Split (1)

train · 762 rows

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train	50103	[ "What is particularly strange about humans this world? ", "Why is communication so slow between colonies?", "Why is Earth so stunted in comparison to other colonies? ", "How is it this society can manage such slow communications?", "In simple terms, how does the anti-aging process work?", "What is the connection between bravery and death? ", "How does Giles change with the knowledge of his aging? ", "Why does Gile volunteer for the ship in the end?", "What could the moral of the story be?" ]	[ [ "They have achieved immortality, ", "They use telecommunications across planets to stay in contact. ", "They no longer have the same family values most people do. ", "People are living for far, far longer than they ever have before. " ], [ "There isn’t a lot of time out into the communications departments. ", "People don’t have the same relationships they used to, so they don’t bother to talk the same way. ", "Distance, along with technology differences. ", "People live so long now, they take their time communicating. " ], [ "They don’t have the right kind of technology. ", "They’re overpopulated and sending off their youngest people. ", "They don’t receive the same attention.", "No one is dying, so their priorities don’t lend themselves to progress. " ], [ "People live long enough now where they’ve adapted to the delay.", "Everything eventually gets to where it’s going, so they make do. ", "They work around it. They have the time to wait. ", "Science is progressing slowly as well, so they can’t rush it anyway. " ], [ "It makes your brain think it’s younger through memories, and treat the body’s growth that way. ", "It tricks the patient into believing they’re younger.", "It replaces key parts in your cells with young cells. ", "It halts growth all together by communicating with your brain. " ], [ "There is no correlation. It’s based on personality how brave someone is. ", "If one can’t be hurt, then people tend to be braver. ", "Bravery only seems to come to those who know they have limits. ", "Bravery only seems to come to those who are limitless. " ], [ "He resigns to his fate, because he doesn’t know what else to do. ", "He doesn’t. He goes right back to doing what he’d been doing out of habit. ", "He feels a new fondness for his son and family.", "He shows a much greater appreciation for every aspect of his life. " ], [ "He hasn’t accepted his mortality, and is trying to make up for it with an act of heroism. ", "He knows that no one else will volunteer, and feels responsible to do so. ", "He fears the end of his life, and wants to try to see his family before he passes. ", "He accepts his mortality, and is willing to spend his last years on the chance to see his family. " ], [ "People will make sacrifices like the one Giles made at the end for the greater good. ", "Mortality is crucial to enjoy life to the fullest. ", "Given the chance, humans will chase after immortality. ", "Fear of aging is normal, but aging is unavoidable. " ] ]	[ 4, 3, 4, 1, 1, 3, 3, 4, 2 ]	[ 1, 0, 1, 0, 1, 0, 1, 1, 1 ]	The Dwindling Years He didn’t expect to be last—but neither did he anticipate the horror of being the first! By LESTER DEL REY Illustrated by JOHNS NEARLY TWO hundred years of habit carried the chairman of Exodus Corporation through the morning ritual of crossing the executive floor. Giles made the expected comments, smiled the proper smiles and greeted his staff by the right names, but it was purely automatic. Somehow, thinking had grown difficult in the mornings recently. Inside his private office, he dropped all pretense and slumped into the padding of his chair, gasping for breath and feeling his heart hammering in his chest. He’d been a fool to come to work, he realized. But with the Procyon shuttle arriving yesterday, there was no telling what might turn up. Besides, that fool of a medicist had sworn the shot would cure any allergy or asthma. Giles heard his secretary come in, but it wasn’t until the smell of the coffee reached his nose that he looked up. She handed him a filled cup and set the carafe down on the age-polished surface of the big desk. She watched solicitously as he drank. “That bad, Arthur?” she asked. “Just a little tired,” he told her, refilling the cup. She’d made the coffee stronger than usual and it seemed to cut through some of the thickness in his head. “I guess I’m getting old, Amanda.” She smiled dutifully at the time-worn joke, but he knew she wasn’t fooled. She’d cycled to middle age four times in her job and she probably knew him better than he knew himself—which wouldn’t be hard, he thought. He’d hardly recognized the stranger in the mirror as he tried to shave. His normal thinness had looked almost gaunt and there were hollows in his face and circles under his eyes. Even his hair had seemed thinner, though that, of course, was impossible. “Anything urgent on the Procyon shuttle?” he asked as she continue staring at him with worried eyes. SHE JERKED her gaze away guiltily and turned to the incoming basket. “Mostly drugs for experimenting. A personal letter for you, relayed from some place I never heard of. And one of the super-light missiles! They found it drifting half a light-year out and captured it. Jordan’s got a report on it and he’s going crazy. But if you don’t feel well—” “I’m all right!” he told her sharply. Then he steadied himself and managed to smile. “Thanks for the coffee, Amanda.” She accepted dismissal reluctantly. When she was gone, he sat gazing at the report from Jordan at Research. For eighty years now, they’d been sending out the little ships that vanished at greater than the speed of light, equipped with every conceivable device to make them return automatically after taking pictures of wherever they arrived. So far, none had ever returned or been located. This was the first hope they’d found that the century-long trips between stars in the ponderous shuttles might be ended and he should have been filled with excitement at Jordan’s hasty preliminary report. He leafed through it. The little ship apparently had been picked up by accident when it almost collided with a Sirius-local ship. Scientists there had puzzled over it, reset it and sent it back. The two white rats on it had still been alive. Giles dropped the report wearily and picked up the personal message that had come on the shuttle. He fingered the microstrip inside while he drank another coffee, and finally pulled out the microviewer. There were three frames to the message, he saw with some surprise. He didn’t need to see the signature on the first projection. Only his youngest son would have sent an elaborate tercentenary greeting verse—one that would arrive ninety years too late! Harry had been born just before Earth passed the drastic birth limitation act and his mother had spoiled him. He’d even tried to avoid the compulsory emigration draft and stay on with his mother. It had been the bitter quarrels over that which had finally broken Giles’ fifth marriage. Oddly enough, the message in the next frame showed none of that. Harry had nothing but praise for the solar system where he’d been sent. He barely mentioned being married on the way or his dozen children, but filled most of the frame with glowing description and a plea for his father to join him there! GILES SNORTED and turned to the third frame, which showed a group picture of the family in some sort of vehicle, against the background of an alien but attractive world. He had no desire to spend ninety years cooped up with a bunch of callow young emigrants, even in one of the improved Exodus shuttles. And even if Exodus ever got the super-light drive working, there was no reason he should give up his work. The discovery that men could live practically forever had put an end to most family ties; sentiment wore thin in half a century—which wasn’t much time now, though it had once seemed long enough. Strange how the years seemed to get shorter as their number increased. There’d been a song once—something about the years dwindling down. He groped for the lines and couldn’t remember. Drat it! Now he’d probably lie awake most of the night again, trying to recall them. The outside line buzzed musically, flashing Research’s number. Giles grunted in irritation. He wasn’t ready to face Jordan yet. But he shrugged and pressed the button. The intense face that looked from the screen was frowning as Jordan’s eyes seemed to sweep around the room. He was still young—one of the few under a hundred who’d escaped deportation because of special ability—and patience was still foreign to him. Then the frown vanished as an expression of shock replaced it, and Giles felt a sinking sensation. If he looked that bad— But Jordan wasn’t looking at him; the man’s interest lay in the projected picture from Harry, across the desk from the communicator. “Antigravity!” His voice was unbelieving as he turned his head to face the older man. “What world is that?” Giles forced his attention on the picture again and this time he noticed the vehicle shown. It was enough like an old model Earth conveyance to pass casual inspection, but it floated wheellessly above the ground. Faint blur lines indicated it had been moving when the picture was taken. “One of my sons—” Giles started to answer. “I could find the star’s designation....” Jordan cursed harshly. “So we can send a message on the shuttle, begging for their secret in a couple of hundred years! While a hundred other worlds make a thousand major discoveries they don’t bother reporting! Can’t the Council see anything ?” Giles had heard it all before. Earth was becoming a backwater world; no real progress had been made in two centuries; the young men were sent out as soon as their first fifty years of education were finished, and the older men were too conservative for really new thinking. There was a measure of truth in it, unfortunately. “They’ll slow up when their populations fill,” Giles repeated his old answers. “We’re still ahead in medicine and we’ll get the other discoveries eventually, without interrupting the work of making the Earth fit for our longevity. We can wait. We’ll have to.” THE YOUNGER man stared at him with the strange puzzled look Giles had seen too often lately. “Damn it, haven’t you read my report? We know the super-light drive works! That missile reached Sirius in less than ten days. We can have the secret of this antigravity in less than a year! We—” “Wait a minute.” Giles felt the thickness pushing back at his mind and tried to fight it off. He’d only skimmed the report, but this made no sense. “You mean you can calibrate your guiding devices accurately enough to get a missile where you want it and back?” “ What? ” Jordan’s voice rattled the speaker. “Of course not! It took two accidents to get the thing back to us—and with a half-light-year miss that delayed it about twenty years before the Procyon shuttle heard its signal. Pre-setting a course may take centuries, if we can ever master it. Even with Sirius expecting the missiles and ready to cooperate. I mean the big ship. We’ve had it drafted for building long enough; now we can finish it in three months. We know the drive works. We know it’s fast enough to reach Procyon in two weeks. We even know life can stand the trip. The rats were unharmed.” Giles shook his head at what the other was proposing, only partly believing it. “Rats don’t have minds that could show any real damage such as the loss of power to rejuvenate. We can’t put human pilots into a ship with our drive until we’ve tested it more thoroughly, Bill, even if they could correct for errors on arrival. Maybe if we put in stronger signaling transmitters....” “Yeah. Maybe in two centuries we’d have a through route charted to Sirius. And we still wouldn’t have proved it safe for human pilots. Mr. Giles, we’ve got to have the big ship. All we need is one volunteer!” It occurred to Giles then that the man had been too fired with the idea to think. He leaned back, shaking his head again wearily. “All right, Bill. Find me one volunteer. Or how about you? Do you really want to risk losing the rest of your life rather than waiting a couple more centuries until we know it’s safe? If you do, I’ll order the big ship.” Jordan opened his mouth and for a second Giles’ heart caught in a flux of emotions as the man’s offer hovered on his lips. Then the engineer shut his mouth slowly. The belligerence ran out of him. He looked sick, for he had no answer. NO SANE man would risk a chance for near eternity against such a relatively short wait. Heroism had belonged to those who knew their days were numbered, anyhow. “Forget it, Bill,” Giles advised. “It may take longer, but eventually we’ll find a way. With time enough, we’re bound to. And when we do, the ship will be ready.” The engineer nodded miserably and clicked off. Giles turned from the blank screen to stare out of the windows, while his hand came up to twist at the lock of hair over his forehead. Eternity! They had to plan and build for it. They couldn’t risk that plan for short-term benefits. Usually it was too easy to realize that, and the sight of the solid, time-enduring buildings outside should have given him a sense of security. Today, though, nothing seemed to help. He felt choked, imprisoned, somehow lost; the city beyond the window blurred as he studied it, and he swung the chair back so violently that his hand jerked painfully on the forelock he’d been twisting. Then he was staring unbelievingly at the single white hair that was twisted with the dark ones between his fingers. Like an automaton, he bent forward, his other hand groping for the mirror that should be in one of the drawers. The dull pain in his chest sharpened and his breath was hoarse in his throat, but he hardly noticed as he found the mirror and brought it up. His eyes focused reluctantly. There were other white strands in his dark hair. The mirror crashed to the floor as he staggered out of the office. It was only two blocks to Giles’ residence club, but he had to stop twice to catch his breath and fight against the pain that clawed at his chest. When he reached the wood-paneled lobby, he was barely able to stand. Dubbins was at his side almost at once, with a hand under his arm to guide him toward his suite. “Let me help you, sir,” Dubbins suggested, in the tones Giles hadn’t heard since the man had been his valet, back when it was still possible to find personal servants. Now he managed the club on a level of quasi-equality with the members. For the moment, though, he’d slipped back into the old ways. GILES FOUND himself lying on his couch, partially undressed, with the pillows just right and a long drink in his hand. The alcohol combined with the reaction from his panic to leave him almost himself again. After all, there was nothing to worry about; Earth’s doctors could cure anything. “I guess you’d better call Dr. Vincenti,” he decided. Vincenti was a member and would probably be the quickest to get. Dubbins shook his head. “Dr. Vincenti isn’t with us, sir. He left a year ago to visit a son in the Centauri system. There’s a Dr. Cobb whose reputation is very good, sir.” Giles puzzled over it doubtfully. Vincenti had been an oddly morose man the last few times he’d seen him, but that could hardly explain his taking a twenty-year shuttle trip for such a slim reason. It was no concern of his, though. “Dr. Cobb, then,” he said. Giles heard the other man’s voice on the study phone, too low for the words to be distinguishable. He finished the drink, feeling still better, and was sitting up when Dubbins came back. “Dr. Cobb wants you to come to his office at once, sir,” he said, dropping to his knee to help Giles with his shoes. “I’d be pleased to drive you there.” Giles frowned. He’d expected Cobb to come to him. Then he grimaced at his own thoughts. Dubbins’ manners must have carried him back into the past; doctors didn’t go in for home visits now—they preferred to see their patients in the laboratories that housed their offices. If this kept on, he’d be missing the old days when he’d had a mansion and counted his wealth in possessions, instead of the treasures he could build inside himself for the future ahead. He was getting positively childish! Yet he relished the feeling of having Dubbins drive his car. More than anything else, he’d loved being driven. Even after chauffeurs were a thing of the past, Harry had driven him around. Now he’d taken to walking, as so many others had, for even with modern safety measures so strict, there was always a small chance of some accident and nobody had any desire to spend the long future as a cripple. “I’ll wait for you, sir,” Dubbins offered as they stopped beside the low, massive medical building. It was almost too much consideration. Giles nodded, got out and headed down the hall uncertainly. Just how bad did he look? Well, he’d soon find out. He located the directory and finally found the right office, its reception room wall covered with all the degrees Dr. Cobb had picked up in some three hundred years of practice. Giles felt better, realizing it wouldn’t be one of the younger men. COBB APPEARED himself, before the nurse could take over, and led Giles into a room with an old-fashioned desk and chairs that almost concealed the cabinets of equipment beyond. He listened as Giles stumbled out his story. Halfway through, the nurse took a blood sample with one of the little mosquito needles and the machinery behind the doctor began working on it. “Your friend told me about the gray hair, of course,” Cobb said. At Giles’ look, he smiled faintly. “Surely you didn’t think people could miss that in this day and age? Let’s see it.” He inspected it and began making tests. Some were older than Giles could remember—knee reflex, blood pressure, pulse and fluoroscope. Others involved complicated little gadgets that ran over his body, while meters bobbed and wiggled. The blood check came through and Cobb studied it, to go back and make further inspections of his own. At last he nodded slowly. “Hyper-catabolism, of course. I thought it might be. How long since you had your last rejuvenation? And who gave it?” “About ten years ago,” Giles answered. He found his identity card and passed it over, while the doctor studied it. “My sixteenth.” It wasn’t going right. He could feel it. Some of the panic symptoms were returning; the pulse in his neck was pounding and his breath was growing difficult. Sweat ran down his sides from his armpit and he wiped his palms against his coat. “Any particular emotional strain when you were treated—some major upset in your life?” Cobb asked. Giles thought as carefully as he could, but he remembered nothing like that. “You mean—it didn’t take? But I never had any trouble, Doctor. I was one of the first million cases, when a lot of people couldn’t rejuvenate at all, and I had no trouble even then.” Cobb considered it, hesitated as if making up his mind to be frank against his better judgment. “I can’t see any other explanation. You’ve got a slight case of angina—nothing serious, but quite definite—as well as other signs of aging. I’m afraid the treatment didn’t take fully. It might have been some unconscious block on your part, some infection not diagnosed at the time, or even a fault in the treatment. That’s pretty rare, but we can’t neglect the possibility.” HE STUDIED his charts again and then smiled. “So we’ll give you another treatment. Any reason you can’t begin immediately?” Giles remembered that Dubbins was waiting for him, but this was more important. It hadn’t been a joke about his growing old, after all. But now, in a few days, he’d be his old—no, of course not—his young self again! They went down the hall to another office, where Giles waited outside while Cobb conferred with another doctor and technician, with much waving of charts. He resented every second of it. It was as if the almost forgotten specter of age stood beside him, counting the seconds. But at last they were through and he was led into the quiet rejuvenation room, where the clamps were adjusted about his head and the earpieces were fitted. The drugs were shot painlessly into his arm and the light-pulser was adjusted to his brain-wave pattern. It had been nothing like this his first time. Then it had required months of mental training, followed by crude mechanical and drug hypnosis for other months. Somewhere in every human brain lay the memory of what his cells had been like when he was young. Or perhaps it lay in the cells themselves, with the brain as only a linkage to it. They’d discovered that, and the fact that the mind could effect physical changes in the body. Even such things as cancer could be willed out of existence—provided the brain could be reached far below the conscious level and forced to operate. There had been impossible faith cures for millenia—cataracts removed from blinded eyes within minutes, even—but finding the mechanism in the brain that worked those miracles had taken an incredible amount of study and finding a means of bringing it under control had taken even longer. Now they did it with dozens of mechanical aids in addition to the hypnotic instructions—and did it usually in a single sitting, with the full transformation of the body taking less than a week after the treatment! But with all the equipment, it wasn’t impossible for a mistake to happen. It had been no fault of his ... he was sure of that ... his mind was easy to reach ... he could relax so easily.... He came out of it without even a headache, while they were removing the probes, but the fatigue on the operator’s face told him it had been a long and difficult job. He stretched experimentally, with the eternal unconscious expectation that he would find himself suddenly young again. But that, of course, was ridiculous. It took days for the mind to work on all the cells and to repair the damage of time. COBB LED him back to the first office, where he was given an injection of some kind and another sample of his blood was taken, while the earlier tests were repeated. But finally the doctor nodded. “That’s all for now, Mr. Giles. You might drop in tomorrow morning, after I’ve had a chance to complete my study of all this. We’ll know by then whether you’ll need more treatment. Ten o’clock okay?” “But I’ll be all right?” Cobb smiled the automatic reassurance of his profession. “We haven’t lost a patient in two hundred years, to my knowledge.” “Thanks,” said Giles. “Ten o’clock is fine.” Dubbins was still waiting, reading a paper whose headlined feature carried a glowing account of the discovery of the super-light missile and what it might mean. He took a quick look at Giles and pointed to it. “Great work, Mr. Giles. Maybe we’ll all get to see some of those other worlds yet.” Then he studied Giles more carefully. “Everything’s in good shape now, sir?” “The doctor says everything’s going to be fine,” Giles answered. It was then he realized for the first time that Cobb had said no such thing. A statement that lightning had never struck a house was no guarantee that it never would. It was an evasion meant to give such an impression. The worry nagged at him all the way back. Word had already gone around the club that he’d had some kind of attack and there were endless questions that kept it on his mind. And even when it had been covered and recovered, he could still sense the glances of the others, as if he were Vincenti in one of the man’s more morose moods. He found a single table in the dining room and picked his way through the meal, listening to the conversation about him only when it was necessary because someone called across to him. Ordinarily, he was quick to support the idea of clubs in place of private families. A man here could choose his group and grow into them. Yet he wasn’t swallowed by them, as he might be by a family. Giles had been living here for nearly a century now and he’d never regretted it. But tonight his own group irritated him. He puzzled over it, finding no real reason. Certainly they weren’t forcing themselves on him. He remembered once when he’d had a cold, before they finally licked that; Harry had been a complete nuisance, running around with various nostrums, giving him no peace. Constant questions about how he felt, constant little looks of worry—until he’d been ready to yell at the boy. In fact, he had. Funny, he couldn’t picture really losing his temper here. Families did odd things to a man. HE LISTENED to a few of the discussions after the dinner, but he’d heard them all before, except for one about the super-speed drive, and there he had no wish to talk until he could study the final report. He gave up at last and went to his own suite. What he needed was a good night’s sleep after a little relaxation. Even that failed him, though. He’d developed one of the finest chess collections in the world, but tonight it held no interest. And when he drew out his tools and tried working on the delicate, lovely jade for the set he was carving his hands seemed to be all thumbs. None of the other interests he’d developed through the years helped to add to the richness of living now. He gave it up and went to bed—to have the fragment of that song pop into his head. Now there was no escaping it. Something about the years—or was it days—dwindling down to something or other. Could they really dwindle down? Suppose he couldn’t rejuvenate all the way? He knew that there were some people who didn’t respond as well as others. Sol Graves, for instance. He’d been fifty when he finally learned how to work with the doctors and they could only bring him back to about thirty, instead of the normal early twenties. Would that reduce the slice of eternity that rejuvenation meant? And what had happened to Sol? Or suppose it wasn’t rejuvenation, after all; suppose something had gone wrong with him permanently? He fought that off, but he couldn’t escape the nagging doubts at the doctor’s words. He got up once to stare at himself in the mirror. Ten hours had gone by and there should have been some signs of improvement. He couldn’t be sure, though, whether there were or not. He looked no better the next morning when he finally dragged himself up from the little sleep he’d managed to get. The hollows were still there and the circles under his eyes. He searched for the gray in his hair, but the traitorous strands had been removed at the doctor’s office and he could find no new ones. He looked into the dining room and then went by hastily. He wanted no solicitous glances this morning. Drat it, maybe he should move out. Maybe trying family life again would give him some new interests. Amanda probably would be willing to marry him; she’d hinted at a date once. He stopped, shocked by the awareness that he hadn’t been out with a woman for.... He couldn’t remember how long it had been. Nor why. “In the spring, a young man’s fancy,” he quoted to himself, and then shuddered. It hadn’t been that kind of spring for him—not this rejuvenation nor the last, nor the one before that. GILES TRIED to stop scaring himself and partially succeeded, until he reached the doctor’s office. Then it was no longer necessary to frighten himself. The wrongness was too strong, no matter how professional Cobb’s smile! He didn’t hear the preliminary words. He watched the smile vanish as the stack of reports came out. There was no nurse here now. The machines were quiet—and all the doors were shut. Giles shook his head, interrupting the doctor’s technical jargon. Now that he knew there was reason for his fear, it seemed to vanish, leaving a coldness that numbed him. “I’d rather know the whole truth,” he said. His voice sounded dead in his ears. “The worst first. The rejuvenation...?” Cobb sighed and yet seemed relieved. “Failed.” He stopped, and his hands touched the reports on his desk. “Completely,” he added in a low, defeated tone. “But I thought that was impossible!” “So did I. I wouldn’t believe it even yet—but now I find it isn’t the first case. I spent the night at Medical Center going up the ranks until I found men who really know about it. And now I wish I hadn’t.” His voice ran down and he gathered himself together by an effort. “It’s a shock to me, too, Mr. Giles. But—well, to simplify it, no memory is perfect—even cellular memory. It loses a little each time. And the effect is cumulative. It’s like an asymptotic curve—the further it goes, the steeper the curve. And—well, you’ve passed too far.” He faced away from Giles, dropping the reports into a drawer and locking it. “I wasn’t supposed to tell you, of course. It’s going to be tough enough when they’re ready to let people know. But you aren’t the first and you won’t be the last, if that’s any consolation. We’ve got a longer time scale than we used to have—but it’s in centuries, not in eons. For everybody, not just you.” It was no consolation. Giles nodded mechanically. “I won’t talk, of course. How—how long?” Cobb spread his hands unhappily. “Thirty years, maybe. But we can make them better. Geriatric knowledge is still on record. We can fix the heart and all the rest. You’ll be in good physical condition, better than your grandfather—” “And then....” Giles couldn’t pronounce the words. He’d grown old and he’d grow older. And eventually he’d die! An immortal man had suddenly found death hovering on his trail. The years had dwindled and gone, and only a few were left. He stood up, holding out his hand. “Thank you, Doctor,” he said, and was surprised to find he meant it. The man had done all he could and had at least saved him the suspense of growing doubt and horrible eventual discovery. OUTSIDE ON the street, he looked up at the Sun and then at the buildings built to last for thousands of years. Their eternity was no longer a part of him. Even his car would outlast him. He climbed into it, still partly numbed, and began driving mechanically, no longer wondering about the dangers that might possibly arise. Those wouldn’t matter much now. For a man who had thought of living almost forever, thirty years was too short a time to count. He was passing near the club and started to slow. Then he went on without stopping. He wanted no chance to have them asking questions he couldn’t answer. It was none of their business. Dubbins had been kind—but now Giles wanted no kindness. The street led to the office and he drove on. What else was there for him? There, at least, he could still fill his time with work—work that might even be useful. In the future, men would need the super-light drive if they were to span much more of the Universe than now. And he could speed up the work in some ways still, even if he could never see its finish. It would be cold comfort but it was something. And he might keep busy enough to forget sometimes that the years were gone for him. Automatic habit carried him through the office again, to Amanda’s desk, where her worry was still riding her. He managed a grin and somehow the right words came to his lips. “I saw the doctor, Amanda, so you can stop figuring ways to get me there.” She smiled back suddenly, without feigning it. “Then you’re all right?” “As all right as I’ll ever be,” he told her. “They tell me I’m just growing old.” This time her laugh was heartier. He caught himself before he could echo her mirth in a different voice and went inside where she had the coffee waiting for him. Oddly, it still tasted good to him. The projection was off, he saw, wondering whether he’d left it on or not. He snapped the switch and saw the screen light up, with the people still in the odd, wheelless vehicle on the alien planet. FOR A long moment, he stared at the picture without thinking, and then bent closer. Harry’s face hadn’t changed much. Giles had almost forgotten it, but there was still the same grin there. And his grandchildren had a touch of it, too. And of their grandfather’s nose, he thought. Funny, he’d never seen even pictures of his other grandchildren. Family ties melted away too fast for interstellar travel. Yet there seemed to be no slackening of them in Harry’s case, and somehow it looked like a family, rather than a mere group. A very pleasant family in a very pleasant world. He read Harry’s note again, with its praise for the planet and its invitation. He wondered if Dr. Vincenti had received an invitation like that, before he left. Or had he even been one of those to whom the same report had been delivered by some doctor? It didn’t matter, but it would explain things, at least. Twenty years to Centaurus, while the years dwindled down— Then abruptly the line finished itself. “The years dwindle down to a precious few....” he remembered. “A precious few.” Those dwindling years had been precious once. He unexpectedly recalled his own grandfather holding him on an old knee and slipping him candy that was forbidden. The years seemed precious to the old man then. Amanda’s voice came abruptly over the intercom. “Jordan wants to talk to you,” she said, and the irritation was sharp in her voice. “He won’t take no!” Giles shrugged and reached for the projector, to cut it off. Then, on impulse, he set it back to the picture, studying the group again as he switched on Jordan’s wire. But he didn’t wait for the hot words about whatever was the trouble. “Bill,” he said, “start getting the big ship into production. I’ve found a volunteer.” He’d been driven to it, he knew, as he watched the man’s amazed face snap from the screen. From the first suspicion of his trouble, something inside him had been forcing him to make this decision. And maybe it would do no good. Maybe the ship would fail. But thirty years was a number a man could risk. If he made it, though.... Well, he’d see those grandchildren of his this year—and Harry. Maybe he’d even tell Harry the truth, once they got done celebrating the reunion. And there’d be other grandchildren. With the ship, he’d have time enough to look them up. Plenty of time! Thirty years was a long time, when he stopped to think of it. —LESTER DEL REY
train	50869	[ "What is Glmpauszn's goal?", "Why might the stories be true?", "What is the conflict between Glmpauszn and the not-world?", "How does Glmpauszn change over the story?", "The speaker sometimes writes in gibberish. Why is this? ", "How does the phrase \"to be or not to be\" tie into the overall story? ", "How does the format of the story supplement the character?" ]	[ [ "To escape the not-world. ", "To eliminate humans to protect his world. ", "To venture into the human world and learn more about them. ", "To reconnect with Joe in the not-world. " ], [ "The disappearance of Joe Binkle and Ed Smith, along with the letters and leftover clothes all point to it. ", "Joe Binkle has disappeared, which means Glmpauszn must have reconnected with him, ", " Glmpauszn has proven in his letters that he knows things that no else possibly could. ", "The letters are all from different parts of the world, proving that different people wrote them. " ], [ "Glmpauszn's world wants to conquer the not-world, because they deem the not-world valuable. ", "The not-world unkowningly overlaps and disrupts his.", "The not-world is full of humans that terrorize his. ", "Glmpauszn's world doesn't understand how people in the not-world operate.. " ], [ "He finds that he doesn't want to invate the not-world. ", "He understands humans less as he encounters them and tries to mirror their behavior. ", "He eventually finds defeat in his conquest. ", "He seems more and more interested in human mannerisms and in adopting them. " ], [ "Glmpauszn sometimes forgets his own words. ", "It's when there are no words for whatever alien equivalent he means. ", "It's a gag. Whoever is writing this is doing so throw off the reader. ", "The person writing is incapable of replicating it. " ], [ "It is what Glmpauszn has to ask himself as he invades the not-world. ", "It plays into the nature of Glmpauszn's people, and how they exist along side ours. ", "It references Glmpauszn's disappearance, and the question if he was ever really there. ", "It plays into the uncertain nature of the story's truth." ], [ "Each letter comes from a different location, lending credence to this character's story.", "It proves that Glmpauszn is lying. ", "The way the letters are presented makes the speaker seem unreliable. ", "The way information is presented allows the reader to infer their own judgements of the character," ] ]	[ 2, 1, 2, 4, 2, 2, 1 ]	[ 0, 1, 1, 0, 0, 1, 0 ]	A Gleeb for Earth By CHARLES SHAFHAUSER Illustrated by EMSH [Transcriber's Note: This etext was produced from Galaxy Science Fiction May 1953. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] Not to be or not to not be ... that was the not-question for the invader of the not-world. Dear Editor: My 14 year old boy, Ronnie, is typing this letter for me because he can do it neater and use better grammar. I had to get in touch with somebody about this because if there is something to it, then somebody, everybody, is going to point finger at me, Ivan Smernda, and say, "Why didn't you warn us?" I could not go to the police because they are not too friendly to me because of some of my guests who frankly are stew bums. Also they might think I was on booze, too, or maybe the hops, and get my license revoked. I run a strictly legit hotel even though some of my guests might be down on their luck now and then. What really got me mixed up in this was the mysterious disappearance of two of my guests. They both took a powder last Wednesday morning. Now get this. In one room, that of Joe Binkle, which maybe is an alias, I find nothing but a suit of clothes, some butts and the letters I include here in same package. Binkle had only one suit. That I know. And this was it laying right in the middle of the room. Inside the coat was the vest, inside the vest the shirt, inside the shirt the underwear. The pants were up in the coat and inside of them was also the underwear. All this was buttoned up like Binkle had melted out of it and dripped through a crack in the floor. In a bureau drawer were the letters I told you about. Now. In the room right under Binkle's lived another stew bum that checked in Thursday ... name Ed Smith, alias maybe, too. This guy was a real case. He brought with him a big mirror with a heavy bronze frame. Airloom, he says. He pays a week in advance, staggers up the stairs to his room with the mirror and that's the last I see of him. In Smith's room on Wednesday I find only a suit of clothes, the same suit he wore when he came in. In the coat the vest, in the vest the shirt, in the shirt the underwear. Also in the pants. Also all in the middle of the floor. Against the far wall stands the frame of the mirror. Only the frame! What a spot to be in! Now it might have been a gag. Sometimes these guys get funny ideas when they are on the stuff. But then I read the letters. This knocks me for a loop. They are all in different handwritings. All from different places. Stamps all legit, my kid says. India, China, England, everywhere. My kid, he reads. He says it's no joke. He wants to call the cops or maybe some doctor. But I say no. He reads your magazine so he says write to you, send you the letters. You know what to do. Now you have them. Maybe you print. Whatever you do, Mr. Editor, remember my place, the Plaza Ritz Arms, is straight establishment. I don't drink. I never touch junk, not even aspirin. Yours very truly, Ivan Smernda Bombay, India June 8 Mr. Joe Binkle Plaza Ritz Arms New York City Dear Joe: Greetings, greetings, greetings. Hold firm in your wretched projection, for tomorrow you will not be alone in the not-world. In two days I, Glmpauszn, will be born. Today I hang in our newly developed not-pod just within the mirror gateway, torn with the agony that we calculated must go with such tremendous wavelength fluctuations. I have attuned myself to a fetus within the body of a not-woman in the not-world. Already I am static and for hours have looked into this weird extension of the Universe with fear and trepidation. As soon as my stasis was achieved, I tried to contact you, but got no response. What could have diminished your powers of articulate wave interaction to make you incapable of receiving my messages and returning them? My wave went out to yours and found it, barely pulsing and surrounded with an impregnable chimera. Quickly, from the not-world vibrations about you, I learned the not-knowledge of your location. So I must communicate with you by what the not-world calls "mail" till we meet. For this purpose I must utilize the feeble vibrations of various not-people through whose inadequate articulation I will attempt to make my moves known to you. Each time I will pick a city other than the one I am in at the time. I, Glmpauszn, come equipped with powers evolved from your fragmentary reports before you ceased to vibrate to us and with a vast treasury of facts from indirect sources. Soon our tortured people will be free of the fearsome not-folk and I will be their liberator. You failed in your task, but I will try to get you off with light punishment when we return again. The hand that writes this letter is that of a boy in the not-city of Bombay in the not-country of India. He does not know he writes it. Tomorrow it will be someone else. You must never know of my exact location, for the not-people might have access to the information. I must leave off now because the not-child is about to be born. When it is alone in the room, it will be spirited away and I will spring from the pod on the gateway into its crib and will be its exact vibrational likeness. I have tremendous powers. But the not-people must never know I am among them. This is the only way I could arrive in the room where the gateway lies without arousing suspicion. I will grow up as the not-child in order that I might destroy the not-people completely. All is well, only they shot this information file into my matrix too fast. I'm having a hard time sorting facts and make the right decision. Gezsltrysk, what a task! Farewell till later. Glmpauszn Wichita, Kansas June 13 Dear Joe: Mnghjkl, fhfjgfhjklop phelnoprausynks. No. When I communicate with you, I see I must avoid those complexities of procedure for which there are no terms in this language. There is no way of describing to you in not-language what I had to go through during the first moments of my birth. Now I know what difficulties you must have had with your limited equipment. These not-people are unpredictable and strange. Their doctor came in and weighed me again the day after my birth. Consternation reigned when it was discovered I was ten pounds heavier. What difference could it possibly make? Many doctors then came in to see me. As they arrived hourly, they found me heavier and heavier. Naturally, since I am growing. This is part of my instructions. My not-mother (Gezsltrysk!) then burst into tears. The doctors conferred, threw up their hands and left. I learned the following day that the opposite component of my not-mother, my not-father, had been away riding on some conveyance during my birth. He was out on ... what did they call it? Oh, yes, a bender. He did not arrive till three days after I was born. When I heard them say that he was straightening up to come see me, I made a special effort and grew marvelously in one afternoon. I was 36 not-world inches tall by evening. My not-father entered while I was standing by the crib examining a syringe the doctor had left behind. He stopped in his tracks on entering the room and seemed incapable of speech. Dredging into the treasury of knowledge I had come equipped with, I produced the proper phrase for occasions of this kind in the not-world. "Poppa," I said. This was the first use I had made of the so-called vocal cords that are now part of my extended matrix. The sound I emitted sounded low-pitched, guttural and penetrating even to myself. It must have jarred on my not-father's ears, for he turned and ran shouting from the room. They apprehended him on the stairs and I heard him babble something about my being a monster and no child of his. My not-mother appeared at the doorway and instead of being pleased at the progress of my growth, she fell down heavily. She made a distinct thump on the floor. This brought the rest of them on the run, so I climbed out the window and retreated across a nearby field. A prolonged search was launched, but I eluded them. What unpredictable beings! I reported my tremendous progress back to our world, including the cleverness by which I managed to escape my pursuers. I received a reply from Blgftury which, on careful analysis, seems to be small praise indeed. In fact, some of his phrases apparently contain veiled threats. But you know old Blgftury. He wanted to go on this expedition himself and it's his nature never to flatter anyone. From now on I will refer to not-people simply as people, dropping the qualifying preface except where comparisons must be made between this alleged world and our own. It is merely an offshoot of our primitive mythology when this was considered a spirit world, just as these people refer to our world as never-never land and other anomalies. But we learned otherwise, while they never have. New sensations crowd into my consciousness and I am having a hard time classifying them. Anyway, I shall carry on swiftly now to the inevitable climax in which I singlehanded will obliterate the terror of the not-world and return to our world a hero. I cannot understand your not replying to my letters. I have given you a box number. What could have happened to your vibrations? Glmpauszn Albuquerque, New Mexico June 15 Dear Joe: I had tremendous difficulty getting a letter off to you this time. My process—original with myself, by the way—is to send out feeler vibrations for what these people call the psychic individual. Then I establish contact with him while he sleeps and compel him without his knowledge to translate my ideas into written language. He writes my letter and mails it to you. Of course, he has no awareness of what he has done. My first five tries were unfortunate. Each time I took control of an individual who could not read or write! Finally I found my man, but I fear his words are limited. Ah, well. I had great things to tell you about my progress, but I cannot convey even a hint of how I have accomplished these miracles through the thick skull of this incompetent. In simple terms then: I crept into a cave and slipped into a kind of sleep, directing my squhjkl ulytz & uhrytzg ... no, it won't come out. Anyway, I grew overnight to the size of an average person here. As I said before, floods of impressions are driving into my xzbyl ... my brain ... from various nerve and sense areas and I am having a hard time classifying them. My one idea was to get to a chemist and acquire the stuff needed for the destruction of these people. Sunrise came as I expected. According to my catalog of information, the impressions aroused by it are of beauty. It took little conditioning for me finally to react in this manner. This is truly an efficient mechanism I inhabit. I gazed about me at the mixture of lights, forms and impressions. It was strange and ... now I know ... beautiful. However, I hurried immediately toward the nearest chemist. At the same time I looked up and all about me at the beauty. Soon an individual approached. I knew what to do from my information. I simply acted natural. You know, one of your earliest instructions was to realize that these people see nothing unusual in you if you do not let yourself believe they do. This individual I classified as a female of a singular variety here. Her hair was short, her upper torso clad in a woolen garment. She wore ... what are they? ... oh, yes, sneakers. My attention was diverted by a scream as I passed her. I stopped. The woman gesticulated and continued to scream. People hurried from nearby houses. I linked my hands behind me and watched the scene with an attitude of mild interest. They weren't interested in me, I told myself. But they were. I became alarmed, dived into a bush and used a mechanism that you unfortunately do not have—invisibility. I lay there and listened. "He was stark naked," the girl with the sneakers said. A figure I recognized as a police officer spoke to her. "Lizzy, you'll just have to keep these crackpot friends of yours out of this area." "But—" "No more buck-bathing, Lizzy," the officer ordered. "No more speeches in the Square. Not when it results in riots at five in the morning. Now where is your naked friend? I'm going to make an example of him." That was it—I had forgotten clothes. There is only one answer to this oversight on my part. My mind is confused by the barrage of impressions that assault it. I must retire now and get them all classified. Beauty, pain, fear, hate, love, laughter. I don't know one from the other. I must feel each, become accustomed to it. The more I think about it, the more I realize that the information I have been given is very unrealistic. You have been inefficient, Joe. What will Blgftury and the others say of this? My great mission is impaired. Farewell, till I find a more intelligent mind so I can write you with more enlightenment. Glmpauszn Moscow, Idaho June 17 Dear Joe: I received your first communication today. It baffles me. Do you greet me in the proper fringe-zone manner? No. Do you express joy, hope, pride, helpfulness at my arrival? No. You ask me for a loan of five bucks! It took me some time, culling my information catalog to come up with the correct variant of the slang term "buck." Is it possible that you are powerless even to provide yourself with the wherewithal to live in this inferior world? A reminder, please. You and I—I in particular—are now engaged in a struggle to free our world from the terrible, maiming intrusions of this not-world. Through many long gleebs, our people have lived a semi-terrorized existence while errant vibrations from this world ripped across the closely joined vibration flux, whose individual fluctuations make up our sentient population. Even our eminent, all-high Frequency himself has often been jeopardized by these people. The not-world and our world are like two baskets as you and I see them in our present forms. Baskets woven with the greatest intricacy, design and color; but baskets whose convex sides are joined by a thin fringe of filaments. Our world, on the vibrational plane, extends just a bit into this, the not-world. But being a world of higher vibration, it is ultimately tenuous to these gross peoples. While we vibrate only within a restricted plane because of our purer, more stable existence, these people radiate widely into our world. They even send what they call psychic reproductions of their own selves into ours. And most infamous of all, they sometimes are able to force some of our individuals over the fringe into their world temporarily, causing them much agony and fright. The latter atrocity is perpetrated through what these people call mediums, spiritualists and other fatuous names. I intend to visit one of them at the first opportunity to see for myself. Meanwhile, as to you, I would offer a few words of advice. I picked them up while examining the "slang" portion of my information catalog which you unfortunately caused me to use. So, for the ultimate cause—in this, the penultimate adventure, and for the glory and peace of our world—shake a leg, bub. Straighten up and fly right. In short, get hep. As far as the five bucks is concerned, no dice. Glmpauszn Des Moines, Iowa June 19 Dear Joe: Your letter was imponderable till I had thrashed through long passages in my information catalog that I had never imagined I would need. Biological functions and bodily processes which are labeled here "revolting" are used freely in your missive. You can be sure they are all being forwarded to Blgftury. If I were not involved in the most important part of my journey—completion of the weapon against the not-worlders—I would come to New York immediately. You would rue that day, I assure you. Glmpauszn Boise, Idaho July 15 Dear Joe: A great deal has happened to me since I wrote to you last. Systematically, I have tested each emotion and sensation listed in our catalog. I have been, as has been said in this world, like a reed bending before the winds of passion. In fact, I'm rather badly bent indeed. Ah! You'll pardon me, but I just took time for what is known quaintly in this tongue as a "hooker of red-eye." Ha! I've mastered even the vagaries of slang in the not-language.... Ahhh! Pardon me again. I feel much better now. You see, Joe, as I attuned myself to the various impressions that constantly assaulted my mind through this body, I conditioned myself to react exactly as our information catalog instructed me to. Now it is all automatic, pure reflex. A sensation comes to me when I am burned; then I experience a burning pain. If the sensation is a tickle, I experience a tickle. This morning I have what is known medically as a syndrome ... a group of symptoms popularly referred to as a hangover ... Ahhh! Pardon me again. Strangely ... now what was I saying? Oh, yes. Ha, ha. Strangely enough, the reactions that come easiest to the people in this world came most difficult to me. Money-love, for example. It is a great thing here, both among those who haven't got it and those who have. I went out and got plenty of money. I walked invisible into a bank and carried away piles of it. Then I sat and looked at it. I took the money to a remote room of the twenty room suite I have rented in the best hotel here in—no, sorry—and stared at it for hours. Nothing happened. I didn't love the stuff or feel one way or the other about it. Yet all around me people are actually killing one another for the love of it. Anyway.... Ahhh. Pardon me. I got myself enough money to fill ten or fifteen rooms. By the end of the week I should have all eighteen spare rooms filled with money. If I don't love it then, I'll feel I have failed. This alcohol is taking effect now. Blgftury has been goading me for reports. To hell with his reports! I've got a lot more emotions to try, such as romantic love. I've been studying this phenomenon, along with other racial characteristics of these people, in the movies. This is the best place to see these people as they really are. They all go into the movie houses and there do homage to their own images. Very quaint type of idolatry. Love. Ha! What an adventure this is becoming. By the way, Joe, I'm forwarding that five dollars. You see, it won't cost me anything. It'll come out of the pocket of the idiot who's writing this letter. Pretty shrewd of me, eh? I'm going out and look at that money again. I think I'm at last learning to love it, though not as much as I admire liquor. Well, one simply must persevere, I always say. Glmpauszn Penobscot, Maine July 20 Dear Joe: Now you tell me not to drink alcohol. Why not? You never mentioned it in any of your vibrations to us, gleebs ago, when you first came across to this world. It will stint my powers? Nonsense! Already I have had a quart of the liquid today. I feel wonderful. Get that? I actually feel wonderful, in spite of this miserable imitation of a body. There are long hours during which I am so well-integrated into this body and this world that I almost consider myself a member of it. Now I can function efficiently. I sent Blgftury some long reports today outlining my experiments in the realm of chemistry where we must finally defeat these people. Of course, I haven't made the experiments yet, but I will. This is not deceit, merely realistic anticipation of the inevitable. Anyway, what the old xbyzrt doesn't know won't muss his vibrations. I went to what they call a nightclub here and picked out a blonde-haired woman, the kind that the books say men prefer. She was attracted to me instantly. After all, the body I have devised is perfect in every detail ... actually a not-world ideal. I didn't lose any time overwhelming her susceptibilities. I remember distinctly that just as I stooped to pick up a large roll of money I had dropped, her eyes met mine and in them I could see her admiration. We went to my suite and I showed her one of the money rooms. Would you believe it? She actually took off her shoes and ran around through the money in her bare feet! Then we kissed. Concealed in the dermis of the lips are tiny, highly sensitized nerve ends which send sensations to the brain. The brain interprets these impulses in a certain manner. As a result, the fate of secretion in the adrenals on the ends of the kidneys increases and an enlivening of the entire endocrine system follows. Thus I felt the beginnings of love. I sat her down on a pile of money and kissed her again. Again the tingling, again the secretion and activation. I integrated myself quickly. Now in all the motion pictures—true representations of life and love in this world—the man with a lot of money or virtue kisses the girl and tries to induce her to do something biological. She then refuses. This pleases both of them, for he wanted her to refuse. She, in turn, wanted him to want her, but also wanted to prevent him so that he would have a high opinion of her. Do I make myself clear? I kissed the blonde girl and gave her to understand what I then wanted. Well, you can imagine my surprise when she said yes! So I had failed. I had not found love. I became so abstracted by this problem that the blonde girl fell asleep. I thoughtfully drank quantities of excellent alcohol called gin and didn't even notice when the blonde girl left. I am now beginning to feel the effects of this alcohol again. Ha. Don't I wish old Blgftury were here in the vibrational pattern of an olive? I'd get the blonde in and have her eat him out of a Martini. That is a gin mixture. I think I'll get a hot report off to the old so-and-so right now. It'll take him a gleeb to figure this one out. I'll tell him I'm setting up an atomic reactor in the sewage systems here and that all we have to do is activate it and all the not-people will die of chain asphyxiation. Boy, what an easy job this turned out to be. It's just a vacation. Joe, you old gold-bricker, imagine you here all these gleebs living off the fat of the land. Yak, yak. Affectionately. Glmpauszn Sacramento, Calif. July 25 Dear Joe: All is lost unless we work swiftly. I received your revealing letter the morning after having a terrible experience of my own. I drank a lot of gin for two days and then decided to go to one of these seance things. Somewhere along the way I picked up a red-headed girl. When we got to the darkened seance room, I took the redhead into a corner and continued my investigations into the realm of love. I failed again because she said yes immediately. The nerves of my dermis were working overtime when suddenly I had the most frightening experience of my life. Now I know what a horror these people really are to our world. The medium had turned out all the lights. He said there was a strong psychic influence in the room somewhere. That was me, of course, but I was too busy with the redhead to notice. Anyway, Mrs. Somebody wanted to make contact with her paternal grandmother, Lucy, from the beyond. The medium went into his act. He concentrated and sweated and suddenly something began to take form in the room. The best way to describe it in not-world language is a white, shapeless cascade of light. Mrs. Somebody reared to her feet and screeched, "Grandma Lucy!" Then I really took notice. Grandma Lucy, nothing! This medium had actually brought Blgftury partially across the vibration barrier. He must have been vibrating in the fringe area and got caught in the works. Did he look mad! His zyhku was open and his btgrimms were down. Worst of all, he saw me. Looked right at me with an unbelievable pattern of pain, anger, fear and amazement in his matrix. Me and the redhead. Then comes your letter today telling of the fate that befell you as a result of drinking alcohol. Our wrenchingly attuned faculties in these not-world bodies need the loathsome drug to escape from the reality of not-reality. It's true. I cannot do without it now. The day is only half over and I have consumed a quart and a half. And it is dulling all my powers as it has practically obliterated yours. I can't even become invisible any more. I must find the formula that will wipe out the not-world men quickly. Quickly! Glmpauszn Florence, Italy September 10 Dear Joe: This telepathic control becomes more difficult every time. I must pick closer points of communication soon. I have nothing to report but failure. I bought a ton of equipment and went to work on the formula that is half complete in my instructions. Six of my hotel rooms were filled with tubes, pipes and apparatus of all kinds. I had got my mechanism as close to perfect as possible when I realized that, in my befuddled condition, I had set off a reaction that inevitably would result in an explosion. I had to leave there immediately, but I could not create suspicion. The management was not aware of the nature of my activities. I moved swiftly. I could not afford time to bring my baggage. I stuffed as much money into my pockets as I could and then sauntered into the hotel lobby. Assuming my most casual air, I told the manager I was checking out. Naturally he was stunned since I was his best customer. "But why, sir?" he asked plaintively. I was baffled. What could I tell him? "Don't you like the rooms?" he persisted. "Isn't the service good?" "It's the rooms," I told him. "They're—they're—" "They're what?" he wanted to know. "They're not safe." "Not safe? But that is ridiculous. This hotel is...." At this point the blast came. My nerves were a wreck from the alcohol. "See?" I screamed. "Not safe. I knew they were going to blow up!" He stood paralyzed as I ran from the lobby. Oh, well, never say die. Another day, another hotel. I swear I'm even beginning to think like the not-men, curse them. Glmpauszn Rochester, New York September 25 Dear Joe: I have it! It is done! In spite of the alcohol, in spite of Blgftury's niggling criticism, I have succeeded. I now have developed a form of mold, somewhat similar to the antibiotics of this world, that, transmitted to the human organism, will cause a disease whose end will be swift and fatal. First the brain will dissolve and then the body will fall apart. Nothing in this world can stop the spread of it once it is loose. Absolutely nothing. We must use care. Stock in as much gin as you are able. I will bring with me all that I can. Meanwhile I must return to my original place of birth into this world of horrors. There I will secure the gateway, a large mirror, the vibrational point at which we shall meet and slowly climb the frequency scale to emerge into our own beautiful, now secure world. You and I together, Joe, conquerors, liberators. You say you eat little and drink as much as you can. The same with me. Even in this revolting world I am a sad sight. My not-world senses falter. This is the last letter. Tomorrow I come with the gateway. When the gin is gone, we will plant the mold in the hotel where you live. In only a single gleeb it will begin to work. The men of this queer world will be no more. But we can't say we didn't have some fun, can we, Joe? And just let Blgftury make one crack. Just one xyzprlt. I'll have hgutry before the ghjdksla! Glmpauszn Dear Editor: These guys might be queer drunk hopheads. But if not? If soon brain dissolve, body fall apart, how long have we got? Please, anybody who knows answer, write to me—Ivan Smernda, Plaza Ritz Arms—how long is a gleeb?
train	50668	[ "Why does the Brain select Jery to hold the amnesty? ", "Why is it unexpectedly hard for the men to forge letters for the children?", "How does Jery's behavior change when he's wearing the uniform and amnesty?", "What is the hypothetical problem with the amnesty?", "Why was the Amnesty created?", "What clue did the water tanks and tubing give Jery?" ]	[ [ "To prevent someone like Baxter wielding and misusing it. ", "Because he's not really qualified, making him a wildcard. ", "Because of his ability to parse situations. ", "Because he will responsibly wield the amnesty. " ], [ "There is a huge amount of letters to write and families to keep up with. It's a lot of information", "They have to intentionally write poorly, which is proving to be difficult with the volume they have to write", "None of them are particularly good at writing letters, making it difficult for them", "It makes them too emotional, because it involves children. " ], [ "He's bolder, and he starts to misuse the authority it gives him", "He tries to remain the same and not let it get to his head ", "He's bolder, playing into the sense of power it gives him", "He's surprised by the authority it seems to give him" ], [ "It's too powerful for any one person to wield. ", "Those who wield the amnesty don't have to listen to the authority of of others", "It allows the bearer to do as they please with civilians ", "Should 2 people be chosen for it, it's be an impossible power struggle " ], [ "To solve the issue of any one person having too much power", "To avoid the need of consulting another person on an emergency ", "To circumvent bureaucracy that may otherwise get in the way of solving problem ", "To allow a person to be able to make decisions without questions asked in an emergency " ], [ "An idea of how and when the boys went missing - probably during the night ", "An idea of how much water was used during the trip ", "An idea of how and when the boys went missing - probably via the tanks", "An idea as to whether or not the other man was lying " ] ]	[ 3, 2, 3, 4, 3, 1 ]	[ 0, 0, 1, 1, 1, 1 ]	THE SECRET MARTIANS by JACK SHARKEY ACE BOOKS, INC. 23 West 47th Street, New York 36, N. Y. THE SECRET MARTIANS Copyright, 1960, by Ace Books, Inc. All Rights Reserved Printed in U.S.A. [Transcriber's Note: Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] MASTER SPY OF THE RED PLANET Jery Delvin had a most unusual talent. He could detect the flaws in any scheme almost on sight—even where they had eluded the best brains in the ad agency where he worked. So when the Chief of World Security told him that he had been selected as the answer to the Solar System's greatest mystery, Jery assumed that it was because of his mental agility. But when he got to Mars to find out why fifteen boys had vanished from a spaceship in mid-space, he found out that even his quick mind needed time to pierce the maze of out-of-this-world double-dealing. For Jery had become a walking bomb, and when he set himself off, it would be the end of the whole puzzle of THE SECRET MARTIANS—with Jery as the first to go! Jack Sharkey decided to be a writer nineteen years ago, in the Fourth Grade, when he realized all at once that "someone wrote all those stories in the textbooks." While everyone else looked forward variously to becoming firemen, cowboys, and trapeze artists, Jack was devouring every book he could get his hands on, figuring that "if I put enough literature into my head, some of it might overflow and come out." After sixteen years of education, Jack found himself teaching high school English in Chicago, a worthwhile career, but "not what one would call zesty." After a two-year Army hitch, and a year in advertising "sublimating my urge to write things for cash," Jack moved to New York, determined to make a career of full-time fiction-writing. Oddly enough, it worked out, and he now does nothing else. He says, "I'd like to say I do this for fulfillment, or for cash, or because it's my destiny; however, the real reason (same as that expressed by Jean Kerr) is that this kind of stay-at-home self-employment lets me sleep late in the morning." 1 I was sitting at my desk, trying to decide how to tell the women of America that they were certain to be lovely in a Plasti-Flex brassiere without absolutely guaranteeing them anything, when the two security men came to get me. I didn't quite believe it at first, when I looked up and saw them, six-feet-plus of steel nerves and gimlet eyes, staring down at me, amidst my litter of sketches, crumpled copy sheets and deadline memos. It was only a fraction of an instant between the time I saw them and the time they spoke to me, but in that miniscule interval I managed to retrace quite a bit of my lifetime up till that moment, seeking vainly for some reason why they'd be standing there, so terribly and inflexibly efficient looking. Mostly, I ran back over all the ads I'd created and/or okayed for Solar Sales, Inc. during my five years with the firm, trying to see just where I'd gone and shaken the security of the government. I couldn't find anything really incriminating, unless maybe it was that hair dye that unexpectedly turned bright green after six weeks in the hair, but that was the lab's fault, not mine. So I managed a weak smile toward the duo, and tried not to sweat too profusely. "Jery Delvin?" said the one on my left, a note of no-funny-business in his brusque baritone. "... Yes," I said, some terrified portion of my mind waiting masochistically for them to draw their collapsers and reduce me to a heap of hot protons. "Come with us," said his companion. I stared at him, then glanced hopelessly at the jumble of things on my desk. "Never mind that stuff," he added. I rose from my place, slipped my jacket from its hook, and started across the office toward the door, each of them falling into rigid step beside me. Marge, my secretary, stood wide-eyed as we passed through her office, heading for the hall exit. "Mr. Delvin," she said, her voice a wispy croak. "When will you be back? The Plasti-Flex man is waiting for your—" I opened my mouth, but one of the security men cut in. "You will be informed," he said to Marge. She was staring after me, open-mouthed, as the door slid neatly shut behind us. " W-Will I be back?" I asked desperately, as we waited for the elevator. "At all? Am I under arrest? What's up, anyhow?" "You will be informed," said the man again. I had to let it go at that. Security men were not hired for their loquaciousness. They had a car waiting at the curb downstairs, in the No Parking zone. The cop on the beat very politely opened the door for them when we got there. Those red-and-bronze uniforms carry an awful lot of weight. Not to mention the golden bulk of their holstered collapsers. There was nothing for me to do but sweat it out and to try and enjoy the ride, wherever we were going. " You are Jery Delvin?" The man who spoke seemed more than surprised; he seemed stunned. His voice held an incredulous squeak, a squeak which would have amazed his subordinates. It certainly amazed me. Because the speaker was Philip Baxter, Chief of Interplanetary Security, second only to the World President in power, and not even that in matters of security. I managed to nod. He shook his white-maned head, slowly. "I don't believe it." "But I am, sir," I insisted doggedly. Baxter pressed the heels of his hands against his eyes for a moment, then sighed, grinned wryly, and waggled an index finger at an empty plastic contour chair. "I guess maybe you are at that, son. Sit down, sit down." I folded gingerly at knees and hips and slid back into the chair, pressing my perspiring palms against the sides of my pants to get rid of their uncomfortably slippery feel. "Thank you, sir." There was a silence, during which I breathed uneasily, and a bit too loudly. Baxter seemed to be trying to say something. "I suppose you're wondering why I've called—" he started, then stopped short and flushed with embarrassment. I felt a sympathetic hot wave flooding my own features. A copy chief in an advertising company almost always reacts to an obvious cliche. Then, with something like a look of relief on his blunt face, he snatched up a brochure from his kidney-shaped desktop and his eyes raced over the lettering on its face. "Jery Delvin," he read, musingly and dispassionately. "Five foot eleven inches tall, brown hair, slate-gray eyes. Citizen. Honest, sober, civic-minded, slightly antisocial...." He looked at me, questioningly. "I'd rather not discuss that, sir, if you don't mind." "Do you mind if I do mind?" "Oh ... Oh, well if you put it like that. It's girls, sir. They block my mind. Ruin my work." "I don't get you." "Well, in my job—See, I've got this gift. I'm a spotter." "A what?" "A spotter. I can't be fooled. By advertising. Or mostly anything else. Except girls." "I'm still not sure that I—" "It's like this. I designate ratios, by the minute. They hand me a new ad, and I read it by a stopwatch. Then, as soon as I spot the clinker, they stop the watch. If I get it in five seconds, it passes. But if I spot it in less, they throw it out and start over again. Or is that clear? No, I guess you're still confused, sir." "Just a bit," Baxter said. I took a deep breath and tried again. "Maybe an example would be better. Uh, you know the one about 'Three out of five New York lawyers use Hamilton Bond Paper for note-taking'?" "I've heard that, yes." "Well, the clinker—that's the sneaky part of the ad, sir, or what we call weasel-wording—the clinker in that one is that while it seems to imply sixty percent of New York lawyers, it actually means precisely what it says: Three out of five. For that particular product, we had to question seventy-nine lawyers before we could come up with three who liked Hamilton Bond, see? Then we took the names of the three, and the names of two of the seventy-six men remaining, and kept them on file." "On file?" Baxter frowned. "What for?" "In case the Federal Trade Council got on our necks. We could prove that three out of five lawyers used the product. Three out of those five. See?" "Ah," said Baxter, grinning. "I begin to. And your job is to test these ads, before they reach the public. What fools you for five seconds will fool the average consumer indefinitely." I sat back, feeling much better. "That's right, sir." Then Baxter frowned again. "But what's this about girls?" "They—they block my thinking, sir, that's all. Why, take that example I just mentioned. In plain writing, I caught the clinker in one-tenth of a second. Then they handed me a layout with a picture of a lawyer dictating notes to his secretary on it. Her legs were crossed. Nice legs. Gorgeous legs...." "How long that time, Delvin?" "Indefinite. Till they took the girl away, sir." Baxter cleared his throat loudly. "I understand, at last. Hence your slight antisocial rating. You avoid women in order to keep your job." "Yes, sir. Even my secretary, Marge, whom I'd never in a million years think of looking at twice, except for business reasons, of course, has to stay out of my office when I'm working, or I can't function." "You have my sympathy, son," Baxter said, not unkindly. "Thank you, sir. It hasn't been easy." "No, I don't imagine it has...." Baxter was staring into some far-off distance. Then he remembered himself and blinked back to the present. "Delvin," he said sharply. "I'll come right to the point. This thing is.... You have been chosen for an extremely important mission." I couldn't have been more surprised had he announced my incipient maternity, but I was able to ask, "Me? For Pete's sake, why, sir?" Baxter looked me square in the eye. "Damned if I know!" 2 I stared at him, nonplussed. He'd spoken with evidence of utmost candor, and the Chief of Interplanetary Security was not one to be accused of a friendly josh, but—"You're kidding!" I said. "You must be. Otherwise, why was I sent for?" "Believe me, I wish I knew," he sighed. "You were chosen, from all the inhabitants of this planet, and all the inhabitants of the Earth Colonies, by the Brain." "You mean that International Cybernetics picked me for a mission? That's crazy, if you'll pardon me, sir." Baxter shrugged, and his genial smile was a bit tightly stretched. "When the current emergency arose and all our usual methods failed, we had to submit the problem to the Brain." "And," I said, beginning to be fascinated by his bewildered manner, "what came out?" He looked at me for a long moment, then picked up that brochure again, and said, without referring to it, "Jery Delvin, five foot eleven inches tall—" "Yes, but read me the part where it says why I was picked," I said, a little exasperated. Baxter eyed me balefully, then skimmed the brochure through the air in my direction. I caught it just short of the carpet. "If you can find it, I'll read it!" he said, almost snarling. I looked over the sheet, then turned it over and scanned the black opposite side. "All it gives is my description, governmental status, and address!" "Uh-huh," Baxter grunted laconically. "It amuses you, does it?" The smile was still on his lips, but there was a grimness in the glitter of his narrowing eyes. "Not really," I said hastily. "It baffles me, to be frank." "If you're sitting there in that hopeful stance awaiting some sort of explanation, you may as well relax," Baxter said shortly. "I have none to make. IC had none to make. Damn it all to hell!" He brought a meaty fist down on the desktop. "No one has an explanation! All we know is that the Brain always picks the right man." I let this sink in, then asked, "What made you ask for a man in the first place, sir? I've always understood that your own staff represented some of the finest minds—" "Hold it, son. Perhaps I didn't make myself clear. We asked for no man. We asked for a solution to an important problem. And your name was what we got. You, son, are the solution." Chief of Security or not, I was getting a little burned up at his highhanded treatment of my emotions. "How nice!" I said icily. "Now if I only knew the problem!" Baxter blinked, then lost some of his scowl. "Yes, of course;" Baxter murmured, lighting up a cigar. He blew a plume of blue smoke toward the ceiling, then continued. "You've heard, of course, of the Space Scouts?" I nodded. "Like the old-time Boy Scouts, only with rocket-names for their various troops in place of the old animal names." "And you recall the recent government-sponsored trip they had? To Mars and back, with the broadly-smiling government picking up the enormous tab?" I detected a tinge of cynicism in his tone, but said nothing. "What a gesture!" Baxter went on, hardly speaking directly to me at all. "Inter-nation harmony! Good will! If these mere boys can get together and travel the voids of space, then so can everyone else! Why should there be tensions between the various nations comprising the World Government, when there's none between these fine lads, one from every civilized nation on Earth?" "You sound disillusioned, sir," I interjected. He stared at me as though I'd just fallen in from the ceiling or somewhere. "Huh? Oh, yes, Delvin, isn't it? Sorry, I got carried away. Where was I?" "You were telling about how this gesture, the WG sending these kids off for an extraterrestrial romp, will cement relations between those nations who have remained hostile despite the unification of all governments on Earth. Personally, I think it was a pretty good idea, myself. Everybody likes kids. Take this jam we were trying to push. Pomegranate Nectar, it was called. Well, sir, it just wouldn't sell, and then we got this red-headed kid with freckles like confetti all over his slightly bucktoothed face, and we—Sir?" I'd paused, because he was staring at me like a man on the brink of apoplexy. I swallowed, and tried to look relaxed. After a moment, he found his voice. "To go on, Delvin. Do you recall what happened to the Space Scouts last week?" I thought a second, then nodded. "They've been having such a good time that the government extended their trip by—Why are you shaking your head that way, sir?" "Because it's not true, Delvin," he said. His voice was suddenly old and tired, and very much in keeping with his snowy hair. "You see, the Space Scouts have vanished." I came up in the chair, ramrod-straight. "Their mothers—they've been getting letters and—" "Forgeries, Fakes. Counterfeits." "You mean whoever took the Scouts is falsifying—" "No. My men are doing the work. Handpicked crews, day and night, have been sending those letters to the trusting mothers. It's been ghastly, Delvin. Hard on the men, terribly hard. Undotted i 's, misuse of tenses, deliberate misspellings. They take it out of an adult, especially an adult with a mind keen enough to get him into Interplanetary Security. We've limited the shifts to four hours per man per day. Otherwise, they'd all be gibbering by now!" "And your men haven't found out anything?" I marvelled. Baxter shook his head. "And you finally had to resort to the Brain, and it gave you my name, but no reason for it?" Baxter cupped his slightly jowled cheeks in his hands and propped his elbows on the desktop, suddenly slipping out of his high position to talk to me man-to-man. "Look, son, an adding machine—which is a minor form of an electronic brain, and even works on the same principle—can tell you that two and two make four. But can it tell you why? "Well, no, but—" "That, in a nutshell is our problem. We coded and fed to the Brain every shred of information at our disposal; the ages of the children, for instance, and all their physical attributes, and where they were last seen, and what they were wearing. Hell, everything! The machine took the factors, weighed them, popped them through its billions of relays and tubes, and out of the end of the answer slot popped a single sheet. The one you just saw. Your dossier." "Then I'm to be sent to Mars?" I said, nervously. "That's just it," Baxter sighed. "We don't even know that! We're like a savage who finds a pistol: used correctly, it's a mean little weapon; pointed the wrong way, it's a quick suicide. So, you are our weapon. Now, the question is: Which way do we point you?" "You got me!" I shrugged hopelessly. "However, since we have nothing else to go on but the locale from which the children vanished, my suggestion would be to send you there." "Mars, you mean," I said. "No, to the spaceship Phobos II . The one they were returning to Earth in when they disappeared." "They disappeared from a spaceship? While in space?" Baxter nodded. "But that's impossible," I said, shaking my head against this disconcerting thought. "Yes," said Baxter. "That's what bothers me." 3 Phobos II , for obvious reasons, was berthed in a Top Security spaceport. Even so, they'd shuttled it into a hangar, safe from the eyes of even their own men, and as a final touch had hidden the ship's nameplate beneath magnetic repair-plates. I had a metal disk—bronze and red, the Security colors—insigniaed by Baxter and counterembossed with the President's special device, a small globe surmounted by clasping hands. It gave me authority to do anything. With such an identification disc, I could go to Times Square and start machine gunning the passers-by, and not one of New York's finest would raise a hand to stop me. And, snugly enholstered, I carried a collapser, the restricted weapon given only to Security Agents, so deadly was its molecule-disrupting beam. Baxter had spent a tremulous hour showing me how to use the weapon, and especially how to turn the beam off. I'd finally gotten the hang of it, though not before half his kidney-shaped desk had flashed into nothingness, along with a good-sized swath of carpeting and six inches of concrete floor. His parting injunction had been. "Be careful, Delvin, huh?" Yes, parting. I was on my own. After all, with a Security disc—the Amnesty, they called it—such as I possessed, and a collapser, I could go anywhere, do anything, commandeer anything I might need. All with no questions asked. Needless to say, I was feeling pretty chipper as I entered the hangar housing Phobos II . At the moment, I was the most influential human being in the known universe. The pilot, as per my videophoned request, was waiting there for me. I saw him as I stepped into the cool shadows of the building from the hot yellow sunlight outside. He was tall, much taller than I, but he seemed nervous as hell. At least he was pacing back and forth amid a litter of half-smoked cigarette butts beside the gleaming tailfins of the spaceship, and a fuming butt was puckered into place in his mouth. "Anders?" I said, approaching to within five feet of him before halting, to get the best psychological effect from my appearance. He turned, saw me, and hurriedly spat the butt out onto the cement floor. "Yes, sir!" he said loudly, throwing me a quivering salute. His eyes were a bit wild as they took me in. And well they might be. An Amnesty-bearer can suddenly decide a subject is not answering questions to his satisfaction and simply blast the annoying party to atoms. It makes for straight responses. Of course, I was dressing the part, in a way. I wore the Amnesty suspended by a thin golden chain from my neck, and for costume I wore a raven-black blouse and matching uniform trousers and boots. I must have looked quite sinister. I'm under six feet, but I'm angular and wiry. Thus, in ominous black, with an Amnesty on my breast and a collapser in my holster, I was a sight to strike even honest citizens into quick examinations of conscience. I felt a little silly, but the outfit was Baxter's idea. "I understand you were aboard the Phobos II when the incident occurred?" I said sternly, which was unusual for my wonted demeanor. "Yes, sir!" he replied swiftly, at stiff attention. "I don't really have any details," I said, and waited for him to take his cue. As an afterthought, to help him talk, I added, "At ease, by the way, Anders." "Thank you, sir," he said, not actually loosening much in his rigid position, but his face looking happier. "See, I was supposed to pilot the kids back here from Mars when their trip was done, and—" He gave a helpless shrug. "I dunno, sir. I got 'em all aboard, made sure they were secure in the takeoff racks, and then I set my coordinates for Earth and took off. Just a run-of-the-mill takeoff, sir." "And when did you notice they were missing?" I asked, looking at the metallic bulk of the ship and wondering what alien force could snatch fifteen fair-sized young boys through its impervious hull without leaving a trace. "Chow time, sir. That's when you expect to have the little—to have the kids in your hair, sir. Everyone wants his rations first—You know how kids are, sir. So I went to the galley and was about to open up the ration packs, when I noticed how damned quiet it was aboard. And especially funny that no one was in the galley waiting for me to start passing the stuff out." "So you searched," I said. Anders nodded sorrowfully. "Not a trace of 'em, sir. Just some of their junk left in their storage lockers." I raised my eyebrows. "Really? I'd be interested in seeing this junk, Anders." "Oh, yes, sir. Right this way, sir. Watch out for these rungs, they're slippery." I ascended the retractable metal rungs that jutted from a point between the tailfins to the open airlock, twenty feet over ground level, and followed Anders inside the ship. I trailed Anders through the ship, from the pilot's compartment—a bewildering mass of dials, switches, signal lights and wire—through the galley into the troop section. It was a cramped cubicle housing a number of nylon-webbed foam rubber bunks. The bunks were empty, but I looked them over anyhow. I carefully tugged back the canvas covering that fitted envelope-fashion over a foam rubber pad, and ran my finger over the surface of the pad. It came away just slightly gritty. "Uh-huh!" I said, smiling. Anders just stared at me. I turned to the storage lockers. "Let's see this junk they were suddenly deprived of." Anders, after a puzzled frown, obediently threw open the doors of the riveted tiers of metal boxes along the rear wall; the wall next to the firing chambers, which I had no particular desire to visit. I glanced inside at the articles therein, and noted with interest their similarity. "Now, then," I resumed, "the thrust of this rocket to get from Mars to Earth is calculated with regard to the mass on board, is that correct?" He nodded. "Good, that clears up an important point. I'd also like to know if this rocket has a dehumidifying system to keep the cast-off moisture from the passengers out of the air?" "Well, sure, sir!" said Anders. "Otherwise, we'd all be swimming in our own sweat after a ten-hour trip across space!" "Have you checked the storage tanks?" I asked. "Or is the cast-off perspiration simply jetted into space?" "No. It's saved, sir. It gets distilled and stored for washing and drinking. Otherwise, we'd all dehydrate, with no water to replace the water we lost." "Check the tanks," I said. Anders, shaking his head, moved into the pilot's section and looked at a dial there. "Full, sir. But that's because I didn't drink very much, and any sweating I did—which was a hell of a lot, in this case—was a source of new water for the tanks." "Uh-huh." I paused and considered. "I suppose the tubing for these tanks is all over the ship? In all the hollow bulkhead space, to take up the moisture fast?" Anders, hopelessly lost, could only nod wearily. "Would it hold—" I did some quick mental arithmetic—"let's say, about twenty-four extra cubic feet?" He stared, then frowned, and thought hard. "Yes, sir," he said, after a minute. "Even twice that, with no trouble, but—" He caught himself short. It didn't pay to be too curious about the aims of an Amnesty-bearer. "It's all right, Anders. You've been a tremendous help. Just one thing. When you left Mars, you took off from the night side, didn't you?" "Why, yes, I did, sir. But how did you—?" "No matter, Anders. That'll be all." "Yes, sir!" He saluted sharply and started off. I started back for Interplanetary Security, and my second—and I hoped, last—interview with Chief Baxter. I had a slight inkling why the Brain had chosen me; because, in the affair of the missing Space Scouts, my infallible talent for spotting the True within the Apparent had come through nicely. I had found a very interesting clinker. 4 "Strange," I remarked to Chief Baxter when I was seated once again in his office, opposite his newly replaced desk. "I hardly acted like myself out at that airfield. I was brusque, highhanded, austere, almost malevolent with the pilot. And I'm ordinarily on the shy side, as a matter of fact." "It's the Amnesty that does it," he said, gesturing toward the disc. It lay on his desk, now, along with the collapser. I felt, with the new information I'd garnered, that my work was done, and that the new data fed into the Brain would produce some other results, not involving me. I looked at the Amnesty, then nodded. "Kind of gets you, after awhile. To know that you are the most influential person in creation is to automatically act the part. A shame, in a way." "The hell it is!" Baxter snapped. "Good grief, man, why'd you think the Amnesty was created in the first place?" I sat up straight and scratched the back of my head. "Now you mention it, I really don't know. It seems a pretty dangerous thing to have about, the way people jump when they see it." "It is dangerous, of course, but it's vitally necessary. You're young, Jery Delvin, and even the finest history course available these days is slanted in favor of World Government. So you have no idea how tough things were before the Amnesty came along. Ever hear of red tape?" I shook my head. "No, I don't believe so. Unless it had something to do with the former communist menace? They called themselves the Reds, I believe...." He waved me silent. "No connection at all, son. No, red tape was, well, involvement. Forms to be signed, certain factors to be considered, protocol to be dealt with, government agencies to be checked with, classifications, bureaus, sub-bureaus, congressional committees. It was impossible, Jery, my boy, to get anything done whatsoever without consulting someone else. And the time lag and paperwork involved made accurate and swift action impossible, sometimes. What we needed, of course, was a person who could simply have all authority, in order to save the sometimes disastrous delays. So we came up with the Amnesty." "But the danger. If you should pick the wrong man—" Baxter smiled. "No chance of that, Jery. We didn't leave it up to any committee or bureau or any other faction to do the picking. Hell, that would have put us right back where we'd been before. No, we left it up to the Brain. We'd find ourselves in a tight situation, and the Brain after being fed the data, would come up with either a solution, or a name." I stared at him. "Then, when I was here before, I was here solely to receive the Amnesty, is that it?" Baxter nodded. "The Brain just picks the men. Then we tell the men the situation, hand over the Amnesty, and pray." I had a sudden thought. "Say, what happens if two men are selected by the Brain? Who has authority over whom?" Baxter grimaced and shivered. "Don't even think such a thing! Even your mentioning such a contingency gives me a small migraine. It'd be unprecedented in the history of the Brain or the Amnesty." He grinned, suddenly. "Besides, it can't happen. There's only one of these—" he tapped the medallion gently "—in existence, Jery. So we couldn't have such a situation!" I sank back into the contour chair, and glanced at my watch. Much too late to go back to work. I'd done a lot in one day, I reasoned. Well, the thing was out of my hands. Baxter had the information I'd come up with, and it had been coded and fed to the Brain. As soon as the solution came through, I could be on my way back to the world of hard and soft sell. "You understand," said Baxter suddenly, "that you're to say nothing whatever about the disappearance of the Space Scouts until this office makes the news public? You know what would happen if this thing should leak!" The intercom on Baxter's desk suddenly buzzed, and a bright red light flashed on. "Ah!" he said, thumbing a knob. "Here we go, at last!" As he exerted pressure on the knob, a thin slit in the side of the intercom began feeding out a long sheet of paper; the new answer from the Brain. It reached a certain length, then was automatically sheared off within the intercom, and the sheet fell gently to the desktop. Baxter picked it up and swiftly scanned its surface. A look of dismay overrode his erstwhile genial features. I had a horrible suspicion. "Not again?" I said softly. Baxter swore under his breath. Then he reached across the desktop and tossed me the Amnesty.
train	51330	[ "What is implied by having an \"absentee-wife look\"?", "What motif runs through the story? Coincidences", "What is the meaning of the title?", "Who is the nucleus?", "How might the card game had gone differently if Mr. Graham was not present?", "Why are Danny and the deli owner aghast?", "Why does Mrs. Graham leave such specific instructions for Mr. Graham?", "What does McGill offer as a hypothesis for the odd events occurring within the story?" ]	[ [ "It is hypermasculine", "It is sophisticated", "It is disheveled", "It is malodorous" ], [ "Antisocial behavior", "Unfounded rage", "Coincidence", "Incorrect hypotheses" ], [ "When Mr. and Mrs. Graham are apart, a major imbalance persists", "McGill is manipulating Alec as part of a social experiment", "Alec is at the center of all the coincidental behavior", "Alec possesses supernatural abilities that will eventually destroy him" ], [ "Alec", "Mrs. Graham", "A character never mentioned by name", "McGill" ], [ "Nat would have never hosted a card game in the late afternoon", "Nat would have continued to win with straights and other rare hands", "Nat would have lost all of his hands instead of won all of them", "Nat would have a more random pattern of losing and winning hands" ], [ "Alec drops his belongings from a tall height without breaking them", "Alec breaks the top of a glass bottle and continues to drink the contents", "Nat continues to win significant poker hands in the deli", "Alec has the nerve to try and steal items from the deli" ], [ "Mr. Graham cannot hear, but he is able to read", "Mrs. Graham has the power to control Mr. Graham, but only in close proximity", "Mrs. Graham strives to avoid more chaos than what Mr. Graham already attracts", "Mr. Graham is physically unable to do things for himself" ], [ "He believes that some form of life is causing the events", "He believes that they events are merely coincidental", "He believes that Alec has somehow defied principles of randomness and design", "He believes that Alec is playing a deceitful trick in order to come up with an idea for his novel" ] ]	[ 3, 3, 3, 1, 4, 1, 3, 3 ]	[ 0, 0, 0, 1, 0, 0, 1, 1 ]	I am a Nucleus By STEPHEN BARR Illustrated by GAUGHAN [Transcriber's Note: This etext was produced from Galaxy Science Fiction February 1957. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] No doubt whatever about it, I had the Indian sign on me ... my comfortably untidy world had suddenly turned into a monstrosity of order! When I got home from the office, I was not so much tired as beaten down, but the effect is similar. I let myself into the apartment, which had an absentee-wife look, and took a cold shower. The present downtown temperature, according to the radio, was eighty-seven degrees, but according to my Greenwich Village thermometer, it was ninety-six. I got dressed and went into the living room, and wished ardently that my wife Molly were here to tell me why the whole place looked so woebegone. What do they do, I asked myself, that I have left undone? I've vacuumed the carpet, I've dusted and I've straightened the cushions.... Ah! The ashtrays. I emptied them, washed them and put them back, but still the place looked wife-deserted. It had been a bad day; I had forgotten to wind the alarm clock, so I'd had to hurry to make a story conference at one of the TV studios I write for. I didn't notice the impending rain storm and had no umbrella when I reached the sidewalk, to find myself confronted with an almost tropical downpour. I would have turned back, but a taxi came up and a woman got out, so I dashed through the rain and got in. "Madison and Fifty-fourth," I said. "Right," said the driver, and I heard the starter grind, and then go on grinding. After some futile efforts, he turned to me. "Sorry, Mac. You'll have to find another cab. Good hunting." If possible, it was raining still harder. I opened my newspaper over my hat and ran for the subway: three blocks. Whizzing traffic held me up at each crossing and I was soaked when I reached the platform, just in time to miss the local. After an abnormal delay, I got one which exactly missed the express at Fourteenth Street. The same thing happened at both ends of the crosstown shuttle, but I found the rain had stopped when I got out at Fifty-first and Lexington. As I walked across to Madison Avenue, I passed a big excavation where they were getting ready to put up a new office building. There was the usual crowd of buffs watching the digging machines and, in particular, a man with a pneumatic drill who was breaking up some hard-packed clay. While I looked, a big lump of it fell away, and for an instant I was able to see something that looked like a chunk of dirty glass, the size of an old-fashioned hatbox. It glittered brilliantly in the sunlight, and then his chattering drill hit it. There was a faint bang and the thing disintegrated. It knocked him on his back, but he got right up and I realized he was not hurt. At the moment of the explosion—if so feeble a thing can be called one—I felt something sting my face and, on touching it, found blood on my hand. I mopped at it with my handkerchief but, though slight, the bleeding would not stop, so I went into a drugstore and bought some pink adhesive which I put on the tiny cut. When I got to the studio, I found that I had missed the story conference. During the day, by actual count, I heard the phrase "I'm just spitballing" eight times, and another Madison Avenue favorite, "The whole ball of wax," twelve times. However, my story had been accepted without change because nobody had noticed my absence from the conference room. There you have what is known as the Advertising World, the Advertising game or the advertising racket, depending upon which rung of the ladder you have achieved. The subway gave a repeat performance going home, and as I got to the apartment house we live in, the cop on the afternoon beat was standing there talking to the doorman. He said, "Hello, Mr. Graham. I guess you must have just have missed it at your office building." I looked blank and he explained, "We just heard it a little while ago: all six elevators in your building jammed at the same time. Sounds crazy. I guess you just missed it." Anything can happen in advertising, I thought. "That's right, Danny, I just missed it," I said, and went on in. Psychiatry tells us that some people are accident-prone; I, on the other hand, seemed recently to be coincidence-prone, fluke-happy, and except for the alarm clock, I'd had no control over what had been going on. I went into our little kitchen to make a drink and reread the directions Molly had left, telling me how to get along by myself until she got back from her mother's in Oyster Bay, a matter of ten days. How to make coffee, how to open a can, whom to call if I took sick and such. My wife used to be a trained nurse and she is quite convinced that I cannot take a breath without her. She is right, but not for the reasons she supposes. I opened the refrigerator to get some ice and saw another notice: "When you take out the Milk or Butter, Put it Right Back. And Close the Door, too." Intimidated, I took my drink into the living room and sat down in front of the typewriter. As I stared at the novel that was to liberate me from Madison Avenue, I noticed a mistake and picked up a pencil. When I put it down, it rolled off the desk, and with my eyes on the manuscript, I groped under the chair for it. Then I looked down. The pencil was standing on its end. There, I thought to myself, is that one chance in a million we hear about, and picked up the pencil. I turned back to my novel and drank some of the highball in hopes of inspiration and surcease from the muggy heat, but nothing came. I went back and read the whole chapter to try to get a forward momentum, but came to a dead stop at the last sentence. Damn the heat, damn the pencil, damn Madison Avenue and advertising. My drink was gone and I went back to the kitchen and read Molly's notes again to see if they would be like a letter from her. I noticed one that I had missed, pinned to the door of the dumbwaiter: "Garbage picked up at 6:30 AM so the idea is to Put it Here the Night Before. I love you." What can you do when the girl loves you? I made another drink and went and stared out of the living room window at the roof opposite. The Sun was out again and a man with a stick was exercising his flock of pigeons. They wheeled in a circle, hoping to be allowed to perch, but were not allowed to. Pigeons fly as a rule in formation and turn simultaneously, so that their wings all catch the sunlight at the same time. I was thinking about this decorative fact when I saw that as they were making a turn, they seemed to bunch up together. By some curious chance, they all wanted the same place in the sky to turn in, and several collided and fell. The man was as surprised as I and went to one of the dazed birds and picked it up. He stood there shaking his head from side to side, stroking its feathers. My speculations about this peculiar aerial traffic accident were interrupted by loud voices in the hallway. Since our building is usually very well behaved, I was astonished to hear what sounded like an incipient free-for-all, and among the angry voices I recognized that of my neighbor, Nat, a very quiet guy who works on a newspaper and has never, to my knowledge, given wild parties, particularly in the late afternoon. "You can't say a thing like that to me!" I heard him shout. "I tell you I got that deck this afternoon and they weren't opened till we started to play!" Several other loud voices started at the same time. "Nobody gets five straight-flushes in a row!" "Yeah, and only when you were dealer!" The tone of the argument was beginning to get ugly, and I opened the door to offer Nat help if he needed it. There were four men confronting him, evidently torn between the desire to make an angry exit and the impulse to stay and beat him up. His face was furiously red and he looked stunned. "Here!" he said, holding out a deck of cards, "For Pete's sake, look at 'em yourselves if you think they're marked!" The nearest man struck them up from his hand. "Okay, Houdini! So they're not marked! All I know is five straight...." His voice trailed away. He and the others stared at the scattered cards on the floor. About half were face down, as might be expected, and the rest face up—all red. Someone must have rung, because at that moment the elevator arrived and the four men, with half frightened, incredulous looks, and in silence, got in and were taken down. My friend stood looking at the neatly arranged cards. "Judas!" he said, and started to pick them up. "Will you look at that! My God, what a session...." I helped him and said to come in for a drink and tell me all about it, but I had an idea what I would hear. After a while, he calmed down, but he still seemed dazed. "Never seen anything to equal it," he said. "Wouldn't have believed it. Those guys didn't believe it. Every round normal, nothing unusual about the hands—three of a kind, a low straight, that sort of thing and one guy got queens over tens, until it gets to be my deal. Brother! Straight flush to the king—every time! And each time, somebody else has four aces...." He started to sweat again, so I got up to fix him another drink. There was one quart of club soda left, but when I tried to open it, the top broke and glass chips got into the bottle. "I'll have to go down for more soda," I said. "I'll come, too. I need air." At the delicatessen on the corner, the man gave me three bottles in what must have been a wet bag, because as he handed them to me over the top of the cold-meat display, the bottom gave and they fell onto the tile floor. None of them broke, although the fall must have been from at least five feet. Nat was too wound up in his thoughts to notice and I was getting used to miracles. We left the proprietor with his mouth open and met Danny, the cop, looking in at the door, also with his mouth open. On the sidewalk, a man walking in front of Nat stooped suddenly to tie his shoe and Nat, to avoid bumping him, stepped off the curb and a taxi swerved to avoid Nat. The street was still wet and the taxi skidded, its rear end lightly flipping the front of one of those small foreign cars, which was going rather fast. It turned sideways and, without any side-slip, went right up the stoop of a brownstone opposite, coming to rest with its nose inside the front door, which a man opened at that moment. The sight of this threw another driver into a skid, and when he and the taxi had stopped sliding around, they were face to face, arranged crosswise to the street. This gave them exactly no room to move either forward or backward, for the car had its back to a hydrant and the taxi to a lamp. Although rather narrow, this is a two-way street, and in no time at all, traffic was stacked up from both directions as far as the avenues. Everyone was honking his horn. Danny was furious—more so when he tried to put through a call to his station house from the box opposite. It was out of order. Upstairs, the wind was blowing into the apartment and I closed the windows, mainly to shut out the tumult and the shouting. Nat had brightened up considerably. "I'll stay for one more drink and then I'm due at the office," he said. "You know, I think this would make an item for the paper." He grinned and nodded toward the pandemonium. When he was gone, I noticed it was getting dark and turned on the desk lamp. Then I saw the curtains. They were all tied in knots, except one. That was tied in three knots. All right , I told myself, it was the wind. But I felt the time had come for me to get expert advice, so I went to the phone to call McGill. McGill is an assistant professor of mathematics at a university uptown and lives near us. He is highly imaginative, but we believe he knows everything. When I picked up the receiver, the line sounded dead and I thought, more trouble. Then I heard a man cough and I said hello. McGill's voice said, "Alec? You must have picked up the receiver just as we were connected. That's a damn funny coincidence." "Not in the least," I said. "Come on over here. I've got something for you to work on." "Well, as a matter of fact, I was calling up to ask you and Molly—" "Molly's away for the week. Can you get over here quick? It's urgent." "At once," he said, and hung up. While I waited, I thought I might try getting down a few paragraphs of my novel—perhaps something would come now. It did, but as I came to a point where I was about to put down the word "agurgling," I decided it was too reminiscent of Gilbert and Sullivan, and stopped at the letter "R." Then I saw that I had unaccountably hit all four keys one step to the side of the correct ones, and tore out the page, with my face red. This was absolutely not my day. "Well," McGill said, "nothing you've told me is impossible or supernatural. Just very, very improbable. In fact, the odds against that poker game alone would lead me to suspect Nat, well as I know him. It's all those other things...." He got up and walked over to the window and looked at the hot twilight while I waited. Then he turned around; he had a look of concern. "Alec, you're a reasonable guy, so I don't think you'll take offense at what I'm going to say. What you have told me is so impossibly unlikely, and the odds against it so astronomical, that I must take the view that you're either stringing me or you're subject to a delusion." I started to get up and expostulate, but he motioned me back. "I know, but don't you see that that is far more likely than...." He stopped and shook his head. Then he brightened. "I have an idea. Maybe we can have a demonstration." He thought for a tense minute and snapped his fingers. "Have you any change on you?" "Why, yes," I said. "Quite a bit." I reached into my pocket. There must have been nearly two dollars in silver and pennies. "Do you think they'll each have the same date, perhaps?" "Did you accumulate all that change today?" "No. During the week." He shook his head. "In that case, no. Discounting the fact that you could have prearranged it, if my dim provisional theory is right, that would be actually impossible. It would involve time-reversal. I'll tell you about it later. No, just throw down the change. Let's see if they all come up heads." I moved away from the carpet and tossed the handful of coins onto the floor. They clattered and bounced—and bounced together—and stacked themselves into a neat pile. I looked at McGill. His eyes were narrowed. Without a word, he took a handful of coins from his own pocket and threw them. These coins didn't stack. They just fell into an exactly straight line, the adjacent ones touching. "Well," I said, "what more do you want?" "Great Scott," he said, and sat down. "I suppose you know that there are two great apparently opposite principles governing the Universe—random and design. The sands on the beach are an example of random distribution and life is an example of design. The motions of the particles of a gas are what we call random, but there are so many of them, we treat them statistically and derive the Second Law of Thermodynamics—quite reliable. It isn't theoretically hard-and-fast; it's just a matter of extreme probability. Now life, on the other hand, seems not to depend on probability at all; actually, it goes against it. Or you might say it is certainly not an accidental manifestation." "Do you mean," I asked in some confusion, "that some form of life is controlling the coins and—the other things?" He shook his head. "No. All I mean is that improbable things usually have improbable explanations. When I see a natural law being broken, I don't say to myself, 'Here's a miracle.' I revise my version of the book of rules. Something—I don't know what—is going on, and it seems to involve probability, and it seems to center around you. Were you still in that building when the elevators stuck? Or near it?" "I guess I must have been. It happened just after I left." "Hm. You're the center, all right. But why?" "Center of what?" I asked. "I feel as though I were the center of an electrical storm. Something has it in for me!" McGill grinned. "Don't be superstitious. And especially don't be anthropomorphic." "Well, if it's the opposite of random, it's got to be a form of life." "On what basis? All we know for certain is that random motions are being rearranged. A crystal, for example, is not life, but it's a non-random arrangement of particles.... I wonder." He had a faraway, frowning look. I was beginning to feel hungry and the drinks had worn off. "Let's go out and eat," I said, "There's not a damn thing in the kitchen and I'm not allowed to cook. Only eggs and coffee." We put on our hats and went down to the street. From either end, we could hear wrecking trucks towing away the stalled cars. There were, by this time, a number of harassed cops directing the maneuver and we heard one of them say to Danny, "I don't know what the hell's going on around here. Every goddam car's got something the matter with it. They can't none of them back out for one reason or another. Never seen anything like it." Near us, two pedestrians were doing a curious little two-step as they tried to pass one another; as soon as one of them moved aside to let the other pass, the other would move to the same side. They both had embarrassed grins on their faces, but before long their grins were replaced by looks of suspicion and then determination. "All right, smart guy!" they shouted in unison, and barged ahead, only to collide. They backed off and threw simultaneous punches which met in mid-air. Then began one of the most remarkable bouts ever witnessed—a fight in which fist hit fist but never anything else, until both champions backed away undefeated, muttering identical excuses and threats. Danny appeared at that moment. His face was dripping. "You all right, Mr. Graham?" he asked. "I don't know what's going on around here, but ever since I came on this afternoon, things are going crazy. Bartley!" he shouted—he could succeed as a hog-caller. "Bring those dames over here!" Three women in a confused wrangle, with their half-open umbrellas intertwined, were brought across the street, which meant climbing over fenders. Bartley, a fine young patrolman, seemed self-conscious; the ladies seemed not to be. "All right, now, Mrs. Mac-Philip!" one of them said. "Leave go of my umbrella and we'll say no more about it!" "And so now it's Missus Mac-Philip, is it?" said her adversary. The third, a younger one with her back turned to us, her umbrella also caught in the tangle, pulled at it in a tentative way, at which the other two glared at her. She turned her head away and tried to let go, but the handle was caught in her glove. She looked up and I saw it was Molly. My nurse-wife. "Oh, Alec!" she said, and managed to detach herself. "Are you all right?" Was I all right! "Molly! What are you doing here?" "I was so worried, and when I saw all this, I didn't know what to think." She pointed to the stalled cars. "Are you really all right?" "Of course I'm all right. But why...." "The Oyster Bay operator said someone kept dialing and dialing Mother's number and there wasn't anyone on the line, so then she had it traced and it came from our phone here. I kept calling up, but I only got a busy signal. Oh, dear, are you sure you're all right?" I put my arm around her and glanced at McGill. He had an inward look. Then I caught Danny's eye. It had a thoughtful, almost suspicious cast to it. "Trouble does seem to follow you, Mr. Graham," was all he said. When we got upstairs, I turned to McGill. "Explain to Molly," I said. "And incidentally to me. I'm not properly briefed yet." He did so, and when he got to the summing up, I had the feeling she was a jump ahead of him. "In other words, you think it's something organic?" "Well," McGill said, "I'm trying to think of anything else it might be. I'm not doing so well," he confessed. "But so far as I can see," Molly answered, "it's mere probability, and without any over-all pattern." "Not quite. It has a center. Alec is the center." Molly looked at me with a curious expression for a moment. "Do you feel all right, darling?" she asked me. I nodded brightly. "You'll think this silly of me," she went on to McGill, "but why isn't it something like an overactive poltergeist?" "Pure concept," he said. "No genuine evidence." "Magnetism?" "Absolutely not. For one thing, most of the objects affected weren't magnetic—and don't forget magnetism is a force, not a form of energy, and a great deal of energy has been involved. I admit the energy has mainly been supplied by the things themselves, but in a magnetic field, all you'd get would be stored kinetic energy, such as when a piece of iron moves to a magnet or a line of force. Then it would just stay there, like a rundown clock weight. These things do a lot more than that—they go on moving." "Why did you mention a crystal before? Why not a life-form?" "Only an analogy," said McGill. "A crystal resembles life in that it has a definite shape and exhibits growth, but that's all. I'll agree this—thing—has no discernible shape and motion is involved, but plants don't move and amebas have no shape. Then a crystal feeds, but it does not convert what it feeds on; it merely rearranges it into a non-random pattern. In this case, it's rearranging random motions and it has a nucleus and it seems to be growing—at least in what you might call improbability." Molly frowned. "Then what is it? What's it made of?" "I should say it was made of the motions. There's a similar idea about the atom. Another thing that's like a crystal is that it appears to be forming around a nucleus not of its own material—the way a speck of sand thrown into a supersaturated solution becomes the nucleus of crystallization." "Sounds like the pearl in an oyster," Molly said, and gave me an impertinent look. "Why," I asked McGill, "did you say the coins couldn't have the same date? I mean apart from the off chance I got them that way." "Because I don't think this thing got going before today and everything that's happened can all be described as improbable motions here and now. The dates were already there, and to change them would require retroactive action, reversing time. That's out, in my book. That telephone now—" The doorbell rang. We were not surprised to find it was the telephone repairman. He took the set apart and clucked like a hen. "I guess you dropped it on the floor, mister," he said with strong disapproval. "Certainly not," I said. "Is it broken?" "Not exactly broken , but—" He shook his head and took it apart some more. McGill went over and they discussed the problem in undertones. Finally the man left and Molly called her mother to reassure her. McGill tried to explain to me what had happened with the phone. "You must have joggled something loose. And then you replaced the receiver in such a way that the contact wasn't quite open." "But for Pete's sake, Molly says the calls were going on for a long time! I phoned you only a short time ago and it must have taken her nearly two hours to get here from Oyster Bay." "Then you must have done it twice and the vibrations in the floor—something like that—just happened to cause the right induction impulses. Yes, I know how you feel," he said, seeing my expression. "It's beginning to bear down." Molly was through telephoning and suggested going out for dinner. I was so pleased to see her that I'd forgotten all about being hungry. "I'm in no mood to cook," she said. "Let's get away from all this." McGill raised an eyebrow. "If all this, as you call it, will let us." In the lobby, we ran into Nat, looking smug in a journalistic way. "I've been put on the story—who could be better?—I live here. So far, I don't quite get what's been happening. I've been talking to Danny, but he didn't say much. I got the feeling he thinks you're involved in some mystical, Hibernian way. Hello, McGill, what's with you?" "He's got a theory," said Molly. "Come and eat with us and he'll tell you all about it." Since we decided on an air-conditioned restaurant nearby on Sixth Avenue, we walked. The jam of cars didn't seem to be any less than before and we saw Danny again. He was talking to a police lieutenant, and when he caught sight of us, he said something that made the lieutenant look at us with interest. Particularly at me. "If you want your umbrella, Mrs. Graham," Danny said, "it's at the station house. What there's left of it, that is." Molly thanked him and there was a short pause, during which I felt the speculative regard of the lieutenant. I pulled out a packet of cigarettes, which I had opened, as always, by tearing off the top. I happened to have it upside down and all the cigarettes fell out. Before I could move my foot to obliterate what they had spelled out on the sidewalk, the two cops saw it. The lieutenant gave me a hard look, but said nothing. I quickly kicked the insulting cigarettes into the gutter. When we got to the restaurant, it was crowded but cool—although it didn't stay cool for long. We sat down at a side table near the door and ordered Tom Collinses as we looked at the menu. Sitting at the next table were a fat lady, wearing a very long, brilliant green evening gown, and a dried-up sour-looking man in a tux. When the waiter returned, they preempted him and began ordering dinner fussily: cold cuts for the man, and vichyssoise, lobster salad and strawberry parfait for the fat lady. I tasted my drink. It was most peculiar; salt seemed to have been used instead of sugar. I mentioned this and my companions tried theirs, and made faces. The waiter was concerned and apologetic, and took the drinks back to the bar across the room. The bartender looked over at us and tasted one of the drinks. Then he dumped them in his sink with a puzzled expression and made a new batch. After shaking this up, he set out a row of glasses, put ice in them and began to pour. That is to say he tilted the shaker over the first one, but nothing came out. He bumped it against the side of the bar and tried again. Still nothing. Then he took off the top and pried into it with his pick, his face pink with exasperation. I had the impression that the shaker had frozen solid. Well, ice is a crystal, I thought to myself. The other bartender gave him a fresh shaker, but the same thing happened, and I saw no more because the customers sitting at the bar crowded around in front of him, offering advice. Our waiter came back, baffled, saying he'd have the drinks in a moment, and went to the kitchen. When he returned, he had madame's vichyssoise and some rolls, which he put down, and then went to the bar, where the audience had grown larger. Molly lit a cigarette and said, "I suppose this is all part of it, Alec. Incidentally, it seems to be getting warmer in here." It was, and I had the feeling the place was quieter—a background noise had stopped. It dawned on me that I no longer heard the faint hum of the air-conditioner over the door, and as I started to say so, I made a gesture toward it. My hand collided with Molly's when she tapped her cigarette over the ashtray, and the cigarette landed in the neighboring vichyssoise. "Hey! What's the idea?" snarled the sour-looking man. "I'm terribly sorry," I said. "It was an accident. I—" "Throwing cigarettes at people!" the fat lady said. "I really didn't mean to," I began again, getting up. There must have been a hole in the edge of their tablecloth which one of my cuff buttons caught in, because as I stepped out from between the closely set tables, I pulled everything—tablecloth, silver, water glasses, ashtrays and the vichyssoise-à-la-nicotine—onto the floor. The fat lady surged from the banquette and slapped me meatily. The man licked his thumb and danced as boxers are popularly supposed to do. The owner of the place, a man with thick black eyebrows, hustled toward us with a determined manner. I tried to explain what had happened, but I was outshouted, and the owner frowned darkly.
train	51129	[ "What characteristic of Zotul does he believe he shares with the Earthmen? ", "What changes Koltan's mind about Earthmen, and ultimately condemns the Masur House to ruin?", "what is the 'gift from Earth'?", "The story implies that ____ is responsible for fueling capitalism and colonialism?", "What is ironic about the Earthmen selling gas to the Zurians?", "What is ironic about Earth's customer service policy?" ]	[ [ "cunning", "integrity", "creativity", "impartiality" ], [ "He sees potential for the House of Masur to profit off of the Earthmen's inventions", "He predicts that the Earthmen will not be able to withstand Zurian conditions for long, and that they will soon depart", "He believes he can feign sincerity in order to steal their metal and other goods", "He thinks that Earthmen are intellectually inferior and that he can manipulate them to do his bidding" ], [ "capitalism", "the printing press", "metal, copper wire, and other goods", "destruction of the caste system" ], [ "knowledge", "industrialism", "greediness", "globalization" ], [ "The gas was collected on Zur", "The gas is from Earth and will not power Zurian machines", "The gas will be replaced by a new type of gas that Zurians will need to purchase in the next decade", "The Earthmen are not selling gas; rather, a material that causes machines to break" ], [ "The customer service policy was drafted by Zurians, not Earthmen", "The customer service policy offers no ideal alternatives for non-Earthmen", "Earthly corporations have no real solutions for dealing with problems presented by their customers", "What is 'right' for the customer always benefits the corporation, directly or indirectly" ] ]	[ 2, 1, 1, 3, 1, 4 ]	[ 1, 0, 1, 1, 0, 1 ]	A Gift From Earth By MANLY BANISTER Illustrated by KOSSIN [Transcriber's Note: This etext was produced from Galaxy Science Fiction August 1955. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] Except for transportation, it was absolutely free ... but how much would the freight cost? "It is an outrage," said Koltan of the House of Masur, "that the Earthmen land among the Thorabians!" Zotul, youngest of the Masur brothers, stirred uneasily. Personally, he was in favor of the coming of the Earthmen to the world of Zur. At the head of the long, shining table sat old Kalrab Masur, in his dotage, but still giving what he could of aid and comfort to the Pottery of Masur, even though nobody listened to him any more and he knew it. Around the table sat the six brothers—Koltan, eldest and Director of the Pottery; Morvan, his vice-chief; Singula, their treasurer; Thendro, sales manager; Lubiosa, export chief; and last in the rank of age, Zotul, who was responsible for affairs of design. "Behold, my sons," said Kalrab, stroking his scanty beard. "What are these Earthmen to worry about? Remember the clay. It is our strength and our fortune. It is the muscle and bone of our trade. Earthmen may come and Earthmen may go, but clay goes on forever ... and with it, the fame and fortune of the House of Masur." "It is a damned imposition," agreed Morvan, ignoring his father's philosophical attitude. "They could have landed just as easily here in Lor." "The Thorabians will lick up the gravy," said Singula, whose mind ran rather to matters of financial aspect, "and leave us the grease." By this, he seemed to imply that the Thorabians would rob the Earthmen, which the Lorians would not. The truth was that all on Zur were panting to get their hands on that marvelous ship, which was all of metal, a very scarce commodity on Zur, worth billions of ken. Lubiosa, who had interests in Thorabia, and many agents there, kept his own counsel. His people were active in the matter and that was enough for him. He would report when the time was ripe. "Doubtless," said Zotul unexpectedly, for the youngest at a conference was expected to keep his mouth shut and applaud the decisions of his elders, "the Earthmen used all the metal on their planet in building that ship. We cannot possibly bilk them of it; it is their only means of transport." Such frank expression of motive was unheard of, even in the secret conclave of conference. Only the speaker's youth could account for it. The speech drew scowls from the brothers and stern rebuke from Koltan. "When your opinion is wanted, we will ask you for it. Meantime, remember your position in the family." Zotul bowed his head meekly, but he burned with resentment. "Listen to the boy," said the aged father. "There is more wisdom in his head than in all the rest of you. Forget the Earthmen and think only of the clay." Zotul did not appreciate his father's approval, for it only earned him a beating as soon as the old man went to bed. It was a common enough thing among the brothers Masur, as among everybody, to be frustrated in their desires. However, they had Zotul to take it out upon, and they did. Still smarting, Zotul went back to his designing quarters and thought about the Earthmen. If it was impossible to hope for much in the way of metal from the Earthmen, what could one get from them? If he could figure this problem out, he might rise somewhat in the estimation of his brothers. That wouldn't take him out of the rank of scapegoat, of course, but the beatings might become fewer and less severe. By and by, the Earthmen came to Lor, flying through the air in strange metal contraptions. They paraded through the tile-paved streets of the city, marveled here, as they had in Thorabia, at the buildings all of tile inside and out, and made a great show of themselves for all the people to see. Speeches were made through interpreters, who had much too quickly learned the tongue of the aliens; hence these left much to be desired in the way of clarity, though their sincerity was evident. The Earthmen were going to do great things for the whole world of Zur. It required but the cooperation—an excellent word, that—of all Zurians, and many blessings would rain down from the skies. This, in effect, was what the Earthmen had to say. Zotul felt greatly cheered, for it refuted the attitude of his brothers without earning him a whaling for it. There was also some talk going around about agreements made between the Earthmen and officials of the Lorian government, but you heard one thing one day and another the next. Accurate reporting, much less a newspaper, was unknown on Zur. Finally, the Earthmen took off in their great, shining ship. Obviously, none had succeeded in chiseling them out of it, if, indeed, any had tried. The anti-Earthmen Faction—in any culture complex, there is always an "anti" faction to protest any movement of endeavor—crowed happily that the Earthmen were gone for good, and a good thing, too. Such jubilation proved premature, however. One day, a fleet of ships arrived and after they had landed all over the planet, Zur was practically acrawl with Earthmen. Immediately, the Earthmen established what they called "corporations"—Zurian trading companies under terrestrial control. The object of the visit was trade. In spite of the fact that a terrestrial ship had landed at every Zurian city of major and minor importance, and all in a single day, it took some time for the news to spread. The first awareness Zotul had was that, upon coming home from the pottery one evening, he found his wife Lania proudly brandishing an aluminum pot at him. "What is that thing?" he asked curiously. "A pot. I bought it at the market." "Did you now? Well, take it back. Am I made of money that you spend my substance for some fool's product of precious metal? Take it back, I say!" The pretty young wife laughed at him. "Up to your ears in clay, no wonder you hear nothing of news! The pot is very cheap. The Earthmen are selling them everywhere. They're much better than our old clay pots; they're light and easy to handle and they don't break when dropped." "What good is it?" asked Zotul, interested. "How will it hold heat, being so light?" "The Earthmen don't cook as we do," she explained patiently. "There is a paper with each pot that explains how it is used. And you will have to design a new ceramic stove for me to use the pots on." "Don't be idiotic! Do you suppose Koltan would agree to produce a new type of stove when the old has sold well for centuries? Besides, why do you need a whole new stove for one little pot?" "A dozen pots. They come in sets and are cheaper that way. And Koltan will have to produce the new stove because all the housewives are buying these pots and there will be a big demand for it. The Earthman said so." "He did, did he? These pots are only a fad. You will soon enough go back to cooking with your old ones." "The Earthman took them in trade—one reason why the new ones are so cheap. There isn't a pot in the house but these metal ones, and you will have to design and produce a new stove if you expect me to use them." After he had beaten his wife thoroughly for her foolishness, Zotul stamped off in a rage and designed a new ceramic stove, one that would accommodate the terrestrial pots very well. And Koltan put the model into production. "Orders already are pouring in like mad," he said the next day. "It was wise of you to foresee it and have the design ready. Already, I am sorry for thinking as I did about the Earthmen. They really intend to do well by us." The kilns of the Pottery of Masur fired day and night to keep up with the demand for the new porcelain stoves. In three years, more than a million had been made and sold by the Masurs alone, not counting the hundreds of thousands of copies turned out by competitors in every land. In the meantime, however, more things than pots came from Earth. One was a printing press, the like of which none on Zur had ever dreamed. This, for some unknown reason and much to the disgust of the Lorians, was set up in Thorabia. Books and magazines poured from it in a fantastic stream. The populace fervidly brushed up on its scanty reading ability and bought everything available, overcome by the novelty of it. Even Zotul bought a book—a primer in the Lorian language—and learned how to read and write. The remainder of the brothers Masur, on the other hand, preferred to remain in ignorance. Moreover, the Earthmen brought miles of copper wire—more than enough in value to buy out the governorship of any country on Zur—and set up telegraph lines from country to country and continent to continent. Within five years of the first landing of the Earthmen, every major city on the globe had a printing press, a daily newspaper, and enjoyed the instantaneous transmission of news via telegraph. And the business of the House of Masur continued to look up. "As I have always said from the beginning," chortled Director Koltan, "this coming of the Earthmen had been a great thing for us, and especially for the House of Masur." "You didn't think so at first," Zotul pointed out, and was immediately sorry, for Koltan turned and gave him a hiding, single-handed, for his unthinkable impertinence. It would do no good, Zotul realized, to bring up the fact that their production of ceramic cooking pots had dropped off to about two per cent of its former volume. Of course, profits on the line of new stoves greatly overbalanced the loss, so that actually they were ahead; but their business was now dependent upon the supply of the metal pots from Earth. About this time, plastic utensils—dishes, cups, knives, forks—made their appearance on Zur. It became very stylish to eat with the newfangled paraphernalia ... and very cheap, too, because for everything they sold, the Earthmen always took the old ware in trade. What they did with the stuff had been hard to believe at first. They destroyed it, which proved how valueless it really was. The result of the new flood was that in the following year, the sale of Masur ceramic table service dropped to less than a tenth. Trembling with excitement at this news from their book-keeper, Koltan called an emergency meeting. He even routed old Kalrab out of his senile stupor for the occasion, on the off chance that the old man might still have a little wit left that could be helpful. "Note," Koltan announced in a shaky voice, "that the Earthmen undermine our business," and he read off the figures. "Perhaps," said Zotul, "it is a good thing also, as you said before, and will result in something even better for us." Koltan frowned, and Zotul, in fear of another beating, instantly subsided. "They are replacing our high-quality ceramic ware with inferior terrestrial junk," Koltan went on bitterly. "It is only the glamor that sells it, of course, but before the people get the shine out of their eyes, we can be ruined." The brothers discussed the situation for an hour, and all the while Father Kalrab sat and pulled his scanty whiskers. Seeing that they got nowhere with their wrangle, he cleared his throat and spoke up. "My sons, you forget it is not the Earthmen themselves at the bottom of your trouble, but the things of Earth. Think of the telegraph and the newspaper, how these spread news of every shipment from Earth. The merchandise of the Earthmen is put up for sale by means of these newspapers, which also are the property of the Earthmen. The people are intrigued by these advertisements, as they are called, and flock to buy. Now, if you would pull a tooth from the kwi that bites you, you might also have advertisements of your own." Alas for that suggestion, no newspaper would accept advertising from the House of Masur; all available space was occupied by the advertisements of the Earthmen. In their dozenth conference since that first and fateful one, the brothers Masur decided upon drastic steps. In the meantime, several things had happened. For one, old Kalrab had passed on to his immortal rest, but this made no real difference. For another, the Earthmen had procured legal authority to prospect the planet for metals, of which they found a good deal, but they told no one on Zur of this. What they did mention was the crude oil and natural gas they discovered in the underlayers of the planet's crust. Crews of Zurians, working under supervision of the Earthmen, laid pipelines from the gas and oil regions to every major and minor city on Zur. By the time ten years had passed since the landing of the first terrestrial ship, the Earthmen were conducting a brisk business in gas-fired ranges, furnaces and heaters ... and the Masur stove business was gone. Moreover, the Earthmen sold the Zurians their own natural gas at a nice profit and everybody was happy with the situation except the brothers Masur. The drastic steps of the brothers applied, therefore, to making an energetic protest to the governor of Lor. At one edge of the city, an area had been turned over to the Earthmen for a spaceport, and the great terrestrial spaceships came to it and departed from it at regular intervals. As the heirs of the House of Masur walked by on their way to see the governor, Zotul observed that much new building was taking place and wondered what it was. "Some new devilment of the Earthmen, you can be sure," said Koltan blackly. In fact, the Earthmen were building an assembly plant for radio receiving sets. The ship now standing on its fins upon the apron was loaded with printed circuits, resistors, variable condensers and other radio parts. This was Earth's first step toward flooding Zur with the natural follow-up in its campaign of advertising—radio programs—with commercials. Happily for the brothers, they did not understand this at the time or they would surely have gone back to be buried in their own clay. "I think," the governor told them, "that you gentlemen have not paused to consider the affair from all angles. You must learn to be modern—keep up with the times! We heads of government on Zur are doing all in our power to aid the Earthmen and facilitate their bringing a great, new culture that can only benefit us. See how Zur has changed in ten short years! Imagine the world of tomorrow! Why, do you know they are even bringing autos to Zur!" The brothers were fascinated with the governor's description of these hitherto unheard-of vehicles. "It only remains," concluded the governor, "to build highways, and the Earthmen are taking care of that." At any rate, the brothers Masur were still able to console themselves that they had their tile business. Tile served well enough for houses and street surfacing; what better material could be devised for the new highways the governor spoke of? There was a lot of money to be made yet. Radio stations went up all over Zur and began broadcasting. The people bought receiving sets like mad. The automobiles arrived and highways were constructed. The last hope of the brothers was dashed. The Earthmen set up plants and began to manufacture Portland cement. You could build a house of concrete much cheaper than with tile. Of course, since wood was scarce on Zur, it was no competition for either tile or concrete. Concrete floors were smoother, too, and the stuff made far better road surfacing. The demand for Masur tile hit rock bottom. The next time the brothers went to see the governor, he said, "I cannot handle such complaints as yours. I must refer you to the Merchandising Council." "What is that?" asked Koltan. "It is an Earthman association that deals with complaints such as yours. In the matter of material progress, we must expect some strain in the fabric of our culture. Machinery has been set up to deal with it. Here is their address; go air your troubles to them." The business of a formal complaint was turned over by the brothers to Zotul. It took three weeks for the Earthmen to get around to calling him in, as a representative of the Pottery of Masur, for an interview. All the brothers could no longer be spared from the plant, even for the purpose of pressing a complaint. Their days of idle wealth over, they had to get in and work with the clay with the rest of the help. Zotul found the headquarters of the Merchandising Council as indicated on their message. He had not been this way in some time, but was not surprised to find that a number of old buildings had been torn down to make room for the concrete Council House and a roomy parking lot, paved with something called "blacktop" and jammed with an array of glittering new automobiles. An automobile was an expense none of the brothers could afford, now that they barely eked a living from the pottery. Still, Zotul ached with desire at sight of so many shiny cars. Only a few had them and they were the envied ones of Zur. Kent Broderick, the Earthman in charge of the Council, shook hands jovially with Zotul. That alien custom conformed with, Zotul took a better look at his host. Broderick was an affable, smiling individual with genial laugh wrinkles at his eyes. A man of middle age, dressed in the baggy costume of Zur, he looked almost like a Zurian, except for an indefinite sense of alienness about him. "Glad to have you call on us, Mr. Masur," boomed the Earthman, clapping Zotul on the back. "Just tell us your troubles and we'll have you straightened out in no time." All the chill recriminations and arguments Zotul had stored for this occasion were dissipated in the warmth of the Earthman's manner. Almost apologetically, Zotul told of the encroachment that had been made upon the business of the Pottery of Masur. "Once," he said formally, "the Masur fortune was the greatest in the world of Zur. That was before my father, the famous Kalrab Masur—Divinity protect him—departed this life to collect his greater reward. He often told us, my father did, that the clay is the flesh and bones of our culture and our fortune. Now it has been shown how prone is the flesh to corruption and how feeble the bones. We are ruined, and all because of new things coming from Earth." Broderick stroked his shaven chin and looked sad. "Why didn't you come to me sooner? This would never have happened. But now that it has, we're going to do right by you. That is the policy of Earth—always to do right by the customer." "Divinity witness," Zorin said, "that we ask only compensation for damages." Broderick shook his head. "It is not possible to replace an immense fortune at this late date. As I said, you should have reported your trouble sooner. However, we can give you an opportunity to rebuild. Do you own an automobile?" "No." "A gas range? A gas-fired furnace? A radio?" Zotul had to answer no to all except the radio. "My wife Lania likes the music," he explained. "I cannot afford the other things." Broderick clucked sympathetically. One who could not afford the bargain-priced merchandise of Earth must be poor indeed. "To begin with," he said, "I am going to make you a gift of all these luxuries you do not have." As Zotul made to protest, he cut him off with a wave of his hand. "It is the least we can do for you. Pick a car from the lot outside. I will arrange to have the other things delivered and installed in your home." "To receive gifts," said Zotul, "incurs an obligation." "None at all," beamed the Earthman cheerily. "Every item is given to you absolutely free—a gift from the people of Earth. All we ask is that you pay the freight charges on the items. Our purpose is not to make profit, but to spread technology and prosperity throughout the Galaxy. We have already done well on numerous worlds, but working out the full program takes time." He chuckled deeply. "We of Earth have a saying about one of our extremely slow-moving native animals. We say, 'Slow is the tortoise, but sure.' And so with us. Our goal is a long-range one, with the motto, 'Better times with better merchandise.'" The engaging manner of the man won Zotul's confidence. After all, it was no more than fair to pay transportation. He said, "How much does the freight cost?" Broderick told him. "It may seem high," said the Earthman, "but remember that Earth is sixty-odd light-years away. After all, we are absorbing the cost of the merchandise. All you pay is the freight, which is cheap, considering the cost of operating an interstellar spaceship." "Impossible," said Zotul drably. "Not I and all my brothers together have so much money any more." "You don't know us of Earth very well yet, but you will. I offer you credit!" "What is that?" asked Zotul skeptically. "It is how the poor are enabled to enjoy all the luxuries of the rich," said Broderick, and went on to give a thumbnail sketch of the involutions and devolutions of credit, leaving out some angles that might have had a discouraging effect. On a world where credit was a totally new concept, it was enchanting. Zotul grasped at the glittering promise with avidity. "What must I do to get credit?" "Just sign this paper," said Broderick, "and you become part of our Easy Payment Plan." Zotul drew back. "I have five brothers. If I took all these things for myself and nothing for them, they would beat me black and blue." "Here." Broderick handed him a sheaf of chattel mortgages. "Have each of your brothers sign one of these, then bring them back to me. That is all there is to it." It sounded wonderful. But how would the brothers take it? Zotul wrestled with his misgivings and the misgivings won. "I will talk it over with them," he said. "Give me the total so I will have the figures." The total was more than it ought to be by simple addition. Zotul pointed this out politely. "Interest," Broderick explained. "A mere fifteen per cent. After all, you get the merchandise free. The transportation company has to be paid, so another company loans you the money to pay for the freight. This small extra sum pays the lending company for its trouble." "I see." Zotul puzzled over it sadly. "It is too much," he said. "Our plant doesn't make enough money for us to meet the payments." "I have a surprise for you," smiled Broderick. "Here is a contract. You will start making ceramic parts for automobile spark plugs and certain parts for radios and gas ranges. It is our policy to encourage local manufacture to help bring prices down." "We haven't the equipment." "We will equip your plant," beamed Broderick. "It will require only a quarter interest in your plant itself, assigned to our terrestrial company." Zotul, anxious to possess the treasures promised by the Earthman, won over his brothers. They signed with marks and gave up a quarter interest in the Pottery of Masur. They rolled in the luxuries of Earth. These, who had never known debt before, were in it up to their ears. The retooled plant forged ahead and profits began to look up, but the Earthmen took a fourth of them as their share in the industry. For a year, the brothers drove their shiny new cars about on the new concrete highways the Earthmen had built. From pumps owned by a terrestrial company, they bought gas and oil that had been drawn from the crust of Zur and was sold to the Zurians at a magnificent profit. The food they ate was cooked in Earthly pots on Earth-type gas ranges, served up on metal plates that had been stamped out on Earth. In the winter, they toasted their shins before handsome gas grates, though they had gas-fired central heating. About this time, the ships from Earth brought steam-powered electric generators. Lines went up, power was generated, and a flood of electrical gadgets and appliances hit the market. For some reason, batteries for the radios were no longer available and everybody had to buy the new radios. And who could do without a radio in this modern age? The homes of the brothers Masur blossomed on the Easy Payment Plan. They had refrigerators, washers, driers, toasters, grills, electric fans, air-conditioning equipment and everything else Earth could possibly sell them. "We will be forty years paying it all off," exulted Zotul, "but meantime we have the things and aren't they worth it?" But at the end of three years, the Earthmen dropped their option. The Pottery of Masur had no more contracts. Business languished. The Earthmen, explained Broderick, had built a plant of their own because it was so much more efficient—and to lower prices, which was Earth's unswerving policy, greater and greater efficiency was demanded. Broderick was very sympathetic, but there was nothing he could do. The introduction of television provided a further calamity. The sets were delicate and needed frequent repairs, hence were costly to own and maintain. But all Zurians who had to keep up with the latest from Earth had them. Now it was possible not only to hear about things of Earth, but to see them as they were broadcast from the video tapes. The printing plants that turned out mortgage contracts did a lush business. For the common people of Zur, times were good everywhere. In a decade and a half, the Earthmen had wrought magnificent changes on this backward world. As Broderick had said, the progress of the tortoise was slow, but it was extremely sure. The brothers Masur got along in spite of dropped options. They had less money and felt the pinch of their debts more keenly, but television kept their wives and children amused and furnished an anodyne for the pangs of impoverishment. The pottery income dropped to an impossible low, no matter how Zotul designed and the brothers produced. Their figurines and religious ikons were a drug on the market. The Earthmen made them of plastic and sold them for less. The brothers, unable to meet the Payments that were not so Easy any more, looked up Zotul and cuffed him around reproachfully. "You got us into this," they said, emphasizing their bitterness with fists. "Go see Broderick. Tell him we are undone and must have some contracts to continue operating." Nursing bruises, Zotul unhappily went to the Council House again. Mr. Broderick was no longer with them, a suave assistant informed him. Would he like to see Mr. Siwicki instead? Zotul would. Siwicki was tall, thin, dark and somber-looking. There was even a hint of toughness about the set of his jaw and the hardness of his glance. "So you can't pay," he said, tapping his teeth with a pencil. He looked at Zotul coldly. "It is well you have come to us instead of making it necessary for us to approach you through the courts." "I don't know what you mean," said Zotul. "If we have to sue, we take back the merchandise and everything attached to them. That means you would lose your houses, for they are attached to the furnaces. However, it is not as bad as that—yet. We will only require you to assign the remaining three-quarters of your pottery to us." The brothers, when they heard of this, were too stunned to think of beating Zotul, by which he assumed he had progressed a little and was somewhat comforted. "To fail," said Koltan soberly, "is not a Masur attribute. Go to the governor and tell him what we think of this business. The House of Masur has long supported the government with heavy taxes. Now it is time for the government to do something for us." The governor's palace was jammed with hurrying people, a scene of confusion that upset Zotul. The clerk who took his application for an interview was, he noticed only vaguely, a young Earthwoman. It was remarkable that he paid so little attention, for the female terrestrials were picked for physical assets that made Zurian men covetous and Zurian women envious. "The governor will see you," she said sweetly. "He has been expecting you." "Me?" marveled Zotul. She ushered him into the magnificent private office of the governor of Lor. The man behind the desk stood up, extended his hand with a friendly smile. "Come in, come in! I'm glad to see you again." Zotul stared blankly. This was not the governor. This was Broderick, the Earthman. "I—I came to see the governor," he said in confusion. Broderick nodded agreeably. "I am the governor and I am well acquainted with your case, Mr. Masur. Shall we talk it over? Please sit down." "I don't understand. The Earthmen...." Zotul paused, coloring. "We are about to lose our plant." "You were about to say that the Earthmen are taking your plant away from you. That is true. Since the House of Masur was the largest and richest on Zur, it has taken a long time—the longest of all, in fact." "What do you mean?" "Yours is the last business on Zur to be taken over by us. We have bought you out." "Our government...." "Your governments belong to us, too," said Broderick. "When they could not pay for the roads, the telegraphs, the civic improvements, we took them over, just as we are taking you over." "You mean," exclaimed Zotul, aghast, "that you Earthmen own everything on Zur?" "Even your armies." "But why ?" Broderick clasped his hands behind back, went to the window and stared down moodily into the street. "You don't know what an overcrowded world is like," he said. "A street like this, with so few people and vehicles on it, would be impossible on Earth." "But it's mobbed," protested Zotul. "It gave me a headache." "And to us it's almost empty. The pressure of population on Earth has made us range the Galaxy for places to put our extra people. The only habitable planets, unfortunately, are populated ones. We take the least populous worlds and—well, buy them out and move in." "And after that?" Broderick smiled gently. "Zur will grow. Our people will intermarry with yours. The future population of Zur will be neither true Zurians nor true Earthmen, but a mixture of both." Zotul sat in silent thought. "But you did not have to buy us out. You had the power to conquer us, even to destroy us. The whole planet could have been yours alone." He stopped in alarm. "Or am I suggesting an idea that didn't occur to you?" "No," said Broderick, his usually smiling face almost pained with memory. "We know the history of conquest all too well. Our method causes more distress than we like to inflict, but it's better—and more sure—than war and invasion by force. Now that the unpleasant job is finished, we can repair the dislocations." "At last I understand what you said about the tortoise." "Slow but sure." Broderick beamed again and clapped Zotul on the shoulder. "Don't worry. You'll have your job back, the same as always, but you'll be working for us ... until the children of Earth and Zur are equal in knowledge and therefore equal partners. That's why we had to break down your caste system." Zotul's eyes widened. "And that is why my brothers did not beat me when I failed!" "Of course. Are you ready now to take the assignment papers for you and your brothers to sign?" "Yes," said Zotul. "I am ready."
train	51053	[ "Which term best describes how the author characterizes the home in the beginning of the story? ", "What is the dynamic between Tennant and Dana?", "Which relationship best describes the dynamic between the prisoners and the figures controlling them?", "Why does Roger speculate there are more females than males in the fourth dimension environment?", "The humans in the fourth dimension acquire all of the following remarkable abilities EXCEPT for:", "Why does Roger allude to Tristan and Isolde when confronting his wife and Cass Gordon?", "What is the central theme of the story?", "What does Roger respect about the captors?" ]	[ [ "neoclassical", "industrial", "eclectic", "gothic" ], [ "They are professional colleagues", "They are former romantic partners", "They are captives in a forced relationship", "They are co-conspirators in a plot to kidnap humans" ], [ "The prisoners are being groomed to serve as future collaborators in an intergalactic sex trafficking stint, carried out through the fourth dimension.", "The prisoners serve as entertainment for the figures, who seem to have made a game out of snatching up humans and manipulating their thoughts and behaviors.", "The prisoners have committed some sort of Earthly crime, and their punishment -- in order to avoid the death penalty -- is to spend a sentence in a labor camp operated by the figures.", "The prisoners have volunteered to be part of the figures' experiment for a specific time period, under the agreement that they will be returned to Earth in the condition they left it." ], [ "Roger believes that the ones controlling the environment are running a breeding program to raise children who will eventually grow up to be body snatchers.", "The ones controlling the environment have a more challenging time bringing males through the fourth dimension.", "The ones controlling the environment are overwhelmingly male, heterosexual, and desirous of sex with women.", "Roger does not make any kind of guess as to why he is in the minority among the women of his \"harem.\"" ], [ "teleportation", "pulse manipulation", "thought transference", "superhuman strength" ], [ "He knows that Cass Gordon and his wife will both be transported to the fourth dimension.", "He knows that his wife will ultimately choose him over Cass Gordon.", "He knows that Cass Gordon and his wife will never get to be together.", "He knows that his wife will ultimately choose Cass Gordon over him." ], [ "In undesirable circumstances, it is best to remain guarded on the inside, but to display an agreeable, obedient, and non-threatening countenance.", "Be careful what you worship -- be it vanity, reputation, or money -- because if you make it the center of your world, you will always feel inadequate.", "All relationships are ultimately temporal due to three dimensional time and space -- it is only through the fourth dimension that true love can be achieved.", "Experimenting with living creatures -- regardless if it is for entertainment or research -- is unethical, and humans may one day find themselves as subjects." ], [ "They are adept at concealing themselves on Earth", "They represent the pinnacle of human evolution", "They have treated the captives with compassion", "They are bold enough to hunt humans in their own habitat" ] ]	[ 3, 3, 2, 2, 4, 4, 4, 4 ]	[ 1, 0, 1, 0, 1, 1, 1, 1 ]	JUDAS RAM BY SAM MERWIN, Jr. Illustrated by JAMES VINCENT [Transcriber's Note: This etext was produced from Galaxy Science Fiction December 1950. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] The house was furnished with all luxuries, including women. If it only had a lease that could be broken— Roger Tennant, crossing the lawn, could see two of the three wings of the house, which radiated spoke-like from its heptagonal central portion. The wing on the left was white, with slim square pillars, reminiscent of scores of movie sets of the Deep South. That on the right was sundeck solar-house living-machine modern, something like a montage of shoeboxes. The wing hidden by the rest of the house was, he knew, spired, gabled and multicolored, like an ancient building in pre-Hitler Cracow. Dana was lying under a tree near the door, stretched out on a sort of deck chair with her eyes closed. She wore a golden gown, long and close-fitting and slit up the leg like the gown of a Chinese woman. Above it her comely face was sullen beneath its sleek cocoon of auburn hair. She opened her eyes at his approach and regarded him with nothing like favor. Involuntarily he glanced down at the tartan shorts that were his only garment to make sure that they were on properly. They were. He had thought them up in a moment of utter boredom and they were extremely comfortable. However, the near-Buchanan tartan did not crease or even wrinkle when he moved. Their captors had no idea of how a woven design should behave. "Waiting for me?" Tennant asked the girl. She said, "I'd rather be dead. Maybe I am. Maybe we're all dead and this is Hell." He stood over her and looked down until she turned away her reddening face. He said, "So it's going to be you again, Dana. You'll be the first to come back for a second run." "Don't flatter yourself," she replied angrily. She sat up, pushed back her hair, got to her feet a trifle awkwardly because of the tight-fitting tubular gown. "If I could do anything about it...." "But you can't," he told her. "They're too clever." "Is this crop rotation or did you send for me?" she asked cynically. "If you did, I wish you hadn't. You haven't asked about your son." "I don't even want to think about him," said Tennant. "Let's get on with it." He could sense the restless stirring of the woman within Dana, just as he could feel the stirring toward her within himself—desire that both of them loathed because it was implanted within them by their captors. They walked toward the house. It didn't look like a prison—or a cage. Within the dome of the barrier, it looked more like a well-kept if bizarre little country estate. There was clipped lawn, a scattering of trees, even a clear little brook that chattered unending annoyance at the small stones which impeded its flow. But the lawn was not of grass—it was of a bright green substance that might have been cellophane but wasn't, and it sprouted from a fabric that might have been canvas but was something else. The trees looked like trees, only their trunks were bark all the way through—except that it was not bark. The brook was practically water, but the small stones over which it flowed were of no earthly mineral. They entered the house, which had no roof, continued to move beneath a sky that glowed with light which did not come from a sun or moon. It might have been a well-kept if bizarre little country estate, but it wasn't. It was a prison, a cage. The other two women were sitting in the heptagonal central hall. Eudalia, who had borne twin girls recently, was lying back, newly thin and dark of skin and hair, smoking a scentless cigarette. A tall woman, thirtyish, she wore a sort of shimmering green strapless evening gown. Tennant wondered how she maintained it in place, for despite her recent double motherhood, she was almost flat of bosom. He asked her how she was feeling. "Okay, I guess," she said. "The way they manage it, there's nothing to it." She had a flat, potentially raucous voice. Eudalia had been a female foreman in a garment-cutting shop before being captured and brought through. "Good," he said. "Glad to hear it." He felt oddly embarrassed. He turned to Olga, broad, blonde and curiously vital, who sat perfectly still, regarding him over the pregnant swell of her dirndl-clad waist. Olga had been a waitress in a mining town hash-house near Scranton. Tennant wanted to put an encouraging hand on her shoulder, to say something that might cheer her up, for she was by far the youngest of the three female captives, barely nineteen. But with the eyes of the other two, especially Dana, upon him, he could not. "I guess I wasn't cut out to be a Turk," he said. "I don't feel at ease in a harem, even when it's supposedly my own." "You're not doing so badly," Dana replied acidly. "Lay off—he can't help it," said Eudalia unexpectedly. "He doesn't like it any better than we do." "But he doesn't have to—have them," objected Olga. She had a trace of Polish accent that was not unpleasant. In fact, Tennant thought, only her laughter was unpleasant, a shrill, uncontrolled burst of staccato sound that jarred him to his heels. Olga had not laughed of late, however. She was too frightened. "Let's get the meal ordered," said Dana and they were all silent, thinking of what they wanted to eat but would not enjoy when it came. Tennant finished with his order, then got busy with his surprise. It arrived before the meal, materializing against one of the seven walls of the roofless chamber. It was a large cabinet on slender straight legs that resembled dark polished wood. Tennant went to it, opened a hingeless door and pushed a knob on the inner surface. At once the air was hideous with the acerate harmony of a singing commercial.... ... so go soak your head, be it gold, brown or red, in Any-tone Shampoo! A disc jockey's buoyant tones cut in quickly as the final ooooo faded. "This is Grady Martin, your old night-owl, coming to you with your requests over Station WZZX, Manhattan. Here's a wire from Theresa McManus and the girls in the family entrance of Conaghan's Bar and Grill on West...." Tennant watched the girls as a sweet-voiced crooner began to ply an unfamiliar love lyric to a melody whose similarity to a thousand predecessors doomed it to instant success. Olga sat up straight, her pale blue eyes round with utter disbelief. She looked at the radio, at Tennant, at the other two women, then back at the machine. She murmured something in Polish that was inaudible, but her expression showed that it must have been wistful. Eudalia grinned at Tennant and, rising, did a sort of tap dance to the music, then whirled back into her chair, green dress ashimmer, and sank into it just to listen. Dana stood almost in the center of the room, carmine-tipped fingers clasped beneath the swell of her breasts. She might have been listening to Brahms or Debussy. Her eyes glowed with the salty brilliance of emotion and she was almost beautiful. " Rog! " she cried softly when the music stopped. "A radio and WZZX! Is it—are they—real?" "As real as you or I," he told her. "It took quite a bit of doing, getting them to put a set together. And I wasn't sure that radio would get through. TV doesn't seem to. Somehow it brings things closer...." Olga got up quite suddenly, went to the machine and, after frowning at it for a moment, tuned in another station from which a Polish-speaking announcer was followed by polka music. She leaned against the wall, resting one smooth forearm on the top of the machine. Her eyes closed and she swayed a little in time to the polka beat. Tennant caught Dana looking at him and there was near approval in her expression—approval that faded quickly as soon as she caught his gaze upon her. The food arrived then and they sat down at the round table to eat it. Tennant's meat looked like steak, it felt like steak, but, lacking the aroma of steak, it was almost tasteless. This was so with all of their foods, with their cigarettes, with everything in their prison—or their cage. Their captors were utterly without a human conception of smell, living, apparently, in a world without odor at all. Dana said suddenly, "I named the boy Tom, after somebody I hate almost as much as I hate you." Eudalia laid down her fork with a clatter and regarded Dana disapprovingly. "Why take it out on Rog?" she asked bluntly. "He didn't ask to come here any more than we did. He's got a wife back home. Maybe you want him to fall in love with you? Maybe you're jealous because he doesn't? Well, maybe he can't! And maybe it wouldn't work, the way things are arranged here." "Thanks, Eudalia," said Tennant. "I think I can defend myself. But she's right, Dana. We're as helpless as—laboratory animals. They have the means to make us do whatever they want." "Rog," said Dana, looking suddenly scared, "I'm sorry I snapped at you. I know it's not your fault. I'm— changing ." He shook his head. "No, Dana, you're not changing. You're adapting. We all are. We seem to be in a universe of different properties as well as different dimensions. We're adjusting. I can do a thing or two myself that seem absolutely impossible." "Are we really in the fourth dimension?" Dana asked. Of the three of them, she alone had more than a high-school education. "We may be in the eleventh for all I know," he told her. "But I'll settle for the fourth—a fourth dimension in space, if that makes scientific sense, because we don't seem to have moved in time. I wasn't sure of that, though, till we got the radio." "Why haven't they brought more of us through?" Eudalia asked, tamping out ashes in a tray that might have been silver. "I'm not sure," he said thoughtfully. "I think it's hard for them. They have a hell of a time bringing anyone through alive, and lately they haven't brought anyone through—not alive." "Why do they do it—the other way, I mean?" asked Dana. Tennant shrugged. "I don't know. I've been thinking about it. I suppose it's because they're pretty human." " Human! " Dana was outraged. "Do you call it human to—" "Hold on," he said. "They pass through their gateway to Earth at considerable danger and, probably, expense of some kind. Some of them don't come back. They kill those of us who put up a fight. Those who don't—or can't—they bring back with them. Live or dead, we're just laboratory specimens." "Maybe," Eudalia conceded doubtfully. Then her eyes blazed. "But the things they do—stuffing people, mounting their heads, keeping them on display in their—their whatever they live in. You call that human, Rog?" "Were you ever in a big-game hunter's trophy room?" Tennant asked quietly. "Or in a Museum of Natural History? A zoo? A naturalist's lab? Or even, maybe, photographed as a baby on a bear-skin rug?" "I was," said Olga. "But that's not the same thing." "Of course not," he agreed. "In the one instance, we're the hunters, the breeders, the trophy collectors. In the other"—he shrugged—"we're the trophies." There was a long silence. They finished eating and then Dana stood up and said, "I'm going out on the lawn for a while." She unzipped her golden gown, stepped out of it to reveal a pair of tartan shorts that matched his, and a narrow halter. "You thought those up while we ate," he said. It annoyed him to be copied, though he did not know why. She laughed at him silently, tossed her auburn hair back from her face and went out of the roofless house, holding the gold dress casually over her bare arm. Eudalia took him to the nursery. He was irritated now in another, angrier way. The infants, protected by cellophane-like coverlets, were asleep. "They never cry," the thin woman told him. "But they grow—God, how they grow!" "Good," said Tennant, fighting down his anger. He kissed her, held her close, although neither of them felt desire at the moment. Their captors had seen to that; it wasn't Eudalia's turn. Tennant said, "I wish I could do something about this. I hate seeing Dana so bitter and Olga so scared. It isn't their fault." "And it's not yours," insisted Eudalia. "Don't let them make you think it is." "I'll try not to," he said and stopped, realizing the family party was over. He had felt the inner tug of command, said good-by to the women and returned to his smaller compound within its own barrier dome. Then came the invisible aura of strain in the air, the shimmering illusion of heat that was not heat, that was prelude to his teleportation ... if that were the word. It was neither pleasant nor unpleasant; it was , that was all. He called it the training hall, not because it looked like a training hall but because that was its function. It didn't actually look like anything save some half-nourished dream a surrealist might have discarded as too nightmarish for belief. As in all of this strange universe, excepting the dome-cages in which the captives were held, the training hall followed no rules of three-dimensional space. One wall looked normal for perhaps a third of its length, then it simply wasn't for a bit. It came back farther on at an impossible angle. Yet, walking along it, touching it, it felt perfectly smooth and continuously straight. The opposite wall resembled a diagonal cross-section of an asymmetrical dumbbell—that was the closest Tennant could come to it in words. And it, too, felt straight. The floor looked like crystal smashed by some cosmic impact, yet it had reason. He knew this even though no reason was apparent to his three-dimensional vision. The ceiling, where he could see it, was beyond description. The captor Tennant called Opal came in through a far corner of the ceiling. He—if it was a he—was not large, although this, Tennant knew, meant nothing; Opal might extend thousands of yards in some unseen direction. He had no regular shape and much of him was iridescent and shot with constantly changing colors. Hence the name Opal. Communication was telepathic. Tennant could have yodeled or yelled or sung Mississippi Mud and Opal would have shown no reaction. Yet Tennant suspected that the captors could hear somewhere along the auditory scale, just as perhaps they could smell, although not in any human sense. You will approach without use of your appendages. The command was as clear as if it had been spoken aloud. Tennant took a deep breath. He thought of the space beside Opal. It took about three seconds and he was there, having spanned a distance of some ninety feet. He was getting good at it. Dog does trick, he thought. He went through the entire routine at Opal's bidding. When at last he was allowed to relax, he wondered, not for the first time, if he weren't mastering some of the alleged Guru arts. At once he felt probing investigation. Opal, like the rest of the captors, was as curious as a cat—or a human being. Tennant sat against a wall, drenched with sweat. There would be endless repetition before his workout was done. On Earth, dogs were said to be intellectually two-dimensional creatures. He wondered if they felt this helpless futility when their masters taught them to heel, to point, to retrieve. Some days later, the training routine was broken. He felt a sudden stir of near-sick excitement as he received the thought: Now you are ready. We are going through at last. Opal was nervous, so much so that he revealed more than he intended. Or perhaps that was his intent; Tennant could never be sure. They were going through to Tennant's own dimension. He wondered briefly just what his role was to be. He had little time to speculate before Opal seemed to envelop him. There was the blurring wrench of forced teleportation and they were in another room, a room which ended in a huge irregular passage that might have been the interior of a giant concertina—or an old-fashioned kodak. He stood before a kidney-shaped object over whose jagged surface colors played constantly. From Opal's thoughts it appeared to be some sort of ultradimensional television set, but to Tennant it was as incomprehensible as an oil painting to an animal. Opal was annoyed that Tennant could make nothing of it. Then came the thought: What cover must your body have not to be conspicuous? Tennant wondered, cynically, what would happen if he were to demand a costume of mediaeval motley, complete with Pied Piper's flute. He received quick reproof that made his head ring as from a blow. He asked Opal where and when they were going, was informed that he would soon emerge on Earth where he had left it. That told him everything but the date and season. Opal, like the rest of the captors, seemed to have no understanding of time in a human sense. Waiting, Tennant tried not to think of his wife, of the fact that he hadn't seen her in—was it more than a year and a half on Earth? He could have controlled his heartbeat with one of his new powers, but that might have made Opal suspicious. He should be somewhat excited. He allowed himself to be, though he obscured the reasons. He was going to see his wife again ... and maybe he could trick his way into not returning. The maid who opened the door for him was new, although her eyes were old. But she recognized him and stood aside to let him enter. There must, he thought, still be pictures of him around. He wondered how Agatha could afford a servant. "Is Mrs. Tennant in?" he asked. She shook her head and fright made twin stoplights of the rouge on her cheeks as she shut the door behind him. He went into the living room, directly to the long silver cigarette box on the coffee table. It was proof of homecoming to fill his lungs with smoke he could smell . He took another drag, saw the maid still in the doorway, staring. "There's no need for fright," he told her. "I believe I still own this house." Then, "When do you expect Mrs. Tennant?" "She just called. She's on her way home from the club." Still looking frightened, she departed for the rear of the house. Tennant stared after her puzzledly until the kitchen door swung shut behind her. The club? What club? He shrugged, returned to the feeling of comfort that came from being back here, about to see Agatha again, hold her close in no more than a few minutes. And stay, his mind began to add eagerly, but he pushed the thought down where Opal could not detect it. He took another deep, lung-filling drag on his cigarette, looked around the room that was so important a part of his life. The three women back there would be in a ghastly spot. He felt like a heel for wanting to leave them there, then knew that he would try somehow to get them out. Not, of course, anything that would endanger his remaining with Agatha; the only way his captors would get him back would be as a taxidermist's specimen. He realized, shocked and scared, that his thoughts of escape had slipped past his mental censor, and he waited apprehensively for Opal to strike. Nothing happened and he warily relaxed. Opal wasn't tapping his thoughts. Because he felt sure of his captive ... or because he couldn't on Earth? It was like being let out of a cage. Tennant grinned at the bookcase; the ebony-and-ivory elephants that Agatha had never liked were gone, but he'd get them back or another pair. The credenza had been replaced by a huge and ugly television console. That, he resolved, would go down in the cellar rumpus room, where its bleached modernity wouldn't clash with the casual antiquity of the living room. Agatha would complain, naturally, but his being back would make up for any amount of furniture shifting. He imagined her standing close to him, her lovely face lifted to be kissed, and his heart lurched like an adolescent's. This hunger was real, not implanted. Everything would be real ... his love for her, the food he ate, the things he touched, his house, his life.... Your wife and a man are approaching the house. The thought message from Opal crumbled his illusion of freedom. He sank down in a chair, trying to refuse to listen to the rest of the command: You are to bring the man through the gateway with you. We want another live male. Tennant shook his head, stiff and defiant in his chair. The punishment, when it came, was more humiliating than a slap across a dog's snout. Opal had been too interested in the next lab specimen to bother about his thoughts—that was why he had been free to think of escape. Tennant closed his eyes, willed himself to the front window. Now that he had mastered teleportation, it was incredible how much easier it was in his own world. He had covered the two miles from the gateway to the house in a mere seven jumps, the distance to the window in an instant. But there was no pleasure in it, only a confirmation of his captor's power over him. He was not free of them. He understood all too well what they wanted him to do; he was to play the Judas goat ... or rather the Judas ram, leading another victim to the fourth-dimensional pen. Grim, he watched the swoop of headlights in the driveway and returned to the coffee table, lit a fresh cigarette. The front door was flung open and his diaphragm tightened at the remembered sound of Agatha's throaty laugh ... and tightened further when it was followed by a deeper rumbling laugh. Sudden fear made the cigarette shake in his fingers. "... Don't be such a stuffed-shirt, darling." Agatha's mocking sweetness rang alarm-gongs in Tennant's memory. "Charley wasn't making a grab for me . He'd had one too many and only wanted a little fun. Really, darling, you seem to think that a girl...." Her voice faded out as she saw Tennant standing there. She was wearing a white strapless gown, had a blue-red-and-gold Mandarin jacket slung hussar-fashion over her left shoulder. She looked even sleeker, better groomed, more assured than his memory of her. "I'm no stuffed-shirt and you know it." Cass' tone was peevish. "But your idea of fun, Agatha, is pretty damn...." It was his turn to freeze. Unbelieving, Tennant studied his successor. Cass Gordon—the man , the ex-halfback whose bulk was beginning to get out of hand, but whose inherent aggressive grace had not yet deserted him. The man , that was all—unless one threw in the little black mustache and the smooth salesman's manner. "You know, Cass," Tennant said quietly, "I never for a moment dreamed it would be you." " Roger! " Agatha found her voice. "You're alive !" "Roger," repeated Tennant viciously. He felt sick with disgust. Maybe he should have expected a triangle, but somehow he hadn't. And here it was, with all of them going through their paces like a trio of tent-show actors. He said, "For God's sake, sit down." Agatha did so hesitantly. Her huge dark eyes, invariably clear and limpid no matter how much she had drunk, flickered toward him furtively. She said defensively, "I had detectives looking for you for six months. Where have you been, Rog? Smashing up the car like that and—disappearing! I've been out of my mind." "Sorry," said Tennant. "I've had my troubles, too." Agatha was scared stiff—of him. Probably with reason. He looked again at Cass Gordon and found that he suddenly didn't care. She couldn't say it was loneliness. Women have waited longer than eighteen months. He would have if his captors had let him. "Where in hell have you been, Rog?" Gordon's tone was almost parental. "I don't suppose it's news to you, but there was a lot of suspicion directed your way while that crazy killer was operating around here. Agatha and I managed to clear you." "Decent of you," said Tennant. He got up, crossed to the cabinet that served as a bar. It was fully equipped—with more expensive liquor, he noticed, than he had ever been able to afford. He poured a drink of brandy, waited for the others to fill their glasses. Agatha looked at him over the rim of hers. "Tell us, Rog. We have a right to know. I do, anyway." "One question first," he said. "What about those killings? Have there been any lately?" "Not for over a year," Cass told him. "They never did get the devil who skinned those bodies and removed the heads." So, Tennant thought, they hadn't used the gateway. Not since they had brought the four of them through, not since they had begun to train him for his Judas ram duties. Agatha was asking him if he had been abroad. "In a way," he replied unemotionally. "Sorry if I've worried you, Agatha, but my life has been rather—indefinite, since I—left." He was standing no more than four inches from this woman he had desired desperately for six years, and he no longer wanted her. He was acutely conscious of her perfume. It wrapped them both like an exotic blanket, and it repelled him. He studied the firm clear flesh of her cheek and chin, the arch of nostril, the carmine fullness of lower lip, the swell of bosom above low-cut gown. And he no longer wanted any of it or of her. Cass Gordon— It didn't have to be anybody at all. For it to be Cass Gordon was revolting. "Rog," she said and her voice trembled, "what are we going to do? What do you want to do?" Take her back? He smiled ironically; she wouldn't know what that meant. It would serve her right, but maybe there was another way. "I don't know about you," he said, "but I suspect we're in the same boat. I also have other interests." "You louse!" said Cass Gordon, arching rib cage and nostrils. "If you try to make trouble for Agatha, I can promise...." " What can you promise?" demanded Tennant. When Gordon's onset subsided in mumbles, he added, "Actually, I don't think I'm capable of making more than a fraction of the trouble for either of you that you both are qualified to make for yourselves." He lit a cigarette, inhaled. "Relax. I'm not planning revenge. After this evening, I plan to vanish for good. Of course, Agatha, that offers you a minor nuisance. You will have to wait six years to marry Cass—seven years if the maid who let me in tonight talks. That's the law, isn't it, Cass? You probably had it all figured out." "You bastard," said Cass. "You dirty bastard! You know what a wait like that could do to us." "Tristan and Isolde," said Tennant, grinning almost happily. "Well, I've had my little say. Now I'm off again. Cass, would you give me a lift? I have a conveyance of sorts a couple of miles down the road." He needed no telepathic powers to read the thoughts around him then. He heard Agatha's quick intake of breath, saw the split-second look she exchanged with Cass. He turned away, knowing that she was imploring her lover to do something, anything , as long as it was safe. Deliberately, Tennant poured himself a second drink. This might be easier and pleasanter than he had expected. They deserved some of the suffering he had had and there was a chance that they might get it. Tennant knew now why he was the only male human the captors had been able to take alive. Apparently, thanks to the rain-slick road, he had run the sedan into a tree at the foot of the hill beyond the river. He had been sitting there, unconscious, ripe fruit on their doorstep. They had simply picked him up. Otherwise, apparently, men were next to impossible for them to capture. All they could do was kill them and bring back their heads and hides as trophies. With women it was different—perhaps the captors' weapons, whatever they were, worked more efficiently on females. A difference in body chemistry or psychology, perhaps. More than once, during his long training with Opal, Tennant had sent questing thoughts toward his captor, asking why they didn't simply set up the gateway in some town or city and take as many humans as they wanted. Surprisingly there had been a definite fear reaction. As nearly as he could understand, it had been like asking an African pygmy, armed with a blowgun, to set up shop in the midst of a herd of wild elephants. It simply wasn't feasible—and furthermore he derived an impression of the tenuosity as well as the immovability of the gateway itself. They could be hurt, even killed by humans in a three-dimensional world. How? Tennant did not know. Perhaps as a man can cut finger or even throat on the edge of a near-two-dimensional piece of paper. It took valor for them to hunt men in the world of men. In that fact lay a key to their character—if such utterly alien creatures could be said to have character.
train	51657	[ "What affliction is the narrator most likely suffering from?", "Who is getting William in trouble with his parents?", "How does the narrator respond to Brother Partridge's gift offering on Thanksgiving?", "What does Brother Partridge think after William shares his life story?", "What new discovery does William make at the end of the story?", "What does the theme of the story reveal about how society treats the mentally ill?" ]	[ [ "multiple personality disorder", "bipolar disorder", "antisocial personality disorder", "paranoid schizophrenia" ], [ "Brother Partridge", "William's twin", "William", "William's parents" ], [ "He believes the homeless people are stupid for falling for Brother Partridge's trick", "He believes Brother Partridge wants something from him in return for the Thanksgiving offering", "He believes Brother Partridge is attempting to poison him and the other homeless men", "He believes the homeless people are ridiculous for charging so desperately after the offering" ], [ "He believes William is being punished for his former sins", "He believes William is a criminal", "He believes William is going to murder him", "He believes William is the second coming" ], [ "He is experiencing auditory hallucinations", "He is reliving the same traumatic experience each day", "The man he murdered was actually his father", "The man he thought he murdered never died" ], [ "There is insufficient social infrastructure to identify and care for those living with severe mental illnesses", "The Christian church has too much unqualified involvement in treatment of those living with severe mental illnesses", "Those living with severe mental illnesses are more likely to be abused by social institutions like schools, hospitals, and law enforcement", "More studies need to be conducted to learn how to best care for people living with severe mental illnesses" ] ]	[ 4, 3, 4, 1, 1, 1 ]	[ 0, 1, 1, 0, 0, 1 ]	Charity Case By JIM HARMON Illustrated by DICK FRANCIS [Transcriber's Note: This etext was produced from Galaxy Science Fiction December 1959. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] Certainly I see things that aren't there and don't say what my voice says—but how can I prove that I don't have my health? When he began his talk with "You got your health, don't you?" it touched those spots inside me. That was when I did it. Why couldn't what he said have been "The best things in life are free, buddy" or "Every dog has his day, fellow" or "If at first you don't succeed, man"? No, he had to use that one line. You wouldn't blame me. Not if you believe me. The first thing I can remember, the start of all this, was when I was four or five somebody was soiling my bed for me. I absolutely was not doing it. I took long naps morning and evening so I could lie awake all night to see that it wouldn't happen. It couldn't happen. But in the morning the bed would sit there dispassionately soiled and convict me on circumstantial evidence. My punishment was as sure as the tide. Dad was a compact man, small eyes, small mouth, tight clothes. He was narrow but not mean. For punishment, he locked me in a windowless room and told me to sit still until he came back. It wasn't so bad a punishment, except that when Dad closed the door, the light turned off and I was left there in the dark. Being four or five, I didn't know any better, so I thought Dad made it dark to add to my punishment. But I learned he didn't know the light went out. It came back on when he unlocked the door. Every time I told him about the light as soon as I could talk again, but he said I was lying. One day, to prove me a liar, he opened and closed the door a few times from outside. The light winked off and on, off and on, always shining when Dad stuck his head inside. He tried using the door from the inside, and the light stayed on, no matter how hard he slammed the door. I stayed in the dark longer for lying about the light. Alone in the dark, I wouldn't have had it so bad if it wasn't for the things that came to me. They were real to me. They never touched me, but they had a little boy. He looked the way I did in the mirror. They did unpleasant things to him. Because they were real, I talked about them as if they were real, and I almost earned a bunk in the home for retarded children until I got smart enough to keep the beasts to myself. My mother hated me. I loved her, of course. I remember her smell mixed up with flowers and cookies and winter fires. I remember she hugged me on my ninth birthday. The trouble came from the notes written in my awkward hand that she found, calling her names I didn't understand. Sometimes there were drawings. I didn't write those notes or make those drawings. My mother and father must have been glad when I was sent away to reform school after my thirteenth birthday party, the one no one came to. The reform school was nicer. There were others there who'd had it about like me. We got along. I didn't watch their shifty eyes too much, or ask them what they shifted to see. They didn't talk about my screams at night. It was home. My trouble there was that I was always being framed for stealing. I didn't take any of those things they located in my bunk. Stealing wasn't in my line. If you believe any of this at all, you'll see why it couldn't be me who did the stealing. There was reason for me to steal, if I could have got away with it. The others got money from home to buy the things they needed—razor blades, candy, sticks of tea. I got a letter from Mom or Dad every now and then before they were killed, saying they had sent money or that it was enclosed, but somehow I never got a dime of it. When I was expelled from reform school, I left with just one idea in mind—to get all the money I could ever use for the things I needed and the things I wanted. It was two or three years later that I skulked into Brother Partridge's mission on Durbin Street. The preacher and half a dozen men were singing Onward Christian Soldiers in the meeting room. It was a drafty hall with varnished camp chairs. I shuffled in at the back with my suitcoat collar turned up around my stubbled jaw. I made my hand shaky as I ran it through my knotted hair. Partridge was supposed to think I was just a bum. As an inspiration, I hugged my chest to make him think I was some wino nursing a flask full of Sneaky Pete. All I had there was a piece of copper alloy tubing inside a slice of plastic hose for taking care of myself, rolling sailors and the like. Who had the price of a bottle? Partridge didn't seem to notice me, but I knew that was an act. I knew people were always watching every move I made. He braced his red-furred hands on the sides of his auctioneer's stand and leaned his splotched eagle beak toward us. "Brothers, this being Thanksgiving, I pray the good Lord that we all are truly thankful for all that we have received. Amen." Some skin-and-bones character I didn't know struggled out of his seat, amening. I could see he had a lot to be thankful for—somewhere he had received a fix. "Brothers," Partridge went on after enjoying the interruption with a beaming smile, "you shall all be entitled to a bowl of turkey soup prepared by Sister Partridge, a generous supply of sweet rolls and dinner rolls contributed by the Early Morning Bakery of this city, and all the coffee you can drink. Let us march out to The Stars and Stripes Forever , John Philip Sousa's grand old patriotic song." I had to laugh at all those bums clattering the chairs in front of me, scampering after water soup and stale bread. As soon as I got cleaned up, I was going to have dinner in a good restaurant, and I was going to order such expensive food and leave such a large tip for the waiter and send one to the chef that they were going to think I was rich, and some executive with some brokerage firm would see me and say to himself, "Hmm, executive material. Just the type we need. I beg your pardon, sir—" just like the razor-blade comic-strip ads in the old magazines that Frankie the Pig sells three for a quarter. I was marching. Man, was I ever marching, but the secret of it was I was only marking time the way we did in fire drills at the school. They passed me, every one of them, and marched out of the meeting room into the kitchen. Even Partridge made his way down from the auctioneer's stand like a vulture with a busted wing and darted through his private door. I was alone, marking time behind the closed half of double doors. One good breath and I raced past the open door and flattened myself to the wall. Crockery was ringing and men were slurping inside. No one had paid any attention to me. That was pretty odd. People usually watch my every move, but a man's luck has to change sometime, doesn't it? Following the wallboard, I went down the side of the room and behind the last row of chairs, closer, closer, and halfway up the room again to the entrance—the entrance and the little wooden box fastened to the wall beside it. The box was old and made out of some varnished wood. There was a slot in the top. There wasn't any sign anywhere around it, but you knew it wasn't a mailbox. My hand went flat on the top of the box. One finger at a time drew up and slipped into the slot. Index, fore, third, little. I put my thumb in my palm and shoved. My hand went in. There were coins inside. I scooped them up with two fingers and held them fast with the other two. Once I dropped a dime—not a penny, milled edge—and I started to reach for it. No, don't be greedy. I knew I would probably lose my hold on all the coins if I tried for that one. I had all the rest. It felt like about two dollars, or close to it. Then I found the bill. A neatly folded bill in the box. Somehow I knew all along it would be there. I tried to read the numbers on the bill with my fingertips, but I couldn't. It had to be a one. Who drops anything but a one into a Skid Row collection box? But still there were tourists, slummers. They might leave a fifty or even a hundred. A hundred! Yes, it felt new, crisp. It had to be a hundred. A single would be creased or worn. I pulled my hand out of the box. I tried to pull my hand out of the box. I knew what the trouble was, of course. I was in a monkey trap. The monkey reaches through the hole for the bait, and when he gets it in his hot little fist, he can't get his hand out. He's too greedy to let go, so he stays there, caught as securely as if he were caged. I was a man, not a monkey. I knew why I couldn't get my hand out. But I couldn't lose that money, especially that century bill. Calm, I ordered myself. Calm. The box was fastened to the vertical tongue-and-groove laths of the woodwork, not the wall. It was old lumber, stiffened by a hundred layers of paint since 1908. The paint was as thick and strong as the boards. The box was fastened fast. Six-inch spike nails, I guessed. Calmly, I flung my whole weight away from the wall. My wrist almost cracked, but there wasn't even a bend in the box. Carefully, I tried to jerk my fist straight up, to pry off the top of the box. It was as if the box had been carved out of one solid piece of timber. It wouldn't go up, down, left or right. But I kept trying. While keeping a lookout for Partridge and somebody stepping out of the kitchen for a pull on a bottle, I spotted the clock for the first time, a Western Union clock high up at the back of the hall. Just as I seen it for the first time, the electricity wound the spring motor inside like a chicken having its neck wrung. The next time I glanced at the clock, it said ten minutes had gone by. My hand still wasn't free and I hadn't budged the box. "This," Brother Partridge said, "is one of the most profound experiences of my life." My head hinged until it lined my eyes up with Brother Partridge. The pipe hung heavy in my pocket, but he was too far from me. "A vision of you at the box projected itself on the crest of my soup," the preacher explained in wonderment. I nodded. "Swimming right in there with the dead duck." "Cold turkey," he corrected. "Are you scoffing at a miracle?" "People are always watching me, Brother," I said. "So now they do it even when they aren't around. I should have known it would come to that." The pipe was suddenly a weight I wanted off me. I would try robbing a collection box, knowing positively that I would get caught, but I wasn't dumb enough to murder. Somebody, somewhere, would be a witness to it. I had never got away with anything in my life. I was too smart to even try anything but the little things. "I may be able to help you," Brother Partridge said, "if you have faith and a conscience." "I've got something better than a conscience," I told him. Brother Partridge regarded me solemnly. "There must be something special about you, for your apprehension to come through miraculous intervention. But I can't imagine what." "I always get apprehended somehow, Brother," I said. "I'm pretty special." "Your name?" "William Hagle." No sense lying. I had been booked and printed before. Partridge prodded me with his bony fingers as if making sure I was substantial. "Come. Let's sit down, if you can remove your fist from the money box." I opened up my fingers and let the coins ring inside the box and I drew out my hand. The bill stuck to the sweat on my fingers and slid out along with the digits. A one, I decided. I had got into trouble for a grubby single. It wasn't any century. I had been kidding myself. I unfolded the note. Sure enough, it wasn't a hundred-dollar bill, but it was a twenty, and that was almost the same thing to me. I creased it and put it back into the slot. As long as it stalled off the cops, I'd talk to Partridge. We took a couple of camp chairs and I told him the story of my life, or most of it. It was hard work on an empty stomach; I wished I'd had some of that turkey soup. Then again I was glad I hadn't. Something always happened to me when I thought back over my life. The same thing. The men filed out of the kitchen, wiping their chins, and I went right on talking. After some time Sister Partridge bustled in and snapped on the overhead lights and I kept talking. The brother still hadn't used the phone to call the cops. "Remarkable," Partridge finally said when I got so hoarse I had to take a break. "One is almost— almost —reminded of Job. William, you are being punished for some great sin. Of that, I'm sure." "Punished for a sin? But, Brother, I've always had it like this, as long as I can remember. What kind of a sin could I have committed when I was fresh out of my crib?" "William, all I can tell you is that time means nothing in Heaven. Do you deny the transmigration of souls?" "Well," I said, "I've had no personal experience—" "Of course you have, William! Say you don't remember. Say you don't want to remember. But don't say you have no personal experience!" "And you think I'm being punished for something I did in a previous life?" He looked at me in disbelief. "What else could it be?" "I don't know," I confessed. "I certainly haven't done anything that bad in this life." "William, if you atone for this sin, perhaps the horde of locusts will lift from you." It wasn't much of a chance, but I was unused to having any at all. I shook off the dizziness of it. "By the Lord Harry, Brother, I'm going to give it a try!" I cried. "I believe you," Partridge said, surprised at himself. He ambled over to the money box on the wall. He tapped the bottom lightly and a box with no top slid out of the slightly larger box. He reached in, fished out the bill and presented it to me. "Perhaps this will help in your atonement," he said. I crumpled it into my pocket fast. Not meaning to sound ungrateful, I'm pretty sure he hadn't noticed it was a twenty. And then the bill seemed to lie there, heavy, a lead weight. It would have been different if I had managed to get it out of the box myself. You know how it is. Money you haven't earned doesn't seem real to you. There was something I forgot to mention so far. During the year between when I got out of the reformatory and the one when I tried to steal Brother Partridge's money, I killed a man. It was all an accident, but killing somebody is reason enough to get punished. It didn't have to be a sin in some previous life, you see. I had gotten my first job in too long, stacking boxes at the freight door of Baysinger's. The drivers unloaded the stuff, but they just dumped it off the truck. An empty rear end was all they wanted. The freight boss told me to stack the boxes inside, neat and not too close together. I stacked boxes the first day. I stacked more the second. The third day I went outside with my baloney and crackers. It was warm enough even for November. Two of them, dressed like Harvard seniors, caps and striped duffer jackets, came up to the crate I was dining off. "Work inside, Jack?" the taller one asked. "Yeah," I said, chewing. "What do you do, Jack?" the fatter one asked. "Stack boxes." "Got a union card?" I shook my head. "Application?" "No," I said. "I'm just helping out during Christmas." "You're a scab, buddy," Long-legs said. "Don't you read the papers?" "I don't like comic strips," I said. They sighed. I think they hated to do it, but I was bucking the system. Fats hit me high. Long-legs hit me low. I blew cracker crumbs into their faces. After that, I just let them go. I know how to take a beating. That's one thing I knew. Then lying there, bleeding to myself, I heard them talking. I heard noises like make an example of him and do something permanent and I squirmed away across the rubbish like a polite mouse. I made it around a corner of brick and stood up, hurting my knee on a piece of brown-splotched pipe. There were noises on the other angle of the corner and so I tested if the pipe was loose and it was. I closed my eyes and brought the pipe up and then down. It felt as if I connected, but I was so numb, I wasn't sure until I unscrewed my eyes. There was a big man in a heavy wool overcoat and gray homburg spread on a damp centerfold from the News . There was a pick-up slip from the warehouse under the fingers of one hand, and somebody had beaten his brains out. The police figured it was part of some labor dispute, I guess, and they never got to me. I suppose I was to blame anyway. If I hadn't been alive, if I hadn't been there to get beaten up, it wouldn't have happened. I could see the point in making me suffer for it. There was a lot to be said for looking at it like that. But there was nothing to be said for telling Brother Partridge about the accident, or murder, or whatever had happened that day. Searching myself after I left Brother Partridge, I finally found a strip of gray adhesive tape on my side, out of the fuzzy area. Making the twenty the size of a thick postage stamp, I peeled back the tape and put the folded bill on the white skin and smoothed the tape back. There was only one place for me to go now. I headed for the public library. It was only about twenty blocks, but not having had anything to eat since the day before, it enervated me. The downstairs washroom was where I went first. There was nobody there but an old guy talking urgently to a kid with thick glasses, and somebody building a fix in one of the booths. I could see charred matches dropping down on the floor next to his tennis shoes, and even a few grains of white stuff. But he managed to hold still enough to keep from spilling more from the spoon. I washed my hands and face, smoothed my hair down, combing it with my fingers. Going over my suit with damp toweling got off a lot of the dirt. I put my collar on the outside of my jacket and creased the wings with my thumbnail so it would look more like a sports shirt. It didn't really. I still looked like a bum, but sort of a neat, non-objectionable bum. The librarian at the main desk looked sympathetically hostile, or hostilely sympathetic. "I'd like to get into the stacks, miss," I said, "and see some of the old newspapers." "Which newspapers?" the old girl asked stiffly. I thought back. I couldn't remember the exact date. "Ones for the first week in November last year." "We have the Times microfilmed. I would have to project them for you." "I didn't want to see the Times ," I said, fast. "Don't you have any newspapers on paper?" I didn't want her to see what I wanted to read up on. "We have the News , bound, for last year." I nodded. "That's the one I wanted to see." She sniffed and told me to follow her. I didn't rate a cart to my table, I guess, or else the bound papers weren't supposed to come out of the stacks. The cases of books, row after row, smelled good. Like old leather and good pipe tobacco. I had been here before. In this world, it's the man with education who makes the money. I had been reading the Funk & Wagnalls Encyclopedia. So far I knew a lot about Mark Antony, Atomic Energy, Boron, Brussels, Catapults, Demons, and Divans. I guess I had stopped to look around at some of the titles, because the busy librarian said sharply, "Follow me." I heard my voice say, "A pleasure. What about after work?" I didn't say it, but I was used to my voice independently saying things. Her neck got to flaming, but she walked stiffly ahead. She didn't say anything. She must be awful mad, I decided. But then I got the idea she was flushed with pleasure. I'm pretty ugly and I looked like a bum, but I was young. You had to grant me that. She waved a hand at the rows of bound News and left me alone with them. I wasn't sure if I was allowed to hunt up a table to lay the books on or not, so I took the volume for last year and laid it on the floor. That was the cleanest floor I ever saw. It didn't take me long to find the story. The victim was a big man, because the story was on the second page of the Nov. 4 edition. I started to tear the page out, then only memorized the name and home address. Somebody was sure to see me and I couldn't risk trouble just now. I stuck the book back in line and left by the side door. I went to a dry-cleaner, not the cheapest place I knew, because I wouldn't be safe with the change from a twenty in that neighborhood. My suit was cleaned while I waited. I paid a little extra and had it mended. Funny thing about a suit—it's almost never completely shot unless you just have it ripped off you or burned up. It wasn't exactly in style, but some rich executives wore suits out of style that they had paid a lot of money for. I remembered Fredric March's double-breasted in Executive Suite while Walter Pidgeon and the rest wore Ivy Leagues. Maybe I would look like an eccentric executive. I bought a new shirt, a good used pair of shoes, and a dime pack of single-edged razor blades. I didn't have a razor, but anybody with nerve can shave with a single-edge blade and soap and water. The clerk took my two bucks in advance and I went up to my room. I washed out my socks and underwear, took a bath, shaved and trimmed my hair and nails with the razor blade. With some soap on my finger, I scrubbed my teeth. Finally I got dressed. Everything was all right except that I didn't have a tie. They had them, a quarter a piece, where I got the shoes. It was only six blocks—I could go back. But I didn't want to wait. I wanted to complete the picture. The razor blade sliced through the pink bath towel evenly. I cut out a nice modern-style tie, narrow, with some horizontal stripes down at the bottom. I made a tight, thin knot. It looked pretty good. I was ready to leave, so I started for the door. I went back. I had almost forgotten my luggage. The box still had three unwrapped blades in it. I pocketed it. I hefted the used blade, dulled by all the work it had done. You can run being economical into stinginess. I tossed it into the wastebasket. I had five hamburgers and five cups of coffee. I couldn't finish all of the French fries. "Mac," I said to the fat counterman, who looked like all fat countermen, "give me a Milwaukee beer." He stopped polishing the counter in front of his friend. "Milwaukee, Wisconsin, or Milwaukee, Oregon?" "Wisconsin." He didn't argue. It was cold and bitter. All beer is bitter, no matter what they say on TV. I like beer. I like the bitterness of it. It felt like another, but I checked myself. I needed a clear head. I thought about going back to the hotel for some sleep; I still had the key in my pocket (I wasn't trusting it to any clerk). No, I had had sleep on Thanksgiving, bracing up for trying the lift at Brother Partridge's. Let's see, it was daylight outside again, so this was the day after Thanksgiving. But it had only been sixteen or twenty hours since I had slept. That was enough. I left the money on the counter for the hamburgers and coffee and the beer. There was $7.68 left. As I passed the counterman's friend on his stool, my voice said, "I think you're yellow." He turned slowly, his jaw moving further away from his brain. I winked. "It was just a bet for me to say that to you. I won two bucks. Half of it is yours." I held out the bill to him. His paw closed over the money and punched me on the biceps. Too hard. He winked back. "It's okay." I rubbed my shoulder, marching off fast, and I counted my money. With my luck, I might have given the counterman's friend the five instead of one of the singles. But I hadn't. I now had $6.68 left. "I still think you're yellow," my voice said. It was my voice, but it didn't come from me. There were no words, no feeling of words in my throat. It just came out of the air the way it always did. I ran. Harold R. Thompkins, 49, vice-president of Baysinger's, was found dead behind the store last night. His skull had been crushed by a vicious beating with a heavy implement, Coroner McClain announced in preliminary verdict. Tompkins, who resided at 1467 Claremont, Edgeway, had been active in seeking labor-management peace in the recent difficulties.... I had read that a year before. The car cards on the clanking subway and the rumbling bus didn't seem nearly so interesting to me. Outside the van, a tasteful sign announced the limits of the village of Edgeway, and back inside, the monsters of my boyhood went bloomp at me. I hadn't seen anything like them in years. The slimy, scaly beasts were slithering over the newspaper holders, the ad card readers, the girl watchers as the neat little carbon-copy modern homes breezed past the windows. I ignored the devils and concentrated on reading the withered, washed-out political posters on the telephone poles. My neck ached from holding it so stiff, staring out through the glass. More than that, I could feel the jabberwocks staring at me. You know how it is. You can feel a stare with the back of your neck and between your eyes. They got one brush of a gaze out of me. The things abruptly started their business, trying to act casually as if they hadn't been waiting for me to look at them at all. They had a little human being of some sort. It was the size of a small boy, like the small boy who looked like me that they used to destroy when I was locked up with them in the dark. Except this was a man, scaled down to child's size. He had sort of an ugly, worried, tired, stupid look and he wore a shiny suit with a piece of a welcome mat or something for a necktie. Yeah, it was me. I really knew it all the time. They began doing things to the midget me. I didn't even lift an eyebrow. They couldn't do anything worse to the small man than they had done to the young boy. It was sort of nostalgic watching them, but I really got bored with all that violence and killing and killing the same kill over and over. Like watching the Saturday night string of westerns in a bar. The sunlight through the window was yellow and hot. After a time, I began to dose. The shrieks woke me up. For the first time, I could hear the shrieks of the monster's victim and listen to their obscene droolings. For the very first time in my life. Always before it had been all pantomime, like Charlie Chaplin. Now I heard the sounds of it all. They say it's a bad sign when you start hearing voices. I nearly panicked, but I held myself in the seat and forced myself to be rational about it. My own voice was always saying things everybody could hear but which I didn't say. It wasn't any worse to be the only one who could hear other things I never said. I was as sane as I ever was. There was no doubt about that. But a new thought suddenly impressed itself on me. Whatever was punishing me for my sin was determined that I turn back before reaching 1467 Claremont.
train	51609	[ "Why is it so easy to steal from Fownes?", "Why have so many people resorted to pick-pocketing?", "What does the falling glass symbolize?", "Why are the police studying Frownes so intently?", "What is Lanfierre's profession?", "Lanfierre has all of the following beliefs about humanity EXCEPT: ", "The Movement believes all of the following EXCEPT: Questioning the failings of the old society, failings have put them in the dome; failure of foreign policy (self-containment)", "What is ironic about the Movement's refusal to attempt to escape the Dome?", "What theme can be understood from the behaviors of members of the Movement?" ]	[ [ "He is distracted by his thoughts", "He is unable to defend himself", "He is unaware of his possessions' value", "He is physically feeble" ], [ "Resources are scarce in the Dome, so people have to resort to desperate measures", "The pickpocketers are trying to acquire information about Fownes", "All possessions are shared in the Dome under a new form of communism", "There are no laws in the Dome, and people do whatever they please" ], [ "The importance of bucking authority and tradition in order to identify solutions for problems that plague communities all over the globe", "The delicate balance that countries -- large and small, developed and developing -- must strike if they are to preserve Earth's natural resources", "The deterioration of boundaries between members of different races, genders, social classes, and religious factions", "The cracking of an illusion of safety and optimal conditions in a chaotic world inhabited by humans bent on self-destruction" ], [ "They are threatened by his knowledge of and curiosity about the ancients", "They are suspicious of the odd behavior occurring within and around his home", "They believe he is responsible for the increased frequency of falling glass", "They believe he is an informant to enemy forces outside of the Dome" ], [ "He ensnares and imprisons rogue citizens in the Dome", "He has no job -- he is a criminal from the Movement", "He reports instances of divergence from Dome policy", "He trafficks humans from the outside world into the Dome" ], [ "They are oblivious", "They are self-absorbed", "They are untrustworthy", "They are vapid" ], [ "The 'old society' failed in major ways", "The 'old society's' failings led to the creation of the Dome", "The best way to fight those controlling the Dome is collectively, versus individually", "They cannot escape the dome without a strong foreign policy" ], [ "They are actually content living inside the Dome and are part of a group designed to frame Fownes", "They fear they will not survive the elements outside of the Dome, but outside of the Dome is a peaceful place", "They like to think of themselves as being valiant and insubordinate, but they are actually afraid and conformist", "They claim that they are waiting for a sound foreign policy, but they are already living within the government's choice for one" ], [ "Too many group members vying for power often sabotages the group's progress", "People who say they want progress are mostly virtue signaling, and their actual behaviors contradict their stated beliefs", "People are too easily convinced by media propaganda", "Social activism generally fails because it is all talk and no action" ] ]	[ 1, 2, 4, 2, 3, 3, 3, 4, 4 ]	[ 0, 1, 0, 1, 0, 0, 1, 1, 1 ]	A FALL OF GLASS By STANLEY R. LEE Illustrated by DILLON [Transcriber's Note: This etext was produced from Galaxy Magazine October 1960. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] The weatherman was always right: Temperature, 59; humidity, 47%; occasional light showers—but of what? The pockets of Mr. Humphrey Fownes were being picked outrageously. It was a splendid day. The temperature was a crisp 59 degrees, the humidity a mildly dessicated 47%. The sun was a flaming orange ball in a cloudless blue sky. His pockets were picked eleven times. It should have been difficult. Under the circumstances it was a masterpiece of pocket picking. What made it possible was Humphrey Fownes' abstraction; he was an uncommonly preoccupied individual. He was strolling along a quiet residential avenue: small private houses, one after another, a place of little traffic and minimum distractions. But he was thinking about weather, which was an unusual subject to begin with for a person living in a domed city. He was thinking so deeply about it that it never occurred to him that entirely too many people were bumping into him. He was thinking about Optimum Dome Conditions (a crisp 59 degrees, a mildly dessicated 47%) when a bogus postman, who pretended to be reading a postal card, jostled him. In the confusion of spilled letters and apologies from both sides, the postman rifled Fownes's handkerchief and inside jacket pockets. He was still thinking about temperature and humidity when a pretty girl happened along with something in her eye. They collided. She got his right and left jacket pockets. It was much too much for coincidence. The sidewalk was wide enough to allow four people to pass at one time. He should surely have become suspicious when two men engaged in a heated argument came along. In the ensuing contretemps they emptied his rear pants pockets, got his wristwatch and restored the contents of the handkerchief pocket. It all went off very smoothly, like a game of put and take—the sole difference being that Humphrey Fownes had no idea he was playing. There was an occasional tinkle of falling glass. It fell on the streets and houses, making small geysers of shiny mist, hitting with a gentle musical sound, like the ephemeral droppings of a celesta. It was precipitation peculiar to a dome: feather-light fragments showering harmlessly on the city from time to time. Dome weevils, their metal arms reaching out with molten glass, roamed the huge casserole, ceaselessly patching and repairing. Humphrey Fownes strode through the puffs of falling glass still intrigued by a temperature that was always 59 degrees, by a humidity that was always 47%, by weather that was always Optimum. It was this rather than skill that enabled the police to maintain such a tight surveillance on him, a surveillance that went to the extent of getting his fingerprints off the postman's bag, and which photographed, X-rayed and chemically analyzed the contents of his pockets before returning them. Two blocks away from his home a careless housewife spilled a five-pound bag of flour as he was passing. It was really plaster of Paris. He left his shoe prints, stride measurement, height, weight and handedness behind. By the time Fownes reached his front door an entire dossier complete with photographs had been prepared and was being read by two men in an orange patrol car parked down the street. Lanfierre had undoubtedly been affected by his job. Sitting behind the wheel of the orange car, he watched Humphrey Fownes approach with a distinct feeling of admiration, although it was an odd, objective kind of admiration, clinical in nature. It was similar to that of a pathologist observing for the first time a new and particularly virulent strain of pneumococcus under his microscope. Lanfierre's job was to ferret out aberration. It couldn't be tolerated within the confines of a dome. Conformity had become more than a social force; it was a physical necessity. And, after years of working at it, Lanfierre had become an admirer of eccentricity. He came to see that genuine quirks were rare and, as time went on, due partly to his own small efforts, rarer. Fownes was a masterpiece of queerness. He was utterly inexplicable. Lanfierre was almost proud of Humphrey Fownes. "Sometimes his house shakes ," Lanfierre said. "House shakes," Lieutenant MacBride wrote in his notebook. Then he stopped and frowned. He reread what he'd just written. "You heard right. The house shakes ," Lanfierre said, savoring it. MacBride looked at the Fownes house through the magnifying glass of the windshield. "Like from ... side to side ?" he asked in a somewhat patronizing tone of voice. "And up and down." MacBride returned the notebook to the breast pocket of his orange uniform. "Go on," he said, amused. "It sounds interesting." He tossed the dossier carelessly on the back seat. Lanfierre sat stiffly behind the wheel, affronted. The cynical MacBride couldn't really appreciate fine aberrations. In some ways MacBride was a barbarian. Lanfierre had held out on Fownes for months. He had even contrived to engage him in conversation once, a pleasantly absurd, irrational little chat that titillated him for weeks. It was only with the greatest reluctance that he finally mentioned Fownes to MacBride. After years of searching for differences Lanfierre had seen how extraordinarily repetitious people were, echoes really, dimly resounding echoes, each believing itself whole and separate. They spoke in an incessant chatter of cliches, and their actions were unbelievably trite. Then a fine robust freak came along and the others—the echoes—refused to believe it. The lieutenant was probably on the point of suggesting a vacation. "Why don't you take a vacation?" Lieutenant MacBride suggested. "It's like this, MacBride. Do you know what a wind is? A breeze? A zephyr?" "I've heard some." "They say there are mountain-tops where winds blow all the time. Strong winds, MacBride. Winds like you and I can't imagine. And if there was a house sitting on such a mountain and if winds did blow, it would shake exactly the way that one does. Sometimes I get the feeling the whole place is going to slide off its foundation and go sailing down the avenue." Lieutenant MacBride pursed his lips. "I'll tell you something else," Lanfierre went on. "The windows all close at the same time. You'll be watching and all of a sudden every single window in the place will drop to its sill." Lanfierre leaned back in the seat, his eyes still on the house. "Sometimes I think there's a whole crowd of people in there waiting for a signal—as if they all had something important to say but had to close the windows first so no one could hear. Why else close the windows in a domed city? And then as soon as the place is buttoned up they all explode into conversation—and that's why the house shakes." MacBride whistled. "No, I don't need a vacation." A falling piece of glass dissolved into a puff of gossamer against the windshield. Lanfierre started and bumped his knee on the steering wheel. "No, you don't need a rest," MacBride said. "You're starting to see flying houses, hear loud babbling voices. You've got winds in your brain, Lanfierre, breezes of fatigue, zephyrs of irrationality—" At that moment, all at once, every last window in the house slammed shut. The street was deserted and quiet, not a movement, not a sound. MacBride and Lanfierre both leaned forward, as if waiting for the ghostly babble of voices to commence. The house began to shake. It rocked from side to side, it pitched forward and back, it yawed and dipped and twisted, straining at the mooring of its foundation. The house could have been preparing to take off and sail down the.... MacBride looked at Lanfierre and Lanfierre looked at MacBride and then they both looked back at the dancing house. "And the water ," Lanfierre said. "The water he uses! He could be the thirstiest and cleanest man in the city. He could have a whole family of thirsty and clean kids, and he still wouldn't need all that water." The lieutenant had picked up the dossier. He thumbed through the pages now in amazement. "Where do you get a guy like this?" he asked. "Did you see what he carries in his pockets?" "And compasses won't work on this street." The lieutenant lit a cigarette and sighed. He usually sighed when making the decision to raid a dwelling. It expressed his weariness and distaste for people who went off and got neurotic when they could be enjoying a happy, normal existence. There was something implacable about his sighs. "He'll be coming out soon," Lanfierre said. "He eats supper next door with a widow. Then he goes to the library. Always the same. Supper at the widow's next door and then the library." MacBride's eyebrows went up a fraction of an inch. "The library?" he said. "Is he in with that bunch?" Lanfierre nodded. "Should be very interesting," MacBride said slowly. "I can't wait to see what he's got in there," Lanfierre murmured, watching the house with a consuming interest. They sat there smoking in silence and every now and then their eyes widened as the house danced a new step. Fownes stopped on the porch to brush the plaster of paris off his shoes. He hadn't seen the patrol car and this intense preoccupation of his was also responsible for the dancing house—he simply hadn't noticed. There was a certain amount of vibration, of course. He had a bootleg pipe connected into the dome blower system, and the high-pressure air caused some buffeting against the thin walls of the house. At least, he called it buffeting; he'd never thought to watch from outside. He went in and threw his jacket on the sofa, there being no room left in the closets. Crossing the living room he stopped to twist a draw-pull. Every window slammed shut. "Tight as a kite," he thought, satisfied. He continued on toward the closet at the foot of the stairs and then stopped again. Was that right? No, snug as a hug in a rug . He went on, thinking: The old devils. The downstairs closet was like a great watch case, a profusion of wheels surrounding the Master Mechanism, which was a miniature see-saw that went back and forth 365-1/4 times an hour. The wheels had a curious stateliness about them. They were all quite old, salvaged from grandfather's clocks and music boxes and they went around in graceful circles at the rate of 30 and 31 times an hour ... although there was one slightly eccentric cam that vacillated between 28 and 29. He watched as they spun and flashed in the darkness, and then set them for seven o'clock in the evening, April seventh, any year. Outside, the domed city vanished. It was replaced by an illusion. Or, as Fownes hoped it might appear, the illusion of the domed city vanished and was replaced by a more satisfactory, and, for his specific purpose, more functional, illusion. Looking through the window he saw only a garden. Instead of an orange sun at perpetual high noon, there was a red sun setting brilliantly, marred only by an occasional arcover which left the smell of ozone in the air. There was also a gigantic moon. It hid a huge area of sky, and it sang. The sun and moon both looked down upon a garden that was itself scintillant, composed largely of neon roses. Moonlight, he thought, and roses. Satisfactory. And cocktails for two. Blast, he'd never be able to figure that one out! He watched as the moon played, Oh, You Beautiful Doll and the neon roses flashed slowly from red to violet, then went back to the closet and turned on the scent. The house began to smell like an immensely concentrated rose as the moon shifted to People Will Say We're In Love . He rubbed his chin critically. It seemed all right. A dreamy sunset, an enchanted moon, flowers, scent. They were all purely speculative of course. He had no idea how a rose really smelled—or looked for that matter. Not to mention a moon. But then, neither did the widow. He'd have to be confident, assertive. Insist on it. I tell you, my dear, this is a genuine realistic romantic moon. Now, does it do anything to your pulse? Do you feel icy fingers marching up and down your spine? His own spine didn't seem to be affected. But then he hadn't read that book on ancient mores and courtship customs. How really odd the ancients were. Seduction seemed to be an incredibly long and drawn-out process, accompanied by a considerable amount of falsification. Communication seemed virtually impossible. "No" meant any number of things, depending on the tone of voice and the circumstances. It could mean yes, it could mean ask me again later on this evening. He went up the stairs to the bedroom closet and tried the rain-maker, thinking roguishly: Thou shalt not inundate. The risks he was taking! A shower fell gently on the garden and a male chorus began to chant Singing in the Rain . Undiminished, the yellow moon and the red sun continued to be brilliant, although the sun occasionally arced over and demolished several of the neon roses. The last wheel in the bedroom closet was a rather elegant steering wheel from an old 1995 Studebaker. This was on the bootleg pipe; he gingerly turned it. Far below in the cellar there was a rumble and then the soft whistle of winds came to him. He went downstairs to watch out the living room window. This was important; the window had a really fixed attitude about air currents. The neon roses bent and tinkled against each other as the wind rose and the moon shook a trifle as it whispered Cuddle Up a Little Closer . He watched with folded arms, considering how he would start. My dear Mrs. Deshazaway. Too formal. They'd be looking out at the romantic garden; time to be a bit forward. My very dear Mrs. Deshazaway. No. Contrived. How about a simple, Dear Mrs. Deshazaway . That might be it. I was wondering, seeing as how it's so late, if you wouldn't rather stay over instead of going home.... Preoccupied, he hadn't noticed the winds building up, didn't hear the shaking and rattling of the pipes. There were attic pipes connected to wall pipes and wall pipes connected to cellar pipes, and they made one gigantic skeleton that began to rattle its bones and dance as high-pressure air from the dome blower rushed in, slowly opening the Studebaker valve wider and wider.... The neon roses thrashed about, extinguishing each other. The red sun shot off a mass of sparks and then quickly sank out of sight. The moon fell on the garden and rolled ponderously along, crooning When the Blue of the Night Meets the Gold of the Day . The shaking house finally woke him up. He scrambled upstairs to the Studebaker wheel and shut it off. At the window again, he sighed. Repairs were in order. And it wasn't the first time the winds got out of line. Why didn't she marry him and save all this bother? He shut it all down and went out the front door, wondering about the rhyme of the months, about stately August and eccentric February and romantic April. April. Its days were thirty and it followed September. And all the rest have thirty-one. What a strange people, the ancients! He still didn't see the orange car parked down the street. "Men are too perishable," Mrs. Deshazaway said over dinner. "For all practical purposes I'm never going to marry again. All my husbands die." "Would you pass the beets, please?" Humphrey Fownes said. She handed him a platter of steaming red beets. "And don't look at me that way," she said. "I'm not going to marry you and if you want reasons I'll give you four of them. Andrew. Curt. Norman. And Alphonse." The widow was a passionate woman. She did everything passionately—talking, cooking, dressing. Her beets were passionately red. Her clothes rustled and her high heels clicked and her jewelry tinkled. She was possessed by an uncontrollable dynamism. Fownes had never known anyone like her. "You forgot to put salt on the potatoes," she said passionately, then went on as calmly as it was possible for her to be, to explain why she couldn't marry him. "Do you have any idea what people are saying? They're all saying I'm a cannibal! I rob my husbands of their life force and when they're empty I carry their bodies outside on my way to the justice of the peace." "As long as there are people," he said philosophically, "there'll be talk." "But it's the air! Why don't they talk about that? The air is stale, I'm positive. It's not nourishing. The air is stale and Andrew, Curt, Norman and Alphonse couldn't stand it. Poor Alphonse. He was never so healthy as on the day he was born. From then on things got steadily worse for him." "I don't seem to mind the air." She threw up her hands. "You'd be the worst of the lot!" She left the table, rustling and tinkling about the room. "I can just hear them. Try some of the asparagus. Five. That's what they'd say. That woman did it again. And the plain fact is I don't want you on my record." "Really," Fownes protested. "I feel splendid. Never better." He could hear her moving about and then felt her hands on his shoulders. "And what about those very elaborate plans you've been making to seduce me?" Fownes froze with three asparagus hanging from his fork. "Don't you think they'll find out? I found out and you can bet they will. It's my fault, I guess. I talk too much. And I don't always tell the truth. To be completely honest with you, Mr. Fownes, it wasn't the old customs at all standing between us, it was air. I can't have another man die on me, it's bad for my self-esteem. And now you've gone and done something good and criminal, something peculiar." Fownes put his fork down. "Dear Mrs. Deshazaway," he started to say. "And of course when they do find out and they ask you why, Mr. Fownes, you'll tell them. No, no heroics, please! When they ask a man a question he always answers and you will too. You'll tell them I wanted to be courted and when they hear that they'll be around to ask me a few questions. You see, we're both a bit queer." "I hadn't thought of that," Fownes said quietly. "Oh, it doesn't really matter. I'll join Andrew, Curt, Norman—" "That won't be necessary," Fownes said with unusual force. "With all due respect to Andrew, Curt, Norman and Alphonse, I might as well state here and now I have other plans for you, Mrs. Deshazaway." "But my dear Mr. Fownes," she said, leaning across the table. "We're lost, you and I." "Not if we could leave the dome," Fownes said quietly. "That's impossible! How?" In no hurry, now that he had the widow's complete attention, Fownes leaned across the table and whispered: "Fresh air, Mrs. Deshazaway? Space? Miles and miles of space where the real-estate monopoly has no control whatever? Where the wind blows across prairies ; or is it the other way around? No matter. How would you like that , Mrs. Deshazaway?" Breathing somewhat faster than usual, the widow rested her chin on her two hands. "Pray continue," she said. "Endless vistas of moonlight and roses? April showers, Mrs. Deshazaway. And June, which as you may know follows directly upon April and is supposed to be the month of brides, of marrying. June also lies beyond the dome." "I see." " And ," Mr. Fownes added, his voice a honeyed whisper, "they say that somewhere out in the space and the roses and the moonlight, the sleeping equinox yawns and rises because on a certain day it's vernal and that's when it roams the Open Country where geigers no longer scintillate." " My. " Mrs. Deshazaway rose, paced slowly to the window and then came back to the table, standing directly over Fownes. "If you can get us outside the dome," she said, "out where a man stays warm long enough for his wife to get to know him ... if you can do that, Mr. Fownes ... you may call me Agnes." When Humphrey Fownes stepped out of the widow's house, there was a look of such intense abstraction on his features that Lanfierre felt a wistful desire to get out of the car and walk along with the man. It would be such a deliciously insane experience. ("April has thirty days," Fownes mumbled, passing them, "because thirty is the largest number such that all smaller numbers not having a common divisor with it are primes ." MacBride frowned and added it to the dossier. Lanfierre sighed.) Pinning his hopes on the Movement, Fownes went straight to the library several blocks away, a shattered depressing place given over to government publications and censored old books with holes in them. It was used so infrequently that the Movement was able to meet there undisturbed. The librarian was a yellowed, dog-eared woman of eighty. She spent her days reading ancient library cards and, like the books around her, had been rendered by time's own censor into near unintelligibility. "Here's one," she said to him as he entered. " Gulliver's Travels. Loaned to John Wesley Davidson on March 14, 1979 for five days. What do you make of it?" In the litter of books and cards and dried out ink pads that surrounded the librarian, Fownes noticed a torn dust jacket with a curious illustration. "What's that?" he said. "A twister," she replied quickly. "Now listen to this . Seven years later on March 21, 1986, Ella Marshall Davidson took out the same book. What do you make of that ?" "I'd say," Humphrey Fownes said, "that he ... that he recommended it to her, that one day they met in the street and he told her about this book and then they ... they went to the library together and she borrowed it and eventually, why eventually they got married." "Hah! They were brother and sister!" the librarian shouted in her parched voice, her old buckram eyes laughing with cunning. Fownes smiled weakly and looked again at the dust jacket. The twister was unquestionably a meteorological phenomenon. It spun ominously, like a malevolent top, and coursed the countryside destructively, carrying a Dorothy to an Oz. He couldn't help wondering if twisters did anything to feminine pulses, if they could possibly be a part of a moonlit night, with cocktails and roses. He absently stuffed the dust jacket in his pocket and went on into the other rooms, the librarian mumbling after him: "Edna Murdoch Featherstone, April 21, 1991," as though reading inscriptions on a tombstone. The Movement met in what had been the children's room, where unpaid ladies of the afternoon had once upon a time read stories to other people's offspring. The members sat around at the miniature tables looking oddly like giants fled from their fairy tales, protesting. "Where did the old society fail?" the leader was demanding of them. He stood in the center of the room, leaning on a heavy knobbed cane. He glanced around at the group almost complacently, and waited as Humphrey Fownes squeezed into an empty chair. "We live in a dome," the leader said, "for lack of something. An invention! What is the one thing that the great technological societies before ours could not invent, notwithstanding their various giant brains, electronic and otherwise?" Fownes was the kind of man who never answered a rhetorical question. He waited, uncomfortable in the tight chair, while the others struggled with this problem in revolutionary dialectics. " A sound foreign policy ," the leader said, aware that no one else had obtained the insight. "If a sound foreign policy can't be created the only alternative is not to have any foreign policy at all. Thus the movement into domes began— by common consent of the governments . This is known as self-containment." Dialectically out in left field, Humphrey Fownes waited for a lull in the ensuing discussion and then politely inquired how it might be arranged for him to get out. "Out?" the leader said, frowning. "Out? Out where?" "Outside the dome." "Oh. All in good time, my friend. One day we shall all pick up and leave." "And that day I'll await impatiently," Fownes replied with marvelous tact, "because it will be lonely out there for the two of us. My future wife and I have to leave now ." "Nonsense. Ridiculous! You have to be prepared for the Open Country. You can't just up and leave, it would be suicide, Fownes. And dialectically very poor." "Then you have discussed preparations, the practical necessities of life in the Open Country. Food, clothing, a weapon perhaps? What else? Have I left anything out?" The leader sighed. "The gentleman wants to know if he's left anything out," he said to the group. Fownes looked around at them, at some dozen pained expressions. "Tell the man what he's forgotten," the leader said, walking to the far window and turning his back quite pointedly on them. Everyone spoke at the same moment. " A sound foreign policy ," they all said, it being almost too obvious for words. On his way out the librarian shouted at him: " A Tale of a Tub , thirty-five years overdue!" She was calculating the fine as he closed the door. Humphrey Fownes' preoccupation finally came to an end when he was one block away from his house. It was then that he realized something unusual must have occurred. An orange patrol car of the security police was parked at his front door. And something else was happening too. His house was dancing. It was disconcerting, and at the same time enchanting, to watch one's residence frisking about on its foundation. It was such a strange sight that for the moment he didn't give a thought to what might be causing it. But when he stepped gingerly onto the porch, which was doing its own independent gavotte, he reached for the doorknob with an immense curiosity. The door flung itself open and knocked him back off the porch. From a prone position on his miniscule front lawn, Fownes watched as his favorite easy chair sailed out of the living room on a blast of cold air and went pinwheeling down the avenue in the bright sunshine. A wild wind and a thick fog poured out of the house. It brought chairs, suits, small tables, lamps trailing their cords, ashtrays, sofa cushions. The house was emptying itself fiercely, as if disgorging an old, spoiled meal. From deep inside he could hear the rumble of his ancient upright piano as it rolled ponderously from room to room. He stood up; a wet wind swept over him, whipping at his face, toying with his hair. It was a whistling in his ears, and a tingle on his cheeks. He got hit by a shoe. As he forced his way back to the doorway needles of rain played over his face and he heard a voice cry out from somewhere in the living room. "Help!" Lieutenant MacBride called. Standing in the doorway with his wet hair plastered down on his dripping scalp, the wind roaring about him, the piano rumbling in the distance like thunder, Humphrey Fownes suddenly saw it all very clearly. " Winds ," he said in a whisper. "What's happening?" MacBride yelled, crouching behind the sofa. " March winds," he said. "What?!" "April showers!" The winds roared for a moment and then MacBride's lost voice emerged from the blackness of the living room. "These are not Optimum Dome Conditions!" the voice wailed. "The temperature is not 59 degrees. The humidity is not 47%!" Fownes held his face up to let the rain fall on it. "Moonlight!" he shouted. "Roses! My soul for a cocktail for two!" He grasped the doorway to keep from being blown out of the house. "Are you going to make it stop or aren't you!" MacBride yelled. "You'll have to tell me what you did first!" "I told him not to touch that wheel! Lanfierre. He's in the upstairs bedroom!" When he heard this Fownes plunged into the house and fought his way up the stairs. He found Lanfierre standing outside the bedroom with a wheel in his hand. "What have I done?" Lanfierre asked in the monotone of shock. Fownes took the wheel. It was off a 1995 Studebaker. "I'm not sure what's going to come of this," he said to Lanfierre with an astonishing amount of objectivity, "but the entire dome air supply is now coming through my bedroom." The wind screamed. "Is there something I can turn?" Lanfierre asked. "Not any more there isn't." They started down the stairs carefully, but the wind caught them and they quickly reached the bottom in a wet heap. Recruiting Lieutenant MacBride from behind his sofa, the men carefully edged out of the house and forced the front door shut. The wind died. The fog dispersed. They stood dripping in the Optimum Dome Conditions of the bright avenue. "I never figured on this ," Lanfierre said, shaking his head. With the front door closed the wind quickly built up inside the house. They could see the furnishing whirl past the windows. The house did a wild, elated jig. "What kind of a place is this?" MacBride said, his courage beginning to return. He took out his notebook but it was a soggy mess. He tossed it away. "Sure, he was different ," Lanfierre murmured. "I knew that much." When the roof blew off they weren't really surprised. With a certain amount of equanimity they watched it lift off almost gracefully, standing on end for a moment before toppling to the ground. It was strangely slow motion, as was the black twirling cloud that now rose out of the master bedroom, spewing shorts and socks and cases every which way. " Now what?" MacBride said, thoroughly exasperated, as this strange black cloud began to accelerate, whirling about like some malevolent top.... Humphrey Fownes took out the dust jacket he'd found in the library. He held it up and carefully compared the spinning cloud in his bedroom with the illustration. The cloud rose and spun, assuming the identical shape of the illustration. "It's a twister," he said softly. "A Kansas twister!" "What," MacBride asked, his bravado slipping away again, "what ... is a twister?" The twister roared and moved out of the bedroom, out over the rear of the house toward the side of the dome. "It says here," Fownes shouted over the roaring, "that Dorothy traveled from Kansas to Oz in a twister and that ... and that Oz is a wonderful and mysterious land beyond the confines of everyday living ." MacBride's eyes and mouth were great zeros. "Is there something I can turn?" Lanfierre asked. Huge chunks of glass began to fall around them. "Fownes!" MacBride shouted. "This is a direct order! Make it go back!" But Fownes had already begun to run on toward the next house, dodging mountainous puffs of glass as he went. "Mrs. Deshazaway!" he shouted. "Yoo-hoo, Mrs. Deshazaway!" The dome weevils were going berserk trying to keep up with the precipitation. They whirred back and forth at frightful speed, then, emptied of molten glass, rushed to the Trough which they quickly emptied and then rushed about empty-handed. "Yoo-hoo!" he yelled, running. The artificial sun vanished behind the mushrooming twister. Optimum temperature collapsed. "Mrs. Deshazaway! Agnes , will you marry me? Yoo-hoo!" Lanfierre and Lieutenant MacBride leaned against their car and waited, dazed. There was quite a large fall of glass.
train	20046	[ "What does the following quotation from the article -- \"Nobody deserves it more than Barry Switzer. He took all of this [expletive].\" -- most likely imply?", "What word best describes Tynan's reputation in Britain?", "How was the reaction toward Lloyd and Irvin different than that toward Tynan?", "Members of western society in 1996 are _________ expletives compared to members of western society from three decades prior.", "Which of the following statements most accurately describes the author's predictions regarding profanity?", "What is the author's central point about the increased frequency of expletive use in western society?" ]	[ [ "Switzer deserves to be punished for using explicit language", "Switzer deserves to be rewarded for speaking honestly and in-the-moment", "Switzer deserves to be rewarded for the sacrifices he made to win the NFC title", "Switzer deserves to be punished for using blasphemous language on live television" ], [ "Tynan was understood to be a fraudulent and sociopathic manipulator", "Tynan was viewed as an attention-seeking, irksome personality", "Tynan was well-regarded as an outspoken person who tells it like it is", "Tynan was looked upon with condescension as a vulgar, rude figure" ], [ "Lloyd and Irvin were forgiven after apologizing while Tynan was ignored", "Lloyd and Irvin were applauded while Tynan was reproached", "Lloyd and Irvin were vilified while Tynan was honored", "Lloyd and Irvin received limited backlash while Tynan was reputationally destroyed" ], [ "more offended by", "more creative in their use of", "less offended by", "less creative in their use of" ], [ "Soon, the majority of idioms and colloquialisms will include language once considered to be profane", "The more society accepts use of expletives, the more we will need to use it to function in conversation", "In a matter of decades, it will be acceptable for children in primary school to use expletives ", "Governments will eventually have no choice but to create laws forbidding the use of profanity" ], [ "It represents mass disillusionment in ideals that were once central to a well-functioning society", "It will inevitably result in an increase in crime and socially unacceptable behaviors", "It has no correlation with crime but a positive correlation with acceptance of the taboo", "It will bring about a new era of creativity and innovation in the years to come" ] ]	[ 3, 4, 4, 3, 2, 3 ]	[ 0, 0, 0, 0, 1, 0 ]	Maledict oratory The high costs of low language. Sunday, Jan. 14, 1996: A day that will live in--well, not infamy, exactly. Blasphemy would be closer to it. Early that afternoon, the Pittsburgh Steelers defeated the Indianapolis Colts to win the American Football Conference championship. Linebacker Greg Lloyd, accepting the trophy in front of a national television audience, responded with enthusiasm. "Let's see if we can bring this damn thing back here next year," he said, "along with the [expletive] Super Bowl." A few hours later, Michael Irvin of the Dallas Cowboys offered this spirited defense of his coach on TV after his team won the National Football Conference title: "Nobody deserves it more than Barry Switzer. He took all of this [expletive] ." Iwatched those episodes, and, incongruous as it may sound, I thought of Kenneth Tynan. Britain's great postwar drama critic was no fan of American football, but he was a fan of swearing. Thirty years earlier, almost to the week, Tynan was interviewed on BBC television in his capacity as literary director of Britain's National Theater and asked if he would allow the theater to present a play in which sex took place on stage. "Certainly," he replied. "I think there are very few rational people in this world to whom the word '[expletive]' is particularly diabolical or revolting or totally forbidden." It turned out there were a few more than Tynan thought. Within 24 hours, resolutions had been introduced in the House of Commons calling for his prosecution on charges of obscenity, for his removal as a theater official, and for censure of the network for allowing an obscene word to go out on the airwaves. Tynan escaped punishment, but he acquired a public reputation for tastelessness that he carried for the rest his life. To much of ordinary Britain, he became the man who had said "[expletive]" on the BBC. Neither Greg Lloyd nor Michael Irvin was so stigmatized. "It's live television," NBC Vice President Ed Markey said, rationalizing the outbursts. "It's an emotional moment. These things happen." Irvin wasn't about to let that stand. "I knew exactly what I was saying," he insisted later. "Those of you who can't believe I said it--believe it." Swearing isn't the only public act that Western civilization condones today but didn't 30 years ago. But it is one of the most interesting. It is everywhere, impossible to avoid or tune out. I am sitting in a meeting at the office, talking with a colleague about a business circumstance that may possibly go against us. "In that case, we're [expletive] ," he says. Five years ago, he would have said "screwed." Twenty years ago, he would have said, "We're in big trouble." Societal tolerance of profanity requires us to increase our dosage as time goes on. I am walking along a suburban street, trailing a class of pre-schoolers who are linked to each other by a rope. A pair of teen-agers passes us in the other direction. By the time they have reached the end of the line of children, they have tossed off a whole catalog of obscenities I did not even hear until I was well into adolescence, let alone use in casual conversation on a public street. I am talking to a distinguished professor of public policy about a foundation grant. I tell her something she wasn't aware of before. In 1965, the appropriate response was "no kidding." In 1996, you do not say "no kidding." It is limp and ineffectual. If you are surprised at all, you say what she says: "No shit." What word is taboo in middle-class America in 1996? There are a couple of credible candidates: The four-letter word for "vagina" remains off-limits in polite conversation (although that has more to do with feminism than with profanity), and the slang expression for those who engage in oral sex with males is not yet acceptable by the standards of office-meeting etiquette. But aside from a few exceptions, the supply of genuinely offensive language has dwindled almost to nothing as the 20th century comes to an end; the currency of swearing has been inflated to the brink of worthlessness. When almost anything can be said in public, profanity ceases to exist in any meaningful way at all. That most of the forbidden words of the 1950s are no longer forbidden will come as news to nobody: The steady debasement of the common language is only one of many social strictures that have loosened from the previous generation to the current. What is important is that profanity served a variety of purposes for a long time in Western culture. It does not serve those purposes any more. What purposes? There are a couple of plausible answers. One of them is emotional release. Robert Graves, who wrote a book in the 1920s called The Future of Swearing , thought that profanity was the adult replacement for childhood tears. There comes a point in life, he wrote, when "wailing is rightly discouraged, and groans are also considered a signal of extreme weakness. Silence under suffering is usually impossible." So one reaches back for a word one does not normally use, and utters it without undue embarrassment or guilt. And one feels better--even stimulated. The anthropologist Ashley Montagu, whose Anatomy of Swearing , published in 1967, is the definitive modern take on the subject, saw profanity as a safety valve rather than a stimulant, a verbal substitute for physical aggression. When someone swears, Montagu wrote, "potentially noxious energy is converted into a form that renders it comparatively innocuous." One could point out, in arguing against the safety-valve theory, that as America has grown more profane in the past 30 years, it has also grown more violent, not less. But this is too simple. It isn't just the supply of dirty words that matters, it's their emotive power. If they have lost that power through overuse, it's perfectly plausible to say that their capacity to deter aggressive behavior has weakened as well. But there is something else important to say about swearing--that it represents the invocation of those ideas a society considers powerful, awesome, and a little scary. I'm not sure there is an easy way to convey to anybody under 30, for example, the sheer emotive force that the word "[expletive]" possessed in the urban childhood culture of 40 years ago. It was the verbal link to a secret act none of us understood but that was known to carry enormous consequences in the adult world. It was the embodiment of both pleasure and danger. It was not a word or an idea to mess with. When it was used, it was used, as Ashley Montagu said, "sotto voce , like a smuggler cautiously making his way across a forbidden frontier." In that culture, the word "[expletive]" was not only obscene, it was profane, in the original sense: It took an important idea in vain. Profanity can be an act of religious defiance, but it doesn't have to be. The Greeks tempted fate by invoking the names of their superiors on Mount Olympus; they also swore upon everyday objects whose properties they respected but did not fully understand. "By the Cabbage!" Socrates is supposed to have said in moments of stress, and that was for good reason. He believed that cabbage cured hangovers, and as such, carried sufficient power and mystery to invest any moment with the requisite emotional charge. These days, none of us believes in cabbage in the way Socrates did, or in the gods in the way most Athenians did. Most Americans tell poll-takers that they believe in God, but few of them in a way that would make it impossible to take His name in vain: That requires an Old Testament piety that disappeared from American middle-class life a long time ago. Nor do we believe in sex any more the way most American children and millions of adults believed in it a generation ago: as an act of profound mystery and importance that one did not engage in, or discuss, or even invoke, without a certain amount of excitement and risk. We have trivialized and routinized sex to the point where it just doesn't carry the emotional freight it carried in the schoolyards and bedrooms of the 1950s. Many enlightened people consider this to be a great improvement over a society in which sex generated not only emotion and power, but fear. For the moment, I wish to insist only on this one point: When sexuality loses its power to awe, it loses its power to create genuine swearing. When we convert it into a casual form of recreation, we shouldn't be surprised to hear linebackers using the word "[expletive]" on national television. To profane something, in other words, one must believe in it. The cheapening of profanity in modern America represents, more than anything else, the crumbling of belief. There are very few ideas left at this point that are awesome or frightening enough for us to enforce a taboo against them. The instinctive response of most educated people to the disappearance of any taboo is to applaud it, but this is wrong. Healthy societies need a decent supply of verbal taboos and prohibitions, if only as yardsticks by which ordinary people can measure and define themselves. By violating these taboos over and over, some succeed in defining themselves as rebels. Others violate them on special occasions to derive an emotional release. Forbidden language is one of the ways we remind children that there are rules to everyday life, and consequences for breaking them. When we forget this principle, or cease to accept it, it is not just our language that begins to fray at the edges. What do we do about it? Well, we could pass a law against swearing. Mussolini actually did that. He decreed that trains and buses, in addition to running on time, had to carry signs that read "Non bestemmiare per l'onore d'Italia." ("Do not swear for the honor of Italy.") The commuters of Rome reacted to those signs exactly as you would expect: They cursed them. What Mussolini could not do, I am reasonably sure that American governments of the 1990s cannot do, nor would I wish it. I merely predict that sometime in the coming generation, profanity will return in a meaningful way. It served too many purposes for too many years of American life to disappear on a permanent basis. We need it. And so I am reasonably sure that when my children have children, there will once again be words so awesome that they cannot be uttered without important consequences. This will not only represent a new stage of linguistic evolution, it will be a token of moral revival. What the dirty words will be, God only knows.
train	20017	[ "The film review author gives all of the following reasons for his negative critique toward \"Unmade Beds\" EXCEPT that:", "How does Barker view his own film?", "What is ironic about \"Unmade Beds\" rejection from larger US distributors?", "The author believes that a/an ________ audience will enjoy the film \"Unmade Beds.\"", "According to the author of the review of \"Unmade Beds,\" which of the four main characters is the least programmatic?", "What is the author's strongest critique of Barker's directorial style?", "What, according to the author, is the main flaw of The Slums of Beverly Hills?", "How does the author compare Macnee's performance to Fiennes' performance in The Avengers?", "Of the films reviewed, which one received the most positive criticism?" ]	[ [ "he believes the director has taken too many liberties to bend the characters to his own perceptions of them", "he believes its scripted nature does not qualify it as a true documentary film", "he believes the characters to be so vulgar that the audience cannot empathize with them", "he believes the director does not ultimately communicate the more profound truths about society" ], [ "He considers the film to be an original, unprecedented view of the human psyche", "He realizes that his characters likely don't represent the average single person", "He feels justified in bending the truth about his characters in order to depict a more important point to his audience", "He knows that the rejection of his film by US distributors is part of the larger hypocrisy he is trying to reveal " ], [ "Larger theaters won't show \"Unmade Beds\" despite the fact that they show many similar films with less public contention", "In overcoming criticism from larger US distributors, the four main characters of the film finally receive the redemption they've been seeking", "Smaller theaters will likely feature \"Unmade Beds\" merely for its controversial nature", "Its rejection from US distributors is a reflection of how American society spurns the film's four main characters" ], [ "voyeuristic", "insensitive", "crude", "empathetic" ], [ "Michael", "Aimee", "Mikey", "Brenda" ], [ "The drafted nature of Barker's characters' speech is inconsistent with his claims of the film being categorized as a documentary", "The film does not include enough monologues from each of the four characters to be considered a documentary, and instead relies predominantly on voice-over narration", "Barker attempts to capitalize on western society's simultaneous intrigue and revulsion with vile characters who live at the margins", "Barker's juxtaposition of the sympathetic with the distasteful does not match up with the actual lived realities of the four main characters featured in the film" ], [ "The female characters are reduced to naive, sex-obsessed girls, when they are much more complex in reality", "The director too obviously uses the film as an outlet for resolving her own childhood devastations", "It is difficult for the audience to make sense of the director's absurd juxtapositions", "The audience never gets to see the children interact within the context that motivates their father to uproot their lives" ], [ "Macnee feels more natural in the role while Fiennes' feels like a buffoon", "Macnee takes the role more seriously while Fiennes trivializes the script", "Macnee's performance is authentic while Fiennes' performance is too rehearsed", "Macnee's performance is timeless while Fiennes' performance tries to be modern for the sake of being modern" ], [ "There's Something About Mary", "Unmade Beds", "The Slums of Beverly Hills", "The Avengers (new version)" ] ]	[ 3, 3, 3, 1, 4, 1, 4, 1, 3 ]	[ 1, 0, 1, 1, 0, 0, 0, 1, 0 ]	Dirty Laundry Now and then, a documentary film comes along that makes us re-examine the rules that unofficially govern the genre: Can there be a middle ground between fiction and fact? Can a documentary use scripted scenes and yet remain ontologically authentic? How much can you stylize material before you alter the reality that you're striving, at least in theory, to capture? Unmade Beds , Nicholas Barker's " 'real life' feature film," has proudly worn its mongrel status as a "directed" documentary of single life in the big city, employing, in the face of criticism, what amounts to a cackling-punk defiance. The movie tracks four aging New Yorkers--two men, two women--through their lonely dating rituals, in the process depicting a universe of lusty, coupled-up haves and downcast, excluded have-nots, all viewed Rear Window -style through rectangular openings in the massive apartment houses in which they reside. This is not cinema vérité , and nothing has been left to chance. The director selected his four subjects from many hundreds of potential candidates, followed them around for months, and then scripted their monologues and dialogues to reflect what he says he saw. Calling his own film "an exercise in mendacity," Barker goes on, "I'm quite happy to tell lies about my characters and even collude with their self-delusions if it enables me to communicate larger dramatic truths." Spurned by U.S. distributors, Unmade Beds opened two weeks ago in a small screening room in downtown Manhattan, where it proceeded to set box office records and generate lots of (largely favorable) press. In part due to smart publicity, which has bannered some of the bad reviews and commentary ("I have to tell you that this film upset me so much that I really don't want to have anything to do with it"--a New York publicist), it threatens to become a cause célèbre --and to be coming soon to a theater near you. It's always nice to see distributors proved wrong about the merits of "difficult" films, but in this case I think they did the decent thing. Unmade Beds isn't just bad--it's obnoxiously, noxiously bad, a freak show for the empathetically challenged. The outrage it has prompted isn't the Puritan kind; it's more like legitimate revulsion at watching a blowhard pervert people's lives in the name of "larger dramatic truths." Those truths are large, all right. Take Michael, the 40-year-old, 5 foot 4 inch lonely guy who has been looking for a wife for almost two decades. If you were to walk past him on the street, you might think that a man of his small stature might have some trouble getting dates and be rather bitter about it. The larger dramatic truth is that Michael has lots of trouble getting dates and is very bitter about it. Just in case you feel too sorry for him, however, Barker is careful to include a homophobic monologue in which Michael complains about young women who waste their lives hanging out with effeminate males. Michael turns out to be the film's most sympathetic subject--by a wide margin. At least he's not Mikey, a paunchy 54-year-old who writes but can't sell screenplays and who always flees blind dates, because the women he gets fixed up with are "mutts." Sounding like one of the low-level gangsters who posture like kingpins in Donnie Brasco , Mikey talks a lot about mutts. He also reminisces about that 24 hour period in the '70s when he managed to sleep with three different beautiful women, whose pictures he shows off. These days, all he meets are mutts. He comes off as a pathetic little loser--a mutt. Aimee, on the other hand, is a pathetic big loser, weighing in at 225 pounds. Determined to get married before she turns 30, she generally is filmed beside bags of groceries and assorted junk foods. She cries about her situation to her thin friend, Laurie, who, in one scene, gently mentions Aimee's weight. Clearly the scene is scripted, but Aimee does a good job acting taken aback. She has always been fat--and she's "OK with it," and a man just has to accept it. This is followed by more talk about how you attract men. Will they respect you if you call them back? If you express too much interest? "Or," the viewer thinks, "if you're 225 pounds?" The only natural performer here is Brenda, a garrulous exhibitionist who blossoms with the camera on her--she could have a career as a Penny Marshall-style character actress. Divorced and aging, Brenda needs money and is willing to charge for her sexual services. It shouldn't be too difficult, because men are always showing her their dicks ("I'm up to two dicks a day"). They meet her and, a few minutes later, they show her their dicks. Weird, huh? What Barker leaves out (it's in a New York Observer article) is that Brenda, a former lap dancer, works in marketing at a strip joint. Presumably, men standing next to her in line at McDonald's don't show her their dicks. Nor, presumably, does she show them her breasts--although she bares them for Barker's camera, jabbering about her body while she doffs her clothes and steps into the shower and soaps up. Barker might have crafted his subjects' monologues from their own words, but he has robbed them of their spontaneity--and, thus, of their essence. They aren't thinking or trying to come to grips with their situations in front of your eyes, because they already know what they're going to say: They've been fixed like butterflies on the ends of pins and held up for voyeuristic inspection. The scenes with friends and confidantes have a crude, programmatic purpose. You can imagine the director composing a shot (the shots are tightly composed and elaborately lighted) and reminding them, "In this scene she points out that you should lose weight and you get shocked and defensive. Ready ... Action." Call me square, but I find this antithetical to the documentary spirit. An Englishman who trained as an anthropologist before going to work for BBC Television, Barker clearly made up his mind about his material before his cameras began to roll--so it's no surprise that it feels prechewed and predigested. When reality interfered (Brenda apparently did not go through with a marriage to an immigrant in search of a green card for $10,000, as she does on-screen), Barker brushed the truth aside as immaterial, following her up the steps of City Hall in her wedding dress because it was "true to her character." But what separates documentary from fiction is that real people are often more complicated, and more conflicted, than finished characters--as Brenda proved to be more (or, at least, other) than the sum of her parts. That's the kind of truth that reveals itself to documentary filmmakers after the fact, when they go over footage and discover unexpected patterns, dissonances, glimmers of a universe that's richer and messier than the one they set out to portray. So what are Barker's "larger dramatic truths"? Single people in big cities can be desperate. Single people fear they're going to die alone--unloved and unloving. People are judged and, in turn, judge others by how they look. Big news. One could argue, charitably, that the movie is meant to be prescriptive, that Barker intends for us to regard the ways in which his subjects delude themselves and thereby learn to see through our own self-delusions. But Barker hasn't concocted a larger dramatic structure that would hold those larger dramatic truths together and help us comprehend where these people went wrong. He dramatizes right up to the point where a dramatist would be expected to provide some insight--and then, hey, he's a documentarian. Unmade Beds might make a good date movie. There's little to argue about in its subjects' personalities--both males and females will find them repulsive--and the picture the film paints of single life in the big city is so bleak that you'll probably want to jump into bed with whoever is sitting next to you. Anything to keep from turning into one of those people. The Slums of Beverly Hills also walks a line between two genres, in this case coming-of-age sex comedy and autobiographical monologue. Tamara Jenkins, the writer and first-time director, has an eye for absurd juxtapositions that was obviously sharpened by the pain of her nomadic upbringing. Her protagonist (Natasha Lyonne) spends her teen-age years being shuttled with her two brothers from one cheap dive to another in the 90210 ZIP code, all because her egregiously unsuccessful father (Alan Arkin) wants them to be educated in the best schools. ("Furniture's temporary; education is permanent.") It's a major omission, then, that we never see those schools or the kids' interaction with their stable, well-to-do Beverly Hills counterparts. We can't tell if the father is, on some weird level, justified in his fervor, or whether he's screwing up his children--subjecting them to humiliation and robbing them of a sense of permanence--for no reason. Jenkins hasn't quite figured out how to shape her narrative, which is full of episodes that are there because they actually happened but that don't have a payoff. I almost wish she'd included more voice-over narration, more commentary on the things that, as a filmmaker, she hasn't learned to bring out. The Slums of Beverly Hills never gels, but it has a likable spirit, and it's exceedingly easy on the eye, with lots of pretty girls and wry evocations of '70s fashions and decor. The father, to obtain financial support from his wealthy brother (Carl Reiner), volunteers to take in his vaguely schizzy, dipsomaniacal niece (Marisa Tomei). She and her cousin compare breasts, play with vibrators, and talk in pig Latinish gibberish, but Jenkins never lets the proceedings get too sentimental: The whimsy is always cut with an acidic awareness of the family's desperation. "Are we middle-class now?" ask the children, hopefully, before another crisis sends them back into their van, cruising past the movie stars' mansions, in the mean streets of Beverly Hills. Grading on the steep curve established by summer blockbuster seasons past, these have turned out to be a pretty good few months at the movies. Even the commercial swill ( Deep Impact , Armageddon , The Mask of Zorro , Small Soldiers , Snake Eyes , Halloween: H20 ) has been of a high grade, and Saving Private Ryan and Return to Paradise were Vitalis slaps in the kisser for people woozy from all the warm weather escapism. Out of Sight was tender and charming, as was, in its gross-out way, There's Something About Mary . And, on the indie front, The Opposite of Sex , Buffalo 66 , and Pi have proved that there's still commercial life after Sundance. Sure, we had stinkers, but even Godzilla was fun to jeer at. And there's something reassuring about the fact that The Avengers is so rotten: proof yet again that people with piles of money can hire wizard production designers but can't fake class. I don't know who the credited screenwriter, Don MacPherson, is, but it's unlikely that he has ever seen an episode of the old Avengers , let alone sussed out the source of its appeal. Opening with a slapstick sequence of agent John Steed (Ralph Fiennes) doing kung fu, the film shifts to a scene in which he meets Mrs. Peel (Uma Thurman) while sitting naked in a sauna with only a newspaper to cover his private parts. The series was erotic in a way only prim English humor can be: The Old Boy Steed was capable of throwing a punch and bonking someone with his bowler, but he left the karate kicking to his liberated, leather-suited distaff associate. Here their roles have been witlessly muddled, and MacPherson's idea of banter is to have the pair complete each other's clichés. Whereas the original Steed, Patrick Macnee, was to the English Men's Club born, Fiennes is an eternal caddie. The willowy Thurman looks great in her outfits, but it's ever more apparent that she isn't much of an actress--at least, not a trained one--and her attempts at insouciance are embarrassingly arch. As the eccentric master villain who controls the weather, even Sean Connery is flat-out terrible, acting high on the hog. To think Connery once found the Bond films so far beneath him! When he sputters lines like "Time to die!" one imagines Dr. No, Goldfinger, and Blofeld snickering in the wings.
