the music and the surf and the bonfires and stars—we're close to the center of a globular cluster, you know...." "You say it's time now for the wine crop?" "That's right. Autumn's our harvest season. Most years we have just the ordinary crops. Fruit, grain, that kind of thing; getting it in doesn't take long. We spend most of the time on architecture, getting new places ready for the winter or remodeling the older ones. We spend a lot of time in our houses. We like to have them comfortable. But this year's different. This is Wine Year." Arapoulous puffed on his cigar, looked worriedly at Retief. "Our wine crop is our big money crop," he said. "We make enough to keep us going. But this year...." "The crop isn't panning out?" "Oh, the crop's fine. One of the best I can remember. Course, I'm only twenty-eight; I can't remember but two other harvests. The problem's not the crop." "Have you lost your markets? That sounds like a matter for the Commercial—" "Lost our markets? Mister, nobody that ever tasted our wines ever settled for anything else!" "It sounds like I've been missing something," said Retief. "I'll have to try them some time." Arapoulous put his bundle on the desk, pulled off the wrappings. "No time like the present," he said. Retief looked at the two squat bottles, one green, one amber, both dusty, with faded labels, and blackened corks secured by wire. "Drinking on duty is frowned on in the Corps, Mr. Arapoulous," he said. "This isn't drinking . It's just wine." Arapoulous pulled the wire retainer loose, thumbed the cork. It rose slowly, then popped in the air. Arapoulous caught it. Aromatic fumes wafted from the bottle. "Besides, my feelings would be hurt if you didn't join me." He winked. Retief took two thin-walled glasses from a table beside the desk. "Come to think of it, we also have to be careful about violating quaint native customs." Arapoulous filled the glasses. Retief picked one up, sniffed the deep rust-colored fluid, tasted it, then took a healthy swallow. He looked at Arapoulous thoughtfully. "Hmmm. It tastes like salted pecans, with an undercurrent of crusted port." "Don't try to describe it, Mr. Retief," Arapoulous said. He took a mouthful of wine, swished it around his teeth, swallowed. "It's Bacchus wine, that's all. Nothing like it in the Galaxy." He pushed the second bottle toward Retief. "The custom back home is to alternate red wine and black." Retief put aside his cigar, pulled the wires loose, nudged the cork, caught it as it popped up. "Bad luck if you miss the cork," Arapoulous said, nodding. "You probably never heard about the trouble we had on Lovenbroy a few years back?" "Can't say that I did, Hank." Retief poured the black wine into two fresh glasses. "Here's to the harvest." "We've got plenty of minerals on Lovenbroy," Arapoulous said, swallowing wine. "But we don't plan to wreck the landscape mining 'em. We like to farm. About ten years back some neighbors of ours landed a force. They figured they knew better what to do with our minerals than we did. Wanted to strip-mine, smelt ore. We convinced 'em otherwise. But it took a year, and we lost a lot of men." "That's too bad," Retief said. "I'd say this one tastes more like roast beef and popcorn over a Riesling base." "It put us in a bad spot," Arapoulous went on. "We had to borrow money from a world called Croanie. Mortgaged our crops. Had to start exporting art work too. Plenty of buyers, but it's not the same when you're doing it for strangers." "Say, this business of alternating drinks is the real McCoy," Retief said. "What's the problem? Croanie about to foreclose?" "Well, the loan's due. The wine crop would put us in the clear. But we need harvest hands. Picking Bacchus grapes isn't a job you can turn over to machinery—and anyway we wouldn't if we could. Vintage season is the high point of living on Lovenbroy. Everybody joins in. First, there's the picking in the fields. Miles and miles of vineyards covering the mountain sides, and crowding the river banks, with gardens here and there. Big vines, eight feet high, loaded with fruit, and deep grass growing between. The wine-carriers keep on the run, bringing wine to the pickers. There's prizes for the biggest day's output, bets on who can fill the most baskets in an hour.... The sun's high and bright, and it's just cool enough to give you plenty of energy. Come nightfall, the tables are set up in the garden plots, and the feast is laid on: roast turkeys, beef, hams, all kinds of fowl. Big salads. Plenty of fruit. Fresh-baked bread ... and wine, plenty of wine. The cooking's done by a different crew each night in each garden, and there's prizes for the best crews. "Then the wine-making. We still tramp out the vintage. That's mostly for the young folks but anybody's welcome. That's when things start to get loosened up. Matter of fact, pretty near half our young-uns are born after a vintage. All bets are off then. It keeps a fellow on his toes though. Ever tried to hold onto a gal wearing nothing but a layer of grape juice?" "Never did," Retief said. "You say most of the children are born after a vintage. That would make them only twelve years old by the time—" "Oh, that's Lovenbroy years; they'd be eighteen, Terry reckoning." "I was thinking you looked a little mature for twenty-eight," Retief said. "Forty-two, Terry years," Arapoulous said. "But this year it looks bad. We've got a bumper crop—and we're short-handed. If we don't get a big vintage, Croanie steps in. Lord knows what they'll do to the land. Then next vintage time, with them holding half our grape acreage—" "You hocked the vineyards?" "Yep. Pretty dumb, huh? But we figured twelve years was a long time." "On the whole," Retief said, "I think I prefer the black. But the red is hard to beat...." "What we figured was, maybe you Culture boys could help us out. A loan to see us through the vintage, enough to hire extra hands. Then we'd repay it in sculpture, painting, furniture—" "Sorry, Hank. All we do here is work out itineraries for traveling side-shows, that kind of thing. Now, if you needed a troop of Groaci nose-flute players—" "Can they pick grapes?" "Nope. Anyway, they can't stand the daylight. Have you talked this over with the Labor Office?" "Sure did. They said they'd fix us up with all the electronics specialists and computer programmers we wanted—but no field hands. Said it was what they classified as menial drudgery; you'd have thought I was trying to buy slaves." The buzzer sounded. Miss Furkle's features appeared on the desk screen. "You're due at the Intergroup Council in five minutes," she said. "Then afterwards, there are the Bogan students to meet." "Thanks." Retief finished his glass, stood. "I have to run, Hank," he said. "Let me think this over. Maybe I can come up with something. Check with me day after tomorrow. And you'd better leave the bottles here. Cultural exhibits, you know." II As the council meeting broke up, Retief caught the eye of a colleague across the table. "Mr. Whaffle, you mentioned a shipment going to a place called Croanie. What are they getting?" Whaffle blinked. "You're the fellow who's filling in for Magnan, over at MUDDLE," he said. "Properly speaking, equipment grants are the sole concern of the Motorized Equipment Depot, Division of Loans and Exchanges." He pursed his lips. "However, I suppose there's no harm in telling you. They'll be receiving heavy mining equipment." "Drill rigs, that sort of thing?" "Strip mining gear." Whaffle took a slip of paper from a breast pocket, blinked at it. "Bolo Model WV/1 tractors, to be specific. Why is MUDDLE interested in MEDDLE's activities?" "Forgive my curiosity, Mr. Whaffle. It's just that Croanie cropped up earlier today. It seems she holds a mortgage on some vineyards over on—" "That's not MEDDLE's affair, sir," Whaffle cut in. "I have sufficient problems as Chief of MEDDLE without probing into MUDDLE'S business." "Speaking of tractors," another man put in, "we over at the Special Committee for Rehabilitation and Overhaul of Under-developed Nations' General Economies have been trying for months to get a request for mining equipment for d'Land through MEDDLE—" "SCROUNGE was late on the scene," Whaffle said. "First come, first served. That's our policy at MEDDLE. Good day, gentlemen." He strode off, briefcase under his arm. "That's the trouble with peaceful worlds," the SCROUNGE committeeman said. "Boge is a troublemaker, so every agency in the Corps is out to pacify her. While my chance to make a record—that is, assist peace-loving d'Land—comes to naught." He shook his head. "What kind of university do they have on d'Land?" asked Retief. "We're sending them two thousand exchange students. It must be quite an institution." "University? D'Land has one under-endowed technical college." "Will all the exchange students be studying at the Technical College?" "Two thousand students? Hah! Two hundred students would overtax the facilities of the college." "I wonder if the Bogans know that?" "The Bogans? Why, most of d'Land's difficulties are due to the unwise trade agreement she entered into with Boge. Two thousand students indeed!" He snorted and walked away. Retief stopped by the office to pick up a short cape, then rode the elevator to the roof of the 230-story Corps HQ building and hailed a cab to the port. The Bogan students had arrived early. Retief saw them lined up on the ramp waiting to go through customs. It would be half an hour before they were cleared through. He turned into the bar and ordered a beer. A tall young fellow on the next stool raised his glass. "Happy days," he said. "And nights to match." "You said it." He gulped half his beer. "My name's Karsh. Mr. Karsh. Yep, Mr. Karsh. Boy, this is a drag, sitting around this place waiting...." "You meeting somebody?" "Yeah. Bunch of babies. Kids. How they expect—Never mind. Have one on me." "Thanks. You a Scoutmaster?" "I'll tell you what I am. I'm a cradle-robber. You know—" he turned to Retief—"not one of those kids is over eighteen." He hiccupped. "Students, you know. Never saw a student with a beard, did you?" "Lots of times. You're meeting the students, are you?" The young fellow blinked at Retief. "Oh, you know about it, huh?" "I represent MUDDLE." Karsh finished his beer, ordered another. "I came on ahead. Sort of an advance guard for the kids. I trained 'em myself. Treated it like a game, but they can handle a CSU. Don't know how they'll act under pressure. If I had my old platoon—" He looked at his beer glass, pushed it back. "Had enough," he said. "So long, friend. Or are you coming along?" Retief nodded. "Might as well." At the exit to the Customs enclosure, Retief watched as the first of the Bogan students came through, caught sight of Karsh and snapped to attention, his chest out. "Drop that, mister," Karsh snapped. "Is that any way for a student to act?" The youth, a round-faced lad with broad shoulders, grinned. "Heck, no," he said. "Say, uh, Mr. Karsh, are we gonna get to go to town? We fellas were thinking—" "You were, hah? You act like a bunch of school kids! I mean ... no! Now line up!" "We have quarters ready for the students," Retief said. "If you'd like to bring them around to the west side, I have a couple of copters laid on." "Thanks," said Karsh. "They'll stay here until take-off time. Can't have the little dears wandering around loose. Might get ideas about going over the hill." He hiccupped. "I mean they might play hookey." "We've scheduled your re-embarkation for noon tomorrow. That's a long wait. MUDDLE's arranged theater tickets and a dinner." "Sorry," Karsh said. "As soon as the baggage gets here, we're off." He hiccupped again. "Can't travel without our baggage, y'know." "Suit yourself," Retief said. "Where's the baggage now?" "Coming in aboard a Croanie lighter." "Maybe you'd like to arrange for a meal for the students here." "Sure," Karsh said. "That's a good idea. Why don't you join us?" Karsh winked. "And bring a few beers." "Not this time," Retief said. He watched the students, still emerging from Customs. "They seem to be all boys," he commented. "No female students?" "Maybe later," Karsh said. "You know, after we see how the first bunch is received." Back at the MUDDLE office, Retief buzzed Miss Furkle. "Do you know the name of the institution these Bogan students are bound for?" "Why, the University at d'Land, of course." "Would that be the Technical College?" Miss Furkle's mouth puckered. "I'm sure I've never pried into these details." "Where does doing your job stop and prying begin, Miss Furkle?" Retief said. "Personally, I'm curious as to just what it is these students are travelling so far to study—at Corps expense." "Mr. Magnan never—" "For the present. Miss Furkle, Mr. Magnan is vacationing. That leaves me with the question of two thousand young male students headed for a world with no classrooms for them ... a world in need of tractors. But the tractors are on their way to Croanie, a world under obligation to Boge. And Croanie holds a mortgage on the best grape acreage on Lovenbroy." "Well!" Miss Furkle snapped, small eyes glaring under unplucked brows. "I hope you're not questioning Mr. Magnan's wisdom!" "About Mr. Magnan's wisdom there can be no question," Retief said. "But never mind. I'd like you to look up an item for me. How many tractors will Croanie be getting under the MEDDLE program?" "Why, that's entirely MEDDLE business," Miss Furkle said. "Mr. Magnan always—" "I'm sure he did. Let me know about the tractors as soon as you can." Miss Furkle sniffed and disappeared from the screen. Retief left the office, descended forty-one stories, followed a corridor to the Corps Library. In the stacks he thumbed through catalogues, pored over indices. "Can I help you?" someone chirped. A tiny librarian stood at his elbow. "Thank you, ma'am," Retief said. "I'm looking for information on a mining rig. A Bolo model WV tractor." "You won't find it in the industrial section," the librarian said. "Come along." Retief followed her along the stacks to a well-lit section lettered ARMAMENTS. She took a tape from the shelf, plugged it into the viewer, flipped through and stopped at a squat armored vehicle. "That's the model WV," she said. "It's what is known as a continental siege unit. It carries four men, with a half-megaton/second firepower." "There must be an error somewhere," Retief said. "The Bolo model I want is a tractor. Model WV M-1—" "Oh, the modification was the addition of a bulldozer blade for demolition work. That must be what confused you." "Probably—among