train	20022	[ "According to the film reviewer, Thin Red Line has succeeded in all of the following EXCEPT:", "According to the film reviewer, what tone does Malick use to narrate \"Thin Red Line\"?", "According to the film reviewer, which of the following actors emerges as the central character? ", "The film reviewer gives all of the following reasons for the negative critique of \"Thin Red Line\" EXCEPT:", "According to the film reviewer, what is the central irony of Malick's directorial performance? Convincing at chaos but gummed up when he ruminates on order", "According to the film reviewer, what prevents Schlichtmann from winning the case in \"A Civil Action\"?", "What, according to the film reviewer, is Zaillian's strength in \"A Civil Action\"?", "What is the film reviewer's main critique of Zaillian's performance?", "According to the film reviewer, what was the result of the court case in \"A Civil Action\"?" ]	[ [ "Overwhelming viewers with bloodshed and prattle", "Not living up to its pre-release date hype", "Creating one of film's most notorious villains", "Maintaining an unnecessarily long-winded tone" ], [ "frantic", "egomaniacal", "obtuse", "portentous" ], [ "Sergeant Welsh", "Private Witt", "Lieutenant Colonel Tall", "None of the above" ], [ "Cacophonous sound blending", "Lengthy, inconsequential battle scenes", "Similarity to Billy Budd bordering plagiarism", "Overuse of existential questions" ], [ "His desire to stand out from directors in the war genre ultimately fails, as \"Thin Red Line\" adheres too closely to similar war epics", "His depiction of disarray is believable, but when it comes to portrayal of the mundane, his narration is occluded", "He relies (overwhelmingly) on questioning in the dialogue of the script, yet the questions are ultimately never answered", "His overly visceral battle scenes ultimately fail to evoke strong emotions from his audience" ], [ "Facher is more qualified while Schlichtmann fumbles the testimony", "Facher keeps Schlichtmann preoccupied with distractions", "Schlichtmann betrays the confidence of his clients", "Schlichtmann relies too heavily on a piece of evidence that is never allowed to be presented in court" ], [ "Staying true to the real story's timeline", "Dramatic monologues", "Intercutting cinematography", "Casting excellent actors and actresses" ], [ "He takes too many liberties that cause the film to deviate from the real-life outcome of the court case", "Viewers can easily anticipate the conclusion of each scene in the film", "He relies too much on director/mentor figures within the same style", "He makes the same mistakes as Schlichtmann in getting distracted by unimportant details" ], [ "Facher lost the court case because he did not take Schlichtmann as a serious opponent, and ultimately overlooked a key piece of evidence", "Facher manipulated his way to winning the court case by bribing the parents of the children who died from consuming the carcinogenic water supply", "Schlichtmann lost the court case by attempting to extend the crimes of Beatrice & W.R. Grace to the crimes of the court system", "Schlichtmann won the court case, but bankrupted himself and his law firm in pursuit of justice that couldn't bring his clients what they really wanted -- the lives of their children back" ] ]	[ 3, 4, 4, 3, 2, 2, 3, 2, 3 ]	[ 0, 1, 1, 1, 1, 1, 0, 1, 0 ]	War and Pieces No movie in the last decade has succeeded in psyching out critics and audiences as fully as the powerful, rambling war epic The Thin Red Line , Terrence Malick's return to cinema after 20 years. I've sat through it twice and am still trying to sort out my responses, which run from awe to mockery and back. Like Saving Private Ryan , the picture wallops you in the gut with brilliant, splattery battle montages and Goyaesque images of hell on earth. But Malick, a certified intellectual and the Pynchonesque figure who directed Badlands and Days of Heaven in the 1970s and then disappeared, is in a different philosophical universe from Steven Spielberg. Post-carnage, his sundry characters philosophize about their experiences in drowsy, runic voice-overs that come at you like slow bean balls: "Why does nature vie with itself? ... Is there an avenging power in nature, not one power but two?" Or "This great evil: Where's it come from? What seed, what root did it grow from? Who's doin' this? Who's killin' us, robbin' us of life and light?" First you get walloped with viscera, then you get beaned by blather. Those existential speculations don't derive from the screenplay's source, an archetypal but otherwise down-to-earth 1962 novel by James Jones (who also wrote From Here to Eternity ) about the American invasion of the South Pacific island of Guadalcanal. They're central to Malick's vision of the story, however, and not specious. In the combat genre, the phrase "war is hell" usually means nothing more than that it's a bummer to lose a limb or two, or to see your buddy get his head blown off. A true work of art owes us more than literal horrors, and Malick obliges by making his theater of war the setting for nothing less than a meditation on the existence of God. He tells the story solemnly, in three parts, with a big-deal cast (Sean Penn, Nick Nolte, John Cusack) and a few other major stars (John Travolta, Woody Harrelson, George Clooney) dropping by for cameos. After an Edenic prelude, in which a boyishly idealistic absent without leave soldier, Pvt. Witt (Jim Caviezel), swims with native youths to the accompaniment of a heavenly children's choir, the first part sees the arrival of the Allied forces on the island, introduces the principal characters (none of whom amounts to a genuine protagonist), and lays out the movie's geographical and philosophical terrain. The centerpiece--the fighting--goes on for over an hour and features the most frantic and harrowing sequences, chiefly the company's initially unsuccessful frontal assault on a Japanese hilltop bunker. The coda lasts nearly 40 minutes and is mostly talk and cleanup, the rhythms growing more relaxed until a final, incongruous spasm of violence--whereupon the surviving soldiers pack their gear and motor off to another South Pacific battle. In the final shot, a twisted tree grows on the waterline of the beach, the cycle of life beginning anew. The Thin Red Line has a curious sound-scape, as the noise of battle frequently recedes to make room for interior monologues and Hans Zimmer's bump-bump, minimalist New Age music. Pvt. Bell (Ben Chaplin) talks to his curvy, redheaded wife, viewed in deliriously sensual flashbacks. ("Love: Where does it come from? Who lit this flame in us?") Lt. Col. Tall (Nolte), a borderline lunatic passed over one too many times for promotion and itching to win a battle no matter what the human cost, worries groggily about how his men perceive him. The dreamer Witt poses folksy questions about whether we're all a part of one big soul. If the movie has a spine, it's his off-and-on dialogue with Sgt. Welsh (Penn), who's increasingly irritated by the private's beatific, almost Billy Budd-like optimism. Says Welsh, "In this world, a man himself is nothin', and there ain't no world but this one." Replies Witt, high cheekbones glinting, "I seen another world." At first it seems as if Witt will indeed be Billy Budd to Welsh's vindictive Claggart. But if Witt is ultimately an ethereal martyr, Welsh turns out to be a Bogart-like romantic who can't stop feeling pain in the face of an absent God. He speaks the movie's epitaph, "Darkness and light, strife and love: Are they the workings of one mind, the feature of the same face? O my soul, let me be in you now. Look out through my eyes. Look out at the things you made, all things shining." Malick puts a lot of shining things on the screen: soldiers, natives, parrots, bats, rodents, visions of Eden by way of National Geographic and of the Fall by way of Alpo. Malick's conception of consciousness distributes it among the animate and inanimate alike; almost every object is held up for rapturous contemplation. I could cite hundreds of images: A soldier in a rocking boat hovers over a letter he's writing, which is crammed from top to bottom and side to side with script. (You don't know the man, but you can feel in an instant his need to cram everything in.) A small, white-bearded Melanesian man strolls nonchalantly past a platoon of tensely trudging grunts who can't believe they're encountering this instead of a hail of Japanese bullets. Two shots bring down the first pair of soldiers to advance on the hill; a second later, the sun plays mystically over the tall, yellow grass that has swallowed their bodies. John Toll's camera rushes in on a captured Japanese garrison: One Japanese soldier shrieks; another, skeletal, laughs and laughs; a third weeps over a dying comrade. The face of a Japanese soldier encased in earth speaks from the dead, "Are you righteous? Know that I was, too." Whether or not these pearllike epiphanies are strung is another matter. Malick throws out his overarching theme--is nature two-sided, at war with itself?--in the first few minutes but, for all his startling juxtapositions, he never dramatizes it with anything approaching the clarity of, say, Brian De Palma's Casualties of War (1989). Besides the dialogue between Welsh and Witt, The Thin Red Line 's other organizing story involves a wrenching tug of war between Nolte's ambition-crazed Tall and Capt. Staros (Elias Koteas), who refuses an order to send his men on what will surely be a suicidal--and futile--assault on a bunker. But matters of cause and effect don't really interest Malick. Individual acts of conscience can and do save lives, and heroism can win a war or a battle, he acknowledges. But Staros is ultimately sent packing, and Malick never bothers to trace the effect of his action on the Guadalcanal operation. In fact, the entire battle seems to take place in a crazed void. Tall quotes Homer's "rosy-fingered dawn" and orders a meaningless bombardment to "buck the men up--it'll look like the Japs are catching hell." Soldiers shoot at hazy figures, unsure whether they're Japanese or American. Men collide, blow themselves in half with their own mishandled grenades, stab themselves frantically with morphine needles, shove cigarettes up their noses to keep the stench of the dying and the dead at bay. A tiny bird, mortally wounded, flutters in the grass. Malick is convincing--at times overwhelming--on the subject of chaos. It's when he tries to ruminate on order that he gets gummed up, retreating to one of his gaseous multiple mouthpieces: "Where is it that we were together? Who is it that I lived with? Walked with? The brother. ... The friend. ... One mind." I think I'd have an easier time with Malick's metaphysical speculations if I had a sense of some concomitant geopolitical ones--central to any larger musings on forces of nature as viewed through the prism of war. Couldn't it be that the German and Japanese fascist orders were profoundly anti-natural, and that the Allies' cause was part of a violent but natural correction? You don't have to buy into Spielberg's Lincolnesque pieties in Saving Private Ryan to believe that there's a difference between World War II and Vietnam (or, for that matter, World War II and the invasion of Grenada or our spats with Iraq). While he was at Harvard, Malick might have peeled himself off the lap of his pointy-headed mentor, Stanley Cavell, the philosopher and film theorist, and checked out a few of Michael Waltzer's lectures on just and unjust wars. Maybe then he'd view Guadalcanal not in an absurdist vacuum (the soldiers come, they kill and are killed, they leave) but in the larger context of a war that was among the most rational (in its aims, if not its methods) fought in the last several centuries. For all his visionary filmmaking, Malick's Zen neutrality sometimes seems like a cultivated--and pretentious--brand of fatuousness. John Travolta's empty nightclub impersonation of Bill Clinton in Primary Colors (1998) had one positive result: It gave him a jump-start on Jan Schlichtmann, the reckless personal injury lawyer at the center of A Civil Action . Travolta's Schlichtmann is much more redolent of Clinton: slick and selfish and corrupt in lots of ways but basically on the side of the angels, too proud and arrogant to change tactics when all is certainly lost. Schlichtmann pursued--and more or less blew--a civil liability case against the corporate giants Beatrice and W.R. Grace over the allegedly carcinogenic water supply of Woburn, Mass. Boston writer Jonathan Harr, in the book the movie is based on, went beyond the poison in the Woburn wells to evoke (stopping just short of libel) the poison of the civil courts, where platoons of overpaid corporate lawyers can drive opponents with pockets less deep and psyches less stable into bankruptcy and hysteria. Director Steven Zaillian's version doesn't capture the mounting rage that one experiences while reading Harr's book, or even the juicy legal machinations that Francis Ford Coppola giddily manipulated in his underrated adaptation of John Grisham's The Rainmaker (1997). But A Civil Action is a sturdy piece of work, an old-fashioned conversion narrative with some high-tech zip. Schlichtmann doesn't take this "orphan" case--brought by the parents of several children who died of leukemia--because he wants to do good but because he figures that Grace and Beatrice will fork over huge sums of money to keep the parents from testifying publicly about their children's last days. He might succeed, too, if it weren't for Jerome Facher (Robert Duvall), the Beatrice lawyer who knows how to keep Schlichtmann shadowboxing while his small firm's financial resources dwindle to nothing. Zaillian is at his most assured when he cuts back and forth between Facher's Harvard Law School lectures on what not to do in court and Schlichtmann's fumbling prosecution. The sequence has the extra dimension of good journalism: It dramatizes and comments simultaneously. Plus, it gives Duvall a splendid platform for impish understatement. (Duvall has become more fun to watch than just about anyone in movies.) Elsewhere, Zaillian takes a more surface approach, sticking to legal minutiae and rarely digging for the deeper evil. As in his Searching for Bobby Fischer (1993), the outcome of every scene is predictable, but how Zaillian gets from beat to beat is surprisingly fresh. He also gets sterling bit performances from Sydney Pollack as the spookily sanguine Grace CEO, William H. Macy as Schlichtmann's rabbity accountant, and Kathleen Quinlan as the mother of one of the victims. Quinlan knows that when you're playing a woman who has lost a child you don't need to emote--you reveal the emotion by trying not to emote. To the families involved in the Woburn tragedy, the real climax of this story isn't the downbeat ending of the book or the sleight of hand, "let's call the Environmental Protection Agency," upbeat ending of the movie. The climax is the publication of a book that takes the plaintiffs' side and that remains on the best-seller list in hardcover and paperback for years. The climax is the movie starring John Travolta. Beatrice and Grace made out OK legally, but some of us will never use their products again without thinking about Travolta losing his shirt in the name of those wasted-away little kids.
train	20061	[ "What positive critique does the film reviewer offer for \"Elizabeth\"? juicy melodrama", "What positive critique does the film reviewer offer Blanchett? pulling off the transition from hapless young woman to coolly ruthless monarch with uncommon subtlety", "In comparing queens, whom does the film reviewer view as the most controversial?", "Which word best describes how the film reviewer conceives of Velvet Goldmine's direction?", "Which subjects does Haynes focus on frequently in his films?", "According to the film reviewer, how does the reporter in \"Velvet Goldmine\" view the protagonist?", "What critique does the film reviewer give to the actor who plays the rock star protagonist of \"Velvet Goldmine\"?", "What critique does film reviewer offer of Haynes? wishes he would let the picture catch its breath, that the performers would stop coming at me in stroboscopic flashes", "Which actor gets the most negative critique from the film reviewer?" ]	[ [ "It relies on juxtaposition-based cinematography that makes for a compelling theatrical performance", "It takes necessary liberties with history's version of Elizabeth's reign to make her story more interesting to movie-goers", "It takes the best aspects of both Jacobean and Shakespearean interpretations of Elizabeth I and combines them into one melodramatic depiction", "It is the best interpretation of Elizabeth I's ascent to the throne and subsequent reign" ], [ "She gives a naturally convincing performance of Elizabeth I's transition from a naive girl to a powerful ruler", "She most closely resembles Elizabeth I's cold demeanor, as compared to her actress predecessors", "She brings a fresh element of humor and bluntness to Elizabeth I's dialogue", "She captures Elizabeth I's bloodthirsty, almost masculine personality with stunning accuracy" ], [ "Jonathan Rhys-Myers as Brian Slade", "Cate Blanchett as Elizabeth I", "Miranda Richardson as Elizabeth I", "David Bowie as himself" ], [ "luxurious", "circuitous", "incoherent", "graphic" ], [ "Billionaire business tycoons", "Ruthless, independent queens", "Larger-than-life male celebrities", "Dissatisfied, suffering women" ], [ "With revulsion", "With jealousy", "With admiration", "With consternation" ], [ "He is unconvincing in his role as a sexual messiah", "He confuses the audience with abrupt transitions between his self and alter ego", "He is upstaged by the best supporting actor", "His dialogue feels too scripted and unnatural" ], [ "His pacing is too frenetic and hasty", "His costume and makeup design is too glamorous", "His adherence to fact is too rigid", "Its use of competing sound effects is grating" ], [ "Jonathan Rhys-Myers", "Anthony Hopkins", "Brad Pitt", "Christian Bale" ] ]	[ 1, 1, 1, 2, 4, 3, 4, 1, 3 ]	[ 1, 0, 0, 0, 1, 0, 1, 1, 0 ]	Warrior Queens Elizabeth is a lurid paraphrase of the old Groucho Marx line about Doris Day: "I knew the Virgin Queen before she was a virgin." As the movie tells it, she was a sylvan, redheaded princess (Cate Blanchett) given to gamboling with her fella (Joseph Fiennes) between periods of internment in the Tower of London on charges of conspiring to overthrow her half-sister, the heatedly Catholic Queen Mary (Kathy Burke). The daughter of the second wife of Henry VIII, Anne Boleyn, and therefore dubbed a bastard by the papists, the Protestant Elizabeth ascends the throne to find the air still thick with smoke from roasted heretics, a team of skulking Catholics plotting her assassination, and a council of advisers (lords, bishops, sundry old boys) who snigger openly at the prospect of taking orders from a woman. Only a strategic marriage to a Spaniard or a Frenchman will mollify all factions, her advisers insist, but the pickings prove dismal. (Her French suitor enjoys wearing dresses.) After skulls are smashed, throats slit, and bosoms skewered in the name of Christ, Elizabeth decides to: a) "unsex" herself and become a symbol--the Virgin Queen, married only to England; and b) entertain dissenting opinions exclusively from those whose heads are affixed to spikes. You can't be both a queenly queen and a womanly woman, says the script (by Michael Hirst)--at least not in 1554. (The director, Shekhar Kapur, made the same point in his grim 1994 Indian epic The Bandit Queen , against a backdrop of scrubby plains along the Ganges.) Is this feminist take historically accurate? Probably, although the evidence suggests that Elizabeth had developed a head for stratagems earlier in life (her position had been precarious since the beheading of her mother) and came to the throne with few girlish illusions about How Things Work in a barbarous state. That said, the movie's approach makes for juicy melodrama. The tone of Elizabeth comes nearer to the nihilistic relish of Jacobeans such as John Ford and John Webster than to the more sorrowful horror of the Elizabethan dramatists Ben Jonson and William Shakespeare. It's even closer to a Jacobean drama of our own age: The Godfather (1972), which it emulates by cutting back-and-forth between queen and courtiers in prayer and the roundup and slaughter of Catholics on their privies, in bed with their mistresses, and so on. Their severed heads look on, wide-eyed, as Elizabeth directs her hair to be shorn--images of her girlhood flashing by as her locks rain down--and then walks weightily to her throne, now a chalk-faced gorgon. With all due respect to Blanchett, Bette Davis, and Glenda Jackson, my favorite Elizabeth I remains Miranda Richardson's capricious, baby-talking psychopath on the BBC comedy Blackadder II . (Casting about for a new lord high executioner, she mews to Rowan Atkinson, "There are thousands of Catholics simply dying to have their heads sneaked off --and there's no one to organize it.") But Blanchett comes in a close second, pulling off the transition from hapless young woman to coolly ruthless monarch with uncommon subtlety. Gradually expunging all empathy from her moist, pink eyes and permitting her visage to ossify, she gives this carnival of carnage an awe-inspiring center. A more subversive sort of queen is on display in Velvet Goldmine , Todd Haynes' musical fantasia on the early '70s era of "glam" or "glitter" rock. Here the monarch is a David Bowie-esque singer called Brian Slade (Jonathan Rhys-Meyers) and his spidery, space-age alter ego, Maxwell Demon. The movie opens with a spaceship depositing an infant Oscar Wilde on the stoop of a Dublin townhouse. Then it skips ahead to track a jade pin (it signifies hedonistic liberation) from the custody of a young Wilde to a swishy fringe creature called Jack Fairy to the regal Slade, a bisexual superstar who carries the news to all the young dudes. After that, we're in an Orwellian 1984 that's presided over by a vaguely fascist president and by arena rockers who serve as propagandists for a repressively conformist state. Whatever happened to Brian Slade, the glitter kids, the visionary exhibitionists and gleeful poseurs? Borrowing its framework from Citizen Kane , the movie follows a reporter (Christian Bale) assigned to reconstruct Slade's life and solve the mystery of his whereabouts. Whatever you make of Velvet Goldmine (opinions have ranged from rapturous to casually dismissive), it's like no other musical ever made. It's determinedly swirling, discursive, elliptical. Now the story is told by an omniscient narrator, now a TV reporter, now a participant. Now it's flashing back, now forward. Every other line of dialogue is a cue for one of its dazzling numbers, largely covers of songs by Brian Eno, Bryan Ferry, and T. Rex. The narrative is a challenge to keep up with, but then, great artists often invent their own syntax. In the '80s, Haynes employed Barbie dolls to depict the rise and wasting away from anorexia of the singer Karen Carpenter. Lucky audiences who caught Superstar: The Karen Carpenter Story (it was shelved when Richard Carpenter served the producers with an order to cease and desist exhibition) began by laughing at this elaborately posed, soft-rock femme, only to discover by the climax that the cultural forces that were eating at her (and that kept her from eating) had grown heartbreakingly palpable. Poison (1991), Haynes' Genêt-inspired exploration of transgression, didn't overcome its own artiness. But Safe (1995), the story of a Reagan-era housewife (Julianne Moore) convinced that her environment is poisoning her, is an entrancing meditation on the power of culture to crush the individual. Despite its ironic detachment, the film draws you into its heroine's sickly state: Breathing oxygen from a canister inside a high-tech igloo, she dwindles to nearly nothing, the modern incarnation of the Incredible Shrinking Man. (It was partly my passion for Haynes' films that led me to accept a job offer from his indefatigable producer Christine Vachon last year to collaborate on a nuts-and-bolts book about producing, Shooting To Kill . So my review of Velvet Goldmine --like my review of Vachon's other recent release, Happiness --should be read as the work of a partisan. But not a blind partisan.) In Velvet Goldmine , Haynes sets out to demonstrate the power of popular music to change people's lives--to tell them it's OK to fashion themselves into anything they please. The core of the movie turns out not to be the Bowie figure but the journalist, Arthur Stuart, who was a witness to the events he's now reconstructing. Bale is such an expressive performer that Stuart's remembrance of things past attains a Proustian intensity. To him, Slade was a sexual messiah. I've never seen a more vivid distillation of rock's allure than the scene in which he reverently opens the new Brian Slade album--its centerfold image is a lithe, naked, green-tinged Maxwell Demon--slips the vinyl out of its paper jacket and, after gingerly setting the LP on the turntable, props a chair under the doorknob to keep the uncomprehending world at bay. But if Haynes wants Velvet Goldmine to be an anthem to the principles Bowie once embodied--the embrace of artifice and the smashing of conventional sexual roles--he also wants to portray the rocker as a hollow opportunist who abandoned glam and bisexuality for the life of a corporate superstar, throwing in his lot with the forces of repression. That's a lot to cover. An actor of stature might have bridged these two impulses, but the beautiful, brazenly slim-hipped Rhys-Meyers doesn't make his lines sound as if he's thinking them up on the spot, and Slade's self-destructive passion for Curt Wild (Ewan McGregor), the film's fuzzy, sweet Iggy Pop figure, seems less an emotional imperative than a thematic one. A case can be made that Velvet Goldmine isn't fully filled in, and that Haynes, who has never shaken off his background as a semiotics major, has made a movie that's all signifiers. I sometimes found myself wishing he would let the picture catch its breath, that the performers would stop coming at me in stroboscopic flashes. But then I'd be swept up in the sinuous motion of his filmmaking, in the elation of watching point of view passed like a baton from hand to hand, in the liberating force of his language and soundtrack. Velvet Goldmine might seem like a collection of baubles, but those baubles are strung. Is Brad Pitt the worst actor on earth? The case could be made, and Meet Joe Black could serve as Exhibit A. Pitt plays two roles in this seven course schlockfest. He's (briefly) a slick but wholesome yuppie and then (interminably) Death, who takes over the young man's body when he's thumped by a couple of cars in the movie's most promising moment. Bleached so blond that he looks like an irradiated android, Pitt expels all expression from his face and all tone from his voice. He speaks very, very slowly. The stunt half-works, at least until he's supposed to undergo an inner transformation and acquire human emotions--whereupon his face remains just as blank. Pitt's conception of the role is an idée fixe by someone who doesn't appear to have an idée in his head. Martin Brest, the director, is known for shooting a ton of footage and then "finding" his films in the editing room. What do you suppose he "found" when he scrutinized these miles of celluloid with Pitt doing nothing and taking his sweet time doing it? The first adaptation of this story (originally a play) was the 1934 Death Takes a Holiday , which came in at a perky 78 minutes. A conceit this fragile needs to whiz along to keep our disbelief in suspension, but Meet Joe Black grinds on for three hours (longer than either Beloved or Saving Private Ryan ), and Pitt acts as if he has leased the screen by the year. Anthony Hopkins plays the zillionaire communications baron whom Death enlists in the hope of understanding the human condition--an odd choice for a tour guide, since most people's condition doesn't involve personal helicopters, sprawling mansions on Long Island Sound, or Manhattan apartments that sport Olympic-size swimming pools. Four screenwriters, among them the great Bo Goldman ( Melvin and Howard , 1980; Shoot the Moon , 1982), labored on this moldy script, which features characters who ask questions that begin "Am I to understand that ...?" and a corporate villain who directs another character to "wake up and smell the thorns." It apparently never occurred to even one of these overpaid scribes to eliminate Hopkins' rueful realization that he'd "never write the great American novel"--no kidding, given his flagrantly Welsh accent. Actually, Hopkins gives this humanistic magnate considerable weight, so that whether or not Death takes him before he can stop to smell the roses and make amends to his neglected children becomes a matter of some suspense. The rest of the cast works with equal fortitude, especially Jeffrey Tambor (Hank "Hey now!" Kingsley on The Larry Sanders Show ) as Hopkins' milksop son-in-law and Marcia Gay Harden as his party planning, perpetually wilting elder daughter. As the younger daughter, the dark eyed, spaghetti thin Claire Forlani has to carry the picture's bathos on her exquisite shoulders. Her tremulous thoroughbred act wears thin, but it's hardly her fault: She has to emote like mad opposite a black pit of death--or is that the Black Death of Pitt?
train	20043	[ "Dole makes all of the following charges against the New York Times EXCEPT for: with the NYT? ", "Why does the author believe Clinton is better represented than Dole?", "Dole blames Clinton for increased _____ within the American population", "What does Dole hope to accomplish by juxtaposing Clinton's drug use with the War on Drugs?", "What perspective does Rosenthal adapt toward Dole's grievances?", "What does Dole insinuate may have happened if the Times covered him 'accurately'? ", "The New York Times would most likely use the following terms to describe Dole's campaign?", "Dole's quote would have been perceived as _________________if it had included included the exclamation points from his tone?", "What does the author believe is Dole's real grievance with the New York Times? " ]	[ [ "They don't publish stories about him on the front page", "They purposefully misquote him", "Their reporting on his campaign is inaccurate", "They are colluding with Clinton to get him elected" ], [ "Clinton is more experienced and knowledgeable than Dole", "Clinton is more progressive while Dole wants to maintain the status quo", "Clinton is surreptitiously making payments to the Times as a trade for good publicity", "Clinton uses proper grammar and appears sophisticated in public" ], [ "joblessness", "crime rates", "antagonism", "drug use" ], [ "To render Clinton as untrustworthy and 'above the law'", "To capture specific population groups within a larger Christian demographic", "To garner moderate dislike toward Clinton before exposing his infidelity", "To perpetuate Clinton's reputation as a deviant and addict" ], [ "Rosenthal asserts that Dole is purposefully lying to the public", "Rosenthal implies that Dole's mental faculties are deteriorating", "Rosenthal reveals that he is perplexed by Dole's grievances", "Rosenthal admits that Dole's grievances are warranted" ], [ "He believes with certainty that he would have won the election by a landslide", "He believes he would have had a better chance of accumulating more voters", "He believes he could have had a more diverse turnout of voters voting for him in the presidential election", "He believes other media companies would follow the lead of the New York Times" ], [ "Underfunded and ill-resourced", "Condescending and elitist", "Fervent and prejudiced", "Sophomoric and aimless" ], [ "less impartial", "more inflammatory", "less dignified ", "more misguided" ], [ "Dole is angry because he cannot use them to bolster his campaign", "Dole was once fired from the New York Times when he worked there as a young adult", "Dole feels isolated from the Washington elite", "Dole cannot receive constructive criticism" ] ]	[ 4, 4, 4, 1, 3, 2, 4, 2, 3 ]	[ 1, 1, 0, 1, 0, 1, 0, 1, 1 ]	Dole vs. the Times For several weeks now, pundits have debated how Bob Dole would exit the stage. Would he depart on a negative note about his opponent or a positive one about himself? Would he leave with anger or with humor? In the past several days, the issue has been settled. Dole, it appears, will end his political career raging against the New York Times . Dole's spat with the gray lady went public on Thursday, Oct. 24. In New Orleans, Dole charged the paper with ignoring a story about a Miami drug dealer who got invited to the White House. "This is a disgrace," Dole insisted. "I doubt if you even read it in the New York Times . They probably put it in the want ads. They don't put any anti-Clinton stories in the New York Times . Only anti-Dole stories in the New York Times ." Dole repeated his attack for the next five days. "We are not going to let the media steal this election," he told a crowd in Dallas on Friday. "This country belongs to the people, not the New York Times ." On Saturday, in Visalia, Calif., he added, "I know that with a crowd this size, the New York Times will write not many people showed up, but the other papers will get it right." On Sunday (the day the Times endorsed Clinton), Dole called the paper "the apologist for President Clinton for the last four years and an arm of the Democratic National Committee." In a CNN interview broadcast Monday, Dole said the Times "might as well be part of the Democratic Party. ... They hammer us on a daily basis. We make a major speech, they bury it back on section D. They put a front-page story that, well, Bob Dole and Jack Kemp didn't get along together 12 years ago." On Tuesday, Dole was still at it, referring to the 28 words of the 10th Amendment, and quipping, "That's about what I got in the New York Times today." The Times has reacted to this assault by highhandedly quoting everything and explaining none of it, leaving its readers baffled as to why the Republican nominee is so upset at the paper. In fact, Dole's fury at the Times is hardly news to those who work at the paper. According to Katharine Seelye, who has covered Dole since the beginning of his campaign, the complaints date from December 1995, when Dole staff members first protested that she had misunderstood the candidate's position on abortion. The real bitterness, however, began in May, when the paper played what Dole aides billed as a major address about welfare on Page 19 of the business section. Since then, campaign honchos have peppered the paper's reporters and editors with constant phone calls and letters complaining about unfair treatment. Reporters traveling with Dole caught a glimpse of the enmity Oct. 9, when Nelson Warfield, Dole's press secretary, staged a public confrontation with Seelye. The candidate, Warfield told reporters waiting to board the campaign plane, had just come from an appearance on G. Gordon Liddy's radio show. Why, Seelye asked, weren't reporters told about the appearance in advance? According to reporters present, Warfield snapped that it wouldn't make any difference because the Times would get the story wrong anyway. Then, on the plane, Warfield walked back to the press section and grandly served Seelye with a copy of a letter from Communications Director John Buckley to her boss, Times Washington Editor Andrew Rosenthal. That letter, which has fallen into the hands of Slate, protests Seelye's coverage of a speech the previous day. Dole, in New Jersey, had talked about Clinton being AWOL in the drug war. "Where has he been for four years? How many hundreds of thousands of young people started drugs?" Dole said. "Three million have started smoking while he was playing around with smoking and all this stuff finally in an election year." Seelye's front-page story reported that "Mr. Dole accused the President of 'playing around' while the drug war raged out of control." Buckley complains that the story "could lead the reader to believe that Dole was talking about a very different kind of 'playing around'--something he did not say, and something he would not say." The letter continues: "Since May, I have been pointing out to you a problem we see with the accuracy and understanding of context revealed in Kit's reporting," going on to assert that "Seelye has misquoted Dole on numerous occasions and done so in a manner that distorted the accuracy of her assertions and your coverage." No Dole staff would be quoted by name for this story, but speaking on background, a senior campaign official elaborated upon the complaint. "They've just done a miserable job throughout this campaign," the official said. "The coverage of Dole has been excessively bitchy from day one, in addition to having a number of extraordinary factual problems." With Seelye, the official says, the problem is "not being able to transcribe a tape accurately." With Adam Nagourney, the Times ' other reporter covering Dole full time since the summer, "the problem is an incredible focus on the little picture as opposed to the big picture." As an example, the official cites a September story in which Nagourney lumped together Dole's fall from a platform in Chico, Calif., and his mistaken reference to the "Brooklyn" Dodgers as "a rough stretch of politicking." Other than those two episodes, the official says, Dole actually had a great week. The campaign's complaint extends to unequal treatment--a nine-part series on Clinton's record, which the official describes as "the softest portrait since they invented black velvet"--and the Times perpetually underestimating the size of Dole crowds. "Clinton even gets better photographs," the official contends. Rosenthal, who has direct responsibility for campaign coverage at the Times , professes bewilderment at these complaints. "We don't make editorial judgments based on disposition to be tough on Bob Dole or nice to Bob Dole," he says. On the specifics, Rosenthal says that the Times ran an editor's note acknowledging that it shouldn't have truncated the "playing around" quote. He points out that the Times ran its story on the Miami drug dealer who visited the White House the same day Dole accused the paper of not covering it. As for the nine-part series on Clinton, Rosenthal says it is the long-standing practice of the paper to do a lengthy series on the incumbent's record. "If Dole wins and runs again in 2000, he will get nine-part series too," he says. "Ithink we have been tough on him," Seelye says. This stems, however, not from any bias, she says, but from the campaign's own internal problems. Dole's campaign has been especially "porous," with aides emulating the proverbial seafaring rats. This is true enough--in recent days ex-strategist Don Sipple has trashed the campaign on the record. But there's another point, too. Contrary to Buckley's charge that she misquotes Dole, Seelye routinely makes Dole look ridiculous by quoting him all too accurately, depicting him in what one colleague calls a "cinema veritÃ© " style. Famous for going over and over her tape recordings on the campaign plane, Seelye manages to get every Dole mumble, repetition, and verbal miscue down. For instance, in her Oct. 26 story reporting Dole's attack on the Times , Seelye writes: "In Phoenix on Friday night, he had a delightful time drawing out his vowels as he described financial contributions to the Clinton campaign. "From Indoneeesia," he said. "Yeah. From INdiaaaaah. Some fellow named Gandhi out there. He owes $10,000 in back taxes, but he found $300,000 to give to the Clinton campaign. And now Gandhi is gaaaawn. Gaaaaandhi, gone gone gone. They can't find him." Two days later, she quoted Dole in another story: "They've turned the White House into something else, I don't know what it is. It's the animal house! It's the animal house!" Most reporters would write, Bob Dole yesterday compared the White House to an "animal house," sparing the exclamation points, and making him sound at least compos mentis. But though unflattering, Seelye's Mametizing of Bob Dole can hardly be called unfair. It is not as if the Times cleans up Clinton's quotes; the president simply observes the rules of syntax most of the time. Something similar may be happening with the pictures. After four years, Clinton has learned how to avoid looking unpresidential. He no longer allows himself to be photographed wearing too-short running shorts, and he avoids pulling faces in public. Dole, who is simply less photogenic, is an easier victim for picture editors--who, like their editorial counterparts, have a strong bias against dullness. Take, for instance, the two pictures shown above. The front-page picture the Times ran the day after the second presidential debate does make Dole look like a decomposing monster. But unlike the picture in the Washington Post the same day, it captures the spirit of the event, with Dole grimly taking the offensive and Clinton watching warily but standing aside from the attacks. Dole sounds absurd when he alleges that the paper that broke Whitewater and the story of the first lady's commodities trades has not been aggressive in pursuing Clinton scandals. All sorts of potential Dole scandals have been soft-pedaled by the media, including the Times , because he is so far behind. It's true that coverage of Clinton on the campaign trail has been somewhat softer than the coverage of Dole, as even other Times reporters acknowledge. But the explanation is institutional, not ideological. The press, as many have complained, overemphasizes the "horse race" aspect of politics. As a side effect of that disease, reporters have excessive respect for a well-run campaign. (In 1988, Republican George Bush benefited from this phenomenon.) A cruder reality is that reporters need to have a relationship with Clinton after Tuesday. None of these factors, though, is unique to the Times . So why is Dole singling it out? Dole's attacks on the Times have the appearance of being an exercise in populist demagogy. In one of his great cue-card reading remarks, Dole tried to explain his recent attacks on CNN the other night by saying, "I like the media. They don't like them in the South." But this pat explanation doesn't entirely make sense. Red meat for right-wing crowds doesn't help Dole with the centrist voters he would need to turn around in order to make the miraculous happen. And in fact, according to a senior Dole aide, the attacks are heartfelt on the candidate's part. Dole has been going after the Times over the objections of advisers who have been telling him there's no percentage in picking fights with the press. But if Dole is attacking the Times because he is truly furious and not because he thinks it will help him get elected, what is he so angry about? The answer, I think, is that there has always been a Nixonian streak in Bob Dole, by which I mean a part of him which feels shut out of the closed circle of the Eastern establishment. At the Republican convention, Dole blasted the Clinton administration as a "corps of the elite who never grew up, never did anything real, never sacrificed, never suffered, and never learned." That phrase recalled an attack he made on the press long ago, in the days of Watergate, when he accused the Washington Post of being in bed with George McGovern. "There is a cultural and social affinity between the McGovernites and the Post executives and editors," Dole said then. "They belong to the same elite: They can be found living cheek-by-jowl in the same exclusive chic neighborhoods, and hob-nobbing at the same Georgetown parties." The deeper story here isn't whether Dole was wrongly shunted onto D19 when he ought to have been on A1. It's his feelings, as he says goodbye to politics, about the people who get to decide.
train	51202	[ "Why has Infield attached a lightning rod to his head?", "What separate Infield and Morgan from the Normals? ", "What does it mean to be Cured?", "What is the major drawback of issuing a cure to each person?", "All of the following terms describe how Infield would characterize Price EXCEPT for:", "What is the significance of the restaurant's stained table cloth?", "What is normal about the Incompletes?", "What is a major theme of the story?" ]	[ [ "He needs it in order to survive the elements", "He wants to go back to being an Incomplete", "He is conducting an experiment involving electricity", "He believes it has cured him of his fear" ], [ "The Normals are cannibalistic", "The Normals are uncured", "The Normals are socially repulsive", "The Normals are delusional" ], [ "Cured humans are genetically superior to Normal humans", "Cured humans have received an intervention for their phobia", "Cured humans are allowed to reproduce while Normals aren't", "Cured humans are fearless while Normals live their lives in fear" ], [ "They may develop additional fears and require additional cures", "The psychiatrist prescribing the cure is the only one who can control it", "The cures all include an option that would kill its wearer", "The cures are all costly placebos" ], [ "reckless", "self-absorbed", "fanatic", "hazardous" ], [ "Only the cured people are allowed to dine in fine restaurants, but 'fine' is a loose term", "Table cloths, like cures, can easily be switched out and cleaned (repaired) in order to appear flawless", "They represent the stain that cure development has made on social progress", "Like the cure, it obscures up a symptom but fails to address the root problem" ], [ "They are only partially cured", "They still live with a specific fear", "They do not possess any phobias", "They are easily manipulated" ], [ "Placebos can be just as powerful as engineered medications and cures", "Not every illness should be cured through a western, pathology-focused approach to healing", "The more people believe there is something 'wrong' with them, the greater lengths they will go to hide or repair their 'flaws'", "Sometimes a 'cure' can end up causing more distress and pain than living with an affliction" ] ]	[ 4, 2, 2, 1, 1, 4, 2, 4 ]	[ 1, 0, 0, 0, 1, 0, 1, 0 ]	Name Your Symptom By JIM HARMON Illustrated by WEISS [Transcriber's Note: This etext was produced from Galaxy Science Fiction May 1956. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] Anybody who shunned a Cure needed his head examined—assuming he had one left! Henry Infield placed the insulated circlet on his head gently. The gleaming rod extended above his head about a foot, the wires from it leading down into his collar, along his spine and finally out his pants leg to a short metallic strap that dragged on the floor. Clyde Morgan regarded his partner. "Suppose—just suppose—you were serious about this, why not just the shoes?" Infield turned his soft blue eyes to the black and tan oxfords with the very thick rubber soles. "They might get soaked through." Morgan took his foot off the chair behind the desk and sat down. "Suppose they were soaked through and you were standing on a metal plate—steps or a manhole cover—what good would your lightning rod do you then?" Infield shrugged slightly. "I suppose a man must take some chances." Morgan said, "You can't do it, Henry. You're crossing the line. The people we treat are on one side of the line and we're on the other. If you cross that line, you won't be able to treat people again." The small man looked out the large window, blinking myopically at the brassy sunlight. "That's just it, Clyde. There is a line between us, a wall. How can we really understand the people who come to us, if we hide on our side of the wall?" Morgan shook his thick head, ruffling his thinning red hair. "I dunno, Henry, but staying on our side is a pretty good way to keep sane and that's quite an accomplishment these days." Infield whirled and stalked to the desk. "That's the answer! The whole world is going mad and we are just sitting back watching it hike along. Do you know that what we are doing is really the most primitive medicine in the world? We are treating the symptoms and not the disease. One cannibal walking another with sleeping sickness doesn't cure anything. Eventually the savage dies—just as all those sick savages out in the street will die unless we can cure the disease, not only the indications." Morgan shifted his ponderous weight uneasily. "Now, Henry, it's no good to talk like that. We psychiatrists can't turn back the clock. There just aren't enough of us or enough time to give that old-fashioned therapy to all the sick people." Infield leaned on the desk and glared. "I called myself a psychiatrist once. But now I know we're semi-mechanics, semi-engineers, semi-inventors, semi lots of other things, but certainly not even semi-psychiatrists. A psychiatrist wouldn't give a foetic gyro to a man with claustrophobia." His mind went back to the first gyro ball he had ever issued; the remembrance of his pride in the thing sickened him. Floating before him in memory was the vertical hoop and the horizontal hoop, both of shining steel-impervium alloy. Transfixed in the twin circles was the face of the patient, slack with smiles and sweat. But his memory was exaggerating the human element. The gyro actually passed over a man's shoulder, through his legs, under his arms. Any time he felt the walls creeping in to crush him, he could withdraw his head and limbs into the circle and feel safe. Steel-impervium alloy could resist even a nuclear explosion. The foetic gyro ball was worn day and night, for life. The sickness overcame him. He sat down on Morgan's desk. "That's just one thing, the gyro ball. There are so many others, so many." Morgan smiled. "You know, Henry, not all of our Cures are so—so—not all are like that. Those Cures for mother complexes aren't even obvious. If anybody does see that button in a patient's ear, it looks like a hearing aid. Yet for a nominal sum, the patient is equipped to hear the soothing recorded voice of his mother saying, 'It's all right, everything's all right, Mommy loves you, it's all right....'" "But is everything all right?" Infield asked intensely. "Suppose the patient is driving over one hundred on an icy road. He thinks about slowing down, but there's the voice in his ear. Or suppose he's walking down a railroad track and hears a train whistle—if he can hear anything over that verbal pablum gushing in his ear." Morgan's face stiffened. "You know as well as I do that those voices are nearly subsonic. They don't cut a sense efficiency more than 23 per cent." "At first, Clyde—only at first. But what about the severe case where we have to burn a three-dimensional smiling mother-image on the eyes of the patient with radiation? With that image over everything he sees and with that insidious voice drumming in his head night and day, do you mean to say that man's senses will only be impaired 23 per cent? Why, he'll turn violently schizophrenic sooner or later—and you know it. The only cure we have for that is still a strait jacket, a padded cell or one of those inhuman lobotomies." Morgan shrugged helplessly. "You're an idealist." "You're damned right!" Infield slammed the door behind him. The cool air of the street was a relief. Infield stepped into the main stream of human traffic and tried to adjust to the second change in the air. People didn't bathe very often these days. He walked along, buffeted by the crowd, carried along in this direction, shoved back in that direction. Most people in the crowd seemed to be Normals, but you couldn't tell. Many "Cures" were not readily apparent. A young man with black glasses and a radar headset (a photophobe) was unable to keep from being pushed against Infield. He sounded out the lightning rod, his face changing when he realized it must be some kind of Cure. "Pardon me," he said warmly. "Quite all right." It was the first time in years that anyone had apologized to Infield for anything. He had been one of those condemned Normals, more to be scorned than pitied. Perhaps he could really get to understand these people, now that he had taken down the wall. Suddenly something else was pushing against Infield, forcing the air from his lungs. He stared down at the magnetic suction dart clinging leechlike to his chest. Model Acrophobe 101-X, he catalogued immediately. Description: safety belt. But his emotions didn't behave so well. He was thoroughly terrified, heart racing, sweat glands pumping. The impervium cable undulated vulgarly. Some primitive fear of snake symbols? his mind wondered while panic crushed him. "Uncouple that cable!" the shout rang out. It was not his own. A clean-cut young man with mouse-colored hair was moving toward the stubble-chinned, heavy-shouldered man quivering in the center of a web of impervium cables stuck secure to the walls and windows of buildings facing the street, the sidewalk, a mailbox, the lamp post and Infield. Mouse-hair yelled hoarsely, "Uncouple it, Davies! Can't you see the guy's got a lightning rod? You're grounding him! "I can't," Davies groaned. "I'm scared!" Halfway down the twenty feet of cable, Mouse-hair grabbed on. "I'm holding it. Release it, you hear?" Davies fumbled for the broad belt around his thickening middle. He jabbed the button that sent a negative current through the cable. The magnetic suction dart dropped away from Infield like a thing that had been alive and now was killed. He felt an overwhelming sense of relief. After breathing deeply for a few moments, he looked up to see Davies releasing and drawing all his darts into his belt, making it resemble a Hydra-sized spiked dog collar. Mouse-hair stood by tensely as the crowd disassembled. "This isn't the first time you've pulled something like this, Davies," he said. "You weren't too scared to release that cable. You just don't care about other people's feelings. This is official ." Mouse-hair drove a fast, hard right into the soft blue flesh of Davies' chin. The big man fell silently. The other turned to Infield. "He was unconscious on his feet," he explained. "He never knew he fell." "What did you mean by that punch being official?" Infield asked while trying to arrange his feelings into the comfortable, familiar patterns. The young man's eyes almost seemed to narrow, although his face didn't move; he merely radiated narrowed eyes. "How long have you been Cured?" "Not—not long," Infield evaded. The other glanced around the street. He moistened his lips and spoke slowly. "Do you think you might be interested in joining a fraternal organization of the Cured?" Infield's pulse raced, trying to get ahead of his thoughts, and losing out. A chance to study a pseudo-culture of the "Cured" developed in isolation! "Yes, I think I might. I owe you a drink for helping me out. How about it?" The man's face paled so fast, Infield thought for an instant that he was going to faint. "All right. I'll risk it." He touched the side of his face away from the psychiatrist. Infield shifted around, trying to see that side of his benefactor, but couldn't manage it in good grace. He wondered if the fellow was sporting a Mom-voice hearing aid and was afraid of raising her ire. He cleared his throat, noticing the affectation of it. "My name's Infield." "Price," the other answered absently. "George Price. I suppose they have liquor at the Club. We can have a drink there, I guess." Price set the direction and Infield fell in at his side. "Look, if you don't drink, I'll buy you a cup of coffee. It was just a suggestion." Under the mousy hair, Price's strong features were beginning to gleam moistly. "You are lucky in one way, Mr. Infield. People take one look at your Cure and don't ask you to go walking in the rain. But even after seeing this , some people still ask me to have a drink." This was revealed, as he turned his head, to be a small metal cube above his left ear. Infield supposed it was a Cure, although he had never issued one like it. He didn't know if it would be good form to inquire what kind it was. "It's a cure for alcoholism," Price told him. "It runs a constant blood check to see that the alcohol level doesn't go over the sobriety limit." "What happens if you take one too many?" Price looked off as if at something not particularly interesting, but more interesting than what he was saying. "It drives a needle into my temple and kills me." The psychiatrist felt cold fury rising in him. The Cures were supposed to save lives, not endanger them. "What kind of irresponsible idiot could have issued such a device?" he demanded angrily. "I did," Price said. "I used to be a psychiatrist. I was always good in shop. This is a pretty effective mechanism, if I say so myself. It can't be removed without causing my death and it's indestructible. Impervium-shielded, you see." Price probably would never get crazed enough for liquor to kill himself, Infield knew. The threat of death would keep him constantly shocked sane. Men hide in the comforts of insanity, but when faced with death, they are often forced back to reality. A man can't move his legs; in a fire, though, he may run. His legs were definitely paralyzed before and may be again, but for one moment he would forget the moral defeat of his life and his withdrawal from life and live an enforced sanity. But sometimes the withdrawal was—or could become—too complete. "We're here." Infield looked up self-consciously and noticed that they had crossed two streets from his building and were standing in front of what appeared to be a small, dingy cafe. He followed Price through the screeching screen door. They seated themselves at a small table with a red-checked cloth. Infield wondered why cheap bars and restaurants always used red-checked cloths. Then he looked closer and discovered the reason. They did a remarkably good job of camouflaging the spots of grease and alcohol. A fat man who smelled of the grease and alcohol of the tablecloths shuffled up to them with a towel on his arm, staring ahead of him at some point in time rather than space. Price lit a cigarette with unsteady hands. "Reggie is studying biblical text. Cute gadget. His contact lenses are made up of a lot of layers of polarized glass. Every time he blinks, the amount of polarization changes and a new page appears. His father once told him that if he didn't study his Bible and pray for him, his old dad would die." The psychiatrist knew the threat on the father's part couldn't create such a fixation by itself. His eyebrows faintly inquired. Price nodded jerkily. "Twenty years ago, at least." "What'll you have, Georgie?" Reggie asked. The young man snubbed out his cigarette viciously. "Bourbon. Straight." Reggie smiled—a toothy, vacant, comedy-relief smile. "Fine. The Good Book says a little wine is good for a man, or something like that. I don't remember exactly." Of course he didn't, Infield knew. Why should he? It was useless to learn his Bible lessons to save his father, because it was obvious his father was dead. He would never succeed because there was no reason to succeed. But he had to try, didn't he, for his father's sake? He didn't hate his father for making him study. He didn't want him to die. He had to prove that. Infield sighed. At least this device kept the man on his feet, doing some kind of useful work instead of rotting in a padded cell with a probably imaginary Bible. A man could cut his wrists with the edge of a sheet of paper if he tried long enough, so of course the Bible would be imaginary. "But, Georgie," the waiter complained, "you know you won't drink it. You ask me to bring you drinks and then you just look at them. Boy, do you look funny when you're looking at drinks. Honest, Georgie, I want to laugh when I think of the way you look at a glass with a drink in it." He did laugh. Price fumbled with the cigarette stub in the black iron ashtray, examining it with the skill of scientific observation. "Mr. Infield is buying me the drink and that makes it different." Reggie went away. Price kept dissecting the tobacco and paper. Infield cleared his throat and again reminded himself against such obvious affectations. "You were telling me about some organization of the Cured," he said as a reminder. Price looked up, no longer interested in the relic of a cigarette. He was suddenly intensely interested and intensely observant of the rest of the cafe. "Was I? I was? Well, suppose you tell me something. What do you really think of the Incompletes?" The psychiatrist felt his face frown. "Who?" "I forgot. You haven't been one of us long. The Incompletes is a truer name for the so-called Normals. Have you ever thought of just how dangerous these people are, Mr. Infield?" "Frankly, no," Infield said, realizing it was not the right thing to say but tiring of constant pretense. "You don't understand. Everyone has some little phobia or fixation. Maybe everyone didn't have one once, but after being told they did have them for generations, everyone who didn't have one developed a defense mechanism and an aberration so they would be normal. If that phobia isn't brought to the surface and Cured, it may arise any time and endanger other people. The only safe, good sound citizens are Cured. Those lacking Cures—the Incompletes— must be dealt with ." Infield's throat went dry. "And you're the one to deal with them?" "It's my Destiny." Price quickly added, "And yours, too, of course." Infield nodded. Price was a demagogue, young, handsome, dynamic, likable, impassioned with his cause, and convinced that it was his divine destiny. He was a psychopathic egotist and a dangerous man. Doubly dangerous to Infield because, even though he was one of the few people who still read books from the old days of therapy to recognize Price for what he was, he nevertheless still liked the young man for the intelligence behind the egotism and the courage behind the fanaticism. "How are we going to deal with the Incompletes?" Infield asked. Price started to glance around the cafe, then half-shrugged, almost visibly thinking that he shouldn't run that routine into the ground. "We'll Cure them whether they want to be Cured or not—for their own good." Infield felt cold inside. After a time, he found that the roaring was not just in his head. It was thundering outside. He was getting sick. Price was the type of man who could spread his ideas throughout the ranks of the Cured—if indeed the plot was not already universal, imposed upon many ill minds. He could picture an entirely Cured world and he didn't like the view. Every Cure cut down on the mental and physical abilities of the patient as it was, whether Morgan and the others admitted it or not. But if everyone had a crutch to lean on for one phobia, he would develop secondary symptoms. People would start needing two Cures—perhaps a foetic gyro and a safety belt—then another and another. There would always be a crutch to lean on for one thing and then room enough to develop something else—until everyone would be loaded down with too many Cures to operate. A Cure was a last resort, dope for a malignancy case, euthanasia for the hopeless. Enforced Cures would be a curse for the individual and the race. But Infield let himself relax. How could anyone force a mechanical relief for neurotic or psychopathic symptoms on someone who didn't want or need it? "Perhaps you don't see how it could be done," Price said. "I'll explain." Reggie's heavy hand sat a straight bourbon down before Price and another before Infield. Price stared at the drink almost without comprehension of how it came to be. He started to sweat. "George, drink it." The voice belonged to a young woman, a blonde girl with pink skin and suave, draped clothes. In this den of the Cured, Infield thought half-humorously, it was surprising to see a Normal—an "Incomplete." But then he noticed something about the baby she carried. The Cure had been very simple. It wasn't even a mechanized half-human robot, just a rag doll. She sat down at the table. "George," she said, "drink it. One drink won't raise your alcohol index to the danger point. You've got to get over this fear of even the sight or smell of liquor." The girl turned to Infield. "You're one of us, but you're new, so you don't know about George. Maybe you can help if you do. It's all silly. He's not an alcoholic. He didn't need to put that Cure on his head. It's just an excuse for not drinking. All of this is just because a while back something happened to the baby here—" she adjusted the doll's blanket—"when he was drinking. Just drinking, not drunk. "I don't remember what happened to the baby—it wasn't important. But George has been brooding about it ever since. I guess he thinks something else bad will happen because of liquor. That's silly. Why don't you tell him it's silly?" "Maybe it is," Infield said softly. "You could take the shock if he downed that drink and the shock might do you good." Price laughed shortly. "I feel like doing something very melodramatic, like throwing my drink—and yours—across the room, but I haven't got the guts to touch those glasses. Do it for me, will you? Cauterizing the bite might do me good if I'd been bitten by a rabid dog, but I don't have the nerve to do it." Before Infield could move, Reggie came and set both drinks on a little circular tray. He moved away. "I knew it. That's all he did, just look at the drink. Makes me laugh." Price wiped the sweat off his palms. Infield sat and thought. Mrs. Price cooed to the rag doll, unmindful of either of them now. "You were explaining," the psychiatrist said. "You were going to tell me how you were going to Cure the Incompletes." "I said we were going to do it. Actually you will play a greater part than I, Doctor Infield." The psychiatrist sat rigidly. "You didn't think you could give me your right name in front of your own office building and that I wouldn't recognize you? I know some psychiatrists are sensitive about wearing Cures themselves, but it is a mark of honor of the completely sane man. You should be proud of your Cure and eager to Cure others. Very eager." "Just what do you mean?" He already suspected Price's meaning. Price leaned forward. "There is one phobia that is so wide-spread, a Cure is not even thought of—hypochondria. Hundreds of people come to your office for a Cure and you turn them away. Suppose you and the other Cured psychiatrists give everybody who comes to you a Cure?" Infield gestured vaguely. "A psychiatrist wouldn't hand out Cures unless they were absolutely necessary." "You'll feel differently after you've been Cured for a while yourself. Other psychiatrists have." Before Infield could speak, a stubble-faced, barrel-chested man moved past their table. He wore a safety belt. It was the man Price had called Davies, the one who had fastened one of his safety lines to Infield in the street. Davies went to the bar in the back. "Gimme a bottle," he demanded of a vacant-eyed Reggie. He came back toward them, carrying the bottle in one hand, brushing off rain drops with the other. He stopped beside Price and glared. Price leaned back. The chair creaked. Mrs. Price kept cooing to the doll. "You made me fall," Davies accused. Price shrugged. "You were unconscious. You never knew it." Sweat broke out on Davies' forehead. "You broke the Code. Don't you think I can imagine how it was to fall? You louse!" Suddenly, Davies triggered his safety belt. At close range, before the lines could fan out in a radius, all the lines in front attached themselves to Price, the ones at each side clung to their table and the floor, and all the others to the table behind Infield. Davies released all lines except those on Price, and then threw himself backward, dragging Price out of his chair and onto the floor. Davies didn't mind making others fall. They were always trying to make him fall just so they could laugh at him or pounce on him; why shouldn't he like to make them fall first? Expertly, Davies moved forward and looped the loose lines around Price's head and shoulders and then around his feet. He crouched beside Price and shoved the bottle into the gasping mouth and poured. Price twisted against the binding lines in blind terror, gagging and spouting whiskey. Davies laughed and tilted the bottle more. Mrs. Price screamed. "The Cure! If you get that much liquor in his system, it will kill him!" She rocked the rag doll in her arms, trying to soothe it, and stared in horror. Infield hit the big man behind the ear. He dropped the bottle and fell over sideways on the floor. Fear and hate mingled in his eyes as he looked up at Infield. Nonsense, Infield told himself. Eyes can't register emotion. Davies released his lines and drew them in. He got up precariously. "I'm going to kill you," he said, glaring at Infield. "You made me fall worse than Georgie did. I'm really going to kill you." Infield wasn't a large man, but he had pressed two hundred and fifty many times in gym. He grabbed Davies' belt with both hands and lifted him about six inches off the floor. "I could drop you," the psychiatrist said. "No!" Davies begged weakly. "Please!" "I'll do it if you cause more trouble." Infield sat down and rubbed his aching forearms. Davies backed off in terror, right into the arms of Reggie. The waiter closed his huge hands on the acrophobe's shoulders. " You broke the Code all the way," Reggie said. "The Good Book says 'Thou shouldn't kill' or something like that, and so does the Code." "Let him go, Reggie," Price choked out, getting to his feet. "I'm not dead." He wiped his hand across his mouth. "No. No, you aren't." Infield felt an excitement pounding through him, same as when he had diagnosed his first case. No, better than that. "That taste of liquor didn't kill you, Price. Nothing terrible happened. You could find some way to get rid of that Cure." Price stared at him as if he were a padded-cell case. "That's different. I'd be a hopeless drunk without the Cure. Besides, no one ever gets rid of a Cure." They were all looking at Infield. Somehow he felt this represented a critical point in history. It was up to him which turn the world took, the world as represented by these four Cured people. "I'm afraid I'm for less Cures instead of more, Price. Look, if I can show you that someone can discard a Cure, would you get rid of that—if I may use the word— monstrous thing on your head?" Price grinned. Infield didn't recognize its smugness at the time. "I'll show you." He took off the circlet with the lightning rod and yanked at the wire running down into his collar. The new-old excitement within was running high. He felt the wire snap and come up easily. He threw the Cure on the floor. "Now," he said, "I am going out in that rain storm. There's thunder and lightning out there. I'm afraid, but I can get along without a Cure and so can you." "You can't! Nobody can!" Price screamed after him. He turned to the others. "If he reveals us, the Cause is lost. We've got to stop him for good . We've got to go after him." "It's slippery," Davies whimpered. "I might fall." Mrs. Price cuddled her rag doll. "I can't leave the baby and she mustn't get wet." "Well, there's no liquor out there and you can study your text in the lightning flashes, Reggie. Come on." Running down the streets that were tunnels of shining tar, running into the knifing ice bristles of the rain, Henry Infield realized that he was very frightened of the lightning. There is no action without a reason, he knew from the old neglected books. He had had a latent fear of lightning when he chose the lightning rod Cure. He could have picked a safety belt or foetic gyro just as well. He sneezed. He was soaked through, but he kept on running. He didn't know what Price and Reggie planned to do when they caught him. He slipped and fell. He would soon find out what they wanted. The excitement was all gone now and it left an empty space into which fear rushed. Reggie said, "We shall make a sacrifice." Infield looked up and saw the lightning reflected on the blade of a thin knife. Infield reached toward it more in fascination than fear. He managed to get all his fingers around two of Reggie's. He jerked and the knife fell into Infield's palm. The psychiatrist pulled himself erect by holding to Reggie's arm. Staggering to his feet, he remembered what he must do and slashed at the waiter's head. A gash streaked across the man's brow and blood poured into his eyes. He screamed. "I can't see the words!" It was his problem. Infield usually solved other people's problems, but now he ran away—he couldn't even solve his own. Infield realized that he had gone mad as he held the thin blade high overhead, but he did need some kind of lightning rod. Price (who was right behind him, gaining) had been right. No one could discard a Cure. He watched the lightning play its light on the blade of his Cure and he knew that Price was going to kill him in the next moment. He was wrong. The lightning hit him first. Reggie squinted under the bandage at the lettering on the door that said INFIELD & MORGAN and opened the door. He ran across the room to the man sitting at the desk, reading by the swivel light. "Mr. Morgan, your partner, Mr. Infield, he—" "Just a moment." Morgan switched on the room lights. "What were you saying?" "Mr. Infield went out without his Cure in a storm and was struck by lightning. We took him to the morgue. He must have been crazy to go out without his Cure." Morgan stared into his bright desk light without blinking. "This is quite a shock to me. Would you mind leaving? I'll come over to your place and you can tell me about it later." Reggie went out. "Yes, sir. He was struck by lightning, struck dead. He must have been crazy to leave his Cure...." The door closed. Morgan exhaled. Poor Infield. But it wasn't the lightning that killed him, of course. Morgan adjusted the soundproofing plugs in his ears, thinking that you did have to have quite a bit of light to read lips. The thunder, naturally, was what had killed Infield. Loud noise—any noise—that would do it every time. Too bad Infield had never really stopped being one of the Incompletes. Dangerous people. He would have to deal with them.
train	50969	[ "How does Taphetta's initial response to Halden's evidence represent a greater dynamic between species?", "What is ironic about Taphetta's contempt for mating among species?", "What is the governing principle that classifies the characters in the story?", "In the story, it is stated that \"the integrity of the Ribboneers was not to be questioned\" -- what potentially negative implications might this have?", "What is both a gift and curse of humanity?", "What most attracts Meredith to Halden?", "Within the setting of the story, what makes one character more attractive than the other?", "The scene depicting the two pests interacting is symbolic of: ", "What most attracts Halden to Meredith?" ]	[ [ "Like Taphetta, ribboneers are highly aware of their superior intellectual status, and are skeptical when presented with 'lower level' information", "Like Taphetta, ribboneers possess lower reasoning capacities than humans, and are insecure when presented with 'higher level' information", "Like Taphetta, ribboneers are the most brilliant species, and are initially defensive when presented with information that contradicts what they believe to be true", "Like Taphetta, ribboneers are the quickest species to evolve, and are enthusiastic when presented with information that could further their advancement" ], [ "Taphetta can only survive if they mate with another species", "Taphetta is actually jealous about other species' ability to intermix", "Taphetta is likely a result of mating among species", "Taphetta is biologically unable to mate with other species " ], [ "ancestral bloodline", "physical biology", "galactic prevalence", "intellectual status" ], [ "The Ribboneers could use evidence from the adjacent mating principle to eradicate 'lower-level' species", "The Ribboneers could be held responsible for solving problems that even they are not qualified to resolve", "The Ribboneers could use evidence from the adjacent mating principle to further advance their own species", "The Ribboneers could wield their reputation in order to lie, manipulate, and accumulate more power" ], [ "They are intellectually superior, but unable to mate with other species (and therefore grow their population) due to galactic mating laws", "They are biologically superior, but their restrictive mating abilities prevent them from growing their population as fast as other species", "They have a tendency to unify against a potential threat, but are unaware of how they could overtake other species through strength in unification", "They have a tendency to fall in love easily, which is difficult to manage when they become attracted to 'higher-level' species, who are off limits" ], [ "His compassion", "His physical appearance", "His intellect", "His savageness" ], [ "Having a pure genetic line", "Reasoning capacities", "Evolutionary status", "Lineage to the big ancestor" ], [ "The potential danger that could result if intermixing becomes prevalent and social stratification becomes impossible", "The reality that 'playing dead' is the best strategy for managing other threatening species who use more overt power to retain superiority ", "The lengths all species will go to in order to surpass one another or protect their own status", "Taphetta's actualized fear that humans will use germ plasm to become biologically superior to his race" ], [ "Her bold and outspoken communication among 'higher-level' species", "Her shared desire to be associated with a 'higher-level' species", "Her long, slender legs and biologically superior appearance", "Her blatant disregard for rules that govern intermixing among species" ] ]	[ 1, 4, 1, 4, 3, 4, 3, 3, 3 ]	[ 1, 1, 1, 0, 1, 1, 1, 0, 1 ]	BIG ANCESTOR By F. L. WALLACE Illustrated by EMSH [Transcriber's Note: This etext was produced from Galaxy Science Fiction November 1954. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] Man's family tree was awesome enough to give every galactic race an inferiority complex—but then he tried to climb it! In repose, Taphetta the Ribboneer resembled a fancy giant bow on a package. His four flat legs looped out and in, the ends tucked under his wide, thin body, which constituted the knot at the middle. His neck was flat, too, arching out in another loop. Of all his features, only his head had appreciable thickness and it was crowned with a dozen long though narrower ribbons. Taphetta rattled the head fronds together in a surprisingly good imitation of speech. "Yes, I've heard the legend." "It's more than a legend," said Sam Halden, biologist. The reaction was not unexpected—non-humans tended to dismiss the data as convenient speculation and nothing more. "There are at least a hundred kinds of humans, each supposedly originating in strict seclusion on as many widely scattered planets. Obviously there was no contact throughout the ages before space travel— and yet each planetary race can interbreed with a minimum of ten others ! That's more than a legend—one hell of a lot more!" "It is impressive," admitted Taphetta. "But I find it mildly distasteful to consider mating with someone who does not belong to my species." "That's because you're unique," said Halden. "Outside of your own world, there's nothing like your species, except superficially, and that's true of all other creatures, intelligent or not, with the sole exception of mankind. Actually, the four of us here, though it's accidental, very nearly represent the biological spectrum of human development. "Emmer, a Neanderthal type and our archeologist, is around the beginning of the scale. I'm from Earth, near the middle, though on Emmer's side. Meredith, linguist, is on the other side of the middle. And beyond her, toward the far end, is Kelburn, mathematician. There's a corresponding span of fertility. Emmer just misses being able to breed with my kind, but there's a fair chance that I'd be fertile with Meredith and a similar though lesser chance that her fertility may extend to Kelburn." Taphetta rustled his speech ribbons quizzically. "But I thought it was proved that some humans did originate on one planet, that there was an unbroken line of evolution that could be traced back a billion years." "You're thinking of Earth," said Halden. "Humans require a certain kind of planet. It's reasonable to assume that, if men were set down on a hundred such worlds, they'd seem to fit in with native life-forms on a few of them. That's what happened on Earth; when Man arrived, there was actually a manlike creature there. Naturally our early evolutionists stretched their theories to cover the facts they had. "But there are other worlds in which humans who were there before the Stone Age aren't related to anything else there. We have to conclude that Man didn't originate on any of the planets on which he is now found. Instead, he evolved elsewhere and later was scattered throughout this section of the Milky Way." "And so, to account for the unique race that can interbreed across thousands of light-years, you've brought in the big ancestor," commented Taphetta dryly. "It seems an unnecessary simplification." "Can you think of a better explanation?" asked Kelburn. "Something had to distribute one species so widely and it's not the result of parallel evolution—not when a hundred human races are involved, and only the human race." "I can't think of a better explanation." Taphetta rearranged his ribbons. "Frankly, no one else is much interested in Man's theories about himself." It was easy to understand the attitude. Man was the most numerous though not always the most advanced—Ribboneers had a civilization as high as anything in the known section of the Milky Way, and there were others—and humans were more than a little feared. If they ever got together—but they hadn't except in agreement as to their common origin. Still, Taphetta the Ribboneer was an experienced pilot and could be very useful. A clear statement of their position was essential in helping him make up his mind. "You've heard of the adjacency mating principle?" asked Sam Halden. "Vaguely. Most people have if they've been around men." "We've got new data and are able to interpret it better. The theory is that humans who can mate with each other were once physically close. We've got a list of all our races arranged in sequence. If planetary race F can mate with race E back to A and forward to M, and race G is fertile only back to B, but forward to O, then we assume that whatever their positions are now, at once time G was actually adjacent to F, but was a little further along. When we project back into time those star systems on which humans existed prior to space travel, we get a certain pattern. Kelburn can explain it to you." The normally pink body of the Ribboneer flushed slightly. The color change was almost imperceptible, but it was enough to indicate that he was interested. Kelburn went to the projector. "It would be easier if we knew all the stars in the Milky Way, but though we've explored only a small portion of it, we can reconstruct a fairly accurate representation of the past." He pressed the controls and stars twinkled on the screen. "We're looking down on the plane of the Galaxy. This is one arm of it as it is today and here are the human systems." He pressed another control and, for purposes of identification, certain stars became more brilliant. There was no pattern, merely a scattering of stars. "The whole Milky Way is rotating. And while stars in a given region tend to remain together, there's also a random motion. Here's what happens when we calculate the positions of stars in the past." Flecks of light shifted and flowed across the screen. Kelburn stopped the motion. "Two hundred thousand years ago," he said. There was a pattern of the identified stars. They were spaced at fairly equal intervals along a regular curve, a horseshoe loop that didn't close, though if the ends were extended, the lines would have crossed. Taphetta rustled. "The math is accurate?" "As accurate as it can be with a million-plus body problem." "And that's the hypothetical route of the unknown ancestor?" "To the best of our knowledge," said Kelburn. "And whereas there are humans who are relatively near and not fertile, they can always mate with those they were adjacent to two hundred thousand years ago !" "The adjacency mating principle. I've never seen it demonstrated," murmured Taphetta, flexing his ribbons. "Is that the only era that satisfies the calculations?" "Plus or minus a hundred thousand years, we can still get something that might be the path of a spaceship attempting to cover a representative section of territory," said Kelburn. "However, we have other ways of dating it. On some worlds on which there are no other mammals, we're able to place the first human fossils chronologically. The evidence is sometimes contradictory, but we believe we've got the time right." Taphetta waved a ribbon at the chart. "And you think that where the two ends of the curve cross is your original home?" "We think so," said Kelburn. "We've narrowed it down to several cubic light-years—then. Now it's far more. And, of course, if it were a fast-moving star, it might be completely out of the field of our exploration. But we're certain we've got a good chance of finding it this trip." "It seems I must decide quickly." The Ribboneer glanced out the visionport, where another ship hung motionless in space beside them. "Do you mind if I ask other questions?" "Go ahead," Kelburn invited sardonically. "But if it's not math, you'd better ask Halden. He's the leader of the expedition." Halden flushed; the sarcasm wasn't necessary. It was true that Kelburn was the most advanced human type present, but while there were differences, biological and in the scale of intelligence, it wasn't as great as once was thought. Anyway, non-humans weren't trained in the fine distinctions that men made among themselves. And, higher or lower, he was as good a biologist as the other was a mathematician. And there was the matter of training; he'd been on several expeditions and this was Kelburn's first trip. Damn it, he thought, that rated some respect. The Ribboneer shifted his attention. "Aside from the sudden illness of your pilot, why did you ask for me?" "We didn't. The man became sick and required treatment we can't give him. Luckily, a ship was passing and we hailed it because it's four months to the nearest planet. They consented to take him back and told us that there was a passenger on board who was an experienced pilot. We have men who could do the job in a makeshift fashion, but the region we're heading for, while mapped, is largely unknown. We'd prefer to have an expert—and Ribboneers are famous for their navigational ability." Taphetta crinkled politely at the reference to his skill. "I had other plans, but I can't evade professional obligations, and an emergency such as this should cancel out any previous agreements. Still, what are the incentives?" Sam Halden coughed. "The usual, plus a little extra. We've copied the Ribboneer's standard nature, simplifying it a little and adding a per cent here and there for the crew pilot and scientist's share of the profits from any discoveries we may make." "I'm complimented that you like our contract so well," said Taphetta, "but I really must have our own unsimplified version. If you want me, you'll take my contract. I came prepared." He extended a tightly bound roll that he had kept somewhere on his person. They glanced at one another as Halden took it. "You can read it if you want," offered Taphetta. "But it will take you all day—it's micro-printing. However, you needn't be afraid that I'm defrauding you. It's honored everywhere we go and we go nearly everywhere in this sector—places men have never been." There was no choice if they wanted him, and they did. Besides, the integrity of Ribboneers was not to be questioned. Halden signed. "Good." Taphetta crinkled. "Send it to the ship; they'll forward it for me. And you can tell the ship to go on without me." He rubbed his ribbons together. "Now if you'll get me the charts, I'll examine the region toward which we're heading." Firmon of hydroponics slouched in, a tall man with scanty hair and an equal lack of grace. He seemed to have difficulty in taking his eyes off Meredith, though, since he was a notch or so above her in the mating scale, he shouldn't have been so interested. But his planet had been inexplicably slow in developing and he wasn't completely aware of his place in the human hierarchy. Disdainfully, Meredith adjusted a skirt that, a few inches shorter, wouldn't have been a skirt at all, revealing, while doing so, just how long and beautiful a woman's legs could be. Her people had never given much thought to physical modesty and, with legs like that, it was easy to see why. Muttering something about primitive women, Firmon turned to the biologist. "The pilot doesn't like our air." "Then change it to suit him. He's in charge of the ship and knows more about these things than I do." "More than a man?" Firmon leered at Meredith and, when she failed to smile, added plaintively, "I did try to change it, but he still complains." Halden took a deep breath. "Seems all right to me." "To everybody else, too, but the tapeworm hasn't got lungs. He breathes through a million tubes scattered over his body." It would do no good to explain that Taphetta wasn't a worm, that his evolution had taken a different course, but that he was in no sense less complex than Man. It was a paradox that some biologically higher humans hadn't developed as much as lower races and actually weren't prepared for the multitude of life-forms they'd meet in space. Firmon's reaction was quite typical. "If he asks for cleaner air, it's because his system needs it," said Halden. "Do anything you can to give it to him." "Can't. This is as good as I can get it. Taphetta thought you could do something about it." "Hydroponics is your job. There's nothing I can do." Halden paused thoughtfully. "Is there something wrong with the plants?" "In a way, I guess, and yet not really." "What is it, some kind of toxic condition?" "The plants are healthy enough, but something's chewing them down as fast as they grow." "Insects? There shouldn't be any, but if there are, we've got sprays. Use them." "It's an animal," said Firmon. "We tried poison and got a few, but now they won't touch the stuff. I had electronics rig up some traps. The animals seem to know what they are and we've never caught one that way." Halden glowered at the man. "How long has this been going on?" "About three months. It's not bad; we can keep up with them." It was probably nothing to become alarmed at, but an animal on the ship was a nuisance, doubly so because of their pilot. "Tell me what you know about it," said Halden. "They're little things." Firmon held out his hands to show how small. "I don't know how they got on, but once they did, there were plenty of places to hide." He looked up defensively. "This is an old ship with new equipment and they hide under the machinery. There's nothing we can do except rebuild the ship from the hull inward." Firmon was right. The new equipment had been installed in any place just to get it in and now there were inaccessible corners and crevices everywhere that couldn't be closed off without rebuilding. They couldn't set up a continuous watch and shoot the animals down because there weren't that many men to spare. Besides, the use of weapons in hydroponics would cause more damage to the thing they were trying to protect than to the pest. He'd have to devise other ways. Sam Halden got up. "I'll take a look and see what I can do." "I'll come along and help," said Meredith, untwining her legs and leaning against him. "Your mistress ought to have some sort of privileges." Halden started. So she knew that the crew was calling her that! Perhaps it was intended to discourage Firmon, but he wished she hadn't said it. It didn't help the situation at all. Taphetta sat in a chair designed for humans. With a less flexible body, he wouldn't have fitted. Maybe it wasn't sitting, but his flat legs were folded neatly around the arms and his head rested comfortably on the seat. The head ribbons, which were his hands and voice, were never quite still. He looked from Halden to Emmer and back again. "The hydroponics tech tells me you're contemplating an experiment. I don't like it." Halden shrugged. "We've got to have better air. It might work." "Pests on the ship? It's filthy! My people would never tolerate it!" "Neither do we." The Ribboneer's distaste subsided. "What kind of creatures are they?" "I have a description, though I've never seen one. It's a small four-legged animal with two antennae at the lower base of its skull. A typical pest." Taphetta rustled. "Have you found out how it got on?" "It was probably brought in with the supplies," said the biologist. "Considering how far we've come, it may have been any one of a half a dozen planets. Anyway, it hid, and since most of the places it had access to were near the outer hull, it got an extra dose of hard radiation, or it may have nested near the atomic engines; both are possibilities. Either way, it mutated, became a different animal. It's developed a tolerance for the poisons we spray on plants. Other things it detects and avoids, even electronic traps." "Then you believe it changed mentally as well as physically, that it's smarter?" "I'd say that, yes. It must be a fairly intelligent creature to be so hard to get rid of. But it can be lured into traps, if the bait's strong enough." "That's what I don't like," said Taphetta, curling. "Let me think it over while I ask questions." He turned to Emmer. "I'm curious about humans. Is there anything else you can tell me about the hypothetical ancestor?" Emmer didn't look like the genius he was—a Neanderthal genius, but nonetheless a real one. In his field, he rated very high. He raised a stubble-flecked cheek from a large thick-fingered paw and ran shaggy hands through shaggier hair. "I can speak with some authority," he rumbled. "I was born on a world with the most extensive relics. As a child, I played in the ruins of their camp." "I don't question your authority," crinkled Taphetta. "To me, all humans—late or early and male or female—look remarkably alike. If you are an archeologist, that's enough for me." He paused and flicked his speech ribbons. "Camp, did you say?" Emmer smiled, unsheathing great teeth. "You've never seen any pictures? Impressive, but just a camp, monolithic one-story structures, and we'd give something to know what they're made of. Presumably my world was one of the first they stopped at. They weren't used to roughing it, so they built more elaborately than they did later on. One-story structures and that's how we can guess at their size. The doorways were forty feet high." "Very large," agreed Taphetta. It was difficult to tell whether he was impressed. "What did you find in the ruins?" "Nothing," said Emmer. "There were buildings there and that was all, not a scrap of writing or a tool or a single picture. They covered a route estimated at thirty thousand light-years in less than five thousand years—and not one of them died that we have a record of." "A faster-than-light drive and an extremely long life," mused Taphetta. "But they didn't leave any information for their descendants. Why?" "Who knows? Their mental processes were certainly far different from ours. They may have thought we'd be better off without it. We do know they were looking for a special kind of planet, like Earth, because they visited so many of that type, yet different from it because they never stayed. They were pretty special people themselves, big and long-lived, and maybe they couldn't survive on any planet they found. Perhaps they had ways of determining there wasn't the kind of planet they needed in the entire Milky Way. Their science was tremendously advanced and when they learned that, they may have altered their germ plasm and left us, hoping that some of us would survive. Most of us did." "This special planet sounds strange," murmured Taphetta. "Not really," said Emmer. "Fifty human races reached space travel independently and those who did were scattered equally among early and late species. It's well known that individuals among my people are often as bright as any of Halden's or Meredith's, but as a whole we don't have the total capacity that later Man does, and yet we're as advanced in civilization. The difference? It must lie somewhere in the planets we live on and it's hard to say just what it is." "What happened to those who didn't develop space travel?" asked Taphetta. "We helped them," said Emmer. And they had, no matter who or what they were, biologically late or early, in the depths of the bronze age or the threshold of atomic—because they were human. That was sometimes a frightening thing for non-humans, that the race stuck together. They weren't actually aggressive, but their total number was great and they held themselves aloof. The unknown ancestor again. Who else had such an origin and, it was tacitly assumed, such a destiny? Taphetta changed his questioning. "What do you expect to gain from this discovery of the unknown ancestor?" It was Halden who answered him. "There's the satisfaction of knowing where we came from." "Of course," rustled the Ribboneer. "But a lot of money and equipment was required for this expedition. I can't believe that the educational institutions that are backing you did so purely out of intellectual curiosity." "Cultural discoveries," rumbled Emmer. "How did our ancestors live? When a creature is greatly reduced in size, as we are, more than physiology is changed—the pattern of life itself is altered. Things that were easy for them are impossible for us. Look at their life span." "No doubt," said Taphetta. "An archeologist would be interested in cultural discoveries." "Two hundred thousand years ago, they had an extremely advanced civilization," added Halden. "A faster-than-light drive, and we've achieved that only within the last thousand years." "But I think we have a better one than they did," said the Ribboneer. "There may be things we can learn from them in mechanics or physics, but wouldn't you say they were better biologists than anything else?" Halden nodded. "Agreed. They couldn't find a suitable planet. So, working directly with their germ plasm, they modified themselves and produced us. They were master biologists." "I thought so," said Taphetta. "I never paid much attention to your fantastic theories before I signed to pilot this ship, but you've built up a convincing case." He raised his head, speech ribbons curling fractionally and ceaselessly. "I don't like to, but we'll have to risk using bait for your pest." He'd have done it anyway, but it was better to have the pilot's consent. And there was one question Halden wanted to ask; it had been bothering him vaguely. "What's the difference between the Ribboneer contract and the one we offered you? Our terms are more liberal." "To the individual, they are, but it won't matter if you discover as much as you think you will. The difference is this: My terms don't permit you to withhold any discovery for the benefit of one race." Taphetta was wrong; there had been no intention of withholding anything. Halden examined his own attitudes. He hadn't intended, but could he say that was true of the institutions backing the expedition? He couldn't, and it was too late now—whatever knowledge they acquired would have to be shared. That was what Taphetta had been afraid of—there was one kind of technical advancement that multiplied unceasingly. The race that could improve itself through scientific control of its germ plasm had a start that could never be headed. The Ribboneer needn't worry now. "Why do we have to watch it on the screen?" asked Meredith, glancing up. "I'd rather be in hydroponics." Halden shrugged. "They may or may not be smarter than planetbound animals, but they're warier. They don't come out when anyone's near." Lights dimmed in the distant hydroponic section and the screen with it, until he adjusted the infra-red frequencies. He motioned to the two crew members, each with his own peculiar screen, below which was a miniature keyboard. "Ready?" When they nodded, Halden said: "Do as you've rehearsed. Keep noise at a minimum, but when you do use it, be vague. Don't try to imitate them exactly." At first, nothing happened on the big screen, and then a gray shape crept out. It slid through leaves, listened intently before coming forward. It jumped off one hydroponic section and fled across the open floor to the next. It paused, eyes glittering and antennae twitching. Looking around once, it leaped up, seizing the ledge and clawing up the side of the tank. Standing on top and rising to its haunches, it began nibbling what it could reach. Suddenly it whirled. Behind it and hitherto unnoticed was another shape, like it but larger. The newcomer inched forward. The small one retreated, skittering nervously. Without warning, the big one leaped and the small one tried to flee. In a few jumps, the big one caught up and mauled the other unmercifully. It continued to bite even after the little one lay still. At last it backed off and waited, watching for signs of motion. There was none. Then it turned to the plant. When it had chewed off everything within reach, it climbed into the branches. The little one twitched, moved a leg, and cautiously began dragging itself away. It rolled off the raised section and surprisingly made no noise as it fell. It seemed to revive, shaking itself and scurrying away, still within range of the screen. Against the wall was a small platform. The little one climbed on top and there found something that seemed to interest it. It sniffed around and reached and felt the discovery. Wounds were forgotten as it snatched up the object and frisked back to the scene of its recent defeat. This time it had no trouble with the raised section. It leaped and landed on top and made considerable noise in doing so. The big animal heard and twisted around. It saw and clambered down hastily, jumping the last few feet. Squealing, it hit the floor and charged. The small one stood still till the last instant—and then a paw flickered out and an inch-long knife blade plunged into the throat of the charging creature. Red spurted out as the bigger beast screamed. The knife flashed in and out until the big animal collapsed and stopped moving. The small creature removed the knife and wiped it on the pelt of its foe. Then it scampered back to the platform on which the knife had been found— and laid it down . At Halden's signal, the lights flared up and the screen became too bright for anything to be visible. "Go in and get them," said Halden. "We don't want the pests to find out that the bodies aren't flesh." "It was realistic enough," said Meredith as the crewmen shut off their machines and went out. "Do you think it will work?" "It might. We had an audience." "Did we? I didn't notice." Meredith leaned back. "Were the puppets exactly like the pests? And if not, will the pests be fooled?" "The electronic puppets were a good imitation, but the animals don't have to identify them as their species. If they're smart enough, they'll know the value of a knife, no matter who uses it." "What if they're smarter? Suppose they know a knife can't be used by a creature without real hands?" "That's part of our precautions. They'll never know until they try—and they'll never get away from the trap to try." "Very good. I never thought of that," said Meredith, coming closer. "I like the way your primitive mind works. At times I actually think of marrying you." "Primitive," he said, alternately frozen and thawed, though he knew that, in relation to her, he was not advanced. "It's almost a curse, isn't it?" She laughed and took the curse away by leaning provocatively against him. "But barbaric lovers are often nice." Here we go again, he thought drearily, sliding his arm around her. To her, I'm merely a passionate savage. They went to his cabin. She sat down, smiling. Was she pretty? Maybe. For her own race, she wasn't tall, only by Terran standards. Her legs were disproportionately long and well shaped and her face was somewhat bland and featureless, except for a thin, straight, short nose. It was her eyes that made the difference, he decided. A notch or two up the scale of visual development, her eyes were larger and she could see an extra color on the violet end of the spectrum. She settled back and looked at him. "It might be fun living with you on primeval Earth." He said nothing; she knew as well as he that Earth was as advanced as her own world. She had something else in mind. "I don't think I will, though. We might have children." "Would it be wrong?" he asked. "I'm as intelligent as you. We wouldn't have subhuman monsters." "It would be a step up—for you." Under her calm, there was tension. It had been there as long as he'd known her, but it was closer to the surface now. "Do I have the right to condemn the unborn? Should I make them start lower than I am?" The conflict was not new nor confined to them. In one form or another, it governed personal relations between races that were united against non-humans, but held sharp distinctions themselves. "I haven't asked you to marry me," he said bluntly. "Because you're afraid I'd refuse." It was true; no one asked a member of a higher race to enter a permanent union. "Why did you ever have anything to do with me?" demanded Halden. "Love," she said gloomily. "Physical attraction. But I can't let it lead me astray." "Why not make a play for Kelburn? If you're going to be scientific about it, he'd give you children of the higher type." "Kelburn." It didn't sound like a name, the way she said it. "I don't like him and he wouldn't marry me." "He wouldn't, but he'd give you children if you were humble enough. There's a fifty per cent chance you might conceive." She provocatively arched her back. Not even the women of Kelburn's race had a body like hers and she knew it. "Racially, there should be a chance," she said. "Actually, Kelburn and I would be infertile." "Can you be sure?" he asked, knowing it was a poor attempt to act unconcerned. "How can anyone be sure on a theoretical basis?" she asked, an oblique smile narrowing her eyes. "I know we can't." His face felt anesthetized. "Did you have to tell me that?" She got up and came to him. She nuzzled against him and his reaction was purely reflexive. His hand swung out and he could feel the flesh give when his knuckles struck it. She fell back and dazedly covered her face with her hand. When she took it away, blood spurted. She groped toward the mirror and stood in front of it. She wiped the blood off, examining her features carefully. "You've broken my nose," she said factually. "I'll have to stop the blood and pain." She pushed her nose back into place and waggled it to make sure. She closed her eyes and stood silent and motionless. Then she stepped back and looked at herself critically. "It's set and partially knitted. I'll concentrate tonight and have it healed by morning." She felt in the cabinet and attached an invisible strip firmly across the bridge. Then she came over to him. "I wondered what you'd do. You didn't disappoint me." He scowled miserably at her. Her face was almost plain and the bandage, invisible or not, didn't improve her appearance any. How could he still feel that attraction to her? "Try Emmer," he suggested tiredly. "He'll find you irresistible, and he's even more savage than I am." "Is he?" She smiled enigmatically. "Maybe, in a biological sense. Too much, though. You're just right." He sat down on the bed. Again there was only one way of knowing what Emmer would do—and she knew. She had no concept of love outside of the physical, to make use of her body so as to gain an advantage—what advantage?—for the children she intended to have. Outside of that, nothing mattered, and for the sake of alloying the lower with the higher, she was as cruel to herself as she was to him. And yet he wanted her. "I do think I love you," she said. "And if love's enough, I may marry you in spite of everything. But you'll have to watch out whose children I have." She wriggled into his arms. The racial disparity was great and she had provoked him, but it was not completely her fault. Besides.... Besides what? She had a beautiful body that could bear superior children—and they might be his. He twisted away. With those thoughts, he was as bad as she was. Were they all that way, every one of them, crawling upward out of the slime toward the highest goal they could conceive of? Climbing over—no, through —everybody they could coerce, seduce or marry—onward and upward. He raised his hand, but it was against himself that his anger was turned. "Careful of the nose," she said, pressing against him. "You've already broken it once." He kissed her with sudden passion that even he knew was primitive.
train	51494	[ "How does Purnie stop time?", "Why shouldn't Purnie stop time?", "What does the ocean consist of on this planet?", "Why does Purnie start limping?", "Why does Forbes want to take Purnie?", "Why does Purnie save the humans?", "Who are the animals that Purnie plays with?", "Why does the Captain go looking for Purnie?", "Why can't the Captain find Purnie?" ]	[ [ "Purnie stops time using tripons.", "Purnie stops time by standing on his head.", "Purnie stops time using radiation.", "Purnie stops time with his thoughts." ], [ "Small children who stop time, may not live to regret it.", "Purnie may be abducted if the animals know he can stop time.", "Purnie may not be able to get time going again.", "Stopping time consumes massive amounts of energy." ], [ "The ocean is freshwater.", "The ocean is saltwater.", "The ocean is purple liquid.", "The ocean is acid." ], [ "Purnie is limping because a petrified log fell on his leg.", "Purnie is limping because he was shot in the leg.", "Purnie is limping because he tripped on a petrified log.", "Purnie is limping because of radiation poisoning." ], [ "Forbes wants Purnie because he emits radiation.", "Forbes wants Purnie because he is very strong.", "Forbes wants Purnie because he can stop time.", "Forbes wants Purnie because he looks like a kangaroo." ], [ "Purnie is worried other humans will come to his planet if he doesn't save this group.", "Purnie blames himself for the avalanche that trapped his friends.", "Purnie thinks the humans are his friends.", "Purnie thinks the humans can cure his radiation poisoning." ], [ "They are three-legged ostriches.", "They are a flock of spora.", "They are mannikins.", "They are humans." ], [ "The Captain knows that an animal with Purnie's strength is worth a fortune.", "The Captian knows an animal that can stop time is worth a fortune.", "The Captain knows a radioactive animal is worth a fortune.", "The Captain knows Purnie saved the crew." ], [ "Purnie lost consciousness outside of time.", "Purnie drowned in the ocean.", "Purnie is covered by the petrified logs and too weak to call out for help.", "Purnie lost consciousness and is now invisible." ] ]	[ 4, 4, 4, 2, 1, 2, 4, 4, 1 ]	[ 0, 0, 0, 0, 1, 1, 0, 1, 0 ]	BEACH SCENE By MARSHALL KING Illustrated by WOOD [Transcriber's Note: This etext was produced from Galaxy Magazine October 1960. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] It was a fine day at the beach for Purnie's game—but his new friends played very rough! Purnie ran laughing and shouting through the forest until he could run no more. He fell headlong into a patch of blue moss and whooped with delight in having this day free for exploring. He was free to see the ocean at last. When he had caught his breath, he looked back through the forest. No sign of the village; he had left it far behind. Safe from the scrutiny of brothers and parents, there was nothing now to stop him from going to the ocean. This was the moment to stop time. "On your mark!" he shouted to the rippling stream and its orange whirlpools. He glanced furtively from side to side, pretending that some object might try to get a head start. "Get set!" he challenged the thin-winged bees that hovered over the abundant foliage. "Stop!" He shrieked this command upward toward the dense, low-hanging purple clouds that perennially raced across the treetops, making one wonder how tall the trees really were. His eyes took quick inventory. It was exactly as he knew it would be: the milky-orange stream had become motionless and its minute whirlpools had stopped whirling; a nearby bee hung suspended over a paka plant, its transparent wings frozen in position for a downward stroke; and the heavy purple fluid overhead held fast in its manufacture of whorls and nimbi. With everything around him in a state of perfect tableau, Purnie hurried toward the ocean. If only the days weren't so short! he thought. There was so much to see and so little time. It seemed that everyone except him had seen the wonders of the beach country. The stories he had heard from his brothers and their friends had taunted him for as long as he could remember. So many times had he heard these thrilling tales that now, as he ran along, he could clearly picture the wonderland as though he were already there. There would be a rockslide of petrified logs to play on, the ocean itself with waves higher than a house, the comical three-legged tripons who never stopped munching on seaweed, and many kinds of other wonderful creatures found only at the ocean. He bounced through the forest as though the world was reserved this day just for him. And who could say it wasn't? he thought. Wasn't this his fifth birthday? He ran along feeling sorry for four-year-olds, and even for those who were only four and a half, for they were babies and wouldn't dare try slipping away to the ocean alone. But five! "I'll set you free, Mr. Bee—just wait and see!" As he passed one of the many motionless pollen-gathering insects he met on the way, he took care not to brush against it or disturb its interrupted task. When Purnie had stopped time, the bees—like all the other creatures he met—had been arrested in their native activities, and he knew that as soon as he resumed time, everything would pick up where it had left off. When he smelled an acid sweetness that told him the ocean was not far off, his pulse quickened in anticipation. Rather than spoil what was clearly going to be a perfect day, he chose to ignore the fact that he had been forbidden to use time-stopping as a convenience for journeying far from home. He chose to ignore the oft-repeated statement that an hour of time-stopping consumed more energy than a week of foot-racing. He chose to ignore the negative maxim that "small children who stop time without an adult being present, may not live to regret it." He chose, instead, to picture the beaming praise of family and friends when they learned of his brave journey. The journey was long, the clock stood still. He stopped long enough to gather some fruit that grew along the path. It would serve as his lunch during this day of promise. With it under his arm he bounded along a dozen more steps, then stopped abruptly in his tracks. He found himself atop a rocky knoll, overlooking the mighty sea! He was so overpowered by the vista before him that his "Hurrah!" came out as a weak squeak. The ocean lay at the ready, its stilled waves awaiting his command to resume their tidal sweep. The breakers along the shoreline hung in varying stages of disarray, some having already exploded into towering white spray while others were poised in smooth orange curls waiting to start that action. And there were new friends everywhere! Overhead, a flock of spora were frozen in a steep glide, preparatory to a beach landing. Purnie had heard of these playful creatures many times. Today, with his brothers in school, he would have the pets all to himself. Further down the beach was a pair of two-legged animals poised in mid-step, facing the spot where Purnie now stood. Some distance behind them were eight more, each of whom were motionless in a curious pose of interrupted animation. And down in the water, where the ocean ran itself into thin nothingness upon the sand, he saw standing here and there the comical tripons, those three-legged marine buffoons who made handsome careers of munching seaweed. "Hi there!" Purnie called. When he got no reaction, he remembered that he himself was "dead" to the living world: he was still in a zone of time-stopping, on the inside looking out. For him, the world would continue to be a tableau of mannikins until he resumed time. "Hi there!" he called again; but now his mental attitude was that he expected time to resume. It did! Immediately he was surrounded by activity. He heard the roar of the crashing orange breakers, he tasted the dew of acid that floated from the spray, and he saw his new friends continue the actions which he had stopped while back in the forest. He knew, too, that at this moment, in the forest, the little brook picked up its flow where it had left off, the purple clouds resumed their leeward journey up the valley, and the bees continued their pollen-gathering without having missed a single stroke of their delicate wings. The brook, the clouds, and the insects had not been interrupted in the least; their respective tasks had been performed with continuing sureness. It was time itself that Purnie had stopped, not the world around him. He scampered around the rockpile and down the sandy cliff to meet the tripons who, to him, had just come to life. "I can stand on my head!" He set down his lunch and balanced himself bottoms-up while his legs pawed the air in an effort to hold him in position. He knew it was probably the worst head-stand he had ever done, for he felt weak and dizzy. Already time-stopping had left its mark on his strength. But his spirits ran on unchecked. The tripon thought Purnie's feat was superb. It stopped munching long enough to give him a salutory wag of its rump before returning to its repast. Purnie ran from pillar to post, trying to see and do everything at once. He looked around to greet the flock of spora, but they had glided to a spot further along the shore. Then, bouncing up to the first of the two-legged animals, he started to burst forth with his habitual "Hi there!" when he heard them making sounds of their own. "... will be no limit to my operations now, Benson. This planet makes seventeen. Seventeen planets I can claim as my own!" "My, my. Seventeen planets. And tell me, Forbes, just what the hell are you going to do with them—mount them on the wall of your den back in San Diego?" "Hi there, wanna play?" Purnie's invitation got nothing more than startled glance from the animals who quickly returned to their chatter. He scampered up the beach, picked up his lunch, and ran back to them, tagging along at their heels. "I've got my lunch, want some?" "Benson, you'd better tell your men back there to stop gawking at the scenery and get to work. Time is money. I didn't pay for this expedition just to give your flunkies a vacation." The animals stopped so suddenly that Purnie nearly tangled himself in their heels. "All right, Forbes, just hold it a minute. Listen to me. Sure, it's your money that put us here; it's your expedition all the way. But you hired me to get you here with the best crew on earth, and that's just what I've done. My job isn't over yet. I'm responsible for the safety of the men while we're here, and for the safe trip home." "Precisely. And since you're responsible, get 'em working. Tell 'em to bring along the flag. Look at the damn fools back there, playing in the ocean with a three-legged ostrich!" "Good God, man, aren't you human? We've only been on this planet twenty minutes! Naturally they want to look around. They half expected to find wild animals or worse, and here we are surrounded by quaint little creatures that run up to us like we're long-lost brothers. Let the men look around a minute or two before we stake out your claim." "Bah! Bunch of damn children." As Purnie followed along, a leg shot out at him and missed. "Benson, will you get this bug-eyed kangaroo away from me!" Purnie shrieked with joy at this new frolic and promptly stood on his head. In this position he got an upside down view of them walking away. He gave up trying to stay with them. Why did they move so fast, anyway? What was the hurry? As he sat down and began eating his lunch, three more of the creatures came along making excited noises, apparently trying to catch up to the first two. As they passed him, he held out his lunch. "Want some?" No response. Playing held more promise than eating. He left his lunch half eaten and went down to where they had stopped further along the beach. "Captain Benson, sir! Miles has detected strong radiation in the vicinity. He's trying to locate it now." "There you are, Forbes. Your new piece of real estate is going to make you so rich that you can buy your next planet. That'll make eighteen, I believe." "Radiation, bah! We've found low-grade ore on every planet I've discovered so far, and this one'll be no different. Now how about that flag? Let's get it up, Benson. And the cornerstone, and the plaque." "All right, lads. The sooner we get Mr. Forbes's pennant raised and his claim staked out, the sooner we can take time to look around. Lively now!" When the three animals went back to join the rest of their group, the first two resumed walking. Purnie followed along. "Well, Benson, you won't have to look far for materials to use for the base of the flag pole. Look at that rockpile up there. "Can't use them. They're petrified logs. The ones on top are too high to carry down, and if we move those on the bottom, the whole works will slide down on top of us." "Well—that's your problem. Just remember, I want this flag pole to be solid. It's got to stand at least—" "Don't worry, Forbes, we'll get your monument erected. What's this with the flag? There must be more to staking a claim than just putting up a flag." "There is, there is. Much more. I've taken care of all requirements set down by law to make my claim. But the flag? Well, you might say it represents an empire, Benson. The Forbes Empire. On each of my flags is the word FORBES, a symbol of development and progress. Call it sentiment if you will." "Don't worry, I won't. I've seen real-estate flags before." "Damn it all, will you stop referring to this as a real-estate deal? What I'm doing is big, man. Big! This is pioneering." "Of course. And if I'm not mistaken, you've set up a neat little escrow system so that you not only own the planets, but you will virtually own the people who are foolish enough to buy land on them." "I could have your hide for talking to me like this. Damn you, man! It's people like me who pay your way. It's people like me who give your space ships some place to go. It's people like me who pour good money into a chancey job like this, so that people like you can get away from thirteen-story tenement houses. Did you ever think of that?" "I imagine you'll triple your money in six months." When they stopped, Purnie stopped. At first he had been interested in the strange sounds they were making, but as he grew used to them, and as they in turn ignored his presence, he hopped alongside chattering to himself, content to be in their company. He heard more of these sounds coming from behind, and he turned to see the remainder of the group running toward them. "Captain Benson! Here's the flag, sir. And here's Miles with the scintillometer. He says the radiation's getting stronger over this way!" "How about that, Miles?" "This thing's going wild, Captain. It's almost off scale." Purnie saw one of the animals hovering around him with a little box. Thankful for the attention, he stood on his head. "Can you do this?" He was overjoyed at the reaction. They all started making wonderful noises, and he felt most satisfied. "Stand back, Captain! Here's the source right here! This little chuck-walla's hotter than a plutonium pile!" "Let me see that, Miles. Well, I'll be damned! Now what do you suppose—" By now they had formed a widening circle around him, and he was hard put to think of an encore. He gambled on trying a brand new trick: he stood on one leg. "Benson, I must have that animal! Put him in a box." "Now wait a minute, Forbes. Universal Law forbids—" "This is my planet and I am the law. Put him in a box!" "With my crew as witness, I officially protest—" "Good God, what a specimen to take back. Radio-active animals! Why, they can reproduce themselves, of course! There must be thousands of these creatures around here someplace. And to think of those damn fools on Earth with their plutonium piles! Hah! Now I'll have investors flocking to me. How about it, Benson—does pioneering pay off or doesn't it?" "Not so fast. Since this little fellow is radioactive, there may be great danger to the crew—" "Now look here! You had planned to put mineral specimens in a lead box, so what's the difference? Put him in a box." "He'll die." "I have you under contract, Benson! You are responsible to me, and what's more, you are on my property. Put him in a box." Purnie was tired. First the time-stopping, then this. While this day had brought more fun and excitement than he could have hoped for, the strain was beginning to tell. He lay in the center of the circle happily exhausted, hoping that his friends would show him some of their own tricks. He didn't have to wait long. The animals forming the circle stepped back and made way for two others who came through carrying a box. Purnie sat up to watch the show. "Hell, Captain, why don't I just pick him up? Looks like he has no intention of running away." "Better not, Cabot. Even though you're shielded, no telling what powers the little fella has. Play it safe and use the rope." "I swear he knows what we're saying. Look at those eyes." "All right, careful now with that line." "Come on, baby. Here you go. That's a boy!" Purnie took in these sounds with perplexed concern. He sensed the imploring quality of the creature with the rope, but he didn't know what he was supposed to do. He cocked his head to one side as he wiggled in anticipation. He saw the noose spinning down toward his head, and, before he knew it, he had scooted out of the circle and up the sandy beach. He was surprised at himself for running away. Why had he done it? He wondered. Never before had he felt this fleeting twinge that made him want to protect himself. He watched the animals huddle around the box on the beach, their attention apparently diverted to something else. He wished now that he had not run away; he felt he had lost his chance to join in their fun. "Wait!" He ran over to his half-eaten lunch, picked it up, and ran back into the little crowd. "I've got my lunch, want some?" The party came to life once more. His friends ran this way and that, and at last Purnie knew that the idea was to get him into the box. He picked up the spirit of the tease, and deliberately ran within a few feet of the lead box, then, just as the nearest pursuer was about to push him in, he sidestepped onto safer ground. Then he heard a deafening roar and felt a warm, wet sting in one of his legs. "Forbes, you fool! Put away that gun!" "There you are, boys. It's all in knowing how. Just winged him, that's all. Now pick him up." The pang in his leg was nothing: Purnie's misery lay in his confusion. What had he done wrong? When he saw the noose spinning toward him again, he involuntarily stopped time. He knew better than to use this power carelessly, but his action now was reflex. In that split second following the sharp sting in his leg, his mind had grasped in all directions to find an acceptable course of action. Finding none, it had ordered the stoppage of time. The scene around him became a tableau once more. The noose hung motionless over his head while the rest of the rope snaked its way in transverse waves back to one of the two-legged animals. Purnie dragged himself through the congregation, whimpering from his inability to understand. As he worked his way past one creature after another, he tried at first to not look them in the eye, for he felt sure he had done something wrong. Then he thought that by sneaking a glance at them as he passed, he might see a sign pointing to their purpose. He limped by one who had in his hand a small shiny object that had been emitting smoke from one end; the smoke now billowed in lifeless curls about the animal's head. He hobbled by another who held a small box that had previously made a hissing sound whenever Purnie was near. These things told him nothing. Before starting his climb up the knoll, he passed a tripon which, true to its reputation, was comical even in fright. Startled by the loud explosion, it had jumped four feet into the air before Purnie had stopped time. Now it hung there, its beak stuffed with seaweed and its three legs drawn up into a squatting position. Leaving the assorted statues behind, he limped his way up the knoll, torn between leaving and staying. What an odd place, this ocean country! He wondered why he had not heard more detail about the beach animals. Reaching the top of the bluff, he looked down upon his silent friends with a feeling of deep sorrow. How he wished he were down there playing with them. But he knew at last that theirs was a game he didn't fit into. Now there was nothing left but to resume time and start the long walk home. Even though the short day was nearly over, he knew he didn't dare use time-stopping to get himself home in nothing flat. His fatigued body and clouded mind were strong signals that he had already abused this faculty. When Purnie started time again, the animal with the noose stood in open-mouthed disbelief as the rope fell harmlessly to the sand—on the spot where Purnie had been standing. "My God, he's—he's gone." Then another of the animals, the one with the smoking thing in his hand, ran a few steps toward the noose, stopped and gaped at the rope. "All right, you people, what's going on here? Get him in that box. What did you do with him?" The resumption of time meant nothing at all to those on the beach, for to them time had never stopped. The only thing they could be sure of was that at one moment there had been a fuzzy creature hopping around in front of them, and the next moment he was gone. "Is he invisible, Captain? Where is he?" "Up there, Captain! On those rocks. Isn't that him?" "Well, I'll be damned!" "Benson, I'm holding you personally responsible for this! Now that you've botched it up, I'll bring him down my own way." "Just a minute, Forbes, let me think. There's something about that fuzzy little devil that we should.... Forbes! I warned you about that gun!" Purnie moved across the top of the rockpile for a last look at his friends. His weight on the end of the first log started the slide. Slowly at first, the giant pencils began cascading down the short distance to the sand. Purnie fell back onto solid ground, horrified at the spectacle before him. The agonizing screams of the animals below filled him with hysteria. The boulders caught most of them as they stood ankle-deep in the surf. Others were pinned down on the sand. "I didn't mean it!" Purnie screamed. "I'm sorry! Can't you hear?" He hopped back and forth near the edge of the rise, torn with panic and shame. "Get up! Please get up!" He was horrified by the moans reaching his ears from the beach. "You're getting all wet! Did you hear me? Please get up." He was choked with rage and sorrow. How could he have done this? He wanted his friends to get up and shake themselves off, tell him it was all right. But it was beyond his power to bring it about. The lapping tide threatened to cover those in the orange surf. Purnie worked his way down the hill, imploring them to save themselves. The sounds they made carried a new tone, a desperate foreboding of death. "Rhodes! Cabot! Can you hear me?" "I—I can't move, Captain. My leg, it's.... My God, we're going to drown!" "Look around you, Cabot. Can you see anyone moving?" "The men on the beach are nearly buried, Captain. And the rest of us here in the water—" "Forbes. Can you see Forbes? Maybe he's—" His sounds were cut off by a wavelet gently rolling over his head. Purnie could wait no longer. The tides were all but covering one of the animals, and soon the others would be in the same plight. Disregarding the consequences, he ordered time to stop. Wading down into the surf, he worked a log off one victim, then he tugged the animal up to the sand. Through blinding tears, Purnie worked slowly and carefully. He knew there was no hurry—at least, not as far as his friends' safety was concerned. No matter what their condition of life or death was at this moment, it would stay the same way until he started time again. He made his way deeper into the orange liquid, where a raised hand signalled the location of a submerged body. The hand was clutching a large white banner that was tangled among the logs. Purnie worked the animal free and pulled it ashore. It was the one who had been carrying the shiny object that spit smoke. Scarcely noticing his own injured leg, he ferried one victim after another until there were no more in the surf. Up on the beach, he started unraveling the logs that pinned down the animals caught there. He removed a log from the lap of one, who then remained in a sitting position, his face contorted into a frozen mask of agony and shock. Another, with the weight removed, rolled over like an iron statue into a new position. Purnie whimpered in black misery as he surveyed the chaotic scene before him. At last he could do no more; he felt consciousness slipping away from him. He instinctively knew that if he lost his senses during a period of time-stopping, events would pick up where they had left off ... without him. For Purnie, this would be death. If he had to lose consciousness, he knew he must first resume time. Step by step he plodded up the little hill, pausing every now and then to consider if this were the moment to start time before it was too late. With his energy fast draining away, he reached the top of the knoll, and he turned to look down once more on the group below. Then he knew how much his mind and body had suffered: when he ordered time to resume, nothing happened. His heart sank. He wasn't afraid of death, and he knew that if he died the oceans would roll again and his friends would move about. But he wanted to see them safe. He tried to clear his mind for supreme effort. There was no urging time to start. He knew he couldn't persuade it by bits and pieces, first slowly then full ahead. Time either progressed or it didn't. He had to take one viewpoint or the other. Then, without knowing exactly when it happened, his mind took command.... His friends came to life. The first one he saw stir lay on his stomach and pounded his fists on the beach. A flood of relief settled over Purnie as sounds came from the animal. "What's the matter with me? Somebody tell me! Am I nuts? Miles! Schick! What's happening?" "I'm coming, Rhodes! Heaven help us, man—I saw it, too. We're either crazy or those damn logs are alive!" "It's not the logs. How about us? How'd we get out of the water? Miles, we're both cracking." "I'm telling you, man, it's the logs, or rocks or whatever they are. I was looking right at them. First they're on top of me, then they're piled up over there!" "Damnit, the logs didn't pick us up out of the ocean, did they? Captain Benson!" "Are you men all right?" "Yes sir, but—" "Who saw exactly what happened?" "I'm afraid we're not seeing right, Captain. Those logs—" "I know, I know. Now get hold of yourselves. We've got to round up the others and get out of here while time is on our side." "But what happened, Captain?" "Hell, Rhodes, don't you think I'd like to know? Those logs are so old they're petrified. The whole bunch of us couldn't lift one. It would take super-human energy to move one of those things." "I haven't seen anything super-human. Those ostriches down there are so busy eating seaweed—" "All right, let's bear a hand here with the others. Some of them can't walk. Where's Forbes?" "He's sitting down there in the water, Captain, crying like a baby. Or laughing. I can't tell which." "We'll have to get him. Miles, Schick, come along. Forbes! You all right?" "Ho-ho-ho! Seventeen! Seventeen! Seventeen planets, Benson, and they'll do anything I say! This one's got a mind of its own. Did you see that little trick with the rocks? Ho-ho!" "See if you can find his gun, Schick; he'll either kill himself or one of us. Tie his hands and take him back to the ship. We'll be along shortly." "Hah-hah-hah! Seventeen! Benson, I'm holding you personally responsible for this. Hee-hee!" Purnie opened his eyes as consciousness returned. Had his friends gone? He pulled himself along on his stomach to a position between two rocks, where he could see without being seen. By the light of the twin moons he saw that they were leaving, marching away in groups of two and three, the weak helping the weaker. As they disappeared around the curving shoreline, the voices of the last two, bringing up the rear far behind the others, fell faintly on his ears over the sound of the surf. "Is it possible that we're all crazy, Captain?" "It's possible, but we're not." "I wish I could be sure." "See Forbes up ahead there? What do you think of him?" "I still can't believe it." "He'll never be the same." "Tell me something. What was the most unusual thing you noticed back there?" "You must be kidding, sir. Why, the way those logs were off of us suddenly—" "Yes, of course. But I mean beside that." "Well, I guess I was kind of busy. You know, scared and mixed up." "But didn't you notice our little pop-eyed friend?" "Oh, him. I'm afraid not, Captain. I—I guess I was thinking mostly of myself." "Hmmm. If I could only be sure I saw him. If only someone else saw him too." "I'm afraid I don't follow you, sir." "Well, damn it all, you know that Forbes took a pot shot at him. Got him in the leg. That being the case, why would the fuzzy little devil come back to his tormentors—back to us—when we were trapped under those logs?" "Well, I guess as long as we were trapped, he figured we couldn't do him any more harm.... I'm sorry, that was a stupid answer. I guess I'm still a little shaky." "Forget it. Look, you go ahead to the ship and make ready for take-off. I'll join you in a few minutes. I think I'll go back and look around. You know. Make sure we haven't left anyone." "No need to do that. They're all ahead of us. I've checked." "That's my responsibility, Cabot, not yours. Now go on." As Purnie lay gathering strength for the long trek home, he saw through glazed eyes one of the animals coming back along the beach. When it was nearly directly below him, he could hear it making sounds that by now had become familiar. "Where are you?" Purnie paid little attention to the antics of his friend; he was beyond understanding. He wondered what they would say at home when he returned. "We've made a terrible mistake. We—" The sounds faded in and out on Purnie's ears as the creature turned slowly and called in different directions. He watched the animal walk over to the pile of scattered logs and peer around and under them. "If you're hurt I'd like to help!" The twin moons were high in the sky now, and where their light broke through the swirling clouds a double shadow was cast around the animal. With foggy awareness, Purnie watched the creature shake its head slowly, then walk away in the direction of the others. Purnie's eyes stared, without seeing, at the panorama before him. The beach was deserted now, and his gaze was transfixed on a shimmering white square floating on the ocean. Across it, the last thing Purnie ever saw, was emblazoned the word FORBES.
train	51656	[ "What is the relationship between Hendricks and Joe?", "Why is Joe trying to get drunk?", "Why does Joe want to be an EX?", "Why are there hidden microphones?", "Why is an EX an ideal employee?", "How does the CPA prevent crime?", "Why does Hendricks help Joe?" ]	[ [ "Hendricks is Joe's uncle. He has bailed Joe out many times over the years.", "Hendricks is the psychological officer for the police department. He's offered Joe free treatment many times over the years.", "Hendricks is Joe's parole officer and has been for many years.", "Hendricks is the Police Commissioner. He has arrested Joe many times over the years." ], [ "Joe is trying to get drunk, so he can get a month's worth of free food and lodging.", "Joe is trying to get drunk, so he can work up the nerve to ask the girl out.", "Joe is trying to get drunk because he is depressed about his job situation.", "Joe is trying to get drunk, so he can work up the nerve to commit a crime." ], [ "An EX was always offered the best jobs.", "An EX has no more criminal tendencies.", "An EX could be trusted with any responsibility.", "An EX was a hero to millions." ], [ "The hidden microphones are there because the girl is an FBI agent, looking to take down a mafia boss.", "The hidden microphones are there to make sure the bartender keeps the drinks watered down. ", "The hidden microphones are there to detect criminal activity, so the CPA can stop it before it starts. ", "The hidden microphones are there as part of a drug sting." ], [ "An EX is an ideal employee because their criminal backgrounds help them prevent others from committing crimes. ", "An EX is an ideal employee because they have been psychologically trained not to steal. ", "An EX is an ideal employee because their brain implants not only will not let them commit crimes, but they also compel the EX to keep working. ", "An EX is an ideal employee because they can be trusted with any amount of their employer’s money. " ], [ "The CPA prevents crime with brain implants that suppress the criminal nature.", "The CPA prevents crime with large police forces, squad cars, and weapons.", "The CPA prevents crime through the use of psychological warfare.", "The CPA prevents crime using constant surveillance, subliminal messaging, public shaming, and various psychological treatments, including lobotomy." ], [ "Hendricks knows becoming an EX is the way for Joe to get an excellent job.", "Hendricks helps Joe because they are friends. ", "Hendricks knows Joe will not go for the free treatment. ", "Hendricks thinks he can also become an EX and get an excellent job if he helps Joe." ] ]	[ 4, 1, 1, 3, 3, 4, 3 ]	[ 0, 0, 0, 0, 1, 1, 1 ]	Going straight meant crooked planning. He'd never make it unless he somehow managed to PICK A CRIME By RICHARD R. SMITH Illustrated by DICK FRANCIS [Transcriber's Note: This etext was produced from Galaxy Science Fiction May 1958. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] The girl was tall, wide-eyed and brunette. She had the right curves in the right places and would have been beautiful if her nose had been smaller, if her mouth had been larger and if her hair had been wavy instead of straight. "Hank said you wanted to see me," she said when she stopped beside Joe's table. "Yeah." Joe nodded at the other chair. "Have a seat." He reached into a pocket, withdrew five ten-dollar bills and handed them to her. "I want you to do a job for me. It'll only take a few minutes." The girl counted the money, then placed it in her purse. Joe noticed a small counterfeit-detector inside the purse before she closed it. "What's the job?" "Tell you later." He gulped the remainder of his drink, almost pouring it down his throat. "Hey. You trying to make yourself sick?" "Not sick. Drunk. Been trying to get drunk all afternoon." As the liquor settled in his stomach, he waited for the warm glow. But the glow didn't come ... the bartender had watered his drink again. "Trying to get drunk?" the girl inquired. "Are you crazy?" "No. It's simple. If I get drunk, I can join the AAA and get free room and board for a month while they give me a treatment." It was easy enough to understand, he reflected, but a lot harder to do. The CPA robot bartenders saw to it that anyone got high if they wanted, but comparatively few got drunk. Each bartender could not only mix drinks but could also judge by a man's actions and speech when he was on the verge of drunkenness. At the proper time—since drunkenness was illegal—a bartender always watered the drinks. Joe had tried dozens of times in dozens of bars to outsmart them, but had always failed. And in all of New York's millions, there had been only a hundred cases of intoxication during the previous year. The girl laughed. "If you're that hard up, I don't know if I should take this fifty or not. Why don't you go out and get a job like everyone else?" As an answer, Joe handed her his CPA ID card. She grunted when she saw the large letters that indicated the owner had Dangerous Criminal Tendencies. When she handed the card back, Joe fought an impulse to tear it to pieces. He'd done that once and gone through a mountain of red tape to get another—everyone was required by law to carry a CPA ID card and show it upon request. "I'm sorry," the girl said. "I didn't know you were a DCT." "And who'll hire a guy with criminal tendencies? You know the score. When you try to get a job, they ask to see your ID before they even tell you if there's an opening or not. If your CPA ID says you're a DCT, you're SOL and they tell you there's no openings. Oh, I've had several jobs ... jobs like all DCTs get. I've been a garbage man, street-cleaner, ditch-digger—" On the other side of the room, the jukebox came to life with a roar and a group of teen-agers scrambled to the dance floor. Feeling safe from hidden microphones because of the uproar, he leaned across the table and whispered in the girl's ear, "That's what I want to hire you for. I want you to help me commit a crime. If I get convicted of a crime, I'll be able to get a good job!" The girl's lips formed a bright red circle. "Say! You really got big plans, don't you?" He smiled at her admiration. It was something big to plan a crime. A civilization weary of murder, robbery, kidnapping, counterfeiting, blackmail, rape, arson, and drunkenness had originated the CPA—Crime Prevention Association. There were no longer any prisons—CPA officials had declared loudly and emphatically that their job was to prevent crime, not punish it. And prevent it they did, with thousands of ingenious crime-prevention devices and methods. They had made crime almost impossible, and during the previous year, only a few hundred men in the whole country had been convicted of criminal acts. No crime was ever punished. If a man was smart enough to kill someone, for instance, he wasn't sent to prison to be punished; he wasn't punished at all. Instead, he was sent to a hospital where all criminal tendencies were removed from his mind by psychologists, shock treatments, encephalographic devices, a form of prefrontal lobotomy and a dozen other methods. An expensive operation, but since there were few criminals—only ten in New York during the past year—any city could afford the CPA hospitals. The CPA system was, actually, cheaper than previous methods because it did away with the damage caused by countless crimes; did away with prisons and their guards, large police forces, squad cars and weapons. And, ironically, a man who did commit a crime was a sort of hero. He was a hero to the millions of men and women who had suppressed impulses to kill someone, beat their mates, get drunk, or kick a dog. Not only a hero, but because of the CPA Treatment, he was—when he left one of the CPA hospitals—a thoroughly honest and hard-working individual ... a man who could be trusted with any responsibility, any amount of money. And therefore, an EX (a convicted criminal who received the treatment was commonly called an Ex because he was in the strictest sense of the word an Ex-criminal) ... an Ex was always offered the best jobs. "Well," the girl said. "I'm honored. Really. But I got a date at ten. Let's get it over with. You said it'd only take a few minutes." "Okay. Let's go." The girl followed him across the room, around tables, through a door, down a hall, through a back door and into the alley. She followed him up the dark alley until he turned suddenly and ripped her blouse and skirt. He surprised her completely, but when she recovered, she backed away, her body poised like a wrestler's. "What's the big idea?" "Scream," Joe said. "Scream as loud as you can, and when the cops get here, tell 'em I tried to rape you." The plan was perfect, he told himself. Attempted rape was one of the few things that was a crime merely because a man attempted it. A crime because it theoretically inflicted psychological injury upon the intended victim—and because millions of women voters had voted it a crime. On the other hand, attempted murder, robbery, kidnapping, etc., were not crimes. They weren't crimes because the DCT didn't complete the act, and if he didn't complete the act, that meant simply that the CPA had once again functioned properly. The girl shook her head vigorously. "Sorry, buddy. Can't help you that way. Why didn't you tell me what you wanted?" "What's the matter?" Joe complained. "I'm not asking you to do anything wrong." "You stupid jerk. What do you think this is—the Middle Ages? Don't you know almost every woman knows how to defend herself? I'm a sergeant in the WSDA!" Joe groaned. The WSDA—Women's Self-Defense Association—a branch of the CPA. The WSDA gave free instruction in judo and jujitsu, even developed new techniques of wrestling and instructed only women in those new techniques. The girl was still shaking her head. "Can't do it, buddy. I'd lose my rank if you were convicted of—" "Do I have to make you scream?" Joe inquired tiredly and advanced toward the girl. "—and that rank carries a lot of weight. Hey! Stop it! " Joe discovered to his dismay that the girl was telling the truth when she said she was a sergeant in the WSDA. He felt her hands on his body, and in the time it takes to blink twice, he was flying through the air. The alley's concrete floor was hard—it had always been hard, but he became acutely aware of its lack of resiliency when his head struck it. There was a wonderful moment while the world was filled with beautiful stars and streaks of lightning through which he heard distant police sirens. But the wonderful moment didn't last long and darkness closed in on him. When he awoke, a rough voice was saying, "Okay. Snap out of it." He opened his eyes and recognized the police commissioner's office. It would be hard not to recognize: the room was large, devoid of furniture except for a desk and chairs, but the walls were lined with the controls of television screens, electronic calculators and a hundred other machines that formed New York's mechanical police force. Commissioner Hendricks was a remarkable character. There was something wrong with his glands, and he was a huge, greasy bulk of a man with bushy eyebrows and a double chin. His steel-gray eyes showed something of his intelligence and he would have gone far in politics if fate hadn't made him so ugly, for more than half the voters who elected men to high political positions were women. Anyone who knew Hendricks well liked him, for he was a friendly, likable person. But the millions of women voters who saw his face on posters and on their TV screens saw only the ugly face and heard only the harsh voice. The President of the United States was a capable man, but also a very handsome one, and the fact that a man who looked something like a bulldog had been elected as New York's police commissioner was a credit to Hendricks and millions of women voters. "Where's the girl?" Joe asked. "I processed her while you were out cold. She left. Joe, you—" "Okay," Joe said. "I'll save you the trouble. I admit it. Attempted rape. I confess." Hendricks smiled. "Sorry, Joe. You missed the boat again." He reached out and turned a dial on his desk top. "We had a microphone hidden in that alley. We have a lot of microphones hidden in a lot of alleys. You'd be surprised at the number of conspiracies that take place in alleys!" Joe listened numbly to his voice as it came from one of the hundreds of machines on the walls, " Scream. Scream as loud as you can, and when the cops get here, tell 'em I tried to rape you. " And then the girl's voice, " Sorry, buddy. Can't help— " He waved his hand. "Okay. Shut it off. I confess to conspiracy." Hendricks rose from behind the desk, walked leisurely to where Joe was slouched in a chair. "Give me your CPA ID." Joe handed him the card with trembling fingers. He felt as if the world had collapsed beneath him. Conspiracy to commit a crime wasn't a crime. Anyone could conspire. And if the conspirators were prevented from committing a crime, then that meant the CPA had functioned properly once again. That meant the CPA had once again prevented crime, and the CPA didn't punish crimes or attempted crimes, and it didn't attempt to prevent crimes by punishment. If it did, that would be a violation of the New Civil Rights. Hendricks crossed the room, deposited the card in a slot and punched a button. The machine hummed and a new card appeared. When Hendricks handed him the new card, Joe saw that the words DANGEROUS CRIMINAL TENDENCIES were now in red and larger than before. And, in slightly smaller print, the ID card stated that the owner was a DCT First Class. "You've graduated," Hendricks said coldly. "You guys never learn, do you? Now you're a DCT First Class instead of a Second Class. You know what that means?" Hendricks leaned closer until Joe could feel his breath on his face. "That means your case history will be turned over to the newspapers. You'll be the hobby of thousands of amateur cops. You know how it works? It's like this. The Joneses are sitting around tomorrow night and they're bored. Then Mr. Jones says, 'Let's go watch this Joe Harper.' So they look up your record—amateur cops always keep records of First Classes in scrapbooks—and they see that you stop frequently at Walt's Tavern. "So they go there and they sit and drink and watch you, trying not to let you know they're watching you. They watch you all night, just hoping you'll do something exciting, like trying to kill someone, so they can be the first ones to yell ' Police! ' They'll watch you because it's exciting to be an amateur cop, and if they ever did prevent you from committing a crime, they'd get a nice reward and they'd be famous." "Lay off," Joe said. "I got a headache. That girl—" Hendricks leaned even closer and glared. "You listen, Joe. This is interesting. You see, it doesn't stop with Mr. and Mrs. Jones. There's thousands of people like them. Years ago, they got their kicks from reading about guys like you, but these days things are dull because it's rare when anyone commits a crime. So every time you walk down the street, there'll be at least a dozen of 'em following you, and no matter where you go, you can bet there'll be some of 'em sitting next to you, standing next to you. "During the day, they'll take your picture with their spy cameras that look like buttons on their coats. At night, they'll peep at you through your keyhole. Your neighbors across the street will watch you through binoculars and—" "Lay off!" Joe squirmed in the chair. He'd been lectured by Hendricks before and it was always an unpleasant experience. The huge man was like a talking machine once he got started, a machine that couldn't be stopped. "And the kids are the worst," Hendricks continued. "They have Junior CPA clubs. They keep records of hoodlums like you in little cardboard boxes. They'll stare at you on the street and stare at you through restaurant windows while you're eating meals. They'll follow you in public rest rooms and watch you out of the corners of their eyes while they wash their little hands, and almost every day when you look back, you'll see a dozen freckle-faced little boys following you half a block behind, giggling and gaping at you. They'll follow you until the day you die, because you're a freak!" Joe couldn't stand the breath in his face any longer. He rose and paced the floor. "And it doesn't end there , Joe. It goes on and on. You'll be the object of every do-gooder and parlor psychologist. Strangers will stop you on the street and say, 'I'd like to help you, friend.' Then they'll ask you queer questions like, 'Did your father reject you when you were a child?' 'Do you like girls?' 'How does it feel to be a DCT First Class?' And then there'll be the strangers who hate DCTs. They'll stop you on the street and insult you, call you names, spit on you and—" "Okay, goddam it! Stop it! " Hendricks stopped, wiped the sweat from his face with a handkerchief and lit a cigarette. "I'm doing you a favor, Joe. I'm trying to explain something you're too dumb to realize by yourself. We've taught everyone to hate crime and criminals ... to hate them as nothing has ever been hated before. Today a criminal is a freak, an alien. Your life will be a living hell if you don't leave New York. You should go to some small town where there aren't many people, or be a hermit, or go to Iceland or—" Joe eyed the huge man suspiciously. " Favor , did you say? The day you do me a favor—" Hendricks shrugged his shoulders negligently. "Not entirely a favor. I want to get rid of you. Usually I come up here and sit around and read books. But guys like you are a nuisance and take up my time." "I couldn't leave if I wanted to," Joe said. "I'm flat broke. Thanks to your CPA system, a DCT can't get a decent job." Hendricks reached into a pocket, withdrew several bills and extended them. "I'll loan you some money. You can sign an IOU and pay me back a little at a time." Joe waved the money away. "Listen, why don't you do me a favor? Why don't you frame me? If I'm such a nuisance, pin a crime on me—any crime." "Can't do it. Convicting a man of a crime he didn't commit is a violation of Civil Rights and a crime in itself." "Umm." "Why don't you take the free psycho treatment? A man doesn't have to be a DCT. With the free treatment, psychologists can remove all your criminal tendencies and—" "Go to those head-shrinkers ?" Hendricks shrugged again. "Have it your way." Joe laughed. "If your damned CPA is so all-powerful, why can't you make me go?" "Violation of Civil Rights." "Damn it, there must be some way you can help me! We both want the same thing. We both want to see me convicted of a crime." "How can I help you without committing a crime myself?" Hendricks walked to his desk, opened a drawer and removed a small black book. "See this? It contains names and addresses of all the people in New York who aren't properly protected. Every week we find people who aren't protected properly—blind spots in our protection devices. As soon as we find them, we take steps to install anti-robbery devices, but this is a big city and sometimes it takes days to get the work done. "In the meantime, any one of these people could be robbed. But what can I do? I can't hold this book in front of your nose and say, 'Here, Joe, pick a name and go out and rob him.'" He laughed nervously. "If I did that, I'd be committing a crime myself!" He placed the book on the desk top, took a handkerchief from a pocket again and wiped sweat from his face. "Excuse me a minute. I'm dying of thirst. There's a water cooler in the next room." Joe stared at the door to the adjoining office as it closed behind the big man. Hendricks was—unbelievably—offering him a victim, offering him a crime! Almost running to the desk, Joe opened the book, selected a name and address and memorized it: John Gralewski, Apt. 204, 2141 Orange St. When Hendricks came back, Joe said, "Thanks." "Huh? Thanks for what? I didn't do anything." When Joe reached the street, he hurried toward the nearest subway. As a child, he had been frightened of the dark. As a man, he wasn't afraid of the dark itself, but the darkened city always made him feel ill at ease. The uneasiness was, more than anything else, caused by his own imagination. He hated the CPA and at night he couldn't shrug the feeling that the CPA lurked in every shadow, watching him, waiting for him to make a mistake. Imagination or not, the CPA was almost everywhere a person went. Twenty-four hours a day, millions of microphones hidden in taverns, alleys, restaurants, subways and every other place imaginable waited for someone to say the wrong thing. Everything the microphones picked up was routed to the CPA Brain, a monster electronic calculator. If the words "Let's see a movie" were received in the Brain, they were discarded. But if the words "Let's roll this guy" were received, the message was traced and a police helicopter would be at the scene in two minutes. And scattered all over the city were not only hidden microphones, but hidden television cameras that relayed visual messages to the Brain, and hidden machines that could detect a knife or a gun in someone's pocket at forty yards. Every place of business from the largest bank to the smallest grocery store was absolutely impenetrable. No one had even tried to rob a place of business for years. Arson was next to impossible because of the heat-detectors—devices placed in every building that could detect, radarlike, any intensity of heat above that caused by a cigarette lighter. Chemical research had made poisoning someone an impossibility. There were no drugs containing poison, and while an ant-poison might kill ants, no concentrated amount of it would kill a human. The FBI had always been a powerful organization, but under the supervision of the CPA, it was a scientific colossus and to think of kidnapping someone or to contemplate the use of narcotics was pointless. A counterfeiter's career was always short-lived: every place of business and millions of individuals had small counterfeit-detectors that could spot a fake and report it directly to the Brain. And the percentage of crimes had dwindled even more with the appearance of the robot police officers. Many a criminal in the past had gambled that he could outshoot a pursuing policeman. But the robots were different: they weren't flesh and blood. Bullets bounced off them and their aim was infallible. It was like a fantastic dream come true. Only the dream wasn't fantastic any more. With the huge atomic power plants scattered across the country and supplying endless electrical power at ridiculously low prices, no endeavor that required power was fantastic. The power required to operate the CPA devices cost each taxpayer an average of four dollars a year, and the invention, development and manufacture of the devices had cost even less. And the CPA had attacked crime through society itself, striking at the individual. In every city there were neon signs that blinked subliminally with the statement, CRIME IS FILTH. Listening to a radio or watching television, if a person heard station identification, he invariably heard or saw just below perception the words CRIME IS FILTH. If he went for a walk or a ride, he saw the endless subliminal posters declaring CRIME IS FILTH, and if he read a magazine or newspaper he always found, in those little dead spaces where an editor couldn't fit anything else, the below-perception words CRIME IS FILTH. It was monotonous and, after a while, a person looked at the words and heard them without thinking about them. And they were imprinted on his subconscious over and over, year after year, until he knew that crime was the same as filth and that criminals were filthy things. Except men like Joe Harper. No system is perfect. Along with thousands of other DCTs, Joe refused to believe it, and when he reached apartment 204 at 2141 Orange Street, he felt as if he'd inherited a gold mine. The hall was dimly lit, but when he stood before the door numbered 204, he could see that the wall on either side of it was new . That is, instead of being covered with dust, dirt and stains as the other walls were, it was clean. The building was an old one, the hall was wide, and the owner had obviously constructed a wall across the hall, creating another room. If the owner had reported the new room as required by law, it would have been wired with CPA burglarproof devices, but evidently he didn't want to pay for installation. When Joe entered the cubbyhole, he had to stand to one side in order to close the door behind him. The place was barely large enough for the bed, chair and bureau; it was a place where a man could fall down at night and sleep, but where no normal man could live day after day. Fearing that someone might detect him before he actually committed the crime, Joe hurried to the bureau and searched it. He broke out in a sweat when he found nothing but underwear and old magazines. If he stole underwear and magazines, it would still be a crime, but the newspapers would splash satirical headlines. Instead of being respected as a successful criminal, he would be ridiculed. He stopped sweating when he found a watch under a pile of underwear. The crystal was broken, one hand was missing and it wouldn't run, but—perfection itself—engraved on the back was the inscription, To John with Love . His trial would be a clean-cut one: it would be easy for the CPA to prove ownership and that a crime had been committed. Chuckling with joy, he opened the window and shouted, " Thief! Police! Help! " He waited a few seconds and then ran. When he reached the street, a police helicopter landed next to him. Strong metal arms seized him; cameras clicked and recorded the damning evidence. When Joe was securely handcuffed to a seat inside the helicopter, the metal police officers rang doorbells. There was a reward for anyone who reported a crime, but no one admitted shouting the warning. He was having a nightmare when he heard the voice, "Hey. Wake up. Hey!" He opened his eyes, saw Hendricks' ugly face and thought for a minute he was still having the nightmare. "I just saw your doctor," Hendricks said. "He says your treatment is over. You can go home now. I thought I'd give you a lift." As Joe dressed, he searched his mind and tried to find some difference. During the treatment, he had been unconscious or drugged, unable to think. Now he could think clearly, but he could find no difference in himself. He felt more relaxed than he'd ever felt before, but that could be an after-effect of all the sedatives he'd been given. And, he noticed when he looked in the mirror, he was paler. The treatment had taken months and he had, between operations, been locked in his room. Hendricks was standing by the window. Joe stared at the massive back. Deliberately goading his mind, he discovered the biggest change: Before, the mere sight of the man had aroused an intense hatred. Now, even when he tried, he succeeded in arousing only a mild hatred. They had toned down his capacity to hate, but not done away with it altogether. "Come here and take a look at your public," said Hendricks. Joe went to the window. Three stories below, a large crowd had gathered on the hospital steps: a band, photographers, television trucks, cameramen and autograph hunters. He'd waited a long time for this day. But now—another change in him— He put the emotion into words: "I don't feel like a hero. Funny, but I don't." "Hero!" Hendricks laughed and, with his powerful lungs, it sounded like a bull snorting. "You think a successful criminal is a hero? You stupid—" He laughed again and waved a hand at the crowd below them. "You think those people are down there because they admire what you did? They're down there waiting for you because they're curious, because they're glad the CPA caught you, and because they're glad you're an Ex. You're an ex -criminal now, and because of your treatment, you'll never be able to commit another crime as long as you live. And that's the kind of guy they admire, so they want to see you, shake your hand and get your autograph." Joe didn't understand Hendricks completely, but the part he did understand he didn't believe. A crowd was waiting for him. He could see the people with his own eyes. When he left the hospital, they'd cheer and shout and ask for his autograph. If he wasn't a hero, what was he ? It took half an hour to get through the crowd. Cameras clicked all around him, a hundred kids asked for his autograph, everyone talked at once and cheered, smiled, laughed, patted him on the back and cheered some more. Only one thing confused him during all the excitement: a white-haired old lady with tears in her eyes said, "Thank heaven it was only a watch. Thank heaven you didn't kill someone! God bless you, son." And then the old lady had handed him a box of fudge and left him in total confusion. What she said didn't make sense. If he had killed someone rather than stealing a watch, he would be even more of a hero and the crowd would have cheered even louder. He knew: he had stood outside the CPA hospitals many times and the crowds always cheered louder when an ex-murderer came out. In Hendricks' robot-chauffeured car, he ate the fudge and consoled himself with the thought, People are funny. Who can understand 'em? Feeling happy for one of the few times in his life, he turned toward Hendricks and said, "Thanks for what you did. It turned out great. I'll be able to get a good job now." "That's why I met you at the hospital," Hendricks said. "I want to explain some things. I've known you for a long time and I know you're spectacularly dumb. You can't figure out some things for yourself and I don't want you walking around the rest of your life thinking I did you a favor." Joe frowned. Few men had ever done him a favor and he had rarely thanked anyone for anything. And now ... after thanking the man who'd done him the biggest favor of all, the man was denying it! "You robbed Gralewski's apartment," Hendricks said. "Gralewski is a CPA employee and he doesn't live in the apartment you robbed. The CPA pays the rent for that one and he lives in another. We have a lot of places like that. You see, it gives us a way to get rid of saps like you before they do real damage. We use it as a last resort when a DCT First Class won't take the free psycho treatment or—" "Well, it's still a favor." Hendricks' face hardened. "Favor? You wouldn't know a favor if you stumbled over one. I did it because it's standard procedure for your type of case. Anyone can—free of charge—have treatment by the best psychologists. Any DCT can stop being a DCT by simply asking for the treatment and taking it. But you wouldn't do that. You wanted to commit a crime, get caught and be a hero ... an Ex ." The car passed one of the CPA playgrounds. Boys and girls of all ages were laughing, squealing with joy as they played games designed by CPA psychologists to relieve tension. And—despite the treatment, Joe shuddered when he saw the psychologists standing to one side, quietly watching the children. The whole world was filled with CPA employees and volunteer workers. Everywhere you went, it was there, quietly watching you and analyzing you, and if you showed criminal tendencies, it watched you even more closely and analyzed you even more deeply until it took you apart and put you back together again the way it wanted you to be. "Being an Ex, you'll get the kind of job you always wanted," Hendricks continued. "You'll get a good-paying job, but you'll work for it. You'll work eight hours a day, work harder than you've ever worked before in your life, because every time you start to loaf, a voice in your head is going to say, Work! Work! Exes always get good jobs because employers know they're good workers. "But during these next few days, you'll discover what being an Ex is like. You see, Joe, the treatment can't possibly take all the criminal tendencies out of a man. So the treatment does the next best thing—you'll find a set of laws written in your mind. You might want to break one now and then, but you won't be able. I'll give you an illustration...." Joe's face reddened as Hendricks proceeded to call him a series of names. He wanted to smash the fat, grinning face, but the muscles in his arm froze before it moved it an inch. And worse than that, a brief pain ripped through his skull. A pain so intense that, had it lasted a second longer, he would have screamed in agony. And above the pain, a voice whispered in his head, Unlawful to strike someone except in self-defense . He opened his mouth to tell Hendricks exactly what he thought of him, the CPA, the whole world. But the words stayed in his throat, the pain returned, and the mental voice whispered, Unlawful to curse . He had never heard how the treatment prevented an Ex from committing a crime. And now that he knew, it didn't seem fair. He decided to tell the whole story to the newspapers as soon as he could. And as soon as that decision formed in his mind, his body froze, the pain returned and the voice, Unlawful to divulge CPA procedure . "See what I mean?" Hendricks asked. "A century ago, you would have been locked in a prison and taxpayers' money would have supported you until the day you died. With the CPA system, you're returned to society, a useful citizen, unable to commit the smallest crime. And you've got a big hand in your dirty little mind that's going to slap it every time you get the wrong kind of thought. It'll keep slapping you until you learn. It might take weeks, months or years, but you'll learn sooner or later to not even think about doing anything wrong." He lit a cigarette and blew a smoke ring at the car's plush ceiling. "It's a great system, isn't it, Joe? A true democracy. Even a jerk like you is free to do what he wants, as long as it's legal." "I think it's a lousy, filthy system." Joe's head was still tingling with pain and he felt suffocated. The CPA was everywhere, only now it was also inside his head, telling him he couldn't do this, couldn't do that. All his life it had been telling him he couldn't do things he wanted to do and now .... Hendricks laughed. "You'll change your opinion. We live in a clean, wonderful world, Joe. A world of happy, healthy people. Except for freaks like yourself, criminals are—" "Let me out!" Joe grabbed at the door and was on the sidewalk, slamming the door behind him before the car stopped completely. He stared at the car as it pulled away from the curb and glided into the stream of traffic again. He realized he was a prisoner ... a prisoner inside his own body ... made a prisoner by a world that hated him back. He wanted to spit his contempt, but the increasingly familiar pain and voice prevented him. It was unlawful to spit on a sidewalk.
train	50766	[ "Why doesn't Caswell expect the Watashaw sewing club to grow astronomically?", "How does the Dean feel about Caswell?", "What kind of organization are they looking for, for their demonstration? ", "Why doesn't the Dean want to be associated with Watashaw?", "Why is Caswell so confident that his organizational model will cause the group to grow?" ]	[ [ "Caswell has underestimated the female population of Watashaw.", "Caswell has underestimated the popularity of sewing.", "Caswell has underestimated the ingenuity of the club members.", "Caswell thinks only women enjoy sewing." ], [ "The Dean despises Caswell and wants to fire him.", "The Dean views Caswell as a friend and co-conspirator.", "The Dean thinks Caswell is a stuck-up intellectual.", "The Dean is irritated by Caswell's superiority complex." ], [ "A small group that no one expects to lose members.", "A large group that no one expects to lose members.", "A small group that no one expects to grow.", "A large group that no one expects to grow." ], [ "The Dean doesn't want people to think he's a socialist.", "The Dean doesn't want people to know he's responsible for a total world government that collapsed by design.", "The Dean doesn't want people to know he's responsible for a total world government.", "The Dean doesn't want to be responsible for global socialism." ], [ "Because he is an expert in pyramid schemes.", "Because he is an expert in socialism.", "Because he is an expert in organizational strategies.", "Because he is an expert in human social behavior." ] ]	[ 3, 2, 3, 2, 4 ]	[ 0, 1, 0, 1, 1 ]	The Snowball Effect By KATHERINE MacLEAN Illustrated by EMSH [Transcriber's Note: This etext was produced from Galaxy Science Fiction September 1952. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] Tack power drives on a sewing circle and you can needle the world into the darndest mess! "All right," I said, "what is sociology good for?" Wilton Caswell, Ph.D., was head of my Sociology Department, and right then he was mad enough to chew nails. On the office wall behind him were three or four framed documents in Latin that were supposed to be signs of great learning, but I didn't care at that moment if he papered the walls with his degrees. I had been appointed dean and president to see to it that the university made money. I had a job to do, and I meant to do it. He bit off each word with great restraint: "Sociology is the study of social institutions, Mr. Halloway." I tried to make him understand my position. "Look, it's the big-money men who are supposed to be contributing to the support of this college. To them, sociology sounds like socialism—nothing can sound worse than that—and an institution is where they put Aunt Maggy when she began collecting Wheaties in a stamp album. We can't appeal to them that way. Come on now." I smiled condescendingly, knowing it would irritate him. "What are you doing that's worth anything?" He glared at me, his white hair bristling and his nostrils dilated like a war horse about to whinny. I can say one thing for them—these scientists and professors always keep themselves well under control. He had a book in his hand and I was expecting him to throw it, but he spoke instead: "This department's analysis of institutional accretion, by the use of open system mathematics, has been recognized as an outstanding and valuable contribution to—" The words were impressive, whatever they meant, but this still didn't sound like anything that would pull in money. I interrupted, "Valuable in what way?" He sat down on the edge of his desk thoughtfully, apparently recovering from the shock of being asked to produce something solid for his position, and ran his eyes over the titles of the books that lined his office walls. "Well, sociology has been valuable to business in initiating worker efficiency and group motivation studies, which they now use in management decisions. And, of course, since the depression, Washington has been using sociological studies of employment, labor and standards of living as a basis for its general policies of—" I stopped him with both raised hands. "Please, Professor Caswell! That would hardly be a recommendation. Washington, the New Deal and the present Administration are somewhat touchy subjects to the men I have to deal with. They consider its value debatable, if you know what I mean. If they got the idea that sociology professors are giving advice and guidance—No, we have to stick to brass tacks and leave Washington out of this. What, specifically, has the work of this specific department done that would make it as worthy to receive money as—say, a heart disease research fund?" He began to tap the corner of his book absently on the desk, watching me. "Fundamental research doesn't show immediate effects, Mr. Halloway, but its value is recognized." I smiled and took out my pipe. "All right, tell me about it. Maybe I'll recognize its value." Prof. Caswell smiled back tightly. He knew his department was at stake. The other departments were popular with donors and pulled in gift money by scholarships and fellowships, and supported their professors and graduate students by research contracts with the government and industry. Caswell had to show a way to make his own department popular—or else. I couldn't fire him directly, of course, but there are ways of doing it indirectly. He laid down his book and ran a hand over his ruffled hair. "Institutions—organizations, that is—" his voice became more resonant; like most professors, when he had to explain something he instinctively slipped into his platform lecture mannerisms, and began to deliver an essay—"have certain tendencies built into the way they happen to have been organized, which cause them to expand or contract without reference to the needs they were founded to serve." He was becoming flushed with the pleasure of explaining his subject. "All through the ages, it has been a matter of wonder and dismay to men that a simple organization—such as a church to worship in, or a delegation of weapons to a warrior class merely for defense against an outside enemy—will either grow insensately and extend its control until it is a tyranny over their whole lives, or, like other organizations set up to serve a vital need, will tend to repeatedly dwindle and vanish, and have to be painfully rebuilt. "The reason can be traced to little quirks in the way they were organized, a matter of positive and negative power feedbacks. Such simple questions as, 'Is there a way a holder of authority in this organization can use the power available to him to increase his power?' provide the key. But it still could not be handled until the complex questions of interacting motives and long-range accumulations of minor effects could somehow be simplified and formulated. In working on the problem, I found that the mathematics of open system, as introduced to biology by Ludwig von Bertalanffy and George Kreezer, could be used as a base that would enable me to develop a specifically social mathematics, expressing the human factors of intermeshing authority and motives in simple formulas. "By these formulations, it is possible to determine automatically the amount of growth and period of life of any organization. The UN, to choose an unfortunate example, is a shrinker type organization. Its monetary support is not in the hands of those who personally benefit by its governmental activities, but, instead, in the hands of those who would personally lose by any extension and encroachment of its authority on their own. Yet by the use of formula analysis—" "That's theory," I said. "How about proof?" "My equations are already being used in the study of limited-size Federal corporations. Washington—" I held up my palm again. "Please, not that nasty word again. I mean, where else has it been put into operation? Just a simple demonstration, something to show that it works, that's all." He looked away from me thoughtfully, picked up the book and began to tap it on the desk again. It had some unreadable title and his name on it in gold letters. I got the distinct impression again that he was repressing an urge to hit me with it. He spoke quietly. "All right, I'll give you a demonstration. Are you willing to wait six months?" "Certainly, if you can show me something at the end of that time." Reminded of time, I glanced at my watch and stood up. "Could we discuss this over lunch?" he asked. "I wouldn't mind hearing more, but I'm having lunch with some executors of a millionaire's will. They have to be convinced that by, 'furtherance of research into human ills,' he meant that the money should go to research fellowships for postgraduate biologists at the university, rather than to a medical foundation." "I see you have your problems, too," Caswell said, conceding me nothing. He extended his hand with a chilly smile. "Well, good afternoon, Mr. Halloway. I'm glad we had this talk." I shook hands and left him standing there, sure of his place in the progress of science and the respect of his colleagues, yet seething inside because I, the president and dean, had boorishly demanded that he produce something tangible. I frankly didn't give a hoot if he blew his lid. My job isn't easy. For a crumb of favorable publicity and respect in the newspapers and an annual ceremony in a silly costume, I spend the rest of the year going hat in hand, asking politely for money at everyone's door, like a well-dressed panhandler, and trying to manage the university on the dribble I get. As far as I was concerned, a department had to support itself or be cut down to what student tuition pays for, which is a handful of over-crowded courses taught by an assistant lecturer. Caswell had to make it work or get out. But the more I thought about it, the more I wanted to hear what he was going to do for a demonstration. At lunch, three days later, while we were waiting for our order, he opened a small notebook. "Ever hear of feedback effects?" "Not enough to have it clear." "You know the snowball effect, though." "Sure, start a snowball rolling downhill and it grows." "Well, now—" He wrote a short line of symbols on a blank page and turned the notebook around for me to inspect it. "Here's the formula for the snowball process. It's the basic general growth formula—covers everything." It was a row of little symbols arranged like an algebra equation. One was a concentric spiral going up, like a cross-section of a snowball rolling in snow. That was a growth sign. I hadn't expected to understand the equation, but it was almost as clear as a sentence. I was impressed and slightly intimidated by it. He had already explained enough so that I knew that, if he was right, here was the growth of the Catholic Church and the Roman Empire, the conquests of Alexander and the spread of the smoking habit and the change and rigidity of the unwritten law of styles. "Is it really as simple as that?" I asked. "You notice," he said, "that when it becomes too heavy for the cohesion strength of snow, it breaks apart. Now in human terms—" The chops and mashed potatoes and peas arrived. "Go on," I urged. He was deep in the symbology of human motives and the equations of human behavior in groups. After running through a few different types of grower and shrinker type organizations, we came back to the snowball, and decided to run the test by making something grow. "You add the motives," he said, "and the equation will translate them into organization." "How about a good selfish reason for the ins to drag others into the group—some sort of bounty on new members, a cut of their membership fee?" I suggested uncertainly, feeling slightly foolish. "And maybe a reason why the members would lose if any of them resigned, and some indirect way they could use to force each other to stay in." "The first is the chain letter principle," he nodded. "I've got that. The other...." He put the symbols through some mathematical manipulation so that a special grouping appeared in the middle of the equation. "That's it." Since I seemed to have the right idea, I suggested some more, and he added some, and juggled them around in different patterns. We threw out a few that would have made the organization too complicated, and finally worked out an idyllically simple and deadly little organization setup where joining had all the temptation of buying a sweepstakes ticket, going in deeper was as easy as hanging around a race track, and getting out was like trying to pull free from a Malayan thumb trap. We put our heads closer together and talked lower, picking the best place for the demonstration. "Abington?" "How about Watashaw? I have some student sociological surveys of it already. We can pick a suitable group from that." "This demonstration has got to be convincing. We'd better pick a little group that no one in his right mind would expect to grow." "There should be a suitable club—" Picture Professor Caswell, head of the Department of Sociology, and with him the President of the University, leaning across the table toward each other, sipping coffee and talking in conspiratorial tones over something they were writing in a notebook. That was us. "Ladies," said the skinny female chairman of the Watashaw Sewing Circle. "Today we have guests." She signaled for us to rise, and we stood up, bowing to polite applause and smiles. "Professor Caswell, and Professor Smith." (My alias.) "They are making a survey of the methods and duties of the clubs of Watashaw." We sat down to another ripple of applause and slightly wider smiles, and then the meeting of the Watashaw Sewing Circle began. In five minutes I began to feel sleepy. There were only about thirty people there, and it was a small room, not the halls of Congress, but they discussed their business of collecting and repairing second hand clothing for charity with the same endless boring parliamentary formality. I pointed out to Caswell the member I thought would be the natural leader, a tall, well-built woman in a green suit, with conscious gestures and a resonant, penetrating voice, and then went into a half doze while Caswell stayed awake beside me and wrote in his notebook. After a while the resonant voice roused me to attention for a moment. It was the tall woman holding the floor over some collective dereliction of the club. She was being scathing. I nudged Caswell and murmured, "Did you fix it so that a shover has a better chance of getting into office than a non-shover?" "I think there's a way they could find for it," Caswell whispered back, and went to work on his equation again. "Yes, several ways to bias the elections." "Good. Point them out tactfully to the one you select. Not as if she'd use such methods, but just as an example of the reason why only she can be trusted with initiating the change. Just mention all the personal advantages an unscrupulous person could have." He nodded, keeping a straight and sober face as if we were exchanging admiring remarks about the techniques of clothes repairing, instead of conspiring. After the meeting, Caswell drew the tall woman in the green suit aside and spoke to her confidentially, showing her the diagram of organization we had drawn up. I saw the responsive glitter in the woman's eyes and knew she was hooked. We left the diagram of organization and our typed copy of the new bylaws with her and went off soberly, as befitted two social science experimenters. We didn't start laughing until our car passed the town limits and began the climb for University Heights. If Caswell's equations meant anything at all, we had given that sewing circle more growth drives than the Roman Empire. Four months later I had time out from a very busy schedule to wonder how the test was coming along. Passing Caswell's office, I put my head in. He looked up from a student research paper he was correcting. "Caswell, about that sewing club business—I'm beginning to feel the suspense. Could I get an advance report on how it's coming?" "I'm not following it. We're supposed to let it run the full six months." "But I'm curious. Could I get in touch with that woman—what's her name?" "Searles. Mrs. George Searles." "Would that change the results?" "Not in the slightest. If you want to graph the membership rise, it should be going up in a log curve, probably doubling every so often." I grinned. "If it's not rising, you're fired." He grinned back. "If it's not rising, you won't have to fire me—I'll burn my books and shoot myself." I returned to my office and put in a call to Watashaw. While I was waiting for the phone to be answered, I took a piece of graph paper and ruled it off into six sections, one for each month. After the phone had rung in the distance for a long time, a servant answered with a bored drawl: "Mrs. Searles' residence." I picked up a red gummed star and licked it. "Mrs. Searles, please." "She's not in just now. Could I take a message?" I placed the star at the thirty line in the beginning of the first section. Thirty members they'd started with. "No, thanks. Could you tell me when she'll be back?" "Not until dinner. She's at the meetin'." "The sewing club?" I asked. "No, sir, not that thing. There isn't any Sewing club any more, not for a long time. She's at the Civic Welfare meeting." Somehow I hadn't expected anything like that. "Thank you," I said and hung up, and after a moment noticed I was holding a box of red gummed stars in my hand. I closed it and put it down on top of the graph of membership in the sewing circle. No more members.... Poor Caswell. The bet between us was ironclad. He wouldn't let me back down on it even if I wanted to. He'd probably quit before I put through the first slow move to fire him. His professional pride would be shattered, sunk without a trace. I remembered what he said about shooting himself. It had seemed funny to both of us at the time, but.... What a mess that would make for the university. I had to talk to Mrs. Searles. Perhaps there was some outside reason why the club had disbanded. Perhaps it had not just died. I called back. "This is Professor Smith," I said, giving the alias I had used before. "I called a few minutes ago. When did you say Mrs. Searles will return?" "About six-thirty or seven o'clock." Five hours to wait. And what if Caswell asked me what I had found out in the meantime? I didn't want to tell him anything until I had talked it over with that woman Searles first. "Where is this Civic Welfare meeting?" She told me. Five minutes later, I was in my car, heading for Watashaw, driving considerably faster than my usual speed and keeping a careful watch for highway patrol cars as the speedometer climbed. The town meeting hall and theater was a big place, probably with lots of small rooms for different clubs. I went in through the center door and found myself in the huge central hall where some sort of rally was being held. A political-type rally—you know, cheers and chants, with bunting already down on the floor, people holding banners, and plenty of enthusiasm and excitement in the air. Someone was making a speech up on the platform. Most of the people there were women. I wondered how the Civic Welfare League could dare hold its meeting at the same time as a political rally that could pull its members away. The group with Mrs. Searles was probably holding a shrunken and almost memberless meeting somewhere in an upper room. There probably was a side door that would lead upstairs. While I glanced around, a pretty girl usher put a printed bulletin in my hand, whispering, "Here's one of the new copies." As I attempted to hand it back, she retreated. "Oh, you can keep it. It's the new one. Everyone's supposed to have it. We've just printed up six thousand copies to make sure there'll be enough to last." The tall woman on the platform had been making a driving, forceful speech about some plans for rebuilding Watashaw's slum section. It began to penetrate my mind dimly as I glanced down at the bulletin in my hands. "Civic Welfare League of Watashaw. The United Organization of Church and Secular Charities." That's what it said. Below began the rules of membership. I looked up. The speaker, with a clear, determined voice and conscious, forceful gestures, had entered the homestretch of her speech, an appeal to the civic pride of all citizens of Watashaw. "With a bright and glorious future—potentially without poor and without uncared-for ill—potentially with no ugliness, no vistas which are not beautiful—the best people in the best planned town in the country—the jewel of the United States." She paused and then leaned forward intensely, striking her clenched hand on the speaker's stand with each word for emphasis. " All we need is more members. Now get out there and recruit! " I finally recognized Mrs. Searles, as an answering sudden blast of sound half deafened me. The crowd was chanting at the top of its lungs: "Recruit! Recruit!" Mrs. Searles stood still at the speaker's table and behind her, seated in a row of chairs, was a group that was probably the board of directors. It was mostly women, and the women began to look vaguely familiar, as if they could be members of the sewing circle. I put my lips close to the ear of the pretty usher while I turned over the stiff printed bulletin on a hunch. "How long has the League been organized?" On the back of the bulletin was a constitution. She was cheering with the crowd, her eyes sparkling. "I don't know," she answered between cheers. "I only joined two days ago. Isn't it wonderful?" I went into the quiet outer air and got into my car with my skin prickling. Even as I drove away, I could hear them. They were singing some kind of organization song with the tune of "Marching through Georgia." Even at the single glance I had given it, the constitution looked exactly like the one we had given the Watashaw Sewing Circle. All I told Caswell when I got back was that the sewing circle had changed its name and the membership seemed to be rising. Next day, after calling Mrs. Searles, I placed some red stars on my graph for the first three months. They made a nice curve, rising more steeply as it reached the fourth month. They had picked up their first increase in membership simply by amalgamating with all the other types of charity organizations in Watashaw, changing the club name with each fusion, but keeping the same constitution—the constitution with the bright promise of advantages as long as there were always new members being brought in. By the fifth month, the League had added a mutual baby-sitting service and had induced the local school board to add a nursery school to the town service, so as to free more women for League activity. But charity must have been completely organized by then, and expansion had to be in other directions. Some real estate agents evidently had been drawn into the whirlpool early, along with their ideas. The slum improvement plans began to blossom and take on a tinge of real estate planning later in the month. The first day of the sixth month, a big two page spread appeared in the local paper of a mass meeting which had approved a full-fledged scheme for slum clearance of Watashaw's shack-town section, plus plans for rehousing, civic building, and rezoning. And good prospects for attracting some new industries to the town, industries which had already been contacted and seemed interested by the privileges offered. And with all this, an arrangement for securing and distributing to the club members alone most of the profit that would come to the town in the form of a rise in the price of building sites and a boom in the building industry. The profit distributing arrangement was the same one that had been built into the organization plan for the distribution of the small profits of membership fees and honorary promotions. It was becoming an openly profitable business. Membership was rising more rapidly now. By the second week of the sixth month, news appeared in the local paper that the club had filed an application to incorporate itself as the Watashaw Mutual Trade and Civic Development Corporation, and all the local real estate promoters had finished joining en masse. The Mutual Trade part sounded to me as if the Chamber of Commerce was on the point of being pulled in with them, ideas, ambitions and all. I chuckled while reading the next page of the paper, on which a local politician was reported as having addressed the club with a long flowery oration on their enterprise, charity, and civic spirit. He had been made an honorary member. If he allowed himself to be made a full member with its contractual obligations and its lures, if the politicians went into this, too.... I laughed, filing the newspaper with the other documents on the Watashaw test. These proofs would fascinate any businessman with the sense to see where his bread was buttered. A businessman is constantly dealing with organizations, including his own, and finding them either inert, cantankerous, or both. Caswell's formula could be a handle to grasp them with. Gratitude alone would bring money into the university in carload lots. The end of the sixth month came. The test was over and the end reports were spectacular. Caswell's formulas were proven to the hilt. After reading the last newspaper reports, I called him up. "Perfect, Wilt, perfect ! I can use this Watashaw thing to get you so many fellowships and scholarships and grants for your department that you'll think it's snowing money!" He answered somewhat disinterestedly, "I've been busy working with students on their research papers and marking tests—not following the Watashaw business at all, I'm afraid. You say the demonstration went well and you're satisfied?" He was definitely putting on a chill. We were friends now, but obviously he was still peeved whenever he was reminded that I had doubted that his theory could work. And he was using its success to rub my nose in the realization that I had been wrong. A man with a string of degrees after his name is just as human as anyone else. I had needled him pretty hard that first time. "I'm satisfied," I acknowledged. "I was wrong. The formulas work beautifully. Come over and see my file of documents on it if you want a boost for your ego. Now let's see the formula for stopping it." He sounded cheerful again. "I didn't complicate that organization with negatives. I wanted it to grow . It falls apart naturally when it stops growing for more than two months. It's like the great stock boom before an economic crash. Everyone in it is prosperous as long as the prices just keep going up and new buyers come into the market, but they all knew what would happen if it stopped growing. You remember, we built in as one of the incentives that the members know they are going to lose if membership stops growing. Why, if I tried to stop it now, they'd cut my throat." I remembered the drive and frenzy of the crowd in the one early meeting I had seen. They probably would. "No," he continued. "We'll just let it play out to the end of its tether and die of old age." "When will that be?" "It can't grow past the female population of the town. There are only so many women in Watashaw, and some of them don't like sewing." The graph on the desk before me began to look sinister. Surely Caswell must have made some provision for— "You underestimate their ingenuity," I said into the phone. "Since they wanted to expand, they didn't stick to sewing. They went from general charity to social welfare schemes to something that's pretty close to an incorporated government. The name is now the Watashaw Mutual Trade and Civic Development Corporation, and they're filing an application to change it to Civic Property Pool and Social Dividend, membership contractual, open to all. That social dividend sounds like a Technocrat climbed on the band wagon, eh?" While I spoke, I carefully added another red star to the curve above the thousand member level, checking with the newspaper that still lay open on my desk. The curve was definitely some sort of log curve now, growing more rapidly with each increase. "Leaving out practical limitations for a moment, where does the formula say it will stop?" I asked. "When you run out of people to join it. But after all, there are only so many people in Watashaw. It's a pretty small town." "They've opened a branch office in New York," I said carefully into the phone, a few weeks later. With my pencil, very carefully, I extended the membership curve from where it was then. After the next doubling, the curve went almost straight up and off the page. Allowing for a lag of contagion from one nation to another, depending on how much their citizens intermingled, I'd give the rest of the world about twelve years. There was a long silence while Caswell probably drew the same graph in his own mind. Then he laughed weakly. "Well, you asked me for a demonstration." That was as good an answer as any. We got together and had lunch in a bar, if you can call it lunch. The movement we started will expand by hook or by crook, by seduction or by bribery or by propaganda or by conquest, but it will expand. And maybe a total world government will be a fine thing—until it hits the end of its rope in twelve years or so. What happens then, I don't know. But I don't want anyone to pin that on me. From now on, if anyone asks me, I've never heard of Watashaw.
train	51337	[ "What is the flaw in the cousins' plan?", "Why don't the cousins realize the flaw in their plan?", "Why doesn't Martin explain the flaw in the plan to the cousins?", "Why doesn't Ninian know much about meals?", "How does Conrad go back in time?", "How did Ninian, Raymond, and the other cousins go back in time?", "Why does Martin prefer to live on the yacht?" ]	[ [ "Conrad could target their great-great-grandmother and achieve the same result.", "Conrad could target their great-grandmother and achieve the same result.", "They have kept Martin isolated for almost his entire life, he has no son. Therefore, they will cease to exist.", "All Conrad needs to do to find Martin, is to follow the cousins back in time." ], [ "They do not understand time travel.", "They all originated from the same point in time.", "They are highly interbred.", "They are not very intelligent." ], [ "Martin resents the cousins for taking Ninian away from him.", "They have been very generous. Martin is afraid they'll leave, and he won't be wealthy anymore.", "Martin does not want the future generations to turn out like his descendants.", "Martin finds the cousins very irritating. If they can't figure it out, why should he explain it?" ], [ "In the future, all the nutrients a human needs come in an easy-to-swallow capsule.", "In the future, they don't eat meals.", "Ninian is not a chef.", "Ninian is used to having servants plan and serve her meals. She's never had to buy food herself." ], [ "Conrad stole Professor Farkas' time transmitter to send himself back in time.", "Professor Farkas sent him back in time with the time transmitter.", "Conrad built a time transmitter using a copy of Professor Farkas' plans.", "Professor Farkas' assistant sent Conrad back in time using the time transmitter after Conrad gave him a bribe." ], [ "They bribed the assistant for the plans and blackmailed or tortured someone to build the time transmitter for them.", "Professor Farkas' assistant sent them back in time using the time transmitter after they gave him a bribe.", "They bribed the assistant for the plans and hired a gadget enthusiast to build the time transmitter for them.", "Professor Farkas sent them back in time with the time transmitter." ], [ "Martin is used to being isolated now. The people on land live in a different world than he does.", "The people on land were always at war. Martin wants no part of it.", "The people on land are too different from the cousins. Living on the yacht avoids questions from locals.", "Martin thinks being on the ocean will make it harder for Conrad to find him." ] ]	[ 3, 4, 3, 4, 3, 1, 1 ]	[ 0, 1, 1, 0, 0, 1, 1 ]	THE MAN OUTSIDE By EVELYN E. SMITH Illustrated by DILLON [Transcriber's Note: This etext was produced from Galaxy Science Fiction August 1957. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] No one, least of all Martin, could dispute that a man's life should be guarded by his kin—but by those who hadn't been born yet? Nobody in the neighborhood was surprised when Martin's mother disappeared and Ninian came to take care of him. Mothers had a way of disappearing around those parts and the kids were often better off without them. Martin was no exception. He'd never had it this good while he was living with his old lady. As for his father, Martin had never had one. He'd been a war baby, born of one of the tides of soldiers—enemies and allies, both—that had engulfed the country in successive waves and bought or taken the women. So there was no trouble that way. Sometimes he wondered who Ninian really was. Obviously that story about her coming from the future was just a gag. Besides, if she really was his great-great-grand-daughter, as she said, why would she tell him to call her " Aunt Ninian "? Maybe he was only eleven, but he'd been around and he knew just what the score was. At first he'd thought maybe she was some new kind of social worker, but she acted a little too crazy for that. He loved to bait her, as he had loved to bait his mother. It was safer with Ninian, though, because when he pushed her too far, she would cry instead of mopping up the floor with him. "But I can't understand," he would say, keeping his face straight. "Why do you have to come from the future to protect me against your cousin Conrad?" "Because he's coming to kill you." "Why should he kill me? I ain't done him nothing." Ninian sighed. "He's dissatisfied with the current social order and killing you is part of an elaborate plan he's formulated to change it. You wouldn't understand." "You're damn right. I don't understand. What's it all about in straight gas?" "Oh, just don't ask any questions," Ninian said petulantly. "When you get older, someone will explain the whole thing to you." So Martin held his peace, because, on the whole, he liked things the way they were. Ninian really was the limit, though. All the people he knew lived in scabrous tenement apartments like his, but she seemed to think it was disgusting. "So if you don't like it, clean it up," he suggested. She looked at him as if he were out of his mind. "Hire a maid, then!" he jeered. And darned if that dope didn't go out and get a woman to come clean up the place! He was so embarrassed, he didn't even dare show his face in the streets—especially with the women buttonholing him and demanding to know what gave. They tried talking to Ninian, but she certainly knew how to give them the cold shoulder. One day the truant officer came to ask why Martin hadn't been coming to school. Very few of the neighborhood kids attended classes very regularly, so this was just routine. But Ninian didn't know that and she went into a real tizzy, babbling that Martin had been sick and would make up the work. Martin nearly did get sick from laughing so hard inside. But he laughed out of the other side of his mouth when she went out and hired a private tutor for him. A tutor—in that neighborhood! Martin had to beat up every kid on the block before he could walk a step without hearing "Fancy Pants!" yelled after him. Ninian worried all the time. It wasn't that she cared what these people thought of her, for she made no secret of regarding them as little better than animals, but she was shy of attracting attention. There were an awful lot of people in that neighborhood who felt exactly the same way, only she didn't know that, either. She was really pretty dumb, Martin thought, for all her fancy lingo. "It's so hard to think these things out without any prior practical application to go by," she told him. He nodded, knowing what she meant was that everything was coming out wrong. But he didn't try to help her; he just watched to see what she'd do next. Already he had begun to assume the detached role of a spectator. When it became clear that his mother was never going to show up again, Ninian bought one of those smallish, almost identical houses that mushroom on the fringes of a city after every war, particularly where intensive bombing has created a number of desirable building sites. "This is a much better neighborhood for a boy to grow up in," she declared. "Besides, it's easier to keep an eye on you here." And keep an eye on him she did—she or a rather foppish young man who came to stay with them occasionally. Martin was told to call him Uncle Raymond. From time to time, there were other visitors—Uncles Ives and Bartholomew and Olaf, Aunts Ottillie and Grania and Lalage, and many more—all cousins to one another, he was told, all descendants of his. Martin was never left alone for a minute. He wasn't allowed to play with the other kids in the new neighborhood. Not that their parents would have let them, anyway. The adults obviously figured that if a one-car family hired private tutors for their kid, there must be something pretty wrong with him. So Martin and Ninian were just as conspicuous as before. But he didn't tip her off. She was grown up; she was supposed to know better than he did. He lived well. He had food to eat that he'd never dreamed of before, warm clothes that no one had ever worn before him. He was surrounded by more luxury than he knew what to do with. The furniture was the latest New Grand Rapids African modern. There were tidy, colorful Picasso and Braque prints on the walls. And every inch of the floor was modestly covered by carpeting, though the walls were mostly unabashed glass. There were hot water and heat all the time and a freezer well stocked with food—somewhat erratically chosen, for Ninian didn't know much about meals. The non-glass part of the house was of neat, natural-toned wood, with a neat green lawn in front and a neat parti-colored garden in back. Martin missed the old neighborhood, though. He missed having other kids to play with. He even missed his mother. Sure, she hadn't given him enough to eat and she'd beaten him up so hard sometimes that she'd nearly killed him—but then there had also been times when she'd hugged and kissed him and soaked his collar with her tears. She'd done all she could for him, supporting him in the only way she knew how—and if respectable society didn't like it, the hell with respectable society. From Ninian and her cousins, there was only an impersonal kindness. They made no bones about the fact that they were there only to carry out a rather unpleasant duty. Though they were in the house with him, in their minds and in their talk they were living in another world—a world of warmth and peace and plenty where nobody worked, except in the government service or the essential professions. And they seemed to think even that kind of job was pretty low-class, though better than actually doing anything with the hands. In their world, Martin came to understand, nobody worked with hands; everything was done by machinery. All the people ever did was wear pretty clothes and have good times and eat all they wanted. There was no devastation, no war, no unhappiness, none of the concomitants of normal living. It was then that Martin began to realize that either the whole lot of them were insane, or what Ninian had told him at first was the truth. They came from the future. When Martin was sixteen, Raymond took him aside for the talk Ninian had promised five years before. "The whole thing's all my brother Conrad's fault. You see, he's an idealist," Raymond explained, pronouncing the last word with distaste. Martin nodded gravely. He was a quiet boy now, his brief past a dim and rather ridiculous memory. Who could ever imagine him robbing a grocery store or wielding a broken bottle now? He still was rather undersized and he'd read so much that he'd weakened his eyes and had to wear glasses. His face was pallid, because he spent little time in the sun, and his speech rather overbred, his mentors from the future having carefully eradicated all current vulgarities. "And Conrad really got upset over the way Earth has been exploiting the not so intelligent life-forms on the other planets," Raymond continued. "Which is distressing—though, of course, it's not as if they were people. Besides, the government has been talking about passing laws to do away with the—well, abuses and things like that, and I'm sure someday everything will come out all right. However, Conrad is so impatient." "I thought, in your world, machines did all the work," Martin suggested. "I've told you—our world is precisely the same as this one!" Raymond snapped. "We just come a couple of centuries or so later, that's all. But remember, our interests are identical. We're virtually the same people ... although it is amazing what a difference two hundred odd years of progress and polish can make in a species, isn't it?" He continued more mildly: "However, even you ought to be able to understand that we can't make machinery without metal. We need food. All that sort of thing comes from the out-system planets. And, on those worlds, it's far cheaper to use native labor than to ship out all that expensive machinery. After all, if we didn't give the natives jobs, how would they manage to live?" "How did they live before? Come to think of it, if you don't work, how do you live now?... I don't mean in the now for me, but the now for you," Martin explained laboriously. It was so difficult to live in the past and think in the future. "I'm trying to talk to you as if you were an adult," Raymond said, "but if you will persist in these childish interruptions—" "I'm sorry," Martin said. But he wasn't, for by now he had little respect left for any of his descendants. They were all exceedingly handsome and cultivated young people, with superior educations, smooth ways of speaking and considerable self-confidence, but they just weren't very bright. And he had discovered that Raymond was perhaps the most intelligent of the lot. Somewhere in that relatively short span of time, his line or—more frightening—his race had lost something vital. Unaware of the near-contempt in which his young ancestor held him, Raymond went on blandly: "Anyhow, Conrad took it upon himself to feel particularly guilty, because, he decided, if it hadn't been for the fact that our great-grandfather discovered the super-drive, we might never have reached the stars. Which is ridiculous—his feeling guilty, I mean. Perhaps a great-grandfather is responsible for his great-grandchildren, but a great-grandchild can hardly be held accountable for his great-grandfather." "How about a great-great-grandchild?" Martin couldn't help asking. Raymond flushed a delicate pink. "Do you want to hear the rest of this or don't you?" "Oh, I do!" Martin said. He had pieced the whole thing together for himself long since, but he wanted to hear how Raymond would put it. "Unfortunately, Professor Farkas has just perfected the time transmitter. Those government scientists are so infernally officious—always inventing such senseless things. It's supposed to be hush-hush, but you know how news will leak out when one is always desperate for a fresh topic of conversation." Anyhow, Raymond went on to explain, Conrad had bribed one of Farkas' assistants for a set of the plans. Conrad's idea had been to go back in time and "eliminate!" their common great-grandfather. In that way, there would be no space-drive, and, hence, the Terrestrials would never get to the other planets and oppress the local aborigines. "Sounds like a good way of dealing with the problem," Martin observed. Raymond looked annoyed. "It's the adolescent way," he said, "to do away with it, rather than find a solution. Would you destroy a whole society in order to root out a single injustice?" "Not if it were a good one otherwise." "Well, there's your answer. Conrad got the apparatus built, or perhaps he built it himself. One doesn't inquire too closely into such matters. But when it came to the point, Conrad couldn't bear the idea of eliminating our great-grandfather—because our great-grandfather was such a good man, you know." Raymond's expressive upper lip curled. "So Conrad decided to go further back still and get rid of his great-grandfather's father—who'd been, by all accounts, a pretty worthless character." "That would be me, I suppose," Martin said quietly. Raymond turned a deep rose. "Well, doesn't that just go to prove you mustn't believe everything you hear?" The next sentence tumbled out in a rush. "I wormed the whole thing out of him and all of us—the other cousins and me—held a council of war, as it were, and we decided it was our moral duty to go back in time ourselves and protect you." He beamed at Martin. The boy smiled slowly. "Of course. You had to. If Conrad succeeded in eliminating me, then none of you would exist, would you?" Raymond frowned. Then he shrugged cheerfully. "Well, you didn't really suppose we were going to all this trouble and expense out of sheer altruism, did you?" he asked, turning on the charm which all the cousins possessed to a consternating degree. Martin had, of course, no illusions on that score; he had learned long ago that nobody did anything for nothing. But saying so was unwise. "We bribed another set of plans out of another of the professor's assistants," Raymond continued, as if Martin had answered, "and—ah—induced a handicraft enthusiast to build the gadget for us." Induced , Martin knew, could have meant anything from blackmail to the use of the iron maiden. "Then we were all ready to forestall Conrad. If one of us guarded you night and day, he would never be able to carry out his plot. So we made our counter-plan, set the machine as far back as it would go—and here we are!" "I see," Martin said. Raymond didn't seem to think he really did. "After all," he pointed out defensively, "whatever our motives, it has turned into a good thing for you. Nice home, cultured companions, all the contemporary conveniences, plus some handy anachronisms—I don't see what more you could ask for. You're getting the best of all possible worlds. Of course Ninian was a ninny to locate in a mercantile suburb where any little thing out of the way will cause talk. How thankful I am that our era has completely disposed of the mercantiles—" "What did you do with them?" Martin asked. But Raymond rushed on: "Soon as Ninian goes and I'm in full charge, we'll get a more isolated place and run it on a far grander scale. Ostentation—that's the way to live here and now; the richer you are, the more eccentricity you can get away with. And," he added, "I might as well be as comfortable as possible while I suffer through this wretched historical stint." "So Ninian's going," said Martin, wondering why the news made him feel curiously desolate. Because, although he supposed he liked her in a remote kind of way, he had no fondness for her—or she, he knew, for him. "Well, five years is rather a long stretch for any girl to spend in exile," Raymond explained, "even though our life spans are a bit longer than yours. Besides, you're getting too old now to be under petticoat government." He looked inquisitively at Martin. "You're not going to go all weepy and make a scene when she leaves, are you?" "No...." Martin said hesitantly. "Oh, I suppose I will miss her. But we aren't very close, so it won't make a real difference." That was the sad part: he already knew it wouldn't make a difference. Raymond clapped him on the shoulder. "I knew you weren't a sloppy sentimentalist like Conrad. Though you do have rather a look of him, you know." Suddenly that seemed to make Conrad real. Martin felt a vague stirring of alarm. He kept his voice composed, however. "How do you plan to protect me when he comes?" "Well, each one of us is armed to the teeth, of course," Raymond said with modest pride, displaying something that looked like a child's combination spaceman's gun and death ray, but which, Martin had no doubt, was a perfectly genuine—and lethal—weapon. "And we've got a rather elaborate burglar alarm system." Martin inspected the system and made one or two changes in the wiring which, he felt, would increase its efficiency. But still he was dubious. "Maybe it'll work on someone coming from outside this house , but do you think it will work on someone coming from outside this time ?" "Never fear—it has a temporal radius," Raymond replied. "Factory guarantee and all that." "Just to be on the safe side," Martin said, "I think I'd better have one of those guns, too." "A splendid idea!" enthused Raymond. "I was just about to think of that myself!" When it came time for the parting, it was Ninian who cried—tears at her own inadequacy, Martin knew, not of sorrow. He was getting skillful at understanding his descendants, far better than they at understanding him. But then they never really tried. Ninian kissed him wetly on the cheek and said she was sure everything would work out all right and that she'd come see him again. She never did, though, except at the very last. Raymond and Martin moved into a luxurious mansion in a remote area. The site proved a well-chosen one; when the Second Atomic War came, half a dozen years later, they weren't touched. Martin was never sure whether this had been sheer luck or expert planning. Probably luck, because his descendants were exceedingly inept planners. Few people in the world then could afford to live as stylishly as Martin and his guardian. The place not only contained every possible convenience and gadget but was crammed with bibelots and antiques, carefully chosen by Raymond and disputed by Martin, for, to the man from the future, all available artifacts were antiques. Otherwise, Martin accepted his new surroundings. His sense of wonder had become dulled by now and the pink pseudo-Spanish castle—"architecturally dreadful, of course," Raymond had said, "but so hilariously typical"—impressed him far less than had the suburban split-level aquarium. "How about a moat?" Martin suggested when they first came. "It seems to go with a castle." "Do you think a moat could stop Conrad?" Raymond asked, amused. "No," Martin smiled, feeling rather silly, "but it would make the place seem safer somehow." The threat of Conrad was beginning to make him grow more and more nervous. He got Raymond's permission to take two suits of armor that stood in the front hall and present them to a local museum, because several times he fancied he saw them move. He also became an adept with the ray gun and changed the surrounding landscape quite a bit with it, until Raymond warned that this might lead Conrad to them. During those early years, Martin's tutors were exchanged for the higher-degreed ones that were now needful. The question inevitably arose of what the youth's vocation in that life was going to be. At least twenty of the cousins came back through time to hold one of their vigorous family councils. Martin was still young enough to enjoy such occasions, finding them vastly superior to all other forms of entertainment. "This sort of problem wouldn't arise in our day, Martin," Raymond commented as he took his place at the head of the table, "because, unless one specifically feels a call to some profession or other, one just—well, drifts along happily." "Ours is a wonderful world," Grania sighed at Martin. "I only wish we could take you there. I'm sure you would like it." "Don't be a fool, Grania!" Raymond snapped. "Well, Martin, have you made up your mind what you want to be?" Martin affected to think. "A physicist," he said, not without malice. "Or perhaps an engineer." There was a loud, excited chorus of dissent. He chuckled inwardly. "Can't do that," Ives said. "Might pick up some concepts from us. Don't know how; none of us knows a thing about science. But it could happen. Subconscious osmosis, if there is such a thing. That way, you might invent something ahead of time. And the fellow we got the plans from particularly cautioned us against that. Changing history. Dangerous." "Might mess up our time frightfully," Bartholomew contributed, "though, to be perfectly frank, I can't quite understand how." "I am not going to sit down and explain the whole thing to you all over again, Bart!" Raymond said impatiently. "Well, Martin?" "What would you suggest?" Martin asked. "How about becoming a painter? Art is eternal. And quite gentlemanly. Besides, artists are always expected to be either behind or ahead of their times." "Furthermore," Ottillie added, "one more artist couldn't make much difference in history. There were so many of them all through the ages." Martin couldn't hold back his question. "What was I, actually, in that other time?" There was a chilly silence. "Let's not talk about it, dear," Lalage finally said. "Let's just be thankful we've saved you from that !" So drawing teachers were engaged and Martin became a very competent second-rate artist. He knew he would never be able to achieve first rank because, even though he was still so young, his work was almost purely intellectual. The only emotion he seemed able to feel was fear—the ever-present fear that someday he would turn a corridor and walk into a man who looked like him—a man who wanted to kill him for the sake of an ideal. But the fear did not show in Martin's pictures. They were pretty pictures. Cousin Ives—now that Martin was older, he was told to call the descendants cousin —next assumed guardianship. Ives took his responsibilities more seriously than the others did. He even arranged to have Martin's work shown at an art gallery. The paintings received critical approval, but failed to evoke any enthusiasm. The modest sale they enjoyed was mostly to interior decorators. Museums were not interested. "Takes time," Ives tried to reassure him. "One day they'll be buying your pictures, Martin. Wait and see." Ives was the only one of the descendants who seemed to think of Martin as an individual. When his efforts to make contact with the other young man failed, he got worried and decided that what Martin needed was a change of air and scenery. "'Course you can't go on the Grand Tour. Your son hasn't invented space travel yet. But we can go see this world. What's left of it. Tourists always like ruins best, anyway." So he drew on the family's vast future resources and bought a yacht, which Martin christened The Interregnum . They traveled about from sea to ocean and from ocean to sea, touching at various ports and making trips inland. Martin saw the civilized world—mostly in fragments; the nearly intact semi-civilized world and the uncivilized world, much the same as it had been for centuries. It was like visiting an enormous museum; he couldn't seem to identify with his own time any more. The other cousins appeared to find the yacht a congenial head-quarters, largely because they could spend so much time far away from the contemporary inhabitants of the planet and relax and be themselves. So they never moved back to land. Martin spent the rest of his life on The Interregnum . He felt curiously safer from Conrad there, although there was no valid reason why an ocean should stop a traveler through time. More cousins were in residence at once than ever before, because they came for the ocean voyage. They spent most of their time aboard ship, giving each other parties and playing an avant-garde form of shuffleboard and gambling on future sporting events. That last usually ended in a brawl, because one cousin was sure to accuse another of having got advance information about the results. Martin didn't care much for their company and associated with them only when not to have done so would have been palpably rude. And, though they were gregarious young people for the most part, they didn't court his society. He suspected that he made them feel uncomfortable. He rather liked Ives, though. Sometimes the two of them would be alone together; then Ives would tell Martin of the future world he had come from. The picture drawn by Raymond and Ninian had not been entirely accurate, Ives admitted. True, there was no war or poverty on Earth proper, but that was because there were only a couple of million people left on the planet. It was an enclave for the highly privileged, highly interbred aristocracy, to which Martin's descendants belonged by virtue of their distinguished ancestry. "Rather feudal, isn't it?" Martin asked. Ives agreed, adding that the system had, however, been deliberately planned, rather than the result of haphazard natural development. Everything potentially unpleasant, like the mercantiles, had been deported. "Not only natives livin' on the other worlds," Ives said as the two of them stood at the ship's rail, surrounded by the limitless expanse of some ocean or other. "People, too. Mostly lower classes, except for officials and things. With wars and want and suffering," he added regretfully, "same as in your day.... Like now, I mean," he corrected himself. "Maybe it is worse, the way Conrad thinks. More planets for us to make trouble on. Three that were habitable aren't any more. Bombed. Very thorough job." "Oh," Martin murmured, trying to sound shocked, horrified—interested, even. "Sometimes I'm not altogether sure Conrad was wrong," Ives said, after a pause. "Tried to keep us from getting to the stars, hurting the people—I expect you could call them people—there. Still—" he smiled shamefacedly—"couldn't stand by and see my own way of life destroyed, could I?" "I suppose not," Martin said. "Would take moral courage. I don't have it. None of us does, except Conrad, and even he—" Ives looked out over the sea. "Must be a better way out than Conrad's," he said without conviction. "And everything will work out all right in the end. Bound to. No sense to—to anything, if it doesn't." He glanced wistfully at Martin. "I hope so," said Martin. But he couldn't hope; he couldn't feel; he couldn't even seem to care. During all this time, Conrad still did not put in an appearance. Martin had gotten to be such a crack shot with the ray pistol that he almost wished his descendant would show up, so there would be some excitement. But he didn't come. And Martin got to thinking.... He always felt that if any of the cousins could have come to realize the basic flaw in the elaborate plan they had concocted, it would have been Ives. However, when the yacht touched at Tierra del Fuego one bitter winter, Ives took a severe chill. They sent for a doctor from the future—one of the descendants who had been eccentric enough to take a medical degree—but he wasn't able to save Ives. The body was buried in the frozen ground at Ushuaia, on the southern tip of the continent, a hundred years or more before the date of his birth. A great many of the cousins turned up at the simple ceremony. All were dressed in overwhelming black and showed a great deal of grief. Raymond read the burial service, because they didn't dare summon a clerical cousin from the future; they were afraid he might prove rather stuffy about the entire undertaking. "He died for all of us," Raymond concluded his funeral eulogy over Ives, "so his death was not in vain." But Martin disagreed. The ceaseless voyaging began again. The Interregnum voyaged to every ocean and every sea. Some were blue and some green and some dun. After a while, Martin couldn't tell one from another. Cousin after cousin came to watch over him and eventually they were as hard for him to tell apart as the different oceans. All the cousins were young, for, though they came at different times in his life, they had all started out from the same time in theirs. Only the young ones had been included in the venture; they did not trust their elders. As the years went by, Martin began to lose even his detached interest in the land and its doings. Although the yacht frequently touched port for fuel or supplies—it was more economical to purchase them in that era than to have them shipped from the future—he seldom went ashore, and then only at the urging of a newly assigned cousin anxious to see the sights. Most of the time Martin spent in watching the sea—and sometimes he painted it. There seemed to be a depth to his seascapes that his other work lacked. When he was pressed by the current cousin to make a land visit somewhere, he decided to exhibit a few of his sea paintings. That way, he could fool himself into thinking that there was some purpose to this journey. He'd come to believe that perhaps what his life lacked was purpose, and for a while he kept looking for meaning everywhere, to the cousin's utter disgust. "Eat, drink and be merry, or whatever you Romans say when you do as you do," the cousin—who was rather woolly in history; the descendants were scraping bottom now—advised. Martin showed his work in Italy, so that the cousin could be disillusioned by the current crop of Romans. He found that neither purpose nor malice was enough; he was still immeasurably bored. However, a museum bought two of the paintings. Martin thought of Ives and felt an uncomfortable pang of a sensation he could no longer understand. "Where do you suppose Conrad has been all this time?" Martin idly asked the current cousin—who was passing as his nephew by now. The young man jumped, then glanced around him uncomfortably. "Conrad's a very shrewd fellow," he whispered. "He's biding his time—waiting until we're off guard. And then—pow!—he'll attack!" "Oh, I see," Martin said. He had often fancied that Conrad would prove to be the most stimulating member of the whole generation. But it seemed unlikely that he would ever have a chance for a conversation with the young man. More than one conversation, anyhow. "When he does show up, I'll protect you," the cousin vowed, touching his ray gun. "You haven't a thing to worry about." Martin smiled with all the charm he'd had nothing to do but acquire. "I have every confidence in you," he told his descendant. He himself had given up carrying a gun long ago. There was a war in the Northern Hemisphere and so The Interregnum voyaged to southern waters. There was a war in the south and they hid out in the Arctic. All the nations became too drained of power—fuel and man and will—to fight, so there was a sterile peace for a long time. The Interregnum roamed the seas restlessly, with her load of passengers from the future, plus one bored and aging contemporary. She bore big guns now, because of the ever-present danger of pirates.
train	51296	[ "How does Rikud change through the story?", "What seems to be true about the world Rikud lives in?", "Why is Rikud oddly satisfied about Crifer's limp foot?", "What does the viewport allow Rikud to realize?", "What struggle does the door in the library represent?", "What happens when Rikud grows violent when the others don't believe him.", "Why does everyone begin to starve and grow thirsty?", "What does Rikud's victory represent?" ]	[ [ "He questions his world, his lack of autonomy, and what it really means to live. ", "He realizes that he will one day have a mate chosen for him, and children as well. ", "He realizes his desire to feel pain, and to hurt for the first time. ", "He questions his \"strange\" thoughts, and how pervasive they are. " ], [ "It's run by machines, and no longer run by people. There is no room for decisions. ", "Change never happens. It's a concept that's been erased. ", "Women and men are segregated, because they can't live with one another. ", "It's run by machines, and no longer run by people. They remember a time when they could make decisions, but no longer can. " ], [ "It's new and interesting. Rikud is tired of the regular. ", "It means that people can hurt, which Rikud has an interest in. ", "He dislikes Crifer, and enjoys the fact that he is stuck with an anomaly. ", "It's evidence that imperfections still exist, and validates Rikud's feelings. " ], [ "There is more to the world outside of the ship they are on. ", "The viewport is not a flat space, and objects can pass through it. ", "The stars are indeed changing. ", "The garden outside is moving. " ], [ "The struggle between man and machine, and the power machine now has over them. ", "The struggle for Rikud and all the others to conceptualize what they don't know or haven't seen before. ", "Rikud's fear of what's behind it. ", "The struggle between authority and the people it runs. " ], [ "They start grabbing at one another to deescalate the situation.", "They all start to do it, because they've never seen violence before and don't understand it. ", "Confusion breaks out. ", "Everyone grows fearful and watches what Rikud does. " ], [ "Without the buzzer, there is no food or drink to have. ", "The buzzer no longer works, and no one knows how to fix it. ", "Rikud broke the buzzer, and they're all waiting. ", "Rikud broke the buzzer, and without it they don't know how to care for themselves. " ], [ "Victory over authority.", "Victory over the world, and overcoming its changes. ", "Victory over fear of the unknown, and embracing of change. ", "Victory over indecision. " ] ]	[ 1, 1, 4, 1, 2, 2, 4, 3 ]	[ 1, 1, 0, 1, 1, 1, 0, 0 ]	The Sense of Wonder By MILTON LESSER Illustrated by HARRY ROSENBAUM [Transcriber's Note: This etext was produced from Galaxy Science Fiction September 1951. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] When nobody aboard ship remembers where it's going, how can they tell when it has arrived? Every day for a week now, Rikud had come to the viewport to watch the great changeless sweep of space. He could not quite explain the feelings within him; they were so alien, so unnatural. But ever since the engines somewhere in the rear of the world had changed their tone, from the steady whining Rikud had heard all twenty-five years of his life, to the sullen roar that came to his ears now, the feelings had grown. If anyone else had noticed the change, he failed to mention it. This disturbed Rikud, although he could not tell why. And, because he had realized this odd difference in himself, he kept it locked up inside him. Today, space looked somehow different. The stars—it was a meaningless concept to Rikud, but that was what everyone called the bright pinpoints of light on the black backdrop in the viewport—were not apparent in the speckled profusion Rikud had always known. Instead, there was more of the blackness, and one very bright star set apart by itself in the middle of the viewport. If he had understood the term, Rikud would have told himself this was odd. His head ached with the half-born thought. It was—it was—what was it? Someone was clomping up the companionway behind Rikud. He turned and greeted gray-haired old Chuls. "In five more years," the older man chided, "you'll be ready to sire children. And all you can do in the meantime is gaze out at the stars." Rikud knew he should be exercising now, or bathing in the rays of the health-lamps. It had never occurred to him that he didn't feel like it; he just didn't, without comprehending. Chuls' reminder fostered uneasiness. Often Rikud had dreamed of the time he would be thirty and a father. Whom would the Calculator select as his mate? The first time this idea had occurred to him, Rikud ignored it. But it came again, and each time it left him with a feeling he could not explain. Why should he think thoughts that no other man had? Why should he think he was thinking such thoughts, when it always embroiled him in a hopeless, infinite confusion that left him with a headache? Chuls said, "It is time for my bath in the health-rays. I saw you here and knew it was your time, too...." His voice trailed off. Rikud knew that something which he could not explain had entered the elder man's head for a moment, but it had departed almost before Chuls knew of its existence. "I'll go with you," Rikud told him. A hardly perceptible purple glow pervaded the air in the room of the health-rays. Perhaps two score men lay about, naked, under the ray tubes. Chuls stripped himself and selected the space under a vacant tube. Rikud, for his part, wanted to get back to the viewport and watch the one new bright star. He had the distinct notion it was growing larger every moment. He turned to go, but the door clicked shut and a metallic voice said. "Fifteen minutes under the tubes, please." Rikud muttered to himself and undressed. The world had begun to annoy him. Now why shouldn't a man be permitted to do what he wanted, when he wanted to do it? There was a strange thought, and Rikud's brain whirled once more down the tortuous course of half-formed questions and unsatisfactory answers. He had even wondered what it was like to get hurt. No one ever got hurt. Once, here in this same ray room, he had had the impulse to hurl himself head-first against the wall, just to see what would happen. But something soft had cushioned the impact—something which had come into being just for the moment and then abruptly passed into non-being again, something which was as impalpable as air. Rikud had been stopped in this action, although there was no real authority to stop him. This puzzled him, because somehow he felt that there should have been authority. A long time ago the reading machine in the library had told him of the elders—a meaningless term—who had governed the world. They told you to do something and you did it, but that was silly, because now no one told you to do anything. You only listened to the buzzer. And Rikud could remember the rest of what the reading machine had said. There had been a revolt—again a term without any real meaning, a term that could have no reality outside of the reading machine—and the elders were overthrown. Here Rikud had been lost utterly. The people had decided that they did not know where they were going, or why, and that it was unfair that the elders alone had this authority. They were born and they lived and they died as the elders directed, like little cogs in a great machine. Much of this Rikud could not understand, but he knew enough to realize that the reading machine had sided with the people against the elders, and it said the people had won. Now in the health room, Rikud felt a warmth in the rays. Grudgingly, he had to admit to himself that it was not unpleasant. He could see the look of easy contentment on Chuls' face as the rays fanned down upon him, bathing his old body in a forgotten magic which, many generations before Rikud's time, had negated the necessity for a knowledge of medicine. But when, in another ten years, Chuls would perish of old age, the rays would no longer suffice. Nothing would, for Chuls. Rikud often thought of his own death, still seventy-five years in the future, not without a sense of alarm. Yet old Chuls seemed heedless, with only a decade to go. Under the tube at Rikud's left lay Crifer. The man was short and heavy through the shoulders and chest, and he had a lame foot. Every time Rikud looked at that foot, it was with a sense of satisfaction. True, this was the only case of its kind, the exception to the rule, but it proved the world was not perfect. Rikud was guiltily glad when he saw Crifer limp. But, if anyone else saw it, he never said a word. Not even Crifer. Now Crifer said, "I've been reading again, Rikud." "Yes?" Almost no one read any more, and the library was heavy with the smell of dust. Reading represented initiative on the part of Crifer; it meant that, in the two unoccupied hours before sleep, he went to the library and listened to the reading machine. Everyone else simply sat about and talked. That was the custom. Everyone did it. But if he wasn't reading himself, Rikud usually went to sleep. All the people ever talked about was what they had done during the day, and it was always the same. "Yes," said Crifer. "I found a book about the stars. They're also called astronomy, I think." This was a new thought to Rikud, and he propped his head up on one elbow. "What did you find out?" "That's about all. They're just called astronomy, I think." "Well, where's the book?" Rikud would read it tomorrow. "I left it in the library. You can find several of them under 'astronomy,' with a cross-reference under 'stars.' They're synonymous terms." "You know," Rikud said, sitting up now, "the stars in the viewport are changing." "Changing?" Crifer questioned the fuzzy concept as much as he questioned what it might mean in this particular case. "Yes, there are less of them, and one is bigger and brighter than the others." "Astronomy says some stars are variable," Crifer offered, but Rikud knew his lame-footed companion understood the word no better than he did. Over on Rikud's right, Chuls began to dress. "Variability," he told them, "is a contradictory term. Nothing is variable. It can't be." "I'm only saying what I read in the book," Crifer protested mildly. "Well, it's wrong. Variability and change are two words without meaning." "People grow old," Rikud suggested. A buzzer signified that his fifteen minutes under the rays were up, and Chuls said, "It's almost time for me to eat." Rikud frowned. Chuls hadn't even seen the connection between the two concepts, yet it was so clear. Or was it? He had had it a moment ago, but now it faded, and change and old were just two words. His own buzzer sounded a moment later, and it was with a strange feeling of elation that he dressed and made his way back to the viewport. When he passed the door which led to the women's half of the world, however, he paused. He wanted to open that door and see a woman. He had been told about them and he had seen pictures, and he dimly remembered his childhood among women. But his feelings had changed; this was different. Again there were inexplicable feelings—strange channelings of Rikud's energy in new and confusing directions. He shrugged and reserved the thought for later. He wanted to see the stars again. The view had changed, and the strangeness of it made Rikud's pulses leap with excitement. All the stars were paler now than before, and where Rikud had seen the one bright central star, he now saw a globe of light, white with a tinge of blue in it, and so bright that it hurt his eyes to look. Yes, hurt! Rikud looked and looked until his eyes teared and he had to turn away. Here was an unknown factor which the perfect world failed to control. But how could a star change into a blinking blue-white globe—if, indeed, that was the star Rikud had seen earlier? There was that word change again. Didn't it have something to do with age? Rikud couldn't remember, and he suddenly wished he could read Crifer's book on astronomy, which meant the same as stars. Except that it was variable, which was like change, being tied up somehow with age. Presently Rikud became aware that his eyes were not tearing any longer, and he turned to look at the viewport. What he saw now was so new that he couldn't at first accept it. Instead, he blinked and rubbed his eyes, sure that the ball of blue-white fire somehow had damaged them. But the new view persisted. Of stars there were few, and of the blackness, almost nothing. Gone, too, was the burning globe. Something loomed there in the port, so huge that it spread out over almost the entire surface. Something big and round, all grays and greens and browns, and something for which Rikud had no name. A few moments more, and Rikud no longer could see the sphere. A section of it had expanded outward and assumed the rectangular shape of the viewport, and its size as well. It seemed neatly sheered down the middle, so that on one side Rikud saw an expanse of brown and green, and on the other, blue. Startled, Rikud leaped back. The sullen roar in the rear of the world had ceased abruptly. Instead an ominous silence, broken at regular intervals by a sharp booming. Change— "Won't you eat, Rikud?" Chuls called from somewhere down below. "Damn the man," Rikud thought. Then aloud: "Yes, I'll eat. Later." "It's time...." Chuls' voice trailed off again, impotently. But Rikud forgot the old man completely. A new idea occurred to him, and for a while he struggled with it. What he saw—what he had always seen, except that now there was the added factor of change—perhaps did not exist in the viewport. Maybe it existed through the viewport. That was maddening. Rikud turned again to the port, where he could see nothing but an obscuring cloud of white vapor, murky, swirling, more confusing than ever. "Chuls," he called, remembering, "come here." "I am here," said a voice at his elbow. Rikud whirled on the little figure and pointed to the swirling cloud of vapor. "What do you see?" Chuls looked. "The viewport, of course." "What else?" "Else? Nothing." Anger welled up inside Rikud. "All right," he said, "listen. What do you hear?" "Broom, brroom, brrroom!" Chuls imitated the intermittent blasting of the engines. "I'm hungry, Rikud." The old man turned and strode off down the corridor toward the dining room, and Rikud was glad to be alone once more. Now the vapor had departed, except for a few tenuous whisps. For a moment Rikud thought he could see the gardens rearward in the world. But that was silly. What were the gardens doing in the viewport? And besides, Rikud had the distinct feeling that here was something far vaster than the gardens, although all of it existed in the viewport which was no wider than the length of his body. The gardens, moreover, did not jump and dance before his eyes the way the viewport gardens did. Nor did they spin. Nor did the trees grow larger with every jolt. Rikud sat down hard. He blinked. The world had come to rest on the garden of the viewport. For a whole week that view did not change, and Rikud had come to accept it as fact. There—through the viewport and in it—was a garden. A garden larger than the entire world, a garden of plants which Rikud had never seen before, although he had always liked to stroll through the world's garden and he had come to know every plant well. Nevertheless, it was a garden. He told Chuls, but Chuls had responded, "It is the viewport." Crifer, on the other hand, wasn't so sure. "It looks like the garden," he admitted to Rikud. "But why should the garden be in the viewport?" Somehow, Rikud knew this question for a healthy sign. But he could not tell them of his most amazing thought of all. The change in the viewport could mean only one thing. The world had been walking—the word seemed all wrong to Rikud, but he could think of no other, unless it were running. The world had been walking somewhere. That somewhere was the garden and the world had arrived. "It is an old picture of the garden," Chuls suggested, "and the plants are different." "Then they've changed?" "No, merely different." "Well, what about the viewport? It changed. Where are the stars? Where are they, Chuls, if it did not change?" "The stars come out at night." "So there is a change from day to night!" "I didn't say that. The stars simply shine at night. Why should they shine during the day when the world wants them to shine only at night?" "Once they shone all the time." "Naturally," said Crifer, becoming interested. "They are variable." Rikud regretted that he never had had the chance to read that book on astronomy. He hadn't been reading too much lately. The voice of the reading machine had begun to bore him. He said, "Well, variable or not, our whole perspective has changed." And when Chuls looked away in disinterest, Rikud became angry. If only the man would realize! If only anyone would realize! It all seemed so obvious. If he, Rikud, walked from one part of the world to another, it was with a purpose—to eat, or to sleep, or perhaps to bathe in the health-rays. Now if the world had walked from—somewhere, through the vast star-speckled darkness and to the great garden outside, this also was purposeful. The world had arrived at the garden for a reason. But if everyone lived as if the world still stood in blackness, how could they find the nature of that purpose? "I will eat," Chuls said, breaking Rikud's revery. Damn the man, all he did was eat! Yet he did have initiative after a sort. He knew when to eat. Because he was hungry. And Rikud, too, was hungry. Differently. He had long wondered about the door in the back of the library, and now, as Crifer sat cross-legged on one of the dusty tables, reading machine and book on astronomy or stars in his lap, Rikud approached the door. "What's in here?" he demanded. "It's a door, I think," said Crifer. "I know, but what's beyond it?" "Beyond it? Oh, you mean through the door." "Yes." "Well," Crifer scratched his head, "I don't think anyone ever opened it. It's only a door." "I will," said Rikud. "You will what?" "Open it. Open the door and look inside." A long pause. Then, "Can you do it?" "I think so." "You can't, probably. How can anyone go where no one has been before? There's nothing. It just isn't. It's only a door, Rikud." "No—" Rikud began, but the words faded off into a sharp intake of breath. Rikud had turned the knob and pushed. The door opened silently, and Crifer said, "Doors are variable, too, I think." Rikud saw a small room, perhaps half a dozen paces across, at the other end of which was another door, just like the first. Halfway across, Rikud heard a voice not unlike that of the reading machine. He missed the beginning, but then: —therefore, permit no unauthorized persons to go through this door. The machinery in the next room is your protection against the rigors of space. A thousand years from now, journey's end, you may have discarded it for something better—who knows? But if you have not, then here is your protection. As nearly as possible, this ship is a perfect, self-sustaining world. It is more than that: it is human-sustaining as well. Try to hurt yourself and the ship will not permit it—within limits, of course. But you can damage the ship, and to avoid any possibility of that, no unauthorized persons are to be permitted through this door— Rikud gave the voice up as hopeless. There were too many confusing words. What in the world was an unauthorized person? More interesting than that, however, was the second door. Would it lead to another voice? Rikud hoped that it wouldn't. When he opened the door a strange new noise filled his ears, a gentle humming, punctuated by a throb-throb-throb which sounded not unlike the booming of the engines last week, except that this new sound didn't blast nearly so loudly against his eardrums. And what met Rikud's eyes—he blinked and looked again, but it was still there—cogs and gears and wheels and nameless things all strange and beautiful because they shone with a luster unfamiliar to him. "Odd," Rikud said aloud. Then he thought, "Now there's a good word, but no one quite seems to know its meaning." Odder still was the third door. Rikud suddenly thought there might exist an endless succession of them, especially when the third one opened on a bare tunnel which led to yet another door. Only this one was different. In it Rikud saw the viewport. But how? The viewport stood on the other end of the world. It did seem smaller, and, although it looked out on the garden, Rikud sensed that the topography was different. Then the garden extended even farther than he had thought. It was endless, extending all the way to a ridge of mounds way off in the distance. And this door one could walk through, into the garden. Rikud put his hand on the door, all the while watching the garden through the new viewport. He began to turn the handle. Then he trembled. What would he do out in the garden? He couldn't go alone. He'd die of the strangeness. It was a silly thought; no one ever died of anything until he was a hundred. Rikud couldn't fathom the rapid thumping of his heart. And Rikud's mouth felt dry; he wanted to swallow, but couldn't. Slowly, he took his hand off the door lever. He made his way back through the tunnel and then through the room of machinery and finally through the little room with the confusing voice to Crifer. By the time he reached the lame-footed man, Rikud was running. He did not dare once to look back. He stood shaking at Crifer's side, and sweat covered him in a clammy film. He never wanted to look at the garden again. Not when he knew there was a door through which he could walk and then might find himself in the garden. It was so big. Three or four days passed before Rikud calmed himself enough to talk about his experience. When he did, only Crifer seemed at all interested, yet the lame-footed man's mind was inadequate to cope with the situation. He suggested that the viewport might also be variable and Rikud found himself wishing that his friend had never read that book on astronomy. Chuls did not believe Rikud at all. "There are not that many doors in the world," he said. "The library has a door and there is a door to the women's quarters; in five years, the Calculator will send you through that. But there are no others." Chuls smiled an indulgent smile and Rikud came nearer to him. "Now, by the world, there are two other doors!" Rikud began to shout, and everyone looked at him queerly. "What are you doing that for?" demanded Wilm, who was shorter even than Crifer, but had no lame foot. "Doing what?" "Speaking so loudly when Chuls, who is close, obviously has no trouble hearing you." "Maybe yelling will make him understand." Crifer hobbled about on his good foot, doing a meaningless little jig. "Why don't we go see?" he suggested. Then, confused, he frowned. "Well, I won't go," Chuls replied. "There's no reason to go. If Rikud has been imagining things, why should I?" "I imagined nothing. I'll show you—" "You'll show me nothing because I won't go." Rikud grabbed Chuls' blouse with his big fist. Then, startled by what he did, his hands began to tremble. But he held on, and he tugged at the blouse. "Stop that," said the older man, mildly. Crifer hopped up and down. "Look what Rikud's doing! I don't know what he's doing, but look. He's holding Chuls' blouse." "Stop that," repeated Chuls, his face reddening. "Only if you'll go with me." Rikud was panting. Chuls tugged at his wrist. By this time a crowd had gathered. Some of them watched Crifer jump up and down, but most of them watched Rikud holding Chuls' blouse. "I think I can do that," declared Wilm, clutching a fistful of Crifer's shirt. Presently, the members of the crowd had pretty well paired off, each partner grabbing for his companion's blouse. They giggled and laughed and some began to hop up and down as Crifer had done. A buzzer sounded and automatically Rikud found himself releasing Chuls. Chuls said, forgetting the incident completely, "Time to retire." In a moment, the room was cleared. Rikud stood alone. He cleared his throat and listened to the sound, all by itself in the stillness. What would have happened if they hadn't retired? But they always did things punctually like that, whenever the buzzer sounded. They ate with the buzzer, bathed in the health-rays with it, slept with it. What would they do if the buzzer stopped buzzing? This frightened Rikud, although he didn't know why. He'd like it, though. Maybe then he could take them outside with him to the big garden of the two viewports. And then he wouldn't be afraid because he could huddle close to them and he wouldn't be alone. Rikud heard the throbbing again as he stood in the room of the machinery. For a long time he watched the wheels and cogs and gears spinning and humming. He watched for he knew not how long. And then he began to wonder. If he destroyed the wheels and the cogs and the gears, would the buzzer stop? It probably would, because, as Rikud saw it, he was clearly an "unauthorized person." He had heard the voice again upon entering the room. He found a metal rod, bright and shiny, three feet long and half as wide as his arm. He tugged at it and it came loose from the wires that held it in place. He hefted it carefully for a moment, and then he swung the bar into the mass of metal. Each time he heard a grinding, crashing sound. He looked as the gears and cogs and wheels crumbled under his blows, shattered by the strength of his arm. Almost casually he strode about the room, but his blows were not casual. Soon his easy strides had given way to frenzied running. Rikud smashed everything in sight. When the lights winked out, he stopped. Anyway, by that time the room was a shambles of twisted, broken metal. He laughed, softly at first, but presently he was roaring, and the sound doubled and redoubled in his ears because now the throbbing had stopped. He opened the door and ran through the little corridor to the smaller viewport. Outside he could see the stars, and, dimly, the terrain beneath them. But everything was so dark that only the stars shone clearly. All else was bathed in a shadow of unreality. Rikud never wanted to do anything more than he wanted to open that door. But his hands trembled too much when he touched it, and once, when he pressed his face close against the viewport, there in the darkness, something bright flashed briefly through the sky and was gone. Whimpering, he fled. All around Rikud were darkness and hunger and thirst. The buzzer did not sound because Rikud had silenced it forever. And no one went to eat or drink. Rikud himself had fumbled through the blackness and the whimpering to the dining room, his tongue dry and swollen, but the smooth belt that flowed with water and with savory dishes did not run any more. The machinery, Rikud realized, also was responsible for food. Chuls said, over and over, "I'm hungry." "We will eat and we will drink when the buzzer tells us," Wilm replied confidently. "It won't any more," Rikud said. "What won't?" "The buzzer will never sound again. I broke it." Crifer growled. "I know. You shouldn't have done it. That was a bad thing you did, Rikud." "It was not bad. The world has moved through the blackness and the stars and now we should go outside to live in the big garden there beyond the viewport." "That's ridiculous," Chuls said. Even Crifer now was angry at Rikud. "He broke the buzzer and no one can eat. I hate Rikud, I think." There was a lot of noise in the darkness, and someone else said, "I hate Rikud." Then everyone was saying it. Rikud was sad. Soon he would die, because no one would go outside with him and he could not go outside alone. In five more years he would have had a woman, too. He wondered if it was dark and hungry in the women's quarters. Did women eat? Perhaps they ate plants. Once, in the garden, Rikud had broken off a frond and tasted it. It had been bitter, but not unpleasant. Maybe the plants in the viewport would even be better. "We will not be hungry if we go outside," he said. "We can eat there." "We can eat if the buzzer sounds, but it is broken," Chuls said dully. Crifer shrilled, "Maybe it is only variable and will buzz again." "No," Rikud assured him. "It won't." "Then you broke it and I hate you," said Crifer. "We should break you, too, to show you how it is to be broken." "We must go outside—through the viewport." Rikud listened to the odd gurgling sound his stomach made. A hand reached out in the darkness and grabbed at his head. He heard Crifer's voice. "I have Rikud's head." The voice was nasty, hostile. Crifer, more than anyone, had been his friend. But now that he had broken the machinery, Crifer was his enemy, because Crifer came nearer to understanding the situation than anyone except Rikud. The hand reached out again, and it struck Rikud hard across the face. "I hit him! I hit him!" Other hands reached out, and Rikud stumbled. He fell and then someone was on top of him, and he struggled. He rolled and was up again, and he did not like the sound of the angry voices. Someone said, "Let us do to Rikud what he said he did to the machinery." Rikud ran. In the darkness, his feet prodded many bodies. There were those who were too weak to rise. Rikud, too, felt a strange light-headedness and a gnawing hurt in his stomach. But it didn't matter. He heard the angry voices and the feet pounding behind him, and he wanted only to get away. It was dark and he was hungry and everyone who was strong enough to run was chasing him, but every time he thought of the garden outside, and how big it was, the darkness and the hunger and the people chasing him were unimportant. It was so big that it would swallow him up completely and positively. He became sickly giddy thinking about it. But if he didn't open the door and go into the garden outside, he would die because he had no food and no water and his stomach gurgled and grumbled and hurt. And everyone was chasing him. He stumbled through the darkness and felt his way back to the library, through the inner door and into the room with the voice—but the voice didn't speak this time—through its door and into the place of machinery. Behind him, he could hear the voices at the first door, and he thought for a moment that no one would come after him. But he heard Crifer yell something, and then feet pounding in the passage. Rikud tripped over something and sprawled awkwardly across the floor. He felt a sharp hurt in his head, and when he reached up to touch it with his hands there in the darkness, his fingers came away wet. He got up slowly and opened the next door. The voices behind him were closer now. Light streamed in through the viewport. After the darkness, it frightened Rikud and it made his eyes smart, and he could hear those behind him retreating to a safe distance. But their voices were not far away, and he knew they would come after him because they wanted to break him. Rikud looked out upon the garden and he trembled. Out there was life. The garden stretched off in unthinkable immensity to the cluster of low mounds against the bright blue which roofed the many plants. If plants could live out there as they did within the world, then so could people. Rikud and his people should . This was why the world had moved across the darkness and the stars for all Rikud's lifetime and more. But he was afraid. He reached up and grasped the handle of the door and he saw that his fingers were red with the wetness which had come from his hurt head. Slowly he slipped to the cool floor—how his head was burning!—and for a long time he lay there, thinking he would never rise again. Inside he heard the voices again, and soon a foot and then another pounded on the metal of the passage. He heard Crifer's voice louder than the rest: "There is Rikud on the floor!" Tugging at the handle of the door, Rikud pulled himself upright. Something small and brown scurried across the other side of the viewport and Rikud imagined it turned to look at him with two hideous red eyes. Rikud screamed and hurtled back through the corridor, and his face was so terrible in the light streaming in through the viewport that everyone fled before him. He stumbled again in the place of the machinery, and down on his hands and knees he fondled the bits of metal which he could see in the dim light through the open door. "Where's the buzzer?" he sobbed. "I must find the buzzer." Crifer's voice, from the darkness inside, said, "You broke it. You broke it. And now we will break you—" Rikud got up and ran. He reached the door again and then he slipped down against it, exhausted. Behind him, the voices and the footsteps came, and soon he saw Crifer's head peer in through the passageway. Then there were others, and then they were walking toward him. His head whirled and the viewport seemed to swim in a haze. Could it be variable, as Crifer had suggested? He wondered if the scurrying brown thing waited somewhere, and nausea struck at the pit of his stomach. But if the plants could live out there and the scurrying thing could live and that was why the world had moved through the blackness, then so could he live out there, and Crifer and all the others.... So tightly did he grip the handle that his fingers began to hurt. And his heart pounded hard and he felt the pulses leaping on either side of his neck. He stared out into the garden, and off into the distance, where the blue-white globe which might have been a star stood just above the row of mounds. Crifer was tugging at him, trying to pull him away from the door, and someone was grabbing at his legs, trying to make him fall. He kicked out and the hands let go, and then he turned the handle and shoved the weight of his body with all his strength against the door. It opened and he stepped outside into the warmth. The air was fresh, fresher than any air Rikud had ever breathed. He walked around aimlessly, touching the plants and bending down to feel the floor, and sometimes he looked at the blue-white globe on the horizon. It was all very beautiful. Near the ship, water that did not come from a machine gurgled across the land, and Rikud lay down and drank. It was cool and good, and when he got up, Crifer and Wilm were outside the world, and some of the others followed. They stood around for a long time before going to the water to drink. Rikud sat down and tore off a piece of a plant, munching on it. It was good. Crifer picked his head up, from the water, his chin wet. "Even feelings are variable. I don't hate you now, Rikud." Rikud smiled, staring at the ship. "People are variable, too, Crifer. That is, if those creatures coming from the ship are people." "They're women," said Crifer. They were strangely shaped in some ways, and yet in others completely human, and their voices were high, like singing. Rikud found them oddly exciting. He liked them. He liked the garden, for all its hugeness. With so many people, and especially now with women, he was not afraid. It was much better than the small world of machinery, buzzer, frightening doors and women by appointment only. Rikud felt at home.