other things. Thank you." Miss Furkle was waiting at the office. "I have the information you wanted," she said. "I've had it for over ten minutes. I was under the impression you needed it urgently, and I went to great lengths—" "Sure," Retief said. "Shoot. How many tractors?" "Five hundred." "Are you sure?" Miss Furkle's chins quivered. "Well! If you feel I'm incompetent—" "Just questioning the possibility of a mistake, Miss Furkle. Five hundred tractors is a lot of equipment." "Was there anything further?" Miss Furkle inquired frigidly. "I sincerely hope not," Retief said. III Leaning back in Magnan's padded chair with power swivel and hip-u-matic concontour, Retief leafed through a folder labelled "CERP 7-602-Ba; CROANIE (general)." He paused at a page headed Industry. Still reading, he opened the desk drawer, took out the two bottles of Bacchus wine and two glasses. He poured an inch of wine into each and sipped the black wine meditatively. It would be a pity, he reflected, if anything should interfere with the production of such vintages.... Half an hour later he laid the folder aside, keyed the phone and put through a call to the Croanie Legation. He asked for the Commercial Attache. "Retief here, Corps HQ," he said airily. "About the MEDDLE shipment, the tractors. I'm wondering if there's been a slip up. My records show we're shipping five hundred units...." "That's correct. Five hundred." Retief waited. "Ah ... are you there, Retief?" "I'm still here. And I'm still wondering about the five hundred tractors." "It's perfectly in order. I thought it was all settled. Mr. Whaffle—" "One unit would require a good-sized plant to handle its output," Retief said. "Now Croanie subsists on her fisheries. She has perhaps half a dozen pint-sized processing plants. Maybe, in a bind, they could handle the ore ten WV's could scrape up ... if Croanie had any ore. It doesn't. By the way, isn't a WV a poor choice as a mining outfit? I should think—" "See here, Retief! Why all this interest in a few surplus tractors? And in any event, what business is it of yours how we plan to use the equipment? That's an internal affair of my government. Mr. Whaffle—" "I'm not Mr. Whaffle. What are you going to do with the other four hundred and ninety tractors?" "I understood the grant was to be with no strings attached!" "I know it's bad manners to ask questions. It's an old diplomatic tradition that any time you can get anybody to accept anything as a gift, you've scored points in the game. But if Croanie has some scheme cooking—" "Nothing like that, Retief. It's a mere business transaction." "What kind of business do you do with a Bolo WV? With or without a blade attached, it's what's known as a continental siege unit." "Great Heavens, Retief! Don't jump to conclusions! Would you have us branded as warmongers? Frankly—is this a closed line?" "Certainly. You may speak freely." "The tractors are for transshipment. We've gotten ourselves into a difficult situation, balance-of-payments-wise. This is an accommodation to a group with which we have rather strong business ties." "I understand you hold a mortgage on the best land on Lovenbroy," Retief said. "Any connection?" "Why ... ah ... no. Of course not, ha ha." "Who gets the tractors eventually?" "Retief, this is unwarranted interference!" "Who gets them?" "They happen to be going to Lovenbroy. But I scarcely see—" "And who's the friend you're helping out with an unauthorized transshipment of grant material?" "Why ... ah ... I've been working with a Mr. Gulver, a Bogan representative." "And when will they be shipped?" "Why, they went out a week ago. They'll be half way there by now. But look here, Retief, this isn't what you're thinking!" "How do you know what I'm thinking? I don't know myself." Retief rang off, buzzed the secretary. "Miss Furkle, I'd like to be notified immediately of any new applications that might come in from the Bogan Consulate for placement of students." "Well, it happens, by coincidence, that I have an application here now. Mr. Gulver of the Consulate brought it in." "Is Mr. Gulver in the office? I'd like to see him." "I'll ask him if he has time." "Great. Thanks." It was half a minute before a thick-necked red-faced man in a tight hat walked in. He wore an old-fashioned suit, a drab shirt, shiny shoes with round toes and an ill-tempered expression. "What is it you wish?" he barked. "I understood in my discussions with the other ... ah ... civilian there'd be no further need for these irritating conferences." "I've just learned you're placing more students abroad, Mr. Gulver. How many this time?" "Two thousand." "And where will they be going?" "Croanie. It's all in the application form I've handed in. Your job is to provide transportation." "Will there be any other students embarking this season?" "Why ... perhaps. That's Boge's business." Gulver looked at Retief with pursed lips. "As a matter of fact, we had in mind dispatching another two thousand to Featherweight." "Another under-populated world—and in the same cluster, I believe," Retief said. "Your people must be unusually interested in that region of space." "If that's all you wanted to know, I'll be on my way. I have matters of importance to see to." After Gulver left, Retief called Miss Furkle in. "I'd like to have a break-out of all the student movements that have been planned under the present program," he said. "And see if you can get a summary of what MEDDLE has been shipping lately." Miss Furkle compressed her lips. "If Mr. Magnan were here, I'm sure he wouldn't dream of interfering in the work of other departments. I ... overheard your conversation with the gentleman from the Croanie Legation—" "The lists, Miss Furkle." "I'm not accustomed," Miss Furkle said, "to intruding in matters outside our interest cluster." "That's worse than listening in on phone conversations, eh? But never mind. I need the information, Miss Furkle." "Loyalty to my Chief—" "Loyalty to your pay-check should send you scuttling for the material I've asked for," Retief said. "I'm taking full responsibility. Now scat." The buzzer sounded. Retief flipped a key. "MUDDLE, Retief speaking...." Arapoulous's brown face appeared on the desk screen. "How-do, Retief. Okay if I come up?" "Sure, Hank. I want to talk to you." In the office, Arapoulous took a chair. "Sorry if I'm rushing you, Retief," he said. "But have you got anything for me?" Retief waved at the wine bottles. "What do you know about Croanie?" "Croanie? Not much of a place. Mostly ocean. All right if you like fish, I guess. We import our seafood from there. Nice prawns in monsoon time. Over a foot long." "You on good terms with them?" "Sure, I guess so. Course, they're pretty thick with Boge." "So?" "Didn't I tell you? Boge was the bunch that tried to take us over here a dozen years back. They'd've made it too, if they hadn't had a lot of bad luck. Their armor went in the drink, and without armor they're easy game." Miss Furkle buzzed. "I have your lists," she said shortly. "Bring them in, please." The secretary placed the papers on the desk. Arapoulous caught her eye and grinned. She sniffed and marched from the room. "What that gal needs is a slippery time in the grape mash," Arapoulous observed. Retief thumbed through the papers, pausing to read from time to time. He finished and looked at Arapoulous. "How many men do you need for the harvest, Hank?" Retief inquired. Arapoulous sniffed his wine glass and looked thoughtful. "A hundred would help," he said. "A thousand would be better. Cheers." "What would you say to two thousand?" "Two thousand? Retief, you're not fooling?" "I hope not." He picked up the phone, called the Port Authority, asked for the dispatch clerk. "Hello, Jim. Say, I have a favor to ask of you. You know that contingent of Bogan students. They're traveling aboard the two CDT transports. I'm interested in the baggage that goes with the students. Has it arrived yet? Okay, I'll wait." Jim came back to the phone. "Yeah, Retief, it's here. Just arrived. But there's a funny thing. It's not consigned to d'Land. It's ticketed clear through to Lovenbroy." "Listen, Jim," Retief said. "I want you to go over to the warehouse and take a look at that baggage for me." Retief waited while the dispatch clerk carried out the errand. The level in the two bottles had gone down an inch when Jim returned to the phone. "Hey, I took a look at that baggage, Retief. Something funny going on. Guns. 2mm needlers, Mark XII hand blasters, power pistols—" "It's okay, Jim. Nothing to worry about. Just a mix-up. Now, Jim, I'm going to ask you to do something more for me. I'm covering for a friend. It seems he slipped up. I wouldn't want word to get out, you understand. I'll send along a written change order in the morning that will cover you officially. Meanwhile, here's what I want you to do...." Retief gave instructions, then rang off and turned to Arapoulous. "As soon as I get off a couple of TWX's, I think we'd better get down to the port, Hank. I think I'd like to see the students off personally."
train	20014	[ "What best summarizes Fiss' main motive as discussed in the article?", "What would be Fiss' opinions on the current laws regarding self expression today?", "How would one describe Fiss' viewpoints.", "Would Fiss believe that free speech is really \"free?\"", "What is the overall mood portrayed by the article?", "What influence does Fiss intend for his ideas to have on people?", "What statement below would Fiss most likely agree with?", "What is an example of one flaw that Fiss picks out in contemporary liberals?", "Which statement about details within the article is NOT true." ]	[ [ "He wants to problematize the U.S. constitution and its values.", "He wants to build animosity against contemporary liberals.", "He wants to highlight problems with free speech.", "He wants to teach minority and underrepresented groups how to gain true free speech for themselves." ], [ "He thinks that the current laws are changing for the better.", "He thinks they are oppressive and dangerous.", "He thinks they unfortunately don't apply to everyone due to social constraints.", "He feels the laws are not written correctly." ], [ "They are out of the ordinary, considering he refutes the current First Amendment.", "They are condescending when applied across a large spectrum of social groups.", "When contemplated, they fit in with the customs and norms of society today.", "They are noncontroversial among politically conservative people." ], [ "No, because he believes free speech is an outdated concept.", "Yes, but he does propose minor critiques towards the concept of free speech.", "No, because Fiss believes free speech is not granted equally to everyone.", "Yes, because he has not advocated strongly against issues with free speech." ], [ "Resentment towards political conservatives.", "Dissatisfaction with current political matters.", "Disappointment with the American government.", "Fear of a future without free speech." ], [ "He hopes to promote his own political agenda for a future career in office.", "He wants people to recognize the dark side of free speech.", "He wants to glorify the idea of life without free speech.", "He wants to slam the workings of the government." ], [ "Historical laws should be left unchanged.", "He believes in equality for all.", "He believes in fair speech over free speech.", "The U.S. constitution needs a new amendment." ], [ "Their ideas are contradictory.", "They uphold a double standard for themselves.", "They are an uncohesive group.", "They strongly reject Fiss' ideas." ], [ "Fiss would support a minority movement before a movement from people in a \"majority\" social group.", "Despite his bitterness towards contemporary liberals, Fiss' ideologies are uniquely liberal in themselves.", "Nearly all Americans today would agree with Fiss' rationale.", "Fiss believes that inequality is a major contemporary issue." ] ]	[ 3, 3, 1, 3, 2, 2, 3, 1, 3 ]	[ 1, 0, 0, 1, 1, 0, 1, 0, 0 ]	Shut Up, He Explained Owen Fiss is a professor at the Yale Law School and a highly regarded scholar of constitutional law. The subject of this short book is the present direction of the law governing the freedom of speech. What Professor Fiss has to say about it is worth attending to not merely because of his prominence in the field but because his argument is planted in the common assumptive ground of a lot of contemporary academic thought about the bankruptcy of individualism. The thesis of the book is Fiss', but the wisdom is conventional. Professor Fiss thinks the present direction of First Amendment law is a bad one, and he has an idea about how we might improve it. The short way to put his argument (though it is not quite the way he puts it) is to say that our approach to speech has become increasingly permissive. Courts have become more and more reluctant to allow the state to interfere with the rights of individual speakers to say what they wish, and it is time to roll back that permissiveness and to embark on a new approach that would permit the state to silence some speakers and promote others, but still, Fiss argues, in the name of freedom of speech. This is what Fiss means by the "irony" in his title: that true freedom of speech for all requires suppressing the speech of some. This is not, technically, an irony. It is a paradox. An irony would be the observation that an attempt to increase freedom for all often entails, despite our best efforts, a decrease in freedom for a few. If Fiss had addressed the subject of free speech in this spirit, as an irony, he would undoubtedly have had some interesting things to say, for he is a learned and temperate writer. But he has, instead, chosen to address the issue as an advocate for specific groups he regards as politically disadvantaged--women, gays, victims of racial-hate speech, the poor (or, at least, the not-rich), and people who are critical of market capitalism--and to design a constitutional theory that will enable those groups to enlist the state in efforts either to suppress speech they dislike or to subsidize speech they do like, without running afoul of the First Amendment. Embarked on this task, the most learned and temperate writer in the world would have a hard time avoiding tendentiousness. Fiss does not avoid it. The Irony of Free Speech is a discussion of several speech issues: campaign-finance laws, state funding for the arts, pornography, speech codes, and equal time. These discussions are not doctrinaire, but their general inclination is to favor state intervention, on political grounds, in each of those areas--that is, to favor restrictions on campaign spending, greater regulation of pornography, and so on. Fiss' analyses of specific cases are presented against a lightly sketched historical argument. Light though the sketching is, the historical argument is almost the most objectionable thing about the book, since it involves a distortion of the history of First Amendment law that is fairly plain even to someone who is not a professor at Yale Law School. The argument is that "the liberalism of the nineteenth century was defined by the claims of individual liberty and resulted in an unequivocal demand for liberal government, [while] the liberalism of today embraces the value of equality as well as liberty." The constitutional law of free speech, says Fiss, was shaped by the earlier type of liberalism--he calls it "libertarian"--which regarded free speech as a right of individual self-expression; it is now used to foil efforts to regulate speech in the name of the newer liberal value, equality. Contemporary liberals, inheriting both these traditions, find themselves in a bind. They want, let's say, black students to be free from harassment at institutions where they are, racially, in a minority, since liberals worry that black students cannot be "equal" if they feel intimidated. But those same liberals get upset at the thought of outlawing hate speech, since that would mean infringing upon the right of individuals to express themselves. Fiss' suggestion--this is the chief theoretical proposal of his book--is that liberals should stop thinking about this as a conflict between liberty and equality and start thinking about it as a conflict between two kinds of liberty: social vs. individual. The First Amendment, he says, was intended to foster (in William Brennan's words) "uninhibited, robust, and wide-open" debate in society as a whole; speech that inhibits or monopolizes that debate should therefore fall outside the protection of the law. We can maximize the total freedom of speech by silencing people who prevent others from speaking--when they utter racial epithets, represent women in degrading ways, use their wealth to dominate the press and the political process, or block the funding of unorthodox art. The historical part of this analysis rests on a canard, which is the assertion that the constitutional law of free speech emerged from 19 th -century classical laissez-faire liberalism. It did not. It emerged at the time of World War I, and the principal figures in its creation--Learned Hand, Oliver Wendell Holmes Jr., and Louis Brandeis--were not classical liberals; they were progressives. They abhorred the doctrine of natural rights because, in their time, that doctrine was construed to cover not the right to "self-expression" but the "right to property." Turn-of-the-century courts did not display a libertarian attitude toward civil rights; they displayed a libertarian attitude toward economic rights, tending to throw out legislation aimed at regulating industry and protecting workers on the grounds that people had a constitutional right to enter into contracts and to use their own property as they saw fit. Holmes, Brandeis, and their disciples consistently supported state intervention in economic affairs--the passage of health and safety regulations, the protection of unions, the imposition of taxes, and so on. The post-New Deal liberals whom Fiss associates with the value of equality are their heirs. The heirs of the19 th -century classical liberals are Jack Kemp and Newt Gingrich. Fiss' two "liberalisms" are, in fact, almost entirely different political philosophies. Hand, Holmes, and Brandeis based their First Amendment opinions not on some putative right to individual self-expression (an idea Holmes referred to as "the right of the donkey to drool") but on a democratic need for full and open political debate. First Amendment law since their time has performed its balancing acts on precisely that social value--the very value Fiss now proposes we need to insert into First Amendment jurisprudence. We don't need to insert it, because it was there from the start. Why does Fiss portray the history of First Amendment jurisprudence in this perverted way? Because he wants to line up his own free-speech argument within the conventional academic view that our problems are mostly the consequences of an antiquated and discreditable ideology of liberal individualism, and that they can mostly be solved by adopting a social-constructionist, or communitarian, or "intersubjective" view of human nature instead. The merits of liberal individualism vs. communitarianism can await another occasion to be debated. For since the law governing the freedom of speech does not emerge out of libertarianism, the matter does not boil down to replacing an obsolete belief in "self-expression" with a more up-to-date belief in "robust debate," as Fiss would like to think it does. What it boils down to is whether we need to replace the Hand-Holmes-Brandeis way of maximizing the benefits of free speech in a democratic society, which tries to push the state as far out of the picture as possible, with a different way, which tries to get the state farther into the picture. Here, assuming we want to try the interventionist approach, it is hard to see how a one-size theory can possibly fit all cases. The issues underlying pornography, hate speech, arts grants, campaign finance, and equal-time provisions are all different. The ideological impetus behind judicial developments in the last two areas, campaign finance and equal-time provisions, is related less to speech, except as a kind of constitutional cover, than to a revival of the old "right to property"--that is, the Supreme Court tends to disapprove of legislative and administrative efforts to require broadcasters to carry "opposing viewpoints" on the grounds that since it's their property, owners of television stations should be able to broadcast what they like. Fiss believes that the need for equal-time laws is as urgent today as it was in the 1970s, which is peculiar in light of the proliferation of media outlets. But the state does arguably have an interest, compatible with the First Amendment, in stipulating the way those media are used, and Fiss' discussion of those issues is the least aggravating in his book. Still, that discussion, like his discussions of the other issues, rests on a claim long associated with the left--the claim, in a phrase, that the minority is really the majority. In the case of speech, Fiss appears to believe that the reason the American public is less enlightened than he would wish it to be concerning matters such as feminism, the rights of homosexuals, and regulation of industry is that people are denied access to the opinions and information that would enlighten them. The public is denied this access because the state, in thrall to the ideology of individualism, refuses either to interfere with speech bullies--such as pornographers--who "silence" women, or to subsidize the speech of the unorthodox, such as Robert Mapplethorpe. Fiss' analysis of the Mapplethorpe case offers a good example of the perils of his interventionist approach. Arts policy is, unquestionably, a mess. The solution usually proposed is divorce: Either get the state out of the business altogether or invent some ironclad process for distributing the money using strictly artistic criteria. Fiss rejects both solutions; he wants the criteria to be political. He thinks the NEA should subsidize art that will enhance the "robustness" of the debate and should therefore prefer unorthodox art--though only, of course, if it represents a viewpoint the endowment considers, by virtue of social need and a prior history of exclusion, worthy of its megaphone. (No Nazi art, in other words.) Mapplethorpe's photographs seem to Fiss to qualify under these guidelines, since, he says, "in the late 1980s the AIDS crisis confronted America in the starkest fashion and provoked urgent questions regarding the scope and direction of publicly funded medical research. To address those issues the public--represented by the casual museum visitor--needed an understanding of the lives and practices of the gay community, so long hidden from view." This seems completely wrongheaded. People (for the most part) didn't find Mapplethorpe's X Portfolio photographs objectionable because they depicted homosexuality. They found them objectionable because they depicted sadomasochism. The notion that it was what Fiss calls a "source of empowerment for the members of the gay community" to have homosexuality associated with snarling guys prancing around in leather jockstraps, using bullwhips as sex toys, and pissing in each other's mouths, at a time when AIDS had become a national health problem and the issue of gays in the military was about to arise, is ludicrous. Any NEA chairperson who had the interests of the gay community at heart would have rushed to defund the exhibit. Jesse Helms could not have demonized homosexuality more effectively--which, of course, is why he was pleased to draw public attention to the pictures. Now that is what we call an irony of free speech. Awarding funding to the work of a gay artist because gay Americans need more political clout is an effort at cultural engineering, and the problem with cultural engineering is the problem with social engineering raised to a higher power. We have a hard enough time calculating the effects of the redistribution of wealth in our society. How can we possibly calculate the effects of redistributing the right to speak--of taking it away from people Professor Fiss feels have spoken long enough and mandating it for people he feels have not been adequately heard? One thing that is plain from the brief unhappy history of campus speech codes is that you automatically raise the value of the speech you punish and depress the value of the speech you sponsor. There are indeed many ironies here. Maybe someone will write a book about them.
train	20011	[ "How would one best describe the lifestyle discussed in the article?", "What is exclusively unique about working for a person like Si?", "What is the significance of including all the costs and price tags in the article?", "What is a main message conveyed in the article?", "What general structure does the article follow?", "What statement would the author agree with?" ]	[ [ "Excessive", "Confidential", "Exhausting", "Competitive" ], [ "Your pay would be much higher than at a similar job with a different employer.", "You would have more communication with your employer.", "You would experience luxurious employee benefits.", "You would work significantly harder than at job with a less successful employer." ], [ "To show the carelessness for money demonstrated by the New York elite.", "To eventually calculate and justify the net worth of people like Si.", "To demonstrate how such large sums of money are spent so generously.", "To show how people like Si keep track of their budget." ], [ "Respecting worker's rights.", "Fame and fortune.", "Carelessness leads to demise.", "Hard work pays off." ], [ "Topic sentence and details.", "Persuasive hook and explanation.", "Argument and supportive details.", "Problem and solution." ], [ "The luxurious lifestyle that the author wrote about is also easy-going and relaxing.", "Everyone should strive to live a life that the author wrote about.", "The lifestyle the author wrote about is highly unattainable.", "The amount of benefits the workers receive is highly exaggerated." ] ]	[ 1, 3, 1, 2, 2, 3 ]	[ 0, 0, 0, 0, 0, 1 ]	Let Si Get This During a typical lunch time at the Royalton Hotel restaurant in midtown Manhattan, The New Yorker 's Tina Brown might be installed at her usual table, and Vogue 's Anna Wintour might be at her usual table (chewing on her usual meal--a $25 hamburger). Vanity Fair 's Graydon Carter might be there too, although he has transferred his main allegiance to a place called Patroon. Filling out the room are other editors, publicists, and writers from these magazines and GQ and House & Garden and so on. And one man, who probably isn't there himself, picks up every tab. Some of the lesser fry may even utter the Condé Nast mantra--though it is hardly necessary at the Royalton--as they grab for the check: "Let Si get this." S.I. "Si" Newhouse Jr. and his younger brother, Donald, control Advance Publications, one of America's largest privately held companies. (Estimate of their combined wealth: $13 billion.) Donald tends to Advance's hugely profitable newspaper, radio, and TV holdings. Si runs the less profitable but more glamorous properties. These are the 15 Condé Nast magazines, including (in descending order of fabulousness) Vogue , Vanity Fair , GQ , Condé Nast Traveler , House & Garden , Allure , Details , Self , Mademoiselle , and Glamour ; ; and Random House. The expense-account lunch is a hallowed journalistic tradition. But consider a day in the life of an editor working for Si Newhouse. (Donald's editors are a different story, as they will be happy to tell you.) It's a closed economy where almost all human needs and desires can be gratified with a miraculous, unlimited currency called the Si. A Lincoln Town Car is waiting outside your door in the morning to take you to work. The car, which costs $50 an hour, is written into your contract. First stop, breakfast with a writer at the Four Seasons. The check may be as little as $40. When you reach the office, you realize you're out of cigarettes. No problem--you send your assistant to buy a pack for you. She gets reimbursed from petty cash ($3). (Could be worse for the assistant: She could be forced to pick up her boss's birth-control pills, or her boss's pet from the vet, or presents for her boss's children--regular duties for Condé Nast underlings.) You've forgotten to return the video your kids watched yesterday, so you have a messenger take it back to Blockbuster. Si spends $20; you save a $1.50 late fee. Then there's lunch. The magazines account for more than a quarter of daytime revenues at the Four Seasons and the Royalton. A modest lunch for two at the Royalton (no fancy wine or anything) might cost $80. But Si's generosity extends to even assistants and sub-sub-editors, dining on sushi at their desks. If you spend $10 or less on lunch, and claim you were working, Si pays. At Vogue and Vanity Fair , almost everyone has a "working lunch" every day . An editor at Allure says that "working lunches" there are limited to 10 a month. Back