train	51203	[ "What does the dead man represent for Ben?", "Why does Ben take offence to Cobb's comments about spacemen?", "Ben runs from the crime scene, but isn't remorseful for doing so. Why is that, even though he killed a man?", "What is the irony in Ben's contempt for a single action destroying \"a man's life and his dream?\"", "Why does the Martian boy speak so many languages?", "Why is the rumor that Martians can read minds especially scary to Ben?", "Why is Ben a potential asset to Maggie and her husband?", "What does Ben seem to fear, more than anything else?" ]	[ [ "His conscious. He is manifesting as Ben's rage, and the anger that he felt during the incident. ", "The end of his freedom. He represents his new life as an outlaw. ", "His conscious. He is manifesting as Ben's unaddressed guilt, and what he can never run away from. ", "The end of his career. He sees the dead man as the loss of his livelihood. " ], [ "He takes a lot of pride in his job, and dislikes Cobb disparaging it. ", "It's deeply personal to him. Because of his parent's death, he'd taken an interest in the job. ", "It's deeply personal to him. He grew up venerating space and space travel. He spent his whole life preparing for it. ", "He knows that spacemen account for the life people like Cobb can live, because of his work. " ], [ "It gave him enough time to remember the renegades, and make the plan to go meet them. ", "He felt he was justified in killing Cobb. ", "Running away game him opportunity to reflect.", "Running gave him autonomy, and to decide how the next part of his life would pan out. " ], [ "If he had stayed and made the decision to confess, he wouldn't have ruined his life. ", "He'd just deliberately ended a man's life, and his running from what he's done. ", "It's against the morals of what he claims to stand by. ", "He'd just done the same to a man by striking him without thought, and is now running from his guilt. " ], [ "He must meet humans from many places, and has just taken to learning a little of everything. ", "Martians have a different perception of Earth culture, and it's what he thinks is appropriate.", "He must meet humans from many places, and has only picked up bits of language here and there. ", "He is trying to confuse Ben, and get him to say something. " ], [ "If they can, they definitely know he's guilty of what he's done. ", "It would mean that Martians are fully aware of what Earth people are thinking, and manipulating them. ", "If they can, he's uncomfortable with the notion that they can read his thoughts. ", "Not being able to confirm if it's true or not makes Ben wary of interacting with any of them. " ], [ "He's an astrogator, and one that's now off the radar. He's free to do the kind of job they need. ", "He's an astrogator, and a very talented one at that. He can complete the job they need done. ", "As a space officer, he can help get them out of any legal trouble they might encounter. ", "He's in a position where he can't say no. He has to do whatever they tell him. " ], [ "The law, and atoning for his crime. ", "Losing his position and the chance to fly spaceships. ", "The dead man, and the way he persists in his mind. ", "Maggie and her husband, and the position they've put him in. " ] ]	[ 3, 3, 4, 4, 3, 1, 2, 2 ]	[ 0, 1, 1, 1, 0, 1, 0, 1 ]	A Coffin for Jacob By EDWARD W. LUDWIG Illustrated by EMSH [Transcriber's Note: This etext was produced from Galaxy Science Fiction May 1956. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] With never a moment to rest, the pursuit through space felt like a game of hounds and hares ... or was it follow the leader? Ben Curtis eased his pale, gaunt body through the open doorway of the Blast Inn, the dead man following silently behind him. His fear-borne gaze traveled into the dimly illumined Venusian gin mill. The place was like an evil caldron steaming with a brew whose ingredients had been culled from the back corners of three planets. Most of the big room lay obscured behind a shimmering veil of tobacco smoke and the sweet, heavy fumes of Martian Devil's Egg. Here and there, Ben saw moving figures. He could not tell if they were Earthmen, Martians or Venusians. Someone tugged at his greasy coat. He jumped, thinking absurdly that it was the dead man's hand. " Coma esta, senor? " a small voice piped. " Speken die Deutsch? Desirez-vous d'amour? Da? Nyet? " Ben looked down. The speaker was an eager-eyed Martian boy of about ten. He was like a red-skinned marionette with pipestem arms and legs, clad in a torn skivvy shirt and faded blue dungarees. "I'm American," Ben muttered. "Ah, buena ! I speak English tres fine, senor . I have Martian friend, she tres pretty and tres fat. She weigh almost eighty pounds, monsieur . I take you to her, si ?" Ben shook his head. He thought, I don't want your Martian wench. I don't want your opium or your Devil's Egg or your Venusian kali. But if you had a drug that'd bring a dead man to life, I'd buy and pay with my soul. "It is deal, monsieur ? Five dollars or twenty keelis for visit Martian friend. Maybe you like House of Dreams. For House of Dreams—" "I'm not buying." The dirty-faced kid shrugged. "Then I show you to good table,— tres bien . I do not charge you, senor ." The boy grabbed his hand. Because Ben could think of no reason for resisting, he followed. They plunged into shifting layers of smoke and through the drone of alcohol-cracked voices. They passed the bar with its line of lean-featured, slit-eyed Earthmen—merchant spacemen. They wormed down a narrow aisle flanked by booths carved from Venusian marble that jutted up into the semi-darkness like fog-blanketed tombstones. Several times, Ben glimpsed the bulky figures of CO 2 -breathing Venusians, the first he'd ever seen. They were smoky gray, scaly, naked giants, toads in human shape. They stood solitary and motionless, aloof, their green-lidded eyes unblinking. They certainly didn't look like telepaths, as Ben had heard they were, but the thought sent a fresh rivulet of fear down his spine. Once he spied a white-uniformed officer of Hoover City's Security Police. The man was striding down an aisle, idly tapping his neuro-club against the stone booths. Keep walking , Ben told himself. You look the same as anyone else here. Keep walking. Look straight ahead. The officer passed. Ben breathed easier. "Here we are, monsieur ," piped the Martian boy. "A tres fine table. Close in the shadows." Ben winced. How did this kid know he wanted to sit in the shadows? Frowning, he sat down—he and the dead man. He listened to the lonely rhythms of the four-piece Martian orchestra. The Martians were fragile, doll-like creatures with heads too large for their spindly bodies. Their long fingers played upon the strings of their cirillas or crawled over the holes of their flutes like spider legs. Their tune was sad. Even when they played an Earth tune, it still seemed a song of old Mars, charged with echoes of lost voices and forgotten grandeur. For an instant, Ben's mind rose above the haunting vision of the dead man. He thought, What are they doing here, these Martians? Here, in a smoke-filled room under a metalite dome on a dust-covered world? Couldn't they have played their music on Mars? Or had they, like me, felt the challenge of new worlds? He sobered. It didn't matter. He ordered a whiskey from a Chinese waiter. He wet his lips but did not drink. His gaze wandered over the faces of the Inn's other occupants. You've got to find him , he thought. You've got to find the man with the red beard. It's the only way you can escape the dead man. The dead man was real. His name was Cobb. He was stout and flabby and about forty and he hated spacemen. His body was buried now—probably in the silent gray wastes outside Luna City. But he'd become a kind of invisible Siamese twin, as much a part of Ben as sight in his eyes. Sometimes the image would be shuffling drunkenly beside him, its lips spitting whiskey-slurred curses. Again, its face would be a pop-eyed mask of surprise as Ben's fist thudded into its jaw. More often, the face would be frozen in the whiteness of death. The large eyes would stare. Blood would trickle from a corner of the gaping mouth. You can forget a living man. You can defeat him or submit to him or ignore him, and the matter is over and done. You can't escape from a memory that has burned into your mind. It had begun a week ago in Luna City. The flight from White Sands had been successful. Ben, quietly and moderately, wanted to celebrate. He stopped alone in a rocketfront bar for a beer. The man named Cobb plopped his portly and unsteady posterior on the stool next to him. "Spacemen," he muttered, "are getting like flies. Everywhere, all you see's spacemen." He was a neatly dressed civilian. Ben smiled. "If it weren't for spacemen, you wouldn't be here." "The name's Cobb." The man hiccoughed. "Spacemen in their white monkey suits. They think they're little tin gods. Betcha you think you're a little tin god." He downed a shot of whiskey. Ben stiffened. He was twenty-four and dressed in the white, crimson-braided uniform of the Odyssey's junior astrogation officer. He was three months out of the Academy at White Sands and the shining uniform was like a key to all the mysteries of the Universe. He'd sought long for that key. At the age of five—perhaps in order to dull the memory of his parents' death in a recent strato-jet crash—he'd spent hours watching the night sky for streaking flame-tails of Moon rockets. At ten, he'd ground his first telescope. At fourteen, he'd converted an abandoned shed on the government boarding-school grounds to a retreat which housed his collection of astronomy and rocketry books. At sixteen, he'd spent every weekend holiday hitchhiking from Boys Town No. 5 in the Catskills to Long Island Spaceport. There, among the grizzled veterans of the old Moon Patrol, he'd found friends who understood his dream and who later recommended his appointment to the U. S. Academy for the Conquest of Space. And a month ago, he'd signed aboard the Odyssey —the first ship, it was rumored, equipped to venture as far as the asteroids and perhaps beyond. Cobb was persistent: "Damn fools shoulda known enough to stay on Earth. What the hell good is it, jumpin' from planet to planet?" The guy's drunk , Ben thought. He took his drink and moved three stools down the bar. Cobb followed. "You don't like the truth, eh, kid? You don't like people to call you a sucker." Ben rose and started to leave the bar, but Cobb grabbed his arm and held him there. "Thas what you are—a sucker. You're young now. Wait ten years. You'll be dyin' of radiation rot or a meteor'll get you. Wait and see, sucker!" Until this instant, Ben had suppressed his anger. Now, suddenly and without warning, it welled up into savage fury. His fist struck the man on the chin. Cobb's eyes gaped in shocked horror. He spun backward. His head cracked sickeningly on the edge of the bar. The sound was like a punctuation mark signaling the end of life. He sank to the floor, eyes glassy, blood tricking down his jaw. Ben knew that he was dead. Then, for a single absurd second, Ben was seized with terror—just as, a moment before, he'd been overwhelmed with anger. He ran. For some twenty minutes, he raced through a dizzying, nightmare world of dark rocketfront alleys and shouting voices and pursuing feet. At last, abruptly, he realized that he was alone and in silence. He saw that he was still on the rocketfront, but in the Tycho-ward side of the city. He huddled in a dark corner of a loading platform and lit a cigarette. A thousand stars—a thousand motionless balls of silver fire—shone above him through Luna City's transparent dome. He was sorry he'd hit Cobb, of course. He was not sorry he'd run. Escaping at least gave him a power of choice, of decision. You can do two things , he thought. You can give yourself up, and that's what a good officer would do. That would eliminate the escape charge. You'd get off with voluntary manslaughter. Under interplanetary law, that would mean ten years in prison and a dishonorable discharge. And then you'd be free. But you'd be through with rockets and space. They don't want new men over thirty-four for officers on rockets or even for third-class jet-men on beat-up freighters—they don't want convicted killers. You'd get the rest of the thrill of conquering space through video and by peeking through electric fences of spaceports. Or— There were old wives' tales of a group of renegade spacemen who operated from the Solar System's frontiers. The spacemen weren't outlaws. They were misfits, rejectees from the clearing houses on Earth. And whereas no legally recognized ship had ventured past Mars, the souped-up renegade rigs had supposedly hit the asteroids. Their headquarters was Venus. Their leader—a subject of popular and fantastic conjecture in the men's audiozines—was rumored to be a red-bearded giant. So , Ben reflected, you can take a beer-and-pretzels tale seriously. You can hide for a couple of days, get rid of your uniform, change your name. You can wait for a chance to get to Venus. To hell with your duty. You can try to stay in space, even if you exile yourself from Earth. After all, was it right for a single second, a single insignificant second, to destroy a man's life and his dream? He was lucky. He found a tramp freighter whose skipper was on his last flight before retirement. Discipline was lax, investigation of new personnel even more so. Ben Curtis made it to Venus. There was just one flaw in his decision. He hadn't realized that the memory of the dead man's face would haunt him, torment him, follow him as constantly as breath flowed into his lungs. But might not the rumble of atomic engines drown the murmuring dead voice? Might not the vision of alien worlds and infinite spaceways obscure the dead face? So now he sat searching for a perhaps nonexistent red-bearded giant, and hoping and doubting and fearing, all at once. "You look for someone, senor ?" He jumped. "Oh. You still here?" " Oui. " The Martian kid grinned, his mouth full of purple teeth. "I keep you company on your first night in Hoover City, n'est-ce-pas ?" "This isn't my first night here," Ben lied. "I've been around a while." "You are spacemen?" Ben threw a fifty-cent credit piece on the table. "Here. Take off, will you?" Spiderlike fingers swept down upon the coin. " Ich danke, senor. You know why city is called Hoover City?" Ben didn't answer. "They say it is because after women come, they want first thing a thousand vacuum cleaners for dust. What is vacuum cleaner, monsieur ?" Ben raised his hand as if to strike the boy. " Ai-yee , I go. You keep listen to good Martian music." The toothpick of a body melted into the semi-darkness. Minutes passed. There were two more whiskeys. A ceaseless parade of faces broke through the smoky veil that enclosed him—reddish balloon faces, scaly reptilian faces, white-skinned, slit-eyed faces, and occasionally a white, rouged, powdered face. But nowhere was there a face with a red beard. A sense of hopelessness gripped Ben Curtis. Hoover City was but one of a dozen cities of Venus. Each had twenty dives such as this. He needed help. But his picture must have been 'scoped to Venusian visiscreens. A reward must have been offered for his capture. Whom could he trust? The Martian kid, perhaps? Far down the darkened aisle nearest him, his eyes caught a flash of white. He tensed. Like the uniform of a Security Policeman, he thought. His gaze shifted to another aisle and another hint of whiteness. And then he saw another and another and another. Each whiteness became brighter and closer, like shrinking spokes of a wheel with Ben as their focal point. You idiot! The damned Martian kid! You should have known! Light showered the room in a dazzling explosion. Ben, half blinded, realized that a broad circle of unshaded globes in the ceiling had been turned on. The light washed away the room's strangeness and its air of brooding wickedness, revealing drab concrete walls and a debris-strewn floor. Eyes blinked and squinted. There were swift, frightened movements and a chorus of angry murmurs. The patrons of the Blast Inn were like tatter-clad occupants of a house whose walls have been ripped away. Ben Curtis twisted his lean body erect. His chair tumbled backward, falling. The white-clad men charged, neuro-clubs upraised. A woman screamed. The music ceased. The Martian orchestra slunk with feline stealth to a rear exit. Only the giant Venusians remained undisturbed. They stood unmoving, their staring eyes shifting lazily in Ben's direction. "Curtis!" one of the policemen yelled. "You're covered! Hold it!" Ben whirled away from the advancing police, made for the exit into which the musicians had disappeared. A hissing sound traveled past his left ear, a sound like compressed air escaping from a container. A dime-sized section of the concrete wall ahead of him crumbled. He stumbled forward. They were using deadly neuro-pistols now, not the mildly stunning neuro-clubs. Another hiss passed his cheek. He was about twelve feet from the exit. Another second , his brain screamed. Just another second— Or would the exits be guarded? He heard the hiss. It hit directly in the small of his back. There was no pain, just a slight pricking sensation, like the shallow jab of a needle. He froze as if yanked to a stop by a noose. His body seemed to be growing, swelling into balloon proportions. He knew that the tiny needle had imbedded itself deep in his flesh, knew that the paralyzing mortocain was spreading like icy fire into every fiber and muscle of his body. He staggered like a man of stone moving in slow motion. He'd have fifteen—maybe twenty—seconds before complete lethargy of mind and body overpowered him. In the dark world beyond his fading consciousness, he heard a voice yell, "Turn on the damn lights!" Then a pressure and a coldness were on his left hand. He realized that someone had seized it. A soft feminine voice spoke to him. "You're wounded? They hit you?" "Yes." His thick lips wouldn't let go of the word. "You want to escape—even now?" "Yes." "You may die if you don't give yourself up." "No, no." He tried to stumble toward the exit. "All right then. Not that way. Here, this way." Heavy footsteps thudded toward them. A few yards away, a flashlight flicked on. Hands were guiding him. He was aware of being pushed and pulled. A door closed behind him. The glare of the flashlight faded from his vision—if he still had vision. "You're sure?" the voice persisted. "I'm sure," Ben managed to say. "I have no antidote. You may die." His mind fought to comprehend. With the anti-paralysis injection, massage and rest, a man could recover from the effects of mortocain within half a day. Without treatment, the paralysis could spread to heart and lungs. It could become a paralysis of death. An effective weapon: the slightest wound compelled the average criminal to surrender at once. "Anti ... anti ..." The words were as heavy as blobs of mercury forced from his throat. "No ... I'm sure ... sure." He didn't hear the answer or anything else. Ben Curtis had no precise sensation of awakening. Return to consciousness was an intangible evolution from a world of black nothingness to a dream-like state of awareness. He felt the pressure of hands on his naked arms and shoulders, hands that massaged, manipulated, fought to restore circulation and sensitivity. He knew they were strong hands. Their strength seemed to transfer itself to his own body. For a long time, he tried to open his eyes. His lids felt welded shut. But after a while, they opened. His world of darkness gave way to a translucent cloak of mist. A round, featureless shape hovered constantly above him—a face, he supposed. He tried to talk. Although his lips moved slightly, the only sound was a deep, staccato grunting. But he heard someone say, "Don't try to talk." It was the same gentle voice he'd heard in the Blast Inn. "Don't talk. Just lie still and rest. Everything'll be all right." Everything all right , he thought dimly. There were long periods of lethargy when he was aware of nothing. There were periods of light and of darkness. Gradually he grew aware of things. He realized that the soft rubber mouth of a spaceman's oxygen mask was clamped over his nose. He felt the heat of electric blankets swathed about his body. Occasionally a tube would be in his mouth and he would taste liquid food and feel a pleasant warmth in his stomach. Always, it seemed, the face was above him, floating in the obscuring mist. Always, it seemed, the soft voice was echoing in his ears: "Swallow this now. That's it. You must have food." Or, "Close your eyes. Don't strain. It won't be long. You're getting better." Better , he'd think. Getting better.... At last, after one of the periods of lethargy, his eyes opened. The mist brightened, then dissolved. He beheld the cracked, unpainted ceiling of a small room, its colorless walls broken with a single, round window. He saw the footboard of his aluminite bed and the outlines of his feet beneath a faded blanket. Finally he saw the face and figure that stood at his side. "You are better?" the kind voice asked. The face was that of a girl probably somewhere between twenty-five and thirty. Her features, devoid of makeup, had an unhealthy-looking pallor, as if she hadn't used a sunlamp for many weeks. Yet, at the same time, her firm slim body suggested a solidity and a strength. Her straight brown hair was combed backward, tight upon her scalp, and drawn together in a knot at the nape of her neck. "I—I am better," he murmured. His words were still slow and thick. "I am going to live?" "You will live." He thought for a moment. "How long have I been here?" "Nine days." "You took care of me?" He noted the deep, dark circles beneath her sleep-robbed eyes. She nodded. "You're the one who carried me when I was shot?" "Yes." "Why?" Suddenly he began to cough. Breath came hard. She held the oxygen mask in readiness. He shook his head, not wanting it. "Why?" he asked again. "It would be a long story. Perhaps I'll tell you tomorrow." A new thought, cloaked in sudden fear, entered his murky consciousness. "Tell me, will—will I be well again? Will I be able to walk?" He lay back then, panting, exhausted. "You have nothing to worry about," the girl said softly. Her cool hand touched his hot forehead. "Rest. We'll talk later." His eyes closed and breath came easier. He slept. When he next awoke, his gaze turned first to the window. There was light outside, but he had no way of knowing if this was morning, noon or afternoon—or on what planet. He saw no white-domed buildings of Hoover City, no formal lines of green-treed parks, no streams of buzzing gyro-cars. There was only a translucent and infinite whiteness. It was as if the window were set on the edge of the Universe overlooking a solemn, silent and matterless void. The girl entered the room. "Hi," she said, smiling. The dark half-moons under her eyes were less prominent. Her face was relaxed. She increased the pressure in his rubberex pillows and helped him rise to a sitting position. "Where are we?" he asked. "Venus." "We're not in Hoover City?" "No." He looked at her, wondering. "You won't tell me?" "Not yet. Later, perhaps." "Then how did you get me here? How did we escape from the Inn?" She shrugged. "We have friends who can be bribed. A hiding place in the city, the use of a small desert-taxi, a pass to leave the city—these can be had for a price." "You'll tell me your name?" "Maggie." "Why did you save me?" Her eyes twinkled mischievously. "Because you're a good astrogator." His own eyes widened. "How did you know that?" She sat on a plain chair beside his bed. "I know everything about you, Lieutenant Curtis." "How did you learn my name? I destroyed all my papers—" "I know that you're twenty-four. Born July 10, 1971. Orphaned at four, you attended Boys Town in the Catskills till you were 19. You graduated from the Academy at White Sands last June with a major in Astrogation. Your rating for the five-year period was 3.8—the second highest in a class of fifty-seven. Your only low mark in the five years was a 3.2 in History of Martian Civilization. Want me to go on?" Fascinated, Ben nodded. "You were accepted as junior astrogation officer aboard the Odyssey . You did well on your flight from Roswell to Luna City. In a barroom fight in Luna City, you struck and killed a man named Arthur Cobb, a pre-fab salesman. You've been charged with second degree murder and escape. A reward of 5,000 credits has been offered for your capture. You came to Hoover City in the hope of finding a renegade group of spacemen who operate beyond Mars. You were looking for them in the Blast Inn." He gaped incredulously, struggling to rise from his pillows. "I—don't get it." "There are ways of finding out what we want to know. As I told you, we have many friends." He fell back into his pillows, breathing hard. She rose quickly. "I'm sorry," she said. "I shouldn't have told you yet. I felt so happy because you're alive. Rest now. We'll talk again soon." "Maggie, you—you said I'd live. You didn't say I'd be able to walk again." She lowered her gaze. "I hope you'll be able to." "But you don't think I will, do you?" "I don't know. We'll try walking tomorrow. Don't think about it now. Rest." He tried to relax, but his mind was a vortex of conjecture. "Just one more question," he almost whispered. "Yes?" "The man I killed—did he have a wife?" She hesitated. He thought, Damn it, of all the questions, why did I ask that? Finally she said, "He had a wife." "Children?" "Two. I don't know their ages." She left the room. He sank into the softness of his bed. As he turned over on his side, his gaze fell upon an object on a bureau in a far corner of the room. He sat straight up, his chest heaving. The object was a tri-dimensional photo of a rock-faced man in a merchant spaceman's uniform. He was a giant of a man with a neatly trimmed red beard ! Ben stared at the photo for a long time. At length, he slipped into restless sleep. Images of faces and echoes of words spun through his brain. The dead man returned to him. Bloodied lips cursed at him. Glassy eyes accused him. Somewhere were two lost children crying in the night. And towering above him was a red-bearded man whose great hands reached down and beckoned to him. Ben crawled through the night on hands and knees, his legs numb and useless. The crying of the children was a chilling wail in his ears. His head rose and turned to the red-bearded man. His pleading voice screamed out to him in a thick, harsh cackle. Yet even as he screamed, the giant disappeared, to be replaced by white-booted feet stomping relentlessly toward him. He awoke still screaming.... A night without darkness passed. Ben lay waiting for Maggie's return, a question already formed in his mind. She came and at once he asked, "Who is the man with the red beard?" She smiled. "I was right then when I gave you that thumbnail biog. You were looking for him, weren't you?" "Who is he?" She sat on the chair beside him. "My husband," she said softly. He began to understand. "And your husband needs an astrogator? That's why you saved me?" "We need all the good men we can get." "Where is he?" She cocked her head in mock suspicion. "Somewhere between Mercury and Pluto. He's building a new base for us—and a home for me. When his ship returns, I'll be going to him." "Why aren't you with him now?" "He said unexplored space is no place for a woman. So I've been studying criminal reports and photos from the Interplanetary Bureau of Investigation and trying to find recruits like yourself. You know how we operate?" He told her the tales he'd heard. She nodded. "There are quite a few of us now—about a thousand—and a dozen ships. Our base used to be here on Venus, down toward the Pole. The dome we're in now was designed and built by us a few years ago after we got pushed off Mars. We lost a few men in the construction, but with almost every advance in space, someone dies." "Venus is getting too civilized. We're moving out and this dome is only a temporary base when we have cases like yours. The new base—I might as well tell you it's going to be an asteroid. I won't say which one." "Don't get the idea that we're outlaws. Sure, about half our group is wanted by the Bureau, but we make honest livings. We're just people like yourself and Jacob." "Jacob? Your husband?" She laughed. "Makes you think of a Biblical character, doesn't it? Jacob's anything but that. And just plain 'Jake' reminds one of a grizzled old uranium prospector and he isn't like that, either." She lit a cigarette. "Anyway, the wanted ones stay out beyond the frontiers. Jacob and those like him can never return to Earth—not even to Hoover City—except dead. The others are physical or psycho rejects who couldn't get clearance if they went back to Earth. They know nothing but rocketing and won't give up. They bring in our ships to frontier ports like Hoover City to unload cargo and take on supplies." "Don't the authorities object?" "Not very strongly. The I. B. I. has too many problems right here to search the whole System for a few two-bit crooks. Besides, we carry cargoes of almost pure uranium and tungsten and all the stuff that's scarce on Earth and Mars and Venus. Nobody really cares whether it comes from the asteroids or Hades. If we want to risk our lives mining it, that's our business." She pursed her lips. "But if they guessed how strong we are or that we have friends planted in the I. B. I.—well, things might be different. There probably would be a crackdown." Ben scowled. "What happens if there is a crackdown? And what will you do when Space Corps ships officially reach the asteroids? They can't ignore you then." "Then we move on. We dream up new gimmicks for our crates and take them to Jupiter, Saturn, Uranus, Neptune, Pluto. In time, maybe, we'll be pushed out of the System itself. Maybe it won't be the white-suited boys who'll make that first hop to the stars. It could be us, you know—if we live long enough. But that Asteroid Belt is murder. You can't follow the text-book rules of astrogation out there. You make up your own." Ben stiffened. "And that's why you want me for an astrogator." Maggie rose, her eyes wistful. "If you want to come—and if you get well." She looked at him strangely. "Suppose—" He fought to find the right words. "Suppose I got well and decided not to join Jacob. What would happen to me? Would you let me go?" Her thin face was criss-crossed by emotion—alarm, then bewilderment, then fear. "I don't know. That would be up to Jacob." He lay biting his lip, staring at the photo of Jacob. She touched his hand and it seemed that sadness now dominated the flurry of emotion that had coursed through her. "The only thing that matters, really," she murmured, "is your walking again. We'll try this afternoon. Okay?" "Okay," he said. When she left, his eyes were still turned toward Jacob's photo. He was like two people, he thought. Half of him was an officer of the Space Corps. Perhaps one single starry-eyed boy out of ten thousand was lucky enough to reach that goal. He remembered a little picture book his mother had given him when she was alive. Under the bright pictures of spacemen were the captions: "A Space Officer Is Honest" "A Space Officer Is Loyal." "A Space Officer Is Dutiful." Honesty, loyalty, duty. Trite words, but without those concepts, mankind would never have broken away from the planet that held it prisoner for half a million years. Without them, Everson, after three failures and a hundred men dead, would never have landed on the Moon twenty-seven years ago.
train	42111	[ "Had the truck driver driving along Route 202 not noticed the change in road ahead while traveling, what would have likely happened?", "What had given it away to Don that the attractive redhead he saw on the train was not actually a natural redhead?", "Why did Miss Jervis think that Don worked for the government?", "Why did the citizens of Superior fear the edge of the town?", "Based on the information in the text, why would Don choose to leave Superior?", "Why was Don unable to shower while on Superior?", "What action did Don consider for testing the water flow in Superior?", "What did Don use as a method for seeing over the edge of the stream?", "Why did Alis tell Don that he should order his eggs scrambled for breakfast the next morning?", "What impression can be made about Don’s feelings towards Alis?" ]	[ [ "He would have driven down into the pit where Superior was formerly located. ", "He would have passed right over the town and missed it totally. ", "He would have spilled his coffee while trying to make the sudden stop. ", "He would have floated above the ground and continued driving into the town of Superior. " ], [ "Her skin tone was too off to match the hair color. ", "The red tone of her hair was far too bright to be considered natural.", "She was carrying box hair dye. ", "Her dark roots were showing. " ], [ "Because it seemed as though everyone in the area worked for the government. ", "His appearance made her think so. ", "Because he was familiar with Senator Bobby Thebold. ", "Because he was handcuffed to a briefcase. " ], [ "They feared that they would plummet to the ground because of gravity. ", "They feared they would fall with the flow of the stream. ", "They feared they would vanish if they left the edge.", "They feared they would be sucked into a vortex." ], [ "He had to deliver the handcuffed briefcase. ", "He had a family to return to that would be expecting him at home. ", "He feared the future of Superior.", "His wife would not appreciate him spending time with Alis. " ], [ "He feared that someone would steal the briefcase if he left it unattended. ", "The water supply was lacking from the stream flowing out of Superior.", "There was an electrical current flowing throughout the water in Superior. ", "He was unable to remove the briefcase in order to remove his clothing, " ], [ "Taking a rowboat over the edge to see what would happen. ", "Jumping into North Lake to see if there was an electrical current. ", "Swimming through the stream to see what would happen. ", "Throwing something into the stream and seeing if it would funnel back into Superior. " ], [ "A mirror found in the Cavalier dorms.", "A compact from Miss Jervis. ", "A compact from Alis. ", "A camera to take a photograph. " ], [ "It was difficult for him to cut them with the briefcase handcuffed to himself. ", "They were better cooked that way in the cafeteria. ", "Because there were more available scrambled. ", "Because they were not cooked in water when they were scrambled. " ], [ "He was afraid of her because of her boldness. ", "He was quickly becoming fond of her. ", "He found her to be attractive, yet too young for his liking. ", "He found her to be too young and annoying. " ] ]	[ 1, 4, 4, 1, 1, 4, 1, 3, 1, 2 ]	[ 0, 0, 0, 0, 0, 0, 0, 0, 0, 1 ]	And Then the Town Took Off by RICHARD WILSON ACE BOOKS, INC. 23 West 47th Street, New York 36, N.Y. AND THEN THE TOWN TOOK OFF Copyright ©, 1960, by Ace Books, Inc. All Rights Reserved For Felicitas K. Wilson THE SIOUX SPACEMAN Copyright ©, 1960, by Ace Books, Inc. Printed in U.S.A. THE CITY THAT RAN OFF THE MAP The town of Superior, Ohio, certainly was living up to its name! In what was undoubtedly the most spectacular feat of the century, it simply picked itself up one night and rose two full miles above Earth! Radio messages stated simply that Superior had seceded from Earth. But Don Cort, stranded on that rising town, was beginning to suspect that nothing was simple about Superior except its citizens. Calmly they accepted their rise in the world as being due to one of their local townspeople, a crackpot professor. But after a couple of weeks of floating around, it began to be obvious that the professor had no idea how to get them down. So then it was up to Cort: either find a way to anchor Superior, or spend the rest of his days on the smallest—and the nuttiest—planet in the galaxy! I The town of Superior, Ohio, disappeared on the night of October 31. A truck driver named Pierce Knaubloch was the first to report it. He had been highballing west along Route 202, making up for the time he'd spent over a second cup of coffee in a diner, when he screeched to a stop. If he'd gone another twenty-five feet he'd have gone into the pit where Superior had been. Knaubloch couldn't see the extent of the pit because it was too dark, but it looked big. Bigger than if a nitro truck had blown up, which was his first thought. He backed up two hundred feet, set out flares, then sped off to a telephone. The state police converged on the former site of Superior from several directions. Communicating by radiophone across the vast pit, they confirmed that the town undoubtedly was missing. They put in a call to the National Guard. The guard surrounded the area with troops—more than a thousand were needed—to keep people from falling into the pit. A pilot who flew over it reported that it looked as if a great ice-cream scoop had bitten into the Ohio countryside. The Pennsylvania Railroad complained that one of its passenger trains was missing. The train's schedule called for it to pass through but not stop at Superior at 11:58. That seemed to fix the time of the disappearance at midnight. The truck driver had made his discovery shortly after midnight. Someone pointed out that October 31 was Halloween and that midnight was the witching hour. Somebody else said nonsense, they'd better check for radiation. A civil defense official brought up a Geiger counter, but no matter how he shook it and rapped on it, it refused to click. A National Guard officer volunteered to take a jeep down into the pit, having found a spot that seemed navigable. He was gone a long time but when he came out the other side he reported that the pit was concave, relatively smooth, and did not smell of high explosives. He'd found no people, no houses—no sign of anything except the pit itself. The Governor of Ohio asked Washington whether any unidentified planes had been over the state. Washington said no. The Pentagon and the Atomic Energy Commission denied that they had been conducting secret experiments. Nor had there been any defense plants in Superior that might have blown up. The town's biggest factory made kitchen sinks and the next biggest made bubble gum. A United Airlines pilot found Superior early on the morning of November 1. The pilot, Captain Eric Studley, who had never seen a flying saucer and hoped never to see one, was afraid now that he had. The object loomed out of a cloudbank at twelve thousand feet and Studley changed course to avoid it. He noted with only minimum satisfaction that his co-pilot also saw the thing and wondered why it wasn't moving at the terrific speed flying saucers were allegedly capable of. Then he saw the church steeple on it. A few minutes later he had relayed a message from Superior, formerly of Ohio, addressed to whom it might concern: It said that Superior had seceded from Earth. One other radio message came from Superior, now airborne, on that first day. A ham radio operator reported an unidentified voice as saying plaintively: " Cold up here!" Don Cort had been dozing in what passed for the club car on the Buckeye Cannonball when the train braked to a stop. He looked out the window, hoping this was Columbus, where he planned to catch a plane east. But it wasn't Columbus. All he could see were some lanterns jogging as trainmen hurried along the tracks. The conductor looked into the car. The redhead across the aisle in whom Don had taken a passing interest earlier in the evening asked, "Why did we stop?" "Somebody flagged us down," the conductor said. "We don't make a station stop at Superior on this run." The girl's hair was a subtle red, but false. When Don had entered the club car he'd seen her hatless head from above and noticed that the hair along the part was dark. Her eyes had been on a book and Don had the opportunity for a brief study of her face. The cheeks were full and untouched by make-up. There were lines at the corners of her mouth which indicated a tendency to arrange her expression into one of disapproval. The lips were full, like the cheeks, but it was obvious that the scarlet lipstick had contrived a mouth a trifle bigger than the one nature had given her. Her glance upward at that moment interrupted his examination, which had been about to go on to her figure. Later, though, he was able to observe that it was more than adequate. If the girl had given Don Cort more than that one glance, or if it had been a trained, all-encompassing glance, she would have seen a man in his mid-twenties—about her age—lean, tall and straight-shouldered, with once-blond hair now verging on dark brown, a face neither handsome nor ugly, and a habit of drawing the inside of his left cheek between his teeth and nibbling at it thoughtfully. But it was likely that all she noticed then was the brief case he carried, attached by a chain to a handcuff on his left wrist. "Will we be here long?" Don asked the conductor. He didn't want to miss his plane at Columbus. The sooner he got to Washington, the sooner he'd get rid of the brief case. The handcuff it was attached to was one reason why his interest in the redhead had been only passing. "Can't say," the conductor told him. He let the door close again and went down to the tracks. Don hesitated, shrugged at the redhead, said, "Excuse me," and followed the conductor. About a dozen people were milling around the train as it sat in the dark, hissing steam. Don made his way up to the locomotive and found a bigger knot of people gathered in front of the cowcatcher. Some sort of barricade had been put up across the tracks and it was covered with every imaginable kind of warning device. There were red lanterns, both battery and electric; flashlights; road flares; and even an old red shirt. Don saw two men who must have been the engineer and the fireman talking to an old bearded gentleman wearing a civil defense helmet, a topcoat and riding boots. "You'd go over the edge, I tell you," the old gentleman was saying. "If you don't get this junk off the line," the engineer said, "I'll plow right through it. Off the edge! you crazy or something?" "Look for yourself," the old man in the white helmet said. "Go ahead. Look." The engineer was exasperated. He turned to the fireman. "You look. Humor the old man. Then let's go." The bearded man—he called himself Professor Garet—went off with the fireman. Don followed them. They had tramped a quarter of a mile along the gravel when the fireman stopped. "Okay," he said "where's the edge? I don't see nothing." The tracks seemed to stretch forever into the darkness. "It's another half mile or so," the professor said. "Well, let's hurry up. We haven't got all night." The old man chuckled. "I'm afraid you have." They came to it at last, stopping well back from it. Professor Garet swelled with pride, it seemed, as he made a theatrical gesture. "Behold," he said. "Something even Columbus couldn't find. The edge of the world." True, everything seemed to stop, and they could see stars shining low on the horizon where stars could not properly be expected to be seen. Don Cort and the fireman walked cautiously toward the edge while the professor ambled ahead with the familiarity of one who had been there before. But there was a wind and they did not venture too close. Nevertheless, Don could see that it apparently was a neat, sharp edge, not one of your old ragged, random edges such as might have been caused by an explosion. This one had the feeling of design behind it. Standing on tiptoe and repressing a touch of giddiness, Don looked over the edge. He didn't have to stand on tiptoe any more than he had to sit on the edge of his seat during the exciting part of a movie, but the situation seemed to call for it. Over the edge could be seen a big section of Ohio. At least he supposed it was Ohio. Don looked at the fireman, who had an unbelieving expression on his face, then at the bearded old man, who was smiling and nodding. "You see what I mean," he said. "You would have gone right over. I believe you would have had a two-mile fall." "Of course you could have stayed aboard the train," the man driving the old Pontiac said, "but I really think you'll be more comfortable at Cavalier." Don Cort, sitting in the back seat of the car with the redhead from the club car, asked, "Cavalier?" "The college. The institute, really; it's not accredited. What did you say your name was, miss?" "Jen Jervis," she said. "Geneva Jervis, formally." "Miss Jervis. I'm Civek. You know Mr. Cort, I suppose." The girl smiled sideways. "We have a nodding acquaintance." Don nodded and grinned. "There's plenty of room in the dormitories," Civek said. "People don't exactly pound on the gates and scream to be admitted to Cavalier." "Are you connected with the college?" Don asked. "Me? No. I'm the mayor of Superior. The old town's really come up in the world, hasn't it?" "Overnight," Geneva Jervis said. "If what Mr. Cort and the fireman say is true. I haven't seen the edge myself." "You'll have a better chance to look at it in the morning," the mayor said, "if we don't settle back in the meantime." "Was there any sort of explosion?" Don asked. "No. There wasn't any sensation at all, as far as I noticed. I was watching the late show—or trying to. My house is down in a hollow and reception isn't very good, especially with old English movies. Well, all of a sudden the picture sharpened up and I could see just as plain. Then the phone rang and it was Professor Garet." "The old fellow with the whiskers and the riding boots?" Jen Jervis asked. "Yes. Osbert Garet, Professor of Magnology at the Cavalier Institute of Applied Sciences." "Professor of what?" "Magnology. As I say, the school isn't accredited. Well, Professor Garet telephoned and said, 'Hector'—that's my name, Hector Civek—'everything's up in the air.' He was having his little joke, of course. I said, 'What?' and then he told me." "Told you what?" Jen Jervis asked. "I mean, does he have any theory about it?" "He has a theory about everything. I think what he was trying to convey was that this—this levitation confirmed his magnology principle." "What's that?" Don asked. "I haven't the faintest idea. I'm a politician, not a scientist. Professor Garet went on about it for a while, on the telephone, about magnetism and gravity, but I think he was only calling as a courtesy, so the mayor wouldn't look foolish the next morning, not knowing his town had flown the coop." "What's the population of Superior?" "Three thousand, including the students at the institute. Three thousand and forty, counting you people from the train. I guess you'll be with us for a while." "What do you mean by that?" Jen Jervis asked. "Well, I don't see how you can get down. Do you?" "Does Superior have an airport?" Don asked. "I've got to get back to—to Earth." It sounded odd to put it that way. "Nope," Civek said. "No airport. No place for a plane to land, either." "Maybe not a plane," Don said, "but a helicopter could land just about anywhere." "No helicopters here, either." "Maybe not. But I'll bet they're swarming all over you by morning." "Hm," said Hector Civek. Don couldn't quite catch his expression in the rearview mirror. "I suppose they could, at that. Well, here's Cavalier. You go right in that door, where the others are going. There's Professor Garet. I've got to see him—excuse me." The mayor was off across the campus. Don looked at Geneva Jervis, who was frowning. "Are you thinking," he asked, "that Mayor Civek was perhaps just a little less than completely honest with us?" "I'm thinking," she said, "that I should have stayed with Aunt Hattie another night, then taken a plane to Washington." "Washington?" Don said. "That's where I'm going. I mean where I was going before Superior became airborne. What do you do in Washington, Miss Jervis?" "I work for the Government. Doesn't everybody?" "Not everybody. Me, for instance." "No?" she said. "Judging by that satchel you're handcuffed to, I'd have thought you were a courier for the Pentagon. Or maybe State." He laughed quickly and loudly because she was getting uncomfortably close. "Oh, no. Nothing so glamorous. I'm a messenger for the Riggs National Bank, that's all. Where do you work?" "I'm with Senator Bobby Thebold, S.O.B." Don laughed again. "He sure is." " Mister Cort!" she said, annoyed. "You know as well as I do that S.O.B. stands for Senate Office Building. I'm his secretary." "I'm sorry. We'd better get out and find a place to sleep. It's getting late." " Places to sleep," she corrected. She looked angry. "Of course," Don said, puzzled by her emphasis. "Come on. Where they put you, you'll probably be surrounded by co-eds, even if I could get out of this cuff." He took her bag in his free hand and they were met by a gray-haired woman who introduced herself as Mrs. Garet. "We'll try to make you comfortable," she said. "What a night, eh? The professor is simply beside himself. We haven't had so much excitement since the cosmolineator blew up." They had a glimpse of the professor, still in his CD helmet, going around a corner, gesticulating wildly to someone wearing a white laboratory smock. II Don Cort had slept, but not well. He had tried to fold the brief case to pull it through his sleeve so he could take his coat off, but whatever was inside the brief case was too big. Cavalier had given him a room to himself at one end of a dormitory and he'd taken his pants off but had had to sleep with his coat and shirt on. He got up, feeling gritty, and did what little dressing was necessary. It was eight o'clock, according to the watch on the unhandcuffed wrist, and things were going on. He had a view of the campus from his window. A bright sun shone on young people moving generally toward a squat building, and other people going in random directions. The first were students going to breakfast, he supposed, and the others were faculty members. The air was very clear and the long morning shadows distinct. Only then did he remember completely that he and the whole town of Superior were up in the air. He went through the dormitory. A few students were still sleeping. The others had gone from their unmade beds. He shivered as he stepped outdoors. It was crisp, if not freezing, and his breath came out visibly. First he'd eat, he decided, so he'd be strong enough to go take a good look over the edge, in broad daylight, to the Earth below. The mess hall, or whatever they called it, was cafeteria style and he got in line with a tray for juice, eggs and coffee. He saw no one he knew, but as he was looking for a table a willowy blonde girl smiled and gestured to the empty place opposite her. "You're Mr. Cort," she said. "Won't you join me?" "Thanks," he said, unloading his tray. "How did you know?" "The mystery man with the handcuff. You'd be hard to miss. I'm Alis—that's A-l-i-s, not A-l-i-c-e—Garet. Are you with the FBI? Or did you escape from jail?" "How do you do. No, just a bank messenger. What an unusual name. Professor Garet's daughter?" "The same," she said. "Also the only. A pity, because if there'd been two of us I'd have had a fifty-fifty chance of going to OSU. As it is, I'm duty-bound to represent the second generation at the nut factory." "Nut factory? You mean Cavalier?" Don struggled to manipulate knife and fork without knocking things off the table with his clinging brief case. "Here, let me cut your eggs for you," Alis said. "You'd better order them scrambled tomorrow. Yes, Cavalier. Home of the crackpot theory and the latter-day alchemist." "I'm sure it's not that bad. Thanks. As for tomorrow, I hope to be out of here by then." "How do you get down from an elephant? Old riddle. You don't; you get down from ducks. How do you plan to get down from Superior?" "I'll find a way. I'm more interested at the moment in how I got up here." "You were levitated, like everybody else." "You make it sound deliberate, Miss Garet, as if somebody hoisted a whole patch of real estate for some fell purpose." "Scarcely fell , Mr. Cort. As for it being deliberate, that seems to be a matter of opinion. Apparently you haven't seen the papers." "I didn't know there were any." "Actually there's only one, the Superior Sentry , a weekly. This is an extra. Ed Clark must have been up all night getting it out." She opened her purse and unfolded a four-page tabloid. Don blinked at the headline: Town Gets High "Ed Clark's something of an eccentric, like everybody else in Superior," Alis said. Don read the story, which seemed to him a capricious treatment of an apparently grave situation. Residents having business beyond the outskirts of town today are advised not to. It's a long way down. Where Superior was surrounded by Ohio, as usual, today Superior ends literally at the town line. A Citizens' Emergency Fence-Building Committee is being formed, but in the meantime all are warned to stay well away from the edge. The law of gravity seems to have been repealed for the town but it is doubtful if the same exemption would apply to a dubious individual bent on investigating.... Don skimmed the rest. "I don't see anything about it being deliberate." Alis had been creaming and sugaring Don's coffee. She pushed it across to him and said, "It's not on page one. Ed Clark and Mayor Civek don't get along, so you'll find the mayor's statement in a box on page three, bottom." Don creased the paper the other way, took a sip of coffee, nodded his thanks, and read: Mayor Claims Secession From Earth Mayor Hector Civek, in a proclamation issued locally by hand and dropped to the rest of the world in a plastic shatter-proof bottle, said today that Superior has seceded from Earth. His reasons were as vague as his explanation. The "reasons" include these: (1) Superior has been discriminated against by county, state and federal agencies; (2) Cavalier Institute has been held up to global derision by orthodox (presumably meaning accredited) colleges and universities; and (3) chicle exporters have conspired against the Superior Bubble Gum Company by unreasonably raising prices. The "explanation" consists of a 63-page treatise on applied magnology by Professor Osbert Garet of Cavalier which the editor (a) does not understand; (b) lacks space to publish; and which (it being atrociously handwritten) he (c) has not the temerity to ask his linotype operator to set. Don said, "I'm beginning to like this Ed Clark." "He's a doll," Alis said. "He's about the only one in town who stands up to Father." "Does your father claim that he levitated Superior off the face of the Earth?" "Not to me he doesn't. I'm one of those banes of his existence, a skeptic. He gave up trying to magnolize me when I was sixteen. I had a science teacher in high school—not in Superior, incidentally—who gave me all kinds of embarrassing questions to ask Father. I asked them, being a natural-born needler, and Father has disowned me intellectually ever since." "How old are you, Miss Garet, if I may ask?" She sat up straight and tucked her sweater tightly into her skirt, emphasizing her good figure. To a male friend Don would have described the figure as outstanding. She had mocking eyes, a pert nose and a mouth of such moist red softness that it seemed perpetually waiting to be kissed. All in all she could have been the queen of a campus much more densely populated with co-eds than Cavalier was. "You may call me Alis," she said. "And I'm nineteen." Don grinned. "Going on?" "Three months past. How old are you , Mr. Cort?" "Don's the name I've had for twenty-six years. Please use it." "Gladly. And now, Don, unless you want another cup of coffee, I'll go with you to the end of the world." "On such short notice?" Don was intrigued. Last night the redhead from the club car had repelled an advance that hadn't been made, and this morning a blonde was apparently making an advance that hadn't been solicited. He wondered where Geneva Jervis was, but only vaguely. "I'll admit to the double entendre ," Alis said. "What I meant—for now—was that we can stroll out to where Superior used to be attached to the rest of Ohio and see how the Earth is getting along without us." "Delighted. But don't you have any classes?" "Sure I do. Non-Einsteinian Relativity 1, at nine o'clock. But I'm a demon class-cutter, which is why I'm still a Senior at my advanced age. On to the brink!" They walked south from the campus and came to the railroad track. The train was standing there with nowhere to go. It had been abandoned except for the conductor, who had dutifully spent the night aboard. "What's happening?" he asked when he saw them. "Any word from down there?" "Not that I know of," Don said. He introduced him to Alis Garet. "What are you going to do?" "What can I do?" the conductor asked. "You can go over to Cavalier and have breakfast," Alis said. "Nobody's going to steal your old train." The conductor reckoned as how he might just do that, and did. "You know," Don said, "I was half-asleep last night but before the train stopped I thought it was running alongside a creek for a while." "South Creek," Alis said. "That's right. It's just over there." "Is it still? I mean hasn't it all poured off the edge by now? Was that Superior's water supply?" Alis shrugged. "All I know is you turn on the faucet and there's water. Let's go look at the creek." They found it coursing along between the banks. "Looks just about the same," she said. "That's funny. Come on; let's follow it to the edge." The brink, as Alis called it, looked even more awesome by daylight. Everything stopped short. There were the remnants of a cornfield, with the withered stalks cut down, then there was nothing. There was South Creek surging along, then nothing. In the distance a clump of trees, with a few autumn leaves still clinging to their branches, simply ended. "Where is the water going?" Don asked. "I can't make it out." "Down, I'd say. Rain for the Earth-people." "I should think it'd be all dried up by now. I'm going to have a look." "Don't! You'll fall off!" "I'll be careful." He walked cautiously toward the edge. Alis followed him, a few feet behind. He stopped a yard from the brink and waited for a spell of dizziness to pass. The Earth was spread out like a topographer's map, far below. Don took another wary step, then sat down. "Chicken," said Alis. She laughed uncertainly, then she sat down, too. "I still can't see where the water goes," Don said. He stretched out on his stomach and began to inch forward. "You stay there." Finally he had inched to a point where, by stretching out a hand, he could almost reach the edge. He gave another wriggle and the fingers of his right hand closed over the brink. For a moment he lay there, panting, head pressed to the ground. "How do you feel?" Alis asked. "Scared. When I get my courage back I'll pick up my head and look." Alis put a hand out tentatively, then purposefully took hold of his ankle and held it tight. "Just in case a high wind comes along," she said. "Thanks. It helps. Okay, here we go." He lifted his head. "Damn." "What?" "It still isn't clear. Do you have a pocket mirror?" "I have a compact." She took it out of her bag with her free hand and tossed it to him. It rolled and Don had to grab to keep it from going over the edge. Alis gave a little shriek. Don was momentarily unnerved and had to put his head back on the ground. "Sorry," she said. Don opened the compact and carefully transferred it to his right hand. He held it out beyond the edge and peered into it, focusing it on the end of the creek. "Now I've got it. The water isn't going off the edge!" "It isn't? Then where is it going?" "Down, of course, but it's as if it's going into a well, or a vertical tunnel, just short of the edge." "Why? How?" "I can't see too well, but that's my impression. Hold on now. I'm coming back." He inched away from the edge, then got up and brushed himself off. He returned her compact. "I guess you know where we go next." "The other end of the creek?" "Exactly." South Creek did not bisect Superior, as Don thought it might, but flowed in an arc through a southern segment of it. They had about two miles to go, past South Creek Bridge—which used to lead to Ladenburg, Alis said—past Raleigh Country Club (a long drive would really put the ball out of play, Don thought) and on to the edge again. But as they approached what they were forced to consider the source of the creek, they found a wire fence at the spot. "This is new," Alis said. The fence, which had a sign on it, warning—electrified , was semicircular, with each end at the edge and tarpaulins strung behind it so they could see the mouth of the creek. The water flowed from under the tarp and fence. "Look how it comes in spurts," Alis said. "As if it's being pumped." Smaller print on the sign said: Protecting mouth of South Creek, one of two sources of water for Superior. Electrical charge in fence is sufficient to kill. It was signed: Vincent Grande, Chief of Police, Hector Civek, Mayor . "What's the other source, besides the faucet in your bathroom?" Don asked. "North Lake, maybe," Alis said. "People fish there but nobody's allowed to swim." "Is the lake entirely within the town limits?" "I don't know." "If it were on the edge, and if I took a rowboat out on it, I wonder what would happen?" "I know one thing—I wouldn't be there holding your ankle while you found out." She took his arm as they gazed past the electrified fence at the Earth below and to the west. "It's impressive, isn't it?" she said. "I wonder if that's Indiana way over there?" He patted her hand absent-mindedly. "I wonder if it's west at all. I mean, how do we know Superior is maintaining the same position up here as it used to down there?" "We could tell by the sun, silly." "Of course," he said, grinning at his stupidity. "And I guess we're not high enough to see very far. If we were we'd be able to see the Great Lakes—or Lake Erie, anyway." They were musing about the geography when a plane came out of a cloudbank and, a second later, veered sharply. They could make out UAL on the underside of a wing. As it turned they imagined they could see faces peering out of the windows. They waved and thought they saw one or two people wave back. Then the plane climbed toward the east and was gone. "Well," Don said as they turned to go back to Cavalier, "now we know that they know. Maybe we'll begin to get some answers. Or, if not answers, then transportation." "Transportation?" Alis squeezed the arm she was holding. "Why? Don't you like it here?" "If you mean don't I like you, the answer is yes, of course I do. But if I don't get out of this handcuff soon so I can take a bath and get into clean clothes, you're not going to like me." "You're still quite acceptable, if a bit whiskery." She stopped, still holding his arm, and he turned so they were face to face. "So kiss me," she said, "before you deteriorate." They were in the midst of an extremely pleasant kiss when the brief case at the end of Don's handcuff began to talk to him.
train	51092	[ "What is the significance of the title of the story to the context?", "Based on the context of the story, on which day was the package received to the home?", "Who was Sally in relation to Milly in the story?", "Had the portrait of H. H. Hartshorne not been knocked off the wall, what would have likely happened in the story?", "How long had the branch of Hartshorne-Logan been opened?", "Why did the staff at Hartshorne-Logan have to substitute some of the items in the package?", "Why had Ann Hartley written the first letter to Hartshorne-Logan?", "What was Ann’s first complaint with the dress she ordered for Sally?", "What caused Sally to float through the air?", "What happened to Les when he held the eyeball from the detective kit?" ]	[ [ "It’s a reference to the dangers contained within the package. ", "It’s a reference to the delay of the package being received. ", "It’s a reference for the postman to know the package wasn’t broken in shipment ", "It’s a reference to there being a baby toy rattle inside the box. " ], [ "Monday", "Tuesday", "Wednesday", "Thursday " ], [ "Her great-grandmother ", "Her grandmother ", "Her mother", "Herself in a past life. " ], [ "Milly would have never been born. ", "Mr. Hawkins would have fired everyone who attended the party. ", "The partygoers would have remained sober that night. ", "The package would have never been delivered. " ], [ "Eighty years", "Eight years", "Twenty years", "Two years " ], [ "They were sold out of because of the holiday sales. ", "They had recalled most of the items because they were dangerous.", "They were outdated by many years. ", "They were too drunk to read the catalog numbers correctly. " ], [ "To disregard her complaint about the package not being received. ", "To complain about incorrect items being sent. ", "To complain about the package not being received. ", "To request a refund for the package being damaged. " ], [ "It was much to small for the child. ", "The shoulders were lumpier than a small girl’s dress should be. ", "It was the incorrect color. ", "It was much too large for the small child. " ], [ "The manky that was in the shipment. ", "The strange doorbell with no wire. ", "They eyeball from the detective kit. ", "The dress that was in the shipment. " ], [ "It caused him to leave black finger-marks on everything he touched. ", "It left his hands sticky even after repeatedly washing. ", "It burned his hands. ", "His hands started to turn bright green. " ] ]	[ 3, 2, 2, 4, 1, 3, 3, 3, 4, 1 ]	[ 0, 1, 1, 0, 0, 0, 0, 0, 0, 0 ]	RATTLE OK By HARRY WARNER, JR. Illustrated by FINLAY [Transcriber's Note: This etext was produced from Galaxy Science Fiction December 1956. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] What better way to use a time machine than to handle department store complaints? But pleasing a customer should have its limits! The Christmas party at the Boston branch of Hartshorne-Logan was threatening to become more legendary than usual this Christmas. The farm machinery manager had already collapsed. When he slid under the table containing the drinks, Miss Pringle, who sold millinery, had screamed: "He'll drown!" One out of every three dirty stories started by party attendees had remained unfinished, because each had reminded someone else of another story. The recently developed liquors which affected the bloodstream three times faster had driven away twinges of conscience about untrimmed trees and midnight church services. The star salesman for mankies and the gentleman who was in charge of the janitors were putting on a display of Burmese foot-wrestling in one corner of the general office. The janitor foreman weighed fifty pounds less than the Burma gentleman, who was the salesman's customary opponent. So the climax of one tactic did not simply overturn the foreman. He glided through the air, crashing with a very loud thump against the wall. He wasn't hurt. But the impact knocked the hallowed portrait of H. H. Hartshorne, co-founder, from its nail. It tinkled imposingly as its glass splintered against the floor. The noise caused a temporary lull in the gaiety. Several employes even felt a passing suspicion that things might be getting out of hand. "It's all in the spirit of good, clean fun!" cried Mr. Hawkins, the assistant general manager. Since he was the highest executive present, worries vanished. Everyone felt fine. There was a scurry to shove the broken glass out of sight and to turn more attention to another type of glasses. Mr. Hawkins himself, acting by reflex, attempted to return the portrait to its place until new glass could be obtained. But the fall had sprung the frame at one corner and it wouldn't hang straight. "We'd better put old H. H. away for safekeeping until after the holiday," he told a small, blonde salesclerk who was beneath his attention on any working day. With the proper mixture of respect and bonhommie, he lifted the heavy picture out of its frame. A yellowed envelope slipped to the floor as the picture came free. Hawkins rolled the picture like a scroll and put it into a desk drawer, for later attention. Then he looked around for a drink that would make him feel even better. A sorting clerk in the mail order department wasn't used to liquor. She picked up the envelope and looked around vaguely for the mail-opening machine. "Hell, Milly, you aren't working!" someone shouted at her. "Have another!" Milly snapped out of it. She giggled, suppressed a ladylike belch and returned to reality. Looking at the envelope, she said: "Oh, I see. They must have stuck it in to tighten the frame. Gee, it's old." Mr. Hawkins had refreshed himself. He decided that he liked Milly's voice. To hear more of it, he said to her: "I'll bet that's been in there ever since the picture was framed. There's a company legend that that picture was put up the day this branch opened, eighty years ago." "I didn't know the company ever used buff envelopes like this." Milly turned it over in her hands. The ancient glue crackled as she did so. The flap popped open and an old-fashioned order blank fell out. Mr. Hawkins' eyes widened. He bent, reached painfully over his potbelly and picked up the order form. "This thing has never been processed!" Raising his voice, he shouted jovially, "Hey, people! You're all fired! Here's an order that Hartshorne-Logan never filled! We can't have such carelessness. This poor woman has waited eighty years for her merchandise!" Milly was reading aloud the scrawled words on the order form: "Best electric doorbell. Junior detective kit. Disposable sacks for vacuum cleaner. Dress for three-year-old girl." She turned to the assistant general manager, struck with an idea for the first time in her young life. "Let's fill this order right now!" "The poor woman must be dead by now," he objected, secretly angry that he hadn't thought of such a fine party stunt himself. Then he brightened. "Unless—" he said it loud enough for the employes to scent a great proposal and the room grew quiet—"unless we broke the rules just once and used the time warp on a big mission!" There was a silence. Finally, from an anonymous voice in one corner: "Would the warp work over eighty years? We were always told that it must be used only for complaints within three days." "Then let's find out!" Mr. Hawkins downed the rest of his drink and pulled a batch of keys from his pocket. "Someone scoot down to the warehouse. Tell the watchman that it's on my authority. Hunt up the stuff that's on the order. Get the best of everything. Ignore the catalogue numbers—they've changed a hundred times in all these years." Milly was still deciphering the form. Now she let out a little squeal of excitement. "Look, Mr. Hawkins! The name on this order—it's my great-grandmother! Isn't that wonderful? I was just a little girl when she died. I can barely remember her as a real old woman. But I remember that my grandmother never bought anything from Hartshorne-Logan because of some trouble her mother had once with the firm. My mother didn't want me to come to work here because of that." Mr. Hawkins put his arm around Milly in a way that he intended to look fatherly. It didn't. "Well, now. Since it's your relative, let's thrill the old girl. We wouldn't have vacuum sacks any more. So we'll substitute a manky!" Ann Hartley was returning from mailing the letter when she found the large parcel on her doorstep. She put her hands on her hips and stared pugnaciously at the bundle. "The minute I write a letter to complain about you, you turn up!" she told the parcel. She nudged her toe peevishly against the brown paper wrappings that were tied with a half-transparent twine she had never seen before. The label was addressed in a wandering scrawl, a sharp contrast to the impersonal typing on the customary Hartshorne-Logan bundles. But the familiar RATTLE OK sticker was pasted onto the box, indicating to the delivery man that the contents would make a rattling sound and therefore hadn't been broken in shipment. Ann sighed and picked up her bundle. With a last look at the lovely spring afternoon and the quiet suburban landscape, she went into the house. Two-year-old Sally heard the box rattling. She waddled up on chubby legs and grabbed her mother's skirt. "Want!" she said decisively. "Your dress ought to be here," Ann said. She found scissors in her sewing box, tossed a cushion onto the floor, sat on it, and began to open the parcel. "Now I'll have to write another letter to explain that they should throw away my letter of complaint," she told her daughter. "And by the time they get my second letter, they'll have answered my first letter. Then they'll write again." Out of consideration for Sally, she omitted the expletives that she wanted to add. The translucent cord was too tough for the scissors. Ann was about to hunt for a razor blade when Sally clutched at an intersection of the cord and yanked. The twine sprang away from the carton as if it were alive. The paper wrappings flapped open. "There!" Sally said. Ann repressed an irrational urge to slap her daughter. Instead, she tossed the wrappings aside and removed the lid from the carton. A slightly crushed thin cardboard box lay on top. Ann pulled out the dress and shook it into a freely hanging position. Then she groaned. It was green and she had ordered blue. It didn't remotely resemble the dress she had admired from the Hartshorne-Logan catalogue illustration. Moreover, the shoulders were lumpier than any small girl's dress should be. But Sally was delighted. "Mine!" she shrilled, grabbing for the dress. "It's probably the wrong size, too," Ann said, pulling off Sally's dress to try it on. "Let's find as many things to complain about as we can." The dress fitted precisely, except for the absurd shoulder bumps. Sally was radiant for a moment. Then her small face sobered and she started to look vacantly at the distant wall. "We'll have to send it back," Ann said, "and get the one we ordered." She tried to take it off, but the child squawked violently. Ann grabbed her daughter's arms, held them above her head and pulled at the dress. It seemed to be stuck somewhere. When Ann released the child's arms to loosen the dress, Sally squirmed away. She took one step forward, then began to float three inches above the ground. She landed just before she collided with the far wall. Sally looked scared until she saw her mother's face. Then she squealed in delight. Ann's legs were rubber. She was shaking her head and wobbling uncertainly toward her daughter when the door opened behind her. "It's me," her husband said. "Slow day at the office, so I came home early." "Les! I'm going crazy or something. Sally just—" Sally crouched to jump at her father. Before she could leap, he grabbed her up bodily and hugged her. Then he saw the box. "Your order's here? Good. What's this thing?" He was looking at a small box he had pulled from the carton. Its lid contained a single word: MANKY. The box rattled when he shook it. Les pulled off the lid and found inside a circular, shiny metal object. A triangular trio of jacks stuck out from one end. "Is this the doorbell? I've never seen a plug like this. And there's no wire." "I don't know," Ann said. "Les, listen. A minute ago, Sally—" He peered into the box for an instruction sheet, uselessly. "They must have made a mistake. It looks like some kind of farm equipment." He tossed the manky onto the hassock and delved into the carton again. Sally was still in his arms. "That's the doorbell, I think," he said, looking at the next object. It had a lovely, tubular shape, a half-dozen connecting rods and a plug for a wall socket. "That's funny," Ann mused, her mind distracted from Sally for a moment. "It looks terribly expensive. Maybe they sent door chimes instead of the doorbell." The bottom of the carton contained the detective outfit that they had ordered for their son. Ann glanced at its glaringly lithographed cover and said: "Les, about Sally. Put her down a minute and watch what she does." Les stared at his wife and put the child onto the rug. Sally began to walk, then rose and again floated, this time toward the hassock on which the manky lay. His jaw dropped. "My God! Ann, what—" Ann was staring, too, but not at her daughter. "Les! The hassock! It used to be brown!" The hassock was a livid shade of green. A neon, demanding, screaming green that clashed horribly with the soft browns and reds in which Ann had furnished the room. "That round thing must be leaking," Les said. "But did you see Sally when she—" Ann's frazzled nerves carried a frantic order to her muscles. She jumped up, strode to the hassock and picked up the manky with two fingers. She tossed it to Les. Immediately, she regretted her action. "Drop it!" she yelled. "Maybe it'll turn you green, too!" Les kicked the hassock into the hall closet, tossed the manky in after it and shut the door firmly. As the door closed, he saw the entire interior of the dark closet brighten into a wet-lettuce green. When he turned back to Ann, she was staring at her left hand. The wedding band that Les had put there a dozen years ago was a brilliant green, shedding its soft glow over the finger up to the first knuckle. Ann felt the scream building up inside her. She opened her mouth to let it out, then put her hand in front of her mouth to keep it in, finally jerked the hand away to prevent the glowing ring from turning her front teeth green. She collapsed into Les's arms, babbling incomprehensibly. He said: "It's all right. There must be balloons or something in the shoulders of that dress. I'll tie a paperweight to Sally's dress and that'll hold her down until we undress her. Don't worry. And that green dye or whatever it is will wash off." Ann immediately felt better. She put her hands behind her back, pulled off her ring and slipped it into her apron pocket. Les was sentimental about her removing it. "I'll get dinner," she said, trying to keep her voice on an even keel. "Maybe you'd better start a letter to Hartshorne-Logan. Let's go into the kitchen, Sally." Ann strode resolutely toward the rear of the house. She kept her eyes determinedly off the tinge of green that was showing through the apron pocket and didn't dare look back at her daughter's unsettling means of propulsion. A half-hour later, when the meal was almost ready, two things happened: Bob came home from school through the back door and a strange voice said from the front of the house, "Don't answer the front door." Ann stared at her son. He stared back at her, the detective outfit under his arm. She went into the front room. Her husband was standing with fists on hips, looking at the front door, chuckling. "Neatest trick I've seen in a long time. That voice you heard was the new doorbell. I put it up while you were in the kitchen. Did you hear what happened when old lady Burnett out there pushed the button?" "Oh. Something like those name cards with something funny printed on them, like 'Another hour shot.' Well, if there's a little tape in there repeating that message, you'd better shut that part off. It might get boring after a while. And it might insult someone." Ann went to the door and turned the knob. The door didn't open. The figure of Mrs. Burnett, half-visible through the heavy curtain, shifted impatiently on the porch. Les yanked at the doorknob. It didn't yield for him, either. He looked up at the doorbell, which he had installed just above the upper part of the door frame. "Queer," he said. "That isn't in contact with the door itself. I don't see how it can keep the door from opening." Ann put her mouth close to the glass, shouting: "Won't you come to the back door, Mrs. Burnett? This one is stuck." "I just wanted to borrow some sugar," the woman cried from the porch. "I realize that I'm a terrible bother." But she walked down the front steps and disappeared around the side of the house. "Don't open the back door." The well-modulated voice from the small doorbell box threatened to penetrate every corner of the house. Ann looked doubtfully at her husband's lips. They weren't moving. "If this is ventriloquism—" she began icily. "I'll have to order another doorbell just like this one, for the office," Les said. "But you'd better let the old girl in. No use letting her get peeved." The back door was already open, because it was a warm day. The screen door had no latch, held closed by a simple spring. Ann pushed it open when Mrs. Burnett waddled up the three back steps, and smiled at her neighbor. "I'm so sorry you had to walk around the house. It's been a rather hectic day in an awful lot of ways." Something seemed to impede Mrs. Burnett as she came to the threshold. She frowned and shoved her portly frame against something invisible. It apparently yielded abruptly, because she staggered forward into the kitchen, nearly falling. She stared grimly at Ann and looked suspiciously behind her. "The children have some new toys," Ann improvised hastily. "Sally is so excited over a new dress that she's positively feverish. Let's see now—it was sugar that you want, wasn't it?" "I already have it," Bob said, handing a filled cup to his mother. The boy turned back to the detective set which he had spread over the kitchen table. "Excitement isn't good for me," Mrs. Burnett said testily. "I've had a lot of troubles in my life. I like peace and quiet." "Your husband is better?" "Worse. I'm sure I don't know why everything happens to me." Mrs. Burnett edged toward the hall, trying to peer into the front of the house. Ann stood squarely in front of the door leading to the hall. Defeated, Mrs. Burnett left. A muffled volley of handclapping, mixed with a few faint cheers, came from the doorbell-box when she crossed the threshold. Ann went into the hall to order Les to disconnect the doorbell. She nearly collided with him, coming in the other direction. "Where did this come from?" Les held a small object in the palm of his hand, keeping it away from his body. A few drops of something unpleasant were dripping from his fingers. The object looked remarkably like a human eyeball. It was human-size, complete with pupil, iris and rather bloodshot veins. "Hey, that's mine," Bob said. "You know, this is a funny detective kit. That was in it. But there aren't instructions on how it works." "Well, put it away," Ann told Bob sharply. "It's slimy." Les laid the eyeball on the table and walked away. The eyeball rolled from the smooth, level table, bounced twice when it hit the floor, then rolled along, six inches behind him. He turned and kicked at it. The eyeball rolled nimbly out of the path of the kick. "Les, I think we've made poor Mrs. Burnett angry," Ann said. "She's so upset over her poor husband's health and she thinks we're insulting her." Les didn't hear her. He strode to the detective set, followed at a safe distance by the eyeball, and picked up the box. "Hey, watch out!" Bob cried. A small flashlight fell from the box, landed on its side and its bulb flashed on, throwing a pencil of light across Les's hands. Bob retrieved the flashlight and turned it off while Les glanced through an instruction booklet, frowning. "This toy is too complicated for a ten-year-old boy," Les told his wife. "I don't know why you ordered such a thing." He tossed the booklet into the empty box. "I'm going to return it, if you don't smudge it up," she replied. "Look at the marks you made on the instructions." The black finger-marks stood out clearly against the shiny, coated paper. Les looked at his hands. "I didn't do it," he said, pressing his clean fingertips against the kitchen table. Black fingerprints, a full set of them, stood out against the sparkling polished table's surface. "I think the Detectolite did it," Bob said. "The instructions say you've got to be very careful with it, because its effects last for a long time." Les began scrubbing his hands vigorously at the sink. Ann watched him silently, until she saw his fingerprints appear on the faucet, the soap and the towel. She began to yell at him for making such a mess, when Sally floated into the kitchen. The girl was wearing a nightgown. "My God!" Ann forgot her tongue before the children. "She got out of that dress herself. Where did she get that nightgown?" Ann fingered the garment. She didn't recognize it as a nightgown. But in cut and fold, it was suspiciously like the dress that had arrived in the parcel. Her heart sank. She picked up the child, felt the hot forehead, and said: "Les, I think it's the same dress. It must change color or something when it's time for a nap. It seems impossible, but—" She shrugged mutely. "And I think Sally's running a temperature. I'm going to put her to bed." She looked worriedly into the reddened eyes of the small girl, who whimpered on the way to the bedroom. Ann carried her up the stairs, keeping her balance with difficulty, as Sally threatened to pop upward out of her arms. The whole family decided that bed might be a good idea, soon after dinner. When the lights went out, the house seemed to be nearly normal. Les put on a pair of gloves and threw a pillowcase over the eyeball. Bob rigged up trestles to warn visitors from the front porch. Ann put small wads of cotton into her ears, because she didn't like the rhythmic rattle, soft but persistent, that emerged from the hall closet where the manky sat. Sally was whining occasionally in her sleep. When daylight entered her room, Sally's nightgown had turned back into the new dress. But the little girl was too sick to get out of bed. She wasn't hungry, her nose was running, and she had a dry cough. Les called the doctor before going to work. The only good thing about the morning for Ann was the fact that the manky had quieted down some time in the night. After she got Bob to school, she gingerly opened the closet door. The manky was now glowing a bright pink and seemed slightly larger. Deep violet lettering stood out on its side: " Today is Wednesday. For obvious reasons, the manky will not operate today. " The mailman brought a letter from Hartshorne-Logan. Ann stared stupidly at the envelope, until she realized that this wasn't an impossibly quick answer to the letter she had written yesterday. It must have crossed in the mail her complaint about the non-arrival of the order. She tore open the envelope and read: "We regret to inform you that your order cannot be filled until the balance you owe us has been reduced. From the attached form, you will readily ascertain that the payment of $87.56 will enable you to resume the purchasing of merchandise on credit. We shall fill your recent order as soon...." Ann crumpled the letter and threw it into the imitation fireplace, knowing perfectly well that it would need to be retrieved for Les after work tonight. She had just decided to call Hartshorne-Logan's complaint department when the phone rang. "I'm afraid I must ask you to come down to the school, Mrs. Morris," a voice said. "Your son is in trouble. He claims that it's connected with something that his parents gave him." "My son?" Ann asked incredulously. "Bob?" "Yes. It's a little gadget that looks like a water pistol. Your son insists that he didn't know it would make clothing transparent. He claims it was just accident that he tried it out when he was walking by the gym during calisthenics. We've had to call upon every family in the neighborhood for blankets. Bob has always been a good boy and we believe that we can expel him quietly without newspaper publicity involving his name, if you'll—" "I'll be right down," Ann said. "I mean I won't be right down. I've got a sick baby here. Don't do anything till I telephone my husband. And I'm sorry for Bob. I mean I'm sorry for the girls, and for the boys, too. I'm sorry for—for everything. Good-by." Just as she hung up the telephone, the doorbell rang. It rang with a normal buzz, then began to play soft music. Ann opened the door without difficulty, to admit Dr. Schwartz. "You aren't going to believe me, Doctor," Ann said while he took the child's temperature, "but we can't get that dress off Sally." "Kids are stubborn sometimes." Dr. Schwartz whistled softly when he looked at the thermometer. "She's pretty sick. I want a blood count before I try to move her. Let me undress her." Sally had been mumbling half-deliriously. She made no effort to resist as the doctor picked her up. But when he raised a fold of the dress and began to pull it back, she screamed. The doctor dropped the dress and looked in perplexity at the point where it touched Sally's skin. "It's apparently an allergy to some new kind of material. But I don't understand why the dress won't come off. It's not stuck tight." "Don't bother trying," Ann said miserably. "Just cut it off." Dr. Schwartz pulled scissors from his bag and clipped at a sleeve. When he had cut it to the shoulder, he gently began to peel back the edges of the cloth. Sally writhed and kicked, then collapsed in a faint. The physician smoothed the folds hastily back into place. He looked helpless as he said to Ann: "I don't know quite what to do. The flesh starts to hemorrhage when I pull at the cloth. She'd bleed to death if I yanked it off. But it's such an extreme allergy that it may kill her, if we leave it in contact with the skin." The manky's rattle suddenly began rhythmically from the lower part of the house. Ann clutched the side of the chair, trying to keep herself under control. A siren wailed somewhere down the street, grew louder rapidly, suddenly going silent at the peak of its crescendo. Dr. Schwartz glanced outside the window. "An ambulance. Looks as if they're stopping here." "Oh, no," Ann breathed. "Something's happened to Les." "It sure will," Les said grimly, walking into the bedroom. "I won't have a job if I can't get this stuff off my fingers. Big black fingerprints on everything I touch. I can't handle correspondence or shake hands with customers. How's the kid? What's the ambulance doing out front?" "They're going to the next house down the street," the physician said. "Has there been sickness there?" Les held up his hands, palms toward the doctor. "What's wrong with me? My fingers look all right. But they leave black marks on everything I touch." The doctor looked closely at the fingertips. "Every human has natural oil on the skin. That's how detectives get results with their fingerprint powder. But I've never heard of nigrification, in this sense. Better not try to commit any crimes until you've seen a skin specialist." Ann was peering through the window, curious about the ambulance despite her own troubles. She saw two attendants carry Mr. Burnett, motionless and white, on a stretcher from the house next door into the ambulance. A third member of the crew was struggling with a disheveled Mrs. Burnett at the door. Shrieks that sounded like "Murder!" came sharply through the window. "I know those bearers," Dr. Schwartz said. He yanked the window open. "Hey, Pete! What's wrong?" The front man with the stretcher looked up. "I don't know. This guy's awful sick. I think his wife is nuts." Mrs. Burnett had broken free. She dashed halfway down the sidewalk, gesticulating wildly to nobody in particular. "It's murder!" she screamed. "Murder again! He's been poisoned! He's going to die! It means the electric chair!" The orderly grabbed her again. This time he stuffed a handkerchief into her mouth to quiet her. "Come back to this house as soon as you deliver him," Dr. Schwartz shouted to the men. "We've got a very sick child up here." "I was afraid this would happen," Les said. "The poor woman already has lost three husbands. If this one is sick, it's no wonder she thinks that somebody is poisoning him." Bob stuck his head around the bedroom door. His mother stared unbelievingly for a moment, then advanced on him threateningly. Something in his face restrained her, just as she was about to start shaking him. "I got something important to tell you," Bob said rapidly, ready to duck. "I snuck out of the principal's office and came home. I got to tell you what I did." "I heard all about what you did," Ann said, advancing again. "And you're not going to slip away from me." "Give me a chance to explain something. Downstairs. So he won't hear," Bob ended in a whisper, nodding toward the doctor. Ann looked doubtfully at Les, then followed Bob down the stairs. The doorbell was monotonously saying in a monotone: "Don't answer me, don't answer me, don't go to the door." "Why did you do it?" Ann asked Bob, her anger suddenly slumping into weary sadness. "People will suspect you of being a sex maniac for the rest of your life. You can't possibly explain—" "Don't bother about the girls' clothing," Bob said, "because it was only an accident. The really important thing is something else I did before I left the house." Les, cursing softly, hurried past them on the way to answer the knocking. He ignored the doorbell's pleas. "I forgot about it," Bob continued, "when that ray gun accidentally went off. Then when they put me in the principal's office, I had time to think, and I remembered. I put some white stuff from the detective kit into that sugar we lent Mrs. Burnett last night. I just wanted to see what would happen. I don't know exactly what effect—" "He put stuff in the sugar?" A deep, booming voice came from the front of the house. Mother and son looked through the hall. A policeman stood on the threshold of the front door. "I heard that! The woman next door claims that her husband is poisoned. Young man, I'm going to put you under arrest." The policeman stepped over the threshold. A blue flash darted from the doorbell box, striking him squarely on the chest. The policeman staggered back, sitting down abruptly on the porch. A scent of ozone drifted through the house. "Close the door, close the door," the doorbell was chanting urgently. "Where's that ambulance?" Dr. Schwartz yelled from the top of the steps. "The child's getting worse."
train	51170	[ "What did Templin and Eckert find odd about the children they encountered?", "What was the mission of Eckert and Templin?", "What was said by Nayova to make Eckert feel uneasy about Pendleton?", "From the text, what can be inferred about the thoughts in Pendleton's demise?", "Who was the first attache to travel to Tunpesh?", "How did Templin find about about Pendleton's death?", "Why can we infer that Eckert had changed the office window-scenery before telling Templin about Pendleton's demise?", "How long were Eckert and Templin planning to stay on Tunpesh?", "Why was Templin leery of the children on Tunpesh?", "Why did Eckert think that one would have to view the committee member's teeth to know his age?" ]	[ [ "They all looked much younger than the children on Earth. ", "They were all more well-behaved than any children they had seen on Earth", "They were all impressively healthy. ", "They looked much older than the children on Earth" ], [ "To locate Pendleton", "To find out what happened to Pendleton", "To get to know the primitive way of life. ", "To try to cover up what happened to Pendleton" ], [ "Eckert and Templin were staying in the same house that Pendleton had stayed in when he died", "Nayova didn't like that Eckert and Templin arrived without notice. ", "Pendleton was rather rude to people and they didn't like his attitude about his accommodations. ", "Nayova didn't like that Pendleton had arrived without notice. " ], [ "The information did not match up with his cause of death being suicide. ", "Everyone was in agreement that Pendleton abandoned his position and returned home by choice. ", "Everyone was in agreement that Pendleton was still alive and in hiding. ", "The information matched up with his cause of death being suicide." ], [ "Pendleton", "Eckert", "Templin", "The information is not given within the text. " ], [ "He was told by Nayova", "He received a formal letter from the captain. ", "He received a letter from Pendleton himself. ", "He was told by Eckert. " ], [ "In order to make the scenery less dreary than the news would already seem. ", "In order to let in light to the dark room so that he could see his reaction. ", "As a last effort to convince Eckert to travel to Tunpesh and see the scenery for himself. ", "In order to show what the current state was outside. " ], [ "6 years", "6 days", "6 months", "6 weeks" ], [ "They seemed to be much older than children and only disguised as such. ", "Their appearance gave him an eerie feeling about their potential danger. ", "He knew even children were capable of doing damage with a weapon. ", "They were too eager to come near strangers and that made him uneasy. " ], [ "He seemed wise beyond his years. ", "He had disguised himself as an old man with gray hair but no wrinkles. ", "He acted too much like a small child. ", "He looked both young and old at the same time. " ] ]	[ 3, 2, 1, 1, 1, 4, 1, 3, 3, 4 ]	[ 1, 0, 1, 1, 0, 0, 0, 0, 1, 0 ]	THE FIRE and THE SWORD By FRANK M. ROBINSON Illustrated by EMSH [Transcriber's Note: This etext was produced from Galaxy Science Fiction August 1951. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] Nothing could have seemed pleasanter than that peaceful planet. Then why was a non-suicidal man driven to suicide there? Yet it made sense. Why do people commit suicide? Templin tightened his safety belt and lay back on the acceleration bunk. The lights in the cabin dimmed to a dull, red glow that meant the time for takeoff was nearing. He could hear noises from deep within the ship and the tiny whir of the ventilator fan, filling the air with the sweetish smell of sleeping gas. To sleep the trip away was better than to face the dull monotony of the stars for days on end. Oh, they kill themselves for lots of reasons. Maybe ill health or financial messes or family difficulties. An unhappy love affair. Or more complex ones, if you went into it deeper. The failure to achieve an ambition, failure to live up to one's own ideals. Weltschmerz, perhaps. He could smell the bitter fragrance of tobacco smoke mingling with the gas. Eckert had lit a cigarette and was calmly blowing the smoke at the neon "No Smoking" sign, which winked on and off in mechanical disapproval. He turned his head slightly so he could just see Eckert in the bank facing him. Eckert, one of the good gray men in the Service. The old reliables, the ones who could take almost anything in their stride because, at one time or another, they had had to. It was Eckert who had come into his office several days ago and told him that Don Pendleton had killed himself. Only Pendleton wasn't the type. He was the kind who have everything to live for, the kind you instinctively know will amount to something someday. And that was a lousy way to remember him. The clichés always come first. Your memory plays traitor and boils friendship down to the status of a breakfast food testimonial. The soft red lights seemed to be dancing in the darkness of the cabin. Eckert was just a dull, formless blur opposite him. His cigarette was out. Eckert had come into his office without saying a word and had watched his scenery-window. It had been snowing in the window, the white flakes making a simple pattern drifting past the glass. Eckert had fiddled with the controls and changed it to sunshine, then to a weird mixture of hail amid the brassy, golden sunlight. And then Eckert had told him that Pendleton had taken the short way out. He shouldn't get sentimental. But how the hell else should he remember Pendleton? Try to forget it and drink a toast to him at the next class reunion? And never, never be so crude as to speculate why Pendleton should have done it? If, of course, he had.... The cabin was hazy in the reddish glow, the sleeping gas a heavy perfume. Eckert and he had talked it out and gone over the records. Pendleton had come of good stock. There had been no mental instability in his family for as far back as the genetic records went. He had been raised in a middle-class neighborhood and attended a local grammar school where he had achieved average grades and had given his instructors the normal amount of trouble. Later, when he had made up his mind to enter the Diplomatic Service, his grades had improved. He had worked hard at it, though he wasn't what you would call a grind. In high school and later in college, he was the well-balanced type, athletic, popular, hard-working. How long would it be before memories faded and all there was left of Pendleton was a page of statistics? He had been on this team, he had been elected president of that, he had graduated with such and such honors. But try getting a picture of him by reading the records, resurrect him from a page of black print. Would he be human? Would he be flesh and blood? Hell, no! In the statistics Pendleton was the All-Around Boy, the cold marble statue with the finely chiseled muscles and the smooth, blank sockets where the eyes should be. Maybe someday fate would play a trick on a hero-worshiping public and there would actually be kids like that. But they wouldn't be human; they wouldn't be born. Parents would get them by sending in so many box tops. He was drowsy; the room was filled with the gas now. It would be only a matter of minutes before he would be asleep. Pendleton had been in his second year as attache on Tunpesh, a small planet with a G-type sun. The Service had stumbled across it recently and decided the system was worth diplomatic recognition of some kind, so Pendleton had been sent there. He had been the first attache to be sent and naturally he had gone alone. There was no need to send more. Tunpesh had been inspected and certified and approved. The natives were primitive and friendly. Or maybe the Service had slipped up, as it sometimes did, and Tunpesh had received something less than a thorough survey. And then an unscheduled freighter had put in for repairs, one of the very few ships that ever came by Tunpesh. The captain had tried to pay his respects to Pendleton. Only Pendleton wasn't there. The natives said he had killed himself and showed the captain the little flower-covered plot where they had buried him. Tunpesh had been Pendleton's second assignment. The natives were oh-so-friendly. So friendly that he had made sure that a certain box was on board, filled with shiny atomic rifles, needle pistols, and the fat little gas guns. They might be needed. People like Pendleton didn't kill themselves, did they? No, they didn't. But sometimes they were murdered. It was almost black inside the cabin now; only a thin red line around the ceiling told how close they were to takeoff. His head was thick with drowsiness, his eyelids a heavy weight that he knew he couldn't keep open much longer. Eckert and he had been chosen to go to Tunpesh and investigate. The two of them, working together, should be able to find out why Pendleton had killed himself. But that wasn't the real reason. Maybe Eckert thought so, but he knew better. The real reason they were going there was to find out why Pendleton had been killed and who had killed him. That was it. Who had killed Cock Robin? The thin red line was practically microscopic now and Templin could feel his lashes lying gently on his cheeks. But he wasn't asleep—not quite. There was something buzzing about in the dim recesses of his mind. Their information on Tunpesh was limited. They knew that it had no trading concessions or armed forces and that nobody from neighboring systems seemed to know much about it or even visited it. But a staff anthropologist must have been routinely assigned to Tunpesh to furnish data and reports. "Ted?" he murmured sleepily. A faint stirring in the black bulk opposite him. "Yes?" "How come our anthropologist on Tunpesh didn't come across with more information?" A drowsy mumble from the other cot: "He wasn't there long enough. He committed suicide not long after landing." The room was a whirling pool of blackness into which his mind was slowly slipping. Takeoff was only seconds away. Why do people commit suicide? "It's a nice day, isn't it, Ted?" Eckert took a deep and pleasurable breath. "It's the type of day that makes you feel good just to be alive." Warm breezes rustled through Eckert's graying hair and tugged gently at his tunic. The air smelled as if it had been washed and faintly perfumed with the balsamy scent of something very much like pine. A few hundred yards away, a forest towered straight and slim and coolly inviting, and brilliantly colored birds whirled and fluttered in the foliage. The rocketport, where they were standing surrounded by their luggage, was a grassy valley where the all too infrequent ships could land and discharge cargo or make repairs. There was a blackened patch on it now, with little blast-ignited flames dying out around the edges. It won't be long before it will be green again , he thought. The grass looked as though it grew fast—it would certainly have plenty of time to grow before the next ship landed. He looked at the slim, dwindling shape that was the rocket, and was suddenly, acutely aware that he and Templin would be stranded for six months on a foreign and very possibly dangerous planet. And there would be no way of calling for help or of leaving before the six months were up. He stood there for a moment, drinking in the fresh air and feeling the warmth of the sun against his face. It might be a pleasant six months at that, away from the din and the hustle and confusion, spending the time in a place where the sun was warm and inviting. I must be getting old , he thought, thinking about the warmth and comfort. Like old dogs and octogenarians. Templin was looking at the scenery with a disappointed expression on his face. Eckert stole a side glance at him and for a fleeting moment felt vaguely concerned. "Don't be disappointed if it doesn't look like cloak-and-dagger right off, Ray. What seems innocent enough on the surface can prove to be quite dangerous underneath." "It's rather hard to think of danger in a setting like this." Eckert nodded agreement. "It wouldn't fit, would it? It would be like a famous singer suddenly doing a jazz number in an opera, or having the princess in a fairy tale turn out to be ugly." He gestured toward the village. "You could hardly class that as dangerous from its outward appearance, could you?" The rocketport was in a small valley, surrounded by low, wooded hills. The village started where the port left off and crawled and wound over the wooded ridges. Small houses of sun-baked, white-washed mud crouched in the shadow of huge trees and hugged the banks of a small stream. It looked fairly primitive, Eckert thought, and yet it didn't have the earmarks, the characteristics of most primitive villages. It didn't seem cluttered or dirty and you didn't feel like beating a hasty retreat when the wind was blowing toward you. A few adults were watching them curiously and the usual bunch of kids that always congregated around rocketports quickly gathered. Eckert stared at them for a moment, wondering what it was that seemed odd about them, and they stared back with all the alert dignity of childhood. They finally came out on the field and clustered around him and Templin. Templin studied them warily. "Better watch them, Ted. Even kids can be dangerous." It's because you never suspect kids , Eckert thought, you never think they'll do any harm. But they can be taught. They could do as much damage with a knife as a man could, for instance. And they might have other weapons. But the idea still didn't go with the warm sun and the blue sky and the piny scent of the trees. One of the adults of the village started to walk toward them. "The reception committee," Templin said tightly. His hand went inside his tunic. He couldn't be blamed for being jumpy, Eckert realized. This was his first time out, his first mission like this. And, of course, Pendleton had been a pretty good friend of his. "I'd be very careful what I did," Eckert said softly. "I would hate to start something merely because I misunderstood their intentions." The committee of one was a middle-aged man dressed in a simple strip of white cloth twisted about his waist and allowed to hang freely to his knees. When he got closer, Eckert became less sure of his age. He had the firm, tanned musculature of a much younger man, though a slightly seamed face and white hair aged him somewhat. Eckert still had the feeling that if you wanted to know his exact age, you'd have to look at his teeth or know something about his epiphyseal closures. "You are menshars from Earth?" The voice was husky and pleasant and the pronunciation was very clear. Eckert regarded him thoughtfully and made a few mental notes. He wasn't bowing and scraping like most natives who weren't too familiar with visitors from the sky, and yet he was hardly either friendly or hostile. "You learned our language from Pendleton and Reynolds?" Reynolds had been the anthropologist. "We have had visitors from Earth before." He hesitated a moment and then offered his hand, somewhat shyly, Eckert thought, in the Terrestrial sign of greeting. "You may call me Jathong if you wish." He paused a moment to say something in his native tongue to the kids who were around. They promptly scattered and picked up the luggage. "While you are here, you will need a place to stay. There is one ready, if you will follow me." He was polite, Eckert thought. He didn't ask what they were there for or how long they were going to stay. But then again, perhaps the natives were a better judge of that than he and Templin. The town was larger than he had thought at first, stretching over a wide expanse of the countryside. There wasn't, so far as he could see, much manufacturing above the level of handicrafts and simple weaving. Colored patches on far hillsides indicated the presence of farms, and practically every house in the village had its small garden. What manufacturing there was seemed to be carried on in the central square of the town, where a few adults and children squatted in the warm afternoon sun and worked industriously at potter's wheels and weaver's looms. The other part of the square was given over to the native bazaar where pots and bolts of cloth were for sale, and where numerous stalls were loaded with dried fruits and vegetables and the cleaned and plucked carcasses of the local variety of fowl. It was late afternoon when they followed Jathong into a small, white-washed house midway up a hill. "You are free to use this while you are here," he said. Eckert and Templin took a quick tour of the few rooms. They were well furnished, in a rustic sort of way, and what modern conveniences they didn't have they could easily do without. The youngsters who had carried their luggage left it outside and quietly faded away. It was getting dark; Eckert opened one of the boxes they had brought along, took out an electric lantern and lighted it. He turned to Jathong. "You've been very kind to us and we would like to repay you. You may take what you wish of anything within this box." He opened another of the boxes and displayed the usual trade goods—brightly colored cloth and finely worked jewelry and a few mechanical contrivances that Eckert knew usually appealed to the primitive imagination. Jathong ran his hand over the cloth and held some of the jewelry up to the light. Eckert knew by the way he looked at it that he wasn't at all impressed. "I am grateful," he said finally, "but there is nothing I want." He turned and walked away into the gathering darkness. "The incorruptible native." Templin laughed sarcastically. Eckert shrugged. "That's one of the things you do out of habit, try and buy some of the natives so you'll have friends in case you need them." He stopped for a moment, thinking. "Did you notice the context? He didn't say he didn't want what we showed him. He said there was nothing that he wanted. Implying that everything he wanted, he already had." "That's not very typical of a primitive society, is it?" "No, I'm afraid it's not." Eckert started unpacking some of the boxes. "You know, Ray, I got a kick out of the kids. They're a healthy-looking lot, aren't they?" "Too healthy," Templin said. "There didn't seem to be any sick ones or ones with runny noses or cuts or black eyes or bruises. It doesn't seem natural." "They're probably just well brought-up kids," Eckert said sharply. "Maybe they've been taught not to get in fights or play around in the mud on the way home from school." He felt faintly irritated, annoyed at the way Templin had put it, as if any deviation from an Earth norm was potentially dangerous. "Ted." Templin's voice was strained. "This could be a trap, you know." "In what way?" The words came out slowly. "The people are too casual, as though they're playing a rehearsed part. Here we are, from an entirely different solar system, landed in what must be to them an unusual manner. They couldn't have seen rockets more than three or four times before. It should still be a novelty to them. And yet how much curiosity did they show? Hardly any. Was there any fear? No. And the cute, harmless little kids." He looked at Eckert. "Maybe that's what we're supposed to think—just an idyllic, harmless society. Maybe that's what Pendleton thought, right to the very end." He was keyed up, jumpy, Eckert realized. He would probably be seeing things in every shadow and imagining danger to be lurking around every corner. "It hasn't been established yet that Pendleton was killed, Ray. Let's keep an open mind until we know for certain." He flicked out the light and lay back on the cool bed, letting his body relax completely. The cool night wind blew lazily through the wood slat blinds, carrying the fragrance of the trees and the grass, and he inhaled deeply and let his thoughts wander for a moment. It was going to be pleasant to live on Tunpesh for six months—even if the six months were all they had to live. The climate was superb and the people seemed a cut above the usual primitive culture. If he ever retired some day, he thought suddenly, he would have to remember Tunpesh. It would be pleasant to spend his old age here. And the fishing was probably excellent.... He turned his head a little to watch Templin get ready for bed. There were advantages in taking him along that Templin probably didn't even realize. He wondered what Templin would do if he ever found out that the actual reason he had been chosen to go was that his own psychological chart was very close to Pendleton's. Pendleton's own feelings and emotions would almost exactly be duplicated in Templin's. A few stray wisps of starlight pierced through the blinds and sparkled for an instant on a small metal box strapped to Templin's waist. A power pack, Eckert saw grimly, probably leading to the buttons on his tunic. A very convenient, portable, and hard to detect weapon. There were disadvantages in taking Templin, too. "Just how primitive do you think the society is, Ted?" Eckert put down the chain he had been whittling and reached for his pipe and tobacco. "I don't think it's primitive at all. There are too many disparities. Their knowledge of a lot of things is a little more than empirical knowledge; they associate the growth of crops with fertilizer and nitrogen in the soil as well as sunlight, rather than the blessings of some native god. And they differ a lot in other respects. Their art and their music are advanced. Free art exists along with purely decorative art, and their techniques are finely developed." "I'm glad you agree, then. Take a look at this." Templin threw a shiny bit of metal on the rough-hewn table. Eckert picked it up and inspected it. It was heavy and one side of it was extremely sharp. "What's it for?" "They've got a hospital set up here. Not a hospital like any we know, of course, but a hospital nonetheless. It's not used very much; apparently the natives don't get sick here. But occasionally there are hunting accidents and injuries that require surgery. The strip of metal there is a scalpel." He laughed shortly. "Primitive little gadget, but it works well—as well as any of ours." Eckert hefted it in his palm. "The most important thing is that they have the knowledge to use it. Surgery isn't a simple science." "Well, what do you think about it?" "The obvious. They evidently have as much technology as they want, at least in fields where they have to have it." "How come they haven't gone any further?" "Why should they? You can live without skycars and rocket ships, you know." "Did you ever wonder what kind of weapons they might have?" "The important thing," Eckert mused, "is not if they have them, but if they'd use them. And I rather doubt that they would. We've been here for two weeks now and they've been very kind to us, seeing that we've had food and water and what fuel we need." "It's known in the livestock trade as being fattened up for the slaughter," Templeton said. Eckert sighed and watched a fat bug waddle across a small patch of sunlight on the wooden floor. It was bad enough drawing an assignment in a totally foreign culture, even if the natives were humanoid. It complicated things beyond all measure when your partner in the project seemed likely to turn into a vendettist. It meant that Eckert would have to split his energies. He'd have to do what investigating he could among the Tunpeshans, and he'd have to watch Templin to see that he didn't go off half-cocked and spoil everything. "You're convinced that Pendleton was murdered, aren't you?" Templin nodded. "Sure." "Why?" "The Tunpeshans know why we're here. We've dropped enough hints along those lines. But nobody has mentioned Pendleton; nobody has volunteered any information about him. And he was an attache here for three years. Didn't anybody know him during that time? We've let slip a few discreet statements that we would like to talk to Pendleton's friends, yet nobody's come around. Apparently, in all the three years he was here, Pendleton didn't make any friends. And that's a little hard to believe. It's more likely that his friends have been silenced and any information about him is being withheld for a reason." "What reason?" Templin shrugged. "Murder. What other reason could there be?" Eckert rolled up the thin, slatted blinds and stared out at the scenery. A hundred feet down the road, a native woman was going to market, leading a species of food animal by the halter. "They grow their women nice, don't they?" "Physically perfect, like the men," Templin grumbled. "You could get an inferiority complex just from watching the people here. Everybody's so damn perfect. Nobody's sick, nobody's unhealthy, nobody is too fat or too thin, nobody's unhappy. The only variation is that they don't all look alike. Perfection. It gets boring after a while." "Does it? I hadn't noticed." Eckert turned away from the blinds. His voice was crisp. "I knew Don Pendleton quite well, too," he said. "But it isn't blinding me to what I'm here for. We came to find out what happened to him, not to substantiate any preconceived notions. What we find out may be vitally important to anybody serving here in the future. I would hate to see our efforts spoiled because you've already made up your mind." "You knew Pendleton," Templin repeated grimly. "Do you think it was suicide?" "I don't think there's such a thing as a suicide type, when you come down to it. I'm not ruling out the possibility of murder, either. I'm trying to keep an open mind." "What have we accomplished so far? What have we found out?" "We've got six months," Eckert said quietly. "Six months in which we'll try to live here inconspicuously and study the people and try to cultivate informants. We would get nowhere if we came barging in asking all sorts of questions. And don't forget, Ray, we're all alone on Tunpesh. If it is a case of murder, what happens when the natives find out that we know it is?" Templin's eyes dueled for a moment. Then he turned his back and walked to the window. "I suppose you're right," he said at last. "It's nice living here, Ted. Maybe I've been fighting it. But I can't help thinking that Don must have liked it here, too." One of the hardest things to learn in a foreign culture, Eckert thought, is when to enjoy yourself, when to work and when to worry. " Pelache, menshar? " " Sharra! " He took the small bowl of pelache nuts, helped himself to a few, and passed the bowl on. This was definitely the time to enjoy himself, not to work or worry. He had heard about the halera a few days ago, and, by judicious hinting to the proper authorities, he and Templin had been invited. It was a good chance to observe native customs. A little anthropology—with refreshments. The main courses started making the rounds and he took generous helpings of the roasted ulami and the broiled halunch and numerous dabs from the side dishes of steaming vegetables. Between every course, they passed around a small flagon of the hot, spiced native wine, but he noticed that nobody drank to excess. The old Greek ideal , he thought: moderation in everything. He looked at Templin, sitting across from him in the huge circle, and shrugged mentally. Templin looked as if he was about to break down and enjoy himself, but there was still a slight bulge under his tunic, where he had strapped his power pack. Any fool should have known that nothing would happen at a banquet like this. The only actual danger lay in Templin's getting excited and doing something he was bound to regret later on. And even that danger was not quite as likely now. There will be hell to pay , Eckert thought, if Templin ever finds out that I sabotaged his power pack. "You look thoughtful, menshar Eckert." Eckert took another sip of the wine and turned to the Tunpeshan on his left. He was a tall, muscular man with sharp eyes, a firm chin and a certain aura of authority. "I was wondering if my countryman Pendleton had offended your people in any way, Nayova." Now was as good a time as any to pump him for what he knew about Pendleton's death. "So far as I know, menshar Pendleton offended no one. I do not know what duties he had to perform here, but he was a generous and courteous man." Eckert gnawed the dainty meat off a slender ulami bone and tried to appear casual in his questioning. "I am sure he was, Nayova. I am sure, too, that you were as kind to him as you have been to Templin and myself. My Government is grateful to you for that." Nayova seemed pleased. "We tried to do as well for menshar Pendleton as we could. While he was here, he had the house that you have now and we saw that he was supplied with food and all other necessities." Eckert had a sudden clammy feeling which quickly passed away. What Nayova had said was something he'd make sure Templin never heard about. He wiped his mouth on a broad, flat leaf that had been provided and took another sip of the wine. "We were shocked to find out that menshar Pendleton had killed himself. We knew him quite well and we could not bring ourselves to believe he had done such a thing." Nayova's gaze slid away from him. "Perhaps it was the will of the Great One," he said vaguely. He didn't seem anxious to talk about it. Eckert stared bleakly at his wine glass and tried to put the pieces of information together. They probably had a taboo about self-destruction which would make it difficult to talk about. That would make it even harder for him to find out by direct questioning. A native fife trilled shrilly and a group of young men and women walked into the room. The circle broke to let them through and they came and knelt before Nayova. When he clapped his hands sharply, they retreated to the center of the circle and began the slow motions of a native dance. The sound of the fife softened and died and the slow monotonous beat of drums took its place. The beat slowly increased and so did the rhythm of the dancers. The small fires at the corners of the hut were allowed to dwindle and the center of the circle became filled with the motions of shadows intermixed with the swift, sure movements of glistening limbs. Eckert felt his eyebrows crawl upward. Apparently the dance was the Tunpeshan version of the rites de passage . He glanced across the circle at Templin. Templin's face—what he could see of it by the flickering light—was brick red. A voice spoke in his ear. "It is hard for us to imagine anybody doing what menshar Pendleton did. It is ..." and he used a native word that Eckert translated as being roughly equivalent to " obscene ." The dancers at the center of the circle finally bowed out with small garlands of flowers on their heads that signified their reaching adulthood. Acrobats then took the stage and went through a dizzying routine, and they in turn were succeeded by a native singer. They were all excellent, Eckert thought. If anything, they were too good. The bowl of pelache nuts made its way around again and Nayova leaned over to speak to him. "If there is any possibility that I can help you while you are here, menshar Eckert, you have but to ask." It would probably be a mistake to ask for a list of Pendleton's friends, but there was a way around that. "I would like to meet any of your people who had dealings with Pendleton, either in business or socially. I will do everything not to inconvenience them in any way." "I think they would be glad to help you. I shall ask them to go to you this coming week."
train	47841	[ "Why did Judy spent a week with her grandmother for a week during summer?", "Who did Judy give credit for warning the people in town that a flood was coming?", "Why would the trip Judy had taken with her grandparents to the fountain have likely felt longer than when she was traveling with Lois and Lorraine?", "Why did Judy start crying in the attic of her grandparents home?", "What did Judy fall asleep on the summer when she was fourteen?", "What was Judy's grandmother delivering on the day that they took their wagon ride?", "Of the three, who seems to keep holding secrets in more than the others?", "Why did Lorraine duck her head when another car passed by the group on their way to the fountain?", "Why did Lois decide to turn the car around?" ]	[ [ "So that her parents could take a vacation. ", "So that her grandmother would have an opportunity to spent time with her. ", "So that her father, a doctor, could travel out of the country for work. ", "So that she could solve mysteries that were filed away in her grandmother's attic. " ], [ "Her brother, Horace. ", "Her sister, Lois. ", "Herself, due to her mystery solving ability. ", "Her sister, Lorraine." ], [ "Lorraine was speeding through the roads to the fountain.", "Her grandparents were traveling by wagon. ", "She had napped in the car, causing the ride to feel shorter. ", "She had napped in the wagon, causing the ride to feel longer. " ], [ "She was trying to cry to get tears for the fountain of wishes. ", "She was lonely with no friends. ", "She was sad that her parents wouldn't let her come on their vacation. ", "She was afraid of the attic. " ], [ "A hammock", "A flying carpet", "A wagon", "A car " ], [ "Pies that she had baked. ", "Magic carpets", "Old magazines that she had collected for years.", "Hooked rugs" ], [ "Lois", "All three equally", "Judy ", "Lorraine" ], [ "She had recently forged checks and people were looking for her. ", "She was afraid someone would report that they were trespassing. ", "She feared that they were going to collide and she was covering her face from impact. ", "She knew who the new owner of the estate was and didn't want to be seen. " ], [ "There were two approaching dark-coated figures. ", "She didn't want her license plate visible from the road. ", "She was going to park facing out in case they had to make a quick exit. ", "She feared the other car they had almost swiped would return and call the police. " ] ]	[ 1, 1, 2, 2, 1, 4, 4, 4, 3 ]	[ 0, 0, 0, 1, 0, 0, 1, 1, 0 ]	The Haunted Fountain CHAPTER I An Unsolved Mystery “Tell Judy about it,” begged Lois. “Please, Lorraine, it can’t be as bad as it appears. There isn’t anything that Judy can’t solve.” Lorraine tilted her head disdainfully. “We’re sisters now. We’re both Farringdon-Petts and should be loyal to each other. But you always did take Judy’s part. She was the one who nearly spoiled our double wedding trying to solve a mystery. I don’t believe she’d understand—understand any better than I do. Everyone has problems, and I’m sure Judy is no exception.” “You’re right, Lorraine,” announced Judy, coming in to serve dessert to the two friends she had invited for lunch at Peter’s suggestion. “I do have problems, and there are plenty of mysteries I can’t solve.” “Name one,” charged Lois. “Just mention one single spooky thing you couldn’t explain, and I’ll believe you. I’ve seen you in action, Judy Bolton—” “Judy Dobbs, remember?” “Well, you were Judy Bolton when you solved all those mysteries. I met you when the whole valley below the big Roulsville dam was threatened by flood and you solved that—” “That,” declared Judy, “was my brother Horace, not me. He was the hero without even meaning to be. He was the one who rode through town and warned people that the flood was coming. I was off chasing a shadow.” “A vanishing shadow,” Lois said with a sigh. “What you did wasn’t easy, Judy.” “It didn’t need to be as hard as it was,” Judy confessed. “I know now that keeping that promise not to talk about the dam was a great big mistake and could have cost lives. I should have told Arthur.” “Please,” Lorraine said, a pained expression clouding her pretty face, “let’s not talk about him now.” “Very well,” Judy agreed. “What shall we talk about?” “You,” Lois said, “and all the mysteries you’ve solved. Maybe you were mistaken about a thing or two before the flood, but what about the haunted house you moved into? You were the one who tracked down the ghosts in the attic and the cellar and goodness knows where all. You’ve been chasing ghosts ever since I met you, and not one of them did you fail to explain in some sensible, logical fashion.” “Before I met you,” Judy said, thinking back, “there were plenty of them I couldn’t explain. There was one I used to call the spirit of the fountain, but what she was or how she spoke to me is more than I know. If my grandparents knew, they weren’t telling. And now they’re both dead and I can’t ask them. They left me a lot of unsolved mysteries along with this house. Maybe I’ll find the answers to some of them when I finish sorting Grandma’s things. They’re stored in one end of the attic.” “Another haunted attic? How thrilling!” exclaimed Lois. “Why don’t you have another ghost party and show up the spooks?” “I didn’t say the attic was haunted.” Judy was almost sorry she had mentioned it. She wasn’t in the mood for digging up old mysteries, but Lois and Lorraine insisted. It all began, she finally told them, the summer before they met. Horace had just started working on the paper. Judy remembered that it was Lorraine’s father, Richard Thornton Lee, who gave him his job with the Farringdon Daily Herald . He had turned in some interesting church news, convincing Mr. Lee that he had in him the makings of a good reporter. And so it was that he spent the summer Judy was remembering in Farringdon where the Farringdon-Petts had their turreted mansion, while she had to suffer the heat and loneliness of Dry Brook Hollow. Her thoughts were what had made it so hard, she confessed now as she reviewed everything that had happened. She just couldn’t help resenting the fact that her parents left her every summer while they went off on a vacation by themselves. What did they think she would do? “You’ll have plenty to read,” her father had told her. “I bought you six new books in that mystery series you like. When they’re finished there are plenty of short stories around. Your grandmother never throws anything away. She has magazines she’s saved since your mother was a girl. If you ask for them she’ll let you have the whole stack. I know how you love to read.” “I do, Dad, but if the magazines are that old—” Judy had stopped. She had seen her father’s tired eyes and had realized that a busy doctor needed a vacation much more than a schoolgirl who had too little to do. He and Judy’s mother usually went to the beach hotel where they had honeymooned. It was a precious memory. Every summer Dr. Bolton and his wife relived it. And every summer Judy went to stay with her grandmother Smeed, who scolded and fussed and tried to pretend she wasn’t glad to have her. “You here again?” she had greeted her that summer, and Judy hadn’t noticed her old eyes twinkling behind her glasses. “What do you propose to do with yourself this time?” “Read,” Judy had told her. “Mom and Dad say you have a whole stack of old magazines—” “In the attic. Go up and look them over if you can stand the heat.” Judy went, not to look over the old magazines so much as to escape to a place where she could have a good cry. It was the summer before her fifteenth birthday. In another year she would have outgrown her childish resentment of her parents’ vacation or be grown up enough to ask them to let her have a vacation of her own. In another year she would be summering among the beautiful Thousand Islands and solving a mystery to be known as the Ghost Parade . “A whole parade of ghosts,” Lois would be telling her, “and you solved everything.” But then she didn’t even know Lois. She had no idea so many thrilling adventures awaited her. There seemed to be nothing—nothing—and so the tears came and spilled over on one of the magazines. As Judy wiped it away she noticed that it had fallen on a picture of a fountain. “A fountain with tears for water. How strange!” she remembered saying aloud. Judy had never seen a real fountain. The thrill of walking up to the door of the palatial Farringdon-Pett mansion was still ahead of her. On the lawn a fountain still caught and held rainbows like those she was to see on her honeymoon at Niagara Falls. But all that was in the future. If anyone had told the freckled-faced, pigtailed girl that she would one day marry Peter Dobbs, she would have laughed in their faces. “That tease!” For then she knew Peter only as an older boy who used to tease her and call her carrot-top until one day she yelled back at him, “Carrot-tops are green and so are you!” Peter was to win Judy’s heart when he gave her a kitten and suggested the name Blackberry for him. The kitten was now a dignified family cat. But the summer Judy found the picture of a fountain and spilled tears on it she had no kitten. She had nothing, she confessed, not even a friend. It had helped to pretend the fountain in the picture was filled with all the tears lonely girls like herself had ever cried. “But that would make it enchanted!” she had suddenly exclaimed. “If I could find it I’d wish—” A step had sounded on the stairs. Judy remembered it distinctly. She had turned to see her grandmother and to hear her say in her usual abrupt fashion, “Enchanted fountain, indeed! If you let people know your wishes instead of muttering them to yourself, most of them aren’t so impossible.” “Were they?” asked Lois. She and Lorraine had listened to this much of what Judy was telling them without interruption. “That’s the unsolved mystery,” Judy replied. “There weren’t any of them impossible.” And she went on to tell them how, the very next day, her grandparents had taken her to a fountain exactly like the one in the picture. It was in the center of a deep, circular pool with steps leading up to it. Beside the steps were smaller fountains with the water spurting from the mouths of stone lions. Judy had stared at them a moment and then climbed the steps to the pool. “Am I dreaming?” she remembered saying aloud. “Is this beautiful fountain real?” A voice had answered, although she could see no one. “Make your wishes, Judy. Wish wisely. If you shed a tear in the fountain your wishes will surely come true.” “A tear?” Judy had asked. “How can I shed a tear when I’m happy? This is a wonderful place.” “Shed a tear in the fountain and your wishes will surely come true,” the voice had repeated. “But what is there to cry about?” “You found plenty to cry about back at your grandmother’s house,” the mysterious voice had reminded her. “Weren’t you crying on my picture up there in the attic?” “Then you—you are the fountain!” Judy remembered exclaiming. “But a fountain doesn’t speak. It doesn’t have a voice.” “Wish wisely,” the voice from the fountain had said in a mysterious whisper. CHAPTER II If Wishes Came True “Did you?” Lois interrupted the story to ask excitedly. “Oh, Judy! Don’t keep us in suspense any longer. What did you wish?” “Patience,” Judy said with a smile. “I’m coming to that.” First, she told her friends, she had to think of a wise wish. There had been so much she wanted in those early days before the flood. Dora Scott had been her best friend in Roulsville, but she had moved away. “You see,” she explained, “I made the mistake of having just one best friend. There wasn’t anybody in Dry Brook Hollow. I remember thinking of how lonely I was and how I wished for a friend or a sister, and suddenly a tear splashed in the water. It made little ripples. I thought I had to wish quickly before they vanished, and so I began naming the things I wanted as fast as I could. I’m not sure they were wise wishes. They seem rather selfish to me, now. I wasn’t thinking of anybody but me, Judy Bolton, and what I wanted. It wasn’t until after I began to think of others that my wishes started to come true.” “But what were they?” Lois insisted. Lorraine seemed unusually quiet and thoughtful. Judy did not notice the fear in her eyes as she replied airily, “Oh, didn’t I tell you? I wished for lots of friends and a sister, and I wished I could marry a G-man and solve a lot of mysteries and that’s as far as I got when the ripples vanished. I thought the spell was broken and so I didn’t wish for anything more.” “Wasn’t there anything more you wanted?” Lois asked. “Of course,” replied Judy. “There were lots more things. I wanted to go places, of course, and keep pets, and have a nice home, and—” “And your wishes all came true!” “Every one of them,” Judy agreed, “even the one about the sister. You see, it wasn’t a baby sister I wanted. It was a sister near my own age. That seemed impossible at the time, but the future did hold a sister for me.” “It held one for me, too,” Lois said, squeezing Lorraine’s hand under the table. “Don’t you think sisters should tell each other their problems, Judy?” “Honey and I always do,” she replied “but then it was different. I didn’t know I would marry Peter or that he would become a G-man, and he didn’t know he had a sister. It is strange, isn’t it? But the strangest thing of all was the fountain itself.” “Why?” asked Lorraine. “Do you still think it was enchanted?” Lois laughed at this, but Judy was serious as she answered, “I was still little girl enough to think so at the time. I wandered around, growing very drowsy. Then I found a hammock and climbed into it. I must have gone to sleep, because I remember waking up and wondering if the voice in the fountain had been a dream.” “A hammock?” Lois questioned. “Are you sure it wasn’t a flying carpet?” “No, it was a hammock all right,” Judy assured her, laughing. “It was hung between two trees in a beautiful garden all enclosed in rose trellises thick with roses. Did I tell you it was June?” “All the year around?” Again Lois laughed. But Lorraine said abruptly, “Let’s not talk about rose gardens in June. It’s a long way from June to December.” “Do you mean a garden changes? I know,” Judy said, “but I think this one would be beautiful at any time of the year. There were rhododendrons, too, and I don’t know how many different kinds of evergreens. I explored the garden all around the fountain.” “And then what happened?” Lorraine urged her. “Yes, yes. Go on,” entreated Lois. “I didn’t dream you’d kept anything that exciting a secret. Why didn’t you try to solve the mystery?” “I think I would have tried,” Judy admitted, “if I had been older or more experienced. I really should have investigated it more thoroughly and learned the secret of the fountain. But after the ripples went away it didn’t speak to me any more, and I didn’t really think it had heard my wishes. I was still wishing for a friend when I met you, Lois. It did seem impossible for us to be friends at first, didn’t it? Lorraine was your friend.” “I did make trouble for you,” Lorraine remembered. “It was all because of my foolish jealousy.” “It was nothing compared to the trouble caused by the Roulsville flood,” declared Judy. “After that things started happening so fast that I completely forgot about the fountain. Honestly, Lois, I don’t believe I thought about it again until after we moved to Farringdon and I walked up to your door and saw the fountain on your lawn.” “The Farringdon-Pett puddle, I always called it,” Lois said with a giggle. “I’ve seen lots nicer fountains.” “You have?” asked Judy. “Then maybe you’ve seen the one I’ve been telling you about. I think the picture of it is still in the attic. Come on up and I’ll show you.” Lois and Lorraine had finished their dessert while Judy was telling them the story of the fountain. Somehow, she wasn’t hungry for hers. She had tasted it too often while she was making it. “I’ll leave it for Blackberry,” she decided. Lois watched in amusement as the cat lapped up the chocolate pudding after Judy had mixed it generously with cream. “Sometimes,” Judy said fondly, “Blackberry thinks he’s a person. He eats everything we eat, including lettuce. Do you mind if he comes with us, Lorraine? He wants to explore the attic, too.” “He’ll remember he’s a cat fast enough if there are any mice up there,” Lois said with a giggle. Leaving the table, they all started upstairs with the cat bounding ahead of them. In modernizing her grandparents’ house to suit her own and Peter’s tastes, Judy had seen to it that the old stair door was removed. But there was still a door closing off the narrower stairs that led to the attic. Blackberry reached it first and yowled for Judy to open it. “He can read my mind. He always knows where I’m going,” Judy said as the door creaked open and the cat shot through it. A moment later a weird rolling noise came from the floor above. “Come on. There’s nothing up here to be afraid of,” Judy urged her friends. “Maybe not, but I’m beginning to get the shivers,” confessed Lois as she followed Judy to the sewing room at the top of the last flight of stairs. “So am I,” Lorraine admitted. “I’m not superstitious about black cats, but they are creepy. Does Blackberry have to roll spools across the floor?” “Now he thinks he’s a kitten,” laughed Judy. Pausing at still another door that led to the darker part of the attic, she turned and said mysteriously, “Up here we can all turn back the clock. Does anybody care to explore the past?” The exploration began enthusiastically with Judy relating still more of what she remembered about the fountain. “When I told Grandma about it she laughed and said I must have dreamed it. She said if wishes came true that easily she’d be living in a castle. But would she?” Judy wondered. “When I first remember this house she was still burning kerosene lamps like those you see on that high shelf by the window. I think she and Grandpa like the way they lived without any modern conveniences or anything.” “I think so, too,” Lois agreed, looking around the old attic with a shiver. “It is strange they both died the same winter, isn’t it?” “Maybe they wanted it that way. Maybe they wished neither of them would outlive the other. If they did wish in the fountain,” Judy went on more thoughtfully, “I’m sure that was one of their wishes. Another could have been to keep the good old days, as Grandma used to call them. That one came true in a way. They did manage to keep a little of the past when they kept all these old things. That’s what I meant about turning back the clock.” “If wishes came true I’d like to turn it back a little myself,” Lorraine began. “It would be nice if things were the way they used to be when I trusted Arthur—” “Don’t you trust him now?” Judy asked. Afterwards she was sorry for the interruption. Lois and Judy both questioned Lorraine, but that was all she would say. Judy wondered, as they searched through the old magazines, what was wrong. Lorraine was of a jealous disposition. Was the green-eyed monster coming between her and her handsome husband, Arthur Farringdon-Pett? Until now they had seemed blissfully happy. But there was no happiness in Lorraine’s face as she gazed at a picture of one of the fountains and then said in a tight little voice, “It is. It’s the very same one.” “But that’s the picture I’ve been searching for!” Judy said eagerly. “Do you know where it is?” “I can’t be sure. But if it ever was enchanted, I’m sure it isn’t now. Let’s go,” Lorraine said suddenly to Lois. Judy knew she was suggesting a fast trip home. But, apparently, Lois did not understand it that way. If she did, she pretended not to. “Where?” she asked. “To the fountain? I’d love to, wouldn’t you, Judy?” “I certainly would,” Judy replied enthusiastically. “Do you recognize it, too?” “I think so,” Lois answered after studying a little more closely the picture they had found. “It looks like the fountain on the Brandt estate.” “The department store Brandts?” Judy questioned. “Then my grandparents must have driven old Fanny all the way to Farringdon.” “Not quite all the way,” Lorraine objected. “The Brandts own that stretch of woods just before you come into the city. You’ve passed it lots of times.” “Of course,” agreed Judy. She put the magazine back in its place under the eaves and turned eagerly to her friends. “I do remember a road turning off into the woods and going on uphill,” she told them. “I never thought it led to a house, though. There isn’t even a gate. Could that be the road my grandparents took?” “Why don’t we take it ourselves and find out?” Lois suggested. CHAPTER III A Strange Encounter Lorraine was not too enthusiastic about the proposed trip to the Brandt estate. Finally she agreed to it under one condition. They were not to drive all the way to the house which, she said, was just over the hilltop. They were to park the car where no one would see it and follow the path to the fountain. “But suppose we can’t find the path?” asked Judy. “You’ll remember it, won’t you?” Judy thought she would, but she wasn’t too sure. She and Lois both argued that it would be better to inquire at the house. Lois knew Helen Brandt slightly. “She’d be glad to show us around. This way it looks as if we’re planning a crime,” Lois said as they started off in the blue car she was driving. It was a neat little car, not too conspicuous, and easy to park in out-of-the-way places. Judy laughed and said if they did find the fountain she thought she’d wish for one exactly like it. “Well, you know what your grandmother said about wishes, don’t you?” Lorraine asked. “If you let people know about them instead of muttering them to yourself most of them aren’t so impossible.” “Quite true,” Judy agreed. “I’ll let Peter know about this one. He’s my Santa Claus, and it will soon be Christmas. Maybe I should have worn the fur coat he gave me last year.” “Your reversible’s better in case it rains. It’s too warm for snow. We picked a perfect day for this trip,” Lois continued, guiding the car around curves as it climbed the steep hill beyond Dry Brook Hollow. The trip was a short one. In twenty minutes they had covered the distance that had seemed such a long way to Judy when she was riding in her grandfather’s wagon. “I’ve been thinking about it,” she said, “and I’ve just about figured out how it happened. I didn’t think my grandparents knew the Brandts well enough to pay them a visit, though. We must have looked queer driving up to a beautiful estate in Grandpa’s old farm wagon. I do remember that Grandma had some hooked rugs to deliver. But that still doesn’t explain what happened afterwards. When I woke up in the hammock I was alone in the garden. Horse, wagon, grandparents—all had disappeared.” “How could they?” asked Lois. “Anyway,” Lorraine began, “you had a chance to see how beautiful everything was before—” Again she broke off as if there were something she wanted to tell but didn’t quite dare. “Before what?” questioned Judy. “Oh, nothing. Forget I said anything about it. You were telling us how you woke up in the hammock, but you never did explain how you got back home,” Lorraine reminded her. “Didn’t I?” asked Judy. “I’d forgotten a lot of it, but it’s beginning to come back now. I do remember driving home along this road. You see, I thought my grandparents had left me in the garden for a surprise and would return for me. I told you I was all alone. There wasn’t a house in sight.” “The Brandt house is just over the top of this next hill,” Lois put in. “I know. You told me that. Now I know why I couldn’t see it. All I could see was a windowless old tower and a path leading in that direction. Naturally, I followed it. There’s something about a path in the woods that always tempts me.” “We know that, Judy. Honey told us all about your latest mystery. You followed a trail or something.” “Well, this trail led out of the rose garden where the hammock was and then through an archway,” Judy continued. “All sorts of little cupids and gnomes peered out at me from unexpected places. I was actually scared by the time I reached the old tower. There wasn’t time to explore it. Just then I heard the rumble of my grandfather’s wagon and knew he was driving off without me.” “He was!” Judy’s friends both chorused in surprise, and Lois asked, “Why would he do a thing like that?” “I think now it was just to tease me. He did stop and wait for me after a while,” Judy remembered. “The rugs were gone. Grandma must have delivered them, but I didn’t ask where. If she made them for Mrs. Brandt they may still be there.” “I wouldn’t depend on it,” Lorraine said as they turned up the narrow road to the Brandt estate. “Watch out!” Judy suddenly exclaimed. “There’s another car coming.” As Lois swerved to avoid the oncoming car, Lorraine ducked her head. She kept herself hidden behind Judy until the car had passed. The man driving it was a stranger to Judy, but she would remember his hypnotic, dark eyes and swarthy complexion for a long time. The soft brown hat he was wearing covered most of his hair. “What’s the matter with you two?” asked Lois when the car had passed. “Aren’t you a little old for playing hide and seek?” “I wasn’t—playing. Let’s not go up there,” Lorraine begged. “I don’t think the Brandts live there any more.” “Maybe not, but we can pretend we think they do, can’t we?” Judy replied a little uncertainly. She was beginning to suspect that Lorraine knew more about the Brandt estate than she was telling. Lois kept on driving along the narrow, gravelly road. Soon there were more evergreens and a hedge of rhododendrons to be seen. They looked very green next to the leafless trees in the woods beyond. The sky was gray with white clouds being driven across it by the wind. “There’s the tower!” Lorraine exclaimed. “I can see it over to the left. It looks like something out of Grimm’s Fairy Tales, doesn’t it?” “It looks grim all right,” agreed Judy. “I wonder what it is.” “I suppose it’s nothing but an old water tower. It would be fun to explore it, though,” Lois said. “But if there are new people living here they’ll never give us permission.” “We might explore it without permission,” Judy suggested daringly. “Come on!” she urged her friends as Lois parked the car in a cleared place beside the road. “Who’s going to stop us? And who wants to explore a gloomy old tower, anyway? Let’s look for the fountain.” “Do you think we should?” Lorraine asked. “It won’t be enchanted. I told you—” “You told us very little,” Lois reminded her. “If you know anything about the people who live here now, I think you ought to let us know. Otherwise, I’m afraid we won’t be very welcome.” “I don’t think they’ll welcome us, anyway. I do know who they are,” Lorraine admitted. “You remember Roger Banning from school, don’t you? I’ve seen him around here. His family must have acquired sudden wealth, or else he’s just working on the estate.” “Then you’ve been here lately? Why didn’t you tell me?” asked Lois. “We always used to go places together.” “It wasn’t important,” Lorraine replied evasively. “I was just out for a drive.” “You plutocrats!” laughed Judy. “Each with a car of your own. You’re not interested in Roger Banning, are you, Lois? I’m sure you can do better than that. I did know him slightly, but not from school. The boys and girls were separated and went to different high schools by the time we moved to Farringdon. I remember his pal, Dick Hartwell, a lot better. He was in our young people’s group at church.” “Sh!” Lois cautioned her. “Nice people no longer mention Dick Hartwell’s name. He’s doing time.” “For what?” asked Judy. Like Peter, her FBI husband, she preferred facts to gossip. “Forgery, I guess. He stole some checkbooks from his father’s desk and forged the names of a lot of important business people. I think he forged some legal documents, too. Anyway, he went to the Federal Penitentiary. It was all in the papers,” Lorraine told her. Now Judy did remember. It was something she would have preferred to forget. She liked to think she was a good judge of character, and she had taken Dick Hartwell for a quiet, refined boy who would never stoop to crime. “I don’t see what all this has to do with the fountain,” Lois said impatiently. “Are we going to look for it, or aren’t we?” “Of course we are. That’s what we came for. I just like to know what a tiger looks like before he springs at me,” Judy explained. “You seem to think there’s danger in this expedition of ours, don’t you?” asked Lorraine. “I don’t know what to think. You’re the one who seems to know the answers, but you’re not telling. Hiding your face back there gave you away. You’ve seen that character who drove down this road and, for some reason, you were afraid he would see you. Why, Lorraine? Why didn’t you want to be recognized?” Lorraine hesitated a moment and then replied evasively, “People don’t generally enter private estates without an invitation. That’s all.” “I’d better turn the car around,” Lois decided, “in case we have to leave in a hurry. I don’t expect we’ll encounter any tigers, but we may be accused of trespassing.” “I’m sure we will be,” announced Judy as two dark-coated figures strode down the road toward them. “You drove right by a NO TRESPASSING sign, and this isn’t a welcoming committee coming to meet us!”
train	51361	[ "Why were the beings readily applying for the trip to Earth?", "Why was the Vegan not chosen to make the trip to Earth?", "Why was the large Kallerian not chosen for the journey?", "Why did the Wazzenazzian feel that he would be beneficial as an employee to the recruiter?", "Why did Lawrence close his eyes and toddle around in a 360-degree rotation?", "Why did the recruiter offer Lawrence $50 Galactic a week?", "Why were the Sirian spiders rejected for the travel plan?", "Why was the interviewer uninterested in Gorb?", "Why was the Stortulian so determined to make it to Earth?", "What was shocking about the Stortulian's return to the interview office later in the day?" ]	[ [ "They were looking for a way to overturn Earth. ", "If was their only opportunity after the Terra for Terrans movement. ", "They were bored of their lives on their home planets. ", "They were hoping for handouts. " ], [ "There were too many of his kind already in inventory.", "They were worrisome and difficult to work with. ", "He was much to large in size to accommodate. ", "The upkeep for the species was too much. " ], [ "There were already four Kallerians in inventory. ", "His species was too large to travel in the group. ", "He was argumentative during the interview process. ", "His payout demands exceeded their budget. " ], [ "He could morph into any species he wanted for outwards appearance. ", "He said he knew all there is to know about alien life-forms", "He was capable of speaking all languages. ", "He was powerful among the Wazzenazzian and capable of swaying decisions. " ], [ "That was a sign that he was happy. ", "That was a sign that he was irritated with the recruiter's decision. ", "That was a sign that he was giving an apologetic smile. ", "He was disoriented. " ], [ "That was what was promised to all travelers to Earth for display.", "He was able to offer him less, knowing he would still accept and be grateful. ", "He could be paid less because he was smaller and less of an attraction. ", "He would be paid less because he would also be reimbursed for expenses and have free travel. " ], [ "They demanded too high of payment. ", "They had an over-supply of their species.", "They all expected a handout", "They were difficult to work with. " ], [ "He was demanding and rude, which the interviewer did not bend for. ", "He was a fugitive. ", "He appeared to be a human.", "He was bargaining with sympathy, which the interviewer did not bend for. " ], [ "He wanted to seek revenge on his wife. ", "He was desperate for money.", "He wanted to find and bring back his wife. ", "He was fearful of his future with the other Stortulians. " ], [ "His depression was building to a suicide attempt. ", "He had morphed into a larger being. ", "He was motivated to commit murder. ", "He was disguising himself as another being. " ] ]	[ 2, 4, 1, 2, 3, 2, 2, 3, 3, 3 ]	[ 0, 0, 0, 1, 0, 1, 0, 0, 0, 1 ]	Birds of a Feather By ROBERT SILVERBERG Illustrated by WOOD [Transcriber's Note: This etext was produced from Galaxy Magazine November 1958. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] Getting specimens for the interstellar zoo was no problem—they battled for the honor—but now I had to fight like a wildcat to keep a display from making a monkey of me! It was our first day of recruiting on the planet, and the alien life-forms had lined up for hundreds of feet back from my rented office. As I came down the block from the hotel, I could hear and see and smell them with ease. My three staff men, Auchinleck, Stebbins and Ludlow, walked shieldwise in front of me. I peered between them to size the crop up. The aliens came in every shape and form, in all colors and textures—and all of them eager for a Corrigan contract. The Galaxy is full of bizarre beings, but there's barely a species anywhere that can resist the old exhibitionist urge. "Send them in one at a time," I told Stebbins. I ducked into the office, took my place back of the desk and waited for the procession to begin. The name of the planet was MacTavish IV (if you went by the official Terran listing) or Ghryne (if you called it by what its people were accustomed to calling it). I thought of it privately as MacTavish IV and referred to it publicly as Ghryne. I believe in keeping the locals happy wherever I go. Through the front window of the office, I could see our big gay tridim sign plastered to a facing wall: WANTED—EXTRATERRESTRIALS! We had saturated MacTavish IV with our promotional poop for a month preceding arrival. Stuff like this: Want to visit Earth—see the Galaxy's most glittering and exclusive world? Want to draw good pay, work short hours, experience the thrills of show business on romantic Terra? If you are a non-terrestrial, there may be a place for you in the Corrigan Institute of Morphological Science. No freaks wanted—normal beings only. J. F. Corrigan will hold interviews in person on Ghryne from Thirdday to Fifthday of Tenmonth. His last visit to the Caledonia Cluster until 2937, so don't miss your chance! Hurry! A life of wonder and riches can be yours! Broadsides like that, distributed wholesale in half a thousand languages, always bring them running. And the Corrigan Institute really packs in the crowds back on Earth. Why not? It's the best of its kind, the only really decent place where Earthmen can get a gander at the other species of the universe. The office buzzer sounded. Auchinleck said unctuously, "The first applicant is ready to see you, sir." "Send him, her or it in." The door opened and a timid-looking life-form advanced toward me on nervous little legs. He was a globular creature about the size of a big basketball, yellowish-green, with two spindly double-kneed legs and five double-elbowed arms, the latter spaced regularly around his body. There was a lidless eye at the top of his head and five lidded ones, one above each arm. Plus a big, gaping, toothless mouth. His voice was a surprisingly resounding basso. "You are Mr. Corrigan?" "That's right." I reached for a data blank. "Before we begin, I'll need certain information about—" "I am a being of Regulus II," came the grave, booming reply, even before I had picked up the blank. "I need no special care and I am not a fugitive from the law of any world." "Your name?" "Lawrence R. Fitzgerald." I throttled my exclamation of surprise, concealing it behind a quick cough. "Let me have that again, please?" "Certainly. My name is Lawrence R. Fitzgerald. The 'R' stands for Raymond." "Of course, that's not the name you were born with." The being closed his eyes and toddled around in a 360-degree rotation, remaining in place. On his world, that gesture is the equivalent of an apologetic smile. "My Regulan name no longer matters. I am now and shall evermore be Lawrence R. Fitzgerald. I am a Terraphile, you see." The little Regulan was as good as hired. Only the formalities remained. "You understand our terms, Mr. Fitzgerald?" "I'll be placed on exhibition at your Institute on Earth. You'll pay for my services, transportation and expenses. I'll be required to remain on exhibit no more than one-third of each Terran sidereal day." "And the pay will be—ah—$50 Galactic a week, plus expenses and transportation." The spherical creature clapped his hands in joy, three hands clapping on one side, two on the other. "Wonderful! I will see Earth at last! I accept the terms!" I buzzed for Ludlow and gave him the fast signal that meant we were signing this alien up at half the usual pay, and Ludlow took him into the other office to sign him up. I grinned, pleased with myself. We needed a green Regulan in our show; the last one had quit four years ago. But just because we needed him didn't mean we had to be extravagant in hiring him. A Terraphile alien who goes to the extent of rechristening himself with a Terran monicker would work for nothing, or even pay us, just so long as we let him get to Earth. My conscience won't let me really exploit a being, but I don't believe in throwing money away, either. The next applicant was a beefy ursinoid from Aldebaran IX. Our outfit has all the ursinoids it needs or is likely to need in the next few decades, and so I got rid of him in a couple of minutes. He was followed by a roly-poly blue-skinned humanoid from Donovan's Planet, four feet high and five hundred pounds heavy. We already had a couple of his species in the show, but they made good crowd-pleasers, being so plump and cheerful. I passed him along to Auchinleck to sign at anything short of top rate. Next came a bedraggled Sirian spider who was more interested in a handout than a job. If there's any species we have a real over-supply of, it's those silver-colored spiders, but this seedy specimen gave it a try anyway. He got the gate in half a minute, and he didn't even get the handout he was angling for. I don't approve of begging. The flora of applicants was steady. Ghryne is in the heart of the Caledonia Cluster, where the interstellar crossroads meet. We had figured to pick up plenty of new exhibits here and we were right. It was the isolationism of the late 29th century that turned me into the successful proprietor of Corrigan's Institute, after some years as an impoverished carnival man in the Betelgeuse system. Back in 2903, the World Congress declared Terra off-bounds for non-terrestrial beings, as an offshoot of the Terra for Terrans movement. Before then, anyone could visit Earth. After the gate clanged down, a non-terrestrial could only get onto Sol III as a specimen in a scientific collection—in short, as an exhibit in a zoo. That's what the Corrigan Institute of Morphological Science really is, of course. A zoo. But we don't go out and hunt for our specimens; we advertise and they come flocking to us. Every alien wants to see Earth once in his lifetime, and there's only one way he can do it. We don't keep too big an inventory. At last count, we had 690 specimens before this trip, representing 298 different intelligent life-forms. My goal is at least one member of at least 500 different races. When I reach that, I'll sit back and let the competition catch up—if it can. After an hour of steady work that morning, we had signed eleven new specimens. At the same time, we had turned away a dozen ursinoids, fifty of the reptilian natives of Ghryne, seven Sirian spiders, and no less than nineteen chlorine-breathing Procyonites wearing gas masks. It was also my sad duty to nix a Vegan who was negotiating through a Ghrynian agent. A Vegan would be a top-flight attraction, being some 400 feet long and appropriately fearsome to the eye, but I didn't see how we could take one on. They're gentle and likable beings, but their upkeep runs into literally tons of fresh meat a day, and not just any old kind of meat either. So we had to do without the Vegan. "One more specimen before lunch," I told Stebbins, "to make it an even dozen." He looked at me queerly and nodded. A being entered. I took a long close look at the life-form when it came in, and after that I took another one. I wondered what kind of stunt was being pulled. So far as I could tell, the being was quite plainly nothing but an Earthman. He sat down facing me without being asked and crossed his legs. He was tall and extremely thin, with pale blue eyes and dirty-blond hair, and though he was clean and reasonably well dressed, he had a shabby look about him. He said, in level Terran accents, "I'm looking for a job with your outfit, Corrigan." "There's been a mistake. We're interested in non-terrestrials only." "I'm a non-terrestrial. My name is Ildwar Gorb, of the planet Wazzenazz XIII." I don't mind conning the public from time to time, but I draw the line at getting bilked myself. "Look, friend, I'm busy, and I'm not known for my sense of humor. Or my generosity." "I'm not panhandling. I'm looking for a job." "Then try elsewhere. Suppose you stop wasting my time, bud. You're as Earthborn as I am." "I've never been within a dozen parsecs of Earth," he said smoothly. "I happen to be a representative of the only Earthlike race that exists anywhere in the Galaxy but on Earth itself. Wazzenazz XIII is a small and little-known planet in the Crab Nebula. Through an evolutionary fluke, my race is identical with yours. Now, don't you want me in your circus?" "No. And it's not a circus. It's—" "A scientific institute. I stand corrected." There was something glib and appealing about this preposterous phony. I guess I recognized a kindred spirit or I would have tossed him out on his ear without another word. Instead I played along. "If you're from such a distant place, how come you speak English so well?" "I'm not speaking. I'm a telepath—not the kind that reads minds, just the kind that projects. I communicate in symbols that you translate back to colloquial speech." "Very clever, Mr. Gorb." I grinned at him and shook my head. "You spin a good yarn—but for my money, you're really Sam Jones or Phil Smith from Earth, stranded here and out of cash. You want a free trip back to Earth. No deal. The demand for beings from Wazzenazz XIII is pretty low these days. Zero, in fact. Good-by, Mr. Gorb." He pointed a finger squarely at me and said, "You're making a big mistake. I'm just what your outfit needs. A representative of a hitherto utterly unknown race identical to humanity in every respect! Look here, examine my teeth. Absolutely like human teeth! And—" I pulled away from his yawning mouth. "Good-by, Mr. Gorb," I repeated. "All I ask is a contract, Corrigan. It isn't much. I'll be a big attraction. I'll—" " Good-by, Mr. Gorb! " He glowered at me reproachfully for a moment, stood up and sauntered to the door. "I thought you were a man of acumen, Corrigan. Well, think it over. Maybe you'll regret your hastiness. I'll be back to give you another chance." He slammed the door and I let my grim expression relax into a smile. This was the best con switch yet—an Earthman posing as an alien to get a job! But I wasn't buying it, even if I could appreciate his cleverness intellectually. There's no such place as Wazzenazz XIII and there's only one human race in the Galaxy—on Earth. I was going to need some real good reason before I gave a down-and-out grifter a free ticket home. I didn't know it then, but before the day was out, I would have that reason. And, with it, plenty of trouble on my hands. The first harbinger of woe turned up after lunch in the person of a Kallerian. The Kallerian was the sixth applicant that afternoon. I had turned away three more ursinoids, hired a vegetable from Miazan, and said no to a scaly pseudo-armadillo from one of the Delta Worlds. Hardly had the 'dillo scuttled dejectedly out of my office when the Kallerian came striding in, not even waiting for Stebbins to admit him officially. He was big even for his kind—in the neighborhood of nine feet high, and getting on toward a ton. He planted himself firmly on his three stocky feet, extended his massive arms in a Kallerian greeting-gesture, and growled, "I am Vallo Heraal, Freeman of Kaller IV. You will sign me immediately to a contract." "Sit down, Freeman Heraal. I like to make my own decisions, thanks." "You will grant me a contract!" "Will you please sit down?" He said sulkily, "I will remain standing." "As you prefer." My desk has a few concealed features which are sometimes useful in dealing with belligerent or disappointed life-forms. My fingers roamed to the meshgun trigger, just in case of trouble. The Kallerian stood motionless before me. They're hairy creatures, and this one had a coarse, thick mat of blue fur completely covering his body. Two fierce eyes glimmered out through the otherwise dense blanket of fur. He was wearing the kilt, girdle and ceremonial blaster of his warlike race. I said, "You'll have to understand, Freeman Heraal, that it's not our policy to maintain more than a few members of each species at our Institute. And we're not currently in need of any Kallerian males, because—" "You will hire me or trouble I will make!" I opened our inventory chart. I showed him that we were already carrying four Kallerians, and that was more than plenty. The beady little eyes flashed like beacons in the fur. "Yes, you have four representatives—of the Clan Verdrokh! None of the Clan Gursdrinn! For three years, I have waited for a chance to avenge this insult to the noble Clan Gursdrinn!" At the key-word avenge , I readied myself to ensnarl the Kallerian in a spume of tanglemesh the instant he went for his blaster, but he didn't move. He bellowed, "I have vowed a vow, Earthman. Take me to Earth, enroll a Gursdrinn, or the consequences will be terrible!" I'm a man of principles, like all straightforward double-dealers, and one of the most important of those principles is that I never let myself be bullied by anyone. "I deeply regret having unintentionally insulted your clan, Freeman Heraal. Will you accept my apologies?" He glared at me in silence. I went on, "Please be assured that I'll undo the insult at the earliest possible opportunity. It's not feasible for us to hire another Kallerian now, but I'll give preference to the Clan Gursdrinn as soon as a vacancy—" "No. You will hire me now." "It can't be done, Freeman Heraal. We have a budget, and we stick to it." "You will rue! I will take drastic measures!" "Threats will get you nowhere, Freeman Heraal. I give you my word I'll get in touch with you as soon as our organization has room for another Kallerian. And now, please, there are many applicants waiting—" You'd think it would be sort of humiliating to become a specimen in a zoo, but most of these races take it as an honor. And there's always the chance that, by picking a given member of a race, we're insulting all the others. I nudged the trouble-button on the side of my desk and Auchinleck and Ludlow appeared simultaneously from the two doors at right and left. They surrounded the towering Kallerian and sweet-talkingly led him away. He wasn't minded to quarrel physically, or he could have knocked them both into the next city with a backhand swipe of his shaggy paw, but he kept up a growling flow of invective and threats until he was out in the hall. I mopped sweat from my forehead and began to buzz Stebbins for the next applicant. But before my finger touched the button, the door popped open and a small being came scooting in, followed by an angry Stebbins. "Come here, you!" "Stebbins?" I said gently. "I'm sorry, Mr. Corrigan. I lost sight of this one for a moment, and he came running in—" "Please, please," squeaked the little alien pitifully. "I must see you, honored sir!" "It isn't his turn in line," Stebbins protested. "There are at least fifty ahead of him." "All right," I said tiredly. "As long as he's in here already, I might as well see him. Be more careful next time, Stebbins." Stebbins nodded dolefully and backed out. The alien was a pathetic sight: a Stortulian, a squirrely-looking creature about three feet high. His fur, which should have been a lustrous black, was a dull gray, and his eyes were wet and sad. His tail drooped. His voice was little more than a faint whimper, even at full volume. "Begging your most honored pardon most humbly, important sir. I am a being of Stortul XII, having sold my last few possessions to travel to Ghryne for the miserable purpose of obtaining an interview with yourself." I said, "I'd better tell you right at the outset that we're already carrying our full complement of Stortulians. We have both a male and a female now and—" "This is known to me. The female—is her name perchance Tiress?" I glanced down at the inventory chart until I found the Stortulian entry. "Yes, that's her name." The little being immediately emitted a soul-shaking gasp. "It is she! It is she!" "I'm afraid we don't have room for any more—" "You are not in full understanding of my plight. The female Tiress, she is—was—my own Fire-sent spouse, my comfort and my warmth, my life and my love." "Funny," I said. "When we signed her three years ago, she said she was single. It's right here on the chart." "She lied! She left my burrow because she longed to see the splendors of Earth. And I am alone, bound by our sacred customs never to remarry, languishing in sadness and pining for her return. You must take me to Earth!" "But—" "I must see her—her and this disgrace-bringing lover of hers. I must reason with her. Earthman, can't you see I must appeal to her inner flame? I must bring her back! " My face was expressionless. "You don't really intend to join our organization at all—you just want free passage to Earth?" "Yes, yes!" wailed the Stortulian. "Find some other member of my race, if you must! Let me have my wife again, Earthman! Is your heart a dead lump of stone?" It isn't, but another of my principles is to refuse to be swayed by sentiment. I felt sorry for this being's domestic troubles, but I wasn't going to break up a good act just to make an alien squirrel happy—not to mention footing the transportation. I said, "I don't see how we can manage it. The laws are very strict on the subject of bringing alien life to Earth. It has to be for scientific purposes only. And if I know in advance that your purpose in coming isn't scientific, I can't in all conscience lie for you, can I?" "Well—" "Of course not." I took advantage of his pathetic upset to steam right along. "Now if you had come in here and simply asked me to sign you up, I might conceivably have done it. But no—you had to go unburden your heart to me." "I thought the truth would move you." "It did. But in effect you're now asking me to conspire in a fraudulent criminal act. Friend, I can't do it. My reputation means too much to me," I said piously. "Then you will refuse me?" "My heart melts to nothingness for you. But I can't take you to Earth." "Perhaps you will send my wife to me here?" There's a clause in every contract that allows me to jettison an unwanted specimen. All I have to do is declare it no longer of scientific interest, and the World Government will deport the undesirable alien back to its home world. But I wouldn't pull a low trick like that on our female Stortulian. I said, "I'll ask her about coming home. But I won't ship her back against her will. And maybe she's happier where she is." The Stortulian seemed to shrivel. His eyelids closed half-way to mask his tears. He turned and shambled slowly to the door, walking like a living dishrag. In a bleak voice, he said, "There is no hope then. All is lost. I will never see my soulmate again. Good day, Earthman." He spoke in a drab monotone that almost, but not quite, had me weeping. I watched him shuffle out. I do have some conscience, and I had the uneasy feeling I had just been talking to a being who was about to commit suicide on my account. About fifty more applicants were processed without a hitch. Then life started to get complicated again. Nine of the fifty were okay. The rest were unacceptable for one reason or another, and they took the bad news quietly enough. The haul for the day so far was close to two dozen new life-forms under contract. I had just about begun to forget about the incidents of the Kallerian's outraged pride and the Stortulian's flighty wife when the door opened and the Earthman who called himself Ildwar Gorb of Wazzenazz XIII stepped in. "How did you get in here?" I demanded. "Your man happened to be looking the wrong way," he said cheerily. "Change your mind about me yet?" "Get out before I have you thrown out." Gorb shrugged. "I figured you hadn't changed your mind, so I've changed my pitch a bit. If you won't believe I'm from Wazzenazz XIII, suppose I tell you that I am Earthborn, and that I'm looking for a job on your staff." "I don't care what your story is! Get out or—" "—you'll have me thrown out. Okay, okay. Just give me half a second. Corrigan, you're no fool, and neither am I—but that fellow of yours outside is . He doesn't know how to handle alien beings. How many times today has a life-form come in here unexpectedly?" I scowled at him. "Too damn many." "You see? He's incompetent. Suppose you fire him, take me on instead. I've been living in the outworlds half my life; I know all there is to know about alien life-forms. You can use me, Corrigan." I took a deep breath and glanced all around the paneled ceiling of the office before I spoke. "Listen, Gorb, or whatever your name is, I've had a hard day. There's been a Kallerian in here who just about threatened murder, and there's been a Stortulian in here who's about to commit suicide because of me. I have a conscience and it's troubling me. But get this: I just want to finish off my recruiting, pack up and go home to Earth. I don't want you hanging around here bothering me. I'm not looking to hire new staff members, and if you switch back to claiming you're an unknown life-form from Wazzenazz XIII, the answer is that I'm not looking for any of those either. Now will you scram or—" The office door crashed open at that point and Heraal, the Kallerian, came thundering in. He was dressed from head to toe in glittering metalfoil, and instead of his ceremonial blaster, he was wielding a sword the length of a human being. Stebbins and Auchinleck came dragging helplessly along in his wake, hanging desperately to his belt. "Sorry, Chief," Stebbins gasped. "I tried to keep him out, but—" Heraal, who had planted himself in front of my desk, drowned him out with a roar. "Earthman, you have mortally insulted the Clan Gursdrinn!" Sitting with my hands poised near the meshgun trigger, I was ready to let him have it at the first sight of actual violence. Heraal boomed, "You are responsible for what is to happen now. I have notified the authorities and you prosecuted will be for causing the death of a life-form! Suffer, Earthborn ape! Suffer!" "Watch it, Chief," Stebbins yelled. "He's going to—" An instant before my numb fingers could tighten on the meshgun trigger, Heraal swung that huge sword through the air and plunged it savagely through his body. He toppled forward onto the carpet with the sword projecting a couple of feet out of his back. A few driblets of bluish-purple blood spread from beneath him. Before I could react to the big life-form's hara-kiri, the office door flew open again and three sleek reptilian beings entered, garbed in the green sashes of the local police force. Their golden eyes goggled down at the figure on the floor, then came to rest on me. "You are J. F. Corrigan?" the leader asked. "Y-yes." "We have received word of a complaint against you. Said complaint being—" "—that your unethical actions have directly contributed to the untimely death of an intelligent life-form," filled in the second of the Ghrynian policemen. "The evidence lies before us," intoned the leader, "in the cadaver of the unfortunate Kallerian who filed the complaint with us several minutes ago." "And therefore," said the third lizard, "it is our duty to arrest you for this crime and declare you subject to a fine of no less than $100,000 Galactic or two years in prison." "Hold on!" I stormed. "You mean that any being from anywhere in the Universe can come in here and gut himself on my carpet, and I'm responsible?" "This is the law. Do you deny that your stubborn refusal to yield to this late life-form's request lies at the root of his sad demise?" "Well, no, but—" "Failure to deny is admission of guilt. You are guilty, Earthman." Closing my eyes wearily, I tried to wish the whole babbling lot of them away. If I had to, I could pony up the hundred-grand fine, but it was going to put an awful dent in this year's take. And I shuddered when I remembered that any minute that scrawny little Stortulian was likely to come bursting in here to kill himself too. Was it a fine of $100,000 per suicide? At that rate, I could be out of business by nightfall. I was spared further such morbid thoughts by yet another unannounced arrival. The small figure of the Stortulian trudged through the open doorway and stationed itself limply near the threshold. The three Ghrynian policemen and my three assistants forgot the dead Kallerian for a moment and turned to eye the newcomer. I had visions of unending troubles with the law here on Ghryne. I resolved never to come here on a recruiting trip again—or, if I did come, to figure out some more effective way of screening myself against crackpots. In heart-rending tones, the Stortulian declared, "Life is no longer worth living. My last hope is gone. There is only one thing left for me to do." I was quivering at the thought of another hundred thousand smackers going down the drain. "Stop him, somebody! He's going to kill himself! He's—" Then somebody sprinted toward me, hit me amidships, and knocked me flying out from behind my desk before I had a chance to fire the meshgun. My head walloped the floor, and for five or six seconds, I guess I wasn't fully aware of what was going on. Gradually the scene took shape around me. There was a monstrous hole in the wall behind my desk; a smoking blaster lay on the floor, and I saw the three Ghrynian policemen sitting on the raving Stortulian. The man who called himself Ildwar Gorb was getting to his feet and dusting himself off. He helped me up. "Sorry to have had to tackle you, Corrigan. But that Stortulian wasn't here to commit suicide, you see. He was out to get you." I weaved dizzily toward my desk and dropped into my chair. A flying fragment of wall had deflated my pneumatic cushion. The smell of ashed plaster was everywhere. The police were effectively cocooning the struggling little alien in an unbreakable tanglemesh. "Evidently you don't know as much as you think you do about Stortulian psychology, Corrigan," Gorb said lightly. "Suicide is completely abhorrent to them. When they're troubled, they kill the person who caused their trouble. In this case, you." I began to chuckle—more of a tension-relieving snicker than a full-bodied laugh. "Funny," I said. "What is?" asked the self-styled Wazzenazzian. "These aliens. Big blustery Heraal came in with murder in his eye and killed himself , and the pint-sized Stortulian who looked so meek and pathetic damn near blew my head off." I shuddered. "Thanks for the tackle job." "Don't mention it," Gorb said. I glared at the Ghrynian police. "Well? What are you waiting for? Take that murderous little beast out of here! Or isn't murder against the local laws?" "The Stortulian will be duly punished," replied the leader of the Ghrynian cops calmly. "But there is the matter of the dead Kallerian and the fine of—" "—one hundred thousand dollars. I know." I groaned and turned to Stebbins. "Get the Terran Consulate on the phone, Stebbins. Have them send down a legal adviser. Find out if there's any way we can get out of this mess with our skins intact." "Right, Chief." Stebbins moved toward the visiphone. Gorb stepped forward and put a hand on his chest. "Hold it," the Wazzenazzian said crisply. "The Consulate can't help you. I can." "You?" I said. "I can get you out of this cheap." " How cheap?" Gorb grinned rakishly. "Five thousand in cash plus a contract as a specimen with your outfit. In advance, of course. That's a heck of a lot better than forking over a hundred grand, isn't it?" I eyed Gorb uncertainly. The Terran Consulate people probably wouldn't be much help; they tried to keep out of local squabbles unless they were really serious, and I knew from past experiences that no officials ever worried much about the state of my pocketbook. On the other hand, giving this slyster a contract might be a risky proposition. "Tell you what," I said finally. "You've got yourself a deal—but on a contingency basis. Get me out of this and you'll have five grand and the contract. Otherwise, nothing." Gorb shrugged. "What have I to lose?"
train	50988	[ "Why were the extraterrestrials not enchanted by Gabriel Lockard like the rest of the humans that were present?", "Why did most of the men and women have a young appearance?", "Why did Gabe tell the girl that he was with that he had never before seen the nondescript man, though the two clearly knew each other?", "Why was zarquil not played often by those in the area?", "Why did the odd beings from the seventh plant only want interstellar credits?", "Why was it unheard of to issue an effective prison sentence to the zarquil operators?", "Why was the ugly man constantly chasing after Gabe?", "What was the purpose of the ugly man seeming to guard Gabe?", "Why must only the healthy play zarquil?" ]	[ [ "They were more enchanted by the girl with him. ", "They were too intoxicated to care. ", "They saw all humans as the same.", "They found him appaling." ], [ "Because of science that could starve off decay.", "Because of plastic surgery. ", "Because of the freeze in time. ", "Because of the allurement of the atmosphere. " ], [ "He had never met the man in person. ", "He had not actually seen that man with the new face", "He had not wanted her to know the truth. ", "He had not recognized the man at that time, because of his intoxication. " ], [ "It was an illegal game. ", "It was only played by Dutchmen.", "It was fabulously expensive. ", "It was dangerous." ], [ "So that they could buy slaves.", "So that they could return to Vinau and buy slaves. ", "To buy booze any time they desired. ", "So that they could return to Vinau." ], [ "The operators were above the law", "The operators were too difficult to contain in a prison ", "The operators lived significantly long lives ", "The laws were difficult to enforce and harder to uphold" ], [ "He was actually after Gabe's wife.", "He wanted his body back.", "He wanted some of Gabe's money. ", "He was only following him by coincidence. " ], [ "He was actually guarding Gabe's wife.", "He felt affection towards Gabe. ", "He chose to be near for money. ", "He didn't want his body damaged." ], [ "Only healthy bodies can be accepted in the games.", "The games are dangerous and only those in the best health can survive. ", "Health is a form of wealth in the game of zarquil.", "There are no health restrictions on the game. " ] ]	[ 3, 1, 2, 1, 2, 3, 2, 4, 1 ]	[ 0, 0, 1, 1, 0, 0, 0, 1, 1 ]	Bodyguard By CHRISTOPHER GRIMM Illustrated by CAVAT [Transcriber's Note: This etext was produced from Galaxy Science Fiction February 1956. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] When overwhelming danger is constantly present,of course a man is entitled to have a bodyguard. The annoyance was that he had to do it himself ... and his body would not cooperate! The man at the bar was exceptionally handsome, and he knew it. So did the light-haired girl at his side, and so did the nondescript man in the gray suit who was watching them from a booth in the corner. Everyone in the room was aware of the big young man, and most of the humans present were resentful, for he handled himself consciously and arrogantly, as if his appearance alone were enough to make him superior to anyone. Even the girl with him was growing restless, for she was accustomed to adulation herself, and next to Gabriel Lockard she was almost ordinary-looking. As for the extraterrestrials—it was a free bar—they were merely amused, since to them all men were pathetically and irredeemably hideous. Gabe threw his arm wide in one of his expansive gestures. There was a short man standing next to the pair—young, as most men and women were in that time, thanks to the science which could stave off decay, though not death—but with no other apparent physical virtue, for plastic surgery had not fulfilled its bright promise of the twentieth century. The drink he had been raising to his lips splashed all over his clothing; the glass shattered at his feet. Now he was not only a rather ugly little man, but also a rather ridiculous one—or at least he felt he was, which was what mattered. "Sorry, colleague," Gabe said lazily. "All my fault. You must let me buy you a replacement." He gestured to the bartender. "Another of the same for my fellow-man here." The ugly man dabbed futilely at his dripping trousers with a cloth hastily supplied by the management. "You must allow me to pay your cleaning bill," Gabe said, taking out his wallet and extracting several credit notes without seeming to look at them. "Here, have yourself a new suit on me." You could use one was implied. And that, coming on top of Gabriel Lockard's spectacular appearance, was too much. The ugly man picked up the drink the bartender had just set before him and started to hurl it, glass and all, into Lockard's handsome face. Suddenly a restraining hand was laid upon his arm. "Don't do that," the nondescript man who had been sitting in the corner advised. He removed the glass from the little man's slackening grasp. "You wouldn't want to go to jail because of him." The ugly man gave him a bewildered stare. Then, seeing the forces now ranged against him—including his own belated prudence—were too strong, he stumbled off. He hadn't really wanted to fight, only to smash back, and now it was too late for that. Gabe studied the newcomer curiously. "So, it's you again?" The man in the gray suit smiled. "Who else in any world would stand up for you?" "I should think you'd have given up by now. Not that I mind having you around, of course," Gabriel added too quickly. "You do come in useful at times, you know." "So you don't mind having me around?" The nondescript man smiled again. "Then what are you running from, if not me? You can't be running from yourself—you lost yourself a while back, remember?" Gabe ran a hand through his thick blond hair. "Come on, have a drink with me, fellow-man, and let's let bygones be bygones. I owe you something—I admit that. Maybe we can even work this thing out." "I drank with you once too often," the nondescript man said. "And things worked out fine, didn't they? For you." His eyes studied the other man's incredibly handsome young face, noted the suggestion of bags under the eyes, the beginning of slackness at the lips, and were not pleased with what they saw. "Watch yourself, colleague," he warned as he left. "Soon you might not be worth the saving." "Who was that, Gabe?" the girl asked. He shrugged. "I never saw him before in my life." Of course, knowing him, she assumed he was lying, but, as a matter of fact, just then he happened to have been telling the truth. Once the illuminators were extinguished in Gabriel Lockard's hotel suite, it seemed reasonably certain to the man in the gray suit, as he watched from the street, that his quarry would not go out again that night. So he went to the nearest airstation. There he inserted a coin in a locker, into which he put most of his personal possessions, reserving only a sum of money. After setting the locker to respond to the letter combination bodyguard , he went out into the street. If he had met with a fatal accident at that point, there would have been nothing on his body to identify him. As a matter of fact, no real identification was possible, for he was no one and had been no one for years. The nondescript man hailed a cruising helicab. "Where to, fellow-man?" the driver asked. "I'm new in the parish," the other man replied and let it hang there. "Oh...? Females...? Narcophagi...? Thrill-mills?" But to each of these questions the nondescript man shook his head. "Games?" the driver finally asked, although he could guess what was wanted by then. "Dice...? Roulette...? Farjeen?" "Is there a good zarquil game in town?" The driver moved so he could see the face of the man behind him in the teleview. A very ordinary face. "Look, colleague, why don't you commit suicide? It's cleaner and quicker." "I can't contact your attitude," the passenger said with a thin smile. "Bet you've never tried the game yourself. Each time it happens, there's a ... well, there's no experience to match it at a thrill-mill." He gave a sigh that was almost an audible shudder, and which the driver misinterpreted as an expression of ecstasy. "Each time, eh? You're a dutchman then?" The driver spat out of the window. "If it wasn't for the nibble, I'd throw you right out of the cab. Without even bothering to take it down even. I hate dutchmen ... anybody with any legitimate feelings hates 'em." "But it would be silly to let personal prejudice stand in the way of a commission, wouldn't it?" the other man asked coolly. "Of course. You'll need plenty of foliage, though." "I have sufficient funds. I also have a gun." "You're the dictator," the driver agreed sullenly. II It was a dark and rainy night in early fall. Gabe Lockard was in no condition to drive the helicar. However, he was stubborn. "Let me take the controls, honey," the light-haired girl urged, but he shook his handsome head. "Show you I can do something 'sides look pretty," he said thickly, referring to an earlier and not amicable conversation they had held, and of which she still bore the reminder on one thickly made-up cheek. Fortunately the car was flying low, contrary to regulations, so that when they smashed into the beacon tower on the outskirts of the little town, they didn't have far to fall. And hardly had their car crashed on the ground when the car that had been following them landed, and a short fat man was puffing toward them through the mist. To the girl's indignation, the stranger not only hauled Gabe out onto the dripping grass first, but stopped and deliberately examined the young man by the light of his minilume, almost as if she weren't there at all. Only when she started to struggle out by herself did he seem to remember her existence. He pulled her away from the wreck just a moment before the fuel tank exploded and the 'copter went up in flames. Gabe opened his eyes and saw the fat man gazing down at him speculatively. "My guardian angel," he mumbled—shock had sobered him a little, but not enough. He sat up. "Guess I'm not hurt or you'd have thrown me back in." "And that's no joke," the fat man agreed. The girl shivered and at that moment Gabriel suddenly seemed to recall that he had not been alone. "How about Helen? She on course?" "Seems to be," the fat man said. "You all right, miss?" he asked, glancing toward the girl without, she thought, much apparent concern. " Mrs. ," Gabriel corrected. "Allow me to introduce you to Mrs. Gabriel Lockard," he said, bowing from his seated position toward the girl. "Pretty bauble, isn't she?" "I'm delighted to meet you, Mrs. Gabriel Lockard," the fat man said, looking at her intently. His small eyes seemed to strip the make-up from her cheek and examine the livid bruise underneath. "I hope you'll be worthy of the name." The light given off by the flaming car flickered on his face and Gabriel's and, she supposed, hers too. Otherwise, darkness surrounded the three of them. There were no public illuminators this far out—even in town the lights were dimming and not being replaced fast enough nor by the newer models. The town, the civilization, the planet all were old and beginning to slide downhill.... Gabe gave a short laugh, for no reason that she could see. There was the feeling that she had encountered the fat man before, which was, of course, absurd. She had an excellent memory for faces and his was not included in her gallery. The girl pulled her thin jacket closer about her chilly body. "Aren't you going to introduce your—your friend to me, Gabe?" "I don't know who he is," Gabe said almost merrily, "except that he's no friend of mine. Do you have a name, stranger?" "Of course I have a name." The fat man extracted an identification card from his wallet and read it. "Says here I'm Dominic Bianchi, and Dominic Bianchi is a retail milgot dealer.... Only he isn't a retail milgot dealer any more; the poor fellow went bankrupt a couple of weeks ago, and now he isn't ... anything." "You saved our lives," the girl said. "I'd like to give you some token of my—of our appreciation." Her hand reached toward her credit-carrier with deliberate insult. He might have saved her life, but only casually, as a by-product of some larger scheme, and her appreciation held little gratitude. The fat man shook his head without rancor. "I have plenty of money, thank you, Mrs. Gabriel Lockard.... Come," he addressed her husband, "if you get up, I'll drive you home. I warn you, be more careful in the future! Sometimes," he added musingly, "I almost wish you would let something happen. Then my problem would not be any problem, would it?" Gabriel shivered. "I'll be careful," he vowed. "I promise—I'll be careful." When he was sure that his charge was safely tucked in for the night, the fat man checked his personal possessions. He then requested a taxi driver to take him to the nearest zarquil game. The driver accepted the commission phlegmatically. Perhaps he was more hardened than the others had been; perhaps he was unaware that the fat man was not a desperate or despairing individual seeking one last chance, but what was known colloquially as a flying dutchman, a man, or woman, who went from one zarquil game to another, loving the thrill of the sport, if you could call it that, for its own sake, and not for the futile hope it extended and which was its sole shred of claim to moral justification. Perhaps—and this was the most likely hypothesis—he just didn't care. Zarquil was extremely illegal, of course—so much so that there were many legitimate citizens who weren't quite sure just what the word implied, knowing merely that it was one of those nameless horrors so deliciously hinted at by the fax sheets under the generic term of "crimes against nature." Actually the phrase was more appropriate to zarquil than to most of the other activities to which it was commonly applied. And this was one crime—for it was crime in law as well as nature—in which victim had to be considered as guilty as perpetrator; otherwise the whole legal structure of society would collapse. Playing the game was fabulously expensive; it had to be to make it profitable for the Vinzz to run it. Those odd creatures from Altair's seventh planet cared nothing for the welfare of the completely alien human beings; all they wanted was to feather their own pockets with interstellar credits, so that they could return to Vinau and buy many slaves. For, on Vinau, bodies were of little account, and so to them zarquil was the equivalent of the terrestrial game musical chairs. Which was why they came to Terra to make profits—there has never been big money in musical chairs as such. When the zarquil operators were apprehended, which was not frequent—as they had strange powers, which, not being definable, were beyond the law—they suffered their sentences with equanimity. No Earth court could give an effective prison sentence to a creature whose life spanned approximately two thousand terrestrial years. And capital punishment had become obsolete on Terra, which very possibly saved the terrestrials embarrassment, for it was not certain that their weapons could kill the Vinzz ... or whether, in fact, the Vinzz merely expired after a period of years out of sheer boredom. Fortunately, because trade was more profitable than war, there had always been peace between Vinau and Terra, and, for that reason, Terra could not bar the entrance of apparently respectable citizens of a friendly planet. The taxi driver took the fat man to one of the rather seedy locales in which the zarquil games were usually found, for the Vinzz attempted to conduct their operations with as much unobtrusiveness as was possible. But the front door swung open on an interior that lacked the opulence of the usual Vinoz set-up; it was down-right shabby, the dim olive light hinting of squalor rather than forbidden pleasures. That was the trouble in these smaller towns—you ran greater risks of getting involved in games where the players had not been carefully screened. The Vinoz games were usually clean, because that paid off better, but, when profits were lacking, the Vinzz were capable of sliding off into darkside practices. Naturally the small-town houses were more likely to have trouble in making ends meet, because everybody in the parish knew everybody else far too well. The fat man wondered whether that had been his quarry's motive in coming to such desolate, off-trail places—hoping that eventually disaster would hit the one who pursued him. Somehow, such a plan seemed too logical for the man he was haunting. However, beggars could not be choosers. The fat man paid off the heli-driver and entered the zarquil house. "One?" the small green creature in the slightly frayed robe asked. "One," the fat man answered. III The would-be thief fled down the dark alley, with the hot bright rays from the stranger's gun lancing out after him in flamboyant but futile patterns. The stranger, a thin young man with delicate, angular features, made no attempt to follow. Instead, he bent over to examine Gabriel Lockard's form, appropriately outstretched in the gutter. "Only weighted out," he muttered, "he'll be all right. Whatever possessed you two to come out to a place like this?" "I really think Gabriel must be possessed...." the girl said, mostly to herself. "I had no idea of the kind of place it was going to be until he brought me here. The others were bad, but this is even worse. It almost seems as if he went around looking for trouble, doesn't it?" "It does indeed," the stranger agreed, coughing a little. It was growing colder and, on this world, the cities had no domes to protect them from the climate, because it was Earth and the air was breathable and it wasn't worth the trouble of fixing up. The girl looked closely at him. "You look different, but you are the same man who pulled us out of that aircar crash, aren't you? And before that the man in the gray suit? And before that...?" The young man's cheekbones protruded as he smiled. "Yes, I'm all of them." "Then what they say about the zarquil games is true? There are people who go around changing their bodies like—like hats?" Automatically she reached to adjust the expensive bit of blue synthetic on her moon-pale hair, for she was always conscious of her appearance; if she had not been so before marriage, Gabriel would have taught her that. He smiled again, but coughed instead of speaking. "But why do you do it? Why! Do you like it? Or is it because of Gabriel?" She was growing a little frantic; there was menace here and she could not understand it nor determine whether or not she was included in its scope. "Do you want to keep him from recognizing you; is that it?" "Ask him." "He won't tell me; he never tells me anything. We just keep running. I didn't recognize it as running at first, but now I realize that's what we've been doing ever since we were married. And running from you, I think?" There was no change of expression on the man's gaunt face, and she wondered how much control he had over a body that, though second- or third- or fourth-hand, must be new to him. How well could he make it respond? What was it like to step into another person's casing? But she must not let herself think that way or she would find herself looking for a zarquil game. It would be one way of escaping Gabriel, but not, she thought, the best way; her body was much too good a one to risk so casually. It was beginning to snow. Light, feathery flakes drifted down on her husband's immobile body. She pulled her thick coat—of fur taken from some animal who had lived and died light-years away—more closely about herself. The thin young man began to cough again. Overhead a tiny star seemed to detach itself from the pale flat disk of the Moon and hurl itself upward—one of the interstellar ships embarking on its long voyage to distant suns. She wished that somehow she could be on it, but she was here, on this solitary old world in a barren solar system, with her unconscious husband and a strange man who followed them, and it looked as if here she would stay ... all three of them would stay.... "If you're after Gabriel, planning to hurt him," she asked, "why then do you keep helping him?" "I am not helping him . And he knows that." "You'll change again tonight, won't you?" she babbled. "You always change after you ... meet us? I think I'm beginning to be able to identify you now, even when you're ... wearing a new body; there's something about you that doesn't change." "Too bad he got married," the young man said. "I could have followed him for an eternity and he would never have been able to pick me out from the crowd. Too bad he got married anyway," he added, his voice less impersonal, "for your sake." She had come to the same conclusion in her six months of marriage, but she would not admit that to an outsider. Though this man was hardly an outsider; he was part of their small family group—as long as she had known Gabriel, so long he must have known her. And she began to suspect that he was even more closely involved than that. "Why must you change again?" she persisted, obliquely approaching the subject she feared. "You have a pretty good body there. Why run the risk of getting a bad one?" "This isn't a good body," he said. "It's diseased. Sure, nobody's supposed to play the game who hasn't passed a thorough medical examination. But in the places to which your husband has been leading me, they're often not too particular, as long as the player has plenty of foliage." "How—long will it last you?" "Four or five months, if I'm careful." He smiled. "But don't worry, if that's what you're doing; I'll get it passed on before then. It'll be expensive—that's all. Bad landing for the guy who gets it, but then it was tough on me too, wasn't it?" "But how did you get into this ... pursuit?" she asked again. "And why are you doing it?" People didn't have any traffic with Gabriel Lockard for fun, not after they got to know him. And this man certainly should know him better than most. "Ask your husband." The original Gabriel Lockard looked down at the prostrate, snow-powdered figure of the man who had stolen his body and his name, and stirred it with his toe. "I'd better call a cab—he might freeze to death." He signaled and a cab came. "Tell him, when he comes to," he said to the girl as he and the driver lifted the heavy form of her husband into the helicar, "that I'm getting pretty tired of this." He stopped for a long spell of coughing. "Tell him that sometimes I wonder whether cutting off my nose wouldn't, in the long run, be most beneficial for my face." "Sorry," the Vinzz said impersonally, in English that was perfect except for the slight dampening of the sibilants, "but I'm afraid you cannot play." "Why not?" The emaciated young man began to put on his clothes. "You know why. Your body is worthless. And this is a reputable house." "But I have plenty of money." The young man coughed. The Vinzz shrugged. "I'll pay you twice the regular fee." The green one shook his head. "Regrettably, I do mean what I say. This game is really clean." "In a town like this?" "That is the reason we can afford to be honest." The Vinzz' tendrils quivered in what the man had come to recognize as amusement through long, but necessarily superficial acquaintance with the Vinzz. His heavy robe of what looked like moss-green velvet, but might have been velvet-green moss, encrusted with oddly faceted alien jewels, swung with him. "We do a lot of business here," he said unnecessarily, for the whole set-up spelled wealth far beyond the dreams of the man, and he was by no means poor when it came to worldly goods. "Why don't you try another town where they're not so particular?" The young man smiled wryly. Just his luck to stumble on a sunny game. He never liked to risk following his quarry in the same configuration. And even though only the girl had actually seen him this time, he wouldn't feel at ease until he had made the usual body-shift. Was he changing because of Gabriel, he wondered, or was he using his own discoverment and identification simply as an excuse to cover the fact that none of the bodies that fell to his lot ever seemed to fit him? Was he activated solely by revenge or as much by the hope that in the hazards of the game he might, impossible though it now seemed, some day win another body that approached perfection as nearly as his original casing had? He didn't know. However, there seemed to be no help for it now; he would have to wait until they reached the next town, unless the girl, seeing him reappear in the same guise, would guess what had happened and tell her husband. He himself had been a fool to admit to her that the hulk he inhabited was a sick one; he still couldn't understand how he could so casually have entrusted her with so vital a piece of information. The Vinzz had been locking antennae with another of his kind. Now they detached, and the first approached the man once more. "There is, as it happens, a body available for a private game," he lisped. "No questions to be asked or answered. All I can tell you is that it is in good health." The man hesitated. "But unable to pass the screening?" he murmured aloud. "A criminal then." The green one's face—if you could call it a face—remained impassive. "Male?" "Of course," the Vinzz said primly. His kind did have certain ultimate standards to which they adhered rigidly, and one of those was the curious tabu against mixed games, strictly enforced even though it kept them from tapping a vast source of potential players. There had also never been a recorded instance of humans and extraterrestrials exchanging identities, but whether that was the result of tabu or biological impossibility, no one could tell. It might merely be prudence on the Vinzz' part—if it had ever been proved that an alien life-form had "desecrated" a human body, Earthmen would clamor for war ... for on this planet humanity held its self-bestowed purity of birthright dear—and the Vinzz, despite being unquestionably the stronger, were pragmatic pacifists. It had been undoubtedly some rabid member of the anti-alien groups active on Terra who had started the rumor that the planetary slogan of Vinau was, "Don't beat 'em; cheat 'em." "It would have to be something pretty nuclear for the other guy to take such a risk." The man rubbed his chin thoughtfully. "How much?" "Thirty thousand credits." "Why, that's three times the usual rate!" "The other will pay five times the usual rate." "Oh, all right," the delicate young man gave in. It was a terrific risk he was agreeing to take, because, if the other was a criminal, he himself would, upon assuming the body, assume responsibility for all the crimes it had committed. But there was nothing else he could do. He looked at himself in the mirror and found he had a fine new body; tall and strikingly handsome in a dark, coarse-featured way. Nothing to match the one he had lost, in his opinion, but there were probably many people who might find this one preferable. No identification in the pockets, but it wasn't necessary; he recognized the face. Not that it was a very famous or even notorious one, but the dutchman was a careful student of the "wanted" fax that had decorated public buildings from time immemorial, for he was ever mindful of the possibility that he might one day find himself trapped unwittingly in the body of one of the men depicted there. And he knew that this particular man, though not an important criminal in any sense of the word, was one whom the police had been ordered to burn on sight. The abolishing of capital punishment could not abolish the necessity for self-defense, and the man in question was not one who would let himself be captured easily, nor whom the police intended to capture easily. This might be a lucky break for me after all , the new tenant thought, as he tried to adjust himself to the body. It, too, despite its obvious rude health, was not a very comfortable fit. I can do a lot with a hulk like this. And maybe I'm cleverer than the original owner; maybe I'll be able to get away with it. IV "Look, Gabe," the girl said, "don't try to fool me! I know you too well. And I know you have that man's—the real Gabriel Lockard's—body." She put unnecessary stardust on her nose as she watched her husband's reflection in the dressing table mirror. Lockard—Lockard's body, at any rate—sat up and felt his unshaven chin. "That what he tell you?" "No, he didn't tell me anything really—just suggested I ask you whatever I want to know. But why else should he guard somebody he obviously hates the way he hates you? Only because he doesn't want to see his body spoiled." "It is a pretty good body, isn't it?" Gabe flexed softening muscles and made no attempt to deny her charge; very probably he was relieved at having someone with whom to share his secret. "Not as good as it must have been," the girl said, turning and looking at him without admiration. "Not if you keep on the way you're coursing. Gabe, why don't you...?" "Give it back to him, eh?" Lockard regarded his wife appraisingly. "You'd like that, wouldn't you? You'd be his wife then. That would be nice—a sound mind in a sound body. But don't you think that's a little more than you deserve?" "I wasn't thinking about that, Gabe," she said truthfully enough, for she hadn't followed the idea to its logical conclusion. "Of course I'd go with you," she went on, now knowing she lied, "when you got your ... old body back." Sure , she thought, I'd keep going with you to farjeen houses and thrill-mills. Actually she had accompanied him to a thrill-mill only once, and from then on, despite all his threats, she had refused to go with him again. But that once had been enough; nothing could ever wash that experience from her mind or her body. "You wouldn't be able to get your old body back, though, would you?" she went on. "You don't know where it's gone, and neither, I suppose, does he?" "I don't want to know!" he spat. "I wouldn't want it if I could get it back. Whoever it adhered to probably killed himself as soon as he looked in a mirror." He swung long legs over the side of his bed. "Christ, anything would be better than that! You can't imagine what a hulk I had!" "Oh, yes, I can," she said incautiously. "You must have had a body to match your character. Pity you could only change one."
train	51046	[ "Who was talking to Jerome in the very beginning of the passage?", "Why is there no feeling of acceleration in the elevator in the future?", "Why was Jerome stopped by the police while running?", "What can be determined about the language used in the futuristic civilization that Jerome visits?", "Why was futuristic Jerome so sure that past Jerome would invite him inside?", "Why is the air inside the machine not stale on the return trip like it had been on the prior trip?", "What was surprising to Jerome about the papers that were retrieved with the generator?", "Why is Jerome in search of the museum in the futuristic civilization?", "Why did Jerome not stop when he was being shouted at when leaving the futuristic civilization?" ]	[ [ "Jerome, from 30 years in the past", "Jerome, from 10 years in the past", "Jerome, from 10 years in the future", "Jerome, from 30 years in the future" ], [ "The force is too fast to be felt. ", "The elevator doesn't actually move, only the scenery does. ", "It's moving slower in opposition to the gravity. ", "The false gravity used in the interstellar civilization." ], [ "He had been stealing", "The cop had just saw the futuristic version of him.", "There are laws again st exerting yourself in heat", "He was presenting him with a yellow sticker. " ], [ "They are lazy, based on the slurring and laws against physical exertion. ", "They are all drunks, based on the slurring.", "They are all moving at a snail pace, based on the slurring and relaxed tempers. ", "They are all in a hurry, based on the slurring. " ], [ "Because he himself had done so already. ", "Because he can see into the future. ", "Because he knows that his decisions have been altered by the machine. ", "Because he can hear the inner thoughts of his mind" ], [ "Because the generator is working and clearing the air. ", "Because there is a clearer air flow now with the retrieval of the generator. ", "Because no one is smoking inside the machine. ", "Because there is only one Jerome smoking inside the machine. " ], [ "They were all in his own handwriting.", "They were copies of what he already had at home.", "They were exact duplicates for what the futuristic Jerome had brought when he visited. ", "They were forged. " ], [ "That's where the guard who has information on the generator is located.", "That's where the generator is held.", "That's where the information for the real inventor is located.", "That's where the guard who has information on the real inventory of the generator is located. " ], [ "He was unsure what they wanted and didn't want to wait and find out.", "He knew they had caught on to his actions. ", "He was fearing being held there for theft. ", "He knew they were going to switch the generator with another" ] ]	[ 4, 4, 3, 1, 1, 4, 1, 2, 1 ]	[ 0, 0, 0, 1, 0, 1, 0, 0, 0 ]	... and it comes out here By LESTER DEL REY Illustrated by DON SIBLEY [Transcriber's Note: This etext was produced from Galaxy Science Fiction February 1951. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] There is one fact no sane man can quarrel with ... everything has a beginning and an end. But some men aren't sane; thus it isn't always so! No, you're wrong. I'm not your father's ghost, even if I do look a bit like him. But it's a longish story, and you might as well let me in. You will, you know, so why quibble about it? At least, you always have ... or do ... or will. I don't know, verbs get all mixed up. We don't have the right attitude toward tenses for a situation like this. Anyhow, you'll let me in. I did, so you will. Thanks. You think you're crazy, of course, but you'll find out you aren't. It's just that things are a bit confused. And don't look at the machine out there too long—until you get used to it, you'll find it's hard on the eyes, trying to follow where the vanes go. You'll get used to it, of course, but it will take about thirty years. You're wondering whether to give me a drink, as I remember it. Why not? And naturally, since we have the same tastes, you can make the same for me as you're having. Of course we have the same tastes—we're the same person. I'm you thirty years from now, or you're me. I remember just how you feel; I felt the same way when he—that is, of course, I or we—came back to tell me about it, thirty years ago. Here, have one of these. You'll get to like them in a couple more years. And you can look at the revenue stamp date, if you still doubt my story. You'll believe it eventually, though, so it doesn't matter. Right now, you're shocked. It's a real wrench when a man meets himself for the first time. Some kind of telepathy seems to work between two of the same people. You sense things. So I'll simply go ahead talking for half an hour or so, until you get over it. After that you'll come along with me. You know, I could try to change things around by telling what happened to me; but he—I—told me what I was going to do, so I might as well do the same. I probably couldn't help telling you the same thing in the same words, even if I tried—and I don't intend to try. I've gotten past that stage in worrying about all this. So let's begin when you get up in half an hour and come out with me. You'll take a closer look at the machine, then. Yes, it'll be pretty obvious it must be a time machine. You'll sense that, too. You've seen it, just a small little cage with two seats, a luggage compartment, and a few buttons on a dash. You'll be puzzling over what I'll tell you, and you'll be getting used to the idea that you are the man who makes atomic power practical. Jerome Boell, just a plain engineer, the man who put atomic power in every home. You won't exactly believe it, but you'll want to go along. I'll be tired of talking by then, and in a hurry to get going. So I cut off your questions, and get you inside. I snap on a green button, and everything seems to cut off around us. You can see a sort of foggy nothing surrounding the cockpit; it is probably the field that prevents passage through time from affecting us. The luggage section isn't protected, though. You start to say something, but by then I'm pressing a black button, and everything outside will disappear. You look for your house, but it isn't there. There is exactly nothing there—in fact, there is no there . You are completely outside of time and space, as best you can guess how things are. You can't feel any motion, of course. You try to reach a hand out through the field into the nothing around you and your hand goes out, all right, but nothing happens. Where the screen ends, your hand just turns over and pokes back at you. Doesn't hurt, and when you pull your arm back, you're still sound and uninjured. But it looks frightening and you don't try it again. Then it comes to you slowly that you're actually traveling in time. You turn to me, getting used to the idea. "So this is the fourth dimension?" you ask. Then you feel silly, because you'll remember that I said you'd ask that. Well, I asked it after I was told, then I came back and told it to you, and I still can't help answering when you speak. "Not exactly," I try to explain. "Maybe it's no dimension—or it might be the fifth; if you're going to skip over the so-called fourth without traveling along it, you'd need a fifth. Don't ask me. I didn't invent the machine and I don't understand it." "But...." I let it go, and so do you. If you don't, it's a good way of going crazy. You'll see later why I couldn't have invented the machine. Of course, there may have been a start for all this once. There may have been a time when you did invent the machine—the atomic motor first, then the time-machine. And when you closed the loop by going back and saving yourself the trouble, it got all tangled up. I figured out once that such a universe would need some seven or eight time and space dimensions. It's simpler just to figure that this is the way time got bent back on itself. Maybe there is no machine, and it's just easier for us to imagine it. When you spend thirty years thinking about it, as I did—and you will—you get further and further from an answer. Anyhow, you sit there, watching nothing all around you, and no time, apparently, though there is a time effect back in the luggage space. You look at your watch and it's still running. That means you either carry a small time field with you, or you are catching a small increment of time from the main field. I don't know, and you won't think about that then, either. I'm smoking, and so are you, and the air in the machine is getting a bit stale. You suddenly realize that everything in the machine is wide open, yet you haven't seen any effects of air loss. "Where are we getting our air?" you ask. "Or why don't we lose it?" "No place for it to go," I explain. There isn't. Out there is neither time nor space, apparently. How could the air leak out? You still feel gravity, but I can't explain that, either. Maybe the machine has a gravity field built in, or maybe the time that makes your watch run is responsible for gravity. In spite of Einstein, you have always had the idea that time is an effect of gravity, and I sort of agree, still. Then the machine stops—at least, the field around us cuts off. You feel a dankish sort of air replace the stale air, and you breathe easier, though we're in complete darkness, except for the weak light in the machine, which always burns, and a few feet of rough dirty cement floor around. You take another cigaret from me and you get out of the machine, just as I do. I've got a bundle of clothes and I start changing. It's a sort of simple, short-limbed, one-piece affair I put on, but it feels comfortable. "I'm staying here," I tell you. "This is like the things they wear in this century, as near as I can remember it, and I should be able to pass fairly well. I've had all my fortune—the one you make on that atomic generator—invested in such a way I can get it on using some identification I've got with me, so I'll do all right. I know they still use some kind of money, you'll see evidence of that. And it's a pretty easygoing civilization, from what I could see. We'll go up and I'll leave you. I like the looks of things here, so I won't be coming back with you." You nod, remembering I've told you about it. "What century is this, anyway?" I'd told you that, too, but you've forgotten. "As near as I can guess, it's about 2150. He told me, just as I'm telling you, that it's an interstellar civilization." You take another cigaret from me, and follow me. I've got a small flashlight and we grope through a pile of rubbish, out into a corridor. This is a sub-sub-sub-basement. We have to walk up a flight of stairs, and there is an elevator waiting, fortunately with the door open. "What about the time machine?" you ask. "Since nobody ever stole it, it's safe." We get in the elevator, and I say "first" to it. It gives out a coughing noise and the basement openings begin to click by us. There's no feeling of acceleration—some kind of false gravity they use in the future. Then the door opens, and the elevator says "first" back at us. It's obviously a service elevator and we're in a dim corridor, with nobody around. I grab your hand and shake it. "You go that way. Don't worry about getting lost; you never did, so you can't. Find the museum, grab the motor, and get out. And good luck to you." You act as if you're dreaming, though you can't believe it's a dream. You nod at me and I move out into the main corridor. A second later, you see me going by, mixed into a crowd that is loafing along toward a restaurant, or something like it, that is just opening. I'm asking questions of a man, who points, and I turn and move off. You come out of the side corridor and go down a hall, away from the restaurant. There are quiet little signs along the hall. You look at them, realizing for the first time that things have changed. Steij:neri, Faunten, Z:rgat Dispenseri. The signs are very quiet and dignified. Some of them can be decoded to stationery shops, fountains, and the like. What a zergot is, you don't know. You stop at a sign that announces: Trav:l Biwrou—F:rst-Clas Twrz—Marz, Viins, and x: Trouj:n Planets. Spej:l reits tu aol snz wixin 60 lyt iirz! But there is only a single picture of a dull-looking metal sphere, with passengers moving up a ramp, and the office is closed. You begin to get the hang of the spelling they use, though. Now there are people around you, but nobody pays much attention to you. Why should they? You wouldn't care if you saw a man in a leopard-skin suit; you'd figure it was some part in a play and let it go. Well, people don't change much. You get up your courage and go up to a boy selling something that might be papers on tapes. "Where can I find the Museum of Science?" "Downayer rien turn lefa the sign. Stoo bloss," he tells you. Around you, you hear some pretty normal English, but there are others using stuff as garbled as his. The educated and uneducated? I don't know. You go right until you find a big sign built into the rubbery surface of the walk: Miuzi:m v Syens . There's an arrow pointing and you turn left. Ahead of you, two blocks on, you can see a pink building, with faint aqua trimming, bigger than most of the others. They are building lower than they used to, apparently. Twenty floors up seems about the maximum. You head for it, and find the sidewalk is marked with the information that it is the museum. You go up the steps, but you see that it seems to be closed. You hesitate for a moment, then. You're beginning to think the whole affair is complete nonsense, and you should get back to the time machine and go home. But then a guard comes to the gate. Except for the short legs in his suit and the friendly grin on his face, he looks like any other guard. What's more, he speaks pretty clearly. Everyone says things in a sort of drawl, with softer vowels and slurred consonants, but it's rather pleasant. "Help you, sir? Oh, of course. You must be playing in 'Atoms and Axioms.' The museum's closed, but I'll be glad to let you study whatever you need for realism in your role. Nice show. I saw it twice." "Thanks," you mutter, wondering what kind of civilization can produce guards as polite as that. "I—I'm told I should investigate your display of atomic generators." He beams at that. "Of course." The gate is swung to behind you, but obviously he isn't locking it. In fact, there doesn't seem to be a lock. "Must be a new part. You go down that corridor, up one flight of stairs and left. Finest display in all the known worlds. We've got the original of the first thirteen models. Professor Jonas was using them to check his latest theory of how they work. Too bad he could not explain the principle, either. Someone will, some day, though. Lord, the genius of that twentieth century inventor! It's quite a hobby with me, sir. I've read everything I could get on the period. Oh—congratulations on your pronunciation. Sounds just like some of our oldest tapes." You get away from him, finally, after some polite thanks. The building seems deserted and you wander up the stairs. There's a room on your right filled with something that proclaims itself the first truly plastic diamond former, and you go up to it. As you come near, it goes through a crazy wiggle inside, stops turning out a continual row of what seem to be bearings, and slips something the size of a penny toward you. "Souvenir," it announces in a well-modulated voice. "This is a typical gem of the twentieth century, properly cut to 58 facets, known technically as a Jaegger diamond, and approximately twenty carats in size. You can have it made into a ring on the third floor during morning hours for one-tenth credit. If you have more than one child, press the red button for the number of stones you desire." You put it in your pocket, gulping a little, and get back to the corridor. You turn left and go past a big room in which models of spaceships—from the original thing that looks like a V-2, and is labeled first Lunar rocket, to a ten-foot globe, complete with miniature manikins—are sailing about in some kind of orbits. Then there is one labeled Wep:nz , filled with everything from a crossbow to a tiny rod four inches long and half the thickness of a pencil, marked Fynal Hand Arm . Beyond is the end of the corridor, and a big place that bears a sign, Mad:lz v Atamic Pau:r Sorsez . By that time, you're almost convinced. And you've been doing a lot of thinking about what you can do. The story I'm telling has been sinking in, but you aren't completely willing to accept it. You notice that the models are all mounted on tables and that they're a lot smaller than you thought. They seem to be in chronological order, and the latest one, marked 2147—Rincs Dyn*pat: , is about the size of a desk telephone. The earlier ones are larger, of course, clumsier, but with variations, probably depending on the power output. A big sign on the ceiling gives a lot of dope on atomic generators, explaining that this is the first invention which leaped full blown into basically final form. You study it, but it mentions casually the inventor, without giving his name. Either they don't know it, or they take it for granted that everyone does, which seems more probable. They call attention to the fact that they have the original model of the first atomic generator built, complete with design drawings, original manuscript on operation, and full patent application. They state that it has all major refinements, operating on any fuel, producing electricity at any desired voltage up to five million, any chosen cyclic rate from direct current to one thousand megacycles, and any amperage up to one thousand, its maximum power output being fifty kilowatts, limited by the current-carrying capacity of the outputs. They also mention that the operating principle is still being investigated, and that only such refinements as better alloys and the addition of magnetric and nucleatric current outlets have been added since the original. So you go to the end and look over the thing. It's simply a square box with a huge plug on each side, and a set of vernier controls on top, plus a little hole marked, in old-style spelling, Drop BBs or wire here . Apparently that's the way it's fueled. It's about one foot on each side. "Nice," the guard says over your shoulder. "It finally wore out one of the cathogrids and we had to replace that, but otherwise it's exactly as the great inventor made it. And it still operates as well as ever. Like to have me tell you about it?" "Not particularly," you begin, and then realize bad manners might be conspicuous here. While you're searching for an answer, the guard pulls something out of his pocket and stares at it. "Fine, fine. The mayor of Altasecarba—Centaurian, you know—is arriving, but I'll be back in about ten minutes. He wants to examine some of the weapons for a monograph on Centaurian primitives compared to nineteenth century man. You'll pardon me?" You pardon him pretty eagerly and he wanders off happily. You go up to the head of the line, to that Rinks Dynapattuh, or whatever it transliterates to. That's small and you can carry it. But the darned thing is absolutely fixed. You can't see any bolts, but you can't budge it, either. You work down the line. It'd be foolish to take the early model if you can get one with built-in magnetic current terminals—Ehrenhaft or some other principle?—and nuclear binding-force energy terminals. But they're all held down by the same whatchamaycallem effect. And, finally, you're right back beside the original first model. It's probably bolted down, too, but you try it tentatively and you find it moves. There's a little sign under it, indicating you shouldn't touch it, since the gravostatic plate is being renewed. Well, you won't be able to change the time cycle by doing anything I haven't told you, but a working model such as that is a handy thing. You lift it; it only weighs about fifty pounds! Naturally, it can be carried. You expect a warning bell, but nothing happens. As a matter of fact, if you'd stop drinking so much of that scotch and staring at the time machine out there now, you'd hear what I'm saying and know what will happen to you. But of course, just as I did, you're going to miss a lot of what I say from now on, and have to find out for yourself. But maybe some of it helps. I've tried to remember how much I remembered, after he told me, but I can't be sure. So I'll keep on talking. I probably can't help it, anyhow. Pre-set, you might say. Well, you stagger down the corridor, looking out for the guard, but all seems clear. Then you hear his voice from the weapons room. You bend down and try to scurry past, but you know you're in full view. Nothing happens, though. You stumble down the stairs, feeling all the futuristic rays in the world on your back, and still nothing happens. Ahead of you, the gate is closed. You reach it and it opens obligingly by itself. You breathe a quick sigh of relief and start out onto the street. Then there's a yell behind you. You don't wait. You put one leg in front of the other and you begin racing down the walk, ducking past people, who stare at you with expressions you haven't time to see. There's another yell behind you. Something goes over your head and drops on the sidewalk just in front of your feet, with a sudden ringing sound. You don't wait to find out about that, either. Somebody reaches out a hand to catch you and you dart past. The street is pretty clear now and you jolt along, with your arms seeming to come out of the sockets, and that atomic generator getting heavier at every step. Out of nowhere, something in a blue uniform about six feet tall and on the beefy side appears—and the badge hasn't changed much. The cop catches your arm and you know you're not going to get away, so you stop. "You can't exert yourself that hard in this heat, fellow," the cop says. "There are laws against that, without a yellow sticker. Here, let me grab you a taxi." Reaction sets in a bit and your knees begin to buckle, but you shake your head and come up for air. "I—I left my money home," you begin. The cop nods. "Oh, that explains it. Fine, I won't have to give you an appearance schedule. But you should have come to me." He reaches out and taps a pedestrian lightly on the shoulder. "Sir, an emergency request. Would you help this gentleman?" The pedestrian grins, looks at his watch, and nods. "How far?" You did notice the name of the building from which you came and you mutter it. The stranger nods again, reaches out and picks up the other side of the generator, blowing a little whistle the cop hands him. Pedestrians begin to move aside, and you and the stranger jog down the street at a trot, with a nice clear path, while the cop stands beaming at you both. That way, it isn't so bad. And you begin to see why I decided I might like to stay in the future. But all the same, the organized cooperation here doesn't look too good. The guard can get the same and be there before you. And he is. He stands just inside the door of the building as you reach it. The stranger lifts an eyebrow and goes off at once when you nod at him, not waiting for thanks. And the guard comes up, holding some dinkus in his hand, about the size of a big folding camera and not too dissimilar in other ways. He snaps it open and you get set to duck. "You forgot the prints, monograph, and patent applications," he says. "They go with the generator—we don't like to have them separated. A good thing I knew the production office of 'Atoms and Axioms' was in this building. Just let us know when you're finished with the model and we'll pick it up." You swallow several sets of tonsils you had removed years before, and take the bundle of papers he hands you out of the little case. He pumps you for some more information, which you give him at random. It seems to satisfy your amiable guard friend. He finally smiles in satisfaction and heads back to the museum. You still don't believe it, but you pick up the atomic generator and the information sheets, and you head down toward the service elevator. There is no button on it. In fact, there's no door there. You start looking for other doors or corridors, but you know this is right. The signs along the halls are the same as they were. Then there's a sort of cough and something dilates in the wall. It forms a perfect door and the elevator stands there waiting. You get in, gulping out something about going all the way down, and then wonder how a machine geared for voice operation can make anything of that. What the deuce would that lowest basement be called? But the elevator has closed and is moving downward in a hurry. It coughs again and you're at the original level. You get out—and realize you don't have a light. You'll never know what you stumbled over, but, somehow, you move back in the direction of the time machine, bumping against boxes, staggering here and there, and trying to find the right place by sheer feel. Then a shred of dim light appears; it's the weak light in the time machine. You've located it. You put the atomic generator in the luggage space, throw the papers down beside it, and climb into the cockpit, sweating and mumbling. You reach forward toward the green button and hesitate. There's a red one beside it and you finally decide on that. Suddenly, there's a confused yell from the direction of the elevator and a beam of light strikes against your eyes, with a shout punctuating it. Your finger touches the red button. You'll never know what the shouting was about—whether they finally doped out the fact that they'd been robbed, or whether they were trying to help you. You don't care which it is. The field springs up around you and the next button you touch—the one on the board that hasn't been used so far—sends you off into nothingness. There is no beam of light, you can't hear a thing, and you're safe. It isn't much of a trip back. You sit there smoking and letting your nerves settle back to normal. You notice a third set of buttons, with some pencil marks over them—"Press these to return to yourself 30 years"—and you begin waiting for the air to get stale. It doesn't because there is only one of you this time. Instead, everything flashes off and you're sitting in the machine in your own back yard. You'll figure out the cycle in more details later. You get into the machine in front of your house, go to the future in the sub-basement, land in your back yard, and then hop back thirty years to pick up yourself, landing in front of your house. Just that. But right then, you don't care. You jump out and start pulling out that atomic generator and taking it inside. It isn't hard to disassemble, but you don't learn a thing; just some plates of metal, some spiral coils, and a few odds and ends—all things that can be made easily enough, all obviously of common metals. But when you put it together again, about an hour later, you notice something. Everything in it is brand-new and there's one set of copper wires missing! It won't work. You put some #12 house wire in, exactly like the set on the other side, drop in some iron filings, and try it again. And with the controls set at 120 volts, 60 cycles and 15 amperes, you get just that. You don't need the power company any more. And you feel a little happier when you realize that the luggage space wasn't insulated from time effects by a field, so the motor has moved backward in time, somehow, and is back to its original youth—minus the replaced wires the guard mentioned—which probably wore out because of the makeshift job you've just done. But you begin getting more of a jolt when you find that the papers are all in your own writing, that your name is down as the inventor, and that the date of the patent application is 1951. It will begin to soak in, then. You pick up an atomic generator in the future and bring it back to the past—your present—so that it can be put in the museum with you as the inventor so you can steal it to be the inventor. And you do it in a time machine which you bring back to yourself to take yourself into the future to return to take back to yourself.... Who invented what? And who built which? Before long, your riches from the generator are piling in. Little kids from school are coming around to stare at the man who changed history and made atomic power so common that no nation could hope to be anything but a democracy and a peaceful one—after some of the worst times in history for a few years. Your name eventually becomes as common as Ampere, or Faraday, or any other spelled without a capital letter. But you're thinking of the puzzle. You can't find any answer. One day you come across an old poem—something about some folks calling it evolution and others calling it God. You go out, make a few provisions for the future, and come back to climb into the time machine that's waiting in the building you had put around it. Then you'll be knocking on your own door, thirty years back—or right now, from your view—and telling your younger self all these things I'm telling you. But now.... Well, the drinks are finished. You're woozy enough to go along with me without protest, and I want to find out just why those people up there came looking for you and shouting, before the time machine left. Let's go.
train	51433	[ "Why are they hunting the farn beast?", "How does Ri feel about Extrone?", "How does Mia feel about Extrone?", "Why are Ri and Mia afraid of Extrone?", "How does Lin feel about Extrone?", "If Mia is wealthy enough to buy half the planet why is he Extrone's guide?", "Who is Extrone?", "Why doesn't Extrone shoot the farn beasts?", "Why isn't Extrone afraid of the aliens?" ]	[ [ "This is a vacation hunting trip for Extrone.", "They are hunting the farn beasts because farn beasts are dangerous.", "Farn beasts are dangerous creatures that must be eliminated.", "Farn beasts are delicious." ], [ "Ri thinks Extrone is the kind of ruler the system needs.", "Ri hates Extrone and is planning on killing him at the first opportunity.", "Ri is frightened that Extrone is going to kill him.", "Ri is frightened of Extrone, but he doesn't think Extrone will kill him." ], [ "Mia is frightened of Extrone, but he doesn't think Extrone will kill him.", "Mia hates Extrone and is planning on killing him at the first opportunity.", "Mia is frightened that Extrone is going to kill him.", "Mia thinks Extrone is the kind of ruler the system needs." ], [ "Extrone is a ruthless and powerful overlord.", "Extrone is an evil, hulking demon.", "Extrone has immense power and can kill them with just a look.", "Extrone is four times their size." ], [ "Mia is frightened of Extrone, but he doesn't think Extrone will kill him.", "Lin hates Extrone and is planning on killing him at the first opportunity.", "Lin thinks Extrone is the kind of ruler the system needs.", "Lin is frightened that Extrone is going to kill him." ], [ "Extrone threatened to kill Mia's family if Mia didn't act as his guide.", "Extrone found out Mia had hunted farn beasts previously and demanded Mia act as his guide.", "Extrone kidnapped Mia, and is forcing Mia to act as his guide.", "Extrone is the sovereign, everyone must do as Extrone commands." ], [ "Extrone is the leader of the Ninth Fleet.", "Extrone is an evil warlord.", "Extrone is the ruler of this system.", "Extrone is the leader of the rebellion." ], [ "Extrone wants to watch the farn beasts kill Ri.", "Extrone wants to capture the farn beasts alive.", "Extrone doesn't shoot as he is paralyzed with fear at the sight of the farn beasts.", "Extrone doesn't shoot because he is afraid he will hit Ri instead of the farn beasts." ], [ "Extrone believes the aliens are inferior and incapable of launching a successful attack against him.", "Extrone is confident his armed forces will destroy the aliens before they are able to attack him.", "Extrone believes himself to be untouchable.", "The Ninth Fleet is the most decorated and undefeated force. They can protect Extrone from the aliens." ] ]	[ 1, 4, 3, 1, 3, 4, 3, 1, 2 ]	[ 1, 0, 0, 0, 1, 1, 1, 1, 1 ]	HUNT the HUNTER BY KRIS NEVILLE Illustrated by ELIZABETH MacINTYRE [Transcriber's Note: This etext was produced from Galaxy Science Fiction June 1951. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] Of course using live bait is the best way to lure dangerous alien animals ... unless it turns out that you are the bait! "We're somewhat to the south, I think," Ri said, bending over the crude field map. "That ridge," he pointed, "on our left, is right here." He drew a finger down the map. "It was over here," he moved the finger, "over the ridge, north of here, that we sighted them." Extrone asked, "Is there a pass?" Ri looked up, studying the terrain. He moved his shoulders. "I don't know, but maybe they range this far. Maybe they're on this side of the ridge, too." Delicately, Extrone raised a hand to his beard. "I'd hate to lose a day crossing the ridge," he said. "Yes, sir," Ri said. Suddenly he threw back his head. "Listen!" "Eh?" Extrone said. "Hear it? That cough? I think that's one, from over there. Right up ahead of us." Extrone raised his eyebrows. This time, the coughing roar was more distant, but distinct. "It is!" Ri said. "It's a farn beast, all right!" Extrone smiled, almost pointed teeth showing through the beard. "I'm glad we won't have to cross the ridge." Ri wiped his forehead on the back of his sleeve. "Yes, sir." "We'll pitch camp right here, then," Extrone said. "We'll go after it tomorrow." He looked at the sky. "Have the bearers hurry." "Yes, sir." Ri moved away, his pulse gradually slowing. "You, there!" he called. "Pitch camp, here!" He crossed to Mia, who, along with him, had been pressed into Extrone's party as guides. Once more, Ri addressed the bearers, "Be quick, now!" And to Mia, "God almighty, he was getting mad." He ran a hand under his collar. "It's a good thing that farn beast sounded off when it did. I'd hate to think of making him climb that ridge." Mia glanced nervously over his shoulder. "It's that damned pilot's fault for setting us down on this side. I told him it was the other side. I told him so." Ri shrugged hopelessly. Mia said, "I don't think he even saw a blast area over here. I think he wanted to get us in trouble." "There shouldn't be one. There shouldn't be a blast area on this side of the ridge, too." "That's what I mean. The pilot don't like businessmen. He had it in for us." Ri cleared his throat nervously. "Maybe you're right." "It's the Hunting Club he don't like." "I wish to God I'd never heard of a farn beast," Ri said. "At least, then, I wouldn't be one of his guides. Why didn't he hire somebody else?" Mia looked at his companion. He spat. "What hurts most, he pays us for it. I could buy half this planet, and he makes me his guide—at less than I pay my secretary." "Well, anyway, we won't have to cross that ridge." "Hey, you!" Extrone called. The two of them turned immediately. "You two scout ahead," Extrone said. "See if you can pick up some tracks." "Yes, sir," Ri said, and instantly the two of them readjusted their shoulder straps and started off. Shortly they were inside of the scrub forest, safe from sight. "Let's wait here," Mia said. "No, we better go on. He may have sent a spy in." They pushed on, being careful to blaze the trees, because they were not professional guides. "We don't want to get too near," Ri said after toiling through the forest for many minutes. "Without guns, we don't want to get near enough for the farn beast to charge us." They stopped. The forest was dense, the vines clinging. "He'll want the bearers to hack a path for him," Mia said. "But we go it alone. Damn him." Ri twisted his mouth into a sour frown. He wiped at his forehead. "Hot. By God, it's hot. I didn't think it was this hot, the first time we were here." Mia said, "The first time, we weren't guides. We didn't notice it so much then." They fought a few yards more into the forest. Then it ended. Or, rather, there was a wide gap. Before them lay a blast area, unmistakable. The grass was beginning to grow again, but the tree stumps were roasted from the rocket breath. "This isn't ours!" Ri said. "This looks like it was made nearly a year ago!" Mia's eyes narrowed. "The military from Xnile?" "No," Ri said. "They don't have any rockets this small. And I don't think there's another cargo rocket on this planet outside of the one we leased from the Club. Except the one he brought." "The ones who discovered the farn beasts in the first place?" Mia asked. "You think it's their blast?" "So?" Ri said. "But who are they?" It was Mia's turn to shrug. "Whoever they were, they couldn't have been hunters. They'd have kept the secret better." "We didn't do so damned well." "We didn't have a chance," Mia objected. "Everybody and his brother had heard the rumor that farn beasts were somewhere around here. It wasn't our fault Extrone found out." "I wish we hadn't shot our guide, then. I wish he was here instead of us." Mia shook perspiration out of his eyes. "We should have shot our pilot, too. That was our mistake. The pilot must have been the one who told Extrone we'd hunted this area." "I didn't think a Club pilot would do that." "After Extrone said he'd hunt farn beasts, even if it meant going to the alien system? Listen, you don't know.... Wait a minute." There was perspiration on Ri's upper lip. " I didn't tell Extrone, if that's what you're thinking," Mia said. Ri's mouth twisted. "I didn't say you did." "Listen," Mia said in a hoarse whisper. "I just thought. Listen. To hell with how he found out. Here's the point. Maybe he'll shoot us, too, when the hunt's over." Ri licked his lips. "No. He wouldn't do that. We're not—not just anybody. He couldn't kill us like that. Not even him . And besides, why would he want to do that? It wouldn't do any good to shoot us. Too many people already know about the farn beasts. You said that yourself." Mia said, "I hope you're right." They stood side by side, studying the blast area in silence. Finally, Mia said, "We better be getting back." "What'll we tell him?" "That we saw tracks. What else can we tell him?" They turned back along their trail, stumbling over vines. "It gets hotter at sunset," Ri said nervously. "The breeze dies down." "It's screwy. I didn't think farn beasts had this wide a range. There must be a lot of them, to be on both sides of the ridge like this." "There may be a pass," Mia said, pushing a vine away. Ri wrinkled his brow, panting. "I guess that's it. If there were a lot of them, we'd have heard something before we did. But even so, it's damned funny, when you think about it." Mia looked up at the darkening sky. "We better hurry," he said. When it came over the hastily established camp, the rocket was low, obviously looking for a landing site. It was a military craft, from the outpost on the near moon, and forward, near the nose, there was the blazoned emblem of the Ninth Fleet. The rocket roared directly over Extrone's tent, turned slowly, spouting fuel expensively, and settled into the scrub forest, turning the vegetation beneath it sere by its blasts. Extrone sat on an upholstered stool before his tent and spat disgustedly and combed his beard with his blunt fingers. Shortly, from the direction of the rocket, a group of four high-ranking officers came out of the forest, heading toward him. They were spruce, the officers, with military discipline holding their waists in and knees almost stiff. "What in hell do you want?" Extrone asked. They stopped a respectful distance away. "Sir...." one began. "Haven't I told you gentlemen that rockets frighten the game?" Extrone demanded, ominously not raising his voice. "Sir," the lead officer said, "it's another alien ship. It was sighted a few hours ago, off this very planet, sir." Extrone's face looked much too innocent. "How did it get there, gentlemen? Why wasn't it destroyed?" "We lost it again, sir. Temporarily, sir." "So?" Extrone mocked. "We thought you ought to return to a safer planet, sir. Until we could locate and destroy it." Extrone stared at them for a space. Then, indifferently, he turned away, in the direction of a resting bearer. "You!" he said. "Hey! Bring me a drink!" He faced the officers again. He smiled maliciously. "I'm staying here." The lead officer licked his firm lower lip. "But, sir...." Extrone toyed with his beard. "About a year ago, gentlemen, there was an alien ship around here then, wasn't there? And you destroyed it, didn't you?" "Yes, sir. When we located it, sir." "You'll destroy this one, too," Extrone said. "We have a tight patrol, sir. It can't slip through. But it might try a long range bombardment, sir." Extrone said, "To begin with, they probably don't even know I'm here. And they probably couldn't hit this area if they did know. And you can't afford to let them get a shot at me, anyway." "That's why we'd like you to return to an inner planet, sir." Extrone plucked at his right ear lobe, half closing his eyes. "You'll lose a fleet before you'll dare let anything happen to me, gentlemen. I'm quite safe here, I think." The bearer brought Extrone his drink. "Get off," Extrone said quietly to the four officers. Again they turned reluctantly. This time, he did not call them back. Instead, with amusement, he watched until they disappeared into the tangle of forest. Dusk was falling. The takeoff blast of the rocket illuminated the area, casting weird shadows on the gently swaying grasses; there was a hot breath of dry air and the rocket dwindled toward the stars. Extrone stood up lazily, stretching. He tossed the empty glass away, listened for it to shatter. He reached out, parted the heavy flap to his tent. "Sir?" Ri said, hurrying toward him in the gathering darkness. "Eh?" Extrone said, turning, startled. "Oh, you. Well?" "We ... located signs of the farn beast, sir. To the east." Extrone nodded. After a moment he said, "You killed one, I believe, on your trip?" Ri shifted. "Yes, sir." Extrone held back the flap of the tent. "Won't you come in?" he asked without any politeness whatever. Ri obeyed the order. The inside of the tent was luxurious. The bed was of bulky feathers, costly of transport space, the sleep curtains of silken gauze. The floor, heavy, portable tile blocks, not the hollow kind, were neatly and smoothly inset into the ground. Hanging from the center, to the left of the slender, hand-carved center pole, was a chain of crystals. They tinkled lightly when Extrone dropped the flap. The light was electric from a portable dynamo. Extrone flipped it on. He crossed to the bed, sat down. "You were, I believe, the first ever to kill a farn beast?" he said. "I.... No, sir. There must have been previous hunters, sir." Extrone narrowed his eyes. "I see by your eyes that you are envious—that is the word, isn't it?—of my tent." Ri looked away from his face. "Perhaps I'm envious of your reputation as a hunter. You see, I have never killed a farn beast. In fact, I haven't seen a farn beast." Ri glanced nervously around the tent, his sharp eyes avoiding Extrone's glittering ones. "Few people have seen them, sir." "Oh?" Extrone questioned mildly. "I wouldn't say that. I understand that the aliens hunt them quite extensively ... on some of their planets." "I meant in our system, sir." "Of course you did," Extrone said, lazily tracing the crease of his sleeve with his forefinger. "I imagine these are the only farn beasts in our system." Ri waited uneasily, not answering. "Yes," Extrone said, "I imagine they are. It would have been a shame if you had killed the last one. Don't you think so?" Ri's hands worried the sides of his outer garment. "Yes, sir. It would have been." Extrone pursed his lips. "It wouldn't have been very considerate of you to—But, still, you gained valuable experience. I'm glad you agreed to come along as my guide." "It was an honor, sir." Extrone's lip twisted in wry amusement. "If I had waited until it was safe for me to hunt on an alien planet, I would not have been able to find such an illustrious guide." "... I'm flattered, sir." "Of course," Extrone said. "But you should have spoken to me about it, when you discovered the farn beast in our own system." "I realize that, sir. That is, I had intended at the first opportunity, sir...." "Of course," Extrone said dryly. "Like all of my subjects," he waved his hand in a broad gesture, "the highest as well as the lowest slave, know me and love me. I know your intentions were the best." Ri squirmed, his face pale. "We do indeed love you, sir." Extrone bent forward. " Know me and love me." "Yes, sir. Know you and love you, sir," Ri said. "Get out!" Extrone said. "It's frightening," Ri said, "to be that close to him." Mia nodded. The two of them, beneath the leaf-swollen branches of the gnarled tree, were seated on their sleeping bags. The moon was clear and cold and bright in a cloudless sky; a small moon, smooth-surfaced, except for a central mountain ridge that bisected it into almost twin hemispheres. "To think of him. As flesh and blood. Not like the—well; that—what we've read about." Mia glanced suspiciously around him at the shadows. "You begin to understand a lot of things, after seeing him." Ri picked nervously at the cover of his sleeping bag. "It makes you think," Mia added. He twitched. "I'm afraid. I'm afraid he'll.... Listen, we'll talk. When we get back to civilization. You, me, the bearers. About him. He can't let that happen. He'll kill us first." Ri looked up at the moon, shivering. "No. We have friends. We have influence. He couldn't just like that—" "He could say it was an accident." "No," Ri said stubbornly. "He can say anything," Mia insisted. "He can make people believe anything. Whatever he says. There's no way to check on it." "It's getting cold," Ri said. "Listen," Mia pleaded. "No," Ri said. "Even if we tried to tell them, they wouldn't listen. Everybody would know we were lying. Everything they've come to believe would tell them we were lying. Everything they've read, every picture they've seen. They wouldn't believe us. He knows that." "Listen," Mia repeated intently. "This is important. Right now he couldn't afford to let us talk. Not right now. Because the Army is not against him. Some officers were here, just before we came back. A bearer overheard them talking. They don't want to overthrow him!" Ri's teeth, suddenly, were chattering. "That's another lie," Mia continued. "That he protects the people from the Army. That's a lie. I don't believe they were ever plotting against him. Not even at first. I think they helped him, don't you see?" Ri whined nervously. "It's like this," Mia said. "I see it like this. The Army put him in power when the people were in rebellion against military rule." Ri swallowed. "We couldn't make the people believe that." "No?" Mia challenged. "Couldn't we? Not today, but what about tomorrow? You'll see. Because I think the Army is getting ready to invade the alien system!" "The people won't support them," Ri answered woodenly. " Think. If he tells them to, they will. They trust him." Ri looked around at the shadows. "That explains a lot of things," Mia said. "I think the Army's been preparing for this for a long time. From the first, maybe. That's why Extrone cut off our trade with the aliens. Partly to keep them from learning that he was getting ready to invade them, but more to keep them from exposing him to the people. The aliens wouldn't be fooled like we were, so easy." "No!" Ri snapped. "It was to keep the natural economic balance." "You know that's not right." Ri lay down on his bed roll. "Don't talk about it. It's not good to talk like this. I don't even want to listen." "When the invasion starts, he'll have to command all their loyalties. To keep them from revolt again. They'd be ready to believe us, then. He'll have a hard enough time without people running around trying to tell the truth." "You're wrong. He's not like that. I know you're wrong." Mia smiled twistedly. "How many has he already killed? How can we even guess?" Ri swallowed sickly. "Remember our guide? To keep our hunting territory a secret?" Ri shuddered. "That's different. Don't you see? This is not at all like that." With morning came birds' songs, came dew, came breakfast smells. The air was sweet with cooking and it was nostalgic, childhoodlike, uncontaminated. And Extrone stepped out of the tent, fully dressed, surly, letting the flap slap loudly behind him. He stretched hungrily and stared around the camp, his eyes still vacant-mean with sleep. "Breakfast!" he shouted, and two bearers came running with a folding table and chair. Behind them, a third bearer, carrying a tray of various foods; and yet behind him, a fourth, with a steaming pitcher and a drinking mug. Extrone ate hugely, with none of the delicacy sometimes affected in his conversational gestures. When he had finished, he washed his mouth with water and spat on the ground. "Lin!" he said. His personal bearer came loping toward him. "Have you read that manual I gave you?" Lin nodded. "Yes." Extrone pushed the table away. He smacked his lips wetly. "Very ludicrous, Lin. Have you noticed that I have two businessmen for guides? It occurred to me when I got up. They would have spat on me, twenty years ago, damn them." Lin waited. "Now I can spit on them, which pleases me." "The farn beasts are dangerous, sir," Lin said. "Eh? Oh, yes. Those. What did the manual say about them?" "I believe they're carnivorous, sir." "An alien manual. That's ludicrous, too. That we have the only information on our newly discovered fauna from an alien manual—and, of course, two businessmen." "They have very long, sharp fangs, and, when enraged, are capable of tearing a man—" "An alien?" Extrone corrected. "There's not enough difference between us to matter, sir. Of tearing an alien to pieces, sir." Extrone laughed harshly. "It's 'sir' whenever you contradict me?" Lin's face remained impassive. "I guess it seems that way. Sir." "Damned few people would dare go as far as you do," Extrone said. "But you're afraid of me, too, in your own way, aren't you?" Lin shrugged. "Maybe." "I can see you are. Even my wives are. I wonder if anyone can know how wonderful it feels to have people all afraid of you." "The farn beasts, according to the manual...." "You are very insistent on one subject." "... It's the only thing I know anything about. The farn beast, as I was saying, sir, is the particular enemy of men. Or if you like, of aliens. Sir." "All right," Extrone said, annoyed. "I'll be careful." In the distance, a farn beast coughed. Instantly alert, Extrone said, "Get the bearers! Have some of them cut a path through that damn thicket! And tell those two businessmen to get the hell over here!" Lin smiled, his eyes suddenly afire with the excitement of the hunt. Four hours later, they were well into the scrub forest. Extrone walked leisurely, well back of the cutters, who hacked away, methodically, at the vines and branches which might impede his forward progress. Their sharp, awkward knives snickered rhythmically to the rasp of their heavy breathing. Occasionally, Extrone halted, motioned for his water carrier, and drank deeply of the icy water to allay the heat of the forest, a heat made oppressive by the press of foliage against the outside air. Ranging out, on both sides of the central body, the two businessmen fought independently against the wild growth, each scouting the flanks for farn beasts, and ahead, beyond the cutters, Lin flittered among the tree trunks, sometimes far, sometimes near. Extrone carried the only weapon, slung easily over his shoulder, a powerful blast rifle, capable of piercing medium armor in sustained fire. To his rear, the water carrier was trailed by a man bearing a folding stool, and behind him, a man carrying the heavy, high-powered two-way communication set. Once Extrone unslung his blast rifle and triggered a burst at a tiny, arboreal mammal, which, upon the impact, shattered asunder, to Extrone's satisfied chuckle, in a burst of blood and fur. When the sun stood high and heat exhaustion made the near-naked bearers slump, Extrone permitted a rest. While waiting for the march to resume, he sat on the stool with his back against an ancient tree and patted, reflectively, the blast rifle, lying across his legs. "For you, sir," the communications man said, interrupting his reverie. "Damn," Extrone muttered. His face twisted in anger. "It better be important." He took the head-set and mike and nodded to the bearer. The bearer twiddled the dials. "Extrone. Eh?... Oh, you got their ship. Well, why in hell bother me?... All right, so they found out I was here. You got them, didn't you?" "Blasted them right out of space," the voice crackled excitedly. "Right in the middle of a radio broadcast, sir." "I don't want to listen to your gabbling when I'm hunting!" Extrone tore off the head-set and handed it to the bearer. "If they call back, find out what they want, first. I don't want to be bothered unless it's important." "Yes, sir." Extrone squinted up at the sun; his eyes crinkled under the glare, and perspiration stood in little droplets on the back of his hands. Lin, returning to the column, threaded his way among reclining bearers. He stopped before Extrone and tossed his hair out of his eyes. "I located a spoor," he said, suppressed eagerness in his voice. "About a quarter ahead. It looks fresh." Extrone's eyes lit with passion. Lin's face was red with heat and grimy with sweat. "There were two, I think." "Two?" Extrone grinned, petting the rifle. "You and I better go forward and look at the spoor." Lin said, "We ought to take protection, if you're going, too." Extrone laughed. "This is enough." He gestured with the rifle and stood up. "I wish you had let me bring a gun along, sir," Lin said. "One is enough in my camp." The two of them went forward, alone, into the forest. Extrone moved agilely through the tangle, following Lin closely. When they came to the tracks, heavily pressed into drying mud around a small watering hole, Extrone nodded his head in satisfaction. "This way," Lin said, pointing, and once more the two of them started off. They went a good distance through the forest, Extrone becoming more alert with each additional foot. Finally, Lin stopped him with a restraining hand. "They may be quite a way ahead. Hadn't we ought to bring up the column?" The farn beast, somewhere beyond a ragged clump of bushes, coughed. Extrone clenched the blast rifle convulsively. The farn beast coughed again, more distant this time. "They're moving away," Lin said. "Damn!" Extrone said. "It's a good thing the wind's right, or they'd be coming back, and fast, too." "Eh?" Extrone said. "They charge on scent, sight, or sound. I understand they will track down a man for as long as a day." "Wait," Extrone said, combing his beard. "Wait a minute." "Yes?" "Look," Extrone said. "If that's the case, why do we bother tracking them? Why not make them come to us?" "They're too unpredictable. It wouldn't be safe. I'd rather have surprise on our side." "You don't seem to see what I mean," Extrone said. " We won't be the—ah—the bait." "Oh?" "Let's get back to the column." "Extrone wants to see you," Lin said. Ri twisted at the grass shoot, broke it off, worried and unhappy. "What's he want to see me for?" "I don't know," Lin said curtly. Ri got to his feet. One of his hands reached out, plucked nervously at Lin's bare forearm. "Look," he whispered. "You know him. I have—a little money. If you were able to ... if he wants," Ri gulped, "to do anything to me—I'd pay you, if you could...." "You better come along," Lin said, turning. Ri rubbed his hands along his thighs; he sighed, a tiny sound, ineffectual. He followed Lin beyond an outcropping of shale to where Extrone was seated, petting his rifle. Extrone nodded genially. "The farn beast hunter, eh?" "Yes, sir." Extrone drummed his fingers on the stock of the blast rifle. "Tell me what they look like," he said suddenly. "Well, sir, they're ... uh...." "Pretty frightening?" "No, sir.... Well, in a way, sir." "But you weren't afraid of them, were you?" "No, sir. No, because...." Extrone was smiling innocently. "Good. I want you to do something for me." "I ... I...." Ri glanced nervously at Lin out of the tail of his eye. Lin's face was impassive. "Of course you will," Extrone said genially. "Get me a rope, Lin. A good, long, strong rope." "What are you going to do?" Ri asked, terrified. "Why, I'm going to tie the rope around your waist and stake you out as bait." "No!" "Oh, come now. When the farn beast hears you scream—you can scream, by the way?" Ri swallowed. "We could find a way to make you." There was perspiration trickling down Ri's forehead, a single drop, creeping toward his nose. "You'll be safe," Extrone said, studying his face with amusement. "I'll shoot the animal before it reaches you." Ri gulped for air. "But ... if there should be more than one?" Extrone shrugged. "I—Look, sir. Listen to me." Ri's lips were bloodless and his hands were trembling. "It's not me you want to do this to. It's Mia, sir. He killed a farn beast before I did, sir. And last night—last night, he—" "He what?" Extrone demanded, leaning forward intently. Ri breathed with a gurgling sound. "He said he ought to kill you, sir. That's what he said. I heard him, sir. He said he ought to kill you. He's the one you ought to use for bait. Then if there was an accident, sir, it wouldn't matter, because he said he ought to kill you. I wouldn't...." Extrone said, "Which one is he?" "That one. Right over there." "The one with his back to me?" "Yes, sir. That's him. That's him, sir." Extrone aimed carefully and fired, full charge, then lowered the rifle and said, "Here comes Lin with the rope, I see." Ri was greenish. "You ... you...." Extrone turned to Lin. "Tie one end around his waist." "Wait," Ri begged, fighting off the rope with his hands. "You don't want to use me, sir. Not after I told you.... Please, sir. If anything should happen to me.... Please, sir. Don't do it." "Tie it," Extrone ordered. "No, sir. Please. Oh, please don't, sir." "Tie it," Extrone said inexorably. Lin bent with the rope; his face was colorless. They were at the watering hole—Extrone, Lin, two bearers, and Ri. Since the hole was drying, the left, partially exposed bank was steep toward the muddy water. Upon it was green, new grass, tender-tuffed, half mashed in places by heavy animal treads. It was there that they staked him out, tying the free end of the rope tightly around the base of a scaling tree. "You will scream," Extrone instructed. With his rifle, he pointed across the water hole. "The farn beast will come from this direction, I imagine." Ri was almost slobbering in fear. "Let me hear you scream," Extrone said. Ri moaned weakly. "You'll have to do better than that." Extrone inclined his head toward a bearer, who used something Ri couldn't see. Ri screamed. "See that you keep it up that way," Extrone said. "That's the way I want you to sound." He turned toward Lin. "We can climb this tree, I think." Slowly, aided by the bearers, the two men climbed the tree, bark peeling away from under their rough boots. Ri watched them hopelessly. Once at the crotch, Extrone settled down, holding the rifle at alert. Lin moved to the left, out on the main branch, rested in a smaller crotch. Looking down, Extrone said, "Scream!" Then, to Lin, "You feel the excitement? It's always in the air like this at a hunt." "I feel it," Lin said. Extrone chuckled. "You were with me on Meizque?" "Yes." "That was something, that time." He ran his hand along the stock of the weapon. The sun headed west, veiling itself with trees; a large insect circled Extrone's head. He slapped at it, angry. The forest was quiet, underlined by an occasional piping call, something like a whistle. Ri's screams were shrill, echoing away, shiveringly. Lin sat quiet, hunched. Extrone's eyes narrowed, and he began to pet the gun stock with quick, jerky movements. Lin licked his lips, keeping his eyes on Extrone's face. The sun seemed stuck in the sky, and the heat squeezed against them, sucking at their breath like a vacuum. The insect went away. Still, endless, hopeless, monotonous, Ri screamed. A farn beast coughed, far in the matted forest. Extrone laughed nervously. "He must have heard." "We're lucky to rouse one so fast," Lin said. Extrone dug his boot cleats into the tree, braced himself. "I like this. There's more excitement in waiting like this than in anything I know." Lin nodded. "The waiting, itself, is a lot. The suspense. It's not only the killing that matters." "It's not only the killing," Lin echoed. "You understand?" Extrone said. "How it is to wait, knowing in just a minute something is going to come out of the forest, and you're going to kill it?" "I know," Lin said. "But it's not only the killing. It's the waiting, too." The farn beast coughed again; nearer. "It's a different one," Lin said. "How do you know?" "Hear the lower pitch, the more of a roar?" "Hey!" Extrone shouted. "You, down there. There are two coming. Now let's hear you really scream!" Ri, below, whimpered childishly and began to retreat toward the tether tree, his eyes wide. "There's a lot of satisfaction in fooling them, too," Extrone said. "Making them come to your bait, where you can get at them." He opened his right hand. "Choose your ground, set your trap. Bait it." He snapped his hand into a fist, held the fist up before his eyes, imprisoning the idea. "Spring the trap when the quarry is inside. Clever. That makes the waiting more interesting. Waiting to see if they really will come to your bait." Lin shifted, staring toward the forest. "I've always liked to hunt," Extrone said. "More than anything else, I think." Lin spat toward the ground. "People should hunt because they have to. For food. For safety." "No," Extrone argued. "People should hunt for the love of hunting." "Killing?" "Hunting," Extrone repeated harshly. The farn beast coughed. Another answered. They were very near, and there was a noise of crackling underbrush. "He's good bait," Extrone said. "He's fat enough and he knows how to scream good." Ri had stopped screaming; he was huddled against the tree, fearfully eying the forest across from the watering hole. Extrone began to tremble with excitement. "Here they come!" The forest sprang apart. Extrone bent forward, the gun still across his lap. The farn beast, its tiny eyes red with hate, stepped out on the bank, swinging its head wildly, its nostrils flaring in anger. It coughed. Its mate appeared beside it. Their tails thrashed against the scrubs behind them, rattling leaves. "Shoot!" Lin hissed. "For God's sake, shoot!" "Wait," Extrone said. "Let's see what they do." He had not moved the rifle. He was tense, bent forward, his eyes slitted, his breath beginning to sound like an asthmatic pump. The lead farn beast sighted Ri. It lowered its head. "Look!" Extrone cried excitedly. "Here it comes!" Ri began to scream again. Still Extrone did not lift his blast rifle. He was laughing. Lin waited, frozen, his eyes staring at the farn beast in fascination. The farn beast plunged into the water, which was shallow, and, throwing a sheet of it to either side, headed across toward Ri. "Watch! Watch!" Extrone cried gleefully. And then the aliens sprang their trap.
train	49165	[ "What is the Brightside?", "Why does Baron think there was something wrong with Claney's filters?", "How does Claney feel about Mikuta?", "What happened to Wyatt and Carpenter?", "What was Sanderson studying?", "What does Baron think was one of the mistakes Claney's team made?", "What is the twilight zone?", "Why doesn't the Major want McIvers to scout ahead?", "What is the Red Lion?" ]	[ [ "The Brightside is the side of Mercury that constantly faces the sun.", "The Brightside is the first passage to the core of Vulcan Crater on Venus.", "The Brightside is the name of the passage on the Andean mountains of Venus.", "The Brightside is the name of the crossing the climbers are going to climb." ], [ "Claney's face is extremely sunburned.", "Claney's face is twisted and brown.", "Claney's face is covered in scars.", "Claney's face is covered in cancerous tumors." ], [ "Claney likes Mikuta. He can trust Mikuta.", "Claney doesn't like Mikuta. Mikuta makes too many mistakes.", "Claney likes Mikuta, but Mikuta makes too many mistakes.", "Claney doesn't like Mikuta. He can't trust Mikuta." ], [ "They died when a rock slide crushed their vehicle while they were attempting the Brightside Crossing.", "They crossed the Brightside at aphelion.", "They disappeared after their ship set off for Mercury. They were on a mission to cross the Brightside.", "They disappeared when they attempted to cross the Brightside at perihelion." ], [ "The Brightside ", "The Darkside", "The twilight zone", "The Sun" ], [ "Trying to cross on foot", "Using suits with fiberglass lining", "Not counting on the Bugs for protection", "Asking McIvers to be on the team" ], [ "The place at the end of the Brightside Crossing.", "A lab where they study the Sun.", "The place between Brightside and Darkside.", "A lab where they study Mercury." ], [ "The Major thinks McIvers is up to something. The Major wants McIvers close, so he can keep an eye on him.", "The Major thinks it's safer if they stay together.", "The Major doesn't want McIvers to steal the glory by completing the crossing first.", "The Major doesn't want to be responsible if McIvers dies." ], [ "A gentlemen's club", "A restaurant", "A club for explorers and adventurers", "A bar" ] ]	[ 1, 4, 1, 1, 4, 4, 3, 2, 3 ]	[ 1, 0, 0, 1, 1, 0, 0, 0, 0 ]	Brightside Crossing by Alan E. Nourse JAMES BARON was not pleased to hear that he had had a visitor when he reached the Red Lion that evening. He had no stomach for mysteries, vast or trifling, and there were pressing things to think about at this time. Yet the doorman had flagged him as he came in from the street: “A thousand pardons, Mr. Baron. The gentleman—he would leave no name. He said you’d want to see him. He will be back by eight.” Now Baron drummed his fingers on the table top, staring about the quiet lounge. Street trade was discouraged at the Red Lion, gently but persuasively; the patrons were few in number. Across to the right was a group that Baron knew vaguely—Andean climbers, or at least two of them were. Over near the door he recognized old Balmer, who had mapped the first passage to the core of Vulcan Crater on Venus. Baron returned his smile with a nod. Then he settled back and waited impatiently for the intruder who demanded his time without justifying it. Presently a small, grizzled man crossed the room and sat down at Baron’s table. He was short and wiry. His face held no key to his age—he might have been thirty or a thousand—but he looked weary and immensely ugly. His cheeks and forehead were twisted and brown, with scars that were still healing. The stranger said, “I’m glad you waited. I’ve heard you’re planning to attempt the Brightside.” Baron stared at the man for a moment. “I see you can read telecasts,” he said coldly. “The news was correct. We are going to make a Brightside Crossing.” “At perihelion?” “Of course. When else?” The grizzled man searched Baron’s face for a moment without expression. Then he said slowly, “No, I’m afraid you’re not going to make the Crossing.” “Say, who are you, if you don’t mind?” Baron demanded. “The name is Claney,” said the stranger. There was a silence. Then: “Claney? Peter Claney?” “That’s right.” Baron’s eyes were wide with excitement, all trace of anger gone. “Great balls of fire, man— where have you been hiding? We’ve been trying to contact you for months!” “I know. I was hoping you’d quit looking and chuck the whole idea.” “Quit looking!” Baron bent forward over the table. “My friend, we’d given up hope, but we’ve never quit looking. Here, have a drink. There’s so much you can tell us.” His fingers were trembling. Peter Claney shook his head. “I can’t tell you anything you want to hear.” “But you’ve got to. You’re the only man on Earth who’s attempted a Brightside Crossing and lived through it! And the story you cleared for the news—it was nothing. We need details . Where did your equipment fall down? Where did you miscalculate? What were the trouble spots?” Baron jabbed a finger at Claney’s face. “That, for instance—epithelioma? Why? What was wrong with your glass? Your filters? We’ve got to know those things. If you can tell us, we can make it across where your attempt failed—” “You want to know why we failed?” asked Claney. “Of course we want to know. We have to know.” “It’s simple. We failed because it can’t be done. We couldn’t do it and neither can you. No human beings will ever cross the Brightside alive, not if they try for centuries.” “Nonsense,” Baron declared. “We will.” Claney shrugged. “I was there. I know what I’m saying. You can blame the equipment or the men—there were flaws in both quarters—but we just didn’t know what we were fighting. It was the planet that whipped us, that and the Sun . They’ll whip you, too, if you try it.” “Never,” said Baron. “Let me tell you,” Peter Claney said. I’d been interested in the Brightside for almost as long as I can remember (Claney said). I guess I was about ten when Wyatt and Carpenter made the last attempt—that was in 2082, I think. I followed the news stories like a tri-V serial and then I was heartbroken when they just disappeared. I know now that they were a pair of idiots, starting off without proper equipment, with practically no knowledge of surface conditions, without any charts—they couldn’t have made a hundred miles—but I didn’t know that then and it was a terrible tragedy. After that, I followed Sanderson’s work in the Twilight Lab up there and began to get Brightside into my blood, sure as death. But it was Mikuta’s idea to attempt a Crossing. Did you ever know Tom Mikuta? I don’t suppose you did. No, not Japanese—Polish-American. He was a major in the Interplanetary Service for some years and hung onto the title after he gave up his commission. He was with Armstrong on Mars during his Service days, did a good deal of the original mapping and surveying for the Colony there. I first met him on Venus; we spent five years together up there doing some of the nastiest exploring since the Matto Grasso. Then he made the attempt on Vulcan Crater that paved the way for Balmer a few years later. I’d always liked the Major—he was big and quiet and cool, the sort of guy who always had things figured a little further ahead than anyone else and always knew what to do in a tight place. Too many men in this game are all nerve and luck, with no judgment. The Major had both. He also had the kind of personality that could take a crew of wild men and make them work like a well-oiled machine across a thousand miles of Venus jungle. I liked him and I trusted him. He contacted me in New York and he was very casual at first. We spent an evening here at the Red Lion, talking about old times; he told me about the Vulcan business, and how he’d been out to see Sanderson and the Twilight Lab on Mercury, and how he preferred a hot trek to a cold one any day of the year—and then he wanted to know what I’d been doing since Venus and what my plans were. “No particular plans,” I told him. “Why?” He looked me over. “How much do you weigh, Peter?” I told him one-thirty-five. “That much!” he said. “Well, there can’t be much fat on you, at any rate. How do you take heat?” “You should know,” I said. “Venus was no icebox.” “No, I mean real heat.” Then I began to get it. “You’re planning a trip.” “That’s right. A hot trip.” He grinned at me. “Might be dangerous, too.” “What trip?” “Brightside of Mercury,” the Major said. I whistled cautiously. “At aphelion?” He threw his head back. “Why try a Crossing at aphelion? What have you done then? Four thousand miles of butcherous heat, just to have some joker come along, use your data and drum you out of the glory by crossing at perihelion forty-four days later? No, thanks. I want the Brightside without any nonsense about it.” He leaned across me eagerly. “I want to make a Crossing at perihelion and I want to cross on the surface. If a man can do that, he’s got Mercury. Until then, nobody’s got Mercury. I want Mercury—but I’ll need help getting it.” I’d thought of it a thousand times and never dared consider it. Nobody had, since Wyatt and Carpenter disappeared. Mercury turns on its axis in the same time that it wheels around the Sun, which means that the Brightside is always facing in. That makes the Brightside of Mercury at perihelion the hottest place in the Solar System, with one single exception: the surface of the Sun itself. It would be a hellish trek. Only a few men had ever learned just how hellish and they never came back to tell about it. It was a real hell’s Crossing, but someday, I thought, somebody would cross it. I wanted to be along. The Twilight Lab, near the northern pole of Mercury, was the obvious jumping-off place. The setup there wasn’t very extensive—a rocket landing, the labs and quarters for Sanderson’s crew sunk deep into the crust, and the tower that housed the Solar ’scope that Sanderson had built up there ten years before. Twilight Lab wasn’t particularly interested in the Brightside, of course—the Sun was Sanderson’s baby and he’d picked Mercury as the closest chunk of rock to the Sun that could hold his observatory. He’d chosen a good location, too. On Mercury, the Brightside temperature hits 770° F. at perihelion and the Darkside runs pretty constant at -410° F. No permanent installation with a human crew could survive at either extreme. But with Mercury’s wobble, the twilight zone between Brightside and Darkside offers something closer to survival temperatures. Sanderson built the Lab up near the pole, where the zone is about five miles wide, so the temperature only varies 50 to 60 degrees with the libration. The Solar ’scope could take that much change and they’d get good clear observation of the Sun for about seventy out of the eighty-eight days it takes the planet to wheel around. The Major was counting on Sanderson knowing something about Mercury as well as the Sun when we camped at the Lab to make final preparations. Sanderson did. He thought we’d lost our minds and he said so, but he gave us all the help he could. He spent a week briefing Jack Stone, the third member of our party, who had arrived with the supplies and equipment a few days earlier. Poor Jack met us at the rocket landing almost bawling, Sanderson had given him such a gloomy picture of what Brightside was like. Stone was a youngster—hardly twenty-five, I’d say—but he’d been with the Major at Vulcan and had begged to join this trek. I had a funny feeling that Jack really didn’t care for exploring too much, but he thought Mikuta was God, followed him around like a puppy. It didn’t matter to me as long as he knew what he was getting in for. You don’t go asking people in this game why they do it—they’re liable to get awfully uneasy and none of them can ever give you an answer that makes sense. Anyway, Stone had borrowed three men from the Lab, and had the supplies and equipment all lined up when we got there, ready to check and test. We dug right in. With plenty of funds—tri-V money and some government cash the Major had talked his way around—our equipment was new and good. Mikuta had done the designing and testing himself, with a big assist from Sanderson. We had four Bugs, three of them the light pillow-tire models, with special lead-cooled cut-in engines when the heat set in, and one heavy-duty tractor model for pulling the sledges. The Major went over them like a kid at the circus. Then he said, “Have you heard anything from McIvers?” “Who’s he?” Stone wanted to know. “He’ll be joining us. He’s a good man—got quite a name for climbing, back home.” The Major turned to me. “You’ve probably heard of him.” I’d heard plenty of stories about Ted McIvers and I wasn’t too happy to hear that he was joining us. “Kind of a daredevil, isn’t he?” “Maybe. He’s lucky and skillful. Where do you draw the line? We’ll need plenty of both.” “Have you ever worked with him?” I asked. “No. Are you worried?” “Not exactly. But Brightside is no place to count on luck.” The Major laughed. “I don’t think we need to worry about McIvers. We understood each other when I talked up the trip to him and we’re going to need each other too much to do any fooling around.” He turned back to the supply list. “Meanwhile, let’s get this stuff listed and packed. We’ll need to cut weight sharply and our time is short. Sanderson says we should leave in three days.” Two days later, McIvers hadn’t arrived. The Major didn’t say much about it. Stone was getting edgy and so was I. We spent the second day studying charts of the Brightside, such as they were. The best available were pretty poor, taken from so far out that the detail dissolved into blurs on blow-up. They showed the biggest ranges of peaks and craters and faults, and that was all. Still, we could use them to plan a broad outline of our course. “This range here,” the Major said as we crowded around the board, “is largely inactive, according to Sanderson. But these to the south and west could be active. Seismograph tracings suggest a lot of activity in that region, getting worse down toward the equator—not only volcanic, but sub-surface shifting.” Stone nodded. “Sanderson told me there was probably constant surface activity.” The Major shrugged. “Well, it’s treacherous, there’s no doubt of it. But the only way to avoid it is to travel over the Pole, which would lose us days and offer us no guarantee of less activity to the west. Now we might avoid some if we could find a pass through this range and cut sharp east—” It seemed that the more we considered the problem, the further we got from a solution. We knew there were active volcanoes on the Brightside—even on the Darkside, though surface activity there was pretty much slowed down and localized. But there were problems of atmosphere on Brightside, as well. There was an atmosphere and a constant atmospheric flow from Brightside to Darkside. Not much—the lighter gases had reached escape velocity and disappeared from Brightside millennia ago—but there was CO 2 , and nitrogen, and traces of other heavier gases. There was also an abundance of sulfur vapor, as well as carbon disulfide and sulfur dioxide. The atmospheric tide moved toward the Darkside, where it condensed, carrying enough volcanic ash with it for Sanderson to estimate the depth and nature of the surface upheavals on Brightside from his samplings. The trick was to find a passage that avoided those upheavals as far as possible. But in the final analysis, we were barely scraping the surface. The only way we would find out what was happening where was to be there. Finally, on the third day, McIvers blew in on a freight rocket from Venus. He’d missed the ship that the Major and I had taken by a few hours, and had conned his way to Venus in hopes of getting a hop from there. He didn’t seem too upset about it, as though this were his usual way of doing things and he couldn’t see why everyone should get so excited. He was a tall, rangy man with long, wavy hair prematurely gray, and the sort of eyes that looked like a climber’s—half-closed, sleepy, almost indolent, but capable of abrupt alertness. And he never stood still; he was always moving, always doing something with his hands, or talking, or pacing about. Evidently the Major decided not to press the issue of his arrival. There was still work to do, and an hour later we were running the final tests on the pressure suits. That evening, Stone and McIvers were thick as thieves, and everything was set for an early departure after we got some rest. “And that,” said Baron, finishing his drink and signaling the waiter for another pair, “was your first big mistake.” Peter Claney raised his eyebrows. “McIvers?” “Of course.” Claney shrugged, glanced at the small quiet tables around them. “There are lots of bizarre personalities around a place like this, and some of the best wouldn’t seem to be the most reliable at first glance. Anyway, personality problems weren’t our big problem right then. Equipment worried us first and route next.” Baron nodded in agreement. “What kind of suits did you have?” “The best insulating suits ever made,” said Claney. “Each one had an inner lining of a fiberglass modification, to avoid the clumsiness of asbestos, and carried the refrigerating unit and oxygen storage which we recharged from the sledges every eight hours. Outer layer carried a monomolecular chrome reflecting surface that made us glitter like Christmas trees. And we had a half-inch dead-air space under positive pressure between the two layers. Warning thermocouples, of course—at 770 degrees, it wouldn’t take much time to fry us to cinders if the suits failed somewhere.” “How about the Bugs?” “They were insulated, too, but we weren’t counting on them too much for protection.” “You weren’t!” Baron exclaimed. “Why not?” “We’d be in and out of them too much. They gave us mobility and storage, but we knew we’d have to do a lot of forward work on foot.” Claney smiled bitterly. “Which meant that we had an inch of fiberglass and a half-inch of dead air between us and a surface temperature where lead flowed like water and zinc was almost at melting point and the pools of sulfur in the shadows were boiling like oatmeal over a campfire.” Baron licked his lips. His fingers stroked the cool, wet glass as he set it down on the tablecloth. “Go on,” he said tautly. “You started on schedule?” “Oh, yes,” said Claney, “we started on schedule, all right. We just didn’t quite end on schedule, that was all. But I’m getting to that.” He settled back in his chair and continued. We jumped off from Twilight on a course due southeast with thirty days to make it to the Center of Brightside. If we could cross an average of seventy miles a day, we could hit Center exactly at perihelion, the point of Mercury’s closest approach to the Sun—which made Center the hottest part of the planet at the hottest it ever gets. The Sun was already huge and yellow over the horizon when we started, twice the size it appears on Earth. Every day that Sun would grow bigger and whiter, and every day the surface would get hotter. But once we reached Center, the job was only half done—we would still have to travel another two thousand miles to the opposite twilight zone. Sanderson was to meet us on the other side in the Laboratory’s scout ship, approximately sixty days from the time we jumped off. That was the plan, in outline. It was up to us to cross those seventy miles a day, no matter how hot it became, no matter what terrain we had to cross. Detours would be dangerous and time-consuming. Delays could cost us our lives. We all knew that. The Major briefed us on details an hour before we left. “Peter, you’ll take the lead Bug, the small one we stripped down for you. Stone and I will flank you on either side, giving you a hundred-yard lead. McIvers, you’ll have the job of dragging the sledges, so we’ll have to direct your course pretty closely. Peter’s job is to pick the passage at any given point. If there’s any doubt of safe passage, we’ll all explore ahead on foot before we risk the Bugs. Got that?” McIvers and Stone exchanged glances. McIvers said: “Jack and I were planning to change around. We figured he could take the sledges. That would give me a little more mobility.” The Major looked up sharply at Stone. “Do you buy that, Jack?” Stone shrugged. “I don’t mind. Mac wanted—” McIvers made an impatient gesture with his hands. “It doesn’t matter. I just feel better when I’m on the move. Does it make any difference?” “I guess it doesn’t,” said the Major. “Then you’ll flank Peter along with me. Right?” “Sure, sure.” McIvers pulled at his lower lip. “Who’s going to do the advance scouting?” “It sounds like I am,” I cut in. “We want to keep the lead Bug light as possible.” Mikuta nodded. “That’s right. Peter’s Bug is stripped down to the frame and wheels.” McIvers shook his head. “No, I mean the advance work. You need somebody out ahead—four or five miles, at least—to pick up the big flaws and active surface changes, don’t you?” He stared at the Major. “I mean, how can we tell what sort of a hole we may be moving into, unless we have a scout up ahead?” “That’s what we have the charts for,” the Major said sharply. “Charts! I’m talking about detail work. We don’t need to worry about the major topography. It’s the little faults you can’t see on the pictures that can kill us.” He tossed the charts down excitedly. “Look, let me take a Bug out ahead and work reconnaissance, keep five, maybe ten miles ahead of the column. I can stay on good solid ground, of course, but scan the area closely and radio back to Peter where to avoid the flaws. Then—” “No dice,” the Major broke in. “But why not? We could save ourselves days!” “I don’t care what we could save. We stay together. When we get to the Center, I want live men along with me. That means we stay within easy sight of each other at all times. Any climber knows that everybody is safer in a party than one man alone—any time, any place.” McIvers stared at him, his cheeks an angry red. Finally he gave a sullen nod. “Okay. If you say so.” “Well, I say so and I mean it. I don’t want any fancy stuff. We’re going to hit Center together, and finish the Crossing together. Got that?” McIvers nodded. Mikuta then looked at Stone and me and we nodded, too. “All right,” he said slowly. “Now that we’ve got it straight, let’s go.” It was hot. If I forget everything else about that trek, I’ll never forget that huge yellow Sun glaring down, without a break, hotter and hotter with every mile. We knew that the first few days would be the easiest and we were rested and fresh when we started down the long ragged gorge southeast of the Twilight Lab. I moved out first; back over my shoulder, I could see the Major and McIvers crawling out behind me, their pillow tires taking the rugged floor of the gorge smoothly. Behind them, Stone dragged the sledges. Even at only 30 per cent Earth gravity they were a strain on the big tractor, until the ski-blades bit into the fluffy volcanic ash blanketing the valley. We even had a path to follow for the first twenty miles. I kept my eyes pasted to the big polaroid binocs, picking out the track the early research teams had made out into the edge of Brightside. But in a couple of hours we rumbled past Sanderson’s little outpost observatory and the tracks stopped. We were in virgin territory and already the Sun was beginning to bite. We didn’t feel the heat so much those first days out. We saw it. The refrig units kept our skins at a nice comfortable seventy-five degrees Fahrenheit inside our suits, but our eyes watched that glaring Sun and the baked yellow rocks going past, and some nerve pathways got twisted up, somehow. We poured sweat as if we were in a superheated furnace. We drove eight hours and slept five. When a sleep period came due, we pulled the Bugs together into a square, threw up a light aluminum sun-shield and lay out in the dust and rocks. The sun-shield cut the temperature down sixty or seventy degrees, for whatever help that was. And then we ate from the forward sledge—sucking through tubes—protein, carbohydrates, bulk gelatin, vitamins. The Major measured water out with an iron hand, because we’d have drunk ourselves into nephritis in a week otherwise. We were constantly, unceasingly thirsty. Ask the physiologists and psychiatrists why—they can give you have a dozen interesting reasons—but all we knew, or cared about, was that it happened to be so. We didn’t sleep the first few stops, as a consequence. Our eyes burned in spite of the filters and we had roaring headaches, but we couldn’t sleep them off. We sat around looking at each other. Then McIvers would say how good a beer would taste, and off we’d go. We’d have murdered our grandmothers for one ice-cold bottle of beer. After a few driving periods, I began to get my bearings at the wheel. We were moving down into desolation that made Earth’s old Death Valley look like a Japanese rose garden. Huge sun-baked cracks opened up in the floor of the gorge, with black cliffs jutting up on either side; the air was filled with a barely visible yellowish mist of sulfur and sulfurous gases. It was a hot, barren hole, no place for any man to go, but the challenge was so powerful you could almost feel it. No one had ever crossed this land before and escaped. Those who had tried it had been cruelly punished, but the land was still there, so it had to be crossed. Not the easy way. It had to be crossed the hardest way possible: overland, through anything the land could throw up to us, at the most difficult time possible. Yet we knew that even the land might have been conquered before, except for that Sun. We’d fought absolute cold before and won. We’d never fought heat like this and won. The only worse heat in the Solar System was the surface of the Sun itself. Brightside was worth trying for. We would get it or it would get us. That was the bargain. I learned a lot about Mercury those first few driving periods. The gorge petered out after a hundred miles and we moved onto the slope of a range of ragged craters that ran south and east. This range had shown no activity since the first landing on Mercury forty years before, but beyond it there were active cones. Yellow fumes rose from the craters constantly; their sides were shrouded with heavy ash. We couldn’t detect a wind, but we knew there was a hot, sulfurous breeze sweeping in great continental tides across the face of the planet. Not enough for erosion, though. The craters rose up out of jagged gorges, huge towering spears of rock and rubble. Below were the vast yellow flatlands, smoking and hissing from the gases beneath the crust. Over everything was gray dust—silicates and salts, pumice and limestone and granite ash, filling crevices and declivities—offering a soft, treacherous surface for the Bug’s pillow tires. I learned to read the ground, to tell a covered fault by the sag of the dust; I learned to spot a passable crack, and tell it from an impassable cut. Time after time the Bugs ground to a halt while we explored a passage on foot, tied together with light copper cable, digging, advancing, digging some more until we were sure the surface would carry the machines. It was cruel work; we slept in exhaustion. But it went smoothly, at first. Too smoothly, it seemed to me, and the others seemed to think so, too. McIvers’ restlessness was beginning to grate on our nerves. He talked too much, while we were resting or while we were driving; wisecracks, witticisms, unfunny jokes that wore thin with repetition. He took to making side trips from the route now and then, never far, but a little further each time. Jack Stone reacted quite the opposite; he grew quieter with each stop, more reserved and apprehensive. I didn’t like it, but I figured that it would pass off after a while. I was apprehensive enough myself; I just managed to hide it better. And every mile the Sun got bigger and whiter and higher in the sky and hotter. Without our ultra-violet screens and glare filters we would have been blinded; as it was our eyes ached constantly and the skin on our faces itched and tingled at the end of an eight-hour trek. But it took one of those side trips of McIvers’ to deliver the penultimate blow to our already fraying nerves. He had driven down a side-branch of a long canyon running off west of our route and was almost out of sight in a cloud of ash when we heard a sharp cry through our earphones. I wheeled my Bug around with my heart in my throat and spotted him through the binocs, waving frantically from the top of his machine. The Major and I took off, lumbering down the gulch after him as fast as the Bugs could go, with a thousand horrible pictures racing through our minds.... We found him standing stock-still, pointing down the gorge and, for once, he didn’t have anything to say. It was the wreck of a Bug; an old-fashioned half-track model of the sort that hadn’t been in use for years. It was wedged tight in a cut in the rock, an axle broken, its casing split wide open up the middle, half-buried in a rock slide. A dozen feet away were two insulated suits with white bones gleaming through the fiberglass helmets. This was as far as Wyatt and Carpenter had gotten on their Brightside Crossing. On the fifth driving period out, the terrain began to change. It looked the same, but every now and then it felt different. On two occasions I felt my wheels spin, with a howl of protest from my engine. Then, quite suddenly, the Bug gave a lurch; I gunned my motor and nothing happened. I could see the dull gray stuff seeping up around the hubs, thick and tenacious, splattering around in steaming gobs as the wheels spun. I knew what had happened the moment the wheels gave and, a few minutes later, they chained me to the tractor and dragged me back out of the mire. It looked for all the world like thick gray mud, but it was a pit of molten lead, steaming under a soft layer of concealing ash. I picked my way more cautiously then. We were getting into an area of recent surface activity; the surface was really treacherous. I caught myself wishing that the Major had okayed McIvers’ scheme for an advanced scout; more dangerous for the individual, maybe, but I was driving blind now and I didn’t like it. One error in judgment could sink us all, but I wasn’t thinking much about the others. I was worried about me , plenty worried. I kept thinking, better McIvers should go than me. It wasn’t healthy thinking and I knew it, but I couldn’t get the thought out of my mind. It was a grueling eight hours and we slept poorly. Back in the Bug again, we moved still more slowly—edging out on a broad flat plateau, dodging a network of gaping surface cracks—winding back and forth in an effort to keep the machines on solid rock. I couldn’t see far ahead, because of the yellow haze rising from the cracks, so I was almost on top of it when I saw a sharp cut ahead where the surface dropped six feet beyond a deep crack. I let out a shout to halt the others; then I edged my Bug forward, peering at the cleft. It was deep and wide. I moved fifty yards to the left, then back to the right. There was only one place that looked like a possible crossing; a long, narrow ledge of gray stuff that lay down across a section of the fault like a ramp. Even as I watched it, I could feel the surface crust under the Bug trembling and saw the ledge shift over a few feet.
train	51249	[ "What is Ben's relationship with Charlie?", "Why doesn't Laura want to marry Ben?", "How does Ben feel about Mickey?", "Why doesn't Charlie want to go with Laura and Mickey?", "Why does Mickey decide not to go into space?", "How does Ben feel about Laura?", "Why does Ben leave Laura?", "Why does Ben tell Laura his has her wedding ring?", "What is lung-rot?" ]	[ [ "Chalie is Ben's uncle.", "Charlie is Ben's favorite teacher at the Academy.", "Charlie is Ben's grandfather.", "Charlie is the only family Ben has." ], [ "She does want to marry Ben. However, spacemen are gone all the time. She needs a partner who is going to be there for her.", "She does want to marry Ben, but spacemen can't have children.", "She doesn't want to marry Ben because they've only known each other for six weeks.", "She doesn't want to marry Ben because of the possibility of birth defects caused by space travel." ], [ "Ben thinks Mickey is a great guy, just not a great co-worker.", "Ben likes Mickey, they work well together.", "Ben does not like Mickey. He is relieved Mickey is not headed to space with him.", "Ben thinks of Mickey as his own brother." ], [ "Charlie is not really a people person. He likes Ben, but that's about it.", "Charlie is very self-conscious about his scars. He is uncomfortable around other people.", "Charlie is uncomfortable with Laura and Mickey's wealth. He feels a bit shabby because his coat is missing a button.", "Charlie is dying and Ben is the only family he has. He wants to spend his last moments with Ben." ], [ "Mickey was offered a job as Chief Jetman on the Lunar Lady.", "Mickey was offered a job at the Academy teaching astrogation. ", "Mickey thinks that if he goes into space he'll only live another five to ten years. Space travel is dangerous.", "Mickey was offered a job as Chief Jetman on the White Sands." ], [ "Ben loves Laura, but not enough to give up space travel.", "Ben thinks Laura is the one.", "Ben likes Laura but they only met 40 days ago. It's not that serious.", "Ben thinks Laura got too serious, too fast. It's only been 40 days.\n" ], [ "Ben leaves Laura because he feels guilty that he dragged Charlie to Mickey and Laura's parents.", "Ben leaves Laura because she wants kids, and he doesn't.", "Ben leaves Laura because the call to explore the universe is irresistible.", "Ben leaves Laura because he knows he'll grow to resent her if he stays." ], [ "Ben is telling her he can't marry her, so he's taking back the ring.", "Ben is telling her that even though he can't stay, she is the only woman he'll ever love.", "Ben is telling her that the marriage is over, so he's taking the ring back.", "Ben is telling her he was going to marry her but, she can't compete with the universe." ], [ "Lung-rot is a disease caused by chemicals in the Martian atmosphere.", "Lung-rot is tuberculosis.", "A disease that presents like whooping cough.", "Lung-rot is Martian slang for pneumonia. " ] ]	[ 4, 1, 2, 4, 3, 1, 3, 2, 1 ]	[ 0, 0, 0, 0, 0, 1, 0, 0, 0 ]	Spacemen Die at Home By EDWARD W. LUDWIG Illustrated by THORNE [Transcriber's Note: This etext was produced from Galaxy Science Fiction October 1951. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] One man's retreat is another's prison ... and it takes a heap of flying to make a hulk a home! Forty days of heaven and forty nights of hell. That's the way it's been, Laura. But how can I make you understand? How can I tell you what it's like to be young and a man and to dream of reaching the stars? And yet, at the same time, to be filled with a terrible, gnawing fear—a fear locked in my mind during the day and bursting out like an evil jack-in-the-box at night. I must tell you, Laura. Perhaps if I start at the beginning, the very beginning.... It was the Big Day. All the examinations, the physicals and psychos, were over. The Academy, with its great halls and classrooms and laboratories, lay hollow and silent, an exhausted thing at sleep after spawning its first-born. For it was June in this year of 1995, and we were the graduating class of the U. S. Academy of Interplanetary Flight. The first graduating class, Laura. That's why it was so important, because we were the first . We sat on a little platform, twenty-five of us. Below us was a beach of faces, most of them strange, shining like pebbles in the warm New Mexican sunlight. They were the faces of mothers and fathers and grandparents and kid brothers and sisters—the people who a short time ago had been only scrawled names on letters from home or words spoken wistfully at Christmas. They were the memory-people who, to me, had never really existed. But today they had become real, and they were here and looking at us with pride in their eyes. A voice was speaking, deep, sure, resonant. "... these boys have worked hard for six years, and now they're going to do a lot of big things. They're going to bring us the metals and minerals that we desperately need. They're going to find new land for our colonists, good rich land that will bear food and be a home for our children. And perhaps most important of all, they'll make other men think of the stars and look up at them and feel humility—for mankind needs humility." The speaker was Robert Chandler, who'd brought the first rocket down on Mars just five years ago, who'd established the first colony there, and who had just returned from his second hop to Venus. Instead of listening to his words, I was staring at his broad shoulders and his dark, crew-cut hair and his white uniform which was silk-smooth and skin-tight. I was worshiping him and hating him at the same time, for I was thinking: He's already reached Mars and Venus. Let him leave Jupiter and the others alone! Let us be the first to land somewhere! Let us be the first! Mickey Cameron, sitting next to me, dug an elbow into my ribs. "I don't see 'em, Ben," he whispered. "Where do you suppose they are?" I blinked. "Who?" "My folks." That was something I didn't have to worry about. My parents had died in a strato-jet crash when I was four, so I hadn't needed many of those "You are cordially invited" cards. Just one, which I'd sent to Charlie Taggart. Stardust Charlie, we called him, although I never knew why. He was a veteran of Everson's first trip to the Moon nearly twenty-five years ago, and he was still at it. He was Chief Jetman now on the Lunar Lady , a commercial ore ship on a shuttle between Luna City and White Sands. I remembered how, as a kid, I'd pestered him in the Long Island Spaceport, tagging after him like a puppy, and how he'd grown to like me until he became father, mother, and buddy all in one to me. And I remembered, too, how his recommendation had finally made me a cadet. My gaze wandered over the faces, but I couldn't find Charlie's. It wasn't surprising. The Lunar Lady was in White Sands now, but liberties, as Charlie said, were as scarce as water on Mars. It doesn't matter , I told myself. Then Mickey stiffened. "I see 'em, Ben! There in the fifth row!" Usually Mickey was the same whether in a furnace-hot engine room or a garden party, smiling, accepting whatever the world offered. But now a tenseness and an excitement had gripped even him. I was grateful that he was beside me; we'd been a good team during those final months at the Academy and I knew we'd be a good team in space. The Universe was mighty big, but with two of us to face it together, it would be only half as big. And then it seemed that all the proud faces were looking at us as if we were gods. A shiver went through my body. Though it was daytime, I saw the stars in my mind's vision, the great shining balls of silver, each like a voice crying out and pleading to be explored, to be touched by the sons of Earth. They expect a lot from us. They expect us to make a new kind of civilization and a better place out of Earth. They expect all this and a hell of a lot more. They think there's nothing we can't do. I felt very small and very humble. I was scared. Damned scared. At last it was over, and the proud faces descended upon us in a huge, babbling wave. Then I saw him. Good old Stardust Charlie. His wizened little body was shuffling down an aisle, his eyes shining like a child's. He'd been sandwiched, evidently, in one of the rear rows. But he wasn't the Charlie I'd seen a year ago. He'd become gaunt and old, and he walked with an unnatural stiffness. He looked so old that it was hard to believe he'd once been young. He scratched his mop of steel-gray hair and grinned. "You made it, boy," he chortled, "and by Jupiter, we'll celebrate tonight. Yes, siree, I got twenty-four hours, and we'll celebrate as good spacemen should!" Then Mickey strode up to us. He was his normal, boyish self again, walking lightly, his blond, curly-haired skull swaying as if in rhythm with some silent melody. And you, Laura, were with him. "Meet the Brat," he said. "My sister Laura." I stared almost rudely. You were like a doll lost in the immensity of your fluffy pink dress. Your hair was long and transformed into a golden froth where sunlight touched it. But your eyes were the eyes of a woman, glowing like dark stars and reflecting a softness, a gentleness that I'd never seen in eyes before. "I'm happy to meet you, Ben," you said. "I've heard of no one else for the past year." A tide of heat crept up from my collar. I stuttered through an introduction of Charlie. You and Mickey looked strangely at Charlie, and I realized that old Stardust was not a cadet's notion of the ideal spaceman. Charlie scorned the skin-tight uniforms of the government service and wore a shiny black suit that was a relic of Everson's early-day Moon Patrol. His tie was clumsily knotted, and a button on his coat was missing. And the left side of his face was streaked with dark scar tissue, the result of an atomic blowup on one of the old Moon ships. I was so accustomed to the scars, I was seldom aware of them; but others, I knew, would find them ugly. You were kind. You shook hands and said, softly: "It's a privilege to meet you, Charlie. Just think—one of Everson's men, one of the first to reach the Moon!" Charlie gulped helplessly, and Mickey said: "Still going to spend the weekend with us, aren't you, Ben?" I shook my head. "Charlie has only twenty-four hours liberty. We're planning to see the town tonight." "Why don't you both come with us?" you asked. "Our folks have their own plane, so it would be no problem. And we've got a big guest room. Charlie, wouldn't you like a home-cooked meal before going back to the Moon?" Charlie's answer was obscured by a sudden burst of coughing. I knew that he'd infinitely prefer to spend his liberty sampling Martian fizzes and Plutonian zombies. But this night seemed too sacred for Charlie's kind of celebration. "We'd really like to come," I said. On our way to the 'copter parking field, Dean Dawson passed us. He was a tall, willowy man, spectacled, looking the way an academy professor should look. "Ben," he called, "don't forget that offer. Remember you've got two months to decide." "No, thanks," I answered. "Better not count on me." A moment later Mickey said, frowning, "What was he talking about, Ben? Did he make you an offer?" I laughed. "He offered me a job here at the Academy teaching astrogation. What a life that would be! Imagine standing in a classroom for forty years when I've got the chance to—" I hesitated, and you supplied the right words: "When you've got the chance to be the first to reach a new planet. That's what most of you want, isn't it? That's what Mickey used to want." I looked at you as if you were Everson himself, because you seemed to understand the hunger that could lie in a man's heart. Then your last words came back and jabbed me: "That's what Mickey used to want." " Used to want?" I asked. "What do you mean?" You bit your lip, not answering. "What did she mean, Mickey?" Mickey looked down at his feet. "I didn't want to tell you yet, Ben. We've been together a long time, planning to be on a rocket. But—" "Yes?" "Well, what does it add up to? You become a spaceman and wear a pretty uniform. You wade through the sands of Mars and the dust of Venus. If you're lucky, you're good for five, maybe ten years. Then one thing or another gets you. They don't insure rocketmen, you know." My stomach was full of churning, biting ice. "What are you trying to say, Mickey?" "I've thought about it a long time. They want me for Cargo Supervisor of White Sands Port." He raised his hand to stop me. "I know. It's not so exciting. I'll just live a lot longer. I'm sorry, Ben." I couldn't answer. It was as if someone had whacked the back of my knees with the blast of a jet. "It doesn't change anything, Ben—right now, I mean. We can still have a good weekend." Charlie was muttering under his breath, smoldering like a bomb about to reach critical mass. I shook my head dazedly at him as we got to the 'copter. "Sure," I said to Mickey, "we can still have a good weekend." I liked your folks, Laura. There was no star-hunger in them, of course. They were simple and solid and settled, like green growing things, deep-rooted, belonging to Earth. They were content with a home that was cool on this warm summer night, with a 'copter and a tri-dimensional video, and a handsome automatic home that needed no servants or housework. Stardust Charlie was as comfortable as a Martian sand-monkey in a shower, but he tried courageously to be himself. At the dinner table he stared glassily at nothing and grated, "Only hit Mars once, but I'll never forget the kid who called himself a medic. Skipper started coughing, kept it up for three days. Whoopin' cough, the medic says, not knowin' the air had chemicals that turned to acid in your lungs. I'd never been to Mars before, but I knew better'n that. Hell, I says, that ain't whoopin' cough, that's lung-rot." That was when your father said he wasn't so hungry after all. Afterward, you and I walked onto the terrace, into the moonlit night, to watch for crimson-tailed continental rockets that occasionally streaked up from White Sands. We gazed for a few seconds up into the dark sky, and then you said: "Charlie is funny, isn't he? He's nice and I'm glad he's here, but he's sort of funny." "He's an old-time spaceman. You didn't need much education in those days, just a lot of brawn and a quick mind. It took guts to be a spaceman then." "But he wasn't always a spaceman. Didn't he ever have a family?" I smiled and shook my head. "If he had, he never mentioned it. Charlie doesn't like to be sentimental, at least not on the outside. As far as I know, his life began when he took off for the Moon with Everson." You stared at me strangely, almost in a sacred kind of way. I knew suddenly that you liked me, and my heart began to beat faster. There was silence. You were lovely, your soft hair like strands of gold, and there were flecks of silver in your dark eyes. Somehow I was afraid. I had the feeling that I shouldn't have come here. You kept looking at me until I had to ask: "What are you thinking, Laura?" You laughed, but it was a sad, fearful laugh. "No, I shouldn't be thinking it. You'd hate me if I told you, and I wouldn't want that." "I could never hate you." "It—it's about the stars," you said very softly. "I understand why you want to go to them. Mickey and I used to dream about them when we were kids. Of course I was a girl, so it was just a game to me. But once I dreamed of going to England. Oh, it was going to be so wonderful. I lived for months, just thinking about it. "One summer we went. I had fun. I saw the old buildings and castles, and the spaceports and the Channel Tube. But after it was over, I realized England wasn't so different from America. Places seem exciting before you get to them, and afterward they're not really." I frowned. "And you mean it might be the same with the stars? You think maybe I haven't grown up yet?" Anxiety darkened your features. "No, it'd be good to be a spaceman, to see the strange places and make history. But is it worth it? Is it worth the things you'd have to give up?" I didn't understand at first, and I wanted to ask, "Give up what ?" Then I looked at you and the promise in your eyes, and I knew. All through the years I'd been walking down a single, narrow path. Government boarding school, the Academy, my eyes always upward and on the stars. Now I'd stumbled into a cross-roads, beholding a strange new path that I'd never noticed before. You can go into space , I thought, and try to do as much living in ten years as normal men do in fifty. You can be like Everson, who died in a Moon crash at the age of 36, or like a thousand others who lie buried in Martian sand and Venusian dust. Or, if you're lucky, like Charlie—a kind of human meteor streaking through space, eternally alone, never finding a home. Or there's the other path. To stay on this little prison of an Earth in cool, comfortable houses. To be one of the solid, rooted people with a wife and kids. To be one of the people who live long enough to grow old, who awake to the song of birds instead of rocket grumblings, who fill their lungs with the clean rich air of Earth instead of poisonous dust. "I'm sorry," you said. "I didn't mean to make you sad, Ben." "It's all right," I said, clenching my fists. "You made sense—a lot of sense." The next morning Charlie said good-bye in our room. He rubbed his scarred face nervously as he cleared his throat with a series of thin, tight coughs. Then he pointed to a brown, faded tin box lying on the bed. "I'm leavin' that for you. It's full of old stuff, souvenirs mostly. Thought maybe you'd like to have 'em." I scowled, not understanding. "Why, Charlie? What for?" He shrugged as if afraid he might be accused of sentimentality. "Oh, it's just that I've been dodgin' meteors now for twenty-five years. That's a long time, boy. Ain't one spaceman in a thousand that lucky. Some of these days, I won't be so lucky." I tried to laugh. "You're good for another twenty-five years, Charlie." He shook his head stiffly, staring at nothing. "Maybe. Anyway, I'm gonna get off the Shuttle this time, make one more trip to Mars. Tell you what. There's a little stone cafe on Mars, the Space Rat , just off Chandler Field on the Grand Canal. When you get to Mars, take a look inside. I'll probably be there." He coughed again, a deep, rasping cough that filled his eyes with tears. "Not used to this Earth air," he muttered. "What I need's some Martian climate." Suddenly that cough frightened me. It didn't seem normal. I wondered, too, about his stiff movements and glassy stare. It was as if he were drugged. I shook the thought away. If Charlie was sick, he wouldn't talk about going to Mars. The medics wouldn't let him go even as far as Luna. We watched him leave, you and Mickey and I. "When will you be back?" you asked. Charlie's hard face contorted itself into a gargoylish grin. "Maybe a couple of months, maybe a couple of years. You know spacemen." Then he waved and strode away, a strange, gray, withered gnome of a man. I wanted him to say something, to tell me the secret that would kill the doubt worming through my brain. But he rounded a corner, still grinning and waving, and then he was gone. That afternoon Mickey showed me his room. It was more like a boy's room than a spaceman's. In it were all the little things that kids treasure—pennants, models of Everson's two ships, a tennis trophy, books, a home-made video. I began to realize how important a room like this could be to a boy. I could imagine, too, the happiness that parents felt as they watched their children grow to adulthood. I'd missed something. My folks were shadow-people, my impressions of them drawn half from ancient photos, half from imagination. For me, it had been a cold, automatic kind of life, the life of dormitories and routines and rules. I'd been so blinded by the brilliancy of my dreams, I hadn't realized I was different. My folks were killed in a rocket crash. If it weren't for rockets, I'd have lived the kind of life a kid should live. Mickey noticed my frown. "What's the matter, Ben? Still sore? I feel like a heel, but I'm just not like you and Charlie, I guess. I—" "No, I understand, Mickey. I'm not sore, really." "Listen, then. You haven't accepted any offer yet, have you?" "No. I got a couple of possibilities. Could get a berth on the Odyssey , the new ship being finished at Los Angeles. They want me, too, for the Moon Patrol, but that's old stuff, not much better than teaching. I want to be in deep space." "Well, how about staying with us till you decide? Might as well enjoy Earth life while you can. Okay?" I felt like running from the house, to forget that it existed. I wanted someone to tell me one of the old stories about space, a tale of courage that would put fuel on dying dreams. But I wanted, also, to be with you, Laura, to see your smile and the flecks of silver in your eyes and the way your nose turned upward ever so slightly when you laughed. You see, I loved you already, almost as much as I loved the stars. And I said, slowly, my voice sounding unfamiliar and far away, "Sure, I'll stay, Mickey. Sure." Forty days of joy, forty nights of fear and indecision. We did all the little things, like watching the rockets land at White Sands and flying down to the Gulf to swim in cool waters. You tried, unsuccessfully, to teach me to dance, and we talked about Everson and Charlie and the Moon and the stars. You felt you had to give the stars all the beauty and promise of a child's dream, because you knew that was what I wanted. One morning I thought, Why must I make a choice? Why can't I have both you and the stars? Would that be asking too much? All day the thought lay in my mind like fire. That evening I asked you to marry me. I said it very simply: "Laura, I want you to be my wife." You looked up at Venus, and you were silent for a long while, your face flushed. Then you murmured, "I—I want to marry you, Ben, but are you asking me to marry a spaceman or a teacher?" "Can't a spaceman marry, too?" "Yes, a spaceman can marry, but what would it be like? Don't you see, Ben? You'd be like Charlie. Gone for maybe two months, maybe two years. Then you'd have a twenty-four hour liberty—and I'd have what?" Somehow I'd expected words like these, but still they hurt. "I wouldn't have to be a spaceman forever. I could try it for a couple of years, then teach." "Would you, Ben? Would you be satisfied with just seeing Mars? Wouldn't you want to go on to Jupiter and Saturn and Uranus and on and on?" Your voice was choked, and even in the semi-darkness I saw tears glittering in your eyes. "Do you think I'd dare have children, Ben? Mickey told me what happened on the Cyclops . There was a leak in the atomic engines. The ship was flooded with radiation—just for a second. It didn't seem serious. The men had no burns. But a year later the captain had a child. And it was—" "I know, Laura. Don't say it." You had to finish. "It was a monster." That night I lay awake, the fears and doubts too frantic to let me sleep. You've got to decide now , I told myself. You can't stay here. You've got to make a choice. The teaching job was still open. The spot on the Odyssey was still open—and the big ship, it was rumored, was equipped to make it all the way to Pluto. You can take Dean Dawson's job and stay with Laura and have kids and a home and live to see what happens in this world sixty years from now. Or you can see what's on the other side of the mountain. You can be a line in a history book. I cursed. I knew what Charlie would say. He'd say, "Get the hell out of there, boy. Don't let a fool woman make a sucker out of you. Get out there on the Odyssey where you belong. We got a date on Mars, remember? At the Space Rat , just off Chandler Field on the Grand Canal." That's what he'd say. And yet I wanted you, Laura. I wanted to be with you, always. "Oh God," I moaned, "what shall I do?" Next morning the door chimes pealed, and you went to the door and brought back the audiogram. It was addressed to me; I wondered who could be sending me a message. I pressed the stud on the little gray cylinder, and a rasping, automatic voice droned: "Luna City, Luna, July 27, 1995. Regret to inform you of death of Charles Taggart, Chief Jetman...." Then there was a Latin name which was more polite than the word "lung-rot" and the metallic phrase, "This message brought to you by courtesy of United Nations Earth-Luna Communication Corps." I stood staring at the cylinder. Charles Taggart was dead. Charles Taggart was Charlie. Stardust Charlie. My heart thudded crazily against my chest. It couldn't be! Not Charlie! The audiogram had lied! I pressed the stud again. "... regret to inform you of death of Charles ..." I hurled the cylinder at the wall. It thudded, fell, rolled. The broken voice droned on. You ran to it, shut it off. "I'm sorry, Ben, so terribly—" Without answering, I walked into my room. I knew it was true now. I remembered Charlie's coughing, his gaunt features, his drugged gaze. The metallic words had told the truth. I sat for a long time on my bed, crying inside, but staring dry-eyed at Charlie's faded tin box. Then, finally, I fingered his meager possessions—a few wrinkled photos, some letters, a small black statue of a forgotten Martian god, a gold service medal from the Moon Patrol. This was what remained of Charlie after twenty-five years in space. It was a bitter bargain. A statue instead of a wife, yellowed letters instead of children, a medal instead of a home. It'd be a great future , I thought. You'd dream of sitting in a dingy stone dive on the Grand Canal with sand-wasps buzzing around smoky, stinking candles. A bottle of luchu juice and a couple of Martian girls with dirty feet for company. And a sudden cough that would be the first sign of lung-rot. To hell with it! I walked into your living room and called Dean Dawson on the visiphone. I accepted that job teaching. And now, Laura, it's nearly midnight. You're in your room, sleeping, and the house is silent. It's hard to tell you, to make you understand, and that is why I am writing this. I looked through Charlie's box again, more carefully this time, reading the old letters and studying the photographs. I believe now that Charlie sensed my indecision, that he left these things so that they could tell me what he could not express in words. And among the things, Laura, I found a ring. A wedding ring. In that past he never talked about, there was a woman—his wife. Charlie was young once, his eyes full of dreams, and he faced the same decision that I am facing. Two paths were before him, but he tried to travel both. He later learned what we already know—that there can be no compromise. And you know, too, which path he finally chose. Do you know why he had to drug himself to watch me graduate? So he could look at me, knowing that I would see the worlds he could never live to see. Charlie didn't leave just a few trinkets behind him. He left himself, Laura, for he showed me that a boy's dream can also be a man's dream. He made his last trip to Luna when he knew he was going to die. Heaven knows how he escaped a checkup. Maybe the captain understood and was kind—but that doesn't matter now. Do you know why he wanted to reach Mars? Do you know why he didn't want to die in the clean, cool air of Earth? It was because he wanted to die nearer home. His home, Laura, was the Universe, where the ship was his house, the crew his father, mother, brothers, the planets his children. You say that the beauty of the other side of the mountain vanishes after you reach it. But how can one ever be sure until the journey is made? Could I or Charlie or the thousand before us bear to look upon a star and think, I might have gone there; I could have been the first ? We said, too, that the life of a spaceman is lonely. Yet how could one be lonely when men like Charlie roam the spaceways? Charlie wanted me to himself that night after graduation. He wanted us to celebrate as spacemen should, for he knew that this would be his last night on Earth. It might have seemed an ugly kind of celebration to you, but he wanted it with all his heart, and we robbed him of it. Because of these things, Laura, I will be gone in the morning. Explain the best you can to Mickey and to your parents and Dean Dawson. Right now I've got a date that I'm going to keep—at a dingy stone cafe on Mars, the Space Rat , just off Chandler Field on the Grand Canal. Stardust Charlie will be there; he'll go with me in memory to whatever part of the Galaxy I may live to reach. And so will you, Laura. I have two wedding rings with me—his wife's ring and yours.
train	20032	[ "What is main the flaw in Harris' plan to sell the eggs of fashion models?", "What does the author think may happen if a child doesn't look the way the egg buyer expects?", "What could a buyer do if they didn't get the eggs they paid for?", "What is the main concern about egg auctions?", "What does the author think about women who sell their eggs?", "What kind of person would buy eggs at an auction such as Harris'?", "Why are the children produced by the egg auction likely to be the offspring of liars and fools?", "Does the author think Harris is serious about selling eggs?", "Who is an example of someone whose good looks attracted the wrong kind of attention?" ]	[ [ "He doesn't take into account the IQ of the donors.", "He doesn't take into account recessive genes.", "He doesn't screen the eggs for genetic problems.", "He doesn't take the medical history of the donors." ], [ "The buyer may shun the child.", "The buyer may try to sell the child.", "The buyer may kill the child.", "The buyer may sue Harris' company." ], [ "There is not much a buyer could do to verify the eggs came from the expected donors.", "They could sue the egg donor.", "They could sue Harris for everything he's worth.", "They could pick out a new donor to receive eggs from." ], [ "Egg auctions will steer the future of human breeding toward genetic engineering.", "Egg auctions will steer the future of human breeding toward cloning.", "Egg auctions will produce designer babies.", "Egg auctions will fail to produce designer babies." ], [ "They are depressed.", "They have a few screws loose.", "They are just trying to get by financially.", "They are liars and fools." ], [ "A wealthy person who is desperate to have a child.", "A wealthy, superficial, and naive person trying to ensure their child will be beautiful, healthy, and intelligent.", "A wealthy, superficial person who wants to ensure they have a physically pleasing child. This person, however, is not intelligent enough to see the flaws of the plan.", "A wealthy person who wants to manipulate their child's physical appearance." ], [ "Harris didn't verify the medical histories of the models. They could have lied on their donation forms. Only fools would buy human eggs from a man such as Harris.", "Most models have had cosmetic surgery. Only fools would buy eggs based on internet photos.", "Harris advertised that the eggs came from intelligent women, but he didn't verify their IQs. Only fools would buy human eggs from a man who sells pornography.", "Some models lied about their ages. Only fools would buy eggs" ], [ "Not at all, selling eggs is a PR stunt, to drive traffic to Harris' pornography website.", "Absolutely, designer babies are big money.", "Yes, however, he is not intelligent enough to see the many flaws in his plan.", "Yes, Harris is already in talks with geneticists. He'll be able to charge extra for certain features." ], [ "Taylor Swift", "Justin Bieber", "Britney Spears", "Marilyn Monroe" ] ]	[ 2, 1, 1, 1, 2, 3, 2, 1, 4 ]	[ 0, 0, 0, 0, 0, 1, 0, 1, 0 ]	eBabe This week, soft-porn entrepreneur Ron Harris began auctioning the eggs of fashion models on the Internet. His site, ronsangels.com (named after the 1970s' babe show Charlie's Angels ), invites visitors to "bid on eggs from beautiful, healthy and intelligent women." Like Dr. Richard Seed, who recently declared his intention to clone human beings, Harris has attracted the attention of the media and politicians who are "looking into" whether he can be stopped. Most people agree that Harris is a creep and that his site is an outrage. What they don't agree on is why. Here's what the critics have to say about the auction--and each other. 1. Egg auctions will produce designer babies. Harris cites his experience as a horse breeder and asks, "We bid for everything else in this society--why not eggs?" Alarmists, agreeing that Harris "can put you into your own designer baby by selling eggs," predict that his success will steer "the future of human breeding" toward "genetic engineering." 2. Egg auctions will fail to produce designer babies. While fretting about what will happen if Harris succeeds, fertility experts simultaneously debunk that scenario. "Not only is it ethically ludicrous, but the fact is, no kid's going to look like the model's picture," observes ethicist George Annas. The experts give four reasons. First, the child of an ugly man and a pretty woman is just as likely to be ugly as to be pretty. Second, everyone carries "recessive" genes, which are invisible in this generation but may become visible in the next. A model with a small nose can pass on genes for a big nose. Third, even if both parents are attractive, a child can combine their features unattractively. For example, a girl can inherit her mother's weak nose and her father's strong brow. 3. Egg auctions will promote the survival of the fittest. Doomsayers predict that once "beautiful eggs are available strictly to people who are willing to spend an ungodly sum for them," the rich will transform themselves into a "super-race" reminiscent of the Nazis. To this, Harris replies, "It is not our intention to suggest that we make a super society of only beautiful people. This site simply mirrors our current society, in that beauty usually goes to the highest bidder." But this reply only fuels concern that gradually, society will separate into "genetic haves and have nots." 4. Egg auctions will promote the survival of the unfittest. Harris writes that only men with "substantial financial resources" are fit to give his models' offspring "a financially secure and stable life." But skeptics wonder whether women who sell their eggs to the highest bidder--and men who buy these eggs for the sole purpose of spawning good-looking children--may produce children just as dysfunctional as themselves. As Calgary Sun columnist Sydney Sharpe put it, "Any woman ... who enters into this mephistophelian pact has a few screws loose. Maybe her kid will, too. Not to mention the buyers who sign her up." 5. Egg auctions will fail to promote the survival of the unfittest. Many models, if not most, have had cosmetic surgery. A model who is perfectly ruthless will conceal this fact when selling her eggs. (One of Harris' "angels" has already been caught lying about her age.) How does Harris know whether his models have had collagen injections and nose jobs? "There's no way to know that. You can ask the girl and hope she tells you the truth," he says. Annas concludes that since there's "no way to know how much of their beauty is a product of their genes, plastic surgery, a makeup artist, or exercise," only a "naive" person would buy their eggs on the basis of the photographs displayed on the site. "You don't want to see the models," he points out. "You want to see pictures of their parents." On this theory, children produced by the egg auction are likely to be the offspring of liars on one side and fools on the other. 6. Beauty doesn't convey health. Harris casually asserts that beauty "shows healthiness and longevity." On his site, he writes, " 'Natural Selection' is choosing genes that are healthy and beautiful." Skeptics question this assumed equivalence, noting that traits men find attractive in women these days--thinness, for example--are often unhealthy. When asked on the Today show how much "medical screening" he has given his egg donors, Harris answered, "None." 7. Beauty is less meaningful than intelligence. Harris says he's not the first person to market good genes. Others, he notes, have sold sperm and solicited eggs on the basis of the donor's intelligence. Harris' detractors reply that beauty is "superficial" and conveys a "harmful preoccupation with exterior appearances over intelligence and content of character." This critique is usually offered by a blow-dried TV interviewer who, after thanking Harris for his time, urges viewers to stay tuned for the movie starlet who will join the program after a brief commercial break. 8. Beauty is less useful than intelligence. Harris advertises beauty not as an end but as a means to "success," since people who are physically desirable get more attention, power, and favorable treatment. Having chided Harris for exalting social advantage over "character," critics turn around and adopt his ruthless logic. While conceding that beauty is useful, they argue that intelligence is a better weapon in today's meritocratic information economy--and that although Harris claims his models are "beautiful, healthy and intelligent," he offers no evidence of brains, such as IQ or SAT scores. London's Independent envisions "Bimbo births." A fertility expert shrugs, "If people want to spend $150,000 for the eggs of a gorgeous woman who has an IQ of 68, let them." 9. The auction exploits desperate buyers. Harris preaches pure capitalism, saying it's "unfair to put a limit on a girl's ability to make money" by auctioning her eggs. In turn, fertility clinic operators accuse Harris of "taking advantage of couples trying to conceive" and exploiting "desperate people ... susceptible to the dreams he is trying to sell." USA Today laments, "This is about human need. And human greed." 10. The auction exploits desperate sellers. By late Monday, Harris had only a handful of bids, and only one was verified as legitimate. On the other hand, 50 women had asked him to put their eggs up for auction. Gradually, the media concluded that the donors were the true victims. USA Today described the models as "struggling actresses," reported that they were unaware of the health risks of donating eggs, and quoted one as saying, "I'd rather do this than do Playboy or Penthouse ." Harris' sole verified bidder told the paper that selling eggs was "better than prostitution." Harris constantly refers to the donors as his "girls" and describes them like cattle--"We have a legitimate bid of $42,000 on one of the girls." He gets a 20 percent commission on each winning bid, though he takes no responsibility for executing financial transactions or medical procedures. "We have no control over the quality, safety or legality of the items advertised, the truth or accuracy of the listings, the ability of sellers to sell items or the ability of buyers to buy items," he stipulates. His role, he explains, is simply to "find beautiful girls, take beautiful photographs of them, [and] put them up on the Web." To some critics, the mystery isn't, as Harris suggests, how women throughout history have exploited their sexual power over men, but how pimps like him have come away with the profit. 11. The auction exploits voyeurs. The Washington Post thinks Harris isn't targeting either buyers or sellers. He's not serious about selling eggs, says the Post . He's just using the sex appeal of his models and the intriguing perversity of a human egg auction to drum up publicity and attract Internet traffic to his site, from which he can sell advertising and subscriptions ($24.95 a month to view profiles of the models), hawk his forthcoming book ( Naked Power ), and direct prurient visitors to his various porn sites. A spokesman for fertility doctors suspects that ronsangels.com is really aimed at "adolescent boys." 12. The Internet facilitates monstrous purchases. Technology watchdogs call the egg auction another chapter in the cultural slide marked by Jennycam (a Web site featuring live video of a young woman undressing and doing other normal activities in her apartment), the promised Webcast of a man and woman losing their virginity together (which turned out to be a hoax), and a human kidney auction that was conducted and aborted on eBay last month. "Ever since the Internet, it seems to snowball more rapidly, this depersonalization of people and selling of eggs," one fertility expert complains to the New York Times . USA Today says the egg auction "just might force an Internet-obsessed society to finally sit down and ask itself: Where is the Internet taking us?" 13. The Internet cheats people of their monstrous purchases. The only thing worse than buying human eggs on the Internet, according to the critics, is not getting the eggs you paid for. "When you have large transactions of this kind conducted over the Internet, there may be fraud," a computer crime expert warns USA Today . Lori Andrews, a reproductive technology lawyer, warns CNN viewers that "there's very little that you can do to prove that these eggs actually came from the donors that were expected," and "the Internet just adds ... a layer that it makes it even more difficult to scrutinize where the eggs are coming from." 14. Egg buyers will reap unintended consequences. Sophisticated skeptics point out that Harris' application of Darwin's theories to human professional success overlooks the interaction of genetics and human psychology. To begin with, if a child produced by Harris' auction fails to turn out as pretty as the buyer expected, the buyer may shun the child, or the child may grow to hate herself for disappointing her parents. (On the Today show, Harris said of this theory, "That's a pretty cynical view of human nature.") Second, if the child turns out pretty but doesn't want to be a beauty queen, her parents may force her in that direction anyway, thereby stifling her true talents and preventing her from becoming successful. Third, the child's good looks may attract too much attention of the wrong kind, eventually destroying her. Critics cite Elvis Presley and Marilyn Monroe as examples. 15. Other people's eggs don't pass on your genes. In defense of his auction, Harris quotes author Helen Fisher's statement that "having sex is the most important act of your life. This is how we get our genes to the next generation." But Harris seems to have overlooked the crucial words: "our genes." "The drive to send your own genes into tomorrow is much stronger than the [drive] to pick out of a sperm bank or egg site," Fisher observes. This consideration may not affect single men, but it can be a decisive turnoff for couples. On this view, Harris' mistake is not that he focuses too much on selfishness, but that he neglects it. He forgets that you don't care about reproducing unless what you're reproducing is yourself. 16. The power of beauty should be transcended, not exploited. Harris preaches that the world rewards beauty because it's human nature to favor those who are pleasant to look at, and therefore the way to have successful children is to make sure they're attractive. The most ambitious response is to attack the whole "prejudice" in favor of beauty. "The standards of beauty do vary with the culture. And they are social facts, not really genetics facts," says Hastings Center ethicist Bruce Jennings. Therefore, "we should think about" whether to "accept the existing prejudices and then try to eugenically manipulate them" or to transcend those prejudices. This critique challenges two precepts of Harris' worldview. First, while pretending to accept human nature as a given, he violates it by peddling strangers' eggs and encouraging the production of children who will probably never know their mothers. Family association, loyalty, and love are among the best parts of human nature. Slavish catering to physically attractive strangers is among the worst. If we're going to challenge human nature, the critics ask, why not start with the latter rather than the former? Second, Harris assumes that the perfection parents want in their children coincides with Darwinian perfection. "Every organism is trying to evolve to its most perfect state," he writes. What he doesn't seem to understand is that human beings aren't quite like other animals, just as the rest of the world isn't exactly like the modeling and soft-porn industries of Southern California. Humans have evolved to a stage at which our ideas about virtue, perfection, and success have become more than material. At least, most of us have.
train	20038	[ "Who is the most hated celebrity of 1999?", "What was the best movie of 1999?", "Who died in 1999?", "What does Charrerbox think is the most important thing that happened in 1999?", "Where does Chatterbox think world policing was effective?", "What does the Dalai Lama think is the most important thing in the world?", "What caused increased attention to the Women's World Cup in Soccer?", "What did Kurt Schmoke try to do in 1988?", "Who was the most shameless in 1999?" ]	[ [ "Larry Flynt", "Donald Trump", "Bob Livingston", "Linda Tripp" ], [ "All Dolled Up and Nowhere To Go", "The Red Violin", "There's Something About Mary", "The Road Not Taken" ], [ "Jim Landau", "Mel Torme", "Susan Hoechstetter", "Thomas Harris" ], [ "The Senate endorsed nuclear proliferation.", "More than half of US homes had a personal computer.", "Susan Lucci finally won an Emmy.", "A sitting president was accused of rape." ], [ "Haiti", "Kosovo", "Bosnia", "Rwanda" ], [ "Happiness", "Impermanence", "Mindfulness", "Meditation" ], [ "Sports bras", "Cheating", "Trans players", "Steroid use" ], [ "He tried to get elected as governor of Texas.", "He tried to impeach Clinton.", "He tried to win the Stanley Cup.", "He tried to end drug prohibition." ], [ "Stanley Kubrick", "Arlen Specter", "JFK Jr.", "Bill Clinton" ] ]	[ 2, 2, 2, 2, 2, 1, 1, 4, 2 ]	[ 0, 0, 0, 1, 0, 0, 0, 0, 0 ]	Eleven-Twelfths of 1999 In Review When Chatterbox invited readers to nominate events, significant deaths, good and bad movies, etc., for 1999--a year likely to get little attention in the coming weeks, as news organizations choose instead to review the entire century or millennium--the response was overwhelming. Chatterbox had promised to publish his official "1999 In Review" item before Thanksgiving, but some distant memory of a scruple persuaded him to wait till November was over. Nothing ever happens in December. OK, that's not quite true. Hordes of protesters in Seattle are making the World Trade Organization's meeting there a much more exciting TV story than anyone expected it to be. Reader Dan Crist (who finds Chatterbox's habit of referring to himself in the third person "rather annoying and less than professional") points out that Japan bombed Pearl Harbor in Dec. 1941. Also, Chatterbox (moonlighting as "Today's Papers" columnist) observed not quite one year ago that the House of Representatives cast its second presidential-impeachment vote in U.S. history on Dec. 19, 1998. (That same news-filled day, the U.S. ended an air war against Iraq and Bob Livingston said he'd decided not to become House speaker after all.) Two months after the impeachment vote, the Senate failed to convict the president--a highly significant event of 1999 that, for some bizarre reason, slipped Chatterbox's mind until several indignant readers wrote in to remind him of it. By now, it should be clear that Chatterbox isn't much good at year-in-review journalism. Fortunately, Chatterbox's readers are very good at it. He will now turn this survey over to them. ( Disclaimer: Although Chatterbox previously stated that he wouldn't include opinions he disagreed with, that standard proved too confining. Where Chatterbox has solid information or opinions to the contrary, he occasionally interjects below. Obviously stupid or unnecessarily sour reader comments were discarded, but if you don't find your nominee below it doesn't necessarily mean that it was obviously stupid or unnecessarily sour. ) Here are 20 important things that happened in 1999: 1. Most Hated Celebrity--Ever? The New York Times reported on Nov. 10, 1999, that a new record had been set in the latest Times /CBS poll: [Its] highest negative rating ever scored by a person in the news. The honor went to Reform Party candidate Donald Trump, who managed to make an unfavorable impression upon some 70 percent of those polled. The paper noted that this achievement far eclipsed the last comparably negative rating--the 55 percent score attained by Linda Tripp. Presumably this came as no surprise to Mr. Trump, who, upon announcing the formation of a presidential exploratory committee on Oct. 7, 1999, had cited polls with "amazing results"--a remark that was widely misinterpreted at the time. -- Jodie Allen of U.S. News & World Report (and frequent Slate contributor) 2. Most Foolishly Ignored Parts of the World in 1999 The dog that did bark but no one noticed--the political turmoil in the three great South Asian nations of India, Pakistan, and Indonesia, which now are well on the way to passing the three northern Asian nations of China, Japan, and Russia in population (Indonesia is fourth, Pakistan just passed Japan to seventh, India will soon pass China to first). But Americans are still fixated on northern Asia--Clinton says he must deal with China, because "you can't ignore a billion people with nuclear weapons," but his own policy toward India shows that you sure can! --Jim Chapin 3. Worst/Best Films of 1999 Here's my nominee for worst movie of the year (complete category should be: "Worst Movie of the Year That Assumedly Adult Male Reviewers Slathered Over"): There's Something About Mary --a pathetically sophomoric, penis-obsessed mess that wouldn't even appeal to Larry Flynt! -- Felicia, Menlo Park, Cal. Chatterbox replies: You've got the wrong year. That was 1998 . [Chatterbox didn't have the heart to add that he thought There's Something About Mary was pretty funny, especially the joke about "the franks or the beans."] Felicia replies: Oops ... well then, the best of '99 was The Red Violin --lyrical, magical, musical, wonderful! [Chatterbox hasn't seen it.] 4. Most Shameless (and Unsuccessful) Attempt To Have It Both Ways in 1999 : Sen. Arlen Specter, citing Scottish law, finds Clinton "not proven" on the impeachment charges. --Andrew Solovay 5. Rest in Peace in 1999: Stanley Kubrick (multiple sources) John Kennedy Jr. (multiple sources) Susan Strasberg (anonymous tipster; Strasberg played Anne Frank in the original production of the Broadway adaptation, which some people think wasn't Jewish enough) Mel Torme (Steve Reiness) Mrs. Whozit [ Chatterbox interjects : her name was Anne Sheafe Miller], the first person ever to be saved by penicillin (Blair Bolles) 6. 1999: The Road Not Taken What an extraordinary year! A right-wing conspiracy topples the president, and the governor of Texas reveals himself in a series of debates to be a natural leader with an innate gift for connecting with his audience, a sure sign of his electoral success next year. A new Thomas Harris book brilliantly takes us deeper into the mind of a serial killer; a new Star Wars movie redefines the very nature of entertainment; a new Stanley Kubrick film changes the whole national dialogue about sex and marriage; a new TV series from the creator of SportsNight --oh, I can't even bring myself to bash that piece of do-gooder twaddle. If only McDonald's had come out with three more boldly adult-flavored hamburgers, it would have been a perfect year for dud megaevents--all leading up of course to Y2K, the limpest milestone in human history. --Mike Gebert 7 . Children Behaving Badly in 1999 Don't forget Woodstock 1999 --the concert of "peace and love" that ended in a literal blaze of glory when in an hours-long tribute to the original Woodstock, the mob started ripping down vendor booths and anything else that would burn and piling it onto the bonfires scattered about the scene. [ Chatterbox interjects: Didn't people get assaulted and raped, too?] I'm getting all sentimental just thinking about it. You also left out all the shooting rampages . Several were done in the name of God or love supposedly. They were all committed by "quiet, shy" people who "mostly kept to" themselves. I've started to hang around only loud, obnoxious people. --Susan Hoechstetter 8. A Lunatic Rhapsody for the New York Yankees The Yankees can actually be referred to as the glue that held the century together. Of course, as the 1999 World Series champions, they are a significant "story of the year." However, this one singular achievement must be considered in a broader context. 1999 represented the team's 25th championship of the century. This beats, by one, the most championships any one team won during the century. The Montreal Canadiens have won 23 Stanley Cups. However, the Yankees, an American team, playing in the "City of the Century" (so called by me to reflect the amazing growth and transformation of one city during this period), who play the "National Pastime," are truly an amazing story. The team's first championship occurred in 1921; therefore, they have won 25 of the last 78 years, nearly one in three. This level of sustained excellence is not matched in sports or in any other aspect of society. The 1999 win is possibly the most unique. With free-agency, expansion, and three levels of playoffs, it is much harder to win today than in past years. In fact, by winning three of the last four championships, they are the first team to accomplish this feat during the eras of free-agency and of divisional play. The Sultan of Swat, the Iron Man, the Yankee Clipper, the Mick, and Yogi--these strong, masculine names are synonymous with the team, the sport, and American history. They went hand in hand with two world wars, Superman, and America's superpower status. The 1999 squad does not feature "a name." This team, with its myriad of human-interest stories, its international roster, and no star, is representative of '90s man, male sensitivity, Pax American interests, and the new political paradigm. --Jim Landau from North Potomac, Md. (formerly of the Bronx) 9. A Big Shot Calls for Decriminalizing Drug Use in 1999 New Mexico Gov. Gary Johnson came out for ending drug prohibition. Though this by itself has no immediate effect, it makes it respectable, for the first time, for political leaders to discuss the subject, and thereby brings closer the day when the vast majority of crimes will no longer be committed, when billions of dollars will be freed to help the inner city instead of to ruin black people's lives, and when we will stop, as in Samuel Butler's Erewhon , imprisoning people for the crime of being sick. --Henry Cohen Chatterbox interjects: Didn't Baltimore Mayor Kurt Schmoke do the same thing 11 years ago? 10. Don't Worry in 1999 The Dalai Lama proclaimed that most important thing in the world is to be happy. --Margaret Taylor 11. The Athletic Bra Seen 'Round the World in 1999 Public interest and media attention to the women's World Cup in soccer. --Tom Horton 12. Another Overlooked Foreign-Policy Event in 1999 Presidential primary elections for the first time ever in Mexico. --Tom Horton 13. Policing the World Is Shown To Work in 1999 I nominate as the most under-reported story of the year (and the last few years) the continuing alarmist predictions by foreign-policy and military experts about peacekeeping efforts, which are then proved wrong and immediately forgotten. This year, the obvious one is Kosovo, but the year is also ending with East Timor, where the Aussies and their allies successfully stopped the slaughter with no casualties. These followed Haiti, Bosnia, and Rwanda as places where the West delayed sending in troops because of alarmist predictions. --Jerry Skurnik 14. Barbara Walters Did This One on Her Year-End Special, But It's Still Good Don't forget, Susan Lucci finally won an Emmy . --anonymous tipster 15. Annals of Justice in 1999 Matthew Shepard: the despicable defense . -- anonymous tipster 16. Get Me a New Century, Quick A sitting president was accused of rape. --Ananda Gupta Chatterbox interjects: Yes, but the evidence was shaky--something the Wall Street Journal 's editorial page, which broke the story, was not very forthcoming about. As Jack Shafer wrote in this column, Ronald Reagan, after he left office, was also accused of having once committed rape. The evidence there was shaky, too. 17. The Most Important Thing of All That Happened in 1999 In 1999, more than half of U.S. homes had a PC, for the first time (i.e., home-PC penetration passed 50 percent). Of course, most of these PCs crashed all the time, but it's still a significant development. By the way, Internet hookups in homes are still well below 50 percent. --Walt Mossberg, "Personal Technology" columnist for the Wall Street Journal (and occasional rock-music historian for this column) 18. All Dolled Up and Nowhere To Go in 1999 General Pinochet --Jodie Maurer 19. Senate Endorses Nuclear Proliferation in 1999 The Senate rejected the Comprehensive Test Ban Treaty , thereby decapitating nuclear-arms control and sending Iraq, Iran, and North Korea the message that the United States won't raise a big stink if they try to join India and Pakistan. The president woke up to this possibility at about the moment it was realized, and started lobbying for passage of the treaty a day after it became too late. --Josh Pollack 20. Unremarked Natural Disaster in 1999 The Indian Supercyclone is the biggest, this century at least. --Samir Raiyani Photographs of: Donald Trump by Peter Morgan/Reuters; Natalie Portman by Keith Hamshere/Lucasfilm Ltd./Reuters; New York Yankees players by Gary Hershorn/Reuters; KLA member by Hazir Reka/Reuters.
train	20019	[ "Who is the gaming industry's number one lobbyist?", "Why say gaming instead of gambling?", "How does the gaming industry exploit problem gamblers?", "What does the author think the gaming commission will recommend?", "A former gaming commissioner compared gambling to:", "Why does the author think the casino owners will actively support the gaming commission's recommendations for regulation?", "Who on the commission is gambling's most fervent opponent?", "Who thinks the majority of lawmakers have been bribed regarding gambling regulations?", "What is next door to the author's hotel?", "Why does the author think Tom Grey is fighting a losing battle?" ]	[ [ "Jim Gibbons", "Frank Fahrenkopf", "Bob Miller", "Terrence Lanni" ], [ "Gaming sounds more fun than gambling.", "Gaming sounds young, gambling sounds old.", "Gaming sounds classier than gambling.", "Gaming doesn't have the negative connotation that gambling does." ], [ "Casinos offer fine dining, shopping, and big-budget attractions to entice gamblers.", "Casinos offer complimentary rooms to entice gamblers.", "Casinos offer complimentary food and drinks to entice gamblers.", "Casinos allow gamblers easy access to cash through ATM machines on casino floors, and credit card cash advances." ], [ "Removing a percentage of slot machines from each casino.", "Specific policies that target compulsive gambling.", "Shutting down half the casinos in Vegas.", "Capping the betting at tables." ], [ "Cigarettes", "Alcohol", "Prostitution", "Drugs" ], [ "They'll support the regulations because focusing on compulsive gamblers, makes the problem seem like a medical one.\n", "They'll support the regulations because it makes them look good in the eyes of the public.", "They'll support the regulations so they don't lose their liquor licenses.", "They'll support the regulations to pacify the Focus on the Family groups." ], [ "Bill Bible", "Terrence Lanni", "Bob Miller", "James Dobson" ], [ "Terrance Lanni", "Bob Miller", "James Dobson", "Bill Bible" ], [ "David Cassidy's show", "The Bellagio", "The Eifel Tower", "The MGM Grand" ], [ "Rev. Grey and his organization do not have the financial backing to fight a political battle with the casinos.", "Rev. Grey is trying to warn against the dangers of gambling, but the atmosphere of Vegas makes people feel like they can win and be successful.", "Rev. Grey is trying to warn against the dangers of gambling, but his efforts are drowned out by the powerful lobbyists.", "People go to Las Vegas specifically to gamble and maybe engage in questionable behavior. They want the thrills Vegas provides. People don't go to be lectured about sinners and morals." ] ]	[ 2, 4, 4, 2, 2, 1, 4, 3, 3, 2 ]	[ 0, 0, 0, 0, 1, 0, 0, 1, 0, 1 ]	Is <A NAME= Gambling's would-be federal regulators--the National Gambling Impact Study Commission--went to Las Vegas this week to hold hearings. In today's dispatch, we learn how gambling's foes seek to demonize wagering as a pernicious tobaccolike vice. In yesterday's dispatch, gambling's foes learn the folly of having brought their anti-sin crusade to an adult Disneyland. Tuesday's overpowering show of force by the Nevada gambling aristocracy has had at least one audible effect on the National Gambling Impact Study Commission. Wednesday, even commission Chair Kay Coles James, a gambling skeptic, succumbs to the hideous Vegas euphemism: She begins referring to the "gaming industry." After Tuesday's casino triumphalism, Wednesday is a comedown, eight hours of policy panels on teen gambling, compulsive gambling, gambling regulation, gambling marketing, and gambling credit practices. It is tough slogging, but for the first time I sense that this commission--though divided, underfunded, timid, and without any power beyond exhortation--isn't entirely useless. It may finally settle this question: Is gambling Hollywood or tobacco? Entertainment or vice? The sleek Vegas types, whose Strip palaces scramble casinos, theaters, restaurants, arcades, discos, cabarets, theme parks, concert halls, sports arenas, and museums into one giant orgy of amusement, have been selling the idea that gambling is just entertainment--Disney in the desert. This effort has largely succeeded, because Vegas is still the dominant image of American gambling, if not the dominant reality. The antis, meanwhile, cry that gambling is like cigarettes: unsafe for kids, viciously addictive, deceptively marketed, unhealthy, expensive, and unacceptable unless mightily regulated. Judging by today's hearings and by conversations with most of the commissioners, the tobacco model is winning. Today's panelists tell the commission that kids are starting to gamble too young and are getting addicted too easily, that compulsive gambling appears to be increasing as gambling spreads, that gambling marketing may be designed to addict customers, and that the industry exploits problem gamblers by allowing them to draw repeated credit card advances from ATMs on casino floors. The testimony clearly impresses the commissioners and seems especially to impress the three nonaligned commissioners who will be the swing votes on the June 1999 report. It is starting to become clear what that report will say. The commission won't (and can't) take any grand stand against gambling. Instead it will opt for small, targeted policies, concentrating on compulsive gambling. It will probably propose that casinos and state lotteries fund gambling-addiction research and that casinos take much stronger measures to bar problem gamblers from wagering. The commission may recommend that gaming taxes be used to underwrite treatment of pathological gamblers and that insurance companies be encouraged to cover gambling addiction. Similarly, the commission will try to reduce gamblers' access to cash by limiting the size of ATM advances and prodding casinos to remove the machines from their floors. The commission will also push the industry to do more to prevent kids from gambling. It will call for heavier regulation of Indian gambling and will probably try to ban or severely regulate Internet gambling, perhaps by forbidding gambling companies from running online casinos. It will rebuke state lotteries for their deceptive marketing and will try to force them to post odds and stop targeting the poor. In short, it will treat gambling as a tobaccolike vice. If the comments of the pro-industry commissioners can be believed, the industry will happily endorse such a report. Gamblers don't quite accept the cigarette analogy--though commission member Bill Bible, a former chief of the Nevada Gaming Commission, did concede that gambling was like alcohol--but they're happy to sign on to the specific measures. The casino industry is even trying to get ahead of the commission. It has already established a (mostly) independent center to fund research into pathological gambling. I suspect that the industry will not only agree to the commission's recommendations but will become their strongest advocate. Casino owners will avidly lobby Congress and state legislatures to enact the recommendations into law. Why should the pro-gamblers cooperate with a critical study? Because it provides superb cover for them. It medicalizes the problem of compulsive gambling, blaming it on psychological abnormality rather than industry machination. Likewise, cracking down on compulsives is also politically cost-effective. In exchange for losing a few compulsive gamblers, the casinos will (falsely) appear more concerned with the health of their customers than with profits. The cigarette agenda will also distract the commission and the public from the true reasons for worry. A few years ago, gambling was confined to Las Vegas and Atlantic City. It is now thriving in 48 states, and there is no sign that anyone can stop it. In this election, gambling interests dropped $100 million on a single California ballot initiative, toppled governors in two states, and bought senators and representatives by the crate. What the commission ought to be investigating is whether the gambling industry has become so powerful that it's politically untouchable. But it can't, because the gambling industry has become so powerful that it's politically untouchable. The antis can call gambling "tobacco." They can call it "vice." They can call it "a big red balloon" for all that the industry cares. As long as the commission just nibbles around the edges, the casino operators and state lotteries will be happy to indulge it. The pro-gambling folks will win credit for cooperating, without having to do anything that really hurts. The last national gambling commission was in the mid-1970s. If the gamblers play along with this commission's timid recommendations, they'll be safe for another 20 years. An Apology I owe an apology to Nevada Sen. Richard Bryan, whom I criticized yesterday for using the term "Indian country" during a speech critical of Indian casinos. As several readers pointed out to me, "Indian country" is a common phrase in the West and has no derogatory connotations. I'm sorry, Senator. Talk about quick defeats: The first sign I see outside the MGM Grand ballroom all but declares that the National Gambling Impact Study Commission has already lost. The sign reads: "National Gaming Impact Study Commission." "Gaming"? In Las Vegas, the euphemizers reign. Once upon a time, the casino owners decided that "gambling" was too crude, too avaricious, to describe their fair business. So "gambling" disappeared in Las Vegas, and "gaming" has risen in its place. He who controls language controls ideas, and at today's commission hearing, it is perfectly clear who controls the language. Video slot machines crammed into convenience stores--perhaps the most pernicious form of legal gambling there is--are called "retail gaming." People who own casinos are not "casino owners," they are "gaming visionaries." Pathological gamblers are "problem gamers"--as if they're having trouble mastering the rules of Monopoly. And the National Gambling Impact Study Commission is reborn as the National Gaming Impact Study Commission. The gambling industry did everything in its power to stop the establishment of this commission two years ago, but Congress and a fervent grassroots anti-gambling group eventually foisted it on the industry. The nine member blue-ribbon panel was charged with assessing the social and economic impact of gambling, and it will issue a final report to Congress and the president in June 1999. Even though the panel was carefully balanced between pro- and anti-gambling leaders, it was supposed to be Vegas' nemesis. The industry and Las Vegas' pro-gambling media quaked in anticipation of the onerous regulations and taxes the commission might recommend. But they quake no more. Whatever national momentum the anti-gamblers had dissolved in last week's elections. The industry routed opponents in state after state. Missouri voters passed a ballot initiative to allow boat casinos. Californians voted to expand Indian casinos. In South Carolina and Alabama, voters expelled anti-lottery, anti-gambling Republican governors and replaced them with pro-lottery Democrats. The gambling industry spent more than $100 million on political contributions and issue ads. It has never been fatter, happier, or more secure. "My goodness, no politician can withstand their resources," Focus on the Family's James Dobson, the commission's leading gambling opponent, tells me. The industry's political clout has emasculated the commission, Dobson continues: "Our report won't be acted on by the president or Congress. They are too heavily influenced by gambling money. Almost all the leaders of Congress are on the dole." It has also become obvious that the commission has too many pro-gambling members to produce a report that recommends taxes or other real penalties on the industry. So the commission's two day visit to Gomorrah has been transformed from a charged political event to a kind of victory lap for gaming. Nevada Gov. Bob Miller and the "gaming visionaries" have been planning for these hearings for months, hoping to use them to demonstrate the might and sanctity and goodness of the Nevada gambling industry. The MGM Grand, which is run by commission member Terrence Lanni, is itself the first exhibit of the Vegas triumphalists. It is gaudy testimony that consumers, at least, have no problem with this business. The MGM Grand, a k a "The City of Entertainment," has 5,000 rooms--the corridor outside my room is 200 yards long, so long I can't see its end--to feed the endless supply of slot machines, craps tables, and roulette wheels. David Cassidy performs here every night--twice! A few steps outside on the Strip is still more overwhelming evidence that Las Vegas has won the popular vote. New York, New York is just across the street, the $1.6 billion Bellagio is one door down, and a half-scale Eiffel Tower is going up next door. The setting has, as the pro-gambling folks no doubt hoped, stunned some of the gambling opponents. I asked one anti-gambling activist who had never before been to Vegas what she thinks of it. She could only blurt out "Wow." The hearings, too, reinforce the Glorious Las Vegas theme. Frank Fahrenkopf, the industry's top lobbyist (who is paid so much he can afford monogrammed shirt cuffs --I saw them), holds forth cheerfully outside the ballroom, celebrating the electoral triumph of freedom over religious moralist tyranny. Inside, the room is packed with more than 600 people in neon lime green T-shirts that read "Unions and Gaming: Together for a Better Life." They are members of the major casino union, here to cheer on their employers and their union. (Most of them, it must be said, are getting paid to do this.) Chairwoman Kay Coles James, a Christian conservative and skeptic of gambling, opens the hearing by assuring the crowd that the committee is toothless: "We're not here to take anyone's job. ... We have no power to do anything except make recommendations." This sets the mood for most of the day: Vegas is great, so you'd better leave it alone! The local government, by all appearances a wholly owned subsidiary of the casinos, puts on a bravura performance. Gov. Miller opens the show with a 15 minute hymn to Las Vegas. It is the first of many statistical barrages about Nevada's one-ders: No. 1 in job growth, No. 1 in population growth, and No. 1 on planet Earth in per capita Girl Scout troops--and Boy Scout troops! Later in the day, Nevada's senators and both its congressmen appear to chew out the commission for even thinking that Nevada might have a dark side. They pay tribute to Nevada's sophisticated gambling industry, especially its regulation (much stricter than other gambling states) and its use of gambling taxes to fund state services. It is one of the ironies of Nevada politics that its Republican congressmen (Jim Gibbons and John Ensign) end up crediting their state's success to government regulation and corporate taxation. There are also a fair share of gleeful gambling regulators, bookmakers, and casino employees among the panels of expert witnesses the commission hears from. Critics who gripe about the perils of sports gambling and the evils of convenience store slot machines leaven the pro-gambling folks. Everyone, including the gambling industry shills, agrees that Internet gambling is evil and should be destroyed. Everyone agrees to this because no one in Las Vegas is making any money off Internet gambling. If they were, you can be sure they would explain why it's as American as nickel slots and scratch-off games. Pro-Vegas forces are also perfectly happy to take shots at Indian gambling, the chief economic threat to Nevada's prosperity. The expansion of Indian casinos resulting from last week's California voter initiative will slam Las Vegas, cutting its gambling revenues by $400 million a year. So the Vegans repeatedly swing at casinos in "Indian country" (that's Nevada Sen. Richard Bryan's term--I'm not joking) for being insufficiently regulated and taxed. One tribal chief I spoke to calls this "red baiting." (Pause for an aesthetic observation: I am sitting right behind the witnesses, and after a while I begin to separate them into the Wides and the Narrows. The Wides are men in suits with enormous backs and enormous bellies, men who eat and eat and used to play football. They all testify to their love of gambling. The Narrows are thin and generally disapprove of it. I begin to wonder whether fondness for gambling correlates with general indulgence, and dislike correlates with asceticism, and decide that they probably do.) During the last hour of the day, the public comment period, the union sends a parade of casino employees to the microphone to hallelujah the gaming industry. Housekeepers, cooks, and slot change girls, almost all black or Latina, tell the same story: I was working a dead-end job in another state, "then I heard about Las Vegas, where there's opportunity!" I moved here, landed a job at a union casino with high pay, free medical insurance, a pension, and "now I am buying a house." The stories are intensely moving, by far the most persuasive tribute to the Strip that I've ever heard. Still, for all the Vegan triumphalism in the air, it's impossible not to be charmed by the chief gambling opponent, the Rev. Tom Grey. Grey is utterly irrepressible. A Vietnam rifleman turned Methodist minister, Grey has spent the last eight years evangelizing against gambling. He founded the National Coalition Against Legalized Gambling, the primary force behind the commission's creation. (Grey, in a rare acknowledgement of defeat, has just renamed it the National Coalition Against Gambling Expansion, tacitly recognizing that gambling is here to stay.) He is a genial motormouth and shameless promoter of the cause. He wears a gigantic "CasiNO" button in the casino. He posed for People in a shepherd's robe. He says "I would do anything short of lighting myself on fire in the Capitol rotunda to stop gambling." He is so excitable that I have to yank him out of the way of an oncoming car when he gets too wrapped up in one of his soliloquies. He and his Las Vegas allies, a former Las Vegas city councilman named Steve Miller and an inner city venture capitalist named Otis Harris, invite me on a tour of Las Vegas. "Behind the Mirage," they call it. For two hours, we cruise the streets behind the casinos. They show me all the evidence of gambling blight you'd never want to see, from a youth-center-turned-crack-house to pawn shops to sex shops to down at heels casinos to quickie motels. All the while, they keep up a patter about how terrible a neighbor the casino industry is and how superficial Las Vegas' prosperity is. It's very grim and mostly persuasive. Still, when we turn back on to the Strip, and pass the jaw-dropping Stratosphere and Circus Circus and Bellagio and the MGM Grand--a 30 story tower bathed in fabulous emerald light, I realize why Grey's task is hopeless here. He is committing the cardinal sin of Vegas. All he wants to do is talk about losers. In Las Vegas, under the thrilling lights of the Strip, no one wants to hear about losers. In the land of gaming, not gambling, everyone is sure he's a winner.
train	20026	[ "Of all the individuals described in the article, who seemed to make the riskiest decision described?", "What was the overall structure of the article?", "What is one major advantage that Dole had over Bush?", "What was something that Dole, Bauer, and McCain all have in common?", "What makes Buchanan different from the other candidates?", "What makes Dole different from the other candidates?" ]	[ [ "McCain", "Buchanan", "Dole", "Bauer" ], [ "Describing the progress of a few candidates during the primaries", "Describing a few major candidates and their core beliefs during and at the end of the primaries", "Describing George W. Bush's decisions over the course of the presidential primaries", "Describing every candidate's major decisions over the course of the presidential primaries" ], [ "Dole cared about the environment which was refreshing to the voters", "Dole was a woman which made her more sympathetic to female voters", "Dole had a surprising amount of financial backing", "Dole had spent more time in politics than Bush" ], [ "They were all trying to justify their position in the primaries", "They were all trying to secure financial backing", "They all had very small odds of winning overall", "They all had things that were actively going against their personal record" ], [ "He had less financial backing than most of them (he had almost no financial backing at all)", "He had different politics than the others", "He was more moderate than the others", "He cared about meeting with Americans in person during his campaigning more than the rest of them did" ], [ "Dole had significant financial backing from the fruit company of the same name", "She's more conservative than the others", "She's more sympathetic to the voters because of her upbringing", "A certain part of her identity might make her sympathetic to the voters in a way that would not work for the other candidates" ] ]	[ 1, 1, 4, 1, 2, 4 ]	[ 0, 0, 1, 1, 1, 0 ]	Republican Shakeout This weekend's straw poll in Ames, Iowa, kicked off the 2000 presidential race and sorted out the Republican field. Everyone agrees that George W. Bush is the front-runner, that Steve Forbes is in second place, and that Dan Quayle, who finished back in the pack with Lamar Alexander, will soon join Alexander on the sidelines. But Ames failed to resolve the fate of the candidates who came in third and fourth--Elizabeth Dole and Gary Bauer--and the one who skipped Ames, John McCain. For these three, the post-game spin contest is crucial. Here's a playback of their takes on the straw poll results and a look ahead at their playbook of messages for the remainder of the race. Elizabeth Dole Playback 1. Top three. Dole needed to get within striking distance of Bush and to seal off the rest of the pack behind her. On Meet the Press , Face the Nation , and Late Edition , she boasted that she had cracked "the top three." Pundits bought the three-winners line, treating Ames as a horse race ("win, place, and show") and noting that "no one's ever won the Republican nomination without finishing in the top three" at Ames. Newspapers, cramped for space, confined their headlines to Bush, Forbes, and Dole. Though Dole's 14 percent was closer to Bauer's 9 than to Forbes' 21, she earned a "solid third" and a place among the leaders by crossing the "double-digit" threshold. As Fox News' Carl Cameron put it: "The other seven candidates could not crack double digits." 2. Race for third. Since Bush and Forbes were expected to finish first and second, many pundits concluded, as Lisa Myers put it on Meet the Press , that "the real race here was for third. Elizabeth Dole won that." The Boston Globe called Dole "the winner of this contest-within-the-contest." Dole touted her "victory" on every talk show and cited the Myers and Globe quotes in a press release. At a news conference, an aide introduced Dole as the straw poll's "real winner." 3. Underdog. In every TV interview, Dole claimed to have been "outspent by millions of dollars." Her spokesman told reporters that "on a dollar-per-vote basis, Elizabeth Dole trounced George Bush and Steve Forbes." Reporters love an underdog. "From a strict cost-benefit standpoint, the big winner may be Elizabeth Dole," concluded Time . 4. Comeback kid. Dismissive coverage of Dole before the straw poll played to her advantage, as everyone marveled at her "surprisingly" strong third. "Dole Revived," the Washington Post 's front page proclaimed. On This Week , George Will conceded, "There had been a lot of very skeptical stories about whether her people would show up. She, therefore, I think, is the biggest winner." Playbook 1. Race for second. Forbes wants to fast-forward the GOP tournament to a finals bracket: Bush vs. Forbes. To prevent this, Dole needs to create a semifinal playoff--Forbes vs. Dole--to determine who gets to play Bush. Despite Forbes' huge financial advantage, "we finished close to second," Dole told reporters Saturday night. "This is going to become a two-person race." The press agreed. "Forbes had growing hopes ... that he might upset Bush or finish a close second," recalled the Post . Instead, "he finished closer to Dole than to Bush." 2. Experience. Having narrowed the field to three, Dole needs to focus the contest on criteria that favor her. The first of these is political experience, of which Bush has little and Forbes has almost none. On every talk show, Dole vowed "to demonstrate that the candidate with the most experience is more qualified than the candidates with the most money. ... We're talking about president of the United States." 3. Gender. This is the more obvious criterion that distinguishes Dole. She hardly needs to mention it--the media bring it up anyway--but she invokes it subtly, alluding (as she did on two Sunday talk shows) to "women who drive their daughters halfway across the state to shake my hand, a woman they dare to believe in." Newspapers hail Dole's female followers as evidence "that she can attract new voters to the GOP." Gary Bauer Playback 1. Top four. Like Dole, Bauer needed to crack the top tier and seal off the pack. Since sports analogies tend to cut off the top tier at three rather than four (e.g., "bronze medal," "win, place, and show"), Bauer changed metaphors, telling reporters that he had reached "the first rung of candidates" and that lower finishers might soon perish. On Meet the Press , he called himself the "breakout candidate." While some pundits lumped Bauer with the winners, others offered him the next best position--"leading the rest of the pack"--or at least distinguished him from the "losers." 2. Social conservative quarterfinal. This was Bauer's big spin win. Like Dole, he won a crucial "contest-within-the-contest." His scant margin over Pat Buchanan--8.9 percent to 7.3 percent--became a huge factor in the post-poll analysis. Pundits concluded that Bauer "did what he had to do ... beat Pat Buchanan," and therefore "can legitimately say he is the candidate of the Christian right," establishing himself as "one of the winners," the "three or four" candidates who "got their tickets punched" to stay in the race. Talk show hosts reminded Buchanan that he had lost to Bauer and asked whether Buchanan was finished. 3. Conservative semifinal. Having scored well ahead of Bauer and Buchanan, Forbes anointed himself "the conservative in a two-man race" against Bush. Bauer disagreed, and the media took his side. "Forbes, Bauer Battle for Right," the Post proclaimed, concluding that because Forbes failed to break away, "he and Bauer are likely to continue a long and tough fight for the leadership of the conservative wing." 4. Underdog. Bauer couldn't claim to be more strapped than Dole, so he claimed underdog status on the basis of low name recognition, inexperience, and working-class heritage. "I am running against some big bios ... the son of a former president, the son of a tycoon, and the wife of a senator," Bauer argued on Late Edition . "I have never run for president or office before. And yet here we come in fourth place." Newsweek 's David Brooks wrote that Bauer "overcame his own financial disadvantages" and joined Dole as the two surviving "Have-Not candidates." Playbook 1. Buchanan will defect. Since Buchanan's combativeness and loyal base make him hard to write off as a candidate, his rivals have persuaded the media at least to write him off as a Republican by inferring that his low score at Ames will prompt him to transfer to the Reform Party. The more Buchanan fends off comparisons to Bauer by emphasizing his protectionism, the more he plays into this scenario. 2. Populism. With Buchanan out of the way, Bauer will go after Forbes. When asked on television about Forbes' claim to represent the right. Bauer cited Forbes' wealth and called himself "the son of a maintenance man." On This Week , George Stephanopoulos agreed that Bauer "is becoming the populist in the race," noting that Bauer's supporters "love the fact that he was the son of a janitor." 3. Conservatism. If Bauer wins the social conservative quarterfinal and the conservative semifinal, he gets to run as the "Reagan" candidate against "Bush-Gore" moderation on abortion, Hollywood, China, and other hot-button issues. This bracket-by-bracket tournament strategy reduces Bauer's obstacles from three candidates to two. He can target Forbes, knowing that if he prevails, either Bush or Dole will have vanquished the other in the moderate semifinal. Indeed, Dole's success at Ames arguably helps Bauer by giving Bush a semifinal contest. John McCain Playback 1. Ames meant nothing to him. Despite having skipped the straw poll, McCain was invited onto Face the Nation and Fox News Sunday to discuss it. "If you're going to be taken seriously," Brit Hume asked him, "don't you have to face up to the fact, when all the other candidates decide that an event is worth attending ... that maybe you've got to play too?" In reply, McCain repeatedly called Ames "meaningless." His chutzpah bowled over the pundits. Stephanopoulos called McCain's no-show "a pretty smart move" and portrayed the 83 votes he won in the straw poll--putting him in last place among active Republican candidates--as evidence of his strength. 2. Ames meant death for others. Noting that McCain had bypassed the event, Quayle explained on Face the Nation that he, too, "almost took a pass on this. It wasn't until George Bush said he was going to participate that then I said, 'OK, we've got to do it,' out of respect to the Iowa Republican Party." The result, Quayle pleaded, was that he lost to candidates who had been in Iowa "years and months." McCain, explaining his decision to stay out, espoused a less sentimental philosophy: "You always want to fight on ground that is most favorable to you." For this, the media executed Quayle and spared McCain. "Quayle and Lamar Alexander might be gone, but I think McCain is still in," concluded NPR's Mara Liasson. Ames was Vietnam in reverse: McCain ducked the fight, and Quayle took the beating. 3. Viability. "Once the dust has settled from the straw poll," McCain regally announced, "I will review the new political landscape" and begin "engaging the other Republican candidates." Why does McCain get a bye? Because he has convinced the media that he has enough money and support in New Hampshire, South Carolina, and other states to skip Iowa and catch fire later. Newsweek , the New York Times , the Los Angeles Times , and several TV pundits agreed that McCain remains formidable, wasn't hurt by Ames, and may well end up as the principal alternative to Bush. 4. Vote-buying. To undermine the straw poll's authority as an arbiter of his candidacy, McCain called it a "fund-raiser," "a sham and a joke" in which campaigns spent "millions" to "buy" votes. "My campaign theme is to try to reform the system that is now awash with money and the influence of special interests," he argued on Fox News Sunday . Brit Hume's retort--"that this whole process isn't quite pure enough for you"--played right into McCain's hands. McCain doesn't need to persuade the media that his reasons for skipping Ames were morally sound. He just needs to persuade them that his reasons were moral rather than political. Playbook 1. Real votes. The vote-buying complaint only gets McCain a bye on the straw poll. To get another bye on February's Iowa caucuses, he'll rely on two other moral arguments. First, he'll claim that caucuses aren't "real votes." "We'll have real votes in New Hampshire," McCain argued on Fox News Sunday . "That's where real people are motivated to vote." On Face the Nation , he suggested that he would focus on "the genuine balloting process, which takes place in New Hampshire and then South Carolina." 2. Ethanol. Many pundits, fancying themselves shrewd, suggest that McCain's true reason for skipping Iowa is that he has "taken a position on ethanol subsidies that's unpalatable to voters in Iowa." On This Week , Stephanopoulos suggested that McCain might "have to do something dramatic," such as "make a stand and say, 'We're not going to compete in Iowa. We think these ethanol subsidies are an abomination.' " This is McCain's greatest triumph: He has conned the media into disbelieving his political calculations and accusing him instead of principle. "I've taken a lot of unpopular positions," he conceded on Fox News Sunday . 3. Experience. The longer McCain stays out of the race without damaging his credibility, the more the field narrows to his advantage. Alexander and Rep. John Kasich, R-Ohio, are already gone. Quayle and Sen. Orrin Hatch, R-Utah, won't be far behind. If the field dwindles to Bush, Forbes, and Bauer, McCain can sell himself as the only experienced officeholder running against Bush. But Dole's third-place finish at Ames, coupled with her victory in the post-Ames spin contest, complicates this plan. So here's how the race shapes up. Bauer will frame it as a populist showdown, chiefly between himself and Forbes. Forbes will frame it as a fight between the establishment, led by Bush, and conservatives, led by himself. Dole will exploit feminism as well as feminine stereotypes, pitching herself as the candidate of change, civility, and moral renewal. And McCain will fortify his war chest while his rivals battle and bleed. Ames has organized the contestants. Let the games begin.
train	20028	[ "Why was the second round of tests more important to the test subjects?", "What is NOT a recommendation they make in future experiments?", "What was the difference between the first and second test?", "How good were test subjects at labeling the beers in round two?", "Why are the experimental results somewhat irrelevant?", "Round 2 did all but what to make things more interesting?", "What was NOT a metric test subjects were asked to use in these experiments?" ]	[ [ "They wanted to prove themselves as being knowledgable about expensive beers", "They wanted to prove themselves as being knowledgable about wines", "They wanted to prove themselves as being knowledgable about hard liquor", "They wanted to prove themselves as being knowledgable about cheap beers" ], [ "If you're going to test a certain type of beer, they recommended specific brands to try and one to avoid", "Give the test subjects a palette cleanser (they didn't and it would make the data a lot cleaner in future studies)", "Provide the test subjects with different information", "If you're running the experiment, you can't participate as well" ], [ "Beer type and expense", "Beer type only ", "The types of beer in both stages of the test were the same, but the presentation method differed significantly", "Expense only" ], [ "Few of them got anything correct", "None of them could guess any of them", "Most of them got most things correct", "Most of them got them perfect" ], [ "The experimenters were unqualified", "The experiment subjects were unqualified", "The sample size was too small", "Part of what matters is the label itself" ], [ "Included some less high quality beers", "Asked for people to label type if they could ", "Added a control drink", "Learned everyone's favorite beers and included those in the samples" ], [ "Choosing their favorite of the samples", "Guessing the most expensive of the samples", "Personal opinion of the sample", "Choosing their least favorite of the samples" ] ]	[ 1, 2, 1, 1, 4, 4, 2 ]	[ 0, 0, 1, 0, 0, 1, 1 ]	More Booze You Can Use When we last heard from them, the members of the Slate beer-testing team were coping with lagers and trying to see if they could taste the 3-to-1 price difference between the most- and least-expensive brands. (Click for a wrap-up of the first round of beer tasting.) The answer was: They found one beer they really liked, Samuel Adams Boston Lager , and one they really hated, imported Grolsch from Holland. Both were expensive beers--Grolsch was the most expensive in the test--and otherwise the testers had a hard time telling beers apart. The members of the team, as noted in the original article, all hold day jobs at Microsoft, mainly as designers, managers, and coders for Microsoft Word. The point of the second test was not to find the difference between cheap and expensive beers but instead to compare a variety of top-of-the-line beers. Was there one kind the tasters preferred consistently? Could they detect any of the subtleties of brewing style and provenance that microbrew customers pay such attention to when choosing some Doppelbock over a cream ale? Since the tasting panel had left the first round grumbling that cheap lagers were not a fair test of their abilities, this second round of testing was advertised to the panel as a reward. Every beer in Round 2 would be a fancy beer. A microbrew. A "craft beer." A prestigious import. These were the kinds of beer the panel members said they liked--and the ones they said they were most familiar with. One aspect of the reward was that they would presumably enjoy the actual testing more--fewer rueful beer descriptions along the lines of "urine" or "get it away!" were expected than in the first round. The other aspect of anticipated reward was the panelists' unspoken but obvious assumption that this time they would "do better" on the test. Intellectual vanity being what it is, people who had fought for and won jobs at Microsoft and who still must fight every six months for primacy on the employee-ranking scale (which determines--gasp!--how many new stock options they receive) would assume that their skill as tasters was on trial, just as much as the beer was. Of course they were right, which is what made this round as amusing to administer as the first one had been. Here is what happened and what it meant: 1. Procedure. This was similar in most ways to the experimental approach of Round 1. The nine testers who showed up were a subset of the original 12. The missing three dropped out with excuses of "my wife is sick" (one person) and "meeting is running long" (two). As before, each tester found before him on a table 10 red plastic cups, labeled A through J. Each cup held 3 ounces of one of the beers. The A-to-J labeling scheme was the same for all testers. Instead of saltines for palate-cleansing, this time we had popcorn and nuts. As they began, the tasters were given these and only these clues: that the flight included one "holdover" beer from the previous round (Sam Adams); that it included at least one import (Bass); that it included at least one macrobrew , specifically, a member of the vast Anheuser-Busch family (Michelob Hefeweizen). After sampling all beers, the tasters rated them as follows: Overall quality points, from zero to 100, reflecting their personal, subjective fondness for the beer. Descriptions of and comments about each beer's taste--"smooth and nutty," "too strong," etc. If the first ranking was a measure of how good each beer was, this was an attempt to explain what made it good. Best and Worst , one of each from the group. Name that beer! The tasters were told that some of the drinks were Hefeweizens, some might be IPAs (India pale ales), some might be bitters, and so on. They were asked to put each beer in its proper category--and to name a specific brewery and brand if they could. The idea here was to test the veteran beer drinkers' claim to recognize the distinctive tastes of famous brands. (To see all the grids for all the beers, click .) 2. Philosophy. The first round of testing was All Lager. This second round was All Fancy, and Mainly Not Lager. As several correspondents (for instance, the of Best American Beers ) have helpfully pointed out, the definition of lager provided last time was not exactly "accurate." If you want to stay within the realm of textbook definitions, a lager is a beer brewed a particular way--slowly, at cool temperatures, with yeast that settles on the bottom of the vat. This is in contrast with an ale, which is brewed faster, warmer, and with the yeast on top. By this same reasoning, lagers don't have to be light-colored, weak-flavored, and watery, as mainstream American lagers are. In principle, lagers can be dark, fierce, manly. Therefore, the correspondents suggest, it was wrong to impugn Sam Adams or Pete's Wicked for deceptive labeling, in presenting their tawnier, more flavorful beers as lagers too. To this the beer scientist must say: Book-learning is fine in its place. But let's be realistic. Actual drinking experience teaches the American beer consumer that a) all cheap beers are lagers; and b) most lagers are light-colored and weak. The first test was designed to evaluate low-end beers and therefore had to be lager-centric. This one is designed to test fancy beers--but in the spirit of open-mindedness and technical accuracy, it includes a few "strong" lagers too. 3. Materials. The 10 test beers were chosen with several goals in mind: To cover at least a modest range of fancy beer types--extra special bitter, India pale ale, Hefeweizen, and so on. To include both imported and domestic beers. Among the domestic microbrews, there's an obvious skew toward beers from the Pacific Northwest. But as Microsoft would put it, that's a feature not a bug. These beers all came from the Safeway nearest the Redmond, Wash., "main campus" of Microsoft, and microbrews are supposed to be local. To include one holdover from the previous test, as a scientific control on our tasters' preferences. This was Sam Adams , runaway winner of Round 1. To include one fancy product from a monster-scale U.S. mass brewery, to see if the tasters liked it better or worse than the cute little microbrews. This was Michelob Hefeweizen , from the pride of St. Louis, Anheuser-Busch. Click for pricing information and pre-quaffing evaluations. The beers tasted were: 4. Data Analysis. a) Best and Worst. Compared to the lager test, we would expect the range of "best" choices to be more varied, since all the tested beers were supposed to be good. This expectation was most dramatically borne out in the "Best and Worst" rankings. The nine tasters cast a total of nine Worst votes and 11.5 Best votes. (Tester No. 1 turned in a sheet with three Best selections, or two more than his theoretical quota. Tester No. 4 listed a Best and a Best-minus, which counted as half a vote.) The results were clearest at the bottom: three Worsts for Pyramid Hefeweizen , even though most comments about the beer were more or less respectful. ("Bitter, drinkable.") But at the top and middle the situation was muddier: There were three Bests for Full Sail ESB , which most of the tasters later said they weren't familiar with, and 2.5 for Redhook IPA , which all the tasters knew. But each of these also got a Worst vote, and most of the other beers had a mixed reading. So far, the tasters are meeting expectations, finding something to like in nearly all these fancy beers. b) Overall preference points. Here the complications increase. The loser was again apparent: Pyramid Hefeweizen came in last on rating points, as it had in the Best/Worst derby. But the amazing dark horse winner was Michelob Hefeweizen . The three elements of surprise here, in ascending order of unexpectedness, are: This best-liked beer belonged to the same category, Hefeweizen, as the least-liked product, from Pyramid. This was also the only outright Anheuser-Busch product in the contest (the Redhooks are 75 percent A-B free). It is safe to say that all tasters would have said beforehand that they would rank an American macrobrew last, and Anheuser-Busch last of all. Although it clearly won on overall preference points, Michelob Hefeweizen was the only beer not to have received a single "Best" vote. The first two anomalies can be written off as testament to the power of a blind taste test. The third suggests an important difference in concepts of "bestness." Sometimes a product seems to be the best of a group simply because it's the most unusual or distinctive. This is why very high Wine Spectator ratings often go to wines that mainly taste odd. But another kind of bestness involves an unobtrusive, day-in day-out acceptability. That seems to be Michelob Hefe 's achievement here: no one's first choice, but high on everyone's list. Let's go to the charts: This table shows how the beers performed on "raw score"--that is, without the advanced statistical adjustment of throwing out the highest and lowest score each beer received. Next, we have "corrected average preference points," throwing out the high and low marks for each beer. The result is basically the same: It is worth noting the fate of Sam Adams on these charts. Here it ends up with a score of less than 61. These were the numbers awarded by the very same tasters who gave it a corrected preference rating of 83.33 the last time around--and 10 "Best" votes, vs. one Best (and one Worst) this time. The shift in Bests is understandable and demonstrates the importance of picking your competition. The severe drop in preference points illustrates more acutely the ancient principle of being a big fish in a small pond. These same tasters thought that Sam Adams was objectively much better when it was surrounded by Busch and Schmidt's. c) Value rankings. Last time this calculation led to what the colorful French would call a bouleversement. One of the cheapest beers, Busch, which had been in the lower ranks on overall preference points, came out at the top on value-for-money ratings, because it was so cheap. The big surprise now is that the highest-rated beer was also the cheapest one, Michelob Hefe , so the value calculation turned into a rout: Pyramid Hefeweizen was expensive on top of being unpopular, so its position at the bottom was hammered home--but not as painfully as that of Bass Ale . Bass had been in the respectable lower middle class of the preference rankings, so its disappointing Val-u-meter showing mainly reflects the fact that it was the only beer not on "sale" and therefore by far the costliest entry in the experiment. d) Taster skill. As members of the tasting panel began to suspect, they themselves were being judged while they judged the beer. One of the tasters, No. 7, decided to live dangerously and give specific brands and breweries for Samples A through J. This man was the only panel member whose job does not involve designing Microsoft Word--and the only one to identify two or more of the beers accurately and specifically. (He spotted Redhook IPA and Redhook ESB.) The fact that the beers correctly identified were the two most popular microbrews in the Seattle area suggests that familiarity is the main ingredient in knowing your beer. Many others were simply lost. Barely half the tasters, five of nine, recognized that Michelob Hefeweizen was a Hefeweizen. Before the test, nine of nine would have said that picking out a Hefe was easy, because of its cloudy look and wheaty flavor. Three tasters thought Sam Adams was an IPA ; two thought Redhook's IPA was a Hefeweizen. In fairness, six of nine testers identified Pyramid Hefeweizen as a Hefe, and six recognized Full Sail ESB as a bitter. Much in the fashion of blind men describing an elephant, here is a how the testers handled Sam Adams Boston Lager : 5. Implications and Directions for Future Research. Science does not always answer questions; often, it raises many new ones. This excursion into beer science mainly raises the question: What kind of people are we? If we are Gradgrind-like empiricists, living our life for "welfare maximization" as described in introductory econ. courses, the conclusion is obvious. We learned from the first experiment to buy either Sam Adams (when we wanted maximum lager enjoyment per bottle) or Busch (for maximum taste and snob appeal per dollar). From this second round we see an even more efficient possibility: Buy Michelob Hefeweizen and nothing else, since on the basis of this test it's the best liked and the cheapest beer. By the way, if there is a single company whose achievements the testing panel honored, it would be Anheuser-Busch . From its brewing tanks came two of the double-crown winners of the taste tests: plain old Busch , the Taste-o-meter and Snob-o-meter victor of Round 1, and Michelob Hefeweizen , the preference-point and Val-u-meter winner this time. But, of course, there is another possibility: that what is excluded in a blind taste test is in fact what we want, and are happy to pay for, when we sit down with a beer. The complicated label, the fancy bottle, the exotic concept that this beer has traveled from some far-off corner of Bohemia or even the Yakima Valley--all this may be cheap at the $1.25-per-pint cost difference between the cheapest and the most expensive beers. In elementary school, we all endured a standard science experiment: If you shut your eyes and pinch your nose closed, can you tell any difference in the taste of a slice of apple, of carrot, of pear? You can't--but that doesn't mean that from then on you should close your eyes, hold your nose, and chew a cheap carrot when you feel like having some fruit. There is a time and place for carrots, but also for juicy pears. There is a time for Busch, but also for Full Sail "Equinox." For scientists who want to continue this work at home, here are a few suggestions for further research: Tell the testers ahead of time what beers they will be drinking. Ask them to rank the beers, 1 through 10, based on how well they like them. Then compare the list with the "revealed preferences" that come from the blind test. As a variation, show them the list ahead of time and ask them to pick out the beer they know they love and the one they know they hate. Then compare this with the "after" list. If you're going to test imported lagers, try Foster's or Corona rather than Grolsch. Remember to stay strictly in the scientist's role. Don't take the test yourself.
train	51202	[ "Why does Infield don a lightning rod at the beginning of the story?", "Why did Mrs. Price carry around a baby?", "Why did Morgan turn on the lights at Infield & Morgan when Reggie entered?", "Why was Infield opposed to a world comprised completely of the Cured?", "Why does Price believe it is important for everyone in the world to be Cured?", "Why did Davies attach himself to Infield outside of Infield & Morgan?", "Why does Morgan believe Henry Infield is an idealist?", "Why does Reggie wear glasses?", "Why does Price have a Cure for alcoholism?" ]	[ [ "He wants to infiltrate the fraternal club for the Cured in order to prevent Price's authoritarian rule, so he must blend in.", "It will protect him against lightning strikes and is meant as a Cure for his astraphobia.", "He wants to know what it feels like to be a Cured, and therefore he pretends to have a fear of thunder.", "He is tired of working as a psychiatrist at Infield & Morgan and wants to seek out new opportunities in the world of the Cured." ], [ "The baby was a mechanized half-human robot that functioned as Mrs. Price's Cure for the trauma she experienced after accidentally killing her real child.", "It made her feel matronly, which was a kind of Cure for the trauma she had experienced as a child. ", "The baby was the child she had with her husband, George Price.", "It was a doll that functioned as her Cure for the trauma experienced after the death of her baby whose passing was as a result of Mr. Price's drinking." ], [ "The room was too dark, and he wanted to see who had entered his business so suddenly in the middle of a bad storm.", "He wanted to surprise Reggie with his presence so that he could dismantle Reggie's Cure easier. ", "Because he was sensitive to sound, Morgan's Cure was wearing ear protection. So he had to turn on the lights in order to read Reggie's lips.", "In his shock at the news of Infield's death, Morgan turned on the light so that he could see Reggie and make sure he was telling him the truth." ], [ "He was completely against the genocidal notions of Georgie in reference to his solution for handling the Incompletes.", "As one of the Normals, Infield had an interest in maintaining a society that balanced those who had Cures with those who did not.", "The Cures gave the individuals who had them abilities almost like superpowers, and Infield worried that a demagogue like Georgie would harness them for his own rise to power.", "He felt it was a slippery slope that would lead to the need for more and more Cures and, ultimately, a general lack of independence." ], [ "He believes untreated, repressed fears may arise at any time and manifest as violence towards others.", "As a former psychiatrist, he believes it is essential for everyone to address their deep-seated issues, and pairing Cures with appropriate psychiatric therapy is the only way to do that.", "He is a demagogical psychopath who wants to take advantage of people's fears and use them to gain control over society. ", "He is an idealist who believes that humanity can be perfected by the use of scientific and mechanical Cures." ], [ "He was afraid of heights and falling over, so he had affixed himself to Infield in order to calm his fear.", "He was attempting to catch Infield after he ran away from the fraternal club for the Cured.", "He was afraid of the rain and lightning, and the cables helped him to feel more secure.", "He had been aiming for George Price, whom he was trying to kill as punishment for knocking him to the ground earlier." ], [ "Infield has a vision of the world that includes complete and total Cures for everyone who has a phobia of anything.", "Infield is skeptical that Cures cause limited interference like Morgan claims. He believes they will drive people to insanity.", "Infield calls Morgan out for knowingly developing Cures that do not work and are sometimes only 23% effective.", "Infield does not believe that human beings should be subject to the kinds of human experimentation of which Morgan seems to take no issue." ], [ "He wants to study passages from the Bible in order to honor his deceased father.", "He is forced to read passages from the Bible or else his father will die.", "If he doesn't study biblical scriptures, then he will die and go to Hell (according to his father).", "It is his Cure for bad eyesight and also allows him to study the Bible, which is his favorite book." ], [ "His alcoholism led him to destructive behavior in the past, including the death of his and Mrs. Price's only child.", "Although he is not an alcoholic, Price wants to demonstrate his kinship with other people with Cures so that they are more likely to follow him.", "Although he is not an alcoholic, he has a trauma-related aversion to drinking. The Cure is self-imposed.", "He spends too much time at the Club drinking, despite Reggie's willingness to help him through the problem." ] ]	[ 3, 4, 3, 4, 1, 1, 2, 1, 3 ]	[ 0, 0, 1, 0, 1, 1, 1, 1, 1 ]	Name Your Symptom By JIM HARMON Illustrated by WEISS [Transcriber's Note: This etext was produced from Galaxy Science Fiction May 1956. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] Anybody who shunned a Cure needed his head examined—assuming he had one left! Henry Infield placed the insulated circlet on his head gently. The gleaming rod extended above his head about a foot, the wires from it leading down into his collar, along his spine and finally out his pants leg to a short metallic strap that dragged on the floor. Clyde Morgan regarded his partner. "Suppose—just suppose—you were serious about this, why not just the shoes?" Infield turned his soft blue eyes to the black and tan oxfords with the very thick rubber soles. "They might get soaked through." Morgan took his foot off the chair behind the desk and sat down. "Suppose they were soaked through and you were standing on a metal plate—steps or a manhole cover—what good would your lightning rod do you then?" Infield shrugged slightly. "I suppose a man must take some chances." Morgan said, "You can't do it, Henry. You're crossing the line. The people we treat are on one side of the line and we're on the other. If you cross that line, you won't be able to treat people again." The small man looked out the large window, blinking myopically at the brassy sunlight. "That's just it, Clyde. There is a line between us, a wall. How can we really understand the people who come to us, if we hide on our side of the wall?" Morgan shook his thick head, ruffling his thinning red hair. "I dunno, Henry, but staying on our side is a pretty good way to keep sane and that's quite an accomplishment these days." Infield whirled and stalked to the desk. "That's the answer! The whole world is going mad and we are just sitting back watching it hike along. Do you know that what we are doing is really the most primitive medicine in the world? We are treating the symptoms and not the disease. One cannibal walking another with sleeping sickness doesn't cure anything. Eventually the savage dies—just as all those sick savages out in the street will die unless we can cure the disease, not only the indications." Morgan shifted his ponderous weight uneasily. "Now, Henry, it's no good to talk like that. We psychiatrists can't turn back the clock. There just aren't enough of us or enough time to give that old-fashioned therapy to all the sick people." Infield leaned on the desk and glared. "I called myself a psychiatrist once. But now I know we're semi-mechanics, semi-engineers, semi-inventors, semi lots of other things, but certainly not even semi-psychiatrists. A psychiatrist wouldn't give a foetic gyro to a man with claustrophobia." His mind went back to the first gyro ball he had ever issued; the remembrance of his pride in the thing sickened him. Floating before him in memory was the vertical hoop and the horizontal hoop, both of shining steel-impervium alloy. Transfixed in the twin circles was the face of the patient, slack with smiles and sweat. But his memory was exaggerating the human element. The gyro actually passed over a man's shoulder, through his legs, under his arms. Any time he felt the walls creeping in to crush him, he could withdraw his head and limbs into the circle and feel safe. Steel-impervium alloy could resist even a nuclear explosion. The foetic gyro ball was worn day and night, for life. The sickness overcame him. He sat down on Morgan's desk. "That's just one thing, the gyro ball. There are so many others, so many." Morgan smiled. "You know, Henry, not all of our Cures are so—so—not all are like that. Those Cures for mother complexes aren't even obvious. If anybody does see that button in a patient's ear, it looks like a hearing aid. Yet for a nominal sum, the patient is equipped to hear the soothing recorded voice of his mother saying, 'It's all right, everything's all right, Mommy loves you, it's all right....'" "But is everything all right?" Infield asked intensely. "Suppose the patient is driving over one hundred on an icy road. He thinks about slowing down, but there's the voice in his ear. Or suppose he's walking down a railroad track and hears a train whistle—if he can hear anything over that verbal pablum gushing in his ear." Morgan's face stiffened. "You know as well as I do that those voices are nearly subsonic. They don't cut a sense efficiency more than 23 per cent." "At first, Clyde—only at first. But what about the severe case where we have to burn a three-dimensional smiling mother-image on the eyes of the patient with radiation? With that image over everything he sees and with that insidious voice drumming in his head night and day, do you mean to say that man's senses will only be impaired 23 per cent? Why, he'll turn violently schizophrenic sooner or later—and you know it. The only cure we have for that is still a strait jacket, a padded cell or one of those inhuman lobotomies." Morgan shrugged helplessly. "You're an idealist." "You're damned right!" Infield slammed the door behind him. The cool air of the street was a relief. Infield stepped into the main stream of human traffic and tried to adjust to the second change in the air. People didn't bathe very often these days. He walked along, buffeted by the crowd, carried along in this direction, shoved back in that direction. Most people in the crowd seemed to be Normals, but you couldn't tell. Many "Cures" were not readily apparent. A young man with black glasses and a radar headset (a photophobe) was unable to keep from being pushed against Infield. He sounded out the lightning rod, his face changing when he realized it must be some kind of Cure. "Pardon me," he said warmly. "Quite all right." It was the first time in years that anyone had apologized to Infield for anything. He had been one of those condemned Normals, more to be scorned than pitied. Perhaps he could really get to understand these people, now that he had taken down the wall. Suddenly something else was pushing against Infield, forcing the air from his lungs. He stared down at the magnetic suction dart clinging leechlike to his chest. Model Acrophobe 101-X, he catalogued immediately. Description: safety belt. But his emotions didn't behave so well. He was thoroughly terrified, heart racing, sweat glands pumping. The impervium cable undulated vulgarly. Some primitive fear of snake symbols? his mind wondered while panic crushed him. "Uncouple that cable!" the shout rang out. It was not his own. A clean-cut young man with mouse-colored hair was moving toward the stubble-chinned, heavy-shouldered man quivering in the center of a web of impervium cables stuck secure to the walls and windows of buildings facing the street, the sidewalk, a mailbox, the lamp post and Infield. Mouse-hair yelled hoarsely, "Uncouple it, Davies! Can't you see the guy's got a lightning rod? You're grounding him! "I can't," Davies groaned. "I'm scared!" Halfway down the twenty feet of cable, Mouse-hair grabbed on. "I'm holding it. Release it, you hear?" Davies fumbled for the broad belt around his thickening middle. He jabbed the button that sent a negative current through the cable. The magnetic suction dart dropped away from Infield like a thing that had been alive and now was killed. He felt an overwhelming sense of relief. After breathing deeply for a few moments, he looked up to see Davies releasing and drawing all his darts into his belt, making it resemble a Hydra-sized spiked dog collar. Mouse-hair stood by tensely as the crowd disassembled. "This isn't the first time you've pulled something like this, Davies," he said. "You weren't too scared to release that cable. You just don't care about other people's feelings. This is official ." Mouse-hair drove a fast, hard right into the soft blue flesh of Davies' chin. The big man fell silently. The other turned to Infield. "He was unconscious on his feet," he explained. "He never knew he fell." "What did you mean by that punch being official?" Infield asked while trying to arrange his feelings into the comfortable, familiar patterns. The young man's eyes almost seemed to narrow, although his face didn't move; he merely radiated narrowed eyes. "How long have you been Cured?" "Not—not long," Infield evaded. The other glanced around the street. He moistened his lips and spoke slowly. "Do you think you might be interested in joining a fraternal organization of the Cured?" Infield's pulse raced, trying to get ahead of his thoughts, and losing out. A chance to study a pseudo-culture of the "Cured" developed in isolation! "Yes, I think I might. I owe you a drink for helping me out. How about it?" The man's face paled so fast, Infield thought for an instant that he was going to faint. "All right. I'll risk it." He touched the side of his face away from the psychiatrist. Infield shifted around, trying to see that side of his benefactor, but couldn't manage it in good grace. He wondered if the fellow was sporting a Mom-voice hearing aid and was afraid of raising her ire. He cleared his throat, noticing the affectation of it. "My name's Infield." "Price," the other answered absently. "George Price. I suppose they have liquor at the Club. We can have a drink there, I guess." Price set the direction and Infield fell in at his side. "Look, if you don't drink, I'll buy you a cup of coffee. It was just a suggestion." Under the mousy hair, Price's strong features were beginning to gleam moistly. "You are lucky in one way, Mr. Infield. People take one look at your Cure and don't ask you to go walking in the rain. But even after seeing this , some people still ask me to have a drink." This was revealed, as he turned his head, to be a small metal cube above his left ear. Infield supposed it was a Cure, although he had never issued one like it. He didn't know if it would be good form to inquire what kind it was. "It's a cure for alcoholism," Price told him. "It runs a constant blood check to see that the alcohol level doesn't go over the sobriety limit." "What happens if you take one too many?" Price looked off as if at something not particularly interesting, but more interesting than what he was saying. "It drives a needle into my temple and kills me." The psychiatrist felt cold fury rising in him. The Cures were supposed to save lives, not endanger them. "What kind of irresponsible idiot could have issued such a device?" he demanded angrily. "I did," Price said. "I used to be a psychiatrist. I was always good in shop. This is a pretty effective mechanism, if I say so myself. It can't be removed without causing my death and it's indestructible. Impervium-shielded, you see." Price probably would never get crazed enough for liquor to kill himself, Infield knew. The threat of death would keep him constantly shocked sane. Men hide in the comforts of insanity, but when faced with death, they are often forced back to reality. A man can't move his legs; in a fire, though, he may run. His legs were definitely paralyzed before and may be again, but for one moment he would forget the moral defeat of his life and his withdrawal from life and live an enforced sanity. But sometimes the withdrawal was—or could become—too complete. "We're here." Infield looked up self-consciously and noticed that they had crossed two streets from his building and were standing in front of what appeared to be a small, dingy cafe. He followed Price through the screeching screen door. They seated themselves at a small table with a red-checked cloth. Infield wondered why cheap bars and restaurants always used red-checked cloths. Then he looked closer and discovered the reason. They did a remarkably good job of camouflaging the spots of grease and alcohol. A fat man who smelled of the grease and alcohol of the tablecloths shuffled up to them with a towel on his arm, staring ahead of him at some point in time rather than space. Price lit a cigarette with unsteady hands. "Reggie is studying biblical text. Cute gadget. His contact lenses are made up of a lot of layers of polarized glass. Every time he blinks, the amount of polarization changes and a new page appears. His father once told him that if he didn't study his Bible and pray for him, his old dad would die." The psychiatrist knew the threat on the father's part couldn't create such a fixation by itself. His eyebrows faintly inquired. Price nodded jerkily. "Twenty years ago, at least." "What'll you have, Georgie?" Reggie asked. The young man snubbed out his cigarette viciously. "Bourbon. Straight." Reggie smiled—a toothy, vacant, comedy-relief smile. "Fine. The Good Book says a little wine is good for a man, or something like that. I don't remember exactly." Of course he didn't, Infield knew. Why should he? It was useless to learn his Bible lessons to save his father, because it was obvious his father was dead. He would never succeed because there was no reason to succeed. But he had to try, didn't he, for his father's sake? He didn't hate his father for making him study. He didn't want him to die. He had to prove that. Infield sighed. At least this device kept the man on his feet, doing some kind of useful work instead of rotting in a padded cell with a probably imaginary Bible. A man could cut his wrists with the edge of a sheet of paper if he tried long enough, so of course the Bible would be imaginary. "But, Georgie," the waiter complained, "you know you won't drink it. You ask me to bring you drinks and then you just look at them. Boy, do you look funny when you're looking at drinks. Honest, Georgie, I want to laugh when I think of the way you look at a glass with a drink in it." He did laugh. Price fumbled with the cigarette stub in the black iron ashtray, examining it with the skill of scientific observation. "Mr. Infield is buying me the drink and that makes it different." Reggie went away. Price kept dissecting the tobacco and paper. Infield cleared his throat and again reminded himself against such obvious affectations. "You were telling me about some organization of the Cured," he said as a reminder. Price looked up, no longer interested in the relic of a cigarette. He was suddenly intensely interested and intensely observant of the rest of the cafe. "Was I? I was? Well, suppose you tell me something. What do you really think of the Incompletes?" The psychiatrist felt his face frown. "Who?" "I forgot. You haven't been one of us long. The Incompletes is a truer name for the so-called Normals. Have you ever thought of just how dangerous these people are, Mr. Infield?" "Frankly, no," Infield said, realizing it was not the right thing to say but tiring of constant pretense. "You don't understand. Everyone has some little phobia or fixation. Maybe everyone didn't have one once, but after being told they did have them for generations, everyone who didn't have one developed a defense mechanism and an aberration so they would be normal. If that phobia isn't brought to the surface and Cured, it may arise any time and endanger other people. The only safe, good sound citizens are Cured. Those lacking Cures—the Incompletes— must be dealt with ." Infield's throat went dry. "And you're the one to deal with them?" "It's my Destiny." Price quickly added, "And yours, too, of course." Infield nodded. Price was a demagogue, young, handsome, dynamic, likable, impassioned with his cause, and convinced that it was his divine destiny. He was a psychopathic egotist and a dangerous man. Doubly dangerous to Infield because, even though he was one of the few people who still read books from the old days of therapy to recognize Price for what he was, he nevertheless still liked the young man for the intelligence behind the egotism and the courage behind the fanaticism. "How are we going to deal with the Incompletes?" Infield asked. Price started to glance around the cafe, then half-shrugged, almost visibly thinking that he shouldn't run that routine into the ground. "We'll Cure them whether they want to be Cured or not—for their own good." Infield felt cold inside. After a time, he found that the roaring was not just in his head. It was thundering outside. He was getting sick. Price was the type of man who could spread his ideas throughout the ranks of the Cured—if indeed the plot was not already universal, imposed upon many ill minds. He could picture an entirely Cured world and he didn't like the view. Every Cure cut down on the mental and physical abilities of the patient as it was, whether Morgan and the others admitted it or not. But if everyone had a crutch to lean on for one phobia, he would develop secondary symptoms. People would start needing two Cures—perhaps a foetic gyro and a safety belt—then another and another. There would always be a crutch to lean on for one thing and then room enough to develop something else—until everyone would be loaded down with too many Cures to operate. A Cure was a last resort, dope for a malignancy case, euthanasia for the hopeless. Enforced Cures would be a curse for the individual and the race. But Infield let himself relax. How could anyone force a mechanical relief for neurotic or psychopathic symptoms on someone who didn't want or need it? "Perhaps you don't see how it could be done," Price said. "I'll explain." Reggie's heavy hand sat a straight bourbon down before Price and another before Infield. Price stared at the drink almost without comprehension of how it came to be. He started to sweat. "George, drink it." The voice belonged to a young woman, a blonde girl with pink skin and suave, draped clothes. In this den of the Cured, Infield thought half-humorously, it was surprising to see a Normal—an "Incomplete." But then he noticed something about the baby she carried. The Cure had been very simple. It wasn't even a mechanized half-human robot, just a rag doll. She sat down at the table. "George," she said, "drink it. One drink won't raise your alcohol index to the danger point. You've got to get over this fear of even the sight or smell of liquor." The girl turned to Infield. "You're one of us, but you're new, so you don't know about George. Maybe you can help if you do. It's all silly. He's not an alcoholic. He didn't need to put that Cure on his head. It's just an excuse for not drinking. All of this is just because a while back something happened to the baby here—" she adjusted the doll's blanket—"when he was drinking. Just drinking, not drunk. "I don't remember what happened to the baby—it wasn't important. But George has been brooding about it ever since. I guess he thinks something else bad will happen because of liquor. That's silly. Why don't you tell him it's silly?" "Maybe it is," Infield said softly. "You could take the shock if he downed that drink and the shock might do you good." Price laughed shortly. "I feel like doing something very melodramatic, like throwing my drink—and yours—across the room, but I haven't got the guts to touch those glasses. Do it for me, will you? Cauterizing the bite might do me good if I'd been bitten by a rabid dog, but I don't have the nerve to do it." Before Infield could move, Reggie came and set both drinks on a little circular tray. He moved away. "I knew it. That's all he did, just look at the drink. Makes me laugh." Price wiped the sweat off his palms. Infield sat and thought. Mrs. Price cooed to the rag doll, unmindful of either of them now. "You were explaining," the psychiatrist said. "You were going to tell me how you were going to Cure the Incompletes." "I said we were going to do it. Actually you will play a greater part than I, Doctor Infield." The psychiatrist sat rigidly. "You didn't think you could give me your right name in front of your own office building and that I wouldn't recognize you? I know some psychiatrists are sensitive about wearing Cures themselves, but it is a mark of honor of the completely sane man. You should be proud of your Cure and eager to Cure others. Very eager." "Just what do you mean?" He already suspected Price's meaning. Price leaned forward. "There is one phobia that is so wide-spread, a Cure is not even thought of—hypochondria. Hundreds of people come to your office for a Cure and you turn them away. Suppose you and the other Cured psychiatrists give everybody who comes to you a Cure?" Infield gestured vaguely. "A psychiatrist wouldn't hand out Cures unless they were absolutely necessary." "You'll feel differently after you've been Cured for a while yourself. Other psychiatrists have." Before Infield could speak, a stubble-faced, barrel-chested man moved past their table. He wore a safety belt. It was the man Price had called Davies, the one who had fastened one of his safety lines to Infield in the street. Davies went to the bar in the back. "Gimme a bottle," he demanded of a vacant-eyed Reggie. He came back toward them, carrying the bottle in one hand, brushing off rain drops with the other. He stopped beside Price and glared. Price leaned back. The chair creaked. Mrs. Price kept cooing to the doll. "You made me fall," Davies accused. Price shrugged. "You were unconscious. You never knew it." Sweat broke out on Davies' forehead. "You broke the Code. Don't you think I can imagine how it was to fall? You louse!" Suddenly, Davies triggered his safety belt. At close range, before the lines could fan out in a radius, all the lines in front attached themselves to Price, the ones at each side clung to their table and the floor, and all the others to the table behind Infield. Davies released all lines except those on Price, and then threw himself backward, dragging Price out of his chair and onto the floor. Davies didn't mind making others fall. They were always trying to make him fall just so they could laugh at him or pounce on him; why shouldn't he like to make them fall first? Expertly, Davies moved forward and looped the loose lines around Price's head and shoulders and then around his feet. He crouched beside Price and shoved the bottle into the gasping mouth and poured. Price twisted against the binding lines in blind terror, gagging and spouting whiskey. Davies laughed and tilted the bottle more. Mrs. Price screamed. "The Cure! If you get that much liquor in his system, it will kill him!" She rocked the rag doll in her arms, trying to soothe it, and stared in horror. Infield hit the big man behind the ear. He dropped the bottle and fell over sideways on the floor. Fear and hate mingled in his eyes as he looked up at Infield. Nonsense, Infield told himself. Eyes can't register emotion. Davies released his lines and drew them in. He got up precariously. "I'm going to kill you," he said, glaring at Infield. "You made me fall worse than Georgie did. I'm really going to kill you." Infield wasn't a large man, but he had pressed two hundred and fifty many times in gym. He grabbed Davies' belt with both hands and lifted him about six inches off the floor. "I could drop you," the psychiatrist said. "No!" Davies begged weakly. "Please!" "I'll do it if you cause more trouble." Infield sat down and rubbed his aching forearms. Davies backed off in terror, right into the arms of Reggie. The waiter closed his huge hands on the acrophobe's shoulders. " You broke the Code all the way," Reggie said. "The Good Book says 'Thou shouldn't kill' or something like that, and so does the Code." "Let him go, Reggie," Price choked out, getting to his feet. "I'm not dead." He wiped his hand across his mouth. "No. No, you aren't." Infield felt an excitement pounding through him, same as when he had diagnosed his first case. No, better than that. "That taste of liquor didn't kill you, Price. Nothing terrible happened. You could find some way to get rid of that Cure." Price stared at him as if he were a padded-cell case. "That's different. I'd be a hopeless drunk without the Cure. Besides, no one ever gets rid of a Cure." They were all looking at Infield. Somehow he felt this represented a critical point in history. It was up to him which turn the world took, the world as represented by these four Cured people. "I'm afraid I'm for less Cures instead of more, Price. Look, if I can show you that someone can discard a Cure, would you get rid of that—if I may use the word— monstrous thing on your head?" Price grinned. Infield didn't recognize its smugness at the time. "I'll show you." He took off the circlet with the lightning rod and yanked at the wire running down into his collar. The new-old excitement within was running high. He felt the wire snap and come up easily. He threw the Cure on the floor. "Now," he said, "I am going out in that rain storm. There's thunder and lightning out there. I'm afraid, but I can get along without a Cure and so can you." "You can't! Nobody can!" Price screamed after him. He turned to the others. "If he reveals us, the Cause is lost. We've got to stop him for good . We've got to go after him." "It's slippery," Davies whimpered. "I might fall." Mrs. Price cuddled her rag doll. "I can't leave the baby and she mustn't get wet." "Well, there's no liquor out there and you can study your text in the lightning flashes, Reggie. Come on." Running down the streets that were tunnels of shining tar, running into the knifing ice bristles of the rain, Henry Infield realized that he was very frightened of the lightning. There is no action without a reason, he knew from the old neglected books. He had had a latent fear of lightning when he chose the lightning rod Cure. He could have picked a safety belt or foetic gyro just as well. He sneezed. He was soaked through, but he kept on running. He didn't know what Price and Reggie planned to do when they caught him. He slipped and fell. He would soon find out what they wanted. The excitement was all gone now and it left an empty space into which fear rushed. Reggie said, "We shall make a sacrifice." Infield looked up and saw the lightning reflected on the blade of a thin knife. Infield reached toward it more in fascination than fear. He managed to get all his fingers around two of Reggie's. He jerked and the knife fell into Infield's palm. The psychiatrist pulled himself erect by holding to Reggie's arm. Staggering to his feet, he remembered what he must do and slashed at the waiter's head. A gash streaked across the man's brow and blood poured into his eyes. He screamed. "I can't see the words!" It was his problem. Infield usually solved other people's problems, but now he ran away—he couldn't even solve his own. Infield realized that he had gone mad as he held the thin blade high overhead, but he did need some kind of lightning rod. Price (who was right behind him, gaining) had been right. No one could discard a Cure. He watched the lightning play its light on the blade of his Cure and he knew that Price was going to kill him in the next moment. He was wrong. The lightning hit him first. Reggie squinted under the bandage at the lettering on the door that said INFIELD & MORGAN and opened the door. He ran across the room to the man sitting at the desk, reading by the swivel light. "Mr. Morgan, your partner, Mr. Infield, he—" "Just a moment." Morgan switched on the room lights. "What were you saying?" "Mr. Infield went out without his Cure in a storm and was struck by lightning. We took him to the morgue. He must have been crazy to go out without his Cure." Morgan stared into his bright desk light without blinking. "This is quite a shock to me. Would you mind leaving? I'll come over to your place and you can tell me about it later." Reggie went out. "Yes, sir. He was struck by lightning, struck dead. He must have been crazy to leave his Cure...." The door closed. Morgan exhaled. Poor Infield. But it wasn't the lightning that killed him, of course. Morgan adjusted the soundproofing plugs in his ears, thinking that you did have to have quite a bit of light to read lips. The thunder, naturally, was what had killed Infield. Loud noise—any noise—that would do it every time. Too bad Infield had never really stopped being one of the Incompletes. Dangerous people. He would have to deal with them.
train	50969	[ "What is NOT true of the crew?", "What is NOT a reason that a child probably shouldn't read this?", "What is NOT true of the contract discussed in the story?", "Of the following options, which best describe Meredith?", "How do you think Meredith feels about the rest of the crew?", "What is NOT a similarity between Taphetta and the rest of the crew?", "What traits accurately describe Sam?", "Of the four main crew members, who are focused on the most in the story?", "What is NOT a technological advancement involved in this story?" ]	[ [ "They are all different species", "They are all focused on finding evidence to support an important theory", "They are all respected in their field", "They could all mate with each other (it was explicitly discussed as a possibility in the story)" ], [ "There was casual sexism", "There were implications of sex", "There was gun violence (with space rays)", "There was abuse between partners" ], [ "The contract was eventually signed", "The contract had serious implications", "Meredith knew more contract details than the rest of the crew", "The person who produced the contract was Taphetta" ], [ "Bold and pretty", "Brave and adventurous", "Beautiful and brave", "Smart and kindhearted" ], [ "She has a close bond of respect and (platonic) love for the rest of the members", "She respects and loves one person the most", "She's become friends with them slowly over time and appreciates them all", "She respects one person the most and loves another person the most" ], [ "All of them are critical to the success of the mission", "All of them are respected in their fields", "All of them have a comparably good reputation", "All of them are smart" ], [ "Introspective and blunt", "Attractive and strong", "Kindhearted and generous", "Strong and respected" ], [ "Kelburn and Halden", "Meredith and Emmer", "Halden and Meredith", "Kelburn and Meredith" ], [ "Rapid healing abilities", "Advanced space travel", "Rapid mutations", "Advanced weaponry" ] ]	[ 4, 3, 3, 1, 4, 3, 1, 3, 4 ]	[ 1, 1, 1, 1, 1, 1, 1, 1, 1 ]	BIG ANCESTOR By F. L. WALLACE Illustrated by EMSH [Transcriber's Note: This etext was produced from Galaxy Science Fiction November 1954. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] Man's family tree was awesome enough to give every galactic race an inferiority complex—but then he tried to climb it! In repose, Taphetta the Ribboneer resembled a fancy giant bow on a package. His four flat legs looped out and in, the ends tucked under his wide, thin body, which constituted the knot at the middle. His neck was flat, too, arching out in another loop. Of all his features, only his head had appreciable thickness and it was crowned with a dozen long though narrower ribbons. Taphetta rattled the head fronds together in a surprisingly good imitation of speech. "Yes, I've heard the legend." "It's more than a legend," said Sam Halden, biologist. The reaction was not unexpected—non-humans tended to dismiss the data as convenient speculation and nothing more. "There are at least a hundred kinds of humans, each supposedly originating in strict seclusion on as many widely scattered planets. Obviously there was no contact throughout the ages before space travel— and yet each planetary race can interbreed with a minimum of ten others ! That's more than a legend—one hell of a lot more!" "It is impressive," admitted Taphetta. "But I find it mildly distasteful to consider mating with someone who does not belong to my species." "That's because you're unique," said Halden. "Outside of your own world, there's nothing like your species, except superficially, and that's true of all other creatures, intelligent or not, with the sole exception of mankind. Actually, the four of us here, though it's accidental, very nearly represent the biological spectrum of human development. "Emmer, a Neanderthal type and our archeologist, is around the beginning of the scale. I'm from Earth, near the middle, though on Emmer's side. Meredith, linguist, is on the other side of the middle. And beyond her, toward the far end, is Kelburn, mathematician. There's a corresponding span of fertility. Emmer just misses being able to breed with my kind, but there's a fair chance that I'd be fertile with Meredith and a similar though lesser chance that her fertility may extend to Kelburn." Taphetta rustled his speech ribbons quizzically. "But I thought it was proved that some humans did originate on one planet, that there was an unbroken line of evolution that could be traced back a billion years." "You're thinking of Earth," said Halden. "Humans require a certain kind of planet. It's reasonable to assume that, if men were set down on a hundred such worlds, they'd seem to fit in with native life-forms on a few of them. That's what happened on Earth; when Man arrived, there was actually a manlike creature there. Naturally our early evolutionists stretched their theories to cover the facts they had. "But there are other worlds in which humans who were there before the Stone Age aren't related to anything else there. We have to conclude that Man didn't originate on any of the planets on which he is now found. Instead, he evolved elsewhere and later was scattered throughout this section of the Milky Way." "And so, to account for the unique race that can interbreed across thousands of light-years, you've brought in the big ancestor," commented Taphetta dryly. "It seems an unnecessary simplification." "Can you think of a better explanation?" asked Kelburn. "Something had to distribute one species so widely and it's not the result of parallel evolution—not when a hundred human races are involved, and only the human race." "I can't think of a better explanation." Taphetta rearranged his ribbons. "Frankly, no one else is much interested in Man's theories about himself." It was easy to understand the attitude. Man was the most numerous though not always the most advanced—Ribboneers had a civilization as high as anything in the known section of the Milky Way, and there were others—and humans were more than a little feared. If they ever got together—but they hadn't except in agreement as to their common origin. Still, Taphetta the Ribboneer was an experienced pilot and could be very useful. A clear statement of their position was essential in helping him make up his mind. "You've heard of the adjacency mating principle?" asked Sam Halden. "Vaguely. Most people have if they've been around men." "We've got new data and are able to interpret it better. The theory is that humans who can mate with each other were once physically close. We've got a list of all our races arranged in sequence. If planetary race F can mate with race E back to A and forward to M, and race G is fertile only back to B, but forward to O, then we assume that whatever their positions are now, at once time G was actually adjacent to F, but was a little further along. When we project back into time those star systems on which humans existed prior to space travel, we get a certain pattern. Kelburn can explain it to you." The normally pink body of the Ribboneer flushed slightly. The color change was almost imperceptible, but it was enough to indicate that he was interested. Kelburn went to the projector. "It would be easier if we knew all the stars in the Milky Way, but though we've explored only a small portion of it, we can reconstruct a fairly accurate representation of the past." He pressed the controls and stars twinkled on the screen. "We're looking down on the plane of the Galaxy. This is one arm of it as it is today and here are the human systems." He pressed another control and, for purposes of identification, certain stars became more brilliant. There was no pattern, merely a scattering of stars. "The whole Milky Way is rotating. And while stars in a given region tend to remain together, there's also a random motion. Here's what happens when we calculate the positions of stars in the past." Flecks of light shifted and flowed across the screen. Kelburn stopped the motion. "Two hundred thousand years ago," he said. There was a pattern of the identified stars. They were spaced at fairly equal intervals along a regular curve, a horseshoe loop that didn't close, though if the ends were extended, the lines would have crossed. Taphetta rustled. "The math is accurate?" "As accurate as it can be with a million-plus body problem." "And that's the hypothetical route of the unknown ancestor?" "To the best of our knowledge," said Kelburn. "And whereas there are humans who are relatively near and not fertile, they can always mate with those they were adjacent to two hundred thousand years ago !" "The adjacency mating principle. I've never seen it demonstrated," murmured Taphetta, flexing his ribbons. "Is that the only era that satisfies the calculations?" "Plus or minus a hundred thousand years, we can still get something that might be the path of a spaceship attempting to cover a representative section of territory," said Kelburn. "However, we have other ways of dating it. On some worlds on which there are no other mammals, we're able to place the first human fossils chronologically. The evidence is sometimes contradictory, but we believe we've got the time right." Taphetta waved a ribbon at the chart. "And you think that where the two ends of the curve cross is your original home?" "We think so," said Kelburn. "We've narrowed it down to several cubic light-years—then. Now it's far more. And, of course, if it were a fast-moving star, it might be completely out of the field of our exploration. But we're certain we've got a good chance of finding it this trip." "It seems I must decide quickly." The Ribboneer glanced out the visionport, where another ship hung motionless in space beside them. "Do you mind if I ask other questions?" "Go ahead," Kelburn invited sardonically. "But if it's not math, you'd better ask Halden. He's the leader of the expedition." Halden flushed; the sarcasm wasn't necessary. It was true that Kelburn was the most advanced human type present, but while there were differences, biological and in the scale of intelligence, it wasn't as great as once was thought. Anyway, non-humans weren't trained in the fine distinctions that men made among themselves. And, higher or lower, he was as good a biologist as the other was a mathematician. And there was the matter of training; he'd been on several expeditions and this was Kelburn's first trip. Damn it, he thought, that rated some respect. The Ribboneer shifted his attention. "Aside from the sudden illness of your pilot, why did you ask for me?" "We didn't. The man became sick and required treatment we can't give him. Luckily, a ship was passing and we hailed it because it's four months to the nearest planet. They consented to take him back and told us that there was a passenger on board who was an experienced pilot. We have men who could do the job in a makeshift fashion, but the region we're heading for, while mapped, is largely unknown. We'd prefer to have an expert—and Ribboneers are famous for their navigational ability." Taphetta crinkled politely at the reference to his skill. "I had other plans, but I can't evade professional obligations, and an emergency such as this should cancel out any previous agreements. Still, what are the incentives?" Sam Halden coughed. "The usual, plus a little extra. We've copied the Ribboneer's standard nature, simplifying it a little and adding a per cent here and there for the crew pilot and scientist's share of the profits from any discoveries we may make." "I'm complimented that you like our contract so well," said Taphetta, "but I really must have our own unsimplified version. If you want me, you'll take my contract. I came prepared." He extended a tightly bound roll that he had kept somewhere on his person. They glanced at one another as Halden took it. "You can read it if you want," offered Taphetta. "But it will take you all day—it's micro-printing. However, you needn't be afraid that I'm defrauding you. It's honored everywhere we go and we go nearly everywhere in this sector—places men have never been." There was no choice if they wanted him, and they did. Besides, the integrity of Ribboneers was not to be questioned. Halden signed. "Good." Taphetta crinkled. "Send it to the ship; they'll forward it for me. And you can tell the ship to go on without me." He rubbed his ribbons together. "Now if you'll get me the charts, I'll examine the region toward which we're heading." Firmon of hydroponics slouched in, a tall man with scanty hair and an equal lack of grace. He seemed to have difficulty in taking his eyes off Meredith, though, since he was a notch or so above her in the mating scale, he shouldn't have been so interested. But his planet had been inexplicably slow in developing and he wasn't completely aware of his place in the human hierarchy. Disdainfully, Meredith adjusted a skirt that, a few inches shorter, wouldn't have been a skirt at all, revealing, while doing so, just how long and beautiful a woman's legs could be. Her people had never given much thought to physical modesty and, with legs like that, it was easy to see why. Muttering something about primitive women, Firmon turned to the biologist. "The pilot doesn't like our air." "Then change it to suit him. He's in charge of the ship and knows more about these things than I do." "More than a man?" Firmon leered at Meredith and, when she failed to smile, added plaintively, "I did try to change it, but he still complains." Halden took a deep breath. "Seems all right to me." "To everybody else, too, but the tapeworm hasn't got lungs. He breathes through a million tubes scattered over his body." It would do no good to explain that Taphetta wasn't a worm, that his evolution had taken a different course, but that he was in no sense less complex than Man. It was a paradox that some biologically higher humans hadn't developed as much as lower races and actually weren't prepared for the multitude of life-forms they'd meet in space. Firmon's reaction was quite typical. "If he asks for cleaner air, it's because his system needs it," said Halden. "Do anything you can to give it to him." "Can't. This is as good as I can get it. Taphetta thought you could do something about it." "Hydroponics is your job. There's nothing I can do." Halden paused thoughtfully. "Is there something wrong with the plants?" "In a way, I guess, and yet not really." "What is it, some kind of toxic condition?" "The plants are healthy enough, but something's chewing them down as fast as they grow." "Insects? There shouldn't be any, but if there are, we've got sprays. Use them." "It's an animal," said Firmon. "We tried poison and got a few, but now they won't touch the stuff. I had electronics rig up some traps. The animals seem to know what they are and we've never caught one that way." Halden glowered at the man. "How long has this been going on?" "About three months. It's not bad; we can keep up with them." It was probably nothing to become alarmed at, but an animal on the ship was a nuisance, doubly so because of their pilot. "Tell me what you know about it," said Halden. "They're little things." Firmon held out his hands to show how small. "I don't know how they got on, but once they did, there were plenty of places to hide." He looked up defensively. "This is an old ship with new equipment and they hide under the machinery. There's nothing we can do except rebuild the ship from the hull inward." Firmon was right. The new equipment had been installed in any place just to get it in and now there were inaccessible corners and crevices everywhere that couldn't be closed off without rebuilding. They couldn't set up a continuous watch and shoot the animals down because there weren't that many men to spare. Besides, the use of weapons in hydroponics would cause more damage to the thing they were trying to protect than to the pest. He'd have to devise other ways. Sam Halden got up. "I'll take a look and see what I can do." "I'll come along and help," said Meredith, untwining her legs and leaning against him. "Your mistress ought to have some sort of privileges." Halden started. So she knew that the crew was calling her that! Perhaps it was intended to discourage Firmon, but he wished she hadn't said it. It didn't help the situation at all. Taphetta sat in a chair designed for humans. With a less flexible body, he wouldn't have fitted. Maybe it wasn't sitting, but his flat legs were folded neatly around the arms and his head rested comfortably on the seat. The head ribbons, which were his hands and voice, were never quite still. He looked from Halden to Emmer and back again. "The hydroponics tech tells me you're contemplating an experiment. I don't like it." Halden shrugged. "We've got to have better air. It might work." "Pests on the ship? It's filthy! My people would never tolerate it!" "Neither do we." The Ribboneer's distaste subsided. "What kind of creatures are they?" "I have a description, though I've never seen one. It's a small four-legged animal with two antennae at the lower base of its skull. A typical pest." Taphetta rustled. "Have you found out how it got on?" "It was probably brought in with the supplies," said the biologist. "Considering how far we've come, it may have been any one of a half a dozen planets. Anyway, it hid, and since most of the places it had access to were near the outer hull, it got an extra dose of hard radiation, or it may have nested near the atomic engines; both are possibilities. Either way, it mutated, became a different animal. It's developed a tolerance for the poisons we spray on plants. Other things it detects and avoids, even electronic traps." "Then you believe it changed mentally as well as physically, that it's smarter?" "I'd say that, yes. It must be a fairly intelligent creature to be so hard to get rid of. But it can be lured into traps, if the bait's strong enough." "That's what I don't like," said Taphetta, curling. "Let me think it over while I ask questions." He turned to Emmer. "I'm curious about humans. Is there anything else you can tell me about the hypothetical ancestor?" Emmer didn't look like the genius he was—a Neanderthal genius, but nonetheless a real one. In his field, he rated very high. He raised a stubble-flecked cheek from a large thick-fingered paw and ran shaggy hands through shaggier hair. "I can speak with some authority," he rumbled. "I was born on a world with the most extensive relics. As a child, I played in the ruins of their camp." "I don't question your authority," crinkled Taphetta. "To me, all humans—late or early and male or female—look remarkably alike. If you are an archeologist, that's enough for me." He paused and flicked his speech ribbons. "Camp, did you say?" Emmer smiled, unsheathing great teeth. "You've never seen any pictures? Impressive, but just a camp, monolithic one-story structures, and we'd give something to know what they're made of. Presumably my world was one of the first they stopped at. They weren't used to roughing it, so they built more elaborately than they did later on. One-story structures and that's how we can guess at their size. The doorways were forty feet high." "Very large," agreed Taphetta. It was difficult to tell whether he was impressed. "What did you find in the ruins?" "Nothing," said Emmer. "There were buildings there and that was all, not a scrap of writing or a tool or a single picture. They covered a route estimated at thirty thousand light-years in less than five thousand years—and not one of them died that we have a record of." "A faster-than-light drive and an extremely long life," mused Taphetta. "But they didn't leave any information for their descendants. Why?" "Who knows? Their mental processes were certainly far different from ours. They may have thought we'd be better off without it. We do know they were looking for a special kind of planet, like Earth, because they visited so many of that type, yet different from it because they never stayed. They were pretty special people themselves, big and long-lived, and maybe they couldn't survive on any planet they found. Perhaps they had ways of determining there wasn't the kind of planet they needed in the entire Milky Way. Their science was tremendously advanced and when they learned that, they may have altered their germ plasm and left us, hoping that some of us would survive. Most of us did." "This special planet sounds strange," murmured Taphetta. "Not really," said Emmer. "Fifty human races reached space travel independently and those who did were scattered equally among early and late species. It's well known that individuals among my people are often as bright as any of Halden's or Meredith's, but as a whole we don't have the total capacity that later Man does, and yet we're as advanced in civilization. The difference? It must lie somewhere in the planets we live on and it's hard to say just what it is." "What happened to those who didn't develop space travel?" asked Taphetta. "We helped them," said Emmer. And they had, no matter who or what they were, biologically late or early, in the depths of the bronze age or the threshold of atomic—because they were human. That was sometimes a frightening thing for non-humans, that the race stuck together. They weren't actually aggressive, but their total number was great and they held themselves aloof. The unknown ancestor again. Who else had such an origin and, it was tacitly assumed, such a destiny? Taphetta changed his questioning. "What do you expect to gain from this discovery of the unknown ancestor?" It was Halden who answered him. "There's the satisfaction of knowing where we came from." "Of course," rustled the Ribboneer. "But a lot of money and equipment was required for this expedition. I can't believe that the educational institutions that are backing you did so purely out of intellectual curiosity." "Cultural discoveries," rumbled Emmer. "How did our ancestors live? When a creature is greatly reduced in size, as we are, more than physiology is changed—the pattern of life itself is altered. Things that were easy for them are impossible for us. Look at their life span." "No doubt," said Taphetta. "An archeologist would be interested in cultural discoveries." "Two hundred thousand years ago, they had an extremely advanced civilization," added Halden. "A faster-than-light drive, and we've achieved that only within the last thousand years." "But I think we have a better one than they did," said the Ribboneer. "There may be things we can learn from them in mechanics or physics, but wouldn't you say they were better biologists than anything else?" Halden nodded. "Agreed. They couldn't find a suitable planet. So, working directly with their germ plasm, they modified themselves and produced us. They were master biologists." "I thought so," said Taphetta. "I never paid much attention to your fantastic theories before I signed to pilot this ship, but you've built up a convincing case." He raised his head, speech ribbons curling fractionally and ceaselessly. "I don't like to, but we'll have to risk using bait for your pest." He'd have done it anyway, but it was better to have the pilot's consent. And there was one question Halden wanted to ask; it had been bothering him vaguely. "What's the difference between the Ribboneer contract and the one we offered you? Our terms are more liberal." "To the individual, they are, but it won't matter if you discover as much as you think you will. The difference is this: My terms don't permit you to withhold any discovery for the benefit of one race." Taphetta was wrong; there had been no intention of withholding anything. Halden examined his own attitudes. He hadn't intended, but could he say that was true of the institutions backing the expedition? He couldn't, and it was too late now—whatever knowledge they acquired would have to be shared. That was what Taphetta had been afraid of—there was one kind of technical advancement that multiplied unceasingly. The race that could improve itself through scientific control of its germ plasm had a start that could never be headed. The Ribboneer needn't worry now. "Why do we have to watch it on the screen?" asked Meredith, glancing up. "I'd rather be in hydroponics." Halden shrugged. "They may or may not be smarter than planetbound animals, but they're warier. They don't come out when anyone's near." Lights dimmed in the distant hydroponic section and the screen with it, until he adjusted the infra-red frequencies. He motioned to the two crew members, each with his own peculiar screen, below which was a miniature keyboard. "Ready?" When they nodded, Halden said: "Do as you've rehearsed. Keep noise at a minimum, but when you do use it, be vague. Don't try to imitate them exactly." At first, nothing happened on the big screen, and then a gray shape crept out. It slid through leaves, listened intently before coming forward. It jumped off one hydroponic section and fled across the open floor to the next. It paused, eyes glittering and antennae twitching. Looking around once, it leaped up, seizing the ledge and clawing up the side of the tank. Standing on top and rising to its haunches, it began nibbling what it could reach. Suddenly it whirled. Behind it and hitherto unnoticed was another shape, like it but larger. The newcomer inched forward. The small one retreated, skittering nervously. Without warning, the big one leaped and the small one tried to flee. In a few jumps, the big one caught up and mauled the other unmercifully. It continued to bite even after the little one lay still. At last it backed off and waited, watching for signs of motion. There was none. Then it turned to the plant. When it had chewed off everything within reach, it climbed into the branches. The little one twitched, moved a leg, and cautiously began dragging itself away. It rolled off the raised section and surprisingly made no noise as it fell. It seemed to revive, shaking itself and scurrying away, still within range of the screen. Against the wall was a small platform. The little one climbed on top and there found something that seemed to interest it. It sniffed around and reached and felt the discovery. Wounds were forgotten as it snatched up the object and frisked back to the scene of its recent defeat. This time it had no trouble with the raised section. It leaped and landed on top and made considerable noise in doing so. The big animal heard and twisted around. It saw and clambered down hastily, jumping the last few feet. Squealing, it hit the floor and charged. The small one stood still till the last instant—and then a paw flickered out and an inch-long knife blade plunged into the throat of the charging creature. Red spurted out as the bigger beast screamed. The knife flashed in and out until the big animal collapsed and stopped moving. The small creature removed the knife and wiped it on the pelt of its foe. Then it scampered back to the platform on which the knife had been found— and laid it down . At Halden's signal, the lights flared up and the screen became too bright for anything to be visible. "Go in and get them," said Halden. "We don't want the pests to find out that the bodies aren't flesh." "It was realistic enough," said Meredith as the crewmen shut off their machines and went out. "Do you think it will work?" "It might. We had an audience." "Did we? I didn't notice." Meredith leaned back. "Were the puppets exactly like the pests? And if not, will the pests be fooled?" "The electronic puppets were a good imitation, but the animals don't have to identify them as their species. If they're smart enough, they'll know the value of a knife, no matter who uses it." "What if they're smarter? Suppose they know a knife can't be used by a creature without real hands?" "That's part of our precautions. They'll never know until they try—and they'll never get away from the trap to try." "Very good. I never thought of that," said Meredith, coming closer. "I like the way your primitive mind works. At times I actually think of marrying you." "Primitive," he said, alternately frozen and thawed, though he knew that, in relation to her, he was not advanced. "It's almost a curse, isn't it?" She laughed and took the curse away by leaning provocatively against him. "But barbaric lovers are often nice." Here we go again, he thought drearily, sliding his arm around her. To her, I'm merely a passionate savage. They went to his cabin. She sat down, smiling. Was she pretty? Maybe. For her own race, she wasn't tall, only by Terran standards. Her legs were disproportionately long and well shaped and her face was somewhat bland and featureless, except for a thin, straight, short nose. It was her eyes that made the difference, he decided. A notch or two up the scale of visual development, her eyes were larger and she could see an extra color on the violet end of the spectrum. She settled back and looked at him. "It might be fun living with you on primeval Earth." He said nothing; she knew as well as he that Earth was as advanced as her own world. She had something else in mind. "I don't think I will, though. We might have children." "Would it be wrong?" he asked. "I'm as intelligent as you. We wouldn't have subhuman monsters." "It would be a step up—for you." Under her calm, there was tension. It had been there as long as he'd known her, but it was closer to the surface now. "Do I have the right to condemn the unborn? Should I make them start lower than I am?" The conflict was not new nor confined to them. In one form or another, it governed personal relations between races that were united against non-humans, but held sharp distinctions themselves. "I haven't asked you to marry me," he said bluntly. "Because you're afraid I'd refuse." It was true; no one asked a member of a higher race to enter a permanent union. "Why did you ever have anything to do with me?" demanded Halden. "Love," she said gloomily. "Physical attraction. But I can't let it lead me astray." "Why not make a play for Kelburn? If you're going to be scientific about it, he'd give you children of the higher type." "Kelburn." It didn't sound like a name, the way she said it. "I don't like him and he wouldn't marry me." "He wouldn't, but he'd give you children if you were humble enough. There's a fifty per cent chance you might conceive." She provocatively arched her back. Not even the women of Kelburn's race had a body like hers and she knew it. "Racially, there should be a chance," she said. "Actually, Kelburn and I would be infertile." "Can you be sure?" he asked, knowing it was a poor attempt to act unconcerned. "How can anyone be sure on a theoretical basis?" she asked, an oblique smile narrowing her eyes. "I know we can't." His face felt anesthetized. "Did you have to tell me that?" She got up and came to him. She nuzzled against him and his reaction was purely reflexive. His hand swung out and he could feel the flesh give when his knuckles struck it. She fell back and dazedly covered her face with her hand. When she took it away, blood spurted. She groped toward the mirror and stood in front of it. She wiped the blood off, examining her features carefully. "You've broken my nose," she said factually. "I'll have to stop the blood and pain." She pushed her nose back into place and waggled it to make sure. She closed her eyes and stood silent and motionless. Then she stepped back and looked at herself critically. "It's set and partially knitted. I'll concentrate tonight and have it healed by morning." She felt in the cabinet and attached an invisible strip firmly across the bridge. Then she came over to him. "I wondered what you'd do. You didn't disappoint me." He scowled miserably at her. Her face was almost plain and the bandage, invisible or not, didn't improve her appearance any. How could he still feel that attraction to her? "Try Emmer," he suggested tiredly. "He'll find you irresistible, and he's even more savage than I am." "Is he?" She smiled enigmatically. "Maybe, in a biological sense. Too much, though. You're just right." He sat down on the bed. Again there was only one way of knowing what Emmer would do—and she knew. She had no concept of love outside of the physical, to make use of her body so as to gain an advantage—what advantage?—for the children she intended to have. Outside of that, nothing mattered, and for the sake of alloying the lower with the higher, she was as cruel to herself as she was to him. And yet he wanted her. "I do think I love you," she said. "And if love's enough, I may marry you in spite of everything. But you'll have to watch out whose children I have." She wriggled into his arms. The racial disparity was great and she had provoked him, but it was not completely her fault. Besides.... Besides what? She had a beautiful body that could bear superior children—and they might be his. He twisted away. With those thoughts, he was as bad as she was. Were they all that way, every one of them, crawling upward out of the slime toward the highest goal they could conceive of? Climbing over—no, through —everybody they could coerce, seduce or marry—onward and upward. He raised his hand, but it was against himself that his anger was turned. "Careful of the nose," she said, pressing against him. "You've already broken it once." He kissed her with sudden passion that even he knew was primitive.
train	51494	[ "Of the following options, what traits best describe Purnie?", "What is NOT true of Purnie?", "What is NOT a technological/social advancement involved in this story?", "What is the tone like throughout the story?", "What is the relationship like between Purnie and his new friends?", "Why is the first part of the story so important?", "What were Purnie's friends like in this story?", "What was the purpose of the box in the story?", "Why was the water important in this story?" ]	[ [ "Kind and Naive", "Resourceful and prepared", "Careful and brave", "Cautious and dilligent" ], [ "Purnie isn't human", "Purnie meets his best friends", "Purnie is thoughtful", "Purnie is young" ], [ "Radiation impacting life forms", "Time travel", "Teleportation", "Colonization of other planets" ], [ "Happy throughout", "Calm to intense", "Sad throughout", "Joyous to sad" ], [ "They don't get along at all", "Purnie likes his new friends more than they like him", "His new friends like Purnie more than Purnie likes them", "They all get along well" ], [ "It lets the reader know that it's Purnie's birthday (which becomes important later)", "It lets the reader see how Purnie interacts with his family", "It shows the reader a skill that Purnie's been practicing", "It give great detail of the setting (which Purnie has to use later in the story to his advantage)" ], [ "Self-interested and ignorant", "Intelligent and caring", "Malicious and blunt", "Sweet and charming" ], [ "To transport Purnie", "To kill Purnie", "To save Purnie from the environment", "To heal Purnie's injuries" ], [ "It's where Purnie went searching for a device to help his friends", "It's where Purnie likes to hang out with his friends", "It's where Purnie gets most of his food source", "It's where Purnie went to save his friends" ] ]	[ 1, 2, 3, 4, 2, 3, 1, 1, 4 ]	[ 0, 1, 1, 0, 0, 1, 1, 0, 1 ]	BEACH SCENE By MARSHALL KING Illustrated by WOOD [Transcriber's Note: This etext was produced from Galaxy Magazine October 1960. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] It was a fine day at the beach for Purnie's game—but his new friends played very rough! Purnie ran laughing and shouting through the forest until he could run no more. He fell headlong into a patch of blue moss and whooped with delight in having this day free for exploring. He was free to see the ocean at last. When he had caught his breath, he looked back through the forest. No sign of the village; he had left it far behind. Safe from the scrutiny of brothers and parents, there was nothing now to stop him from going to the ocean. This was the moment to stop time. "On your mark!" he shouted to the rippling stream and its orange whirlpools. He glanced furtively from side to side, pretending that some object might try to get a head start. "Get set!" he challenged the thin-winged bees that hovered over the abundant foliage. "Stop!" He shrieked this command upward toward the dense, low-hanging purple clouds that perennially raced across the treetops, making one wonder how tall the trees really were. His eyes took quick inventory. It was exactly as he knew it would be: the milky-orange stream had become motionless and its minute whirlpools had stopped whirling; a nearby bee hung suspended over a paka plant, its transparent wings frozen in position for a downward stroke; and the heavy purple fluid overhead held fast in its manufacture of whorls and nimbi. With everything around him in a state of perfect tableau, Purnie hurried toward the ocean. If only the days weren't so short! he thought. There was so much to see and so little time. It seemed that everyone except him had seen the wonders of the beach country. The stories he had heard from his brothers and their friends had taunted him for as long as he could remember. So many times had he heard these thrilling tales that now, as he ran along, he could clearly picture the wonderland as though he were already there. There would be a rockslide of petrified logs to play on, the ocean itself with waves higher than a house, the comical three-legged tripons who never stopped munching on seaweed, and many kinds of other wonderful creatures found only at the ocean. He bounced through the forest as though the world was reserved this day just for him. And who could say it wasn't? he thought. Wasn't this his fifth birthday? He ran along feeling sorry for four-year-olds, and even for those who were only four and a half, for they were babies and wouldn't dare try slipping away to the ocean alone. But five! "I'll set you free, Mr. Bee—just wait and see!" As he passed one of the many motionless pollen-gathering insects he met on the way, he took care not to brush against it or disturb its interrupted task. When Purnie had stopped time, the bees—like all the other creatures he met—had been arrested in their native activities, and he knew that as soon as he resumed time, everything would pick up where it had left off. When he smelled an acid sweetness that told him the ocean was not far off, his pulse quickened in anticipation. Rather than spoil what was clearly going to be a perfect day, he chose to ignore the fact that he had been forbidden to use time-stopping as a convenience for journeying far from home. He chose to ignore the oft-repeated statement that an hour of time-stopping consumed more energy than a week of foot-racing. He chose to ignore the negative maxim that "small children who stop time without an adult being present, may not live to regret it." He chose, instead, to picture the beaming praise of family and friends when they learned of his brave journey. The journey was long, the clock stood still. He stopped long enough to gather some fruit that grew along the path. It would serve as his lunch during this day of promise. With it under his arm he bounded along a dozen more steps, then stopped abruptly in his tracks. He found himself atop a rocky knoll, overlooking the mighty sea! He was so overpowered by the vista before him that his "Hurrah!" came out as a weak squeak. The ocean lay at the ready, its stilled waves awaiting his command to resume their tidal sweep. The breakers along the shoreline hung in varying stages of disarray, some having already exploded into towering white spray while others were poised in smooth orange curls waiting to start that action. And there were new friends everywhere! Overhead, a flock of spora were frozen in a steep glide, preparatory to a beach landing. Purnie had heard of these playful creatures many times. Today, with his brothers in school, he would have the pets all to himself. Further down the beach was a pair of two-legged animals poised in mid-step, facing the spot where Purnie now stood. Some distance behind them were eight more, each of whom were motionless in a curious pose of interrupted animation. And down in the water, where the ocean ran itself into thin nothingness upon the sand, he saw standing here and there the comical tripons, those three-legged marine buffoons who made handsome careers of munching seaweed. "Hi there!" Purnie called. When he got no reaction, he remembered that he himself was "dead" to the living world: he was still in a zone of time-stopping, on the inside looking out. For him, the world would continue to be a tableau of mannikins until he resumed time. "Hi there!" he called again; but now his mental attitude was that he expected time to resume. It did! Immediately he was surrounded by activity. He heard the roar of the crashing orange breakers, he tasted the dew of acid that floated from the spray, and he saw his new friends continue the actions which he had stopped while back in the forest. He knew, too, that at this moment, in the forest, the little brook picked up its flow where it had left off, the purple clouds resumed their leeward journey up the valley, and the bees continued their pollen-gathering without having missed a single stroke of their delicate wings. The brook, the clouds, and the insects had not been interrupted in the least; their respective tasks had been performed with continuing sureness. It was time itself that Purnie had stopped, not the world around him. He scampered around the rockpile and down the sandy cliff to meet the tripons who, to him, had just come to life. "I can stand on my head!" He set down his lunch and balanced himself bottoms-up while his legs pawed the air in an effort to hold him in position. He knew it was probably the worst head-stand he had ever done, for he felt weak and dizzy. Already time-stopping had left its mark on his strength. But his spirits ran on unchecked. The tripon thought Purnie's feat was superb. It stopped munching long enough to give him a salutory wag of its rump before returning to its repast. Purnie ran from pillar to post, trying to see and do everything at once. He looked around to greet the flock of spora, but they had glided to a spot further along the shore. Then, bouncing up to the first of the two-legged animals, he started to burst forth with his habitual "Hi there!" when he heard them making sounds of their own. "... will be no limit to my operations now, Benson. This planet makes seventeen. Seventeen planets I can claim as my own!" "My, my. Seventeen planets. And tell me, Forbes, just what the hell are you going to do with them—mount them on the wall of your den back in San Diego?" "Hi there, wanna play?" Purnie's invitation got nothing more than startled glance from the animals who quickly returned to their chatter. He scampered up the beach, picked up his lunch, and ran back to them, tagging along at their heels. "I've got my lunch, want some?" "Benson, you'd better tell your men back there to stop gawking at the scenery and get to work. Time is money. I didn't pay for this expedition just to give your flunkies a vacation." The animals stopped so suddenly that Purnie nearly tangled himself in their heels. "All right, Forbes, just hold it a minute. Listen to me. Sure, it's your money that put us here; it's your expedition all the way. But you hired me to get you here with the best crew on earth, and that's just what I've done. My job isn't over yet. I'm responsible for the safety of the men while we're here, and for the safe trip home." "Precisely. And since you're responsible, get 'em working. Tell 'em to bring along the flag. Look at the damn fools back there, playing in the ocean with a three-legged ostrich!" "Good God, man, aren't you human? We've only been on this planet twenty minutes! Naturally they want to look around. They half expected to find wild animals or worse, and here we are surrounded by quaint little creatures that run up to us like we're long-lost brothers. Let the men look around a minute or two before we stake out your claim." "Bah! Bunch of damn children." As Purnie followed along, a leg shot out at him and missed. "Benson, will you get this bug-eyed kangaroo away from me!" Purnie shrieked with joy at this new frolic and promptly stood on his head. In this position he got an upside down view of them walking away. He gave up trying to stay with them. Why did they move so fast, anyway? What was the hurry? As he sat down and began eating his lunch, three more of the creatures came along making excited noises, apparently trying to catch up to the first two. As they passed him, he held out his lunch. "Want some?" No response. Playing held more promise than eating. He left his lunch half eaten and went down to where they had stopped further along the beach. "Captain Benson, sir! Miles has detected strong radiation in the vicinity. He's trying to locate it now." "There you are, Forbes. Your new piece of real estate is going to make you so rich that you can buy your next planet. That'll make eighteen, I believe." "Radiation, bah! We've found low-grade ore on every planet I've discovered so far, and this one'll be no different. Now how about that flag? Let's get it up, Benson. And the cornerstone, and the plaque." "All right, lads. The sooner we get Mr. Forbes's pennant raised and his claim staked out, the sooner we can take time to look around. Lively now!" When the three animals went back to join the rest of their group, the first two resumed walking. Purnie followed along. "Well, Benson, you won't have to look far for materials to use for the base of the flag pole. Look at that rockpile up there. "Can't use them. They're petrified logs. The ones on top are too high to carry down, and if we move those on the bottom, the whole works will slide down on top of us." "Well—that's your problem. Just remember, I want this flag pole to be solid. It's got to stand at least—" "Don't worry, Forbes, we'll get your monument erected. What's this with the flag? There must be more to staking a claim than just putting up a flag." "There is, there is. Much more. I've taken care of all requirements set down by law to make my claim. But the flag? Well, you might say it represents an empire, Benson. The Forbes Empire. On each of my flags is the word FORBES, a symbol of development and progress. Call it sentiment if you will." "Don't worry, I won't. I've seen real-estate flags before." "Damn it all, will you stop referring to this as a real-estate deal? What I'm doing is big, man. Big! This is pioneering." "Of course. And if I'm not mistaken, you've set up a neat little escrow system so that you not only own the planets, but you will virtually own the people who are foolish enough to buy land on them." "I could have your hide for talking to me like this. Damn you, man! It's people like me who pay your way. It's people like me who give your space ships some place to go. It's people like me who pour good money into a chancey job like this, so that people like you can get away from thirteen-story tenement houses. Did you ever think of that?" "I imagine you'll triple your money in six months." When they stopped, Purnie stopped. At first he had been interested in the strange sounds they were making, but as he grew used to them, and as they in turn ignored his presence, he hopped alongside chattering to himself, content to be in their company. He heard more of these sounds coming from behind, and he turned to see the remainder of the group running toward them. "Captain Benson! Here's the flag, sir. And here's Miles with the scintillometer. He says the radiation's getting stronger over this way!" "How about that, Miles?" "This thing's going wild, Captain. It's almost off scale." Purnie saw one of the animals hovering around him with a little box. Thankful for the attention, he stood on his head. "Can you do this?" He was overjoyed at the reaction. They all started making wonderful noises, and he felt most satisfied. "Stand back, Captain! Here's the source right here! This little chuck-walla's hotter than a plutonium pile!" "Let me see that, Miles. Well, I'll be damned! Now what do you suppose—" By now they had formed a widening circle around him, and he was hard put to think of an encore. He gambled on trying a brand new trick: he stood on one leg. "Benson, I must have that animal! Put him in a box." "Now wait a minute, Forbes. Universal Law forbids—" "This is my planet and I am the law. Put him in a box!" "With my crew as witness, I officially protest—" "Good God, what a specimen to take back. Radio-active animals! Why, they can reproduce themselves, of course! There must be thousands of these creatures around here someplace. And to think of those damn fools on Earth with their plutonium piles! Hah! Now I'll have investors flocking to me. How about it, Benson—does pioneering pay off or doesn't it?" "Not so fast. Since this little fellow is radioactive, there may be great danger to the crew—" "Now look here! You had planned to put mineral specimens in a lead box, so what's the difference? Put him in a box." "He'll die." "I have you under contract, Benson! You are responsible to me, and what's more, you are on my property. Put him in a box." Purnie was tired. First the time-stopping, then this. While this day had brought more fun and excitement than he could have hoped for, the strain was beginning to tell. He lay in the center of the circle happily exhausted, hoping that his friends would show him some of their own tricks. He didn't have to wait long. The animals forming the circle stepped back and made way for two others who came through carrying a box. Purnie sat up to watch the show. "Hell, Captain, why don't I just pick him up? Looks like he has no intention of running away." "Better not, Cabot. Even though you're shielded, no telling what powers the little fella has. Play it safe and use the rope." "I swear he knows what we're saying. Look at those eyes." "All right, careful now with that line." "Come on, baby. Here you go. That's a boy!" Purnie took in these sounds with perplexed concern. He sensed the imploring quality of the creature with the rope, but he didn't know what he was supposed to do. He cocked his head to one side as he wiggled in anticipation. He saw the noose spinning down toward his head, and, before he knew it, he had scooted out of the circle and up the sandy beach. He was surprised at himself for running away. Why had he done it? He wondered. Never before had he felt this fleeting twinge that made him want to protect himself. He watched the animals huddle around the box on the beach, their attention apparently diverted to something else. He wished now that he had not run away; he felt he had lost his chance to join in their fun. "Wait!" He ran over to his half-eaten lunch, picked it up, and ran back into the little crowd. "I've got my lunch, want some?" The party came to life once more. His friends ran this way and that, and at last Purnie knew that the idea was to get him into the box. He picked up the spirit of the tease, and deliberately ran within a few feet of the lead box, then, just as the nearest pursuer was about to push him in, he sidestepped onto safer ground. Then he heard a deafening roar and felt a warm, wet sting in one of his legs. "Forbes, you fool! Put away that gun!" "There you are, boys. It's all in knowing how. Just winged him, that's all. Now pick him up." The pang in his leg was nothing: Purnie's misery lay in his confusion. What had he done wrong? When he saw the noose spinning toward him again, he involuntarily stopped time. He knew better than to use this power carelessly, but his action now was reflex. In that split second following the sharp sting in his leg, his mind had grasped in all directions to find an acceptable course of action. Finding none, it had ordered the stoppage of time. The scene around him became a tableau once more. The noose hung motionless over his head while the rest of the rope snaked its way in transverse waves back to one of the two-legged animals. Purnie dragged himself through the congregation, whimpering from his inability to understand. As he worked his way past one creature after another, he tried at first to not look them in the eye, for he felt sure he had done something wrong. Then he thought that by sneaking a glance at them as he passed, he might see a sign pointing to their purpose. He limped by one who had in his hand a small shiny object that had been emitting smoke from one end; the smoke now billowed in lifeless curls about the animal's head. He hobbled by another who held a small box that had previously made a hissing sound whenever Purnie was near. These things told him nothing. Before starting his climb up the knoll, he passed a tripon which, true to its reputation, was comical even in fright. Startled by the loud explosion, it had jumped four feet into the air before Purnie had stopped time. Now it hung there, its beak stuffed with seaweed and its three legs drawn up into a squatting position. Leaving the assorted statues behind, he limped his way up the knoll, torn between leaving and staying. What an odd place, this ocean country! He wondered why he had not heard more detail about the beach animals. Reaching the top of the bluff, he looked down upon his silent friends with a feeling of deep sorrow. How he wished he were down there playing with them. But he knew at last that theirs was a game he didn't fit into. Now there was nothing left but to resume time and start the long walk home. Even though the short day was nearly over, he knew he didn't dare use time-stopping to get himself home in nothing flat. His fatigued body and clouded mind were strong signals that he had already abused this faculty. When Purnie started time again, the animal with the noose stood in open-mouthed disbelief as the rope fell harmlessly to the sand—on the spot where Purnie had been standing. "My God, he's—he's gone." Then another of the animals, the one with the smoking thing in his hand, ran a few steps toward the noose, stopped and gaped at the rope. "All right, you people, what's going on here? Get him in that box. What did you do with him?" The resumption of time meant nothing at all to those on the beach, for to them time had never stopped. The only thing they could be sure of was that at one moment there had been a fuzzy creature hopping around in front of them, and the next moment he was gone. "Is he invisible, Captain? Where is he?" "Up there, Captain! On those rocks. Isn't that him?" "Well, I'll be damned!" "Benson, I'm holding you personally responsible for this! Now that you've botched it up, I'll bring him down my own way." "Just a minute, Forbes, let me think. There's something about that fuzzy little devil that we should.... Forbes! I warned you about that gun!" Purnie moved across the top of the rockpile for a last look at his friends. His weight on the end of the first log started the slide. Slowly at first, the giant pencils began cascading down the short distance to the sand. Purnie fell back onto solid ground, horrified at the spectacle before him. The agonizing screams of the animals below filled him with hysteria. The boulders caught most of them as they stood ankle-deep in the surf. Others were pinned down on the sand. "I didn't mean it!" Purnie screamed. "I'm sorry! Can't you hear?" He hopped back and forth near the edge of the rise, torn with panic and shame. "Get up! Please get up!" He was horrified by the moans reaching his ears from the beach. "You're getting all wet! Did you hear me? Please get up." He was choked with rage and sorrow. How could he have done this? He wanted his friends to get up and shake themselves off, tell him it was all right. But it was beyond his power to bring it about. The lapping tide threatened to cover those in the orange surf. Purnie worked his way down the hill, imploring them to save themselves. The sounds they made carried a new tone, a desperate foreboding of death. "Rhodes! Cabot! Can you hear me?" "I—I can't move, Captain. My leg, it's.... My God, we're going to drown!" "Look around you, Cabot. Can you see anyone moving?" "The men on the beach are nearly buried, Captain. And the rest of us here in the water—" "Forbes. Can you see Forbes? Maybe he's—" His sounds were cut off by a wavelet gently rolling over his head. Purnie could wait no longer. The tides were all but covering one of the animals, and soon the others would be in the same plight. Disregarding the consequences, he ordered time to stop. Wading down into the surf, he worked a log off one victim, then he tugged the animal up to the sand. Through blinding tears, Purnie worked slowly and carefully. He knew there was no hurry—at least, not as far as his friends' safety was concerned. No matter what their condition of life or death was at this moment, it would stay the same way until he started time again. He made his way deeper into the orange liquid, where a raised hand signalled the location of a submerged body. The hand was clutching a large white banner that was tangled among the logs. Purnie worked the animal free and pulled it ashore. It was the one who had been carrying the shiny object that spit smoke. Scarcely noticing his own injured leg, he ferried one victim after another until there were no more in the surf. Up on the beach, he started unraveling the logs that pinned down the animals caught there. He removed a log from the lap of one, who then remained in a sitting position, his face contorted into a frozen mask of agony and shock. Another, with the weight removed, rolled over like an iron statue into a new position. Purnie whimpered in black misery as he surveyed the chaotic scene before him. At last he could do no more; he felt consciousness slipping away from him. He instinctively knew that if he lost his senses during a period of time-stopping, events would pick up where they had left off ... without him. For Purnie, this would be death. If he had to lose consciousness, he knew he must first resume time. Step by step he plodded up the little hill, pausing every now and then to consider if this were the moment to start time before it was too late. With his energy fast draining away, he reached the top of the knoll, and he turned to look down once more on the group below. Then he knew how much his mind and body had suffered: when he ordered time to resume, nothing happened. His heart sank. He wasn't afraid of death, and he knew that if he died the oceans would roll again and his friends would move about. But he wanted to see them safe. He tried to clear his mind for supreme effort. There was no urging time to start. He knew he couldn't persuade it by bits and pieces, first slowly then full ahead. Time either progressed or it didn't. He had to take one viewpoint or the other. Then, without knowing exactly when it happened, his mind took command.... His friends came to life. The first one he saw stir lay on his stomach and pounded his fists on the beach. A flood of relief settled over Purnie as sounds came from the animal. "What's the matter with me? Somebody tell me! Am I nuts? Miles! Schick! What's happening?" "I'm coming, Rhodes! Heaven help us, man—I saw it, too. We're either crazy or those damn logs are alive!" "It's not the logs. How about us? How'd we get out of the water? Miles, we're both cracking." "I'm telling you, man, it's the logs, or rocks or whatever they are. I was looking right at them. First they're on top of me, then they're piled up over there!" "Damnit, the logs didn't pick us up out of the ocean, did they? Captain Benson!" "Are you men all right?" "Yes sir, but—" "Who saw exactly what happened?" "I'm afraid we're not seeing right, Captain. Those logs—" "I know, I know. Now get hold of yourselves. We've got to round up the others and get out of here while time is on our side." "But what happened, Captain?" "Hell, Rhodes, don't you think I'd like to know? Those logs are so old they're petrified. The whole bunch of us couldn't lift one. It would take super-human energy to move one of those things." "I haven't seen anything super-human. Those ostriches down there are so busy eating seaweed—" "All right, let's bear a hand here with the others. Some of them can't walk. Where's Forbes?" "He's sitting down there in the water, Captain, crying like a baby. Or laughing. I can't tell which." "We'll have to get him. Miles, Schick, come along. Forbes! You all right?" "Ho-ho-ho! Seventeen! Seventeen! Seventeen planets, Benson, and they'll do anything I say! This one's got a mind of its own. Did you see that little trick with the rocks? Ho-ho!" "See if you can find his gun, Schick; he'll either kill himself or one of us. Tie his hands and take him back to the ship. We'll be along shortly." "Hah-hah-hah! Seventeen! Benson, I'm holding you personally responsible for this. Hee-hee!" Purnie opened his eyes as consciousness returned. Had his friends gone? He pulled himself along on his stomach to a position between two rocks, where he could see without being seen. By the light of the twin moons he saw that they were leaving, marching away in groups of two and three, the weak helping the weaker. As they disappeared around the curving shoreline, the voices of the last two, bringing up the rear far behind the others, fell faintly on his ears over the sound of the surf. "Is it possible that we're all crazy, Captain?" "It's possible, but we're not." "I wish I could be sure." "See Forbes up ahead there? What do you think of him?" "I still can't believe it." "He'll never be the same." "Tell me something. What was the most unusual thing you noticed back there?" "You must be kidding, sir. Why, the way those logs were off of us suddenly—" "Yes, of course. But I mean beside that." "Well, I guess I was kind of busy. You know, scared and mixed up." "But didn't you notice our little pop-eyed friend?" "Oh, him. I'm afraid not, Captain. I—I guess I was thinking mostly of myself." "Hmmm. If I could only be sure I saw him. If only someone else saw him too." "I'm afraid I don't follow you, sir." "Well, damn it all, you know that Forbes took a pot shot at him. Got him in the leg. That being the case, why would the fuzzy little devil come back to his tormentors—back to us—when we were trapped under those logs?" "Well, I guess as long as we were trapped, he figured we couldn't do him any more harm.... I'm sorry, that was a stupid answer. I guess I'm still a little shaky." "Forget it. Look, you go ahead to the ship and make ready for take-off. I'll join you in a few minutes. I think I'll go back and look around. You know. Make sure we haven't left anyone." "No need to do that. They're all ahead of us. I've checked." "That's my responsibility, Cabot, not yours. Now go on." As Purnie lay gathering strength for the long trek home, he saw through glazed eyes one of the animals coming back along the beach. When it was nearly directly below him, he could hear it making sounds that by now had become familiar. "Where are you?" Purnie paid little attention to the antics of his friend; he was beyond understanding. He wondered what they would say at home when he returned. "We've made a terrible mistake. We—" The sounds faded in and out on Purnie's ears as the creature turned slowly and called in different directions. He watched the animal walk over to the pile of scattered logs and peer around and under them. "If you're hurt I'd like to help!" The twin moons were high in the sky now, and where their light broke through the swirling clouds a double shadow was cast around the animal. With foggy awareness, Purnie watched the creature shake its head slowly, then walk away in the direction of the others. Purnie's eyes stared, without seeing, at the panorama before him. The beach was deserted now, and his gaze was transfixed on a shimmering white square floating on the ocean. Across it, the last thing Purnie ever saw, was emblazoned the word FORBES.