at the office, you hear that a friend at another Newhouse magazine has been promoted, so you send flowers. The tab: $100. Si pays. (One of my favorite Condé Nast stories is of an editor who had just been promoted to an extremely senior job. His office was jammed with congratulatory flowers and cards. All had been sent by fellow Condé Nast staffers. All had been billed to the company.) Four o'clock, and it's snack time. Your assistant joins the mob in the lobby newsstand. She bills your candy bar, juice, and cigarettes (as well as her own candy bar, juice, and cigarettes) to the magazine ($15). After all, it's a "working snack." Later, there's a birthday party for your assistant. You order champagne and a cake--on the company, of course, and present her with your gift--a Prada wallet ($200). Later, she submits the expense sheet for it. Finally, after a Random House book party at Le Cirque 2000 (estimated cost to Si: $35,000), your car ferries you home. Newhouse expense stories are a staple of New York literary-journalistic conversation. Stories about the $10,000 in expenses that a New Yorker editor billed for a single month. About the interior-decorating costs for the fashion-magazine editor who likes to have her office photographs rearranged every few months. About the hotel tab for the big-name New York writer who spent three weeks in Washington's Hay-Adams (basic room: $285 a night) researching a Vanity Fair story that will never run. About the Vogue editor who has furnished her summer house from items purchased for fashion shoots--beautiful furniture, designer pillows, coffee-table books. Vogue assistants have nicknamed the house "Petty Cash Junction." None of the 39 past and present Newhouse employees I spoke to for this story would talk on the record, for . And the nature of the subject makes it hard to separate apocrypha from the truth. Did Condé Nast pay, as sources insist it did, hundreds of thousands of dollars in back taxes on behalf of an editor who didn't bother to file tax forms? Did an editor really expense $20,000 in a weeklong trip to Paris? The people who pay the bills are not talking. But every example of excess cited here was told to me by at least one source (and usually more than one) in a position to know. Need a facial? Treat yourself and bill it to Si. This is what is called "scouting." It is also a great way to get free haircuts. To be fair, Si doesn't pay for all such treats. There is also a much-honored tradition of accepting tribute from companies that Condé Nast magazines cover. One magazine exec reportedly got so much loot last Christmas--Cuban cigars, "crates of wine," designer suits ("It was like a Spanish galleon")--that he needed three cars to cart it home. At yuletide, even midlevel fashion-mag writers and editors are inundated with "cashmere sweaters, Versace pillows, coats ..." recalls one ex- Vogue staffer wistfully. At the top of the masthead, the perks are perkier. His Si-ness (their joke, not mine) does not expect his editors in chief to actually live on their million-dollar salaries. He also gives them clothing allowances (up to $50,000 a year). He buys them cars of their choice and hires chauffeurs to drive them. He offers them low- or no-interest home loans. GQ editor Art Cooper reportedly received two $1-million loans, one for a Manhattan apartment, the other for a Connecticut farm. Tina Brown and her husband, Harold Evans, former president of Random House, reportedly just took a $2-million boost to buy a $3.7-million Manhattan house. Si's favorite courtiers lead lives of jaw-dropping privilege. When she was editor of British Vogue , Wintour commuted between London and New York--on the Concorde. Another Si confidant decided his office didn't feel right, so he hired one of the grandmasters of feng shui to rearrange it. Some editors prepare for trips by Federal Expressing their luggage to their destination. Why? "So you don't have to carry your bags. No one would be caught dead carrying a bag." Condé Nast has also created a class of mandarin journalists, writers who live much better than they ever could if they wrote only for normal magazines. One free-lancer tells of building much of a summer traveling with her husband in the West and Europe around a couple of Condé Nast assignments. Last summer, The New Yorker sent a staffer to Venice to cover the Venice Film Festival. The weeklong trip, which must have cost thousands, resulted in a short piece. Writers, of course, are nowhere near as profligate as photographers. Stories of wasteful shoots abound: the matching seaweed that had to be flown from California to the Caribbean for a fashion photo; the Annie Liebovitz Vanity Fair cover shot of Arnold Schwarzenegger that reportedly cost $100,000; the Vogue shoot in Africa in which, an ex- Vogue editor claims, the photographer and his huge entourage wined and dined to the tune of "hundreds of thousands of dollars." And then there are the parties. Last month The New Yorker spent--and this is not a joke--$500,000 on a two-day "Next Conference" at the Disney Institute in Florida, in connection with a special issue on the same theme. In order to get Vice President Gore, who was traveling in California at the time, The New Yorker paid for him and his entourage to fly Air Force Two from California to Florida and back. And vice presidents are not the only things that Condé Nast flies in for parties. The New Yorker once shipped silverware from New York to Chicago for a dinner. ("What, they don't have silverware in Chicago?" asks a New Yorker staffer.) Vanity Fair toted food from New York to Washington for this year's party on the night of the White House Correspondents Dinner. (What, they don't have food in Washington?) That annual Washington do has grown from an after-dinner gathering for drinks at a contributor's apartment to two huge blasts--before and after the dinner itself--at a rented embassy. VF 's annual Oscar-night party has become a similar institution in Hollywood. In addition to the parties themselves, Si also naturally pays to fly in VF staffers and to put them up at top hotels. (What, they don't have editors in Washington or L.A.?) Some Condé Nast parties are so ridiculous that even other Condé Nasties make fun of them. This week's New Yorker , for example, mocks a recent Vogue party in honor of food writer Jeffrey Steingarten. According to The New Yorker , Wintour so detested the carpet at Le Cirque 2000 that she ordered the florist to cover it with autumn leaves (handpicked, of course). The apogee of party absurdity is Vanity Fair 's sponsorship of an annual London dinner for the Serpentine Museum in Hyde Park. As one observer puts it, "Vanity Fair , an American magazine, pays more than $100,000 to a British art museum solely so that it can sponsor a dinner where Graydon Carter gets to sit next to Princess Diana." The princess was the museum's patron. Actually, paying $100,000 for face time with Princess Di may not have been a foolish investment for a magazine so dependent on peddling her image. And Condé Nast's excess has other plausible justifications as well. Some top editors may earn their perks. Vogue and GQ make millions, according to industry analysts. Vanity Fair is enjoying banner years, and while it probably hasn't made back the millions Newhouse lost in starting it up, it is certainly in the black. The New Yorker loses money--how much may even surpass perks as a topic of Newhouse gossip and speculation. On the other hand, The New Yorker is the most talked-about magazine in America, and Tina Brown is the most talked-about editor. That is worth something. Public media companies such as Time Warner (or, for that matter, Microsoft) can entice and hold journalists with stock options. Advance is private, so Newhouse uses other golden handcuffs. He runs a lifestyle prison. Top editors stay because they could never afford to live in a house as nice as the one Si's interest-free loan bought them, or to host parties as nice as the ones Si's party planners throw for them. Condé Nast's magazines are all about glamour, wealth, prestige. To uphold that image, magazine editors need to circulate at the top of New York society. But the top of New York society consists of people who make far more money than magazine editors do--investment bankers, corporate chieftains, and fashion designers. Million-dollar salaries aren't enough to mix as equals with the Trumps and Karans. Si's perks are equalizers. And they say it's not as good as it used to be. In 1992, according to Thomas Maier's biography of Newhouse, the editor of Self held a birthday party for Si Newhouse's dog . (Owners ate caviar; dogs drank Evian.) The lowliest assistants used to take car services home. But new Condé Nast CEO Steve Florio has restricted cars and catering. Editors who used to fly the Concorde now fly first-class; those who used to fly first-class now fly business. Expense accounts are scrutinized. Even so, today's Condé Nast is economical only by Condé Nast standards. The belt is tighter, but it's still hand-tooled, hand-tanned, and fashioned from the finest Italian leather.
train	51310	[ "What is true about the world these characters live in?", "What was Bradley imprisoned for?", "What seems to be the core idea behind the specialist segregation? ", "What seems to be O'Leary's internal dilemma as the story progresses?", "What might the story be trying to point out?", "Why is O'Leary and the Warden at odds?", "What is significant about the riot?", "Why was it advantageous to the prisoners to make noise constantly?", "In the end, what was it that O'Leary smelled throughout the story? " ]	[ [ "They all live under the impression they can only perform one job for their whole life. ", "People are segregated by career, and it's incredibly difficult for them to meet other groups and switch jobs. ", "People are segregated by career, and not allowed to mingle with other groups or switch jobs. ", "People have evolved to only be capable of one \"specialization\" through their lives. " ], [ "She tried to change her career. She didn't want to be in Civil Service anymore. ", "She didn't follow up on her cleaning duty. She didn't know she needed to \"mop up\".", "She is behaving inappropriately, and is being reprimanded for it. ", "She fell in love with someone outside of her specialization, which is illegal. " ], [ "To create a class system and with it a hierarchy. ", "To make humanity work at it's prime, with everyone working at maximum capacity. ", "To provide a means where people are at their happiest, working where they \"should.\" ", "People are uncappable of carrying out more than one job, and the specialist segregation allows them to focus on just one. " ], [ "He is having a hard time convincing himself of the laws that they all follow, and the validity of them. ", "He says to himself that he trusts in the specialization segregation, but he has thoughts that indicate otherwise. ", "The Warden isn't listening to him, and he's scared of overstepping his boundaries to point out the problem. ", "He knows that there is trouble, and he can smell it. He just can't pinpoint from where. " ], [ "A society of specialized people would be incredibly difficult to manage, and ultimately inefficient. ", "A society of specialized people would be incredibly difficult to manage, but worth it for the work that would get done. ", "People will always try to rebel against the system, no matter what form it's in. ", "It goes against human nature to try to segregate people, no matter how it's done. " ], [ "The Warden doesn't want to be aware of any problems, and so dismisses O'Leary's worries. ", "The Warden knows that O'Leary has thoughts of switching jobs. ", "O'Leary knows that something is wrong, but can't push the matter because it would go against their specializations. ", "The Warden is taking pills, and it's warping his judgement. O'Leary knows this. " ], [ "There are so few people involved, but because of the laws against interreacting with other specializations it's a huge issue. ", "It was so easily pulled off. It didn't take a lot of effort for it to be successful. ", "It's making nation wide news. ", "There are a lot of prisoners involved, and they needed to call upon a lot of departments to address it. " ], [ "It convinced the guards and others that they were crazy, and to leave them alone. ", "It intimidated new comers like Bradley. ", "It drew attention away from their escape plan. ", "It annoyed the guards, and made them go through their routes faster. " ], [ "Burning flesh, from Bradley sitting on the bench and hurting herself. ", "The riot. He picked up on the growing unrest, and it came to him as a smell. ", "The blue pills the Warden was taking, that were warping his perception and ultimately kept him from realizing the riot was brewing. ", "Burning flesh, from the shive being formed. It's the \"trouble\" he was detecting. " ] ]	[ 3, 4, 2, 2, 4, 3, 1, 3, 2 ]	[ 1, 1, 0, 1, 1, 1, 0, 0, 0 ]	My Lady Greensleeves By FREDERIK POHL Illustrated by GAUGHAN [Transcriber's Note: This etext was produced from Galaxy Science Fiction February 1957. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] This guard smelled trouble and it could be counted on to come—for a nose for trouble was one of the many talents bred here! I His name was Liam O'Leary and there was something stinking in his nostrils. It was the smell of trouble. He hadn't found what the trouble was yet, but he would. That was his business. He was a captain of guards in Estates-General Correctional Institution—better known to its inmates as the Jug—and if he hadn't been able to detect the scent of trouble brewing a cell-block away, he would never have survived to reach his captaincy. And her name, he saw, was Sue-Ann Bradley, Detainee No. WFA-656R. He frowned at the rap sheet, trying to figure out what got a girl like her into a place like this. And, what was more important, why she couldn't adjust herself to it, now that she was in. He demanded: "Why wouldn't you mop out your cell?" The girl lifted her head angrily and took a step forward. The block guard, Sodaro, growled warningly: "Watch it, auntie!" O'Leary shook his head. "Let her talk, Sodaro." It said in the Civil Service Guide to Prison Administration : "Detainees will be permitted to speak in their own behalf in disciplinary proceedings." And O'Leary was a man who lived by the book. She burst out: "I never got a chance! That old witch Mathias never told me I was supposed to mop up. She banged on the door and said, 'Slush up, sister!' And then, ten minutes later, she called the guards and told them I refused to mop." The block guard guffawed. "Wipe talk—that's what she was telling you to do. Cap'n, you know what's funny about this? This Bradley is—" "Shut up, Sodaro." Captain O'leary put down his pencil and looked at the girl. She was attractive and young—not beyond hope, surely. Maybe she had got off to a wrong start, but the question was, would putting her in the disciplinary block help straighten her out? He rubbed his ear and looked past her at the line of prisoners on the rap detail, waiting for him to judge their cases. He said patiently: "Bradley, the rules are you have to mop out your cell. If you didn't understand what Mathias was talking about, you should have asked her. Now I'm warning you, the next time—" "Hey, Cap'n, wait!" Sodaro was looking alarmed. "This isn't a first offense. Look at the rap sheet. Yesterday she pulled the same thing in the mess hall." He shook his head reprovingly at the prisoner. "The block guard had to break up a fight between her and another wench, and she claimed the same business—said she didn't understand when the other one asked her to move along." He added virtuously: "The guard warned her then that next time she'd get the Greensleeves for sure." Inmate Bradley seemed to be on the verge of tears. She said tautly: "I don't care. I don't care!" O'Leary stopped her. "That's enough! Three days in Block O!" It was the only thing to do—for her own sake as much as for his. He had managed, by strength of will, not to hear that she had omitted to say "sir" every time she spoke to him, but he couldn't keep it up forever and he certainly couldn't overlook hysteria. And hysteria was clearly the next step for her. All the same, he stared after her as she left. He handed the rap sheet to Sodaro and said absently: "Too bad a kid like her has to be here. What's she in for?" "You didn't know, Cap'n?" Sodaro leered. "She's in for conspiracy to violate the Categoried Class laws. Don't waste your time with her, Cap'n. She's a figger-lover!" Captain O'Leary took a long drink of water from the fountain marked "Civil Service." But it didn't wash the taste out of his mouth, the smell from his nose. What got into a girl to get her mixed up with that kind of dirty business? He checked out of the cell blocks and walked across the yard, wondering about her. She'd had every advantage—decent Civil Service parents, a good education, everything a girl could wish for. If anything, she had had a better environment than O'Leary himself, and look what she had made of it. The direction of evolution is toward specialization and Man is no exception, but with the difference that his is the one species that creates its own environment in which to specialize. From the moment that clans formed, specialization began—the hunters using the weapons made by the flint-chippers, the food cooked in clay pots made by the ceramists, over fire made by the shaman who guarded the sacred flame. Civilization merely increased the extent of specialization. From the born mechanic and the man with the gift of gab, society evolved to the point of smaller contact and less communication between the specializations, until now they could understand each other on only the most basic physical necessities—and not even always then. But this was desirable, for the more specialists, the higher the degree of civilization. The ultimate should be the complete segregation of each specialization—social and genetic measures to make them breed true, because the unspecialized man is an uncivilized man, or at any rate he does not advance civilization. And letting the specializations mix would produce genetic undesirables: clerk-laborer or Professional-GI misfits, for example, being only half specialized, would be good at no specialization. And the basis of this specialization society was: "The aptitude groups are the true races of mankind." Putting it into law was only the legal enforcement of a demonstrable fact. "Evening, Cap'n." A bleary old inmate orderly stood up straight and touched his cap as O'Leary passed by. "Evening." O'Leary noted, with the part of his mind that always noted those things, that the orderly had been leaning on his broom until he'd noticed the captain coming by. Of course, there wasn't much to sweep—the spray machines and sweeperdozers had been over the cobblestones of the yard twice already that day. But it was an inmate's job to keep busy. And it was a guard captain's job to notice when they didn't. There wasn't anything wrong with that job, he told himself. It was a perfectly good civil-service position—better than post-office clerk, not as good as Congressman, but a job you could be proud to hold. He was proud of it. It was right that he should be proud of it. He was civil-service born and bred, and naturally he was proud and content to do a good, clean civil-service job. If he had happened to be born a fig—a clerk , he corrected himself—if he had happened to be born a clerk, why, he would have been proud of that, too. There wasn't anything wrong with being a clerk—or a mechanic or a soldier, or even a laborer, for that matter. Good laborers were the salt of the Earth! They weren't smart, maybe, but they had a—well, a sort of natural, relaxed joy of living. O'Leary was a broad-minded man and many times he had thought almost with a touch of envy how comfortable it must be to be a wipe—a laborer . No responsibilities. No worries. Just an easy, slow routine of work and loaf, work and loaf. Of course, he wouldn't really want that kind of life, because he was Civil Service and not the kind to try to cross over class barriers that weren't meant to be— "Evening, Cap'n." He nodded to the mechanic inmate who was, theoretically, in charge of maintaining the prison's car pool, just inside the gate. "Evening, Conan," he said. Conan, now—he was a big buck greaser and he would be there for the next hour, languidly poking a piece of fluff out of the air filter on the prison jeep. Lazy, sure. Undependable, certainly. But he kept the cars going—and, O'Leary thought approvingly, when his sentence was up in another year or so, he would go back to his life with his status restored, a mechanic on the outside as he had been inside, and he certainly would never risk coming back to the Jug by trying to pass as Civil Service or anything else. He knew his place. So why didn't this girl, this Sue-Ann Bradley, know hers? II Every prison has its Greensleeves—sometimes they are called by different names. Old Marquette called it "the canary;" Louisiana State called it "the red hats;" elsewhere it was called "the hole," "the snake pit," "the Klondike." When you're in it, you don't much care what it is called; it is a place for punishment. And punishment is what you get. Block O in Estates-General Correctional Institution was the disciplinary block, and because of the green straitjackets its inhabitants wore, it was called the Greensleeves. It was a community of its own, an enclave within the larger city-state that was the Jug. And like any other community, it had its leading citizens ... two of them. Their names were Sauer and Flock. Sue-Ann Bradley heard them before she reached the Greensleeves. She was in a detachment of three unfortunates like herself, convoyed by an irritable guard, climbing the steel steps toward Block O from the floor below, when she heard the yelling. "Owoo-o-o," screamed Sauer from one end of the cell block and "Yow-w-w!" shrieked Flock at the other. The inside deck guard of Block O looked nervously at the outside deck guard. The outside guard looked impassively back—after all, he was on the outside. The inside guard muttered: "Wipe rats! They're getting on my nerves." The outside guard shrugged. "Detail, halt !" The two guards turned to see what was coming in as the three new candidates for the Greensleeves slumped to a stop at the head of the stairs. "Here they are," Sodaro told them. "Take good care of 'em, will you? Especially the lady—she's going to like it here, because there's plenty of wipes and greasers and figgers to keep her company." He laughed coarsely and abandoned his charges to the Block O guards. The outside guard said sourly: "A woman, for God's sake. Now O'Leary knows I hate it when there's a woman in here. It gets the others all riled up." "Let them in," the inside guard told him. "The others are riled up already." Sue-Ann Bradley looked carefully at the floor and paid them no attention. The outside guard pulled the switch that turned on the tanglefoot electronic fields that swamped the floor of the block corridor and of each individual cell. While the fields were on, you could ignore the prisoners—they simply could not move fast enough, against the electronic drag of the field, to do any harm. But it was a rule that, even in Block O, you didn't leave the tangler fields on all the time—only when the cell doors had to be opened or a prisoner's restraining garment removed. Sue-Ann walked bravely forward through the opened gate—and fell flat on her face. It was her first experience of a tanglefoot field. It was like walking through molasses. The guard guffawed and lifted her up by one shoulder. "Take it easy, auntie. Come on, get in your cell." He steered her in the right direction and pointed to a greensleeved straitjacket on the cell cot. "Put that on. Being as you're a lady, we won't tie it up, but the rules say you got to wear it and the rules—Hey. She's crying!" He shook his head, marveling. It was the first time he had ever seen a prisoner cry in the Greensleeves. However, he was wrong. Sue-Ann's shoulders were shaking, but not from tears. Sue-Ann Bradley had got a good look at Sauer and at Flock as she passed them by and she was fighting off an almost uncontrollable urge to retch. Sauer and Flock were what are called prison wolves. They were laborers—"wipes," for short—or, at any rate, they had been once. They had spent so much time in prisons that it was sometimes hard even for them to remember what they really were, outside. Sauer was a big, grinning redhead with eyes like a water moccasin. Flock was a lithe five-footer with the build of a water moccasin—and the sad, stupid eyes of a calf. Sauer stopped yelling for a moment. "Hey, Flock!" "What do you want, Sauer?" called Flock from his own cell. "We got a lady with us! Maybe we ought to cut out this yelling so as not to disturb the lady!" He screeched with howling, maniacal laughter. "Anyway, if we don't cut this out, they'll get us in trouble, Flock!" "Oh, you think so?" shrieked Flock. "Jeez, I wish you hadn't said that, Sauer. You got me scared! I'm so scared, I'm gonna have to yell!" The howling started all over again. The inside guard finished putting the new prisoners away and turned off the tangler field once more. He licked his lips. "Say, you want to take a turn in here for a while?" "Uh-uh." The outside guard shook his head. "You're yellow," the inside guard said moodily. "Ah, I don't know why I don't quit this lousy job. Hey, you! Pipe down or I'll come in and beat your head off!" "Ee-ee-ee!" screamed Sauer in a shrill falsetto. "I'm scared!" Then he grinned at the guard, all but his water-moccasin eyes. "Don't you know you can't hurt a wipe by hitting him on the head, Boss?" "Shut up !" yelled the inside guard. Sue-Ann Bradley's weeping now was genuine. She simply could not help it. The crazy yowling of the hard-timers, Sauer and Flock, was getting under her skin. They weren't even—even human , she told herself miserably, trying to weep silently so as not to give the guards the satisfaction of hearing her—they were animals! Resentment and anger, she could understand. She told herself doggedly that resentment and anger were natural and right. They were perfectly normal expressions of the freedom-loving citizen's rebellion against the vile and stifling system of Categoried Classes. It was good that Sauer and Flock still had enough spirit to struggle against the vicious system— But did they have to scream so? The senseless yelling was driving her crazy. She abandoned herself to weeping and she didn't even care who heard her any more. Senseless! It never occurred to Sue-Ann Bradley that it might not be senseless, because noise hides noise. But then she hadn't been a prisoner very long. III "I smell trouble," said O'Leary to the warden. "Trouble? Trouble?" Warden Schluckebier clutched his throat and his little round eyes looked terrified—as perhaps they should have. Warden Godfrey Schluckebier was the almighty Caesar of ten thousand inmates in the Jug, but privately he was a fussy old man trying to hold onto the last decent job he would have in his life. "Trouble? What trouble?" O'Leary shrugged. "Different things. You know Lafon, from Block A? This afternoon, he was playing ball with the laundry orderlies in the yard." The warden, faintly relieved, faintly annoyed, scolded: "O'Leary, what did you want to worry me for? There's nothing wrong with playing ball in the yard. That's what recreation periods are for." "You don't see what I mean, Warden. Lafon was a professional on the outside—an architect. Those laundry cons were laborers. Pros and wipes don't mix; it isn't natural. And there are other things." O'Leary hesitated, frowning. How could you explain to the warden that it didn't smell right? "For instance—Well, there's Aunt Mathias in the women's block. She's a pretty good old girl—that's why she's the block orderly. She's a lifer, she's got no place to go, she gets along with the other women. But today she put a woman named Bradley on report. Why? Because she told Bradley to mop up in wipe talk and Bradley didn't understand. Now Mathias wouldn't—" The warden raised his hand. "Please, O'Leary, don't bother me about that kind of stuff." He sighed heavily and rubbed his eyes. He poured himself a cup of steaming black coffee from a brewpot, reached in a desk drawer for something, hesitated, glanced at O'Leary, then dropped a pale blue tablet into the cup. He drank it down eagerly, ignoring the scalding heat. He leaned back, looking suddenly happier and much more assured. "O'Leary, you're a guard captain, right? And I'm your warden. You have your job, keeping the inmates in line, and I have mine. Now your job is just as important as my job," he said piously. " Everybody's job is just as important as everybody else's, right? But we have to stick to our own jobs. We don't want to try to pass ." O'Leary snapped erect, abruptly angry. Pass! What the devil way was that for the warden to talk to him? "Excuse the expression, O'Leary," the warden said anxiously. "I mean, after all, 'Specialization is the goal of civilization,' right?" He was a great man for platitudes, was Warden Schluckebier. " You know you don't want to worry about my end of running the prison. And I don't want to worry about yours . You see?" And he folded his hands and smiled like a civil-service Buddha. O'Leary choked back his temper. "Warden, I'm telling you that there's trouble coming up. I smell the signs." "Handle it, then!" snapped the warden, irritated at last. "But suppose it's too big to handle. Suppose—" "It isn't," the warden said positively. "Don't borrow trouble with all your supposing, O'Leary." He sipped the remains of his coffee, made a wry face, poured a fresh cup and, with an elaborate show of not noticing what he was doing, dropped three of the pale blue tablets into it this time. He sat beaming into space, waiting for the jolt to take effect. "Well, then," he said at last. "You just remember what I've told you tonight, O'Leary, and we'll get along fine. 