train	51656	[ "Why did the bartenders water down the Joe's drinks?", "In what significant way was the CPA system different than other judicial systems for criminals?", "Why did Joe want to commit a crime and be caught by the CPA?", "Why was the girl unable to help Joe commit his planned crime?", "How was Joe able to find an apartment to break into to commit his crime of theivery?", "What happens to the Ex members who think about committing a crime?", "What did Joe take from the apartment that he was later charged with theft?", "What did Joe find strange when he first awoke at the hospital after his treatment?", "Which of the following was not heard by Joe as the voice in his head after his treatment?" ]	[ [ "To avoid having to provide a room for anyone too drunk to leave. ", "To avoid chaos in their establishments. ", "To keep the patrons purchasing more and more. ", "Drunkenness was illegal. " ], [ "Crimes were not punished.", "All crimes had the same punishment. ", "Criminals were kept on lock-down forever without any kind of trial. ", "Criminals were hired for higher-up jobs in society." ], [ "So that he would fit the part of a hardened criminal. ", "So that he could become a part of the CPA team. ", "So that he could receive the CPA Treatment and be offered a good job. ", "So that he could get into the prison. " ], [ "She was a part of the CPA and didn't agree with his idea.", "She was unable to accept his small payment for a large possible consequence. ", "She was a part of the WSDA and obviously knew how to defend herself. ", "She knew no one would believe that he had actually tried to rape her because of her status as a DCT. " ], [ "Hendricks had left out a book with unsecured addresses.", "He paid someone to allow him to rob them and then report his crime. ", "He unsuccessfully attempted robbery until he was successful. ", "Hendricks had shown him the apartment that he could rob and be caught for. " ], [ "They are unable to think about crime. ", "They are locked back away in the hospital for more treatment. ", "They are given another DCT card. ", "They feel immense head pain at the thought of crime. " ], [ "Magazines", "A watch", "A engraved bracelet.", "Underwear" ], [ "He had a pounding headache. ", "He felt unable to lie. ", "He felt no different. ", "He felt like a hero. " ], [ "Unlawful to curse. ", "Unlawful to divulge CPA procedure. ", "Unlawful to communicate with a DCT. ", "Unlawful to strike someone except in self-defense. " ] ]	[ 4, 1, 3, 3, 1, 4, 2, 3, 3 ]	[ 0, 1, 0, 0, 0, 0, 0, 1, 0 ]	Going straight meant crooked planning. He'd never make it unless he somehow managed to PICK A CRIME By RICHARD R. SMITH Illustrated by DICK FRANCIS [Transcriber's Note: This etext was produced from Galaxy Science Fiction May 1958. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] The girl was tall, wide-eyed and brunette. She had the right curves in the right places and would have been beautiful if her nose had been smaller, if her mouth had been larger and if her hair had been wavy instead of straight. "Hank said you wanted to see me," she said when she stopped beside Joe's table. "Yeah." Joe nodded at the other chair. "Have a seat." He reached into a pocket, withdrew five ten-dollar bills and handed them to her. "I want you to do a job for me. It'll only take a few minutes." The girl counted the money, then placed it in her purse. Joe noticed a small counterfeit-detector inside the purse before she closed it. "What's the job?" "Tell you later." He gulped the remainder of his drink, almost pouring it down his throat. "Hey. You trying to make yourself sick?" "Not sick. Drunk. Been trying to get drunk all afternoon." As the liquor settled in his stomach, he waited for the warm glow. But the glow didn't come ... the bartender had watered his drink again. "Trying to get drunk?" the girl inquired. "Are you crazy?" "No. It's simple. If I get drunk, I can join the AAA and get free room and board for a month while they give me a treatment." It was easy enough to understand, he reflected, but a lot harder to do. The CPA robot bartenders saw to it that anyone got high if they wanted, but comparatively few got drunk. Each bartender could not only mix drinks but could also judge by a man's actions and speech when he was on the verge of drunkenness. At the proper time—since drunkenness was illegal—a bartender always watered the drinks. Joe had tried dozens of times in dozens of bars to outsmart them, but had always failed. And in all of New York's millions, there had been only a hundred cases of intoxication during the previous year. The girl laughed. "If you're that hard up, I don't know if I should take this fifty or not. Why don't you go out and get a job like everyone else?" As an answer, Joe handed her his CPA ID card. She grunted when she saw the large letters that indicated the owner had Dangerous Criminal Tendencies. When she handed the card back, Joe fought an impulse to tear it to pieces. He'd done that once and gone through a mountain of red tape to get another—everyone was required by law to carry a CPA ID card and show it upon request. "I'm sorry," the girl said. "I didn't know you were a DCT." "And who'll hire a guy with criminal tendencies? You know the score. When you try to get a job, they ask to see your ID before they even tell you if there's an opening or not. If your CPA ID says you're a DCT, you're SOL and they tell you there's no openings. Oh, I've had several jobs ... jobs like all DCTs get. I've been a garbage man, street-cleaner, ditch-digger—" On the other side of the room, the jukebox came to life with a roar and a group of teen-agers scrambled to the dance floor. Feeling safe from hidden microphones because of the uproar, he leaned across the table and whispered in the girl's ear, "That's what I want to hire you for. I want you to help me commit a crime. If I get convicted of a crime, I'll be able to get a good job!" The girl's lips formed a bright red circle. "Say! You really got big plans, don't you?" He smiled at her admiration. It was something big to plan a crime. A civilization weary of murder, robbery, kidnapping, counterfeiting, blackmail, rape, arson, and drunkenness had originated the CPA—Crime Prevention Association. There were no longer any prisons—CPA officials had declared loudly and emphatically that their job was to prevent crime, not punish it. And prevent it they did, with thousands of ingenious crime-prevention devices and methods. They had made crime almost impossible, and during the previous year, only a few hundred men in the whole country had been convicted of criminal acts. No crime was ever punished. If a man was smart enough to kill someone, for instance, he wasn't sent to prison to be punished; he wasn't punished at all. Instead, he was sent to a hospital where all criminal tendencies were removed from his mind by psychologists, shock treatments, encephalographic devices, a form of prefrontal lobotomy and a dozen other methods. An expensive operation, but since there were few criminals—only ten in New York during the past year—any city could afford the CPA hospitals. The CPA system was, actually, cheaper than previous methods because it did away with the damage caused by countless crimes; did away with prisons and their guards, large police forces, squad cars and weapons. And, ironically, a man who did commit a crime was a sort of hero. He was a hero to the millions of men and women who had suppressed impulses to kill someone, beat their mates, get drunk, or kick a dog. Not only a hero, but because of the CPA Treatment, he was—when he left one of the CPA hospitals—a thoroughly honest and hard-working individual ... a man who could be trusted with any responsibility, any amount of money. And therefore, an EX (a convicted criminal who received the treatment was commonly called an Ex because he was in the strictest sense of the word an Ex-criminal) ... an Ex was always offered the best jobs. "Well," the girl said. "I'm honored. Really. But I got a date at ten. Let's get it over with. You said it'd only take a few minutes." "Okay. Let's go." The girl followed him across the room, around tables, through a door, down a hall, through a back door and into the alley. She followed him up the dark alley until he turned suddenly and ripped her blouse and skirt. He surprised her completely, but when she recovered, she backed away, her body poised like a wrestler's. "What's the big idea?" "Scream," Joe said. "Scream as loud as you can, and when the cops get here, tell 'em I tried to rape you." The plan was perfect, he told himself. Attempted rape was one of the few things that was a crime merely because a man attempted it. A crime because it theoretically inflicted psychological injury upon the intended victim—and because millions of women voters had voted it a crime. On the other hand, attempted murder, robbery, kidnapping, etc., were not crimes. They weren't crimes because the DCT didn't complete the act, and if he didn't complete the act, that meant simply that the CPA had once again functioned properly. The girl shook her head vigorously. "Sorry, buddy. Can't help you that way. Why didn't you tell me what you wanted?" "What's the matter?" Joe complained. "I'm not asking you to do anything wrong." "You stupid jerk. What do you think this is—the Middle Ages? Don't you know almost every woman knows how to defend herself? I'm a sergeant in the WSDA!" Joe groaned. The WSDA—Women's Self-Defense Association—a branch of the CPA. The WSDA gave free instruction in judo and jujitsu, even developed new techniques of wrestling and instructed only women in those new techniques. The girl was still shaking her head. "Can't do it, buddy. I'd lose my rank if you were convicted of—" "Do I have to make you scream?" Joe inquired tiredly and advanced toward the girl. "—and that rank carries a lot of weight. Hey! Stop it! " Joe discovered to his dismay that the girl was telling the truth when she said she was a sergeant in the WSDA. He felt her hands on his body, and in the time it takes to blink twice, he was flying through the air. The alley's concrete floor was hard—it had always been hard, but he became acutely aware of its lack of resiliency when his head struck it. There was a wonderful moment while the world was filled with beautiful stars and streaks of lightning through which he heard distant police sirens. But the wonderful moment didn't last long and darkness closed in on him. When he awoke, a rough voice was saying, "Okay. Snap out of it." He opened his eyes and recognized the police commissioner's office. It would be hard not to recognize: the room was large, devoid of furniture except for a desk and chairs, but the walls were lined with the controls of television screens, electronic calculators and a hundred other machines that formed New York's mechanical police force. Commissioner Hendricks was a remarkable character. There was something wrong with his glands, and he was a huge, greasy bulk of a man with bushy eyebrows and a double chin. His steel-gray eyes showed something of his intelligence and he would have gone far in politics if fate hadn't made him so ugly, for more than half the voters who elected men to high political positions were women. Anyone who knew Hendricks well liked him, for he was a friendly, likable person. But the millions of women voters who saw his face on posters and on their TV screens saw only the ugly face and heard only the harsh voice. The President of the United States was a capable man, but also a very handsome one, and the fact that a man who looked something like a bulldog had been elected as New York's police commissioner was a credit to Hendricks and millions of women voters. "Where's the girl?" Joe asked. "I processed her while you were out cold. She left. Joe, you—" "Okay," Joe said. "I'll save you the trouble. I admit it. Attempted rape. I confess." Hendricks smiled. "Sorry, Joe. You missed the boat again." He reached out and turned a dial on his desk top. "We had a microphone hidden in that alley. We have a lot of microphones hidden in a lot of alleys. You'd be surprised at the number of conspiracies that take place in alleys!" Joe listened numbly to his voice as it came from one of the hundreds of machines on the walls, " Scream. Scream as loud as you can, and when the cops get here, tell 'em I tried to rape you. " And then the girl's voice, " Sorry, buddy. Can't help— " He waved his hand. "Okay. Shut it off. I confess to conspiracy." Hendricks rose from behind the desk, walked leisurely to where Joe was slouched in a chair. "Give me your CPA ID." Joe handed him the card with trembling fingers. He felt as if the world had collapsed beneath him. Conspiracy to commit a crime wasn't a crime. Anyone could conspire. And if the conspirators were prevented from committing a crime, then that meant the CPA had functioned properly once again. That meant the CPA had once again prevented crime, and the CPA didn't punish crimes or attempted crimes, and it didn't attempt to prevent crimes by punishment. If it did, that would be a violation of the New Civil Rights. Hendricks crossed the room, deposited the card in a slot and punched a button. The machine hummed and a new card appeared. When Hendricks handed him the new card, Joe saw that the words DANGEROUS CRIMINAL TENDENCIES were now in red and larger than before. And, in slightly smaller print, the ID card stated that the owner was a DCT First Class. "You've graduated," Hendricks said coldly. "You guys never learn, do you? Now you're a DCT First Class instead of a Second Class. You know what that means?" Hendricks leaned closer until Joe could feel his breath on his face. "That means your case history will be turned over to the newspapers. You'll be the hobby of thousands of amateur cops. You know how it works? It's like this. The Joneses are sitting around tomorrow night and they're bored. Then Mr. Jones says, 'Let's go watch this Joe Harper.' So they look up your record—amateur cops always keep records of First Classes in scrapbooks—and they see that you stop frequently at Walt's Tavern. "So they go there and they sit and drink and watch you, trying not to let you know they're watching you. They watch you all night, just hoping you'll do something exciting, like trying to kill someone, so they can be the first ones to yell ' Police! ' They'll watch you because it's exciting to be an amateur cop, and if they ever did prevent you from committing a crime, they'd get a nice reward and they'd be famous." "Lay off," Joe said. "I got a headache. That girl—" Hendricks leaned even closer and glared. "You listen, Joe. This is interesting. You see, it doesn't stop with Mr. and Mrs. Jones. There's thousands of people like them. Years ago, they got their kicks from reading about guys like you, but these days things are dull because it's rare when anyone commits a crime. So every time you walk down the street, there'll be at least a dozen of 'em following you, and no matter where you go, you can bet there'll be some of 'em sitting next to you, standing next to you. "During the day, they'll take your picture with their spy cameras that look like buttons on their coats. At night, they'll peep at you through your keyhole. Your neighbors across the street will watch you through binoculars and—" "Lay off!" Joe squirmed in the chair. He'd been lectured by Hendricks before and it was always an unpleasant experience. The huge man was like a talking machine once he got started, a machine that couldn't be stopped. "And the kids are the worst," Hendricks continued. "They have Junior CPA clubs. They keep records of hoodlums like you in little cardboard boxes. They'll stare at you on the street and stare at you through restaurant windows while you're eating meals. They'll follow you in public rest rooms and watch you out of the corners of their eyes while they wash their little hands, and almost every day when you look back, you'll see a dozen freckle-faced little boys following you half a block behind, giggling and gaping at you. They'll follow you until the day you die, because you're a freak!" Joe couldn't stand the breath in his face any longer. He rose and paced the floor. "And it doesn't end there , Joe. It goes on and on. You'll be the object of every do-gooder and parlor psychologist. Strangers will stop you on the street and say, 'I'd like to help you, friend.' Then they'll ask you queer questions like, 'Did your father reject you when you were a child?' 'Do you like girls?' 'How does it feel to be a DCT First Class?' And then there'll be the strangers who hate DCTs. They'll stop you on the street and insult you, call you names, spit on you and—" "Okay, goddam it! Stop it! " Hendricks stopped, wiped the sweat from his face with a handkerchief and lit a cigarette. "I'm doing you a favor, Joe. I'm trying to explain something you're too dumb to realize by yourself. We've taught everyone to hate crime and criminals ... to hate them as nothing has ever been hated before. Today a criminal is a freak, an alien. Your life will be a living hell if you don't leave New York. You should go to some small town where there aren't many people, or be a hermit, or go to Iceland or—" Joe eyed the huge man suspiciously. " Favor , did you say? The day you do me a favor—" Hendricks shrugged his shoulders negligently. "Not entirely a favor. I want to get rid of you. Usually I come up here and sit around and read books. But guys like you are a nuisance and take up my time." "I couldn't leave if I wanted to," Joe said. "I'm flat broke. Thanks to your CPA system, a DCT can't get a decent job." Hendricks reached into a pocket, withdrew several bills and extended them. "I'll loan you some money. You can sign an IOU and pay me back a little at a time." Joe waved the money away. "Listen, why don't you do me a favor? Why don't you frame me? If I'm such a nuisance, pin a crime on me—any crime." "Can't do it. Convicting a man of a crime he didn't commit is a violation of Civil Rights and a crime in itself." "Umm." "Why don't you take the free psycho treatment? A man doesn't have to be a DCT. With the free treatment, psychologists can remove all your criminal tendencies and—" "Go to those head-shrinkers ?" Hendricks shrugged again. "Have it your way." Joe laughed. "If your damned CPA is so all-powerful, why can't you make me go?" "Violation of Civil Rights." "Damn it, there must be some way you can help me! We both want the same thing. We both want to see me convicted of a crime." "How can I help you without committing a crime myself?" Hendricks walked to his desk, opened a drawer and removed a small black book. "See this? It contains names and addresses of all the people in New York who aren't properly protected. Every week we find people who aren't protected properly—blind spots in our protection devices. As soon as we find them, we take steps to install anti-robbery devices, but this is a big city and sometimes it takes days to get the work done. "In the meantime, any one of these people could be robbed. But what can I do? I can't hold this book in front of your nose and say, 'Here, Joe, pick a name and go out and rob him.'" He laughed nervously. "If I did that, I'd be committing a crime myself!" He placed the book on the desk top, took a handkerchief from a pocket again and wiped sweat from his face. "Excuse me a minute. I'm dying of thirst. There's a water cooler in the next room." Joe stared at the door to the adjoining office as it closed behind the big man. Hendricks was—unbelievably—offering him a victim, offering him a crime! Almost running to the desk, Joe opened the book, selected a name and address and memorized it: John Gralewski, Apt. 204, 2141 Orange St. When Hendricks came back, Joe said, "Thanks." "Huh? Thanks for what? I didn't do anything." When Joe reached the street, he hurried toward the nearest subway. As a child, he had been frightened of the dark. As a man, he wasn't afraid of the dark itself, but the darkened city always made him feel ill at ease. The uneasiness was, more than anything else, caused by his own imagination. He hated the CPA and at night he couldn't shrug the feeling that the CPA lurked in every shadow, watching him, waiting for him to make a mistake. Imagination or not, the CPA was almost everywhere a person went. Twenty-four hours a day, millions of microphones hidden in taverns, alleys, restaurants, subways and every other place imaginable waited for someone to say the wrong thing. Everything the microphones picked up was routed to the CPA Brain, a monster electronic calculator. If the words "Let's see a movie" were received in the Brain, they were discarded. But if the words "Let's roll this guy" were received, the message was traced and a police helicopter would be at the scene in two minutes. And scattered all over the city were not only hidden microphones, but hidden television cameras that relayed visual messages to the Brain, and hidden machines that could detect a knife or a gun in someone's pocket at forty yards. Every place of business from the largest bank to the smallest grocery store was absolutely impenetrable. No one had even tried to rob a place of business for years. Arson was next to impossible because of the heat-detectors—devices placed in every building that could detect, radarlike, any intensity of heat above that caused by a cigarette lighter. Chemical research had made poisoning someone an impossibility. There were no drugs containing poison, and while an ant-poison might kill ants, no concentrated amount of it would kill a human. The FBI had always been a powerful organization, but under the supervision of the CPA, it was a scientific colossus and to think of kidnapping someone or to contemplate the use of narcotics was pointless. A counterfeiter's career was always short-lived: every place of business and millions of individuals had small counterfeit-detectors that could spot a fake and report it directly to the Brain. And the percentage of crimes had dwindled even more with the appearance of the robot police officers. Many a criminal in the past had gambled that he could outshoot a pursuing policeman. But the robots were different: they weren't flesh and blood. Bullets bounced off them and their aim was infallible. It was like a fantastic dream come true. Only the dream wasn't fantastic any more. With the huge atomic power plants scattered across the country and supplying endless electrical power at ridiculously low prices, no endeavor that required power was fantastic. The power required to operate the CPA devices cost each taxpayer an average of four dollars a year, and the invention, development and manufacture of the devices had cost even less. And the CPA had attacked crime through society itself, striking at the individual. In every city there were neon signs that blinked subliminally with the statement, CRIME IS FILTH. Listening to a radio or watching television, if a person heard station identification, he invariably heard or saw just below perception the words CRIME IS FILTH. If he went for a walk or a ride, he saw the endless subliminal posters declaring CRIME IS FILTH, and if he read a magazine or newspaper he always found, in those little dead spaces where an editor couldn't fit anything else, the below-perception words CRIME IS FILTH. It was monotonous and, after a while, a person looked at the words and heard them without thinking about them. And they were imprinted on his subconscious over and over, year after year, until he knew that crime was the same as filth and that criminals were filthy things. Except men like Joe Harper. No system is perfect. Along with thousands of other DCTs, Joe refused to believe it, and when he reached apartment 204 at 2141 Orange Street, he felt as if he'd inherited a gold mine. The hall was dimly lit, but when he stood before the door numbered 204, he could see that the wall on either side of it was new . That is, instead of being covered with dust, dirt and stains as the other walls were, it was clean. The building was an old one, the hall was wide, and the owner had obviously constructed a wall across the hall, creating another room. If the owner had reported the new room as required by law, it would have been wired with CPA burglarproof devices, but evidently he didn't want to pay for installation. When Joe entered the cubbyhole, he had to stand to one side in order to close the door behind him. The place was barely large enough for the bed, chair and bureau; it was a place where a man could fall down at night and sleep, but where no normal man could live day after day. Fearing that someone might detect him before he actually committed the crime, Joe hurried to the bureau and searched it. He broke out in a sweat when he found nothing but underwear and old magazines. If he stole underwear and magazines, it would still be a crime, but the newspapers would splash satirical headlines. Instead of being respected as a successful criminal, he would be ridiculed. He stopped sweating when he found a watch under a pile of underwear. The crystal was broken, one hand was missing and it wouldn't run, but—perfection itself—engraved on the back was the inscription, To John with Love . His trial would be a clean-cut one: it would be easy for the CPA to prove ownership and that a crime had been committed. Chuckling with joy, he opened the window and shouted, " Thief! Police! Help! " He waited a few seconds and then ran. When he reached the street, a police helicopter landed next to him. Strong metal arms seized him; cameras clicked and recorded the damning evidence. When Joe was securely handcuffed to a seat inside the helicopter, the metal police officers rang doorbells. There was a reward for anyone who reported a crime, but no one admitted shouting the warning. He was having a nightmare when he heard the voice, "Hey. Wake up. Hey!" He opened his eyes, saw Hendricks' ugly face and thought for a minute he was still having the nightmare. "I just saw your doctor," Hendricks said. "He says your treatment is over. You can go home now. I thought I'd give you a lift." As Joe dressed, he searched his mind and tried to find some difference. During the treatment, he had been unconscious or drugged, unable to think. Now he could think clearly, but he could find no difference in himself. He felt more relaxed than he'd ever felt before, but that could be an after-effect of all the sedatives he'd been given. And, he noticed when he looked in the mirror, he was paler. The treatment had taken months and he had, between operations, been locked in his room. Hendricks was standing by the window. Joe stared at the massive back. Deliberately goading his mind, he discovered the biggest change: Before, the mere sight of the man had aroused an intense hatred. Now, even when he tried, he succeeded in arousing only a mild hatred. They had toned down his capacity to hate, but not done away with it altogether. "Come here and take a look at your public," said Hendricks. Joe went to the window. Three stories below, a large crowd had gathered on the hospital steps: a band, photographers, television trucks, cameramen and autograph hunters. He'd waited a long time for this day. But now—another change in him— He put the emotion into words: "I don't feel like a hero. Funny, but I don't." "Hero!" Hendricks laughed and, with his powerful lungs, it sounded like a bull snorting. "You think a successful criminal is a hero? You stupid—" He laughed again and waved a hand at the crowd below them. "You think those people are down there because they admire what you did? They're down there waiting for you because they're curious, because they're glad the CPA caught you, and because they're glad you're an Ex. You're an ex -criminal now, and because of your treatment, you'll never be able to commit another crime as long as you live. And that's the kind of guy they admire, so they want to see you, shake your hand and get your autograph." Joe didn't understand Hendricks completely, but the part he did understand he didn't believe. A crowd was waiting for him. He could see the people with his own eyes. When he left the hospital, they'd cheer and shout and ask for his autograph. If he wasn't a hero, what was he ? It took half an hour to get through the crowd. Cameras clicked all around him, a hundred kids asked for his autograph, everyone talked at once and cheered, smiled, laughed, patted him on the back and cheered some more. Only one thing confused him during all the excitement: a white-haired old lady with tears in her eyes said, "Thank heaven it was only a watch. Thank heaven you didn't kill someone! God bless you, son." And then the old lady had handed him a box of fudge and left him in total confusion. What she said didn't make sense. If he had killed someone rather than stealing a watch, he would be even more of a hero and the crowd would have cheered even louder. He knew: he had stood outside the CPA hospitals many times and the crowds always cheered louder when an ex-murderer came out. In Hendricks' robot-chauffeured car, he ate the fudge and consoled himself with the thought, People are funny. Who can understand 'em? Feeling happy for one of the few times in his life, he turned toward Hendricks and said, "Thanks for what you did. It turned out great. I'll be able to get a good job now." "That's why I met you at the hospital," Hendricks said. "I want to explain some things. I've known you for a long time and I know you're spectacularly dumb. You can't figure out some things for yourself and I don't want you walking around the rest of your life thinking I did you a favor." Joe frowned. Few men had ever done him a favor and he had rarely thanked anyone for anything. And now ... after thanking the man who'd done him the biggest favor of all, the man was denying it! "You robbed Gralewski's apartment," Hendricks said. "Gralewski is a CPA employee and he doesn't live in the apartment you robbed. The CPA pays the rent for that one and he lives in another. We have a lot of places like that. You see, it gives us a way to get rid of saps like you before they do real damage. We use it as a last resort when a DCT First Class won't take the free psycho treatment or—" "Well, it's still a favor." Hendricks' face hardened. "Favor? You wouldn't know a favor if you stumbled over one. I did it because it's standard procedure for your type of case. Anyone can—free of charge—have treatment by the best psychologists. Any DCT can stop being a DCT by simply asking for the treatment and taking it. But you wouldn't do that. You wanted to commit a crime, get caught and be a hero ... an Ex ." The car passed one of the CPA playgrounds. Boys and girls of all ages were laughing, squealing with joy as they played games designed by CPA psychologists to relieve tension. And—despite the treatment, Joe shuddered when he saw the psychologists standing to one side, quietly watching the children. The whole world was filled with CPA employees and volunteer workers. Everywhere you went, it was there, quietly watching you and analyzing you, and if you showed criminal tendencies, it watched you even more closely and analyzed you even more deeply until it took you apart and put you back together again the way it wanted you to be. "Being an Ex, you'll get the kind of job you always wanted," Hendricks continued. "You'll get a good-paying job, but you'll work for it. You'll work eight hours a day, work harder than you've ever worked before in your life, because every time you start to loaf, a voice in your head is going to say, Work! Work! Exes always get good jobs because employers know they're good workers. "But during these next few days, you'll discover what being an Ex is like. You see, Joe, the treatment can't possibly take all the criminal tendencies out of a man. So the treatment does the next best thing—you'll find a set of laws written in your mind. You might want to break one now and then, but you won't be able. I'll give you an illustration...." Joe's face reddened as Hendricks proceeded to call him a series of names. He wanted to smash the fat, grinning face, but the muscles in his arm froze before it moved it an inch. And worse than that, a brief pain ripped through his skull. A pain so intense that, had it lasted a second longer, he would have screamed in agony. And above the pain, a voice whispered in his head, Unlawful to strike someone except in self-defense . He opened his mouth to tell Hendricks exactly what he thought of him, the CPA, the whole world. But the words stayed in his throat, the pain returned, and the mental voice whispered, Unlawful to curse . He had never heard how the treatment prevented an Ex from committing a crime. And now that he knew, it didn't seem fair. He decided to tell the whole story to the newspapers as soon as he could. And as soon as that decision formed in his mind, his body froze, the pain returned and the voice, Unlawful to divulge CPA procedure . "See what I mean?" Hendricks asked. "A century ago, you would have been locked in a prison and taxpayers' money would have supported you until the day you died. With the CPA system, you're returned to society, a useful citizen, unable to commit the smallest crime. And you've got a big hand in your dirty little mind that's going to slap it every time you get the wrong kind of thought. It'll keep slapping you until you learn. It might take weeks, months or years, but you'll learn sooner or later to not even think about doing anything wrong." He lit a cigarette and blew a smoke ring at the car's plush ceiling. "It's a great system, isn't it, Joe? A true democracy. Even a jerk like you is free to do what he wants, as long as it's legal." "I think it's a lousy, filthy system." Joe's head was still tingling with pain and he felt suffocated. The CPA was everywhere, only now it was also inside his head, telling him he couldn't do this, couldn't do that. All his life it had been telling him he couldn't do things he wanted to do and now .... Hendricks laughed. "You'll change your opinion. We live in a clean, wonderful world, Joe. A world of happy, healthy people. Except for freaks like yourself, criminals are—" "Let me out!" Joe grabbed at the door and was on the sidewalk, slamming the door behind him before the car stopped completely. He stared at the car as it pulled away from the curb and glided into the stream of traffic again. He realized he was a prisoner ... a prisoner inside his own body ... made a prisoner by a world that hated him back. He wanted to spit his contempt, but the increasingly familiar pain and voice prevented him. It was unlawful to spit on a sidewalk.
train	50766	[ "What traits best describe Caswell?", "What is the relationship between Caswell and the protagonist?", "What is the relationship between Caswell and the protagonist like?", "What traits best describe the protagonist?", "What was the initial goal of the protagonist?", "How good is Caswell at his job?", "What did Caswell's theories help predict?", "What was an error in Caswell's theories (in reference to how they were applied)?", "What traits best describe Searles?" ]	[ [ "Athletic and generous", "Charismatic and fair", "Confident and smart", "Confident and handsome" ], [ "They're coworkers", "One is the other's boss", "They're old friends", "They're brothers" ], [ "They don't know each other too well but they get to know each other better", "They barely tolerate each other", "They don't know each other too well but dislike each other", "They respect each other greatly" ], [ "Pragmatic and entertaining", "Smart and handsome", "Curious and pragmatic", "Socially inept and smart" ], [ "To collect more money", "To increase his personal reputation", "To improve his institution's reputation", "To befriend his colleague" ], [ "He's good at his job but not enough people know it", "He's incompetent", "He's known as the best in the world", "He's respected by his students but never by his fellow staff" ], [ "How to collect the most money for personal gain as fast as possible", "How to fundraise the most money for an institution as fast as possible", "How to expand an organization and increase its power", "How to win an election while creating as few political promises as possible" ], [ "Their experiment assumed that only men would be interested in the test at hand", "Their experiment assumed that only women would be interested in the test at hand", "Their experiment was using too small a sample size", "Their experiment was using too large an initial sample size" ], [ "Empathetic and beautiful", "Resourceful and dilligent", "Original and bold", "Intelligent and original" ] ]	[ 3, 2, 1, 3, 1, 1, 3, 2, 2 ]	[ 0, 1, 1, 0, 0, 1, 0, 1, 1 ]	The Snowball Effect By KATHERINE MacLEAN Illustrated by EMSH [Transcriber's Note: This etext was produced from Galaxy Science Fiction September 1952. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] Tack power drives on a sewing circle and you can needle the world into the darndest mess! "All right," I said, "what is sociology good for?" Wilton Caswell, Ph.D., was head of my Sociology Department, and right then he was mad enough to chew nails. On the office wall behind him were three or four framed documents in Latin that were supposed to be signs of great learning, but I didn't care at that moment if he papered the walls with his degrees. I had been appointed dean and president to see to it that the university made money. I had a job to do, and I meant to do it. He bit off each word with great restraint: "Sociology is the study of social institutions, Mr. Halloway." I tried to make him understand my position. "Look, it's the big-money men who are supposed to be contributing to the support of this college. To them, sociology sounds like socialism—nothing can sound worse than that—and an institution is where they put Aunt Maggy when she began collecting Wheaties in a stamp album. We can't appeal to them that way. Come on now." I smiled condescendingly, knowing it would irritate him. "What are you doing that's worth anything?" He glared at me, his white hair bristling and his nostrils dilated like a war horse about to whinny. I can say one thing for them—these scientists and professors always keep themselves well under control. He had a book in his hand and I was expecting him to throw it, but he spoke instead: "This department's analysis of institutional accretion, by the use of open system mathematics, has been recognized as an outstanding and valuable contribution to—" The words were impressive, whatever they meant, but this still didn't sound like anything that would pull in money. I interrupted, "Valuable in what way?" He sat down on the edge of his desk thoughtfully, apparently recovering from the shock of being asked to produce something solid for his position, and ran his eyes over the titles of the books that lined his office walls. "Well, sociology has been valuable to business in initiating worker efficiency and group motivation studies, which they now use in management decisions. And, of course, since the depression, Washington has been using sociological studies of employment, labor and standards of living as a basis for its general policies of—" I stopped him with both raised hands. "Please, Professor Caswell! That would hardly be a recommendation. Washington, the New Deal and the present Administration are somewhat touchy subjects to the men I have to deal with. They consider its value debatable, if you know what I mean. If they got the idea that sociology professors are giving advice and guidance—No, we have to stick to brass tacks and leave Washington out of this. What, specifically, has the work of this specific department done that would make it as worthy to receive money as—say, a heart disease research fund?" He began to tap the corner of his book absently on the desk, watching me. "Fundamental research doesn't show immediate effects, Mr. Halloway, but its value is recognized." I smiled and took out my pipe. "All right, tell me about it. Maybe I'll recognize its value." Prof. Caswell smiled back tightly. He knew his department was at stake. The other departments were popular with donors and pulled in gift money by scholarships and fellowships, and supported their professors and graduate students by research contracts with the government and industry. Caswell had to show a way to make his own department popular—or else. I couldn't fire him directly, of course, but there are ways of doing it indirectly. He laid down his book and ran a hand over his ruffled hair. "Institutions—organizations, that is—" his voice became more resonant; like most professors, when he had to explain something he instinctively slipped into his platform lecture mannerisms, and began to deliver an essay—"have certain tendencies built into the way they happen to have been organized, which cause them to expand or contract without reference to the needs they were founded to serve." He was becoming flushed with the pleasure of explaining his subject. "All through the ages, it has been a matter of wonder and dismay to men that a simple organization—such as a church to worship in, or a delegation of weapons to a warrior class merely for defense against an outside enemy—will either grow insensately and extend its control until it is a tyranny over their whole lives, or, like other organizations set up to serve a vital need, will tend to repeatedly dwindle and vanish, and have to be painfully rebuilt. "The reason can be traced to little quirks in the way they were organized, a matter of positive and negative power feedbacks. Such simple questions as, 'Is there a way a holder of authority in this organization can use the power available to him to increase his power?' provide the key. But it still could not be handled until the complex questions of interacting motives and long-range accumulations of minor effects could somehow be simplified and formulated. In working on the problem, I found that the mathematics of open system, as introduced to biology by Ludwig von Bertalanffy and George Kreezer, could be used as a base that would enable me to develop a specifically social mathematics, expressing the human factors of intermeshing authority and motives in simple formulas. "By these formulations, it is possible to determine automatically the amount of growth and period of life of any organization. The UN, to choose an unfortunate example, is a shrinker type organization. Its monetary support is not in the hands of those who personally benefit by its governmental activities, but, instead, in the hands of those who would personally lose by any extension and encroachment of its authority on their own. Yet by the use of formula analysis—" "That's theory," I said. "How about proof?" "My equations are already being used in the study of limited-size Federal corporations. Washington—" I held up my palm again. "Please, not that nasty word again. I mean, where else has it been put into operation? Just a simple demonstration, something to show that it works, that's all." He looked away from me thoughtfully, picked up the book and began to tap it on the desk again. It had some unreadable title and his name on it in gold letters. I got the distinct impression again that he was repressing an urge to hit me with it. He spoke quietly. "All right, I'll give you a demonstration. Are you willing to wait six months?" "Certainly, if you can show me something at the end of that time." Reminded of time, I glanced at my watch and stood up. "Could we discuss this over lunch?" he asked. "I wouldn't mind hearing more, but I'm having lunch with some executors of a millionaire's will. They have to be convinced that by, 'furtherance of research into human ills,' he meant that the money should go to research fellowships for postgraduate biologists at the university, rather than to a medical foundation." "I see you have your problems, too," Caswell said, conceding me nothing. He extended his hand with a chilly smile. "Well, good afternoon, Mr. Halloway. I'm glad we had this talk." I shook hands and left him standing there, sure of his place in the progress of science and the respect of his colleagues, yet seething inside because I, the president and dean, had boorishly demanded that he produce something tangible. I frankly didn't give a hoot if he blew his lid. My job isn't easy. For a crumb of favorable publicity and respect in the newspapers and an annual ceremony in a silly costume, I spend the rest of the year going hat in hand, asking politely for money at everyone's door, like a well-dressed panhandler, and trying to manage the university on the dribble I get. As far as I was concerned, a department had to support itself or be cut down to what student tuition pays for, which is a handful of over-crowded courses taught by an assistant lecturer. Caswell had to make it work or get out. But the more I thought about it, the more I wanted to hear what he was going to do for a demonstration. At lunch, three days later, while we were waiting for our order, he opened a small notebook. "Ever hear of feedback effects?" "Not enough to have it clear." "You know the snowball effect, though." "Sure, start a snowball rolling downhill and it grows." "Well, now—" He wrote a short line of symbols on a blank page and turned the notebook around for me to inspect it. "Here's the formula for the snowball process. It's the basic general growth formula—covers everything." It was a row of little symbols arranged like an algebra equation. One was a concentric spiral going up, like a cross-section of a snowball rolling in snow. That was a growth sign. I hadn't expected to understand the equation, but it was almost as clear as a sentence. I was impressed and slightly intimidated by it. He had already explained enough so that I knew that, if he was right, here was the growth of the Catholic Church and the Roman Empire, the conquests of Alexander and the spread of the smoking habit and the change and rigidity of the unwritten law of styles. "Is it really as simple as that?" I asked. "You notice," he said, "that when it becomes too heavy for the cohesion strength of snow, it breaks apart. Now in human terms—" The chops and mashed potatoes and peas arrived. "Go on," I urged. He was deep in the symbology of human motives and the equations of human behavior in groups. After running through a few different types of grower and shrinker type organizations, we came back to the snowball, and decided to run the test by making something grow. "You add the motives," he said, "and the equation will translate them into organization." "How about a good selfish reason for the ins to drag others into the group—some sort of bounty on new members, a cut of their membership fee?" I suggested uncertainly, feeling slightly foolish. "And maybe a reason why the members would lose if any of them resigned, and some indirect way they could use to force each other to stay in." "The first is the chain letter principle," he nodded. "I've got that. The other...." He put the symbols through some mathematical manipulation so that a special grouping appeared in the middle of the equation. "That's it." Since I seemed to have the right idea, I suggested some more, and he added some, and juggled them around in different patterns. We threw out a few that would have made the organization too complicated, and finally worked out an idyllically simple and deadly little organization setup where joining had all the temptation of buying a sweepstakes ticket, going in deeper was as easy as hanging around a race track, and getting out was like trying to pull free from a Malayan thumb trap. We put our heads closer together and talked lower, picking the best place for the demonstration. "Abington?" "How about Watashaw? I have some student sociological surveys of it already. We can pick a suitable group from that." "This demonstration has got to be convincing. We'd better pick a little group that no one in his right mind would expect to grow." "There should be a suitable club—" Picture Professor Caswell, head of the Department of Sociology, and with him the President of the University, leaning across the table toward each other, sipping coffee and talking in conspiratorial tones over something they were writing in a notebook. That was us. "Ladies," said the skinny female chairman of the Watashaw Sewing Circle. "Today we have guests." She signaled for us to rise, and we stood up, bowing to polite applause and smiles. "Professor Caswell, and Professor Smith." (My alias.) "They are making a survey of the methods and duties of the clubs of Watashaw." We sat down to another ripple of applause and slightly wider smiles, and then the meeting of the Watashaw Sewing Circle began. In five minutes I began to feel sleepy. There were only about thirty people there, and it was a small room, not the halls of Congress, but they discussed their business of collecting and repairing second hand clothing for charity with the same endless boring parliamentary formality. I pointed out to Caswell the member I thought would be the natural leader, a tall, well-built woman in a green suit, with conscious gestures and a resonant, penetrating voice, and then went into a half doze while Caswell stayed awake beside me and wrote in his notebook. After a while the resonant voice roused me to attention for a moment. It was the tall woman holding the floor over some collective dereliction of the club. She was being scathing. I nudged Caswell and murmured, "Did you fix it so that a shover has a better chance of getting into office than a non-shover?" "I think there's a way they could find for it," Caswell whispered back, and went to work on his equation again. "Yes, several ways to bias the elections." "Good. Point them out tactfully to the one you select. Not as if she'd use such methods, but just as an example of the reason why only she can be trusted with initiating the change. Just mention all the personal advantages an unscrupulous person could have." He nodded, keeping a straight and sober face as if we were exchanging admiring remarks about the techniques of clothes repairing, instead of conspiring. After the meeting, Caswell drew the tall woman in the green suit aside and spoke to her confidentially, showing her the diagram of organization we had drawn up. I saw the responsive glitter in the woman's eyes and knew she was hooked. We left the diagram of organization and our typed copy of the new bylaws with her and went off soberly, as befitted two social science experimenters. We didn't start laughing until our car passed the town limits and began the climb for University Heights. If Caswell's equations meant anything at all, we had given that sewing circle more growth drives than the Roman Empire. Four months later I had time out from a very busy schedule to wonder how the test was coming along. Passing Caswell's office, I put my head in. He looked up from a student research paper he was correcting. "Caswell, about that sewing club business—I'm beginning to feel the suspense. Could I get an advance report on how it's coming?" "I'm not following it. We're supposed to let it run the full six months." "But I'm curious. Could I get in touch with that woman—what's her name?" "Searles. Mrs. George Searles." "Would that change the results?" "Not in the slightest. If you want to graph the membership rise, it should be going up in a log curve, probably doubling every so often." I grinned. "If it's not rising, you're fired." He grinned back. "If it's not rising, you won't have to fire me—I'll burn my books and shoot myself." I returned to my office and put in a call to Watashaw. While I was waiting for the phone to be answered, I took a piece of graph paper and ruled it off into six sections, one for each month. After the phone had rung in the distance for a long time, a servant answered with a bored drawl: "Mrs. Searles' residence." I picked up a red gummed star and licked it. "Mrs. Searles, please." "She's not in just now. Could I take a message?" I placed the star at the thirty line in the beginning of the first section. Thirty members they'd started with. "No, thanks. Could you tell me when she'll be back?" "Not until dinner. She's at the meetin'." "The sewing club?" I asked. "No, sir, not that thing. There isn't any Sewing club any more, not for a long time. She's at the Civic Welfare meeting." Somehow I hadn't expected anything like that. "Thank you," I said and hung up, and after a moment noticed I was holding a box of red gummed stars in my hand. I closed it and put it down on top of the graph of membership in the sewing circle. No more members.... Poor Caswell. The bet between us was ironclad. He wouldn't let me back down on it even if I wanted to. He'd probably quit before I put through the first slow move to fire him. His professional pride would be shattered, sunk without a trace. I remembered what he said about shooting himself. It had seemed funny to both of us at the time, but.... What a mess that would make for the university. I had to talk to Mrs. Searles. Perhaps there was some outside reason why the club had disbanded. Perhaps it had not just died. I called back. "This is Professor Smith," I said, giving the alias I had used before. "I called a few minutes ago. When did you say Mrs. Searles will return?" "About six-thirty or seven o'clock." Five hours to wait. And what if Caswell asked me what I had found out in the meantime? I didn't want to tell him anything until I had talked it over with that woman Searles first. "Where is this Civic Welfare meeting?" She told me. Five minutes later, I was in my car, heading for Watashaw, driving considerably faster than my usual speed and keeping a careful watch for highway patrol cars as the speedometer climbed. The town meeting hall and theater was a big place, probably with lots of small rooms for different clubs. I went in through the center door and found myself in the huge central hall where some sort of rally was being held. A political-type rally—you know, cheers and chants, with bunting already down on the floor, people holding banners, and plenty of enthusiasm and excitement in the air. Someone was making a speech up on the platform. Most of the people there were women. I wondered how the Civic Welfare League could dare hold its meeting at the same time as a political rally that could pull its members away. The group with Mrs. Searles was probably holding a shrunken and almost memberless meeting somewhere in an upper room. There probably was a side door that would lead upstairs. While I glanced around, a pretty girl usher put a printed bulletin in my hand, whispering, "Here's one of the new copies." As I attempted to hand it back, she retreated. "Oh, you can keep it. It's the new one. Everyone's supposed to have it. We've just printed up six thousand copies to make sure there'll be enough to last." The tall woman on the platform had been making a driving, forceful speech about some plans for rebuilding Watashaw's slum section. It began to penetrate my mind dimly as I glanced down at the bulletin in my hands. "Civic Welfare League of Watashaw. The United Organization of Church and Secular Charities." That's what it said. Below began the rules of membership. I looked up. The speaker, with a clear, determined voice and conscious, forceful gestures, had entered the homestretch of her speech, an appeal to the civic pride of all citizens of Watashaw. "With a bright and glorious future—potentially without poor and without uncared-for ill—potentially with no ugliness, no vistas which are not beautiful—the best people in the best planned town in the country—the jewel of the United States." She paused and then leaned forward intensely, striking her clenched hand on the speaker's stand with each word for emphasis. " All we need is more members. Now get out there and recruit! " I finally recognized Mrs. Searles, as an answering sudden blast of sound half deafened me. The crowd was chanting at the top of its lungs: "Recruit! Recruit!" Mrs. Searles stood still at the speaker's table and behind her, seated in a row of chairs, was a group that was probably the board of directors. It was mostly women, and the women began to look vaguely familiar, as if they could be members of the sewing circle. I put my lips close to the ear of the pretty usher while I turned over the stiff printed bulletin on a hunch. "How long has the League been organized?" On the back of the bulletin was a constitution. She was cheering with the crowd, her eyes sparkling. "I don't know," she answered between cheers. "I only joined two days ago. Isn't it wonderful?" I went into the quiet outer air and got into my car with my skin prickling. Even as I drove away, I could hear them. They were singing some kind of organization song with the tune of "Marching through Georgia." Even at the single glance I had given it, the constitution looked exactly like the one we had given the Watashaw Sewing Circle. All I told Caswell when I got back was that the sewing circle had changed its name and the membership seemed to be rising. Next day, after calling Mrs. Searles, I placed some red stars on my graph for the first three months. They made a nice curve, rising more steeply as it reached the fourth month. They had picked up their first increase in membership simply by amalgamating with all the other types of charity organizations in Watashaw, changing the club name with each fusion, but keeping the same constitution—the constitution with the bright promise of advantages as long as there were always new members being brought in. By the fifth month, the League had added a mutual baby-sitting service and had induced the local school board to add a nursery school to the town service, so as to free more women for League activity. But charity must have been completely organized by then, and expansion had to be in other directions. Some real estate agents evidently had been drawn into the whirlpool early, along with their ideas. The slum improvement plans began to blossom and take on a tinge of real estate planning later in the month. The first day of the sixth month, a big two page spread appeared in the local paper of a mass meeting which had approved a full-fledged scheme for slum clearance of Watashaw's shack-town section, plus plans for rehousing, civic building, and rezoning. And good prospects for attracting some new industries to the town, industries which had already been contacted and seemed interested by the privileges offered. And with all this, an arrangement for securing and distributing to the club members alone most of the profit that would come to the town in the form of a rise in the price of building sites and a boom in the building industry. The profit distributing arrangement was the same one that had been built into the organization plan for the distribution of the small profits of membership fees and honorary promotions. It was becoming an openly profitable business. Membership was rising more rapidly now. By the second week of the sixth month, news appeared in the local paper that the club had filed an application to incorporate itself as the Watashaw Mutual Trade and Civic Development Corporation, and all the local real estate promoters had finished joining en masse. The Mutual Trade part sounded to me as if the Chamber of Commerce was on the point of being pulled in with them, ideas, ambitions and all. I chuckled while reading the next page of the paper, on which a local politician was reported as having addressed the club with a long flowery oration on their enterprise, charity, and civic spirit. He had been made an honorary member. If he allowed himself to be made a full member with its contractual obligations and its lures, if the politicians went into this, too.... I laughed, filing the newspaper with the other documents on the Watashaw test. These proofs would fascinate any businessman with the sense to see where his bread was buttered. A businessman is constantly dealing with organizations, including his own, and finding them either inert, cantankerous, or both. Caswell's formula could be a handle to grasp them with. Gratitude alone would bring money into the university in carload lots. The end of the sixth month came. The test was over and the end reports were spectacular. Caswell's formulas were proven to the hilt. After reading the last newspaper reports, I called him up. "Perfect, Wilt, perfect ! I can use this Watashaw thing to get you so many fellowships and scholarships and grants for your department that you'll think it's snowing money!" He answered somewhat disinterestedly, "I've been busy working with students on their research papers and marking tests—not following the Watashaw business at all, I'm afraid. You say the demonstration went well and you're satisfied?" He was definitely putting on a chill. We were friends now, but obviously he was still peeved whenever he was reminded that I had doubted that his theory could work. And he was using its success to rub my nose in the realization that I had been wrong. A man with a string of degrees after his name is just as human as anyone else. I had needled him pretty hard that first time. "I'm satisfied," I acknowledged. "I was wrong. The formulas work beautifully. Come over and see my file of documents on it if you want a boost for your ego. Now let's see the formula for stopping it." He sounded cheerful again. "I didn't complicate that organization with negatives. I wanted it to grow . It falls apart naturally when it stops growing for more than two months. It's like the great stock boom before an economic crash. Everyone in it is prosperous as long as the prices just keep going up and new buyers come into the market, but they all knew what would happen if it stopped growing. You remember, we built in as one of the incentives that the members know they are going to lose if membership stops growing. Why, if I tried to stop it now, they'd cut my throat." I remembered the drive and frenzy of the crowd in the one early meeting I had seen. They probably would. "No," he continued. "We'll just let it play out to the end of its tether and die of old age." "When will that be?" "It can't grow past the female population of the town. There are only so many women in Watashaw, and some of them don't like sewing." The graph on the desk before me began to look sinister. Surely Caswell must have made some provision for— "You underestimate their ingenuity," I said into the phone. "Since they wanted to expand, they didn't stick to sewing. They went from general charity to social welfare schemes to something that's pretty close to an incorporated government. The name is now the Watashaw Mutual Trade and Civic Development Corporation, and they're filing an application to change it to Civic Property Pool and Social Dividend, membership contractual, open to all. That social dividend sounds like a Technocrat climbed on the band wagon, eh?" While I spoke, I carefully added another red star to the curve above the thousand member level, checking with the newspaper that still lay open on my desk. The curve was definitely some sort of log curve now, growing more rapidly with each increase. "Leaving out practical limitations for a moment, where does the formula say it will stop?" I asked. "When you run out of people to join it. But after all, there are only so many people in Watashaw. It's a pretty small town." "They've opened a branch office in New York," I said carefully into the phone, a few weeks later. With my pencil, very carefully, I extended the membership curve from where it was then. After the next doubling, the curve went almost straight up and off the page. Allowing for a lag of contagion from one nation to another, depending on how much their citizens intermingled, I'd give the rest of the world about twelve years. There was a long silence while Caswell probably drew the same graph in his own mind. Then he laughed weakly. "Well, you asked me for a demonstration." That was as good an answer as any. We got together and had lunch in a bar, if you can call it lunch. The movement we started will expand by hook or by crook, by seduction or by bribery or by propaganda or by conquest, but it will expand. And maybe a total world government will be a fine thing—until it hits the end of its rope in twelve years or so. What happens then, I don't know. But I don't want anyone to pin that on me. From now on, if anyone asks me, I've never heard of Watashaw.
train	51337	[ "Rather than protecting Martin from Conrad, over the years, the descendants ", "At the age of eleven, Martin recognizes", "The changes that Ninian make in Martin's life", "Read the following passage:\n\n\"Ninian bought one of those smallish, almost identical houses that mushroom on the fringes of a city after every war, particularly where intensive bombing has created a number of desirable building sites.\"\n\nWhat, in that passage, is symbolic?", "By all accounts, Martin should be grateful for the descendants,", "Raymond sees the two hundred years between his time and Martin's time _____. Martin sees the time span as _____.", "Raymond comments, \" ' Ninian was a ninny to locate in a mercantile suburb where any little thing out of the will cause talk. How thankful I am that our era has completely disposed of the mercantiles --' \"\n\nWhat irony can be found in this statement?", "Though Raymond and Martian live in something comparable to a castle, Raymond \"turns his nose up to it.\" This shows that" ]	[ [ "force Martin to abandon his way of life in favor of theirs, as he realizes how \"good\" they do have it in the future.", "seem to dull Martin's initially-sharp ability to be perceptive and instinctual.", "solely ingratiate Martin to the ways of future life, ensuring he will embrace their ideals.", "do nothing other than wave a flag for Conrad to know where to attack upon his entry." ], [ "Conrad is the enemy, and the only way to keep the future generation safe is to fight him to the death if it comes to it.", "the descendants are on to something with the way they live in the future.", "the descendants are really the instrument of Conrad, and they are there to do his bidding.", "the descendants are immature and ill-equipped to deal in matters of practicality and common sense." ], [ "serve to do nothing other than send a perpetual beacon into the future to let Conrad know where to find Martin.", "do nothing rather than offer her creature comforts and show Martin what he has to look forward to.", "make other descendants want to come to the past to meet Martin because they will not only have a cause to uphold, they will also have everything they are accustomed to in their life.", "make Martin uncomfortable and long for his \"old life\" even though it may not have afforded him the same luxuries of his \"new life.\"" ], [ "\"houses that mushroom on the fringes of a city after every war, particularly where intensive bombing has created a number of desirable building sites,\" is symbolic of the way things like the atom bomb, that leaves a mushroom cloud in its wake, are thought to have been unleashed upon the world to preserve or \"create\" things that will be \"desirable\" for society. ", "\"intensive bombing\" is symbolic of what the descendants imagine they are doing to Martin to make sure they impart enough of their future society on him to make him agreeable to carrying on with their way of life.", "The word \"bought\" is symbolic of the wealth Martin is to bring to future worlds.", "\"Smallish, almost identical houses,\" is symbolic of the way that Ninian blends in with current society." ], [ "yet he resents them. He rebels against the new way of life they try to petition upon him.", "and he is. He is appreciative of the fact that they want to make him an integral part of securing their future way of existence.", "and he is. They have introduced Martin to a much better lifestyle than he was accustomed to.", "but he is unappreciative of the lifestyle they bring to him because he would rather have things the way he was accustomed to. He sees that even though his lifestyle was rudimentary in comparison, it was genuine." ], [ "as time to allow for people to realize that everyone is expendable.\n\njust enough time to dull the perceptions of an entire society.", "as time to lose something, though he was unable to define it, that was important to society as a whole.\n\ntime to refine people.", "as time to refine people.\n\ntime to lose something, though he was unable to define it, that was important to society as a whole.", "as just enough time to dull the perceptions of an entire society.\n\ntime to allow for people to realize that everyone is expendable.\n" ], [ "It truly is sad that someone who had the insight to create a plan as detailed could not have avoided living in such an area.", "He calls the master behind their grand plan \"a ninny.\"", "Raymond has no right to call anyone \"a ninny,\" as he is the dumbest descendant to arrive from the future.", "Rather than be grateful that gossip has been eradicated in the future, Raymond is thankful that an entire class of people has been eliminated." ], [ "for the people from the future, regardless of its grandeur, nothing in the past is good enough for them.", "in the past, class was determined by what you had to show, and in the future, it is based upon who you are as a person. Materialism doesn't exist in the future.", "Raymond's purpose there is to show Martin the finer things life has to offer above any other purpose.", "in the future, people have taste, whereas people in Martin's time do not." ] ]	[ 2, 4, 4, 1, 4, 3, 4, 1 ]	[ 1, 1, 0, 0, 1, 0, 1, 0 ]	THE MAN OUTSIDE By EVELYN E. SMITH Illustrated by DILLON [Transcriber's Note: This etext was produced from Galaxy Science Fiction August 1957. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] No one, least of all Martin, could dispute that a man's life should be guarded by his kin—but by those who hadn't been born yet? Nobody in the neighborhood was surprised when Martin's mother disappeared and Ninian came to take care of him. Mothers had a way of disappearing around those parts and the kids were often better off without them. Martin was no exception. He'd never had it this good while he was living with his old lady. As for his father, Martin had never had one. He'd been a war baby, born of one of the tides of soldiers—enemies and allies, both—that had engulfed the country in successive waves and bought or taken the women. So there was no trouble that way. Sometimes he wondered who Ninian really was. Obviously that story about her coming from the future was just a gag. Besides, if she really was his great-great-grand-daughter, as she said, why would she tell him to call her " Aunt Ninian "? Maybe he was only eleven, but he'd been around and he knew just what the score was. At first he'd thought maybe she was some new kind of social worker, but she acted a little too crazy for that. He loved to bait her, as he had loved to bait his mother. It was safer with Ninian, though, because when he pushed her too far, she would cry instead of mopping up the floor with him. "But I can't understand," he would say, keeping his face straight. "Why do you have to come from the future to protect me against your cousin Conrad?" "Because he's coming to kill you." "Why should he kill me? I ain't done him nothing." Ninian sighed. "He's dissatisfied with the current social order and killing you is part of an elaborate plan he's formulated to change it. You wouldn't understand." "You're damn right. I don't understand. What's it all about in straight gas?" "Oh, just don't ask any questions," Ninian said petulantly. "When you get older, someone will explain the whole thing to you." So Martin held his peace, because, on the whole, he liked things the way they were. Ninian really was the limit, though. All the people he knew lived in scabrous tenement apartments like his, but she seemed to think it was disgusting. "So if you don't like it, clean it up," he suggested. She looked at him as if he were out of his mind. "Hire a maid, then!" he jeered. And darned if that dope didn't go out and get a woman to come clean up the place! He was so embarrassed, he didn't even dare show his face in the streets—especially with the women buttonholing him and demanding to know what gave. They tried talking to Ninian, but she certainly knew how to give them the cold shoulder. One day the truant officer came to ask why Martin hadn't been coming to school. Very few of the neighborhood kids attended classes very regularly, so this was just routine. But Ninian didn't know that and she went into a real tizzy, babbling that Martin had been sick and would make up the work. Martin nearly did get sick from laughing so hard inside. But he laughed out of the other side of his mouth when she went out and hired a private tutor for him. A tutor—in that neighborhood! Martin had to beat up every kid on the block before he could walk a step without hearing "Fancy Pants!" yelled after him. Ninian worried all the time. It wasn't that she cared what these people thought of her, for she made no secret of regarding them as little better than animals, but she was shy of attracting attention. There were an awful lot of people in that neighborhood who felt exactly the same way, only she didn't know that, either. She was really pretty dumb, Martin thought, for all her fancy lingo. "It's so hard to think these things out without any prior practical application to go by," she told him. He nodded, knowing what she meant was that everything was coming out wrong. But he didn't try to help her; he just watched to see what she'd do next. Already he had begun to assume the detached role of a spectator. When it became clear that his mother was never going to show up again, Ninian bought one of those smallish, almost identical houses that mushroom on the fringes of a city after every war, particularly where intensive bombing has created a number of desirable building sites. "This is a much better neighborhood for a boy to grow up in," she declared. "Besides, it's easier to keep an eye on you here." And keep an eye on him she did—she or a rather foppish young man who came to stay with them occasionally. Martin was told to call him Uncle Raymond. From time to time, there were other visitors—Uncles Ives and Bartholomew and Olaf, Aunts Ottillie and Grania and Lalage, and many more—all cousins to one another, he was told, all descendants of his. Martin was never left alone for a minute. He wasn't allowed to play with the other kids in the new neighborhood. Not that their parents would have let them, anyway. The adults obviously figured that if a one-car family hired private tutors for their kid, there must be something pretty wrong with him. So Martin and Ninian were just as conspicuous as before. But he didn't tip her off. She was grown up; she was supposed to know better than he did. He lived well. He had food to eat that he'd never dreamed of before, warm clothes that no one had ever worn before him. He was surrounded by more luxury than he knew what to do with. The furniture was the latest New Grand Rapids African modern. There were tidy, colorful Picasso and Braque prints on the walls. And every inch of the floor was modestly covered by carpeting, though the walls were mostly unabashed glass. There were hot water and heat all the time and a freezer well stocked with food—somewhat erratically chosen, for Ninian didn't know much about meals. The non-glass part of the house was of neat, natural-toned wood, with a neat green lawn in front and a neat parti-colored garden in back. Martin missed the old neighborhood, though. He missed having other kids to play with. He even missed his mother. Sure, she hadn't given him enough to eat and she'd beaten him up so hard sometimes that she'd nearly killed him—but then there had also been times when she'd hugged and kissed him and soaked his collar with her tears. She'd done all she could for him, supporting him in the only way she knew how—and if respectable society didn't like it, the hell with respectable society. From Ninian and her cousins, there was only an impersonal kindness. They made no bones about the fact that they were there only to carry out a rather unpleasant duty. Though they were in the house with him, in their minds and in their talk they were living in another world—a world of warmth and peace and plenty where nobody worked, except in the government service or the essential professions. And they seemed to think even that kind of job was pretty low-class, though better than actually doing anything with the hands. In their world, Martin came to understand, nobody worked with hands; everything was done by machinery. All the people ever did was wear pretty clothes and have good times and eat all they wanted. There was no devastation, no war, no unhappiness, none of the concomitants of normal living. It was then that Martin began to realize that either the whole lot of them were insane, or what Ninian had told him at first was the truth. They came from the future. When Martin was sixteen, Raymond took him aside for the talk Ninian had promised five years before. "The whole thing's all my brother Conrad's fault. You see, he's an idealist," Raymond explained, pronouncing the last word with distaste. Martin nodded gravely. He was a quiet boy now, his brief past a dim and rather ridiculous memory. Who could ever imagine him robbing a grocery store or wielding a broken bottle now? He still was rather undersized and he'd read so much that he'd weakened his eyes and had to wear glasses. His face was pallid, because he spent little time in the sun, and his speech rather overbred, his mentors from the future having carefully eradicated all current vulgarities. "And Conrad really got upset over the way Earth has been exploiting the not so intelligent life-forms on the other planets," Raymond continued. "Which is distressing—though, of course, it's not as if they were people. Besides, the government has been talking about passing laws to do away with the—well, abuses and things like that, and I'm sure someday everything will come out all right. However, Conrad is so impatient." "I thought, in your world, machines did all the work," Martin suggested. "I've told you—our world is precisely the same as this one!" Raymond snapped. "We just come a couple of centuries or so later, that's all. But remember, our interests are identical. We're virtually the same people ... although it is amazing what a difference two hundred odd years of progress and polish can make in a species, isn't it?" He continued more mildly: "However, even you ought to be able to understand that we can't make machinery without metal. We need food. All that sort of thing comes from the out-system planets. And, on those worlds, it's far cheaper to use native labor than to ship out all that expensive machinery. After all, if we didn't give the natives jobs, how would they manage to live?" "How did they live before? Come to think of it, if you don't work, how do you live now?... I don't mean in the now for me, but the now for you," Martin explained laboriously. It was so difficult to live in the past and think in the future. "I'm trying to talk to you as if you were an adult," Raymond said, "but if you will persist in these childish interruptions—" "I'm sorry," Martin said. But he wasn't, for by now he had little respect left for any of his descendants. They were all exceedingly handsome and cultivated young people, with superior educations, smooth ways of speaking and considerable self-confidence, but they just weren't very bright. And he had discovered that Raymond was perhaps the most intelligent of the lot. Somewhere in that relatively short span of time, his line or—more frightening—his race had lost something vital. Unaware of the near-contempt in which his young ancestor held him, Raymond went on blandly: "Anyhow, Conrad took it upon himself to feel particularly guilty, because, he decided, if it hadn't been for the fact that our great-grandfather discovered the super-drive, we might never have reached the stars. Which is ridiculous—his feeling guilty, I mean. Perhaps a great-grandfather is responsible for his great-grandchildren, but a great-grandchild can hardly be held accountable for his great-grandfather." "How about a great-great-grandchild?" Martin couldn't help asking. Raymond flushed a delicate pink. "Do you want to hear the rest of this or don't you?" "Oh, I do!" Martin said. He had pieced the whole thing together for himself long since, but he wanted to hear how Raymond would put it. "Unfortunately, Professor Farkas has just perfected the time transmitter. Those government scientists are so infernally officious—always inventing such senseless things. It's supposed to be hush-hush, but you know how news will leak out when one is always desperate for a fresh topic of conversation." Anyhow, Raymond went on to explain, Conrad had bribed one of Farkas' assistants for a set of the plans. Conrad's idea had been to go back in time and "eliminate!" their common great-grandfather. In that way, there would be no space-drive, and, hence, the Terrestrials would never get to the other planets and oppress the local aborigines. "Sounds like a good way of dealing with the problem," Martin observed. Raymond looked annoyed. "It's the adolescent way," he said, "to do away with it, rather than find a solution. Would you destroy a whole society in order to root out a single injustice?" "Not if it were a good one otherwise." "Well, there's your answer. Conrad got the apparatus built, or perhaps he built it himself. One doesn't inquire too closely into such matters. But when it came to the point, Conrad couldn't bear the idea of eliminating our great-grandfather—because our great-grandfather was such a good man, you know." Raymond's expressive upper lip curled. "So Conrad decided to go further back still and get rid of his great-grandfather's father—who'd been, by all accounts, a pretty worthless character." "That would be me, I suppose," Martin said quietly. Raymond turned a deep rose. "Well, doesn't that just go to prove you mustn't believe everything you hear?" The next sentence tumbled out in a rush. "I wormed the whole thing out of him and all of us—the other cousins and me—held a council of war, as it were, and we decided it was our moral duty to go back in time ourselves and protect you." He beamed at Martin. The boy smiled slowly. "Of course. You had to. If Conrad succeeded in eliminating me, then none of you would exist, would you?" Raymond frowned. Then he shrugged cheerfully. "Well, you didn't really suppose we were going to all this trouble and expense out of sheer altruism, did you?" he asked, turning on the charm which all the cousins possessed to a consternating degree. Martin had, of course, no illusions on that score; he had learned long ago that nobody did anything for nothing. But saying so was unwise. "We bribed another set of plans out of another of the professor's assistants," Raymond continued, as if Martin had answered, "and—ah—induced a handicraft enthusiast to build the gadget for us." Induced , Martin knew, could have meant anything from blackmail to the use of the iron maiden. "Then we were all ready to forestall Conrad. If one of us guarded you night and day, he would never be able to carry out his plot. So we made our counter-plan, set the machine as far back as it would go—and here we are!" "I see," Martin said. Raymond didn't seem to think he really did. "After all," he pointed out defensively, "whatever our motives, it has turned into a good thing for you. Nice home, cultured companions, all the contemporary conveniences, plus some handy anachronisms—I don't see what more you could ask for. You're getting the best of all possible worlds. Of course Ninian was a ninny to locate in a mercantile suburb where any little thing out of the way will cause talk. How thankful I am that our era has completely disposed of the mercantiles—" "What did you do with them?" Martin asked. But Raymond rushed on: "Soon as Ninian goes and I'm in full charge, we'll get a more isolated place and run it on a far grander scale. Ostentation—that's the way to live here and now; the richer you are, the more eccentricity you can get away with. And," he added, "I might as well be as comfortable as possible while I suffer through this wretched historical stint." "So Ninian's going," said Martin, wondering why the news made him feel curiously desolate. Because, although he supposed he liked her in a remote kind of way, he had no fondness for her—or she, he knew, for him. "Well, five years is rather a long stretch for any girl to spend in exile," Raymond explained, "even though our life spans are a bit longer than yours. Besides, you're getting too old now to be under petticoat government." He looked inquisitively at Martin. "You're not going to go all weepy and make a scene when she leaves, are you?" "No...." Martin said hesitantly. "Oh, I suppose I will miss her. But we aren't very close, so it won't make a real difference." That was the sad part: he already knew it wouldn't make a difference. Raymond clapped him on the shoulder. "I knew you weren't a sloppy sentimentalist like Conrad. Though you do have rather a look of him, you know." Suddenly that seemed to make Conrad real. Martin felt a vague stirring of alarm. He kept his voice composed, however. "How do you plan to protect me when he comes?" "Well, each one of us is armed to the teeth, of course," Raymond said with modest pride, displaying something that looked like a child's combination spaceman's gun and death ray, but which, Martin had no doubt, was a perfectly genuine—and lethal—weapon. "And we've got a rather elaborate burglar alarm system." Martin inspected the system and made one or two changes in the wiring which, he felt, would increase its efficiency. But still he was dubious. "Maybe it'll work on someone coming from outside this house , but do you think it will work on someone coming from outside this time ?" "Never fear—it has a temporal radius," Raymond replied. "Factory guarantee and all that." "Just to be on the safe side," Martin said, "I think I'd better have one of those guns, too." "A splendid idea!" enthused Raymond. "I was just about to think of that myself!" When it came time for the parting, it was Ninian who cried—tears at her own inadequacy, Martin knew, not of sorrow. He was getting skillful at understanding his descendants, far better than they at understanding him. But then they never really tried. Ninian kissed him wetly on the cheek and said she was sure everything would work out all right and that she'd come see him again. She never did, though, except at the very last. Raymond and Martin moved into a luxurious mansion in a remote area. The site proved a well-chosen one; when the Second Atomic War came, half a dozen years later, they weren't touched. Martin was never sure whether this had been sheer luck or expert planning. Probably luck, because his descendants were exceedingly inept planners. Few people in the world then could afford to live as stylishly as Martin and his guardian. The place not only contained every possible convenience and gadget but was crammed with bibelots and antiques, carefully chosen by Raymond and disputed by Martin, for, to the man from the future, all available artifacts were antiques. Otherwise, Martin accepted his new surroundings. His sense of wonder had become dulled by now and the pink pseudo-Spanish castle—"architecturally dreadful, of course," Raymond had said, "but so hilariously typical"—impressed him far less than had the suburban split-level aquarium. "How about a moat?" Martin suggested when they first came. "It seems to go with a castle." "Do you think a moat could stop Conrad?" Raymond asked, amused. "No," Martin smiled, feeling rather silly, "but it would make the place seem safer somehow." The threat of Conrad was beginning to make him grow more and more nervous. He got Raymond's permission to take two suits of armor that stood in the front hall and present them to a local museum, because several times he fancied he saw them move. He also became an adept with the ray gun and changed the surrounding landscape quite a bit with it, until Raymond warned that this might lead Conrad to them. During those early years, Martin's tutors were exchanged for the higher-degreed ones that were now needful. The question inevitably arose of what the youth's vocation in that life was going to be. At least twenty of the cousins came back through time to hold one of their vigorous family councils. Martin was still young enough to enjoy such occasions, finding them vastly superior to all other forms of entertainment. "This sort of problem wouldn't arise in our day, Martin," Raymond commented as he took his place at the head of the table, "because, unless one specifically feels a call to some profession or other, one just—well, drifts along happily." "Ours is a wonderful world," Grania sighed at Martin. "I only wish we could take you there. I'm sure you would like it." "Don't be a fool, Grania!" Raymond snapped. "Well, Martin, have you made up your mind what you want to be?" Martin affected to think. "A physicist," he said, not without malice. "Or perhaps an engineer." There was a loud, excited chorus of dissent. He chuckled inwardly. "Can't do that," Ives said. "Might pick up some concepts from us. Don't know how; none of us knows a thing about science. But it could happen. Subconscious osmosis, if there is such a thing. That way, you might invent something ahead of time. And the fellow we got the plans from particularly cautioned us against that. Changing history. Dangerous." "Might mess up our time frightfully," Bartholomew contributed, "though, to be perfectly frank, I can't quite understand how." "I am not going to sit down and explain the whole thing to you all over again, Bart!" Raymond said impatiently. "Well, Martin?" "What would you suggest?" Martin asked. "How about becoming a painter? Art is eternal. And quite gentlemanly. Besides, artists are always expected to be either behind or ahead of their times." "Furthermore," Ottillie added, "one more artist couldn't make much difference in history. There were so many of them all through the ages." Martin couldn't hold back his question. "What was I, actually, in that other time?" There was a chilly silence. "Let's not talk about it, dear," Lalage finally said. "Let's just be thankful we've saved you from that !" So drawing teachers were engaged and Martin became a very competent second-rate artist. He knew he would never be able to achieve first rank because, even though he was still so young, his work was almost purely intellectual. The only emotion he seemed able to feel was fear—the ever-present fear that someday he would turn a corridor and walk into a man who looked like him—a man who wanted to kill him for the sake of an ideal. But the fear did not show in Martin's pictures. They were pretty pictures. Cousin Ives—now that Martin was older, he was told to call the descendants cousin —next assumed guardianship. Ives took his responsibilities more seriously than the others did. He even arranged to have Martin's work shown at an art gallery. The paintings received critical approval, but failed to evoke any enthusiasm. The modest sale they enjoyed was mostly to interior decorators. Museums were not interested. "Takes time," Ives tried to reassure him. "One day they'll be buying your pictures, Martin. Wait and see." Ives was the only one of the descendants who seemed to think of Martin as an individual. When his efforts to make contact with the other young man failed, he got worried and decided that what Martin needed was a change of air and scenery. "'Course you can't go on the Grand Tour. Your son hasn't invented space travel yet. But we can go see this world. What's left of it. Tourists always like ruins best, anyway." So he drew on the family's vast future resources and bought a yacht, which Martin christened The Interregnum . They traveled about from sea to ocean and from ocean to sea, touching at various ports and making trips inland. Martin saw the civilized world—mostly in fragments; the nearly intact semi-civilized world and the uncivilized world, much the same as it had been for centuries. It was like visiting an enormous museum; he couldn't seem to identify with his own time any more. The other cousins appeared to find the yacht a congenial head-quarters, largely because they could spend so much time far away from the contemporary inhabitants of the planet and relax and be themselves. So they never moved back to land. Martin spent the rest of his life on The Interregnum . He felt curiously safer from Conrad there, although there was no valid reason why an ocean should stop a traveler through time. More cousins were in residence at once than ever before, because they came for the ocean voyage. They spent most of their time aboard ship, giving each other parties and playing an avant-garde form of shuffleboard and gambling on future sporting events. That last usually ended in a brawl, because one cousin was sure to accuse another of having got advance information about the results. Martin didn't care much for their company and associated with them only when not to have done so would have been palpably rude. And, though they were gregarious young people for the most part, they didn't court his society. He suspected that he made them feel uncomfortable. He rather liked Ives, though. Sometimes the two of them would be alone together; then Ives would tell Martin of the future world he had come from. The picture drawn by Raymond and Ninian had not been entirely accurate, Ives admitted. True, there was no war or poverty on Earth proper, but that was because there were only a couple of million people left on the planet. It was an enclave for the highly privileged, highly interbred aristocracy, to which Martin's descendants belonged by virtue of their distinguished ancestry. "Rather feudal, isn't it?" Martin asked. Ives agreed, adding that the system had, however, been deliberately planned, rather than the result of haphazard natural development. Everything potentially unpleasant, like the mercantiles, had been deported. "Not only natives livin' on the other worlds," Ives said as the two of them stood at the ship's rail, surrounded by the limitless expanse of some ocean or other. "People, too. Mostly lower classes, except for officials and things. With wars and want and suffering," he added regretfully, "same as in your day.... Like now, I mean," he corrected himself. "Maybe it is worse, the way Conrad thinks. More planets for us to make trouble on. Three that were habitable aren't any more. Bombed. Very thorough job." "Oh," Martin murmured, trying to sound shocked, horrified—interested, even. "Sometimes I'm not altogether sure Conrad was wrong," Ives said, after a pause. "Tried to keep us from getting to the stars, hurting the people—I expect you could call them people—there. Still—" he smiled shamefacedly—"couldn't stand by and see my own way of life destroyed, could I?" "I suppose not," Martin said. "Would take moral courage. I don't have it. None of us does, except Conrad, and even he—" Ives looked out over the sea. "Must be a better way out than Conrad's," he said without conviction. "And everything will work out all right in the end. Bound to. No sense to—to anything, if it doesn't." He glanced wistfully at Martin. "I hope so," said Martin. But he couldn't hope; he couldn't feel; he couldn't even seem to care. During all this time, Conrad still did not put in an appearance. Martin had gotten to be such a crack shot with the ray pistol that he almost wished his descendant would show up, so there would be some excitement. But he didn't come. And Martin got to thinking.... He always felt that if any of the cousins could have come to realize the basic flaw in the elaborate plan they had concocted, it would have been Ives. However, when the yacht touched at Tierra del Fuego one bitter winter, Ives took a severe chill. They sent for a doctor from the future—one of the descendants who had been eccentric enough to take a medical degree—but he wasn't able to save Ives. The body was buried in the frozen ground at Ushuaia, on the southern tip of the continent, a hundred years or more before the date of his birth. A great many of the cousins turned up at the simple ceremony. All were dressed in overwhelming black and showed a great deal of grief. Raymond read the burial service, because they didn't dare summon a clerical cousin from the future; they were afraid he might prove rather stuffy about the entire undertaking. "He died for all of us," Raymond concluded his funeral eulogy over Ives, "so his death was not in vain." But Martin disagreed. The ceaseless voyaging began again. The Interregnum voyaged to every ocean and every sea. Some were blue and some green and some dun. After a while, Martin couldn't tell one from another. Cousin after cousin came to watch over him and eventually they were as hard for him to tell apart as the different oceans. All the cousins were young, for, though they came at different times in his life, they had all started out from the same time in theirs. Only the young ones had been included in the venture; they did not trust their elders. As the years went by, Martin began to lose even his detached interest in the land and its doings. Although the yacht frequently touched port for fuel or supplies—it was more economical to purchase them in that era than to have them shipped from the future—he seldom went ashore, and then only at the urging of a newly assigned cousin anxious to see the sights. Most of the time Martin spent in watching the sea—and sometimes he painted it. There seemed to be a depth to his seascapes that his other work lacked. When he was pressed by the current cousin to make a land visit somewhere, he decided to exhibit a few of his sea paintings. That way, he could fool himself into thinking that there was some purpose to this journey. He'd come to believe that perhaps what his life lacked was purpose, and for a while he kept looking for meaning everywhere, to the cousin's utter disgust. "Eat, drink and be merry, or whatever you Romans say when you do as you do," the cousin—who was rather woolly in history; the descendants were scraping bottom now—advised. Martin showed his work in Italy, so that the cousin could be disillusioned by the current crop of Romans. He found that neither purpose nor malice was enough; he was still immeasurably bored. However, a museum bought two of the paintings. Martin thought of Ives and felt an uncomfortable pang of a sensation he could no longer understand. "Where do you suppose Conrad has been all this time?" Martin idly asked the current cousin—who was passing as his nephew by now. The young man jumped, then glanced around him uncomfortably. "Conrad's a very shrewd fellow," he whispered. "He's biding his time—waiting until we're off guard. And then—pow!—he'll attack!" "Oh, I see," Martin said. He had often fancied that Conrad would prove to be the most stimulating member of the whole generation. But it seemed unlikely that he would ever have a chance for a conversation with the young man. More than one conversation, anyhow. "When he does show up, I'll protect you," the cousin vowed, touching his ray gun. "You haven't a thing to worry about." Martin smiled with all the charm he'd had nothing to do but acquire. "I have every confidence in you," he told his descendant. He himself had given up carrying a gun long ago. There was a war in the Northern Hemisphere and so The Interregnum voyaged to southern waters. There was a war in the south and they hid out in the Arctic. All the nations became too drained of power—fuel and man and will—to fight, so there was a sterile peace for a long time. The Interregnum roamed the seas restlessly, with her load of passengers from the future, plus one bored and aging contemporary. She bore big guns now, because of the ever-present danger of pirates.
train	51296	[ "The tone of the story, especially towards its end, is delivered very simplistically, in an almost child-like fashion. This is to show that the story", "What do the characters refer to as \"the world?\"", "The first time Rikud feels pain or discomfort is when", "What caused the ship to leave its planet initially?", "What is not a theme explored in this story?", "What has conditioning done to the characters?", "As the story reaches its climax, the antagonist is", "One of the main causes of trepidation as Riduk prepares to enter the garden is", "The characters experience many emotions for the first time during the events of this story. What emotion(s) push the characters through the door." ]	[ [ "is like a fable. It offers a moral to the story and teaches a truth about society.", "is like a fairy-tale because the characters go on a magical journey, but its main purpose as a story is to decieve.", "is like a ghost story. It frightens the reader by playing on the dark and supernatural.", "is like mythology because it is folklore that explains society's origins." ], [ "Their ship, which is all they have ever known.", "The men's quarters, which is all they have ever known.", "The planet they are preparing to plummet onto.", "They use it as a general term for the \"universe.\"" ], [ "the light he peered into was too bright, and his eyes hurt as a result.", "he tried to hit his head intentionally.", "he experienced hunger for the first time.", "he hits his head and bleeds for the first time." ], [ "There was a shortage of women, and the main characters were sent to find mates.", "The reason is never disclosed.", "The planet they were from ran out of viable resources.", "They are explorers who got lost, and their fate was to drift the universe." ], [ "Change is necessary and inevitable for survival.", "Fear is a powerful motivator.", "Perception can often be all-encompassing.", "Equality must be realized." ], [ "It has kept them in shape, both mentally and physically, and ready to face the struggles they encounter.", "Nothing. They were left to their own devices for so long that they abandoned any notion.", "It has made them fear one another. ", "It has become a way of life for them. Without the buzzer, their life as they know it ceases to exist." ], [ "Wilm, who appeared out of the blue.", "The garden, because it holds so many evils for the characters as they enter.", "Chuls, as it had been from the story's rising action.", "Crifer, the only person Rikud ever thought of as a companion." ], [ "nothing. Riduk is ready to go.", "is its vast endlessness.", "Riduk is fearful that his shipmates will want to go with him, and he wants the garden and its beauty for himself.", "that Riduk is fearful he will get caught and punished for attempting to leave." ], [ "Sadness", "Hatred and anger.", "Excitement and curiosity.", "Pure happiness." ] ]	[ 1, 1, 1, 2, 4, 4, 4, 2, 2 ]	[ 0, 0, 1, 1, 1, 0, 1, 0, 1 ]	The Sense of Wonder By MILTON LESSER Illustrated by HARRY ROSENBAUM [Transcriber's Note: This etext was produced from Galaxy Science Fiction September 1951. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] When nobody aboard ship remembers where it's going, how can they tell when it has arrived? Every day for a week now, Rikud had come to the viewport to watch the great changeless sweep of space. He could not quite explain the feelings within him; they were so alien, so unnatural. But ever since the engines somewhere in the rear of the world had changed their tone, from the steady whining Rikud had heard all twenty-five years of his life, to the sullen roar that came to his ears now, the feelings had grown. If anyone else had noticed the change, he failed to mention it. This disturbed Rikud, although he could not tell why. And, because he had realized this odd difference in himself, he kept it locked up inside him. Today, space looked somehow different. The stars—it was a meaningless concept to Rikud, but that was what everyone called the bright pinpoints of light on the black backdrop in the viewport—were not apparent in the speckled profusion Rikud had always known. Instead, there was more of the blackness, and one very bright star set apart by itself in the middle of the viewport. If he had understood the term, Rikud would have told himself this was odd. His head ached with the half-born thought. It was—it was—what was it? Someone was clomping up the companionway behind Rikud. He turned and greeted gray-haired old Chuls. "In five more years," the older man chided, "you'll be ready to sire children. And all you can do in the meantime is gaze out at the stars." Rikud knew he should be exercising now, or bathing in the rays of the health-lamps. It had never occurred to him that he didn't feel like it; he just didn't, without comprehending. Chuls' reminder fostered uneasiness. Often Rikud had dreamed of the time he would be thirty and a father. Whom would the Calculator select as his mate? The first time this idea had occurred to him, Rikud ignored it. But it came again, and each time it left him with a feeling he could not explain. Why should he think thoughts that no other man had? Why should he think he was thinking such thoughts, when it always embroiled him in a hopeless, infinite confusion that left him with a headache? Chuls said, "It is time for my bath in the health-rays. I saw you here and knew it was your time, too...." His voice trailed off. Rikud knew that something which he could not explain had entered the elder man's head for a moment, but it had departed almost before Chuls knew of its existence. "I'll go with you," Rikud told him. A hardly perceptible purple glow pervaded the air in the room of the health-rays. Perhaps two score men lay about, naked, under the ray tubes. Chuls stripped himself and selected the space under a vacant tube. Rikud, for his part, wanted to get back to the viewport and watch the one new bright star. He had the distinct notion it was growing larger every moment. He turned to go, but the door clicked shut and a metallic voice said. "Fifteen minutes under the tubes, please." Rikud muttered to himself and undressed. The world had begun to annoy him. Now why shouldn't a man be permitted to do what he wanted, when he wanted to do it? There was a strange thought, and Rikud's brain whirled once more down the tortuous course of half-formed questions and unsatisfactory answers. He had even wondered what it was like to get hurt. No one ever got hurt. Once, here in this same ray room, he had had the impulse to hurl himself head-first against the wall, just to see what would happen. But something soft had cushioned the impact—something which had come into being just for the moment and then abruptly passed into non-being again, something which was as impalpable as air. Rikud had been stopped in this action, although there was no real authority to stop him. This puzzled him, because somehow he felt that there should have been authority. A long time ago the reading machine in the library had told him of the elders—a meaningless term—who had governed the world. They told you to do something and you did it, but that was silly, because now no one told you to do anything. You only listened to the buzzer. And Rikud could remember the rest of what the reading machine had said. There had been a revolt—again a term without any real meaning, a term that could have no reality outside of the reading machine—and the elders were overthrown. Here Rikud had been lost utterly. The people had decided that they did not know where they were going, or why, and that it was unfair that the elders alone had this authority. They were born and they lived and they died as the elders directed, like little cogs in a great machine. Much of this Rikud could not understand, but he knew enough to realize that the reading machine had sided with the people against the elders, and it said the people had won. Now in the health room, Rikud felt a warmth in the rays. Grudgingly, he had to admit to himself that it was not unpleasant. He could see the look of easy contentment on Chuls' face as the rays fanned down upon him, bathing his old body in a forgotten magic which, many generations before Rikud's time, had negated the necessity for a knowledge of medicine. But when, in another ten years, Chuls would perish of old age, the rays would no longer suffice. Nothing would, for Chuls. Rikud often thought of his own death, still seventy-five years in the future, not without a sense of alarm. Yet old Chuls seemed heedless, with only a decade to go. Under the tube at Rikud's left lay Crifer. The man was short and heavy through the shoulders and chest, and he had a lame foot. Every time Rikud looked at that foot, it was with a sense of satisfaction. True, this was the only case of its kind, the exception to the rule, but it proved the world was not perfect. Rikud was guiltily glad when he saw Crifer limp. But, if anyone else saw it, he never said a word. Not even Crifer. Now Crifer said, "I've been reading again, Rikud." "Yes?" Almost no one read any more, and the library was heavy with the smell of dust. Reading represented initiative on the part of Crifer; it meant that, in the two unoccupied hours before sleep, he went to the library and listened to the reading machine. Everyone else simply sat about and talked. That was the custom. Everyone did it. But if he wasn't reading himself, Rikud usually went to sleep. All the people ever talked about was what they had done during the day, and it was always the same. "Yes," said Crifer. "I found a book about the stars. They're also called astronomy, I think." This was a new thought to Rikud, and he propped his head up on one elbow. "What did you find out?" "That's about all. They're just called astronomy, I think." "Well, where's the book?" Rikud would read it tomorrow. "I left it in the library. You can find several of them under 'astronomy,' with a cross-reference under 'stars.' They're synonymous terms." "You know," Rikud said, sitting up now, "the stars in the viewport are changing." "Changing?" Crifer questioned the fuzzy concept as much as he questioned what it might mean in this particular case. "Yes, there are less of them, and one is bigger and brighter than the others." "Astronomy says some stars are variable," Crifer offered, but Rikud knew his lame-footed companion understood the word no better than he did. Over on Rikud's right, Chuls began to dress. "Variability," he told them, "is a contradictory term. Nothing is variable. It can't be." "I'm only saying what I read in the book," Crifer protested mildly. "Well, it's wrong. Variability and change are two words without meaning." "People grow old," Rikud suggested. A buzzer signified that his fifteen minutes under the rays were up, and Chuls said, "It's almost time for me to eat." Rikud frowned. Chuls hadn't even seen the connection between the two concepts, yet it was so clear. Or was it? He had had it a moment ago, but now it faded, and change and old were just two words. His own buzzer sounded a moment later, and it was with a strange feeling of elation that he dressed and made his way back to the viewport. When he passed the door which led to the women's half of the world, however, he paused. He wanted to open that door and see a woman. He had been told about them and he had seen pictures, and he dimly remembered his childhood among women. But his feelings had changed; this was different. Again there were inexplicable feelings—strange channelings of Rikud's energy in new and confusing directions. He shrugged and reserved the thought for later. He wanted to see the stars again. The view had changed, and the strangeness of it made Rikud's pulses leap with excitement. All the stars were paler now than before, and where Rikud had seen the one bright central star, he now saw a globe of light, white with a tinge of blue in it, and so bright that it hurt his eyes to look. Yes, hurt! Rikud looked and looked until his eyes teared and he had to turn away. Here was an unknown factor which the perfect world failed to control. But how could a star change into a blinking blue-white globe—if, indeed, that was the star Rikud had seen earlier? There was that word change again. Didn't it have something to do with age? Rikud couldn't remember, and he suddenly wished he could read Crifer's book on astronomy, which meant the same as stars. Except that it was variable, which was like change, being tied up somehow with age. Presently Rikud became aware that his eyes were not tearing any longer, and he turned to look at the viewport. What he saw now was so new that he couldn't at first accept it. Instead, he blinked and rubbed his eyes, sure that the ball of blue-white fire somehow had damaged them. But the new view persisted. Of stars there were few, and of the blackness, almost nothing. Gone, too, was the burning globe. Something loomed there in the port, so huge that it spread out over almost the entire surface. Something big and round, all grays and greens and browns, and something for which Rikud had no name. A few moments more, and Rikud no longer could see the sphere. A section of it had expanded outward and assumed the rectangular shape of the viewport, and its size as well. It seemed neatly sheered down the middle, so that on one side Rikud saw an expanse of brown and green, and on the other, blue. Startled, Rikud leaped back. The sullen roar in the rear of the world had ceased abruptly. Instead an ominous silence, broken at regular intervals by a sharp booming. Change— "Won't you eat, Rikud?" Chuls called from somewhere down below. "Damn the man," Rikud thought. Then aloud: "Yes, I'll eat. Later." "It's time...." Chuls' voice trailed off again, impotently. But Rikud forgot the old man completely. A new idea occurred to him, and for a while he struggled with it. What he saw—what he had always seen, except that now there was the added factor of change—perhaps did not exist in the viewport. Maybe it existed through the viewport. That was maddening. Rikud turned again to the port, where he could see nothing but an obscuring cloud of white vapor, murky, swirling, more confusing than ever. "Chuls," he called, remembering, "come here." "I am here," said a voice at his elbow. Rikud whirled on the little figure and pointed to the swirling cloud of vapor. "What do you see?" Chuls looked. "The viewport, of course." "What else?" "Else? Nothing." Anger welled up inside Rikud. "All right," he said, "listen. What do you hear?" "Broom, brroom, brrroom!" Chuls imitated the intermittent blasting of the engines. "I'm hungry, Rikud." The old man turned and strode off down the corridor toward the dining room, and Rikud was glad to be alone once more. Now the vapor had departed, except for a few tenuous whisps. For a moment Rikud thought he could see the gardens rearward in the world. But that was silly. What were the gardens doing in the viewport? And besides, Rikud had the distinct feeling that here was something far vaster than the gardens, although all of it existed in the viewport which was no wider than the length of his body. The gardens, moreover, did not jump and dance before his eyes the way the viewport gardens did. Nor did they spin. Nor did the trees grow larger with every jolt. Rikud sat down hard. He blinked. The world had come to rest on the garden of the viewport. For a whole week that view did not change, and Rikud had come to accept it as fact. There—through the viewport and in it—was a garden. A garden larger than the entire world, a garden of plants which Rikud had never seen before, although he had always liked to stroll through the world's garden and he had come to know every plant well. Nevertheless, it was a garden. He told Chuls, but Chuls had responded, "It is the viewport." Crifer, on the other hand, wasn't so sure. "It looks like the garden," he admitted to Rikud. "But why should the garden be in the viewport?" Somehow, Rikud knew this question for a healthy sign. But he could not tell them of his most amazing thought of all. The change in the viewport could mean only one thing. The world had been walking—the word seemed all wrong to Rikud, but he could think of no other, unless it were running. The world had been walking somewhere. That somewhere was the garden and the world had arrived. "It is an old picture of the garden," Chuls suggested, "and the plants are different." "Then they've changed?" "No, merely different." "Well, what about the viewport? It changed. Where are the stars? Where are they, Chuls, if it did not change?" "The stars come out at night." "So there is a change from day to night!" "I didn't say that. The stars simply shine at night. Why should they shine during the day when the world wants them to shine only at night?" "Once they shone all the time." "Naturally," said Crifer, becoming interested. "They are variable." Rikud regretted that he never had had the chance to read that book on astronomy. He hadn't been reading too much lately. The voice of the reading machine had begun to bore him. He said, "Well, variable or not, our whole perspective has changed." And when Chuls looked away in disinterest, Rikud became angry. If only the man would realize! If only anyone would realize! It all seemed so obvious. If he, Rikud, walked from one part of the world to another, it was with a purpose—to eat, or to sleep, or perhaps to bathe in the health-rays. Now if the world had walked from—somewhere, through the vast star-speckled darkness and to the great garden outside, this also was purposeful. The world had arrived at the garden for a reason. But if everyone lived as if the world still stood in blackness, how could they find the nature of that purpose? "I will eat," Chuls said, breaking Rikud's revery. Damn the man, all he did was eat! Yet he did have initiative after a sort. He knew when to eat. Because he was hungry. And Rikud, too, was hungry. Differently. He had long wondered about the door in the back of the library, and now, as Crifer sat cross-legged on one of the dusty tables, reading machine and book on astronomy or stars in his lap, Rikud approached the door. "What's in here?" he demanded. "It's a door, I think," said Crifer. "I know, but what's beyond it?" "Beyond it? Oh, you mean through the door." "Yes." "Well," Crifer scratched his head, "I don't think anyone ever opened it. It's only a door." "I will," said Rikud. "You will what?" "Open it. Open the door and look inside." A long pause. Then, "Can you do it?" "I think so." "You can't, probably. How can anyone go where no one has been before? There's nothing. It just isn't. It's only a door, Rikud." "No—" Rikud began, but the words faded off into a sharp intake of breath. Rikud had turned the knob and pushed. The door opened silently, and Crifer said, "Doors are variable, too, I think." Rikud saw a small room, perhaps half a dozen paces across, at the other end of which was another door, just like the first. Halfway across, Rikud heard a voice not unlike that of the reading machine. He missed the beginning, but then: —therefore, permit no unauthorized persons to go through this door. The machinery in the next room is your protection against the rigors of space. A thousand years from now, journey's end, you may have discarded it for something better—who knows? But if you have not, then here is your protection. As nearly as possible, this ship is a perfect, self-sustaining world. It is more than that: it is human-sustaining as well. Try to hurt yourself and the ship will not permit it—within limits, of course. But you can damage the ship, and to avoid any possibility of that, no unauthorized persons are to be permitted through this door— Rikud gave the voice up as hopeless. There were too many confusing words. What in the world was an unauthorized person? More interesting than that, however, was the second door. Would it lead to another voice? Rikud hoped that it wouldn't. When he opened the door a strange new noise filled his ears, a gentle humming, punctuated by a throb-throb-throb which sounded not unlike the booming of the engines last week, except that this new sound didn't blast nearly so loudly against his eardrums. And what met Rikud's eyes—he blinked and looked again, but it was still there—cogs and gears and wheels and nameless things all strange and beautiful because they shone with a luster unfamiliar to him. "Odd," Rikud said aloud. Then he thought, "Now there's a good word, but no one quite seems to know its meaning." Odder still was the third door. Rikud suddenly thought there might exist an endless succession of them, especially when the third one opened on a bare tunnel which led to yet another door. Only this one was different. In it Rikud saw the viewport. But how? The viewport stood on the other end of the world. It did seem smaller, and, although it looked out on the garden, Rikud sensed that the topography was different. Then the garden extended even farther than he had thought. It was endless, extending all the way to a ridge of mounds way off in the distance. And this door one could walk through, into the garden. Rikud put his hand on the door, all the while watching the garden through the new viewport. He began to turn the handle. Then he trembled. What would he do out in the garden? He couldn't go alone. He'd die of the strangeness. It was a silly thought; no one ever died of anything until he was a hundred. Rikud couldn't fathom the rapid thumping of his heart. And Rikud's mouth felt dry; he wanted to swallow, but couldn't. Slowly, he took his hand off the door lever. He made his way back through the tunnel and then through the room of machinery and finally through the little room with the confusing voice to Crifer. By the time he reached the lame-footed man, Rikud was running. He did not dare once to look back. He stood shaking at Crifer's side, and sweat covered him in a clammy film. He never wanted to look at the garden again. Not when he knew there was a door through which he could walk and then might find himself in the garden. It was so big. Three or four days passed before Rikud calmed himself enough to talk about his experience. When he did, only Crifer seemed at all interested, yet the lame-footed man's mind was inadequate to cope with the situation. He suggested that the viewport might also be variable and Rikud found himself wishing that his friend had never read that book on astronomy. Chuls did not believe Rikud at all. "There are not that many doors in the world," he said. "The library has a door and there is a door to the women's quarters; in five years, the Calculator will send you through that. But there are no others." Chuls smiled an indulgent smile and Rikud came nearer to him. "Now, by the world, there are two other doors!" Rikud began to shout, and everyone looked at him queerly. "What are you doing that for?" demanded Wilm, who was shorter even than Crifer, but had no lame foot. "Doing what?" "Speaking so loudly when Chuls, who is close, obviously has no trouble hearing you." "Maybe yelling will make him understand." Crifer hobbled about on his good foot, doing a meaningless little jig. "Why don't we go see?" he suggested. Then, confused, he frowned. "Well, I won't go," Chuls replied. "There's no reason to go. If Rikud has been imagining things, why should I?" "I imagined nothing. I'll show you—" "You'll show me nothing because I won't go." Rikud grabbed Chuls' blouse with his big fist. Then, startled by what he did, his hands began to tremble. But he held on, and he tugged at the blouse. "Stop that," said the older man, mildly. Crifer hopped up and down. "Look what Rikud's doing! I don't know what he's doing, but look. He's holding Chuls' blouse." "Stop that," repeated Chuls, his face reddening. "Only if you'll go with me." Rikud was panting. Chuls tugged at his wrist. By this time a crowd had gathered. Some of them watched Crifer jump up and down, but most of them watched Rikud holding Chuls' blouse. "I think I can do that," declared Wilm, clutching a fistful of Crifer's shirt. Presently, the members of the crowd had pretty well paired off, each partner grabbing for his companion's blouse. They giggled and laughed and some began to hop up and down as Crifer had done. A buzzer sounded and automatically Rikud found himself releasing Chuls. Chuls said, forgetting the incident completely, "Time to retire." In a moment, the room was cleared. Rikud stood alone. He cleared his throat and listened to the sound, all by itself in the stillness. What would have happened if they hadn't retired? But they always did things punctually like that, whenever the buzzer sounded. They ate with the buzzer, bathed in the health-rays with it, slept with it. What would they do if the buzzer stopped buzzing? This frightened Rikud, although he didn't know why. He'd like it, though. Maybe then he could take them outside with him to the big garden of the two viewports. And then he wouldn't be afraid because he could huddle close to them and he wouldn't be alone. Rikud heard the throbbing again as he stood in the room of the machinery. For a long time he watched the wheels and cogs and gears spinning and humming. He watched for he knew not how long. And then he began to wonder. If he destroyed the wheels and the cogs and the gears, would the buzzer stop? It probably would, because, as Rikud saw it, he was clearly an "unauthorized person." He had heard the voice again upon entering the room. He found a metal rod, bright and shiny, three feet long and half as wide as his arm. He tugged at it and it came loose from the wires that held it in place. He hefted it carefully for a moment, and then he swung the bar into the mass of metal. Each time he heard a grinding, crashing sound. He looked as the gears and cogs and wheels crumbled under his blows, shattered by the strength of his arm. Almost casually he strode about the room, but his blows were not casual. Soon his easy strides had given way to frenzied running. Rikud smashed everything in sight. When the lights winked out, he stopped. Anyway, by that time the room was a shambles of twisted, broken metal. He laughed, softly at first, but presently he was roaring, and the sound doubled and redoubled in his ears because now the throbbing had stopped. He opened the door and ran through the little corridor to the smaller viewport. Outside he could see the stars, and, dimly, the terrain beneath them. But everything was so dark that only the stars shone clearly. All else was bathed in a shadow of unreality. Rikud never wanted to do anything more than he wanted to open that door. But his hands trembled too much when he touched it, and once, when he pressed his face close against the viewport, there in the darkness, something bright flashed briefly through the sky and was gone. Whimpering, he fled. All around Rikud were darkness and hunger and thirst. The buzzer did not sound because Rikud had silenced it forever. And no one went to eat or drink. Rikud himself had fumbled through the blackness and the whimpering to the dining room, his tongue dry and swollen, but the smooth belt that flowed with water and with savory dishes did not run any more. The machinery, Rikud realized, also was responsible for food. Chuls said, over and over, "I'm hungry." "We will eat and we will drink when the buzzer tells us," Wilm replied confidently. "It won't any more," Rikud said. "What won't?" "The buzzer will never sound again. I broke it." Crifer growled. "I know. You shouldn't have done it. That was a bad thing you did, Rikud." "It was not bad. The world has moved through the blackness and the stars and now we should go outside to live in the big garden there beyond the viewport." "That's ridiculous," Chuls said. Even Crifer now was angry at Rikud. "He broke the buzzer and no one can eat. I hate Rikud, I think." There was a lot of noise in the darkness, and someone else said, "I hate Rikud." Then everyone was saying it. Rikud was sad. Soon he would die, because no one would go outside with him and he could not go outside alone. In five more years he would have had a woman, too. He wondered if it was dark and hungry in the women's quarters. Did women eat? Perhaps they ate plants. Once, in the garden, Rikud had broken off a frond and tasted it. It had been bitter, but not unpleasant. Maybe the plants in the viewport would even be better. "We will not be hungry if we go outside," he said. "We can eat there." "We can eat if the buzzer sounds, but it is broken," Chuls said dully. Crifer shrilled, "Maybe it is only variable and will buzz again." "No," Rikud assured him. "It won't." "Then you broke it and I hate you," said Crifer. "We should break you, too, to show you how it is to be broken." "We must go outside—through the viewport." Rikud listened to the odd gurgling sound his stomach made. A hand reached out in the darkness and grabbed at his head. He heard Crifer's voice. "I have Rikud's head." The voice was nasty, hostile. Crifer, more than anyone, had been his friend. But now that he had broken the machinery, Crifer was his enemy, because Crifer came nearer to understanding the situation than anyone except Rikud. The hand reached out again, and it struck Rikud hard across the face. "I hit him! I hit him!" Other hands reached out, and Rikud stumbled. He fell and then someone was on top of him, and he struggled. He rolled and was up again, and he did not like the sound of the angry voices. Someone said, "Let us do to Rikud what he said he did to the machinery." Rikud ran. In the darkness, his feet prodded many bodies. There were those who were too weak to rise. Rikud, too, felt a strange light-headedness and a gnawing hurt in his stomach. But it didn't matter. He heard the angry voices and the feet pounding behind him, and he wanted only to get away. It was dark and he was hungry and everyone who was strong enough to run was chasing him, but every time he thought of the garden outside, and how big it was, the darkness and the hunger and the people chasing him were unimportant. It was so big that it would swallow him up completely and positively. He became sickly giddy thinking about it. But if he didn't open the door and go into the garden outside, he would die because he had no food and no water and his stomach gurgled and grumbled and hurt. And everyone was chasing him. He stumbled through the darkness and felt his way back to the library, through the inner door and into the room with the voice—but the voice didn't speak this time—through its door and into the place of machinery. Behind him, he could hear the voices at the first door, and he thought for a moment that no one would come after him. But he heard Crifer yell something, and then feet pounding in the passage. Rikud tripped over something and sprawled awkwardly across the floor. He felt a sharp hurt in his head, and when he reached up to touch it with his hands there in the darkness, his fingers came away wet. He got up slowly and opened the next door. The voices behind him were closer now. Light streamed in through the viewport. After the darkness, it frightened Rikud and it made his eyes smart, and he could hear those behind him retreating to a safe distance. But their voices were not far away, and he knew they would come after him because they wanted to break him. Rikud looked out upon the garden and he trembled. Out there was life. The garden stretched off in unthinkable immensity to the cluster of low mounds against the bright blue which roofed the many plants. If plants could live out there as they did within the world, then so could people. Rikud and his people should . This was why the world had moved across the darkness and the stars for all Rikud's lifetime and more. But he was afraid. He reached up and grasped the handle of the door and he saw that his fingers were red with the wetness which had come from his hurt head. Slowly he slipped to the cool floor—how his head was burning!—and for a long time he lay there, thinking he would never rise again. Inside he heard the voices again, and soon a foot and then another pounded on the metal of the passage. He heard Crifer's voice louder than the rest: "There is Rikud on the floor!" Tugging at the handle of the door, Rikud pulled himself upright. Something small and brown scurried across the other side of the viewport and Rikud imagined it turned to look at him with two hideous red eyes. Rikud screamed and hurtled back through the corridor, and his face was so terrible in the light streaming in through the viewport that everyone fled before him. He stumbled again in the place of the machinery, and down on his hands and knees he fondled the bits of metal which he could see in the dim light through the open door. "Where's the buzzer?" he sobbed. "I must find the buzzer." Crifer's voice, from the darkness inside, said, "You broke it. You broke it. And now we will break you—" Rikud got up and ran. He reached the door again and then he slipped down against it, exhausted. Behind him, the voices and the footsteps came, and soon he saw Crifer's head peer in through the passageway. Then there were others, and then they were walking toward him. His head whirled and the viewport seemed to swim in a haze. Could it be variable, as Crifer had suggested? He wondered if the scurrying brown thing waited somewhere, and nausea struck at the pit of his stomach. But if the plants could live out there and the scurrying thing could live and that was why the world had moved through the blackness, then so could he live out there, and Crifer and all the others.... So tightly did he grip the handle that his fingers began to hurt. And his heart pounded hard and he felt the pulses leaping on either side of his neck. He stared out into the garden, and off into the distance, where the blue-white globe which might have been a star stood just above the row of mounds. Crifer was tugging at him, trying to pull him away from the door, and someone was grabbing at his legs, trying to make him fall. He kicked out and the hands let go, and then he turned the handle and shoved the weight of his body with all his strength against the door. It opened and he stepped outside into the warmth. The air was fresh, fresher than any air Rikud had ever breathed. He walked around aimlessly, touching the plants and bending down to feel the floor, and sometimes he looked at the blue-white globe on the horizon. It was all very beautiful. Near the ship, water that did not come from a machine gurgled across the land, and Rikud lay down and drank. It was cool and good, and when he got up, Crifer and Wilm were outside the world, and some of the others followed. They stood around for a long time before going to the water to drink. Rikud sat down and tore off a piece of a plant, munching on it. It was good. Crifer picked his head up, from the water, his chin wet. "Even feelings are variable. I don't hate you now, Rikud." Rikud smiled, staring at the ship. "People are variable, too, Crifer. That is, if those creatures coming from the ship are people." "They're women," said Crifer. They were strangely shaped in some ways, and yet in others completely human, and their voices were high, like singing. Rikud found them oddly exciting. He liked them. He liked the garden, for all its hugeness. With so many people, and especially now with women, he was not afraid. It was much better than the small world of machinery, buzzer, frightening doors and women by appointment only. Rikud felt at home.
train	51203	[ "Why did Ben fear the Venusians?", "Why was Ben in search of the man with the red beard?", "What did the dead man compare the Spacemen to in disgust?", "How long ago had it been since Ben had first encountered the dead man?", "From the passage, at what age can we determine that Ben decide that his future would involve being a Spaceman?", "Where was the rumored headquarters for the group of renegade spacemen?", "How long did Maggie care for Ben before he finally awoke after rescuing him?", "What caused Ben to physically assault Cobb?", "Why did Maggie decide to save Ben?", "Why did Maggie not travel with her husband, Jacob, while on his missions?" ]	[ [ "They stood eerily motionless. ", "He had heard they were telepaths.", "They stood silent and unblinking in a eerie manner. ", "They were large and scaly and resembled toads." ], [ "He was hoping to order a drink. ", "He was able to take him back to Mars.", "He would be able to get away from the Martians playing sad music. ", "He would then be able to escape the dead man. " ], [ "Bees", "Garbage", "Maggots", "Flies" ], [ "3 weeks", "1 month ", "3 months", "1 week" ], [ "5", "25", "10", "16" ], [ "Venus", "Mars", "Earth", "exiled in the Solar System " ], [ "Nine days ", "Three days", "Nineteen days. ", "Six days" ], [ "Cobb physically assaulted Ben first. ", "Cobb's vocal disgust for spacemen. ", "Ben was trying to prove a point about his masculinity. ", "He thought he was someone else. " ], [ "She felt sorry for him, knowing he hadn't meant to kill Cobb.", "She knew her husband needed an astrogator.", "She was also on the run and needed a companion. ", "She was pressured by the others. " ], [ "Jacob didn't think women should be in unexplored space. ", "She feared space exploration. ", "She was to be searching for an astrogator. ", "Maggie didn't think women should be in unexplored space. " ] ]	[ 2, 4, 4, 4, 1, 1, 1, 2, 2, 1 ]	[ 0, 0, 0, 0, 1, 0, 0, 1, 0, 1 ]	A Coffin for Jacob By EDWARD W. LUDWIG Illustrated by EMSH [Transcriber's Note: This etext was produced from Galaxy Science Fiction May 1956. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] With never a moment to rest, the pursuit through space felt like a game of hounds and hares ... or was it follow the leader? Ben Curtis eased his pale, gaunt body through the open doorway of the Blast Inn, the dead man following silently behind him. His fear-borne gaze traveled into the dimly illumined Venusian gin mill. The place was like an evil caldron steaming with a brew whose ingredients had been culled from the back corners of three planets. Most of the big room lay obscured behind a shimmering veil of tobacco smoke and the sweet, heavy fumes of Martian Devil's Egg. Here and there, Ben saw moving figures. He could not tell if they were Earthmen, Martians or Venusians. Someone tugged at his greasy coat. He jumped, thinking absurdly that it was the dead man's hand. " Coma esta, senor? " a small voice piped. " Speken die Deutsch? Desirez-vous d'amour? Da? Nyet? " Ben looked down. The speaker was an eager-eyed Martian boy of about ten. He was like a red-skinned marionette with pipestem arms and legs, clad in a torn skivvy shirt and faded blue dungarees. "I'm American," Ben muttered. "Ah, buena ! I speak English tres fine, senor . I have Martian friend, she tres pretty and tres fat. She weigh almost eighty pounds, monsieur . I take you to her, si ?" Ben shook his head. He thought, I don't want your Martian wench. I don't want your opium or your Devil's Egg or your Venusian kali. But if you had a drug that'd bring a dead man to life, I'd buy and pay with my soul. "It is deal, monsieur ? Five dollars or twenty keelis for visit Martian friend. Maybe you like House of Dreams. For House of Dreams—" "I'm not buying." The dirty-faced kid shrugged. "Then I show you to good table,— tres bien . I do not charge you, senor ." The boy grabbed his hand. Because Ben could think of no reason for resisting, he followed. They plunged into shifting layers of smoke and through the drone of alcohol-cracked voices. They passed the bar with its line of lean-featured, slit-eyed Earthmen—merchant spacemen. They wormed down a narrow aisle flanked by booths carved from Venusian marble that jutted up into the semi-darkness like fog-blanketed tombstones. Several times, Ben glimpsed the bulky figures of CO 2 -breathing Venusians, the first he'd ever seen. They were smoky gray, scaly, naked giants, toads in human shape. They stood solitary and motionless, aloof, their green-lidded eyes unblinking. They certainly didn't look like telepaths, as Ben had heard they were, but the thought sent a fresh rivulet of fear down his spine. Once he spied a white-uniformed officer of Hoover City's Security Police. The man was striding down an aisle, idly tapping his neuro-club against the stone booths. Keep walking , Ben told himself. You look the same as anyone else here. Keep walking. Look straight ahead. The officer passed. Ben breathed easier. "Here we are, monsieur ," piped the Martian boy. "A tres fine table. Close in the shadows." Ben winced. How did this kid know he wanted to sit in the shadows? Frowning, he sat down—he and the dead man. He listened to the lonely rhythms of the four-piece Martian orchestra. The Martians were fragile, doll-like creatures with heads too large for their spindly bodies. Their long fingers played upon the strings of their cirillas or crawled over the holes of their flutes like spider legs. Their tune was sad. Even when they played an Earth tune, it still seemed a song of old Mars, charged with echoes of lost voices and forgotten grandeur. For an instant, Ben's mind rose above the haunting vision of the dead man. He thought, What are they doing here, these Martians? Here, in a smoke-filled room under a metalite dome on a dust-covered world? Couldn't they have played their music on Mars? Or had they, like me, felt the challenge of new worlds? He sobered. It didn't matter. He ordered a whiskey from a Chinese waiter. He wet his lips but did not drink. His gaze wandered over the faces of the Inn's other occupants. You've got to find him , he thought. You've got to find the man with the red beard. It's the only way you can escape the dead man. The dead man was real. His name was Cobb. He was stout and flabby and about forty and he hated spacemen. His body was buried now—probably in the silent gray wastes outside Luna City. But he'd become a kind of invisible Siamese twin, as much a part of Ben as sight in his eyes. Sometimes the image would be shuffling drunkenly beside him, its lips spitting whiskey-slurred curses. Again, its face would be a pop-eyed mask of surprise as Ben's fist thudded into its jaw. More often, the face would be frozen in the whiteness of death. The large eyes would stare. Blood would trickle from a corner of the gaping mouth. You can forget a living man. You can defeat him or submit to him or ignore him, and the matter is over and done. You can't escape from a memory that has burned into your mind. It had begun a week ago in Luna City. The flight from White Sands had been successful. Ben, quietly and moderately, wanted to celebrate. He stopped alone in a rocketfront bar for a beer. The man named Cobb plopped his portly and unsteady posterior on the stool next to him. "Spacemen," he muttered, "are getting like flies. Everywhere, all you see's spacemen." He was a neatly dressed civilian. Ben smiled. "If it weren't for spacemen, you wouldn't be here." "The name's Cobb." The man hiccoughed. "Spacemen in their white monkey suits. They think they're little tin gods. Betcha you think you're a little tin god." He downed a shot of whiskey. Ben stiffened. He was twenty-four and dressed in the white, crimson-braided uniform of the Odyssey's junior astrogation officer. He was three months out of the Academy at White Sands and the shining uniform was like a key to all the mysteries of the Universe. He'd sought long for that key. At the age of five—perhaps in order to dull the memory of his parents' death in a recent strato-jet crash—he'd spent hours watching the night sky for streaking flame-tails of Moon rockets. At ten, he'd ground his first telescope. At fourteen, he'd converted an abandoned shed on the government boarding-school grounds to a retreat which housed his collection of astronomy and rocketry books. At sixteen, he'd spent every weekend holiday hitchhiking from Boys Town No. 5 in the Catskills to Long Island Spaceport. There, among the grizzled veterans of the old Moon Patrol, he'd found friends who understood his dream and who later recommended his appointment to the U. S. Academy for the Conquest of Space. And a month ago, he'd signed aboard the Odyssey —the first ship, it was rumored, equipped to venture as far as the asteroids and perhaps beyond. Cobb was persistent: "Damn fools shoulda known enough to stay on Earth. What the hell good is it, jumpin' from planet to planet?" The guy's drunk , Ben thought. He took his drink and moved three stools down the bar. Cobb followed. "You don't like the truth, eh, kid? You don't like people to call you a sucker." Ben rose and started to leave the bar, but Cobb grabbed his arm and held him there. "Thas what you are—a sucker. You're young now. Wait ten years. You'll be dyin' of radiation rot or a meteor'll get you. Wait and see, sucker!" Until this instant, Ben had suppressed his anger. Now, suddenly and without warning, it welled up into savage fury. His fist struck the man on the chin. Cobb's eyes gaped in shocked horror. He spun backward. His head cracked sickeningly on the edge of the bar. The sound was like a punctuation mark signaling the end of life. He sank to the floor, eyes glassy, blood tricking down his jaw. Ben knew that he was dead. Then, for a single absurd second, Ben was seized with terror—just as, a moment before, he'd been overwhelmed with anger. He ran. For some twenty minutes, he raced through a dizzying, nightmare world of dark rocketfront alleys and shouting voices and pursuing feet. At last, abruptly, he realized that he was alone and in silence. He saw that he was still on the rocketfront, but in the Tycho-ward side of the city. He huddled in a dark corner of a loading platform and lit a cigarette. A thousand stars—a thousand motionless balls of silver fire—shone above him through Luna City's transparent dome. He was sorry he'd hit Cobb, of course. He was not sorry he'd run. Escaping at least gave him a power of choice, of decision. You can do two things , he thought. You can give yourself up, and that's what a good officer would do. That would eliminate the escape charge. You'd get off with voluntary manslaughter. Under interplanetary law, that would mean ten years in prison and a dishonorable discharge. And then you'd be free. But you'd be through with rockets and space. They don't want new men over thirty-four for officers on rockets or even for third-class jet-men on beat-up freighters—they don't want convicted killers. You'd get the rest of the thrill of conquering space through video and by peeking through electric fences of spaceports. Or— There were old wives' tales of a group of renegade spacemen who operated from the Solar System's frontiers. The spacemen weren't outlaws. They were misfits, rejectees from the clearing houses on Earth. And whereas no legally recognized ship had ventured past Mars, the souped-up renegade rigs had supposedly hit the asteroids. Their headquarters was Venus. Their leader—a subject of popular and fantastic conjecture in the men's audiozines—was rumored to be a red-bearded giant. So , Ben reflected, you can take a beer-and-pretzels tale seriously. You can hide for a couple of days, get rid of your uniform, change your name. You can wait for a chance to get to Venus. To hell with your duty. You can try to stay in space, even if you exile yourself from Earth. After all, was it right for a single second, a single insignificant second, to destroy a man's life and his dream? He was lucky. He found a tramp freighter whose skipper was on his last flight before retirement. Discipline was lax, investigation of new personnel even more so. Ben Curtis made it to Venus. There was just one flaw in his decision. He hadn't realized that the memory of the dead man's face would haunt him, torment him, follow him as constantly as breath flowed into his lungs. But might not the rumble of atomic engines drown the murmuring dead voice? Might not the vision of alien worlds and infinite spaceways obscure the dead face? So now he sat searching for a perhaps nonexistent red-bearded giant, and hoping and doubting and fearing, all at once. "You look for someone, senor ?" He jumped. "Oh. You still here?" " Oui. " The Martian kid grinned, his mouth full of purple teeth. "I keep you company on your first night in Hoover City, n'est-ce-pas ?" "This isn't my first night here," Ben lied. "I've been around a while." "You are spacemen?" Ben threw a fifty-cent credit piece on the table. "Here. Take off, will you?" Spiderlike fingers swept down upon the coin. " Ich danke, senor. You know why city is called Hoover City?" Ben didn't answer. "They say it is because after women come, they want first thing a thousand vacuum cleaners for dust. What is vacuum cleaner, monsieur ?" Ben raised his hand as if to strike the boy. " Ai-yee , I go. You keep listen to good Martian music." The toothpick of a body melted into the semi-darkness. Minutes passed. There were two more whiskeys. A ceaseless parade of faces broke through the smoky veil that enclosed him—reddish balloon faces, scaly reptilian faces, white-skinned, slit-eyed faces, and occasionally a white, rouged, powdered face. But nowhere was there a face with a red beard. A sense of hopelessness gripped Ben Curtis. Hoover City was but one of a dozen cities of Venus. Each had twenty dives such as this. He needed help. But his picture must have been 'scoped to Venusian visiscreens. A reward must have been offered for his capture. Whom could he trust? The Martian kid, perhaps? Far down the darkened aisle nearest him, his eyes caught a flash of white. He tensed. Like the uniform of a Security Policeman, he thought. His gaze shifted to another aisle and another hint of whiteness. And then he saw another and another and another. Each whiteness became brighter and closer, like shrinking spokes of a wheel with Ben as their focal point. You idiot! The damned Martian kid! You should have known! Light showered the room in a dazzling explosion. Ben, half blinded, realized that a broad circle of unshaded globes in the ceiling had been turned on. The light washed away the room's strangeness and its air of brooding wickedness, revealing drab concrete walls and a debris-strewn floor. Eyes blinked and squinted. There were swift, frightened movements and a chorus of angry murmurs. The patrons of the Blast Inn were like tatter-clad occupants of a house whose walls have been ripped away. Ben Curtis twisted his lean body erect. His chair tumbled backward, falling. The white-clad men charged, neuro-clubs upraised. A woman screamed. The music ceased. The Martian orchestra slunk with feline stealth to a rear exit. Only the giant Venusians remained undisturbed. They stood unmoving, their staring eyes shifting lazily in Ben's direction. "Curtis!" one of the policemen yelled. "You're covered! Hold it!" Ben whirled away from the advancing police, made for the exit into which the musicians had disappeared. A hissing sound traveled past his left ear, a sound like compressed air escaping from a container. A dime-sized section of the concrete wall ahead of him crumbled. He stumbled forward. They were using deadly neuro-pistols now, not the mildly stunning neuro-clubs. Another hiss passed his cheek. He was about twelve feet from the exit. Another second , his brain screamed. Just another second— Or would the exits be guarded? He heard the hiss. It hit directly in the small of his back. There was no pain, just a slight pricking sensation, like the shallow jab of a needle. He froze as if yanked to a stop by a noose. His body seemed to be growing, swelling into balloon proportions. He knew that the tiny needle had imbedded itself deep in his flesh, knew that the paralyzing mortocain was spreading like icy fire into every fiber and muscle of his body. He staggered like a man of stone moving in slow motion. He'd have fifteen—maybe twenty—seconds before complete lethargy of mind and body overpowered him. In the dark world beyond his fading consciousness, he heard a voice yell, "Turn on the damn lights!" Then a pressure and a coldness were on his left hand. He realized that someone had seized it. A soft feminine voice spoke to him. "You're wounded? They hit you?" "Yes." His thick lips wouldn't let go of the word. "You want to escape—even now?" "Yes." "You may die if you don't give yourself up." "No, no." He tried to stumble toward the exit. "All right then. Not that way. Here, this way." Heavy footsteps thudded toward them. A few yards away, a flashlight flicked on. Hands were guiding him. He was aware of being pushed and pulled. A door closed behind him. The glare of the flashlight faded from his vision—if he still had vision. "You're sure?" the voice persisted. "I'm sure," Ben managed to say. "I have no antidote. You may die." His mind fought to comprehend. With the anti-paralysis injection, massage and rest, a man could recover from the effects of mortocain within half a day. Without treatment, the paralysis could spread to heart and lungs. It could become a paralysis of death. An effective weapon: the slightest wound compelled the average criminal to surrender at once. "Anti ... anti ..." The words were as heavy as blobs of mercury forced from his throat. "No ... I'm sure ... sure." He didn't hear the answer or anything else. Ben Curtis had no precise sensation of awakening. Return to consciousness was an intangible evolution from a world of black nothingness to a dream-like state of awareness. He felt the pressure of hands on his naked arms and shoulders, hands that massaged, manipulated, fought to restore circulation and sensitivity. He knew they were strong hands. Their strength seemed to transfer itself to his own body. For a long time, he tried to open his eyes. His lids felt welded shut. But after a while, they opened. His world of darkness gave way to a translucent cloak of mist. A round, featureless shape hovered constantly above him—a face, he supposed. He tried to talk. Although his lips moved slightly, the only sound was a deep, staccato grunting. But he heard someone say, "Don't try to talk." It was the same gentle voice he'd heard in the Blast Inn. "Don't talk. Just lie still and rest. Everything'll be all right." Everything all right , he thought dimly. There were long periods of lethargy when he was aware of nothing. There were periods of light and of darkness. Gradually he grew aware of things. He realized that the soft rubber mouth of a spaceman's oxygen mask was clamped over his nose. He felt the heat of electric blankets swathed about his body. Occasionally a tube would be in his mouth and he would taste liquid food and feel a pleasant warmth in his stomach. Always, it seemed, the face was above him, floating in the obscuring mist. Always, it seemed, the soft voice was echoing in his ears: "Swallow this now. That's it. You must have food." Or, "Close your eyes. Don't strain. It won't be long. You're getting better." Better , he'd think. Getting better.... At last, after one of the periods of lethargy, his eyes opened. The mist brightened, then dissolved. He beheld the cracked, unpainted ceiling of a small room, its colorless walls broken with a single, round window. He saw the footboard of his aluminite bed and the outlines of his feet beneath a faded blanket. Finally he saw the face and figure that stood at his side. "You are better?" the kind voice asked. The face was that of a girl probably somewhere between twenty-five and thirty. Her features, devoid of makeup, had an unhealthy-looking pallor, as if she hadn't used a sunlamp for many weeks. Yet, at the same time, her firm slim body suggested a solidity and a strength. Her straight brown hair was combed backward, tight upon her scalp, and drawn together in a knot at the nape of her neck. "I—I am better," he murmured. His words were still slow and thick. "I am going to live?" "You will live." He thought for a moment. "How long have I been here?" "Nine days." "You took care of me?" He noted the deep, dark circles beneath her sleep-robbed eyes. She nodded. "You're the one who carried me when I was shot?" "Yes." "Why?" Suddenly he began to cough. Breath came hard. She held the oxygen mask in readiness. He shook his head, not wanting it. "Why?" he asked again. "It would be a long story. Perhaps I'll tell you tomorrow." A new thought, cloaked in sudden fear, entered his murky consciousness. "Tell me, will—will I be well again? Will I be able to walk?" He lay back then, panting, exhausted. "You have nothing to worry about," the girl said softly. Her cool hand touched his hot forehead. "Rest. We'll talk later." His eyes closed and breath came easier. He slept. When he next awoke, his gaze turned first to the window. There was light outside, but he had no way of knowing if this was morning, noon or afternoon—or on what planet. He saw no white-domed buildings of Hoover City, no formal lines of green-treed parks, no streams of buzzing gyro-cars. There was only a translucent and infinite whiteness. It was as if the window were set on the edge of the Universe overlooking a solemn, silent and matterless void. The girl entered the room. "Hi," she said, smiling. The dark half-moons under her eyes were less prominent. Her face was relaxed. She increased the pressure in his rubberex pillows and helped him rise to a sitting position. "Where are we?" he asked. "Venus." "We're not in Hoover City?" "No." He looked at her, wondering. "You won't tell me?" "Not yet. Later, perhaps." "Then how did you get me here? How did we escape from the Inn?" She shrugged. "We have friends who can be bribed. A hiding place in the city, the use of a small desert-taxi, a pass to leave the city—these can be had for a price." "You'll tell me your name?" "Maggie." "Why did you save me?" Her eyes twinkled mischievously. "Because you're a good astrogator." His own eyes widened. "How did you know that?" She sat on a plain chair beside his bed. "I know everything about you, Lieutenant Curtis." "How did you learn my name? I destroyed all my papers—" "I know that you're twenty-four. Born July 10, 1971. Orphaned at four, you attended Boys Town in the Catskills till you were 19. You graduated from the Academy at White Sands last June with a major in Astrogation. Your rating for the five-year period was 3.8—the second highest in a class of fifty-seven. Your only low mark in the five years was a 3.2 in History of Martian Civilization. Want me to go on?" Fascinated, Ben nodded. "You were accepted as junior astrogation officer aboard the Odyssey . You did well on your flight from Roswell to Luna City. In a barroom fight in Luna City, you struck and killed a man named Arthur Cobb, a pre-fab salesman. You've been charged with second degree murder and escape. A reward of 5,000 credits has been offered for your capture. You came to Hoover City in the hope of finding a renegade group of spacemen who operate beyond Mars. You were looking for them in the Blast Inn." He gaped incredulously, struggling to rise from his pillows. "I—don't get it." "There are ways of finding out what we want to know. As I told you, we have many friends." He fell back into his pillows, breathing hard. She rose quickly. "I'm sorry," she said. "I shouldn't have told you yet. I felt so happy because you're alive. Rest now. We'll talk again soon." "Maggie, you—you said I'd live. You didn't say I'd be able to walk again." She lowered her gaze. "I hope you'll be able to." "But you don't think I will, do you?" "I don't know. We'll try walking tomorrow. Don't think about it now. Rest." He tried to relax, but his mind was a vortex of conjecture. "Just one more question," he almost whispered. "Yes?" "The man I killed—did he have a wife?" She hesitated. He thought, Damn it, of all the questions, why did I ask that? Finally she said, "He had a wife." "Children?" "Two. I don't know their ages." She left the room. He sank into the softness of his bed. As he turned over on his side, his gaze fell upon an object on a bureau in a far corner of the room. He sat straight up, his chest heaving. The object was a tri-dimensional photo of a rock-faced man in a merchant spaceman's uniform. He was a giant of a man with a neatly trimmed red beard ! Ben stared at the photo for a long time. At length, he slipped into restless sleep. Images of faces and echoes of words spun through his brain. The dead man returned to him. Bloodied lips cursed at him. Glassy eyes accused him. Somewhere were two lost children crying in the night. And towering above him was a red-bearded man whose great hands reached down and beckoned to him. Ben crawled through the night on hands and knees, his legs numb and useless. The crying of the children was a chilling wail in his ears. His head rose and turned to the red-bearded man. His pleading voice screamed out to him in a thick, harsh cackle. Yet even as he screamed, the giant disappeared, to be replaced by white-booted feet stomping relentlessly toward him. He awoke still screaming.... A night without darkness passed. Ben lay waiting for Maggie's return, a question already formed in his mind. She came and at once he asked, "Who is the man with the red beard?" She smiled. "I was right then when I gave you that thumbnail biog. You were looking for him, weren't you?" "Who is he?" She sat on the chair beside him. "My husband," she said softly. He began to understand. "And your husband needs an astrogator? That's why you saved me?" "We need all the good men we can get." "Where is he?" She cocked her head in mock suspicion. "Somewhere between Mercury and Pluto. He's building a new base for us—and a home for me. When his ship returns, I'll be going to him." "Why aren't you with him now?" "He said unexplored space is no place for a woman. So I've been studying criminal reports and photos from the Interplanetary Bureau of Investigation and trying to find recruits like yourself. You know how we operate?" He told her the tales he'd heard. She nodded. "There are quite a few of us now—about a thousand—and a dozen ships. Our base used to be here on Venus, down toward the Pole. The dome we're in now was designed and built by us a few years ago after we got pushed off Mars. We lost a few men in the construction, but with almost every advance in space, someone dies." "Venus is getting too civilized. We're moving out and this dome is only a temporary base when we have cases like yours. The new base—I might as well tell you it's going to be an asteroid. I won't say which one." "Don't get the idea that we're outlaws. Sure, about half our group is wanted by the Bureau, but we make honest livings. We're just people like yourself and Jacob." "Jacob? Your husband?" She laughed. "Makes you think of a Biblical character, doesn't it? Jacob's anything but that. And just plain 'Jake' reminds one of a grizzled old uranium prospector and he isn't like that, either." She lit a cigarette. "Anyway, the wanted ones stay out beyond the frontiers. Jacob and those like him can never return to Earth—not even to Hoover City—except dead. The others are physical or psycho rejects who couldn't get clearance if they went back to Earth. They know nothing but rocketing and won't give up. They bring in our ships to frontier ports like Hoover City to unload cargo and take on supplies." "Don't the authorities object?" "Not very strongly. The I. B. I. has too many problems right here to search the whole System for a few two-bit crooks. Besides, we carry cargoes of almost pure uranium and tungsten and all the stuff that's scarce on Earth and Mars and Venus. Nobody really cares whether it comes from the asteroids or Hades. If we want to risk our lives mining it, that's our business." She pursed her lips. "But if they guessed how strong we are or that we have friends planted in the I. B. I.—well, things might be different. There probably would be a crackdown." Ben scowled. "What happens if there is a crackdown? And what will you do when Space Corps ships officially reach the asteroids? They can't ignore you then." "Then we move on. We dream up new gimmicks for our crates and take them to Jupiter, Saturn, Uranus, Neptune, Pluto. In time, maybe, we'll be pushed out of the System itself. Maybe it won't be the white-suited boys who'll make that first hop to the stars. It could be us, you know—if we live long enough. But that Asteroid Belt is murder. You can't follow the text-book rules of astrogation out there. You make up your own." Ben stiffened. "And that's why you want me for an astrogator." Maggie rose, her eyes wistful. "If you want to come—and if you get well." She looked at him strangely. "Suppose—" He fought to find the right words. "Suppose I got well and decided not to join Jacob. What would happen to me? Would you let me go?" Her thin face was criss-crossed by emotion—alarm, then bewilderment, then fear. "I don't know. That would be up to Jacob." He lay biting his lip, staring at the photo of Jacob. She touched his hand and it seemed that sadness now dominated the flurry of emotion that had coursed through her. "The only thing that matters, really," she murmured, "is your walking again. We'll try this afternoon. Okay?" "Okay," he said. When she left, his eyes were still turned toward Jacob's photo. He was like two people, he thought. Half of him was an officer of the Space Corps. Perhaps one single starry-eyed boy out of ten thousand was lucky enough to reach that goal. He remembered a little picture book his mother had given him when she was alive. Under the bright pictures of spacemen were the captions: "A Space Officer Is Honest" "A Space Officer Is Loyal." "A Space Officer Is Dutiful." Honesty, loyalty, duty. Trite words, but without those concepts, mankind would never have broken away from the planet that held it prisoner for half a million years. Without them, Everson, after three failures and a hundred men dead, would never have landed on the Moon twenty-seven years ago.
train	51310	[ "Why didn't Bradley mop up her cell?", "Why was Bradley in the Jug?", "Which of the following didn't O'Leary agree with?", "What seems to be a reason for many being sent to prison?", "What are the tangler fields?", "How did the Block O guards feel about their position?", "Why did Sauer and Flock yell so much?", "Why was O'Leary sharing his concerns with the warden?", "Why was the warden so annoyed with O'Leary?" ]	[ [ "she wanted Mathias to do it for her", "she wanted to start a riot", "she didn't deserve to be in the Jug", "she didn't understand the slang in the command" ], [ "she didn't understand the people she was supposed to be working with", "she wanted to be part of the Civil Service group instead of the laborer group", "she caused a fight in the lunch room", "she believed people should be able to choose their path in life" ], [ "rules are meant to be followed", "the Jug was running as smoothly as it could", "he was meant to be part of the Civil Service group", "having specializations was good for civilization" ], [ "petty theft and small crimes", "rioting over the rules imposed by the government", "conspiracy theorizing", "people resenting the jobs they're assigned" ], [ "a type of uniform meant to keep the inmates secure", "electronic fields in Block O that identify inmates", "replacement for guards in Block O", "electronic fields near the floor to stop prisoners" ], [ "that they could have far worse jobs if they quit", "that it was a fitting position for people like them", "that it wasn't worth it to stay in the job", "honored to be given that role" ], [ "to scare the new Block O prisoners", "they were angry at the system they were a part of", "they were trying to distract the guards ", "they wanted to make Bradley cry" ], [ "he was frustrated with the lack of help he was getting", "he was mad that inmates were playing together", "he was hoping to stop a potential riot", "he thought the prison had a terrible smell" ], [ "O'Leary didn't understand the class system as well as he should", "O'Leary was interrupting his breakfast", "O'Leary was trying to take his job from him", "O'Leary was bothering him with non-warden problems" ] ]	[ 4, 4, 2, 4, 4, 3, 3, 3, 4 ]	[ 0, 1, 0, 1, 0, 1, 0, 0, 1 ]	My Lady Greensleeves By FREDERIK POHL Illustrated by GAUGHAN [Transcriber's Note: This etext was produced from Galaxy Science Fiction February 1957. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] This guard smelled trouble and it could be counted on to come—for a nose for trouble was one of the many talents bred here! I His name was Liam O'Leary and there was something stinking in his nostrils. It was the smell of trouble. He hadn't found what the trouble was yet, but he would. That was his business. He was a captain of guards in Estates-General Correctional Institution—better known to its inmates as the Jug—and if he hadn't been able to detect the scent of trouble brewing a cell-block away, he would never have survived to reach his captaincy. And her name, he saw, was Sue-Ann Bradley, Detainee No. WFA-656R. He frowned at the rap sheet, trying to figure out what got a girl like her into a place like this. And, what was more important, why she couldn't adjust herself to it, now that she was in. He demanded: "Why wouldn't you mop out your cell?" The girl lifted her head angrily and took a step forward. The block guard, Sodaro, growled warningly: "Watch it, auntie!" O'Leary shook his head. "Let her talk, Sodaro." It said in the Civil Service Guide to Prison Administration : "Detainees will be permitted to speak in their own behalf in disciplinary proceedings." And O'Leary was a man who lived by the book. She burst out: "I never got a chance! That old witch Mathias never told me I was supposed to mop up. She banged on the door and said, 'Slush up, sister!' And then, ten minutes later, she called the guards and told them I refused to mop." The block guard guffawed. "Wipe talk—that's what she was telling you to do. Cap'n, you know what's funny about this? This Bradley is—" "Shut up, Sodaro." Captain O'leary put down his pencil and looked at the girl. She was attractive and young—not beyond hope, surely. Maybe she had got off to a wrong start, but the question was, would putting her in the disciplinary block help straighten her out? He rubbed his ear and looked past her at the line of prisoners on the rap detail, waiting for him to judge their cases. He said patiently: "Bradley, the rules are you have to mop out your cell. If you didn't understand what Mathias was talking about, you should have asked her. Now I'm warning you, the next time—" "Hey, Cap'n, wait!" Sodaro was looking alarmed. "This isn't a first offense. Look at the rap sheet. Yesterday she pulled the same thing in the mess hall." He shook his head reprovingly at the prisoner. "The block guard had to break up a fight between her and another wench, and she claimed the same business—said she didn't understand when the other one asked her to move along." He added virtuously: "The guard warned her then that next time she'd get the Greensleeves for sure." Inmate Bradley seemed to be on the verge of tears. She said tautly: "I don't care. I don't care!" O'Leary stopped her. "That's enough! Three days in Block O!" It was the only thing to do—for her own sake as much as for his. He had managed, by strength of will, not to hear that she had omitted to say "sir" every time she spoke to him, but he couldn't keep it up forever and he certainly couldn't overlook hysteria. And hysteria was clearly the next step for her. All the same, he stared after her as she left. He handed the rap sheet to Sodaro and said absently: "Too bad a kid like her has to be here. What's she in for?" "You didn't know, Cap'n?" Sodaro leered. "She's in for conspiracy to violate the Categoried Class laws. Don't waste your time with her, Cap'n. She's a figger-lover!" Captain O'Leary took a long drink of water from the fountain marked "Civil Service." But it didn't wash the taste out of his mouth, the smell from his nose. What got into a girl to get her mixed up with that kind of dirty business? He checked out of the cell blocks and walked across the yard, wondering about her. She'd had every advantage—decent Civil Service parents, a good education, everything a girl could wish for. If anything, she had had a better environment than O'Leary himself, and look what she had made of it. The direction of evolution is toward specialization and Man is no exception, but with the difference that his is the one species that creates its own environment in which to specialize. From the moment that clans formed, specialization began—the hunters using the weapons made by the flint-chippers, the food cooked in clay pots made by the ceramists, over fire made by the shaman who guarded the sacred flame. Civilization merely increased the extent of specialization. From the born mechanic and the man with the gift of gab, society evolved to the point of smaller contact and less communication between the specializations, until now they could understand each other on only the most basic physical necessities—and not even always then. But this was desirable, for the more specialists, the higher the degree of civilization. The ultimate should be the complete segregation of each specialization—social and genetic measures to make them breed true, because the unspecialized man is an uncivilized man, or at any rate he does not advance civilization. And letting the specializations mix would produce genetic undesirables: clerk-laborer or Professional-GI misfits, for example, being only half specialized, would be good at no specialization. And the basis of this specialization society was: "The aptitude groups are the true races of mankind." Putting it into law was only the legal enforcement of a demonstrable fact. "Evening, Cap'n." A bleary old inmate orderly stood up straight and touched his cap as O'Leary passed by. "Evening." O'Leary noted, with the part of his mind that always noted those things, that the orderly had been leaning on his broom until he'd noticed the captain coming by. Of course, there wasn't much to sweep—the spray machines and sweeperdozers had been over the cobblestones of the yard twice already that day. But it was an inmate's job to keep busy. And it was a guard captain's job to notice when they didn't. There wasn't anything wrong with that job, he told himself. It was a perfectly good civil-service position—better than post-office clerk, not as good as Congressman, but a job you could be proud to hold. He was proud of it. It was right that he should be proud of it. He was civil-service born and bred, and naturally he was proud and content to do a good, clean civil-service job. If he had happened to be born a fig—a clerk , he corrected himself—if he had happened to be born a clerk, why, he would have been proud of that, too. There wasn't anything wrong with being a clerk—or a mechanic or a soldier, or even a laborer, for that matter. Good laborers were the salt of the Earth! They weren't smart, maybe, but they had a—well, a sort of natural, relaxed joy of living. O'Leary was a broad-minded man and many times he had thought almost with a touch of envy how comfortable it must be to be a wipe—a laborer . No responsibilities. No worries. Just an easy, slow routine of work and loaf, work and loaf. Of course, he wouldn't really want that kind of life, because he was Civil Service and not the kind to try to cross over class barriers that weren't meant to be— "Evening, Cap'n." He nodded to the mechanic inmate who was, theoretically, in charge of maintaining the prison's car pool, just inside the gate. "Evening, Conan," he said. Conan, now—he was a big buck greaser and he would be there for the next hour, languidly poking a piece of fluff out of the air filter on the prison jeep. Lazy, sure. Undependable, certainly. But he kept the cars going—and, O'Leary thought approvingly, when his sentence was up in another year or so, he would go back to his life with his status restored, a mechanic on the outside as he had been inside, and he certainly would never risk coming back to the Jug by trying to pass as Civil Service or anything else. He knew his place. So why didn't this girl, this Sue-Ann Bradley, know hers? II Every prison has its Greensleeves—sometimes they are called by different names. Old Marquette called it "the canary;" Louisiana State called it "the red hats;" elsewhere it was called "the hole," "the snake pit," "the Klondike." When you're in it, you don't much care what it is called; it is a place for punishment. And punishment is what you get. Block O in Estates-General Correctional Institution was the disciplinary block, and because of the green straitjackets its inhabitants wore, it was called the Greensleeves. It was a community of its own, an enclave within the larger city-state that was the Jug. And like any other community, it had its leading citizens ... two of them. Their names were Sauer and Flock. Sue-Ann Bradley heard them before she reached the Greensleeves. She was in a detachment of three unfortunates like herself, convoyed by an irritable guard, climbing the steel steps toward Block O from the floor below, when she heard the yelling. "Owoo-o-o," screamed Sauer from one end of the cell block and "Yow-w-w!" shrieked Flock at the other. The inside deck guard of Block O looked nervously at the outside deck guard. The outside guard looked impassively back—after all, he was on the outside. The inside guard muttered: "Wipe rats! They're getting on my nerves." The outside guard shrugged. "Detail, halt !" The two guards turned to see what was coming in as the three new candidates for the Greensleeves slumped to a stop at the head of the stairs. "Here they are," Sodaro told them. "Take good care of 'em, will you? Especially the lady—she's going to like it here, because there's plenty of wipes and greasers and figgers to keep her company." He laughed coarsely and abandoned his charges to the Block O guards. The outside guard said sourly: "A woman, for God's sake. Now O'Leary knows I hate it when there's a woman in here. It gets the others all riled up." "Let them in," the inside guard told him. "The others are riled up already." Sue-Ann Bradley looked carefully at the floor and paid them no attention. The outside guard pulled the switch that turned on the tanglefoot electronic fields that swamped the floor of the block corridor and of each individual cell. While the fields were on, you could ignore the prisoners—they simply could not move fast enough, against the electronic drag of the field, to do any harm. But it was a rule that, even in Block O, you didn't leave the tangler fields on all the time—only when the cell doors had to be opened or a prisoner's restraining garment removed. Sue-Ann walked bravely forward through the opened gate—and fell flat on her face. It was her first experience of a tanglefoot field. It was like walking through molasses. The guard guffawed and lifted her up by one shoulder. "Take it easy, auntie. Come on, get in your cell." He steered her in the right direction and pointed to a greensleeved straitjacket on the cell cot. "Put that on. Being as you're a lady, we won't tie it up, but the rules say you got to wear it and the rules—Hey. She's crying!" He shook his head, marveling. It was the first time he had ever seen a prisoner cry in the Greensleeves. However, he was wrong. Sue-Ann's shoulders were shaking, but not from tears. Sue-Ann Bradley had got a good look at Sauer and at Flock as she passed them by and she was fighting off an almost uncontrollable urge to retch. Sauer and Flock were what are called prison wolves. They were laborers—"wipes," for short—or, at any rate, they had been once. They had spent so much time in prisons that it was sometimes hard even for them to remember what they really were, outside. Sauer was a big, grinning redhead with eyes like a water moccasin. Flock was a lithe five-footer with the build of a water moccasin—and the sad, stupid eyes of a calf. Sauer stopped yelling for a moment. "Hey, Flock!" "What do you want, Sauer?" called Flock from his own cell. "We got a lady with us! Maybe we ought to cut out this yelling so as not to disturb the lady!" He screeched with howling, maniacal laughter. "Anyway, if we don't cut this out, they'll get us in trouble, Flock!" "Oh, you think so?" shrieked Flock. "Jeez, I wish you hadn't said that, Sauer. You got me scared! I'm so scared, I'm gonna have to yell!" The howling started all over again. The inside guard finished putting the new prisoners away and turned off the tangler field once more. He licked his lips. "Say, you want to take a turn in here for a while?" "Uh-uh." The outside guard shook his head. "You're yellow," the inside guard said moodily. "Ah, I don't know why I don't quit this lousy job. Hey, you! Pipe down or I'll come in and beat your head off!" "Ee-ee-ee!" screamed Sauer in a shrill falsetto. "I'm scared!" Then he grinned at the guard, all but his water-moccasin eyes. "Don't you know you can't hurt a wipe by hitting him on the head, Boss?" "Shut up !" yelled the inside guard. Sue-Ann Bradley's weeping now was genuine. She simply could not help it. The crazy yowling of the hard-timers, Sauer and Flock, was getting under her skin. They weren't even—even human , she told herself miserably, trying to weep silently so as not to give the guards the satisfaction of hearing her—they were animals! Resentment and anger, she could understand. She told herself doggedly that resentment and anger were natural and right. They were perfectly normal expressions of the freedom-loving citizen's rebellion against the vile and stifling system of Categoried Classes. It was good that Sauer and Flock still had enough spirit to struggle against the vicious system— But did they have to scream so? The senseless yelling was driving her crazy. She abandoned herself to weeping and she didn't even care who heard her any more. Senseless! It never occurred to Sue-Ann Bradley that it might not be senseless, because noise hides noise. But then she hadn't been a prisoner very long. III "I smell trouble," said O'Leary to the warden. "Trouble? Trouble?" Warden Schluckebier clutched his throat and his little round eyes looked terrified—as perhaps they should have. Warden Godfrey Schluckebier was the almighty Caesar of ten thousand inmates in the Jug, but privately he was a fussy old man trying to hold onto the last decent job he would have in his life. "Trouble? What trouble?" O'Leary shrugged. "Different things. You know Lafon, from Block A? This afternoon, he was playing ball with the laundry orderlies in the yard." The warden, faintly relieved, faintly annoyed, scolded: "O'Leary, what did you want to worry me for? There's nothing wrong with playing ball in the yard. That's what recreation periods are for." "You don't see what I mean, Warden. Lafon was a professional on the outside—an architect. Those laundry cons were laborers. Pros and wipes don't mix; it isn't natural. And there are other things." O'Leary hesitated, frowning. How could you explain to the warden that it didn't smell right? "For instance—Well, there's Aunt Mathias in the women's block. She's a pretty good old girl—that's why she's the block orderly. She's a lifer, she's got no place to go, she gets along with the other women. But today she put a woman named Bradley on report. Why? Because she told Bradley to mop up in wipe talk and Bradley didn't understand. Now Mathias wouldn't—" The warden raised his hand. "Please, O'Leary, don't bother me about that kind of stuff." He sighed heavily and rubbed his eyes. He poured himself a cup of steaming black coffee from a brewpot, reached in a desk drawer for something, hesitated, glanced at O'Leary, then dropped a pale blue tablet into the cup. He drank it down eagerly, ignoring the scalding heat. He leaned back, looking suddenly happier and much more assured. "O'Leary, you're a guard captain, right? And I'm your warden. You have your job, keeping the inmates in line, and I have mine. Now your job is just as important as my job," he said piously. " Everybody's job is just as important as everybody else's, right? But we have to stick to our own jobs. We don't want to try to pass ." O'Leary snapped erect, abruptly angry. Pass! What the devil way was that for the warden to talk to him? "Excuse the expression, O'Leary," the warden said anxiously. "I mean, after all, 'Specialization is the goal of civilization,' right?" He was a great man for platitudes, was Warden Schluckebier. " You know you don't want to worry about my end of running the prison. And I don't want to worry about yours . You see?" And he folded his hands and smiled like a civil-service Buddha. O'Leary choked back his temper. "Warden, I'm telling you that there's trouble coming up. I smell the signs." "Handle it, then!" snapped the warden, irritated at last. "But suppose it's too big to handle. Suppose—" "It isn't," the warden said positively. "Don't borrow trouble with all your supposing, O'Leary." He sipped the remains of his coffee, made a wry face, poured a fresh cup and, with an elaborate show of not noticing what he was doing, dropped three of the pale blue tablets into it this time. He sat beaming into space, waiting for the jolt to take effect. "Well, then," he said at last. "You just remember what I've told you tonight, O'Leary, and we'll get along fine. 'Specialization is the—' Oh, curse the thing." His phone was ringing. The warden picked it up irritably. That was the trouble with those pale blue tablets, thought O'Leary; they gave you a lift, but they put you on edge. "Hello," barked the warden, not even glancing at the viewscreen. "What the devil do you want? Don't you know I'm—What? You did what ? You're going to WHAT?" He looked at the viewscreen at last with a look of pure horror. Whatever he saw on it, it did not reassure him. His eyes opened like clamshells in a steamer. "O'Leary," he said faintly, "my mistake." And he hung up—more or less by accident; the handset dropped from his fingers. The person on the other end of the phone was calling from Cell Block O. Five minutes before, he hadn't been anywhere near the phone and it didn't look as if his chances of ever getting near it were very good. Because five minutes before, he was in his cell, with the rest of the hard-timers of the Greensleeves. His name was Flock. He was still yelling. Sue-Ann Bradley, in the cell across from him, thought that maybe, after all, the man was really in pain. Maybe the crazy screams were screams of agony, because certainly his face was the face of an agonized man. The outside guard bellowed: "Okay, okay. Take ten!" Sue-Ann froze, waiting to see what would happen. What actually did happen was that the guard reached up and closed the switch that actuated the tangler fields on the floors of the cells. The prison rules were humanitarian, even for the dregs that inhabited the Greensleeves. Ten minutes out of every two hours, even the worst case had to be allowed to take his hands out of the restraining garment. "Rest period" it was called—in the rule book. The inmates had a less lovely term for it. At the guard's yell, the inmates jumped to their feet. Bradley was a little slow getting off the edge of the steel-slat bed—nobody had warned her that the eddy currents in the tangler fields had a way of making metal smoke-hot. She gasped but didn't cry out. Score one more painful lesson in her new language course. She rubbed the backs of her thighs gingerly—and slowly, slowly, for the eddy currents did not permit you to move fast. It was like pushing against rubber; the faster you tried to move, the greater the resistance. The guard peered genially into her cell. "You're okay, auntie." She proudly ignored him as he slogged deliberately away on his rounds. He didn't have to untie her and practically stand over her while she attended to various personal matters, as he did with the male prisoners. It was not much to be grateful for, but Sue-Ann Bradley was grateful. At least she didn't have to live quite like a fig—like an underprivileged clerk, she told herself, conscience-stricken. Across the hall, the guard was saying irritably: "What the hell's the matter with you?" He opened the door of the cell with an asbestos-handled key held in a canvas glove. Flock was in that cell and he was doubled over. The guard looked at him doubtfully. It could be a trick, maybe. Couldn't it? But he could see Flock's face and the agony in it was real enough. And Flock was gasping, through real tears: "Cramps. I—I—" "Ah, you wipes always got a pain in the gut." The guard lumbered around Flock to the draw-strings at the back of the jacket. Funny smell in here, he told himself—not for the first time. And imagine, some people didn't believe that wipes had a smell of their own! But this time, he realized cloudily, it was a rather unusual smell. Something burning. Almost like meat scorching. It wasn't pleasant. He finished untying Flock and turned away; let the stinking wipe take care of his own troubles. He only had ten minutes to get all the way around Block O and the inmates complained like crazy if he didn't make sure they all got the most possible free time. He was pretty good at snowshoeing through the tangler field. He was a little vain about it, even; at times he had been known to boast of his ability to make the rounds in two minutes, every time. Every time but this. For Flock moaned behind him, oddly close. The guard turned, but not quickly enough. There was Flock—astonishingly, he was half out of his jacket; his arms hadn't been in the sleeves at all! And in one of the hands, incredibly, there was something that glinted and smoked. "All right," croaked Flock, tears trickling out of eyes nearly shut with pain. But it wasn't the tears that held the guard; it was the shining, smoking thing, now poised at his throat. A shiv! It looked as though it had been made out of a bed-spring, ripped loose from its frame God knows how, hidden inside the greensleeved jacket God knows how—filed, filed to sharpness over endless hours. No wonder Flock moaned—the eddy currents in the shiv were slowly cooking his hand; and the blister against his abdomen, where the shiv had been hidden during other rest periods, felt like raw acid. "All right," whispered Flock, "just walk out the door and you won't get hurt. Unless the other screw makes trouble, you won't get hurt, so tell him not to, you hear?" He was nearly fainting with the pain. But he hadn't let go. He didn't let go. And he didn't stop. IV It was Flock on the phone to the warden—Flock with his eyes still streaming tears, Flock with Sauer standing right behind him, menacing the two bound deck guards. Sauer shoved Flock out of the way. "Hey, Warden!" he said, and the voice was a cheerful bray, though the serpent eyes were cold and hating. "Warden, you got to get a medic in here. My boy Flock, he hurt himself real bad and he needs a doctor." He gestured playfully at the guards with the shiv. "I tell you, Warden. I got this knife and I got your guards here. Enough said? So get a medic in here quick, you hear?" And he snapped the connection. O'Leary said: "Warden, I told you I smelled trouble!" The warden lifted his head, glared, started feebly to speak, hesitated, and picked up the long-distance phone. He said sadly to the prison operator: "Get me the governor—fast." Riot! The word spread out from the prison on seven-league boots. It snatched the city governor out of a friendly game of Seniority with his manager and their wives—and just when he was holding the Porkbarrel Joker concealed in the hole. It broke up the Base Championship Scramble Finals at Hap Arnold Field to the south, as half the contestants had to scramble in earnest to a Red Alert that was real. It reached to police precinct houses and TV newsrooms and highway checkpoints, and from there it filtered into the homes and lives of the nineteen million persons that lived within a few dozen miles of the Jug. Riot. And yet fewer than half a dozen men were involved. A handful of men, and the enormous bulk of the city-state quivered in every limb and class. In its ten million homes, in its hundreds of thousands of public places, the city-state's people shook under the impact of the news from the prison. For the news touched them where their fears lay. Riot! And not merely a street brawl among roistering wipes, or a bar-room fight of greasers relaxing from a hard day at the plant. The riot was down among the corrupt sludge that underlay the state itself. Wipes brawled with wipes and no one cared; but in the Jug, all classes were cast together. Forty miles to the south, Hap Arnold Field was a blaze of light. The airmen tumbled out of their quarters and dayrooms at the screech of the alert siren, and behind them their wives and children stretched and yawned and worried. An alert! The older kids fussed and complained and their mothers shut them up. No, there wasn't any alert scheduled for tonight; no, they didn't know where Daddy was going; no, the kids couldn't get up yet—it was the middle of the night. And as soon as they had the kids back in bed, most of the mothers struggled into their own airwac uniforms and headed for the briefing area to hear. They caught the words from a distance—not quite correctly. "Riot!" gasped an aircraftswoman first-class, mother of three. "The wipes! I told Charlie they'd get out of hand and—Alys, we aren't safe. You know how they are about GI women! I'm going right home and get a club and stand right by the door and—" "Club!" snapped Alys, radarscope-sergeant, with two children querulously awake in her nursery at home. "What in God's name is the use of a club? You can't hurt a wipe by hitting him on the head. You'd better come along to Supply with me and draw a gun—you'll need it before this night is over." But the airmen themselves heard the briefing loud and clear over the scramble-call speakers, and they knew it was not merely a matter of trouble in the wipe quarters. The Jug! The governor himself had called them out; they were to fly interdicting missions at such-and-such levels on such-and-such flight circuits around the prison. The rockets took off on fountains of fire; and the jets took off with a whistling roar; and last of all, the helicopters took off ... and they were the ones who might actually accomplish something. They took up their picket posts on the prison perimeter, a pilot and two bombardiers in each 'copter, stone-faced, staring grimly alert at the prison below. They were ready for the breakout. But there wasn't any breakout. The rockets went home for fuel. The jets went home for fuel. The helicopters hung on—still ready, still waiting. The rockets came back and roared harmlessly about, and went away again. They stayed away. The helicopter men never faltered and never relaxed. The prison below them was washed with light—from the guard posts on the walls, from the cell blocks themselves, from the mobile lights of the guard squadrons surrounding the walls. North of the prison, on the long, flat, damp developments of reclaimed land, the matchbox row houses of the clerical neighborhoods showed lights in every window as the figgers stood ready to repel invasion from their undesired neighbors to the east, the wipes. In the crowded tenements of the laborers' quarters, the wipes shouted from window to window; and there were crowds in the bright streets. "The whole bloody thing's going to blow up!" a helicopter bombardier yelled bitterly to his pilot, above the flutter and roar of the whirling blades. "Look at the mobs in Greaserville! The first breakout from the Jug's going to start a fight like you never saw and we'll be right in the middle of it!" He was partly right. He would be right in the middle of it—for every man, woman and child in the city-state would be right in the middle of it. There was no place anywhere that would be spared. No mixing. That was the prescription that kept the city-state alive. There's no harm in a family fight—and aren't all mechanics a family, aren't all laborers a clan, aren't all clerks and office workers related by closer ties than blood or skin? But the declassed cons of the Jug were the dregs of every class; and once they spread, the neat compartmentation of society was pierced. The breakout would mean riot on a bigger scale than any prison had ever known. But he was also partly wrong. Because the breakout wasn't seeming to come.
train	51286	[ "Why wasn't Matilda married?", "How did Matilda's mother feel about Matilda?", "What about Haron didn't excite Matilda?", "What didn't surprise Matilda about Haron's house?", "Why did Mr. Gorka let these women stay in his house?", "How didn't Matilda feel when Haron was talking?", "What is not a reason for Matilda to tell the librarian what happened?", "Why did the librarian really give every woman Mr. Gorka's address?", "Why was Mr. Gorka so strange?", "Why couldn't most people tell Matilda where Haron lived?" ]	[ [ "she hadn't met a man that wanted to marry her", "she wasn't interested in dating people", "she found flaws in every man she dated", "she only liked to write to men, not meet them" ], [ "she wanted Matilda to get married and finally move out", "she loves her daughter but wishes she'd settle with a man", "she was jealous of how her daughter handled the men she met", "she thinks Matilda is very wise in the decisions she makes" ], [ "he was egotistical", "he lived nearby", "his physical appearance", "his name" ], [ "the outside was poorly kept up", "she was fed exactly what she wanted", "it had space for six women to stay", "she was locked in her room" ], [ "he wanted to find a suitable wife", "he wanted to find a woman that would enjoy listening to him speak", "he planned to capture these women and keep them ", "he wanted to use telepathy on them" ], [ "enlightened", "frustrated", "surprised", "confused" ], [ "she had been asked to relay a message to his wife", "she wanted to tell someone her crazy story", "she wanted to make sure the librarian stayed away from him", "she had made a promise to return" ], [ "to find a woman that would really listen to him", "she wanted to hear their stories", "to prove him wrong", "to help him find a suitable companion" ], [ "he was insane", "his expectations were so high", "he wasn't who Matilda thought he was", "he was already married" ], [ "he was a very secretive person", "he hadn't been in Cedar Falls for long", "he wanted to hide from the interested women", "he used another name when out in public" ] ]	[ 3, 2, 3, 3, 2, 1, 3, 3, 3, 2 ]	[ 0, 0, 1, 1, 0, 1, 1, 1, 0, 1 ]	PEN PAL Illustrated by DON SIBLEY By MILTON LESSER [Transcriber's Note: This etext was produced from Galaxy Science Fiction July 1951. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] All she wanted was a mate and she had the gumption to go out and hunt one down. But that meant poaching in a strictly forbidden territory! The best that could be said for Matilda Penshaws was that she was something of a paradox. She was thirty-three years old, certainly not aged when you consider the fact that the female life expectancy is now up in the sixties, but the lines were beginning to etch their permanent paths across her face and now she needed certain remedial undergarments at which she would have scoffed ten or even five years ago. Matilda was also looking for a husband. This, in itself, was not unusual—but Matilda was so completely wrapped up in the romantic fallacy of her day that she sought a prince charming, a faithful Don Juan, a man who had been everywhere and tasted of every worldly pleasure and who now wanted to sit on a porch and talk about it all to Matilda. The fact that in all probability such a man did not exist disturbed Matilda not in the least. She had been known to say that there are over a billion men in the world, a goodly percentage of whom are eligible bachelors, and that the right one would come along simply because she had been waiting for him. Matilda, you see, had patience. She also had a fetish. Matilda had received her A.B. from exclusive Ursula Johns College and Radcliff had yielded her Masters degree, yet Matilda was an avid follower of the pen pal columns. She would read them carefully and then read them again, looking for the masculine names which, through a system known only to Matilda, had an affinity to her own. To the gentlemen upon whom these names were affixed, Matilda would write, and she often told her mother, the widow Penshaws, that it was in this way she would find her husband. The widow Penshaws impatiently told her to go out and get dates. That particular night, Matilda pulled her battered old sedan into the garage and walked up the walk to the porch. The widow Penshaws was rocking on the glider and Matilda said hello. The first thing the widow Penshaws did was to take Matilda's left hand in her own and examine the next-to-the-last finger. "I thought so," she said. "I knew this was coming when I saw that look in your eye at dinner. Where is Herman's engagement ring?" Matilda smiled. "It wouldn't have worked out, Ma. He was too darned stuffy. I gave him his ring and said thanks anyway and he smiled politely and said he wished I had told him sooner because his fifteenth college reunion was this weekend and he had already turned down the invitation." The widow Penshaws nodded regretfully. "That was thoughtful of Herman to hide his feelings." "Hogwash!" said her daughter. "He has no true feelings. He's sorry that he had to miss his college reunion. That's all he has to hide. A stuffy Victorian prude and even less of a man than the others." "But, Matilda, that's your fifth broken engagement in three years. It ain't that you ain't popular, but you just don't want to cooperate. You don't fall in love, Matilda—no one does. Love osmoses into you slowly, without you even knowing, and it keeps growing all the time." Matilda admired her mother's use of the word osmosis, but she found nothing which was not objectionable about being unaware of the impact of love. She said good-night and went upstairs, climbed out of her light summer dress and took a cold shower. She began to hum to herself. She had not yet seen the pen pal section of the current Literary Review , and because the subject matter of that magazine was somewhat highbrow and cosmopolitan, she could expect a gratifying selection of pen pals. She shut off the shower, brushed her teeth, gargled, patted herself dry with a towel, and jumped into bed, careful to lock the door of her bedroom. She dared not let the widow Penshaws know that she slept in the nude; the widow Penshaws would object to a girl sleeping in the nude, even if the nearest neighbor was three hundred yards away. Matilda switched her bed lamp on and dabbed some citronella on each ear lobe and a little droplet on her chin (how she hated insects!). Then she propped up her pillows—two pillows partially stopped her post-nasal drip; and took the latest issue of the Literary Review off the night table. She flipped through the pages and came to personals. Someone in Nebraska wanted to trade match books; someone in New York needed a midwestern pen pal, but it was a woman; an elderly man interested in ornithology wanted a young chick correspondent interested in the same subject; a young, personable man wanted an editorial position because he thought he had something to offer the editorial world; and— Matilda read the next one twice. Then she held it close to the light and read it again. The Literary Review was one of the few magazines which printed the name of the advertiser rather than a box number, and Matilda even liked the sound of the name. But mostly, she had to admit to herself, it was the flavor of the wording. This very well could be it . Or, that is, him . Intelligent, somewhat egotistical male who's really been around, whose universal experience can make the average cosmopolite look like a provincial hick, is in need of several female correspondents: must be intelligent, have gumption, be capable of listening to male who has a lot to say and wants to say it. All others need not apply. Wonderful opportunity cultural experience ... Haron Gorka, Cedar Falls, Ill. The man was egotistical, all right; Matilda could see that. But she had never minded an egotistical man, at least not when he had something about which he had a genuine reason to be egotistical. The man sounded as though he would have reason indeed. He only wanted the best because he was the best. Like calls to like. The name—Haron Gorka: its oddness was somehow beautiful to Matilda. Haron Gorka—the nationality could be anything. And that was it. He had no nationality for all intents and purposes; he was an international man, a figure among figures, a paragon.... Matilda sighed happily as she put out the light. The moon shone in through the window brightly, and at such times Matilda generally would get up, go to the cupboard, pull out a towel, take two hairpins from her powder drawer, pin the towel to the screen of her window, and hence keep the disturbing moonlight from her eyes. But this time it did not disturb her, and she would let it shine. Cedar Falls was a small town not fifty miles from her home, and she'd get there a hop, skip, and jump ahead of her competitors, simply by arriving in person instead of writing a letter. Matilda was not yet that far gone in years or appearance. Dressed properly, she could hope to make a favorable impression in person, and she felt it was important to beat the influx of mail to Cedar Falls. Matilda got out of bed at seven, tiptoed into the bathroom, showered with a merest wary trickle of water, tiptoed back into her bedroom, dressed in her very best cotton over the finest of uplifting and figure-moulding underthings, made sure her stocking seams were perfectly straight, brushed her suede shoes, admired herself in the mirror, read the ad again, wished for a moment she were a bit younger, and tiptoed downstairs. The widow Penshaws met her at the bottom of the stairwell. "Mother," gasped Matilda. Matilda always gasped when she saw something unexpected. "What on earth are you doing up?" The widow Penshaws smiled somewhat toothlessly, having neglected to put in both her uppers and lowers this early in the morning. "I'm fixing breakfast, of course...." Then the widow Penshaws told Matilda that she could never hope to sneak about the house without her mother knowing about it, and that even if she were going out in response to one of those foolish ads in the magazines, she would still need a good breakfast to start with like only mother could cook. Matilda moodily thanked the widow Penshaws. Driving the fifty miles to Cedar Falls in a little less than an hour, Matilda hummed Mendelssohn's Wedding March all the way. It was her favorite piece of music. Once, she told herself: Matilda Penshaws, you are being premature about the whole thing. But she laughed and thought that if she was, she was, and, meanwhile, she could only get to Cedar Falls and find out. And so she got there. The man in the wire cage at the Cedar Falls post office was a stereotype. Matilda always liked to think in terms of stereotypes. This man was small, roundish, florid of face, with a pair of eyeglasses which hung too far down on his nose. Matilda knew he would peer over his glasses and answer questions grudgingly. "Hello," said Matilda. The stereotype grunted and peered at her over his glasses. Matilda asked him where she could find Haron Gorka. "What?" "I said, where can I find Haron Gorka?" "Is that in the United States?" "It's not a that; it's a he. Where can I find him? Where does he live? What's the quickest way to get there?" The stereotype pushed up his glasses and looked at her squarely. "Now take it easy, ma'am. First place, I don't know any Haron Gorka—" Matilda kept the alarm from creeping into her voice. She muttered an oh under her breath and took out the ad. This she showed to the stereotype, and he scratched his bald head. Then he told Matilda almost happily that he was sorry he couldn't help her. He grudgingly suggested that if it really were important, she might check with the police. Matilda did, only they didn't know any Haron Gorka, either. It turned out that no one did: Matilda tried the general store, the fire department, the city hall, the high school, all three Cedar Falls gas stations, the livery stable, and half a dozen private dwellings at random. As far us the gentry of Cedar Falls was concerned, Haron Gorka did not exist. Matilda felt bad, but she had no intention of returning home this early. If she could not find Haron Gorka, that was one thing; but she knew that she'd rather not return home and face the widow Penshaws, at least not for a while yet. The widow Penshaws meant well, but she liked to analyze other people's mistakes, especially Matilda's. Accordingly, Matilda trudged wearily toward Cedar Falls' small and unimposing library. She could release some of her pent-up aggression by browsing through the dusty slacks. This she did, but it was unrewarding. Cedar Falls had what might be called a microscopic library, and Matilda thought that if this small building were filled with microfilm rather than books, the library still would be lacking. Hence she retraced her steps and nodded to the old librarian as she passed. Then Matilda frowned. Twenty years from now, this could be Matilda Penshaws—complete with plain gray dress, rimless spectacles, gray hair, suspicious eyes, and a broom-stick figure.... On the other hand—why not? Why couldn't the librarian help her? Why hadn't she thought of it before? Certainly a man as well-educated as Haron Gorka would be an avid reader, and unless he had a permanent residence here in Cedar Palls, one couldn't expect that he'd have his own library with him. This being the case, a third-rate collection of books was far better than no collection at all, and perhaps the librarian would know Mr. Haron Gorka. Matilda cleared her throat. "Pardon me," she began. "I'm looking for—" "Haron Gorka." The librarian nodded. "How on earth did you know?" "That's easy. You're the sixth young woman who came here inquiring about that man today. Six of you—five others in the morning, and now you in the afternoon. I never did trust this Mr. Gorka...." Matilda jumped as if she had been struck strategically from the rear. "You know him? You know Haron Gorka?" "Certainly. Of course I know him. He's our steadiest reader here at the library. Not a week goes by that he doesn't take out three, four books. Scholarly gentleman, but not without charm. If I were twenty years younger—" Matilda thought a little flattery might be effective. "Only ten," she assured the librarian. "Ten years would be more than sufficient, I'm sure." "Are you? Well. Well, well." The librarian did something with the back of her hair, but it looked the same as before. "Maybe you're right. Maybe you're right at that." Then she sighed. "But I guess a miss is as good as a mile." "What do you mean?" "I mean anyone would like to correspond with Haron Gorka. Or to know him well. To be considered his friend. Haron Gorka...." The librarian seemed about to soar off into the air someplace, and if five women had been here first, Matilda was now definitely in a hurry. "Um, where can I find Mr. Gorka?" "I'm not supposed to do this, you know. We're not permitted to give the addresses of any of our people. Against regulations, my dear." "What about the other five women?" "They convinced me that I ought to give them his address." Matilda reached into her pocket-book and withdrew a five dollar bill. "Was this the way?" she demanded. Matilda was not very good at this sort of thing. The librarian shook her head. Matilda nodded shrewdly and added a twin brother to the bill in her hand. "Then is this better?" "That's worse. I wouldn't take your money—" "Sorry. What then?" "If I can't enjoy an association with Haron Gorka directly, I still could get the vicarious pleasure of your contact with him. Report to me faithfully and you'll get his address. That's what the other five will do, and with half a dozen of you, I'll get an overall picture. Each one of you will tell me about Haron Gorka, sparing no details. You each have a distinct personality, of course, and it will color each picture considerably. But with six of you reporting, I should receive my share of vicarious enjoyment. Is it—ah—a deal?" Matilda assured her that it was, and, breathlessly, she wrote down the address. She thanked the librarian and then she went out to her car, whistling to herself. Haron Gorka lived in what could have been an agrarian estate, except that the land no longer was being tilled. The house itself had fallen to ruin. This surprised Matilda, but she did not let it keep her spirits in check. Haron Gorka, the man, was what counted, and the librarian's account of him certainly had been glowing enough. Perhaps he was too busy with his cultural pursuits to pay any real attention to his dwelling. That was it, of course: the conspicuous show of wealth or personal industry meant nothing at all to Haron Gorka. Matilda liked him all the more for it. There were five cars parked in the long driveway, and now Matilda's made the sixth. In spite of herself, she smiled. She had not been the only one with the idea to visit Haron Gorka in person. With half a dozen of them there, the laggards who resorted to posting letters would be left far behind. Matilda congratulated herself for what she thought had been her ingenuity, and which now turned out to be something which she had in common with five other women. You live and learn, thought Matilda. And then, quite annoyedly, she berated herself for not having been the first. Perhaps the other five all were satisfactory; perhaps she wouldn't be needed; perhaps she was too late.... As it turned out, she wasn't. Not only that, she was welcomed with open arms. Not by Haron Gorka; that she really might have liked. Instead, someone she could only regard as a menial met her, and when he asked had she come in response to the advertisement, she nodded eagerly. He told her that was fine and he ushered her straight into a room which evidently was to be her living quarters. It contained a small undersized bed, a table, and a chair, and, near a little slot in the wall, there was a button. "You want any food or drink," the servant told her, "and you just press that button. The results will surprise you." "What about Mr. Gorka?" "When he wants you, he will send for you. Meanwhile, make yourself to home, lady, and I will tell him you are here." A little doubtful now, Matilda thanked him and watched him leave. He closed the door softly behind his retreating feet, but Matilda's ears had not missed the ominous click. She ran to the door and tried to open it, but it would not budge. It was locked—from the outside. It must be said to Matilda's favor that she sobbed only once. After that she realized that what is done is done and here, past thirty, she wasn't going to be girlishly timid about it. Besides, it was not her fault if, in his unconcern, Haron Gorka had unwittingly hired a neurotic servant. For a time Matilda paced back and forth in her room, and of what was going on outside she could hear nothing. In that case, she would pretend that there was nothing outside the little room, and presently she lay down on the bed to take a nap. This didn't last long, however: she had a nightmare in which Haron Gorka appeared as a giant with two heads, but, upon awaking with a start, she immediately ascribed that to her overwrought nerves. At that point she remembered what the servant had said about food and she thought at once of the supreme justice she could do to a juicy beefsteak. Well, maybe they didn't have a beefsteak. In that case, she would take what they had, and, accordingly, she walked to the little slot in the wall and pressed the button. She heard the whir of machinery. A moment later there was a soft sliding sound. Through the slot first came a delicious aroma, followed almost instantly by a tray. On the tray were a bowl of turtle soup, mashed potatoes, green peas, bread, a strange cocktail, root-beer, a parfait—and a thick tenderloin sizzling in hot butter sauce. Matilda gasped once and felt about to gasp again—but by then her salivary glands were working overtime, and she ate her meal. The fact that it was precisely what she would have wanted could, of course, be attributed to coincidence, and the further fact that everything was extremely palatable made her forget all about Haron Gorka's neurotic servant. When she finished her meal a pleasant lethargy possessed her, and in a little while Matilda was asleep again. This time she did not dream at all. It was a deep sleep and a restful one, and when she awoke it was with the wonderful feeling that everything was all right. The feeling did not last long. Standing over her was Haron Gorka's servant, and he said, "Mr. Gorka will see you now." "Now?" "Now. That's what you're here for, isn't it?" He had a point there, but Matilda hardly even had time to fix her hair. She told the servant so. "Miss," he replied, "I assure you it will not matter in the least to Haron Gorka. You are here and he is ready to see you and that is all that matters." "You sure?" Matilda wanted to take no chances. "Yes. Come." She followed him out of the little room and across what should have been a spacious dining area, except that everything seemed covered with dust. Of the other women Matilda could see nothing, and she suddenly realized that each of them probably had a cubicle of a room like her own, and that each in her turn had already had her first visit with Haron Gorka. Well, then, she must see to it that she impressed him better than did all the rest, and, later, when she returned to tell the old librarian of her adventures, she could perhaps draw her out and compare notes. She would not admit even to herself that she was disappointed with Haron Gorka. It was not that he was homely and unimpressive; it was just that he was so ordinary -looking. She almost would have preferred the monster of her dreams. He wore a white linen suit and he had mousy hair, drab eyes, an almost-Roman nose, a petulant mouth with the slight arch of the egotist at each corner. He said, "Greetings. You have come—" "In response to your ad. How do you do, Mr. Gorka?" She hoped she wasn't being too formal. But, then, there was no sense in assuming that he would like informality. She could only wait and see and adjust her own actions to suit him. Meanwhile, it would be best to keep on the middle of the road. "I am fine. Are you ready?" "Ready?" "Certainly. You came in response to my ad. You want to hear me talk, do you not?" "I—do." Matilda had had visions of her prince charming sitting back and relaxing with her, telling her of the many things he had done and seen. But first she certainly would have liked to get to know the man. Well, Haron Gorka obviously had more experience along these lines than she did. He waited, however, as if wondering what to say, and Matilda, accustomed to social chatter, gave him a gambit. "I must admit I was surprised when I got exactly what I wanted for dinner," she told him brightly. "Eh? What say? Oh, yes, naturally. A combination of telepathy and teleportation. The synthetic cookery is attuned to your mind when you press the buzzer, and the strength of your psychic impulses determines how closely the meal will adjust to your desires. The fact that the adjustment here was near perfect is commendable. It means either that you have a high psi-quotient, or that you were very hungry." "Yes," said Matilda vaguely. Perhaps it might be better, after all, if Haron Gorka were to talk to her as he saw fit. "Ready?" "Uh—ready." "Well?" "Well, what, Mr. Gorka?" "What would you like me to talk about?" "Oh, anything." "Please. As the ad read, my universal experience—is universal. Literally. You'll have to be more specific." "Well, why don't you tell me about some of your far travels? Unfortunately, while I've done a lot of reading, I haven't been to all the places I would have liked—" "Good enough. You know, of course, how frigid Deneb VII is?" Matilda said, "Beg pardon?" "Well, there was the time our crew—before I had retired, of course—made a crash landing there. We could survive in the vac-suits, of course, but the thlomots were after us almost at once. They go mad over plastic. They will eat absolutely any sort of plastic. Our vac-suits—" "—were made of plastic," Matilda suggested. She did not understand a thing he was talking about, but she felt she had better act bright. "No, no. Must you interrupt? The air-hose and the water feed, these were plastic. Not the rest of the suit. The point is that half of us were destroyed before the rescue ship could come, and the remainder were near death. I owe my life to the mimicry of a flaak from Capella III. It assumed the properties of plastic and led the thlomots a merry chase across the frozen surface of D VII. You travel in the Deneb system now and Interstellar Ordinance makes it mandatory to carry flaaks with you. Excellent idea, really excellent." Almost at once, Matilda's educational background should have told her that Haron Gorka was mouthing gibberish. But on the other hand she wanted to believe in him and the result was that it took until now for her to realize it. "Stop making fun of me," she said. "So, naturally, you'll see flaaks all over that system—" "Stop!" "What's that? Making fun of you?" Haron Gorka's voice had been so eager as he spoke, high-pitched, almost like a child's, and now he seemed disappointed. He smiled, but it was a sad smile, a smile of resignation, and he said, "Very well. I'm wrong again. You are the sixth, and you're no better than the other five. Perhaps you are even more outspoken. When you see my wife, tell her to come back. Again she is right and I am wrong...." Haron Gorka turned his back. Matilda could do nothing but leave the room, walk back through the house, go outside and get into her car. She noticed not without surprise that the other five cars were now gone. She was the last of Haron Gorka's guests to depart. As she shifted into reverse and pulled out of the driveway, she saw the servant leaving, too. Far down the road, he was walking slowly. Then Haron Gorka had severed that relationship, too, and now he was all alone. As she drove back to town, the disappointment melted slowly away. There were, of course, two alternatives. Either Haron Gorka was an eccentric who enjoyed this sort of outlandish tomfoolery, or else he was plainly insane. She could still picture him ranting on aimlessly to no one in particular about places which had no existence outside of his mind, his voice high-pitched and eager. It was not until she had passed the small library building that she remembered what she had promised the librarian. In her own way, the aging woman would be as disappointed as Matilda, but a promise was a promise, and Matilda turned the car in a wide U-turn and parked it outside the library. The woman sat at her desk as Matilda had remembered her, gray, broom-stick figure, rigid. But now when she saw Matilda she perked up visibly. "Hello, my dear," she said. "Hi." "You're back a bit sooner than I expected. But, then, the other five have returned, too, and I imagine your story will be similar." "I don't know what they told you," Matilda said. "But this is what happened to me." She quickly then related everything which had happened, completely and in detail. She did this first because it was a promise, and second because she knew it would make her feel better. "So," she finished, "Haron Gorka is either extremely eccentric or insane. I'm sorry." "He's neither," the librarian contradicted. "Perhaps he is slightly eccentric by your standards, but really, my dear, he is neither." "What do you mean?" "Did he leave a message for his wife?" "Why, yes. Yes, he did. But how did you know? Oh, I suppose he told the five." "No. He didn't. But you were the last and I thought he would give you a message for his wife—" Matilda didn't understand. She didn't understand at all, but she told the little librarian what the message was. "He wanted her to return," she said. The librarian nodded, a happy smile on her lips. "You wouldn't believe me if I told you something." "What's that?" "I am Mrs. Gorka." The librarian stood up and came around the desk. She opened a drawer and took out her hat and perched it jauntily atop her gray hair. "You see, my dear, Haron expects too much. He expects entirely too much." Matilda did not say a word. One madman a day would be quite enough for anybody, but here she found herself confronted with two. "We've been tripping for centuries, visiting every habitable star system from our home near Canopus. But Haron is too demanding. He says I am a finicky traveler, that he could do much better alone, the accommodations have to be just right for me, and so forth. When he loses his temper, he tries to convince me that any number of females of the particular planet would be more than thrilled if they were given the opportunity just to listen to him. "But he's wrong. It's a hard life for a woman. Someday—five thousand, ten thousand years from now—I will convince him. And then we will settle down on Canopus XIV and cultivate torgas . That would be so nice—" "I'm sure." "Well, if Haron wants me back, then I have to go. Have a care, my dear. If you marry, choose a home-body. I've had the experience and you've seen my Haron for yourself." And then the woman was gone. Numbly, Matilda walked to the doorway and watched her angular figure disappear down the road. Of all the crazy things.... Deneb and Capella and Canopus, these were stars. Add a number and you might have a planet revolving about each star. Of all the insane— They were mad, all right, and now Matilda wondered if, actually, they were husband and wife. It could readily be; maybe the madness was catching. Maybe if you thought too much about such things, such travels, you could get that way. Of course, Herman represented the other extreme, and Herman was even worse in his own way—but hereafter Matilda would seek the happy medium. And, above all else, she had had enough of her pen pal columns. They were, she realized, for kids. She ate dinner in Cedar Falls and then she went out to her car again, preparing for the journey back home. The sun had set and it was a clear night, and overhead the great broad sweep of the Milky Way was a pale rainbow bridge in the sky. Matilda paused. Off in the distance there was a glow on the horizon, and that was the direction of Haron Gorka's place. The glow increased; soon it was a bright red pulse pounding on the horizon. It flickered. It flickered again, and finally it was gone. The stars were white and brilliant in the clear country air. That was why Matilda liked the country better than the city, particularly on a clear summer night when you could see the span of the Milky Way. But abruptly the stars and the Milky Way were paled by the brightest shooting star Matilda had ever seen. It flashed suddenly and it remained in view for a full second, searing a bright orange path across the night sky. Matilda gasped and ran into her car. She started the gears and pressed the accelerator to the floor, keeping it there all the way home. It was the first time she had ever seen a shooting star going up .
train	50103	[ "Why did Amanda know Giles so well?", "Why had Harry left Earth?", "How did Giles feel about family in the beginning?", "How is Earth perceived in this story?", "Why couldn't they find a volunteer to man the big ship?", "How does rejuvenation work?", "After seeing Dr. Cobb, what isn't something Giles thought about doing?", "Which word doesn't describe Jordan?", "What is likely the reason that Dr. Vincenti left Earth?", "What is not a lesson Giles learned?" ]	[ [ "she had worked with him for over 100 years", "they had dated once", "she paid attention to what he liked and didn't like", "it was her job to do so" ], [ "to get married and start a family", "the law stated that he must leave due to overpopulation", "he had committed a crime that required him to emigrate to another place", "he had been born illegally on Earth" ], [ "he cared less about them as time wore on", "Harry reminded him too much of his ex-wife", "he liked some of his children, but not all of them", "he loved them but didn't want to travel for ninety years" ], [ "it's run by an intelligent, motivated Council", "it is a weaker planet now because few discoveries are taking place there", "it's in the center of all of the other planets, so it's visited often", "people want to live there, as it's the richest planet" ], [ "the ship wasn't going to be ready for a long time", "there was no proof that it was safe for humans", "the rats didn't survive, so people probably wouldn't", "no one wanted to spend that much time on the ship" ], [ "it re-trains the brain to develop younger cells", "it injects a serum in the body that reverses time", "exercises are done to re-energize muscles", "drugs convince the body to feel younger" ], [ "volunteering to man the big ship", "seeing another doctor for a second opinion", "dating again", "finding a new place to live" ], [ "intelligent", "motivated", "impatient", "heroic" ], [ "he missed his family and wanted to live with them", "he wanted to share his newest discovery with a different planet", "there wasn't a lot of demand for doctors on Earth", "he discovered the truth about rejuvenation" ], [ "All good things come to an end", "Enjoying your job makes life worth living", "Never take life for granted", "Family is an important part of life" ] ]	[ 1, 2, 1, 2, 2, 1, 2, 4, 4, 2 ]	[ 1, 1, 0, 0, 0, 1, 0, 0, 1, 0 ]	The Dwindling Years He didn’t expect to be last—but neither did he anticipate the horror of being the first! By LESTER DEL REY Illustrated by JOHNS NEARLY TWO hundred years of habit carried the chairman of Exodus Corporation through the morning ritual of crossing the executive floor. Giles made the expected comments, smiled the proper smiles and greeted his staff by the right names, but it was purely automatic. Somehow, thinking had grown difficult in the mornings recently. Inside his private office, he dropped all pretense and slumped into the padding of his chair, gasping for breath and feeling his heart hammering in his chest. He’d been a fool to come to work, he realized. But with the Procyon shuttle arriving yesterday, there was no telling what might turn up. Besides, that fool of a medicist had sworn the shot would cure any allergy or asthma. Giles heard his secretary come in, but it wasn’t until the smell of the coffee reached his nose that he looked up. She handed him a filled cup and set the carafe down on the age-polished surface of the big desk. She watched solicitously as he drank. “That bad, Arthur?” she asked. “Just a little tired,” he told her, refilling the cup. She’d made the coffee stronger than usual and it seemed to cut through some of the thickness in his head. “I guess I’m getting old, Amanda.” She smiled dutifully at the time-worn joke, but he knew she wasn’t fooled. She’d cycled to middle age four times in her job and she probably knew him better than he knew himself—which wouldn’t be hard, he thought. He’d hardly recognized the stranger in the mirror as he tried to shave. His normal thinness had looked almost gaunt and there were hollows in his face and circles under his eyes. Even his hair had seemed thinner, though that, of course, was impossible. “Anything urgent on the Procyon shuttle?” he asked as she continue staring at him with worried eyes. SHE JERKED her gaze away guiltily and turned to the incoming basket. “Mostly drugs for experimenting. A personal letter for you, relayed from some place I never heard of. And one of the super-light missiles! They found it drifting half a light-year out and captured it. Jordan’s got a report on it and he’s going crazy. But if you don’t feel well—” “I’m all right!” he told her sharply. Then he steadied himself and managed to smile. “Thanks for the coffee, Amanda.” She accepted dismissal reluctantly. When she was gone, he sat gazing at the report from Jordan at Research. For eighty years now, they’d been sending out the little ships that vanished at greater than the speed of light, equipped with every conceivable device to make them return automatically after taking pictures of wherever they arrived. So far, none had ever returned or been located. This was the first hope they’d found that the century-long trips between stars in the ponderous shuttles might be ended and he should have been filled with excitement at Jordan’s hasty preliminary report. He leafed through it. The little ship apparently had been picked up by accident when it almost collided with a Sirius-local ship. Scientists there had puzzled over it, reset it and sent it back. The two white rats on it had still been alive. Giles dropped the report wearily and picked up the personal message that had come on the shuttle. He fingered the microstrip inside while he drank another coffee, and finally pulled out the microviewer. There were three frames to the message, he saw with some surprise. He didn’t need to see the signature on the first projection. Only his youngest son would have sent an elaborate tercentenary greeting verse—one that would arrive ninety years too late! Harry had been born just before Earth passed the drastic birth limitation act and his mother had spoiled him. He’d even tried to avoid the compulsory emigration draft and stay on with his mother. It had been the bitter quarrels over that which had finally broken Giles’ fifth marriage. Oddly enough, the message in the next frame showed none of that. Harry had nothing but praise for the solar system where he’d been sent. He barely mentioned being married on the way or his dozen children, but filled most of the frame with glowing description and a plea for his father to join him there! GILES SNORTED and turned to the third frame, which showed a group picture of the family in some sort of vehicle, against the background of an alien but attractive world. He had no desire to spend ninety years cooped up with a bunch of callow young emigrants, even in one of the improved Exodus shuttles. And even if Exodus ever got the super-light drive working, there was no reason he should give up his work. The discovery that men could live practically forever had put an end to most family ties; sentiment wore thin in half a century—which wasn’t much time now, though it had once seemed long enough. Strange how the years seemed to get shorter as their number increased. There’d been a song once—something about the years dwindling down. He groped for the lines and couldn’t remember. Drat it! Now he’d probably lie awake most of the night again, trying to recall them. The outside line buzzed musically, flashing Research’s number. Giles grunted in irritation. He wasn’t ready to face Jordan yet. But he shrugged and pressed the button. The intense face that looked from the screen was frowning as Jordan’s eyes seemed to sweep around the room. He was still young—one of the few under a hundred who’d escaped deportation because of special ability—and patience was still foreign to him. Then the frown vanished as an expression of shock replaced it, and Giles felt a sinking sensation. If he looked that bad— But Jordan wasn’t looking at him; the man’s interest lay in the projected picture from Harry, across the desk from the communicator. “Antigravity!” His voice was unbelieving as he turned his head to face the older man. “What world is that?” Giles forced his attention on the picture again and this time he noticed the vehicle shown. It was enough like an old model Earth conveyance to pass casual inspection, but it floated wheellessly above the ground. Faint blur lines indicated it had been moving when the picture was taken. “One of my sons—” Giles started to answer. “I could find the star’s designation....” Jordan cursed harshly. “So we can send a message on the shuttle, begging for their secret in a couple of hundred years! While a hundred other worlds make a thousand major discoveries they don’t bother reporting! Can’t the Council see anything ?” Giles had heard it all before. Earth was becoming a backwater world; no real progress had been made in two centuries; the young men were sent out as soon as their first fifty years of education were finished, and the older men were too conservative for really new thinking. There was a measure of truth in it, unfortunately. “They’ll slow up when their populations fill,” Giles repeated his old answers. “We’re still ahead in medicine and we’ll get the other discoveries eventually, without interrupting the work of making the Earth fit for our longevity. We can wait. We’ll have to.” THE YOUNGER man stared at him with the strange puzzled look Giles had seen too often lately. “Damn it, haven’t you read my report? We know the super-light drive works! That missile reached Sirius in less than ten days. We can have the secret of this antigravity in less than a year! We—” “Wait a minute.” Giles felt the thickness pushing back at his mind and tried to fight it off. He’d only skimmed the report, but this made no sense. “You mean you can calibrate your guiding devices accurately enough to get a missile where you want it and back?” “ What? ” Jordan’s voice rattled the speaker. “Of course not! It took two accidents to get the thing back to us—and with a half-light-year miss that delayed it about twenty years before the Procyon shuttle heard its signal. Pre-setting a course may take centuries, if we can ever master it. Even with Sirius expecting the missiles and ready to cooperate. I mean the big ship. We’ve had it drafted for building long enough; now we can finish it in three months. We know the drive works. We know it’s fast enough to reach Procyon in two weeks. We even know life can stand the trip. The rats were unharmed.” Giles shook his head at what the other was proposing, only partly believing it. “Rats don’t have minds that could show any real damage such as the loss of power to rejuvenate. We can’t put human pilots into a ship with our drive until we’ve tested it more thoroughly, Bill, even if they could correct for errors on arrival. Maybe if we put in stronger signaling transmitters....” “Yeah. Maybe in two centuries we’d have a through route charted to Sirius. And we still wouldn’t have proved it safe for human pilots. Mr. Giles, we’ve got to have the big ship. All we need is one volunteer!” It occurred to Giles then that the man had been too fired with the idea to think. He leaned back, shaking his head again wearily. “All right, Bill. Find me one volunteer. Or how about you? Do you really want to risk losing the rest of your life rather than waiting a couple more centuries until we know it’s safe? If you do, I’ll order the big ship.” Jordan opened his mouth and for a second Giles’ heart caught in a flux of emotions as the man’s offer hovered on his lips. Then the engineer shut his mouth slowly. The belligerence ran out of him. He looked sick, for he had no answer. NO SANE man would risk a chance for near eternity against such a relatively short wait. Heroism had belonged to those who knew their days were numbered, anyhow. “Forget it, Bill,” Giles advised. “It may take longer, but eventually we’ll find a way. With time enough, we’re bound to. And when we do, the ship will be ready.” The engineer nodded miserably and clicked off. Giles turned from the blank screen to stare out of the windows, while his hand came up to twist at the lock of hair over his forehead. Eternity! They had to plan and build for it. They couldn’t risk that plan for short-term benefits. Usually it was too easy to realize that, and the sight of the solid, time-enduring buildings outside should have given him a sense of security. Today, though, nothing seemed to help. He felt choked, imprisoned, somehow lost; the city beyond the window blurred as he studied it, and he swung the chair back so violently that his hand jerked painfully on the forelock he’d been twisting. Then he was staring unbelievingly at the single white hair that was twisted with the dark ones between his fingers. Like an automaton, he bent forward, his other hand groping for the mirror that should be in one of the drawers. The dull pain in his chest sharpened and his breath was hoarse in his throat, but he hardly noticed as he found the mirror and brought it up. His eyes focused reluctantly. There were other white strands in his dark hair. The mirror crashed to the floor as he staggered out of the office. It was only two blocks to Giles’ residence club, but he had to stop twice to catch his breath and fight against the pain that clawed at his chest. When he reached the wood-paneled lobby, he was barely able to stand. Dubbins was at his side almost at once, with a hand under his arm to guide him toward his suite. “Let me help you, sir,” Dubbins suggested, in the tones Giles hadn’t heard since the man had been his valet, back when it was still possible to find personal servants. Now he managed the club on a level of quasi-equality with the members. For the moment, though, he’d slipped back into the old ways. GILES FOUND himself lying on his couch, partially undressed, with the pillows just right and a long drink in his hand. The alcohol combined with the reaction from his panic to leave him almost himself again. After all, there was nothing to worry about; Earth’s doctors could cure anything. “I guess you’d better call Dr. Vincenti,” he decided. Vincenti was a member and would probably be the quickest to get. Dubbins shook his head. “Dr. Vincenti isn’t with us, sir. He left a year ago to visit a son in the Centauri system. There’s a Dr. Cobb whose reputation is very good, sir.” Giles puzzled over it doubtfully. Vincenti had been an oddly morose man the last few times he’d seen him, but that could hardly explain his taking a twenty-year shuttle trip for such a slim reason. It was no concern of his, though. “Dr. Cobb, then,” he said. Giles heard the other man’s voice on the study phone, too low for the words to be distinguishable. He finished the drink, feeling still better, and was sitting up when Dubbins came back. “Dr. Cobb wants you to come to his office at once, sir,” he said, dropping to his knee to help Giles with his shoes. “I’d be pleased to drive you there.” Giles frowned. He’d expected Cobb to come to him. Then he grimaced at his own thoughts. Dubbins’ manners must have carried him back into the past; doctors didn’t go in for home visits now—they preferred to see their patients in the laboratories that housed their offices. If this kept on, he’d be missing the old days when he’d had a mansion and counted his wealth in possessions, instead of the treasures he could build inside himself for the future ahead. He was getting positively childish! Yet he relished the feeling of having Dubbins drive his car. More than anything else, he’d loved being driven. Even after chauffeurs were a thing of the past, Harry had driven him around. Now he’d taken to walking, as so many others had, for even with modern safety measures so strict, there was always a small chance of some accident and nobody had any desire to spend the long future as a cripple. “I’ll wait for you, sir,” Dubbins offered as they stopped beside the low, massive medical building. It was almost too much consideration. Giles nodded, got out and headed down the hall uncertainly. Just how bad did he look? Well, he’d soon find out. He located the directory and finally found the right office, its reception room wall covered with all the degrees Dr. Cobb had picked up in some three hundred years of practice. Giles felt better, realizing it wouldn’t be one of the younger men. COBB APPEARED himself, before the nurse could take over, and led Giles into a room with an old-fashioned desk and chairs that almost concealed the cabinets of equipment beyond. He listened as Giles stumbled out his story. Halfway through, the nurse took a blood sample with one of the little mosquito needles and the machinery behind the doctor began working on it. “Your friend told me about the gray hair, of course,” Cobb said. At Giles’ look, he smiled faintly. “Surely you didn’t think people could miss that in this day and age? Let’s see it.” He inspected it and began making tests. Some were older than Giles could remember—knee reflex, blood pressure, pulse and fluoroscope. Others involved complicated little gadgets that ran over his body, while meters bobbed and wiggled. The blood check came through and Cobb studied it, to go back and make further inspections of his own. At last he nodded slowly. “Hyper-catabolism, of course. I thought it might be. How long since you had your last rejuvenation? And who gave it?” “About ten years ago,” Giles answered. He found his identity card and passed it over, while the doctor studied it. “My sixteenth.” It wasn’t going right. He could feel it. Some of the panic symptoms were returning; the pulse in his neck was pounding and his breath was growing difficult. Sweat ran down his sides from his armpit and he wiped his palms against his coat. “Any particular emotional strain when you were treated—some major upset in your life?” Cobb asked. Giles thought as carefully as he could, but he remembered nothing like that. “You mean—it didn’t take? But I never had any trouble, Doctor. I was one of the first million cases, when a lot of people couldn’t rejuvenate at all, and I had no trouble even then.” Cobb considered it, hesitated as if making up his mind to be frank against his better judgment. “I can’t see any other explanation. You’ve got a slight case of angina—nothing serious, but quite definite—as well as other signs of aging. I’m afraid the treatment didn’t take fully. It might have been some unconscious block on your part, some infection not diagnosed at the time, or even a fault in the treatment. That’s pretty rare, but we can’t neglect the possibility.” HE STUDIED his charts again and then smiled. “So we’ll give you another treatment. Any reason you can’t begin immediately?” Giles remembered that Dubbins was waiting for him, but this was more important. It hadn’t been a joke about his growing old, after all. But now, in a few days, he’d be his old—no, of course not—his young self again! They went down the hall to another office, where Giles waited outside while Cobb conferred with another doctor and technician, with much waving of charts. He resented every second of it. It was as if the almost forgotten specter of age stood beside him, counting the seconds. But at last they were through and he was led into the quiet rejuvenation room, where the clamps were adjusted about his head and the earpieces were fitted. The drugs were shot painlessly into his arm and the light-pulser was adjusted to his brain-wave pattern. It had been nothing like this his first time. Then it had required months of mental training, followed by crude mechanical and drug hypnosis for other months. Somewhere in every human brain lay the memory of what his cells had been like when he was young. Or perhaps it lay in the cells themselves, with the brain as only a linkage to it. They’d discovered that, and the fact that the mind could effect physical changes in the body. Even such things as cancer could be willed out of existence—provided the brain could be reached far below the conscious level and forced to operate. There had been impossible faith cures for millenia—cataracts removed from blinded eyes within minutes, even—but finding the mechanism in the brain that worked those miracles had taken an incredible amount of study and finding a means of bringing it under control had taken even longer. Now they did it with dozens of mechanical aids in addition to the hypnotic instructions—and did it usually in a single sitting, with the full transformation of the body taking less than a week after the treatment! But with all the equipment, it wasn’t impossible for a mistake to happen. It had been no fault of his ... he was sure of that ... his mind was easy to reach ... he could relax so easily.... He came out of it without even a headache, while they were removing the probes, but the fatigue on the operator’s face told him it had been a long and difficult job. He stretched experimentally, with the eternal unconscious expectation that he would find himself suddenly young again. But that, of course, was ridiculous. It took days for the mind to work on all the cells and to repair the damage of time. COBB LED him back to the first office, where he was given an injection of some kind and another sample of his blood was taken, while the earlier tests were repeated. But finally the doctor nodded. “That’s all for now, Mr. Giles. You might drop in tomorrow morning, after I’ve had a chance to complete my study of all this. We’ll know by then whether you’ll need more treatment. Ten o’clock okay?” “But I’ll be all right?” Cobb smiled the automatic reassurance of his profession. “We haven’t lost a patient in two hundred years, to my knowledge.” “Thanks,” said Giles. “Ten o’clock is fine.” Dubbins was still waiting, reading a paper whose headlined feature carried a glowing account of the discovery of the super-light missile and what it might mean. He took a quick look at Giles and pointed to it. “Great work, Mr. Giles. Maybe we’ll all get to see some of those other worlds yet.” Then he studied Giles more carefully. “Everything’s in good shape now, sir?” “The doctor says everything’s going to be fine,” Giles answered. It was then he realized for the first time that Cobb had said no such thing. A statement that lightning had never struck a house was no guarantee that it never would. It was an evasion meant to give such an impression. The worry nagged at him all the way back. Word had already gone around the club that he’d had some kind of attack and there were endless questions that kept it on his mind. And even when it had been covered and recovered, he could still sense the glances of the others, as if he were Vincenti in one of the man’s more morose moods. He found a single table in the dining room and picked his way through the meal, listening to the conversation about him only when it was necessary because someone called across to him. Ordinarily, he was quick to support the idea of clubs in place of private families. A man here could choose his group and grow into them. Yet he wasn’t swallowed by them, as he might be by a family. Giles had been living here for nearly a century now and he’d never regretted it. But tonight his own group irritated him. He puzzled over it, finding no real reason. Certainly they weren’t forcing themselves on him. He remembered once when he’d had a cold, before they finally licked that; Harry had been a complete nuisance, running around with various nostrums, giving him no peace. Constant questions about how he felt, constant little looks of worry—until he’d been ready to yell at the boy. In fact, he had. Funny, he couldn’t picture really losing his temper here. Families did odd things to a man. HE LISTENED to a few of the discussions after the dinner, but he’d heard them all before, except for one about the super-speed drive, and there he had no wish to talk until he could study the final report. He gave up at last and went to his own suite. What he needed was a good night’s sleep after a little relaxation. Even that failed him, though. He’d developed one of the finest chess collections in the world, but tonight it held no interest. And when he drew out his tools and tried working on the delicate, lovely jade for the set he was carving his hands seemed to be all thumbs. None of the other interests he’d developed through the years helped to add to the richness of living now. He gave it up and went to bed—to have the fragment of that song pop into his head. Now there was no escaping it. Something about the years—or was it days—dwindling down to something or other. Could they really dwindle down? Suppose he couldn’t rejuvenate all the way? He knew that there were some people who didn’t respond as well as others. Sol Graves, for instance. He’d been fifty when he finally learned how to work with the doctors and they could only bring him back to about thirty, instead of the normal early twenties. Would that reduce the slice of eternity that rejuvenation meant? And what had happened to Sol? Or suppose it wasn’t rejuvenation, after all; suppose something had gone wrong with him permanently? He fought that off, but he couldn’t escape the nagging doubts at the doctor’s words. He got up once to stare at himself in the mirror. Ten hours had gone by and there should have been some signs of improvement. He couldn’t be sure, though, whether there were or not. He looked no better the next morning when he finally dragged himself up from the little sleep he’d managed to get. The hollows were still there and the circles under his eyes. He searched for the gray in his hair, but the traitorous strands had been removed at the doctor’s office and he could find no new ones. He looked into the dining room and then went by hastily. He wanted no solicitous glances this morning. Drat it, maybe he should move out. Maybe trying family life again would give him some new interests. Amanda probably would be willing to marry him; she’d hinted at a date once. He stopped, shocked by the awareness that he hadn’t been out with a woman for.... He couldn’t remember how long it had been. Nor why. “In the spring, a young man’s fancy,” he quoted to himself, and then shuddered. It hadn’t been that kind of spring for him—not this rejuvenation nor the last, nor the one before that. GILES TRIED to stop scaring himself and partially succeeded, until he reached the doctor’s office. Then it was no longer necessary to frighten himself. The wrongness was too strong, no matter how professional Cobb’s smile! He didn’t hear the preliminary words. He watched the smile vanish as the stack of reports came out. There was no nurse here now. The machines were quiet—and all the doors were shut. Giles shook his head, interrupting the doctor’s technical jargon. Now that he knew there was reason for his fear, it seemed to vanish, leaving a coldness that numbed him. “I’d rather know the whole truth,” he said. His voice sounded dead in his ears. “The worst first. The rejuvenation...?” Cobb sighed and yet seemed relieved. “Failed.” He stopped, and his hands touched the reports on his desk. “Completely,” he added in a low, defeated tone. “But I thought that was impossible!” “So did I. I wouldn’t believe it even yet—but now I find it isn’t the first case. I spent the night at Medical Center going up the ranks until I found men who really know about it. And now I wish I hadn’t.” His voice ran down and he gathered himself together by an effort. “It’s a shock to me, too, Mr. Giles. But—well, to simplify it, no memory is perfect—even cellular memory. It loses a little each time. And the effect is cumulative. It’s like an asymptotic curve—the further it goes, the steeper the curve. And—well, you’ve passed too far.” He faced away from Giles, dropping the reports into a drawer and locking it. “I wasn’t supposed to tell you, of course. It’s going to be tough enough when they’re ready to let people know. But you aren’t the first and you won’t be the last, if that’s any consolation. We’ve got a longer time scale than we used to have—but it’s in centuries, not in eons. For everybody, not just you.” It was no consolation. Giles nodded mechanically. “I won’t talk, of course. How—how long?” Cobb spread his hands unhappily. “Thirty years, maybe. But we can make them better. Geriatric knowledge is still on record. We can fix the heart and all the rest. You’ll be in good physical condition, better than your grandfather—” “And then....” Giles couldn’t pronounce the words. He’d grown old and he’d grow older. And eventually he’d die! An immortal man had suddenly found death hovering on his trail. The years had dwindled and gone, and only a few were left. He stood up, holding out his hand. “Thank you, Doctor,” he said, and was surprised to find he meant it. The man had done all he could and had at least saved him the suspense of growing doubt and horrible eventual discovery. OUTSIDE ON the street, he looked up at the Sun and then at the buildings built to last for thousands of years. Their eternity was no longer a part of him. Even his car would outlast him. He climbed into it, still partly numbed, and began driving mechanically, no longer wondering about the dangers that might possibly arise. Those wouldn’t matter much now. For a man who had thought of living almost forever, thirty years was too short a time to count. He was passing near the club and started to slow. Then he went on without stopping. He wanted no chance to have them asking questions he couldn’t answer. It was none of their business. Dubbins had been kind—but now Giles wanted no kindness. The street led to the office and he drove on. What else was there for him? There, at least, he could still fill his time with work—work that might even be useful. In the future, men would need the super-light drive if they were to span much more of the Universe than now. And he could speed up the work in some ways still, even if he could never see its finish. It would be cold comfort but it was something. And he might keep busy enough to forget sometimes that the years were gone for him. Automatic habit carried him through the office again, to Amanda’s desk, where her worry was still riding her. He managed a grin and somehow the right words came to his lips. “I saw the doctor, Amanda, so you can stop figuring ways to get me there.” She smiled back suddenly, without feigning it. “Then you’re all right?” “As all right as I’ll ever be,” he told her. “They tell me I’m just growing old.” This time her laugh was heartier. He caught himself before he could echo her mirth in a different voice and went inside where she had the coffee waiting for him. Oddly, it still tasted good to him. The projection was off, he saw, wondering whether he’d left it on or not. He snapped the switch and saw the screen light up, with the people still in the odd, wheelless vehicle on the alien planet. FOR A long moment, he stared at the picture without thinking, and then bent closer. Harry’s face hadn’t changed much. Giles had almost forgotten it, but there was still the same grin there. And his grandchildren had a touch of it, too. And of their grandfather’s nose, he thought. Funny, he’d never seen even pictures of his other grandchildren. Family ties melted away too fast for interstellar travel. Yet there seemed to be no slackening of them in Harry’s case, and somehow it looked like a family, rather than a mere group. A very pleasant family in a very pleasant world. He read Harry’s note again, with its praise for the planet and its invitation. He wondered if Dr. Vincenti had received an invitation like that, before he left. Or had he even been one of those to whom the same report had been delivered by some doctor? It didn’t matter, but it would explain things, at least. Twenty years to Centaurus, while the years dwindled down— Then abruptly the line finished itself. “The years dwindle down to a precious few....” he remembered. “A precious few.” Those dwindling years had been precious once. He unexpectedly recalled his own grandfather holding him on an old knee and slipping him candy that was forbidden. The years seemed precious to the old man then. Amanda’s voice came abruptly over the intercom. “Jordan wants to talk to you,” she said, and the irritation was sharp in her voice. “He won’t take no!” Giles shrugged and reached for the projector, to cut it off. Then, on impulse, he set it back to the picture, studying the group again as he switched on Jordan’s wire. But he didn’t wait for the hot words about whatever was the trouble. “Bill,” he said, “start getting the big ship into production. I’ve found a volunteer.” He’d been driven to it, he knew, as he watched the man’s amazed face snap from the screen. From the first suspicion of his trouble, something inside him had been forcing him to make this decision. And maybe it would do no good. Maybe the ship would fail. But thirty years was a number a man could risk. If he made it, though.... Well, he’d see those grandchildren of his this year—and Harry. Maybe he’d even tell Harry the truth, once they got done celebrating the reunion. And there’d be other grandchildren. With the ship, he’d have time enough to look them up. Plenty of time! Thirty years was a long time, when he stopped to think of it. —LESTER DEL REY
train	50869	[ "Which word least describes Ivan?", "What is something Glmpauszn and Joe don't have in common?", "How did Glmpauszn come to Earth?", "How was Glmpauszn communicating with Joe?", "Why couldn't Glmpauszn communicate with Joe the \"normal\" way?", "What is one thing Glmpauszn didn't struggle with when acclimating to Earth?", "What did Joe and Glmpauszn plan to do?", "How does Glmpauszn change throughout the story?", "How does Glmpauszn feel about leaving the world?", "What theme could be taken from this story?" ]	[ [ "confused", "innocent", "concerned", "angry" ], [ "their enjoyment for liquor", "their boss", "their homeland", "their ability to become invisible" ], [ "he teleported", "he was born", "he walked through a mirror", "via spaceship" ], [ "through vibrations", "through the mirror", "telepathically", "through other people" ], [ "Joe wasn't as talented as Glmpauszn", "Joe was trying to avoid Glmpauszn", "Joe had drunk too much alcohol", "Joe was moving around too much" ], [ "slang terms", "meeting people", "emotions", "appropriate clothing" ], [ "eliminate people to take over the world", "eliminate people because they were bothersome", "learn all they could about the human race", "take over and inhabit this world" ], [ "his hatred for humans continues to grow", "he begins to enjoy the customs and ways of humans", "he gets smarter and more powerful", "he begins to love women and money" ], [ "excited to leave", "sad he can't stay", "bittersweet", "angry that they must go" ], [ "enjoy all that life has to offer", "it's better to be safe than sorry", "you never know what people are truly like", "people can't be trusted" ] ]	[ 4, 4, 2, 4, 3, 2, 2, 2, 1, 3 ]	[ 1, 1, 1, 1, 1, 1, 1, 1, 1, 1 ]	A Gleeb for Earth By CHARLES SHAFHAUSER Illustrated by EMSH [Transcriber's Note: This etext was produced from Galaxy Science Fiction May 1953. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] Not to be or not to not be ... that was the not-question for the invader of the not-world. Dear Editor: My 14 year old boy, Ronnie, is typing this letter for me because he can do it neater and use better grammar. I had to get in touch with somebody about this because if there is something to it, then somebody, everybody, is going to point finger at me, Ivan Smernda, and say, "Why didn't you warn us?" I could not go to the police because they are not too friendly to me because of some of my guests who frankly are stew bums. Also they might think I was on booze, too, or maybe the hops, and get my license revoked. I run a strictly legit hotel even though some of my guests might be down on their luck now and then. What really got me mixed up in this was the mysterious disappearance of two of my guests. They both took a powder last Wednesday morning. Now get this. In one room, that of Joe Binkle, which maybe is an alias, I find nothing but a suit of clothes, some butts and the letters I include here in same package. Binkle had only one suit. That I know. And this was it laying right in the middle of the room. Inside the coat was the vest, inside the vest the shirt, inside the shirt the underwear. The pants were up in the coat and inside of them was also the underwear. All this was buttoned up like Binkle had melted out of it and dripped through a crack in the floor. In a bureau drawer were the letters I told you about. Now. In the room right under Binkle's lived another stew bum that checked in Thursday ... name Ed Smith, alias maybe, too. This guy was a real case. He brought with him a big mirror with a heavy bronze frame. Airloom, he says. He pays a week in advance, staggers up the stairs to his room with the mirror and that's the last I see of him. In Smith's room on Wednesday I find only a suit of clothes, the same suit he wore when he came in. In the coat the vest, in the vest the shirt, in the shirt the underwear. Also in the pants. Also all in the middle of the floor. Against the far wall stands the frame of the mirror. Only the frame! What a spot to be in! Now it might have been a gag. Sometimes these guys get funny ideas when they are on the stuff. But then I read the letters. This knocks me for a loop. They are all in different handwritings. All from different places. Stamps all legit, my kid says. India, China, England, everywhere. My kid, he reads. He says it's no joke. He wants to call the cops or maybe some doctor. But I say no. He reads your magazine so he says write to you, send you the letters. You know what to do. Now you have them. Maybe you print. Whatever you do, Mr. Editor, remember my place, the Plaza Ritz Arms, is straight establishment. I don't drink. I never touch junk, not even aspirin. Yours very truly, Ivan Smernda Bombay, India June 8 Mr. Joe Binkle Plaza Ritz Arms New York City Dear Joe: Greetings, greetings, greetings. Hold firm in your wretched projection, for tomorrow you will not be alone in the not-world. In two days I, Glmpauszn, will be born. Today I hang in our newly developed not-pod just within the mirror gateway, torn with the agony that we calculated must go with such tremendous wavelength fluctuations. I have attuned myself to a fetus within the body of a not-woman in the not-world. Already I am static and for hours have looked into this weird extension of the Universe with fear and trepidation. As soon as my stasis was achieved, I tried to contact you, but got no response. What could have diminished your powers of articulate wave interaction to make you incapable of receiving my messages and returning them? My wave went out to yours and found it, barely pulsing and surrounded with an impregnable chimera. Quickly, from the not-world vibrations about you, I learned the not-knowledge of your location. So I must communicate with you by what the not-world calls "mail" till we meet. For this purpose I must utilize the feeble vibrations of various not-people through whose inadequate articulation I will attempt to make my moves known to you. Each time I will pick a city other than the one I am in at the time. I, Glmpauszn, come equipped with powers evolved from your fragmentary reports before you ceased to vibrate to us and with a vast treasury of facts from indirect sources. Soon our tortured people will be free of the fearsome not-folk and I will be their liberator. You failed in your task, but I will try to get you off with light punishment when we return again. The hand that writes this letter is that of a boy in the not-city of Bombay in the not-country of India. He does not know he writes it. Tomorrow it will be someone else. You must never know of my exact location, for the not-people might have access to the information. I must leave off now because the not-child is about to be born. When it is alone in the room, it will be spirited away and I will spring from the pod on the gateway into its crib and will be its exact vibrational likeness. I have tremendous powers. But the not-people must never know I am among them. This is the only way I could arrive in the room where the gateway lies without arousing suspicion. I will grow up as the not-child in order that I might destroy the not-people completely. All is well, only they shot this information file into my matrix too fast. I'm having a hard time sorting facts and make the right decision. Gezsltrysk, what a task! Farewell till later. Glmpauszn Wichita, Kansas June 13 Dear Joe: Mnghjkl, fhfjgfhjklop phelnoprausynks. No. When I communicate with you, I see I must avoid those complexities of procedure for which there are no terms in this language. There is no way of describing to you in not-language what I had to go through during the first moments of my birth. Now I know what difficulties you must have had with your limited equipment. These not-people are unpredictable and strange. Their doctor came in and weighed me again the day after my birth. Consternation reigned when it was discovered I was ten pounds heavier. What difference could it possibly make? Many doctors then came in to see me. As they arrived hourly, they found me heavier and heavier. Naturally, since I am growing. This is part of my instructions. My not-mother (Gezsltrysk!) then burst into tears. The doctors conferred, threw up their hands and left. I learned the following day that the opposite component of my not-mother, my not-father, had been away riding on some conveyance during my birth. He was out on ... what did they call it? Oh, yes, a bender. He did not arrive till three days after I was born. When I heard them say that he was straightening up to come see me, I made a special effort and grew marvelously in one afternoon. I was 36 not-world inches tall by evening. My not-father entered while I was standing by the crib examining a syringe the doctor had left behind. He stopped in his tracks on entering the room and seemed incapable of speech. Dredging into the treasury of knowledge I had come equipped with, I produced the proper phrase for occasions of this kind in the not-world. "Poppa," I said. This was the first use I had made of the so-called vocal cords that are now part of my extended matrix. The sound I emitted sounded low-pitched, guttural and penetrating even to myself. It must have jarred on my not-father's ears, for he turned and ran shouting from the room. They apprehended him on the stairs and I heard him babble something about my being a monster and no child of his. My not-mother appeared at the doorway and instead of being pleased at the progress of my growth, she fell down heavily. She made a distinct thump on the floor. This brought the rest of them on the run, so I climbed out the window and retreated across a nearby field. A prolonged search was launched, but I eluded them. What unpredictable beings! I reported my tremendous progress back to our world, including the cleverness by which I managed to escape my pursuers. I received a reply from Blgftury which, on careful analysis, seems to be small praise indeed. In fact, some of his phrases apparently contain veiled threats. But you know old Blgftury. He wanted to go on this expedition himself and it's his nature never to flatter anyone. From now on I will refer to not-people simply as people, dropping the qualifying preface except where comparisons must be made between this alleged world and our own. It is merely an offshoot of our primitive mythology when this was considered a spirit world, just as these people refer to our world as never-never land and other anomalies. But we learned otherwise, while they never have. New sensations crowd into my consciousness and I am having a hard time classifying them. Anyway, I shall carry on swiftly now to the inevitable climax in which I singlehanded will obliterate the terror of the not-world and return to our world a hero. I cannot understand your not replying to my letters. I have given you a box number. What could have happened to your vibrations? Glmpauszn Albuquerque, New Mexico June 15 Dear Joe: I had tremendous difficulty getting a letter off to you this time. My process—original with myself, by the way—is to send out feeler vibrations for what these people call the psychic individual. Then I establish contact with him while he sleeps and compel him without his knowledge to translate my ideas into written language. He writes my letter and mails it to you. Of course, he has no awareness of what he has done. My first five tries were unfortunate. Each time I took control of an individual who could not read or write! Finally I found my man, but I fear his words are limited. Ah, well. I had great things to tell you about my progress, but I cannot convey even a hint of how I have accomplished these miracles through the thick skull of this incompetent. In simple terms then: I crept into a cave and slipped into a kind of sleep, directing my squhjkl ulytz & uhrytzg ... no, it won't come out. Anyway, I grew overnight to the size of an average person here. As I said before, floods of impressions are driving into my xzbyl ... my brain ... from various nerve and sense areas and I am having a hard time classifying them. My one idea was to get to a chemist and acquire the stuff needed for the destruction of these people. Sunrise came as I expected. According to my catalog of information, the impressions aroused by it are of beauty. It took little conditioning for me finally to react in this manner. This is truly an efficient mechanism I inhabit. I gazed about me at the mixture of lights, forms and impressions. It was strange and ... now I know ... beautiful. However, I hurried immediately toward the nearest chemist. At the same time I looked up and all about me at the beauty. Soon an individual approached. I knew what to do from my information. I simply acted natural. You know, one of your earliest instructions was to realize that these people see nothing unusual in you if you do not let yourself believe they do. This individual I classified as a female of a singular variety here. Her hair was short, her upper torso clad in a woolen garment. She wore ... what are they? ... oh, yes, sneakers. My attention was diverted by a scream as I passed her. I stopped. The woman gesticulated and continued to scream. People hurried from nearby houses. I linked my hands behind me and watched the scene with an attitude of mild interest. They weren't interested in me, I told myself. But they were. I became alarmed, dived into a bush and used a mechanism that you unfortunately do not have—invisibility. I lay there and listened. "He was stark naked," the girl with the sneakers said. A figure I recognized as a police officer spoke to her. "Lizzy, you'll just have to keep these crackpot friends of yours out of this area." "But—" "No more buck-bathing, Lizzy," the officer ordered. "No more speeches in the Square. Not when it results in riots at five in the morning. Now where is your naked friend? I'm going to make an example of him." That was it—I had forgotten clothes. There is only one answer to this oversight on my part. My mind is confused by the barrage of impressions that assault it. I must retire now and get them all classified. Beauty, pain, fear, hate, love, laughter. I don't know one from the other. I must feel each, become accustomed to it. The more I think about it, the more I realize that the information I have been given is very unrealistic. You have been inefficient, Joe. What will Blgftury and the others say of this? My great mission is impaired. Farewell, till I find a more intelligent mind so I can write you with more enlightenment. Glmpauszn Moscow, Idaho June 17 Dear Joe: I received your first communication today. It baffles me. Do you greet me in the proper fringe-zone manner? No. Do you express joy, hope, pride, helpfulness at my arrival? No. You ask me for a loan of five bucks! It took me some time, culling my information catalog to come up with the correct variant of the slang term "buck." Is it possible that you are powerless even to provide yourself with the wherewithal to live in this inferior world? A reminder, please. You and I—I in particular—are now engaged in a struggle to free our world from the terrible, maiming intrusions of this not-world. Through many long gleebs, our people have lived a semi-terrorized existence while errant vibrations from this world ripped across the closely joined vibration flux, whose individual fluctuations make up our sentient population. Even our eminent, all-high Frequency himself has often been jeopardized by these people. The not-world and our world are like two baskets as you and I see them in our present forms. Baskets woven with the greatest intricacy, design and color; but baskets whose convex sides are joined by a thin fringe of filaments. Our world, on the vibrational plane, extends just a bit into this, the not-world. But being a world of higher vibration, it is ultimately tenuous to these gross peoples. While we vibrate only within a restricted plane because of our purer, more stable existence, these people radiate widely into our world. They even send what they call psychic reproductions of their own selves into ours. And most infamous of all, they sometimes are able to force some of our individuals over the fringe into their world temporarily, causing them much agony and fright. The latter atrocity is perpetrated through what these people call mediums, spiritualists and other fatuous names. I intend to visit one of them at the first opportunity to see for myself. Meanwhile, as to you, I would offer a few words of advice. I picked them up while examining the "slang" portion of my information catalog which you unfortunately caused me to use. So, for the ultimate cause—in this, the penultimate adventure, and for the glory and peace of our world—shake a leg, bub. Straighten up and fly right. In short, get hep. As far as the five bucks is concerned, no dice. Glmpauszn Des Moines, Iowa June 19 Dear Joe: Your letter was imponderable till I had thrashed through long passages in my information catalog that I had never imagined I would need. Biological functions and bodily processes which are labeled here "revolting" are used freely in your missive. You can be sure they are all being forwarded to Blgftury. If I were not involved in the most important part of my journey—completion of the weapon against the not-worlders—I would come to New York immediately. You would rue that day, I assure you. Glmpauszn Boise, Idaho July 15 Dear Joe: A great deal has happened to me since I wrote to you last. Systematically, I have tested each emotion and sensation listed in our catalog. I have been, as has been said in this world, like a reed bending before the winds of passion. In fact, I'm rather badly bent indeed. Ah! You'll pardon me, but I just took time for what is known quaintly in this tongue as a "hooker of red-eye." Ha! I've mastered even the vagaries of slang in the not-language.... Ahhh! Pardon me again. I feel much better now. You see, Joe, as I attuned myself to the various impressions that constantly assaulted my mind through this body, I conditioned myself to react exactly as our information catalog instructed me to. Now it is all automatic, pure reflex. A sensation comes to me when I am burned; then I experience a burning pain. If the sensation is a tickle, I experience a tickle. This morning I have what is known medically as a syndrome ... a group of symptoms popularly referred to as a hangover ... Ahhh! Pardon me again. Strangely ... now what was I saying? Oh, yes. Ha, ha. Strangely enough, the reactions that come easiest to the people in this world came most difficult to me. Money-love, for example. It is a great thing here, both among those who haven't got it and those who have. I went out and got plenty of money. I walked invisible into a bank and carried away piles of it. Then I sat and looked at it. I took the money to a remote room of the twenty room suite I have rented in the best hotel here in—no, sorry—and stared at it for hours. Nothing happened. I didn't love the stuff or feel one way or the other about it. Yet all around me people are actually killing one another for the love of it. Anyway.... Ahhh. Pardon me. I got myself enough money to fill ten or fifteen rooms. By the end of the week I should have all eighteen spare rooms filled with money. If I don't love it then, I'll feel I have failed. This alcohol is taking effect now. Blgftury has been goading me for reports. To hell with his reports! I've got a lot more emotions to try, such as romantic love. I've been studying this phenomenon, along with other racial characteristics of these people, in the movies. This is the best place to see these people as they really are. They all go into the movie houses and there do homage to their own images. Very quaint type of idolatry. Love. Ha! What an adventure this is becoming. By the way, Joe, I'm forwarding that five dollars. You see, it won't cost me anything. It'll come out of the pocket of the idiot who's writing this letter. Pretty shrewd of me, eh? I'm going out and look at that money again. I think I'm at last learning to love it, though not as much as I admire liquor. Well, one simply must persevere, I always say. Glmpauszn Penobscot, Maine July 20 Dear Joe: Now you tell me not to drink alcohol. Why not? You never mentioned it in any of your vibrations to us, gleebs ago, when you first came across to this world. It will stint my powers? Nonsense! Already I have had a quart of the liquid today. I feel wonderful. Get that? I actually feel wonderful, in spite of this miserable imitation of a body. There are long hours during which I am so well-integrated into this body and this world that I almost consider myself a member of it. Now I can function efficiently. I sent Blgftury some long reports today outlining my experiments in the realm of chemistry where we must finally defeat these people. Of course, I haven't made the experiments yet, but I will. This is not deceit, merely realistic anticipation of the inevitable. Anyway, what the old xbyzrt doesn't know won't muss his vibrations. I went to what they call a nightclub here and picked out a blonde-haired woman, the kind that the books say men prefer. She was attracted to me instantly. After all, the body I have devised is perfect in every detail ... actually a not-world ideal. I didn't lose any time overwhelming her susceptibilities. I remember distinctly that just as I stooped to pick up a large roll of money I had dropped, her eyes met mine and in them I could see her admiration. We went to my suite and I showed her one of the money rooms. Would you believe it? She actually took off her shoes and ran around through the money in her bare feet! Then we kissed. Concealed in the dermis of the lips are tiny, highly sensitized nerve ends which send sensations to the brain. The brain interprets these impulses in a certain manner. As a result, the fate of secretion in the adrenals on the ends of the kidneys increases and an enlivening of the entire endocrine system follows. Thus I felt the beginnings of love. I sat her down on a pile of money and kissed her again. Again the tingling, again the secretion and activation. I integrated myself quickly. Now in all the motion pictures—true representations of life and love in this world—the man with a lot of money or virtue kisses the girl and tries to induce her to do something biological. She then refuses. This pleases both of them, for he wanted her to refuse. She, in turn, wanted him to want her, but also wanted to prevent him so that he would have a high opinion of her. Do I make myself clear? I kissed the blonde girl and gave her to understand what I then wanted. Well, you can imagine my surprise when she said yes! So I had failed. I had not found love. I became so abstracted by this problem that the blonde girl fell asleep. I thoughtfully drank quantities of excellent alcohol called gin and didn't even notice when the blonde girl left. I am now beginning to feel the effects of this alcohol again. Ha. Don't I wish old Blgftury were here in the vibrational pattern of an olive? I'd get the blonde in and have her eat him out of a Martini. That is a gin mixture. I think I'll get a hot report off to the old so-and-so right now. It'll take him a gleeb to figure this one out. I'll tell him I'm setting up an atomic reactor in the sewage systems here and that all we have to do is activate it and all the not-people will die of chain asphyxiation. Boy, what an easy job this turned out to be. It's just a vacation. Joe, you old gold-bricker, imagine you here all these gleebs living off the fat of the land. Yak, yak. Affectionately. Glmpauszn Sacramento, Calif. July 25 Dear Joe: All is lost unless we work swiftly. I received your revealing letter the morning after having a terrible experience of my own. I drank a lot of gin for two days and then decided to go to one of these seance things. Somewhere along the way I picked up a red-headed girl. When we got to the darkened seance room, I took the redhead into a corner and continued my investigations into the realm of love. I failed again because she said yes immediately. The nerves of my dermis were working overtime when suddenly I had the most frightening experience of my life. Now I know what a horror these people really are to our world. The medium had turned out all the lights. He said there was a strong psychic influence in the room somewhere. That was me, of course, but I was too busy with the redhead to notice. Anyway, Mrs. Somebody wanted to make contact with her paternal grandmother, Lucy, from the beyond. The medium went into his act. He concentrated and sweated and suddenly something began to take form in the room. The best way to describe it in not-world language is a white, shapeless cascade of light. Mrs. Somebody reared to her feet and screeched, "Grandma Lucy!" Then I really took notice. Grandma Lucy, nothing! This medium had actually brought Blgftury partially across the vibration barrier. He must have been vibrating in the fringe area and got caught in the works. Did he look mad! His zyhku was open and his btgrimms were down. Worst of all, he saw me. Looked right at me with an unbelievable pattern of pain, anger, fear and amazement in his matrix. Me and the redhead. Then comes your letter today telling of the fate that befell you as a result of drinking alcohol. Our wrenchingly attuned faculties in these not-world bodies need the loathsome drug to escape from the reality of not-reality. It's true. I cannot do without it now. The day is only half over and I have consumed a quart and a half. And it is dulling all my powers as it has practically obliterated yours. I can't even become invisible any more. I must find the formula that will wipe out the not-world men quickly. Quickly! Glmpauszn Florence, Italy September 10 Dear Joe: This telepathic control becomes more difficult every time. I must pick closer points of communication soon. I have nothing to report but failure. I bought a ton of equipment and went to work on the formula that is half complete in my instructions. Six of my hotel rooms were filled with tubes, pipes and apparatus of all kinds. I had got my mechanism as close to perfect as possible when I realized that, in my befuddled condition, I had set off a reaction that inevitably would result in an explosion. I had to leave there immediately, but I could not create suspicion. The management was not aware of the nature of my activities. I moved swiftly. I could not afford time to bring my baggage. I stuffed as much money into my pockets as I could and then sauntered into the hotel lobby. Assuming my most casual air, I told the manager I was checking out. Naturally he was stunned since I was his best customer. "But why, sir?" he asked plaintively. I was baffled. What could I tell him? "Don't you like the rooms?" he persisted. "Isn't the service good?" "It's the rooms," I told him. "They're—they're—" "They're what?" he wanted to know. "They're not safe." "Not safe? But that is ridiculous. This hotel is...." At this point the blast came. My nerves were a wreck from the alcohol. "See?" I screamed. "Not safe. I knew they were going to blow up!" He stood paralyzed as I ran from the lobby. Oh, well, never say die. Another day, another hotel. I swear I'm even beginning to think like the not-men, curse them. Glmpauszn Rochester, New York September 25 Dear Joe: I have it! It is done! In spite of the alcohol, in spite of Blgftury's niggling criticism, I have succeeded. I now have developed a form of mold, somewhat similar to the antibiotics of this world, that, transmitted to the human organism, will cause a disease whose end will be swift and fatal. First the brain will dissolve and then the body will fall apart. Nothing in this world can stop the spread of it once it is loose. Absolutely nothing. We must use care. Stock in as much gin as you are able. I will bring with me all that I can. Meanwhile I must return to my original place of birth into this world of horrors. There I will secure the gateway, a large mirror, the vibrational point at which we shall meet and slowly climb the frequency scale to emerge into our own beautiful, now secure world. You and I together, Joe, conquerors, liberators. You say you eat little and drink as much as you can. The same with me. Even in this revolting world I am a sad sight. My not-world senses falter. This is the last letter. Tomorrow I come with the gateway. When the gin is gone, we will plant the mold in the hotel where you live. In only a single gleeb it will begin to work. The men of this queer world will be no more. But we can't say we didn't have some fun, can we, Joe? And just let Blgftury make one crack. Just one xyzprlt. I'll have hgutry before the ghjdksla! Glmpauszn Dear Editor: These guys might be queer drunk hopheads. But if not? If soon brain dissolve, body fall apart, how long have we got? Please, anybody who knows answer, write to me—Ivan Smernda, Plaza Ritz Arms—how long is a gleeb?
train	50668	[ "How did Jery feel when he first encountered the security men?", "How did Baxter feel when he first met Jery?", "What does Jery do best?", "Why is the Brain so effective?", "Why were the Space Scouts sent on their mission?", "How did Jery act differently with Anders?", "How did Jery feel when going to Baxter's office the second time?", "What will happen next to Jery?" ]	[ [ "confused and nervous", "frustrated and annoyed", "guilty and sad", "nervous yet excited" ], [ "guilty and sympathetic", "confused and anxious", "frustrated and nervous", "nervous yet excited" ], [ "interplanetary security", "come up with the best ways to sell products", "work closely with women in advertising", "develop products for the advertisement company" ], [ "it explains the best answer to any problem", "it thinks like the most intelligent human", "it uses logic to make the best decisions", "it predicts the problem and the solution before it's asked" ], [ "to research the environment on Mars", "to symbolize peace and harmony amongst the nations", "to show that anyone can travel in outer space", "because the Brain told them to do so" ], [ "he was more helpful than usual", "he provided more detail in his answers", "he was better at observing and noticing things", "he was much more commanding than usual" ], [ "just as nervous and confused", "exhausted and worried", "excited to find out what happens next", "more comfortable and relaxed" ], [ "he will be well-known for finding the Space Scouts", "he will help to improve the Brain", "he will continue to help Baxter", "he will be able to go back to his normal life" ] ]	[ 1, 2, 2, 3, 2, 4, 4, 3 ]	[ 0, 0, 0, 1, 0, 0, 1, 0 ]	THE SECRET MARTIANS by JACK SHARKEY ACE BOOKS, INC. 23 West 47th Street, New York 36, N. Y. THE SECRET MARTIANS Copyright, 1960, by Ace Books, Inc. All Rights Reserved Printed in U.S.A. [Transcriber's Note: Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] MASTER SPY OF THE RED PLANET Jery Delvin had a most unusual talent. He could detect the flaws in any scheme almost on sight—even where they had eluded the best brains in the ad agency where he worked. So when the Chief of World Security told him that he had been selected as the answer to the Solar System's greatest mystery, Jery assumed that it was because of his mental agility. But when he got to Mars to find out why fifteen boys had vanished from a spaceship in mid-space, he found out that even his quick mind needed time to pierce the maze of out-of-this-world double-dealing. For Jery had become a walking bomb, and when he set himself off, it would be the end of the whole puzzle of THE SECRET MARTIANS—with Jery as the first to go! Jack Sharkey decided to be a writer nineteen years ago, in the Fourth Grade, when he realized all at once that "someone wrote all those stories in the textbooks." While everyone else looked forward variously to becoming firemen, cowboys, and trapeze artists, Jack was devouring every book he could get his hands on, figuring that "if I put enough literature into my head, some of it might overflow and come out." After sixteen years of education, Jack found himself teaching high school English in Chicago, a worthwhile career, but "not what one would call zesty." After a two-year Army hitch, and a year in advertising "sublimating my urge to write things for cash," Jack moved to New York, determined to make a career of full-time fiction-writing. Oddly enough, it worked out, and he now does nothing else. He says, "I'd like to say I do this for fulfillment, or for cash, or because it's my destiny; however, the real reason (same as that expressed by Jean Kerr) is that this kind of stay-at-home self-employment lets me sleep late in the morning." 1 I was sitting at my desk, trying to decide how to tell the women of America that they were certain to be lovely in a Plasti-Flex brassiere without absolutely guaranteeing them anything, when the two security men came to get me. I didn't quite believe it at first, when I looked up and saw them, six-feet-plus of steel nerves and gimlet eyes, staring down at me, amidst my litter of sketches, crumpled copy sheets and deadline memos. It was only a fraction of an instant between the time I saw them and the time they spoke to me, but in that miniscule interval I managed to retrace quite a bit of my lifetime up till that moment, seeking vainly for some reason why they'd be standing there, so terribly and inflexibly efficient looking. Mostly, I ran back over all the ads I'd created and/or okayed for Solar Sales, Inc. during my five years with the firm, trying to see just where I'd gone and shaken the security of the government. I couldn't find anything really incriminating, unless maybe it was that hair dye that unexpectedly turned bright green after six weeks in the hair, but that was the lab's fault, not mine. So I managed a weak smile toward the duo, and tried not to sweat too profusely. "Jery Delvin?" said the one on my left, a note of no-funny-business in his brusque baritone. "... Yes," I said, some terrified portion of my mind waiting masochistically for them to draw their collapsers and reduce me to a heap of hot protons. "Come with us," said his companion. I stared at him, then glanced hopelessly at the jumble of things on my desk. "Never mind that stuff," he added. I rose from my place, slipped my jacket from its hook, and started across the office toward the door, each of them falling into rigid step beside me. Marge, my secretary, stood wide-eyed as we passed through her office, heading for the hall exit. "Mr. Delvin," she said, her voice a wispy croak. "When will you be back? The Plasti-Flex man is waiting for your—" I opened my mouth, but one of the security men cut in. "You will be informed," he said to Marge. She was staring after me, open-mouthed, as the door slid neatly shut behind us. " W-Will I be back?" I asked desperately, as we waited for the elevator. "At all? Am I under arrest? What's up, anyhow?" "You will be informed," said the man again. I had to let it go at that. Security men were not hired for their loquaciousness. They had a car waiting at the curb downstairs, in the No Parking zone. The cop on the beat very politely opened the door for them when we got there. Those red-and-bronze uniforms carry an awful lot of weight. Not to mention the golden bulk of their holstered collapsers. There was nothing for me to do but sweat it out and to try and enjoy the ride, wherever we were going. " You are Jery Delvin?" The man who spoke seemed more than surprised; he seemed stunned. His voice held an incredulous squeak, a squeak which would have amazed his subordinates. It certainly amazed me. Because the speaker was Philip Baxter, Chief of Interplanetary Security, second only to the World President in power, and not even that in matters of security. I managed to nod. He shook his white-maned head, slowly. "I don't believe it." "But I am, sir," I insisted doggedly. Baxter pressed the heels of his hands against his eyes for a moment, then sighed, grinned wryly, and waggled an index finger at an empty plastic contour chair. "I guess maybe you are at that, son. Sit down, sit down." I folded gingerly at knees and hips and slid back into the chair, pressing my perspiring palms against the sides of my pants to get rid of their uncomfortably slippery feel. "Thank you, sir." There was a silence, during which I breathed uneasily, and a bit too loudly. Baxter seemed to be trying to say something. "I suppose you're wondering why I've called—" he started, then stopped short and flushed with embarrassment. I felt a sympathetic hot wave flooding my own features. A copy chief in an advertising company almost always reacts to an obvious cliche. Then, with something like a look of relief on his blunt face, he snatched up a brochure from his kidney-shaped desktop and his eyes raced over the lettering on its face. "Jery Delvin," he read, musingly and dispassionately. "Five foot eleven inches tall, brown hair, slate-gray eyes. Citizen. Honest, sober, civic-minded, slightly antisocial...." He looked at me, questioningly. "I'd rather not discuss that, sir, if you don't mind." "Do you mind if I do mind?" "Oh ... Oh, well if you put it like that. It's girls, sir. They block my mind. Ruin my work." "I don't get you." "Well, in my job—See, I've got this gift. I'm a spotter." "A what?" "A spotter. I can't be fooled. By advertising. Or mostly anything else. Except girls." "I'm still not sure that I—" "It's like this. I designate ratios, by the minute. They hand me a new ad, and I read it by a stopwatch. Then, as soon as I spot the clinker, they stop the watch. If I get it in five seconds, it passes. But if I spot it in less, they throw it out and start over again. Or is that clear? No, I guess you're still confused, sir." "Just a bit," Baxter said. I took a deep breath and tried again. "Maybe an example would be better. Uh, you know the one about 'Three out of five New York lawyers use Hamilton Bond Paper for note-taking'?" "I've heard that, yes." "Well, the clinker—that's the sneaky part of the ad, sir, or what we call weasel-wording—the clinker in that one is that while it seems to imply sixty percent of New York lawyers, it actually means precisely what it says: Three out of five. For that particular product, we had to question seventy-nine lawyers before we could come up with three who liked Hamilton Bond, see? Then we took the names of the three, and the names of two of the seventy-six men remaining, and kept them on file." "On file?" Baxter frowned. "What for?" "In case the Federal Trade Council got on our necks. We could prove that three out of five lawyers used the product. Three out of those five. See?" "Ah," said Baxter, grinning. "I begin to. And your job is to test these ads, before they reach the public. What fools you for five seconds will fool the average consumer indefinitely." I sat back, feeling much better. "That's right, sir." Then Baxter frowned again. "But what's this about girls?" "They—they block my thinking, sir, that's all. Why, take that example I just mentioned. In plain writing, I caught the clinker in one-tenth of a second. Then they handed me a layout with a picture of a lawyer dictating notes to his secretary on it. Her legs were crossed. Nice legs. Gorgeous legs...." "How long that time, Delvin?" "Indefinite. Till they took the girl away, sir." Baxter cleared his throat loudly. "I understand, at last. Hence your slight antisocial rating. You avoid women in order to keep your job." "Yes, sir. Even my secretary, Marge, whom I'd never in a million years think of looking at twice, except for business reasons, of course, has to stay out of my office when I'm working, or I can't function." "You have my sympathy, son," Baxter said, not unkindly. "Thank you, sir. It hasn't been easy." "No, I don't imagine it has...." Baxter was staring into some far-off distance. Then he remembered himself and blinked back to the present. "Delvin," he said sharply. "I'll come right to the point. This thing is.... You have been chosen for an extremely important mission." I couldn't have been more surprised had he announced my incipient maternity, but I was able to ask, "Me? For Pete's sake, why, sir?" Baxter looked me square in the eye. "Damned if I know!" 2 I stared at him, nonplussed. He'd spoken with evidence of utmost candor, and the Chief of Interplanetary Security was not one to be accused of a friendly josh, but—"You're kidding!" I said. "You must be. Otherwise, why was I sent for?" "Believe me, I wish I knew," he sighed. "You were chosen, from all the inhabitants of this planet, and all the inhabitants of the Earth Colonies, by the Brain." "You mean that International Cybernetics picked me for a mission? That's crazy, if you'll pardon me, sir." Baxter shrugged, and his genial smile was a bit tightly stretched. "When the current emergency arose and all our usual methods failed, we had to submit the problem to the Brain." "And," I said, beginning to be fascinated by his bewildered manner, "what came out?" He looked at me for a long moment, then picked up that brochure again, and said, without referring to it, "Jery Delvin, five foot eleven inches tall—" "Yes, but read me the part where it says why I was picked," I said, a little exasperated. Baxter eyed me balefully, then skimmed the brochure through the air in my direction. I caught it just short of the carpet. "If you can find it, I'll read it!" he said, almost snarling. I looked over the sheet, then turned it over and scanned the black opposite side. "All it gives is my description, governmental status, and address!" "Uh-huh," Baxter grunted laconically. "It amuses you, does it?" The smile was still on his lips, but there was a grimness in the glitter of his narrowing eyes. "Not really," I said hastily. "It baffles me, to be frank." "If you're sitting there in that hopeful stance awaiting some sort of explanation, you may as well relax," Baxter said shortly. "I have none to make. IC had none to make. Damn it all to hell!" He brought a meaty fist down on the desktop. "No one has an explanation! All we know is that the Brain always picks the right man." I let this sink in, then asked, "What made you ask for a man in the first place, sir? I've always understood that your own staff represented some of the finest minds—" "Hold it, son. Perhaps I didn't make myself clear. We asked for no man. We asked for a solution to an important problem. And your name was what we got. You, son, are the solution." Chief of Security or not, I was getting a little burned up at his highhanded treatment of my emotions. "How nice!" I said icily. "Now if I only knew the problem!" Baxter blinked, then lost some of his scowl. "Yes, of course;" Baxter murmured, lighting up a cigar. He blew a plume of blue smoke toward the ceiling, then continued. "You've heard, of course, of the Space Scouts?" I nodded. "Like the old-time Boy Scouts, only with rocket-names for their various troops in place of the old animal names." "And you recall the recent government-sponsored trip they had? To Mars and back, with the broadly-smiling government picking up the enormous tab?" I detected a tinge of cynicism in his tone, but said nothing. "What a gesture!" Baxter went on, hardly speaking directly to me at all. "Inter-nation harmony! Good will! If these mere boys can get together and travel the voids of space, then so can everyone else! Why should there be tensions between the various nations comprising the World Government, when there's none between these fine lads, one from every civilized nation on Earth?" "You sound disillusioned, sir," I interjected. He stared at me as though I'd just fallen in from the ceiling or somewhere. "Huh? Oh, yes, Delvin, isn't it? Sorry, I got carried away. Where was I?" "You were telling about how this gesture, the WG sending these kids off for an extraterrestrial romp, will cement relations between those nations who have remained hostile despite the unification of all governments on Earth. Personally, I think it was a pretty good idea, myself. Everybody likes kids. Take this jam we were trying to push. Pomegranate Nectar, it was called. Well, sir, it just wouldn't sell, and then we got this red-headed kid with freckles like confetti all over his slightly bucktoothed face, and we—Sir?" I'd paused, because he was staring at me like a man on the brink of apoplexy. I swallowed, and tried to look relaxed. After a moment, he found his voice. "To go on, Delvin. Do you recall what happened to the Space Scouts last week?" I thought a second, then nodded. "They've been having such a good time that the government extended their trip by—Why are you shaking your head that way, sir?" "Because it's not true, Delvin," he said. His voice was suddenly old and tired, and very much in keeping with his snowy hair. "You see, the Space Scouts have vanished." I came up in the chair, ramrod-straight. "Their mothers—they've been getting letters and—" "Forgeries, Fakes. Counterfeits." "You mean whoever took the Scouts is falsifying—" "No. My men are doing the work. Handpicked crews, day and night, have been sending those letters to the trusting mothers. It's been ghastly, Delvin. Hard on the men, terribly hard. Undotted i 's, misuse of tenses, deliberate misspellings. They take it out of an adult, especially an adult with a mind keen enough to get him into Interplanetary Security. We've limited the shifts to four hours per man per day. Otherwise, they'd all be gibbering by now!" "And your men haven't found out anything?" I marvelled. Baxter shook his head. "And you finally had to resort to the Brain, and it gave you my name, but no reason for it?" Baxter cupped his slightly jowled cheeks in his hands and propped his elbows on the desktop, suddenly slipping out of his high position to talk to me man-to-man. "Look, son, an adding machine—which is a minor form of an electronic brain, and even works on the same principle—can tell you that two and two make four. But can it tell you why? "Well, no, but—" "That, in a nutshell is our problem. We coded and fed to the Brain every shred of information at our disposal; the ages of the children, for instance, and all their physical attributes, and where they were last seen, and what they were wearing. Hell, everything! The machine took the factors, weighed them, popped them through its billions of relays and tubes, and out of the end of the answer slot popped a single sheet. The one you just saw. Your dossier." "Then I'm to be sent to Mars?" I said, nervously. "That's just it," Baxter sighed. "We don't even know that! We're like a savage who finds a pistol: used correctly, it's a mean little weapon; pointed the wrong way, it's a quick suicide. So, you are our weapon. Now, the question is: Which way do we point you?" "You got me!" I shrugged hopelessly. "However, since we have nothing else to go on but the locale from which the children vanished, my suggestion would be to send you there." "Mars, you mean," I said. "No, to the spaceship Phobos II . The one they were returning to Earth in when they disappeared." "They disappeared from a spaceship? While in space?" Baxter nodded. "But that's impossible," I said, shaking my head against this disconcerting thought. "Yes," said Baxter. "That's what bothers me." 3 Phobos II , for obvious reasons, was berthed in a Top Security spaceport. Even so, they'd shuttled it into a hangar, safe from the eyes of even their own men, and as a final touch had hidden the ship's nameplate beneath magnetic repair-plates. I had a metal disk—bronze and red, the Security colors—insigniaed by Baxter and counterembossed with the President's special device, a small globe surmounted by clasping hands. It gave me authority to do anything. With such an identification disc, I could go to Times Square and start machine gunning the passers-by, and not one of New York's finest would raise a hand to stop me. And, snugly enholstered, I carried a collapser, the restricted weapon given only to Security Agents, so deadly was its molecule-disrupting beam. Baxter had spent a tremulous hour showing me how to use the weapon, and especially how to turn the beam off. I'd finally gotten the hang of it, though not before half his kidney-shaped desk had flashed into nothingness, along with a good-sized swath of carpeting and six inches of concrete floor. His parting injunction had been. "Be careful, Delvin, huh?" Yes, parting. I was on my own. After all, with a Security disc—the Amnesty, they called it—such as I possessed, and a collapser, I could go anywhere, do anything, commandeer anything I might need. All with no questions asked. Needless to say, I was feeling pretty chipper as I entered the hangar housing Phobos II . At the moment, I was the most influential human being in the known universe. The pilot, as per my videophoned request, was waiting there for me. I saw him as I stepped into the cool shadows of the building from the hot yellow sunlight outside. He was tall, much taller than I, but he seemed nervous as hell. At least he was pacing back and forth amid a litter of half-smoked cigarette butts beside the gleaming tailfins of the spaceship, and a fuming butt was puckered into place in his mouth. "Anders?" I said, approaching to within five feet of him before halting, to get the best psychological effect from my appearance. He turned, saw me, and hurriedly spat the butt out onto the cement floor. "Yes, sir!" he said loudly, throwing me a quivering salute. His eyes were a bit wild as they took me in. And well they might be. An Amnesty-bearer can suddenly decide a subject is not answering questions to his satisfaction and simply blast the annoying party to atoms. It makes for straight responses. Of course, I was dressing the part, in a way. I wore the Amnesty suspended by a thin golden chain from my neck, and for costume I wore a raven-black blouse and matching uniform trousers and boots. I must have looked quite sinister. I'm under six feet, but I'm angular and wiry. Thus, in ominous black, with an Amnesty on my breast and a collapser in my holster, I was a sight to strike even honest citizens into quick examinations of conscience. I felt a little silly, but the outfit was Baxter's idea. "I understand you were aboard the Phobos II when the incident occurred?" I said sternly, which was unusual for my wonted demeanor. "Yes, sir!" he replied swiftly, at stiff attention. "I don't really have any details," I said, and waited for him to take his cue. As an afterthought, to help him talk, I added, "At ease, by the way, Anders." "Thank you, sir," he said, not actually loosening much in his rigid position, but his face looking happier. "See, I was supposed to pilot the kids back here from Mars when their trip was done, and—" He gave a helpless shrug. "I dunno, sir. I got 'em all aboard, made sure they were secure in the takeoff racks, and then I set my coordinates for Earth and took off. Just a run-of-the-mill takeoff, sir." "And when did you notice they were missing?" I asked, looking at the metallic bulk of the ship and wondering what alien force could snatch fifteen fair-sized young boys through its impervious hull without leaving a trace. "Chow time, sir. That's when you expect to have the little—to have the kids in your hair, sir. Everyone wants his rations first—You know how kids are, sir. So I went to the galley and was about to open up the ration packs, when I noticed how damned quiet it was aboard. And especially funny that no one was in the galley waiting for me to start passing the stuff out." "So you searched," I said. Anders nodded sorrowfully. "Not a trace of 'em, sir. Just some of their junk left in their storage lockers." I raised my eyebrows. "Really? I'd be interested in seeing this junk, Anders." "Oh, yes, sir. Right this way, sir. Watch out for these rungs, they're slippery." I ascended the retractable metal rungs that jutted from a point between the tailfins to the open airlock, twenty feet over ground level, and followed Anders inside the ship. I trailed Anders through the ship, from the pilot's compartment—a bewildering mass of dials, switches, signal lights and wire—through the galley into the troop section. It was a cramped cubicle housing a number of nylon-webbed foam rubber bunks. The bunks were empty, but I looked them over anyhow. I carefully tugged back the canvas covering that fitted envelope-fashion over a foam rubber pad, and ran my finger over the surface of the pad. It came away just slightly gritty. "Uh-huh!" I said, smiling. Anders just stared at me. I turned to the storage lockers. "Let's see this junk they were suddenly deprived of." Anders, after a puzzled frown, obediently threw open the doors of the riveted tiers of metal boxes along the rear wall; the wall next to the firing chambers, which I had no particular desire to visit. I glanced inside at the articles therein, and noted with interest their similarity. "Now, then," I resumed, "the thrust of this rocket to get from Mars to Earth is calculated with regard to the mass on board, is that correct?" He nodded. "Good, that clears up an important point. I'd also like to know if this rocket has a dehumidifying system to keep the cast-off moisture from the passengers out of the air?" "Well, sure, sir!" said Anders. "Otherwise, we'd all be swimming in our own sweat after a ten-hour trip across space!" "Have you checked the storage tanks?" I asked. "Or is the cast-off perspiration simply jetted into space?" "No. It's saved, sir. It gets distilled and stored for washing and drinking. Otherwise, we'd all dehydrate, with no water to replace the water we lost." "Check the tanks," I said. Anders, shaking his head, moved into the pilot's section and looked at a dial there. "Full, sir. But that's because I didn't drink very much, and any sweating I did—which was a hell of a lot, in this case—was a source of new water for the tanks." "Uh-huh." I paused and considered. "I suppose the tubing for these tanks is all over the ship? In all the hollow bulkhead space, to take up the moisture fast?" Anders, hopelessly lost, could only nod wearily. "Would it hold—" I did some quick mental arithmetic—"let's say, about twenty-four extra cubic feet?" He stared, then frowned, and thought hard. "Yes, sir," he said, after a minute. "Even twice that, with no trouble, but—" He caught himself short. It didn't pay to be too curious about the aims of an Amnesty-bearer. "It's all right, Anders. You've been a tremendous help. Just one thing. When you left Mars, you took off from the night side, didn't you?" "Why, yes, I did, sir. But how did you—?" "No matter, Anders. That'll be all." "Yes, sir!" He saluted sharply and started off. I started back for Interplanetary Security, and my second—and I hoped, last—interview with Chief Baxter. I had a slight inkling why the Brain had chosen me; because, in the affair of the missing Space Scouts, my infallible talent for spotting the True within the Apparent had come through nicely. I had found a very interesting clinker. 4 "Strange," I remarked to Chief Baxter when I was seated once again in his office, opposite his newly replaced desk. "I hardly acted like myself out at that airfield. I was brusque, highhanded, austere, almost malevolent with the pilot. And I'm ordinarily on the shy side, as a matter of fact." "It's the Amnesty that does it," he said, gesturing toward the disc. It lay on his desk, now, along with the collapser. I felt, with the new information I'd garnered, that my work was done, and that the new data fed into the Brain would produce some other results, not involving me. I looked at the Amnesty, then nodded. "Kind of gets you, after awhile. To know that you are the most influential person in creation is to automatically act the part. A shame, in a way." "The hell it is!" Baxter snapped. "Good grief, man, why'd you think the Amnesty was created in the first place?" I sat up straight and scratched the back of my head. "Now you mention it, I really don't know. It seems a pretty dangerous thing to have about, the way people jump when they see it." "It is dangerous, of course, but it's vitally necessary. You're young, Jery Delvin, and even the finest history course available these days is slanted in favor of World Government. So you have no idea how tough things were before the Amnesty came along. Ever hear of red tape?" I shook my head. "No, I don't believe so. Unless it had something to do with the former communist menace? They called themselves the Reds, I believe...." He waved me silent. "No connection at all, son. No, red tape was, well, involvement. Forms to be signed, certain factors to be considered, protocol to be dealt with, government agencies to be checked with, classifications, bureaus, sub-bureaus, congressional committees. It was impossible, Jery, my boy, to get anything done whatsoever without consulting someone else. And the time lag and paperwork involved made accurate and swift action impossible, sometimes. What we needed, of course, was a person who could simply have all authority, in order to save the sometimes disastrous delays. So we came up with the Amnesty." "But the danger. If you should pick the wrong man—" Baxter smiled. "No chance of that, Jery. We didn't leave it up to any committee or bureau or any other faction to do the picking. Hell, that would have put us right back where we'd been before. No, we left it up to the Brain. We'd find ourselves in a tight situation, and the Brain after being fed the data, would come up with either a solution, or a name." I stared at him. "Then, when I was here before, I was here solely to receive the Amnesty, is that it?" Baxter nodded. "The Brain just picks the men. Then we tell the men the situation, hand over the Amnesty, and pray." I had a sudden thought. "Say, what happens if two men are selected by the Brain? Who has authority over whom?" Baxter grimaced and shivered. "Don't even think such a thing! Even your mentioning such a contingency gives me a small migraine. It'd be unprecedented in the history of the Brain or the Amnesty." He grinned, suddenly. "Besides, it can't happen. There's only one of these—" he tapped the medallion gently "—in existence, Jery. So we couldn't have such a situation!" I sank back into the contour chair, and glanced at my watch. Much too late to go back to work. I'd done a lot in one day, I reasoned. Well, the thing was out of my hands. Baxter had the information I'd come up with, and it had been coded and fed to the Brain. As soon as the solution came through, I could be on my way back to the world of hard and soft sell. "You understand," said Baxter suddenly, "that you're to say nothing whatever about the disappearance of the Space Scouts until this office makes the news public? You know what would happen if this thing should leak!" The intercom on Baxter's desk suddenly buzzed, and a bright red light flashed on. "Ah!" he said, thumbing a knob. "Here we go, at last!" As he exerted pressure on the knob, a thin slit in the side of the intercom began feeding out a long sheet of paper; the new answer from the Brain. It reached a certain length, then was automatically sheared off within the intercom, and the sheet fell gently to the desktop. Baxter picked it up and swiftly scanned its surface. A look of dismay overrode his erstwhile genial features. I had a horrible suspicion. "Not again?" I said softly. Baxter swore under his breath. Then he reached across the desktop and tossed me the Amnesty.
train	51330	[ "What wouldn't Mr. Graham likely wish for at the beginning of the story?", "Which doesn't describe how Molly feels towards her husband?", "Which word best describes Nat?", "Which word least describes McGill?", "Which didn't distract Mr. Graham from getting dinner the first time?", "What didn't happen with the telephone?", "Which good thing didn't come because of Mr. Graham's strange luck?", "Who seemed to get the least annoyed at the restaurant?" ]	[ [ "better weather", "kinder neighbors", "his wife to come home", "a better job" ], [ "wishes he was less clumsy", "loves him dearly", "worries about him when she's gone", "likes taking care of him" ], [ "dishonest", "respectable", "enthusiastic", "partier" ], [ "lucky", "intelligent", "reliable", "logical" ], [ "his wife coming home early", "his telephone was broken", "watching two men fight on the sidewalk", "another encounter with the police officer" ], [ "it worked whenever Mr. Graham tried to use it", "it repeatedly called Molly's mother", "someone needed to come to fix it", "Mr. Graham dropped it" ], [ "Nat got a lead on an exciting new story", "Mr. Graham found inspiration for his book", "his wife came home", "Mr. Graham's neighbor won his poker game" ], [ "the man who ordered cold cuts", "the lady in the evening gown", "the waiter", "the bartender" ] ]	[ 2, 1, 2, 1, 2, 4, 2, 3 ]	[ 1, 0, 0, 0, 1, 1, 1, 0 ]	I am a Nucleus By STEPHEN BARR Illustrated by GAUGHAN [Transcriber's Note: This etext was produced from Galaxy Science Fiction February 1957. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] No doubt whatever about it, I had the Indian sign on me ... my comfortably untidy world had suddenly turned into a monstrosity of order! When I got home from the office, I was not so much tired as beaten down, but the effect is similar. I let myself into the apartment, which had an absentee-wife look, and took a cold shower. The present downtown temperature, according to the radio, was eighty-seven degrees, but according to my Greenwich Village thermometer, it was ninety-six. I got dressed and went into the living room, and wished ardently that my wife Molly were here to tell me why the whole place looked so woebegone. What do they do, I asked myself, that I have left undone? I've vacuumed the carpet, I've dusted and I've straightened the cushions.... Ah! The ashtrays. I emptied them, washed them and put them back, but still the place looked wife-deserted. It had been a bad day; I had forgotten to wind the alarm clock, so I'd had to hurry to make a story conference at one of the TV studios I write for. I didn't notice the impending rain storm and had no umbrella when I reached the sidewalk, to find myself confronted with an almost tropical downpour. I would have turned back, but a taxi came up and a woman got out, so I dashed through the rain and got in. "Madison and Fifty-fourth," I said. "Right," said the driver, and I heard the starter grind, and then go on grinding. After some futile efforts, he turned to me. "Sorry, Mac. You'll have to find another cab. Good hunting." If possible, it was raining still harder. I opened my newspaper over my hat and ran for the subway: three blocks. Whizzing traffic held me up at each crossing and I was soaked when I reached the platform, just in time to miss the local. After an abnormal delay, I got one which exactly missed the express at Fourteenth Street. The same thing happened at both ends of the crosstown shuttle, but I found the rain had stopped when I got out at Fifty-first and Lexington. As I walked across to Madison Avenue, I passed a big excavation where they were getting ready to put up a new office building. There was the usual crowd of buffs watching the digging machines and, in particular, a man with a pneumatic drill who was breaking up some hard-packed clay. While I looked, a big lump of it fell away, and for an instant I was able to see something that looked like a chunk of dirty glass, the size of an old-fashioned hatbox. It glittered brilliantly in the sunlight, and then his chattering drill hit it. There was a faint bang and the thing disintegrated. It knocked him on his back, but he got right up and I realized he was not hurt. At the moment of the explosion—if so feeble a thing can be called one—I felt something sting my face and, on touching it, found blood on my hand. I mopped at it with my handkerchief but, though slight, the bleeding would not stop, so I went into a drugstore and bought some pink adhesive which I put on the tiny cut. When I got to the studio, I found that I had missed the story conference. During the day, by actual count, I heard the phrase "I'm just spitballing" eight times, and another Madison Avenue favorite, "The whole ball of wax," twelve times. However, my story had been accepted without change because nobody had noticed my absence from the conference room. There you have what is known as the Advertising World, the Advertising game or the advertising racket, depending upon which rung of the ladder you have achieved. The subway gave a repeat performance going home, and as I got to the apartment house we live in, the cop on the afternoon beat was standing there talking to the doorman. He said, "Hello, Mr. Graham. I guess you must have just have missed it at your office building." I looked blank and he explained, "We just heard it a little while ago: all six elevators in your building jammed at the same time. Sounds crazy. I guess you just missed it." Anything can happen in advertising, I thought. "That's right, Danny, I just missed it," I said, and went on in. Psychiatry tells us that some people are accident-prone; I, on the other hand, seemed recently to be coincidence-prone, fluke-happy, and except for the alarm clock, I'd had no control over what had been going on. I went into our little kitchen to make a drink and reread the directions Molly had left, telling me how to get along by myself until she got back from her mother's in Oyster Bay, a matter of ten days. How to make coffee, how to open a can, whom to call if I took sick and such. My wife used to be a trained nurse and she is quite convinced that I cannot take a breath without her. She is right, but not for the reasons she supposes. I opened the refrigerator to get some ice and saw another notice: "When you take out the Milk or Butter, Put it Right Back. And Close the Door, too." Intimidated, I took my drink into the living room and sat down in front of the typewriter. As I stared at the novel that was to liberate me from Madison Avenue, I noticed a mistake and picked up a pencil. When I put it down, it rolled off the desk, and with my eyes on the manuscript, I groped under the chair for it. Then I looked down. The pencil was standing on its end. There, I thought to myself, is that one chance in a million we hear about, and picked up the pencil. I turned back to my novel and drank some of the highball in hopes of inspiration and surcease from the muggy heat, but nothing came. I went back and read the whole chapter to try to get a forward momentum, but came to a dead stop at the last sentence. Damn the heat, damn the pencil, damn Madison Avenue and advertising. My drink was gone and I went back to the kitchen and read Molly's notes again to see if they would be like a letter from her. I noticed one that I had missed, pinned to the door of the dumbwaiter: "Garbage picked up at 6:30 AM so the idea is to Put it Here the Night Before. I love you." What can you do when the girl loves you? I made another drink and went and stared out of the living room window at the roof opposite. The Sun was out again and a man with a stick was exercising his flock of pigeons. They wheeled in a circle, hoping to be allowed to perch, but were not allowed to. Pigeons fly as a rule in formation and turn simultaneously, so that their wings all catch the sunlight at the same time. I was thinking about this decorative fact when I saw that as they were making a turn, they seemed to bunch up together. By some curious chance, they all wanted the same place in the sky to turn in, and several collided and fell. The man was as surprised as I and went to one of the dazed birds and picked it up. He stood there shaking his head from side to side, stroking its feathers. My speculations about this peculiar aerial traffic accident were interrupted by loud voices in the hallway. Since our building is usually very well behaved, I was astonished to hear what sounded like an incipient free-for-all, and among the angry voices I recognized that of my neighbor, Nat, a very quiet guy who works on a newspaper and has never, to my knowledge, given wild parties, particularly in the late afternoon. "You can't say a thing like that to me!" I heard him shout. "I tell you I got that deck this afternoon and they weren't opened till we started to play!" Several other loud voices started at the same time. "Nobody gets five straight-flushes in a row!" "Yeah, and only when you were dealer!" The tone of the argument was beginning to get ugly, and I opened the door to offer Nat help if he needed it. There were four men confronting him, evidently torn between the desire to make an angry exit and the impulse to stay and beat him up. His face was furiously red and he looked stunned. "Here!" he said, holding out a deck of cards, "For Pete's sake, look at 'em yourselves if you think they're marked!" The nearest man struck them up from his hand. "Okay, Houdini! So they're not marked! All I know is five straight...." His voice trailed away. He and the others stared at the scattered cards on the floor. About half were face down, as might be expected, and the rest face up—all red. Someone must have rung, because at that moment the elevator arrived and the four men, with half frightened, incredulous looks, and in silence, got in and were taken down. My friend stood looking at the neatly arranged cards. "Judas!" he said, and started to pick them up. "Will you look at that! My God, what a session...." I helped him and said to come in for a drink and tell me all about it, but I had an idea what I would hear. After a while, he calmed down, but he still seemed dazed. "Never seen anything to equal it," he said. "Wouldn't have believed it. Those guys didn't believe it. Every round normal, nothing unusual about the hands—three of a kind, a low straight, that sort of thing and one guy got queens over tens, until it gets to be my deal. Brother! Straight flush to the king—every time! And each time, somebody else has four aces...." He started to sweat again, so I got up to fix him another drink. There was one quart of club soda left, but when I tried to open it, the top broke and glass chips got into the bottle. "I'll have to go down for more soda," I said. "I'll come, too. I need air." At the delicatessen on the corner, the man gave me three bottles in what must have been a wet bag, because as he handed them to me over the top of the cold-meat display, the bottom gave and they fell onto the tile floor. None of them broke, although the fall must have been from at least five feet. Nat was too wound up in his thoughts to notice and I was getting used to miracles. We left the proprietor with his mouth open and met Danny, the cop, looking in at the door, also with his mouth open. On the sidewalk, a man walking in front of Nat stooped suddenly to tie his shoe and Nat, to avoid bumping him, stepped off the curb and a taxi swerved to avoid Nat. The street was still wet and the taxi skidded, its rear end lightly flipping the front of one of those small foreign cars, which was going rather fast. It turned sideways and, without any side-slip, went right up the stoop of a brownstone opposite, coming to rest with its nose inside the front door, which a man opened at that moment. The sight of this threw another driver into a skid, and when he and the taxi had stopped sliding around, they were face to face, arranged crosswise to the street. This gave them exactly no room to move either forward or backward, for the car had its back to a hydrant and the taxi to a lamp. Although rather narrow, this is a two-way street, and in no time at all, traffic was stacked up from both directions as far as the avenues. Everyone was honking his horn. Danny was furious—more so when he tried to put through a call to his station house from the box opposite. It was out of order. Upstairs, the wind was blowing into the apartment and I closed the windows, mainly to shut out the tumult and the shouting. Nat had brightened up considerably. "I'll stay for one more drink and then I'm due at the office," he said. "You know, I think this would make an item for the paper." He grinned and nodded toward the pandemonium. When he was gone, I noticed it was getting dark and turned on the desk lamp. Then I saw the curtains. They were all tied in knots, except one. That was tied in three knots. All right , I told myself, it was the wind. But I felt the time had come for me to get expert advice, so I went to the phone to call McGill. McGill is an assistant professor of mathematics at a university uptown and lives near us. He is highly imaginative, but we believe he knows everything. When I picked up the receiver, the line sounded dead and I thought, more trouble. Then I heard a man cough and I said hello. McGill's voice said, "Alec? You must have picked up the receiver just as we were connected. That's a damn funny coincidence." "Not in the least," I said. "Come on over here. I've got something for you to work on." "Well, as a matter of fact, I was calling up to ask you and Molly—" "Molly's away for the week. Can you get over here quick? It's urgent." "At once," he said, and hung up. While I waited, I thought I might try getting down a few paragraphs of my novel—perhaps something would come now. It did, but as I came to a point where I was about to put down the word "agurgling," I decided it was too reminiscent of Gilbert and Sullivan, and stopped at the letter "R." Then I saw that I had unaccountably hit all four keys one step to the side of the correct ones, and tore out the page, with my face red. This was absolutely not my day. "Well," McGill said, "nothing you've told me is impossible or supernatural. Just very, very improbable. In fact, the odds against that poker game alone would lead me to suspect Nat, well as I know him. It's all those other things...." He got up and walked over to the window and looked at the hot twilight while I waited. Then he turned around; he had a look of concern. "Alec, you're a reasonable guy, so I don't think you'll take offense at what I'm going to say. What you have told me is so impossibly unlikely, and the odds against it so astronomical, that I must take the view that you're either stringing me or you're subject to a delusion." I started to get up and expostulate, but he motioned me back. "I know, but don't you see that that is far more likely than...." He stopped and shook his head. Then he brightened. "I have an idea. Maybe we can have a demonstration." He thought for a tense minute and snapped his fingers. "Have you any change on you?" "Why, yes," I said. "Quite a bit." I reached into my pocket. There must have been nearly two dollars in silver and pennies. "Do you think they'll each have the same date, perhaps?" "Did you accumulate all that change today?" "No. During the week." He shook his head. "In that case, no. Discounting the fact that you could have prearranged it, if my dim provisional theory is right, that would be actually impossible. It would involve time-reversal. I'll tell you about it later. No, just throw down the change. Let's see if they all come up heads." I moved away from the carpet and tossed the handful of coins onto the floor. They clattered and bounced—and bounced together—and stacked themselves into a neat pile. I looked at McGill. His eyes were narrowed. Without a word, he took a handful of coins from his own pocket and threw them. These coins didn't stack. They just fell into an exactly straight line, the adjacent ones touching. "Well," I said, "what more do you want?" "Great Scott," he said, and sat down. "I suppose you know that there are two great apparently opposite principles governing the Universe—random and design. The sands on the beach are an example of random distribution and life is an example of design. The motions of the particles of a gas are what we call random, but there are so many of them, we treat them statistically and derive the Second Law of Thermodynamics—quite reliable. It isn't theoretically hard-and-fast; it's just a matter of extreme probability. Now life, on the other hand, seems not to depend on probability at all; actually, it goes against it. Or you might say it is certainly not an accidental manifestation." "Do you mean," I asked in some confusion, "that some form of life is controlling the coins and—the other things?" He shook his head. "No. All I mean is that improbable things usually have improbable explanations. When I see a natural law being broken, I don't say to myself, 'Here's a miracle.' I revise my version of the book of rules. Something—I don't know what—is going on, and it seems to involve probability, and it seems to center around you. Were you still in that building when the elevators stuck? Or near it?" "I guess I must have been. It happened just after I left." "Hm. You're the center, all right. But why?" "Center of what?" I asked. "I feel as though I were the center of an electrical storm. Something has it in for me!" McGill grinned. "Don't be superstitious. And especially don't be anthropomorphic." "Well, if it's the opposite of random, it's got to be a form of life." "On what basis? All we know for certain is that random motions are being rearranged. A crystal, for example, is not life, but it's a non-random arrangement of particles.... I wonder." He had a faraway, frowning look. I was beginning to feel hungry and the drinks had worn off. "Let's go out and eat," I said, "There's not a damn thing in the kitchen and I'm not allowed to cook. Only eggs and coffee." We put on our hats and went down to the street. From either end, we could hear wrecking trucks towing away the stalled cars. There were, by this time, a number of harassed cops directing the maneuver and we heard one of them say to Danny, "I don't know what the hell's going on around here. Every goddam car's got something the matter with it. They can't none of them back out for one reason or another. Never seen anything like it." Near us, two pedestrians were doing a curious little two-step as they tried to pass one another; as soon as one of them moved aside to let the other pass, the other would move to the same side. They both had embarrassed grins on their faces, but before long their grins were replaced by looks of suspicion and then determination. "All right, smart guy!" they shouted in unison, and barged ahead, only to collide. They backed off and threw simultaneous punches which met in mid-air. Then began one of the most remarkable bouts ever witnessed—a fight in which fist hit fist but never anything else, until both champions backed away undefeated, muttering identical excuses and threats. Danny appeared at that moment. His face was dripping. "You all right, Mr. Graham?" he asked. "I don't know what's going on around here, but ever since I came on this afternoon, things are going crazy. Bartley!" he shouted—he could succeed as a hog-caller. "Bring those dames over here!" Three women in a confused wrangle, with their half-open umbrellas intertwined, were brought across the street, which meant climbing over fenders. Bartley, a fine young patrolman, seemed self-conscious; the ladies seemed not to be. "All right, now, Mrs. Mac-Philip!" one of them said. "Leave go of my umbrella and we'll say no more about it!" "And so now it's Missus Mac-Philip, is it?" said her adversary. The third, a younger one with her back turned to us, her umbrella also caught in the tangle, pulled at it in a tentative way, at which the other two glared at her. She turned her head away and tried to let go, but the handle was caught in her glove. She looked up and I saw it was Molly. My nurse-wife. "Oh, Alec!" she said, and managed to detach herself. "Are you all right?" Was I all right! "Molly! What are you doing here?" "I was so worried, and when I saw all this, I didn't know what to think." She pointed to the stalled cars. "Are you really all right?" "Of course I'm all right. But why...." "The Oyster Bay operator said someone kept dialing and dialing Mother's number and there wasn't anyone on the line, so then she had it traced and it came from our phone here. I kept calling up, but I only got a busy signal. Oh, dear, are you sure you're all right?" I put my arm around her and glanced at McGill. He had an inward look. Then I caught Danny's eye. It had a thoughtful, almost suspicious cast to it. "Trouble does seem to follow you, Mr. Graham," was all he said. When we got upstairs, I turned to McGill. "Explain to Molly," I said. "And incidentally to me. I'm not properly briefed yet." He did so, and when he got to the summing up, I had the feeling she was a jump ahead of him. "In other words, you think it's something organic?" "Well," McGill said, "I'm trying to think of anything else it might be. I'm not doing so well," he confessed. "But so far as I can see," Molly answered, "it's mere probability, and without any over-all pattern." "Not quite. It has a center. Alec is the center." Molly looked at me with a curious expression for a moment. "Do you feel all right, darling?" she asked me. I nodded brightly. "You'll think this silly of me," she went on to McGill, "but why isn't it something like an overactive poltergeist?" "Pure concept," he said. "No genuine evidence." "Magnetism?" "Absolutely not. For one thing, most of the objects affected weren't magnetic—and don't forget magnetism is a force, not a form of energy, and a great deal of energy has been involved. I admit the energy has mainly been supplied by the things themselves, but in a magnetic field, all you'd get would be stored kinetic energy, such as when a piece of iron moves to a magnet or a line of force. Then it would just stay there, like a rundown clock weight. These things do a lot more than that—they go on moving." "Why did you mention a crystal before? Why not a life-form?" "Only an analogy," said McGill. "A crystal resembles life in that it has a definite shape and exhibits growth, but that's all. I'll agree this—thing—has no discernible shape and motion is involved, but plants don't move and amebas have no shape. Then a crystal feeds, but it does not convert what it feeds on; it merely rearranges it into a non-random pattern. In this case, it's rearranging random motions and it has a nucleus and it seems to be growing—at least in what you might call improbability." Molly frowned. "Then what is it? What's it made of?" "I should say it was made of the motions. There's a similar idea about the atom. Another thing that's like a crystal is that it appears to be forming around a nucleus not of its own material—the way a speck of sand thrown into a supersaturated solution becomes the nucleus of crystallization." "Sounds like the pearl in an oyster," Molly said, and gave me an impertinent look. "Why," I asked McGill, "did you say the coins couldn't have the same date? I mean apart from the off chance I got them that way." "Because I don't think this thing got going before today and everything that's happened can all be described as improbable motions here and now. The dates were already there, and to change them would require retroactive action, reversing time. That's out, in my book. That telephone now—" The doorbell rang. We were not surprised to find it was the telephone repairman. He took the set apart and clucked like a hen. "I guess you dropped it on the floor, mister," he said with strong disapproval. "Certainly not," I said. "Is it broken?" "Not exactly broken , but—" He shook his head and took it apart some more. McGill went over and they discussed the problem in undertones. Finally the man left and Molly called her mother to reassure her. McGill tried to explain to me what had happened with the phone. "You must have joggled something loose. And then you replaced the receiver in such a way that the contact wasn't quite open." "But for Pete's sake, Molly says the calls were going on for a long time! I phoned you only a short time ago and it must have taken her nearly two hours to get here from Oyster Bay." "Then you must have done it twice and the vibrations in the floor—something like that—just happened to cause the right induction impulses. Yes, I know how you feel," he said, seeing my expression. "It's beginning to bear down." Molly was through telephoning and suggested going out for dinner. I was so pleased to see her that I'd forgotten all about being hungry. "I'm in no mood to cook," she said. "Let's get away from all this." McGill raised an eyebrow. "If all this, as you call it, will let us." In the lobby, we ran into Nat, looking smug in a journalistic way. "I've been put on the story—who could be better?—I live here. So far, I don't quite get what's been happening. I've been talking to Danny, but he didn't say much. I got the feeling he thinks you're involved in some mystical, Hibernian way. Hello, McGill, what's with you?" "He's got a theory," said Molly. "Come and eat with us and he'll tell you all about it." Since we decided on an air-conditioned restaurant nearby on Sixth Avenue, we walked. The jam of cars didn't seem to be any less than before and we saw Danny again. He was talking to a police lieutenant, and when he caught sight of us, he said something that made the lieutenant look at us with interest. Particularly at me. "If you want your umbrella, Mrs. Graham," Danny said, "it's at the station house. What there's left of it, that is." Molly thanked him and there was a short pause, during which I felt the speculative regard of the lieutenant. I pulled out a packet of cigarettes, which I had opened, as always, by tearing off the top. I happened to have it upside down and all the cigarettes fell out. Before I could move my foot to obliterate what they had spelled out on the sidewalk, the two cops saw it. The lieutenant gave me a hard look, but said nothing. I quickly kicked the insulting cigarettes into the gutter. When we got to the restaurant, it was crowded but cool—although it didn't stay cool for long. We sat down at a side table near the door and ordered Tom Collinses as we looked at the menu. Sitting at the next table were a fat lady, wearing a very long, brilliant green evening gown, and a dried-up sour-looking man in a tux. When the waiter returned, they preempted him and began ordering dinner fussily: cold cuts for the man, and vichyssoise, lobster salad and strawberry parfait for the fat lady. I tasted my drink. It was most peculiar; salt seemed to have been used instead of sugar. I mentioned this and my companions tried theirs, and made faces. The waiter was concerned and apologetic, and took the drinks back to the bar across the room. The bartender looked over at us and tasted one of the drinks. Then he dumped them in his sink with a puzzled expression and made a new batch. After shaking this up, he set out a row of glasses, put ice in them and began to pour. That is to say he tilted the shaker over the first one, but nothing came out. He bumped it against the side of the bar and tried again. Still nothing. Then he took off the top and pried into it with his pick, his face pink with exasperation. I had the impression that the shaker had frozen solid. Well, ice is a crystal, I thought to myself. The other bartender gave him a fresh shaker, but the same thing happened, and I saw no more because the customers sitting at the bar crowded around in front of him, offering advice. Our waiter came back, baffled, saying he'd have the drinks in a moment, and went to the kitchen. When he returned, he had madame's vichyssoise and some rolls, which he put down, and then went to the bar, where the audience had grown larger. Molly lit a cigarette and said, "I suppose this is all part of it, Alec. Incidentally, it seems to be getting warmer in here." It was, and I had the feeling the place was quieter—a background noise had stopped. It dawned on me that I no longer heard the faint hum of the air-conditioner over the door, and as I started to say so, I made a gesture toward it. My hand collided with Molly's when she tapped her cigarette over the ashtray, and the cigarette landed in the neighboring vichyssoise. "Hey! What's the idea?" snarled the sour-looking man. "I'm terribly sorry," I said. "It was an accident. I—" "Throwing cigarettes at people!" the fat lady said. "I really didn't mean to," I began again, getting up. There must have been a hole in the edge of their tablecloth which one of my cuff buttons caught in, because as I stepped out from between the closely set tables, I pulled everything—tablecloth, silver, water glasses, ashtrays and the vichyssoise-à-la-nicotine—onto the floor. The fat lady surged from the banquette and slapped me meatily. The man licked his thumb and danced as boxers are popularly supposed to do. The owner of the place, a man with thick black eyebrows, hustled toward us with a determined manner. I tried to explain what had happened, but I was outshouted, and the owner frowned darkly.
train	51129	[ "Was Kalrab correct in how he felt about the Earthmen?", "Who was the only one to listen and agree with Zotul?", "What wasn't something unheard of that the Earthmen brought to Zur?", "Who changed the least throughout the story?", "What word doesn't describe Broderick?", "What would the average Zur resident say of the Earthmen?", "What was the main reason the Masur company failed?", "How had the brothers changed by the end of the story?", "What was the real reason for the Earthmen to come to Zur?" ]	[ [ "Kind of - he was right when he said the Earthmen weren't something to worry about, but he was wrong about clay lasting forever", "No - he said clay and their fortune would last forever, and he was wrong", "Yes - he said the Earthmen weren't something to worry about, and he was right", "Yes - he said clay and their fortune would last forever, and he was right" ], [ "Koltan", "Zotul's wife", "Kalrab", "Broderick" ], [ "the idea of credit", "new roads", "government", "metal pots" ], [ "Broderick", "Kalrab", "Koltan", "Zotul" ], [ "manipulative", "patient", "intelligent", "selfish" ], [ "they were so controlling that it was scary", "they were afraid to fight the Earthmen", "they brought about many changes, mostly for the best", "they would rather be without the items brought by the Earthmen" ], [ "Zotul relied on the Earthmen too much", "the Earthmen improved and controlled everything on Zur", "lack of effort from the brothers", "the brothers borrowed too much to every pay it back" ], [ "they cared more about Zotul", "they were so defeated they no longer beat him", "they decided to give him more responsibility in the company", "they hated Zotul more than ever" ], [ "they wanted to take over without war", "they wanted to share their technology with other worlds", "they wanted to find ways to make more money", "they wanted to discover intelligent life on other planets" ] ]	[ 2, 3, 3, 1, 4, 3, 2, 2, 1 ]	[ 1, 1, 1, 1, 1, 1, 0, 1, 1 ]	A Gift From Earth By MANLY BANISTER Illustrated by KOSSIN [Transcriber's Note: This etext was produced from Galaxy Science Fiction August 1955. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] Except for transportation, it was absolutely free ... but how much would the freight cost? "It is an outrage," said Koltan of the House of Masur, "that the Earthmen land among the Thorabians!" Zotul, youngest of the Masur brothers, stirred uneasily. Personally, he was in favor of the coming of the Earthmen to the world of Zur. At the head of the long, shining table sat old Kalrab Masur, in his dotage, but still giving what he could of aid and comfort to the Pottery of Masur, even though nobody listened to him any more and he knew it. Around the table sat the six brothers—Koltan, eldest and Director of the Pottery; Morvan, his vice-chief; Singula, their treasurer; Thendro, sales manager; Lubiosa, export chief; and last in the rank of age, Zotul, who was responsible for affairs of design. "Behold, my sons," said Kalrab, stroking his scanty beard. "What are these Earthmen to worry about? Remember the clay. It is our strength and our fortune. It is the muscle and bone of our trade. Earthmen may come and Earthmen may go, but clay goes on forever ... and with it, the fame and fortune of the House of Masur." "It is a damned imposition," agreed Morvan, ignoring his father's philosophical attitude. "They could have landed just as easily here in Lor." "The Thorabians will lick up the gravy," said Singula, whose mind ran rather to matters of financial aspect, "and leave us the grease." By this, he seemed to imply that the Thorabians would rob the Earthmen, which the Lorians would not. The truth was that all on Zur were panting to get their hands on that marvelous ship, which was all of metal, a very scarce commodity on Zur, worth billions of ken. Lubiosa, who had interests in Thorabia, and many agents there, kept his own counsel. His people were active in the matter and that was enough for him. He would report when the time was ripe. "Doubtless," said Zotul unexpectedly, for the youngest at a conference was expected to keep his mouth shut and applaud the decisions of his elders, "the Earthmen used all the metal on their planet in building that ship. We cannot possibly bilk them of it; it is their only means of transport." Such frank expression of motive was unheard of, even in the secret conclave of conference. Only the speaker's youth could account for it. The speech drew scowls from the brothers and stern rebuke from Koltan. "When your opinion is wanted, we will ask you for it. Meantime, remember your position in the family." Zotul bowed his head meekly, but he burned with resentment. "Listen to the boy," said the aged father. "There is more wisdom in his head than in all the rest of you. Forget the Earthmen and think only of the clay." Zotul did not appreciate his father's approval, for it only earned him a beating as soon as the old man went to bed. It was a common enough thing among the brothers Masur, as among everybody, to be frustrated in their desires. However, they had Zotul to take it out upon, and they did. Still smarting, Zotul went back to his designing quarters and thought about the Earthmen. If it was impossible to hope for much in the way of metal from the Earthmen, what could one get from them? If he could figure this problem out, he might rise somewhat in the estimation of his brothers. That wouldn't take him out of the rank of scapegoat, of course, but the beatings might become fewer and less severe. By and by, the Earthmen came to Lor, flying through the air in strange metal contraptions. They paraded through the tile-paved streets of the city, marveled here, as they had in Thorabia, at the buildings all of tile inside and out, and made a great show of themselves for all the people to see. Speeches were made through interpreters, who had much too quickly learned the tongue of the aliens; hence these left much to be desired in the way of clarity, though their sincerity was evident. The Earthmen were going to do great things for the whole world of Zur. It required but the cooperation—an excellent word, that—of all Zurians, and many blessings would rain down from the skies. This, in effect, was what the Earthmen had to say. Zotul felt greatly cheered, for it refuted the attitude of his brothers without earning him a whaling for it. There was also some talk going around about agreements made between the Earthmen and officials of the Lorian government, but you heard one thing one day and another the next. Accurate reporting, much less a newspaper, was unknown on Zur. Finally, the Earthmen took off in their great, shining ship. Obviously, none had succeeded in chiseling them out of it, if, indeed, any had tried. The anti-Earthmen Faction—in any culture complex, there is always an "anti" faction to protest any movement of endeavor—crowed happily that the Earthmen were gone for good, and a good thing, too. Such jubilation proved premature, however. One day, a fleet of ships arrived and after they had landed all over the planet, Zur was practically acrawl with Earthmen. Immediately, the Earthmen established what they called "corporations"—Zurian trading companies under terrestrial control. The object of the visit was trade. In spite of the fact that a terrestrial ship had landed at every Zurian city of major and minor importance, and all in a single day, it took some time for the news to spread. The first awareness Zotul had was that, upon coming home from the pottery one evening, he found his wife Lania proudly brandishing an aluminum pot at him. "What is that thing?" he asked curiously. "A pot. I bought it at the market." "Did you now? Well, take it back. Am I made of money that you spend my substance for some fool's product of precious metal? Take it back, I say!" The pretty young wife laughed at him. "Up to your ears in clay, no wonder you hear nothing of news! The pot is very cheap. The Earthmen are selling them everywhere. They're much better than our old clay pots; they're light and easy to handle and they don't break when dropped." "What good is it?" asked Zotul, interested. "How will it hold heat, being so light?" "The Earthmen don't cook as we do," she explained patiently. "There is a paper with each pot that explains how it is used. And you will have to design a new ceramic stove for me to use the pots on." "Don't be idiotic! Do you suppose Koltan would agree to produce a new type of stove when the old has sold well for centuries? Besides, why do you need a whole new stove for one little pot?" "A dozen pots. They come in sets and are cheaper that way. And Koltan will have to produce the new stove because all the housewives are buying these pots and there will be a big demand for it. The Earthman said so." "He did, did he? These pots are only a fad. You will soon enough go back to cooking with your old ones." "The Earthman took them in trade—one reason why the new ones are so cheap. There isn't a pot in the house but these metal ones, and you will have to design and produce a new stove if you expect me to use them." After he had beaten his wife thoroughly for her foolishness, Zotul stamped off in a rage and designed a new ceramic stove, one that would accommodate the terrestrial pots very well. And Koltan put the model into production. "Orders already are pouring in like mad," he said the next day. "It was wise of you to foresee it and have the design ready. Already, I am sorry for thinking as I did about the Earthmen. They really intend to do well by us." The kilns of the Pottery of Masur fired day and night to keep up with the demand for the new porcelain stoves. In three years, more than a million had been made and sold by the Masurs alone, not counting the hundreds of thousands of copies turned out by competitors in every land. In the meantime, however, more things than pots came from Earth. One was a printing press, the like of which none on Zur had ever dreamed. This, for some unknown reason and much to the disgust of the Lorians, was set up in Thorabia. Books and magazines poured from it in a fantastic stream. The populace fervidly brushed up on its scanty reading ability and bought everything available, overcome by the novelty of it. Even Zotul bought a book—a primer in the Lorian language—and learned how to read and write. The remainder of the brothers Masur, on the other hand, preferred to remain in ignorance. Moreover, the Earthmen brought miles of copper wire—more than enough in value to buy out the governorship of any country on Zur—and set up telegraph lines from country to country and continent to continent. Within five years of the first landing of the Earthmen, every major city on the globe had a printing press, a daily newspaper, and enjoyed the instantaneous transmission of news via telegraph. And the business of the House of Masur continued to look up. "As I have always said from the beginning," chortled Director Koltan, "this coming of the Earthmen had been a great thing for us, and especially for the House of Masur." "You didn't think so at first," Zotul pointed out, and was immediately sorry, for Koltan turned and gave him a hiding, single-handed, for his unthinkable impertinence. It would do no good, Zotul realized, to bring up the fact that their production of ceramic cooking pots had dropped off to about two per cent of its former volume. Of course, profits on the line of new stoves greatly overbalanced the loss, so that actually they were ahead; but their business was now dependent upon the supply of the metal pots from Earth. About this time, plastic utensils—dishes, cups, knives, forks—made their appearance on Zur. It became very stylish to eat with the newfangled paraphernalia ... and very cheap, too, because for everything they sold, the Earthmen always took the old ware in trade. What they did with the stuff had been hard to believe at first. They destroyed it, which proved how valueless it really was. The result of the new flood was that in the following year, the sale of Masur ceramic table service dropped to less than a tenth. Trembling with excitement at this news from their book-keeper, Koltan called an emergency meeting. He even routed old Kalrab out of his senile stupor for the occasion, on the off chance that the old man might still have a little wit left that could be helpful. "Note," Koltan announced in a shaky voice, "that the Earthmen undermine our business," and he read off the figures. "Perhaps," said Zotul, "it is a good thing also, as you said before, and will result in something even better for us." Koltan frowned, and Zotul, in fear of another beating, instantly subsided. "They are replacing our high-quality ceramic ware with inferior terrestrial junk," Koltan went on bitterly. "It is only the glamor that sells it, of course, but before the people get the shine out of their eyes, we can be ruined." The brothers discussed the situation for an hour, and all the while Father Kalrab sat and pulled his scanty whiskers. Seeing that they got nowhere with their wrangle, he cleared his throat and spoke up. "My sons, you forget it is not the Earthmen themselves at the bottom of your trouble, but the things of Earth. Think of the telegraph and the newspaper, how these spread news of every shipment from Earth. The merchandise of the Earthmen is put up for sale by means of these newspapers, which also are the property of the Earthmen. The people are intrigued by these advertisements, as they are called, and flock to buy. Now, if you would pull a tooth from the kwi that bites you, you might also have advertisements of your own." Alas for that suggestion, no newspaper would accept advertising from the House of Masur; all available space was occupied by the advertisements of the Earthmen. In their dozenth conference since that first and fateful one, the brothers Masur decided upon drastic steps. In the meantime, several things had happened. For one, old Kalrab had passed on to his immortal rest, but this made no real difference. For another, the Earthmen had procured legal authority to prospect the planet for metals, of which they found a good deal, but they told no one on Zur of this. What they did mention was the crude oil and natural gas they discovered in the underlayers of the planet's crust. Crews of Zurians, working under supervision of the Earthmen, laid pipelines from the gas and oil regions to every major and minor city on Zur. By the time ten years had passed since the landing of the first terrestrial ship, the Earthmen were conducting a brisk business in gas-fired ranges, furnaces and heaters ... and the Masur stove business was gone. Moreover, the Earthmen sold the Zurians their own natural gas at a nice profit and everybody was happy with the situation except the brothers Masur. The drastic steps of the brothers applied, therefore, to making an energetic protest to the governor of Lor. At one edge of the city, an area had been turned over to the Earthmen for a spaceport, and the great terrestrial spaceships came to it and departed from it at regular intervals. As the heirs of the House of Masur walked by on their way to see the governor, Zotul observed that much new building was taking place and wondered what it was. "Some new devilment of the Earthmen, you can be sure," said Koltan blackly. In fact, the Earthmen were building an assembly plant for radio receiving sets. The ship now standing on its fins upon the apron was loaded with printed circuits, resistors, variable condensers and other radio parts. This was Earth's first step toward flooding Zur with the natural follow-up in its campaign of advertising—radio programs—with commercials. Happily for the brothers, they did not understand this at the time or they would surely have gone back to be buried in their own clay. "I think," the governor told them, "that you gentlemen have not paused to consider the affair from all angles. You must learn to be modern—keep up with the times! We heads of government on Zur are doing all in our power to aid the Earthmen and facilitate their bringing a great, new culture that can only benefit us. See how Zur has changed in ten short years! Imagine the world of tomorrow! Why, do you know they are even bringing autos to Zur!" The brothers were fascinated with the governor's description of these hitherto unheard-of vehicles. "It only remains," concluded the governor, "to build highways, and the Earthmen are taking care of that." At any rate, the brothers Masur were still able to console themselves that they had their tile business. Tile served well enough for houses and street surfacing; what better material could be devised for the new highways the governor spoke of? There was a lot of money to be made yet. Radio stations went up all over Zur and began broadcasting. The people bought receiving sets like mad. The automobiles arrived and highways were constructed. The last hope of the brothers was dashed. The Earthmen set up plants and began to manufacture Portland cement. You could build a house of concrete much cheaper than with tile. Of course, since wood was scarce on Zur, it was no competition for either tile or concrete. Concrete floors were smoother, too, and the stuff made far better road surfacing. The demand for Masur tile hit rock bottom. The next time the brothers went to see the governor, he said, "I cannot handle such complaints as yours. I must refer you to the Merchandising Council." "What is that?" asked Koltan. "It is an Earthman association that deals with complaints such as yours. In the matter of material progress, we must expect some strain in the fabric of our culture. Machinery has been set up to deal with it. Here is their address; go air your troubles to them." The business of a formal complaint was turned over by the brothers to Zotul. It took three weeks for the Earthmen to get around to calling him in, as a representative of the Pottery of Masur, for an interview. All the brothers could no longer be spared from the plant, even for the purpose of pressing a complaint. Their days of idle wealth over, they had to get in and work with the clay with the rest of the help. Zotul found the headquarters of the Merchandising Council as indicated on their message. He had not been this way in some time, but was not surprised to find that a number of old buildings had been torn down to make room for the concrete Council House and a roomy parking lot, paved with something called "blacktop" and jammed with an array of glittering new automobiles. An automobile was an expense none of the brothers could afford, now that they barely eked a living from the pottery. Still, Zotul ached with desire at sight of so many shiny cars. Only a few had them and they were the envied ones of Zur. Kent Broderick, the Earthman in charge of the Council, shook hands jovially with Zotul. That alien custom conformed with, Zotul took a better look at his host. Broderick was an affable, smiling individual with genial laugh wrinkles at his eyes. A man of middle age, dressed in the baggy costume of Zur, he looked almost like a Zurian, except for an indefinite sense of alienness about him. "Glad to have you call on us, Mr. Masur," boomed the Earthman, clapping Zotul on the back. "Just tell us your troubles and we'll have you straightened out in no time." All the chill recriminations and arguments Zotul had stored for this occasion were dissipated in the warmth of the Earthman's manner. Almost apologetically, Zotul told of the encroachment that had been made upon the business of the Pottery of Masur. "Once," he said formally, "the Masur fortune was the greatest in the world of Zur. That was before my father, the famous Kalrab Masur—Divinity protect him—departed this life to collect his greater reward. He often told us, my father did, that the clay is the flesh and bones of our culture and our fortune. Now it has been shown how prone is the flesh to corruption and how feeble the bones. We are ruined, and all because of new things coming from Earth." Broderick stroked his shaven chin and looked sad. "Why didn't you come to me sooner? This would never have happened. But now that it has, we're going to do right by you. That is the policy of Earth—always to do right by the customer." "Divinity witness," Zorin said, "that we ask only compensation for damages." Broderick shook his head. "It is not possible to replace an immense fortune at this late date. As I said, you should have reported your trouble sooner. However, we can give you an opportunity to rebuild. Do you own an automobile?" "No." "A gas range? A gas-fired furnace? A radio?" Zotul had to answer no to all except the radio. "My wife Lania likes the music," he explained. "I cannot afford the other things." Broderick clucked sympathetically. One who could not afford the bargain-priced merchandise of Earth must be poor indeed. "To begin with," he said, "I am going to make you a gift of all these luxuries you do not have." As Zotul made to protest, he cut him off with a wave of his hand. "It is the least we can do for you. Pick a car from the lot outside. I will arrange to have the other things delivered and installed in your home." "To receive gifts," said Zotul, "incurs an obligation." "None at all," beamed the Earthman cheerily. "Every item is given to you absolutely free—a gift from the people of Earth. All we ask is that you pay the freight charges on the items. Our purpose is not to make profit, but to spread technology and prosperity throughout the Galaxy. We have already done well on numerous worlds, but working out the full program takes time." He chuckled deeply. "We of Earth have a saying about one of our extremely slow-moving native animals. We say, 'Slow is the tortoise, but sure.' And so with us. Our goal is a long-range one, with the motto, 'Better times with better merchandise.'" The engaging manner of the man won Zotul's confidence. After all, it was no more than fair to pay transportation. He said, "How much does the freight cost?" Broderick told him. "It may seem high," said the Earthman, "but remember that Earth is sixty-odd light-years away. After all, we are absorbing the cost of the merchandise. All you pay is the freight, which is cheap, considering the cost of operating an interstellar spaceship." "Impossible," said Zotul drably. "Not I and all my brothers together have so much money any more." "You don't know us of Earth very well yet, but you will. I offer you credit!" "What is that?" asked Zotul skeptically. "It is how the poor are enabled to enjoy all the luxuries of the rich," said Broderick, and went on to give a thumbnail sketch of the involutions and devolutions of credit, leaving out some angles that might have had a discouraging effect. On a world where credit was a totally new concept, it was enchanting. Zotul grasped at the glittering promise with avidity. "What must I do to get credit?" "Just sign this paper," said Broderick, "and you become part of our Easy Payment Plan." Zotul drew back. "I have five brothers. If I took all these things for myself and nothing for them, they would beat me black and blue." "Here." Broderick handed him a sheaf of chattel mortgages. "Have each of your brothers sign one of these, then bring them back to me. That is all there is to it." It sounded wonderful. But how would the brothers take it? Zotul wrestled with his misgivings and the misgivings won. "I will talk it over with them," he said. "Give me the total so I will have the figures." The total was more than it ought to be by simple addition. Zotul pointed this out politely. "Interest," Broderick explained. "A mere fifteen per cent. After all, you get the merchandise free. The transportation company has to be paid, so another company loans you the money to pay for the freight. This small extra sum pays the lending company for its trouble." "I see." Zotul puzzled over it sadly. "It is too much," he said. "Our plant doesn't make enough money for us to meet the payments." "I have a surprise for you," smiled Broderick. "Here is a contract. You will start making ceramic parts for automobile spark plugs and certain parts for radios and gas ranges. It is our policy to encourage local manufacture to help bring prices down." "We haven't the equipment." "We will equip your plant," beamed Broderick. "It will require only a quarter interest in your plant itself, assigned to our terrestrial company." Zotul, anxious to possess the treasures promised by the Earthman, won over his brothers. They signed with marks and gave up a quarter interest in the Pottery of Masur. They rolled in the luxuries of Earth. These, who had never known debt before, were in it up to their ears. The retooled plant forged ahead and profits began to look up, but the Earthmen took a fourth of them as their share in the industry. For a year, the brothers drove their shiny new cars about on the new concrete highways the Earthmen had built. From pumps owned by a terrestrial company, they bought gas and oil that had been drawn from the crust of Zur and was sold to the Zurians at a magnificent profit. The food they ate was cooked in Earthly pots on Earth-type gas ranges, served up on metal plates that had been stamped out on Earth. In the winter, they toasted their shins before handsome gas grates, though they had gas-fired central heating. About this time, the ships from Earth brought steam-powered electric generators. Lines went up, power was generated, and a flood of electrical gadgets and appliances hit the market. For some reason, batteries for the radios were no longer available and everybody had to buy the new radios. And who could do without a radio in this modern age? The homes of the brothers Masur blossomed on the Easy Payment Plan. They had refrigerators, washers, driers, toasters, grills, electric fans, air-conditioning equipment and everything else Earth could possibly sell them. "We will be forty years paying it all off," exulted Zotul, "but meantime we have the things and aren't they worth it?" But at the end of three years, the Earthmen dropped their option. The Pottery of Masur had no more contracts. Business languished. The Earthmen, explained Broderick, had built a plant of their own because it was so much more efficient—and to lower prices, which was Earth's unswerving policy, greater and greater efficiency was demanded. Broderick was very sympathetic, but there was nothing he could do. The introduction of television provided a further calamity. The sets were delicate and needed frequent repairs, hence were costly to own and maintain. But all Zurians who had to keep up with the latest from Earth had them. Now it was possible not only to hear about things of Earth, but to see them as they were broadcast from the video tapes. The printing plants that turned out mortgage contracts did a lush business. For the common people of Zur, times were good everywhere. In a decade and a half, the Earthmen had wrought magnificent changes on this backward world. As Broderick had said, the progress of the tortoise was slow, but it was extremely sure. The brothers Masur got along in spite of dropped options. They had less money and felt the pinch of their debts more keenly, but television kept their wives and children amused and furnished an anodyne for the pangs of impoverishment. The pottery income dropped to an impossible low, no matter how Zotul designed and the brothers produced. Their figurines and religious ikons were a drug on the market. The Earthmen made them of plastic and sold them for less. The brothers, unable to meet the Payments that were not so Easy any more, looked up Zotul and cuffed him around reproachfully. "You got us into this," they said, emphasizing their bitterness with fists. "Go see Broderick. Tell him we are undone and must have some contracts to continue operating." Nursing bruises, Zotul unhappily went to the Council House again. Mr. Broderick was no longer with them, a suave assistant informed him. Would he like to see Mr. Siwicki instead? Zotul would. Siwicki was tall, thin, dark and somber-looking. There was even a hint of toughness about the set of his jaw and the hardness of his glance. "So you can't pay," he said, tapping his teeth with a pencil. He looked at Zotul coldly. "It is well you have come to us instead of making it necessary for us to approach you through the courts." "I don't know what you mean," said Zotul. "If we have to sue, we take back the merchandise and everything attached to them. That means you would lose your houses, for they are attached to the furnaces. However, it is not as bad as that—yet. We will only require you to assign the remaining three-quarters of your pottery to us." The brothers, when they heard of this, were too stunned to think of beating Zotul, by which he assumed he had progressed a little and was somewhat comforted. "To fail," said Koltan soberly, "is not a Masur attribute. Go to the governor and tell him what we think of this business. The House of Masur has long supported the government with heavy taxes. Now it is time for the government to do something for us." The governor's palace was jammed with hurrying people, a scene of confusion that upset Zotul. The clerk who took his application for an interview was, he noticed only vaguely, a young Earthwoman. It was remarkable that he paid so little attention, for the female terrestrials were picked for physical assets that made Zurian men covetous and Zurian women envious. "The governor will see you," she said sweetly. "He has been expecting you." "Me?" marveled Zotul. She ushered him into the magnificent private office of the governor of Lor. The man behind the desk stood up, extended his hand with a friendly smile. "Come in, come in! I'm glad to see you again." Zotul stared blankly. This was not the governor. This was Broderick, the Earthman. "I—I came to see the governor," he said in confusion. Broderick nodded agreeably. "I am the governor and I am well acquainted with your case, Mr. Masur. Shall we talk it over? Please sit down." "I don't understand. The Earthmen...." Zotul paused, coloring. "We are about to lose our plant." "You were about to say that the Earthmen are taking your plant away from you. That is true. Since the House of Masur was the largest and richest on Zur, it has taken a long time—the longest of all, in fact." "What do you mean?" "Yours is the last business on Zur to be taken over by us. We have bought you out." "Our government...." "Your governments belong to us, too," said Broderick. "When they could not pay for the roads, the telegraphs, the civic improvements, we took them over, just as we are taking you over." "You mean," exclaimed Zotul, aghast, "that you Earthmen own everything on Zur?" "Even your armies." "But why ?" Broderick clasped his hands behind back, went to the window and stared down moodily into the street. "You don't know what an overcrowded world is like," he said. "A street like this, with so few people and vehicles on it, would be impossible on Earth." "But it's mobbed," protested Zotul. "It gave me a headache." "And to us it's almost empty. The pressure of population on Earth has made us range the Galaxy for places to put our extra people. The only habitable planets, unfortunately, are populated ones. We take the least populous worlds and—well, buy them out and move in." "And after that?" Broderick smiled gently. "Zur will grow. Our people will intermarry with yours. The future population of Zur will be neither true Zurians nor true Earthmen, but a mixture of both." Zotul sat in silent thought. "But you did not have to buy us out. You had the power to conquer us, even to destroy us. The whole planet could have been yours alone." He stopped in alarm. "Or am I suggesting an idea that didn't occur to you?" "No," said Broderick, his usually smiling face almost pained with memory. "We know the history of conquest all too well. Our method causes more distress than we like to inflict, but it's better—and more sure—than war and invasion by force. Now that the unpleasant job is finished, we can repair the dislocations." "At last I understand what you said about the tortoise." "Slow but sure." Broderick beamed again and clapped Zotul on the shoulder. "Don't worry. You'll have your job back, the same as always, but you'll be working for us ... until the children of Earth and Zur are equal in knowledge and therefore equal partners. That's why we had to break down your caste system." Zotul's eyes widened. "And that is why my brothers did not beat me when I failed!" "Of course. Are you ready now to take the assignment papers for you and your brothers to sign?" "Yes," said Zotul. "I am ready."
train	51053	[ "What isn't something that the aliens control?", "What can the captives do?", "Why are there three women and one man in the home?", "How is Rog treated differently than the others?", "Why did Opal let Rog go back to Earth?", "What didn't Roger learn when he returned to Earth?", "Why had Roger been trained by Opal?", "What will probably happen next?" ]	[ [ "how the captives feel about being there", "what the captives eat", "the captives' desires", "where the captives live" ], [ "control their ability to have children", "escape back to their homes when they desire", "fight the alien commands", "create things they think about" ], [ "the other captives had killed themselves before this ", "they wanted extra women to make more babies", "it's the correct number they want for their social experiment", "they were the only people the aliens had been able to bring back alive" ], [ "he's the only one that can get what he thinks about", "he's the only one that trains with Opal", "they all dislike him because he's responsible for their situation", "he's the one that makes all of the decisions in the house" ], [ "so he would fall out of love with his wife", "so he could try to escape and fail", "because the aliens weren't good at capturing other men", "as a reward for his hard work" ], [ "that the aliens couldn't capture other men", "that he had been in a car accident", "that his wife had found someone new", "that he could stay if he used his new powers" ], [ "because Opal wanted to further his experiment", "because Opal needed help building a new gateway", "because Opal was looking for someone to take his place", "because Opal was unable to bring other men back" ], [ "Roger will find a way to escape", "Roger will probably take Cass back with him", "Roger will go back empty handed", "Roger will bring his wife back with him" ] ]	[ 1, 4, 4, 2, 3, 4, 4, 2 ]	[ 0, 1, 1, 1, 1, 1, 1, 1 ]	JUDAS RAM BY SAM MERWIN, Jr. Illustrated by JAMES VINCENT [Transcriber's Note: This etext was produced from Galaxy Science Fiction December 1950. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] The house was furnished with all luxuries, including women. If it only had a lease that could be broken— Roger Tennant, crossing the lawn, could see two of the three wings of the house, which radiated spoke-like from its heptagonal central portion. The wing on the left was white, with slim square pillars, reminiscent of scores of movie sets of the Deep South. That on the right was sundeck solar-house living-machine modern, something like a montage of shoeboxes. The wing hidden by the rest of the house was, he knew, spired, gabled and multicolored, like an ancient building in pre-Hitler Cracow. Dana was lying under a tree near the door, stretched out on a sort of deck chair with her eyes closed. She wore a golden gown, long and close-fitting and slit up the leg like the gown of a Chinese woman. Above it her comely face was sullen beneath its sleek cocoon of auburn hair. She opened her eyes at his approach and regarded him with nothing like favor. Involuntarily he glanced down at the tartan shorts that were his only garment to make sure that they were on properly. They were. He had thought them up in a moment of utter boredom and they were extremely comfortable. However, the near-Buchanan tartan did not crease or even wrinkle when he moved. Their captors had no idea of how a woven design should behave. "Waiting for me?" Tennant asked the girl. She said, "I'd rather be dead. Maybe I am. Maybe we're all dead and this is Hell." He stood over her and looked down until she turned away her reddening face. He said, "So it's going to be you again, Dana. You'll be the first to come back for a second run." "Don't flatter yourself," she replied angrily. She sat up, pushed back her hair, got to her feet a trifle awkwardly because of the tight-fitting tubular gown. "If I could do anything about it...." "But you can't," he told her. "They're too clever." "Is this crop rotation or did you send for me?" she asked cynically. "If you did, I wish you hadn't. You haven't asked about your son." "I don't even want to think about him," said Tennant. "Let's get on with it." He could sense the restless stirring of the woman within Dana, just as he could feel the stirring toward her within himself—desire that both of them loathed because it was implanted within them by their captors. They walked toward the house. It didn't look like a prison—or a cage. Within the dome of the barrier, it looked more like a well-kept if bizarre little country estate. There was clipped lawn, a scattering of trees, even a clear little brook that chattered unending annoyance at the small stones which impeded its flow. But the lawn was not of grass—it was of a bright green substance that might have been cellophane but wasn't, and it sprouted from a fabric that might have been canvas but was something else. The trees looked like trees, only their trunks were bark all the way through—except that it was not bark. The brook was practically water, but the small stones over which it flowed were of no earthly mineral. They entered the house, which had no roof, continued to move beneath a sky that glowed with light which did not come from a sun or moon. It might have been a well-kept if bizarre little country estate, but it wasn't. It was a prison, a cage. The other two women were sitting in the heptagonal central hall. Eudalia, who had borne twin girls recently, was lying back, newly thin and dark of skin and hair, smoking a scentless cigarette. A tall woman, thirtyish, she wore a sort of shimmering green strapless evening gown. Tennant wondered how she maintained it in place, for despite her recent double motherhood, she was almost flat of bosom. He asked her how she was feeling. "Okay, I guess," she said. "The way they manage it, there's nothing to it." She had a flat, potentially raucous voice. Eudalia had been a female foreman in a garment-cutting shop before being captured and brought through. "Good," he said. "Glad to hear it." He felt oddly embarrassed. He turned to Olga, broad, blonde and curiously vital, who sat perfectly still, regarding him over the pregnant swell of her dirndl-clad waist. Olga had been a waitress in a mining town hash-house near Scranton. Tennant wanted to put an encouraging hand on her shoulder, to say something that might cheer her up, for she was by far the youngest of the three female captives, barely nineteen. But with the eyes of the other two, especially Dana, upon him, he could not. "I guess I wasn't cut out to be a Turk," he said. "I don't feel at ease in a harem, even when it's supposedly my own." "You're not doing so badly," Dana replied acidly. "Lay off—he can't help it," said Eudalia unexpectedly. "He doesn't like it any better than we do." "But he doesn't have to—have them," objected Olga. She had a trace of Polish accent that was not unpleasant. In fact, Tennant thought, only her laughter was unpleasant, a shrill, uncontrolled burst of staccato sound that jarred him to his heels. Olga had not laughed of late, however. She was too frightened. "Let's get the meal ordered," said Dana and they were all silent, thinking of what they wanted to eat but would not enjoy when it came. Tennant finished with his order, then got busy with his surprise. It arrived before the meal, materializing against one of the seven walls of the roofless chamber. It was a large cabinet on slender straight legs that resembled dark polished wood. Tennant went to it, opened a hingeless door and pushed a knob on the inner surface. At once the air was hideous with the acerate harmony of a singing commercial.... ... so go soak your head, be it gold, brown or red, in Any-tone Shampoo! A disc jockey's buoyant tones cut in quickly as the final ooooo faded. "This is Grady Martin, your old night-owl, coming to you with your requests over Station WZZX, Manhattan. Here's a wire from Theresa McManus and the girls in the family entrance of Conaghan's Bar and Grill on West...." Tennant watched the girls as a sweet-voiced crooner began to ply an unfamiliar love lyric to a melody whose similarity to a thousand predecessors doomed it to instant success. Olga sat up straight, her pale blue eyes round with utter disbelief. She looked at the radio, at Tennant, at the other two women, then back at the machine. She murmured something in Polish that was inaudible, but her expression showed that it must have been wistful. Eudalia grinned at Tennant and, rising, did a sort of tap dance to the music, then whirled back into her chair, green dress ashimmer, and sank into it just to listen. Dana stood almost in the center of the room, carmine-tipped fingers clasped beneath the swell of her breasts. She might have been listening to Brahms or Debussy. Her eyes glowed with the salty brilliance of emotion and she was almost beautiful. " Rog! " she cried softly when the music stopped. "A radio and WZZX! Is it—are they—real?" "As real as you or I," he told her. "It took quite a bit of doing, getting them to put a set together. And I wasn't sure that radio would get through. TV doesn't seem to. Somehow it brings things closer...." Olga got up quite suddenly, went to the machine and, after frowning at it for a moment, tuned in another station from which a Polish-speaking announcer was followed by polka music. She leaned against the wall, resting one smooth forearm on the top of the machine. Her eyes closed and she swayed a little in time to the polka beat. Tennant caught Dana looking at him and there was near approval in her expression—approval that faded quickly as soon as she caught his gaze upon her. The food arrived then and they sat down at the round table to eat it. Tennant's meat looked like steak, it felt like steak, but, lacking the aroma of steak, it was almost tasteless. This was so with all of their foods, with their cigarettes, with everything in their prison—or their cage. Their captors were utterly without a human conception of smell, living, apparently, in a world without odor at all. Dana said suddenly, "I named the boy Tom, after somebody I hate almost as much as I hate you." Eudalia laid down her fork with a clatter and regarded Dana disapprovingly. "Why take it out on Rog?" she asked bluntly. "He didn't ask to come here any more than we did. He's got a wife back home. Maybe you want him to fall in love with you? Maybe you're jealous because he doesn't? Well, maybe he can't! And maybe it wouldn't work, the way things are arranged here." "Thanks, Eudalia," said Tennant. "I think I can defend myself. But she's right, Dana. We're as helpless as—laboratory animals. They have the means to make us do whatever they want." "Rog," said Dana, looking suddenly scared, "I'm sorry I snapped at you. I know it's not your fault. I'm— changing ." He shook his head. "No, Dana, you're not changing. You're adapting. We all are. We seem to be in a universe of different properties as well as different dimensions. We're adjusting. I can do a thing or two myself that seem absolutely impossible." "Are we really in the fourth dimension?" Dana asked. Of the three of them, she alone had more than a high-school education. "We may be in the eleventh for all I know," he told her. "But I'll settle for the fourth—a fourth dimension in space, if that makes scientific sense, because we don't seem to have moved in time. I wasn't sure of that, though, till we got the radio." "Why haven't they brought more of us through?" Eudalia asked, tamping out ashes in a tray that might have been silver. "I'm not sure," he said thoughtfully. "I think it's hard for them. They have a hell of a time bringing anyone through alive, and lately they haven't brought anyone through—not alive." "Why do they do it—the other way, I mean?" asked Dana. Tennant shrugged. "I don't know. I've been thinking about it. I suppose it's because they're pretty human." " Human! " Dana was outraged. "Do you call it human to—" "Hold on," he said. "They pass through their gateway to Earth at considerable danger and, probably, expense of some kind. Some of them don't come back. They kill those of us who put up a fight. Those who don't—or can't—they bring back with them. Live or dead, we're just laboratory specimens." "Maybe," Eudalia conceded doubtfully. Then her eyes blazed. "But the things they do—stuffing people, mounting their heads, keeping them on display in their—their whatever they live in. You call that human, Rog?" "Were you ever in a big-game hunter's trophy room?" Tennant asked quietly. "Or in a Museum of Natural History? A zoo? A naturalist's lab? Or even, maybe, photographed as a baby on a bear-skin rug?" "I was," said Olga. "But that's not the same thing." "Of course not," he agreed. "In the one instance, we're the hunters, the breeders, the trophy collectors. In the other"—he shrugged—"we're the trophies." There was a long silence. They finished eating and then Dana stood up and said, "I'm going out on the lawn for a while." She unzipped her golden gown, stepped out of it to reveal a pair of tartan shorts that matched his, and a narrow halter. "You thought those up while we ate," he said. It annoyed him to be copied, though he did not know why. She laughed at him silently, tossed her auburn hair back from her face and went out of the roofless house, holding the gold dress casually over her bare arm. Eudalia took him to the nursery. He was irritated now in another, angrier way. The infants, protected by cellophane-like coverlets, were asleep. "They never cry," the thin woman told him. "But they grow—God, how they grow!" "Good," said Tennant, fighting down his anger. He kissed her, held her close, although neither of them felt desire at the moment. Their captors had seen to that; it wasn't Eudalia's turn. Tennant said, "I wish I could do something about this. I hate seeing Dana so bitter and Olga so scared. It isn't their fault." "And it's not yours," insisted Eudalia. "Don't let them make you think it is." "I'll try not to," he said and stopped, realizing the family party was over. He had felt the inner tug of command, said good-by to the women and returned to his smaller compound within its own barrier dome. Then came the invisible aura of strain in the air, the shimmering illusion of heat that was not heat, that was prelude to his teleportation ... if that were the word. It was neither pleasant nor unpleasant; it was , that was all. He called it the training hall, not because it looked like a training hall but because that was its function. It didn't actually look like anything save some half-nourished dream a surrealist might have discarded as too nightmarish for belief. As in all of this strange universe, excepting the dome-cages in which the captives were held, the training hall followed no rules of three-dimensional space. One wall looked normal for perhaps a third of its length, then it simply wasn't for a bit. It came back farther on at an impossible angle. Yet, walking along it, touching it, it felt perfectly smooth and continuously straight. The opposite wall resembled a diagonal cross-section of an asymmetrical dumbbell—that was the closest Tennant could come to it in words. And it, too, felt straight. The floor looked like crystal smashed by some cosmic impact, yet it had reason. He knew this even though no reason was apparent to his three-dimensional vision. The ceiling, where he could see it, was beyond description. The captor Tennant called Opal came in through a far corner of the ceiling. He—if it was a he—was not large, although this, Tennant knew, meant nothing; Opal might extend thousands of yards in some unseen direction. He had no regular shape and much of him was iridescent and shot with constantly changing colors. Hence the name Opal. Communication was telepathic. Tennant could have yodeled or yelled or sung Mississippi Mud and Opal would have shown no reaction. Yet Tennant suspected that the captors could hear somewhere along the auditory scale, just as perhaps they could smell, although not in any human sense. You will approach without use of your appendages. The command was as clear as if it had been spoken aloud. Tennant took a deep breath. He thought of the space beside Opal. It took about three seconds and he was there, having spanned a distance of some ninety feet. He was getting good at it. Dog does trick, he thought. He went through the entire routine at Opal's bidding. When at last he was allowed to relax, he wondered, not for the first time, if he weren't mastering some of the alleged Guru arts. At once he felt probing investigation. Opal, like the rest of the captors, was as curious as a cat—or a human being. Tennant sat against a wall, drenched with sweat. There would be endless repetition before his workout was done. On Earth, dogs were said to be intellectually two-dimensional creatures. He wondered if they felt this helpless futility when their masters taught them to heel, to point, to retrieve. Some days later, the training routine was broken. He felt a sudden stir of near-sick excitement as he received the thought: Now you are ready. We are going through at last. Opal was nervous, so much so that he revealed more than he intended. Or perhaps that was his intent; Tennant could never be sure. They were going through to Tennant's own dimension. He wondered briefly just what his role was to be. He had little time to speculate before Opal seemed to envelop him. There was the blurring wrench of forced teleportation and they were in another room, a room which ended in a huge irregular passage that might have been the interior of a giant concertina—or an old-fashioned kodak. He stood before a kidney-shaped object over whose jagged surface colors played constantly. From Opal's thoughts it appeared to be some sort of ultradimensional television set, but to Tennant it was as incomprehensible as an oil painting to an animal. Opal was annoyed that Tennant could make nothing of it. Then came the thought: What cover must your body have not to be conspicuous? Tennant wondered, cynically, what would happen if he were to demand a costume of mediaeval motley, complete with Pied Piper's flute. He received quick reproof that made his head ring as from a blow. He asked Opal where and when they were going, was informed that he would soon emerge on Earth where he had left it. That told him everything but the date and season. Opal, like the rest of the captors, seemed to have no understanding of time in a human sense. Waiting, Tennant tried not to think of his wife, of the fact that he hadn't seen her in—was it more than a year and a half on Earth? He could have controlled his heartbeat with one of his new powers, but that might have made Opal suspicious. He should be somewhat excited. He allowed himself to be, though he obscured the reasons. He was going to see his wife again ... and maybe he could trick his way into not returning. The maid who opened the door for him was new, although her eyes were old. But she recognized him and stood aside to let him enter. There must, he thought, still be pictures of him around. He wondered how Agatha could afford a servant. "Is Mrs. Tennant in?" he asked. She shook her head and fright made twin stoplights of the rouge on her cheeks as she shut the door behind him. He went into the living room, directly to the long silver cigarette box on the coffee table. It was proof of homecoming to fill his lungs with smoke he could smell . He took another drag, saw the maid still in the doorway, staring. "There's no need for fright," he told her. "I believe I still own this house." Then, "When do you expect Mrs. Tennant?" "She just called. She's on her way home from the club." Still looking frightened, she departed for the rear of the house. Tennant stared after her puzzledly until the kitchen door swung shut behind her. The club? What club? He shrugged, returned to the feeling of comfort that came from being back here, about to see Agatha again, hold her close in no more than a few minutes. And stay, his mind began to add eagerly, but he pushed the thought down where Opal could not detect it. He took another deep, lung-filling drag on his cigarette, looked around the room that was so important a part of his life. The three women back there would be in a ghastly spot. He felt like a heel for wanting to leave them there, then knew that he would try somehow to get them out. Not, of course, anything that would endanger his remaining with Agatha; the only way his captors would get him back would be as a taxidermist's specimen. He realized, shocked and scared, that his thoughts of escape had slipped past his mental censor, and he waited apprehensively for Opal to strike. Nothing happened and he warily relaxed. Opal wasn't tapping his thoughts. Because he felt sure of his captive ... or because he couldn't on Earth? It was like being let out of a cage. Tennant grinned at the bookcase; the ebony-and-ivory elephants that Agatha had never liked were gone, but he'd get them back or another pair. The credenza had been replaced by a huge and ugly television console. That, he resolved, would go down in the cellar rumpus room, where its bleached modernity wouldn't clash with the casual antiquity of the living room. Agatha would complain, naturally, but his being back would make up for any amount of furniture shifting. He imagined her standing close to him, her lovely face lifted to be kissed, and his heart lurched like an adolescent's. This hunger was real, not implanted. Everything would be real ... his love for her, the food he ate, the things he touched, his house, his life.... Your wife and a man are approaching the house. The thought message from Opal crumbled his illusion of freedom. He sank down in a chair, trying to refuse to listen to the rest of the command: You are to bring the man through the gateway with you. We want another live male. Tennant shook his head, stiff and defiant in his chair. The punishment, when it came, was more humiliating than a slap across a dog's snout. Opal had been too interested in the next lab specimen to bother about his thoughts—that was why he had been free to think of escape. Tennant closed his eyes, willed himself to the front window. Now that he had mastered teleportation, it was incredible how much easier it was in his own world. He had covered the two miles from the gateway to the house in a mere seven jumps, the distance to the window in an instant. But there was no pleasure in it, only a confirmation of his captor's power over him. He was not free of them. He understood all too well what they wanted him to do; he was to play the Judas goat ... or rather the Judas ram, leading another victim to the fourth-dimensional pen. Grim, he watched the swoop of headlights in the driveway and returned to the coffee table, lit a fresh cigarette. The front door was flung open and his diaphragm tightened at the remembered sound of Agatha's throaty laugh ... and tightened further when it was followed by a deeper rumbling laugh. Sudden fear made the cigarette shake in his fingers. "... Don't be such a stuffed-shirt, darling." Agatha's mocking sweetness rang alarm-gongs in Tennant's memory. "Charley wasn't making a grab for me . He'd had one too many and only wanted a little fun. Really, darling, you seem to think that a girl...." Her voice faded out as she saw Tennant standing there. She was wearing a white strapless gown, had a blue-red-and-gold Mandarin jacket slung hussar-fashion over her left shoulder. She looked even sleeker, better groomed, more assured than his memory of her. "I'm no stuffed-shirt and you know it." Cass' tone was peevish. "But your idea of fun, Agatha, is pretty damn...." It was his turn to freeze. Unbelieving, Tennant studied his successor. Cass Gordon—the man , the ex-halfback whose bulk was beginning to get out of hand, but whose inherent aggressive grace had not yet deserted him. The man , that was all—unless one threw in the little black mustache and the smooth salesman's manner. "You know, Cass," Tennant said quietly, "I never for a moment dreamed it would be you." " Roger! " Agatha found her voice. "You're alive !" "Roger," repeated Tennant viciously. He felt sick with disgust. Maybe he should have expected a triangle, but somehow he hadn't. And here it was, with all of them going through their paces like a trio of tent-show actors. He said, "For God's sake, sit down." Agatha did so hesitantly. Her huge dark eyes, invariably clear and limpid no matter how much she had drunk, flickered toward him furtively. She said defensively, "I had detectives looking for you for six months. Where have you been, Rog? Smashing up the car like that and—disappearing! I've been out of my mind." "Sorry," said Tennant. "I've had my troubles, too." Agatha was scared stiff—of him. Probably with reason. He looked again at Cass Gordon and found that he suddenly didn't care. She couldn't say it was loneliness. Women have waited longer than eighteen months. He would have if his captors had let him. "Where in hell have you been, Rog?" Gordon's tone was almost parental. "I don't suppose it's news to you, but there was a lot of suspicion directed your way while that crazy killer was operating around here. Agatha and I managed to clear you." "Decent of you," said Tennant. He got up, crossed to the cabinet that served as a bar. It was fully equipped—with more expensive liquor, he noticed, than he had ever been able to afford. He poured a drink of brandy, waited for the others to fill their glasses. Agatha looked at him over the rim of hers. "Tell us, Rog. We have a right to know. I do, anyway." "One question first," he said. "What about those killings? Have there been any lately?" "Not for over a year," Cass told him. "They never did get the devil who skinned those bodies and removed the heads." So, Tennant thought, they hadn't used the gateway. Not since they had brought the four of them through, not since they had begun to train him for his Judas ram duties. Agatha was asking him if he had been abroad. "In a way," he replied unemotionally. "Sorry if I've worried you, Agatha, but my life has been rather—indefinite, since I—left." He was standing no more than four inches from this woman he had desired desperately for six years, and he no longer wanted her. He was acutely conscious of her perfume. It wrapped them both like an exotic blanket, and it repelled him. He studied the firm clear flesh of her cheek and chin, the arch of nostril, the carmine fullness of lower lip, the swell of bosom above low-cut gown. And he no longer wanted any of it or of her. Cass Gordon— It didn't have to be anybody at all. For it to be Cass Gordon was revolting. "Rog," she said and her voice trembled, "what are we going to do? What do you want to do?" Take her back? He smiled ironically; she wouldn't know what that meant. It would serve her right, but maybe there was another way. "I don't know about you," he said, "but I suspect we're in the same boat. I also have other interests." "You louse!" said Cass Gordon, arching rib cage and nostrils. "If you try to make trouble for Agatha, I can promise...." " What can you promise?" demanded Tennant. When Gordon's onset subsided in mumbles, he added, "Actually, I don't think I'm capable of making more than a fraction of the trouble for either of you that you both are qualified to make for yourselves." He lit a cigarette, inhaled. "Relax. I'm not planning revenge. After this evening, I plan to vanish for good. Of course, Agatha, that offers you a minor nuisance. You will have to wait six years to marry Cass—seven years if the maid who let me in tonight talks. That's the law, isn't it, Cass? You probably had it all figured out." "You bastard," said Cass. "You dirty bastard! You know what a wait like that could do to us." "Tristan and Isolde," said Tennant, grinning almost happily. "Well, I've had my little say. Now I'm off again. Cass, would you give me a lift? I have a conveyance of sorts a couple of miles down the road." He needed no telepathic powers to read the thoughts around him then. He heard Agatha's quick intake of breath, saw the split-second look she exchanged with Cass. He turned away, knowing that she was imploring her lover to do something, anything , as long as it was safe. Deliberately, Tennant poured himself a second drink. This might be easier and pleasanter than he had expected. They deserved some of the suffering he had had and there was a chance that they might get it. Tennant knew now why he was the only male human the captors had been able to take alive. Apparently, thanks to the rain-slick road, he had run the sedan into a tree at the foot of the hill beyond the river. He had been sitting there, unconscious, ripe fruit on their doorstep. They had simply picked him up. Otherwise, apparently, men were next to impossible for them to capture. All they could do was kill them and bring back their heads and hides as trophies. With women it was different—perhaps the captors' weapons, whatever they were, worked more efficiently on females. A difference in body chemistry or psychology, perhaps. More than once, during his long training with Opal, Tennant had sent questing thoughts toward his captor, asking why they didn't simply set up the gateway in some town or city and take as many humans as they wanted. Surprisingly there had been a definite fear reaction. As nearly as he could understand, it had been like asking an African pygmy, armed with a blowgun, to set up shop in the midst of a herd of wild elephants. It simply wasn't feasible—and furthermore he derived an impression of the tenuosity as well as the immovability of the gateway itself. They could be hurt, even killed by humans in a three-dimensional world. How? Tennant did not know. Perhaps as a man can cut finger or even throat on the edge of a near-two-dimensional piece of paper. It took valor for them to hunt men in the world of men. In that fact lay a key to their character—if such utterly alien creatures could be said to have character.
train	51657	[ "What didn't William get accused of as a young boy?", "What was the one thing William admitted to doing?", "Which word doesn't describe Partridge?", "Which word best describes William?", "Did William kill the man?", "Once William received the money from Partridge, what didn't he decide to do?", "Who didn't William say strange things to?", "Is it likely for William to have a normal life in the future?", "Did Partridge's attempt to help William atone for his sins help?", "What should probably happen to William?" ]	[ [ "lying to his parents", "wetting the bed", "calling his mother names", "stealing from his parents" ], [ "stealing while at school", "stealing from the church", "doing drugs", "lying to people" ], [ "suspicious", "compassionate", "patient", "sympathetic" ], [ "careful", "manipulative", "innocent", "troubled" ], [ "no - he watched the men do it, but William thought it was the spirits", "yes, though he doesn't remember", "yes - he used the pipe and killed the man", "no - the two men did it when William's back was turned" ], [ "research the murder", "clean himself up", "eat his fill", "make a better future for himself" ], [ "a man at the restaurant", "his father", "the librarian", "Partridge" ], [ "yes - he knows how to take care of himself", "no - he will probably waste all of his money", "yes, if he ignores the jabberwocks", "no - he seems to have a lot of demons that will impact his life" ], [ "yes - everything that happened to William after that was positive", "yes - William will improve his life because of the help", "no - William spent it all immediately", "no - William is still hearing, seeing, and saying things" ], [ "he should find out who killed the man", "he should find a job with the labor union", "he should try to reconnect with his parents", "he should seek professional help" ] ]	[ 4, 2, 1, 4, 3, 4, 4, 4, 4, 4 ]	[ 1, 1, 0, 0, 1, 1, 1, 0, 0, 1 ]	Charity Case By JIM HARMON Illustrated by DICK FRANCIS [Transcriber's Note: This etext was produced from Galaxy Science Fiction December 1959. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] Certainly I see things that aren't there and don't say what my voice says—but how can I prove that I don't have my health? When he began his talk with "You got your health, don't you?" it touched those spots inside me. That was when I did it. Why couldn't what he said have been "The best things in life are free, buddy" or "Every dog has his day, fellow" or "If at first you don't succeed, man"? No, he had to use that one line. You wouldn't blame me. Not if you believe me. The first thing I can remember, the start of all this, was when I was four or five somebody was soiling my bed for me. I absolutely was not doing it. I took long naps morning and evening so I could lie awake all night to see that it wouldn't happen. It couldn't happen. But in the morning the bed would sit there dispassionately soiled and convict me on circumstantial evidence. My punishment was as sure as the tide. Dad was a compact man, small eyes, small mouth, tight clothes. He was narrow but not mean. For punishment, he locked me in a windowless room and told me to sit still until he came back. It wasn't so bad a punishment, except that when Dad closed the door, the light turned off and I was left there in the dark. Being four or five, I didn't know any better, so I thought Dad made it dark to add to my punishment. But I learned he didn't know the light went out. It came back on when he unlocked the door. Every time I told him about the light as soon as I could talk again, but he said I was lying. One day, to prove me a liar, he opened and closed the door a few times from outside. The light winked off and on, off and on, always shining when Dad stuck his head inside. He tried using the door from the inside, and the light stayed on, no matter how hard he slammed the door. I stayed in the dark longer for lying about the light. Alone in the dark, I wouldn't have had it so bad if it wasn't for the things that came to me. They were real to me. They never touched me, but they had a little boy. He looked the way I did in the mirror. They did unpleasant things to him. Because they were real, I talked about them as if they were real, and I almost earned a bunk in the home for retarded children until I got smart enough to keep the beasts to myself. My mother hated me. I loved her, of course. I remember her smell mixed up with flowers and cookies and winter fires. I remember she hugged me on my ninth birthday. The trouble came from the notes written in my awkward hand that she found, calling her names I didn't understand. Sometimes there were drawings. I didn't write those notes or make those drawings. My mother and father must have been glad when I was sent away to reform school after my thirteenth birthday party, the one no one came to. The reform school was nicer. There were others there who'd had it about like me. We got along. I didn't watch their shifty eyes too much, or ask them what they shifted to see. They didn't talk about my screams at night. It was home. My trouble there was that I was always being framed for stealing. I didn't take any of those things they located in my bunk. Stealing wasn't in my line. If you believe any of this at all, you'll see why it couldn't be me who did the stealing. There was reason for me to steal, if I could have got away with it. The others got money from home to buy the things they needed—razor blades, candy, sticks of tea. I got a letter from Mom or Dad every now and then before they were killed, saying they had sent money or that it was enclosed, but somehow I never got a dime of it. When I was expelled from reform school, I left with just one idea in mind—to get all the money I could ever use for the things I needed and the things I wanted. It was two or three years later that I skulked into Brother Partridge's mission on Durbin Street. The preacher and half a dozen men were singing Onward Christian Soldiers in the meeting room. It was a drafty hall with varnished camp chairs. I shuffled in at the back with my suitcoat collar turned up around my stubbled jaw. I made my hand shaky as I ran it through my knotted hair. Partridge was supposed to think I was just a bum. As an inspiration, I hugged my chest to make him think I was some wino nursing a flask full of Sneaky Pete. All I had there was a piece of copper alloy tubing inside a slice of plastic hose for taking care of myself, rolling sailors and the like. Who had the price of a bottle? Partridge didn't seem to notice me, but I knew that was an act. I knew people were always watching every move I made. He braced his red-furred hands on the sides of his auctioneer's stand and leaned his splotched eagle beak toward us. "Brothers, this being Thanksgiving, I pray the good Lord that we all are truly thankful for all that we have received. Amen." Some skin-and-bones character I didn't know struggled out of his seat, amening. I could see he had a lot to be thankful for—somewhere he had received a fix. "Brothers," Partridge went on after enjoying the interruption with a beaming smile, "you shall all be entitled to a bowl of turkey soup prepared by Sister Partridge, a generous supply of sweet rolls and dinner rolls contributed by the Early Morning Bakery of this city, and all the coffee you can drink. Let us march out to The Stars and Stripes Forever , John Philip Sousa's grand old patriotic song." I had to laugh at all those bums clattering the chairs in front of me, scampering after water soup and stale bread. As soon as I got cleaned up, I was going to have dinner in a good restaurant, and I was going to order such expensive food and leave such a large tip for the waiter and send one to the chef that they were going to think I was rich, and some executive with some brokerage firm would see me and say to himself, "Hmm, executive material. Just the type we need. I beg your pardon, sir—" just like the razor-blade comic-strip ads in the old magazines that Frankie the Pig sells three for a quarter. I was marching. Man, was I ever marching, but the secret of it was I was only marking time the way we did in fire drills at the school. They passed me, every one of them, and marched out of the meeting room into the kitchen. Even Partridge made his way down from the auctioneer's stand like a vulture with a busted wing and darted through his private door. I was alone, marking time behind the closed half of double doors. One good breath and I raced past the open door and flattened myself to the wall. Crockery was ringing and men were slurping inside. No one had paid any attention to me. That was pretty odd. People usually watch my every move, but a man's luck has to change sometime, doesn't it? Following the wallboard, I went down the side of the room and behind the last row of chairs, closer, closer, and halfway up the room again to the entrance—the entrance and the little wooden box fastened to the wall beside it. The box was old and made out of some varnished wood. There was a slot in the top. There wasn't any sign anywhere around it, but you knew it wasn't a mailbox. My hand went flat on the top of the box. One finger at a time drew up and slipped into the slot. Index, fore, third, little. I put my thumb in my palm and shoved. My hand went in. There were coins inside. I scooped them up with two fingers and held them fast with the other two. Once I dropped a dime—not a penny, milled edge—and I started to reach for it. No, don't be greedy. I knew I would probably lose my hold on all the coins if I tried for that one. I had all the rest. It felt like about two dollars, or close to it. Then I found the bill. A neatly folded bill in the box. Somehow I knew all along it would be there. I tried to read the numbers on the bill with my fingertips, but I couldn't. It had to be a one. Who drops anything but a one into a Skid Row collection box? But still there were tourists, slummers. They might leave a fifty or even a hundred. A hundred! Yes, it felt new, crisp. It had to be a hundred. A single would be creased or worn. I pulled my hand out of the box. I tried to pull my hand out of the box. I knew what the trouble was, of course. I was in a monkey trap. The monkey reaches through the hole for the bait, and when he gets it in his hot little fist, he can't get his hand out. He's too greedy to let go, so he stays there, caught as securely as if he were caged. I was a man, not a monkey. I knew why I couldn't get my hand out. But I couldn't lose that money, especially that century bill. Calm, I ordered myself. Calm. The box was fastened to the vertical tongue-and-groove laths of the woodwork, not the wall. It was old lumber, stiffened by a hundred layers of paint since 1908. The paint was as thick and strong as the boards. The box was fastened fast. Six-inch spike nails, I guessed. Calmly, I flung my whole weight away from the wall. My wrist almost cracked, but there wasn't even a bend in the box. Carefully, I tried to jerk my fist straight up, to pry off the top of the box. It was as if the box had been carved out of one solid piece of timber. It wouldn't go up, down, left or right. But I kept trying. While keeping a lookout for Partridge and somebody stepping out of the kitchen for a pull on a bottle, I spotted the clock for the first time, a Western Union clock high up at the back of the hall. Just as I seen it for the first time, the electricity wound the spring motor inside like a chicken having its neck wrung. The next time I glanced at the clock, it said ten minutes had gone by. My hand still wasn't free and I hadn't budged the box. "This," Brother Partridge said, "is one of the most profound experiences of my life." My head hinged until it lined my eyes up with Brother Partridge. The pipe hung heavy in my pocket, but he was too far from me. "A vision of you at the box projected itself on the crest of my soup," the preacher explained in wonderment. I nodded. "Swimming right in there with the dead duck." "Cold turkey," he corrected. "Are you scoffing at a miracle?" "People are always watching me, Brother," I said. "So now they do it even when they aren't around. I should have known it would come to that." The pipe was suddenly a weight I wanted off me. I would try robbing a collection box, knowing positively that I would get caught, but I wasn't dumb enough to murder. Somebody, somewhere, would be a witness to it. I had never got away with anything in my life. I was too smart to even try anything but the little things. "I may be able to help you," Brother Partridge said, "if you have faith and a conscience." "I've got something better than a conscience," I told him. Brother Partridge regarded me solemnly. "There must be something special about you, for your apprehension to come through miraculous intervention. But I can't imagine what." "I always get apprehended somehow, Brother," I said. "I'm pretty special." "Your name?" "William Hagle." No sense lying. I had been booked and printed before. Partridge prodded me with his bony fingers as if making sure I was substantial. "Come. Let's sit down, if you can remove your fist from the money box." I opened up my fingers and let the coins ring inside the box and I drew out my hand. The bill stuck to the sweat on my fingers and slid out along with the digits. A one, I decided. I had got into trouble for a grubby single. It wasn't any century. I had been kidding myself. I unfolded the note. Sure enough, it wasn't a hundred-dollar bill, but it was a twenty, and that was almost the same thing to me. I creased it and put it back into the slot. As long as it stalled off the cops, I'd talk to Partridge. We took a couple of camp chairs and I told him the story of my life, or most of it. It was hard work on an empty stomach; I wished I'd had some of that turkey soup. Then again I was glad I hadn't. Something always happened to me when I thought back over my life. The same thing. The men filed out of the kitchen, wiping their chins, and I went right on talking. After some time Sister Partridge bustled in and snapped on the overhead lights and I kept talking. The brother still hadn't used the phone to call the cops. "Remarkable," Partridge finally said when I got so hoarse I had to take a break. "One is almost— almost —reminded of Job. William, you are being punished for some great sin. Of that, I'm sure." "Punished for a sin? But, Brother, I've always had it like this, as long as I can remember. What kind of a sin could I have committed when I was fresh out of my crib?" "William, all I can tell you is that time means nothing in Heaven. Do you deny the transmigration of souls?" "Well," I said, "I've had no personal experience—" "Of course you have, William! Say you don't remember. Say you don't want to remember. But don't say you have no personal experience!" "And you think I'm being punished for something I did in a previous life?" He looked at me in disbelief. "What else could it be?" "I don't know," I confessed. "I certainly haven't done anything that bad in this life." "William, if you atone for this sin, perhaps the horde of locusts will lift from you." It wasn't much of a chance, but I was unused to having any at all. I shook off the dizziness of it. "By the Lord Harry, Brother, I'm going to give it a try!" I cried. "I believe you," Partridge said, surprised at himself. He ambled over to the money box on the wall. He tapped the bottom lightly and a box with no top slid out of the slightly larger box. He reached in, fished out the bill and presented it to me. "Perhaps this will help in your atonement," he said. I crumpled it into my pocket fast. Not meaning to sound ungrateful, I'm pretty sure he hadn't noticed it was a twenty. And then the bill seemed to lie there, heavy, a lead weight. It would have been different if I had managed to get it out of the box myself. You know how it is. Money you haven't earned doesn't seem real to you. There was something I forgot to mention so far. During the year between when I got out of the reformatory and the one when I tried to steal Brother Partridge's money, I killed a man. It was all an accident, but killing somebody is reason enough to get punished. It didn't have to be a sin in some previous life, you see. I had gotten my first job in too long, stacking boxes at the freight door of Baysinger's. The drivers unloaded the stuff, but they just dumped it off the truck. An empty rear end was all they wanted. The freight boss told me to stack the boxes inside, neat and not too close together. I stacked boxes the first day. I stacked more the second. The third day I went outside with my baloney and crackers. It was warm enough even for November. Two of them, dressed like Harvard seniors, caps and striped duffer jackets, came up to the crate I was dining off. "Work inside, Jack?" the taller one asked. "Yeah," I said, chewing. "What do you do, Jack?" the fatter one asked. "Stack boxes." "Got a union card?" I shook my head. "Application?" "No," I said. "I'm just helping out during Christmas." "You're a scab, buddy," Long-legs said. "Don't you read the papers?" "I don't like comic strips," I said. They sighed. I think they hated to do it, but I was bucking the system. Fats hit me high. Long-legs hit me low. I blew cracker crumbs into their faces. After that, I just let them go. I know how to take a beating. That's one thing I knew. Then lying there, bleeding to myself, I heard them talking. I heard noises like make an example of him and do something permanent and I squirmed away across the rubbish like a polite mouse. I made it around a corner of brick and stood up, hurting my knee on a piece of brown-splotched pipe. There were noises on the other angle of the corner and so I tested if the pipe was loose and it was. I closed my eyes and brought the pipe up and then down. It felt as if I connected, but I was so numb, I wasn't sure until I unscrewed my eyes. There was a big man in a heavy wool overcoat and gray homburg spread on a damp centerfold from the News . There was a pick-up slip from the warehouse under the fingers of one hand, and somebody had beaten his brains out. The police figured it was part of some labor dispute, I guess, and they never got to me. I suppose I was to blame anyway. If I hadn't been alive, if I hadn't been there to get beaten up, it wouldn't have happened. I could see the point in making me suffer for it. There was a lot to be said for looking at it like that. But there was nothing to be said for telling Brother Partridge about the accident, or murder, or whatever had happened that day. Searching myself after I left Brother Partridge, I finally found a strip of gray adhesive tape on my side, out of the fuzzy area. Making the twenty the size of a thick postage stamp, I peeled back the tape and put the folded bill on the white skin and smoothed the tape back. There was only one place for me to go now. I headed for the public library. It was only about twenty blocks, but not having had anything to eat since the day before, it enervated me. The downstairs washroom was where I went first. There was nobody there but an old guy talking urgently to a kid with thick glasses, and somebody building a fix in one of the booths. I could see charred matches dropping down on the floor next to his tennis shoes, and even a few grains of white stuff. But he managed to hold still enough to keep from spilling more from the spoon. I washed my hands and face, smoothed my hair down, combing it with my fingers. Going over my suit with damp toweling got off a lot of the dirt. I put my collar on the outside of my jacket and creased the wings with my thumbnail so it would look more like a sports shirt. It didn't really. I still looked like a bum, but sort of a neat, non-objectionable bum. The librarian at the main desk looked sympathetically hostile, or hostilely sympathetic. "I'd like to get into the stacks, miss," I said, "and see some of the old newspapers." "Which newspapers?" the old girl asked stiffly. I thought back. I couldn't remember the exact date. "Ones for the first week in November last year." "We have the Times microfilmed. I would have to project them for you." "I didn't want to see the Times ," I said, fast. "Don't you have any newspapers on paper?" I didn't want her to see what I wanted to read up on. "We have the News , bound, for last year." I nodded. "That's the one I wanted to see." She sniffed and told me to follow her. I didn't rate a cart to my table, I guess, or else the bound papers weren't supposed to come out of the stacks. The cases of books, row after row, smelled good. Like old leather and good pipe tobacco. I had been here before. In this world, it's the man with education who makes the money. I had been reading the Funk & Wagnalls Encyclopedia. So far I knew a lot about Mark Antony, Atomic Energy, Boron, Brussels, Catapults, Demons, and Divans. I guess I had stopped to look around at some of the titles, because the busy librarian said sharply, "Follow me." I heard my voice say, "A pleasure. What about after work?" I didn't say it, but I was used to my voice independently saying things. Her neck got to flaming, but she walked stiffly ahead. She didn't say anything. She must be awful mad, I decided. But then I got the idea she was flushed with pleasure. I'm pretty ugly and I looked like a bum, but I was young. You had to grant me that. She waved a hand at the rows of bound News and left me alone with them. I wasn't sure if I was allowed to hunt up a table to lay the books on or not, so I took the volume for last year and laid it on the floor. That was the cleanest floor I ever saw. It didn't take me long to find the story. The victim was a big man, because the story was on the second page of the Nov. 4 edition. I started to tear the page out, then only memorized the name and home address. Somebody was sure to see me and I couldn't risk trouble just now. I stuck the book back in line and left by the side door. I went to a dry-cleaner, not the cheapest place I knew, because I wouldn't be safe with the change from a twenty in that neighborhood. My suit was cleaned while I waited. I paid a little extra and had it mended. Funny thing about a suit—it's almost never completely shot unless you just have it ripped off you or burned up. It wasn't exactly in style, but some rich executives wore suits out of style that they had paid a lot of money for. I remembered Fredric March's double-breasted in Executive Suite while Walter Pidgeon and the rest wore Ivy Leagues. Maybe I would look like an eccentric executive. I bought a new shirt, a good used pair of shoes, and a dime pack of single-edged razor blades. I didn't have a razor, but anybody with nerve can shave with a single-edge blade and soap and water. The clerk took my two bucks in advance and I went up to my room. I washed out my socks and underwear, took a bath, shaved and trimmed my hair and nails with the razor blade. With some soap on my finger, I scrubbed my teeth. Finally I got dressed. Everything was all right except that I didn't have a tie. They had them, a quarter a piece, where I got the shoes. It was only six blocks—I could go back. But I didn't want to wait. I wanted to complete the picture. The razor blade sliced through the pink bath towel evenly. I cut out a nice modern-style tie, narrow, with some horizontal stripes down at the bottom. I made a tight, thin knot. It looked pretty good. I was ready to leave, so I started for the door. I went back. I had almost forgotten my luggage. The box still had three unwrapped blades in it. I pocketed it. I hefted the used blade, dulled by all the work it had done. You can run being economical into stinginess. I tossed it into the wastebasket. I had five hamburgers and five cups of coffee. I couldn't finish all of the French fries. "Mac," I said to the fat counterman, who looked like all fat countermen, "give me a Milwaukee beer." He stopped polishing the counter in front of his friend. "Milwaukee, Wisconsin, or Milwaukee, Oregon?" "Wisconsin." He didn't argue. It was cold and bitter. All beer is bitter, no matter what they say on TV. I like beer. I like the bitterness of it. It felt like another, but I checked myself. I needed a clear head. I thought about going back to the hotel for some sleep; I still had the key in my pocket (I wasn't trusting it to any clerk). No, I had had sleep on Thanksgiving, bracing up for trying the lift at Brother Partridge's. Let's see, it was daylight outside again, so this was the day after Thanksgiving. But it had only been sixteen or twenty hours since I had slept. That was enough. I left the money on the counter for the hamburgers and coffee and the beer. There was $7.68 left. As I passed the counterman's friend on his stool, my voice said, "I think you're yellow." He turned slowly, his jaw moving further away from his brain. I winked. "It was just a bet for me to say that to you. I won two bucks. Half of it is yours." I held out the bill to him. His paw closed over the money and punched me on the biceps. Too hard. He winked back. "It's okay." I rubbed my shoulder, marching off fast, and I counted my money. With my luck, I might have given the counterman's friend the five instead of one of the singles. But I hadn't. I now had $6.68 left. "I still think you're yellow," my voice said. It was my voice, but it didn't come from me. There were no words, no feeling of words in my throat. It just came out of the air the way it always did. I ran. Harold R. Thompkins, 49, vice-president of Baysinger's, was found dead behind the store last night. His skull had been crushed by a vicious beating with a heavy implement, Coroner McClain announced in preliminary verdict. Tompkins, who resided at 1467 Claremont, Edgeway, had been active in seeking labor-management peace in the recent difficulties.... I had read that a year before. The car cards on the clanking subway and the rumbling bus didn't seem nearly so interesting to me. Outside the van, a tasteful sign announced the limits of the village of Edgeway, and back inside, the monsters of my boyhood went bloomp at me. I hadn't seen anything like them in years. The slimy, scaly beasts were slithering over the newspaper holders, the ad card readers, the girl watchers as the neat little carbon-copy modern homes breezed past the windows. I ignored the devils and concentrated on reading the withered, washed-out political posters on the telephone poles. My neck ached from holding it so stiff, staring out through the glass. More than that, I could feel the jabberwocks staring at me. You know how it is. You can feel a stare with the back of your neck and between your eyes. They got one brush of a gaze out of me. The things abruptly started their business, trying to act casually as if they hadn't been waiting for me to look at them at all. They had a little human being of some sort. It was the size of a small boy, like the small boy who looked like me that they used to destroy when I was locked up with them in the dark. Except this was a man, scaled down to child's size. He had sort of an ugly, worried, tired, stupid look and he wore a shiny suit with a piece of a welcome mat or something for a necktie. Yeah, it was me. I really knew it all the time. They began doing things to the midget me. I didn't even lift an eyebrow. They couldn't do anything worse to the small man than they had done to the young boy. It was sort of nostalgic watching them, but I really got bored with all that violence and killing and killing the same kill over and over. Like watching the Saturday night string of westerns in a bar. The sunlight through the window was yellow and hot. After a time, I began to dose. The shrieks woke me up. For the first time, I could hear the shrieks of the monster's victim and listen to their obscene droolings. For the very first time in my life. Always before it had been all pantomime, like Charlie Chaplin. Now I heard the sounds of it all. They say it's a bad sign when you start hearing voices. I nearly panicked, but I held myself in the seat and forced myself to be rational about it. My own voice was always saying things everybody could hear but which I didn't say. It wasn't any worse to be the only one who could hear other things I never said. I was as sane as I ever was. There was no doubt about that. But a new thought suddenly impressed itself on me. Whatever was punishing me for my sin was determined that I turn back before reaching 1467 Claremont.
train	51609	[ "Why was Humphrey being pick-pocketed so much?", "Why was Humphrey being observed?", "What is the relationship between Lanfierre and MacBride?", "Why did Humphrey decorate with a moon, neon roses, and music?", "What wouldn't be something Humphrey would want from his life?", "Which doesn't describe Mrs. Deshazaway?", "Who would want to fix the mistake made in the story?", "What is unlikely to happen next?", "What lesson couldn't be gleaned from this story?" ]	[ [ "to plant information necessary to arrest him", "it's a typical behavior in this city", "people typically pick-pocket him because he's distracted", "for Lanfierre to get to know Humphrey's personality better" ], [ "he didn't act like he was expected to", "to make sure he wasn't a danger to society", "he was to be observed before he was allowed to be married", "he was suspected of committing crimes" ], [ "Lanfierre is training in MacBride", "MacBride is Lanfierre's superior", "they are partners working on the case", "Lanfierre is the aberration expert, and MacBride is a cop" ], [ "to give Mrs. Deshazaway something that looked like her past", "to seduce Mrs. Deshazaway", "he was trying to decorate his home uniquely", "these were items he had read about from the past" ], [ "to experience real weather", "a family", "a promotion from his job", "to escape the dome" ], [ "she cares about Humphrey", "she was enthusiastic and passionate", "she cares about what her neighbors think", "she doesn't believe in love" ], [ "MacBride wouldn't go into the house with Lanfierre", "Humphrey would not create the wind maker in his house", "Lanfierre would listen to MacBride in Humphrey's house", "Agnes wouldn't give Humphrey a condition for marriage" ], [ "Agnes and Humphrey will leave the dome", "the government will rethink some of the dome's policies", "Humphrey's house will fall apart", "the dome will be repaired" ], [ "no matter how much you strive for perfection, there will always be something preventing it", "work on your dreams until they become a reality", "history tends to repeat itself", "love can accomplish many things" ] ]	[ 4, 1, 4, 2, 3, 4, 3, 2, 3 ]	[ 1, 1, 0, 0, 0, 0, 1, 1, 1 ]	A FALL OF GLASS By STANLEY R. LEE Illustrated by DILLON [Transcriber's Note: This etext was produced from Galaxy Magazine October 1960. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] The weatherman was always right: Temperature, 59; humidity, 47%; occasional light showers—but of what? The pockets of Mr. Humphrey Fownes were being picked outrageously. It was a splendid day. The temperature was a crisp 59 degrees, the humidity a mildly dessicated 47%. The sun was a flaming orange ball in a cloudless blue sky. His pockets were picked eleven times. It should have been difficult. Under the circumstances it was a masterpiece of pocket picking. What made it possible was Humphrey Fownes' abstraction; he was an uncommonly preoccupied individual. He was strolling along a quiet residential avenue: small private houses, one after another, a place of little traffic and minimum distractions. But he was thinking about weather, which was an unusual subject to begin with for a person living in a domed city. He was thinking so deeply about it that it never occurred to him that entirely too many people were bumping into him. He was thinking about Optimum Dome Conditions (a crisp 59 degrees, a mildly dessicated 47%) when a bogus postman, who pretended to be reading a postal card, jostled him. In the confusion of spilled letters and apologies from both sides, the postman rifled Fownes's handkerchief and inside jacket pockets. He was still thinking about temperature and humidity when a pretty girl happened along with something in her eye. They collided. She got his right and left jacket pockets. It was much too much for coincidence. The sidewalk was wide enough to allow four people to pass at one time. He should surely have become suspicious when two men engaged in a heated argument came along. In the ensuing contretemps they emptied his rear pants pockets, got his wristwatch and restored the contents of the handkerchief pocket. It all went off very smoothly, like a game of put and take—the sole difference being that Humphrey Fownes had no idea he was playing. There was an occasional tinkle of falling glass. It fell on the streets and houses, making small geysers of shiny mist, hitting with a gentle musical sound, like the ephemeral droppings of a celesta. It was precipitation peculiar to a dome: feather-light fragments showering harmlessly on the city from time to time. Dome weevils, their metal arms reaching out with molten glass, roamed the huge casserole, ceaselessly patching and repairing. Humphrey Fownes strode through the puffs of falling glass still intrigued by a temperature that was always 59 degrees, by a humidity that was always 47%, by weather that was always Optimum. It was this rather than skill that enabled the police to maintain such a tight surveillance on him, a surveillance that went to the extent of getting his fingerprints off the postman's bag, and which photographed, X-rayed and chemically analyzed the contents of his pockets before returning them. Two blocks away from his home a careless housewife spilled a five-pound bag of flour as he was passing. It was really plaster of Paris. He left his shoe prints, stride measurement, height, weight and handedness behind. By the time Fownes reached his front door an entire dossier complete with photographs had been prepared and was being read by two men in an orange patrol car parked down the street. Lanfierre had undoubtedly been affected by his job. Sitting behind the wheel of the orange car, he watched Humphrey Fownes approach with a distinct feeling of admiration, although it was an odd, objective kind of admiration, clinical in nature. It was similar to that of a pathologist observing for the first time a new and particularly virulent strain of pneumococcus under his microscope. Lanfierre's job was to ferret out aberration. It couldn't be tolerated within the confines of a dome. Conformity had become more than a social force; it was a physical necessity. And, after years of working at it, Lanfierre had become an admirer of eccentricity. He came to see that genuine quirks were rare and, as time went on, due partly to his own small efforts, rarer. Fownes was a masterpiece of queerness. He was utterly inexplicable. Lanfierre was almost proud of Humphrey Fownes. "Sometimes his house shakes ," Lanfierre said. "House shakes," Lieutenant MacBride wrote in his notebook. Then he stopped and frowned. He reread what he'd just written. "You heard right. The house shakes ," Lanfierre said, savoring it. MacBride looked at the Fownes house through the magnifying glass of the windshield. "Like from ... side to side ?" he asked in a somewhat patronizing tone of voice. "And up and down." MacBride returned the notebook to the breast pocket of his orange uniform. "Go on," he said, amused. "It sounds interesting." He tossed the dossier carelessly on the back seat. Lanfierre sat stiffly behind the wheel, affronted. The cynical MacBride couldn't really appreciate fine aberrations. In some ways MacBride was a barbarian. Lanfierre had held out on Fownes for months. He had even contrived to engage him in conversation once, a pleasantly absurd, irrational little chat that titillated him for weeks. It was only with the greatest reluctance that he finally mentioned Fownes to MacBride. After years of searching for differences Lanfierre had seen how extraordinarily repetitious people were, echoes really, dimly resounding echoes, each believing itself whole and separate. They spoke in an incessant chatter of cliches, and their actions were unbelievably trite. Then a fine robust freak came along and the others—the echoes—refused to believe it. The lieutenant was probably on the point of suggesting a vacation. "Why don't you take a vacation?" Lieutenant MacBride suggested. "It's like this, MacBride. Do you know what a wind is? A breeze? A zephyr?" "I've heard some." "They say there are mountain-tops where winds blow all the time. Strong winds, MacBride. Winds like you and I can't imagine. And if there was a house sitting on such a mountain and if winds did blow, it would shake exactly the way that one does. Sometimes I get the feeling the whole place is going to slide off its foundation and go sailing down the avenue." Lieutenant MacBride pursed his lips. "I'll tell you something else," Lanfierre went on. "The windows all close at the same time. You'll be watching and all of a sudden every single window in the place will drop to its sill." Lanfierre leaned back in the seat, his eyes still on the house. "Sometimes I think there's a whole crowd of people in there waiting for a signal—as if they all had something important to say but had to close the windows first so no one could hear. Why else close the windows in a domed city? And then as soon as the place is buttoned up they all explode into conversation—and that's why the house shakes." MacBride whistled. "No, I don't need a vacation." A falling piece of glass dissolved into a puff of gossamer against the windshield. Lanfierre started and bumped his knee on the steering wheel. "No, you don't need a rest," MacBride said. "You're starting to see flying houses, hear loud babbling voices. You've got winds in your brain, Lanfierre, breezes of fatigue, zephyrs of irrationality—" At that moment, all at once, every last window in the house slammed shut. The street was deserted and quiet, not a movement, not a sound. MacBride and Lanfierre both leaned forward, as if waiting for the ghostly babble of voices to commence. The house began to shake. It rocked from side to side, it pitched forward and back, it yawed and dipped and twisted, straining at the mooring of its foundation. The house could have been preparing to take off and sail down the.... MacBride looked at Lanfierre and Lanfierre looked at MacBride and then they both looked back at the dancing house. "And the water ," Lanfierre said. "The water he uses! He could be the thirstiest and cleanest man in the city. He could have a whole family of thirsty and clean kids, and he still wouldn't need all that water." The lieutenant had picked up the dossier. He thumbed through the pages now in amazement. "Where do you get a guy like this?" he asked. "Did you see what he carries in his pockets?" "And compasses won't work on this street." The lieutenant lit a cigarette and sighed. He usually sighed when making the decision to raid a dwelling. It expressed his weariness and distaste for people who went off and got neurotic when they could be enjoying a happy, normal existence. There was something implacable about his sighs. "He'll be coming out soon," Lanfierre said. "He eats supper next door with a widow. Then he goes to the library. Always the same. Supper at the widow's next door and then the library." MacBride's eyebrows went up a fraction of an inch. "The library?" he said. "Is he in with that bunch?" Lanfierre nodded. "Should be very interesting," MacBride said slowly. "I can't wait to see what he's got in there," Lanfierre murmured, watching the house with a consuming interest. They sat there smoking in silence and every now and then their eyes widened as the house danced a new step. Fownes stopped on the porch to brush the plaster of paris off his shoes. He hadn't seen the patrol car and this intense preoccupation of his was also responsible for the dancing house—he simply hadn't noticed. There was a certain amount of vibration, of course. He had a bootleg pipe connected into the dome blower system, and the high-pressure air caused some buffeting against the thin walls of the house. At least, he called it buffeting; he'd never thought to watch from outside. He went in and threw his jacket on the sofa, there being no room left in the closets. Crossing the living room he stopped to twist a draw-pull. Every window slammed shut. "Tight as a kite," he thought, satisfied. He continued on toward the closet at the foot of the stairs and then stopped again. Was that right? No, snug as a hug in a rug . He went on, thinking: The old devils. The downstairs closet was like a great watch case, a profusion of wheels surrounding the Master Mechanism, which was a miniature see-saw that went back and forth 365-1/4 times an hour. The wheels had a curious stateliness about them. They were all quite old, salvaged from grandfather's clocks and music boxes and they went around in graceful circles at the rate of 30 and 31 times an hour ... although there was one slightly eccentric cam that vacillated between 28 and 29. He watched as they spun and flashed in the darkness, and then set them for seven o'clock in the evening, April seventh, any year. Outside, the domed city vanished. It was replaced by an illusion. Or, as Fownes hoped it might appear, the illusion of the domed city vanished and was replaced by a more satisfactory, and, for his specific purpose, more functional, illusion. Looking through the window he saw only a garden. Instead of an orange sun at perpetual high noon, there was a red sun setting brilliantly, marred only by an occasional arcover which left the smell of ozone in the air. There was also a gigantic moon. It hid a huge area of sky, and it sang. The sun and moon both looked down upon a garden that was itself scintillant, composed largely of neon roses. Moonlight, he thought, and roses. Satisfactory. And cocktails for two. Blast, he'd never be able to figure that one out! He watched as the moon played, Oh, You Beautiful Doll and the neon roses flashed slowly from red to violet, then went back to the closet and turned on the scent. The house began to smell like an immensely concentrated rose as the moon shifted to People Will Say We're In Love . He rubbed his chin critically. It seemed all right. A dreamy sunset, an enchanted moon, flowers, scent. They were all purely speculative of course. He had no idea how a rose really smelled—or looked for that matter. Not to mention a moon. But then, neither did the widow. He'd have to be confident, assertive. Insist on it. I tell you, my dear, this is a genuine realistic romantic moon. Now, does it do anything to your pulse? Do you feel icy fingers marching up and down your spine? His own spine didn't seem to be affected. But then he hadn't read that book on ancient mores and courtship customs. How really odd the ancients were. Seduction seemed to be an incredibly long and drawn-out process, accompanied by a considerable amount of falsification. Communication seemed virtually impossible. "No" meant any number of things, depending on the tone of voice and the circumstances. It could mean yes, it could mean ask me again later on this evening. He went up the stairs to the bedroom closet and tried the rain-maker, thinking roguishly: Thou shalt not inundate. The risks he was taking! A shower fell gently on the garden and a male chorus began to chant Singing in the Rain . Undiminished, the yellow moon and the red sun continued to be brilliant, although the sun occasionally arced over and demolished several of the neon roses. The last wheel in the bedroom closet was a rather elegant steering wheel from an old 1995 Studebaker. This was on the bootleg pipe; he gingerly turned it. Far below in the cellar there was a rumble and then the soft whistle of winds came to him. He went downstairs to watch out the living room window. This was important; the window had a really fixed attitude about air currents. The neon roses bent and tinkled against each other as the wind rose and the moon shook a trifle as it whispered Cuddle Up a Little Closer . He watched with folded arms, considering how he would start. My dear Mrs. Deshazaway. Too formal. They'd be looking out at the romantic garden; time to be a bit forward. My very dear Mrs. Deshazaway. No. Contrived. How about a simple, Dear Mrs. Deshazaway . That might be it. I was wondering, seeing as how it's so late, if you wouldn't rather stay over instead of going home.... Preoccupied, he hadn't noticed the winds building up, didn't hear the shaking and rattling of the pipes. There were attic pipes connected to wall pipes and wall pipes connected to cellar pipes, and they made one gigantic skeleton that began to rattle its bones and dance as high-pressure air from the dome blower rushed in, slowly opening the Studebaker valve wider and wider.... The neon roses thrashed about, extinguishing each other. The red sun shot off a mass of sparks and then quickly sank out of sight. The moon fell on the garden and rolled ponderously along, crooning When the Blue of the Night Meets the Gold of the Day . The shaking house finally woke him up. He scrambled upstairs to the Studebaker wheel and shut it off. At the window again, he sighed. Repairs were in order. And it wasn't the first time the winds got out of line. Why didn't she marry him and save all this bother? He shut it all down and went out the front door, wondering about the rhyme of the months, about stately August and eccentric February and romantic April. April. Its days were thirty and it followed September. And all the rest have thirty-one. What a strange people, the ancients! He still didn't see the orange car parked down the street. "Men are too perishable," Mrs. Deshazaway said over dinner. "For all practical purposes I'm never going to marry again. All my husbands die." "Would you pass the beets, please?" Humphrey Fownes said. She handed him a platter of steaming red beets. "And don't look at me that way," she said. "I'm not going to marry you and if you want reasons I'll give you four of them. Andrew. Curt. Norman. And Alphonse." The widow was a passionate woman. She did everything passionately—talking, cooking, dressing. Her beets were passionately red. Her clothes rustled and her high heels clicked and her jewelry tinkled. She was possessed by an uncontrollable dynamism. Fownes had never known anyone like her. "You forgot to put salt on the potatoes," she said passionately, then went on as calmly as it was possible for her to be, to explain why she couldn't marry him. "Do you have any idea what people are saying? They're all saying I'm a cannibal! I rob my husbands of their life force and when they're empty I carry their bodies outside on my way to the justice of the peace." "As long as there are people," he said philosophically, "there'll be talk." "But it's the air! Why don't they talk about that? The air is stale, I'm positive. It's not nourishing. The air is stale and Andrew, Curt, Norman and Alphonse couldn't stand it. Poor Alphonse. He was never so healthy as on the day he was born. From then on things got steadily worse for him." "I don't seem to mind the air." She threw up her hands. "You'd be the worst of the lot!" She left the table, rustling and tinkling about the room. "I can just hear them. Try some of the asparagus. Five. That's what they'd say. That woman did it again. And the plain fact is I don't want you on my record." "Really," Fownes protested. "I feel splendid. Never better." He could hear her moving about and then felt her hands on his shoulders. "And what about those very elaborate plans you've been making to seduce me?" Fownes froze with three asparagus hanging from his fork. "Don't you think they'll find out? I found out and you can bet they will. It's my fault, I guess. I talk too much. And I don't always tell the truth. To be completely honest with you, Mr. Fownes, it wasn't the old customs at all standing between us, it was air. I can't have another man die on me, it's bad for my self-esteem. And now you've gone and done something good and criminal, something peculiar." Fownes put his fork down. "Dear Mrs. Deshazaway," he started to say. "And of course when they do find out and they ask you why, Mr. Fownes, you'll tell them. No, no heroics, please! When they ask a man a question he always answers and you will too. You'll tell them I wanted to be courted and when they hear that they'll be around to ask me a few questions. You see, we're both a bit queer." "I hadn't thought of that," Fownes said quietly. "Oh, it doesn't really matter. I'll join Andrew, Curt, Norman—" "That won't be necessary," Fownes said with unusual force. "With all due respect to Andrew, Curt, Norman and Alphonse, I might as well state here and now I have other plans for you, Mrs. Deshazaway." "But my dear Mr. Fownes," she said, leaning across the table. "We're lost, you and I." "Not if we could leave the dome," Fownes said quietly. "That's impossible! How?" In no hurry, now that he had the widow's complete attention, Fownes leaned across the table and whispered: "Fresh air, Mrs. Deshazaway? Space? Miles and miles of space where the real-estate monopoly has no control whatever? Where the wind blows across prairies ; or is it the other way around? No matter. How would you like that , Mrs. Deshazaway?" Breathing somewhat faster than usual, the widow rested her chin on her two hands. "Pray continue," she said. "Endless vistas of moonlight and roses? April showers, Mrs. Deshazaway. And June, which as you may know follows directly upon April and is supposed to be the month of brides, of marrying. June also lies beyond the dome." "I see." " And ," Mr. Fownes added, his voice a honeyed whisper, "they say that somewhere out in the space and the roses and the moonlight, the sleeping equinox yawns and rises because on a certain day it's vernal and that's when it roams the Open Country where geigers no longer scintillate." " My. " Mrs. Deshazaway rose, paced slowly to the window and then came back to the table, standing directly over Fownes. "If you can get us outside the dome," she said, "out where a man stays warm long enough for his wife to get to know him ... if you can do that, Mr. Fownes ... you may call me Agnes." When Humphrey Fownes stepped out of the widow's house, there was a look of such intense abstraction on his features that Lanfierre felt a wistful desire to get out of the car and walk along with the man. It would be such a deliciously insane experience. ("April has thirty days," Fownes mumbled, passing them, "because thirty is the largest number such that all smaller numbers not having a common divisor with it are primes ." MacBride frowned and added it to the dossier. Lanfierre sighed.) Pinning his hopes on the Movement, Fownes went straight to the library several blocks away, a shattered depressing place given over to government publications and censored old books with holes in them. It was used so infrequently that the Movement was able to meet there undisturbed. The librarian was a yellowed, dog-eared woman of eighty. She spent her days reading ancient library cards and, like the books around her, had been rendered by time's own censor into near unintelligibility. "Here's one," she said to him as he entered. " Gulliver's Travels. Loaned to John Wesley Davidson on March 14, 1979 for five days. What do you make of it?" In the litter of books and cards and dried out ink pads that surrounded the librarian, Fownes noticed a torn dust jacket with a curious illustration. "What's that?" he said. "A twister," she replied quickly. "Now listen to this . Seven years later on March 21, 1986, Ella Marshall Davidson took out the same book. What do you make of that ?" "I'd say," Humphrey Fownes said, "that he ... that he recommended it to her, that one day they met in the street and he told her about this book and then they ... they went to the library together and she borrowed it and eventually, why eventually they got married." "Hah! They were brother and sister!" the librarian shouted in her parched voice, her old buckram eyes laughing with cunning. Fownes smiled weakly and looked again at the dust jacket. The twister was unquestionably a meteorological phenomenon. It spun ominously, like a malevolent top, and coursed the countryside destructively, carrying a Dorothy to an Oz. He couldn't help wondering if twisters did anything to feminine pulses, if they could possibly be a part of a moonlit night, with cocktails and roses. He absently stuffed the dust jacket in his pocket and went on into the other rooms, the librarian mumbling after him: "Edna Murdoch Featherstone, April 21, 1991," as though reading inscriptions on a tombstone. The Movement met in what had been the children's room, where unpaid ladies of the afternoon had once upon a time read stories to other people's offspring. The members sat around at the miniature tables looking oddly like giants fled from their fairy tales, protesting. "Where did the old society fail?" the leader was demanding of them. He stood in the center of the room, leaning on a heavy knobbed cane. He glanced around at the group almost complacently, and waited as Humphrey Fownes squeezed into an empty chair. "We live in a dome," the leader said, "for lack of something. An invention! What is the one thing that the great technological societies before ours could not invent, notwithstanding their various giant brains, electronic and otherwise?" Fownes was the kind of man who never answered a rhetorical question. He waited, uncomfortable in the tight chair, while the others struggled with this problem in revolutionary dialectics. " A sound foreign policy ," the leader said, aware that no one else had obtained the insight. "If a sound foreign policy can't be created the only alternative is not to have any foreign policy at all. Thus the movement into domes began— by common consent of the governments . This is known as self-containment." Dialectically out in left field, Humphrey Fownes waited for a lull in the ensuing discussion and then politely inquired how it might be arranged for him to get out. "Out?" the leader said, frowning. "Out? Out where?" "Outside the dome." "Oh. All in good time, my friend. One day we shall all pick up and leave." "And that day I'll await impatiently," Fownes replied with marvelous tact, "because it will be lonely out there for the two of us. My future wife and I have to leave now ." "Nonsense. Ridiculous! You have to be prepared for the Open Country. You can't just up and leave, it would be suicide, Fownes. And dialectically very poor." "Then you have discussed preparations, the practical necessities of life in the Open Country. Food, clothing, a weapon perhaps? What else? Have I left anything out?" The leader sighed. "The gentleman wants to know if he's left anything out," he said to the group. Fownes looked around at them, at some dozen pained expressions. "Tell the man what he's forgotten," the leader said, walking to the far window and turning his back quite pointedly on them. Everyone spoke at the same moment. " A sound foreign policy ," they all said, it being almost too obvious for words. On his way out the librarian shouted at him: " A Tale of a Tub , thirty-five years overdue!" She was calculating the fine as he closed the door. Humphrey Fownes' preoccupation finally came to an end when he was one block away from his house. It was then that he realized something unusual must have occurred. An orange patrol car of the security police was parked at his front door. And something else was happening too. His house was dancing. It was disconcerting, and at the same time enchanting, to watch one's residence frisking about on its foundation. It was such a strange sight that for the moment he didn't give a thought to what might be causing it. But when he stepped gingerly onto the porch, which was doing its own independent gavotte, he reached for the doorknob with an immense curiosity. The door flung itself open and knocked him back off the porch. From a prone position on his miniscule front lawn, Fownes watched as his favorite easy chair sailed out of the living room on a blast of cold air and went pinwheeling down the avenue in the bright sunshine. A wild wind and a thick fog poured out of the house. It brought chairs, suits, small tables, lamps trailing their cords, ashtrays, sofa cushions. The house was emptying itself fiercely, as if disgorging an old, spoiled meal. From deep inside he could hear the rumble of his ancient upright piano as it rolled ponderously from room to room. He stood up; a wet wind swept over him, whipping at his face, toying with his hair. It was a whistling in his ears, and a tingle on his cheeks. He got hit by a shoe. As he forced his way back to the doorway needles of rain played over his face and he heard a voice cry out from somewhere in the living room. "Help!" Lieutenant MacBride called. Standing in the doorway with his wet hair plastered down on his dripping scalp, the wind roaring about him, the piano rumbling in the distance like thunder, Humphrey Fownes suddenly saw it all very clearly. " Winds ," he said in a whisper. "What's happening?" MacBride yelled, crouching behind the sofa. " March winds," he said. "What?!" "April showers!" The winds roared for a moment and then MacBride's lost voice emerged from the blackness of the living room. "These are not Optimum Dome Conditions!" the voice wailed. "The temperature is not 59 degrees. The humidity is not 47%!" Fownes held his face up to let the rain fall on it. "Moonlight!" he shouted. "Roses! My soul for a cocktail for two!" He grasped the doorway to keep from being blown out of the house. "Are you going to make it stop or aren't you!" MacBride yelled. "You'll have to tell me what you did first!" "I told him not to touch that wheel! Lanfierre. He's in the upstairs bedroom!" When he heard this Fownes plunged into the house and fought his way up the stairs. He found Lanfierre standing outside the bedroom with a wheel in his hand. "What have I done?" Lanfierre asked in the monotone of shock. Fownes took the wheel. It was off a 1995 Studebaker. "I'm not sure what's going to come of this," he said to Lanfierre with an astonishing amount of objectivity, "but the entire dome air supply is now coming through my bedroom." The wind screamed. "Is there something I can turn?" Lanfierre asked. "Not any more there isn't." They started down the stairs carefully, but the wind caught them and they quickly reached the bottom in a wet heap. Recruiting Lieutenant MacBride from behind his sofa, the men carefully edged out of the house and forced the front door shut. The wind died. The fog dispersed. They stood dripping in the Optimum Dome Conditions of the bright avenue. "I never figured on this ," Lanfierre said, shaking his head. With the front door closed the wind quickly built up inside the house. They could see the furnishing whirl past the windows. The house did a wild, elated jig. "What kind of a place is this?" MacBride said, his courage beginning to return. He took out his notebook but it was a soggy mess. He tossed it away. "Sure, he was different ," Lanfierre murmured. "I knew that much." When the roof blew off they weren't really surprised. With a certain amount of equanimity they watched it lift off almost gracefully, standing on end for a moment before toppling to the ground. It was strangely slow motion, as was the black twirling cloud that now rose out of the master bedroom, spewing shorts and socks and cases every which way. " Now what?" MacBride said, thoroughly exasperated, as this strange black cloud began to accelerate, whirling about like some malevolent top.... Humphrey Fownes took out the dust jacket he'd found in the library. He held it up and carefully compared the spinning cloud in his bedroom with the illustration. The cloud rose and spun, assuming the identical shape of the illustration. "It's a twister," he said softly. "A Kansas twister!" "What," MacBride asked, his bravado slipping away again, "what ... is a twister?" The twister roared and moved out of the bedroom, out over the rear of the house toward the side of the dome. "It says here," Fownes shouted over the roaring, "that Dorothy traveled from Kansas to Oz in a twister and that ... and that Oz is a wonderful and mysterious land beyond the confines of everyday living ." MacBride's eyes and mouth were great zeros. "Is there something I can turn?" Lanfierre asked. Huge chunks of glass began to fall around them. "Fownes!" MacBride shouted. "This is a direct order! Make it go back!" But Fownes had already begun to run on toward the next house, dodging mountainous puffs of glass as he went. "Mrs. Deshazaway!" he shouted. "Yoo-hoo, Mrs. Deshazaway!" The dome weevils were going berserk trying to keep up with the precipitation. They whirred back and forth at frightful speed, then, emptied of molten glass, rushed to the Trough which they quickly emptied and then rushed about empty-handed. "Yoo-hoo!" he yelled, running. The artificial sun vanished behind the mushrooming twister. Optimum temperature collapsed. "Mrs. Deshazaway! Agnes , will you marry me? Yoo-hoo!" Lanfierre and Lieutenant MacBride leaned against their car and waited, dazed. There was quite a large fall of glass.
train	20046	[ "Who was stigmatized the most over swearing publicly?", "What is not increasing as time goes on?", "What would Graves and Montagu agree about?", "Why does swearing lose its power?", "What would the author say about the impact of swearing on our current society?", "Who would the author most agree with about swearing?", "What wouldn't the author agree with?" ]	[ [ "Kenneth Tynan", "Robert Graves", "Michael Irvin ", "Greg Lloyd" ], [ "the amount of people allowed to swear without punishment", "the amount of words considered taboo", "the amount of profanity heard", "societal tolerance" ], [ "swear words are overused", "swearing is the adult form of whining", "swearing prevents aggressive behaviors", "swearing makes people feel better" ], [ "kids are less scared of swearing than they used to be", "as people get older, the words are easier to say", "the ideas they represent are less taboo than they used to be", "our culture has matured, making swearing unimportant" ], [ "it is important for our culture to continue to grow accustomed to using swear words", "our feeling about swearing now shows a more educated society", "we have more rebels than we used to", "it is unhealthy for our society to have powerless swear words" ], [ "Mussolini", "Ashley Montagu", "Robert Graves", "Michael Irvin" ], [ "new swear words will exist in the future", "it's important for a culture to have profane words", "swear words have changed over the centuries", "all people should become more comfortable with swearing" ] ]	[ 1, 2, 4, 3, 4, 3, 4 ]	[ 0, 0, 1, 0, 0, 1, 0 ]	Maledict oratory The high costs of low language. Sunday, Jan. 14, 1996: A day that will live in--well, not infamy, exactly. Blasphemy would be closer to it. Early that afternoon, the Pittsburgh Steelers defeated the Indianapolis Colts to win the American Football Conference championship. Linebacker Greg Lloyd, accepting the trophy in front of a national television audience, responded with enthusiasm. "Let's see if we can bring this damn thing back here next year," he said, "along with the [expletive] Super Bowl." A few hours later, Michael Irvin of the Dallas Cowboys offered this spirited defense of his coach on TV after his team won the National Football Conference title: "Nobody deserves it more than Barry Switzer. He took all of this [expletive] ." Iwatched those episodes, and, incongruous as it may sound, I thought of Kenneth Tynan. Britain's great postwar drama critic was no fan of American football, but he was a fan of swearing. Thirty years earlier, almost to the week, Tynan was interviewed on BBC television in his capacity as literary director of Britain's National Theater and asked if he would allow the theater to present a play in which sex took place on stage. "Certainly," he replied. "I think there are very few rational people in this world to whom the word '[expletive]' is particularly diabolical or revolting or totally forbidden." It turned out there were a few more than Tynan thought. Within 24 hours, resolutions had been introduced in the House of Commons calling for his prosecution on charges of obscenity, for his removal as a theater official, and for censure of the network for allowing an obscene word to go out on the airwaves. Tynan escaped punishment, but he acquired a public reputation for tastelessness that he carried for the rest his life. To much of ordinary Britain, he became the man who had said "[expletive]" on the BBC. Neither Greg Lloyd nor Michael Irvin was so stigmatized. "It's live television," NBC Vice President Ed Markey said, rationalizing the outbursts. "It's an emotional moment. These things happen." Irvin wasn't about to let that stand. "I knew exactly what I was saying," he insisted later. "Those of you who can't believe I said it--believe it." Swearing isn't the only public act that Western civilization condones today but didn't 30 years ago. But it is one of the most interesting. It is everywhere, impossible to avoid or tune out. I am sitting in a meeting at the office, talking with a colleague about a business circumstance that may possibly go against us. "In that case, we're [expletive] ," he says. Five years ago, he would have said "screwed." Twenty years ago, he would have said, "We're in big trouble." Societal tolerance of profanity requires us to increase our dosage as time goes on. I am walking along a suburban street, trailing a class of pre-schoolers who are linked to each other by a rope. A pair of teen-agers passes us in the other direction. By the time they have reached the end of the line of children, they have tossed off a whole catalog of obscenities I did not even hear until I was well into adolescence, let alone use in casual conversation on a public street. I am talking to a distinguished professor of public policy about a foundation grant. I tell her something she wasn't aware of before. In 1965, the appropriate response was "no kidding." In 1996, you do not say "no kidding." It is limp and ineffectual. If you are surprised at all, you say what she says: "No shit." What word is taboo in middle-class America in 1996? There are a couple of credible candidates: The four-letter word for "vagina" remains off-limits in polite conversation (although that has more to do with feminism than with profanity), and the slang expression for those who engage in oral sex with males is not yet acceptable by the standards of office-meeting etiquette. But aside from a few exceptions, the supply of genuinely offensive language has dwindled almost to nothing as the 20th century comes to an end; the currency of swearing has been inflated to the brink of worthlessness. When almost anything can be said in public, profanity ceases to exist in any meaningful way at all. That most of the forbidden words of the 1950s are no longer forbidden will come as news to nobody: The steady debasement of the common language is only one of many social strictures that have loosened from the previous generation to the current. What is important is that profanity served a variety of purposes for a long time in Western culture. It does not serve those purposes any more. What purposes? There are a couple of plausible answers. One of them is emotional release. Robert Graves, who wrote a book in the 1920s called The Future of Swearing , thought that profanity was the adult replacement for childhood tears. There comes a point in life, he wrote, when "wailing is rightly discouraged, and groans are also considered a signal of extreme weakness. Silence under suffering is usually impossible." So one reaches back for a word one does not normally use, and utters it without undue embarrassment or guilt. And one feels better--even stimulated. The anthropologist Ashley Montagu, whose Anatomy of Swearing , published in 1967, is the definitive modern take on the subject, saw profanity as a safety valve rather than a stimulant, a verbal substitute for physical aggression. When someone swears, Montagu wrote, "potentially noxious energy is converted into a form that renders it comparatively innocuous." One could point out, in arguing against the safety-valve theory, that as America has grown more profane in the past 30 years, it has also grown more violent, not less. But this is too simple. It isn't just the supply of dirty words that matters, it's their emotive power. If they have lost that power through overuse, it's perfectly plausible to say that their capacity to deter aggressive behavior has weakened as well. But there is something else important to say about swearing--that it represents the invocation of those ideas a society considers powerful, awesome, and a little scary. I'm not sure there is an easy way to convey to anybody under 30, for example, the sheer emotive force that the word "[expletive]" possessed in the urban childhood culture of 40 years ago. It was the verbal link to a secret act none of us understood but that was known to carry enormous consequences in the adult world. It was the embodiment of both pleasure and danger. It was not a word or an idea to mess with. When it was used, it was used, as Ashley Montagu said, "sotto voce , like a smuggler cautiously making his way across a forbidden frontier." In that culture, the word "[expletive]" was not only obscene, it was profane, in the original sense: It took an important idea in vain. Profanity can be an act of religious defiance, but it doesn't have to be. The Greeks tempted fate by invoking the names of their superiors on Mount Olympus; they also swore upon everyday objects whose properties they respected but did not fully understand. "By the Cabbage!" Socrates is supposed to have said in moments of stress, and that was for good reason. He believed that cabbage cured hangovers, and as such, carried sufficient power and mystery to invest any moment with the requisite emotional charge. These days, none of us believes in cabbage in the way Socrates did, or in the gods in the way most Athenians did. Most Americans tell poll-takers that they believe in God, but few of them in a way that would make it impossible to take His name in vain: That requires an Old Testament piety that disappeared from American middle-class life a long time ago. Nor do we believe in sex any more the way most American children and millions of adults believed in it a generation ago: as an act of profound mystery and importance that one did not engage in, or discuss, or even invoke, without a certain amount of excitement and risk. We have trivialized and routinized sex to the point where it just doesn't carry the emotional freight it carried in the schoolyards and bedrooms of the 1950s. Many enlightened people consider this to be a great improvement over a society in which sex generated not only emotion and power, but fear. For the moment, I wish to insist only on this one point: When sexuality loses its power to awe, it loses its power to create genuine swearing. When we convert it into a casual form of recreation, we shouldn't be surprised to hear linebackers using the word "[expletive]" on national television. To profane something, in other words, one must believe in it. The cheapening of profanity in modern America represents, more than anything else, the crumbling of belief. There are very few ideas left at this point that are awesome or frightening enough for us to enforce a taboo against them. The instinctive response of most educated people to the disappearance of any taboo is to applaud it, but this is wrong. Healthy societies need a decent supply of verbal taboos and prohibitions, if only as yardsticks by which ordinary people can measure and define themselves. By violating these taboos over and over, some succeed in defining themselves as rebels. Others violate them on special occasions to derive an emotional release. Forbidden language is one of the ways we remind children that there are rules to everyday life, and consequences for breaking them. When we forget this principle, or cease to accept it, it is not just our language that begins to fray at the edges. What do we do about it? Well, we could pass a law against swearing. Mussolini actually did that. He decreed that trains and buses, in addition to running on time, had to carry signs that read "Non bestemmiare per l'onore d'Italia." ("Do not swear for the honor of Italy.") The commuters of Rome reacted to those signs exactly as you would expect: They cursed them. What Mussolini could not do, I am reasonably sure that American governments of the 1990s cannot do, nor would I wish it. I merely predict that sometime in the coming generation, profanity will return in a meaningful way. It served too many purposes for too many years of American life to disappear on a permanent basis. We need it. And so I am reasonably sure that when my children have children, there will once again be words so awesome that they cannot be uttered without important consequences. This will not only represent a new stage of linguistic evolution, it will be a token of moral revival. What the dirty words will be, God only knows.
train	20017	[ "What wouldn't the author say about Unmade Beds?", "What isn't something Unmade Beds showed its audience?", "How did the author feel about Unmade Beds?", "What does the author think would have improved The Slums of Beverly Hills?", "How are Unmade Beds and The Slums of Beverly Hills similar?", "How does the author feel about Don MacPherson?", "What is the author's purpose for writing this?", "What would the author likely say about himself?" ]	[ [ "it is a new genre of film", "the film is dishonest and scripted", "the characters aren't likable ", "this film will inspire many more like it to be created" ], [ "how desperate people are in Manhattan", "a person's size can sometimes affect their happiness", "people are all inherently judging others", "the reality of dating in New York" ], [ "the movie didn't show the real truth about its characters", "it displayed many hidden truths about people", "it was uncomfortable to watch but worth watching", "Barker created something that people will be talking about for a long time" ], [ "a more realistic plot", "more episodes to explain the situation", "a more experienced director", "more attractive actors" ], [ "they both have an eye-opening message", "they both have first-time directors", "they both mix genres to make a unique film", "they're both meant to be a documentary" ], [ "many famous actors what to work with him", "his movie lacked the quality that the original did", "he's made some good and some bad movies", "he's a better critic than a screenwriter" ], [ "to inform people that documentaries aren't always accurate", "to persuade people to be critical of movies they watch", "to explain different films he's seen recently", "to inform the audience of the changes in cinema" ], [ "he only likes certain film genres", "he's an expert at critiquing films", "his opinion is different from most peoples' ", "his films are better than most that he's seen" ] ]	[ 4, 4, 1, 3, 3, 2, 3, 2 ]	[ 0, 0, 1, 0, 0, 0, 1, 0 ]	Dirty Laundry Now and then, a documentary film comes along that makes us re-examine the rules that unofficially govern the genre: Can there be a middle ground between fiction and fact? Can a documentary use scripted scenes and yet remain ontologically authentic? How much can you stylize material before you alter the reality that you're striving, at least in theory, to capture? Unmade Beds , Nicholas Barker's " 'real life' feature film," has proudly worn its mongrel status as a "directed" documentary of single life in the big city, employing, in the face of criticism, what amounts to a cackling-punk defiance. The movie tracks four aging New Yorkers--two men, two women--through their lonely dating rituals, in the process depicting a universe of lusty, coupled-up haves and downcast, excluded have-nots, all viewed Rear Window -style through rectangular openings in the massive apartment houses in which they reside. This is not cinema vérité , and nothing has been left to chance. The director selected his four subjects from many hundreds of potential candidates, followed them around for months, and then scripted their monologues and dialogues to reflect what he says he saw. Calling his own film "an exercise in mendacity," Barker goes on, "I'm quite happy to tell lies about my characters and even collude with their self-delusions if it enables me to communicate larger dramatic truths." Spurned by U.S. distributors, Unmade Beds opened two weeks ago in a small screening room in downtown Manhattan, where it proceeded to set box office records and generate lots of (largely favorable) press. In part due to smart publicity, which has bannered some of the bad reviews and commentary ("I have to tell you that this film upset me so much that I really don't want to have anything to do with it"--a New York publicist), it threatens to become a cause célèbre --and to be coming soon to a theater near you. It's always nice to see distributors proved wrong about the merits of "difficult" films, but in this case I think they did the decent thing. Unmade Beds isn't just bad--it's obnoxiously, noxiously bad, a freak show for the empathetically challenged. The outrage it has prompted isn't the Puritan kind; it's more like legitimate revulsion at watching a blowhard pervert people's lives in the name of "larger dramatic truths." Those truths are large, all right. Take Michael, the 40-year-old, 5 foot 4 inch lonely guy who has been looking for a wife for almost two decades. If you were to walk past him on the street, you might think that a man of his small stature might have some trouble getting dates and be rather bitter about it. The larger dramatic truth is that Michael has lots of trouble getting dates and is very bitter about it. Just in case you feel too sorry for him, however, Barker is careful to include a homophobic monologue in which Michael complains about young women who waste their lives hanging out with effeminate males. Michael turns out to be the film's most sympathetic subject--by a wide margin. At least he's not Mikey, a paunchy 54-year-old who writes but can't sell screenplays and who always flees blind dates, because the women he gets fixed up with are "mutts." Sounding like one of the low-level gangsters who posture like kingpins in Donnie Brasco , Mikey talks a lot about mutts. He also reminisces about that 24 hour period in the '70s when he managed to sleep with three different beautiful women, whose pictures he shows off. These days, all he meets are mutts. He comes off as a pathetic little loser--a mutt. Aimee, on the other hand, is a pathetic big loser, weighing in at 225 pounds. Determined to get married before she turns 30, she generally is filmed beside bags of groceries and assorted junk foods. She cries about her situation to her thin friend, Laurie, who, in one scene, gently mentions Aimee's weight. Clearly the scene is scripted, but Aimee does a good job acting taken aback. She has always been fat--and she's "OK with it," and a man just has to accept it. This is followed by more talk about how you attract men. Will they respect you if you call them back? If you express too much interest? "Or," the viewer thinks, "if you're 225 pounds?" The only natural performer here is Brenda, a garrulous exhibitionist who blossoms with the camera on her--she could have a career as a Penny Marshall-style character actress. Divorced and aging, Brenda needs money and is willing to charge for her sexual services. It shouldn't be too difficult, because men are always showing her their dicks ("I'm up to two dicks a day"). They meet her and, a few minutes later, they show her their dicks. Weird, huh? What Barker leaves out (it's in a New York Observer article) is that Brenda, a former lap dancer, works in marketing at a strip joint. Presumably, men standing next to her in line at McDonald's don't show her their dicks. Nor, presumably, does she show them her breasts--although she bares them for Barker's camera, jabbering about her body while she doffs her clothes and steps into the shower and soaps up. Barker might have crafted his subjects' monologues from their own words, but he has robbed them of their spontaneity--and, thus, of their essence. They aren't thinking or trying to come to grips with their situations in front of your eyes, because they already know what they're going to say: They've been fixed like butterflies on the ends of pins and held up for voyeuristic inspection. The scenes with friends and confidantes have a crude, programmatic purpose. You can imagine the director composing a shot (the shots are tightly composed and elaborately lighted) and reminding them, "In this scene she points out that you should lose weight and you get shocked and defensive. Ready ... Action." Call me square, but I find this antithetical to the documentary spirit. An Englishman who trained as an anthropologist before going to work for BBC Television, Barker clearly made up his mind about his material before his cameras began to roll--so it's no surprise that it feels prechewed and predigested. When reality interfered (Brenda apparently did not go through with a marriage to an immigrant in search of a green card for $10,000, as she does on-screen), Barker brushed the truth aside as immaterial, following her up the steps of City Hall in her wedding dress because it was "true to her character." But what separates documentary from fiction is that real people are often more complicated, and more conflicted, than finished characters--as Brenda proved to be more (or, at least, other) than the sum of her parts. That's the kind of truth that reveals itself to documentary filmmakers after the fact, when they go over footage and discover unexpected patterns, dissonances, glimmers of a universe that's richer and messier than the one they set out to portray. So what are Barker's "larger dramatic truths"? Single people in big cities can be desperate. Single people fear they're going to die alone--unloved and unloving. People are judged and, in turn, judge others by how they look. Big news. One could argue, charitably, that the movie is meant to be prescriptive, that Barker intends for us to regard the ways in which his subjects delude themselves and thereby learn to see through our own self-delusions. But Barker hasn't concocted a larger dramatic structure that would hold those larger dramatic truths together and help us comprehend where these people went wrong. He dramatizes right up to the point where a dramatist would be expected to provide some insight--and then, hey, he's a documentarian. Unmade Beds might make a good date movie. There's little to argue about in its subjects' personalities--both males and females will find them repulsive--and the picture the film paints of single life in the big city is so bleak that you'll probably want to jump into bed with whoever is sitting next to you. Anything to keep from turning into one of those people. The Slums of Beverly Hills also walks a line between two genres, in this case coming-of-age sex comedy and autobiographical monologue. Tamara Jenkins, the writer and first-time director, has an eye for absurd juxtapositions that was obviously sharpened by the pain of her nomadic upbringing. Her protagonist (Natasha Lyonne) spends her teen-age years being shuttled with her two brothers from one cheap dive to another in the 90210 ZIP code, all because her egregiously unsuccessful father (Alan Arkin) wants them to be educated in the best schools. ("Furniture's temporary; education is permanent.") It's a major omission, then, that we never see those schools or the kids' interaction with their stable, well-to-do Beverly Hills counterparts. We can't tell if the father is, on some weird level, justified in his fervor, or whether he's screwing up his children--subjecting them to humiliation and robbing them of a sense of permanence--for no reason. Jenkins hasn't quite figured out how to shape her narrative, which is full of episodes that are there because they actually happened but that don't have a payoff. I almost wish she'd included more voice-over narration, more commentary on the things that, as a filmmaker, she hasn't learned to bring out. The Slums of Beverly Hills never gels, but it has a likable spirit, and it's exceedingly easy on the eye, with lots of pretty girls and wry evocations of '70s fashions and decor. The father, to obtain financial support from his wealthy brother (Carl Reiner), volunteers to take in his vaguely schizzy, dipsomaniacal niece (Marisa Tomei). She and her cousin compare breasts, play with vibrators, and talk in pig Latinish gibberish, but Jenkins never lets the proceedings get too sentimental: The whimsy is always cut with an acidic awareness of the family's desperation. "Are we middle-class now?" ask the children, hopefully, before another crisis sends them back into their van, cruising past the movie stars' mansions, in the mean streets of Beverly Hills. Grading on the steep curve established by summer blockbuster seasons past, these have turned out to be a pretty good few months at the movies. Even the commercial swill ( Deep Impact , Armageddon , The Mask of Zorro , Small Soldiers , Snake Eyes , Halloween: H20 ) has been of a high grade, and Saving Private Ryan and Return to Paradise were Vitalis slaps in the kisser for people woozy from all the warm weather escapism. Out of Sight was tender and charming, as was, in its gross-out way, There's Something About Mary . And, on the indie front, The Opposite of Sex , Buffalo 66 , and Pi have proved that there's still commercial life after Sundance. Sure, we had stinkers, but even Godzilla was fun to jeer at. And there's something reassuring about the fact that The Avengers is so rotten: proof yet again that people with piles of money can hire wizard production designers but can't fake class. I don't know who the credited screenwriter, Don MacPherson, is, but it's unlikely that he has ever seen an episode of the old Avengers , let alone sussed out the source of its appeal. Opening with a slapstick sequence of agent John Steed (Ralph Fiennes) doing kung fu, the film shifts to a scene in which he meets Mrs. Peel (Uma Thurman) while sitting naked in a sauna with only a newspaper to cover his private parts. The series was erotic in a way only prim English humor can be: The Old Boy Steed was capable of throwing a punch and bonking someone with his bowler, but he left the karate kicking to his liberated, leather-suited distaff associate. Here their roles have been witlessly muddled, and MacPherson's idea of banter is to have the pair complete each other's clichés. Whereas the original Steed, Patrick Macnee, was to the English Men's Club born, Fiennes is an eternal caddie. The willowy Thurman looks great in her outfits, but it's ever more apparent that she isn't much of an actress--at least, not a trained one--and her attempts at insouciance are embarrassingly arch. As the eccentric master villain who controls the weather, even Sean Connery is flat-out terrible, acting high on the hog. To think Connery once found the Bond films so far beneath him! When he sputters lines like "Time to die!" one imagines Dr. No, Goldfinger, and Blofeld snickering in the wings.
train	20022	[ "Who is the least lovable character in The Thin Red Line?", "What wouldn't the author say of Malick?", "How doesn't the author feel about Bill Clinton?", "Which would the author say of both directors?", "When discussing these films, which word best describes the author?", "What isn't true about A Civil Action?", "Why did the author discuss the movies in this text?", "What does the author seem to like to see in movies?" ]	[ [ "Private Bell", "Lieutenant Colonel Tall", "Captain Staros", "Seargant Welsh" ], [ "he knows how to bring out the beauty amongst war", "he told a well-rounded story of war", "he's a philosophical thinker", "he did more than just make a war movie" ], [ "he's a self-serving person", "no one can capture his personality in film", "he knows when to quit", "he's a corrupt politician" ], [ "they missed a key component in their films", "there were times when the movies were unclear", "the films portrayed the real characters poorly", "the visual imagery was done well" ], [ "vague", "optimistic", "knowledgeable ", "biased" ], [ "it is weaker than the book at times", "the actors portray the character emotions well", "the protagonists win at the end of the film", "Beatrice and Grace were financially impacted because of the film" ], [ "they're all based on real-world events", "they're all meant to improve our views on historical events", "they all had famous, excellent actors", "they're all well-written by famous screenwriters" ], [ "movies that stay true to the books and original scripts", "movies that dig deeper into life's realities", "unpredictability in the story line", "movies that show the good in people" ] ]	[ 2, 2, 3, 1, 3, 3, 1, 2 ]	[ 0, 0, 1, 1, 0, 0, 0, 0 ]	War and Pieces No movie in the last decade has succeeded in psyching out critics and audiences as fully as the powerful, rambling war epic The Thin Red Line , Terrence Malick's return to cinema after 20 years. I've sat through it twice and am still trying to sort out my responses, which run from awe to mockery and back. Like Saving Private Ryan , the picture wallops you in the gut with brilliant, splattery battle montages and Goyaesque images of hell on earth. But Malick, a certified intellectual and the Pynchonesque figure who directed Badlands and Days of Heaven in the 1970s and then disappeared, is in a different philosophical universe from Steven Spielberg. Post-carnage, his sundry characters philosophize about their experiences in drowsy, runic voice-overs that come at you like slow bean balls: "Why does nature vie with itself? ... Is there an avenging power in nature, not one power but two?" Or "This great evil: Where's it come from? What seed, what root did it grow from? Who's doin' this? Who's killin' us, robbin' us of life and light?" First you get walloped with viscera, then you get beaned by blather. Those existential speculations don't derive from the screenplay's source, an archetypal but otherwise down-to-earth 1962 novel by James Jones (who also wrote From Here to Eternity ) about the American invasion of the South Pacific island of Guadalcanal. They're central to Malick's vision of the story, however, and not specious. In the combat genre, the phrase "war is hell" usually means nothing more than that it's a bummer to lose a limb or two, or to see your buddy get his head blown off. A true work of art owes us more than literal horrors, and Malick obliges by making his theater of war the setting for nothing less than a meditation on the existence of God. He tells the story solemnly, in three parts, with a big-deal cast (Sean Penn, Nick Nolte, John Cusack) and a few other major stars (John Travolta, Woody Harrelson, George Clooney) dropping by for cameos. After an Edenic prelude, in which a boyishly idealistic absent without leave soldier, Pvt. Witt (Jim Caviezel), swims with native youths to the accompaniment of a heavenly children's choir, the first part sees the arrival of the Allied forces on the island, introduces the principal characters (none of whom amounts to a genuine protagonist), and lays out the movie's geographical and philosophical terrain. The centerpiece--the fighting--goes on for over an hour and features the most frantic and harrowing sequences, chiefly the company's initially unsuccessful frontal assault on a Japanese hilltop bunker. The coda lasts nearly 40 minutes and is mostly talk and cleanup, the rhythms growing more relaxed until a final, incongruous spasm of violence--whereupon the surviving soldiers pack their gear and motor off to another South Pacific battle. In the final shot, a twisted tree grows on the waterline of the beach, the cycle of life beginning anew. The Thin Red Line has a curious sound-scape, as the noise of battle frequently recedes to make room for interior monologues and Hans Zimmer's bump-bump, minimalist New Age music. Pvt. Bell (Ben Chaplin) talks to his curvy, redheaded wife, viewed in deliriously sensual flashbacks. ("Love: Where does it come from? Who lit this flame in us?") Lt. Col. Tall (Nolte), a borderline lunatic passed over one too many times for promotion and itching to win a battle no matter what the human cost, worries groggily about how his men perceive him. The dreamer Witt poses folksy questions about whether we're all a part of one big soul. If the movie has a spine, it's his off-and-on dialogue with Sgt. Welsh (Penn), who's increasingly irritated by the private's beatific, almost Billy Budd-like optimism. Says Welsh, "In this world, a man himself is nothin', and there ain't no world but this one." Replies Witt, high cheekbones glinting, "I seen another world." At first it seems as if Witt will indeed be Billy Budd to Welsh's vindictive Claggart. But if Witt is ultimately an ethereal martyr, Welsh turns out to be a Bogart-like romantic who can't stop feeling pain in the face of an absent God. He speaks the movie's epitaph, "Darkness and light, strife and love: Are they the workings of one mind, the feature of the same face? O my soul, let me be in you now. Look out through my eyes. Look out at the things you made, all things shining." Malick puts a lot of shining things on the screen: soldiers, natives, parrots, bats, rodents, visions of Eden by way of National Geographic and of the Fall by way of Alpo. Malick's conception of consciousness distributes it among the animate and inanimate alike; almost every object is held up for rapturous contemplation. I could cite hundreds of images: A soldier in a rocking boat hovers over a letter he's writing, which is crammed from top to bottom and side to side with script. (You don't know the man, but you can feel in an instant his need to cram everything in.) A small, white-bearded Melanesian man strolls nonchalantly past a platoon of tensely trudging grunts who can't believe they're encountering this instead of a hail of Japanese bullets. Two shots bring down the first pair of soldiers to advance on the hill; a second later, the sun plays mystically over the tall, yellow grass that has swallowed their bodies. John Toll's camera rushes in on a captured Japanese garrison: One Japanese soldier shrieks; another, skeletal, laughs and laughs; a third weeps over a dying comrade. The face of a Japanese soldier encased in earth speaks from the dead, "Are you righteous? Know that I was, too." Whether or not these pearllike epiphanies are strung is another matter. Malick throws out his overarching theme--is nature two-sided, at war with itself?--in the first few minutes but, for all his startling juxtapositions, he never dramatizes it with anything approaching the clarity of, say, Brian De Palma's Casualties of War (1989). Besides the dialogue between Welsh and Witt, The Thin Red Line 's other organizing story involves a wrenching tug of war between Nolte's ambition-crazed Tall and Capt. Staros (Elias Koteas), who refuses an order to send his men on what will surely be a suicidal--and futile--assault on a bunker. But matters of cause and effect don't really interest Malick. Individual acts of conscience can and do save lives, and heroism can win a war or a battle, he acknowledges. But Staros is ultimately sent packing, and Malick never bothers to trace the effect of his action on the Guadalcanal operation. In fact, the entire battle seems to take place in a crazed void. Tall quotes Homer's "rosy-fingered dawn" and orders a meaningless bombardment to "buck the men up--it'll look like the Japs are catching hell." Soldiers shoot at hazy figures, unsure whether they're Japanese or American. Men collide, blow themselves in half with their own mishandled grenades, stab themselves frantically with morphine needles, shove cigarettes up their noses to keep the stench of the dying and the dead at bay. A tiny bird, mortally wounded, flutters in the grass. Malick is convincing--at times overwhelming--on the subject of chaos. It's when he tries to ruminate on order that he gets gummed up, retreating to one of his gaseous multiple mouthpieces: "Where is it that we were together? Who is it that I lived with? Walked with? The brother. ... The friend. ... One mind." I think I'd have an easier time with Malick's metaphysical speculations if I had a sense of some concomitant geopolitical ones--central to any larger musings on forces of nature as viewed through the prism of war. Couldn't it be that the German and Japanese fascist orders were profoundly anti-natural, and that the Allies' cause was part of a violent but natural correction? You don't have to buy into Spielberg's Lincolnesque pieties in Saving Private Ryan to believe that there's a difference between World War II and Vietnam (or, for that matter, World War II and the invasion of Grenada or our spats with Iraq). While he was at Harvard, Malick might have peeled himself off the lap of his pointy-headed mentor, Stanley Cavell, the philosopher and film theorist, and checked out a few of Michael Waltzer's lectures on just and unjust wars. Maybe then he'd view Guadalcanal not in an absurdist vacuum (the soldiers come, they kill and are killed, they leave) but in the larger context of a war that was among the most rational (in its aims, if not its methods) fought in the last several centuries. For all his visionary filmmaking, Malick's Zen neutrality sometimes seems like a cultivated--and pretentious--brand of fatuousness. John Travolta's empty nightclub impersonation of Bill Clinton in Primary Colors (1998) had one positive result: It gave him a jump-start on Jan Schlichtmann, the reckless personal injury lawyer at the center of A Civil Action . Travolta's Schlichtmann is much more redolent of Clinton: slick and selfish and corrupt in lots of ways but basically on the side of the angels, too proud and arrogant to change tactics when all is certainly lost. Schlichtmann pursued--and more or less blew--a civil liability case against the corporate giants Beatrice and W.R. Grace over the allegedly carcinogenic water supply of Woburn, Mass. Boston writer Jonathan Harr, in the book the movie is based on, went beyond the poison in the Woburn wells to evoke (stopping just short of libel) the poison of the civil courts, where platoons of overpaid corporate lawyers can drive opponents with pockets less deep and psyches less stable into bankruptcy and hysteria. Director Steven Zaillian's version doesn't capture the mounting rage that one experiences while reading Harr's book, or even the juicy legal machinations that Francis Ford Coppola giddily manipulated in his underrated adaptation of John Grisham's The Rainmaker (1997). But A Civil Action is a sturdy piece of work, an old-fashioned conversion narrative with some high-tech zip. Schlichtmann doesn't take this "orphan" case--brought by the parents of several children who died of leukemia--because he wants to do good but because he figures that Grace and Beatrice will fork over huge sums of money to keep the parents from testifying publicly about their children's last days. He might succeed, too, if it weren't for Jerome Facher (Robert Duvall), the Beatrice lawyer who knows how to keep Schlichtmann shadowboxing while his small firm's financial resources dwindle to nothing. Zaillian is at his most assured when he cuts back and forth between Facher's Harvard Law School lectures on what not to do in court and Schlichtmann's fumbling prosecution. The sequence has the extra dimension of good journalism: It dramatizes and comments simultaneously. Plus, it gives Duvall a splendid platform for impish understatement. (Duvall has become more fun to watch than just about anyone in movies.) Elsewhere, Zaillian takes a more surface approach, sticking to legal minutiae and rarely digging for the deeper evil. As in his Searching for Bobby Fischer (1993), the outcome of every scene is predictable, but how Zaillian gets from beat to beat is surprisingly fresh. He also gets sterling bit performances from Sydney Pollack as the spookily sanguine Grace CEO, William H. Macy as Schlichtmann's rabbity accountant, and Kathleen Quinlan as the mother of one of the victims. Quinlan knows that when you're playing a woman who has lost a child you don't need to emote--you reveal the emotion by trying not to emote. To the families involved in the Woburn tragedy, the real climax of this story isn't the downbeat ending of the book or the sleight of hand, "let's call the Environmental Protection Agency," upbeat ending of the movie. The climax is the publication of a book that takes the plaintiffs' side and that remains on the best-seller list in hardcover and paperback for years. The climax is the movie starring John Travolta. Beatrice and Grace made out OK legally, but some of us will never use their products again without thinking about Travolta losing his shirt in the name of those wasted-away little kids.
train	20061	[ "Which word would least describe the character, Elizabeth?", "How does the author feel about the film, Elizabeth?", "Which word least describes Velvet Goldmine?", "Which isn't an apparent theme in Velvet Goldmine?", "What do Elizabeth and Velvet Goldmine seem to have in common?", "Who does the author seem to appreciate the most in Meet Joe Black?", "What is the author's main purpose in this text?", "Who is the best actor mentioned, according to the author?", "What does the author seem to value the most in films?", "Which is probably the author's favorite movie?" ]	[ [ "strong", "intelligent", "uncompromising", "feminine" ], [ "the story is well-told but inaccurate", "it has great acting, but confusing plot", "it is overall enjoyable to watch", "the focus of the film takes away from the plot" ], [ "unique", "honest", "inspirational", "sequential" ], [ "music is a powerful force", "some people will give themselves up for money and fame", "power can be deadly", "be whoever you want to be" ], [ "the story line is based on real events", "powerful, convincing main characters", "the main character transforms throughout the film", "in the end, the main character is disliked" ], [ "Martin Brest", "Bo Goldman", "Brad Pitt", "Claire Forlani" ], [ "to compare the abilities of three directors", "to persuade us to pay attention to the hidden meaning in the films", "to compare the queenly characteristics of the three films", "to inform us of the pros and cons of each movie" ], [ "Anthony Hopkins", "Miranda Richardson", "Cate Blanchett", "Johnathyn Rhys-Meyers" ], [ "the theme represented in the film", "the clarity of the story line", "the length of the film", "the quality of acting" ], [ "Velvet Goldmine", "Meet Joe Black", "Elizabeth", "Shooting to Kill" ] ]	[ 4, 3, 4, 3, 3, 4, 4, 3, 4, 1 ]	[ 0, 1, 0, 1, 1, 1, 0, 1, 1, 1 ]	Warrior Queens Elizabeth is a lurid paraphrase of the old Groucho Marx line about Doris Day: "I knew the Virgin Queen before she was a virgin." As the movie tells it, she was a sylvan, redheaded princess (Cate Blanchett) given to gamboling with her fella (Joseph Fiennes) between periods of internment in the Tower of London on charges of conspiring to overthrow her half-sister, the heatedly Catholic Queen Mary (Kathy Burke). The daughter of the second wife of Henry VIII, Anne Boleyn, and therefore dubbed a bastard by the papists, the Protestant Elizabeth ascends the throne to find the air still thick with smoke from roasted heretics, a team of skulking Catholics plotting her assassination, and a council of advisers (lords, bishops, sundry old boys) who snigger openly at the prospect of taking orders from a woman. Only a strategic marriage to a Spaniard or a Frenchman will mollify all factions, her advisers insist, but the pickings prove dismal. (Her French suitor enjoys wearing dresses.) After skulls are smashed, throats slit, and bosoms skewered in the name of Christ, Elizabeth decides to: a) "unsex" herself and become a symbol--the Virgin Queen, married only to England; and b) entertain dissenting opinions exclusively from those whose heads are affixed to spikes. You can't be both a queenly queen and a womanly woman, says the script (by Michael Hirst)--at least not in 1554. (The director, Shekhar Kapur, made the same point in his grim 1994 Indian epic The Bandit Queen , against a backdrop of scrubby plains along the Ganges.) Is this feminist take historically accurate? Probably, although the evidence suggests that Elizabeth had developed a head for stratagems earlier in life (her position had been precarious since the beheading of her mother) and came to the throne with few girlish illusions about How Things Work in a barbarous state. That said, the movie's approach makes for juicy melodrama. The tone of Elizabeth comes nearer to the nihilistic relish of Jacobeans such as John Ford and John Webster than to the more sorrowful horror of the Elizabethan dramatists Ben Jonson and William Shakespeare. It's even closer to a Jacobean drama of our own age: The Godfather (1972), which it emulates by cutting back-and-forth between queen and courtiers in prayer and the roundup and slaughter of Catholics on their privies, in bed with their mistresses, and so on. Their severed heads look on, wide-eyed, as Elizabeth directs her hair to be shorn--images of her girlhood flashing by as her locks rain down--and then walks weightily to her throne, now a chalk-faced gorgon. With all due respect to Blanchett, Bette Davis, and Glenda Jackson, my favorite Elizabeth I remains Miranda Richardson's capricious, baby-talking psychopath on the BBC comedy Blackadder II . (Casting about for a new lord high executioner, she mews to Rowan Atkinson, "There are thousands of Catholics simply dying to have their heads sneaked off --and there's no one to organize it.") But Blanchett comes in a close second, pulling off the transition from hapless young woman to coolly ruthless monarch with uncommon subtlety. Gradually expunging all empathy from her moist, pink eyes and permitting her visage to ossify, she gives this carnival of carnage an awe-inspiring center. A more subversive sort of queen is on display in Velvet Goldmine , Todd Haynes' musical fantasia on the early '70s era of "glam" or "glitter" rock. Here the monarch is a David Bowie-esque singer called Brian Slade (Jonathan Rhys-Meyers) and his spidery, space-age alter ego, Maxwell Demon. The movie opens with a spaceship depositing an infant Oscar Wilde on the stoop of a Dublin townhouse. Then it skips ahead to track a jade pin (it signifies hedonistic liberation) from the custody of a young Wilde to a swishy fringe creature called Jack Fairy to the regal Slade, a bisexual superstar who carries the news to all the young dudes. After that, we're in an Orwellian 1984 that's presided over by a vaguely fascist president and by arena rockers who serve as propagandists for a repressively conformist state. Whatever happened to Brian Slade, the glitter kids, the visionary exhibitionists and gleeful poseurs? Borrowing its framework from Citizen Kane , the movie follows a reporter (Christian Bale) assigned to reconstruct Slade's life and solve the mystery of his whereabouts. Whatever you make of Velvet Goldmine (opinions have ranged from rapturous to casually dismissive), it's like no other musical ever made. It's determinedly swirling, discursive, elliptical. Now the story is told by an omniscient narrator, now a TV reporter, now a participant. Now it's flashing back, now forward. Every other line of dialogue is a cue for one of its dazzling numbers, largely covers of songs by Brian Eno, Bryan Ferry, and T. Rex. The narrative is a challenge to keep up with, but then, great artists often invent their own syntax. In the '80s, Haynes employed Barbie dolls to depict the rise and wasting away from anorexia of the singer Karen Carpenter. Lucky audiences who caught Superstar: The Karen Carpenter Story (it was shelved when Richard Carpenter served the producers with an order to cease and desist exhibition) began by laughing at this elaborately posed, soft-rock femme, only to discover by the climax that the cultural forces that were eating at her (and that kept her from eating) had grown heartbreakingly palpable. Poison (1991), Haynes' Genêt-inspired exploration of transgression, didn't overcome its own artiness. But Safe (1995), the story of a Reagan-era housewife (Julianne Moore) convinced that her environment is poisoning her, is an entrancing meditation on the power of culture to crush the individual. Despite its ironic detachment, the film draws you into its heroine's sickly state: Breathing oxygen from a canister inside a high-tech igloo, she dwindles to nearly nothing, the modern incarnation of the Incredible Shrinking Man. (It was partly my passion for Haynes' films that led me to accept a job offer from his indefatigable producer Christine Vachon last year to collaborate on a nuts-and-bolts book about producing, Shooting To Kill . So my review of Velvet Goldmine --like my review of Vachon's other recent release, Happiness --should be read as the work of a partisan. But not a blind partisan.) In Velvet Goldmine , Haynes sets out to demonstrate the power of popular music to change people's lives--to tell them it's OK to fashion themselves into anything they please. The core of the movie turns out not to be the Bowie figure but the journalist, Arthur Stuart, who was a witness to the events he's now reconstructing. Bale is such an expressive performer that Stuart's remembrance of things past attains a Proustian intensity. To him, Slade was a sexual messiah. I've never seen a more vivid distillation of rock's allure than the scene in which he reverently opens the new Brian Slade album--its centerfold image is a lithe, naked, green-tinged Maxwell Demon--slips the vinyl out of its paper jacket and, after gingerly setting the LP on the turntable, props a chair under the doorknob to keep the uncomprehending world at bay. But if Haynes wants Velvet Goldmine to be an anthem to the principles Bowie once embodied--the embrace of artifice and the smashing of conventional sexual roles--he also wants to portray the rocker as a hollow opportunist who abandoned glam and bisexuality for the life of a corporate superstar, throwing in his lot with the forces of repression. That's a lot to cover. An actor of stature might have bridged these two impulses, but the beautiful, brazenly slim-hipped Rhys-Meyers doesn't make his lines sound as if he's thinking them up on the spot, and Slade's self-destructive passion for Curt Wild (Ewan McGregor), the film's fuzzy, sweet Iggy Pop figure, seems less an emotional imperative than a thematic one. A case can be made that Velvet Goldmine isn't fully filled in, and that Haynes, who has never shaken off his background as a semiotics major, has made a movie that's all signifiers. I sometimes found myself wishing he would let the picture catch its breath, that the performers would stop coming at me in stroboscopic flashes. But then I'd be swept up in the sinuous motion of his filmmaking, in the elation of watching point of view passed like a baton from hand to hand, in the liberating force of his language and soundtrack. Velvet Goldmine might seem like a collection of baubles, but those baubles are strung. Is Brad Pitt the worst actor on earth? The case could be made, and Meet Joe Black could serve as Exhibit A. Pitt plays two roles in this seven course schlockfest. He's (briefly) a slick but wholesome yuppie and then (interminably) Death, who takes over the young man's body when he's thumped by a couple of cars in the movie's most promising moment. Bleached so blond that he looks like an irradiated android, Pitt expels all expression from his face and all tone from his voice. He speaks very, very slowly. The stunt half-works, at least until he's supposed to undergo an inner transformation and acquire human emotions--whereupon his face remains just as blank. Pitt's conception of the role is an idée fixe by someone who doesn't appear to have an idée in his head. Martin Brest, the director, is known for shooting a ton of footage and then "finding" his films in the editing room. What do you suppose he "found" when he scrutinized these miles of celluloid with Pitt doing nothing and taking his sweet time doing it? The first adaptation of this story (originally a play) was the 1934 Death Takes a Holiday , which came in at a perky 78 minutes. A conceit this fragile needs to whiz along to keep our disbelief in suspension, but Meet Joe Black grinds on for three hours (longer than either Beloved or Saving Private Ryan ), and Pitt acts as if he has leased the screen by the year. Anthony Hopkins plays the zillionaire communications baron whom Death enlists in the hope of understanding the human condition--an odd choice for a tour guide, since most people's condition doesn't involve personal helicopters, sprawling mansions on Long Island Sound, or Manhattan apartments that sport Olympic-size swimming pools. Four screenwriters, among them the great Bo Goldman ( Melvin and Howard , 1980; Shoot the Moon , 1982), labored on this moldy script, which features characters who ask questions that begin "Am I to understand that ...?" and a corporate villain who directs another character to "wake up and smell the thorns." It apparently never occurred to even one of these overpaid scribes to eliminate Hopkins' rueful realization that he'd "never write the great American novel"--no kidding, given his flagrantly Welsh accent. Actually, Hopkins gives this humanistic magnate considerable weight, so that whether or not Death takes him before he can stop to smell the roses and make amends to his neglected children becomes a matter of some suspense. The rest of the cast works with equal fortitude, especially Jeffrey Tambor (Hank "Hey now!" Kingsley on The Larry Sanders Show ) as Hopkins' milksop son-in-law and Marcia Gay Harden as his party planning, perpetually wilting elder daughter. As the younger daughter, the dark eyed, spaghetti thin Claire Forlani has to carry the picture's bathos on her exquisite shoulders. Her tremulous thoroughbred act wears thin, but it's hardly her fault: She has to emote like mad opposite a black pit of death--or is that the Black Death of Pitt?
train	20043	[ "Who didn't understand Dole's accusations towards the Times?", "Who didn't agree with Dole about the way the Times treated him?", "Why does Seelye say she's hard on Dole?", "What is a similarity between Dole and Clinton?", "Who felt the most sympathetic towards Dole?", "Who would the author most likely side with?", "Which word would the author use to describe Dole?", "What is a reason that Dole attacked the Times?", "What isn't a way that the Times treated Dole unfairly?" ]	[ [ "the author of this text", "Dole's staff members", "Times readers", "Times reporters" ], [ "Dole's campaign officials", "Katharine Seelye", "John Buckley", "Andrew Rosenthal" ], [ "because of the way he treated her at the beginning", "because of the way he speaks", "because he tried to get her fired", "because of the way his campaign is being run" ], [ "the Times has showed them both at their worst", "the Times has downplayed both of their scandals", "the Times has published unflattering pictures of both of them", "the Times improperly quotes what they've said" ], [ "Bill Clinton", "the author", "Andrew Rosenthal", "John Buckley" ], [ "Dole, because the Times was publishing many unflattering things about him", "Dole, because he deserved to be treated better on his way out of politics", "The Times, because Dole was blowing their treatment of him out of proportion", "The Times, because it is their job to show both sides of all politicians" ], [ "confused", "frustrated", "well-spoken", "respected" ], [ "he wanted to away with all newspapers", "to glean positive support from anti-Times voters", "his advisers recommended doing so", "he was angry at the reporters from the Times" ], [ "they published unfavorable pictures of him", "the way they quoted him emphasized his flaws", "they had no full-time reporters following him", "they omitted information about Dole's successes" ] ]	[ 3, 4, 4, 1, 4, 3, 2, 4, 3 ]	[ 1, 1, 1, 1, 1, 0, 0, 0, 1 ]	Dole vs. the Times For several weeks now, pundits have debated how Bob Dole would exit the stage. Would he depart on a negative note about his opponent or a positive one about himself? Would he leave with anger or with humor? In the past several days, the issue has been settled. Dole, it appears, will end his political career raging against the New York Times . Dole's spat with the gray lady went public on Thursday, Oct. 24. In New Orleans, Dole charged the paper with ignoring a story about a Miami drug dealer who got invited to the White House. "This is a disgrace," Dole insisted. "I doubt if you even read it in the New York Times . They probably put it in the want ads. They don't put any anti-Clinton stories in the New York Times . Only anti-Dole stories in the New York Times ." Dole repeated his attack for the next five days. "We are not going to let the media steal this election," he told a crowd in Dallas on Friday. "This country belongs to the people, not the New York Times ." On Saturday, in Visalia, Calif., he added, "I know that with a crowd this size, the New York Times will write not many people showed up, but the other papers will get it right." On Sunday (the day the Times endorsed Clinton), Dole called the paper "the apologist for President Clinton for the last four years and an arm of the Democratic National Committee." In a CNN interview broadcast Monday, Dole said the Times "might as well be part of the Democratic Party. ... They hammer us on a daily basis. We make a major speech, they bury it back on section D. They put a front-page story that, well, Bob Dole and Jack Kemp didn't get along together 12 years ago." On Tuesday, Dole was still at it, referring to the 28 words of the 10th Amendment, and quipping, "That's about what I got in the New York Times today." The Times has reacted to this assault by highhandedly quoting everything and explaining none of it, leaving its readers baffled as to why the Republican nominee is so upset at the paper. In fact, Dole's fury at the Times is hardly news to those who work at the paper. According to Katharine Seelye, who has covered Dole since the beginning of his campaign, the complaints date from December 1995, when Dole staff members first protested that she had misunderstood the candidate's position on abortion. The real bitterness, however, began in May, when the paper played what Dole aides billed as a major address about welfare on Page 19 of the business section. Since then, campaign honchos have peppered the paper's reporters and editors with constant phone calls and letters complaining about unfair treatment. Reporters traveling with Dole caught a glimpse of the enmity Oct. 9, when Nelson Warfield, Dole's press secretary, staged a public confrontation with Seelye. The candidate, Warfield told reporters waiting to board the campaign plane, had just come from an appearance on G. Gordon Liddy's radio show. Why, Seelye asked, weren't reporters told about the appearance in advance? According to reporters present, Warfield snapped that it wouldn't make any difference because the Times would get the story wrong anyway. Then, on the plane, Warfield walked back to the press section and grandly served Seelye with a copy of a letter from Communications Director John Buckley to her boss, Times Washington Editor Andrew Rosenthal. That letter, which has fallen into the hands of Slate, protests Seelye's coverage of a speech the previous day. Dole, in New Jersey, had talked about Clinton being AWOL in the drug war. "Where has he been for four years? How many hundreds of thousands of young people started drugs?" Dole said. "Three million have started smoking while he was playing around with smoking and all this stuff finally in an election year." Seelye's front-page story reported that "Mr. Dole accused the President of 'playing around' while the drug war raged out of control." Buckley complains that the story "could lead the reader to believe that Dole was talking about a very different kind of 'playing around'--something he did not say, and something he would not say." The letter continues: "Since May, I have been pointing out to you a problem we see with the accuracy and understanding of context revealed in Kit's reporting," going on to assert that "Seelye has misquoted Dole on numerous occasions and done so in a manner that distorted the accuracy of her assertions and your coverage." No Dole staff would be quoted by name for this story, but speaking on background, a senior campaign official elaborated upon the complaint. "They've just done a miserable job throughout this campaign," the official said. "The coverage of Dole has been excessively bitchy from day one, in addition to having a number of extraordinary factual problems." With Seelye, the official says, the problem is "not being able to transcribe a tape accurately." With Adam Nagourney, the Times ' other reporter covering Dole full time since the summer, "the problem is an incredible focus on the little picture as opposed to the big picture." As an example, the official cites a September story in which Nagourney lumped together Dole's fall from a platform in Chico, Calif., and his mistaken reference to the "Brooklyn" Dodgers as "a rough stretch of politicking." Other than those two episodes, the official says, Dole actually had a great week. The campaign's complaint extends to unequal treatment--a nine-part series on Clinton's record, which the official describes as "the softest portrait since they invented black velvet"--and the Times perpetually underestimating the size of Dole crowds. "Clinton even gets better photographs," the official contends. Rosenthal, who has direct responsibility for campaign coverage at the Times , professes bewilderment at these complaints. "We don't make editorial judgments based on disposition to be tough on Bob Dole or nice to Bob Dole," he says. On the specifics, Rosenthal says that the Times ran an editor's note acknowledging that it shouldn't have truncated the "playing around" quote. He points out that the Times ran its story on the Miami drug dealer who visited the White House the same day Dole accused the paper of not covering it. As for the nine-part series on Clinton, Rosenthal says it is the long-standing practice of the paper to do a lengthy series on the incumbent's record. "If Dole wins and runs again in 2000, he will get nine-part series too," he says. "Ithink we have been tough on him," Seelye says. This stems, however, not from any bias, she says, but from the campaign's own internal problems. Dole's campaign has been especially "porous," with aides emulating the proverbial seafaring rats. This is true enough--in recent days ex-strategist Don Sipple has trashed the campaign on the record. But there's another point, too. Contrary to Buckley's charge that she misquotes Dole, Seelye routinely makes Dole look ridiculous by quoting him all too accurately, depicting him in what one colleague calls a "cinema veritÃ© " style. Famous for going over and over her tape recordings on the campaign plane, Seelye manages to get every Dole mumble, repetition, and verbal miscue down. For instance, in her Oct. 26 story reporting Dole's attack on the Times , Seelye writes: "In Phoenix on Friday night, he had a delightful time drawing out his vowels as he described financial contributions to the Clinton campaign. "From Indoneeesia," he said. "Yeah. From INdiaaaaah. Some fellow named Gandhi out there. He owes $10,000 in back taxes, but he found $300,000 to give to the Clinton campaign. And now Gandhi is gaaaawn. Gaaaaandhi, gone gone gone. They can't find him." Two days later, she quoted Dole in another story: "They've turned the White House into something else, I don't know what it is. It's the animal house! It's the animal house!" Most reporters would write, Bob Dole yesterday compared the White House to an "animal house," sparing the exclamation points, and making him sound at least compos mentis. But though unflattering, Seelye's Mametizing of Bob Dole can hardly be called unfair. It is not as if the Times cleans up Clinton's quotes; the president simply observes the rules of syntax most of the time. Something similar may be happening with the pictures. After four years, Clinton has learned how to avoid looking unpresidential. He no longer allows himself to be photographed wearing too-short running shorts, and he avoids pulling faces in public. Dole, who is simply less photogenic, is an easier victim for picture editors--who, like their editorial counterparts, have a strong bias against dullness. Take, for instance, the two pictures shown above. The front-page picture the Times ran the day after the second presidential debate does make Dole look like a decomposing monster. But unlike the picture in the Washington Post the same day, it captures the spirit of the event, with Dole grimly taking the offensive and Clinton watching warily but standing aside from the attacks. Dole sounds absurd when he alleges that the paper that broke Whitewater and the story of the first lady's commodities trades has not been aggressive in pursuing Clinton scandals. All sorts of potential Dole scandals have been soft-pedaled by the media, including the Times , because he is so far behind. It's true that coverage of Clinton on the campaign trail has been somewhat softer than the coverage of Dole, as even other Times reporters acknowledge. But the explanation is institutional, not ideological. The press, as many have complained, overemphasizes the "horse race" aspect of politics. As a side effect of that disease, reporters have excessive respect for a well-run campaign. (In 1988, Republican George Bush benefited from this phenomenon.) A cruder reality is that reporters need to have a relationship with Clinton after Tuesday. None of these factors, though, is unique to the Times . So why is Dole singling it out? Dole's attacks on the Times have the appearance of being an exercise in populist demagogy. In one of his great cue-card reading remarks, Dole tried to explain his recent attacks on CNN the other night by saying, "I like the media. They don't like them in the South." But this pat explanation doesn't entirely make sense. Red meat for right-wing crowds doesn't help Dole with the centrist voters he would need to turn around in order to make the miraculous happen. And in fact, according to a senior Dole aide, the attacks are heartfelt on the candidate's part. Dole has been going after the Times over the objections of advisers who have been telling him there's no percentage in picking fights with the press. But if Dole is attacking the Times because he is truly furious and not because he thinks it will help him get elected, what is he so angry about? The answer, I think, is that there has always been a Nixonian streak in Bob Dole, by which I mean a part of him which feels shut out of the closed circle of the Eastern establishment. At the Republican convention, Dole blasted the Clinton administration as a "corps of the elite who never grew up, never did anything real, never sacrificed, never suffered, and never learned." That phrase recalled an attack he made on the press long ago, in the days of Watergate, when he accused the Washington Post of being in bed with George McGovern. "There is a cultural and social affinity between the McGovernites and the Post executives and editors," Dole said then. "They belong to the same elite: They can be found living cheek-by-jowl in the same exclusive chic neighborhoods, and hob-nobbing at the same Georgetown parties." The deeper story here isn't whether Dole was wrongly shunted onto D19 when he ought to have been on A1. It's his feelings, as he says goodbye to politics, about the people who get to decide.