'Specialization is the—' Oh, curse the thing." His phone was ringing. The warden picked it up irritably. That was the trouble with those pale blue tablets, thought O'Leary; they gave you a lift, but they put you on edge. "Hello," barked the warden, not even glancing at the viewscreen. "What the devil do you want? Don't you know I'm—What? You did what ? You're going to WHAT?" He looked at the viewscreen at last with a look of pure horror. Whatever he saw on it, it did not reassure him. His eyes opened like clamshells in a steamer. "O'Leary," he said faintly, "my mistake." And he hung up—more or less by accident; the handset dropped from his fingers. The person on the other end of the phone was calling from Cell Block O. Five minutes before, he hadn't been anywhere near the phone and it didn't look as if his chances of ever getting near it were very good. Because five minutes before, he was in his cell, with the rest of the hard-timers of the Greensleeves. His name was Flock. He was still yelling. Sue-Ann Bradley, in the cell across from him, thought that maybe, after all, the man was really in pain. Maybe the crazy screams were screams of agony, because certainly his face was the face of an agonized man. The outside guard bellowed: "Okay, okay. Take ten!" Sue-Ann froze, waiting to see what would happen. What actually did happen was that the guard reached up and closed the switch that actuated the tangler fields on the floors of the cells. The prison rules were humanitarian, even for the dregs that inhabited the Greensleeves. Ten minutes out of every two hours, even the worst case had to be allowed to take his hands out of the restraining garment. "Rest period" it was called—in the rule book. The inmates had a less lovely term for it. At the guard's yell, the inmates jumped to their feet. Bradley was a little slow getting off the edge of the steel-slat bed—nobody had warned her that the eddy currents in the tangler fields had a way of making metal smoke-hot. She gasped but didn't cry out. Score one more painful lesson in her new language course. She rubbed the backs of her thighs gingerly—and slowly, slowly, for the eddy currents did not permit you to move fast. It was like pushing against rubber; the faster you tried to move, the greater the resistance. The guard peered genially into her cell. "You're okay, auntie." She proudly ignored him as he slogged deliberately away on his rounds. He didn't have to untie her and practically stand over her while she attended to various personal matters, as he did with the male prisoners. It was not much to be grateful for, but Sue-Ann Bradley was grateful. At least she didn't have to live quite like a fig—like an underprivileged clerk, she told herself, conscience-stricken. Across the hall, the guard was saying irritably: "What the hell's the matter with you?" He opened the door of the cell with an asbestos-handled key held in a canvas glove. Flock was in that cell and he was doubled over. The guard looked at him doubtfully. It could be a trick, maybe. Couldn't it? But he could see Flock's face and the agony in it was real enough. And Flock was gasping, through real tears: "Cramps. I—I—" "Ah, you wipes always got a pain in the gut." The guard lumbered around Flock to the draw-strings at the back of the jacket. Funny smell in here, he told himself—not for the first time. And imagine, some people didn't believe that wipes had a smell of their own! But this time, he realized cloudily, it was a rather unusual smell. Something burning. Almost like meat scorching. It wasn't pleasant. He finished untying Flock and turned away; let the stinking wipe take care of his own troubles. He only had ten minutes to get all the way around Block O and the inmates complained like crazy if he didn't make sure they all got the most possible free time. He was pretty good at snowshoeing through the tangler field. He was a little vain about it, even; at times he had been known to boast of his ability to make the rounds in two minutes, every time. Every time but this. For Flock moaned behind him, oddly close. The guard turned, but not quickly enough. There was Flock—astonishingly, he was half out of his jacket; his arms hadn't been in the sleeves at all! And in one of the hands, incredibly, there was something that glinted and smoked. "All right," croaked Flock, tears trickling out of eyes nearly shut with pain. But it wasn't the tears that held the guard; it was the shining, smoking thing, now poised at his throat. A shiv! It looked as though it had been made out of a bed-spring, ripped loose from its frame God knows how, hidden inside the greensleeved jacket God knows how—filed, filed to sharpness over endless hours. No wonder Flock moaned—the eddy currents in the shiv were slowly cooking his hand; and the blister against his abdomen, where the shiv had been hidden during other rest periods, felt like raw acid. "All right," whispered Flock, "just walk out the door and you won't get hurt. Unless the other screw makes trouble, you won't get hurt, so tell him not to, you hear?" He was nearly fainting with the pain. But he hadn't let go. He didn't let go. And he didn't stop. IV It was Flock on the phone to the warden—Flock with his eyes still streaming tears, Flock with Sauer standing right behind him, menacing the two bound deck guards. Sauer shoved Flock out of the way. "Hey, Warden!" he said, and the voice was a cheerful bray, though the serpent eyes were cold and hating. "Warden, you got to get a medic in here. My boy Flock, he hurt himself real bad and he needs a doctor." He gestured playfully at the guards with the shiv. "I tell you, Warden. I got this knife and I got your guards here. Enough said? So get a medic in here quick, you hear?" And he snapped the connection. O'Leary said: "Warden, I told you I smelled trouble!" The warden lifted his head, glared, started feebly to speak, hesitated, and picked up the long-distance phone. He said sadly to the prison operator: "Get me the governor—fast." Riot! The word spread out from the prison on seven-league boots. It snatched the city governor out of a friendly game of Seniority with his manager and their wives—and just when he was holding the Porkbarrel Joker concealed in the hole. It broke up the Base Championship Scramble Finals at Hap Arnold Field to the south, as half the contestants had to scramble in earnest to a Red Alert that was real. It reached to police precinct houses and TV newsrooms and highway checkpoints, and from there it filtered into the homes and lives of the nineteen million persons that lived within a few dozen miles of the Jug. Riot. And yet fewer than half a dozen men were involved. A handful of men, and the enormous bulk of the city-state quivered in every limb and class. In its ten million homes, in its hundreds of thousands of public places, the city-state's people shook under the impact of the news from the prison. For the news touched them where their fears lay. Riot! And not merely a street brawl among roistering wipes, or a bar-room fight of greasers relaxing from a hard day at the plant. The riot was down among the corrupt sludge that underlay the state itself. Wipes brawled with wipes and no one cared; but in the Jug, all classes were cast together. Forty miles to the south, Hap Arnold Field was a blaze of light. The airmen tumbled out of their quarters and dayrooms at the screech of the alert siren, and behind them their wives and children stretched and yawned and worried. An alert! The older kids fussed and complained and their mothers shut them up. No, there wasn't any alert scheduled for tonight; no, they didn't know where Daddy was going; no, the kids couldn't get up yet—it was the middle of the night. And as soon as they had the kids back in bed, most of the mothers struggled into their own airwac uniforms and headed for the briefing area to hear. They caught the words from a distance—not quite correctly. "Riot!" gasped an aircraftswoman first-class, mother of three. "The wipes! I told Charlie they'd get out of hand and—Alys, we aren't safe. You know how they are about GI women! I'm going right home and get a club and stand right by the door and—" "Club!" snapped Alys, radarscope-sergeant, with two children querulously awake in her nursery at home. "What in God's name is the use of a club? You can't hurt a wipe by hitting him on the head. You'd better come along to Supply with me and draw a gun—you'll need it before this night is over." But the airmen themselves heard the briefing loud and clear over the scramble-call speakers, and they knew it was not merely a matter of trouble in the wipe quarters. The Jug! The governor himself had called them out; they were to fly interdicting missions at such-and-such levels on such-and-such flight circuits around the prison. The rockets took off on fountains of fire; and the jets took off with a whistling roar; and last of all, the helicopters took off ... and they were the ones who might actually accomplish something. They took up their picket posts on the prison perimeter, a pilot and two bombardiers in each 'copter, stone-faced, staring grimly alert at the prison below. They were ready for the breakout. But there wasn't any breakout. The rockets went home for fuel. The jets went home for fuel. The helicopters hung on—still ready, still waiting. The rockets came back and roared harmlessly about, and went away again. They stayed away. The helicopter men never faltered and never relaxed. The prison below them was washed with light—from the guard posts on the walls, from the cell blocks themselves, from the mobile lights of the guard squadrons surrounding the walls. North of the prison, on the long, flat, damp developments of reclaimed land, the matchbox row houses of the clerical neighborhoods showed lights in every window as the figgers stood ready to repel invasion from their undesired neighbors to the east, the wipes. In the crowded tenements of the laborers' quarters, the wipes shouted from window to window; and there were crowds in the bright streets. "The whole bloody thing's going to blow up!" a helicopter bombardier yelled bitterly to his pilot, above the flutter and roar of the whirling blades. "Look at the mobs in Greaserville! The first breakout from the Jug's going to start a fight like you never saw and we'll be right in the middle of it!" He was partly right. He would be right in the middle of it—for every man, woman and child in the city-state would be right in the middle of it. There was no place anywhere that would be spared. No mixing. That was the prescription that kept the city-state alive. There's no harm in a family fight—and aren't all mechanics a family, aren't all laborers a clan, aren't all clerks and office workers related by closer ties than blood or skin? But the declassed cons of the Jug were the dregs of every class; and once they spread, the neat compartmentation of society was pierced. The breakout would mean riot on a bigger scale than any prison had ever known. But he was also partly wrong. Because the breakout wasn't seeming to come.
train	51286	[ "Why does Matilda break off her engagement with Herman?", "What best summarizes Matilda’s attitude?", "What is alluring about Haron Gorka’s posting to Matilda?", "Why does no one on town know who Haron Gorka is?", "What is significant about the meal Matilda is served?", "Why does Matilda feel she was being made fun of?", "Has Matilda changed the end of the story? ", "Is Haron’s story true?" ]	[ [ "She’s looking for someone more adventurous. ", "He was too “stuffy” for Matilda.", "She doesn’t want to settle for him, as she’s too fixated on the idea of romance she has. ", "She’s afraid of commitment, as is hinted by this being another broken engagement for her. " ], [ "She’s too easily trusting of strangers and the unknown. ", "She is a lonely, unhappy person looking for an outlet via the Pen Pals column.", "She’s naive, and doesn’t understand relationship.s ", "She’s naive, and a romantic who craves excitement." ], [ "His mystique, and the ideas Matilda projects on him. ", "His ego and mystique. He doesn’t say a lot about himself. ", "He’s well traveled, so he must have important things to share.m", "His ego. She loves how much he has to say about himself, " ], [ "Haron Gorka isn’t his real name. Thus, there’s no records of him. ", "He’s not a real resident. He’s using a fake name while he stays in town. ", "He travels so much that the people in town haven’t gotten to know him. ", "He’s not a real resident, but an interstellar visitor. " ], [ "It lends credence to Gorka’s otherworldly claims. How else could it have happened? ", "She’d been starving, and it was enough to distract her from the reality of what happened to her.", "It’s exactly what she wanted to eat, and she didn’t have to ask for it. ,", "It means Gorka’s paranoid servant had been observing her, and determined her favorite foods. " ], [ "She though t Gorka was making up stories to appeal to her childish nature. ", "She thought Gorka was playing with her trusting nature by telling her lies. ", "She thought Gorka didn’t respe ct her enough, ", "She thought Gorka was trying to make her feel stupid by saying things she couldn’t disprove. " ], [ "No. She still hasn’t found a husband, and will likely be Pen Pals again. ", "No. She’s still looking for fantasies, as evidence by her looking up at the shooting star. ", "Yes. She is like Mrs. Gorky no3, chasing after impossible theories. ", "Yes. She’s more grounded now, and less naive. " ], [ "No. Haron only tells her the story in the hopes of getting his wife to come home,", "Yes. Matilda confirms when she sees the “shooting star.”", "Yes, though only his wife is aware of that. ", "No. Both he and his wife are truly delusional." ] ]	[ 2, 4, 1, 4, 1, 2, 4, 2 ]	[ 0, 0, 1, 1, 1, 1, 1, 0 ]	PEN PAL Illustrated by DON SIBLEY By MILTON LESSER [Transcriber's Note: This etext was produced from Galaxy Science Fiction July 1951. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] All she wanted was a mate and she had the gumption to go out and hunt one down. But that meant poaching in a strictly forbidden territory! The best that could be said for Matilda Penshaws was that she was something of a paradox. She was thirty-three years old, certainly not aged when you consider the fact that the female life expectancy is now up in the sixties, but the lines were beginning to etch their permanent paths across her face and now she needed certain remedial undergarments at which she would have scoffed ten or even five years ago. Matilda was also looking for a husband. This, in itself, was not unusual—but Matilda was so completely wrapped up in the romantic fallacy of her day that she sought a prince charming, a faithful Don Juan, a man who had been everywhere and tasted of every worldly pleasure and who now wanted to sit on a porch and talk about it all to Matilda. The fact that in all probability such a man did not exist disturbed Matilda not in the least. She had been known to say that there are over a billion men in the world, a goodly percentage of whom are eligible bachelors, and that the right one would come along simply because she had been waiting for him. Matilda, you see, had patience. She also had a fetish. Matilda had received her A.B. from exclusive Ursula Johns College and Radcliff had yielded her Masters degree, yet Matilda was an avid follower of the pen pal columns. She would read them carefully and then read them again, looking for the masculine names which, through a system known only to Matilda, had an affinity to her own. To the gentlemen upon whom these names were affixed, Matilda would write, and she often told her mother, the widow Penshaws, that it was in this way she would find her husband. The widow Penshaws impatiently told her to go out and get dates. That particular night, Matilda pulled her battered old sedan into the garage and walked up the walk to the porch. The widow Penshaws was rocking on the glider and Matilda said hello. The first thing the widow Penshaws did was to take Matilda's left hand in her own and examine the next-to-the-last finger. "I thought so," she said. "I knew this was coming when I saw that look in your eye at dinner. Where is Herman's engagement ring?" Matilda smiled. "It wouldn't have worked out, Ma. He was too darned stuffy. I gave him his ring and said thanks anyway and he smiled politely and said he wished I had told him sooner because his fifteenth college reunion was this weekend and he had already turned down the invitation." The widow Penshaws nodded regretfully. "That was thoughtful of Herman to hide his feelings." "Hogwash!" said her daughter. "He has no true feelings. He's sorry that he had to miss his college reunion. That's all he has to hide. A stuffy Victorian prude and even less of a man than the others." "But, Matilda, that's your fifth broken engagement in three years. It ain't that you ain't popular, but you just don't want to cooperate. You don't fall in love, Matilda—no one does. Love osmoses into you slowly, without you even knowing, and it keeps growing all the time." Matilda admired her mother's use of the word osmosis, but she found nothing which was not objectionable about being unaware of the impact of love. She said good-night and went upstairs, climbed out of her light summer dress and took a cold shower. She began to hum to herself. She had not yet seen the pen pal section of the current Literary Review , and because the subject matter of that magazine was somewhat highbrow and cosmopolitan, she could expect a gratifying selection of pen pals. She shut off the shower, brushed her teeth, gargled, patted herself dry with a towel, and jumped into bed, careful to lock the door of her bedroom. She dared not let the widow Penshaws know that she slept in the nude; the widow Penshaws would object to a girl sleeping in the nude, even if the nearest neighbor was three hundred yards away. Matilda switched her bed lamp on and dabbed some citronella on each ear lobe and a little droplet on her chin (how she hated insects!). Then she propped up her pillows—two pillows partially stopped her post-nasal drip; and took the latest issue of the Literary Review off the night table. She flipped through the pages and came to personals. Someone in Nebraska wanted to trade match books; someone in New York needed a midwestern pen pal, but it was a woman; an elderly man interested in ornithology wanted a young chick correspondent interested in the same subject; a young, personable man wanted an editorial position because he thought he had something to offer the editorial world; and— Matilda read the next one twice. Then she held it close to the light and read it again. The Literary Review was one of the few magazines which printed the name of the advertiser rather than a box number, and Matilda even liked the sound of the name. But mostly, she had to admit to herself, it was the flavor of the wording. This very well could be it . Or, that is, him . Intelligent, somewhat egotistical male who's really been around, whose universal experience can make the average cosmopolite look like a provincial hick, is in need of several female correspondents: must be intelligent, have gumption, be capable of listening to male who has a lot to say and wants to say it. All others need not apply. Wonderful opportunity cultural experience ... Haron Gorka, Cedar Falls, Ill. The man was egotistical, all right; Matilda could see that. But she had never minded an egotistical man, at least not when he had something about which he had a genuine reason to be egotistical. The man sounded as though he would have reason indeed. He only wanted the best because he was the best. Like calls to like. The name—Haron Gorka: its oddness was somehow beautiful to Matilda. Haron Gorka—the nationality could be anything. And that was it. He had no nationality for all intents and purposes; he was an international man, a figure among figures, a paragon.... Matilda sighed happily as she put out the light. The moon shone in through the window brightly, and at such times Matilda generally would get up, go to the cupboard, pull out a towel, take two hairpins from her powder drawer, pin the towel to the screen of her window, and hence keep the disturbing moonlight from her eyes. But this time it did not disturb her, and she would let it shine. Cedar Falls was a small town not fifty miles from her home, and she'd get there a hop, skip, and jump ahead of her competitors, simply by arriving in person instead of writing a letter. Matilda was not yet that far gone in years or appearance. Dressed properly, she could hope to make a favorable impression in person, and she felt it was important to beat the influx of mail to Cedar Falls. Matilda got out of bed at seven, tiptoed into the bathroom, showered with a merest wary trickle of water, tiptoed back into her bedroom, dressed in her very best cotton over the finest of uplifting and figure-moulding underthings, made sure her stocking seams were perfectly straight, brushed her suede shoes, admired herself in the mirror, read the ad again, wished for a moment she were a bit younger, and tiptoed downstairs. The widow Penshaws met her at the bottom of the stairwell. "Mother," gasped Matilda. Matilda always gasped when she saw something unexpected. "What on earth are you doing up?" The widow Penshaws smiled somewhat toothlessly, having neglected to put in both her uppers and lowers this early in the morning. "I'm fixing breakfast, of course...." Then the widow Penshaws told Matilda that she could never hope to sneak about the house without her mother knowing about it, and that even if she were going out in response to one of those foolish ads in the magazines, she would still need a good breakfast to start with like only mother could cook. Matilda moodily thanked the widow Penshaws. Driving the fifty miles to Cedar Falls in a little less than an hour, Matilda hummed Mendelssohn's Wedding March all the way. It was her favorite piece of music. Once, she told herself: Matilda Penshaws, you are being premature about the whole thing. But she laughed and thought that if she was, she was, and, meanwhile, she could only get to Cedar Falls and find out. And so she got there. The man in the wire cage at the Cedar Falls post office was a stereotype. Matilda always liked to think in terms of stereotypes. This man was small, roundish, florid of face, with a pair of eyeglasses which hung too far down on his nose. Matilda knew he would peer over his glasses and answer questions grudgingly. "Hello," said Matilda. The stereotype grunted and peered at her over his glasses. Matilda asked him where she could find Haron Gorka. "What?" "I said, where can I find Haron Gorka?" "Is that in the United States?" "It's not a that; it's a he. Where can I find him? Where does he live? What's the quickest way to get there?" The stereotype pushed up his glasses and looked at her squarely. "Now take it easy, ma'am. First place, I don't know any Haron Gorka—" Matilda kept the alarm from creeping into her voice. She muttered an oh under her breath and took out the ad. This she showed to the stereotype, and he scratched his bald head. Then he told Matilda almost happily that he was sorry he couldn't help her. He grudgingly suggested that if it really were important, she might check with the police. Matilda did, only they didn't know any Haron Gorka, either. It turned out that no one did: Matilda tried the general store, the fire department, the city hall, the high school, all three Cedar Falls gas stations, the livery stable, and half a dozen private dwellings at random. As far us the gentry of Cedar Falls was concerned, Haron Gorka did not exist. Matilda felt bad, but she had no intention of returning home this early. If she could not find Haron Gorka, that was one thing; but she knew that she'd rather not return home and face the widow Penshaws, at least not for a while yet. The widow Penshaws meant well, but she liked to analyze other people's mistakes, especially Matilda's. Accordingly, Matilda trudged wearily toward Cedar Falls' small and unimposing library. She could release some of her pent-up aggression by browsing through the dusty slacks. This she did, but it was unrewarding. Cedar Falls had what might be called a microscopic library, and Matilda thought that if this small building were filled with microfilm rather than books, the library still would be lacking. Hence she retraced her steps and nodded to the old librarian as she passed. Then Matilda frowned. Twenty years from now, this could be Matilda Penshaws—complete with plain gray dress, rimless spectacles, gray hair, suspicious eyes, and a broom-stick figure.... On the other hand—why not? Why couldn't the librarian help her? Why hadn't she thought of it before? Certainly a man as well-educated as Haron Gorka would be an avid reader, and unless he had a permanent residence here in Cedar Palls, one couldn't expect that he'd have his own library with him. This being the case, a third-rate collection of books was far better than no collection at all, and perhaps the librarian would know Mr. Haron Gorka. Matilda cleared her throat. "Pardon me," she began. "I'm looking for—" "Haron Gorka." The librarian nodded. "How on earth did you know?" "That's easy. You're the sixth young woman who came here inquiring about that man today. Six of you—five others in the morning, and now you in the afternoon. I never did trust this Mr. Gorka...." Matilda jumped as if she had been struck strategically from the rear. "You know him? You know Haron Gorka?" "Certainly. Of course I know him. He's our steadiest reader here at the library. Not a week goes by that he doesn't take out three, four books. Scholarly gentleman, but not without charm. If I were twenty years younger—" Matilda thought a little flattery might be effective. "Only ten," she assured the librarian. "Ten years would be more than sufficient, I'm sure." "Are you? Well. Well, well." The librarian did something with the back of her hair, but it looked the same as before. "Maybe you're right. Maybe you're right at that." Then she sighed. "But I guess a miss is as good as a mile." "What do you mean?" "I mean anyone would like to correspond with Haron Gorka. Or to know him well. To be considered his friend. Haron Gorka...." The librarian seemed about to soar off into the air someplace, and if five women had been here first, Matilda was now definitely in a hurry. "Um, where can I find Mr. Gorka?" "I'm not supposed to do this, you know. We're not permitted to give the addresses of any of our people. Against regulations, my dear." "What about the other five women?" "They convinced me that I ought to give them his address." Matilda reached into her pocket-book and withdrew a five dollar bill. "Was this the way?" she demanded. Matilda was not very good at this sort of thing. The librarian shook her head. Matilda nodded shrewdly and added a twin brother to the bill in her hand. "Then is this better?" "That's worse. I wouldn't take your money—" "Sorry. What then?" "If I can't enjoy an association with Haron Gorka directly, I still could get the vicarious pleasure of your contact with him. Report to me faithfully and you'll get his address. That's what the other five will do, and with half a dozen of you, I'll get an overall picture. Each one of you will tell me about Haron Gorka, sparing no details. You each have a distinct personality, of course, and it will color each picture considerably. But with six of you reporting, I should receive my share of vicarious enjoyment. Is it—ah—a deal?" Matilda assured her that it was, and, breathlessly, she wrote down the address. She thanked the librarian and then she went out to her car, whistling to herself. Haron Gorka lived in what could have been an agrarian estate, except that the land no longer was being tilled. The house itself had fallen to ruin. This surprised Matilda, but she did not let it keep her spirits in check. Haron Gorka, the man, was what counted, and the librarian's account of him certainly had been glowing enough. Perhaps