train	42111	[ "Which theory didn't they rule out for how Superior went missing?", "Who seems to know the least about Superior's situation?", "Who seems to have the least to hide in the text?", "Which would Alis be least likely to say?", "Which word least describes Ed Clark?", "Why did Don want to walk by the creek?", "Which word least describes Don?", "Who will likely be in charge of all future decisions for Superior?", "What isn't likely to happen next?" ]	[ [ "secret government experiments", "explosives", "factory explosion", "magnetized levitation" ], [ "Professor Garet", "Don Cort", "Mayor Civek", "the train conductor" ], [ "Don Cort", "Jen Jervis", "Ed Clark", "Mayor Civek" ], [ "\"I'd love to leave Superior.\"", "\"Most people in Superior are a little different.\"", "\"I know how to get us back down.\"", "\"Don, I'd love to get to know you better.\"" ], [ "sarcastic", "clever", "pushover", "humorous" ], [ "to see if they could get off of Superior via the creek", "to learn more about the levitating town", "to get to know Alis better", "to help get rid of the handcuff" ], [ "secretive", "calm", "inquisitive", "caring" ], [ "Alis Garet and Don Cort", "Vincent Grande and Don Cort", "Professor Garet and Mayor Civek", "Mayor Civek and Ed Clark" ], [ "Professor Garet will tell Don how to get down", "more people will find out about Superior seceding", "Don will find a way off of Superior", "Alis will find out what's in the briefcase" ] ]	[ 4, 4, 3, 3, 3, 2, 4, 3, 1 ]	[ 1, 0, 1, 0, 0, 0, 1, 0, 1 ]	And Then the Town Took Off by RICHARD WILSON ACE BOOKS, INC. 23 West 47th Street, New York 36, N.Y. AND THEN THE TOWN TOOK OFF Copyright ©, 1960, by Ace Books, Inc. All Rights Reserved For Felicitas K. Wilson THE SIOUX SPACEMAN Copyright ©, 1960, by Ace Books, Inc. Printed in U.S.A. THE CITY THAT RAN OFF THE MAP The town of Superior, Ohio, certainly was living up to its name! In what was undoubtedly the most spectacular feat of the century, it simply picked itself up one night and rose two full miles above Earth! Radio messages stated simply that Superior had seceded from Earth. But Don Cort, stranded on that rising town, was beginning to suspect that nothing was simple about Superior except its citizens. Calmly they accepted their rise in the world as being due to one of their local townspeople, a crackpot professor. But after a couple of weeks of floating around, it began to be obvious that the professor had no idea how to get them down. So then it was up to Cort: either find a way to anchor Superior, or spend the rest of his days on the smallest—and the nuttiest—planet in the galaxy! I The town of Superior, Ohio, disappeared on the night of October 31. A truck driver named Pierce Knaubloch was the first to report it. He had been highballing west along Route 202, making up for the time he'd spent over a second cup of coffee in a diner, when he screeched to a stop. If he'd gone another twenty-five feet he'd have gone into the pit where Superior had been. Knaubloch couldn't see the extent of the pit because it was too dark, but it looked big. Bigger than if a nitro truck had blown up, which was his first thought. He backed up two hundred feet, set out flares, then sped off to a telephone. The state police converged on the former site of Superior from several directions. Communicating by radiophone across the vast pit, they confirmed that the town undoubtedly was missing. They put in a call to the National Guard. The guard surrounded the area with troops—more than a thousand were needed—to keep people from falling into the pit. A pilot who flew over it reported that it looked as if a great ice-cream scoop had bitten into the Ohio countryside. The Pennsylvania Railroad complained that one of its passenger trains was missing. The train's schedule called for it to pass through but not stop at Superior at 11:58. That seemed to fix the time of the disappearance at midnight. The truck driver had made his discovery shortly after midnight. Someone pointed out that October 31 was Halloween and that midnight was the witching hour. Somebody else said nonsense, they'd better check for radiation. A civil defense official brought up a Geiger counter, but no matter how he shook it and rapped on it, it refused to click. A National Guard officer volunteered to take a jeep down into the pit, having found a spot that seemed navigable. He was gone a long time but when he came out the other side he reported that the pit was concave, relatively smooth, and did not smell of high explosives. He'd found no people, no houses—no sign of anything except the pit itself. The Governor of Ohio asked Washington whether any unidentified planes had been over the state. Washington said no. The Pentagon and the Atomic Energy Commission denied that they had been conducting secret experiments. Nor had there been any defense plants in Superior that might have blown up. The town's biggest factory made kitchen sinks and the next biggest made bubble gum. A United Airlines pilot found Superior early on the morning of November 1. The pilot, Captain Eric Studley, who had never seen a flying saucer and hoped never to see one, was afraid now that he had. The object loomed out of a cloudbank at twelve thousand feet and Studley changed course to avoid it. He noted with only minimum satisfaction that his co-pilot also saw the thing and wondered why it wasn't moving at the terrific speed flying saucers were allegedly capable of. Then he saw the church steeple on it. A few minutes later he had relayed a message from Superior, formerly of Ohio, addressed to whom it might concern: It said that Superior had seceded from Earth. One other radio message came from Superior, now airborne, on that first day. A ham radio operator reported an unidentified voice as saying plaintively: " Cold up here!" Don Cort had been dozing in what passed for the club car on the Buckeye Cannonball when the train braked to a stop. He looked out the window, hoping this was Columbus, where he planned to catch a plane east. But it wasn't Columbus. All he could see were some lanterns jogging as trainmen hurried along the tracks. The conductor looked into the car. The redhead across the aisle in whom Don had taken a passing interest earlier in the evening asked, "Why did we stop?" "Somebody flagged us down," the conductor said. "We don't make a station stop at Superior on this run." The girl's hair was a subtle red, but false. When Don had entered the club car he'd seen her hatless head from above and noticed that the hair along the part was dark. Her eyes had been on a book and Don had the opportunity for a brief study of her face. The cheeks were full and untouched by make-up. There were lines at the corners of her mouth which indicated a tendency to arrange her expression into one of disapproval. The lips were full, like the cheeks, but it was obvious that the scarlet lipstick had contrived a mouth a trifle bigger than the one nature had given her. Her glance upward at that moment interrupted his examination, which had been about to go on to her figure. Later, though, he was able to observe that it was more than adequate. If the girl had given Don Cort more than that one glance, or if it had been a trained, all-encompassing glance, she would have seen a man in his mid-twenties—about her age—lean, tall and straight-shouldered, with once-blond hair now verging on dark brown, a face neither handsome nor ugly, and a habit of drawing the inside of his left cheek between his teeth and nibbling at it thoughtfully. But it was likely that all she noticed then was the brief case he carried, attached by a chain to a handcuff on his left wrist. "Will we be here long?" Don asked the conductor. He didn't want to miss his plane at Columbus. The sooner he got to Washington, the sooner he'd get rid of the brief case. The handcuff it was attached to was one reason why his interest in the redhead had been only passing. "Can't say," the conductor told him. He let the door close again and went down to the tracks. Don hesitated, shrugged at the redhead, said, "Excuse me," and followed the conductor. About a dozen people were milling around the train as it sat in the dark, hissing steam. Don made his way up to the locomotive and found a bigger knot of people gathered in front of the cowcatcher. Some sort of barricade had been put up across the tracks and it was covered with every imaginable kind of warning device. There were red lanterns, both battery and electric; flashlights; road flares; and even an old red shirt. Don saw two men who must have been the engineer and the fireman talking to an old bearded gentleman wearing a civil defense helmet, a topcoat and riding boots. "You'd go over the edge, I tell you," the old gentleman was saying. "If you don't get this junk off the line," the engineer said, "I'll plow right through it. Off the edge! you crazy or something?" "Look for yourself," the old man in the white helmet said. "Go ahead. Look." The engineer was exasperated. He turned to the fireman. "You look. Humor the old man. Then let's go." The bearded man—he called himself Professor Garet—went off with the fireman. Don followed them. They had tramped a quarter of a mile along the gravel when the fireman stopped. "Okay," he said "where's the edge? I don't see nothing." The tracks seemed to stretch forever into the darkness. "It's another half mile or so," the professor said. "Well, let's hurry up. We haven't got all night." The old man chuckled. "I'm afraid you have." They came to it at last, stopping well back from it. Professor Garet swelled with pride, it seemed, as he made a theatrical gesture. "Behold," he said. "Something even Columbus couldn't find. The edge of the world." True, everything seemed to stop, and they could see stars shining low on the horizon where stars could not properly be expected to be seen. Don Cort and the fireman walked cautiously toward the edge while the professor ambled ahead with the familiarity of one who had been there before. But there was a wind and they did not venture too close. Nevertheless, Don could see that it apparently was a neat, sharp edge, not one of your old ragged, random edges such as might have been caused by an explosion. This one had the feeling of design behind it. Standing on tiptoe and repressing a touch of giddiness, Don looked over the edge. He didn't have to stand on tiptoe any more than he had to sit on the edge of his seat during the exciting part of a movie, but the situation seemed to call for it. Over the edge could be seen a big section of Ohio. At least he supposed it was Ohio. Don looked at the fireman, who had an unbelieving expression on his face, then at the bearded old man, who was smiling and nodding. "You see what I mean," he said. "You would have gone right over. I believe you would have had a two-mile fall." "Of course you could have stayed aboard the train," the man driving the old Pontiac said, "but I really think you'll be more comfortable at Cavalier." Don Cort, sitting in the back seat of the car with the redhead from the club car, asked, "Cavalier?" "The college. The institute, really; it's not accredited. What did you say your name was, miss?" "Jen Jervis," she said. "Geneva Jervis, formally." "Miss Jervis. I'm Civek. You know Mr. Cort, I suppose." The girl smiled sideways. "We have a nodding acquaintance." Don nodded and grinned. "There's plenty of room in the dormitories," Civek said. "People don't exactly pound on the gates and scream to be admitted to Cavalier." "Are you connected with the college?" Don asked. "Me? No. I'm the mayor of Superior. The old town's really come up in the world, hasn't it?" "Overnight," Geneva Jervis said. "If what Mr. Cort and the fireman say is true. I haven't seen the edge myself." "You'll have a better chance to look at it in the morning," the mayor said, "if we don't settle back in the meantime." "Was there any sort of explosion?" Don asked. "No. There wasn't any sensation at all, as far as I noticed. I was watching the late show—or trying to. My house is down in a hollow and reception isn't very good, especially with old English movies. Well, all of a sudden the picture sharpened up and I could see just as plain. Then the phone rang and it was Professor Garet." "The old fellow with the whiskers and the riding boots?" Jen Jervis asked. "Yes. Osbert Garet, Professor of Magnology at the Cavalier Institute of Applied Sciences." "Professor of what?" "Magnology. As I say, the school isn't accredited. Well, Professor Garet telephoned and said, 'Hector'—that's my name, Hector Civek—'everything's up in the air.' He was having his little joke, of course. I said, 'What?' and then he told me." "Told you what?" Jen Jervis asked. "I mean, does he have any theory about it?" "He has a theory about everything. I think what he was trying to convey was that this—this levitation confirmed his magnology principle." "What's that?" Don asked. "I haven't the faintest idea. I'm a politician, not a scientist. Professor Garet went on about it for a while, on the telephone, about magnetism and gravity, but I think he was only calling as a courtesy, so the mayor wouldn't look foolish the next morning, not knowing his town had flown the coop." "What's the population of Superior?" "Three thousand, including the students at the institute. Three thousand and forty, counting you people from the train. I guess you'll be with us for a while." "What do you mean by that?" Jen Jervis asked. "Well, I don't see how you can get down. Do you?" "Does Superior have an airport?" Don asked. "I've got to get back to—to Earth." It sounded odd to put it that way. "Nope," Civek said. "No airport. No place for a plane to land, either." "Maybe not a plane," Don said, "but a helicopter could land just about anywhere." "No helicopters here, either." "Maybe not. But I'll bet they're swarming all over you by morning." "Hm," said Hector Civek. Don couldn't quite catch his expression in the rearview mirror. "I suppose they could, at that. Well, here's Cavalier. You go right in that door, where the others are going. There's Professor Garet. I've got to see him—excuse me." The mayor was off across the campus. Don looked at Geneva Jervis, who was frowning. "Are you thinking," he asked, "that Mayor Civek was perhaps just a little less than completely honest with us?" "I'm thinking," she said, "that I should have stayed with Aunt Hattie another night, then taken a plane to Washington." "Washington?" Don said. "That's where I'm going. I mean where I was going before Superior became airborne. What do you do in Washington, Miss Jervis?" "I work for the Government. Doesn't everybody?" "Not everybody. Me, for instance." "No?" she said. "Judging by that satchel you're handcuffed to, I'd have thought you were a courier for the Pentagon. Or maybe State." He laughed quickly and loudly because she was getting uncomfortably close. "Oh, no. Nothing so glamorous. I'm a messenger for the Riggs National Bank, that's all. Where do you work?" "I'm with Senator Bobby Thebold, S.O.B." Don laughed again. "He sure is." " Mister Cort!" she said, annoyed. "You know as well as I do that S.O.B. stands for Senate Office Building. I'm his secretary." "I'm sorry. We'd better get out and find a place to sleep. It's getting late." " Places to sleep," she corrected. She looked angry. "Of course," Don said, puzzled by her emphasis. "Come on. Where they put you, you'll probably be surrounded by co-eds, even if I could get out of this cuff." He took her bag in his free hand and they were met by a gray-haired woman who introduced herself as Mrs. Garet. "We'll try to make you comfortable," she said. "What a night, eh? The professor is simply beside himself. We haven't had so much excitement since the cosmolineator blew up." They had a glimpse of the professor, still in his CD helmet, going around a corner, gesticulating wildly to someone wearing a white laboratory smock. II Don Cort had slept, but not well. He had tried to fold the brief case to pull it through his sleeve so he could take his coat off, but whatever was inside the brief case was too big. Cavalier had given him a room to himself at one end of a dormitory and he'd taken his pants off but had had to sleep with his coat and shirt on. He got up, feeling gritty, and did what little dressing was necessary. It was eight o'clock, according to the watch on the unhandcuffed wrist, and things were going on. He had a view of the campus from his window. A bright sun shone on young people moving generally toward a squat building, and other people going in random directions. The first were students going to breakfast, he supposed, and the others were faculty members. The air was very clear and the long morning shadows distinct. Only then did he remember completely that he and the whole town of Superior were up in the air. He went through the dormitory. A few students were still sleeping. The others had gone from their unmade beds. He shivered as he stepped outdoors. It was crisp, if not freezing, and his breath came out visibly. First he'd eat, he decided, so he'd be strong enough to go take a good look over the edge, in broad daylight, to the Earth below. The mess hall, or whatever they called it, was cafeteria style and he got in line with a tray for juice, eggs and coffee. He saw no one he knew, but as he was looking for a table a willowy blonde girl smiled and gestured to the empty place opposite her. "You're Mr. Cort," she said. "Won't you join me?" "Thanks," he said, unloading his tray. "How did you know?" "The mystery man with the handcuff. You'd be hard to miss. I'm Alis—that's A-l-i-s, not A-l-i-c-e—Garet. Are you with the FBI? Or did you escape from jail?" "How do you do. No, just a bank messenger. What an unusual name. Professor Garet's daughter?" "The same," she said. "Also the only. A pity, because if there'd been two of us I'd have had a fifty-fifty chance of going to OSU. As it is, I'm duty-bound to represent the second generation at the nut factory." "Nut factory? You mean Cavalier?" Don struggled to manipulate knife and fork without knocking things off the table with his clinging brief case. "Here, let me cut your eggs for you," Alis said. "You'd better order them scrambled tomorrow. Yes, Cavalier. Home of the crackpot theory and the latter-day alchemist." "I'm sure it's not that bad. Thanks. As for tomorrow, I hope to be out of here by then." "How do you get down from an elephant? Old riddle. You don't; you get down from ducks. How do you plan to get down from Superior?" "I'll find a way. I'm more interested at the moment in how I got up here." "You were levitated, like everybody else." "You make it sound deliberate, Miss Garet, as if somebody hoisted a whole patch of real estate for some fell purpose." "Scarcely fell , Mr. Cort. As for it being deliberate, that seems to be a matter of opinion. Apparently you haven't seen the papers." "I didn't know there were any." "Actually there's only one, the Superior Sentry , a weekly. This is an extra. Ed Clark must have been up all night getting it out." She opened her purse and unfolded a four-page tabloid. Don blinked at the headline: Town Gets High "Ed Clark's something of an eccentric, like everybody else in Superior," Alis said. Don read the story, which seemed to him a capricious treatment of an apparently grave situation. Residents having business beyond the outskirts of town today are advised not to. It's a long way down. Where Superior was surrounded by Ohio, as usual, today Superior ends literally at the town line. A Citizens' Emergency Fence-Building Committee is being formed, but in the meantime all are warned to stay well away from the edge. The law of gravity seems to have been repealed for the town but it is doubtful if the same exemption would apply to a dubious individual bent on investigating.... Don skimmed the rest. "I don't see anything about it being deliberate." Alis had been creaming and sugaring Don's coffee. She pushed it across to him and said, "It's not on page one. Ed Clark and Mayor Civek don't get along, so you'll find the mayor's statement in a box on page three, bottom." Don creased the paper the other way, took a sip of coffee, nodded his thanks, and read: Mayor Claims Secession From Earth Mayor Hector Civek, in a proclamation issued locally by hand and dropped to the rest of the world in a plastic shatter-proof bottle, said today that Superior has seceded from Earth. His reasons were as vague as his explanation. The "reasons" include these: (1) Superior has been discriminated against by county, state and federal agencies; (2) Cavalier Institute has been held up to global derision by orthodox (presumably meaning accredited) colleges and universities; and (3) chicle exporters have conspired against the Superior Bubble Gum Company by unreasonably raising prices. The "explanation" consists of a 63-page treatise on applied magnology by Professor Osbert Garet of Cavalier which the editor (a) does not understand; (b) lacks space to publish; and which (it being atrociously handwritten) he (c) has not the temerity to ask his linotype operator to set. Don said, "I'm beginning to like this Ed Clark." "He's a doll," Alis said. "He's about the only one in town who stands up to Father." "Does your father claim that he levitated Superior off the face of the Earth?" "Not to me he doesn't. I'm one of those banes of his existence, a skeptic. He gave up trying to magnolize me when I was sixteen. I had a science teacher in high school—not in Superior, incidentally—who gave me all kinds of embarrassing questions to ask Father. I asked them, being a natural-born needler, and Father has disowned me intellectually ever since." "How old are you, Miss Garet, if I may ask?" She sat up straight and tucked her sweater tightly into her skirt, emphasizing her good figure. To a male friend Don would have described the figure as outstanding. She had mocking eyes, a pert nose and a mouth of such moist red softness that it seemed perpetually waiting to be kissed. All in all she could have been the queen of a campus much more densely populated with co-eds than Cavalier was. "You may call me Alis," she said. "And I'm nineteen." Don grinned. "Going on?" "Three months past. How old are you , Mr. Cort?" "Don's the name I've had for twenty-six years. Please use it." "Gladly. And now, Don, unless you want another cup of coffee, I'll go with you to the end of the world." "On such short notice?" Don was intrigued. Last night the redhead from the club car had repelled an advance that hadn't been made, and this morning a blonde was apparently making an advance that hadn't been solicited. He wondered where Geneva Jervis was, but only vaguely. "I'll admit to the double entendre ," Alis said. "What I meant—for now—was that we can stroll out to where Superior used to be attached to the rest of Ohio and see how the Earth is getting along without us." "Delighted. But don't you have any classes?" "Sure I do. Non-Einsteinian Relativity 1, at nine o'clock. But I'm a demon class-cutter, which is why I'm still a Senior at my advanced age. On to the brink!" They walked south from the campus and came to the railroad track. The train was standing there with nowhere to go. It had been abandoned except for the conductor, who had dutifully spent the night aboard. "What's happening?" he asked when he saw them. "Any word from down there?" "Not that I know of," Don said. He introduced him to Alis Garet. "What are you going to do?" "What can I do?" the conductor asked. "You can go over to Cavalier and have breakfast," Alis said. "Nobody's going to steal your old train." The conductor reckoned as how he might just do that, and did. "You know," Don said, "I was half-asleep last night but before the train stopped I thought it was running alongside a creek for a while." "South Creek," Alis said. "That's right. It's just over there." "Is it still? I mean hasn't it all poured off the edge by now? Was that Superior's water supply?" Alis shrugged. "All I know is you turn on the faucet and there's water. Let's go look at the creek." They found it coursing along between the banks. "Looks just about the same," she said. "That's funny. Come on; let's follow it to the edge." The brink, as Alis called it, looked even more awesome by daylight. Everything stopped short. There were the remnants of a cornfield, with the withered stalks cut down, then there was nothing. There was South Creek surging along, then nothing. In the distance a clump of trees, with a few autumn leaves still clinging to their branches, simply ended. "Where is the water going?" Don asked. "I can't make it out." "Down, I'd say. Rain for the Earth-people." "I should think it'd be all dried up by now. I'm going to have a look." "Don't! You'll fall off!" "I'll be careful." He walked cautiously toward the edge. Alis followed him, a few feet behind. He stopped a yard from the brink and waited for a spell of dizziness to pass. The Earth was spread out like a topographer's map, far below. Don took another wary step, then sat down. "Chicken," said Alis. She laughed uncertainly, then she sat down, too. "I still can't see where the water goes," Don said. He stretched out on his stomach and began to inch forward. "You stay there." Finally he had inched to a point where, by stretching out a hand, he could almost reach the edge. He gave another wriggle and the fingers of his right hand closed over the brink. For a moment he lay there, panting, head pressed to the ground. "How do you feel?" Alis asked. "Scared. When I get my courage back I'll pick up my head and look." Alis put a hand out tentatively, then purposefully took hold of his ankle and held it tight. "Just in case a high wind comes along," she said. "Thanks. It helps. Okay, here we go." He lifted his head. "Damn." "What?" "It still isn't clear. Do you have a pocket mirror?" "I have a compact." She took it out of her bag with her free hand and tossed it to him. It rolled and Don had to grab to keep it from going over the edge. Alis gave a little shriek. Don was momentarily unnerved and had to put his head back on the ground. "Sorry," she said. Don opened the compact and carefully transferred it to his right hand. He held it out beyond the edge and peered into it, focusing it on the end of the creek. "Now I've got it. The water isn't going off the edge!" "It isn't? Then where is it going?" "Down, of course, but it's as if it's going into a well, or a vertical tunnel, just short of the edge." "Why? How?" "I can't see too well, but that's my impression. Hold on now. I'm coming back." He inched away from the edge, then got up and brushed himself off. He returned her compact. "I guess you know where we go next." "The other end of the creek?" "Exactly." South Creek did not bisect Superior, as Don thought it might, but flowed in an arc through a southern segment of it. They had about two miles to go, past South Creek Bridge—which used to lead to Ladenburg, Alis said—past Raleigh Country Club (a long drive would really put the ball out of play, Don thought) and on to the edge again. But as they approached what they were forced to consider the source of the creek, they found a wire fence at the spot. "This is new," Alis said. The fence, which had a sign on it, warning—electrified , was semicircular, with each end at the edge and tarpaulins strung behind it so they could see the mouth of the creek. The water flowed from under the tarp and fence. "Look how it comes in spurts," Alis said. "As if it's being pumped." Smaller print on the sign said: Protecting mouth of South Creek, one of two sources of water for Superior. Electrical charge in fence is sufficient to kill. It was signed: Vincent Grande, Chief of Police, Hector Civek, Mayor . "What's the other source, besides the faucet in your bathroom?" Don asked. "North Lake, maybe," Alis said. "People fish there but nobody's allowed to swim." "Is the lake entirely within the town limits?" "I don't know." "If it were on the edge, and if I took a rowboat out on it, I wonder what would happen?" "I know one thing—I wouldn't be there holding your ankle while you found out." She took his arm as they gazed past the electrified fence at the Earth below and to the west. "It's impressive, isn't it?" she said. "I wonder if that's Indiana way over there?" He patted her hand absent-mindedly. "I wonder if it's west at all. I mean, how do we know Superior is maintaining the same position up here as it used to down there?" "We could tell by the sun, silly." "Of course," he said, grinning at his stupidity. "And I guess we're not high enough to see very far. If we were we'd be able to see the Great Lakes—or Lake Erie, anyway." They were musing about the geography when a plane came out of a cloudbank and, a second later, veered sharply. They could make out UAL on the underside of a wing. As it turned they imagined they could see faces peering out of the windows. They waved and thought they saw one or two people wave back. Then the plane climbed toward the east and was gone. "Well," Don said as they turned to go back to Cavalier, "now we know that they know. Maybe we'll begin to get some answers. Or, if not answers, then transportation." "Transportation?" Alis squeezed the arm she was holding. "Why? Don't you like it here?" "If you mean don't I like you, the answer is yes, of course I do. But if I don't get out of this handcuff soon so I can take a bath and get into clean clothes, you're not going to like me." "You're still quite acceptable, if a bit whiskery." She stopped, still holding his arm, and he turned so they were face to face. "So kiss me," she said, "before you deteriorate." They were in the midst of an extremely pleasant kiss when the brief case at the end of Don's handcuff began to talk to him.
train	51092	[ "What isn't something that Harshorne-Logan has?", "What is the time warp typically used for?", "What wasn't strange about the dress purchased?", "Which word least describes Mrs. Burnett?", "What wasn't abnormal in the detective kit?", "What didn't Ann receive from Hartshorne-Logan?", "What theme could be taken from this story?" ]	[ [ "doorbells", "strong liquor", "a time machine", "vacuum cleaner bags" ], [ "to visit deceased family members", "to look into the future to discover inventions", "to fix mistakes made recently by the company", "to revisit holiday parties" ], [ "it spoke to Sally ", "it wouldn't come off", "it made Sally levitate", "it changed colors" ], [ "neighborly", "serious", "irritable", "elderly" ], [ "the white powder", "the toy gun", "the Detectolite", "the flashlight" ], [ "a letter regarding money owed", "a package with incorrect items", "a response to her complaint letter", "a manky" ], [ "don't try to change the past", "it's important to try new things", "people can't be trusted", "there's a solution to every problem" ] ]	[ 4, 3, 1, 1, 4, 3, 1 ]	[ 1, 0, 1, 1, 1, 1, 0 ]	RATTLE OK By HARRY WARNER, JR. Illustrated by FINLAY [Transcriber's Note: This etext was produced from Galaxy Science Fiction December 1956. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] What better way to use a time machine than to handle department store complaints? But pleasing a customer should have its limits! The Christmas party at the Boston branch of Hartshorne-Logan was threatening to become more legendary than usual this Christmas. The farm machinery manager had already collapsed. When he slid under the table containing the drinks, Miss Pringle, who sold millinery, had screamed: "He'll drown!" One out of every three dirty stories started by party attendees had remained unfinished, because each had reminded someone else of another story. The recently developed liquors which affected the bloodstream three times faster had driven away twinges of conscience about untrimmed trees and midnight church services. The star salesman for mankies and the gentleman who was in charge of the janitors were putting on a display of Burmese foot-wrestling in one corner of the general office. The janitor foreman weighed fifty pounds less than the Burma gentleman, who was the salesman's customary opponent. So the climax of one tactic did not simply overturn the foreman. He glided through the air, crashing with a very loud thump against the wall. He wasn't hurt. But the impact knocked the hallowed portrait of H. H. Hartshorne, co-founder, from its nail. It tinkled imposingly as its glass splintered against the floor. The noise caused a temporary lull in the gaiety. Several employes even felt a passing suspicion that things might be getting out of hand. "It's all in the spirit of good, clean fun!" cried Mr. Hawkins, the assistant general manager. Since he was the highest executive present, worries vanished. Everyone felt fine. There was a scurry to shove the broken glass out of sight and to turn more attention to another type of glasses. Mr. Hawkins himself, acting by reflex, attempted to return the portrait to its place until new glass could be obtained. But the fall had sprung the frame at one corner and it wouldn't hang straight. "We'd better put old H. H. away for safekeeping until after the holiday," he told a small, blonde salesclerk who was beneath his attention on any working day. With the proper mixture of respect and bonhommie, he lifted the heavy picture out of its frame. A yellowed envelope slipped to the floor as the picture came free. Hawkins rolled the picture like a scroll and put it into a desk drawer, for later attention. Then he looked around for a drink that would make him feel even better. A sorting clerk in the mail order department wasn't used to liquor. She picked up the envelope and looked around vaguely for the mail-opening machine. "Hell, Milly, you aren't working!" someone shouted at her. "Have another!" Milly snapped out of it. She giggled, suppressed a ladylike belch and returned to reality. Looking at the envelope, she said: "Oh, I see. They must have stuck it in to tighten the frame. Gee, it's old." Mr. Hawkins had refreshed himself. He decided that he liked Milly's voice. To hear more of it, he said to her: "I'll bet that's been in there ever since the picture was framed. There's a company legend that that picture was put up the day this branch opened, eighty years ago." "I didn't know the company ever used buff envelopes like this." Milly turned it over in her hands. The ancient glue crackled as she did so. The flap popped open and an old-fashioned order blank fell out. Mr. Hawkins' eyes widened. He bent, reached painfully over his potbelly and picked up the order form. "This thing has never been processed!" Raising his voice, he shouted jovially, "Hey, people! You're all fired! Here's an order that Hartshorne-Logan never filled! We can't have such carelessness. This poor woman has waited eighty years for her merchandise!" Milly was reading aloud the scrawled words on the order form: "Best electric doorbell. Junior detective kit. Disposable sacks for vacuum cleaner. Dress for three-year-old girl." She turned to the assistant general manager, struck with an idea for the first time in her young life. "Let's fill this order right now!" "The poor woman must be dead by now," he objected, secretly angry that he hadn't thought of such a fine party stunt himself. Then he brightened. "Unless—" he said it loud enough for the employes to scent a great proposal and the room grew quiet—"unless we broke the rules just once and used the time warp on a big mission!" There was a silence. Finally, from an anonymous voice in one corner: "Would the warp work over eighty years? We were always told that it must be used only for complaints within three days." "Then let's find out!" Mr. Hawkins downed the rest of his drink and pulled a batch of keys from his pocket. "Someone scoot down to the warehouse. Tell the watchman that it's on my authority. Hunt up the stuff that's on the order. Get the best of everything. Ignore the catalogue numbers—they've changed a hundred times in all these years." Milly was still deciphering the form. Now she let out a little squeal of excitement. "Look, Mr. Hawkins! The name on this order—it's my great-grandmother! Isn't that wonderful? I was just a little girl when she died. I can barely remember her as a real old woman. But I remember that my grandmother never bought anything from Hartshorne-Logan because of some trouble her mother had once with the firm. My mother didn't want me to come to work here because of that." Mr. Hawkins put his arm around Milly in a way that he intended to look fatherly. It didn't. "Well, now. Since it's your relative, let's thrill the old girl. We wouldn't have vacuum sacks any more. So we'll substitute a manky!" Ann Hartley was returning from mailing the letter when she found the large parcel on her doorstep. She put her hands on her hips and stared pugnaciously at the bundle. "The minute I write a letter to complain about you, you turn up!" she told the parcel. She nudged her toe peevishly against the brown paper wrappings that were tied with a half-transparent twine she had never seen before. The label was addressed in a wandering scrawl, a sharp contrast to the impersonal typing on the customary Hartshorne-Logan bundles. But the familiar RATTLE OK sticker was pasted onto the box, indicating to the delivery man that the contents would make a rattling sound and therefore hadn't been broken in shipment. Ann sighed and picked up her bundle. With a last look at the lovely spring afternoon and the quiet suburban landscape, she went into the house. Two-year-old Sally heard the box rattling. She waddled up on chubby legs and grabbed her mother's skirt. "Want!" she said decisively. "Your dress ought to be here," Ann said. She found scissors in her sewing box, tossed a cushion onto the floor, sat on it, and began to open the parcel. "Now I'll have to write another letter to explain that they should throw away my letter of complaint," she told her daughter. "And by the time they get my second letter, they'll have answered my first letter. Then they'll write again." Out of consideration for Sally, she omitted the expletives that she wanted to add. The translucent cord was too tough for the scissors. Ann was about to hunt for a razor blade when Sally clutched at an intersection of the cord and yanked. The twine sprang away from the carton as if it were alive. The paper wrappings flapped open. "There!" Sally said. Ann repressed an irrational urge to slap her daughter. Instead, she tossed the wrappings aside and removed the lid from the carton. A slightly crushed thin cardboard box lay on top. Ann pulled out the dress and shook it into a freely hanging position. Then she groaned. It was green and she had ordered blue. It didn't remotely resemble the dress she had admired from the Hartshorne-Logan catalogue illustration. Moreover, the shoulders were lumpier than any small girl's dress should be. But Sally was delighted. "Mine!" she shrilled, grabbing for the dress. "It's probably the wrong size, too," Ann said, pulling off Sally's dress to try it on. "Let's find as many things to complain about as we can." The dress fitted precisely, except for the absurd shoulder bumps. Sally was radiant for a moment. Then her small face sobered and she started to look vacantly at the distant wall. "We'll have to send it back," Ann said, "and get the one we ordered." She tried to take it off, but the child squawked violently. Ann grabbed her daughter's arms, held them above her head and pulled at the dress. It seemed to be stuck somewhere. When Ann released the child's arms to loosen the dress, Sally squirmed away. She took one step forward, then began to float three inches above the ground. She landed just before she collided with the far wall. Sally looked scared until she saw her mother's face. Then she squealed in delight. Ann's legs were rubber. She was shaking her head and wobbling uncertainly toward her daughter when the door opened behind her. "It's me," her husband said. "Slow day at the office, so I came home early." "Les! I'm going crazy or something. Sally just—" Sally crouched to jump at her father. Before she could leap, he grabbed her up bodily and hugged her. Then he saw the box. "Your order's here? Good. What's this thing?" He was looking at a small box he had pulled from the carton. Its lid contained a single word: MANKY. The box rattled when he shook it. Les pulled off the lid and found inside a circular, shiny metal object. A triangular trio of jacks stuck out from one end. "Is this the doorbell? I've never seen a plug like this. And there's no wire." "I don't know," Ann said. "Les, listen. A minute ago, Sally—" He peered into the box for an instruction sheet, uselessly. "They must have made a mistake. It looks like some kind of farm equipment." He tossed the manky onto the hassock and delved into the carton again. Sally was still in his arms. "That's the doorbell, I think," he said, looking at the next object. It had a lovely, tubular shape, a half-dozen connecting rods and a plug for a wall socket. "That's funny," Ann mused, her mind distracted from Sally for a moment. "It looks terribly expensive. Maybe they sent door chimes instead of the doorbell." The bottom of the carton contained the detective outfit that they had ordered for their son. Ann glanced at its glaringly lithographed cover and said: "Les, about Sally. Put her down a minute and watch what she does." Les stared at his wife and put the child onto the rug. Sally began to walk, then rose and again floated, this time toward the hassock on which the manky lay. His jaw dropped. "My God! Ann, what—" Ann was staring, too, but not at her daughter. "Les! The hassock! It used to be brown!" The hassock was a livid shade of green. A neon, demanding, screaming green that clashed horribly with the soft browns and reds in which Ann had furnished the room. "That round thing must be leaking," Les said. "But did you see Sally when she—" Ann's frazzled nerves carried a frantic order to her muscles. She jumped up, strode to the hassock and picked up the manky with two fingers. She tossed it to Les. Immediately, she regretted her action. "Drop it!" she yelled. "Maybe it'll turn you green, too!" Les kicked the hassock into the hall closet, tossed the manky in after it and shut the door firmly. As the door closed, he saw the entire interior of the dark closet brighten into a wet-lettuce green. When he turned back to Ann, she was staring at her left hand. The wedding band that Les had put there a dozen years ago was a brilliant green, shedding its soft glow over the finger up to the first knuckle. Ann felt the scream building up inside her. She opened her mouth to let it out, then put her hand in front of her mouth to keep it in, finally jerked the hand away to prevent the glowing ring from turning her front teeth green. She collapsed into Les's arms, babbling incomprehensibly. He said: "It's all right. There must be balloons or something in the shoulders of that dress. I'll tie a paperweight to Sally's dress and that'll hold her down until we undress her. Don't worry. And that green dye or whatever it is will wash off." Ann immediately felt better. She put her hands behind her back, pulled off her ring and slipped it into her apron pocket. Les was sentimental about her removing it. "I'll get dinner," she said, trying to keep her voice on an even keel. "Maybe you'd better start a letter to Hartshorne-Logan. Let's go into the kitchen, Sally." Ann strode resolutely toward the rear of the house. She kept her eyes determinedly off the tinge of green that was showing through the apron pocket and didn't dare look back at her daughter's unsettling means of propulsion. A half-hour later, when the meal was almost ready, two things happened: Bob came home from school through the back door and a strange voice said from the front of the house, "Don't answer the front door." Ann stared at her son. He stared back at her, the detective outfit under his arm. She went into the front room. Her husband was standing with fists on hips, looking at the front door, chuckling. "Neatest trick I've seen in a long time. That voice you heard was the new doorbell. I put it up while you were in the kitchen. Did you hear what happened when old lady Burnett out there pushed the button?" "Oh. Something like those name cards with something funny printed on them, like 'Another hour shot.' Well, if there's a little tape in there repeating that message, you'd better shut that part off. It might get boring after a while. And it might insult someone." Ann went to the door and turned the knob. The door didn't open. The figure of Mrs. Burnett, half-visible through the heavy curtain, shifted impatiently on the porch. Les yanked at the doorknob. It didn't yield for him, either. He looked up at the doorbell, which he had installed just above the upper part of the door frame. "Queer," he said. "That isn't in contact with the door itself. I don't see how it can keep the door from opening." Ann put her mouth close to the glass, shouting: "Won't you come to the back door, Mrs. Burnett? This one is stuck." "I just wanted to borrow some sugar," the woman cried from the porch. "I realize that I'm a terrible bother." But she walked down the front steps and disappeared around the side of the house. "Don't open the back door." The well-modulated voice from the small doorbell box threatened to penetrate every corner of the house. Ann looked doubtfully at her husband's lips. They weren't moving. "If this is ventriloquism—" she began icily. "I'll have to order another doorbell just like this one, for the office," Les said. "But you'd better let the old girl in. No use letting her get peeved." The back door was already open, because it was a warm day. The screen door had no latch, held closed by a simple spring. Ann pushed it open when Mrs. Burnett waddled up the three back steps, and smiled at her neighbor. "I'm so sorry you had to walk around the house. It's been a rather hectic day in an awful lot of ways." Something seemed to impede Mrs. Burnett as she came to the threshold. She frowned and shoved her portly frame against something invisible. It apparently yielded abruptly, because she staggered forward into the kitchen, nearly falling. She stared grimly at Ann and looked suspiciously behind her. "The children have some new toys," Ann improvised hastily. "Sally is so excited over a new dress that she's positively feverish. Let's see now—it was sugar that you want, wasn't it?" "I already have it," Bob said, handing a filled cup to his mother. The boy turned back to the detective set which he had spread over the kitchen table. "Excitement isn't good for me," Mrs. Burnett said testily. "I've had a lot of troubles in my life. I like peace and quiet." "Your husband is better?" "Worse. I'm sure I don't know why everything happens to me." Mrs. Burnett edged toward the hall, trying to peer into the front of the house. Ann stood squarely in front of the door leading to the hall. Defeated, Mrs. Burnett left. A muffled volley of handclapping, mixed with a few faint cheers, came from the doorbell-box when she crossed the threshold. Ann went into the hall to order Les to disconnect the doorbell. She nearly collided with him, coming in the other direction. "Where did this come from?" Les held a small object in the palm of his hand, keeping it away from his body. A few drops of something unpleasant were dripping from his fingers. The object looked remarkably like a human eyeball. It was human-size, complete with pupil, iris and rather bloodshot veins. "Hey, that's mine," Bob said. "You know, this is a funny detective kit. That was in it. But there aren't instructions on how it works." "Well, put it away," Ann told Bob sharply. "It's slimy." Les laid the eyeball on the table and walked away. The eyeball rolled from the smooth, level table, bounced twice when it hit the floor, then rolled along, six inches behind him. He turned and kicked at it. The eyeball rolled nimbly out of the path of the kick. "Les, I think we've made poor Mrs. Burnett angry," Ann said. "She's so upset over her poor husband's health and she thinks we're insulting her." Les didn't hear her. He strode to the detective set, followed at a safe distance by the eyeball, and picked up the box. "Hey, watch out!" Bob cried. A small flashlight fell from the box, landed on its side and its bulb flashed on, throwing a pencil of light across Les's hands. Bob retrieved the flashlight and turned it off while Les glanced through an instruction booklet, frowning. "This toy is too complicated for a ten-year-old boy," Les told his wife. "I don't know why you ordered such a thing." He tossed the booklet into the empty box. "I'm going to return it, if you don't smudge it up," she replied. "Look at the marks you made on the instructions." The black finger-marks stood out clearly against the shiny, coated paper. Les looked at his hands. "I didn't do it," he said, pressing his clean fingertips against the kitchen table. Black fingerprints, a full set of them, stood out against the sparkling polished table's surface. "I think the Detectolite did it," Bob said. "The instructions say you've got to be very careful with it, because its effects last for a long time." Les began scrubbing his hands vigorously at the sink. Ann watched him silently, until she saw his fingerprints appear on the faucet, the soap and the towel. She began to yell at him for making such a mess, when Sally floated into the kitchen. The girl was wearing a nightgown. "My God!" Ann forgot her tongue before the children. "She got out of that dress herself. Where did she get that nightgown?" Ann fingered the garment. She didn't recognize it as a nightgown. But in cut and fold, it was suspiciously like the dress that had arrived in the parcel. Her heart sank. She picked up the child, felt the hot forehead, and said: "Les, I think it's the same dress. It must change color or something when it's time for a nap. It seems impossible, but—" She shrugged mutely. "And I think Sally's running a temperature. I'm going to put her to bed." She looked worriedly into the reddened eyes of the small girl, who whimpered on the way to the bedroom. Ann carried her up the stairs, keeping her balance with difficulty, as Sally threatened to pop upward out of her arms. The whole family decided that bed might be a good idea, soon after dinner. When the lights went out, the house seemed to be nearly normal. Les put on a pair of gloves and threw a pillowcase over the eyeball. Bob rigged up trestles to warn visitors from the front porch. Ann put small wads of cotton into her ears, because she didn't like the rhythmic rattle, soft but persistent, that emerged from the hall closet where the manky sat. Sally was whining occasionally in her sleep. When daylight entered her room, Sally's nightgown had turned back into the new dress. But the little girl was too sick to get out of bed. She wasn't hungry, her nose was running, and she had a dry cough. Les called the doctor before going to work. The only good thing about the morning for Ann was the fact that the manky had quieted down some time in the night. After she got Bob to school, she gingerly opened the closet door. The manky was now glowing a bright pink and seemed slightly larger. Deep violet lettering stood out on its side: " Today is Wednesday. For obvious reasons, the manky will not operate today. " The mailman brought a letter from Hartshorne-Logan. Ann stared stupidly at the envelope, until she realized that this wasn't an impossibly quick answer to the letter she had written yesterday. It must have crossed in the mail her complaint about the non-arrival of the order. She tore open the envelope and read: "We regret to inform you that your order cannot be filled until the balance you owe us has been reduced. From the attached form, you will readily ascertain that the payment of $87.56 will enable you to resume the purchasing of merchandise on credit. We shall fill your recent order as soon...." Ann crumpled the letter and threw it into the imitation fireplace, knowing perfectly well that it would need to be retrieved for Les after work tonight. She had just decided to call Hartshorne-Logan's complaint department when the phone rang. "I'm afraid I must ask you to come down to the school, Mrs. Morris," a voice said. "Your son is in trouble. He claims that it's connected with something that his parents gave him." "My son?" Ann asked incredulously. "Bob?" "Yes. It's a little gadget that looks like a water pistol. Your son insists that he didn't know it would make clothing transparent. He claims it was just accident that he tried it out when he was walking by the gym during calisthenics. We've had to call upon every family in the neighborhood for blankets. Bob has always been a good boy and we believe that we can expel him quietly without newspaper publicity involving his name, if you'll—" "I'll be right down," Ann said. "I mean I won't be right down. I've got a sick baby here. Don't do anything till I telephone my husband. And I'm sorry for Bob. I mean I'm sorry for the girls, and for the boys, too. I'm sorry for—for everything. Good-by." Just as she hung up the telephone, the doorbell rang. It rang with a normal buzz, then began to play soft music. Ann opened the door without difficulty, to admit Dr. Schwartz. "You aren't going to believe me, Doctor," Ann said while he took the child's temperature, "but we can't get that dress off Sally." "Kids are stubborn sometimes." Dr. Schwartz whistled softly when he looked at the thermometer. "She's pretty sick. I want a blood count before I try to move her. Let me undress her." Sally had been mumbling half-deliriously. She made no effort to resist as the doctor picked her up. But when he raised a fold of the dress and began to pull it back, she screamed. The doctor dropped the dress and looked in perplexity at the point where it touched Sally's skin. "It's apparently an allergy to some new kind of material. But I don't understand why the dress won't come off. It's not stuck tight." "Don't bother trying," Ann said miserably. "Just cut it off." Dr. Schwartz pulled scissors from his bag and clipped at a sleeve. When he had cut it to the shoulder, he gently began to peel back the edges of the cloth. Sally writhed and kicked, then collapsed in a faint. The physician smoothed the folds hastily back into place. He looked helpless as he said to Ann: "I don't know quite what to do. The flesh starts to hemorrhage when I pull at the cloth. She'd bleed to death if I yanked it off. But it's such an extreme allergy that it may kill her, if we leave it in contact with the skin." The manky's rattle suddenly began rhythmically from the lower part of the house. Ann clutched the side of the chair, trying to keep herself under control. A siren wailed somewhere down the street, grew louder rapidly, suddenly going silent at the peak of its crescendo. Dr. Schwartz glanced outside the window. "An ambulance. Looks as if they're stopping here." "Oh, no," Ann breathed. "Something's happened to Les." "It sure will," Les said grimly, walking into the bedroom. "I won't have a job if I can't get this stuff off my fingers. Big black fingerprints on everything I touch. I can't handle correspondence or shake hands with customers. How's the kid? What's the ambulance doing out front?" "They're going to the next house down the street," the physician said. "Has there been sickness there?" Les held up his hands, palms toward the doctor. "What's wrong with me? My fingers look all right. But they leave black marks on everything I touch." The doctor looked closely at the fingertips. "Every human has natural oil on the skin. That's how detectives get results with their fingerprint powder. But I've never heard of nigrification, in this sense. Better not try to commit any crimes until you've seen a skin specialist." Ann was peering through the window, curious about the ambulance despite her own troubles. She saw two attendants carry Mr. Burnett, motionless and white, on a stretcher from the house next door into the ambulance. A third member of the crew was struggling with a disheveled Mrs. Burnett at the door. Shrieks that sounded like "Murder!" came sharply through the window. "I know those bearers," Dr. Schwartz said. He yanked the window open. "Hey, Pete! What's wrong?" The front man with the stretcher looked up. "I don't know. This guy's awful sick. I think his wife is nuts." Mrs. Burnett had broken free. She dashed halfway down the sidewalk, gesticulating wildly to nobody in particular. "It's murder!" she screamed. "Murder again! He's been poisoned! He's going to die! It means the electric chair!" The orderly grabbed her again. This time he stuffed a handkerchief into her mouth to quiet her. "Come back to this house as soon as you deliver him," Dr. Schwartz shouted to the men. "We've got a very sick child up here." "I was afraid this would happen," Les said. "The poor woman already has lost three husbands. If this one is sick, it's no wonder she thinks that somebody is poisoning him." Bob stuck his head around the bedroom door. His mother stared unbelievingly for a moment, then advanced on him threateningly. Something in his face restrained her, just as she was about to start shaking him. "I got something important to tell you," Bob said rapidly, ready to duck. "I snuck out of the principal's office and came home. I got to tell you what I did." "I heard all about what you did," Ann said, advancing again. "And you're not going to slip away from me." "Give me a chance to explain something. Downstairs. So he won't hear," Bob ended in a whisper, nodding toward the doctor. Ann looked doubtfully at Les, then followed Bob down the stairs. The doorbell was monotonously saying in a monotone: "Don't answer me, don't answer me, don't go to the door." "Why did you do it?" Ann asked Bob, her anger suddenly slumping into weary sadness. "People will suspect you of being a sex maniac for the rest of your life. You can't possibly explain—" "Don't bother about the girls' clothing," Bob said, "because it was only an accident. The really important thing is something else I did before I left the house." Les, cursing softly, hurried past them on the way to answer the knocking. He ignored the doorbell's pleas. "I forgot about it," Bob continued, "when that ray gun accidentally went off. Then when they put me in the principal's office, I had time to think, and I remembered. I put some white stuff from the detective kit into that sugar we lent Mrs. Burnett last night. I just wanted to see what would happen. I don't know exactly what effect—" "He put stuff in the sugar?" A deep, booming voice came from the front of the house. Mother and son looked through the hall. A policeman stood on the threshold of the front door. "I heard that! The woman next door claims that her husband is poisoned. Young man, I'm going to put you under arrest." The policeman stepped over the threshold. A blue flash darted from the doorbell box, striking him squarely on the chest. The policeman staggered back, sitting down abruptly on the porch. A scent of ozone drifted through the house. "Close the door, close the door," the doorbell was chanting urgently. "Where's that ambulance?" Dr. Schwartz yelled from the top of the steps. "The child's getting worse."
train	51170	[ "What didn't Pendleton and Templin have in common?", "What isn't a setting that took place in the text?", "What word doesn't describe the natives from Tunpesh?", "What doesn't Tunpesh seem to have less of than Earth?", "Which word least describes Eckert?", "How does Templin change in the story?", "What isn't a secret that Eckert has kept from Templin?", "What native experiences didn't Eckert experience towards the end of the text?" ]	[ [ "they had similar jobs", "they went to school together", "they had similar personalities", "Tunpesh was both of their first attache assignments" ], [ "Pendleton's residence", "Earth", "Tunpesh", "a rocket" ], [ "generous", "secretive", "skeptical", "beautiful" ], [ "weapons", "beautiful people", "illness", "bad weather" ], [ "experienced", "observant", "nervous", "open-minded" ], [ "he begins to enjoy himself more", "he becomes more careful in his actions", "he begins to question the natives less", "he grows more suspicious of the Tunpeshans" ], [ "he broke Templin's power pack", "they're living in the same place as Pendleton did", "he expects Templin to act just like Pendleton did on Tunpesh", "he knows that Pendleton didn't commit suicide" ], [ "their music", "their food", "their religion", "their dances" ] ]	[ 4, 2, 3, 2, 3, 1, 4, 3 ]	[ 1, 0, 1, 1, 0, 1, 1, 0 ]	THE FIRE and THE SWORD By FRANK M. ROBINSON Illustrated by EMSH [Transcriber's Note: This etext was produced from Galaxy Science Fiction August 1951. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] Nothing could have seemed pleasanter than that peaceful planet. Then why was a non-suicidal man driven to suicide there? Yet it made sense. Why do people commit suicide? Templin tightened his safety belt and lay back on the acceleration bunk. The lights in the cabin dimmed to a dull, red glow that meant the time for takeoff was nearing. He could hear noises from deep within the ship and the tiny whir of the ventilator fan, filling the air with the sweetish smell of sleeping gas. To sleep the trip away was better than to face the dull monotony of the stars for days on end. Oh, they kill themselves for lots of reasons. Maybe ill health or financial messes or family difficulties. An unhappy love affair. Or more complex ones, if you went into it deeper. The failure to achieve an ambition, failure to live up to one's own ideals. Weltschmerz, perhaps. He could smell the bitter fragrance of tobacco smoke mingling with the gas. Eckert had lit a cigarette and was calmly blowing the smoke at the neon "No Smoking" sign, which winked on and off in mechanical disapproval. He turned his head slightly so he could just see Eckert in the bank facing him. Eckert, one of the good gray men in the Service. The old reliables, the ones who could take almost anything in their stride because, at one time or another, they had had to. It was Eckert who had come into his office several days ago and told him that Don Pendleton had killed himself. Only Pendleton wasn't the type. He was the kind who have everything to live for, the kind you instinctively know will amount to something someday. And that was a lousy way to remember him. The clichés always come first. Your memory plays traitor and boils friendship down to the status of a breakfast food testimonial. The soft red lights seemed to be dancing in the darkness of the cabin. Eckert was just a dull, formless blur opposite him. His cigarette was out. Eckert had come into his office without saying a word and had watched his scenery-window. It had been snowing in the window, the white flakes making a simple pattern drifting past the glass. Eckert had fiddled with the controls and changed it to sunshine, then to a weird mixture of hail amid the brassy, golden sunlight. And then Eckert had told him that Pendleton had taken the short way out. He shouldn't get sentimental. But how the hell else should he remember Pendleton? Try to forget it and drink a toast to him at the next class reunion? And never, never be so crude as to speculate why Pendleton should have done it? If, of course, he had.... The cabin was hazy in the reddish glow, the sleeping gas a heavy perfume. Eckert and he had talked it out and gone over the records. Pendleton had come of good stock. There had been no mental instability in his family for as far back as the genetic records went. He had been raised in a middle-class neighborhood and attended a local grammar school where he had achieved average grades and had given his instructors the normal amount of trouble. Later, when he had made up his mind to enter the Diplomatic Service, his grades had improved. He had worked hard at it, though he wasn't what you would call a grind. In high school and later in college, he was the well-balanced type, athletic, popular, hard-working. How long would it be before memories faded and all there was left of Pendleton was a page of statistics? He had been on this team, he had been elected president of that, he had graduated with such and such honors. But try getting a picture of him by reading the records, resurrect him from a page of black print. Would he be human? Would he be flesh and blood? Hell, no! In the statistics Pendleton was the All-Around Boy, the cold marble statue with the finely chiseled muscles and the smooth, blank sockets where the eyes should be. Maybe someday fate would play a trick on a hero-worshiping public and there would actually be kids like that. But they wouldn't be human; they wouldn't be born. Parents would get them by sending in so many box tops. He was drowsy; the room was filled with the gas now. It would be only a matter of minutes before he would be asleep. Pendleton had been in his second year as attache on Tunpesh, a small planet with a G-type sun. The Service had stumbled across it recently and decided the system was worth diplomatic recognition of some kind, so Pendleton had been sent there. He had been the first attache to be sent and naturally he had gone alone. There was no need to send more. Tunpesh had been inspected and certified and approved. The natives were primitive and friendly. Or maybe the Service had slipped up, as it sometimes did, and Tunpesh had received something less than a thorough survey. And then an unscheduled freighter had put in for repairs, one of the very few ships that ever came by Tunpesh. The captain had tried to pay his respects to Pendleton. Only Pendleton wasn't there. The natives said he had killed himself and showed the captain the little flower-covered plot where they had buried him. Tunpesh had been Pendleton's second assignment. The natives were oh-so-friendly. So friendly that he had made sure that a certain box was on board, filled with shiny atomic rifles, needle pistols, and the fat little gas guns. They might be needed. People like Pendleton didn't kill themselves, did they? No, they didn't. But sometimes they were murdered. It was almost black inside the cabin now; only a thin red line around the ceiling told how close they were to takeoff. His head was thick with drowsiness, his eyelids a heavy weight that he knew he couldn't keep open much longer. Eckert and he had been chosen to go to Tunpesh and investigate. The two of them, working together, should be able to find out why Pendleton had killed himself. But that wasn't the real reason. Maybe Eckert thought so, but he knew better. The real reason they were going there was to find out why Pendleton had been killed and who had killed him. That was it. Who had killed Cock Robin? The thin red line was practically microscopic now and Templin could feel his lashes lying gently on his cheeks. But he wasn't asleep—not quite. There was something buzzing about in the dim recesses of his mind. Their information on Tunpesh was limited. They knew that it had no trading concessions or armed forces and that nobody from neighboring systems seemed to know much about it or even visited it. But a staff anthropologist must have been routinely assigned to Tunpesh to furnish data and reports. "Ted?" he murmured sleepily. A faint stirring in the black bulk opposite him. "Yes?" "How come our anthropologist on Tunpesh didn't come across with more information?" A drowsy mumble from the other cot: "He wasn't there long enough. He committed suicide not long after landing." The room was a whirling pool of blackness into which his mind was slowly slipping. Takeoff was only seconds away. Why do people commit suicide? "It's a nice day, isn't it, Ted?" Eckert took a deep and pleasurable breath. "It's the type of day that makes you feel good just to be alive." Warm breezes rustled through Eckert's graying hair and tugged gently at his tunic. The air smelled as if it had been washed and faintly perfumed with the balsamy scent of something very much like pine. A few hundred yards away, a forest towered straight and slim and coolly inviting, and brilliantly colored birds whirled and fluttered in the foliage. The rocketport, where they were standing surrounded by their luggage, was a grassy valley where the all too infrequent ships could land and discharge cargo or make repairs. There was a blackened patch on it now, with little blast-ignited flames dying out around the edges. It won't be long before it will be green again , he thought. The grass looked as though it grew fast—it would certainly have plenty of time to grow before the next ship landed. He looked at the slim, dwindling shape that was the rocket, and was suddenly, acutely aware that he and Templin would be stranded for six months on a foreign and very possibly dangerous planet. And there would be no way of calling for help or of leaving before the six months were up. He stood there for a moment, drinking in the fresh air and feeling the warmth of the sun against his face. It might be a pleasant six months at that, away from the din and the hustle and confusion, spending the time in a place where the sun was warm and inviting. I must be getting old , he thought, thinking about the warmth and comfort. Like old dogs and octogenarians. Templin was looking at the scenery with a disappointed expression on his face. Eckert stole a side glance at him and for a fleeting moment felt vaguely concerned. "Don't be disappointed if it doesn't look like cloak-and-dagger right off, Ray. What seems innocent enough on the surface can prove to be quite dangerous underneath." "It's rather hard to think of danger in a setting like this." Eckert nodded agreement. "It wouldn't fit, would it? It would be like a famous singer suddenly doing a jazz number in an opera, or having the princess in a fairy tale turn out to be ugly." He gestured toward the village. "You could hardly class that as dangerous from its outward appearance, could you?" The rocketport was in a small valley, surrounded by low, wooded hills. The village started where the port left off and crawled and wound over the wooded ridges. Small houses of sun-baked, white-washed mud crouched in the shadow of huge trees and hugged the banks of a small stream. It looked fairly primitive, Eckert thought, and yet it didn't have the earmarks, the characteristics of most primitive villages. It didn't seem cluttered or dirty and you didn't feel like beating a hasty retreat when the wind was blowing toward you. A few adults were watching them curiously and the usual bunch of kids that always congregated around rocketports quickly gathered. Eckert stared at them for a moment, wondering what it was that seemed odd about them, and they stared back with all the alert dignity of childhood. They finally came out on the field and clustered around him and Templin. Templin studied them warily. "Better watch them, Ted. Even kids can be dangerous." It's because you never suspect kids , Eckert thought, you never think they'll do any harm. But they can be taught. They could do as much damage with a knife as a man could, for instance. And they might have other weapons. But the idea still didn't go with the warm sun and the blue sky and the piny scent of the trees. One of the adults of the village started to walk toward them. "The reception committee," Templin said tightly. His hand went inside his tunic. He couldn't be blamed for being jumpy, Eckert realized. This was his first time out, his first mission like this. And, of course, Pendleton had been a pretty good friend of his. "I'd be very careful what I did," Eckert said softly. "I would hate to start something merely because I misunderstood their intentions." The committee of one was a middle-aged man dressed in a simple strip of white cloth twisted about his waist and allowed to hang freely to his knees. When he got closer, Eckert became less sure of his age. He had the firm, tanned musculature of a much younger man, though a slightly seamed face and white hair aged him somewhat. Eckert still had the feeling that if you wanted to know his exact age, you'd have to look at his teeth or know something about his epiphyseal closures. "You are menshars from Earth?" The voice was husky and pleasant and the pronunciation was very clear. Eckert regarded him thoughtfully and made a few mental notes. He wasn't bowing and scraping like most natives who weren't too familiar with visitors from the sky, and yet he was hardly either friendly or hostile. "You learned our language from Pendleton and Reynolds?" Reynolds had been the anthropologist. "We have had visitors from Earth before." He hesitated a moment and then offered his hand, somewhat shyly, Eckert thought, in the Terrestrial sign of greeting. "You may call me Jathong if you wish." He paused a moment to say something in his native tongue to the kids who were around. They promptly scattered and picked up the luggage. "While you are here, you will need a place to stay. There is one ready, if you will follow me." He was polite, Eckert thought. He didn't ask what they were there for or how long they were going to stay. But then again, perhaps the natives were a better judge of that than he and Templin. The town was larger than he had thought at first, stretching over a wide expanse of the countryside. There wasn't, so far as he could see, much manufacturing above the level of handicrafts and simple weaving. Colored patches on far hillsides indicated the presence of farms, and practically every house in the village had its small garden. What manufacturing there was seemed to be carried on in the central square of the town, where a few adults and children squatted in the warm afternoon sun and worked industriously at potter's wheels and weaver's looms. The other part of the square was given over to the native bazaar where pots and bolts of cloth were for sale, and where numerous stalls were loaded with dried fruits and vegetables and the cleaned and plucked carcasses of the local variety of fowl. It was late afternoon when they followed Jathong into a small, white-washed house midway up a hill. "You are free to use this while you are here," he said. Eckert and Templin took a quick tour of the few rooms. They were well furnished, in a rustic sort of way, and what modern conveniences they didn't have they could easily do without. The youngsters who had carried their luggage left it outside and quietly faded away. It was getting dark; Eckert opened one of the boxes they had brought along, took out an electric lantern and lighted it. He turned to Jathong. "You've been very kind to us and we would like to repay you. You may take what you wish of anything within this box." He opened another of the boxes and displayed the usual trade goods—brightly colored cloth and finely worked jewelry and a few mechanical contrivances that Eckert knew usually appealed to the primitive imagination. Jathong ran his hand over the cloth and held some of the jewelry up to the light. Eckert knew by the way he looked at it that he wasn't at all impressed. "I am grateful," he said finally, "but there is nothing I want." He turned and walked away into the gathering darkness. "The incorruptible native." Templin laughed sarcastically. Eckert shrugged. "That's one of the things you do out of habit, try and buy some of the natives so you'll have friends in case you need them." He stopped for a moment, thinking. "Did you notice the context? He didn't say he didn't want what we showed him. He said there was nothing that he wanted. Implying that everything he wanted, he already had." "That's not very typical of a primitive society, is it?" "No, I'm afraid it's not." Eckert started unpacking some of the boxes. "You know, Ray, I got a kick out of the kids. They're a healthy-looking lot, aren't they?" "Too healthy," Templin said. "There didn't seem to be any sick ones or ones with runny noses or cuts or black eyes or bruises. It doesn't seem natural." "They're probably just well brought-up kids," Eckert said sharply. "Maybe they've been taught not to get in fights or play around in the mud on the way home from school." He felt faintly irritated, annoyed at the way Templin had put it, as if any deviation from an Earth norm was potentially dangerous. "Ted." Templin's voice was strained. "This could be a trap, you know." "In what way?" The words came out slowly. "The people are too casual, as though they're playing a rehearsed part. Here we are, from an entirely different solar system, landed in what must be to them an unusual manner. They couldn't have seen rockets more than three or four times before. It should still be a novelty to them. And yet how much curiosity did they show? Hardly any. Was there any fear? No. And the cute, harmless little kids." He looked at Eckert. "Maybe that's what we're supposed to think—just an idyllic, harmless society. Maybe that's what Pendleton thought, right to the very end." He was keyed up, jumpy, Eckert realized. He would probably be seeing things in every shadow and imagining danger to be lurking around every corner. "It hasn't been established yet that Pendleton was killed, Ray. Let's keep an open mind until we know for certain." He flicked out the light and lay back on the cool bed, letting his body relax completely. The cool night wind blew lazily through the wood slat blinds, carrying the fragrance of the trees and the grass, and he inhaled deeply and let his thoughts wander for a moment. It was going to be pleasant to live on Tunpesh for six months—even if the six months were all they had to live. The climate was superb and the people seemed a cut above the usual primitive culture. If he ever retired some day, he thought suddenly, he would have to remember Tunpesh. It would be pleasant to spend his old age here. And the fishing was probably excellent.... He turned his head a little to watch Templin get ready for bed. There were advantages in taking him along that Templin probably didn't even realize. He wondered what Templin would do if he ever found out that the actual reason he had been chosen to go was that his own psychological chart was very close to Pendleton's. Pendleton's own feelings and emotions would almost exactly be duplicated in Templin's. A few stray wisps of starlight pierced through the blinds and sparkled for an instant on a small metal box strapped to Templin's waist. A power pack, Eckert saw grimly, probably leading to the buttons on his tunic. A very convenient, portable, and hard to detect weapon. There were disadvantages in taking Templin, too. "Just how primitive do you think the society is, Ted?" Eckert put down the chain he had been whittling and reached for his pipe and tobacco. "I don't think it's primitive at all. There are too many disparities. Their knowledge of a lot of things is a little more than empirical knowledge; they associate the growth of crops with fertilizer and nitrogen in the soil as well as sunlight, rather than the blessings of some native god. And they differ a lot in other respects. Their art and their music are advanced. Free art exists along with purely decorative art, and their techniques are finely developed." "I'm glad you agree, then. Take a look at this." Templin threw a shiny bit of metal on the rough-hewn table. Eckert picked it up and inspected it. It was heavy and one side of it was extremely sharp. "What's it for?" "They've got a hospital set up here. Not a hospital like any we know, of course, but a hospital nonetheless. It's not used very much; apparently the natives don't get sick here. But occasionally there are hunting accidents and injuries that require surgery. The strip of metal there is a scalpel." He laughed shortly. "Primitive little gadget, but it works well—as well as any of ours." Eckert hefted it in his palm. "The most important thing is that they have the knowledge to use it. Surgery isn't a simple science." "Well, what do you think about it?" "The obvious. They evidently have as much technology as they want, at least in fields where they have to have it." "How come they haven't gone any further?" "Why should they? You can live without skycars and rocket ships, you know." "Did you ever wonder what kind of weapons they might have?" "The important thing," Eckert mused, "is not if they have them, but if they'd use them. And I rather doubt that they would. We've been here for two weeks now and they've been very kind to us, seeing that we've had food and water and what fuel we need." "It's known in the livestock trade as being fattened up for the slaughter," Templeton said. Eckert sighed and watched a fat bug waddle across a small patch of sunlight on the wooden floor. It was bad enough drawing an assignment in a totally foreign culture, even if the natives were humanoid. It complicated things beyond all measure when your partner in the project seemed likely to turn into a vendettist. It meant that Eckert would have to split his energies. He'd have to do what investigating he could among the Tunpeshans, and he'd have to watch Templin to see that he didn't go off half-cocked and spoil everything. "You're convinced that Pendleton was murdered, aren't you?" Templin nodded. "Sure." "Why?" "The Tunpeshans know why we're here. We've dropped enough hints along those lines. But nobody has mentioned Pendleton; nobody has volunteered any information about him. And he was an attache here for three years. Didn't anybody know him during that time? We've let slip a few discreet statements that we would like to talk to Pendleton's friends, yet nobody's come around. Apparently, in all the three years he was here, Pendleton didn't make any friends. And that's a little hard to believe. It's more likely that his friends have been silenced and any information about him is being withheld for a reason." "What reason?" Templin shrugged. "Murder. What other reason could there be?" Eckert rolled up the thin, slatted blinds and stared out at the scenery. A hundred feet down the road, a native woman was going to market, leading a species of food animal by the halter. "They grow their women nice, don't they?" "Physically perfect, like the men," Templin grumbled. "You could get an inferiority complex just from watching the people here. Everybody's so damn perfect. Nobody's sick, nobody's unhealthy, nobody is too fat or too thin, nobody's unhappy. The only variation is that they don't all look alike. Perfection. It gets boring after a while." "Does it? I hadn't noticed." Eckert turned away from the blinds. His voice was crisp. "I knew Don Pendleton quite well, too," he said. "But it isn't blinding me to what I'm here for. We came to find out what happened to him, not to substantiate any preconceived notions. What we find out may be vitally important to anybody serving here in the future. I would hate to see our efforts spoiled because you've already made up your mind." "You knew Pendleton," Templin repeated grimly. "Do you think it was suicide?" "I don't think there's such a thing as a suicide type, when you come down to it. I'm not ruling out the possibility of murder, either. I'm trying to keep an open mind." "What have we accomplished so far? What have we found out?" "We've got six months," Eckert said quietly. "Six months in which we'll try to live here inconspicuously and study the people and try to cultivate informants. We would get nowhere if we came barging in asking all sorts of questions. And don't forget, Ray, we're all alone on Tunpesh. If it is a case of murder, what happens when the natives find out that we know it is?" Templin's eyes dueled for a moment. Then he turned his back and walked to the window. "I suppose you're right," he said at last. "It's nice living here, Ted. Maybe I've been fighting it. But I can't help thinking that Don must have liked it here, too." One of the hardest things to learn in a foreign culture, Eckert thought, is when to enjoy yourself, when to work and when to worry. " Pelache, menshar? " " Sharra! " He took the small bowl of pelache nuts, helped himself to a few, and passed the bowl on. This was definitely the time to enjoy himself, not to work or worry. He had heard about the halera a few days ago, and, by judicious hinting to the proper authorities, he and Templin had been invited. It was a good chance to observe native customs. A little anthropology—with refreshments. The main courses started making the rounds and he took generous helpings of the roasted ulami and the broiled halunch and numerous dabs from the side dishes of steaming vegetables. Between every course, they passed around a small flagon of the hot, spiced native wine, but he noticed that nobody drank to excess. The old Greek ideal , he thought: moderation in everything. He looked at Templin, sitting across from him in the huge circle, and shrugged mentally. Templin looked as if he was about to break down and enjoy himself, but there was still a slight bulge under his tunic, where he had strapped his power pack. Any fool should have known that nothing would happen at a banquet like this. The only actual danger lay in Templin's getting excited and doing something he was bound to regret later on. And even that danger was not quite as likely now. There will be hell to pay , Eckert thought, if Templin ever finds out that I sabotaged his power pack. "You look thoughtful, menshar Eckert." Eckert took another sip of the wine and turned to the Tunpeshan on his left. He was a tall, muscular man with sharp eyes, a firm chin and a certain aura of authority. "I was wondering if my countryman Pendleton had offended your people in any way, Nayova." Now was as good a time as any to pump him for what he knew about Pendleton's death. "So far as I know, menshar Pendleton offended no one. I do not know what duties he had to perform here, but he was a generous and courteous man." Eckert gnawed the dainty meat off a slender ulami bone and tried to appear casual in his questioning. "I am sure he was, Nayova. I am sure, too, that you were as kind to him as you have been to Templin and myself. My Government is grateful to you for that." Nayova seemed pleased. "We tried to do as well for menshar Pendleton as we could. While he was here, he had the house that you have now and we saw that he was supplied with food and all other necessities." Eckert had a sudden clammy feeling which quickly passed away. What Nayova had said was something he'd make sure Templin never heard about. He wiped his mouth on a broad, flat leaf that had been provided and took another sip of the wine. "We were shocked to find out that menshar Pendleton had killed himself. We knew him quite well and we could not bring ourselves to believe he had done such a thing." Nayova's gaze slid away from him. "Perhaps it was the will of the Great One," he said vaguely. He didn't seem anxious to talk about it. Eckert stared bleakly at his wine glass and tried to put the pieces of information together. They probably had a taboo about self-destruction which would make it difficult to talk about. That would make it even harder for him to find out by direct questioning. A native fife trilled shrilly and a group of young men and women walked into the room. The circle broke to let them through and they came and knelt before Nayova. When he clapped his hands sharply, they retreated to the center of the circle and began the slow motions of a native dance. The sound of the fife softened and died and the slow monotonous beat of drums took its place. The beat slowly increased and so did the rhythm of the dancers. The small fires at the corners of the hut were allowed to dwindle and the center of the circle became filled with the motions of shadows intermixed with the swift, sure movements of glistening limbs. Eckert felt his eyebrows crawl upward. Apparently the dance was the Tunpeshan version of the rites de passage . He glanced across the circle at Templin. Templin's face—what he could see of it by the flickering light—was brick red. A voice spoke in his ear. "It is hard for us to imagine anybody doing what menshar Pendleton did. It is ..." and he used a native word that Eckert translated as being roughly equivalent to " obscene ." The dancers at the center of the circle finally bowed out with small garlands of flowers on their heads that signified their reaching adulthood. Acrobats then took the stage and went through a dizzying routine, and they in turn were succeeded by a native singer. They were all excellent, Eckert thought. If anything, they were too good. The bowl of pelache nuts made its way around again and Nayova leaned over to speak to him. "If there is any possibility that I can help you while you are here, menshar Eckert, you have but to ask." It would probably be a mistake to ask for a list of Pendleton's friends, but there was a way around that. "I would like to meet any of your people who had dealings with Pendleton, either in business or socially. I will do everything not to inconvenience them in any way." "I think they would be glad to help you. I shall ask them to go to you this coming week."
train	47841	[ "What do Lois and Lorraine have in common?", "Which word least describes Judy?", "Which mystical element didn't Judy claim to encounter?", "What was Lorraine the least secretive about?", "What didn't happen on Judy's first encounter with the fountain?", "Who is Honey?", "What did Lorraine likely learn by the end of this text?", "What is likely to happen next?" ]	[ [ "they both care deeply about Judy", "they both have a curious nature", "they got married on the same day", "they're both unhappy in their marriages" ], [ "humble", "secretive", "inquisitive", "polite" ], [ "gnomes", "ghosts", "a magic carpet", "a talking fountain" ], [ "her knowledge of the fountain", "her jealousy of Judy", "her relationship with her husband", "why she didn't want to go to the Brandt estate" ], [ "she fell asleep", "she explored the tower", "she made wishes", "she tried to find her grandparents" ], [ "Judy's sister-in-law", "Judy's younger sister", "their mutual friend", "Judy's grandmother" ], [ "be loyal to your friends", "honesty can keep you out of trouble", "be skeptical of stories", "jealousy can get you in trouble" ], [ "the girls will be arrested", "the girls will get back in their car and drive to Judy's house", "the girls will locate the fountain and make wishes", "the girls will meet the people living in the Brandt estate" ] ]	[ 3, 2, 3, 2, 2, 1, 2, 4 ]	[ 1, 0, 0, 1, 1, 1, 1, 0 ]	The Haunted Fountain CHAPTER I An Unsolved Mystery “Tell Judy about it,” begged Lois. “Please, Lorraine, it can’t be as bad as it appears. There isn’t anything that Judy can’t solve.” Lorraine tilted her head disdainfully. “We’re sisters now. We’re both Farringdon-Petts and should be loyal to each other. But you always did take Judy’s part. She was the one who nearly spoiled our double wedding trying to solve a mystery. I don’t believe she’d understand—understand any better than I do. Everyone has problems, and I’m sure Judy is no exception.” “You’re right, Lorraine,” announced Judy, coming in to serve dessert to the two friends she had invited for lunch at Peter’s suggestion. “I do have problems, and there are plenty of mysteries I can’t solve.” “Name one,” charged Lois. “Just mention one single spooky thing you couldn’t explain, and I’ll believe you. I’ve seen you in action, Judy Bolton—” “Judy Dobbs, remember?” “Well, you were Judy Bolton when you solved all those mysteries. I met you when the whole valley below the big Roulsville dam was threatened by flood and you solved that—” “That,” declared Judy, “was my brother Horace, not me. He was the hero without even meaning to be. He was the one who rode through town and warned people that the flood was coming. I was off chasing a shadow.” “A vanishing shadow,” Lois said with a sigh. “What you did wasn’t easy, Judy.” “It didn’t need to be as hard as it was,” Judy confessed. “I know now that keeping that promise not to talk about the dam was a great big mistake and could have cost lives. I should have told Arthur.” “Please,” Lorraine said, a pained expression clouding her pretty face, “let’s not talk about him now.” “Very well,” Judy agreed. “What shall we talk about?” “You,” Lois said, “and all the mysteries you’ve solved. Maybe you were mistaken about a thing or two before the flood, but what about the haunted house you moved into? You were the one who tracked down the ghosts in the attic and the cellar and goodness knows where all. You’ve been chasing ghosts ever since I met you, and not one of them did you fail to explain in some sensible, logical fashion.” “Before I met you,” Judy said, thinking back, “there were plenty of them I couldn’t explain. There was one I used to call the spirit of the fountain, but what she was or how she spoke to me is more than I know. If my grandparents knew, they weren’t telling. And now they’re both dead and I can’t ask them. They left me a lot of unsolved mysteries along with this house. Maybe I’ll find the answers to some of them when I finish sorting Grandma’s things. They’re stored in one end of the attic.” “Another haunted attic? How thrilling!” exclaimed Lois. “Why don’t you have another ghost party and show up the spooks?” “I didn’t say the attic was haunted.” Judy was almost sorry she had mentioned it. She wasn’t in the mood for digging up old mysteries, but Lois and Lorraine insisted. It all began, she finally told them, the summer before they met. Horace had just started working on the paper. Judy remembered that it was Lorraine’s father, Richard Thornton Lee, who gave him his job with the Farringdon Daily Herald . He had turned in some interesting church news, convincing Mr. Lee that he had in him the makings of a good reporter. And so it was that he spent the summer Judy was remembering in Farringdon where the Farringdon-Petts had their turreted mansion, while she had to suffer the heat and loneliness of Dry Brook Hollow. Her thoughts were what had made it so hard, she confessed now as she reviewed everything that had happened. She just couldn’t help resenting the fact that her parents left her every summer while they went off on a vacation by themselves. What did they think she would do? “You’ll have plenty to read,” her father had told her. “I bought you six new books in that mystery series you like. When they’re finished there are plenty of short stories around. Your grandmother never throws anything away. She has magazines she’s saved since your mother was a girl. If you ask for them she’ll let you have the whole stack. I know how you love to read.” “I do, Dad, but if the magazines are that old—” Judy had stopped. She had seen her father’s tired eyes and had realized that a busy doctor needed a vacation much more than a schoolgirl who had too little to do. He and Judy’s mother usually went to the beach hotel where they had honeymooned. It was a precious memory. Every summer Dr. Bolton and his wife relived it. And every summer Judy went to stay with her grandmother Smeed, who scolded and fussed and tried to pretend she wasn’t glad to have her. “You here again?” she had greeted her that summer, and Judy hadn’t noticed her old eyes twinkling behind her glasses. “What do you propose to do with yourself this time?” “Read,” Judy had told her. “Mom and Dad say you have a whole stack of old magazines—” “In the attic. Go up and look them over if you can stand the heat.” Judy went, not to look over the old magazines so much as to escape to a place where she could have a good cry. It was the summer before her fifteenth birthday. In another year she would have outgrown her childish resentment of her parents’ vacation or be grown up enough to ask them to let her have a vacation of her own. In another year she would be summering among the beautiful Thousand Islands and solving a mystery to be known as the Ghost Parade . “A whole parade of ghosts,” Lois would be telling her, “and you solved everything.” But then she didn’t even know Lois. She had no idea so many thrilling adventures awaited her. There seemed to be nothing—nothing—and so the tears came and spilled over on one of the magazines. As Judy wiped it away she noticed that it had fallen on a picture of a fountain. “A fountain with tears for water. How strange!” she remembered saying aloud. Judy had never seen a real fountain. The thrill of walking up to the door of the palatial Farringdon-Pett mansion was still ahead of her. On the lawn a fountain still caught and held rainbows like those she was to see on her honeymoon at Niagara Falls. But all that was in the future. If anyone had told the freckled-faced, pigtailed girl that she would one day marry Peter Dobbs, she would have laughed in their faces. “That tease!” For then she knew Peter only as an older boy who used to tease her and call her carrot-top until one day she yelled back at him, “Carrot-tops are green and so are you!” Peter was to win Judy’s heart when he gave her a kitten and suggested the name Blackberry for him. The kitten was now a dignified family cat. But the summer Judy found the picture of a fountain and spilled tears on it she had no kitten. She had nothing, she confessed, not even a friend. It had helped to pretend the fountain in the picture was filled with all the tears lonely girls like herself had ever cried. “But that would make it enchanted!” she had suddenly exclaimed. “If I could find it I’d wish—” A step had sounded on the stairs. Judy remembered it distinctly. She had turned to see her grandmother and to hear her say in her usual abrupt fashion, “Enchanted fountain, indeed! If you let people know your wishes instead of muttering them to yourself, most of them aren’t so impossible.” “Were they?” asked Lois. She and Lorraine had listened to this much of what Judy was telling them without interruption. “That’s the unsolved mystery,” Judy replied. “There weren’t any of them impossible.” And she went on to tell them how, the very next day, her grandparents had taken her to a fountain exactly like the one in the picture. It was in the center of a deep, circular pool with steps leading up to it. Beside the steps were smaller fountains with the water spurting from the mouths of stone lions. Judy had stared at them a moment and then climbed the steps to the pool. “Am I dreaming?” she remembered saying aloud. “Is this beautiful fountain real?” A voice had answered, although she could see no one. “Make your wishes, Judy. Wish wisely. If you shed a tear in the fountain your wishes will surely come true.” “A tear?” Judy had asked. “How can I shed a tear when I’m happy? This is a wonderful place.” “Shed a tear in the fountain and your wishes will surely come true,” the voice had repeated. “But what is there to cry about?” “You found plenty to cry about back at your grandmother’s house,” the mysterious voice had reminded her. “Weren’t you crying on my picture up there in the attic?” “Then you—you are the fountain!” Judy remembered exclaiming. “But a fountain doesn’t speak. It doesn’t have a voice.” “Wish wisely,” the voice from the fountain had said in a mysterious whisper. CHAPTER II If Wishes Came True “Did you?” Lois interrupted the story to ask excitedly. “Oh, Judy! Don’t keep us in suspense any longer. What did you wish?” “Patience,” Judy said with a smile. “I’m coming to that.” First, she told her friends, she had to think of a wise wish. There had been so much she wanted in those early days before the flood. Dora Scott had been her best friend in Roulsville, but she had moved away. “You see,” she explained, “I made the mistake of having just one best friend. There wasn’t anybody in Dry Brook Hollow. I remember thinking of how lonely I was and how I wished for a friend or a sister, and suddenly a tear splashed in the water. It made little ripples. I thought I had to wish quickly before they vanished, and so I began naming the things I wanted as fast as I could. I’m not sure they were wise wishes. They seem rather selfish to me, now. I wasn’t thinking of anybody but me, Judy Bolton, and what I wanted. It wasn’t until after I began to think of others that my wishes started to come true.” “But what were they?” Lois insisted. Lorraine seemed unusually quiet and thoughtful. Judy did not notice the fear in her eyes as she replied airily, “Oh, didn’t I tell you? I wished for lots of friends and a sister, and I wished I could marry a G-man and solve a lot of mysteries and that’s as far as I got when the ripples vanished. I thought the spell was broken and so I didn’t wish for anything more.” “Wasn’t there anything more you wanted?” Lois asked. “Of course,” replied Judy. “There were lots more things. I wanted to go places, of course, and keep pets, and have a nice home, and—” “And your wishes all came true!” “Every one of them,” Judy agreed, “even the one about the sister. You see, it wasn’t a baby sister I wanted. It was a sister near my own age. That seemed impossible at the time, but the future did hold a sister for me.” “It held one for me, too,” Lois said, squeezing Lorraine’s hand under the table. “Don’t you think sisters should tell each other their problems, Judy?” “Honey and I always do,” she replied “but then it was different. I didn’t know I would marry Peter or that he would become a G-man, and he didn’t know he had a sister. It is strange, isn’t it? But the strangest thing of all was the fountain itself.” “Why?” asked Lorraine. “Do you still think it was enchanted?” Lois laughed at this, but Judy was serious as she answered, “I was still little girl enough to think so at the time. I wandered around, growing very drowsy. Then I found a hammock and climbed into it. I must have gone to sleep, because I remember waking up and wondering if the voice in the fountain had been a dream.” “A hammock?” Lois questioned. “Are you sure it wasn’t a flying carpet?” “No, it was a hammock all right,” Judy assured her, laughing. “It was hung between two trees in a beautiful garden all enclosed in rose trellises thick with roses. Did I tell you it was June?” “All the year around?” Again Lois laughed. But Lorraine said abruptly, “Let’s not talk about rose gardens in June. It’s a long way from June to December.” “Do you mean a garden changes? I know,” Judy said, “but I think this one would be beautiful at any time of the year. There were rhododendrons, too, and I don’t know how many different kinds of evergreens. I explored the garden all around the fountain.” “And then what happened?” Lorraine urged her. “Yes, yes. Go on,” entreated Lois. “I didn’t dream you’d kept anything that exciting a secret. Why didn’t you try to solve the mystery?” “I think I would have tried,” Judy admitted, “if I had been older or more experienced. I really should have investigated it more thoroughly and learned the secret of the fountain. But after the ripples went away it didn’t speak to me any more, and I didn’t really think it had heard my wishes. I was still wishing for a friend when I met you, Lois. It did seem impossible for us to be friends at first, didn’t it? Lorraine was your friend.” “I did make trouble for you,” Lorraine remembered. “It was all because of my foolish jealousy.” “It was nothing compared to the trouble caused by the Roulsville flood,” declared Judy. “After that things started happening so fast that I completely forgot about the fountain. Honestly, Lois, I don’t believe I thought about it again until after we moved to Farringdon and I walked up to your door and saw the fountain on your lawn.” “The Farringdon-Pett puddle, I always called it,” Lois said with a giggle. “I’ve seen lots nicer fountains.” “You have?” asked Judy. “Then maybe you’ve seen the one I’ve been telling you about. I think the picture of it is still in the attic. Come on up and I’ll show you.” Lois and Lorraine had finished their dessert while Judy was telling them the story of the fountain. Somehow, she wasn’t hungry for hers. She had tasted it too often while she was making it. “I’ll leave it for Blackberry,” she decided. Lois watched in amusement as the cat lapped up the chocolate pudding after Judy had mixed it generously with cream. “Sometimes,” Judy said fondly, “Blackberry thinks he’s a person. He eats everything we eat, including lettuce. Do you mind if he comes with us, Lorraine? He wants to explore the attic, too.” “He’ll remember he’s a cat fast enough if there are any mice up there,” Lois said with a giggle. Leaving the table, they all started upstairs with the cat bounding ahead of them. In modernizing her grandparents’ house to suit her own and Peter’s tastes, Judy had seen to it that the old stair door was removed. But there was still a door closing off the narrower stairs that led to the attic. Blackberry reached it first and yowled for Judy to open it. “He can read my mind. He always knows where I’m going,” Judy said as the door creaked open and the cat shot through it. A moment later a weird rolling noise came from the floor above. “Come on. There’s nothing up here to be afraid of,” Judy urged her friends. “Maybe not, but I’m beginning to get the shivers,” confessed Lois as she followed Judy to the sewing room at the top of the last flight of stairs. “So am I,” Lorraine admitted. “I’m not superstitious about black cats, but they are creepy. Does Blackberry have to roll spools across the floor?” “Now he thinks he’s a kitten,” laughed Judy. Pausing at still another door that led to the darker part of the attic, she turned and said mysteriously, “Up here we can all turn back the clock. Does anybody care to explore the past?” The exploration began enthusiastically with Judy relating still more of what she remembered about the fountain. “When I told Grandma about it she laughed and said I must have dreamed it. She said if wishes came true that easily she’d be living in a castle. But would she?” Judy wondered. “When I first remember this house she was still burning kerosene lamps like those you see on that high shelf by the window. I think she and Grandpa like the way they lived without any modern conveniences or anything.” “I think so, too,” Lois agreed, looking around the old attic with a shiver. “It is strange they both died the same winter, isn’t it?” “Maybe they wanted it that way. Maybe they wished neither of them would outlive the other. If they did wish in the fountain,” Judy went on more thoughtfully, “I’m sure that was one of their wishes. Another could have been to keep the good old days, as Grandma used to call them. That one came true in a way. They did manage to keep a little of the past when they kept all these old things. That’s what I meant about turning back the clock.” “If wishes came true I’d like to turn it back a little myself,” Lorraine began. “It would be nice if things were the way they used to be when I trusted Arthur—” “Don’t you trust him now?” Judy asked. Afterwards she was sorry for the interruption. Lois and Judy both questioned Lorraine, but that was all she would say. Judy wondered, as they searched through the old magazines, what was wrong. Lorraine was of a jealous disposition. Was the green-eyed monster coming between her and her handsome husband, Arthur Farringdon-Pett? Until now they had seemed blissfully happy. But there was no happiness in Lorraine’s face as she gazed at a picture of one of the fountains and then said in a tight little voice, “It is. It’s the very same one.” “But that’s the picture I’ve been searching for!” Judy said eagerly. “Do you know where it is?” “I can’t be sure. But if it ever was enchanted, I’m sure it isn’t now. Let’s go,” Lorraine said suddenly to Lois. Judy knew she was suggesting a fast trip home. But, apparently, Lois did not understand it that way. If she did, she pretended not to. “Where?” she asked. “To the fountain? I’d love to, wouldn’t you, Judy?” “I certainly would,” Judy replied enthusiastically. “Do you recognize it, too?” “I think so,” Lois answered after studying a little more closely the picture they had found. “It looks like the fountain on the Brandt estate.” “The department store Brandts?” Judy questioned. “Then my grandparents must have driven old Fanny all the way to Farringdon.” “Not quite all the way,” Lorraine objected. “The Brandts own that stretch of woods just before you come into the city. You’ve passed it lots of times.” “Of course,” agreed Judy. She put the magazine back in its place under the eaves and turned eagerly to her friends. “I do remember a road turning off into the woods and going on uphill,” she told them. “I never thought it led to a house, though. There isn’t even a gate. Could that be the road my grandparents took?” “Why don’t we take it ourselves and find out?” Lois suggested. CHAPTER III A Strange Encounter Lorraine was not too enthusiastic about the proposed trip to the Brandt estate. Finally she agreed to it under one condition. They were not to drive all the way to the house which, she said, was just over the hilltop. They were to park the car where no one would see it and follow the path to the fountain. “But suppose we can’t find the path?” asked Judy. “You’ll remember it, won’t you?” Judy thought she would, but she wasn’t too sure. She and Lois both argued that it would be better to inquire at the house. Lois knew Helen Brandt slightly. “She’d be glad to show us around. This way it looks as if we’re planning a crime,” Lois said as they started off in the blue car she was driving. It was a neat little car, not too conspicuous, and easy to park in out-of-the-way places. Judy laughed and said if they did find the fountain she thought she’d wish for one exactly like it. “Well, you know what your grandmother said about wishes, don’t you?” Lorraine asked. “If you let people know about them instead of muttering them to yourself most of them aren’t so impossible.” “Quite true,” Judy agreed. “I’ll let Peter know about this one. He’s my Santa Claus, and it will soon be Christmas. Maybe I should have worn the fur coat he gave me last year.” “Your reversible’s better in case it rains. It’s too warm for snow. We picked a perfect day for this trip,” Lois continued, guiding the car around curves as it climbed the steep hill beyond Dry Brook Hollow. The trip was a short one. In twenty minutes they had covered the distance that had seemed such a long way to Judy when she was riding in her grandfather’s wagon. “I’ve been thinking about it,” she said, “and I’ve just about figured out how it happened. I didn’t think my grandparents knew the Brandts well enough to pay them a visit, though. We must have looked queer driving up to a beautiful estate in Grandpa’s old farm wagon. I do remember that Grandma had some hooked rugs to deliver. But that still doesn’t explain what happened afterwards. When I woke up in the hammock I was alone in the garden. Horse, wagon, grandparents—all had disappeared.” “How could they?” asked Lois. “Anyway,” Lorraine began, “you had a chance to see how beautiful everything was before—” Again she broke off as if there were something she wanted to tell but didn’t quite dare. “Before what?” questioned Judy. “Oh, nothing. Forget I said anything about it. You were telling us how you woke up in the hammock, but you never did explain how you got back home,” Lorraine reminded her. “Didn’t I?” asked Judy. “I’d forgotten a lot of it, but it’s beginning to come back now. I do remember driving home along this road. You see, I thought my grandparents had left me in the garden for a surprise and would return for me. I told you I was all alone. There wasn’t a house in sight.” “The Brandt house is just over the top of this next hill,” Lois put in. “I know. You told me that. Now I know why I couldn’t see it. All I could see was a windowless old tower and a path leading in that direction. Naturally, I followed it. There’s something about a path in the woods that always tempts me.” “We know that, Judy. Honey told us all about your latest mystery. You followed a trail or something.” “Well, this trail led out of the rose garden where the hammock was and then through an archway,” Judy continued. “All sorts of little cupids and gnomes peered out at me from unexpected places. I was actually scared by the time I reached the old tower. There wasn’t time to explore it. Just then I heard the rumble of my grandfather’s wagon and knew he was driving off without me.” “He was!” Judy’s friends both chorused in surprise, and Lois asked, “Why would he do a thing like that?” “I think now it was just to tease me. He did stop and wait for me after a while,” Judy remembered. “The rugs were gone. Grandma must have delivered them, but I didn’t ask where. If she made them for Mrs. Brandt they may still be there.” “I wouldn’t depend on it,” Lorraine said as they turned up the narrow road to the Brandt estate. “Watch out!” Judy suddenly exclaimed. “There’s another car coming.” As Lois swerved to avoid the oncoming car, Lorraine ducked her head. She kept herself hidden behind Judy until the car had passed. The man driving it was a stranger to Judy, but she would remember his hypnotic, dark eyes and swarthy complexion for a long time. The soft brown hat he was wearing covered most of his hair. “What’s the matter with you two?” asked Lois when the car had passed. “Aren’t you a little old for playing hide and seek?” “I wasn’t—playing. Let’s not go up there,” Lorraine begged. “I don’t think the Brandts live there any more.” “Maybe not, but we can pretend we think they do, can’t we?” Judy replied a little uncertainly. She was beginning to suspect that Lorraine knew more about the Brandt estate than she was telling. Lois kept on driving along the narrow, gravelly road. Soon there were more evergreens and a hedge of rhododendrons to be seen. They looked very green next to the leafless trees in the woods beyond. The sky was gray with white clouds being driven across it by the wind. “There’s the tower!” Lorraine exclaimed. “I can see it over to the left. It looks like something out of Grimm’s Fairy Tales, doesn’t it?” “It looks grim all right,” agreed Judy. “I wonder what it is.” “I suppose it’s nothing but an old water tower. It would be fun to explore it, though,” Lois said. “But if there are new people living here they’ll never give us permission.” “We might explore it without permission,” Judy suggested daringly. “Come on!” she urged her friends as Lois parked the car in a cleared place beside the road. “Who’s going to stop us? And who wants to explore a gloomy old tower, anyway? Let’s look for the fountain.” “Do you think we should?” Lorraine asked. “It won’t be enchanted. I told you—” “You told us very little,” Lois reminded her. “If you know anything about the people who live here now, I think you ought to let us know. Otherwise, I’m afraid we won’t be very welcome.” “I don’t think they’ll welcome us, anyway. I do know who they are,” Lorraine admitted. “You remember Roger Banning from school, don’t you? I’ve seen him around here. His family must have acquired sudden wealth, or else he’s just working on the estate.” “Then you’ve been here lately? Why didn’t you tell me?” asked Lois. “We always used to go places together.” “It wasn’t important,” Lorraine replied evasively. “I was just out for a drive.” “You plutocrats!” laughed Judy. “Each with a car of your own. You’re not interested in Roger Banning, are you, Lois? I’m sure you can do better than that. I did know him slightly, but not from school. The boys and girls were separated and went to different high schools by the time we moved to Farringdon. I remember his pal, Dick Hartwell, a lot better. He was in our young people’s group at church.” “Sh!” Lois cautioned her. “Nice people no longer mention Dick Hartwell’s name. He’s doing time.” “For what?” asked Judy. Like Peter, her FBI husband, she preferred facts to gossip. “Forgery, I guess. He stole some checkbooks from his father’s desk and forged the names of a lot of important business people. I think he forged some legal documents, too. Anyway, he went to the Federal Penitentiary. It was all in the papers,” Lorraine told her. Now Judy did remember. It was something she would have preferred to forget. She liked to think she was a good judge of character, and she had taken Dick Hartwell for a quiet, refined boy who would never stoop to crime. “I don’t see what all this has to do with the fountain,” Lois said impatiently. “Are we going to look for it, or aren’t we?” “Of course we are. That’s what we came for. I just like to know what a tiger looks like before he springs at me,” Judy explained. “You seem to think there’s danger in this expedition of ours, don’t you?” asked Lorraine. “I don’t know what to think. You’re the one who seems to know the answers, but you’re not telling. Hiding your face back there gave you away. You’ve seen that character who drove down this road and, for some reason, you were afraid he would see you. Why, Lorraine? Why didn’t you want to be recognized?” Lorraine hesitated a moment and then replied evasively, “People don’t generally enter private estates without an invitation. That’s all.” “I’d better turn the car around,” Lois decided, “in case we have to leave in a hurry. I don’t expect we’ll encounter any tigers, but we may be accused of trespassing.” “I’m sure we will be,” announced Judy as two dark-coated figures strode down the road toward them. “You drove right by a NO TRESPASSING sign, and this isn’t a welcoming committee coming to meet us!”
train	51361	[ "What are the aliens in line hoping will happen?", "Which word least describes the narrator?", "What doesn't the narrator believe Gorb to be? ", "What did the Kallerian and the Stortulian have in common?", "Why was the Stortulian so upset?", "What isn't a reason for narrator to be so skeptical of Gorb?", "Why was the narrator in so much trouble?", "What hit the narrator?", "Would the narrator consider his trip worthwhile?" ]	[ [ "that they will get paid to work at a zoo on their home planet", "their talent will win them a trip to Earth", "that they will be able to pay for a chance to see Earth", "that they will get to work for the Corrigan Institute" ], [ "experienced", "jealous", "clever", "confident" ], [ "a non-terrestrial", "an Earthling", "a hero", "a con-man" ], [ "they did not like being turned down", "they both desired a place in the zoo", "they were unique creatures", "they planned to kill the narrator if he refused them" ], [ "he really needed the job because he was out of money", "he was too proud to go back home without what he wanted", "he knew his wife wanted to come back but couldn't", "he'd never see his wife again without this man's help" ], [ "Gorb looked just like an Earthling", "Gorb was asking for too much money", "Gorb had no proof to back up his claims", "he had never heard of Wazzenazz" ], [ "he refused to let certain beings go to Earth", "he killed a non-terrestrial", "he was responsible for a non-terrestrial death", "he was conning non-terrestrials to go to Earth" ], [ "the Stortulian's gun", "the wall", "a Ghrynian policeman", "Gorb" ], [ "No - it was more trouble than it was worth", "All of the above", "No - it nearly cost him his life", "Yes - he found many new non-terrestrials" ] ]	[ 4, 2, 1, 1, 4, 2, 3, 4, 2 ]	[ 0, 1, 1, 0, 0, 1, 1, 1, 1 ]	Birds of a Feather By ROBERT SILVERBERG Illustrated by WOOD [Transcriber's Note: This etext was produced from Galaxy Magazine November 1958. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] Getting specimens for the interstellar zoo was no problem—they battled for the honor—but now I had to fight like a wildcat to keep a display from making a monkey of me! It was our first day of recruiting on the planet, and the alien life-forms had lined up for hundreds of feet back from my rented office. As I came down the block from the hotel, I could hear and see and smell them with ease. My three staff men, Auchinleck, Stebbins and Ludlow, walked shieldwise in front of me. I peered between them to size the crop up. The aliens came in every shape and form, in all colors and textures—and all of them eager for a Corrigan contract. The Galaxy is full of bizarre beings, but there's barely a species anywhere that can resist the old exhibitionist urge. "Send them in one at a time," I told Stebbins. I ducked into the office, took my place back of the desk and waited for the procession to begin. The name of the planet was MacTavish IV (if you went by the official Terran listing) or Ghryne (if you called it by what its people were accustomed to calling it). I thought of it privately as MacTavish IV and referred to it publicly as Ghryne. I believe in keeping the locals happy wherever I go. Through the front window of the office, I could see our big gay tridim sign plastered to a facing wall: WANTED—EXTRATERRESTRIALS! We had saturated MacTavish IV with our promotional poop for a month preceding arrival. Stuff like this: Want to visit Earth—see the Galaxy's most glittering and exclusive world? Want to draw good pay, work short hours, experience the thrills of show business on romantic Terra? If you are a non-terrestrial, there may be a place for you in the Corrigan Institute of Morphological Science. No freaks wanted—normal beings only. J. F. Corrigan will hold interviews in person on Ghryne from Thirdday to Fifthday of Tenmonth. His last visit to the Caledonia Cluster until 2937, so don't miss your chance! Hurry! A life of wonder and riches can be yours! Broadsides like that, distributed wholesale in half a thousand languages, always bring them running. And the Corrigan Institute really packs in the crowds back on Earth. Why not? It's the best of its kind, the only really decent place where Earthmen can get a gander at the other species of the universe. The office buzzer sounded. Auchinleck said unctuously, "The first applicant is ready to see you, sir." "Send him, her or it in." The door opened and a timid-looking life-form advanced toward me on nervous little legs. He was a globular creature about the size of a big basketball, yellowish-green, with two spindly double-kneed legs and five double-elbowed arms, the latter spaced regularly around his body. There was a lidless eye at the top of his head and five lidded ones, one above each arm. Plus a big, gaping, toothless mouth. His voice was a surprisingly resounding basso. "You are Mr. Corrigan?" "That's right." I reached for a data blank. "Before we begin, I'll need certain information about—" "I am a being of Regulus II," came the grave, booming reply, even before I had picked up the blank. "I need no special care and I am not a fugitive from the law of any world." "Your name?" "Lawrence R. Fitzgerald." I throttled my exclamation of surprise, concealing it behind a quick cough. "Let me have that again, please?" "Certainly. My name is Lawrence R. Fitzgerald. The 'R' stands for Raymond." "Of course, that's not the name you were born with." The being closed his eyes and toddled around in a 360-degree rotation, remaining in place. On his world, that gesture is the equivalent of an apologetic smile. "My Regulan name no longer matters. I am now and shall evermore be Lawrence R. Fitzgerald. I am a Terraphile, you see." The little Regulan was as good as hired. Only the formalities remained. "You understand our terms, Mr. Fitzgerald?" "I'll be placed on exhibition at your Institute on Earth. You'll pay for my services, transportation and expenses. I'll be required to remain on exhibit no more than one-third of each Terran sidereal day." "And the pay will be—ah—$50 Galactic a week, plus expenses and transportation." The spherical creature clapped his hands in joy, three hands clapping on one side, two on the other. "Wonderful! I will see Earth at last! I accept the terms!" I buzzed for Ludlow and gave him the fast signal that meant we were signing this alien up at half the usual pay, and Ludlow took him into the other office to sign him up. I grinned, pleased with myself. We needed a green Regulan in our show; the last one had quit four years ago. But just because we needed him didn't mean we had to be extravagant in hiring him. A Terraphile alien who goes to the extent of rechristening himself with a Terran monicker would work for nothing, or even pay us, just so long as we let him get to Earth. My conscience won't let me really exploit a being, but I don't believe in throwing money away, either. The next applicant was a beefy ursinoid from Aldebaran IX. Our outfit has all the ursinoids it needs or is likely to need in the next few decades, and so I got rid of him in a couple of minutes. He was followed by a roly-poly blue-skinned humanoid from Donovan's Planet, four feet high and five hundred pounds heavy. We already had a couple of his species in the show, but they made good crowd-pleasers, being so plump and cheerful. I passed him along to Auchinleck to sign at anything short of top rate. Next came a bedraggled Sirian spider who was more interested in a handout than a job. If there's any species we have a real over-supply of, it's those silver-colored spiders, but this seedy specimen gave it a try anyway. He got the gate in half a minute, and he didn't even get the handout he was angling for. I don't approve of begging. The flora of applicants was steady. Ghryne is in the heart of the Caledonia Cluster, where the interstellar crossroads meet. We had figured to pick up plenty of new exhibits here and we were right. It was the isolationism of the late 29th century that turned me into the successful proprietor of Corrigan's Institute, after some years as an impoverished carnival man in the Betelgeuse system. Back in 2903, the World Congress declared Terra off-bounds for non-terrestrial beings, as an offshoot of the Terra for Terrans movement. Before then, anyone could visit Earth. After the gate clanged down, a non-terrestrial could only get onto Sol III as a specimen in a scientific collection—in short, as an exhibit in a zoo. That's what the Corrigan Institute of Morphological Science really is, of course. A zoo. But we don't go out and hunt for our specimens; we advertise and they come flocking to us. Every alien wants to see Earth once in his lifetime, and there's only one way he can do it. We don't keep too big an inventory. At last count, we had 690 specimens before this trip, representing 298 different intelligent life-forms. My goal is at least one member of at least 500 different races. When I reach that, I'll sit back and let the competition catch up—if it can. After an hour of steady work that morning, we had signed eleven new specimens. At the same time, we had turned away a dozen ursinoids, fifty of the reptilian natives of Ghryne, seven Sirian spiders, and no less than nineteen chlorine-breathing Procyonites wearing gas masks. It was also my sad duty to nix a Vegan who was negotiating through a Ghrynian agent. A Vegan would be a top-flight attraction, being some 400 feet long and appropriately fearsome to the eye, but I didn't see how we could take one on. They're gentle and likable beings, but their upkeep runs into literally tons of fresh meat a day, and not just any old kind of meat either. So we had to do without the Vegan. "One more specimen before lunch," I told Stebbins, "to make it an even dozen." He looked at me queerly and nodded. A being entered. I took a long close look at the life-form when it came in, and after that I took another one. I wondered what kind of stunt was being pulled. So far as I could tell, the being was quite plainly nothing but an Earthman. He sat down facing me without being asked and crossed his legs. He was tall and extremely thin, with pale blue eyes and dirty-blond hair, and though he was clean and reasonably well dressed, he had a shabby look about him. He said, in level Terran accents, "I'm looking for a job with your outfit, Corrigan." "There's been a mistake. We're interested in non-terrestrials only." "I'm a non-terrestrial. My name is Ildwar Gorb, of the planet Wazzenazz XIII." I don't mind conning the public from time to time, but I draw the line at getting bilked myself. "Look, friend, I'm busy, and I'm not known for my sense of humor. Or my generosity." "I'm not panhandling. I'm looking for a job." "Then try elsewhere. Suppose you stop wasting my time, bud. You're as Earthborn as I am." "I've never been within a dozen parsecs of Earth," he said smoothly. "I happen to be a representative of the only Earthlike race that exists anywhere in the Galaxy but on Earth itself. Wazzenazz XIII is a small and little-known planet in the Crab Nebula. Through an evolutionary fluke, my race is identical with yours. Now, don't you want me in your circus?" "No. And it's not a circus. It's—" "A scientific institute. I stand corrected." There was something glib and appealing about this preposterous phony. I guess I recognized a kindred spirit or I would have tossed him out on his ear without another word. Instead I played along. "If you're from such a distant place, how come you speak English so well?" "I'm not speaking. I'm a telepath—not the kind that reads minds, just the kind that projects. I communicate in symbols that you translate back to colloquial speech." "Very clever, Mr. Gorb." I grinned at him and shook my head. "You spin a good yarn—but for my money, you're really Sam Jones or Phil Smith from Earth, stranded here and out of cash. You want a free trip back to Earth. No deal. The demand for beings from Wazzenazz XIII is pretty low these days. Zero, in fact. Good-by, Mr. Gorb." He pointed a finger squarely at me and said, "You're making a big mistake. I'm just what your outfit needs. A representative of a hitherto utterly unknown race identical to humanity in every respect! Look here, examine my teeth. Absolutely like human teeth! And—" I pulled away from his yawning mouth. "Good-by, Mr. Gorb," I repeated. "All I ask is a contract, Corrigan. It isn't much. I'll be a big attraction. I'll—" " Good-by, Mr. Gorb! " He glowered at me reproachfully for a moment, stood up and sauntered to the door. "I thought you were a man of acumen, Corrigan. Well, think it over. Maybe you'll regret your hastiness. I'll be back to give you another chance." He slammed the door and I let my grim expression relax into a smile. This was the best con switch yet—an Earthman posing as an alien to get a job! But I wasn't buying it, even if I could appreciate his cleverness intellectually. There's no such place as Wazzenazz XIII and there's only one human race in the Galaxy—on Earth. I was going to need some real good reason before I gave a down-and-out grifter a free ticket home. I didn't know it then, but before the day was out, I would have that reason. And, with it, plenty of trouble on my hands. The first harbinger of woe turned up after lunch in the person of a Kallerian. The Kallerian was the sixth applicant that afternoon. I had turned away three more ursinoids, hired a vegetable from Miazan, and said no to a scaly pseudo-armadillo from one of the Delta Worlds. Hardly had the 'dillo scuttled dejectedly out of my office when the Kallerian came striding in, not even waiting for Stebbins to admit him officially. He was big even for his kind—in the neighborhood of nine feet high, and getting on toward a ton. He planted himself firmly on his three stocky feet, extended his massive arms in a Kallerian greeting-gesture, and growled, "I am Vallo Heraal, Freeman of Kaller IV. You will sign me immediately to a contract." "Sit down, Freeman Heraal. I like to make my own decisions, thanks." "You will grant me a contract!" "Will you please sit down?" He said sulkily, "I will remain standing." "As you prefer." My desk has a few concealed features which are sometimes useful in dealing with belligerent or disappointed life-forms. My fingers roamed to the meshgun trigger, just in case of trouble. The Kallerian stood motionless before me. They're hairy creatures, and this one had a coarse, thick mat of blue fur completely covering his body. Two fierce eyes glimmered out through the otherwise dense blanket of fur. He was wearing the kilt, girdle and ceremonial blaster of his warlike race. I said, "You'll have to understand, Freeman Heraal, that it's not our policy to maintain more than a few members of each species at our Institute. And we're not currently in need of any Kallerian males, because—" "You will hire me or trouble I will make!" I opened our inventory chart. I showed him that we were already carrying four Kallerians, and that was more than plenty. The beady little eyes flashed like beacons in the fur. "Yes, you have four representatives—of the Clan Verdrokh! None of the Clan Gursdrinn! For three years, I have waited for a chance to avenge this insult to the noble Clan Gursdrinn!" At the key-word avenge , I readied myself to ensnarl the Kallerian in a spume of tanglemesh the instant he went for his blaster, but he didn't move. He bellowed, "I have vowed a vow, Earthman. Take me to Earth, enroll a Gursdrinn, or the consequences will be terrible!" I'm a man of principles, like all straightforward double-dealers, and one of the most important of those principles is that I never let myself be bullied by anyone. "I deeply regret having unintentionally insulted your clan, Freeman Heraal. Will you accept my apologies?" He glared at me in silence. I went on, "Please be assured that I'll undo the insult at the earliest possible opportunity. It's not feasible for us to hire another Kallerian now, but I'll give preference to the Clan Gursdrinn as soon as a vacancy—" "No. You will hire me now." "It can't be done, Freeman Heraal. We have a budget, and we stick to it." "You will rue! I will take drastic measures!" "Threats will get you nowhere, Freeman Heraal. I give you my word I'll get in touch with you as soon as our organization has room for another Kallerian. And now, please, there are many applicants waiting—" You'd think it would be sort of humiliating to become a specimen in a zoo, but most of these races take it as an honor. And there's always the chance that, by picking a given member of a race, we're insulting all the others. I nudged the trouble-button on the side of my desk and Auchinleck and Ludlow appeared simultaneously from the two doors at right and left. They surrounded the towering Kallerian and sweet-talkingly led him away. He wasn't minded to quarrel physically, or he could have knocked them both into the next city with a backhand swipe of his shaggy paw, but he kept up a growling flow of invective and threats until he was out in the hall. I mopped sweat from my forehead and began to buzz Stebbins for the next applicant. But before my finger touched the button, the door popped open and a small being came scooting in, followed by an angry Stebbins. "Come here, you!" "Stebbins?" I said gently. "I'm sorry, Mr. Corrigan. I lost sight of this one for a moment, and he came running in—" "Please, please," squeaked the little alien pitifully. "I must see you, honored sir!" "It isn't his turn in line," Stebbins protested. "There are at least fifty ahead of him." "All right," I said tiredly. "As long as he's in here already, I might as well see him. Be more careful next time, Stebbins." Stebbins nodded dolefully and backed out. The alien was a pathetic sight: a Stortulian, a squirrely-looking creature about three feet high. His fur, which should have been a lustrous black, was a dull gray, and his eyes were wet and sad. His tail drooped. His voice was little more than a faint whimper, even at full volume. "Begging your most honored pardon most humbly, important sir. I am a being of Stortul XII, having sold my last few possessions to travel to Ghryne for the miserable purpose of obtaining an interview with yourself." I said, "I'd better tell you right at the outset that we're already carrying our full complement of Stortulians. We have both a male and a female now and—" "This is known to me. The female—is her name perchance Tiress?" I glanced down at the inventory chart until I found the Stortulian entry. "Yes, that's her name." The little being immediately emitted a soul-shaking gasp. "It is she! It is she!" "I'm afraid we don't have room for any more—" "You are not in full understanding of my plight. The female Tiress, she is—was—my own Fire-sent spouse, my comfort and my warmth, my life and my love." "Funny," I said. "When we signed her three years ago, she said she was single. It's right here on the chart." "She lied! She left my burrow because she longed to see the splendors of Earth. And I am alone, bound by our sacred customs never to remarry, languishing in sadness and pining for her return. You must take me to Earth!" "But—" "I must see her—her and this disgrace-bringing lover of hers. I must reason with her. Earthman, can't you see I must appeal to her inner flame? I must bring her back! " My face was expressionless. "You don't really intend to join our organization at all—you just want free passage to Earth?" "Yes, yes!" wailed the Stortulian. "Find some other member of my race, if you must! Let me have my wife again, Earthman! Is your heart a dead lump of stone?" It isn't, but another of my principles is to refuse to be swayed by sentiment. I felt sorry for this being's domestic troubles, but I wasn't going to break up a good act just to make an alien squirrel happy—not to mention footing the transportation. I said, "I don't see how we can manage it. The laws are very strict on the subject of bringing alien life to Earth. It has to be for scientific purposes only. And if I know in advance that your purpose in coming isn't scientific, I can't in all conscience lie for you, can I?" "Well—" "Of course not." I took advantage of his pathetic upset to steam right along. "Now if you had come in here and simply asked me to sign you up, I might conceivably have done it. But no—you had to go unburden your heart to me." "I thought the truth would move you." "It did. But in effect you're now asking me to conspire in a fraudulent criminal act. Friend, I can't do it. My reputation means too much to me," I said piously. "Then you will refuse me?" "My heart melts to nothingness for you. But I can't take you to Earth." "Perhaps you will send my wife to me here?" There's a clause in every contract that allows me to jettison an unwanted specimen. All I have to do is declare it no longer of scientific interest, and the World Government will deport the undesirable alien back to its home world. But I wouldn't pull a low trick like that on our female Stortulian. I said, "I'll ask her about coming home. But I won't ship her back against her will. And maybe she's happier where she is." The Stortulian seemed to shrivel. His eyelids closed half-way to mask his tears. He turned and shambled slowly to the door, walking like a living dishrag. In a bleak voice, he said, "There is no hope then. All is lost. I will never see my soulmate again. Good day, Earthman." He spoke in a drab monotone that almost, but not quite, had me weeping. I watched him shuffle out. I do have some conscience, and I had the uneasy feeling I had just been talking to a being who was about to commit suicide on my account. About fifty more applicants were processed without a hitch. Then life started to get complicated again. Nine of the fifty were okay. The rest were unacceptable for one reason or another, and they took the bad news quietly enough. The haul for the day so far was close to two dozen new life-forms under contract. I had just about begun to forget about the incidents of the Kallerian's outraged pride and the Stortulian's flighty wife when the door opened and the Earthman who called himself Ildwar Gorb of Wazzenazz XIII stepped in. "How did you get in here?" I demanded. "Your man happened to be looking the wrong way," he said cheerily. "Change your mind about me yet?" "Get out before I have you thrown out." Gorb shrugged. "I figured you hadn't changed your mind, so I've changed my pitch a bit. If you won't believe I'm from Wazzenazz XIII, suppose I tell you that I am Earthborn, and that I'm looking for a job on your staff." "I don't care what your story is! Get out or—" "—you'll have me thrown out. Okay, okay. Just give me half a second. Corrigan, you're no fool, and neither am I—but that fellow of yours outside is . He doesn't know how to handle alien beings. How many times today has a life-form come in here unexpectedly?" I scowled at him. "Too damn many." "You see? He's incompetent. Suppose you fire him, take me on instead. I've been living in the outworlds half my life; I know all there is to know about alien life-forms. You can use me, Corrigan." I took a deep breath and glanced all around the paneled ceiling of the office before I spoke. "Listen, Gorb, or whatever your name is, I've had a hard day. There's been a Kallerian in here who just about threatened murder, and there's been a Stortulian in here who's about to commit suicide because of me. I have a conscience and it's troubling me. But get this: I just want to finish off my recruiting, pack up and go home to Earth. I don't want you hanging around here bothering me. I'm not looking to hire new staff members, and if you switch back to claiming you're an unknown life-form from Wazzenazz XIII, the answer is that I'm not looking for any of those either. Now will you scram or—" The office door crashed open at that point and Heraal, the Kallerian, came thundering in. He was dressed from head to toe in glittering metalfoil, and instead of his ceremonial blaster, he was wielding a sword the length of a human being. Stebbins and Auchinleck came dragging helplessly along in his wake, hanging desperately to his belt. "Sorry, Chief," Stebbins gasped. "I tried to keep him out, but—" Heraal, who had planted himself in front of my desk, drowned him out with a roar. "Earthman, you have mortally insulted the Clan Gursdrinn!" Sitting with my hands poised near the meshgun trigger, I was ready to let him have it at the first sight of actual violence. Heraal boomed, "You are responsible for what is to happen now. I have notified the authorities and you prosecuted will be for causing the death of a life-form! Suffer, Earthborn ape! Suffer!" "Watch it, Chief," Stebbins yelled. "He's going to—" An instant before my numb fingers could tighten on the meshgun trigger, Heraal swung that huge sword through the air and plunged it savagely through his body. He toppled forward onto the carpet with the sword projecting a couple of feet out of his back. A few driblets of bluish-purple blood spread from beneath him. Before I could react to the big life-form's hara-kiri, the office door flew open again and three sleek reptilian beings entered, garbed in the green sashes of the local police force. Their golden eyes goggled down at the figure on the floor, then came to rest on me. "You are J. F. Corrigan?" the leader asked. "Y-yes." "We have received word of a complaint against you. Said complaint being—" "—that your unethical actions have directly contributed to the untimely death of an intelligent life-form," filled in the second of the Ghrynian policemen. "The evidence lies before us," intoned the leader, "in the cadaver of the unfortunate Kallerian who filed the complaint with us several minutes ago." "And therefore," said the third lizard, "it is our duty to arrest you for this crime and declare you subject to a fine of no less than $100,000 Galactic or two years in prison." "Hold on!" I stormed. "You mean that any being from anywhere in the Universe can come in here and gut himself on my carpet, and I'm responsible?" "This is the law. Do you deny that your stubborn refusal to yield to this late life-form's request lies at the root of his sad demise?" "Well, no, but—" "Failure to deny is admission of guilt. You are guilty, Earthman." Closing my eyes wearily, I tried to wish the whole babbling lot of them away. If I had to, I could pony up the hundred-grand fine, but it was going to put an awful dent in this year's take. And I shuddered when I remembered that any minute that scrawny little Stortulian was likely to come bursting in here to kill himself too. Was it a fine of $100,000 per suicide? At that rate, I could be out of business by nightfall. I was spared further such morbid thoughts by yet another unannounced arrival. The small figure of the Stortulian trudged through the open doorway and stationed itself limply near the threshold. The three Ghrynian policemen and my three assistants forgot the dead Kallerian for a moment and turned to eye the newcomer. I had visions of unending troubles with the law here on Ghryne. I resolved never to come here on a recruiting trip again—or, if I did come, to figure out some more effective way of screening myself against crackpots. In heart-rending tones, the Stortulian declared, "Life is no longer worth living. My last hope is gone. There is only one thing left for me to do." I was quivering at the thought of another hundred thousand smackers going down the drain. "Stop him, somebody! He's going to kill himself! He's—" Then somebody sprinted toward me, hit me amidships, and knocked me flying out from behind my desk before I had a chance to fire the meshgun. My head walloped the floor, and for five or six seconds, I guess I wasn't fully aware of what was going on. Gradually the scene took shape around me. There was a monstrous hole in the wall behind my desk; a smoking blaster lay on the floor, and I saw the three Ghrynian policemen sitting on the raving Stortulian. The man who called himself Ildwar Gorb was getting to his feet and dusting himself off. He helped me up. "Sorry to have had to tackle you, Corrigan. But that Stortulian wasn't here to commit suicide, you see. He was out to get you." I weaved dizzily toward my desk and dropped into my chair. A flying fragment of wall had deflated my pneumatic cushion. The smell of ashed plaster was everywhere. The police were effectively cocooning the struggling little alien in an unbreakable tanglemesh. "Evidently you don't know as much as you think you do about Stortulian psychology, Corrigan," Gorb said lightly. "Suicide is completely abhorrent to them. When they're troubled, they kill the person who caused their trouble. In this case, you." I began to chuckle—more of a tension-relieving snicker than a full-bodied laugh. "Funny," I said. "What is?" asked the self-styled Wazzenazzian. "These aliens. Big blustery Heraal came in with murder in his eye and killed himself , and the pint-sized Stortulian who looked so meek and pathetic damn near blew my head off." I shuddered. "Thanks for the tackle job." "Don't mention it," Gorb said. I glared at the Ghrynian police. "Well? What are you waiting for? Take that murderous little beast out of here! Or isn't murder against the local laws?" "The Stortulian will be duly punished," replied the leader of the Ghrynian cops calmly. "But there is the matter of the dead Kallerian and the fine of—" "—one hundred thousand dollars. I know." I groaned and turned to Stebbins. "Get the Terran Consulate on the phone, Stebbins. Have them send down a legal adviser. Find out if there's any way we can get out of this mess with our skins intact." "Right, Chief." Stebbins moved toward the visiphone. Gorb stepped forward and put a hand on his chest. "Hold it," the Wazzenazzian said crisply. "The Consulate can't help you. I can." "You?" I said. "I can get you out of this cheap." " How cheap?" Gorb grinned rakishly. "Five thousand in cash plus a contract as a specimen with your outfit. In advance, of course. That's a heck of a lot better than forking over a hundred grand, isn't it?" I eyed Gorb uncertainly. The Terran Consulate people probably wouldn't be much help; they tried to keep out of local squabbles unless they were really serious, and I knew from past experiences that no officials ever worried much about the state of my pocketbook. On the other hand, giving this slyster a contract might be a risky proposition. "Tell you what," I said finally. "You've got yourself a deal—but on a contingency basis. Get me out of this and you'll have five grand and the contract. Otherwise, nothing." Gorb shrugged. "What have I to lose?"
train	50988	[ "What is something that isn't true about the man who saved Gabe?", "What is the likeliest reason that Helen married Gabe?", "What didn't this \"bodyguard\" do for Gabe?", "What is foliage?", "How does Helen feel about her husband?", "Why does Gabe travel to seedy places?", "How are Helen and Gabriel Lockhard similar?", "What would be the worst thing for Helen to do next?", "How do you win at zarquil?" ]	[ [ "he's married to the light-haired girl", "he regrets his past choices", "he used to be Gabe", "he plays a dangerous game" ], [ "it was part of the game they're playing", "she knew the real him ", "he was kind to her for a long time", "he is good-looking and wealthy" ], [ "tell his wife the truth", "pulled him out of a helicopter crash", "chase him across multiple planets", "stop him from being beaten up" ], [ "a person's ticket into zarquil", "a transportation pass", "the leaves on trees", "the local currency" ], [ "he treats her well, but she's just not in love with him", "she misses the way he used to be", "she wishes she'd never met him", "she's in love with his true self" ], [ "so he can play more zarquil", "he thinks he can escape from his \"bodyguard\"", "it's what his wife is comfortable with", "it's the only places he can afford" ], [ "they both despise Gabe", "they are both running away from something", "they both seek revenge", "they both regret playing zarquil" ], [ "divorce her husband", "try to find the real Gabriel Lockhard", "continue living her life with her husband", "play zarquil" ], [ "there is no such thing as winning zarquil", "by finding your body and getting back to it", "by defeating other participants", "by being a better person after playing" ] ]	[ 1, 4, 1, 4, 3, 2, 1, 3, 1 ]	[ 1, 1, 0, 0, 1, 1, 1, 1, 1 ]	Bodyguard By CHRISTOPHER GRIMM Illustrated by CAVAT [Transcriber's Note: This etext was produced from Galaxy Science Fiction February 1956. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] When overwhelming danger is constantly present,of course a man is entitled to have a bodyguard. The annoyance was that he had to do it himself ... and his body would not cooperate! The man at the bar was exceptionally handsome, and he knew it. So did the light-haired girl at his side, and so did the nondescript man in the gray suit who was watching them from a booth in the corner. Everyone in the room was aware of the big young man, and most of the humans present were resentful, for he handled himself consciously and arrogantly, as if his appearance alone were enough to make him superior to anyone. Even the girl with him was growing restless, for she was accustomed to adulation herself, and next to Gabriel Lockard she was almost ordinary-looking. As for the extraterrestrials—it was a free bar—they were merely amused, since to them all men were pathetically and irredeemably hideous. Gabe threw his arm wide in one of his expansive gestures. There was a short man standing next to the pair—young, as most men and women were in that time, thanks to the science which could stave off decay, though not death—but with no other apparent physical virtue, for plastic surgery had not fulfilled its bright promise of the twentieth century. The drink he had been raising to his lips splashed all over his clothing; the glass shattered at his feet. Now he was not only a rather ugly little man, but also a rather ridiculous one—or at least he felt he was, which was what mattered. "Sorry, colleague," Gabe said lazily. "All my fault. You must let me buy you a replacement." He gestured to the bartender. "Another of the same for my fellow-man here." The ugly man dabbed futilely at his dripping trousers with a cloth hastily supplied by the management. "You must allow me to pay your cleaning bill," Gabe said, taking out his wallet and extracting several credit notes without seeming to look at them. "Here, have yourself a new suit on me." You could use one was implied. And that, coming on top of Gabriel Lockard's spectacular appearance, was too much. The ugly man picked up the drink the bartender had just set before him and started to hurl it, glass and all, into Lockard's handsome face. Suddenly a restraining hand was laid upon his arm. "Don't do that," the nondescript man who had been sitting in the corner advised. He removed the glass from the little man's slackening grasp. "You wouldn't want to go to jail because of him." The ugly man gave him a bewildered stare. Then, seeing the forces now ranged against him—including his own belated prudence—were too strong, he stumbled off. He hadn't really wanted to fight, only to smash back, and now it was too late for that. Gabe studied the newcomer curiously. "So, it's you again?" The man in the gray suit smiled. "Who else in any world would stand up for you?" "I should think you'd have given up by now. Not that I mind having you around, of course," Gabriel added too quickly. "You do come in useful at times, you know." "So you don't mind having me around?" The nondescript man smiled again. "Then what are you running from, if not me? You can't be running from yourself—you lost yourself a while back, remember?" Gabe ran a hand through his thick blond hair. "Come on, have a drink with me, fellow-man, and let's let bygones be bygones. I owe you something—I admit that. Maybe we can even work this thing out." "I drank with you once too often," the nondescript man said. "And things worked out fine, didn't they? For you." His eyes studied the other man's incredibly handsome young face, noted the suggestion of bags under the eyes, the beginning of slackness at the lips, and were not pleased with what they saw. "Watch yourself, colleague," he warned as he left. "Soon you might not be worth the saving." "Who was that, Gabe?" the girl asked. He shrugged. "I never saw him before in my life." Of course, knowing him, she assumed he was lying, but, as a matter of fact, just then he happened to have been telling the truth. Once the illuminators were extinguished in Gabriel Lockard's hotel suite, it seemed reasonably certain to the man in the gray suit, as he watched from the street, that his quarry would not go out again that night. So he went to the nearest airstation. There he inserted a coin in a locker, into which he put most of his personal possessions, reserving only a sum of money. After setting the locker to respond to the letter combination bodyguard , he went out into the street. If he had met with a fatal accident at that point, there would have been nothing on his body to identify him. As a matter of fact, no real identification was possible, for he was no one and had been no one for years. The nondescript man hailed a cruising helicab. "Where to, fellow-man?" the driver asked. "I'm new in the parish," the other man replied and let it hang there. "Oh...? Females...? Narcophagi...? Thrill-mills?" But to each of these questions the nondescript man shook his head. "Games?" the driver finally asked, although he could guess what was wanted by then. "Dice...? Roulette...? Farjeen?" "Is there a good zarquil game in town?" The driver moved so he could see the face of the man behind him in the teleview. A very ordinary face. "Look, colleague, why don't you commit suicide? It's cleaner and quicker." "I can't contact your attitude," the passenger said with a thin smile. "Bet you've never tried the game yourself. Each time it happens, there's a ... well, there's no experience to match it at a thrill-mill." He gave a sigh that was almost an audible shudder, and which the driver misinterpreted as an expression of ecstasy. "Each time, eh? You're a dutchman then?" The driver spat out of the window. "If it wasn't for the nibble, I'd throw you right out of the cab. Without even bothering to take it down even. I hate dutchmen ... anybody with any legitimate feelings hates 'em." "But it would be silly to let personal prejudice stand in the way of a commission, wouldn't it?" the other man asked coolly. "Of course. You'll need plenty of foliage, though." "I have sufficient funds. I also have a gun." "You're the dictator," the driver agreed sullenly. II It was a dark and rainy night in early fall. Gabe Lockard was in no condition to drive the helicar. However, he was stubborn. "Let me take the controls, honey," the light-haired girl urged, but he shook his handsome head. "Show you I can do something 'sides look pretty," he said thickly, referring to an earlier and not amicable conversation they had held, and of which she still bore the reminder on one thickly made-up cheek. Fortunately the car was flying low, contrary to regulations, so that when they smashed into the beacon tower on the outskirts of the little town, they didn't have far to fall. And hardly had their car crashed on the ground when the car that had been following them landed, and a short fat man was puffing toward them through the mist. To the girl's indignation, the stranger not only hauled Gabe out onto the dripping grass first, but stopped and deliberately examined the young man by the light of his minilume, almost as if she weren't there at all. Only when she started to struggle out by herself did he seem to remember her existence. He pulled her away from the wreck just a moment before the fuel tank exploded and the 'copter went up in flames. Gabe opened his eyes and saw the fat man gazing down at him speculatively. "My guardian angel," he mumbled—shock had sobered him a little, but not enough. He sat up. "Guess I'm not hurt or you'd have thrown me back in." "And that's no joke," the fat man agreed. The girl shivered and at that moment Gabriel suddenly seemed to recall that he had not been alone. "How about Helen? She on course?" "Seems to be," the fat man said. "You all right, miss?" he asked, glancing toward the girl without, she thought, much apparent concern. " Mrs. ," Gabriel corrected. "Allow me to introduce you to Mrs. Gabriel Lockard," he said, bowing from his seated position toward the girl. "Pretty bauble, isn't she?" "I'm delighted to meet you, Mrs. Gabriel Lockard," the fat man said, looking at her intently. His small eyes seemed to strip the make-up from her cheek and examine the livid bruise underneath. "I hope you'll be worthy of the name." The light given off by the flaming car flickered on his face and Gabriel's and, she supposed, hers too. Otherwise, darkness surrounded the three of them. There were no public illuminators this far out—even in town the lights were dimming and not being replaced fast enough nor by the newer models. The town, the civilization, the planet all were old and beginning to slide downhill.... Gabe gave a short laugh, for no reason that she could see. There was the feeling that she had encountered the fat man before, which was, of course, absurd. She had an excellent memory for faces and his was not included in her gallery. The girl pulled her thin jacket closer about her chilly body. "Aren't you going to introduce your—your friend to me, Gabe?" "I don't know who he is," Gabe said almost merrily, "except that he's no friend of mine. Do you have a name, stranger?" "Of course I have a name." The fat man extracted an identification card from his wallet and read it. "Says here I'm Dominic Bianchi, and Dominic Bianchi is a retail milgot dealer.... Only he isn't a retail milgot dealer any more; the poor fellow went bankrupt a couple of weeks ago, and now he isn't ... anything." "You saved our lives," the girl said. "I'd like to give you some token of my—of our appreciation." Her hand reached toward her credit-carrier with deliberate insult. He might have saved her life, but only casually, as a by-product of some larger scheme, and her appreciation held little gratitude. The fat man shook his head without rancor. "I have plenty of money, thank you, Mrs. Gabriel Lockard.... Come," he addressed her husband, "if you get up, I'll drive you home. I warn you, be more careful in the future! Sometimes," he added musingly, "I almost wish you would let something happen. Then my problem would not be any problem, would it?" Gabriel shivered. "I'll be careful," he vowed. "I promise—I'll be careful." When he was sure that his charge was safely tucked in for the night, the fat man checked his personal possessions. He then requested a taxi driver to take him to the nearest zarquil game. The driver accepted the commission phlegmatically. Perhaps he was more hardened than the others had been; perhaps he was unaware that the fat man was not a desperate or despairing individual seeking one last chance, but what was known colloquially as a flying dutchman, a man, or woman, who went from one zarquil game to another, loving the thrill of the sport, if you could call it that, for its own sake, and not for the futile hope it extended and which was its sole shred of claim to moral justification. Perhaps—and this was the most likely hypothesis—he just didn't care. Zarquil was extremely illegal, of course—so much so that there were many legitimate citizens who weren't quite sure just what the word implied, knowing merely that it was one of those nameless horrors so deliciously hinted at by the fax sheets under the generic term of "crimes against nature." Actually the phrase was more appropriate to zarquil than to most of the other activities to which it was commonly applied. And this was one crime—for it was crime in law as well as nature—in which victim had to be considered as guilty as perpetrator; otherwise the whole legal structure of society would collapse. Playing the game was fabulously expensive; it had to be to make it profitable for the Vinzz to run it. Those odd creatures from Altair's seventh planet cared nothing for the welfare of the completely alien human beings; all they wanted was to feather their own pockets with interstellar credits, so that they could return to Vinau and buy many slaves. For, on Vinau, bodies were of little account, and so to them zarquil was the equivalent of the terrestrial game musical chairs. Which was why they came to Terra to make profits—there has never been big money in musical chairs as such. When the zarquil operators were apprehended, which was not frequent—as they had strange powers, which, not being definable, were beyond the law—they suffered their sentences with equanimity. No Earth court could give an effective prison sentence to a creature whose life spanned approximately two thousand terrestrial years. And capital punishment had become obsolete on Terra, which very possibly saved the terrestrials embarrassment, for it was not certain that their weapons could kill the Vinzz ... or whether, in fact, the Vinzz merely expired after a period of years out of sheer boredom. Fortunately, because trade was more profitable than war, there had always been peace between Vinau and Terra, and, for that reason, Terra could not bar the entrance of apparently respectable citizens of a friendly planet. The taxi driver took the fat man to one of the rather seedy locales in which the zarquil games were usually found, for the Vinzz attempted to conduct their operations with as much unobtrusiveness as was possible. But the front door swung open on an interior that lacked the opulence of the usual Vinoz set-up; it was down-right shabby, the dim olive light hinting of squalor rather than forbidden pleasures. That was the trouble in these smaller towns—you ran greater risks of getting involved in games where the players had not been carefully screened. The Vinoz games were usually clean, because that paid off better, but, when profits were lacking, the Vinzz were capable of sliding off into darkside practices. Naturally the small-town houses were more likely to have trouble in making ends meet, because everybody in the parish knew everybody else far too well. The fat man wondered whether that had been his quarry's motive in coming to such desolate, off-trail places—hoping that eventually disaster would hit the one who pursued him. Somehow, such a plan seemed too logical for the man he was haunting. However, beggars could not be choosers. The fat man paid off the heli-driver and entered the zarquil house. "One?" the small green creature in the slightly frayed robe asked. "One," the fat man answered. III The would-be thief fled down the dark alley, with the hot bright rays from the stranger's gun lancing out after him in flamboyant but futile patterns. The stranger, a thin young man with delicate, angular features, made no attempt to follow. Instead, he bent over to examine Gabriel Lockard's form, appropriately outstretched in the gutter. "Only weighted out," he muttered, "he'll be all right. Whatever possessed you two to come out to a place like this?" "I really think Gabriel must be possessed...." the girl said, mostly to herself. "I had no idea of the kind of place it was going to be until he brought me here. The others were bad, but this is even worse. It almost seems as if he went around looking for trouble, doesn't it?" "It does indeed," the stranger agreed, coughing a little. It was growing colder and, on this world, the cities had no domes to protect them from the climate, because it was Earth and the air was breathable and it wasn't worth the trouble of fixing up. The girl looked closely at him. "You look different, but you are the same man who pulled us out of that aircar crash, aren't you? And before that the man in the gray suit? And before that...?" The young man's cheekbones protruded as he smiled. "Yes, I'm all of them." "Then what they say about the zarquil games is true? There are people who go around changing their bodies like—like hats?" Automatically she reached to adjust the expensive bit of blue synthetic on her moon-pale hair, for she was always conscious of her appearance; if she had not been so before marriage, Gabriel would have taught her that. He smiled again, but coughed instead of speaking. "But why do you do it? Why! Do you like it? Or is it because of Gabriel?" She was growing a little frantic; there was menace here and she could not understand it nor determine whether or not she was included in its scope. "Do you want to keep him from recognizing you; is that it?" "Ask him." "He won't tell me; he never tells me anything. We just keep running. I didn't recognize it as running at first, but now I realize that's what we've been doing ever since we were married. And running from you, I think?" There was no change of expression on the man's gaunt face, and she wondered how much control he had over a body that, though second- or third- or fourth-hand, must be new to him. How well could he make it respond? What was it like to step into another person's casing? But she must not let herself think that way or she would find herself looking for a zarquil game. It would be one way of escaping Gabriel, but not, she thought, the best way; her body was much too good a one to risk so casually. It was beginning to snow. Light, feathery flakes drifted down on her husband's immobile body. She pulled her thick coat—of fur taken from some animal who had lived and died light-years away—more closely about herself. The thin young man began to cough again. Overhead a tiny star seemed to detach itself from the pale flat disk of the Moon and hurl itself upward—one of the interstellar ships embarking on its long voyage to distant suns. She wished that somehow she could be on it, but she was here, on this solitary old world in a barren solar system, with her unconscious husband and a strange man who followed them, and it looked as if here she would stay ... all three of them would stay.... "If you're after Gabriel, planning to hurt him," she asked, "why then do you keep helping him?" "I am not helping him . And he knows that." "You'll change again tonight, won't you?" she babbled. "You always change after you ... meet us? I think I'm beginning to be able to identify you now, even when you're ... wearing a new body; there's something about you that doesn't change." "Too bad he got married," the young man said. "I could have followed him for an eternity and he would never have been able to pick me out from the crowd. Too bad he got married anyway," he added, his voice less impersonal, "for your sake." She had come to the same conclusion in her six months of marriage, but she would not admit that to an outsider. Though this man was hardly an outsider; he was part of their small family group—as long as she had known Gabriel, so long he must have known her. And she began to suspect that he was even more closely involved than that. "Why must you change again?" she persisted, obliquely approaching the subject she feared. "You have a pretty good body there. Why run the risk of getting a bad one?" "This isn't a good body," he said. "It's diseased. Sure, nobody's supposed to play the game who hasn't passed a thorough medical examination. But in the places to which your husband has been leading me, they're often not too particular, as long as the player has plenty of foliage." "How—long will it last you?" "Four or five months, if I'm careful." He smiled. "But don't worry, if that's what you're doing; I'll get it passed on before then. It'll be expensive—that's all. Bad landing for the guy who gets it, but then it was tough on me too, wasn't it?" "But how did you get into this ... pursuit?" she asked again. "And why are you doing it?" People didn't have any traffic with Gabriel Lockard for fun, not after they got to know him. And this man certainly should know him better than most. "Ask your husband." The original Gabriel Lockard looked down at the prostrate, snow-powdered figure of the man who had stolen his body and his name, and stirred it with his toe. "I'd better call a cab—he might freeze to death." He signaled and a cab came. "Tell him, when he comes to," he said to the girl as he and the driver lifted the heavy form of her husband into the helicar, "that I'm getting pretty tired of this." He stopped for a long spell of coughing. "Tell him that sometimes I wonder whether cutting off my nose wouldn't, in the long run, be most beneficial for my face." "Sorry," the Vinzz said impersonally, in English that was perfect except for the slight dampening of the sibilants, "but I'm afraid you cannot play." "Why not?" The emaciated young man began to put on his clothes. "You know why. Your body is worthless. And this is a reputable house." "But I have plenty of money." The young man coughed. The Vinzz shrugged. "I'll pay you twice the regular fee." The green one shook his head. "Regrettably, I do mean what I say. This game is really clean." "In a town like this?" "That is the reason we can afford to be honest." The Vinzz' tendrils quivered in what the man had come to recognize as amusement through long, but necessarily superficial acquaintance with the Vinzz. His heavy robe of what looked like moss-green velvet, but might have been velvet-green moss, encrusted with oddly faceted alien jewels, swung with him. "We do a lot of business here," he said unnecessarily, for the whole set-up spelled wealth far beyond the dreams of the man, and he was by no means poor when it came to worldly goods. "Why don't you try another town where they're not so particular?" The young man smiled wryly. Just his luck to stumble on a sunny game. He never liked to risk following his quarry in the same configuration. And even though only the girl had actually seen him this time, he wouldn't feel at ease until he had made the usual body-shift. Was he changing because of Gabriel, he wondered, or was he using his own discoverment and identification simply as an excuse to cover the fact that none of the bodies that fell to his lot ever seemed to fit him? Was he activated solely by revenge or as much by the hope that in the hazards of the game he might, impossible though it now seemed, some day win another body that approached perfection as nearly as his original casing had? He didn't know. However, there seemed to be no help for it now; he would have to wait until they reached the next town, unless the girl, seeing him reappear in the same guise, would guess what had happened and tell her husband. He himself had been a fool to admit to her that the hulk he inhabited was a sick one; he still couldn't understand how he could so casually have entrusted her with so vital a piece of information. The Vinzz had been locking antennae with another of his kind. Now they detached, and the first approached the man once more. "There is, as it happens, a body available for a private game," he lisped. "No questions to be asked or answered. All I can tell you is that it is in good health." The man hesitated. "But unable to pass the screening?" he murmured aloud. "A criminal then." The green one's face—if you could call it a face—remained impassive. "Male?" "Of course," the Vinzz said primly. His kind did have certain ultimate standards to which they adhered rigidly, and one of those was the curious tabu against mixed games, strictly enforced even though it kept them from tapping a vast source of potential players. There had also never been a recorded instance of humans and extraterrestrials exchanging identities, but whether that was the result of tabu or biological impossibility, no one could tell. It might merely be prudence on the Vinzz' part—if it had ever been proved that an alien life-form had "desecrated" a human body, Earthmen would clamor for war ... for on this planet humanity held its self-bestowed purity of birthright dear—and the Vinzz, despite being unquestionably the stronger, were pragmatic pacifists. It had been undoubtedly some rabid member of the anti-alien groups active on Terra who had started the rumor that the planetary slogan of Vinau was, "Don't beat 'em; cheat 'em." "It would have to be something pretty nuclear for the other guy to take such a risk." The man rubbed his chin thoughtfully. "How much?" "Thirty thousand credits." "Why, that's three times the usual rate!" "The other will pay five times the usual rate." "Oh, all right," the delicate young man gave in. It was a terrific risk he was agreeing to take, because, if the other was a criminal, he himself would, upon assuming the body, assume responsibility for all the crimes it had committed. But there was nothing else he could do. He looked at himself in the mirror and found he had a fine new body; tall and strikingly handsome in a dark, coarse-featured way. Nothing to match the one he had lost, in his opinion, but there were probably many people who might find this one preferable. No identification in the pockets, but it wasn't necessary; he recognized the face. Not that it was a very famous or even notorious one, but the dutchman was a careful student of the "wanted" fax that had decorated public buildings from time immemorial, for he was ever mindful of the possibility that he might one day find himself trapped unwittingly in the body of one of the men depicted there. And he knew that this particular man, though not an important criminal in any sense of the word, was one whom the police had been ordered to burn on sight. The abolishing of capital punishment could not abolish the necessity for self-defense, and the man in question was not one who would let himself be captured easily, nor whom the police intended to capture easily. This might be a lucky break for me after all , the new tenant thought, as he tried to adjust himself to the body. It, too, despite its obvious rude health, was not a very comfortable fit. I can do a lot with a hulk like this. And maybe I'm cleverer than the original owner; maybe I'll be able to get away with it. IV "Look, Gabe," the girl said, "don't try to fool me! I know you too well. And I know you have that man's—the real Gabriel Lockard's—body." She put unnecessary stardust on her nose as she watched her husband's reflection in the dressing table mirror. Lockard—Lockard's body, at any rate—sat up and felt his unshaven chin. "That what he tell you?" "No, he didn't tell me anything really—just suggested I ask you whatever I want to know. But why else should he guard somebody he obviously hates the way he hates you? Only because he doesn't want to see his body spoiled." "It is a pretty good body, isn't it?" Gabe flexed softening muscles and made no attempt to deny her charge; very probably he was relieved at having someone with whom to share his secret. "Not as good as it must have been," the girl said, turning and looking at him without admiration. "Not if you keep on the way you're coursing. Gabe, why don't you...?" "Give it back to him, eh?" Lockard regarded his wife appraisingly. "You'd like that, wouldn't you? You'd be his wife then. That would be nice—a sound mind in a sound body. But don't you think that's a little more than you deserve?" "I wasn't thinking about that, Gabe," she said truthfully enough, for she hadn't followed the idea to its logical conclusion. "Of course I'd go with you," she went on, now knowing she lied, "when you got your ... old body back." Sure , she thought, I'd keep going with you to farjeen houses and thrill-mills. Actually she had accompanied him to a thrill-mill only once, and from then on, despite all his threats, she had refused to go with him again. But that once had been enough; nothing could ever wash that experience from her mind or her body. "You wouldn't be able to get your old body back, though, would you?" she went on. "You don't know where it's gone, and neither, I suppose, does he?" "I don't want to know!" he spat. "I wouldn't want it if I could get it back. Whoever it adhered to probably killed himself as soon as he looked in a mirror." He swung long legs over the side of his bed. "Christ, anything would be better than that! You can't imagine what a hulk I had!" "Oh, yes, I can," she said incautiously. "You must have had a body to match your character. Pity you could only change one."
train	51046	[ "What isn't something the guest expects the younger man to do?", "What don't they know about the time machine?", "Which item doesn't get mentioned while they're in the year 2150?", "Which word doesn't describe the security guard?", "Which isn't a feeling that the older man expects of the younger man?", "Which isn't something the guard did?", "Which word doesn't describe the people of this futuristic city?", "What does the older man plan to do after this event?", "Why does the older man know so much?", "What does the older man know the younger man will do?" ]	[ [ "steal something from a museum", "take credit for an invention from the future", "run the time machine", "listen to his directions very carefully" ], [ "who invented it", "what the third set of buttons do", "where it gets stored when not in use", "how to make it go back and forth in time" ], [ "flying vehicles", "diamond makers", "an elevator that you can't feel move", "a modified English language" ], [ "knowledgeable", "friendly", "curious", "helpful" ], [ "anger", "worry", "confusion", "surprise" ], [ "help him carry the atomic generator to the time machine", "help him find the atomic generator", "hand him the patent and other helpful information", "give him time to take it out of the building" ], [ "helpful", "oblivious", "happy", "busy" ], [ "retire ", "grow his company and make more money", "go to another dimension", "travel back in time again" ], [ "he was the original inventor", "he was in the same situation 30 years ago", "because he had a kid just like this man", "he's seen it happen by repeatedly travelling in time " ], [ "exactly as he's been told", "invent the next great invention", "change the future", "fight with him and try not to go" ] ]	[ 4, 1, 1, 3, 1, 1, 4, 1, 2, 1 ]	[ 1, 0, 0, 0, 1, 0, 1, 1, 1, 1 ]	... and it comes out here By LESTER DEL REY Illustrated by DON SIBLEY [Transcriber's Note: This etext was produced from Galaxy Science Fiction February 1951. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] There is one fact no sane man can quarrel with ... everything has a beginning and an end. But some men aren't sane; thus it isn't always so! No, you're wrong. I'm not your father's ghost, even if I do look a bit like him. But it's a longish story, and you might as well let me in. You will, you know, so why quibble about it? At least, you always have ... or do ... or will. I don't know, verbs get all mixed up. We don't have the right attitude toward tenses for a situation like this. Anyhow, you'll let me in. I did, so you will. Thanks. You think you're crazy, of course, but you'll find out you aren't. It's just that things are a bit confused. And don't look at the machine out there too long—until you get used to it, you'll find it's hard on the eyes, trying to follow where the vanes go. You'll get used to it, of course, but it will take about thirty years. You're wondering whether to give me a drink, as I remember it. Why not? And naturally, since we have the same tastes, you can make the same for me as you're having. Of course we have the same tastes—we're the same person. I'm you thirty years from now, or you're me. I remember just how you feel; I felt the same way when he—that is, of course, I or we—came back to tell me about it, thirty years ago. Here, have one of these. You'll get to like them in a couple more years. And you can look at the revenue stamp date, if you still doubt my story. You'll believe it eventually, though, so it doesn't matter. Right now, you're shocked. It's a real wrench when a man meets himself for the first time. Some kind of telepathy seems to work between two of the same people. You sense things. So I'll simply go ahead talking for half an hour or so, until you get over it. After that you'll come along with me. You know, I could try to change things around by telling what happened to me; but he—I—told me what I was going to do, so I might as well do the same. I probably couldn't help telling you the same thing in the same words, even if I tried—and I don't intend to try. I've gotten past that stage in worrying about all this. So let's begin when you get up in half an hour and come out with me. You'll take a closer look at the machine, then. Yes, it'll be pretty obvious it must be a time machine. You'll sense that, too. You've seen it, just a small little cage with two seats, a luggage compartment, and a few buttons on a dash. You'll be puzzling over what I'll tell you, and you'll be getting used to the idea that you are the man who makes atomic power practical. Jerome Boell, just a plain engineer, the man who put atomic power in every home. You won't exactly believe it, but you'll want to go along. I'll be tired of talking by then, and in a hurry to get going. So I cut off your questions, and get you inside. I snap on a green button, and everything seems to cut off around us. You can see a sort of foggy nothing surrounding the cockpit; it is probably the field that prevents passage through time from affecting us. The luggage section isn't protected, though. You start to say something, but by then I'm pressing a black button, and everything outside will disappear. You look for your house, but it isn't there. There is exactly nothing there—in fact, there is no there . You are completely outside of time and space, as best you can guess how things are. You can't feel any motion, of course. You try to reach a hand out through the field into the nothing around you and your hand goes out, all right, but nothing happens. Where the screen ends, your hand just turns over and pokes back at you. Doesn't hurt, and when you pull your arm back, you're still sound and uninjured. But it looks frightening and you don't try it again. Then it comes to you slowly that you're actually traveling in time. You turn to me, getting used to the idea. "So this is the fourth dimension?" you ask. Then you feel silly, because you'll remember that I said you'd ask that. Well, I asked it after I was told, then I came back and told it to you, and I still can't help answering when you speak. "Not exactly," I try to explain. "Maybe it's no dimension—or it might be the fifth; if you're going to skip over the so-called fourth without traveling along it, you'd need a fifth. Don't ask me. I didn't invent the machine and I don't understand it." "But...." I let it go, and so do you. If you don't, it's a good way of going crazy. You'll see later why I couldn't have invented the machine. Of course, there may have been a start for all this once. There may have been a time when you did invent the machine—the atomic motor first, then the time-machine. And when you closed the loop by going back and saving yourself the trouble, it got all tangled up. I figured out once that such a universe would need some seven or eight time and space dimensions. It's simpler just to figure that this is the way time got bent back on itself. Maybe there is no machine, and it's just easier for us to imagine it. When you spend thirty years thinking about it, as I did—and you will—you get further and further from an answer. Anyhow, you sit there, watching nothing all around you, and no time, apparently, though there is a time effect back in the luggage space. You look at your watch and it's still running. That means you either carry a small time field with you, or you are catching a small increment of time from the main field. I don't know, and you won't think about that then, either. I'm smoking, and so are you, and the air in the machine is getting a bit stale. You suddenly realize that everything in the machine is wide open, yet you haven't seen any effects of air loss. "Where are we getting our air?" you ask. "Or why don't we lose it?" "No place for it to go," I explain. There isn't. Out there is neither time nor space, apparently. How could the air leak out? You still feel gravity, but I can't explain that, either. Maybe the machine has a gravity field built in, or maybe the time that makes your watch run is responsible for gravity. In spite of Einstein, you have always had the idea that time is an effect of gravity, and I sort of agree, still. Then the machine stops—at least, the field around us cuts off. You feel a dankish sort of air replace the stale air, and you breathe easier, though we're in complete darkness, except for the weak light in the machine, which always burns, and a few feet of rough dirty cement floor around. You take another cigaret from me and you get out of the machine, just as I do. I've got a bundle of clothes and I start changing. It's a sort of simple, short-limbed, one-piece affair I put on, but it feels comfortable. "I'm staying here," I tell you. "This is like the things they wear in this century, as near as I can remember it, and I should be able to pass fairly well. I've had all my fortune—the one you make on that atomic generator—invested in such a way I can get it on using some identification I've got with me, so I'll do all right. I know they still use some kind of money, you'll see evidence of that. And it's a pretty easygoing civilization, from what I could see. We'll go up and I'll leave you. I like the looks of things here, so I won't be coming back with you." You nod, remembering I've told you about it. "What century is this, anyway?" I'd told you that, too, but you've forgotten. "As near as I can guess, it's about 2150. He told me, just as I'm telling you, that it's an interstellar civilization." You take another cigaret from me, and follow me. I've got a small flashlight and we grope through a pile of rubbish, out into a corridor. This is a sub-sub-sub-basement. We have to walk up a flight of stairs, and there is an elevator waiting, fortunately with the door open. "What about the time machine?" you ask. "Since nobody ever stole it, it's safe." We get in the elevator, and I say "first" to it. It gives out a coughing noise and the basement openings begin to click by us. There's no feeling of acceleration—some kind of false gravity they use in the future. Then the door opens, and the elevator says "first" back at us. It's obviously a service elevator and we're in a dim corridor, with nobody around. I grab your hand and shake it. "You go that way. Don't worry about getting lost; you never did, so you can't. Find the museum, grab the motor, and get out. And good luck to you." You act as if you're dreaming, though you can't believe it's a dream. You nod at me and I move out into the main corridor. A second later, you see me going by, mixed into a crowd that is loafing along toward a restaurant, or something like it, that is just opening. I'm asking questions of a man, who points, and I turn and move off. You come out of the side corridor and go down a hall, away from the restaurant. There are quiet little signs along the hall. You look at them, realizing for the first time that things have changed. Steij:neri, Faunten, Z:rgat Dispenseri. The signs are very quiet and dignified. Some of them can be decoded to stationery shops, fountains, and the like. What a zergot is, you don't know. You stop at a sign that announces: Trav:l Biwrou—F:rst-Clas Twrz—Marz, Viins, and x: Trouj:n Planets. Spej:l reits tu aol snz wixin 60 lyt iirz! But there is only a single picture of a dull-looking metal sphere, with passengers moving up a ramp, and the office is closed. You begin to get the hang of the spelling they use, though. Now there are people around you, but nobody pays much attention to you. Why should they? You wouldn't care if you saw a man in a leopard-skin suit; you'd figure it was some part in a play and let it go. Well, people don't change much. You get up your courage and go up to a boy selling something that might be papers on tapes. "Where can I find the Museum of Science?" "Downayer rien turn lefa the sign. Stoo bloss," he tells you. Around you, you hear some pretty normal English, but there are others using stuff as garbled as his. The educated and uneducated? I don't know. You go right until you find a big sign built into the rubbery surface of the walk: Miuzi:m v Syens . There's an arrow pointing and you turn left. Ahead of you, two blocks on, you can see a pink building, with faint aqua trimming, bigger than most of the others. They are building lower than they used to, apparently. Twenty floors up seems about the maximum. You head for it, and find the sidewalk is marked with the information that it is the museum. You go up the steps, but you see that it seems to be closed. You hesitate for a moment, then. You're beginning to think the whole affair is complete nonsense, and you should get back to the time machine and go home. But then a guard comes to the gate. Except for the short legs in his suit and the friendly grin on his face, he looks like any other guard. What's more, he speaks pretty clearly. Everyone says things in a sort of drawl, with softer vowels and slurred consonants, but it's rather pleasant. "Help you, sir? Oh, of course. You must be playing in 'Atoms and Axioms.' The museum's closed, but I'll be glad to let you study whatever you need for realism in your role. Nice show. I saw it twice." "Thanks," you mutter, wondering what kind of civilization can produce guards as polite as that. "I—I'm told I should investigate your display of atomic generators." He beams at that. "Of course." The gate is swung to behind you, but obviously he isn't locking it. In fact, there doesn't seem to be a lock. "Must be a new part. You go down that corridor, up one flight of stairs and left. Finest display in all the known worlds. We've got the original of the first thirteen models. Professor Jonas was using them to check his latest theory of how they work. Too bad he could not explain the principle, either. Someone will, some day, though. Lord, the genius of that twentieth century inventor! It's quite a hobby with me, sir. I've read everything I could get on the period. Oh—congratulations on your pronunciation. Sounds just like some of our oldest tapes." You get away from him, finally, after some polite thanks. The building seems deserted and you wander up the stairs. There's a room on your right filled with something that proclaims itself the first truly plastic diamond former, and you go up to it. As you come near, it goes through a crazy wiggle inside, stops turning out a continual row of what seem to be bearings, and slips something the size of a penny toward you. "Souvenir," it announces in a well-modulated voice. "This is a typical gem of the twentieth century, properly cut to 58 facets, known technically as a Jaegger diamond, and approximately twenty carats in size. You can have it made into a ring on the third floor during morning hours for one-tenth credit. If you have more than one child, press the red button for the number of stones you desire." You put it in your pocket, gulping a little, and get back to the corridor. You turn left and go past a big room in which models of spaceships—from the original thing that looks like a V-2, and is labeled first Lunar rocket, to a ten-foot globe, complete with miniature manikins—are sailing about in some kind of orbits. Then there is one labeled Wep:nz , filled with everything from a crossbow to a tiny rod four inches long and half the thickness of a pencil, marked Fynal Hand Arm . Beyond is the end of the corridor, and a big place that bears a sign, Mad:lz v Atamic Pau:r Sorsez . By that time, you're almost convinced. And you've been doing a lot of thinking about what you can do. The story I'm telling has been sinking in, but you aren't completely willing to accept it. You notice that the models are all mounted on tables and that they're a lot smaller than you thought. They seem to be in chronological order, and the latest one, marked 2147—Rincs Dyn*pat: , is about the size of a desk telephone. The earlier ones are larger, of course, clumsier, but with variations, probably depending on the power output. A big sign on the ceiling gives a lot of dope on atomic generators, explaining that this is the first invention which leaped full blown into basically final form. You study it, but it mentions casually the inventor, without giving his name. Either they don't know it, or they take it for granted that everyone does, which seems more probable. They call attention to the fact that they have the original model of the first atomic generator built, complete with design drawings, original manuscript on operation, and full patent application. They state that it has all major refinements, operating on any fuel, producing electricity at any desired voltage up to five million, any chosen cyclic rate from direct current to one thousand megacycles, and any amperage up to one thousand, its maximum power output being fifty kilowatts, limited by the current-carrying capacity of the outputs. They also mention that the operating principle is still being investigated, and that only such refinements as better alloys and the addition of magnetric and nucleatric current outlets have been added since the original. So you go to the end and look over the thing. It's simply a square box with a huge plug on each side, and a set of vernier controls on top, plus a little hole marked, in old-style spelling, Drop BBs or wire here . Apparently that's the way it's fueled. It's about one foot on each side. "Nice," the guard says over your shoulder. "It finally wore out one of the cathogrids and we had to replace that, but otherwise it's exactly as the great inventor made it. And it still operates as well as ever. Like to have me tell you about it?" "Not particularly," you begin, and then realize bad manners might be conspicuous here. While you're searching for an answer, the guard pulls something out of his pocket and stares at it. "Fine, fine. The mayor of Altasecarba—Centaurian, you know—is arriving, but I'll be back in about ten minutes. He wants to examine some of the weapons for a monograph on Centaurian primitives compared to nineteenth century man. You'll pardon me?" You pardon him pretty eagerly and he wanders off happily. You go up to the head of the line, to that Rinks Dynapattuh, or whatever it transliterates to. That's small and you can carry it. But the darned thing is absolutely fixed. You can't see any bolts, but you can't budge it, either. You work down the line. It'd be foolish to take the early model if you can get one with built-in magnetic current terminals—Ehrenhaft or some other principle?—and nuclear binding-force energy terminals. But they're all held down by the same whatchamaycallem effect. And, finally, you're right back beside the original first model. It's probably bolted down, too, but you try it tentatively and you find it moves. There's a little sign under it, indicating you shouldn't touch it, since the gravostatic plate is being renewed. Well, you won't be able to change the time cycle by doing anything I haven't told you, but a working model such as that is a handy thing. You lift it; it only weighs about fifty pounds! Naturally, it can be carried. You expect a warning bell, but nothing happens. As a matter of fact, if you'd stop drinking so much of that scotch and staring at the time machine out there now, you'd hear what I'm saying and know what will happen to you. But of course, just as I did, you're going to miss a lot of what I say from now on, and have to find out for yourself. But maybe some of it helps. I've tried to remember how much I remembered, after he told me, but I can't be sure. So I'll keep on talking. I probably can't help it, anyhow. Pre-set, you might say. Well, you stagger down the corridor, looking out for the guard, but all seems clear. Then you hear his voice from the weapons room. You bend down and try to scurry past, but you know you're in full view. Nothing happens, though. You stumble down the stairs, feeling all the futuristic rays in the world on your back, and still nothing happens. Ahead of you, the gate is closed. You reach it and it opens obligingly by itself. You breathe a quick sigh of relief and start out onto the street. Then there's a yell behind you. You don't wait. You put one leg in front of the other and you begin racing down the walk, ducking past people, who stare at you with expressions you haven't time to see. There's another yell behind you. Something goes over your head and drops on the sidewalk just in front of your feet, with a sudden ringing sound. You don't wait to find out about that, either. Somebody reaches out a hand to catch you and you dart past. The street is pretty clear now and you jolt along, with your arms seeming to come out of the sockets, and that atomic generator getting heavier at every step. Out of nowhere, something in a blue uniform about six feet tall and on the beefy side appears—and the badge hasn't changed much. The cop catches your arm and you know you're not going to get away, so you stop. "You can't exert yourself that hard in this heat, fellow," the cop says. "There are laws against that, without a yellow sticker. Here, let me grab you a taxi." Reaction sets in a bit and your knees begin to buckle, but you shake your head and come up for air. "I—I left my money home," you begin. The cop nods. "Oh, that explains it. Fine, I won't have to give you an appearance schedule. But you should have come to me." He reaches out and taps a pedestrian lightly on the shoulder. "Sir, an emergency request. Would you help this gentleman?" The pedestrian grins, looks at his watch, and nods. "How far?" You did notice the name of the building from which you came and you mutter it. The stranger nods again, reaches out and picks up the other side of the generator, blowing a little whistle the cop hands him. Pedestrians begin to move aside, and you and the stranger jog down the street at a trot, with a nice clear path, while the cop stands beaming at you both. That way, it isn't so bad. And you begin to see why I decided I might like to stay in the future. But all the same, the organized cooperation here doesn't look too good. The guard can get the same and be there before you. And he is. He stands just inside the door of the building as you reach it. The stranger lifts an eyebrow and goes off at once when you nod at him, not waiting for thanks. And the guard comes up, holding some dinkus in his hand, about the size of a big folding camera and not too dissimilar in other ways. He snaps it open and you get set to duck. "You forgot the prints, monograph, and patent applications," he says. "They go with the generator—we don't like to have them separated. A good thing I knew the production office of 'Atoms and Axioms' was in this building. Just let us know when you're finished with the model and we'll pick it up." You swallow several sets of tonsils you had removed years before, and take the bundle of papers he hands you out of the little case. He pumps you for some more information, which you give him at random. It seems to satisfy your amiable guard friend. He finally smiles in satisfaction and heads back to the museum. You still don't believe it, but you pick up the atomic generator and the information sheets, and you head down toward the service elevator. There is no button on it. In fact, there's no door there. You start looking for other doors or corridors, but you know this is right. The signs along the halls are the same as they were. Then there's a sort of cough and something dilates in the wall. It forms a perfect door and the elevator stands there waiting. You get in, gulping out something about going all the way down, and then wonder how a machine geared for voice operation can make anything of that. What the deuce would that lowest basement be called? But the elevator has closed and is moving downward in a hurry. It coughs again and you're at the original level. You get out—and realize you don't have a light. You'll never know what you stumbled over, but, somehow, you move back in the direction of the time machine, bumping against boxes, staggering here and there, and trying to find the right place by sheer feel. Then a shred of dim light appears; it's the weak light in the time machine. You've located it. You put the atomic generator in the luggage space, throw the papers down beside it, and climb into the cockpit, sweating and mumbling. You reach forward toward the green button and hesitate. There's a red one beside it and you finally decide on that. Suddenly, there's a confused yell from the direction of the elevator and a beam of light strikes against your eyes, with a shout punctuating it. Your finger touches the red button. You'll never know what the shouting was about—whether they finally doped out the fact that they'd been robbed, or whether they were trying to help you. You don't care which it is. The field springs up around you and the next button you touch—the one on the board that hasn't been used so far—sends you off into nothingness. There is no beam of light, you can't hear a thing, and you're safe. It isn't much of a trip back. You sit there smoking and letting your nerves settle back to normal. You notice a third set of buttons, with some pencil marks over them—"Press these to return to yourself 30 years"—and you begin waiting for the air to get stale. It doesn't because there is only one of you this time. Instead, everything flashes off and you're sitting in the machine in your own back yard. You'll figure out the cycle in more details later. You get into the machine in front of your house, go to the future in the sub-basement, land in your back yard, and then hop back thirty years to pick up yourself, landing in front of your house. Just that. But right then, you don't care. You jump out and start pulling out that atomic generator and taking it inside. It isn't hard to disassemble, but you don't learn a thing; just some plates of metal, some spiral coils, and a few odds and ends—all things that can be made easily enough, all obviously of common metals. But when you put it together again, about an hour later, you notice something. Everything in it is brand-new and there's one set of copper wires missing! It won't work. You put some #12 house wire in, exactly like the set on the other side, drop in some iron filings, and try it again. And with the controls set at 120 volts, 60 cycles and 15 amperes, you get just that. You don't need the power company any more. And you feel a little happier when you realize that the luggage space wasn't insulated from time effects by a field, so the motor has moved backward in time, somehow, and is back to its original youth—minus the replaced wires the guard mentioned—which probably wore out because of the makeshift job you've just done. But you begin getting more of a jolt when you find that the papers are all in your own writing, that your name is down as the inventor, and that the date of the patent application is 1951. It will begin to soak in, then. You pick up an atomic generator in the future and bring it back to the past—your present—so that it can be put in the museum with you as the inventor so you can steal it to be the inventor. And you do it in a time machine which you bring back to yourself to take yourself into the future to return to take back to yourself.... Who invented what? And who built which? Before long, your riches from the generator are piling in. Little kids from school are coming around to stare at the man who changed history and made atomic power so common that no nation could hope to be anything but a democracy and a peaceful one—after some of the worst times in history for a few years. Your name eventually becomes as common as Ampere, or Faraday, or any other spelled without a capital letter. But you're thinking of the puzzle. You can't find any answer. One day you come across an old poem—something about some folks calling it evolution and others calling it God. You go out, make a few provisions for the future, and come back to climb into the time machine that's waiting in the building you had put around it. Then you'll be knocking on your own door, thirty years back—or right now, from your view—and telling your younger self all these things I'm telling you. But now.... Well, the drinks are finished. You're woozy enough to go along with me without protest, and I want to find out just why those people up there came looking for you and shouting, before the time machine left. Let's go.
train	51433	[ "What don't Mia and Ri have in common?", "Which doesn't describe Extrone?", "Why are Ri and Mia the guides?", "Why is Mia most afraid of Extrone?", "How is their world different from ours?", "Who does Extrone trust the most?", "What isn't a reason that Ri turned on Mia?", "What doesn't a farn beast have according to the story?", "Which isn't a reason that Extrone chose Ri as bait?", "What may have gone differently if Ri had listened to Mia?" ]	[ [ "they both think Extrone is going to kill them", "they've killed farn beasts", "they're businessmen", "they both dislike Extrone" ], [ "excitable", "generous", "wealthy", "powerful" ], [ "they're part of Extrone's Hunting Club", "they're the best guides around", "they have experience with the beasts", "they needed the money Extrone was going to pay them" ], [ "he has the military behind him", "they know too much about him now", "he knows too many of their secrets", "he's the only one with a weapon" ], [ "there is distrust among the citizens", "the government is run the same", "they both have powerful armies", "powerful people control what happens next" ], [ "Ri", "Mia", "businessmen", "Lin" ], [ "he thought Mia had a better chance to survive", "Mia's ideas scared him", "he thought his honesty would save him", "he didn't want to be bait" ], [ "a strong sense of smell", "a tail", "mates", "sharp fangs" ], [ "he's upset that Ri killed a farn beast first", "he's the best suited to be bait", "he never planned to let Ri live", "he doesn't trust Ri" ], [ "they could have shared the truth with the galaxy", "they could have killed Extrone", "they both could have escaped Extrone", "they could have discovered the farn beasts without bait" ] ]	[ 1, 2, 3, 2, 2, 4, 1, 1, 2, 2 ]	[ 0, 0, 0, 1, 1, 1, 1, 0, 1, 1 ]	HUNT the HUNTER BY KRIS NEVILLE Illustrated by ELIZABETH MacINTYRE [Transcriber's Note: This etext was produced from Galaxy Science Fiction June 1951. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] Of course using live bait is the best way to lure dangerous alien animals ... unless it turns out that you are the bait! "We're somewhat to the south, I think," Ri said, bending over the crude field map. "That ridge," he pointed, "on our left, is right here." He drew a finger down the map. "It was over here," he moved the finger, "over the ridge, north of here, that we sighted them." Extrone asked, "Is there a pass?" Ri looked up, studying the terrain. He moved his shoulders. "I don't know, but maybe they range this far. Maybe they're on this side of the ridge, too." Delicately, Extrone raised a hand to his beard. "I'd hate to lose a day crossing the ridge," he said. "Yes, sir," Ri said. Suddenly he threw back his head. "Listen!" "Eh?" Extrone said. "Hear it? That cough? I think that's one, from over there. Right up ahead of us." Extrone raised his eyebrows. This time, the coughing roar was more distant, but distinct. "It is!" Ri said. "It's a farn beast, all right!" Extrone smiled, almost pointed teeth showing through the beard. "I'm glad we won't have to cross the ridge." Ri wiped his forehead on the back of his sleeve. "Yes, sir." "We'll pitch camp right here, then," Extrone said. "We'll go after it tomorrow." He looked at the sky. "Have the bearers hurry." "Yes, sir." Ri moved away, his pulse gradually slowing. "You, there!" he called. "Pitch camp, here!" He crossed to Mia, who, along with him, had been pressed into Extrone's party as guides. Once more, Ri addressed the bearers, "Be quick, now!" And to Mia, "God almighty, he was getting mad." He ran a hand under his collar. "It's a good thing that farn beast sounded off when it did. I'd hate to think of making him climb that ridge." Mia glanced nervously over his shoulder. "It's that damned pilot's fault for setting us down on this side. I told him it was the other side. I told him so." Ri shrugged hopelessly. Mia said, "I don't think he even saw a blast area over here. I think he wanted to get us in trouble." "There shouldn't be one. There shouldn't be a blast area on this side of the ridge, too." "That's what I mean. The pilot don't like businessmen. He had it in for us." Ri cleared his throat nervously. "Maybe you're right." "It's the Hunting Club he don't like." "I wish to God I'd never heard of a farn beast," Ri said. "At least, then, I wouldn't be one of his guides. Why didn't he hire somebody else?" Mia looked at his companion. He spat. "What hurts most, he pays us for it. I could buy half this planet, and he makes me his guide—at less than I pay my secretary." "Well, anyway, we won't have to cross that ridge." "Hey, you!" Extrone called. The two of them turned immediately. "You two scout ahead," Extrone said. "See if you can pick up some tracks." "Yes, sir," Ri said, and instantly the two of them readjusted their shoulder straps and started off. Shortly they were inside of the scrub forest, safe from sight. "Let's wait here," Mia said. "No, we better go on. He may have sent a spy in." They pushed on, being careful to blaze the trees, because they were not professional guides. "We don't want to get too near," Ri said after toiling through the forest for many minutes. "Without guns, we don't want to get near enough for the farn beast to charge us." They stopped. The forest was dense, the vines clinging. "He'll want the bearers to hack a path for him," Mia said. "But we go it alone. Damn him." Ri twisted his mouth into a sour frown. He wiped at his forehead. "Hot. By God, it's hot. I didn't think it was this hot, the first time we were here." Mia said, "The first time, we weren't guides. We didn't notice it so much then." They fought a few yards more into the forest. Then it ended. Or, rather, there was a wide gap. Before them lay a blast area, unmistakable. The grass was beginning to grow again, but the tree stumps were roasted from the rocket breath. "This isn't ours!" Ri said. "This looks like it was made nearly a year ago!" Mia's eyes narrowed. "The military from Xnile?" "No," Ri said. "They don't have any rockets this small. And I don't think there's another cargo rocket on this planet outside of the one we leased from the Club. Except the one he brought." "The ones who discovered the farn beasts in the first place?" Mia asked. "You think it's their blast?" "So?" Ri said. "But who are they?" It was Mia's turn to shrug. "Whoever they were, they couldn't have been hunters. They'd have kept the secret better." "We didn't do so damned well." "We didn't have a chance," Mia objected. "Everybody and his brother had heard the rumor that farn beasts were somewhere around here. It wasn't our fault Extrone found out." "I wish we hadn't shot our guide, then. I wish he was here instead of us." Mia shook perspiration out of his eyes. "We should have shot our pilot, too. That was our mistake. The pilot must have been the one who told Extrone we'd hunted this area." "I didn't think a Club pilot would do that." "After Extrone said he'd hunt farn beasts, even if it meant going to the alien system? Listen, you don't know.... Wait a minute." There was perspiration on Ri's upper lip. " I didn't tell Extrone, if that's what you're thinking," Mia said. Ri's mouth twisted. "I didn't say you did." "Listen," Mia said in a hoarse whisper. "I just thought. Listen. To hell with how he found out. Here's the point. Maybe he'll shoot us, too, when the hunt's over." Ri licked his lips. "No. He wouldn't do that. We're not—not just anybody. He couldn't kill us like that. Not even him . And besides, why would he want to do that? It wouldn't do any good to shoot us. Too many people already know about the farn beasts. You said that yourself." Mia said, "I hope you're right." They stood side by side, studying the blast area in silence. Finally, Mia said, "We better be getting back." "What'll we tell him?" "That we saw tracks. What else can we tell him?" They turned back along their trail, stumbling over vines. "It gets hotter at sunset," Ri said nervously. "The breeze dies down." "It's screwy. I didn't think farn beasts had this wide a range. There must be a lot of them, to be on both sides of the ridge like this." "There may be a pass," Mia said, pushing a vine away. Ri wrinkled his brow, panting. "I guess that's it. If there were a lot of them, we'd have heard something before we did. But even so, it's damned funny, when you think about it." Mia looked up at the darkening sky. "We better hurry," he said. When it came over the hastily established camp, the rocket was low, obviously looking for a landing site. It was a military craft, from the outpost on the near moon, and forward, near the nose, there was the blazoned emblem of the Ninth Fleet. The rocket roared directly over Extrone's tent, turned slowly, spouting fuel expensively, and settled into the scrub forest, turning the vegetation beneath it sere by its blasts. Extrone sat on an upholstered stool before his tent and spat disgustedly and combed his beard with his blunt fingers. Shortly, from the direction of the rocket, a group of four high-ranking officers came out of the forest, heading toward him. They were spruce, the officers, with military discipline holding their waists in and knees almost stiff. "What in hell do you want?" Extrone asked. They stopped a respectful distance away. "Sir...." one began. "Haven't I told you gentlemen that rockets frighten the game?" Extrone demanded, ominously not raising his voice. "Sir," the lead officer said, "it's another alien ship. It was sighted a few hours ago, off this very planet, sir." Extrone's face looked much too innocent. "How did it get there, gentlemen? Why wasn't it destroyed?" "We lost it again, sir. Temporarily, sir." "So?" Extrone mocked. "We thought you ought to return to a safer planet, sir. Until we could locate and destroy it." Extrone stared at them for a space. Then, indifferently, he turned away, in the direction of a resting bearer. "You!" he said. "Hey! Bring me a drink!" He faced the officers again. He smiled maliciously. "I'm staying here." The lead officer licked his firm lower lip. "But, sir...." Extrone toyed with his beard. "About a year ago, gentlemen, there was an alien ship around here then, wasn't there? And you destroyed it, didn't you?" "Yes, sir. When we located it, sir." "You'll destroy this one, too," Extrone said. "We have a tight patrol, sir. It can't slip through. But it might try a long range bombardment, sir." Extrone said, "To begin with, they probably don't even know I'm here. And they probably couldn't hit this area if they did know. And you can't afford to let them get a shot at me, anyway." "That's why we'd like you to return to an inner planet, sir." Extrone plucked at his right ear lobe, half closing his eyes. "You'll lose a fleet before you'll dare let anything happen to me, gentlemen. I'm quite safe here, I think." The bearer brought Extrone his drink. "Get off," Extrone said quietly to the four officers. Again they turned reluctantly. This time, he did not call them back. Instead, with amusement, he watched until they disappeared into the tangle of forest. Dusk was falling. The takeoff blast of the rocket illuminated the area, casting weird shadows on the gently swaying grasses; there was a hot breath of dry air and the rocket dwindled toward the stars. Extrone stood up lazily, stretching. He tossed the empty glass away, listened for it to shatter. He reached out, parted the heavy flap to his tent. "Sir?" Ri said, hurrying toward him in the gathering darkness. "Eh?" Extrone said, turning, startled. "Oh, you. Well?" "We ... located signs of the farn beast, sir. To the east." Extrone nodded. After a moment he said, "You killed one, I believe, on your trip?" Ri shifted. "Yes, sir." Extrone held back the flap of the tent. "Won't you come in?" he asked without any politeness whatever. Ri obeyed the order. The inside of the tent was luxurious. The bed was of bulky feathers, costly of transport space, the sleep curtains of silken gauze. The floor, heavy, portable tile blocks, not the hollow kind, were neatly and smoothly inset into the ground. Hanging from the center, to the left of the slender, hand-carved center pole, was a chain of crystals. They tinkled lightly when Extrone dropped the flap. The light was electric from a portable dynamo. Extrone flipped it on. He crossed to the bed, sat down. "You were, I believe, the first ever to kill a farn beast?" he said. "I.... No, sir. There must have been previous hunters, sir." Extrone narrowed his eyes. "I see by your eyes that you are envious—that is the word, isn't it?—of my tent." Ri looked away from his face. "Perhaps I'm envious of your reputation as a hunter. You see, I have never killed a farn beast. In fact, I haven't seen a farn beast." Ri glanced nervously around the tent, his sharp eyes avoiding Extrone's glittering ones. "Few people have seen them, sir." "Oh?" Extrone questioned mildly. "I wouldn't say that. I understand that the aliens hunt them quite extensively ... on some of their planets." "I meant in our system, sir." "Of course you did," Extrone said, lazily tracing the crease of his sleeve with his forefinger. "I imagine these are the only farn beasts in our system." Ri waited uneasily, not answering. "Yes," Extrone said, "I imagine they are. It would have been a shame if you had killed the last one. Don't you think so?" Ri's hands worried the sides of his outer garment. "Yes, sir. It would have been." Extrone pursed his lips. "It wouldn't have been very considerate of you to—But, still, you gained valuable experience. I'm glad you agreed to come along as my guide." "It was an honor, sir." Extrone's lip twisted in wry amusement. "If I had waited until it was safe for me to hunt on an alien planet, I would not have been able to find such an illustrious guide." "... I'm flattered, sir." "Of course," Extrone said. "But you should have spoken to me about it, when you discovered the farn beast in our own system." "I realize that, sir. That is, I had intended at the first opportunity, sir...." "Of course," Extrone said dryly. "Like all of my subjects," he waved his hand in a broad gesture, "the highest as well as the lowest slave, know me and love me. I know your intentions were the best." Ri squirmed, his face pale. "We do indeed love you, sir." Extrone bent forward. " Know me and love me." "Yes, sir. Know you and love you, sir," Ri said. "Get out!" Extrone said. "It's frightening," Ri said, "to be that close to him." Mia nodded. The two of them, beneath the leaf-swollen branches of the gnarled tree, were seated on their sleeping bags. The moon was clear and cold and bright in a cloudless sky; a small moon, smooth-surfaced, except for a central mountain ridge that bisected it into almost twin hemispheres. "To think of him. As flesh and blood. Not like the—well; that—what we've read about." Mia glanced suspiciously around him at the shadows. "You begin to understand a lot of things, after seeing him." Ri picked nervously at the cover of his sleeping bag. "It makes you think," Mia added. He twitched. "I'm afraid. I'm afraid he'll.... Listen, we'll talk. When we get back to civilization. You, me, the bearers. About him. He can't let that happen. He'll kill us first." Ri looked up at the moon, shivering. "No. We have friends. We have influence. He couldn't just like that—" "He could say it was an accident." "No," Ri said stubbornly. "He can say anything," Mia insisted. "He can make people believe anything. Whatever he says. There's no way to check on it." "It's getting cold," Ri said. "Listen," Mia pleaded. "No," Ri said. "Even if we tried to tell them, they wouldn't listen. Everybody would know we were lying. Everything they've come to believe would tell them we were lying. Everything they've read, every picture they've seen. They wouldn't believe us. He knows that." "Listen," Mia repeated intently. "This is important. Right now he couldn't afford to let us talk. Not right now. Because the Army is not against him. Some officers were here, just before we came back. A bearer overheard them talking. They don't want to overthrow him!" Ri's teeth, suddenly, were chattering. "That's another lie," Mia continued. "That he protects the people from the Army. That's a lie. I don't believe they were ever plotting against him. Not even at first. I think they helped him, don't you see?" Ri whined nervously. "It's like this," Mia said. "I see it like this. The Army put him in power when the people were in rebellion against military rule." Ri swallowed. "We couldn't make the people believe that." "No?" Mia challenged. "Couldn't we? Not today, but what about tomorrow? You'll see. Because I think the Army is getting ready to invade the alien system!" "The people won't support them," Ri answered woodenly. " Think. If he tells them to, they will. They trust him." Ri looked around at the shadows. "That explains a lot of things," Mia said. "I think the Army's been preparing for this for a long time. From the first, maybe. That's why Extrone cut off our trade with the aliens. Partly to keep them from learning that he was getting ready to invade them, but more to keep them from exposing him to the people. The aliens wouldn't be fooled like we were, so easy." "No!" Ri snapped. "It was to keep the natural economic balance." "You know that's not right." Ri lay down on his bed roll. "Don't talk about it. It's not good to talk like this. I don't even want to listen." "When the invasion starts, he'll have to command all their loyalties. To keep them from revolt again. They'd be ready to believe us, then. He'll have a hard enough time without people running around trying to tell the truth." "You're wrong. He's not like that. I know you're wrong." Mia smiled twistedly. "How many has he already killed? How can we even guess?" Ri swallowed sickly. "Remember our guide? To keep our hunting territory a secret?" Ri shuddered. "That's different. Don't you see? This is not at all like that." With morning came birds' songs, came dew, came breakfast smells. The air was sweet with cooking and it was nostalgic, childhoodlike, uncontaminated. And Extrone stepped out of the tent, fully dressed, surly, letting the flap slap loudly behind him. He stretched hungrily and stared around the camp, his eyes still vacant-mean with sleep. "Breakfast!" he shouted, and two bearers came running with a folding table and chair. Behind them, a third bearer, carrying a tray of various foods; and yet behind him, a fourth, with a steaming pitcher and a drinking mug. Extrone ate hugely, with none of the delicacy sometimes affected in his conversational gestures. When he had finished, he washed his mouth with water and spat on the ground. "Lin!" he said. His personal bearer came loping toward him. "Have you read that manual I gave you?" Lin nodded. "Yes." Extrone pushed the table away. He smacked his lips wetly. "Very ludicrous, Lin. Have you noticed that I have two businessmen for guides? It occurred to me when I got up. They would have spat on me, twenty years ago, damn them." Lin waited. "Now I can spit on them, which pleases me." "The farn beasts are dangerous, sir," Lin said. "Eh? Oh, yes. Those. What did the manual say about them?" "I believe they're carnivorous, sir." "An alien manual. That's ludicrous, too. That we have the only information on our newly discovered fauna from an alien manual—and, of course, two businessmen." "They have very long, sharp fangs, and, when enraged, are capable of tearing a man—" "An alien?" Extrone corrected. "There's not enough difference between us to matter, sir. Of tearing an alien to pieces, sir." Extrone laughed harshly. "It's 'sir' whenever you contradict me?" Lin's face remained impassive. "I guess it seems that way. Sir." "Damned few people would dare go as far as you do," Extrone said. "But you're afraid of me, too, in your own way, aren't you?" Lin shrugged. "Maybe." "I can see you are. Even my wives are. I wonder if anyone can know how wonderful it feels to have people all afraid of you." "The farn beasts, according to the manual...." "You are very insistent on one subject." "... It's the only thing I know anything about. The farn beast, as I was saying, sir, is the particular enemy of men. Or if you like, of aliens. Sir." "All right," Extrone said, annoyed. "I'll be careful." In the distance, a farn beast coughed. Instantly alert, Extrone said, "Get the bearers! Have some of them cut a path through that damn thicket! And tell those two businessmen to get the hell over here!" Lin smiled, his eyes suddenly afire with the excitement of the hunt. Four hours later, they were well into the scrub forest. Extrone walked leisurely, well back of the cutters, who hacked away, methodically, at the vines and branches which might impede his forward progress. Their sharp, awkward knives snickered rhythmically to the rasp of their heavy breathing. Occasionally, Extrone halted, motioned for his water carrier, and drank deeply of the icy water to allay the heat of the forest, a heat made oppressive by the press of foliage against the outside air. Ranging out, on both sides of the central body, the two businessmen fought independently against the wild growth, each scouting the flanks for farn beasts, and ahead, beyond the cutters, Lin flittered among the tree trunks, sometimes far, sometimes near. Extrone carried the only weapon, slung easily over his shoulder, a powerful blast rifle, capable of piercing medium armor in sustained fire. To his rear, the water carrier was trailed by a man bearing a folding stool, and behind him, a man carrying the heavy, high-powered two-way communication set. Once Extrone unslung his blast rifle and triggered a burst at a tiny, arboreal mammal, which, upon the impact, shattered asunder, to Extrone's satisfied chuckle, in a burst of blood and fur. When the sun stood high and heat exhaustion made the near-naked bearers slump, Extrone permitted a rest. While waiting for the march to resume, he sat on the stool with his back against an ancient tree and patted, reflectively, the blast rifle, lying across his legs. "For you, sir," the communications man said, interrupting his reverie. "Damn," Extrone muttered. His face twisted in anger. "It better be important." He took the head-set and mike and nodded to the bearer. The bearer twiddled the dials. "Extrone. Eh?... Oh, you got their ship. Well, why in hell bother me?... All right, so they found out I was here. You got them, didn't you?" "Blasted them right out of space," the voice crackled excitedly. "Right in the middle of a radio broadcast, sir." "I don't want to listen to your gabbling when I'm hunting!" Extrone tore off the head-set and handed it to the bearer. "If they call back, find out what they want, first. I don't want to be bothered unless it's important." "Yes, sir." Extrone squinted up at the sun; his eyes crinkled under the glare, and perspiration stood in little droplets on the back of his hands. Lin, returning to the column, threaded his way among reclining bearers. He stopped before Extrone and tossed his hair out of his eyes. "I located a spoor," he said, suppressed eagerness in his voice. "About a quarter ahead. It looks fresh." Extrone's eyes lit with passion. Lin's face was red with heat and grimy with sweat. "There were two, I think." "Two?" Extrone grinned, petting the rifle. "You and I better go forward and look at the spoor." Lin said, "We ought to take protection, if you're going, too." Extrone laughed. "This is enough." He gestured with the rifle and stood up. "I wish you had let me bring a gun along, sir," Lin said. "One is enough in my camp." The two of them went forward, alone, into the forest. Extrone moved agilely through the tangle, following Lin closely. When they came to the tracks, heavily pressed into drying mud around a small watering hole, Extrone nodded his head in satisfaction. "This way," Lin said, pointing, and once more the two of them started off. They went a good distance through the forest, Extrone becoming more alert with each additional foot. Finally, Lin stopped him with a restraining hand. "They may be quite a way ahead. Hadn't we ought to bring up the column?" The farn beast, somewhere beyond a ragged clump of bushes, coughed. Extrone clenched the blast rifle convulsively. The farn beast coughed again, more distant this time. "They're moving away," Lin said. "Damn!" Extrone said. "It's a good thing the wind's right, or they'd be coming back, and fast, too." "Eh?" Extrone said. "They charge on scent, sight, or sound. I understand they will track down a man for as long as a day." "Wait," Extrone said, combing his beard. "Wait a minute." "Yes?" "Look," Extrone said. "If that's the case, why do we bother tracking them? Why not make them come to us?" "They're too unpredictable. It wouldn't be safe. I'd rather have surprise on our side." "You don't seem to see what I mean," Extrone said. " We won't be the—ah—the bait." "Oh?" "Let's get back to the column." "Extrone wants to see you," Lin said. Ri twisted at the grass shoot, broke it off, worried and unhappy. "What's he want to see me for?" "I don't know," Lin said curtly. Ri got to his feet. One of his hands reached out, plucked nervously at Lin's bare forearm. "Look," he whispered. "You know him. I have—a little money. If you were able to ... if he wants," Ri gulped, "to do anything to me—I'd pay you, if you could...." "You better come along," Lin said, turning. Ri rubbed his hands along his thighs; he sighed, a tiny sound, ineffectual. He followed Lin beyond an outcropping of shale to where Extrone was seated, petting his rifle. Extrone nodded genially. "The farn beast hunter, eh?" "Yes, sir." Extrone drummed his fingers on the stock of the blast rifle. "Tell me what they look like," he said suddenly. "Well, sir, they're ... uh...." "Pretty frightening?" "No, sir.... Well, in a way, sir." "But you weren't afraid of them, were you?" "No, sir. No, because...." Extrone was smiling innocently. "Good. I want you to do something for me." "I ... I...." Ri glanced nervously at Lin out of the tail of his eye. Lin's face was impassive. "Of course you will," Extrone said genially. "Get me a rope, Lin. A good, long, strong rope." "What are you going to do?" Ri asked, terrified. "Why, I'm going to tie the rope around your waist and stake you out as bait." "No!" "Oh, come now. When the farn beast hears you scream—you can scream, by the way?" Ri swallowed. "We could find a way to make you." There was perspiration trickling down Ri's forehead, a single drop, creeping toward his nose. "You'll be safe," Extrone said, studying his face with amusement. "I'll shoot the animal before it reaches you." Ri gulped for air. "But ... if there should be more than one?" Extrone shrugged. "I—Look, sir. Listen to me." Ri's lips were bloodless and his hands were trembling. "It's not me you want to do this to. It's Mia, sir. He killed a farn beast before I did, sir. And last night—last night, he—" "He what?" Extrone demanded, leaning forward intently. Ri breathed with a gurgling sound. "He said he ought to kill you, sir. That's what he said. I heard him, sir. He said he ought to kill you. He's the one you ought to use for bait. Then if there was an accident, sir, it wouldn't matter, because he said he ought to kill you. I wouldn't...." Extrone said, "Which one is he?" "That one. Right over there." "The one with his back to me?" "Yes, sir. That's him. That's him, sir." Extrone aimed carefully and fired, full charge, then lowered the rifle and said, "Here comes Lin with the rope, I see." Ri was greenish. "You ... you...." Extrone turned to Lin. "Tie one end around his waist." "Wait," Ri begged, fighting off the rope with his hands. "You don't want to use me, sir. Not after I told you.... Please, sir. If anything should happen to me.... Please, sir. Don't do it." "Tie it," Extrone ordered. "No, sir. Please. Oh, please don't, sir." "Tie it," Extrone said inexorably. Lin bent with the rope; his face was colorless. They were at the watering hole—Extrone, Lin, two bearers, and Ri. Since the hole was drying, the left, partially exposed bank was steep toward the muddy water. Upon it was green, new grass, tender-tuffed, half mashed in places by heavy animal treads. It was there that they staked him out, tying the free end of the rope tightly around the base of a scaling tree. "You will scream," Extrone instructed. With his rifle, he pointed across the water hole. "The farn beast will come from this direction, I imagine." Ri was almost slobbering in fear. "Let me hear you scream," Extrone said. Ri moaned weakly. "You'll have to do better than that." Extrone inclined his head toward a bearer, who used something Ri couldn't see. Ri screamed. "See that you keep it up that way," Extrone said. "That's the way I want you to sound." He turned toward Lin. "We can climb this tree, I think." Slowly, aided by the bearers, the two men climbed the tree, bark peeling away from under their rough boots. Ri watched them hopelessly. Once at the crotch, Extrone settled down, holding the rifle at alert. Lin moved to the left, out on the main branch, rested in a smaller crotch. Looking down, Extrone said, "Scream!" Then, to Lin, "You feel the excitement? It's always in the air like this at a hunt." "I feel it," Lin said. Extrone chuckled. "You were with me on Meizque?" "Yes." "That was something, that time." He ran his hand along the stock of the weapon. The sun headed west, veiling itself with trees; a large insect circled Extrone's head. He slapped at it, angry. The forest was quiet, underlined by an occasional piping call, something like a whistle. Ri's screams were shrill, echoing away, shiveringly. Lin sat quiet, hunched. Extrone's eyes narrowed, and he began to pet the gun stock with quick, jerky movements. Lin licked his lips, keeping his eyes on Extrone's face. The sun seemed stuck in the sky, and the heat squeezed against them, sucking at their breath like a vacuum. The insect went away. Still, endless, hopeless, monotonous, Ri screamed. A farn beast coughed, far in the matted forest. Extrone laughed nervously. "He must have heard." "We're lucky to rouse one so fast," Lin said. Extrone dug his boot cleats into the tree, braced himself. "I like this. There's more excitement in waiting like this than in anything I know." Lin nodded. "The waiting, itself, is a lot. The suspense. It's not only the killing that matters." "It's not only the killing," Lin echoed. "You understand?" Extrone said. "How it is to wait, knowing in just a minute something is going to come out of the forest, and you're going to kill it?" "I know," Lin said. "But it's not only the killing. It's the waiting, too." The farn beast coughed again; nearer. "It's a different one," Lin said. "How do you know?" "Hear the lower pitch, the more of a roar?" "Hey!" Extrone shouted. "You, down there. There are two coming. Now let's hear you really scream!" Ri, below, whimpered childishly and began to retreat toward the tether tree, his eyes wide. "There's a lot of satisfaction in fooling them, too," Extrone said. "Making them come to your bait, where you can get at them." He opened his right hand. "Choose your ground, set your trap. Bait it." He snapped his hand into a fist, held the fist up before his eyes, imprisoning the idea. "Spring the trap when the quarry is inside. Clever. That makes the waiting more interesting. Waiting to see if they really will come to your bait." Lin shifted, staring toward the forest. "I've always liked to hunt," Extrone said. "More than anything else, I think." Lin spat toward the ground. "People should hunt because they have to. For food. For safety." "No," Extrone argued. "People should hunt for the love of hunting." "Killing?" "Hunting," Extrone repeated harshly. The farn beast coughed. Another answered. They were very near, and there was a noise of crackling underbrush. "He's good bait," Extrone said. "He's fat enough and he knows how to scream good." Ri had stopped screaming; he was huddled against the tree, fearfully eying the forest across from the watering hole. Extrone began to tremble with excitement. "Here they come!" The forest sprang apart. Extrone bent forward, the gun still across his lap. The farn beast, its tiny eyes red with hate, stepped out on the bank, swinging its head wildly, its nostrils flaring in anger. It coughed. Its mate appeared beside it. Their tails thrashed against the scrubs behind them, rattling leaves. "Shoot!" Lin hissed. "For God's sake, shoot!" "Wait," Extrone said. "Let's see what they do." He had not moved the rifle. He was tense, bent forward, his eyes slitted, his breath beginning to sound like an asthmatic pump. The lead farn beast sighted Ri. It lowered its head. "Look!" Extrone cried excitedly. "Here it comes!" Ri began to scream again. Still Extrone did not lift his blast rifle. He was laughing. Lin waited, frozen, his eyes staring at the farn beast in fascination. The farn beast plunged into the water, which was shallow, and, throwing a sheet of it to either side, headed across toward Ri. "Watch! Watch!" Extrone cried gleefully. And then the aliens sprang their trap.
train	49165	[ "Which word least describes Baron?", "Which planet wasn't well-known according to the text?", "What doesn't Baron think was a reason for their failure?", "Who seems to be the least intelligent person?", "What isn't an obstacle on Mercury?", "Which word least describes McIvers?", "What didn't happen to McIvers?", "What wasn't an issue their bodies were going through?", "What likely caused the most problems?" ]	[ [ "confident", "realistic", "enthusiastic", "curious" ], [ "Jupiter", "Venus", "Mars", "Mercury" ], [ "McIvers", "the Major's experience", "poor mapping", "faulty equipment" ], [ "Stone", "McIvers", "Sanderson", "Mikuta" ], [ "zero gravity", "rough terrain", "volcanoes", "extreme temperatures" ], [ "fidgety", "experienced", "lucky", "stubborn" ], [ "the major turned down his idea", "he located the first explorers", "he got lost", "he took a detour" ], [ "dehydration", "malnutrition", "headaches", "irritation" ], [ "the toxic gases", "the high temperatures", "vehicle trouble", "incorrect mapping" ] ]	[ 2, 4, 2, 2, 1, 4, 3, 2, 2 ]	[ 1, 0, 1, 1, 0, 1, 1, 1, 0 ]	Brightside Crossing by Alan E. Nourse JAMES BARON was not pleased to hear that he had had a visitor when he reached the Red Lion that evening. He had no stomach for mysteries, vast or trifling, and there were pressing things to think about at this time. Yet the doorman had flagged him as he came in from the street: “A thousand pardons, Mr. Baron. The gentleman—he would leave no name. He said you’d want to see him. He will be back by eight.” Now Baron drummed his fingers on the table top, staring about the quiet lounge. Street trade was discouraged at the Red Lion, gently but persuasively; the patrons were few in number. Across to the right was a group that Baron knew vaguely—Andean climbers, or at least two of them were. Over near the door he recognized old Balmer, who had mapped the first passage to the core of Vulcan Crater on Venus. Baron returned his smile with a nod. Then he settled back and waited impatiently for the intruder who demanded his time without justifying it. Presently a small, grizzled man crossed the room and sat down at Baron’s table. He was short and wiry. His face held no key to his age—he might have been thirty or a thousand—but he looked weary and immensely ugly. His cheeks and forehead were twisted and brown, with scars that were still healing. The stranger said, “I’m glad you waited. I’ve heard you’re planning to attempt the Brightside.” Baron stared at the man for a moment. “I see you can read telecasts,” he said coldly. “The news was correct. We are going to make a Brightside Crossing.” “At perihelion?” “Of course. When else?” The grizzled man searched Baron’s face for a moment without expression. Then he said slowly, “No, I’m afraid you’re not going to make the Crossing.” “Say, who are you, if you don’t mind?” Baron demanded. “The name is Claney,” said the stranger. There was a silence. Then: “Claney? Peter Claney?” “That’s right.” Baron’s eyes were wide with excitement, all trace of anger gone. “Great balls of fire, man— where have you been hiding? We’ve been trying to contact you for months!” “I know. I was hoping you’d quit looking and chuck the whole idea.” “Quit looking!” Baron bent forward over the table. “My friend, we’d given up hope, but we’ve never quit looking. Here, have a drink. There’s so much you can tell us.” His fingers were trembling. Peter Claney shook his head. “I can’t tell you anything you want to hear.” “But you’ve got to. You’re the only man on Earth who’s attempted a Brightside Crossing and lived through it! And the story you cleared for the news—it was nothing. We need details . Where did your equipment fall down? Where did you miscalculate? What were the trouble spots?” Baron jabbed a finger at Claney’s face. “That, for instance—epithelioma? Why? What was wrong with your glass? Your filters? We’ve got to know those things. If you can tell us, we can make it across where your attempt failed—” “You want to know why we failed?” asked Claney. “Of course we want to know. We have to know.” “It’s simple. We failed because it can’t be done. We couldn’t do it and neither can you. No human beings will ever cross the Brightside alive, not if they try for centuries.” “Nonsense,” Baron declared. “We will.” Claney shrugged. “I was there. I know what I’m saying. You can blame the equipment or the men—there were flaws in both quarters—but we just didn’t know what we were fighting. It was the planet that whipped us, that and the Sun . They’ll whip you, too, if you try it.” “Never,” said Baron. “Let me tell you,” Peter Claney said. I’d been interested in the Brightside for almost as long as I can remember (Claney said). I guess I was about ten when Wyatt and Carpenter made the last attempt—that was in 2082, I think. I followed the news stories like a tri-V serial and then I was heartbroken when they just disappeared. I know now that they were a pair of idiots, starting off without proper equipment, with practically no knowledge of surface conditions, without any charts—they couldn’t have made a hundred miles—but I didn’t know that then and it was a terrible tragedy. After that, I followed Sanderson’s work in the Twilight Lab up there and began to get Brightside into my blood, sure as death. But it was Mikuta’s idea to attempt a Crossing. Did you ever know Tom Mikuta? I don’t suppose you did. No, not Japanese—Polish-American. He was a major in the Interplanetary Service for some years and hung onto the title after he gave up his commission. He was with Armstrong on Mars during his Service days, did a good deal of the original mapping and surveying for the Colony there. I first met him on Venus; we spent five years together up there doing some of the nastiest exploring since the Matto Grasso. Then he made the attempt on Vulcan Crater that paved the way for Balmer a few years later. I’d always liked the Major—he was big and quiet and cool, the sort of guy who always had things figured a little further ahead than anyone else and always knew what to do in a tight place. Too many men in this game are all nerve and luck, with no judgment. The Major had both. He also had the kind of personality that could take a crew of wild men and make them work like a well-oiled machine across a thousand miles of Venus jungle. I liked him and I trusted him. He contacted me in New York and he was very casual at first. We spent an evening here at the Red Lion, talking about old times; he told me about the Vulcan business, and how he’d been out to see Sanderson and the Twilight Lab on Mercury, and how he preferred a hot trek to a cold one any day of the year—and then he wanted to know what I’d been doing since Venus and what my plans were. “No particular plans,” I told him. “Why?” He looked me over. “How much do you weigh, Peter?” I told him one-thirty-five. “That much!” he said. “Well, there can’t be much fat on you, at any rate. How do you take heat?” “You should know,” I said. “Venus was no icebox.” “No, I mean real heat.” Then I began to get it. “You’re planning a trip.” “That’s right. A hot trip.” He grinned at me. “Might be dangerous, too.” “What trip?” “Brightside of Mercury,” the Major said. I whistled cautiously. “At aphelion?” He threw his head back. “Why try a Crossing at aphelion? What have you done then? Four thousand miles of butcherous heat, just to have some joker come along, use your data and drum you out of the glory by crossing at perihelion forty-four days later? No, thanks. I want the Brightside without any nonsense about it.” He leaned across me eagerly. “I want to make a Crossing at perihelion and I want to cross on the surface. If a man can do that, he’s got Mercury. Until then, nobody’s got Mercury. I want Mercury—but I’ll need help getting it.” I’d thought of it a thousand times and never dared consider it. Nobody had, since Wyatt and Carpenter disappeared. Mercury turns on its axis in the same time that it wheels around the Sun, which means that the Brightside is always facing in. That makes the Brightside of Mercury at perihelion the hottest place in the Solar System, with one single exception: the surface of the Sun itself. It would be a hellish trek. Only a few men had ever learned just how hellish and they never came back to tell about it. It was a real hell’s Crossing, but someday, I thought, somebody would cross it. I wanted to be along. The Twilight Lab, near the northern pole of Mercury, was the obvious jumping-off place. The setup there wasn’t very extensive—a rocket landing, the labs and quarters for Sanderson’s crew sunk deep into the crust, and the tower that housed the Solar ’scope that Sanderson had built up there ten years before. Twilight Lab wasn’t particularly interested in the Brightside, of course—the Sun was Sanderson’s baby and he’d picked Mercury as the closest chunk of rock to the Sun that could hold his observatory. He’d chosen a good location, too. On Mercury, the Brightside temperature hits 770° F. at perihelion and the Darkside runs pretty constant at -410° F. No permanent installation with a human crew could survive at either extreme. But with Mercury’s wobble, the twilight zone between Brightside and Darkside offers something closer to survival temperatures. Sanderson built the Lab up near the pole, where the zone is about five miles wide, so the temperature only varies 50 to 60 degrees with the libration. The Solar ’scope could take that much change and they’d get good clear observation of the Sun for about seventy out of the eighty-eight days it takes the planet to wheel around. The Major was counting on Sanderson knowing something about Mercury as well as the Sun when we camped at the Lab to make final preparations. Sanderson did. He thought we’d lost our minds and he said so, but he gave us all the help he could. He spent a week briefing Jack Stone, the third member of our party, who had arrived with the supplies and equipment a few days earlier. Poor Jack met us at the rocket landing almost bawling, Sanderson had given him such a gloomy picture of what Brightside was like. Stone was a youngster—hardly twenty-five, I’d say—but he’d been with the Major at Vulcan and had begged to join this trek. I had a funny feeling that Jack really didn’t care for exploring too much, but he thought Mikuta was God, followed him around like a puppy. It didn’t matter to me as long as he knew what he was getting in for. You don’t go asking people in this game why they do it—they’re liable to get awfully uneasy and none of them can ever give you an answer that makes sense. Anyway, Stone had borrowed three men from the Lab, and had the supplies and equipment all lined up when we got there, ready to check and test. We dug right in. With plenty of funds—tri-V money and some government cash the Major had talked his way around—our equipment was new and good. Mikuta had done the designing and testing himself, with a big assist from Sanderson. We had four Bugs, three of them the light pillow-tire models, with special lead-cooled cut-in engines when the heat set in, and one heavy-duty tractor model for pulling the sledges. The Major went over them like a kid at the circus. Then he said, “Have you heard anything from McIvers?” “Who’s he?” Stone wanted to know. “He’ll be joining us. He’s a good man—got quite a name for climbing, back home.” The Major turned to me. “You’ve probably heard of him.” I’d heard plenty of stories about Ted McIvers and I wasn’t too happy to hear that he was joining us. “Kind of a daredevil, isn’t he?” “Maybe. He’s lucky and skillful. Where do you draw the line? We’ll need plenty of both.” “Have you ever worked with him?” I asked. “No. Are you worried?” “Not exactly. But Brightside is no place to count on luck.” The Major laughed. “I don’t think we need to worry about McIvers. We understood each other when I talked up the trip to him and we’re going to need each other too much to do any fooling around.” He turned back to the supply list. “Meanwhile, let’s get this stuff listed and packed. We’ll need to cut weight sharply and our time is short. Sanderson says we should leave in three days.” Two days later, McIvers hadn’t arrived. The Major didn’t say much about it. Stone was getting edgy and so was I. We spent the second day studying charts of the Brightside, such as they were. The best available were pretty poor, taken from so far out that the detail dissolved into blurs on blow-up. They showed the biggest ranges of peaks and craters and faults, and that was all. Still, we could use them to plan a broad outline of our course. “This range here,” the Major said as we crowded around the board, “is largely inactive, according to Sanderson. But these to the south and west could be active. Seismograph tracings suggest a lot of activity in that region, getting worse down toward the equator—not only volcanic, but sub-surface shifting.” Stone nodded. “Sanderson told me there was probably constant surface activity.” The Major shrugged. “Well, it’s treacherous, there’s no doubt of it. But the only way to avoid it is to travel over the Pole, which would lose us days and offer us no guarantee of less activity to the west. Now we might avoid some if we could find a pass through this range and cut sharp east—” It seemed that the more we considered the problem, the further we got from a solution. We knew there were active volcanoes on the Brightside—even on the Darkside, though surface activity there was pretty much slowed down and localized. But there were problems of atmosphere on Brightside, as well. There was an atmosphere and a constant atmospheric flow from Brightside to Darkside. Not much—the lighter gases had reached escape velocity and disappeared from Brightside millennia ago—but there was CO 2 , and nitrogen, and traces of other heavier gases. There was also an abundance of sulfur vapor, as well as carbon disulfide and sulfur dioxide. The atmospheric tide moved toward the Darkside, where it condensed, carrying enough volcanic ash with it for Sanderson to estimate the depth and nature of the surface upheavals on Brightside from his samplings. The trick was to find a passage that avoided those upheavals as far as possible. But in the final analysis, we were barely scraping the surface. The only way we would find out what was happening where was to be there. Finally, on the third day, McIvers blew in on a freight rocket from Venus. He’d missed the ship that the Major and I had taken by a few hours, and had conned his way to Venus in hopes of getting a hop from there. He didn’t seem too upset about it, as though this were his usual way of doing things and he couldn’t see why everyone should get so excited. He was a tall, rangy man with long, wavy hair prematurely gray, and the sort of eyes that looked like a climber’s—half-closed, sleepy, almost indolent, but capable of abrupt alertness. And he never stood still; he was always moving, always doing something with his hands, or talking, or pacing about. Evidently the Major decided not to press the issue of his arrival. There was still work to do, and an hour later we were running the final tests on the pressure suits. That evening, Stone and McIvers were thick as thieves, and everything was set for an early departure after we got some rest. “And that,” said Baron, finishing his drink and signaling the waiter for another pair, “was your first big mistake.” Peter Claney raised his eyebrows. “McIvers?” “Of course.” Claney shrugged, glanced at the small quiet tables around them. “There are lots of bizarre personalities around a place like this, and some of the best wouldn’t seem to be the most reliable at first glance. Anyway, personality problems weren’t our big problem right then. Equipment worried us first and route next.” Baron nodded in agreement. “What kind of suits did you have?” “The best insulating suits ever made,” said Claney. “Each one had an inner lining of a fiberglass modification, to avoid the clumsiness of asbestos, and carried the refrigerating unit and oxygen storage which we recharged from the sledges every eight hours. Outer layer carried a monomolecular chrome reflecting surface that made us glitter like Christmas trees. And we had a half-inch dead-air space under positive pressure between the two layers. Warning thermocouples, of course—at 770 degrees, it wouldn’t take much time to fry us to cinders if the suits failed somewhere.” “How about the Bugs?” “They were insulated, too, but we weren’t counting on them too much for protection.” “You weren’t!” Baron exclaimed. “Why not?” “We’d be in and out of them too much. They gave us mobility and storage, but we knew we’d have to do a lot of forward work on foot.” Claney smiled bitterly. “Which meant that we had an inch of fiberglass and a half-inch of dead air between us and a surface temperature where lead flowed like water and zinc was almost at melting point and the pools of sulfur in the shadows were boiling like oatmeal over a campfire.” Baron licked his lips. His fingers stroked the cool, wet glass as he set it down on the tablecloth. “Go on,” he said tautly. “You started on schedule?” “Oh, yes,” said Claney, “we started on schedule, all right. We just didn’t quite end on schedule, that was all. But I’m getting to that.” He settled back in his chair and continued. We jumped off from Twilight on a course due southeast with thirty days to make it to the Center of Brightside. If we could cross an average of seventy miles a day, we could hit Center exactly at perihelion, the point of Mercury’s closest approach to the Sun—which made Center the hottest part of the planet at the hottest it ever gets. The Sun was already huge and yellow over the horizon when we started, twice the size it appears on Earth. Every day that Sun would grow bigger and whiter, and every day the surface would get hotter. But once we reached Center, the job was only half done—we would still have to travel another two thousand miles to the opposite twilight zone. Sanderson was to meet us on the other side in the Laboratory’s scout ship, approximately sixty days from the time we jumped off. That was the plan, in outline. It was up to us to cross those seventy miles a day, no matter how hot it became, no matter what terrain we had to cross. Detours would be dangerous and time-consuming. Delays could cost us our lives. We all knew that. The Major briefed us on details an hour before we left. “Peter, you’ll take the lead Bug, the small one we stripped down for you. Stone and I will flank you on either side, giving you a hundred-yard lead. McIvers, you’ll have the job of dragging the sledges, so we’ll have to direct your course pretty closely. Peter’s job is to pick the passage at any given point. If there’s any doubt of safe passage, we’ll all explore ahead on foot before we risk the Bugs. Got that?” McIvers and Stone exchanged glances. McIvers said: “Jack and I were planning to change around. We figured he could take the sledges. That would give me a little more mobility.” The Major looked up sharply at Stone. “Do you buy that, Jack?” Stone shrugged. “I don’t mind. Mac wanted—” McIvers made an impatient gesture with his hands. “It doesn’t matter. I just feel better when I’m on the move. Does it make any difference?” “I guess it doesn’t,” said the Major. “Then you’ll flank Peter along with me. Right?” “Sure, sure.” McIvers pulled at his lower lip. “Who’s going to do the advance scouting?” “It sounds like I am,” I cut in. “We want to keep the lead Bug light as possible.” Mikuta nodded. “That’s right. Peter’s Bug is stripped down to the frame and wheels.” McIvers shook his head. “No, I mean the advance work. You need somebody out ahead—four or five miles, at least—to pick up the big flaws and active surface changes, don’t you?” He stared at the Major. “I mean, how can we tell what sort of a hole we may be moving into, unless we have a scout up ahead?” “That’s what we have the charts for,” the Major said sharply. “Charts! I’m talking about detail work. We don’t need to worry about the major topography. It’s the little faults you can’t see on the pictures that can kill us.” He tossed the charts down excitedly. “Look, let me take a Bug out ahead and work reconnaissance, keep five, maybe ten miles ahead of the column. I can stay on good solid ground, of course, but scan the area closely and radio back to Peter where to avoid the flaws. Then—” “No dice,” the Major broke in. “But why not? We could save ourselves days!” “I don’t care what we could save. We stay together. When we get to the Center, I want live men along with me. That means we stay within easy sight of each other at all times. Any climber knows that everybody is safer in a party than one man alone—any time, any place.” McIvers stared at him, his cheeks an angry red. Finally he gave a sullen nod. “Okay. If you say so.” “Well, I say so and I mean it. I don’t want any fancy stuff. We’re going to hit Center together, and finish the Crossing together. Got that?” McIvers nodded. Mikuta then looked at Stone and me and we nodded, too. “All right,” he said slowly. “Now that we’ve got it straight, let’s go.” It was hot. If I forget everything else about that trek, I’ll never forget that huge yellow Sun glaring down, without a break, hotter and hotter with every mile. We knew that the first few days would be the easiest and we were rested and fresh when we started down the long ragged gorge southeast of the Twilight Lab. I moved out first; back over my shoulder, I could see the Major and McIvers crawling out behind me, their pillow tires taking the rugged floor of the gorge smoothly. Behind them, Stone dragged the sledges. Even at only 30 per cent Earth gravity they were a strain on the big tractor, until the ski-blades bit into the fluffy volcanic ash blanketing the valley. We even had a path to follow for the first twenty miles. I kept my eyes pasted to the big polaroid binocs, picking out the track the early research teams had made out into the edge of Brightside. But in a couple of hours we rumbled past Sanderson’s little outpost observatory and the tracks stopped. We were in virgin territory and already the Sun was beginning to bite. We didn’t feel the heat so much those first days out. We saw it. The refrig units kept our skins at a nice comfortable seventy-five degrees Fahrenheit inside our suits, but our eyes watched that glaring Sun and the baked yellow rocks going past, and some nerve pathways got twisted up, somehow. We poured sweat as if we were in a superheated furnace. We drove eight hours and slept five. When a sleep period came due, we pulled the Bugs together into a square, threw up a light aluminum sun-shield and lay out in the dust and rocks. The sun-shield cut the temperature down sixty or seventy degrees, for whatever help that was. And then we ate from the forward sledge—sucking through tubes—protein, carbohydrates, bulk gelatin, vitamins. The Major measured water out with an iron hand, because we’d have drunk ourselves into nephritis in a week otherwise. We were constantly, unceasingly thirsty. Ask the physiologists and psychiatrists why—they can give you have a dozen interesting reasons—but all we knew, or cared about, was that it happened to be so. We didn’t sleep the first few stops, as a consequence. Our eyes burned in spite of the filters and we had roaring headaches, but we couldn’t sleep them off. We sat around looking at each other. Then McIvers would say how good a beer would taste, and off we’d go. We’d have murdered our grandmothers for one ice-cold bottle of beer. After a few driving periods, I began to get my bearings at the wheel. We were moving down into desolation that made Earth’s old Death Valley look like a Japanese rose garden. Huge sun-baked cracks opened up in the floor of the gorge, with black cliffs jutting up on either side; the air was filled with a barely visible yellowish mist of sulfur and sulfurous gases. It was a hot, barren hole, no place for any man to go, but the challenge was so powerful you could almost feel it. No one had ever crossed this land before and escaped. Those who had tried it had been cruelly punished, but the land was still there, so it had to be crossed. Not the easy way. It had to be crossed the hardest way possible: overland, through anything the land could throw up to us, at the most difficult time possible. Yet we knew that even the land might have been conquered before, except for that Sun. We’d fought absolute cold before and won. We’d never fought heat like this and won. The only worse heat in the Solar System was the surface of the Sun itself. Brightside was worth trying for. We would get it or it would get us. That was the bargain. I learned a lot about Mercury those first few driving periods. The gorge petered out after a hundred miles and we moved onto the slope of a range of ragged craters that ran south and east. This range had shown no activity since the first landing on Mercury forty years before, but beyond it there were active cones. Yellow fumes rose from the craters constantly; their sides were shrouded with heavy ash. We couldn’t detect a wind, but we knew there was a hot, sulfurous breeze sweeping in great continental tides across the face of the planet. Not enough for erosion, though. The craters rose up out of jagged gorges, huge towering spears of rock and rubble. Below were the vast yellow flatlands, smoking and hissing from the gases beneath the crust. Over everything was gray dust—silicates and salts, pumice and limestone and granite ash, filling crevices and declivities—offering a soft, treacherous surface for the Bug’s pillow tires. I learned to read the ground, to tell a covered fault by the sag of the dust; I learned to spot a passable crack, and tell it from an impassable cut. Time after time the Bugs ground to a halt while we explored a passage on foot, tied together with light copper cable, digging, advancing, digging some more until we were sure the surface would carry the machines. It was cruel work; we slept in exhaustion. But it went smoothly, at first. Too smoothly, it seemed to me, and the others seemed to think so, too. McIvers’ restlessness was beginning to grate on our nerves. He talked too much, while we were resting or while we were driving; wisecracks, witticisms, unfunny jokes that wore thin with repetition. He took to making side trips from the route now and then, never far, but a little further each time. Jack Stone reacted quite the opposite; he grew quieter with each stop, more reserved and apprehensive. I didn’t like it, but I figured that it would pass off after a while. I was apprehensive enough myself; I just managed to hide it better. And every mile the Sun got bigger and whiter and higher in the sky and hotter. Without our ultra-violet screens and glare filters we would have been blinded; as it was our eyes ached constantly and the skin on our faces itched and tingled at the end of an eight-hour trek. But it took one of those side trips of McIvers’ to deliver the penultimate blow to our already fraying nerves. He had driven down a side-branch of a long canyon running off west of our route and was almost out of sight in a cloud of ash when we heard a sharp cry through our earphones. I wheeled my Bug around with my heart in my throat and spotted him through the binocs, waving frantically from the top of his machine. The Major and I took off, lumbering down the gulch after him as fast as the Bugs could go, with a thousand horrible pictures racing through our minds.... We found him standing stock-still, pointing down the gorge and, for once, he didn’t have anything to say. It was the wreck of a Bug; an old-fashioned half-track model of the sort that hadn’t been in use for years. It was wedged tight in a cut in the rock, an axle broken, its casing split wide open up the middle, half-buried in a rock slide. A dozen feet away were two insulated suits with white bones gleaming through the fiberglass helmets. This was as far as Wyatt and Carpenter had gotten on their Brightside Crossing. On the fifth driving period out, the terrain began to change. It looked the same, but every now and then it felt different. On two occasions I felt my wheels spin, with a howl of protest from my engine. Then, quite suddenly, the Bug gave a lurch; I gunned my motor and nothing happened. I could see the dull gray stuff seeping up around the hubs, thick and tenacious, splattering around in steaming gobs as the wheels spun. I knew what had happened the moment the wheels gave and, a few minutes later, they chained me to the tractor and dragged me back out of the mire. It looked for all the world like thick gray mud, but it was a pit of molten lead, steaming under a soft layer of concealing ash. I picked my way more cautiously then. We were getting into an area of recent surface activity; the surface was really treacherous. I caught myself wishing that the Major had okayed McIvers’ scheme for an advanced scout; more dangerous for the individual, maybe, but I was driving blind now and I didn’t like it. One error in judgment could sink us all, but I wasn’t thinking much about the others. I was worried about me , plenty worried. I kept thinking, better McIvers should go than me. It wasn’t healthy thinking and I knew it, but I couldn’t get the thought out of my mind. It was a grueling eight hours and we slept poorly. Back in the Bug again, we moved still more slowly—edging out on a broad flat plateau, dodging a network of gaping surface cracks—winding back and forth in an effort to keep the machines on solid rock. I couldn’t see far ahead, because of the yellow haze rising from the cracks, so I was almost on top of it when I saw a sharp cut ahead where the surface dropped six feet beyond a deep crack. I let out a shout to halt the others; then I edged my Bug forward, peering at the cleft. It was deep and wide. I moved fifty yards to the left, then back to the right. There was only one place that looked like a possible crossing; a long, narrow ledge of gray stuff that lay down across a section of the fault like a ramp. Even as I watched it, I could feel the surface crust under the Bug trembling and saw the ledge shift over a few feet.