he was too busy with his cultural pursuits to pay any real attention to his dwelling. That was it, of course: the conspicuous show of wealth or personal industry meant nothing at all to Haron Gorka. Matilda liked him all the more for it. There were five cars parked in the long driveway, and now Matilda's made the sixth. In spite of herself, she smiled. She had not been the only one with the idea to visit Haron Gorka in person. With half a dozen of them there, the laggards who resorted to posting letters would be left far behind. Matilda congratulated herself for what she thought had been her ingenuity, and which now turned out to be something which she had in common with five other women. You live and learn, thought Matilda. And then, quite annoyedly, she berated herself for not having been the first. Perhaps the other five all were satisfactory; perhaps she wouldn't be needed; perhaps she was too late.... As it turned out, she wasn't. Not only that, she was welcomed with open arms. Not by Haron Gorka; that she really might have liked. Instead, someone she could only regard as a menial met her, and when he asked had she come in response to the advertisement, she nodded eagerly. He told her that was fine and he ushered her straight into a room which evidently was to be her living quarters. It contained a small undersized bed, a table, and a chair, and, near a little slot in the wall, there was a button. "You want any food or drink," the servant told her, "and you just press that button. The results will surprise you." "What about Mr. Gorka?" "When he wants you, he will send for you. Meanwhile, make yourself to home, lady, and I will tell him you are here." A little doubtful now, Matilda thanked him and watched him leave. He closed the door softly behind his retreating feet, but Matilda's ears had not missed the ominous click. She ran to the door and tried to open it, but it would not budge. It was locked—from the outside. It must be said to Matilda's favor that she sobbed only once. After that she realized that what is done is done and here, past thirty, she wasn't going to be girlishly timid about it. Besides, it was not her fault if, in his unconcern, Haron Gorka had unwittingly hired a neurotic servant. For a time Matilda paced back and forth in her room, and of what was going on outside she could hear nothing. In that case, she would pretend that there was nothing outside the little room, and presently she lay down on the bed to take a nap. This didn't last long, however: she had a nightmare in which Haron Gorka appeared as a giant with two heads, but, upon awaking with a start, she immediately ascribed that to her overwrought nerves. At that point she remembered what the servant had said about food and she thought at once of the supreme justice she could do to a juicy beefsteak. Well, maybe they didn't have a beefsteak. In that case, she would take what they had, and, accordingly, she walked to the little slot in the wall and pressed the button. She heard the whir of machinery. A moment later there was a soft sliding sound. Through the slot first came a delicious aroma, followed almost instantly by a tray. On the tray were a bowl of turtle soup, mashed potatoes, green peas, bread, a strange cocktail, root-beer, a parfait—and a thick tenderloin sizzling in hot butter sauce. Matilda gasped once and felt about to gasp again—but by then her salivary glands were working overtime, and she ate her meal. The fact that it was precisely what she would have wanted could, of course, be attributed to coincidence, and the further fact that everything was extremely palatable made her forget all about Haron Gorka's neurotic servant. When she finished her meal a pleasant lethargy possessed her, and in a little while Matilda was asleep again. This time she did not dream at all. It was a deep sleep and a restful one, and when she awoke it was with the wonderful feeling that everything was all right. The feeling did not last long. Standing over her was Haron Gorka's servant, and he said, "Mr. Gorka will see you now." "Now?" "Now. That's what you're here for, isn't it?" He had a point there, but Matilda hardly even had time to fix her hair. She told the servant so. "Miss," he replied, "I assure you it will not matter in the least to Haron Gorka. You are here and he is ready to see you and that is all that matters." "You sure?" Matilda wanted to take no chances. "Yes. Come." She followed him out of the little room and across what should have been a spacious dining area, except that everything seemed covered with dust. Of the other women Matilda could see nothing, and she suddenly realized that each of them probably had a cubicle of a room like her own, and that each in her turn had already had her first visit with Haron Gorka. Well, then, she must see to it that she impressed him better than did all the rest, and, later, when she returned to tell the old librarian of her adventures, she could perhaps draw her out and compare notes. She would not admit even to herself that she was disappointed with Haron Gorka. It was not that he was homely and unimpressive; it was just that he was so ordinary -looking. She almost would have preferred the monster of her dreams. He wore a white linen suit and he had mousy hair, drab eyes, an almost-Roman nose, a petulant mouth with the slight arch of the egotist at each corner. He said, "Greetings. You have come—" "In response to your ad. How do you do, Mr. Gorka?" She hoped she wasn't being too formal. But, then, there was no sense in assuming that he would like informality. She could only wait and see and adjust her own actions to suit him. Meanwhile, it would be best to keep on the middle of the road. "I am fine. Are you ready?" "Ready?" "Certainly. You came in response to my ad. You want to hear me talk, do you not?" "I—do." Matilda had had visions of her prince charming sitting back and relaxing with her, telling her of the many things he had done and seen. But first she certainly would have liked to get to know the man. Well, Haron Gorka obviously had more experience along these lines than she did. He waited, however, as if wondering what to say, and Matilda, accustomed to social chatter, gave him a gambit. "I must admit I was surprised when I got exactly what I wanted for dinner," she told him brightly. "Eh? What say? Oh, yes, naturally. A combination of telepathy and teleportation. The synthetic cookery is attuned to your mind when you press the buzzer, and the strength of your psychic impulses determines how closely the meal will adjust to your desires. The fact that the adjustment here was near perfect is commendable. It means either that you have a high psi-quotient, or that you were very hungry." "Yes," said Matilda vaguely. Perhaps it might be better, after all, if Haron Gorka were to talk to her as he saw fit. "Ready?" "Uh—ready." "Well?" "Well, what, Mr. Gorka?" "What would you like me to talk about?" "Oh, anything." "Please. As the ad read, my universal experience—is universal. Literally. You'll have to be more specific." "Well, why don't you tell me about some of your far travels? Unfortunately, while I've done a lot of reading, I haven't been to all the places I would have liked—" "Good enough. You know, of course, how frigid Deneb VII is?" Matilda said, "Beg pardon?" "Well, there was the time our crew—before I had retired, of course—made a crash landing there. We could survive in the vac-suits, of course, but the thlomots were after us almost at once. They go mad over plastic. They will eat absolutely any sort of plastic. Our vac-suits—" "—were made of plastic," Matilda suggested. She did not understand a thing he was talking about, but she felt she had better act bright. "No, no. Must you interrupt? The air-hose and the water feed, these were plastic. Not the rest of the suit. The point is that half of us were destroyed before the rescue ship could come, and the remainder were near death. I owe my life to the mimicry of a flaak from Capella III. It assumed the properties of plastic and led the thlomots a merry chase across the frozen surface of D VII. You travel in the Deneb system now and Interstellar Ordinance makes it mandatory to carry flaaks with you. Excellent idea, really excellent." Almost at once, Matilda's educational background should have told her that Haron Gorka was mouthing gibberish. But on the other hand she wanted to believe in him and the result was that it took until now for her to realize it. "Stop making fun of me," she said. "So, naturally, you'll see flaaks all over that system—" "Stop!" "What's that? Making fun of you?" Haron Gorka's voice had been so eager as he spoke, high-pitched, almost like a child's, and now he seemed disappointed. He smiled, but it was a sad smile, a smile of resignation, and he said, "Very well. I'm wrong again. You are the sixth, and you're no better than the other five. Perhaps you are even more outspoken. When you see my wife, tell her to come back. Again she is right and I am wrong...." Haron Gorka turned his back. Matilda could do nothing but leave the room, walk back through the house, go outside and get into her car. She noticed not without surprise that the other five cars were now gone. She was the last of Haron Gorka's guests to depart. As she shifted into reverse and pulled out of the driveway, she saw the servant leaving, too. Far down the road, he was walking slowly. Then Haron Gorka had severed that relationship, too, and now he was all alone. As she drove back to town, the disappointment melted slowly away. There were, of course, two alternatives. Either Haron Gorka was an eccentric who enjoyed this sort of outlandish tomfoolery, or else he was plainly insane. She could still picture him ranting on aimlessly to no one in particular about places which had no existence outside of his mind, his voice high-pitched and eager. It was not until she had passed the small library building that she remembered what she had promised the librarian. In her own way, the aging woman would be as disappointed as Matilda, but a promise was a promise, and Matilda turned the car in a wide U-turn and parked it outside the library. The woman sat at her desk as Matilda had remembered her, gray, broom-stick figure, rigid. But now when she saw Matilda she perked up visibly. "Hello, my dear," she said. "Hi." "You're back a bit sooner than I expected. But, then, the other five have returned, too, and I imagine your story will be similar." "I don't know what they told you," Matilda said. "But this is what happened to me." She quickly then related everything which had happened, completely and in detail. She did this first because it was a promise, and second because she knew it would make her feel better. "So," she finished, "Haron Gorka is either extremely eccentric or insane. I'm sorry." "He's neither," the librarian contradicted. "Perhaps he is slightly eccentric by your standards, but really, my dear, he is neither." "What do you mean?" "Did he leave a message for his wife?" "Why, yes. Yes, he did. But how did you know? Oh, I suppose he told the five." "No. He didn't. But you were the last and I thought he would give you a message for his wife—" Matilda didn't understand. She didn't understand at all, but she told the little librarian what the message was. "He wanted her to return," she said. The librarian nodded, a happy smile on her lips. "You wouldn't believe me if I told you something." "What's that?" "I am Mrs. Gorka." The librarian stood up and came around the desk. She opened a drawer and took out her hat and perched it jauntily atop her gray hair. "You see, my dear, Haron expects too much. He expects entirely too much." Matilda did not say a word. One madman a day would be quite enough for anybody, but here she found herself confronted with two. "We've been tripping for centuries, visiting every habitable star system from our home near Canopus. But Haron is too demanding. He says I am a finicky traveler, that he could do much better alone, the accommodations have to be just right for me, and so forth. When he loses his temper, he tries to convince me that any number of females of the particular planet would be more than thrilled if they were given the opportunity just to listen to him. "But he's wrong. It's a hard life for a woman. Someday—five thousand, ten thousand years from now—I will convince him. And then we will settle down on Canopus XIV and cultivate torgas . That would be so nice—" "I'm sure." "Well, if Haron wants me back, then I have to go. Have a care, my dear. If you marry, choose a home-body. I've had the experience and you've seen my Haron for yourself." And then the woman was gone. Numbly, Matilda walked to the doorway and watched her angular figure disappear down the road. Of all the crazy things.... Deneb and Capella and Canopus, these were stars. Add a number and you might have a planet revolving about each star. Of all the insane— They were mad, all right, and now Matilda wondered if, actually, they were husband and wife. It could readily be; maybe the madness was catching. Maybe if you thought too much about such things, such travels, you could get that way. Of course, Herman represented the other extreme, and Herman was even worse in his own way—but hereafter Matilda would seek the happy medium. And, above all else, she had had enough of her pen pal columns. They were, she realized, for kids. She ate dinner in Cedar Falls and then she went out to her car again, preparing for the journey back home. The sun had set and it was a clear night, and overhead the great broad sweep of the Milky Way was a pale rainbow bridge in the sky. Matilda paused. Off in the distance there was a glow on the horizon, and that was the direction of Haron Gorka's place. The glow increased; soon it was a bright red pulse pounding on the horizon. It flickered. It flickered again, and finally it was gone. The stars were white and brilliant in the clear country air. That was why Matilda liked the country better than the city, particularly on a clear summer night when you could see the span of the Milky Way. But abruptly the stars and the Milky Way were paled by the brightest shooting star Matilda had ever seen. It flashed suddenly and it remained in view for a full second, searing a bright orange path across the night sky. Matilda gasped and ran into her car. She started the gears and pressed the accelerator to the floor, keeping it there all the way home. It was the first time she had ever seen a shooting star going up .

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