train	51249	[ "Why did the story open the way it did?", "Who is most likely to end up going to Jupiter?", "Which word least describes Charlie?", "What isn't a reason for Ben to want to be a rocketman?", "What isn't a reason that Charlie came to visit?", "Which isn't true?", "Why didn't Laura say yes?", "What isn't true about Charlie?", "What finally helped Ben make his final decision?", "Why did Ben leave with two rings?" ]	[ [ "to show how frustrated he was with space", "because his training was good and bad", "because that was how long he'd been away from Laura", "to describe how torn Ben was in his decisions" ], [ "Mickey", "Dean Dawson", "Ben", "Charlie" ], [ "proud", "sick", "experienced", "regretful" ], [ "he wanted to be the best for Laura", "he wants to travel to unexplored places", "he didn't have family to come home to", "he wanted to be like Stardust Charlie" ], [ "he wanted to convince him to stay on Earth", "he cared for him like a father", "he wanted to celebrate Ben's graduation", "he wanted to say goodbye" ], [ "Stardust Charlie was proud of Ben", "Mickey is jealous of Ben's future job", "Laura was hoping to settle down with Ben", "Ben wants to travel to other planets" ], [ "she isn't interested in marrying Ben", "Mickey wouldn't want that", "she was jealous of Ben's future plans", "she knows he wants to go to space" ], [ "he was a great space traveler ", "he regretted the life he chose", "he drugged himself to watch Ben graduate", "he was sick with lung-rot" ], [ "finding out Charlie was dead", "spending the evening with Laura", "looking at the box Charlie left him", "talking to Dean Dawson on the visiphone" ], [ "to symbolize the life he's giving up", "to represent his marriage to Luna", "to remind him to come home and get married", "to honor Stardust Charlie" ] ]	[ 4, 3, 4, 1, 1, 2, 4, 2, 3, 1 ]	[ 0, 0, 0, 1, 0, 0, 0, 0, 1, 1 ]	Spacemen Die at Home By EDWARD W. LUDWIG Illustrated by THORNE [Transcriber's Note: This etext was produced from Galaxy Science Fiction October 1951. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] One man's retreat is another's prison ... and it takes a heap of flying to make a hulk a home! Forty days of heaven and forty nights of hell. That's the way it's been, Laura. But how can I make you understand? How can I tell you what it's like to be young and a man and to dream of reaching the stars? And yet, at the same time, to be filled with a terrible, gnawing fear—a fear locked in my mind during the day and bursting out like an evil jack-in-the-box at night. I must tell you, Laura. Perhaps if I start at the beginning, the very beginning.... It was the Big Day. All the examinations, the physicals and psychos, were over. The Academy, with its great halls and classrooms and laboratories, lay hollow and silent, an exhausted thing at sleep after spawning its first-born. For it was June in this year of 1995, and we were the graduating class of the U. S. Academy of Interplanetary Flight. The first graduating class, Laura. That's why it was so important, because we were the first . We sat on a little platform, twenty-five of us. Below us was a beach of faces, most of them strange, shining like pebbles in the warm New Mexican sunlight. They were the faces of mothers and fathers and grandparents and kid brothers and sisters—the people who a short time ago had been only scrawled names on letters from home or words spoken wistfully at Christmas. They were the memory-people who, to me, had never really existed. But today they had become real, and they were here and looking at us with pride in their eyes. A voice was speaking, deep, sure, resonant. "... these boys have worked hard for six years, and now they're going to do a lot of big things. They're going to bring us the metals and minerals that we desperately need. They're going to find new land for our colonists, good rich land that will bear food and be a home for our children. And perhaps most important of all, they'll make other men think of the stars and look up at them and feel humility—for mankind needs humility." The speaker was Robert Chandler, who'd brought the first rocket down on Mars just five years ago, who'd established the first colony there, and who had just returned from his second hop to Venus. Instead of listening to his words, I was staring at his broad shoulders and his dark, crew-cut hair and his white uniform which was silk-smooth and skin-tight. I was worshiping him and hating him at the same time, for I was thinking: He's already reached Mars and Venus. Let him leave Jupiter and the others alone! Let us be the first to land somewhere! Let us be the first! Mickey Cameron, sitting next to me, dug an elbow into my ribs. "I don't see 'em, Ben," he whispered. "Where do you suppose they are?" I blinked. "Who?" "My folks." That was something I didn't have to worry about. My parents had died in a strato-jet crash when I was four, so I hadn't needed many of those "You are cordially invited" cards. Just one, which I'd sent to Charlie Taggart. Stardust Charlie, we called him, although I never knew why. He was a veteran of Everson's first trip to the Moon nearly twenty-five years ago, and he was still at it. He was Chief Jetman now on the Lunar Lady , a commercial ore ship on a shuttle between Luna City and White Sands. I remembered how, as a kid, I'd pestered him in the Long Island Spaceport, tagging after him like a puppy, and how he'd grown to like me until he became father, mother, and buddy all in one to me. And I remembered, too, how his recommendation had finally made me a cadet. My gaze wandered over the faces, but I couldn't find Charlie's. It wasn't surprising. The Lunar Lady was in White Sands now, but liberties, as Charlie said, were as scarce as water on Mars. It doesn't matter , I told myself. Then Mickey stiffened. "I see 'em, Ben! There in the fifth row!" Usually Mickey was the same whether in a furnace-hot engine room or a garden party, smiling, accepting whatever the world offered. But now a tenseness and an excitement had gripped even him. I was grateful that he was beside me; we'd been a good team during those final months at the Academy and I knew we'd be a good team in space. The Universe was mighty big, but with two of us to face it together, it would be only half as big. And then it seemed that all the proud faces were looking at us as if we were gods. A shiver went through my body. Though it was daytime, I saw the stars in my mind's vision, the great shining balls of silver, each like a voice crying out and pleading to be explored, to be touched by the sons of Earth. They expect a lot from us. They expect us to make a new kind of civilization and a better place out of Earth. They expect all this and a hell of a lot more. They think there's nothing we can't do. I felt very small and very humble. I was scared. Damned scared. At last it was over, and the proud faces descended upon us in a huge, babbling wave. Then I saw him. Good old Stardust Charlie. His wizened little body was shuffling down an aisle, his eyes shining like a child's. He'd been sandwiched, evidently, in one of the rear rows. But he wasn't the Charlie I'd seen a year ago. He'd become gaunt and old, and he walked with an unnatural stiffness. He looked so old that it was hard to believe he'd once been young. He scratched his mop of steel-gray hair and grinned. "You made it, boy," he chortled, "and by Jupiter, we'll celebrate tonight. Yes, siree, I got twenty-four hours, and we'll celebrate as good spacemen should!" Then Mickey strode up to us. He was his normal, boyish self again, walking lightly, his blond, curly-haired skull swaying as if in rhythm with some silent melody. And you, Laura, were with him. "Meet the Brat," he said. "My sister Laura." I stared almost rudely. You were like a doll lost in the immensity of your fluffy pink dress. Your hair was long and transformed into a golden froth where sunlight touched it. But your eyes were the eyes of a woman, glowing like dark stars and reflecting a softness, a gentleness that I'd never seen in eyes before. "I'm happy to meet you, Ben," you said. "I've heard of no one else for the past year." A tide of heat crept up from my collar. I stuttered through an introduction of Charlie. You and Mickey looked strangely at Charlie, and I realized that old Stardust was not a cadet's notion of the ideal spaceman. Charlie scorned the skin-tight uniforms of the government service and wore a shiny black suit that was a relic of Everson's early-day Moon Patrol. His tie was clumsily knotted, and a button on his coat was missing. And the left side of his face was streaked with dark scar tissue, the result of an atomic blowup on one of the old Moon ships. I was so accustomed to the scars, I was seldom aware of them; but others, I knew, would find them ugly. You were kind. You shook hands and said, softly: "It's a privilege to meet you, Charlie. Just think—one of Everson's men, one of the first to reach the Moon!" Charlie gulped helplessly, and Mickey said: "Still going to spend the weekend with us, aren't you, Ben?" I shook my head. "Charlie has only twenty-four hours liberty. We're planning to see the town tonight." "Why don't you both come with us?" you asked. "Our folks have their own plane, so it would be no problem. And we've got a big guest room. Charlie, wouldn't you like a home-cooked meal before going back to the Moon?" Charlie's answer was obscured by a sudden burst of coughing. I knew that he'd infinitely prefer to spend his liberty sampling Martian fizzes and Plutonian zombies. But this night seemed too sacred for Charlie's kind of celebration. "We'd really like to come," I said. On our way to the 'copter parking field, Dean Dawson passed us. He was a tall, willowy man, spectacled, looking the way an academy professor should look. "Ben," he called, "don't forget that offer. Remember you've got two months to decide." "No, thanks," I answered. "Better not count on me." A moment later Mickey said, frowning, "What was he talking about, Ben? Did he make you an offer?" I laughed. "He offered me a job here at the Academy teaching astrogation. What a life that would be! Imagine standing in a classroom for forty years when I've got the chance to—" I hesitated, and you supplied the right words: "When you've got the chance to be the first to reach a new planet. That's what most of you want, isn't it? That's what Mickey used to want." I looked at you as if you were Everson himself, because you seemed to understand the hunger that could lie in a man's heart. Then your last words came back and jabbed me: "That's what Mickey used to want." " Used to want?" I asked. "What do you mean?" You bit your lip, not answering. "What did she mean, Mickey?" Mickey looked down at his feet. "I didn't want to tell you yet, Ben. We've been together a long time, planning to be on a rocket. But—" "Yes?" "Well, what does it add up to? You become a spaceman and wear a pretty uniform. You wade through the sands of Mars and the dust of Venus. If you're lucky, you're good for five, maybe ten years. Then one thing or another gets you. They don't insure rocketmen, you know." My stomach was full of churning, biting ice. "What are you trying to say, Mickey?" "I've thought about it a long time. They want me for Cargo Supervisor of White Sands Port." He raised his hand to stop me. "I know. It's not so exciting. I'll just live a lot longer. I'm sorry, Ben." I couldn't answer. It was as if someone had whacked the back of my knees with the blast of a jet. "It doesn't change anything, Ben—right now, I mean. We can still have a good weekend." Charlie was muttering under his breath, smoldering like a bomb about to reach critical mass. I shook my head dazedly at him as we got to the 'copter. "Sure," I said to Mickey, "we can still have a good weekend." I liked your folks, Laura. There was no star-hunger in them, of course. They were simple and solid and settled, like green growing things, deep-rooted, belonging to Earth. They were content with a home that was cool on this warm summer night, with a 'copter and a tri-dimensional video, and a handsome automatic home that needed no servants or housework. Stardust Charlie was as comfortable as a Martian sand-monkey in a shower, but he tried courageously to be himself. At the dinner table he stared glassily at nothing and grated, "Only hit Mars once, but I'll never forget the kid who called himself a medic. Skipper started coughing, kept it up for three days. Whoopin' cough, the medic says, not knowin' the air had chemicals that turned to acid in your lungs. I'd never been to Mars before, but I knew better'n that. Hell, I says, that ain't whoopin' cough, that's lung-rot." That was when your father said he wasn't so hungry after all. Afterward, you and I walked onto the terrace, into the moonlit night, to watch for crimson-tailed continental rockets that occasionally streaked up from White Sands. We gazed for a few seconds up into the dark sky, and then you said: "Charlie is funny, isn't he? He's nice and I'm glad he's here, but he's sort of funny." "He's an old-time spaceman. You didn't need much education in those days, just a lot of brawn and a quick mind. It took guts to be a spaceman then." "But he wasn't always a spaceman. Didn't he ever have a family?" I smiled and shook my head. "If he had, he never mentioned it. Charlie doesn't like to be sentimental, at least not on the outside. As far as I know, his life began when he took off for the Moon with Everson." You stared at me strangely, almost in a sacred kind of way. I knew suddenly that you liked me, and my heart began to beat faster. There was silence. You were lovely, your soft hair like strands of gold, and there were flecks of silver in your dark eyes. Somehow I was afraid. I had the feeling that I shouldn't have come here. You kept looking at me until I had to ask: "What are you thinking, Laura?" You laughed, but it was a sad, fearful laugh. "No, I shouldn't be thinking it. You'd hate me if I told you, and I wouldn't want that." "I could never hate you." "It—it's about the stars," you said very softly. "I understand why you want to go to them. Mickey and I used to dream about them when we were kids. Of course I was a girl, so it was just a game to me. But once I dreamed of going to England. Oh, it was going to be so wonderful. I lived for months, just thinking about it. "One summer we went. I had fun. I saw the old buildings and castles, and the spaceports and the Channel Tube. But after it was over, I realized England wasn't so different from America. Places seem exciting before you get to them, and afterward they're not really." I frowned. "And you mean it might be the same with the stars? You think maybe I haven't grown up yet?" Anxiety darkened your features. "No, it'd be good to be a spaceman, to see the strange places and make history. But is it worth it? Is it worth the things you'd have to give up?" I didn't understand at first, and I wanted to ask, "Give up what ?" Then I looked at you and the promise in your eyes, and I knew. All through the years I'd been walking down a single, narrow path. Government boarding school, the Academy, my eyes always upward and on the stars. Now I'd stumbled into a cross-roads, beholding a strange new path that I'd never noticed before. You can go into space , I thought, and try to do as much living in ten years as normal men do in fifty. You can be like Everson, who died in a Moon crash at the age of 36, or like a thousand others who lie buried in Martian sand and Venusian dust. Or, if you're lucky, like Charlie—a kind of human meteor streaking through space, eternally alone, never finding a home. Or there's the other path. To stay on this little prison of an Earth in cool, comfortable houses. To be one of the solid, rooted people with a wife and kids. To be one of the people who live long enough to grow old, who awake to the song of birds instead of rocket grumblings, who fill their lungs with the clean rich air of Earth instead of poisonous dust. "I'm sorry," you said. "I didn't mean to make you sad, Ben." "It's all right," I said, clenching my fists. "You made sense—a lot of sense." The next morning Charlie said good-bye in our room. He rubbed his scarred face nervously as he cleared his throat with a series of thin, tight coughs. Then he pointed to a brown, faded tin box lying on the bed. "I'm leavin' that for you. It's full of old stuff, souvenirs mostly. Thought maybe you'd like to have 'em." I scowled, not understanding. "Why, Charlie? What for?" He shrugged as if afraid he might be accused of sentimentality. "Oh, it's just that I've been dodgin' meteors now for twenty-five years. That's a long time, boy. Ain't one spaceman in a thousand that lucky. Some of these days, I won't be so lucky." I tried to laugh. "You're good for another twenty-five years, Charlie." He shook his head stiffly, staring at nothing. "Maybe. Anyway, I'm gonna get off the Shuttle this time, make one more trip to Mars. Tell you what. There's a little stone cafe on Mars, the Space Rat , just off Chandler Field on the Grand Canal. When you get to Mars, take a look inside. I'll probably be there." He coughed again, a deep, rasping cough that filled his eyes with tears. "Not used to this Earth air," he muttered. "What I need's some Martian climate." Suddenly that cough frightened me. It didn't seem normal. I wondered, too, about his stiff movements and glassy stare. It was as if he were drugged. I shook the thought away. If Charlie was sick, he wouldn't talk about going to Mars. The medics wouldn't let him go even as far as Luna. We watched him leave, you and Mickey and I. "When will you be back?" you asked. Charlie's hard face contorted itself into a gargoylish grin. "Maybe a couple of months, maybe a couple of years. You know spacemen." Then he waved and strode away, a strange, gray, withered gnome of a man. I wanted him to say something, to tell me the secret that would kill the doubt worming through my brain. But he rounded a corner, still grinning and waving, and then he was gone. That afternoon Mickey showed me his room. It was more like a boy's room than a spaceman's. In it were all the little things that kids treasure—pennants, models of Everson's two ships, a tennis trophy, books, a home-made video. I began to realize how important a room like this could be to a boy. I could imagine, too, the happiness that parents felt as they watched their children grow to adulthood. I'd missed something. My folks were shadow-people, my impressions of them drawn half from ancient photos, half from imagination. For me, it had been a cold, automatic kind of life, the life of dormitories and routines and rules. I'd been so blinded by the brilliancy of my dreams, I hadn't realized I was different. My folks were killed in a rocket crash. If it weren't for rockets, I'd have lived the kind of life a kid should live. Mickey noticed my frown. "What's the matter, Ben? Still sore? I feel like a heel, but I'm just not like you and Charlie, I guess. I—" "No, I understand, Mickey. I'm not sore, really." "Listen, then. You haven't accepted any offer yet, have you?" "No. I got a couple of possibilities. Could get a berth on the Odyssey , the new ship being finished at Los Angeles. They want me, too, for the Moon Patrol, but that's old stuff, not much better than teaching. I want to be in deep space." "Well, how about staying with us till you decide? Might as well enjoy Earth life while you can. Okay?" I felt like running from the house, to forget that it existed. I wanted someone to tell me one of the old stories about space, a tale of courage that would put fuel on dying dreams. But I wanted, also, to be with you, Laura, to see your smile and the flecks of silver in your eyes and the way your nose turned upward ever so slightly when you laughed. You see, I loved you already, almost as much as I loved the stars. And I said, slowly, my voice sounding unfamiliar and far away, "Sure, I'll stay, Mickey. Sure." Forty days of joy, forty nights of fear and indecision. We did all the little things, like watching the rockets land at White Sands and flying down to the Gulf to swim in cool waters. You tried, unsuccessfully, to teach me to dance, and we talked about Everson and Charlie and the Moon and the stars. You felt you had to give the stars all the beauty and promise of a child's dream, because you knew that was what I wanted. One morning I thought, Why must I make a choice? Why can't I have both you and the stars? Would that be asking too much? All day the thought lay in my mind like fire. That evening I asked you to marry me. I said it very simply: "Laura, I want you to be my wife." You looked up at Venus, and you were silent for a long while, your face flushed. Then you murmured, "I—I want to marry you, Ben, but are you asking me to marry a spaceman or a teacher?" "Can't a spaceman marry, too?" "Yes, a spaceman can marry, but what would it be like? Don't you see, Ben? You'd be like Charlie. Gone for maybe two months, maybe two years. Then you'd have a twenty-four hour liberty—and I'd have what?" Somehow I'd expected words like these, but still they hurt. "I wouldn't have to be a spaceman forever. I could try it for a couple of years, then teach." "Would you, Ben? Would you be satisfied with just seeing Mars? Wouldn't you want to go on to Jupiter and Saturn and Uranus and on and on?" Your voice was choked, and even in the semi-darkness I saw tears glittering in your eyes. "Do you think I'd dare have children, Ben? Mickey told me what happened on the Cyclops . There was a leak in the atomic engines. The ship was flooded with radiation—just for a second. It didn't seem serious. The men had no burns. But a year later the captain had a child. And it was—" "I know, Laura. Don't say it." You had to finish. "It was a monster." That night I lay awake, the fears and doubts too frantic to let me sleep. You've got to decide now , I told myself. You can't stay here. You've got to make a choice. The teaching job was still open. The spot on the Odyssey was still open—and the big ship, it was rumored, was equipped to make it all the way to Pluto. You can take Dean Dawson's job and stay with Laura and have kids and a home and live to see what happens in this world sixty years from now. Or you can see what's on the other side of the mountain. You can be a line in a history book. I cursed. I knew what Charlie would say. He'd say, "Get the hell out of there, boy. Don't let a fool woman make a sucker out of you. Get out there on the Odyssey where you belong. We got a date on Mars, remember? At the Space Rat , just off Chandler Field on the Grand Canal." That's what he'd say. And yet I wanted you, Laura. I wanted to be with you, always. "Oh God," I moaned, "what shall I do?" Next morning the door chimes pealed, and you went to the door and brought back the audiogram. It was addressed to me; I wondered who could be sending me a message. I pressed the stud on the little gray cylinder, and a rasping, automatic voice droned: "Luna City, Luna, July 27, 1995. Regret to inform you of death of Charles Taggart, Chief Jetman...." Then there was a Latin name which was more polite than the word "lung-rot" and the metallic phrase, "This message brought to you by courtesy of United Nations Earth-Luna Communication Corps." I stood staring at the cylinder. Charles Taggart was dead. Charles Taggart was Charlie. Stardust Charlie. My heart thudded crazily against my chest. It couldn't be! Not Charlie! The audiogram had lied! I pressed the stud again. "... regret to inform you of death of Charles ..." I hurled the cylinder at the wall. It thudded, fell, rolled. The broken voice droned on. You ran to it, shut it off. "I'm sorry, Ben, so terribly—" Without answering, I walked into my room. I knew it was true now. I remembered Charlie's coughing, his gaunt features, his drugged gaze. The metallic words had told the truth. I sat for a long time on my bed, crying inside, but staring dry-eyed at Charlie's faded tin box. Then, finally, I fingered his meager possessions—a few wrinkled photos, some letters, a small black statue of a forgotten Martian god, a gold service medal from the Moon Patrol. This was what remained of Charlie after twenty-five years in space. It was a bitter bargain. A statue instead of a wife, yellowed letters instead of children, a medal instead of a home. It'd be a great future , I thought. You'd dream of sitting in a dingy stone dive on the Grand Canal with sand-wasps buzzing around smoky, stinking candles. A bottle of luchu juice and a couple of Martian girls with dirty feet for company. And a sudden cough that would be the first sign of lung-rot. To hell with it! I walked into your living room and called Dean Dawson on the visiphone. I accepted that job teaching. And now, Laura, it's nearly midnight. You're in your room, sleeping, and the house is silent. It's hard to tell you, to make you understand, and that is why I am writing this. I looked through Charlie's box again, more carefully this time, reading the old letters and studying the photographs. I believe now that Charlie sensed my indecision, that he left these things so that they could tell me what he could not express in words. And among the things, Laura, I found a ring. A wedding ring. In that past he never talked about, there was a woman—his wife. Charlie was young once, his eyes full of dreams, and he faced the same decision that I am facing. Two paths were before him, but he tried to travel both. He later learned what we already know—that there can be no compromise. And you know, too, which path he finally chose. Do you know why he had to drug himself to watch me graduate? So he could look at me, knowing that I would see the worlds he could never live to see. Charlie didn't leave just a few trinkets behind him. He left himself, Laura, for he showed me that a boy's dream can also be a man's dream. He made his last trip to Luna when he knew he was going to die. Heaven knows how he escaped a checkup. Maybe the captain understood and was kind—but that doesn't matter now. Do you know why he wanted to reach Mars? Do you know why he didn't want to die in the clean, cool air of Earth? It was because he wanted to die nearer home. His home, Laura, was the Universe, where the ship was his house, the crew his father, mother, brothers, the planets his children. You say that the beauty of the other side of the mountain vanishes after you reach it. But how can one ever be sure until the journey is made? Could I or Charlie or the thousand before us bear to look upon a star and think, I might have gone there; I could have been the first ? We said, too, that the life of a spaceman is lonely. Yet how could one be lonely when men like Charlie roam the spaceways? Charlie wanted me to himself that night after graduation. He wanted us to celebrate as spacemen should, for he knew that this would be his last night on Earth. It might have seemed an ugly kind of celebration to you, but he wanted it with all his heart, and we robbed him of it. Because of these things, Laura, I will be gone in the morning. Explain the best you can to Mickey and to your parents and Dean Dawson. Right now I've got a date that I'm going to keep—at a dingy stone cafe on Mars, the Space Rat , just off Chandler Field on the Grand Canal. Stardust Charlie will be there; he'll go with me in memory to whatever part of the Galaxy I may live to reach. And so will you, Laura. I have two wedding rings with me—his wife's ring and yours.
train	20032	[ "What do critiques 2 and 5 have in common?", "What theme would critiques 6 and 7 agree with?", "What would likely happen if Harris begins legally selling women's eggs?", "What isn't something Harris claims he'll do?", "What wouldn't 10 and 11 critics agree on?", "What would 12 and 13 critics agree on?", "What does 14 mention that no other critiques mention?", "Which word would the author not use to describe Harris?", "Which isn't true?" ]	[ [ "they both believe that the models won't be truthful", "they both believe that egg auctions will create beautiful babies", "they both believe that people will get their hopes too high", "they both believe that bad genes could come through" ], [ "beauty isn't everything", "people will do anything for beauty", "beauty is beneficial", "beauty is in the eye of the beholder" ], [ "he would have an influx of buyers", "he would have more egg donors than egg buyers", "he would make millions off of commissions", "no one would show interest in his website" ], [ "provide pictures of the egg donors", "guarantee the quality of the eggs he's selling", "take commission on all eggs sold", "make money off of monthly subscriptions" ], [ "Harris will do anything to make money", "Harris doesn't care about his donors", "Harris has gotten attention because of this plan", "Harris will make a lot of money from his website" ], [ "the internet needs to have a limit as to what it can do", "people are going to buy eggs and be disappointed", "buying and selling eggs online is unethical", "purchasing eggs online is a bad idea" ], [ "parents may be disappointed by the child born", "people aren't thinking about the long-term", "the children born may not be beautiful", "this may have a negative impact on the children" ], [ "shallow", "selfish", "intelligent", "motivated" ], [ "Ron Harris is looking for fame and fortune", "models aren't interested in giving Harris their eggs", "the critics don't agree with each other", "the critics believe the egg auction is bad" ] ]	[ 4, 1, 2, 2, 4, 4, 4, 3, 2 ]	[ 0, 0, 0, 1, 1, 0, 1, 0, 1 ]	eBabe This week, soft-porn entrepreneur Ron Harris began auctioning the eggs of fashion models on the Internet. His site, ronsangels.com (named after the 1970s' babe show Charlie's Angels ), invites visitors to "bid on eggs from beautiful, healthy and intelligent women." Like Dr. Richard Seed, who recently declared his intention to clone human beings, Harris has attracted the attention of the media and politicians who are "looking into" whether he can be stopped. Most people agree that Harris is a creep and that his site is an outrage. What they don't agree on is why. Here's what the critics have to say about the auction--and each other. 1. Egg auctions will produce designer babies. Harris cites his experience as a horse breeder and asks, "We bid for everything else in this society--why not eggs?" Alarmists, agreeing that Harris "can put you into your own designer baby by selling eggs," predict that his success will steer "the future of human breeding" toward "genetic engineering." 2. Egg auctions will fail to produce designer babies. While fretting about what will happen if Harris succeeds, fertility experts simultaneously debunk that scenario. "Not only is it ethically ludicrous, but the fact is, no kid's going to look like the model's picture," observes ethicist George Annas. The experts give four reasons. First, the child of an ugly man and a pretty woman is just as likely to be ugly as to be pretty. Second, everyone carries "recessive" genes, which are invisible in this generation but may become visible in the next. A model with a small nose can pass on genes for a big nose. Third, even if both parents are attractive, a child can combine their features unattractively. For example, a girl can inherit her mother's weak nose and her father's strong brow. 3. Egg auctions will promote the survival of the fittest. Doomsayers predict that once "beautiful eggs are available strictly to people who are willing to spend an ungodly sum for them," the rich will transform themselves into a "super-race" reminiscent of the Nazis. To this, Harris replies, "It is not our intention to suggest that we make a super society of only beautiful people. This site simply mirrors our current society, in that beauty usually goes to the highest bidder." But this reply only fuels concern that gradually, society will separate into "genetic haves and have nots." 4. Egg auctions will promote the survival of the unfittest. Harris writes that only men with "substantial financial resources" are fit to give his models' offspring "a financially secure and stable life." But skeptics wonder whether women who sell their eggs to the highest bidder--and men who buy these eggs for the sole purpose of spawning good-looking children--may produce children just as dysfunctional as themselves. As Calgary Sun columnist Sydney Sharpe put it, "Any woman ... who enters into this mephistophelian pact has a few screws loose. Maybe her kid will, too. Not to mention the buyers who sign her up." 5. Egg auctions will fail to promote the survival of the unfittest. Many models, if not most, have had cosmetic surgery. A model who is perfectly ruthless will conceal this fact when selling her eggs. (One of Harris' "angels" has already been caught lying about her age.) How does Harris know whether his models have had collagen injections and nose jobs? "There's no way to know that. You can ask the girl and hope she tells you the truth," he says. Annas concludes that since there's "no way to know how much of their beauty is a product of their genes, plastic surgery, a makeup artist, or exercise," only a "naive" person would buy their eggs on the basis of the photographs displayed on the site. "You don't want to see the models," he points out. "You want to see pictures of their parents." On this theory, children produced by the egg auction are likely to be the offspring of liars on one side and fools on the other. 6. Beauty doesn't convey health. Harris casually asserts that beauty "shows healthiness and longevity." On his site, he writes, " 'Natural Selection' is choosing genes that are healthy and beautiful." Skeptics question this assumed equivalence, noting that traits men find attractive in women these days--thinness, for example--are often unhealthy. When asked on the Today show how much "medical screening" he has given his egg donors, Harris answered, "None." 7. Beauty is less meaningful than intelligence. Harris says he's not the first person to market good genes. Others, he notes, have sold sperm and solicited eggs on the basis of the donor's intelligence. Harris' detractors reply that beauty is "superficial" and conveys a "harmful preoccupation with exterior appearances over intelligence and content of character." This critique is usually offered by a blow-dried TV interviewer who, after thanking Harris for his time, urges viewers to stay tuned for the movie starlet who will join the program after a brief commercial break. 8. Beauty is less useful than intelligence. Harris advertises beauty not as an end but as a means to "success," since people who are physically desirable get more attention, power, and favorable treatment. Having chided Harris for exalting social advantage over "character," critics turn around and adopt his ruthless logic. While conceding that beauty is useful, they argue that intelligence is a better weapon in today's meritocratic information economy--and that although Harris claims his models are "beautiful, healthy and intelligent," he offers no evidence of brains, such as IQ or SAT scores. London's Independent envisions "Bimbo births." A fertility expert shrugs, "If people want to spend $150,000 for the eggs of a gorgeous woman who has an IQ of 68, let them." 9. The auction exploits desperate buyers. Harris preaches pure capitalism, saying it's "unfair to put a limit on a girl's ability to make money" by auctioning her eggs. In turn, fertility clinic operators accuse Harris of "taking advantage of couples trying to conceive" and exploiting "desperate people ... susceptible to the dreams he is trying to sell." USA Today laments, "This is about human need. And human greed." 10. The auction exploits desperate sellers. By late Monday, Harris had only a handful of bids, and only one was verified as legitimate. On the other hand, 50 women had asked him to put their eggs up for auction. Gradually, the media concluded that the donors were the true victims. USA Today described the models as "struggling actresses," reported that they were unaware of the health risks of donating eggs, and quoted one as saying, "I'd rather do this than do Playboy or Penthouse ." Harris' sole verified bidder told the paper that selling eggs was "better than prostitution." Harris constantly refers to the donors as his "girls" and describes them like cattle--"We have a legitimate bid of $42,000 on one of the girls." He gets a 20 percent commission on each winning bid, though he takes no responsibility for executing financial transactions or medical procedures. "We have no control over the quality, safety or legality of the items advertised, the truth or accuracy of the listings, the ability of sellers to sell items or the ability of buyers to buy items," he stipulates. His role, he explains, is simply to "find beautiful girls, take beautiful photographs of them, [and] put them up on the Web." To some critics, the mystery isn't, as Harris suggests, how women throughout history have exploited their sexual power over men, but how pimps like him have come away with the profit. 11. The auction exploits voyeurs. The Washington Post thinks Harris isn't targeting either buyers or sellers. He's not serious about selling eggs, says the Post . He's just using the sex appeal of his models and the intriguing perversity of a human egg auction to drum up publicity and attract Internet traffic to his site, from which he can sell advertising and subscriptions ($24.95 a month to view profiles of the models), hawk his forthcoming book ( Naked Power ), and direct prurient visitors to his various porn sites. A spokesman for fertility doctors suspects that ronsangels.com is really aimed at "adolescent boys." 12. The Internet facilitates monstrous purchases. Technology watchdogs call the egg auction another chapter in the cultural slide marked by Jennycam (a Web site featuring live video of a young woman undressing and doing other normal activities in her apartment), the promised Webcast of a man and woman losing their virginity together (which turned out to be a hoax), and a human kidney auction that was conducted and aborted on eBay last month. "Ever since the Internet, it seems to snowball more rapidly, this depersonalization of people and selling of eggs," one fertility expert complains to the New York Times . USA Today says the egg auction "just might force an Internet-obsessed society to finally sit down and ask itself: Where is the Internet taking us?" 13. The Internet cheats people of their monstrous purchases. The only thing worse than buying human eggs on the Internet, according to the critics, is not getting the eggs you paid for. "When you have large transactions of this kind conducted over the Internet, there may be fraud," a computer crime expert warns USA Today . Lori Andrews, a reproductive technology lawyer, warns CNN viewers that "there's very little that you can do to prove that these eggs actually came from the donors that were expected," and "the Internet just adds ... a layer that it makes it even more difficult to scrutinize where the eggs are coming from." 14. Egg buyers will reap unintended consequences. Sophisticated skeptics point out that Harris' application of Darwin's theories to human professional success overlooks the interaction of genetics and human psychology. To begin with, if a child produced by Harris' auction fails to turn out as pretty as the buyer expected, the buyer may shun the child, or the child may grow to hate herself for disappointing her parents. (On the Today show, Harris said of this theory, "That's a pretty cynical view of human nature.") Second, if the child turns out pretty but doesn't want to be a beauty queen, her parents may force her in that direction anyway, thereby stifling her true talents and preventing her from becoming successful. Third, the child's good looks may attract too much attention of the wrong kind, eventually destroying her. Critics cite Elvis Presley and Marilyn Monroe as examples. 15. Other people's eggs don't pass on your genes. In defense of his auction, Harris quotes author Helen Fisher's statement that "having sex is the most important act of your life. This is how we get our genes to the next generation." But Harris seems to have overlooked the crucial words: "our genes." "The drive to send your own genes into tomorrow is much stronger than the [drive] to pick out of a sperm bank or egg site," Fisher observes. This consideration may not affect single men, but it can be a decisive turnoff for couples. On this view, Harris' mistake is not that he focuses too much on selfishness, but that he neglects it. He forgets that you don't care about reproducing unless what you're reproducing is yourself. 16. The power of beauty should be transcended, not exploited. Harris preaches that the world rewards beauty because it's human nature to favor those who are pleasant to look at, and therefore the way to have successful children is to make sure they're attractive. The most ambitious response is to attack the whole "prejudice" in favor of beauty. "The standards of beauty do vary with the culture. And they are social facts, not really genetics facts," says Hastings Center ethicist Bruce Jennings. Therefore, "we should think about" whether to "accept the existing prejudices and then try to eugenically manipulate them" or to transcend those prejudices. This critique challenges two precepts of Harris' worldview. First, while pretending to accept human nature as a given, he violates it by peddling strangers' eggs and encouraging the production of children who will probably never know their mothers. Family association, loyalty, and love are among the best parts of human nature. Slavish catering to physically attractive strangers is among the worst. If we're going to challenge human nature, the critics ask, why not start with the latter rather than the former? Second, Harris assumes that the perfection parents want in their children coincides with Darwinian perfection. "Every organism is trying to evolve to its most perfect state," he writes. What he doesn't seem to understand is that human beings aren't quite like other animals, just as the rest of the world isn't exactly like the modeling and soft-porn industries of Southern California. Humans have evolved to a stage at which our ideas about virtue, perfection, and success have become more than material. At least, most of us have.
train	20038	[ "Who is writing this?", "What is Jodie Allen most likely to say about Donald Trump?", "Who does Chatterbox likely agree the most with?", "What isn't something mentioned in multiple events?", "What isn't a place that the information came from?", "Which word best describes the writers of 2, 7, and 17?" ]	[ [ "Chatterbox", "a variety of people", "Dan Crist", "Chatterbox's readers" ], [ "I'd vote for him for president", "Donald should be proud of himself", "Donald deserves his negative rating", "the people's dislike for Donald was exaggerated" ], [ "Dan Crist", "Felicia", "Walt Mossberg", "Henry Cohen" ], [ "famous people", "politics", "technology", "world events" ], [ "news columnists", "viewers of his blog", "news shows", "anonymous writers" ], [ "optimistic", "enthusiastic", "sorrowful", "sarcastic" ] ]	[ 2, 3, 3, 3, 3, 4 ]	[ 1, 0, 1, 0, 1, 0 ]	Eleven-Twelfths of 1999 In Review When Chatterbox invited readers to nominate events, significant deaths, good and bad movies, etc., for 1999--a year likely to get little attention in the coming weeks, as news organizations choose instead to review the entire century or millennium--the response was overwhelming. Chatterbox had promised to publish his official "1999 In Review" item before Thanksgiving, but some distant memory of a scruple persuaded him to wait till November was over. Nothing ever happens in December. OK, that's not quite true. Hordes of protesters in Seattle are making the World Trade Organization's meeting there a much more exciting TV story than anyone expected it to be. Reader Dan Crist (who finds Chatterbox's habit of referring to himself in the third person "rather annoying and less than professional") points out that Japan bombed Pearl Harbor in Dec. 1941. Also, Chatterbox (moonlighting as "Today's Papers" columnist) observed not quite one year ago that the House of Representatives cast its second presidential-impeachment vote in U.S. history on Dec. 19, 1998. (That same news-filled day, the U.S. ended an air war against Iraq and Bob Livingston said he'd decided not to become House speaker after all.) Two months after the impeachment vote, the Senate failed to convict the president--a highly significant event of 1999 that, for some bizarre reason, slipped Chatterbox's mind until several indignant readers wrote in to remind him of it. By now, it should be clear that Chatterbox isn't much good at year-in-review journalism. Fortunately, Chatterbox's readers are very good at it. He will now turn this survey over to them. ( Disclaimer: Although Chatterbox previously stated that he wouldn't include opinions he disagreed with, that standard proved too confining. Where Chatterbox has solid information or opinions to the contrary, he occasionally interjects below. Obviously stupid or unnecessarily sour reader comments were discarded, but if you don't find your nominee below it doesn't necessarily mean that it was obviously stupid or unnecessarily sour. ) Here are 20 important things that happened in 1999: 1. Most Hated Celebrity--Ever? The New York Times reported on Nov. 10, 1999, that a new record had been set in the latest Times /CBS poll: [Its] highest negative rating ever scored by a person in the news. The honor went to Reform Party candidate Donald Trump, who managed to make an unfavorable impression upon some 70 percent of those polled. The paper noted that this achievement far eclipsed the last comparably negative rating--the 55 percent score attained by Linda Tripp. Presumably this came as no surprise to Mr. Trump, who, upon announcing the formation of a presidential exploratory committee on Oct. 7, 1999, had cited polls with "amazing results"--a remark that was widely misinterpreted at the time. -- Jodie Allen of U.S. News & World Report (and frequent Slate contributor) 2. Most Foolishly Ignored Parts of the World in 1999 The dog that did bark but no one noticed--the political turmoil in the three great South Asian nations of India, Pakistan, and Indonesia, which now are well on the way to passing the three northern Asian nations of China, Japan, and Russia in population (Indonesia is fourth, Pakistan just passed Japan to seventh, India will soon pass China to first). But Americans are still fixated on northern Asia--Clinton says he must deal with China, because "you can't ignore a billion people with nuclear weapons," but his own policy toward India shows that you sure can! --Jim Chapin 3. Worst/Best Films of 1999 Here's my nominee for worst movie of the year (complete category should be: "Worst Movie of the Year That Assumedly Adult Male Reviewers Slathered Over"): There's Something About Mary --a pathetically sophomoric, penis-obsessed mess that wouldn't even appeal to Larry Flynt! -- Felicia, Menlo Park, Cal. Chatterbox replies: You've got the wrong year. That was 1998 . [Chatterbox didn't have the heart to add that he thought There's Something About Mary was pretty funny, especially the joke about "the franks or the beans."] Felicia replies: Oops ... well then, the best of '99 was The Red Violin --lyrical, magical, musical, wonderful! [Chatterbox hasn't seen it.] 4. Most Shameless (and Unsuccessful) Attempt To Have It Both Ways in 1999 : Sen. Arlen Specter, citing Scottish law, finds Clinton "not proven" on the impeachment charges. --Andrew Solovay 5. Rest in Peace in 1999: Stanley Kubrick (multiple sources) John Kennedy Jr. (multiple sources) Susan Strasberg (anonymous tipster; Strasberg played Anne Frank in the original production of the Broadway adaptation, which some people think wasn't Jewish enough) Mel Torme (Steve Reiness) Mrs. Whozit [ Chatterbox interjects : her name was Anne Sheafe Miller], the first person ever to be saved by penicillin (Blair Bolles) 6. 1999: The Road Not Taken What an extraordinary year! A right-wing conspiracy topples the president, and the governor of Texas reveals himself in a series of debates to be a natural leader with an innate gift for connecting with his audience, a sure sign of his electoral success next year. A new Thomas Harris book brilliantly takes us deeper into the mind of a serial killer; a new Star Wars movie redefines the very nature of entertainment; a new Stanley Kubrick film changes the whole national dialogue about sex and marriage; a new TV series from the creator of SportsNight --oh, I can't even bring myself to bash that piece of do-gooder twaddle. If only McDonald's had come out with three more boldly adult-flavored hamburgers, it would have been a perfect year for dud megaevents--all leading up of course to Y2K, the limpest milestone in human history. --Mike Gebert 7 . Children Behaving Badly in 1999 Don't forget Woodstock 1999 --the concert of "peace and love" that ended in a literal blaze of glory when in an hours-long tribute to the original Woodstock, the mob started ripping down vendor booths and anything else that would burn and piling it onto the bonfires scattered about the scene. [ Chatterbox interjects: Didn't people get assaulted and raped, too?] I'm getting all sentimental just thinking about it. You also left out all the shooting rampages . Several were done in the name of God or love supposedly. They were all committed by "quiet, shy" people who "mostly kept to" themselves. I've started to hang around only loud, obnoxious people. --Susan Hoechstetter 8. A Lunatic Rhapsody for the New York Yankees The Yankees can actually be referred to as the glue that held the century together. Of course, as the 1999 World Series champions, they are a significant "story of the year." However, this one singular achievement must be considered in a broader context. 1999 represented the team's 25th championship of the century. This beats, by one, the most championships any one team won during the century. The Montreal Canadiens have won 23 Stanley Cups. However, the Yankees, an American team, playing in the "City of the Century" (so called by me to reflect the amazing growth and transformation of one city during this period), who play the "National Pastime," are truly an amazing story. The team's first championship occurred in 1921; therefore, they have won 25 of the last 78 years, nearly one in three. This level of sustained excellence is not matched in sports or in any other aspect of society. The 1999 win is possibly the most unique. With free-agency, expansion, and three levels of playoffs, it is much harder to win today than in past years. In fact, by winning three of the last four championships, they are the first team to accomplish this feat during the eras of free-agency and of divisional play. The Sultan of Swat, the Iron Man, the Yankee Clipper, the Mick, and Yogi--these strong, masculine names are synonymous with the team, the sport, and American history. They went hand in hand with two world wars, Superman, and America's superpower status. The 1999 squad does not feature "a name." This team, with its myriad of human-interest stories, its international roster, and no star, is representative of '90s man, male sensitivity, Pax American interests, and the new political paradigm. --Jim Landau from North Potomac, Md. (formerly of the Bronx) 9. A Big Shot Calls for Decriminalizing Drug Use in 1999 New Mexico Gov. Gary Johnson came out for ending drug prohibition. Though this by itself has no immediate effect, it makes it respectable, for the first time, for political leaders to discuss the subject, and thereby brings closer the day when the vast majority of crimes will no longer be committed, when billions of dollars will be freed to help the inner city instead of to ruin black people's lives, and when we will stop, as in Samuel Butler's Erewhon , imprisoning people for the crime of being sick. --Henry Cohen Chatterbox interjects: Didn't Baltimore Mayor Kurt Schmoke do the same thing 11 years ago? 10. Don't Worry in 1999 The Dalai Lama proclaimed that most important thing in the world is to be happy. --Margaret Taylor 11. The Athletic Bra Seen 'Round the World in 1999 Public interest and media attention to the women's World Cup in soccer. --Tom Horton 12. Another Overlooked Foreign-Policy Event in 1999 Presidential primary elections for the first time ever in Mexico. --Tom Horton 13. Policing the World Is Shown To Work in 1999 I nominate as the most under-reported story of the year (and the last few years) the continuing alarmist predictions by foreign-policy and military experts about peacekeeping efforts, which are then proved wrong and immediately forgotten. This year, the obvious one is Kosovo, but the year is also ending with East Timor, where the Aussies and their allies successfully stopped the slaughter with no casualties. These followed Haiti, Bosnia, and Rwanda as places where the West delayed sending in troops because of alarmist predictions. --Jerry Skurnik 14. Barbara Walters Did This One on Her Year-End Special, But It's Still Good Don't forget, Susan Lucci finally won an Emmy . --anonymous tipster 15. Annals of Justice in 1999 Matthew Shepard: the despicable defense . -- anonymous tipster 16. Get Me a New Century, Quick A sitting president was accused of rape. --Ananda Gupta Chatterbox interjects: Yes, but the evidence was shaky--something the Wall Street Journal 's editorial page, which broke the story, was not very forthcoming about. As Jack Shafer wrote in this column, Ronald Reagan, after he left office, was also accused of having once committed rape. The evidence there was shaky, too. 17. The Most Important Thing of All That Happened in 1999 In 1999, more than half of U.S. homes had a PC, for the first time (i.e., home-PC penetration passed 50 percent). Of course, most of these PCs crashed all the time, but it's still a significant development. By the way, Internet hookups in homes are still well below 50 percent. --Walt Mossberg, "Personal Technology" columnist for the Wall Street Journal (and occasional rock-music historian for this column) 18. All Dolled Up and Nowhere To Go in 1999 General Pinochet --Jodie Maurer 19. Senate Endorses Nuclear Proliferation in 1999 The Senate rejected the Comprehensive Test Ban Treaty , thereby decapitating nuclear-arms control and sending Iraq, Iran, and North Korea the message that the United States won't raise a big stink if they try to join India and Pakistan. The president woke up to this possibility at about the moment it was realized, and started lobbying for passage of the treaty a day after it became too late. --Josh Pollack 20. Unremarked Natural Disaster in 1999 The Indian Supercyclone is the biggest, this century at least. --Samir Raiyani Photographs of: Donald Trump by Peter Morgan/Reuters; Natalie Portman by Keith Hamshere/Lucasfilm Ltd./Reuters; New York Yankees players by Gary Hershorn/Reuters; KLA member by Hazir Reka/Reuters.
train	20019	[ "How didn't the article compare gambling to smoking cigarettes?", "What isn't the gambling industry willing to do?", "What is not something the article mentioned?", "What is a theme that could be taken from this text?", "Who wasn't in support of more gambling regulations?", "What did the gambling industry hope people saw when they came to Vegas?", "Who would the gambling industry least want to hear speak at their meeting?", "Which word least describes Tom Grey?", "What is the overall tone of the passage?" ]	[ [ "they both target youth", "it's a vice being exploited", "they both have huge financial lobbyists", "they're both very addictive" ], [ "regulate online gambling", "donate money for gambling-addiction research", "donate money to improve other areas of Las Vegas", "change their term to \"gaming\"" ], [ "internet gambling is something the commission may regulate heavier", "the gambling industry is funding political campaigns", "states are allowing more methods of gambling to happen", "the commission's research on the benefits of gambling taxes" ], [ "enough money can make anything happen", "it's important to see all sides of the story", "good always triumphs over evil", "if you stand for what you believe, you will win" ], [ "Kay Coles James", "Otis Harris", "Frank Fahrenkopf", "Tom Grey" ], [ "an innocent, happy entertainment center", "a huge money-making development", "the \"other side\" of Las Vegas", "a place where unions aren't needed" ], [ "a Nevada senator", "a \"narrow\"", "a Latina housekeeper", "a union representative" ], [ "straightforward", "jaded", "passionate", "persistent" ], [ "sympathetic", "optimistic", "hopeless", "vengeful" ] ]	[ 3, 3, 4, 1, 3, 1, 2, 2, 3 ]	[ 1, 1, 1, 1, 0, 0, 0, 0, 1 ]	Is <A NAME= Gambling's would-be federal regulators--the National Gambling Impact Study Commission--went to Las Vegas this week to hold hearings. In today's dispatch, we learn how gambling's foes seek to demonize wagering as a pernicious tobaccolike vice. In yesterday's dispatch, gambling's foes learn the folly of having brought their anti-sin crusade to an adult Disneyland. Tuesday's overpowering show of force by the Nevada gambling aristocracy has had at least one audible effect on the National Gambling Impact Study Commission. Wednesday, even commission Chair Kay Coles James, a gambling skeptic, succumbs to the hideous Vegas euphemism: She begins referring to the "gaming industry." After Tuesday's casino triumphalism, Wednesday is a comedown, eight hours of policy panels on teen gambling, compulsive gambling, gambling regulation, gambling marketing, and gambling credit practices. It is tough slogging, but for the first time I sense that this commission--though divided, underfunded, timid, and without any power beyond exhortation--isn't entirely useless. It may finally settle this question: Is gambling Hollywood or tobacco? Entertainment or vice? The sleek Vegas types, whose Strip palaces scramble casinos, theaters, restaurants, arcades, discos, cabarets, theme parks, concert halls, sports arenas, and museums into one giant orgy of amusement, have been selling the idea that gambling is just entertainment--Disney in the desert. This effort has largely succeeded, because Vegas is still the dominant image of American gambling, if not the dominant reality. The antis, meanwhile, cry that gambling is like cigarettes: unsafe for kids, viciously addictive, deceptively marketed, unhealthy, expensive, and unacceptable unless mightily regulated. Judging by today's hearings and by conversations with most of the commissioners, the tobacco model is winning. Today's panelists tell the commission that kids are starting to gamble too young and are getting addicted too easily, that compulsive gambling appears to be increasing as gambling spreads, that gambling marketing may be designed to addict customers, and that the industry exploits problem gamblers by allowing them to draw repeated credit card advances from ATMs on casino floors. The testimony clearly impresses the commissioners and seems especially to impress the three nonaligned commissioners who will be the swing votes on the June 1999 report. It is starting to become clear what that report will say. The commission won't (and can't) take any grand stand against gambling. Instead it will opt for small, targeted policies, concentrating on compulsive gambling. It will probably propose that casinos and state lotteries fund gambling-addiction research and that casinos take much stronger measures to bar problem gamblers from wagering. The commission may recommend that gaming taxes be used to underwrite treatment of pathological gamblers and that insurance companies be encouraged to cover gambling addiction. Similarly, the commission will try to reduce gamblers' access to cash by limiting the size of ATM advances and prodding casinos to remove the machines from their floors. The commission will also push the industry to do more to prevent kids from gambling. It will call for heavier regulation of Indian gambling and will probably try to ban or severely regulate Internet gambling, perhaps by forbidding gambling companies from running online casinos. It will rebuke state lotteries for their deceptive marketing and will try to force them to post odds and stop targeting the poor. In short, it will treat gambling as a tobaccolike vice. If the comments of the pro-industry commissioners can be believed, the industry will happily endorse such a report. Gamblers don't quite accept the cigarette analogy--though commission member Bill Bible, a former chief of the Nevada Gaming Commission, did concede that gambling was like alcohol--but they're happy to sign on to the specific measures. The casino industry is even trying to get ahead of the commission. It has already established a (mostly) independent center to fund research into pathological gambling. I suspect that the industry will not only agree to the commission's recommendations but will become their strongest advocate. Casino owners will avidly lobby Congress and state legislatures to enact the recommendations into law. Why should the pro-gamblers cooperate with a critical study? Because it provides superb cover for them. It medicalizes the problem of compulsive gambling, blaming it on psychological abnormality rather than industry machination. Likewise, cracking down on compulsives is also politically cost-effective. In exchange for losing a few compulsive gamblers, the casinos will (falsely) appear more concerned with the health of their customers than with profits. The cigarette agenda will also distract the commission and the public from the true reasons for worry. A few years ago, gambling was confined to Las Vegas and Atlantic City. It is now thriving in 48 states, and there is no sign that anyone can stop it. In this election, gambling interests dropped $100 million on a single California ballot initiative, toppled governors in two states, and bought senators and representatives by the crate. What the commission ought to be investigating is whether the gambling industry has become so powerful that it's politically untouchable. But it can't, because the gambling industry has become so powerful that it's politically untouchable. The antis can call gambling "tobacco." They can call it "vice." They can call it "a big red balloon" for all that the industry cares. As long as the commission just nibbles around the edges, the casino operators and state lotteries will be happy to indulge it. The pro-gambling folks will win credit for cooperating, without having to do anything that really hurts. The last national gambling commission was in the mid-1970s. If the gamblers play along with this commission's timid recommendations, they'll be safe for another 20 years. An Apology I owe an apology to Nevada Sen. Richard Bryan, whom I criticized yesterday for using the term "Indian country" during a speech critical of Indian casinos. As several readers pointed out to me, "Indian country" is a common phrase in the West and has no derogatory connotations. I'm sorry, Senator. Talk about quick defeats: The first sign I see outside the MGM Grand ballroom all but declares that the National Gambling Impact Study Commission has already lost. The sign reads: "National Gaming Impact Study Commission." "Gaming"? In Las Vegas, the euphemizers reign. Once upon a time, the casino owners decided that "gambling" was too crude, too avaricious, to describe their fair business. So "gambling" disappeared in Las Vegas, and "gaming" has risen in its place. He who controls language controls ideas, and at today's commission hearing, it is perfectly clear who controls the language. Video slot machines crammed into convenience stores--perhaps the most pernicious form of legal gambling there is--are called "retail gaming." People who own casinos are not "casino owners," they are "gaming visionaries." Pathological gamblers are "problem gamers"--as if they're having trouble mastering the rules of Monopoly. And the National Gambling Impact Study Commission is reborn as the National Gaming Impact Study Commission. The gambling industry did everything in its power to stop the establishment of this commission two years ago, but Congress and a fervent grassroots anti-gambling group eventually foisted it on the industry. The nine member blue-ribbon panel was charged with assessing the social and economic impact of gambling, and it will issue a final report to Congress and the president in June 1999. Even though the panel was carefully balanced between pro- and anti-gambling leaders, it was supposed to be Vegas' nemesis. The industry and Las Vegas' pro-gambling media quaked in anticipation of the onerous regulations and taxes the commission might recommend. But they quake no more. Whatever national momentum the anti-gamblers had dissolved in last week's elections. The industry routed opponents in state after state. Missouri voters passed a ballot initiative to allow boat casinos. Californians voted to expand Indian casinos. In South Carolina and Alabama, voters expelled anti-lottery, anti-gambling Republican governors and replaced them with pro-lottery Democrats. The gambling industry spent more than $100 million on political contributions and issue ads. It has never been fatter, happier, or more secure. "My goodness, no politician can withstand their resources," Focus on the Family's James Dobson, the commission's leading gambling opponent, tells me. The industry's political clout has emasculated the commission, Dobson continues: "Our report won't be acted on by the president or Congress. They are too heavily influenced by gambling money. Almost all the leaders of Congress are on the dole." It has also become obvious that the commission has too many pro-gambling members to produce a report that recommends taxes or other real penalties on the industry. So the commission's two day visit to Gomorrah has been transformed from a charged political event to a kind of victory lap for gaming. Nevada Gov. Bob Miller and the "gaming visionaries" have been planning for these hearings for months, hoping to use them to demonstrate the might and sanctity and goodness of the Nevada gambling industry. The MGM Grand, which is run by commission member Terrence Lanni, is itself the first exhibit of the Vegas triumphalists. It is gaudy testimony that consumers, at least, have no problem with this business. The MGM Grand, a k a "The City of Entertainment," has 5,000 rooms--the corridor outside my room is 200 yards long, so long I can't see its end--to feed the endless supply of slot machines, craps tables, and roulette wheels. David Cassidy performs here every night--twice! A few steps outside on the Strip is still more overwhelming evidence that Las Vegas has won the popular vote. New York, New York is just across the street, the $1.6 billion Bellagio is one door down, and a half-scale Eiffel Tower is going up next door. The setting has, as the pro-gambling folks no doubt hoped, stunned some of the gambling opponents. I asked one anti-gambling activist who had never before been to Vegas what she thinks of it. She could only blurt out "Wow." The hearings, too, reinforce the Glorious Las Vegas theme. Frank Fahrenkopf, the industry's top lobbyist (who is paid so much he can afford monogrammed shirt cuffs --I saw them), holds forth cheerfully outside the ballroom, celebrating the electoral triumph of freedom over religious moralist tyranny. Inside, the room is packed with more than 600 people in neon lime green T-shirts that read "Unions and Gaming: Together for a Better Life." They are members of the major casino union, here to cheer on their employers and their union. (Most of them, it must be said, are getting paid to do this.) Chairwoman Kay Coles James, a Christian conservative and skeptic of gambling, opens the hearing by assuring the crowd that the committee is toothless: "We're not here to take anyone's job. ... We have no power to do anything except make recommendations." This sets the mood for most of the day: Vegas is great, so you'd better leave it alone! The local government, by all appearances a wholly owned subsidiary of the casinos, puts on a bravura performance. Gov. Miller opens the show with a 15 minute hymn to Las Vegas. It is the first of many statistical barrages about Nevada's one-ders: No. 1 in job growth, No. 1 in population growth, and No. 1 on planet Earth in per capita Girl Scout troops--and Boy Scout troops! Later in the day, Nevada's senators and both its congressmen appear to chew out the commission for even thinking that Nevada might have a dark side. They pay tribute to Nevada's sophisticated gambling industry, especially its regulation (much stricter than other gambling states) and its use of gambling taxes to fund state services. It is one of the ironies of Nevada politics that its Republican congressmen (Jim Gibbons and John Ensign) end up crediting their state's success to government regulation and corporate taxation. There are also a fair share of gleeful gambling regulators, bookmakers, and casino employees among the panels of expert witnesses the commission hears from. Critics who gripe about the perils of sports gambling and the evils of convenience store slot machines leaven the pro-gambling folks. Everyone, including the gambling industry shills, agrees that Internet gambling is evil and should be destroyed. Everyone agrees to this because no one in Las Vegas is making any money off Internet gambling. If they were, you can be sure they would explain why it's as American as nickel slots and scratch-off games. Pro-Vegas forces are also perfectly happy to take shots at Indian gambling, the chief economic threat to Nevada's prosperity. The expansion of Indian casinos resulting from last week's California voter initiative will slam Las Vegas, cutting its gambling revenues by $400 million a year. So the Vegans repeatedly swing at casinos in "Indian country" (that's Nevada Sen. Richard Bryan's term--I'm not joking) for being insufficiently regulated and taxed. One tribal chief I spoke to calls this "red baiting." (Pause for an aesthetic observation: I am sitting right behind the witnesses, and after a while I begin to separate them into the Wides and the Narrows. The Wides are men in suits with enormous backs and enormous bellies, men who eat and eat and used to play football. They all testify to their love of gambling. The Narrows are thin and generally disapprove of it. I begin to wonder whether fondness for gambling correlates with general indulgence, and dislike correlates with asceticism, and decide that they probably do.) During the last hour of the day, the public comment period, the union sends a parade of casino employees to the microphone to hallelujah the gaming industry. Housekeepers, cooks, and slot change girls, almost all black or Latina, tell the same story: I was working a dead-end job in another state, "then I heard about Las Vegas, where there's opportunity!" I moved here, landed a job at a union casino with high pay, free medical insurance, a pension, and "now I am buying a house." The stories are intensely moving, by far the most persuasive tribute to the Strip that I've ever heard. Still, for all the Vegan triumphalism in the air, it's impossible not to be charmed by the chief gambling opponent, the Rev. Tom Grey. Grey is utterly irrepressible. A Vietnam rifleman turned Methodist minister, Grey has spent the last eight years evangelizing against gambling. He founded the National Coalition Against Legalized Gambling, the primary force behind the commission's creation. (Grey, in a rare acknowledgement of defeat, has just renamed it the National Coalition Against Gambling Expansion, tacitly recognizing that gambling is here to stay.) He is a genial motormouth and shameless promoter of the cause. He wears a gigantic "CasiNO" button in the casino. He posed for People in a shepherd's robe. He says "I would do anything short of lighting myself on fire in the Capitol rotunda to stop gambling." He is so excitable that I have to yank him out of the way of an oncoming car when he gets too wrapped up in one of his soliloquies. He and his Las Vegas allies, a former Las Vegas city councilman named Steve Miller and an inner city venture capitalist named Otis Harris, invite me on a tour of Las Vegas. "Behind the Mirage," they call it. For two hours, we cruise the streets behind the casinos. They show me all the evidence of gambling blight you'd never want to see, from a youth-center-turned-crack-house to pawn shops to sex shops to down at heels casinos to quickie motels. All the while, they keep up a patter about how terrible a neighbor the casino industry is and how superficial Las Vegas' prosperity is. It's very grim and mostly persuasive. Still, when we turn back on to the Strip, and pass the jaw-dropping Stratosphere and Circus Circus and Bellagio and the MGM Grand--a 30 story tower bathed in fabulous emerald light, I realize why Grey's task is hopeless here. He is committing the cardinal sin of Vegas. All he wants to do is talk about losers. In Las Vegas, under the thrilling lights of the Strip, no one wants to hear about losers. In the land of gaming, not gambling, everyone is sure he's a winner.
train	20026	[ "What doesn't the author believe about Bauer?", "What is a similarity between Forbes and Bauer?", "What doesn't the author believe about John McCain?", "How does the author seem to feel about the upcoming presidential race?", "Who does the author think will win?" ]	[ [ "Forbes is Bauer's current competition", "Bauer is able to spin results in his favor", "he is pro-choice and a moderate conservative", "he is an underdog because of his inexperience" ], [ "they are considered underdogs in the race", "the media attention they're receiving", "their political beliefs", "their upbringing" ], [ "he was trying to send a message about Ames being unimportant", "he had a lot of courage and cunning to skip over Ames", "he's the only experienced political candidate in the running", "McCain could afford to miss Ames because of his support in other states" ], [ "surprised by the atypical political happenings", "excited to see how the contestants \"battle\"", "confident that it will be a close race between the four", "convinced that he already knows how the race will end" ], [ "Dole - she had feminism and and a new set of voters behind her", "Forbes - he's the best conservative and has the most money", "Bush - he's only discussed as the competition, implying that nothing more needs to be said", "McCain - he's so good, he didn't need to participate at Ames" ] ]	[ 3, 3, 3, 2, 3 ]	[ 1, 0, 1, 0, 0 ]	Republican Shakeout This weekend's straw poll in Ames, Iowa, kicked off the 2000 presidential race and sorted out the Republican field. Everyone agrees that George W. Bush is the front-runner, that Steve Forbes is in second place, and that Dan Quayle, who finished back in the pack with Lamar Alexander, will soon join Alexander on the sidelines. But Ames failed to resolve the fate of the candidates who came in third and fourth--Elizabeth Dole and Gary Bauer--and the one who skipped Ames, John McCain. For these three, the post-game spin contest is crucial. Here's a playback of their takes on the straw poll results and a look ahead at their playbook of messages for the remainder of the race. Elizabeth Dole Playback 1. Top three. Dole needed to get within striking distance of Bush and to seal off the rest of the pack behind her. On Meet the Press , Face the Nation , and Late Edition , she boasted that she had cracked "the top three." Pundits bought the three-winners line, treating Ames as a horse race ("win, place, and show") and noting that "no one's ever won the Republican nomination without finishing in the top three" at Ames. Newspapers, cramped for space, confined their headlines to Bush, Forbes, and Dole. Though Dole's 14 percent was closer to Bauer's 9 than to Forbes' 21, she earned a "solid third" and a place among the leaders by crossing the "double-digit" threshold. As Fox News' Carl Cameron put it: "The other seven candidates could not crack double digits." 2. Race for third. Since Bush and Forbes were expected to finish first and second, many pundits concluded, as Lisa Myers put it on Meet the Press , that "the real race here was for third. Elizabeth Dole won that." The Boston Globe called Dole "the winner of this contest-within-the-contest." Dole touted her "victory" on every talk show and cited the Myers and Globe quotes in a press release. At a news conference, an aide introduced Dole as the straw poll's "real winner." 3. Underdog. In every TV interview, Dole claimed to have been "outspent by millions of dollars." Her spokesman told reporters that "on a dollar-per-vote basis, Elizabeth Dole trounced George Bush and Steve Forbes." Reporters love an underdog. "From a strict cost-benefit standpoint, the big winner may be Elizabeth Dole," concluded Time . 4. Comeback kid. Dismissive coverage of Dole before the straw poll played to her advantage, as everyone marveled at her "surprisingly" strong third. "Dole Revived," the Washington Post 's front page proclaimed. On This Week , George Will conceded, "There had been a lot of very skeptical stories about whether her people would show up. She, therefore, I think, is the biggest winner." Playbook 1. Race for second. Forbes wants to fast-forward the GOP tournament to a finals bracket: Bush vs. Forbes. To prevent this, Dole needs to create a semifinal playoff--Forbes vs. Dole--to determine who gets to play Bush. Despite Forbes' huge financial advantage, "we finished close to second," Dole told reporters Saturday night. "This is going to become a two-person race." The press agreed. "Forbes had growing hopes ... that he might upset Bush or finish a close second," recalled the Post . Instead, "he finished closer to Dole than to Bush." 2. Experience. Having narrowed the field to three, Dole needs to focus the contest on criteria that favor her. The first of these is political experience, of which Bush has little and Forbes has almost none. On every talk show, Dole vowed "to demonstrate that the candidate with the most experience is more qualified than the candidates with the most money. ... We're talking about president of the United States." 3. Gender. This is the more obvious criterion that distinguishes Dole. She hardly needs to mention it--the media bring it up anyway--but she invokes it subtly, alluding (as she did on two Sunday talk shows) to "women who drive their daughters halfway across the state to shake my hand, a woman they dare to believe in." Newspapers hail Dole's female followers as evidence "that she can attract new voters to the GOP." Gary Bauer Playback 1. Top four. Like Dole, Bauer needed to crack the top tier and seal off the pack. Since sports analogies tend to cut off the top tier at three rather than four (e.g., "bronze medal," "win, place, and show"), Bauer changed metaphors, telling reporters that he had reached "the first rung of candidates" and that lower finishers might soon perish. On Meet the Press , he called himself the "breakout candidate." While some pundits lumped Bauer with the winners, others offered him the next best position--"leading the rest of the pack"--or at least distinguished him from the "losers." 2. Social conservative quarterfinal. This was Bauer's big spin win. Like Dole, he won a crucial "contest-within-the-contest." His scant margin over Pat Buchanan--8.9 percent to 7.3 percent--became a huge factor in the post-poll analysis. Pundits concluded that Bauer "did what he had to do ... beat Pat Buchanan," and therefore "can legitimately say he is the candidate of the Christian right," establishing himself as "one of the winners," the "three or four" candidates who "got their tickets punched" to stay in the race. Talk show hosts reminded Buchanan that he had lost to Bauer and asked whether Buchanan was finished. 3. Conservative semifinal. Having scored well ahead of Bauer and Buchanan, Forbes anointed himself "the conservative in a two-man race" against Bush. Bauer disagreed, and the media took his side. "Forbes, Bauer Battle for Right," the Post proclaimed, concluding that because Forbes failed to break away, "he and Bauer are likely to continue a long and tough fight for the leadership of the conservative wing." 4. Underdog. Bauer couldn't claim to be more strapped than Dole, so he claimed underdog status on the basis of low name recognition, inexperience, and working-class heritage. "I am running against some big bios ... the son of a former president, the son of a tycoon, and the wife of a senator," Bauer argued on Late Edition . "I have never run for president or office before. And yet here we come in fourth place." Newsweek 's David Brooks wrote that Bauer "overcame his own financial disadvantages" and joined Dole as the two surviving "Have-Not candidates." Playbook 1. Buchanan will defect. Since Buchanan's combativeness and loyal base make him hard to write off as a candidate, his rivals have persuaded the media at least to write him off as a Republican by inferring that his low score at Ames will prompt him to transfer to the Reform Party. The more Buchanan fends off comparisons to Bauer by emphasizing his protectionism, the more he plays into this scenario. 2. Populism. With Buchanan out of the way, Bauer will go after Forbes. When asked on television about Forbes' claim to represent the right. Bauer cited Forbes' wealth and called himself "the son of a maintenance man." On This Week , George Stephanopoulos agreed that Bauer "is becoming the populist in the race," noting that Bauer's supporters "love the fact that he was the son of a janitor." 3. Conservatism. If Bauer wins the social conservative quarterfinal and the conservative semifinal, he gets to run as the "Reagan" candidate against "Bush-Gore" moderation on abortion, Hollywood, China, and other hot-button issues. This bracket-by-bracket tournament strategy reduces Bauer's obstacles from three candidates to two. He can target Forbes, knowing that if he prevails, either Bush or Dole will have vanquished the other in the moderate semifinal. Indeed, Dole's success at Ames arguably helps Bauer by giving Bush a semifinal contest. John McCain Playback 1. Ames meant nothing to him. Despite having skipped the straw poll, McCain was invited onto Face the Nation and Fox News Sunday to discuss it. "If you're going to be taken seriously," Brit Hume asked him, "don't you have to face up to the fact, when all the other candidates decide that an event is worth attending ... that maybe you've got to play too?" In reply, McCain repeatedly called Ames "meaningless." His chutzpah bowled over the pundits. Stephanopoulos called McCain's no-show "a pretty smart move" and portrayed the 83 votes he won in the straw poll--putting him in last place among active Republican candidates--as evidence of his strength. 2. Ames meant death for others. Noting that McCain had bypassed the event, Quayle explained on Face the Nation that he, too, "almost took a pass on this. It wasn't until George Bush said he was going to participate that then I said, 'OK, we've got to do it,' out of respect to the Iowa Republican Party." The result, Quayle pleaded, was that he lost to candidates who had been in Iowa "years and months." McCain, explaining his decision to stay out, espoused a less sentimental philosophy: "You always want to fight on ground that is most favorable to you." For this, the media executed Quayle and spared McCain. "Quayle and Lamar Alexander might be gone, but I think McCain is still in," concluded NPR's Mara Liasson. Ames was Vietnam in reverse: McCain ducked the fight, and Quayle took the beating. 3. Viability. "Once the dust has settled from the straw poll," McCain regally announced, "I will review the new political landscape" and begin "engaging the other Republican candidates." Why does McCain get a bye? Because he has convinced the media that he has enough money and support in New Hampshire, South Carolina, and other states to skip Iowa and catch fire later. Newsweek , the New York Times , the Los Angeles Times , and several TV pundits agreed that McCain remains formidable, wasn't hurt by Ames, and may well end up as the principal alternative to Bush. 4. Vote-buying. To undermine the straw poll's authority as an arbiter of his candidacy, McCain called it a "fund-raiser," "a sham and a joke" in which campaigns spent "millions" to "buy" votes. "My campaign theme is to try to reform the system that is now awash with money and the influence of special interests," he argued on Fox News Sunday . Brit Hume's retort--"that this whole process isn't quite pure enough for you"--played right into McCain's hands. McCain doesn't need to persuade the media that his reasons for skipping Ames were morally sound. He just needs to persuade them that his reasons were moral rather than political. Playbook 1. Real votes. The vote-buying complaint only gets McCain a bye on the straw poll. To get another bye on February's Iowa caucuses, he'll rely on two other moral arguments. First, he'll claim that caucuses aren't "real votes." "We'll have real votes in New Hampshire," McCain argued on Fox News Sunday . "That's where real people are motivated to vote." On Face the Nation , he suggested that he would focus on "the genuine balloting process, which takes place in New Hampshire and then South Carolina." 2. Ethanol. Many pundits, fancying themselves shrewd, suggest that McCain's true reason for skipping Iowa is that he has "taken a position on ethanol subsidies that's unpalatable to voters in Iowa." On This Week , Stephanopoulos suggested that McCain might "have to do something dramatic," such as "make a stand and say, 'We're not going to compete in Iowa. We think these ethanol subsidies are an abomination.' " This is McCain's greatest triumph: He has conned the media into disbelieving his political calculations and accusing him instead of principle. "I've taken a lot of unpopular positions," he conceded on Fox News Sunday . 3. Experience. The longer McCain stays out of the race without damaging his credibility, the more the field narrows to his advantage. Alexander and Rep. John Kasich, R-Ohio, are already gone. Quayle and Sen. Orrin Hatch, R-Utah, won't be far behind. If the field dwindles to Bush, Forbes, and Bauer, McCain can sell himself as the only experienced officeholder running against Bush. But Dole's third-place finish at Ames, coupled with her victory in the post-Ames spin contest, complicates this plan. So here's how the race shapes up. Bauer will frame it as a populist showdown, chiefly between himself and Forbes. Forbes will frame it as a fight between the establishment, led by Bush, and conservatives, led by himself. Dole will exploit feminism as well as feminine stereotypes, pitching herself as the candidate of change, civility, and moral renewal. And McCain will fortify his war chest while his rivals battle and bleed. Ames has organized the contestants. Let the games begin.
train	20028	[ "Which isn't true of this test?", "Which word best describes the author's feeling about the test?", "What is something the testers weren't given?", "What isn't a generalization that can be made from the data?", "Which isn't true of the test results?", "What isn't true of Sam Adams?", "What isn't a conclusion drawn?" ]	[ [ "the beers being used were fancy", "all testers receive the same order of beers", "it has a small testing group", "the testers come from a diverse area" ], [ "methodical", "prestigious", "formal", "amusing" ], [ "Hefeweizens", "saltines", "an import beer", "10 cups" ], [ "the most expensive beers aren't always the best", "best is very subjective", "if all people dislike the same beer, they're likely to all like the same beer", "people can rank the same item differently on two separate days" ], [ "some people were able to identify the beer based on taste", "not all people knew beers as well as they thought they did", "American beers typically scored higher", "Hefeweizens were not popular among the testers" ], [ "it is a lager the testers liked", "it scored the highest on the previous test", "people scored it differently on the second test", "it was still considered one of the Bests" ], [ "Michelob Hefeweizen is a great beer for the cost", "Anheuser-Busch lived up to its popularity", "Sam Adams was easily identifiable", "Pyramid Hefeweizen is not worth the money" ] ]	[ 4, 4, 2, 3, 4, 4, 3 ]	[ 0, 1, 0, 1, 1, 1, 1 ]	More Booze You Can Use When we last heard from them, the members of the Slate beer-testing team were coping with lagers and trying to see if they could taste the 3-to-1 price difference between the most- and least-expensive brands. (Click for a wrap-up of the first round of beer tasting.) The answer was: They found one beer they really liked, Samuel Adams Boston Lager , and one they really hated, imported Grolsch from Holland. Both were expensive beers--Grolsch was the most expensive in the test--and otherwise the testers had a hard time telling beers apart. The members of the team, as noted in the original article, all hold day jobs at Microsoft, mainly as designers, managers, and coders for Microsoft Word. The point of the second test was not to find the difference between cheap and expensive beers but instead to compare a variety of top-of-the-line beers. Was there one kind the tasters preferred consistently? Could they detect any of the subtleties of brewing style and provenance that microbrew customers pay such attention to when choosing some Doppelbock over a cream ale? Since the tasting panel had left the first round grumbling that cheap lagers were not a fair test of their abilities, this second round of testing was advertised to the panel as a reward. Every beer in Round 2 would be a fancy beer. A microbrew. A "craft beer." A prestigious import. These were the kinds of beer the panel members said they liked--and the ones they said they were most familiar with. One aspect of the reward was that they would presumably enjoy the actual testing more--fewer rueful beer descriptions along the lines of "urine" or "get it away!" were expected than in the first round. The other aspect of anticipated reward was the panelists' unspoken but obvious assumption that this time they would "do better" on the test. Intellectual vanity being what it is, people who had fought for and won jobs at Microsoft and who still must fight every six months for primacy on the employee-ranking scale (which determines--gasp!--how many new stock options they receive) would assume that their skill as tasters was on trial, just as much as the beer was. Of course they were right, which is what made this round as amusing to administer as the first one had been. Here is what happened and what it meant: 1. Procedure. This was similar in most ways to the experimental approach of Round 1. The nine testers who showed up were a subset of the original 12. The missing three dropped out with excuses of "my wife is sick" (one person) and "meeting is running long" (two). As before, each tester found before him on a table 10 red plastic cups, labeled A through J. Each cup held 3 ounces of one of the beers. The A-to-J labeling scheme was the same for all testers. Instead of saltines for palate-cleansing, this time we had popcorn and nuts. As they began, the tasters were given these and only these clues: that the flight included one "holdover" beer from the previous round (Sam Adams); that it included at least one import (Bass); that it included at least one macrobrew , specifically, a member of the vast Anheuser-Busch family (Michelob Hefeweizen). After sampling all beers, the tasters rated them as follows: Overall quality points, from zero to 100, reflecting their personal, subjective fondness for the beer. Descriptions of and comments about each beer's taste--"smooth and nutty," "too strong," etc. If the first ranking was a measure of how good each beer was, this was an attempt to explain what made it good. Best and Worst , one of each from the group. Name that beer! The tasters were told that some of the drinks were Hefeweizens, some might be IPAs (India pale ales), some might be bitters, and so on. They were asked to put each beer in its proper category--and to name a specific brewery and brand if they could. The idea here was to test the veteran beer drinkers' claim to recognize the distinctive tastes of famous brands. (To see all the grids for all the beers, click .) 2. Philosophy. The first round of testing was All Lager. This second round was All Fancy, and Mainly Not Lager. As several correspondents (for instance, the of Best American Beers ) have helpfully pointed out, the definition of lager provided last time was not exactly "accurate." If you want to stay within the realm of textbook definitions, a lager is a beer brewed a particular way--slowly, at cool temperatures, with yeast that settles on the bottom of the vat. This is in contrast with an ale, which is brewed faster, warmer, and with the yeast on top. By this same reasoning, lagers don't have to be light-colored, weak-flavored, and watery, as mainstream American lagers are. In principle, lagers can be dark, fierce, manly. Therefore, the correspondents suggest, it was wrong to impugn Sam Adams or Pete's Wicked for deceptive labeling, in presenting their tawnier, more flavorful beers as lagers too. To this the beer scientist must say: Book-learning is fine in its place. But let's be realistic. Actual drinking experience teaches the American beer consumer that a) all cheap beers are lagers; and b) most lagers are light-colored and weak. The first test was designed to evaluate low-end beers and therefore had to be lager-centric. This one is designed to test fancy beers--but in the spirit of open-mindedness and technical accuracy, it includes a few "strong" lagers too. 3. Materials. The 10 test beers were chosen with several goals in mind: To cover at least a modest range of fancy beer types--extra special bitter, India pale ale, Hefeweizen, and so on. To include both imported and domestic beers. Among the domestic microbrews, there's an obvious skew toward beers from the Pacific Northwest. But as Microsoft would put it, that's a feature not a bug. These beers all came from the Safeway nearest the Redmond, Wash., "main campus" of Microsoft, and microbrews are supposed to be local. To include one holdover from the previous test, as a scientific control on our tasters' preferences. This was Sam Adams , runaway winner of Round 1. To include one fancy product from a monster-scale U.S. mass brewery, to see if the tasters liked it better or worse than the cute little microbrews. This was Michelob Hefeweizen , from the pride of St. Louis, Anheuser-Busch. Click for pricing information and pre-quaffing evaluations. The beers tasted were: 4. Data Analysis. a) Best and Worst. Compared to the lager test, we would expect the range of "best" choices to be more varied, since all the tested beers were supposed to be good. This expectation was most dramatically borne out in the "Best and Worst" rankings. The nine tasters cast a total of nine Worst votes and 11.5 Best votes. (Tester No. 1 turned in a sheet with three Best selections, or two more than his theoretical quota. Tester No. 4 listed a Best and a Best-minus, which counted as half a vote.) The results were clearest at the bottom: three Worsts for Pyramid Hefeweizen , even though most comments about the beer were more or less respectful. ("Bitter, drinkable.") But at the top and middle the situation was muddier: There were three Bests for Full Sail ESB , which most of the tasters later said they weren't familiar with, and 2.5 for Redhook IPA , which all the tasters knew. But each of these also got a Worst vote, and most of the other beers had a mixed reading. So far, the tasters are meeting expectations, finding something to like in nearly all these fancy beers. b) Overall preference points. Here the complications increase. The loser was again apparent: Pyramid Hefeweizen came in last on rating points, as it had in the Best/Worst derby. But the amazing dark horse winner was Michelob Hefeweizen . The three elements of surprise here, in ascending order of unexpectedness, are: This best-liked beer belonged to the same category, Hefeweizen, as the least-liked product, from Pyramid. This was also the only outright Anheuser-Busch product in the contest (the Redhooks are 75 percent A-B free). It is safe to say that all tasters would have said beforehand that they would rank an American macrobrew last, and Anheuser-Busch last of all. Although it clearly won on overall preference points, Michelob Hefeweizen was the only beer not to have received a single "Best" vote. The first two anomalies can be written off as testament to the power of a blind taste test. The third suggests an important difference in concepts of "bestness." Sometimes a product seems to be the best of a group simply because it's the most unusual or distinctive. This is why very high Wine Spectator ratings often go to wines that mainly taste odd. But another kind of bestness involves an unobtrusive, day-in day-out acceptability. That seems to be Michelob Hefe 's achievement here: no one's first choice, but high on everyone's list. Let's go to the charts: This table shows how the beers performed on "raw score"--that is, without the advanced statistical adjustment of throwing out the highest and lowest score each beer received. Next, we have "corrected average preference points," throwing out the high and low marks for each beer. The result is basically the same: It is worth noting the fate of Sam Adams on these charts. Here it ends up with a score of less than 61. These were the numbers awarded by the very same tasters who gave it a corrected preference rating of 83.33 the last time around--and 10 "Best" votes, vs. one Best (and one Worst) this time. The shift in Bests is understandable and demonstrates the importance of picking your competition. The severe drop in preference points illustrates more acutely the ancient principle of being a big fish in a small pond. These same tasters thought that Sam Adams was objectively much better when it was surrounded by Busch and Schmidt's. c) Value rankings. Last time this calculation led to what the colorful French would call a bouleversement. One of the cheapest beers, Busch, which had been in the lower ranks on overall preference points, came out at the top on value-for-money ratings, because it was so cheap. The big surprise now is that the highest-rated beer was also the cheapest one, Michelob Hefe , so the value calculation turned into a rout: Pyramid Hefeweizen was expensive on top of being unpopular, so its position at the bottom was hammered home--but not as painfully as that of Bass Ale . Bass had been in the respectable lower middle class of the preference rankings, so its disappointing Val-u-meter showing mainly reflects the fact that it was the only beer not on "sale" and therefore by far the costliest entry in the experiment. d) Taster skill. As members of the tasting panel began to suspect, they themselves were being judged while they judged the beer. One of the tasters, No. 7, decided to live dangerously and give specific brands and breweries for Samples A through J. This man was the only panel member whose job does not involve designing Microsoft Word--and the only one to identify two or more of the beers accurately and specifically. (He spotted Redhook IPA and Redhook ESB.) The fact that the beers correctly identified were the two most popular microbrews in the Seattle area suggests that familiarity is the main ingredient in knowing your beer. Many others were simply lost. Barely half the tasters, five of nine, recognized that Michelob Hefeweizen was a Hefeweizen. Before the test, nine of nine would have said that picking out a Hefe was easy, because of its cloudy look and wheaty flavor. Three tasters thought Sam Adams was an IPA ; two thought Redhook's IPA was a Hefeweizen. In fairness, six of nine testers identified Pyramid Hefeweizen as a Hefe, and six recognized Full Sail ESB as a bitter. Much in the fashion of blind men describing an elephant, here is a how the testers handled Sam Adams Boston Lager : 5. Implications and Directions for Future Research. Science does not always answer questions; often, it raises many new ones. This excursion into beer science mainly raises the question: What kind of people are we? If we are Gradgrind-like empiricists, living our life for "welfare maximization" as described in introductory econ. courses, the conclusion is obvious. We learned from the first experiment to buy either Sam Adams (when we wanted maximum lager enjoyment per bottle) or Busch (for maximum taste and snob appeal per dollar). From this second round we see an even more efficient possibility: Buy Michelob Hefeweizen and nothing else, since on the basis of this test it's the best liked and the cheapest beer. By the way, if there is a single company whose achievements the testing panel honored, it would be Anheuser-Busch . From its brewing tanks came two of the double-crown winners of the taste tests: plain old Busch , the Taste-o-meter and Snob-o-meter victor of Round 1, and Michelob Hefeweizen , the preference-point and Val-u-meter winner this time. But, of course, there is another possibility: that what is excluded in a blind taste test is in fact what we want, and are happy to pay for, when we sit down with a beer. The complicated label, the fancy bottle, the exotic concept that this beer has traveled from some far-off corner of Bohemia or even the Yakima Valley--all this may be cheap at the $1.25-per-pint cost difference between the cheapest and the most expensive beers. In elementary school, we all endured a standard science experiment: If you shut your eyes and pinch your nose closed, can you tell any difference in the taste of a slice of apple, of carrot, of pear? You can't--but that doesn't mean that from then on you should close your eyes, hold your nose, and chew a cheap carrot when you feel like having some fruit. There is a time and place for carrots, but also for juicy pears. There is a time for Busch, but also for Full Sail "Equinox." For scientists who want to continue this work at home, here are a few suggestions for further research: Tell the testers ahead of time what beers they will be drinking. Ask them to rank the beers, 1 through 10, based on how well they like them. Then compare the list with the "revealed preferences" that come from the blind test. As a variation, show them the list ahead of time and ask them to pick out the beer they know they love and the one they know they hate. Then compare this with the "after" list. If you're going to test imported lagers, try Foster's or Corona rather than Grolsch. Remember to stay strictly in the scientist's role. Don't take the test yourself.
train	51305	[ "Why does the narrator only want one bed?", "Why doesn't the narrator care about having eaten in the past day and a half?", "Why is it ironic that the narrator calls Doc his dad in the beginning?", "Why is Doc struggling with a man at the beginning?", "Why is Doc insistent about an order when the narrator returns from eating?", "Why is the narrator thinking about the words \"First Edition\" when he returns with food?", "Why did Miss Casey give the narrator the piece of paper?", "Why did the narrator think Doc held the key to becoming powerful?" ]	[ [ "He wants to be able to buy himself a coffee later on", "He needs the spare money to buy food for himself and Doc", "He is convinced everyone is trying to cheat him out of his money, and refuses to pay for more than he needs", "He is frugal on principle, and knows that Doc needs supervision" ], [ "He does not actually need to eat to survive", "He is an evolved human who does not actually need to eat to survive", "Water is more important than food, so he needs to find that first", "He is preoccupied by his stronger need for coffee" ], [ "Doc is actually his dad, he only thinks it's a lie", "His own dad is just as violent, so it's a fair comparison", "He only met the Doc a few days ago and they don't know each other well enough to be family", "Doc and the narrator are not actually from the same planet, and can't be related" ], [ "The man had insulted the narrator, and he couldn't stand for that, so he attacked him", "Doc was trying to get information from the man that he was refusing to share", "Doc was in the throes of withdrawal and was easily upset, latching on to the closest person he saw", "The other man was argumentative and didn't think Doc knew the truth about the story he was telling" ], [ "The narrator didn't get Doc's food order before he left, and he doesn't like burgers", "The narrator didn't get Doc's food order before he left, and he doesn't like burgers", "There was no order to anything in the room and Doc was getting stressed out, needing structure", "The slip of paper the lady had given the narrator was an order for Doc to fulfill" ], [ "He thought he remembered something about a book Doc needed", "The slip of paper had requested the first edition of a book, so he knew it had to be that specifically", "As a side effect of the time travel technology, the narrator was putting pieces together about the situation as he read the notebook", "The woman had been telling him about books" ], [ "It was an accident, she had swapped it with the scrap of paper she meant to give the narrator", "She wanted to pass the order along to Doc, the only person who could find the book", "It was a ploy to learn more about Doc and what he had developed, so she had more evidence", "She thought the narrator owed her for her buying him coffee and food, and he could repay her by finding the book" ], [ "Doc's inventions would allow them to take over the world", "His bond with Doc meant he had, in a way, already experienced the result of what he was developing", "Doc had promised him the technology to reach the Moon, and this would be worth a lot of money", "He knew Doc would be able to find a way to break addiction, improving life for everyone" ] ]	[ 1, 4, 1, 3, 4, 3, 3, 2 ]	[ 1, 0, 1, 1, 0, 1, 1, 1 ]	Confidence Game By JIM HARMON Illustrated by EPSTEIN [Transcriber's Note: This etext was produced from Galaxy Science Fiction June 1957. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] I admit it: I didn't know if I was coming or going—but I know that if I stuck to the old man, I was a comer ... even if he was a goner! Doc had this solemn human by the throat when I caught up with him. "Tonight," Doc was saying in his old voice that was as crackled and important as parchment, "tonight Man will reach the Moon. The golden Moon and the silver ship, symbols of greed. Tonight is the night when this is to happen." "Sure," the man agreed severely, prying a little worriedly at Doc's arthritic fingers that were clamped on his collar. "No argument. Sure, up we go. But leave me go or, so help me, I'll fetch you one in the teeth!" I came alongside and carefully started to lever the old man loose, one finger at a time. It had to be done this way. I had learned that during all these weeks and months. His hands looked old and crippled, but I felt they were the strongest in the world. If a half dozen winos in Seattle hadn't helped me get them loose, Doc and I would have been wanted for the murder of a North American Mountie. It was easier this night and that made me afraid. Doc's thin frame, layered with lumpy fat, was beginning to muscle-dance against my side. One of his times was coming on him. Then at last he was free of the greasy collar of the human. "I hope you'll forgive him, sir," I said, not meeting the man's eyes. "He's my father and very old, as you can see." I laughed inside at the absurd, easy lie. "Old events seem recent to him." The human nodded, Adam's apple jerking in the angry neon twilight. "'Memory Jump,' you mean. All my great-grandfathers have it. But Great-great-grandmother Lupos, funny thing, is like a schoolgirl. Sharp, you know. I.... Say, the poor old guy looks sick. Want any help?" I told the human no, thanks, and walked Doc toward the flophouse three doors down. I hoped we would make it. I didn't know what would happen if we didn't. Doc was liable to say something that might nova Sol, for all I knew. Martians approaching the corner were sensing at Doc and me. They were just cheap tourists slumming down on Skid Row. I hated tourists and especially I hated Martian tourists because I especially hated Martians. They were aliens . They weren't men like Doc and me. Then I realized what was about to happen. It was foolish and awful and true. I was going to have one of mine at the same time Doc was having his. That was bad. It had happened a few times right after I first found him, but now it was worse. For some undefinable reason, I felt we kept getting closer each of the times. I tried not to think about it and helped Doc through the fly-specked flophouse doors. The tubercular clerk looked up from the gaudy comics sections of one of those little tabloids that have the funnies a week in advance. "Fifteen cents a bed," he said mechanically. "We'll use one bed," I told him. "I'll give you twenty cents." I felt the round hard quarter in my pocket, sweaty hand against sticky lining. "Fifteen cents a bed," he played it back for me. Doc was quivering against me, his legs boneless. "We can always make it over to the mission," I lied. The clerk turned his upper lip as if he were going to spit. "Awright, since we ain't full up. In ad vance." I placed the quarter on the desk. "Give me a nickel." The clerk's hand fell on the coin and slid it off into the unknown before I could move, what with holding up Doc. "You've got your nerve," he said at me with a fine mist of dew. "Had a quarter all along and yet you Martian me down to twenty cents." He saw the look on my face. "I'll give you a room for the two bits. That's better'n a bed for twenty." I knew I was going to need that nickel. Desperately. I reached across the desk with my free hand and hauled the scrawny human up against the register hard. I'm not as strong in my hands as Doc, but I managed. "Give me a nickel," I said. "What nickel?" His eyes were big, but they kept looking right at me. "You don't have any nickel. You don't have any quarter, not if I say so. Want I should call a cop and tell him you were flexing a muscle?" I let go of him. He didn't scare me, but Doc was beginning to mumble and that did scare me. I had to get him alone. "Where's the room?" I asked. The room was six feet in all directions and the walls were five feet high. The other foot was finished in chicken wire. There was a wino singing on the left, a wino praying on the right, and the door didn't have any lock on it. At last, Doc and I were alone. I laid Doc out on the gray-brown cot and put his forearm over his face to shield it some from the glare of the light bulb. I swept off all the bedbugs in sight and stepped on them heavily. Then I dropped down into the painted stool chair and let my burning eyes rest on the obscene wall drawings just to focus them. I was so dirty, I could feel the grime grinding together all over me. My shaggy scalp still smarted from the alcohol I had stolen from a convertible's gas tank to get rid of Doc's and my cooties. Lucky that I never needed to shave and that my face was so dirty, no one would even notice that I didn't need to. The cramp hit me and I folded out of the chair onto the littered, uncovered floor. It stopped hurting, but I knew it would begin if I moved. I stared at a jagged cut-out nude curled against a lump of dust and lint, giving it an unreal distortion. Doc began to mumble louder. I knew I had to move. I waited just a moment, savoring the painless peace. Then, finally, I moved. I was bent double, but I got from the floor to the chair and found my notebook and orb-point in my hands. I found I couldn't focus both my mind and my eyes through the electric flashes of agony, so I concentrated on Doc's voice and trusted my hands would follow their habit pattern and construct the symbols for his words. They were suddenly distinguishable. " Outsider ... Thoth ... Dyzan ... Seven ... Hsan ... Beyond Six, Seven, Eight ... Two boxes ... Ralston ... Richard Wentworth ... Jimmy Christopher ... Kent Allard ... Ayem ... Oh, are ... see ...." His voice rose to a meaningless wail that stretched into non-existence. The pen slid across the scribbled face of the notebook and both dropped from my numb hands. But I knew. Somehow, inside me, I knew that these words were what I had been waiting for. They told everything I needed to know to become the most powerful man in the Solar Federation. That wasn't just an addict's dream. I knew who Doc was. When I got to thinking it was just a dream and that I was dragging this old man around North America for nothing, I remembered who he was. I remembered that he was somebody very important whose name and work I had once known, even if now I knew him only as Doc. Pain was a pendulum within me, swinging from low throbbing bass to high screaming tenor. I had to get out and get some. But I didn't have a nickel. Still, I had to get some. I crawled to the door and raised myself by the knob, slick with greasy dirt. The door opened and shut—there was no lock. I shouldn't leave Doc alone, but I had to. He was starting to cry. He didn't always do that. I listened to him for a moment, then tested and tasted the craving that crawled through my veins. I got back inside somehow. Doc was twisting on the cot, tears washing white streaks across his face. I shoved Doc's face up against my chest. I held onto him and let him bellow. I soothed the lanks of soiled white hair back over his lumpy skull. He shut up at last and I laid him down again and put his arm back across his face. (You can't turn the light off and on in places like that. The old wiring will blow the bulb half the time.) I don't remember how I got out onto the street. She was pink and clean and her platinum hair was pulled straight back, drawing her cheek-bones tighter, straightening her wide, appealing mouth, drawing her lean, athletic, feminine body erect. She was wearing a powder-blue dress that covered all of her breasts and hips and the upper half of her legs. The most wonderful thing about her was her perfume. Then I realized it wasn't perfume, only the scent of soap. Finally, I knew it wasn't that. It was just healthy, fresh-scrubbed skin. I went to her at the bus stop, forcing my legs not to stagger. Nobody would help a drunk. I don't know why, but nobody will help you if they think you are blotto. "Ma'am, could you help a man who's not had work?" I kept my eyes down. I couldn't look a human in the eye and ask for help. "Just a dime for a cup of coffee." I knew where I could get it for three cents, maybe two and a half. I felt her looking at me. She spoke in an educated voice, one she used, perhaps, as a teacher or supervising telephone operator. "Do you want it for coffee, or to apply, or a glass or hypo of something else?" I cringed and whined. She would expect it of me. I suddenly realized that anybody as clean as she was had to be a tourist here. I hate tourists. "Just coffee, ma'am." She was younger than I was, so I didn't have to call her that. "A little more for food, if you could spare it." I hadn't eaten in a day and a half, but I didn't care much. "I'll buy you a dinner," she said carefully, "provided I can go with you and see for myself that you actually eat it." I felt my face flushing red. "You wouldn't want to be seen with a bum like me, ma'am." "I'll be seen with you if you really want to eat." It was certainly unfair and probably immoral. But I had no choice whatever. "Okay," I said, tasting bitterness over the craving. The coffee was in a thick white cup before me on the counter. It was pale, grayish brown and steaming faintly. I picked it up in both hands to feel its warmth. Out of the corner of my eye, I could see the woman sitting on the stool beside me. She had no right to intrude. This moment should be mine, but there she sat, marring it for me, a contemptible tourist . I gulped down the thick, dark liquid brutally. It was all I could do. The cramp flowed out of my diaphragm. I took another swallow and was able to think straight again. A third swallow and I felt—good. Not abnormally stimulated, but strong, alert, poised on the brink of exhilaration. That was what coffee did for me. I was a caffeine addict. Earth-norm humans sometimes have the addiction to a slight extent, but I knew that as a Centurian I had it infinitely worse. Caffeine affected my metabolism like a pure alkaloid. The immediate effects weren't the same, but the need ran as deep. I finished the cup. I didn't order another because I wasn't a pure sensualist. I just needed release. Sometimes, when I didn't have the price of a cup, I would look around in alleys and find cola bottles with a few drops left in them. They have a little caffeine in them—not enough, never enough, but better than nothing. "Now what do you want to eat?" the woman asked. I didn't look at her. She didn't know. She thought I was a human—an Earth human. I was a man , of course, not an alien like a Martian. Earthmen ran the whole Solar Federation, but I was just as good as an Earthman. With my suntan and short mane, I could pass, couldn't I? That proved it, didn't it? "Hamburger," I said. "Well done." I knew that would probably be all they had fit to eat at a place like this. It might be horse meat, but then I didn't have the local prejudices. I didn't look at the woman. I couldn't. But I kept remembering how clean she looked and I was aware of how clean she smelled. I was so dirty, so very dirty that I could never get clean if I bathed every hour for the rest of my life. The hamburger was engulfed by five black-crowned, broken fingernails and raised to two rows of yellow ivory. I surrounded it like an ameba, almost in a single movement of my jaws. Several other hamburgers followed the first. I lost count. I drank a glass of milk. I didn't want to black out on coffee with Doc waiting for me. "Could I have a few to take with me, miss?" I pleaded. She smiled. I caught that out of the edge of my vision, but mostly I just felt it. "That's the first time you've called me anything but 'ma'am'," she said. "I'm not an old-maid schoolteacher, you know." That probably meant she was a schoolteacher, though. "No, miss," I said. "It's Miss Casey—Vivian Casey," she corrected. She was a schoolteacher, all right. No other girl would introduce herself as Miss Last Name. Then there was something in her voice.... "What's your name?" she said to me. I choked a little on a bite of stale bun. I had a name, of course . Everybody has a name, and I knew if I went off somewhere quiet and thought about it, mine would come to me. Meanwhile, I would tell the girl that my name was ... Kevin O'Malley. Abruptly I realized that that was my name. "Kevin," I told her. "John Kevin." "Mister Kevin," she said, her words dancing with bright absurdity like waterhose mist on a summer afternoon, "I wonder if you could help me ." "Happy to, miss," I mumbled. She pushed a white rectangle in front of me on the painted maroon bar. "What do you think of this?" I looked at the piece of paper. It was a coupon from a magazine. Dear Acolyte R. I. S. : Please send me FREE of obligation, in sealed wrapper, "The Scarlet Book" revealing to me how I may gain Secret Mastery of the Universe. Name : ........................ Address : ..................... The world disoriented itself and I was on the floor of the somber diner and Miss Vivian Casey was out of sight and scent. There was a five dollar bill tight in my fist. The counterman was trying to pull it out. I looked up at his stubbled face. "I had half a dozen hamburgers, a cup of coffee and a glass of milk. I want four more 'burgers to go and a pint of coffee. By your prices, that will be one sixty-five—if the lady didn't pay you." "She didn't," he stammered. "Why do you think I was trying to get that bill out of your hand?" I didn't say anything, just got up off the floor. After the counterman put down my change, I spread out the five dollar bill on the vacant bar, smoothing it. I scooped up my change and walked out the door. There was no one on the sidewalk, only in the doorways. First I opened the door on an amber world, then an azure one. Neon light was coming from the chickenwire border of the room, from a window somewhere beyond. The wino on one side of the room was singing and the one on the other side was praying, same as before. Only they had changed around—prayer came from the left, song from the right. Doc sat on the floor in the half-darkness and he had made a thing . My heart hammered at my lungs. I knew this last time had been different. Whatever it was was getting closer. This was the first time Doc had ever made anything. It didn't look like much, but it was a start. He had broken the light bulb and used the filament and screw bottom. His strong hands had unraveled some of the bed "springs"—metal webbing—and fashioned them to his needs. My orb-point pen had dissolved under his touch. All of them, useless parts, were made into a meaningful whole. I knew the thing had meaning, but when I tried to follow its design, I became lost. I put the paper container of warm coffee and the greasy bag of hamburgers on the wooden chair, hoping the odor wouldn't bring any hungry rats out of the walls. I knelt beside Doc. "An order, my boy, an order," he whispered. I didn't know what he meant. Was he suddenly trying to give me orders? He held something out to me. It was my notebook. He had used my pen, before dismantling it, to write something. I tilted the notebook against the neon light, now red wine, now fresh grape. I read it. "Concentrate," Doc said hoarsely. "Concentrate...." I wondered what the words meant. Wondering takes a kind of concentration. The words "First Edition" were what I was thinking about most. The heavy-set man in the ornate armchair was saying, "The bullet struck me as I was pulling on my boot...." I was kneeling on the floor of a Victorian living room. I'm quite familiar with Earth history and I recognized the period immediately. Then I realized what I had been trying to get from Doc all these months—time travel. A thin, sickly man was sprawled in the other chair in a rumpled dressing gown. My eyes held to his face, his pinpoint pupils and whitened nose. He was a condemned snowbird! If there was anything I hated or held in more contempt than tourists or Martians, it was a snowbird. "My clients have occasioned singular methods of entry into these rooms," the thin man remarked, "but never before have they used instantaneous materialization." The heavier man was half choking, half laughing. "I say—I say, I would like to see you explain this, my dear fellow." "I have no data," the thin man answered coolly. "In such instance, one begins to twist theories into fact, or facts into theories. I must ask this unemployed, former professional man who has gone through a serious illness and is suffering a more serious addiction to tell me the place and time from which he comes." The surprise stung. "How did you know?" I asked. He gestured with a pale hand. "To maintain a logical approach, I must reject the supernatural. Your arrival, unless hallucinatory—and despite my voluntary use of one drug and my involuntary experiences recently with another, I must accept the evidence of my senses or retire from my profession—your arrival was then super-normal. I might say super-scientific, of a science not of my or the good doctor's time, clearly. Time travel is a familiar folk legend and I have been reading an article by the entertaining Mr. Wells. Perhaps he will expand it into one of his novels of scientific romance." I knew who these two men were, with a tormenting doubt. "But the other—" "Your hands, though unclean, have never seen physical labor. Your cranial construction is of a superior type, or even if you reject my theories, concentration does set the facial features. I judge you have suffered an illness because of the inhibition of your beard growth. Your over-fondness for rum or opium, perhaps, is self-evident. You are at too resilient an age to be so sunk by even an amour. Why else then would you let yourself fall into such an underfed and unsanitary state?" He was so smug and so sure, this snowbird. I hated him. Because I couldn't trust to my own senses as he did. "You don't exist," I said slowly, painfully. "You are fictional creations." The doctor flushed darkly. "You give my literary agent too much credit for the addition of professional polish to my works." The other man was filling a large, curved pipe from something that looked vaguely like an ice-skate. "Interesting. Perhaps if our visitor would tell us something of his age with special reference to the theory and practice of temporal transference, Doctor, we would be better equipped to judge whether we exist." There was no theory or practice of time travel. I told them all I had ever heard theorized from Hindu yoga through Extra-sensory Perception to Relativity and the positron and negatron. "Interesting." He breathed out suffocating black clouds of smoke. "Presume that the people of your time by their 'Extra-sensory Perception' have altered the past to make it as they suppose it to be. The great historical figures are made the larger than life-size that we know them. The great literary creations assume reality." I thought of Cleopatra and Helen of Troy and wondered if they would be the goddesses of love that people imagined or the scrawny, big-nosed redhead and fading old woman of scholarship. Then I noticed the detective's hand that had been resting idly on a round brass weight of unknown sort to me. His tapered fingertips had indented the metal. His bright eyes followed mine and he smiled faintly. "Withdrawal symptoms." The admiration and affection for this man that had been slowly building up behind my hatred unbrinked. I remembered now that he had stopped. He was not really a snowbird. After a time, I asked the doctor a question. "Why, yes. I'm flattered. This is the first manuscript. Considering my professional handwriting, I recopied it more laboriously." Accepting the sheaf of papers and not looking back at these two great and good men, I concentrated on my own time and Doc. Nothing happened. My heart raced, but I saw something dancing before me like a dust mote in sunlight and stepped toward it.... ... into the effective range of Miss Casey's tiny gun. She inclined the lethal silver toy. "Let me see those papers, Kevin." I handed her the doctor's manuscript. Her breath escaped slowly and loudly. "It's all right. It's all right. It exists. It's real. Not even one of the unwritten ones. I've read this myself." Doc was lying on the cot, half his face twisted into horror. "Don't move, Kevin," she said. "I'll have to shoot you—maybe not to kill, but painfully." I watched her face flash blue, red, blue and knew she meant it. But I had known too much in too short a time. I had to help Doc, but there was something else. "I just want a drink of coffee from that container on the chair," I told her. She shook her head. "I don't know what you think it does to you." It was getting hard for me to think. "Who are you?" She showed me a card from her wrist purse. Vivian Casey, Constable, North American Mounted Police. I had to help Doc. I had to have some coffee. "What do you want?" "Listen, Kevin. Listen carefully to what I am saying. Doc found a method of time travel. It was almost a purely mathematical, topographical way divorced from modern physical sciences. He kept it secret and he wanted to make money with it. He was an idealist—he had his crusades. How can you make money with time travel?" I didn't know whether she was asking me, but I didn't know. All I knew was that I had to help Doc and get some coffee. "It takes money—money Doc didn't have—to make money," Miss Casey said, "even if you know what horse will come in and what stock will prosper. Besides, horse-racing and the stock market weren't a part of Doc's character. He was a scholar." Why did she keep using the past tense in reference to Doc? It scared me. He was lying so still with the left side of his face so twisted. I needed some coffee. "He became a book finder. He got rare editions of books and magazines for his clients in absolutely mint condition. That was all right—until he started obtaining books that did not exist ." I didn't know what all that was supposed to mean. I got to the chair, snatched up the coffee container, tore it open and gulped down the soothing liquid. I turned toward her and threw the rest of the coffee into her face. The coffee splashed out over her platinum hair and powder-blue dress that looked white when the neon was azure, purple when it was amber. The coffee stained and soiled and ruined, and I was fiercely glad, unreasonably happy. I tore the gun away from her by the short barrel, not letting my filthy hands touch her scrubbed pink ones. I pointed the gun generally at her and backed around the thing on the floor to the cot. Doc had a pulse, but it was irregular. I checked for a fever and there wasn't one. After that, I didn't know what to do. I looked up finally and saw a Martian in or about the doorway. "Call me Andre," the Martian said. "A common name but foreign. It should serve as a point of reference." I had always wondered how a thing like a Martian could talk. Sometimes I wondered if they really could. "You won't need the gun," Andre said conversationally. "I'll keep it, thanks. What do you want?" "I'll begin as Miss Casey did—by telling you things. Hundreds of people disappeared from North America a few months ago." "They always do," I told him. "They ceased to exist—as human beings—shortly after they received a book from Doc," the Martian said. Something seemed to strike me in the back of the neck. I staggered, but managed to hold onto the gun and stand up. "Use one of those sneaky Martian weapons again," I warned him, "and I'll kill the girl." Martians were supposed to be against the destruction of any life-form, I had read someplace. I doubted it, but it was worth a try. "Kevin," Andre said, "why don't you take a bath?" The Martian weapon staggered me again. I tried to say something. I tried to explain that I was so dirty that I could never get clean no matter how often I bathed. No words formed. "But, Kevin," Andre said, "you aren't that dirty." The blow shook the gun from my fingers. It almost fell into the thing on the floor, but at the last moment seemed to change direction and miss it. I knew something. "I don't wash because I drink coffee." "It's all right to drink coffee, isn't it?" he asked. "Of course," I said, and added absurdly, "That's why I don't wash." "You mean," Andre said slowly, ploddingly, "that if you bathed, you would be admitting that drinking coffee was in the same class as any other solitary vice that makes people wash frequently." I was knocked to my knees. "Kevin," the Martian said, "drinking coffee represents a major vice only in Centurian humanoids, not Earth-norm human beings. Which are you? " Nothing came out of my gabbling mouth. " What is Doc's full name? " I almost fell in, but at the last instant I caught myself and said, "Doctor Kevin O'Malley, Senior." From the bed, Doc said a word. "Son." Then he disappeared. I looked at that which he had made. I wondered where he had gone, in search of what. "He didn't use that," Andre said. So I was an Earthman, Doc's son. So my addiction to coffee was all in my mind. That didn't change anything. They say sex is all in your mind. I didn't want to be cured. I wouldn't be. Doc was gone. That was all I had now. That and the thing he left. "The rest is simple," Andre said. "Doc O'Malley bought up all the stock in a certain ancient metaphysical order and started supplying members with certain books. Can you imagine the effect of the Book of Dyzan or the Book of Thoth or the Seven Cryptical Books of Hsan or the Necronomican itself on human beings?" "But they don't exist," I said wearily. "Exactly, Kevin, exactly. They have never existed any more than your Victorian detective friend. But the unconscious racial mind has reached back into time and created them. And that unconscious mind, deeper than psychology terms the subconscious, has always known about the powers of ESP, telepathy, telekinesis, precognition. Through these books, the human race can tell itself how to achieve a state of pure logic, without food, without sex, without conflict—just as Doc has achieved such a state—a little late, true. He had a powerful guilt complex, even stronger than your withdrawal, over releasing this blessing on the inhabited universe, but reason finally prevailed. He had reached a state of pure thought." "The North American government has to have this secret, Kevin," the girl said. "You can't let it fall into the hands of the Martians." Andre did not deny that he wanted it to fall into his hands. I knew I could not let Doc's—Dad's—time travel thing fall into anyone's hands. I remembered that all the copies of the books had disappeared with their readers now. There must not be any more, I knew. Miss Casey did her duty and tried to stop me with a judo hold, but I don't think her heart was in it, because I reversed and broke it. I kicked the thing to pieces and stomped on the pieces. Maybe you can't stop the progress of science, but I knew it might be millenniums before Doc's genes and creative environment were recreated and time travel was rediscovered. Maybe we would be ready for it then. I knew we weren't now. Miss Casey leaned against my dirty chest and cried into it. I didn't mind her touching me. "I'm glad," she said. Andre flowed out of the doorway with a sigh. Of relief? I would never know. I supposed I had destroyed it because I didn't want the human race to become a thing of pure reason without purpose, direction or love, but I would never know for sure. I thought I could kick the habit—perhaps with Miss Casey's help—but I wasn't really confident. Maybe I had destroyed the time machine because a world without material needs would not grow and roast coffee.
train	51344	[ "What kind of relationship does the third mate have with his wife?", "What is the relationship between the priest and the captain, in terms of their jobs?", "What would have happened had the captain not married Wanda?", "Why does everyone seem interested in Jane?", "What is the first mate trying to express when he says \"You all want me ta die uv old age\"?", "What does Harry think about his wife's request to talk to the priest?", "How does Nestir feel about someone having killed her own child?" ]	[ [ "He is extremely obsessed with her and has no intent of letting her change husbands", "He is torn between his relationship with her and his relationship with Wanda, but wants to be loyal", "He doesn't feel strongly and is mostly using her as a pawn to trade for the wife he really wants", "He wants what is best for her, and is dedicated to supporting her in everything she asks for" ], [ "The priest is held in higher esteem and has the nicest living arrangements", "The captain is in charge of the ship, but he allows the priest to make cultural decisions", "The priest is very bitter at the captain's control and is always very cautious around him", "They don't respect each other, but thankfully do not need to interact much as they oversee separate operations" ], [ "Jane would have been upset with Harry for ruining her plan", "The priest would have been happy that Wanda remained unmarried", "The priest would not have been able to eventually end up with Jane", "Wanda would have had to marry Harry instead" ], [ "The crew is always interested in what Harry has, and he is married to her", "There is not enough information to say for certain", "She is known as the most attractive woman on the ship", "She is the best at doing her duty, so she is sought after as a wife" ], [ "He's grumbling because he hates his job and knows he doesn't want to do it forever", "Only the most important members of the society die of old age and he does not want that responsibility", "If he dies of old age, that means he will not be rewarded when he passes ", "If he dies of old age, that means he'll be around without a lot of his friends, and he doesn't want that" ], [ "Harry thinks it's a great idea for his wife to become the priest's wife, because then he'll have an in with the officials", "Harry is very upset because he doesn't want to trade his wife for anyone, no matter what", "Harry runs with it so that he can get what he wants in the Changing of the Wives", "Harry is indifferent, but doesn't think the priest would want to marry her anyway" ], [ "He is disappointed by how it occured, but unbothered by the act in general", "He is more worried about the intent behind the act than the act itself", "As a religious leader, he is baffled that anyone would want to do that", "He is personally indifferent, but legally has to reprimand the woman for such an act" ] ]	[ 3, 1, 3, 2, 3, 3, 2 ]	[ 0, 1, 1, 1, 1, 1, 0 ]	VOYAGE TO FAR N'JURD By KRIS NEVILLE Illustrated by MACK [Transcriber's Note: This etext was produced from Galaxy Magazine April 1963. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] They would never live to see the trip's end. So they made a few changes in their way of life—and many in their way of death! I "I don't see why we have to be here," a crewman said. "He ain't liable to say anything." "He shore better," the man in front of him said loudly. "Be still," his wife said. "People's lookin' at ya." "I don't care a smidgen," he said, "if en they ayre." "Please," she said. "Joanne Marie," he said, "you know that when I aims ta do somethin', I'm jest natcher'lly bound to do hit. An' iffen I aims ta talk...." "Here comes the priest. Now, be still." The man looked up. "So he do; an' I'll tell ya, hit shore is time he's a-gittin' hyere. I ain't got no all night fer ta sit." The crewman to his left bent over and whispered, "I'll bet he's gonna tell us it's gonna be another postponement." "Iffen he does, I'm jest a-gonna stand up an' yell right out that I ain't gonna stand fer hit no longer." "Now, dear," said Joanne Marie, "the captain can hear ya, if you're gonna talk so loud." "I hope he does; I jest hope he does. He's th' one that's a-keepin' us all from our Reward, an' I jest hope he does heyar me, so he'll know I'm a-gittin' mighty tyird uv waitin'." "You tell 'im!" someone said from two rows behind him. The captain, in the officer's section, sat very straight and tall. He was studiously ignoring the crew. This confined his field of vision to the left half of the recreation area. While the priest stood before the speaker's rostrum waiting for silence, the captain reached back with great dignity and scratched his right shoulder blade. Nestir, the priest, was dressed out in the full ceremonial costume of office. His high, strapless boots glistened with polish. His fez perched jauntily on his shiny, shaven head. The baldness was symbolic of diligent mental application to abstruse points of doctrine. Cotian exentiati pablum re overum est : "Grass grows not in the middle of a busy thoroughfare." The baldness was the result of the diligent application of an effective depilatory. His blood-red cloak had been freshly cleaned for the occasion, and it rustled around him in silky sibilants. "Men," he said. And then, more loudly, "Men!" The hiss and sputter of conversation guttered away. "Men," he said. "The other evening," he said, "—Gelday it was, to be exact—one of the crew came to me with a complaint." "Well, I'll be damned," Joanne Marie's husband said loudly. Nestir cleared his throat. "It was about the Casting Off. That's why I called you all together today." He stared away, at a point over the head and to the rear of the audience. "It puts me in mind of the parable of the six Vergios." Joanne Marie's husband sighed deeply. "Three, you will recall, were wise. When Prophet was at Meizque, they came to him and said, 'Prophet, we are afflicted. We have great sores upon our bodies.' The Prophet looked at them and did see that it was true. Then he blessed them and took out His knife and lay open their sores. For which the three wise Vergios were passing grateful. And within the last week, they were dead of infection. But three were foolish and hid their sores; and these three did live." The captain rubbed his nose. " Calex i pundendem hoy , my children. 'Secrecy makes for a long life,' as it says in the Jarcon ." Nestir tugged behind him at his cloak. "I want you all to remember that little story. I want you all to take it away from here with you and think about it, tonight, in the privacy of your cabins. "And like the three wise Vergios who went to the Prophet, one of the crewmen came to me. He came to me, and he said: 'Father, I am weary of sailing.' "Yes, he said, 'I am weary of sailing.' "Now, don't you think I don't know that. Every one of you—every blessed one of you—is weary of sailing. I know that as well as I know my own name, yes. "But because he came to me and said, 'Father, I am weary of sailing,' I went to the captain, and I said, 'Captain, the men are weary of sailing.' "And then the captain said: 'All right, Father,' he said, 'I will set the day for the Festival of the Casting Off!'" The little fellow was pleased by the rustle of approval from the audience. "God damn, hit's about time!" Joanne Marie's husband said. Nestir cleared his throat again. "Hummm. Uh. And the day is not very far distant," said Nestir. "I knowed there was a catch to hit," Joanne Marie's husband said. "I know you will have many questions; yes, I know you will have—ah, ah—well, many questions. You are thinking: 'What kind of a Festival can we have here on this ship?' You are thinking: 'What a fine thing—ah, what a good thing, that is—ah, how nice it would be to have the Casting Off at home, among friends.'" Nestir waved his hands. "Well, I just want to tell you: I come from Koltah. And you know that Koltah never let any city state outdo her in a Festival, uh-huh. "The arena in Koltah is the greatest arena in the whole system. We have as many as sixty thousand accepted applicants. All of them together in the arena is a—uh, uh, well—a sight to behold. People come from all over to behold it. I never will forget the Festival at which my father was accepted. He.... "Well, the point I want to make is this: I just wanted to tell you that I know what a Festival should be, and the captain and I will do everything in our power to make our Casting Off as wonderful as any anywhere. "And I want to tell you that if you'll come to me with your suggestions, I'll do all I can to see that we do this thing just the way you want it done. I want you to be proud of this Casting Off Festival, so you can look back on it and say, uh, uh—this day was the real high point of your whole life!" Everyone but Joanne Marie's husband cheered. He sat glumly muttering to himself. Nestir bobbed his shiny head at them and beamed his cherubic smile. And noticed that there was a little blonde, one of the crewmen's wives, in the front row that had very cute ankles. While they were still cheering and stomping and otherwise expressing their enthusiasm and approval, Nestir walked off the speaker's platform and into the officer's corridor. He wiped his forehead indecorously on the hem of his cloak and felt quite relieved that the announcement was over with and the public speaking done. II Dinner that evening was a gala occasion aboard the ship. The steward ordered the holiday feast prepared in celebration of Nestir's announcement. And, for the officers, he broke out of the special cellar the last case allotment for Crew One of the delicate Colta Barauche ('94). He ordered the messman to put a bottle of it to the right of each plate. The captain came down from his stateroom after the meal had begun. He nodded curtly to the officers when he entered the mess hall, walked directly to his place at the head of the table, sat down and morosely began to work the cork out of his wine bottle with his teeth. "You'll spoil the flavor, shaking it that way," the third mate cautioned. He was particularly fond of that year. The captain twisted the bottle savagely, and the cork came free with a little pop. He removed the cork from between his teeth, placed it very carefully beside his fork, and poured himself a full glass of the wine. "Very probably," he said sadly. "I don't think hit'll do hit," the first mate said. "He hain't shook hard enough to matter." The captain picked up the glass, brought it toward his lips—then, suddenly having thought of something, he put it back down and turned to Nestir. "I say. Have you decided on this Carstar thing yet, Father?" The little priest looked up. He laid his knife across the rim of his plate. "It has ramifications," he said. When the third mate saw that his opinion on the wine was not immediately to be justified, he settled back in his chair with a little sigh of disapproval. "Well, what do you think your decision will be, Father?" the steward asked. Nestir picked up his knife and fork and cut off a piece of meat. "Hummmm," he said. "It's hard to say. The whole issue involves, as a core point, the principle of casta cum mae stotiti ." The first mate nodded sagely. "The intent, of course, could actually be—ah— sub mailloux ; and in that event, naturally, the decision would be even more difficult. I wish I could talk to higher authority about it; but of course I haven't the time. I'll have to decide something." "He had a very pretty wife," the third mate said. "Yes, very." Nestir agreed. "But as I was saying, if it could be proven that the culstem fell due to no negligence on his part, either consciously or subconsciously, then the obvious conclusion would be that no stigma would be attached." He speared his meat and chewed it thoughtfully. "But it wasn't at all bloody," the wife of the second mate said. "I scarcely think he felt it at all. It happened too fast." Nestir swallowed the mouthful of food and washed it down with a gulp of wine. "The problem, my dear Helen," he said, "is one of intent. To raise the issue of concomitant agonies is to confuse the whole matter. For instance. Take Wilson, in my home state of Koltah. Certainly he died as miserable a death as anyone could desire." "Yes," said the second mate's wife. "I remember that. I read about it in the newspapers." "But it was a case of obvious intent ," continued Nestir, "and therefore constituted a clear out attempt to avoid his duty by hastening to his Reward." Upon hearing the word duty, the captain brightened. "That," he said to Nestir, "my dear Father, is the cardinal point of the whole game, y'know." He scratched the back of his left hand. "Duty. And I must say, I think you're being quite short-sighted about the Casting Off date. After all, it's not only a question of how we go, but also a question of leaving only after having done our duty. And that's equally important." "The Synod of Cathau—" Nestir began. "Plague take it, Father! Really, now, I must say. The Synod of Cathau! Certainly you've misinterpreted that. Anticipation can be a joy, y'know: almost equal to the very Reward. Anticipation should spur man in duty. It's all noble and self sacrificing." He scratched the back of his right hand. The second mate had been trying to get a word in edgewise for several minutes; he finally succeeded by utilizing the temporary silence following the captain's outburst. "You don't need to worry about your Casting Off, Captain. You can leave that to me. I assure you, I have in mind a most ingenious method." The captain was not visibly cheered; he was still brooding about the sad absence of a sense of duty on the part of Nestir. "I will welcome it," he said, "at the proper time, sir. And I certainly hope—" His eyes swept the table. "I certainly hope to be Cast Off by an officer. It would be very humiliating, y'know, to have a crew member do it." "Oh, very," said the steward. "I don't know," the second mate's wife said, "whether you better count on my husband or not. I have my own plans for him." "This problem of Carstar interests me," the third mate said. "Did I ever tell you about my wife? She strangled our second baby." "He was a very annoying child," his wife said. "He probably wouldn't have lived, anyway," the third mate said. "Puny baby." "That," said Nestir, "is not at all like the Carstar case. Not at all. Yours is a question of saliex y cuminzund ." The first mate nodded. "It seems to me that the whole thing would depend on the intent of the strangler." "Captain," the steward said, "you really must let me give you some of that salve." "That's very kind of you, but I...." "No bother at all," the steward said. "As I see it," Nestir said, "if the intent was the natural maternal instinct of the mother to release her child from its duty, then...." "Oh, not at all," the third mate's wife said. "I did it to make him stop crying." "Well, in that case, I see no reason why he shouldn't get his Reward." "I certainly hope so," the third mate said. "Jane worries about it all the time." "I do not," Jane contradicted. "Now, honey, you know you do so." At that moment, he lost interest in his wife and leaned across the table toward the captain, "Well?" he asked. The captain rolled the wine over his tongue. "You were right, of course." The third mate turned triumphantly to the first mate. "There, I told you so." The first mate shrugged. "I never do say nothin' right," he said. "I hain't got no luck. I've spent more years un all ya, carpenterin' up a duty log that's better un even th' captain's. An' hit's Martha an' me that gotta wait an' help th' next crew. Lord above knows how long time hit'll be afore we uns'll got ta have a Festival." "Oh, really, now. Now. Duty, duty," the captain reprimanded him mildly. "Duty! Duty! Duty! You all ur in a conspiracy. You all want me ta die uv old age." "Nonsense," said the steward. "We don't want anything of the sort. After all, someone has to orient the new crew." "Quite right," said the captain. "You ought to be proud." The first mate slammed his napkin in the middle of his food and stalked out of the mess hall. "Quite touchy today," Nestir observed. "By the way," the third mate said. "Wanda gave me a petition to give to you, Father." "Wanda?" "Yes. She's sixteen, now." "Wanda who?" the steward asked. "Wanda Miller, the bosun's daughter." "I know her," Helen said. "She's the oldest child on the ship, and she wants you to sign her adult petition so she can be in the Festival, Father." "She's so young...." "Sixteen, Father." "After all, one must have done some duty," the captain said. "He wants you to sign it so he can take her in the Changing of the Wives," Jane said. Nestir fidgeted uncomfortably. "Well, I'll look at her record," he said. "It's an idea," the second mate said. "Otherwise, we'll be short one woman." "There wouldn't be one short if he had brought a wife," the first mate's wife said, looking squarely at the captain. "Now, Martha. I place duty above pleasure. You're just angry, y'know, because you have to stay with your husband." "All right, so I am. But it's true. And if Carstar hadn't been killed, there would have been two short." She shot a wicked glance at Nestir. "Why don't you and him share a woman—" "Martha!" "Although the Prophet knows what woman in her right mind would consent to...." "Well," said Nestir hesitantly. "Listen," the third mate said, "the second's right. If you don't sign it, someone will have to do without a woman." Nestir blushed. "I'll look it over very carefully, but you must realize that the priestcraft...." "Actually, in a way, it would be her duty to, you see. Think of it like that: as her way to do her duty." "She's too young for you, dear," Jane said to her husband. "Oh, I don't know," the steward said. "Sometimes they're the best, I hear." III The third mate, whose name was Harry, stood before the mirror combing his hair. He had been combing his hair for the last fifteen minutes. "I suppose the crew is celebrating?" his wife said. "I suppose." She stood up and walked over to the dresser. Absently she began to finger the articles on it. "You really shouldn't have told them about little Glenn tonight." "Pish-tush." "No, Harry. I mean it. Helen looked at me strangely all through dinner. She has three children, you know." "You're imagining things." "But she does have three children." "I mean about her looking at you." "Oh." Harry fiddled with his tie without speaking. "I mean, as much as to say: 'Well, I raised all of mine.'" "But honey, about little Glenn. That was an accident, almost. You didn't really mean to choke him that hard." "But still ... it ... I mean, there was Helen, looking at me like I wasn't doing my duty. You know." "No," he said. "That's nonsense, Jane. Sheer nonsense. You know what the priest said." He polished one of his brass buttons with the sleeve of his coat. "Harry?" "Yes?" "I don't think all that is necessary just to go on duty." "Probably not." She walked to the bed and sat down. "Harry?" "Yes, dear?" "Don't you really think she's awful young?" "Huh-uh." "I mean, why don't you pick someone else? Like Mary? She's awful sweet. I'll bet she'd be better." "Probably." "She's a lot of fun." He brushed at his hair again. "Who do you want, Jane?" "Oh, I don't know." She looked down at her legs, raised them up from the floor and held them out in front of her. "I think I'd kind of like Nestir. With his funny bald head. I hope he asks me." "I'll mention it to him." "Would you really, Harry? That would be sweet." "Sure, honey." He looked down at his watch. "Harry? Are you going to meet Wanda in the control room?" "Uh-huh." "I thought so. Well, remember this, dear: It isn't the day of the Changing of the Wives yet. Don't forget." "Honey! You don't think for a minute that...." "No, dear. I know you wouldn't. But just don't , I mean." He walked over and kissed her forehead and patted her cheek. "Course not," he said, comfortingly. He left her sitting on the bed and strolled down the officers' corridor, whistling. He made a mental note to have the bosun send some of the crew in tomorrow to wash down these bulkheads. They needed it. In one corner a spider spun its silver web. He jogged up the companionway, turned left and felt the air as fresh as spring when he stepped under the great ventilator. And beneath it lay one of the crew. He kicked the man several times in the ribs until he came to consciousness. "Can't sleep here, my man," Harry explained. "Awww. Go way an' le' me 'lone, huh?" "Here. Here." He pulled the fellow erect and slapped him in the face briskly. "This is the officers' corridor." "Oh? Ish it? Schorry. Shore schorry, shir. So schorry." Harry assisted him to the crew's corridor where he sank to the floor and relapsed once more into a profound slumber. Harry continued on to the control room. When he entered it, the second mate was yawning. "Hi, John. Sleepy?" "Uh-huh. You're early." "Don't mind, do you?" "No ... Quiet tonight. Had to cut the motors an hour ago. Control technician passed out." "Oh?" The second mate took out a cigarette and lit it. "Can't blow the ship up, you know. Look like hell on the record. Hope the captain don't find out about it, though. He'll figure the man was neglecting his duty." He blew a smoke ring. "Might even bar him from the Festival." "Yeah," said Harry, "the captain's funny that way." The second mate blew another smoke ring. "Well," Harry said. "Uh. Harry? Are you really going to take that Wanda girl?" "If Nestir lets me." "Say. Harry. Do you suppose your wife would...?" Harry crossed to the second mate and put a hand on his shoulder. "Sorry, old fellow. She's got it in her head to take Nestir." He shrugged. "I don't exactly approve, of course, but ... I'm sure if he doesn't want her, she'd be glad to hear your offer." "Aw, that's all right," John said. "Don't really matter. Say. By the way. Have I told you what I intend to do to the captain? I've got it all thought out. You know that saber I picked up on Queglat? Well...." "Look. How about telling me another time?" "Uh, Sure. If you say so. Uh?" "I'm kind of expecting Wanda." "Oh. Sure. I should have known you weren't here early for nothing. In that case, I better be shoving off. Luck." "Thanks. See you at breakfast." "Right-o." After the second mate left, Harry walked over to the control panel. The jet lights were dead. He picked up the intercom and switched over the engine call bell. "'Lo," he said into the microphone. "This is the bridge.... Oh, hi, Barney. Harry.... Have you got a sober control technician down there yet...? Fine. We'll start the jets again. If the captain comes in now—well, you know how he is.... Okay, thanks. Night." He replaced the microphone. He reached over and threw the forward firing lever. The jet lights came on and the ship began to brake acceleration again. Having done that, he switched on the space viewer. The steady buzz of the equipment warming sounded in his ears. Wanda would be sure to want to look at the stars. She was simple minded. "Hello." He swiveled around. "Oh, hello, Wanda, honey." "Hello, Haireee. Are you glad little ol' me could come, huh?" "Sure am." "Me, too. Can I look at the—oh. It's already on." "Uh-huh. Look. Wanda." "Hum?" "I talked to Nestir today." "Goody. What did he say, huh? I can be an adult and get to play in the Festival, can I?" "I don't know, yet. He's thinking about it. That's why I want to see you. He's going to check your record. And Wanda?" "Them stars shore are purty." "Wanda, listen to me." "I'm a-listenin', Haireee." "You're simply going to have to stop carrying that doll around with you if you want to be an adult." In Nestir's cabin the next morning, the captain and the priest held a conference. "No, Captain. I'm afraid I can't agree to that," Nestir said. The captain said, "Oh, don't be unreasonable, Father. After all, this is a ship, y'know. And I am, after all, the captain." Nestir shook his head. "The crew and the officers will participate together in the Festival. I will not put the officers' corridor off limits, and—Oh! Yes? Come in!" The door opened. "Father?" "Yes, my son? Come in." "Thank you, Father. Good morning, Captain, sir." "Sit down, my son. Now, Captain, as I was saying: no segregation. It's contrary to the spirit, if not the wording, of the Jarcon ." "But Father! A crewman! In the officers' corridor! Think!" "Before the Prophet, we are all equal. I'm sorry, Captain. Now on Koltah, we practiced it with very good results, and...." "I say, really—" "Father?" said the crewman who had just entered. "Yes, my son. In one moment. Now, Captain. As I have been explaining: The arena method has advantages. In Koltah we always used it. But here—due to the—ah—exigencies of deep space—I feel convinced that a departure from normal procedure is warranted. It is not without precedent. Such things were fairly common, in astoli tavoro , up until centralization, three hundred years before Allth. Indeed, in my home city—Koltah—in the year of the seventh plague, a most unusual expedient was adopted. It seems...." "You're perfectly correct, of course," the captain said. "That's just what I wanted to see you about, Father," the crewman said. "Now, in my city state of Ni, for the Festivals, we...." "Shut up," said the captain softly. "Yes, sir." "Now, as I was saying, Captain, when the methods used in...." "If you'll excuse me, Father, I really should return to duty," said the crewman. "Quite all right, my son. Close the door after you." "I must say, fellow, your sense of duty is commendable." "Well, uh, thank you, sir. And thank you, Father, for your time." "Quite all right, my son. That's what I'm here for. Come in as often as you like." The crewman closed the door after him. He had been gone only a moment, scarcely time for Nestir to get properly launched on his account, when Harry, the third mate, knocked on the door and was admitted. "Oh? Good morning, Captain. I didn't know you were here." Then, to the priest: "I'll come back later, Father." "Nonsense," said the captain. "Come in." "Well, I had hoped to see the Father for a minute on ... private business." "I have to be toddling along," said the captain. "But Captain! I haven't finished telling you about...." "I'll just go down and get a cup of coffee," the captain said. "I'll call you when I'm through," said Harry. The captain left the room. "It's about Wanda, Father," said the third mate. The priest studied the table top. He rearranged some papers. "Ah, yes. The young girl." "Well, I mean, it's not only about Wanda," said Harry. "You see, my wife, Jane, that is...." "Yes?" said the priest. He took his pen out of the holder. "I think, with the proper ... ah ... you know. What I mean is, I think she might look with favor on you in the Changing of the Wives, if I said a few well chosen words in your behalf." "That is very flattering, my son." He returned the pen to the holder. "Such bounty, as it says in the Jarcon , is cull tensio ." "And with your permission, Father...." "Ah...." "She's a very pretty woman." "Ah.... Quite so." "Well, about Wanda. I really shouldn't mention this. But Father, if we are short one woman...." "Hummmm." "I mean, the girls might think a man gets rusty." "I see what you mean." Nestir blinked his eyes. "It wouldn't be fair, all things considered." He stood up. "I may tell you, my son, that, in thinking this matter over last night, I decided that Wanda—ah—Miller, yes, has had sufficient duty to merit participation in the Festival." "Justice is a priestly virtue," Harry said. "And you really think your wife would...?" "Oh, yes, Father." "Well, ahem. But...." "Yes, Father?" " Ad dulce verboten. " "Uh?" "That is to say, in order for a woman to join in the ritual of the Changing of the Wives, she must, ahem, be married." "I never thought of that," said the third mate disconsolately. "I think that can be arranged, however," said Nestir. "If you go by the mess hall on your way out, please tell the captain we can continue our discussion at his pleasure." IV "Sit down, Captain," said Nestir, when the captain entered. "No. Over there, in the comfortable chair. There. Are you comfortable, Captain?" "Of course I am." "Good. I have a question to ask you, Captain." "I say?" Nestir rubbed his bald head. "Sir," he said by way of preamble, "I know you have the greatest sensibility in questions of duty." "That's quite so, y'know. I pride myself upon it, if I do say so." "Exactly. Argot y calpex. No sacrifice is too great." "True; true." "Well, then, say the first day of Wenslaus, that would be—ah, a Zentahday—I may depend upon you to wed Wanda Miller, the bosun's daughter, yes?" "No," said the captain. "Come now, sir. I realize she is the daughter of a crewman, but—" "Father," said the captain, "did I ever tell you about the time I led an expeditionary force against Zelthalta?" "I don't believe you have." "Then I will tell you. Came about this way. I was given command of fifty-three thousand Barains. Savage devils. Uncivilized, but fine fighters. I was to march them ninety-seven miles across the desert that...." "Captain! I fear I must be very severe with you. I will be forced to announce in the mess hall this evening that you have refused to do your duty when it was plainly and properly called to your attention." "Very well, Father," the captain said after several minutes. "I will do it." He was trembling slightly. That morning was to be the time of the captain's wedding. He had insisted that it be done in privacy. For the ceremony, he refused to make the slightest change in his everyday uniform; nor would he consent to Nestir's suggestion that he carry a nosegay of hydroponic flowers. He had intended, after the ceremony, to go about his duty as if nothing out of the ordinary had happened; but after it was done with, the vast indignity of it came home to him even more poignantly than he had imagined it would. Without a word, he left the priest's stateroom and walked slowly, ponderously, with great dignity, to his own. It was a very fine stateroom. The finest, but for Nestir's, in the whole ship. The velvet and gold drapes (his single esthetic joy) were scented with exotic perfume. The carpet was an inch and a half thick. He walked through his office without breaking his stride. The bed was large and fluffy. An unbroken expanse of white coverlette jutting out from the far bulkhead. It looked as soft as feather down. Without even a sigh, he threw himself upon the bed and lay very, very quiet. His left leg was suspended in the air, intersecting, at the thigh, the plane of the coverlet at forty-five degrees; the number of degrees remained stiffly, unrelaxingly forty-five. Only after a long, long time did he roll over on his back and then it was merely to stare fixedly at the ceiling. It is entirely possible that he would have lain there until Doomsday had not his introspection been, around noon, interrupted by an apologetic tap on the door. "Come in," he whispered, hoping she would not hear him and go away. But she heard him. "Husband," Wanda said simply. She closed the door behind her and stood staring at him. "Madam," he said, "I hope you will have the kindness not to refer to me by that indecent appelation a second time." "Gee. You say the cutest things. I'm awful glad you had to marry me, huh." The captain stood up, adjusted his coat and his shoulders, and walked across the room to the dressing table. He opened the left-hand drawer, removed a bottle, poured himself half a water-glass full and drank it off. "Ah," he said. He returned to the bed and sat down. "Can'tcha even say hello ta little ol' me, huh?" she asked. "Hello," he said. "Madam, sit down. I intend to give you an instructive lecture in the natural order of...." "Huh?" "Ah," he said. "Quite true, of course." She walked over to the chair and sat down. "I don't like them," she said. "Them cloth things over there." "Those, Madam," he said, "are priceless drapes I had imported from the province of San Xalthan. They have a long, strange history. "About three thousand years ago, a family by the name of Soong was forced to flee from the city of Xan because the eldest son of the family had become involved in a conspiracy against the illustrious King Fod. As the Soong family was traveling...." "I don't like 'em anyway," said Wanda. "Madam," said the captain, "kindly bring me that." "This?" "Yes. Thank you." He took the doll from her. He got up again, walked to the chest of drawers, searched around for a penknife. Finally he located it under a stack of socks.
train	51201	[ "How were the Volpla able to eat solid food so quickly?", "Why is it ironic that the narrator's wife is asking him to be quiet during the broadcast?", "Why did the narrator decide not to mention the Volplas during Guy's broadcast?", "Why doesn't the narrator want to tell anyone about his experiments?", "Why is it ironic that the narrator's wife refers to him as Zeus?", "What is the \"new kind of fun\" that the narrator wants to have now that his first experiment worked?", "Why was the Volpla vocabulary limited when the narrator took a few into the valley?", "What motivated the narrator to design the Volpla origin story as he did?", "Why did the narrator's wife react the way she did when she got home to see workmen at the house?", "What kind of relationship does the narrator have with his children?" ]	[ [ "Their anatomy is not human, and their more developed digestive system handles solid food much earlier", "They mature very quickly, as a result of their mutant status, so it would be easy to eat anything", "Their growth had been artificially sped up, so they passed the stages where they would have needed different food", "Solid food was the only thing they were offered, so they learned to eat it" ], [ "She has been giving him alcohol, which could have been adding to the talkativeness", "She is talking more than he is, so the effort is misplaced", "He is usually fairly quiet, and this is unusual behavior for him", "He is being supportive of his friend for once and should be encouraged" ], [ "Nobody could hear him over the broadcast's high volume", "He wanted to make sure Guy had his moment and didn't want to steal the spotlight", "He wanted to brag to Guy later, when he showed him the Volplas in the lab afterwards for a more dramatic effect", "He wanted to keep the secret long term and it wouldn't have been worth it to give it away" ], [ "He wants to wait until he can publish a paper about his results", "He wants to sit back and watch what happens when they're released on the world", "It is illegal to breed mutant animals, and doesn't want to get caught", "He doesn't want people to know about his work until he has perfected the new species" ], [ "The area they live in is compared to the Roman countryside, not anything Greek", "He seems to think he's very important, and about as powerful", "He identifies more closely with different figures in Greek mythology", "She thinks he has too many children, similar to Zeus" ], [ "He wants to pursue his maid, since she doesn't seem interested in him", "He is going to sit back and watch a chaotic plan come into place", "He is going to spend more time outdoors with his kids, exploring the area", "He is going to continue developing various types of mutant animals" ], [ "They had not been alive long enough to learn enough English to communicate well", "They were encountering concepts that were unfamiliar from the lab environment", "They are not smart enough to have a fully developed language, no matter how hard they try", "They were confusing their own language with English, having trouble keeping the languages separate" ], [ "He enjoyed creating backstories for the creatures as part of the stories he told them", "He did not want the creatues to feel like they did not have a rich history", "The Volpla asked him to tell them their history, and when they guessed they were from elsewhere, he ran with it", "Making them think they were aliens was part of preventing any traceable ties between them and himself" ], [ "The narrator had told her that he was going to expand his workspace to investigate different mutations", "She was upset that it seemed like the narrator was giving up on his work by tearing down his laboratory space", "She was hoping to convert the lab space into a room for the family when he was done, and didn't want it to be torn down", "He had shown no sign of actually reporting on his work, and she didn't know what this change meant" ], [ "The children don't talk to him at all, because they are constantly disappointed by his not sharing his work with them", "The children see him as a kind but absent father figure who is dedicated to his science", "The children think he is nice but odd, perhaps a bit too talkative about his own pride around his work", "The children are upset with him because they think he is too strict, making them swim with bathing suits, and things like this" ] ]	[ 3, 1, 4, 2, 2, 2, 2, 4, 4, 2 ]	[ 0, 1, 1, 1, 0, 1, 1, 1, 1, 0 ]	Volpla By WYMAN GUIN Illustrated by DICK FRANCIS [Transcriber's Note: This etext was produced from Galaxy Science Fiction May 1956. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] The only kind of gag worth pulling, I always maintained, was a cosmic one—till I learned the Cosmos has a really nasty sense of humor! There were three of them. Dozens of limp little mutants that would have sent an academic zoologist into hysterics lay there in the metabolic accelerator. But there were three of them . My heart took a great bound. I heard my daughter's running feet in the animal rooms and her rollerskates banging at her side. I closed the accelerator and walked across to the laboratory door. She twisted the knob violently, trying to hit a combination that would work. I unlocked the door, held it against her pushing and slipped out so that, for all her peering, she could see nothing. I looked down on her tolerantly. "Can't adjust your skates?" I asked again. "Daddy, I've tried and tried and I just can't turn this old key tight enough." I continued to look down on her. "Well, Dad-dee, I can't!" "Tightly enough." "What?" "You can't turn this old key tightly enough." "That's what I say -yud." "All right, wench. Sit on this chair." I got down and shoved one saddle shoe into a skate. It fitted perfectly. I strapped her ankle and pretended to use the key to tighten the clamp. Volplas at last. Three of them. Yet I had always been so sure I could create them that I had been calling them volplas for ten years. No, twelve. I glanced across the animal room to where old Nijinsky thrust his graying head from a cage. I had called them volplas since the day old Nijinsky's elongated arms and his cousin's lateral skin folds had given me the idea of a flying mutant. When Nijinsky saw me looking at him, he started a little tarantella about his cage. I smiled with nostalgia when the fifth fingers of his hands, four times as long as the others, uncurled as he spun about the cage. I turned to the fitting of my daughter's other skate. "Daddy?" "Yes?" "Mother says you are eccentric. Is that true?" "I'll speak to her about it." "Don't you know ?" "Do you understand the word?" "No." I lifted her out of the chair and stood her on her skates. "Tell your mother that I retaliate. I say she is beautiful." She skated awkwardly between the rows of cages from which mutants with brown fur and blue fur, too much and too little fur, enormously long and ridiculously short arms, stared at her with simian, canine or rodent faces. At the door to the outside, she turned perilously and waved. Again in the laboratory, I entered the metabolic accelerator and withdrew the intravenous needles from my first volplas. I carried their limp little forms out to a mattress in the lab, two girls and a boy. The accelerator had forced them almost to adulthood in less than a month. It would be several hours before they would begin to move, to learn to feed and play, perhaps to learn to fly. Meanwhile, it was clear that here was no war of dominant mutations. Modulating alleles had smoothed the freakish into a beautiful pattern. These were no monsters blasted by the dosage of radiation into crippled structures. They were lovely, perfect little creatures. My wife tried the door, too, but more subtly, as if casually touching the knob while calling. "Lunch, dear." "Be right there." She peeked too, as she had for fifteen years, but I blocked her view when I slipped out. "Come on, you old hermit. I have a buffet on the terrace." "Our daughter says I'm eccentric. Wonder how the devil she found out." "From me, of course." "But you love me just the same." "I adore you." She stretched on tiptoe and put her arms over my shoulders and kissed me. My wife did indeed have a delicious-looking buffet ready on the terrace. The maid was just setting down a warmer filled with hot hamburgers. I gave the maid a pinch and said, "Hello, baby." My wife looked at me with a puzzled smile. "What on Earth's got into you?" The maid beat it into the house. I flipped a hamburger and a slice of onion onto a plate and picked up the ketchup and said, "I've reached the dangerous age." "Oh, good heavens!" I dowsed ketchup over the hamburger, threw the onion on and closed it. I opened a bottle of beer and guzzled from it, blew out my breath and looked across the rolling hills and oak woods of our ranch to where the Pacific shimmered. I thought, "All this and three volplas, too." I wiped the back of my hand across my mouth and said aloud, "Yes, sir, the dangerous age. And, lady, I'm going to have fun." My wife sighed patiently. I walked over and put the arm that held the beer bottle around her shoulder and chucked her chin up with my other hand. The golden sun danced in her blue eyes. I watched that light in her beautiful eyes and said, "But you're the only one I'm dangerous about." I kissed her until I heard rollerskates coming across the terrace from one direction and a horse galloping toward the terrace from the other direction. "You have lovely lips," I whispered. "Thanks. Yours deserve the Good Housekeeping Seal of Approval, too." Our son reared the new palomino I had just bought him for his fourteenth birthday and yelled down, "Unhand that maiden, Burrhead, or I'll give you lead poisoning." I laughed and picked up my plate and sat down in a chair. My wife brought me a bowl of salad and I munched the hamburger and watched the boy unsaddle the horse and slap it away to the pasture. I thought, "By God, wouldn't he have a fit if he knew what I have back there in that lab! Wouldn't they all!" The boy carried the saddle up onto the terrace and dropped it. "Mom, I'd like a swim before I eat." He started undressing. "You look as though a little water might help," she agreed, sitting down next to me with her plate. The girl was yanking off her skates. "And I want one." "All right. But go in the house and put on your swim suit." "Oh, Mother . Why?" "Because, dear, I said so." The boy had already raced across the terrace and jack-knifed into the pool. The cool sound of the dive sent the girl scurrying for her suit. I looked at my wife. "What's the idea?" "She's going to be a young woman soon." "Is that any reason for wearing clothes? Look at him. He's a young man sooner than already." "Well, if you feel that way about it, they'll both have to start wearing clothes." I gulped the last of my hamburger and washed it down with the beer. "This place is going to hell," I complained. "The old man isn't allowed to pinch the maid and the kids can't go naked." I leaned toward her and smacked her cheek. "But the food and the old woman are still the best." "Say, what goes with you? You've been grinning like a happy ape ever since you came out of the lab." "I told you—" "Oh, not that again! You were dangerous at any age." I stood up and put my plate aside and bent over her. "Just the same, I'm going to have a new kind of fun." She reached up and grabbed my ear. She narrowed her eyes and put a mock grimness on her lips. "It's a joke," I assured her. "I'm going to play a tremendous joke on the whole world. I've only had the feeling once before in a small way, but I've always...." She twisted my ear and narrowed her eyes even more. "Like?" "Well, when my old man was pumping his first fortune out of some oil wells in Oklahoma, we lived down there. Outside this little town, I found a litter of flat stones that had young black-snakes under each slab. I filled a pail with them and took them into town and dumped them on the walk in front of the movie just as Theda Bara's matinee let out. The best part was that no one had seen me do it. They just couldn't understand how so many snakes got there. I learned how great it can be to stand around quietly and watch people encounter the surprise that you have prepared for them." She let go of my ear. "Is that the kind of fun you're going to have?" "Yep." She shook her head. "Did I say you are eccentric ?" I grinned. "Forgive me if I eat and run, dear. Something in the lab can't wait." The fact was that I had something more in the lab than I had bargained for. I had aimed only at a gliding mammal a little more efficient than the Dusky Glider of Australia, a marsupial. Even in the basically mutating colony, there had been a decidedly simian appearance in recent years, a long shift from the garbage-dump rats I had started with. But my first volplas were shockingly humanoid. They were also much faster than had been their predecessors in organizing their nervous activity after the slumbrous explosion of growth in the metabolic accelerator. When I returned to the lab, they were already moving about on the mattress and the male was trying to stand. He was a little the larger and stood twenty-eight inches high. Except for the face, chest and belly, they were covered with a soft, almost golden down. Where it was bare of this golden fur, the skin was pink. On their heads and across the shoulders of the male stood a shock of fur as soft as chinchilla. The faces were appealingly humanoid, except that the eyes were large and nocturnal. The cranium was in the same proportion to the body as it is in the human. When the male spread his arms, the span was forty-eight inches. I held his arms out and tried to tease the spars open. They were not new. The spars had been common to the basic colony for years and were the result of serial mutations effecting those greatly elongated fifth fingers that had first appeared in Nijinsky. No longer jointed like a finger, the spar turned backward sharply and ran alongside the wrist almost to the elbow. Powerful wrist muscles could snap it outward and forward. Suddenly, as I teased the male volpla, this happened. The spars added nine inches on each side to his span. As they swept out and forward, the lateral skin that had, till now, hung in resting folds was tightened in a golden plane that stretched from the tip of the spar to his waist and continued four inches wide down his legs to where it anchored at the little toe. This was by far the most impressive plane that had appeared till now. It was a true gliding plane, perhaps even a soaring one. I felt a thrill run along my back. By four o'clock that afternoon, I was feeding them solid food and, with the spars closed, they were holding little cups and drinking water from them in a most humanlike way. They were active, curious, playful and decidedly amorous. Their humanoid qualities were increasingly apparent. There was a lumbar curvature and buttocks. The shoulder girdle and pectoral muscles were heavy and out of proportion, of course, yet the females had only one pair of breasts. The chin and jaw were humanlike instead of simian and the dental equipment was appropriate to this structure. What this portended was brought home to me with a shock. I was kneeling on the mattress, cuffing and roughing the male as one might a puppy dog, when one of the females playfully climbed up my back. I reached around and brought her over my shoulder and sat her down. I stroked the soft fur on her head and said, "Hello, pretty one. Hello." The male watched me, grinning. He said, "'Ello, 'ello." As I walked into the kitchen, giddy with this enormous joke, my wife said, "Guy and Em are flying up for dinner. That rocket of Guy's they launched in the desert yesterday was a success. It pulled Guy up to Cloud Nine and he wants to celebrate." I danced a little jig the way old Nijinsky might do it. "Oh, great! Oh, wonderful! Good old Guy! Everybody's a success. It's great. It's wonderful. Success on success!" I danced into the kitchen table and tipped over a basket of green corn. The maid promptly left the kitchen for some other place. My wife just stared at me. "Have you been drinking the lab alcohol?" "I've been drinking the nectar of the gods. My Hera, you're properly married to Zeus. I've my own little Greeks descended from Icarus." She pretended a hopeless sag of her pretty shoulders. "Wouldn't you just settle for a worldly martini?" "I will, yes. But first a divine kiss." I sipped at my martini and lounged in a terrace chair watching the golden evening slant across the beautiful hills of our ranch. I dreamed. I would invent a euphonious set of words to match the Basic English vocabulary and teach it to them as their language. They would have their own crafts and live in small tree houses. I would teach them legends: that they had come from the stars, that they had subsequently watched the first red men and then the first white men enter these hills. When they were able to take care of themselves, I would turn them loose. There would be volpla colonies all up and down the Coast before anyone suspected. One day, somebody would see a volpla. The newspapers would laugh. Then someone authoritative would find a colony and observe them. He would conclude, "I am convinced that they have a language and speak it intelligently." The government would issue denials. Reporters would "expose the truth" and ask, "Where have these aliens come from?" The government would reluctantly admit the facts. Linguists would observe at close quarters and learn the simple volpla language. Then would come the legends. Volpla wisdom would become a cult—and of all forms of comedy, cults, I think, are the funniest. "Darling, are you listening to me?" my wife asked with impatient patience. "What? Sure. Certainly." "You didn't hear a word. You just sit there and grin into space." She got up and poured me another martini. "Here, maybe this will sober you up." I pointed. "That's probably Guy and Em." A 'copter sidled over the ridge, then came just above the oak woods toward us. Guy set it gently on the landing square and we walked down to meet them. I helped Em out and hugged her. Guy jumped out, asking, "Do you have your TV set on?" "No," I answered. "Should I?" "It's almost time for the broadcast. I was afraid we would miss it." "What broadcast?" "From the rocket." "Rocket?" "For heaven's sake, darling," my wife complained, "I told you about Guy's rocket being a success. The papers are full of it. So are the broadcasts." As we stepped up on the terrace, she turned to Guy and Em. "He's out of contact today. Thinks he's Zeus." I asked our son to wheel a TV set out onto the terrace while I made martinis for our friends. Then we sat down and drank the cocktails and the kids had fruit juice and we watched the broadcast Guy had tuned in. Some joker from Cal Tech was explaining diagrams of a multi-stage rocket. After a bit, I got up and said, "I have something out in the lab I want to check on." "Hey, wait a minute," Guy objected. "They're about to show the shots of the launching." My wife gave me a look; you know the kind. I sat down. Then I got up and poured myself another martini and freshened Em's up, too. I sat down again. The scene had changed to a desert launching site. There was old Guy himself explaining that when he pressed the button before him, the hatch on the third stage of the great rocket in the background would close and, five minutes later, the ship would fire itself. Guy, on the screen, pushed the button, and I heard Guy, beside me, give a sort of little sigh. We watched the hatch slowly close. "You look real good," I said. "A regular Space Ranger. What are you shooting at?" "Darling, will you please—be— quiet ?" "Yeah, Dad. Can it, will you? You're always gagging around." On the screen, Guy's big dead-earnest face was explaining more about the project and suddenly I realized that this was an instrument-bearing rocket they hoped to land on the Moon. It would broadcast from there. Well, now—say, that would be something! I began to feel a little ashamed of the way I had been acting and I reached out and slapped old Guy on the shoulder. For just a moment, I thought of telling him about my volplas. But only for a moment. A ball of flame appeared at the base of the rocket. Miraculously, the massive tower lifted, seemed for a moment merely to stand there on a flaming pillar, then was gone. The screen returned to a studio, where an announcer explained that the film just shown had been taken day before yesterday. Since then, the rocket's third stage was known to have landed successfully at the south shore of Mare Serenitatis. He indicated the location on a large lunar map behind him. "From this position, the telemeter known as Rocket Charlie will be broadcasting scientific data for several months. But now, ladies and gentlemen, we will clear the air for Rocket Charlie's only general broadcast. Stand by for Rocket Charlie." A chronometer appeared on the screen and, for several seconds, there was silence. I heard my boy whisper, "Uncle Guy, this is the biggest!" My wife said, "Em, I think I'll just faint." Suddenly there was a lunar landscape on the screen, looking just as it's always been pictured. A mechanical voice cut in. "This is Rocket Charlie saying, 'Hello, Earth,' from my position in Mare Serenitatis. First I will pan the Menelaus Mountains for fifteen seconds. Then I will focus my camera on Earth for five seconds." The camera began to move and the mountains marched by, stark and awesomely wild. Toward the end of the movement, the shadow of the upright third stage appeared in the foreground. Abruptly the camera made a giddy swing, focused a moment, and we were looking at Earth. At that time, there was no Moon over California. It was Africa and Europe we were looking at. "This is Rocket Charlie saying, 'Good-by, Earth.'" Well, when that screen went dead, there was pandemonium around our terrace. Big old Guy was so happy, he was wiping tears from his eyes. The women were kissing him and hugging him. Everybody was yelling at once. I used the metabolic accelerator to cut the volplas' gestation down to one week. Then I used it to bring the infants to maturity in one month. I had luck right off. Quite by accident, the majority of the early infants were females, which sped things up considerably. By the next spring, I had a colony of over a hundred volplas and I shut down the accelerator. From now on, they could have babies in their own way. I had devised the language for them, using Basic English as my model, and during the months while every female was busy in the metabolic accelerator, I taught the language to the males. They spoke it softly in high voices and the eight hundred words didn't seem to tax their little skulls a bit. My wife and the kids went down to Santa Barbara for a week and I took the opportunity to slip the oldest of the males and his two females out of the lab. I put them in the jeep beside me and drove to a secluded little valley about a mile back in the ranch. They were all three wide-eyed at the world and jabbered continuously. They kept me busy relating their words for "tree," "rock," "sky" to the objects. They had a little trouble with "sky." Until I had them out in the open country, it had been impossible to appreciate fully what lovely little creatures they were. They blended perfectly with the California landscape. Occasionally, when they raised their arms, the spars would open and spread those glorious planes. Almost two hours went by before the male made it into the air. His playful curiosity about the world had been abandoned momentarily and he was chasing one of the girls. As usual, she was anxious to be caught and stopped abruptly at the bottom of a little knoll. He probably meant to dive for her. But when he spread his arms, the spars snapped out and those golden planes sheared into the air. He sailed over her in a stunning sweep. Then he rose up and up until he hung in the breeze for a long moment, thirty feet above the ground. He turned a plaintive face back to me, dipped worriedly and skimmed straight for a thorn bush. He banked instinctively, whirled toward us in a golden flash and crashed with a bounce to the grass. The two girls reached him before I did and stroked and fussed over him so that I could not get near. Suddenly he laughed with a shrill little whoop. After that, it was a carnival. They learned quickly and brilliantly. They were not fliers; they were gliders and soarers. Before long, they took agilely to the trees and launched themselves in beautiful glides for hundreds of feet, banking, turning and spiraling to a gentle halt. I laughed out loud with anticipation. Wait till the first pair of these was brought before a sheriff! Wait till reporters from the Chronicle motored out into the hills to witness this! Of course, the volplas didn't want to return to the lab. There was a tiny stream through there and at one point it formed a sizable pool. They got into this and splashed their long arms about and they scrubbed each other. Then they got out and lay on their backs with the planes stretched to dry. I watched them affectionately and wondered about the advisability of leaving them out here. Well, it had to be done sometime. Nothing I could tell them about surviving would help them as much as a little actual surviving. I called the male over to me. He came and squatted, conference fashion, the elbows resting on the ground, the wrists crossed at his chest. He spoke first. "Before the red men came, did we live here?" "You lived in places like this all along these mountains. Now there are very few of you left. Since you have been staying at my place, you naturally have forgotten the ways of living outdoors." "We can learn again. We want to stay here." His little face was so solemn and thoughtful that I reached out and stroked the fur on his head reassuringly. We both heard the whir of wings overhead. Two mourning doves flew across the stream and landed in an oak on the opposite hillside. I pointed. "There's your food, if you can kill it." He looked at me. "How?" "I don't think you can get at them in the tree. You'll have to soar up above and catch one of them on the wing when they fly away. Think you can get up that high?" He looked around slowly at the breeze playing in the branches and dancing along the hillside grass. It was as if he had been flying a thousand years and was bringing antique wisdom to bear. "I can get up there. I can stay for a while. How long will they be in the tree?" "Chances are they won't stay long. Keep your eye on the tree in case they leave while you are climbing." He ran to a nearby oak and clambered aloft. Presently he launched himself, streaked down-valley a way and caught a warm updraft on a hillside. In no time, he was up about two hundred feet. He began criss-crossing the ridge, working his way back to us. The two girls were watching him intently. They came over to me wonderingly, stopping now and then to watch him. When they were standing beside me, they said nothing. They shaded their eyes with tiny hands and watched him as he passed directly above us at about two hundred and fifty feet. One of the girls, with her eyes fast on his soaring planes, reached out and grasped my sleeve tightly. He flashed high above the stream and hung behind the crest of the hill where the doves rested. I heard their mourning from the oak tree. It occurred to me they would not leave that safety while the hawklike silhouette of the volpla marred the sky so near. I took the girl's hand from my sleeve and spoke to her, pointing as I did so. "He is going to catch a bird. The bird is in that tree. You can make the bird fly so that he can catch it. Look here." I got up and found a stick. "Can you do this?" I threw the stick up into a tree near us. Then I found her a stick. She threw it better than I had expected. "Good, pretty one. Now run across the stream and up to that tree and throw a stick into it." She climbed skillfully into the tree beside us and launched herself across the stream. She swooped up the opposite hillside and landed neatly in the tree where the doves rested. The birds came out of the tree, climbing hard with their graceful strokes. I looked back, as did the girl remaining beside me. The soaring volpla half closed his planes and started dropping. He became a golden flash across the sky. The doves abruptly gave up their hard climbing and fell away with swiftly beating wings. I saw one of the male volpla's planes open a little. He veered giddily in the new direction and again dropped like a molten arrow. The doves separated and began to zigzag down the valley. The volpla did something I would not have anticipated—he opened his planes and shot lower than the bird he was after, then swept up and intercepted the bird's crossward flight. I saw the planes close momentarily. Then they opened again and the bird plummeted to a hillside. The volpla landed gently atop the hill and stood looking back at us. The volpla beside me danced up and down shrieking in a language all her own. The girl who had raised the birds from the tree volplaned back to us, yammering like a bluejay. It was a hero's welcome. He had to walk back, of course—he had no way to carry such a load in flight. The girls glided out to meet him. Their lavish affection held him up for a time, but eventually he strutted in like every human hunter. They were raptly curious about the bird. They poked at it, marveled at its feathers and danced about it in an embryonic rite of the hunt. But presently the male turned to me. "We eat this?" I laughed and took his tiny, four-fingered hand. In a sandy spot beneath a great tree that overhung the creek, I built a small fire for them. This was another marvel, but first I wanted to teach them how to clean the bird. I showed them how to spit it and turn it over their fire. Later, I shared a small piece of the meat in their feast. They were gleeful and greasily amorous during the meal. When I had to leave, it was dark. I warned them to stand watches, keep the fire burning low and take to the tree above if anything approached. The male walked a little away with me when I left the fire. I said again, "Promise me you won't leave here until we've made you ready for it." "We like it here. We will stay. Tomorrow you bring more of us?" "Yes. I will bring many more of you, if you promise to keep them all here in this woods until they're ready to leave." "I promise." He looked up at the night sky and, in the firelight, I saw his wonder. "You say we came from there?" "The old ones of your kind told me so. Didn't they tell you?" "I can't remember any old ones. You tell me." "The old ones told me you came long before the red men in a ship from the stars." Standing there in the dark, I had to grin, visioning the Sunday supplements that would be written in about a year, maybe even less. He looked into the sky for a long time. "Those little lights are the stars?" "That's right." "Which star?" I glanced about and presently pointed over a tree. "From Venus." Then I realized I had blundered by passing him an English name. "In your language, Pohtah." He looked at the planet a long time and murmured, "Venus. Pohtah." That next week, I transported all of the volplas out to the oak woods. There were a hundred and seven men, women and children. With no design on my part, they tended to segregate into groups consisting of four to eight couples together with the current children of the women. Within these groups, the adults were promiscuous, but apparently not outside the group. The group thus had the appearance of a super-family and the males indulged and cared for all the children without reference to actual parenthood. By the end of the week, these super-families were scattered over about four square miles of the ranch. They had found a new delicacy, sparrows, and hunted them easily as they roosted at night. I had taught the volplas to use the fire drill and they were already utilizing the local grasses, vines and brush to build marvelously contrived tree houses in which the young, and sometimes the adults, slept through midday and midnight. The afternoon my family returned home, I had a crew of workmen out tearing down the animal rooms and lab building. The caretakers had anesthetized all the experimental mutants, and the metabolic accelerator and other lab equipment was being dismantled. I wanted nothing around that might connect the sudden appearance of the volplas with my property. It was already apparent that it would take the volplas only a few more weeks to learn their means of survival and develop an embryonic culture of their own. Then they could leave my ranch and the fun would be on. My wife got out of the car and looked around at the workmen hurrying about the disemboweled buildings and she said, "What on Earth is going on here?" "I've finished my work and we no longer need the buildings. I'm going to write a paper about my results." My wife looked at me appraisingly and shook her head. "I thought you meant it. But you really ought to. It would be your first." My son asked, "What happened to the animals?" "Turned them over to the university for further study," I lied. "Well," he said to her, "you can't say our pop isn't a man of decision." Twenty-four hours later, there wasn't a sign of animal experimentation on the ranch. Except, of course, that the woods were full of volplas. At night, I could hear them faintly when I sat out on the terrace. As they passed through the dark overhead, they chattered and laughed and sometimes moaned in winged love. One night a flight of them soared slowly across the face of the full Moon, but I was the only one who noticed.
train	20074	[ "Why has UFC moved to smaller locations over the course of its history?", "Why does modern UFC not have stories to follow?", "Which of these things contributed most to the lowered audience for UFC?", "What motivated Sen. John McCain to push back against UFC?", "How was the start of UFC a learning experience?", "What is the point of the discussion of boxing gloves?", "What could have spurred the American Medical Association recommending a ban against UFC?", "How was the imposition of weight classes probably recieved by fans?", "What was likely the biggest impact of the lawsuits against the UFC?" ]	[ [ "Over time, popularity decreased enough that these are the only places fights can happen", "This way, UFC fits in with public perception driven by movies like Fight Club, which is more true to its roots", "The fans are dedicated to their small local stadiums prefer to not have matches televised", "It is now illegal to have UFC matches in large stadiums for safety reasons" ], [ "It is televised less often, and the more popular components of the sport are no longer around", "The rules constantly change, so the story starts over every new season\t", "It was a more compelling story without the new gloves and ropes instead of chains--it's too flashy now, and the fans like the raw people\t", "The fighters who were around when UFC first became popular were dedicated to their characters, but the contemporary fighters didn't care about this aspect of the sport\t" ], [ "The better fighters were too expensive, so when they moved abroad the fanbase fell through", "The scoring system defeated the purpose of the no-holds-barred sport which made it less exciting to watch", "Other sports became more popular, and UFC ended up as another fad, leaving the fighters to return to their original combat sports", "Misconceptions about the safety of the sport drove political spats that kicked UFC out of the spotlight" ], [ "He was a bigger fan of boxing and thought UFC was taking the spotlight", "He thought UFC seemed more violent than other sports and was disgusted enough to revolt", "He had pressure from the television networks to take UFC off the air because it was too violent", "He thought all combat sports were dangerous and couldn't stand to see all of the violence televised" ], [ "The fighters learned the hard way that not restricting to one combat type was too dangerous", "It turned out that new types of combat sports are not favored on network TV, and there was not enough of a following for it to ever be popular", "Assumptions about which fighting styles would be most beneficial in the real world were challenged", "It turned out that the octagonal style of the ring was much harder to fight in than the square of a boxing ring" ], [ "Boxing gloves should have been incorporated into UFC much earlier, because it would have been a familiar component for prospective fans to latch onto", "Boxing gloves exemplify the types of misunderstandings about UFC that drove its biggest naysayers", "The boxing gloves are an important aesthetic choice, and having an accessory unique to a sport makes it easier to garner a fan base", "It was important to understand how dangerous boxing is, which could be why many boxers moved to UFC over time" ], [ "There was general political pressure to disfavor the sport, independent of its safety", "The \"up close and personal\" style of fighting meant that fighters were much more prone to catching sickness from each other, compared to boxing and other sports", "Private money that could have been going to scientific research was being moved to UFC advertisements, and they wanted to change the discussion", "Too many people had been seriously injured, so once someone was killed, something had to be done" ], [ "It was upsetting because it made the matches end much more quickly, decreasing entertainment value", "They were never officially imposed, because they went against the original motivation for UFC to begin with", "They thought it was safer to even the odds, so even though it was less surprising, the fans went with it", "It was one of many things that decreased the appeal of UFC over time" ], [ "Being in a legal battle doesn't look good, and it made the fans distrust the organizations promoting UFC", "The cost of the lawsuits drained the resources of the promoters so they didn't have the money for ads, fighters, and venues", "The lawsuits took up so much time that fights were delayed long past when the fans were willing to wait until", "The UFC's lawyers were tied up in TV network disputes, and were too busy to guarantee good contracts for the fighters" ] ]	[ 1, 1, 4, 2, 3, 2, 1, 4, 2 ]	[ 1, 1, 1, 0, 1, 0, 0, 0, 0 ]	Fight Clubbed Fight Club , a movie about a fictional organization of men who strip down and beat each other to pulp, has provoked more than its share of media hand-wringing, particularly diatribes about Hollywood's infatuation with violence and Faludi-esque ruminations about the emasculated American male. Fight Club , however, has not sparked an iota of interest in a real organization of men who strip down and beat each other to pulp: the Ultimate Fighting Championship. UFC's flameout from national sensation to total irrelevance is a tragedy of American sports, a cautionary tale of prudishness, heavy-handed politics, and cultural myopia. UFC began in 1993 as a locker-room fantasy. What would happen if a kickboxer fought a wrestler? A karate champion fought a sumo champion? Promoters built an octagonal chain-link cage, invited eight top martial artists, and set them loose in no-holds-barred, bare-knuckles fights. "There are no rules!" bragged an early press release. Contestants would fight till "knockout, submission, doctor's intervention, or death." UFC allowed, even promoted, all notions of bad sportsmanship: kicking a man when he's down, hitting him in the groin, choking. Four-hundred-pound men were sent into the Octagon to maul guys half their size. Only biting and eye-gouging were forbidden. The gimmick entranced thousands of people (well, men). What happens when a 620-pound sumo champion fights a 200-pound kickboxer? Answer: The kickboxer knocks him silly in 35 seconds. They tuned in for bloodshed--"the damage," as fans like to call it. UFC fights could be horrifying. Tank Abbott, an ill-tempered, 270-pound street fighter, knocks out hapless opponent John Matua in 15 seconds. Then, before the ref can intervene, Abbott belts the unconscious Matua in the head, sending him into a fit, limbs quivering uncontrollably, blood spurting from his mouth. Abbott, naturally, became a cult hero and won a guest spot on Friends . (Matua walked out of the ring.) Soon, UFC was selling out huge arenas and drawing 300,000 pay-per-view subscribers for its quarterly competitions. But a subtle sport was emerging from the gimmicks and carnage. My passion for ultimate fighting (which is also called "extreme" or "no-holds-barred" fighting) began when I saw the finals of UFC IV. Royce Gracie, a 180-pound Brazilian jujitsu specialist, was matched against a 275-pound beast named Dan Severn, one of the top heavyweight wrestlers in the world and a national champion many times over. In 30 seconds, Severn had grabbed Gracie, flung him to the canvas, and mounted him. For the next 15 minutes, Severn pummeled and elbowed and head-butted the smaller man. Gracie's face grew drawn, and he squirmed wildly to avoid Severn's bombardment. Then, all of sudden, Gracie, still lying on his back, saw an opening, wrapped his arms and legs around Severn like a python and choked the giant into submission. UFC's caged matches revolutionized the idea of fighting. Nursed on boxing and Hollywood, Americans imagine fights as choreography, a dance of elegant combinations, roundhouse kicks, clean knockouts. The UFC punctured this. Boxers floundered. Experts in striking martial arts such as karate and tae kwon do, who fancied themselves the world's greatest fighters, found themselves pretzeled by jujitsu masters, who pulled them to the ground and slowly choked or leg-locked them. "UFC immediately debunked a lot of myths of fighting, of boxing, karate, kung fu. It showed the reality of what works in an actual fight," says Dave Meltzer, editor of Wrestling Observer . Instead of being carnivals of gore, UFC fights looked strangely like ... sex. Almost all fights ended on the ground, one man mounting the other in missionary position, the pair of them wiggling mysteriously along the canvas for five, 10, even 30 minutes. There were few spectacular knockouts. The referee--yes, there was always a referee--stopped many bouts, and in most others, fighters "tapped out," surrendering to mild-looking but agonizing chokes and joint locks. It was not barbarism. It was science. The UFC spawned a new breed of "mixed martial artists." World-class wrestlers learned to kickbox. Champion kickboxers learned to grapple. (The karate experts learned to stay home.) They became, without doubt, the best fighters in the world. (Click for more about the fighters.) Mike Tyson wouldn't last 30 seconds in an ultimate fighting match. When Olympic gold medal wrestler Kevin Jackson came to the UFC, a fighter named Frank Shamrock KO'd him with a submission hold in 16 seconds. Ultimate fighting schools began sprouting up all over the country, replacing the stylized gestures of the Eastern martial arts with techniques that actually work. UFC's promoters predicted that it would supplant boxing as America's martial art. Instead, it fell apart. The collapse began in 1996, when Sen. John McCain, R-Ariz., saw a UFC tape. McCain, a lifelong boxing fan, was horrified at the ground fighting, kicks, and head butts. It was "barbaric," he said. It was "not a sport." He sent letters to all 50 governors asking them to ban ultimate fighting. The outcry against "human cockfighting" became a crusade, and like many crusades, it was founded on misunderstanding. UFC fell victim to cultural determinism about what a fight is. In countries such as Brazil and Japan, where no-holds-barred fighting has a long history, it is popular and uncontroversial. But Americans adhere to the Marquis of Queensbury rules. A fight consists of an exchange of upper-body blows that halts when one fighter falls. Any blood sport can be barbaric, whether it's boxing or wrestling or ultimate fighting. It is impossible to draw a bright line between ultimate fighting and boxing. If anything, ultimate fighting is safer and less cruel than America's blood sport. For example, critics pilloried ultimate fighting because competitors fought with bare knuckles: To a nation accustomed to boxing gloves, this seemed revolting, an invitation to brain damage. But it's just the reverse: The purpose of boxing gloves is not to cushion the head but to shield the knuckles. Without gloves, a boxer would break his hands after a couple of punches to the skull. That's why ultimate fighters won't throw multiple skull punches. As a result, they avoid the concussive head wounds that kill boxers--and the long-term neurological damage that cripples them. Similarly, the chain-link fence surrounding the octagon looks grotesque. Critics have demanded that UFC install ropes instead. But ropes are a major cause of death and injury in boxing: Fighters hyperextend their necks when they are punched against the ropes, because nothing stops their heads from snapping back. The chain-link fence prevents hyperextension. When I tell people I'm an ultimate fighting fan, they invariably respond: "Don't people get killed all the time doing that?" But no one has ever been killed at the UFC--though boxers are killed every year. No one has even been seriously injured at the UFC. On the rare occasions when a bout has ended with a bloody knockout, the loser has always walked out of the ring. But this does not impress boxing fans, who are the most vigorous opponents of extreme fighting. McCain sat ringside at a boxing match where a fighter was killed. When I asked him to explain the moral distinction between boxing and ultimate fighting, he exploded at me, "If you can't see the moral distinction, then we have nothing to talk about!" Then he cut our interview short and stormed out of his office. But logic has not served the UFC well. Where McCain led, a prudish nation followed. George Will opined against UFC. The American Medical Association recommended a ban. New York state outlawed ultimate fighting, as did other states. The Nevada Athletic Commission refused to sanction UFC bouts, barring the UFC from the lucrative casino market. (One public TV station refused a UFC sponsorship ad. The only other organization the station ever rejected was the Ku Klux Klan.) Lawsuits blocked or delayed UFC events all over the country, forcing the promoters to spend millions in legal fees. The UFC was exiled from mega-arenas to ever-smaller venues in ever more out-of-the-way states: Louisiana, Iowa, and Alabama. The match I attended in October 1997 was held in the parking lot of a small Mississippi casino. The cable TV industry struck the fatal blow. In early 1997, McCain became chairman of the commerce committee, which oversees the cable industry. In April 1997, the president of the National Cable Television Association warned that UFC broadcasts could jeopardize the cable industry's influence in Washington. Time Warner, TCI, Request, Cablevision Systems, Viewer's Choice, and other major operators stopped airing UFC events, saying they were too violent for children. Never mind that 1) UFC only aired on pay-per-view, so children could not see it unless their parents paid for it; and 2) the same cable outfits carried boxing matches, R and NC-17 movies, and professional wrestling shows far more violent than UFC. The UFC's "addressable audience"--the potential number of PPV subscribers--shrank from 35 million at its peak to 7.5 million today. "It was a very cheap way for the cable companies to portray themselves as anti-violence. It did not cost them much and it made them look good in Washington," says Carol Klenfner, spokeswoman for UFC's parent company, SEG. The ultimate fighting industry did little to help its own cause. The UFC promoted itself less as a serious sport than as a circus of carnage. Its early ads emphasized extreme fighting's potential for death. UFC folks accused McCain, without any evidence, of opposing the sport as a favor to campaign contributors. Extreme fighting was tarnished when fighters from the other ultimate fighting operation, the now-defunct Battlecade, were arrested for violating Canadian prizefighting laws when they fought on an Indian reservation outside Montreal. In the past two years, an increasingly desperate UFC has been trying to assuage its critics. The competition, which had been gradually adding safety rules since the first fight, imposed even more. It institued rounds and a "10-point must" scoring system. It banned head butts and groin strikes. You can no longer kick a downed man or elbow someone in the back of the head. Fighters are required to wear thin martial arts gloves (a purely cosmetic change). The UFC imposed weight classes, ending the David-and-Goliath mismatches that made early fights so compelling. None of this soothed the cable operators, who have kept UFC off the air. The pay-per-view audience has plunged from 300,000 per show to 15,000. UFC can no longer afford its best fighters: Some are fighting overseas. Others, notably Ken Shamrock (Frank's brother), have become pro wrestlers. Fights have deteriorated. UFC is limping along, but it has been reduced to scheduling events in Japan and Brazil. "Sports fans want to grow with the sport," says former UFC fighter David Beneteau. "They want to recognize the athletes. They want to see the same fighters come back. When you compare UFC now to what it was, the fighters are not the same, the rules are not the same. The fans have no story to follow." Even as it disappears from public view, ultimate fighting is returning to its roots. Away from the scrutiny of the major media, state legislators, and McCain, kids are still learning mixed martial-arts techniques, and small-time promoters are quietly staging events. You can see Kage Kombat competitions at Dancing Waters nightclub in San Pedro, Calif. You can watch the Warrior's Challenge at a small Indian casino outside Sacramento. Texans compete in Houston's Dungal All Styles Fighting Championship. Tribal casinos in Northern Idaho are hosting small Pankration tournaments. The Extreme Fighting Challenge is popular in Iowa. The money is low; the crowds are small; and there's not a TV camera in sight. Ultimate fighting should have become boxing. Instead it has gone underground. It has become Fight Club.
train	20066	[ "How does the point about Bill Clinton tie into the rest of the article?", "What statement best describes how the author feels about the magazine articles he discusses?", "How does the author see the role of food in romance?", "What was the role of the dice in the broader discussion?", "How does the author see the role of self-help?", "What is the best description of the author's view on a nightcap?", "Why does the author think less communication is better?", "Why is it suggested that you should not tell your partner when you take Viagra?" ]	[ [ "It was clear that Clinton talked too explicitly about his sex life with the people he was involved with, to his detriment", "If a president cannot be faithful to their partner, we are all succeptible to similar situations and have to keep things exciting", "Being able to discuss sex and public figures makes it easier for people to discuss a usually taboo topic", "It was a warning to make sure we keep our sexual drama very private, because trust is key" ], [ "A lot of the advice is too specific to remember in the moment, even if it's well-intentioned", "The articles vary in quality and usefulness by where they are published, but can have nuggets of wisdom", "All of the advice suggested things that would kill the mood, which is counterproductive", "The articles are only full of advice that no layperson can use, and aren't worth reading" ], [ "He thinks heightening the sensory experience is effective, though not in the way he expected", "He thinks that the menu has to be centered around aphrodisiacs to work well", "It's not worth blocking out so much time to cook something special together", "It's only effective if alcohols like rum and Kahlua are involved" ], [ "The dice highlighted the fun of sex games that are easy to partake in", "The combinations set by the dice did not seem natural and weren't as fun as expected", "There weren't enough options on the dice for them to be fun to use", "It was a relief to leave decision making out of the couple's hands for a while" ], [ "Self-help is bogus and isn't worth spending energy on", "It should be everyone's priority to pursue self-help to improve their sex lives", "Self-help is useful when it comes from videos, but not from books", "Self-help can come in a variety of ways but should be low-key in this area" ], [ "Alcohol is just another drug, and intimacy should be limited to natural influences only", "A drink here and there is fine as long as you don't go overboard", "Drinking will make it harder to remember the details of your plans for a romantic evening and should be avoided", "A drink will make you seem more attractive to your partner, and can help you out" ], [ "He is bad at communicating clearly and it makes things more complicated", "Being too explicit about things takes away some of the emotional aspect", "He thinks communication works better by doing, instead of by talking, especially in the bedroom", "His wife doesn't like discussing sex openly, so it's what he is used to" ], [ "Viagra is expensive and you don't want the conversation about money to distract from intimacy", "You don't want to be embarassed when they find out you need help getting aroused", "Viagra isn't something you need to be honest about with your partner", "Telling them takes some of the mystery out of the situation and is less fun" ] ]	[ 3, 1, 1, 2, 4, 2, 2, 4 ]	[ 0, 1, 1, 0, 0, 1, 0, 1 ]	More Bang for the Buck A friend of mine offers a theory about why Bill Clinton's poll numbers stayed so high throughout the Lewinsky scandal: The news made it possible for serious-minded people to spend lots of time--at the office and over lunch--talking about semen stains, vaginal insertions, and blow jobs. And the people were grateful. That's probably because they're not getting all that much themselves. A recent University of Chicago survey of 10,000 adults found that Americans are having considerably less sex than was generally thought. Only one American in 20 has sex three times a week. One in five didn't score at all last year. If that's true, many of us could use a little sexual self-improvement. Not me, of course. I have been happily married for 26 years, since the age of 21. Deb and I have what seems to us to be a perfectly fine amorous life, yet everywhere I turn the culture tells me--almost mocks me-- you can do better! What would happen to our sex life then, if Deb (who participated in this story because she loves me and because she has tenure) and I tried for the first time to make something happen to it? And so it was that we found ourselves for the first time ever in a sex-toy store, A Touch of Romance, located near our home in Los Angeles, across the street from a Macy's. The idea behind shops like these is to make obtaining the materials of sexual experimentation as ordinary as purchasing plumbing supplies or housewares. Which sort of works--the only sexual thrill I got from the visit was knowing that Microsoft just bought a cock ring. Choosing it wasn't easy. Most of them came in presized sets of three. I couldn't figure out which would fit right and intuited that try-ons weren't an option. So I opted instead for an adjustable circumference version, a little strip of vinyl with snaps for $11.95. Man, what a rip-off! Unless it works. It doesn't. Back home, I derived a certain depraved buzz in cinching the device on, but that was soon eclipsed. The thing works on the Roach Motel principle--your blood gets in but it can't get out. But then I got to thinking: Under battlefield conditions it doesn't get out anyway. And while I should have been paying more attention to other things, this led to thinking about the old joke with the punch line "... and right ball go POW." My wife hadn't noticed any difference at all. Overall rating, on a scale of 1 to 10: 2 toes curled. A woman I know says women's magazines are the best places in America to find sex tips. She's right--go ahead, just try to find a sewing pattern in Redbook . You're much more likely to land on "Try phone sex, dirty notes, porn videos, fantasy games and sex in new places. ... Try lingerie and no underwear. ... Try talking dirty and silk scarves. Try anything at all," or articles such as "Eight New Games for the Foreplay Challenged." An article in the April Cosmopolitan , "The Six Best Sex Positions," seemed more promising than the Redbook playbook. Each position was accompanied by a succinct write-up and a stick-figure diagram. The position we settled on was "The Butterfly," which we had to read three times to comprehend. The man stands, the woman remains supine on a bed or counter-top with her feet up on his shoulders. The whole idea is to produce a pelvic tilt for better access to the G spot. Instead, we experienced an uncomfortable pretzel feeling that stick figures must be immune to. And in general, Cosmopolitan 's exotic sex positions require the sort of body placement you can't remember in the moment of passion and even if you could, for proper alignment, you still might need mood-killing accessories such as a plumb line and a laser pen. Rating: 3 toes curled. Next we tried those "Better Sex" instructional videos advertised in the New York Times Book Review. I ordered Better Sexual Techniques , Advanced Sexual Techniques , Making Sex Fun , and Advanced Oral Sex Techniques (priced about $11.95 each, not including shipping and handling). My wife couldn't bear to watch them; I persevered but must admit it was a chore. The oral-sex tape starts with "well-known sex therapist" Diana Wiley, in her poofy hair and broad-shouldered blue power suit, looking like she was about to explain how the sales force could increase its third-quarter productivity. Instead she runs through all the euphemisms for oral sex and then the video cuts to XXX action with gratuitous commentary. Wiley's overexplanation of everything two people can do to each other with their mouths raises this question: Do you really need a five-minute video segment on whether or not to swallow? In the great tradition of hotel and travel ads, the guys tend to be markedly less attractive than the women. No way he'd be with her if this wasn't an instructional sex video! The inanity of the experts and the dubious casting make these films about as erotic as ... well, as the New York Times . You could learn more from any randomly selected porn video. Rating: 0 toes curled. Another approach is food. The notion that certain foods, such as oysters or rhino horn, are aphrodisiacs has been pretty much discounted. But it's plausible to think that cooking a meal together and then dining on it, just the two of you, could be erotic. Especially if (like me) your schedule frequently forces you to eat alone and you often find yourself standing in front of the microwave, screaming, "Come on, goddammit!" Intercourses , by Martha Hopkins and Randall Lockridge ($24.95, Terrace Publishing, 1997), preaches that for every time of day and every phase of a relationship there is a type of eating experience that will heighten sexual response. (There's also a chart showing which foods are good for eating off which body parts.) Deb and I blocked off a whole Saturday afternoon and evening for the Intercourses experiment, settling on rosemary-scented lamb over pasta (Page 87) followed by frozen coffee almond dessert (Page 31). According to the book, rosemary is sexy because of its fragrance (used in many perfumes) and because of its texture, which, so the text assured, tickles nerve endings. The dessert was mostly coffee, rum, and Kahlua, which has worked before. We shopped for the food together and cooked together, drinking wine and beer along the way. At one point while I was working on the dessert, I asked my wife how long to beat the heavy cream mixture. "Till it's stiff--it's an aphrodisiac," she said. Preparation took less than an hour, and everything came out perfectly. Eating at our dining room table for the first time ever without guests, we were having fun by candlelight. But the mood was romantic, not erotic. Overall rating: 4 toes curled. That's when we went for the Viagra ($212.50 for 10 doses, which includes a "consultation" fee). The drug was prescribed by a doctor, whom I've never met, and ordered from a pharmacy in Miami Beach, Fla., where I've never been. I completed the transaction via the Internet after filling out a cover-their-ass questionnaire in three minutes. We each decided to take one pill, clinked our glasses, and gulped. And then what? It felt awkward sitting in our bedroom, knowing that it could take up to an hour for Viagra to "work." I suggested that we play strip poker, something I'd never done. Deb had never even played poker, so I had to explain the rules. I won in about six hands, auspiciously I thought, with three aces. But we still weren't really in the mood yet. So then I got out the other purchase I'd made at A Touch of Romance--"Dirty Dice" ($4.95). One of the two pink cubes is marked with these words instead of dots: "lips," "above waist," "ear," "breast," "below waist," and "?". The other cube is labeled "kiss," "squeeze," "lick," "blow," "suck," and "eat." We took turns throwing the dice, but the activities generated seemed forced and arbitrary. Finally, as they say at NASA, there was word from the pad that the launch sequence was initiating. It was pretty much like all other sex, except for a slight lightheadedness. Deb said she noticed a remote tingling sensation. On the plus side, there was no priapism and neither of us experienced disruption of our color vision nor a fatal heart attack, which was nice. Overall rating: 5 toes curled. St. Augustine held lust to be a fitting punishment for man's disobedience to God: the body's disobeying of the mind, the will, the spirit, and even of itself. (The paradigm of this for him is the unbidden hard-on.) Jean-Paul Sartre discovered something similar, although celebrating it rather than deploring it: Essential to the erotic is the body's defiance of design and control. (The paradigm of this for him is the jiggle.) Sartre's view yields a sort of sexual Heisenberg principle: There is an inherent tension between physically abandoning yourself to another on the one hand and sexual planning on the other. The more of the one, the less of the other. And this, I discovered, is the chief obstacle to sexual self-help. Getting an erection is sexy. Making one is not. As my wife said about Viagra, "You start to have a new feeling and then you realize where it came from and then you don't have it so much. ... Anything that makes you think about it like that is just creepy." This is not to say there isn't a way out of this conflict between desire and design. With homage to our potent POTUS, there is, I think, a Third Way that's neither sexual complacency nor standard self-help. If the intrusion of consciousness is the problem, then maybe the answer is to block it out. Sure, you could do this the old-fashioned way: with alcohol and drugs. But then you have all the traditional drawbacks, including diminished physical attractiveness and degraded sexual performance. So how about this instead? Go for all the sexual self-help you can, but do it covertly . Watch a sex video (or porn flick) if you want--but by yourself, and then try to share what you learned without sharing how you learned it. Don't tell your partner you took Viagra. Or give each other standing permission to slip it into the odd after-dinner drink, saying nothing. (Of course, when you do it you'll still know, but having an unselfconsciously turned-on partner is a real compensation for that, and next time, your partner can surprise you. And yes, this requires trust. But why would you be having sex with someone you don't trust?) My main conclusion is that contrary to our blabby culture, the key to a better sex life is less communication.
train	20067	[ "What is the goal of this column?", "What does the author think is special about Southwest?", "What is the primary goal of Shopping Avenger?", "What is one of the general takeaways of good assistance that is discussed in the article?", "What do Circuit City and Southwest have in common?", "What is the best description of the tone of this passage?", "What is the point of the story about the Dalai Lama?", "Why was the Southwest customer upset?", "Which of these do the Circuit City and UHaul stories have most in common?" ]	[ [ "To call out UHaul's reservation policies", "To highlight issues in customer service brought up by readers", "To discuss some alternative superheroes the world needs", "To make fun of people who complain about consumerism" ], [ "They give out better rewards for loyal customers when things go wrong", "They tend to have more highly rated customer service", "The company that processes complaints is the same as UHaul's", "They replace suitcases when they are damaged on a flight" ], [ "To connect people with companies that can repair electronics", "To keep an eye on the quality of customer service for various airlines", "To stand up for average consumers who have been wronged by companies", "To warn people about unfair reservation and booking policies" ], [ "The customer is in fact always right, and this should be taken seriously", "The easiest way to get rid of a problem is to pretend the issue never happened", "Customers can be wrong, but you can usually bribe them to feel okay in the end", "It can be okay if something goes awry as long as someone takes responsibility, otherwise it gets worse" ], [ "They think they have reputations for being better than their competitors", "They deal with high volumes of cusomer calls", "They are headquartered in the same major city", "A lot of their issues surround glitchy electronics, albeit in different ways" ], [ "Incredulous that these situations are being reported with these companies in particular", "Frustrated with the issues that the consumers are reporting", "Lighthearted while maintaining focus on the issues at hand", "Joking, making light of the issues that are discussed" ], [ "To make a joke about UHaul's policies", "To show that religious leaders are not immune to bad customer service", "To prove a point with a story about a public figure", "To make a point about reservation policies in various countries" ], [ "The Shopping Avenger was not able to help with her case", "She was not able to win the case in court", "She didn't get replacements for her belongings quickly enough", "There was an endless string of confusing communication about policy which seemed to miss the point" ], [ "The type of customer reporting the story", "The Shopping Avenger's response to these cases", "The types of issues customers were having in each case", "The tone around the companies' attitudes about their policies" ] ]	[ 2, 2, 3, 4, 1, 3, 1, 4, 4 ]	[ 0, 0, 0, 0, 1, 0, 0, 0, 1 ]	It's Time To Keelhaul U-Haul! Like all superheroes worthy of the title, the Shopping Avenger has an Achilles' heel. In the case of the Shopping Avenger, his Achilles' heel is not animal, vegetable, or mineral but something less tangible. An explanation: Last week, the magazine you are currently reading forced the Shopping Avenger at gunpoint to read a series of treacle-filled self-help books, and then to . The Shopping Avenger, who can withstand radiation, extreme heat and cold, hail, bear attacks, and Eyes Wide Shut , almost succumbed to terminal jejuneness after reading these books. Except for one thing: One of the books, The Art of Happiness , which collects and simplifies the Dalai Lama's philosophy, got the Shopping Avenger to thinking. This, in a way, is the Shopping Avenger's Achilles' heel: thinking. Perhaps it is wrong, the Shopping Avenger thought, to complain about the petty insults and inconveniences of life in the materialistic '90s. The Shopping Avenger felt that perhaps he should counsel those who write seeking help to meditate, to accept bad service the way one accepts the change of seasons, and to extend a compassionate hand of forgiveness to those who provide poor customer care. But then the Shopping Avenger sat down, and the feeling passed. The Shopping Avenger does not make light of the Dalai Lama or of the notion that there is more to life than the impatient acquisition of material goods. If the Shopping Avenger were not, for a superhero, extremely nonjudgmental--as opposed to his alter ego, who is considered insufferably judgmental by his alter ego's wife--the Shopping Avenger would tell the occasional correspondent to let go of his petty grievance and get a life. But the Shopping Avenger also believes that the Dalai Lama has never tried to rent a truck from U-Haul. If he had tried to rent from U-Haul, he never would have escaped from Tibet. (For the complete back story, see "Shopping Avenger" column and one.) The complaints about U-Haul's nonreservation reservation policy continue to pour in through the electronic mail. One correspondent, B.R., wrote in with this cautionary tale: "Last weekend, I went to San Francisco to help my brother and his family move into their first house. My brother had reserved a moving truck with U-Haul for the big day. I warned my brother about U-Haul's 'not really a reservation per se' policy that I learned from the Shopping Avenger. He didn't believe such a thing would happen to him, so he didn't act on my warning." B.R. continues--as if you don't know what happened already--"I went to U-Haul with my brother to get our 'reserved' truck. The store had many customers standing around looking frustrated. When we got to the front of the line, the clerk informed us that our 'reserved' truck had not yet been returned. We asked if we could rent one of the many trucks sitting idle in the parking lot. The clerk laughed and said the keys to those trucks were lost." B.R. and his chastened brother--the Shopping Avenger is resisting the urge to gloat--went to Ryder. "Ryder had a truck available for us. The gentleman who helped us at Ryder said Ryder prides itself on being everything U-Haul is not." The Shopping Avenger has still not received a call from U-Haul spokeswoman Johna Burke explaining why U-Haul refuses to provide trucks to people who reserve trucks, but the Shopping Avenger is pleased to note that several correspondents have written in over the past month saying that, based on what they have read in this column, they will be taking their business to Ryder or Budget or elsewhere. The Shopping Avenger will undoubtedly return to the sorry state of affairs at U-Haul in the next episode, but now on to this month's airline debacle. Before we begin, though, the Shopping Avenger nearly forgot to announce the winner of last month's contest, in which readers were asked to answer the question, "What's the difference between pests and airlines?" The winner is one Tom Morgan, who wrote, "You can hire someone to kill pests." Tom is the winner of a year's supply of Turtle Wax, and he will receive his prize just as soon as the Shopping Avenger figures out how much Turtle Wax actually constitutes a year's supply. The new contest question: How much Turtle Wax comprises a year's supply of Turtle Wax? This month's airline in the spotlight is Southwest. Loyal readers will recall that last month the Shopping Avenger praised Southwest Airlines for its "sterling" customer service. This brought forth a small number of articulate dissensions. The most articulate, and the most troubling, came from M., who wrote, "Last year, flying from Baltimore to Chicago with my entire family (two really little kids included), we set down at Midway in a rainstorm. And waited for our bags. And waited for bags. And waited for bags." An hour later, M. says, the bags showed up, "soaked through. We took them to baggage services at SW and were faced with the most complicated, unclear, and confusing mechanism for filing a claim we experienced flyers have ever seen." When they arrived at their destination, M. and her family made a terrible discovery, "We discovered that our clothes were soaked through--the top clothes were so wet that the dye had bled through down to the lower levels, destroying lots of other clothes. Obviously, our bags had just been sitting out on the runway in the rain. To this day, I've never heard a thing from SW, despite calls and letters." This, of course, is where Shopping Avenger steps in. Shopping Avenger knows that Southwest is different from the average airline, in that it doesn't go out of its way to infuriate its paying customers (see: ), so I expected a quick and generous resolution to M.'s problem. What I got at first, though, was a load of corporate hoo-ha. "The airline's policy, which is consistent with all contracts of carriage at all airlines, requires that passengers file a report in person for lost or damaged luggage within four hours of arrival at their destination," a Southwest spokeswoman, Linda Rutherford, e-mailed me. "[M.] indicates she called for a few days, but did not file a report in person until April 12--three days later. Southwest, as a courtesy, took her report anyway and asked for follow up information and written inventory of the damage." Rutherford said that M. should have submitted detailed receipts and photographs of the damage in order to make a claim. Harrumph, the Shopping Avenger says. It is a bad hair day at Southwest when its officials defend themselves by comparing their airline to other airlines. I forwarded this message to M., who replied: "Wow. Well, of course I didn't file it at the airport on the 9 th because I didn't know the clothes were ruined at the airport. I didn't know until I opened the baggage at my hotel and saw the ruined stuff. (And it's worth noting that we had already waited for about an hour for our luggage with two little kids and impatient in-laws nipping at our heels.)" She goes on, "I did call that evening ... and was told that that sufficed. This is the first time I've been told that I had to file a complaint in person within four hours. ... When I filed on the 12 th , I was never told that I needed any receipts or photos or other type of documentation. The baggage folks seemed pretty uninterested in all of this. ... They know that the type of 'evidence' they want is impossible to obtain. They also know that on April 9 they screwed up the luggage retrieval and left bags out in the rain a long time." Southwest's response actually served to anger M. more than the original problem. "Before, they had a mildly annoyed but loyal customer (who would have been placated by an apology and thrilled with some modest token of their regret). Now they have a pissed-off customer." Things do look bad for Southwest, don't they? The Shopping Avenger sent M.'s response to Rutherford, who e-mailed back saying she thought the Shopping Avenger was asking for "policy information." The Shopping Avenger e-mailed back again, stressing to Rutherford that the Great Court of Consumer Justice would, if this case were brought to trial, undoubtedly find for the plaintiff (the Shopping Avenger serves as prosecutor, judge, and jury in the Great Court of Consumer Justice--defendants are represented by the president of U-Haul), and that Southwest was precipitously close to feeling the sword of retribution at its neck. But then she came through, provisionally, "Yep, you can be sure if [M.] will call me we will get everything squared away. I'm sorry it's taken this long for her to get someone who can help, but we will take care of it from here." Stay tuned, shoppers, to hear whether Southwest makes good it promise to compensate M. and apologize to her for her troubles. The story of M. reminds the Shopping Avenger of a central truth of consumer service: It's not the crime, it's the cover-up. Take the case of K., who found himself waiting in vain for Circuit City to repair his television. Televisions break, even 1-year-old televisions, as is the case with K's. But Circuit City, where he bought the television, gave him a terrible runaround. The Shopping Avenger dispatched his sidekick, Tad the Deputy Avenger, to get to the bottom of K.'s story. This is what he found: K. grew concerned, Tad the Deputy Avenger reports, after his television had been in the Circuit City shop for a week. When he called, he was told to "check back next week." When he asked if someone from the store could call him with more information, he was refused. Weeks went by. When K. told one Circuit City employee that he really would like to get his television back, the employee, K. says, asked him, "Don't you have another television in your house?" More than a month later--after hours and hours and hours of telephone calls and days missed at work--K. received his television back. Mistakes happen, but not, Tad the Deputy Avenger found out, at Circuit City. The case, K. was told by a Circuit City official, was "handled perfectly." Another official, Morgan Stewart in public relations, assured Deputy Avenger Tad that "We got to be a big and successful company by treating customers better than the other guy." The Shopping Avenger and his loyal sidekick would like to hear from other Circuit City customers: Does Circuit City, in fact, treat its customers better than the other guy? Stay tuned for answers. And next month, a Shopping Avenger clergy special: TWA screws with a Hasidic rabbi's travel plans, leaving the rabbi's wife crying at the airport. Find out if the Shopping Avenger can save TWA from certain heavenly punishment, in the next episode. Got a consumer score you want settled? Send e-mail to shoppingavenger@slate.com.
train	51305	[ "What is the \"thing\"?", "During what instance does the narrator tell the truth without intending to?", "How do Martians communicate with men from Earth?", "Why might the narrator feel that he is \"so dirty, so very dirty that I could never get clean if I bathed every hour for the rest of my life\"?", "What is Miss Casey's motivation to feed the narrator?", "Why does Kevin think that it is immoral to eat?", "Why does Miss Casey's face flash red?", "What is the most revealing reason for Miss Casey smelling good?", "What is Doc's profession?" ]	[ [ "A state of pure thought.", "A book that doesn't exist.", "A vehicle to find coffee. ", "An agent of time travel." ], [ "He tells Miss Casey that he wants coffee.", "He tells Andre about Miss Casey.", "He tells Miss Casey his real first and last name.", "He tells the somber person that Doc is his father." ], [ "Without using logical sense, only the imagination.", "By sensing and without the need for talking.", "Through manuscripts and unwritten books.", "Via time travel." ], [ "Because he is homeless and unclean.", "Because he has cooties.", "Because his addiction prevents him from bathing.", "Because he unknowingly feels debasement in desiring something material. " ], [ "She is a good school teacher trying to help the needy.", "She is police officer investigating stock market fraud.", "She wants to give him a secret note.", "She is after Kevin's secret." ], [ "Because he would rather drink coffee.", "Because he prefers to drink coffee.", "Because pure thought has no anchor in materiality.", "Because Doc is starving." ], [ "Because she is ready to kill Kevin.", "Because she is human.", "Because she is furious.", "Because of the neon lights." ], [ "She uses soap to bathe.", "She is a police officer.", "She uses perfume.", "She has no vices." ], [ "Scientist", "Addict", "Book collector", "Doctor" ] ]	[ 4, 4, 2, 4, 4, 3, 4, 4, 1 ]	[ 1, 1, 0, 1, 1, 1, 1, 1, 0 ]	Confidence Game By JIM HARMON Illustrated by EPSTEIN [Transcriber's Note: This etext was produced from Galaxy Science Fiction June 1957. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] I admit it: I didn't know if I was coming or going—but I know that if I stuck to the old man, I was a comer ... even if he was a goner! Doc had this solemn human by the throat when I caught up with him. "Tonight," Doc was saying in his old voice that was as crackled and important as parchment, "tonight Man will reach the Moon. The golden Moon and the silver ship, symbols of greed. Tonight is the night when this is to happen." "Sure," the man agreed severely, prying a little worriedly at Doc's arthritic fingers that were clamped on his collar. "No argument. Sure, up we go. But leave me go or, so help me, I'll fetch you one in the teeth!" I came alongside and carefully started to lever the old man loose, one finger at a time. It had to be done this way. I had learned that during all these weeks and months. His hands looked old and crippled, but I felt they were the strongest in the world. If a half dozen winos in Seattle hadn't helped me get them loose, Doc and I would have been wanted for the murder of a North American Mountie. It was easier this night and that made me afraid. Doc's thin frame, layered with lumpy fat, was beginning to muscle-dance against my side. One of his times was coming on him. Then at last he was free of the greasy collar of the human. "I hope you'll forgive him, sir," I said, not meeting the man's eyes. "He's my father and very old, as you can see." I laughed inside at the absurd, easy lie. "Old events seem recent to him." The human nodded, Adam's apple jerking in the angry neon twilight. "'Memory Jump,' you mean. All my great-grandfathers have it. But Great-great-grandmother Lupos, funny thing, is like a schoolgirl. Sharp, you know. I.... Say, the poor old guy looks sick. Want any help?" I told the human no, thanks, and walked Doc toward the flophouse three doors down. I hoped we would make it. I didn't know what would happen if we didn't. Doc was liable to say something that might nova Sol, for all I knew. Martians approaching the corner were sensing at Doc and me. They were just cheap tourists slumming down on Skid Row. I hated tourists and especially I hated Martian tourists because I especially hated Martians. They were aliens . They weren't men like Doc and me. Then I realized what was about to happen. It was foolish and awful and true. I was going to have one of mine at the same time Doc was having his. That was bad. It had happened a few times right after I first found him, but now it was worse. For some undefinable reason, I felt we kept getting closer each of the times. I tried not to think about it and helped Doc through the fly-specked flophouse doors. The tubercular clerk looked up from the gaudy comics sections of one of those little tabloids that have the funnies a week in advance. "Fifteen cents a bed," he said mechanically. "We'll use one bed," I told him. "I'll give you twenty cents." I felt the round hard quarter in my pocket, sweaty hand against sticky lining. "Fifteen cents a bed," he played it back for me. Doc was quivering against me, his legs boneless. "We can always make it over to the mission," I lied. The clerk turned his upper lip as if he were going to spit. "Awright, since we ain't full up. In ad vance." I placed the quarter on the desk. "Give me a nickel." The clerk's hand fell on the coin and slid it off into the unknown before I could move, what with holding up Doc. "You've got your nerve," he said at me with a fine mist of dew. "Had a quarter all along and yet you Martian me down to twenty cents." He saw the look on my face. "I'll give you a room for the two bits. That's better'n a bed for twenty." I knew I was going to need that nickel. Desperately. I reached across the desk with my free hand and hauled the scrawny human up against the register hard. I'm not as strong in my hands as Doc, but I managed. "Give me a nickel," I said. "What nickel?" His eyes were big, but they kept looking right at me. "You don't have any nickel. You don't have any quarter, not if I say so. Want I should call a cop and tell him you were flexing a muscle?" I let go of him. He didn't scare me, but Doc was beginning to mumble and that did scare me. I had to get him alone. "Where's the room?" I asked. The room was six feet in all directions and the walls were five feet high. The other foot was finished in chicken wire. There was a wino singing on the left, a wino praying on the right, and the door didn't have any lock on it. At last, Doc and I were alone. I laid Doc out on the gray-brown cot and put his forearm over his face to shield it some from the glare of the light bulb. I swept off all the bedbugs in sight and stepped on them heavily. Then I dropped down into the painted stool chair and let my burning eyes rest on the obscene wall drawings just to focus them. I was so dirty, I could feel the grime grinding together all over me. My shaggy scalp still smarted from the alcohol I had stolen from a convertible's gas tank to get rid of Doc's and my cooties. Lucky that I never needed to shave and that my face was so dirty, no one would even notice that I didn't need to. The cramp hit me and I folded out of the chair onto the littered, uncovered floor. It stopped hurting, but I knew it would begin if I moved. I stared at a jagged cut-out nude curled against a lump of dust and lint, giving it an unreal distortion. Doc began to mumble louder. I knew I had to move. I waited just a moment, savoring the painless peace. Then, finally, I moved. I was bent double, but I got from the floor to the chair and found my notebook and orb-point in my hands. I found I couldn't focus both my mind and my eyes through the electric flashes of agony, so I concentrated on Doc's voice and trusted my hands would follow their habit pattern and construct the symbols for his words. They were suddenly distinguishable. " Outsider ... Thoth ... Dyzan ... Seven ... Hsan ... Beyond Six, Seven, Eight ... Two boxes ... Ralston ... Richard Wentworth ... Jimmy Christopher ... Kent Allard ... Ayem ... Oh, are ... see ...." His voice rose to a meaningless wail that stretched into non-existence. The pen slid across the scribbled face of the notebook and both dropped from my numb hands. But I knew. Somehow, inside me, I knew that these words were what I had been waiting for. They told everything I needed to know to become the most powerful man in the Solar Federation. That wasn't just an addict's dream. I knew who Doc was. When I got to thinking it was just a dream and that I was dragging this old man around North America for nothing, I remembered who he was. I remembered that he was somebody very important whose name and work I had once known, even if now I knew him only as Doc. Pain was a pendulum within me, swinging from low throbbing bass to high screaming tenor. I had to get out and get some. But I didn't have a nickel. Still, I had to get some. I crawled to the door and raised myself by the knob, slick with greasy dirt. The door opened and shut—there was no lock. I shouldn't leave Doc alone, but I had to. He was starting to cry. He didn't always do that. I listened to him for a moment, then tested and tasted the craving that crawled through my veins. I got back inside somehow. Doc was twisting on the cot, tears washing white streaks across his face. I shoved Doc's face up against my chest. I held onto him and let him bellow. I soothed the lanks of soiled white hair back over his lumpy skull. He shut up at last and I laid him down again and put his arm back across his face. (You can't turn the light off and on in places like that. The old wiring will blow the bulb half the time.) I don't remember how I got out onto the street. She was pink and clean and her platinum hair was pulled straight back, drawing her cheek-bones tighter, straightening her wide, appealing mouth, drawing her lean, athletic, feminine body erect. She was wearing a powder-blue dress that covered all of her breasts and hips and the upper half of her legs. The most wonderful thing about her was her perfume. Then I realized it wasn't perfume, only the scent of soap. Finally, I knew it wasn't that. It was just healthy, fresh-scrubbed skin. I went to her at the bus stop, forcing my legs not to stagger. Nobody would help a drunk. I don't know why, but nobody will help you if they think you are blotto. "Ma'am, could you help a man who's not had work?" I kept my eyes down. I couldn't look a human in the eye and ask for help. "Just a dime for a cup of coffee." I knew where I could get it for three cents, maybe two and a half. I felt her looking at me. She spoke in an educated voice, one she used, perhaps, as a teacher or supervising telephone operator. "Do you want it for coffee, or to apply, or a glass or hypo of something else?" I cringed and whined. She would expect it of me. I suddenly realized that anybody as clean as she was had to be a tourist here. I hate tourists. "Just coffee, ma'am." She was younger than I was, so I didn't have to call her that. "A little more for food, if you could spare it." I hadn't eaten in a day and a half, but I didn't care much. "I'll buy you a dinner," she said carefully, "provided I can go with you and see for myself that you actually eat it." I felt my face flushing red. "You wouldn't want to be seen with a bum like me, ma'am." "I'll be seen with you if you really want to eat." It was certainly unfair and probably immoral. But I had no choice whatever. "Okay," I said, tasting bitterness over the craving. The coffee was in a thick white cup before me on the counter. It was pale, grayish brown and steaming faintly. I picked it up in both hands to feel its warmth. Out of the corner of my eye, I could see the woman sitting on the stool beside me. She had no right to intrude. This moment should be mine, but there she sat, marring it for me, a contemptible tourist . I gulped down the thick, dark liquid brutally. It was all I could do. The cramp flowed out of my diaphragm. I took another swallow and was able to think straight again. A third swallow and I felt—good. Not abnormally stimulated, but strong, alert, poised on the brink of exhilaration. That was what coffee did for me. I was a caffeine addict. Earth-norm humans sometimes have the addiction to a slight extent, but I knew that as a Centurian I had it infinitely worse. Caffeine affected my metabolism like a pure alkaloid. The immediate effects weren't the same, but the need ran as deep. I finished the cup. I didn't order another because I wasn't a pure sensualist. I just needed release. Sometimes, when I didn't have the price of a cup, I would look around in alleys and find cola bottles with a few drops left in them. They have a little caffeine in them—not enough, never enough, but better than nothing. "Now what do you want to eat?" the woman asked. I didn't look at her. She didn't know. She thought I was a human—an Earth human. I was a man , of course, not an alien like a Martian. Earthmen ran the whole Solar Federation, but I was just as good as an Earthman. With my suntan and short mane, I could pass, couldn't I? That proved it, didn't it? "Hamburger," I said. "Well done." I knew that would probably be all they had fit to eat at a place like this. It might be horse meat, but then I didn't have the local prejudices. I didn't look at the woman. I couldn't. But I kept remembering how clean she looked and I was aware of how clean she smelled. I was so dirty, so very dirty that I could never get clean if I bathed every hour for the rest of my life. The hamburger was engulfed by five black-crowned, broken fingernails and raised to two rows of yellow ivory. I surrounded it like an ameba, almost in a single movement of my jaws. Several other hamburgers followed the first. I lost count. I drank a glass of milk. I didn't want to black out on coffee with Doc waiting for me. "Could I have a few to take with me, miss?" I pleaded. She smiled. I caught that out of the edge of my vision, but mostly I just felt it. "That's the first time you've called me anything but 'ma'am'," she said. "I'm not an old-maid schoolteacher, you know." That probably meant she was a schoolteacher, though. "No, miss," I said. "It's Miss Casey—Vivian Casey," she corrected. She was a schoolteacher, all right. No other girl would introduce herself as Miss Last Name. Then there was something in her voice.... "What's your name?" she said to me. I choked a little on a bite of stale bun. I had a name, of course . Everybody has a name, and I knew if I went off somewhere quiet and thought about it, mine would come to me. Meanwhile, I would tell the girl that my name was ... Kevin O'Malley. Abruptly I realized that that was my name. "Kevin," I told her. "John Kevin." "Mister Kevin," she said, her words dancing with bright absurdity like waterhose mist on a summer afternoon, "I wonder if you could help me ." "Happy to, miss," I mumbled. She pushed a white rectangle in front of me on the painted maroon bar. "What do you think of this?" I looked at the piece of paper. It was a coupon from a magazine. Dear Acolyte R. I. S. : Please send me FREE of obligation, in sealed wrapper, "The Scarlet Book" revealing to me how I may gain Secret Mastery of the Universe. Name : ........................ Address : ..................... The world disoriented itself and I was on the floor of the somber diner and Miss Vivian Casey was out of sight and scent. There was a five dollar bill tight in my fist. The counterman was trying to pull it out. I looked up at his stubbled face. "I had half a dozen hamburgers, a cup of coffee and a glass of milk. I want four more 'burgers to go and a pint of coffee. By your prices, that will be one sixty-five—if the lady didn't pay you." "She didn't," he stammered. "Why do you think I was trying to get that bill out of your hand?" I didn't say anything, just got up off the floor. After the counterman put down my change, I spread out the five dollar bill on the vacant bar, smoothing it. I scooped up my change and walked out the door. There was no one on the sidewalk, only in the doorways. First I opened the door on an amber world, then an azure one. Neon light was coming from the chickenwire border of the room, from a window somewhere beyond. The wino on one side of the room was singing and the one on the other side was praying, same as before. Only they had changed around—prayer came from the left, song from the right. Doc sat on the floor in the half-darkness and he had made a thing . My heart hammered at my lungs. I knew this last time had been different. Whatever it was was getting closer. This was the first time Doc had ever made anything. It didn't look like much, but it was a start. He had broken the light bulb and used the filament and screw bottom. His strong hands had unraveled some of the bed "springs"—metal webbing—and fashioned them to his needs. My orb-point pen had dissolved under his touch. All of them, useless parts, were made into a meaningful whole. I knew the thing had meaning, but when I tried to follow its design, I became lost. I put the paper container of warm coffee and the greasy bag of hamburgers on the wooden chair, hoping the odor wouldn't bring any hungry rats out of the walls. I knelt beside Doc. "An order, my boy, an order," he whispered. I didn't know what he meant. Was he suddenly trying to give me orders? He held something out to me. It was my notebook. He had used my pen, before dismantling it, to write something. I tilted the notebook against the neon light, now red wine, now fresh grape. I read it. "Concentrate," Doc said hoarsely. "Concentrate...." I wondered what the words meant. Wondering takes a kind of concentration. The words "First Edition" were what I was thinking about most. The heavy-set man in the ornate armchair was saying, "The bullet struck me as I was pulling on my boot...." I was kneeling on the floor of a Victorian living room. I'm quite familiar with Earth history and I recognized the period immediately. Then I realized what I had been trying to get from Doc all these months—time travel. A thin, sickly man was sprawled in the other chair in a rumpled dressing gown. My eyes held to his face, his pinpoint pupils and whitened nose. He was a condemned snowbird! If there was anything I hated or held in more contempt than tourists or Martians, it was a snowbird. "My clients have occasioned singular methods of entry into these rooms," the thin man remarked, "but never before have they used instantaneous materialization." The heavier man was half choking, half laughing. "I say—I say, I would like to see you explain this, my dear fellow." "I have no data," the thin man answered coolly. "In such instance, one begins to twist theories into fact, or facts into theories. I must ask this unemployed, former professional man who has gone through a serious illness and is suffering a more serious addiction to tell me the place and time from which he comes." The surprise stung. "How did you know?" I asked. He gestured with a pale hand. "To maintain a logical approach, I must reject the supernatural. Your arrival, unless hallucinatory—and despite my voluntary use of one drug and my involuntary experiences recently with another, I must accept the evidence of my senses or retire from my profession—your arrival was then super-normal. I might say super-scientific, of a science not of my or the good doctor's time, clearly. Time travel is a familiar folk legend and I have been reading an article by the entertaining Mr. Wells. Perhaps he will expand it into one of his novels of scientific romance." I knew who these two men were, with a tormenting doubt. "But the other—" "Your hands, though unclean, have never seen physical labor. Your cranial construction is of a superior type, or even if you reject my theories, concentration does set the facial features. I judge you have suffered an illness because of the inhibition of your beard growth. Your over-fondness for rum or opium, perhaps, is self-evident. You are at too resilient an age to be so sunk by even an amour. Why else then would you let yourself fall into such an underfed and unsanitary state?" He was so smug and so sure, this snowbird. I hated him. Because I couldn't trust to my own senses as he did. "You don't exist," I said slowly, painfully. "You are fictional creations." The doctor flushed darkly. "You give my literary agent too much credit for the addition of professional polish to my works." The other man was filling a large, curved pipe from something that looked vaguely like an ice-skate. "Interesting. Perhaps if our visitor would tell us something of his age with special reference to the theory and practice of temporal transference, Doctor, we would be better equipped to judge whether we exist." There was no theory or practice of time travel. I told them all I had ever heard theorized from Hindu yoga through Extra-sensory Perception to Relativity and the positron and negatron. "Interesting." He breathed out suffocating black clouds of smoke. "Presume that the people of your time by their 'Extra-sensory Perception' have altered the past to make it as they suppose it to be. The great historical figures are made the larger than life-size that we know them. The great literary creations assume reality." I thought of Cleopatra and Helen of Troy and wondered if they would be the goddesses of love that people imagined or the scrawny, big-nosed redhead and fading old woman of scholarship. Then I noticed the detective's hand that had been resting idly on a round brass weight of unknown sort to me. His tapered fingertips had indented the metal. His bright eyes followed mine and he smiled faintly. "Withdrawal symptoms." The admiration and affection for this man that had been slowly building up behind my hatred unbrinked. I remembered now that he had stopped. He was not really a snowbird. After a time, I asked the doctor a question. "Why, yes. I'm flattered. This is the first manuscript. Considering my professional handwriting, I recopied it more laboriously." Accepting the sheaf of papers and not looking back at these two great and good men, I concentrated on my own time and Doc. Nothing happened. My heart raced, but I saw something dancing before me like a dust mote in sunlight and stepped toward it.... ... into the effective range of Miss Casey's tiny gun. She inclined the lethal silver toy. "Let me see those papers, Kevin." I handed her the doctor's manuscript. Her breath escaped slowly and loudly. "It's all right. It's all right. It exists. It's real. Not even one of the unwritten ones. I've read this myself." Doc was lying on the cot, half his face twisted into horror. "Don't move, Kevin," she said. "I'll have to shoot you—maybe not to kill, but painfully." I watched her face flash blue, red, blue and knew she meant it. But I had known too much in too short a time. I had to help Doc, but there was something else. "I just want a drink of coffee from that container on the chair," I told her. She shook her head. "I don't know what you think it does to you." It was getting hard for me to think. "Who are you?" She showed me a card from her wrist purse. Vivian Casey, Constable, North American Mounted Police. I had to help Doc. I had to have some coffee. "What do you want?" "Listen, Kevin. Listen carefully to what I am saying. Doc found a method of time travel. It was almost a purely mathematical, topographical way divorced from modern physical sciences. He kept it secret and he wanted to make money with it. He was an idealist—he had his crusades. How can you make money with time travel?" I didn't know whether she was asking me, but I didn't know. All I knew was that I had to help Doc and get some coffee. "It takes money—money Doc didn't have—to make money," Miss Casey said, "even if you know what horse will come in and what stock will prosper. Besides, horse-racing and the stock market weren't a part of Doc's character. He was a scholar." Why did she keep using the past tense in reference to Doc? It scared me. He was lying so still with the left side of his face so twisted. I needed some coffee. "He became a book finder. He got rare editions of books and magazines for his clients in absolutely mint condition. That was all right—until he started obtaining books that did not exist ." I didn't know what all that was supposed to mean. I got to the chair, snatched up the coffee container, tore it open and gulped down the soothing liquid. I turned toward her and threw the rest of the coffee into her face. The coffee splashed out over her platinum hair and powder-blue dress that looked white when the neon was azure, purple when it was amber. The coffee stained and soiled and ruined, and I was fiercely glad, unreasonably happy. I tore the gun away from her by the short barrel, not letting my filthy hands touch her scrubbed pink ones. I pointed the gun generally at her and backed around the thing on the floor to the cot. Doc had a pulse, but it was irregular. I checked for a fever and there wasn't one. After that, I didn't know what to do. I looked up finally and saw a Martian in or about the doorway. "Call me Andre," the Martian said. "A common name but foreign. It should serve as a point of reference." I had always wondered how a thing like a Martian could talk. Sometimes I wondered if they really could. "You won't need the gun," Andre said conversationally. "I'll keep it, thanks. What do you want?" "I'll begin as Miss Casey did—by telling you things. Hundreds of people disappeared from North America a few months ago." "They always do," I told him. "They ceased to exist—as human beings—shortly after they received a book from Doc," the Martian said. Something seemed to strike me in the back of the neck. I staggered, but managed to hold onto the gun and stand up. "Use one of those sneaky Martian weapons again," I warned him, "and I'll kill the girl." Martians were supposed to be against the destruction of any life-form, I had read someplace. I doubted it, but it was worth a try. "Kevin," Andre said, "why don't you take a bath?" The Martian weapon staggered me again. I tried to say something. I tried to explain that I was so dirty that I could never get clean no matter how often I bathed. No words formed. "But, Kevin," Andre said, "you aren't that dirty." The blow shook the gun from my fingers. It almost fell into the thing on the floor, but at the last moment seemed to change direction and miss it. I knew something. "I don't wash because I drink coffee." "It's all right to drink coffee, isn't it?" he asked. "Of course," I said, and added absurdly, "That's why I don't wash." "You mean," Andre said slowly, ploddingly, "that if you bathed, you would be admitting that drinking coffee was in the same class as any other solitary vice that makes people wash frequently." I was knocked to my knees. "Kevin," the Martian said, "drinking coffee represents a major vice only in Centurian humanoids, not Earth-norm human beings. Which are you? " Nothing came out of my gabbling mouth. " What is Doc's full name? " I almost fell in, but at the last instant I caught myself and said, "Doctor Kevin O'Malley, Senior." From the bed, Doc said a word. "Son." Then he disappeared. I looked at that which he had made. I wondered where he had gone, in search of what. "He didn't use that," Andre said. So I was an Earthman, Doc's son. So my addiction to coffee was all in my mind. That didn't change anything. They say sex is all in your mind. I didn't want to be cured. I wouldn't be. Doc was gone. That was all I had now. That and the thing he left. "The rest is simple," Andre said. "Doc O'Malley bought up all the stock in a certain ancient metaphysical order and started supplying members with certain books. Can you imagine the effect of the Book of Dyzan or the Book of Thoth or the Seven Cryptical Books of Hsan or the Necronomican itself on human beings?" "But they don't exist," I said wearily. "Exactly, Kevin, exactly. They have never existed any more than your Victorian detective friend. But the unconscious racial mind has reached back into time and created them. And that unconscious mind, deeper than psychology terms the subconscious, has always known about the powers of ESP, telepathy, telekinesis, precognition. Through these books, the human race can tell itself how to achieve a state of pure logic, without food, without sex, without conflict—just as Doc has achieved such a state—a little late, true. He had a powerful guilt complex, even stronger than your withdrawal, over releasing this blessing on the inhabited universe, but reason finally prevailed. He had reached a state of pure thought." "The North American government has to have this secret, Kevin," the girl said. "You can't let it fall into the hands of the Martians." Andre did not deny that he wanted it to fall into his hands. I knew I could not let Doc's—Dad's—time travel thing fall into anyone's hands. I remembered that all the copies of the books had disappeared with their readers now. There must not be any more, I knew. Miss Casey did her duty and tried to stop me with a judo hold, but I don't think her heart was in it, because I reversed and broke it. I kicked the thing to pieces and stomped on the pieces. Maybe you can't stop the progress of science, but I knew it might be millenniums before Doc's genes and creative environment were recreated and time travel was rediscovered. Maybe we would be ready for it then. I knew we weren't now. Miss Casey leaned against my dirty chest and cried into it. I didn't mind her touching me. "I'm glad," she said. Andre flowed out of the doorway with a sigh. Of relief? I would never know. I supposed I had destroyed it because I didn't want the human race to become a thing of pure reason without purpose, direction or love, but I would never know for sure. I thought I could kick the habit—perhaps with Miss Casey's help—but I wasn't really confident. Maybe I had destroyed the time machine because a world without material needs would not grow and roast coffee.
train	51344	[ "What is the moral of the parable of the six Vergios?", "Where are the characters from?", "What is the Carstar thing?", "What will happen during the Changing of Wives?", "What might John intend to do to the captain?", "Where is the ship sailing?", "Why does the Captain resist marrying Wanda?" ]	[ [ "Secrecy makes for a long life.", "Duty first, then Reward.", "Fools live; the wise die.", "Fools die; the wise live." ], [ "The land of Meizque.", "The city-state of Koltah.", "They all live aboard a ship.", "Different city-states within the whole system." ], [ "Someone was killed.", "A person attempted to avoid duty by hastening to the Reward. ", "There was questionable intent.", "He had a very pretty wife." ], [ "Jane will be paired with Nestir.", "All participants will be in an arena.", "Crewman and officers will not mingle.", "Wanda will be paired with the Captain." ], [ "Tell him that he is tired of sailing.", "Kill him with a saber.", "Offer his help in the control room.", "Ask him to steer the ship back to a city-state." ], [ "In Koltah.", "In the province of San Xalthan.", "Underwater.", "Somewhere in deep space." ], [ "Because she is sixteen.", "Because she carries a doll around with her.", "Because she is the daughter of a crewman. ", "Because she is dim-witted." ] ]	[ 1, 4, 1, 1, 2, 4, 3 ]	[ 0, 0, 1, 1, 0, 1, 1 ]	VOYAGE TO FAR N'JURD By KRIS NEVILLE Illustrated by MACK [Transcriber's Note: This etext was produced from Galaxy Magazine April 1963. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] They would never live to see the trip's end. So they made a few changes in their way of life—and many in their way of death! I "I don't see why we have to be here," a crewman said. "He ain't liable to say anything." "He shore better," the man in front of him said loudly. "Be still," his wife said. "People's lookin' at ya." "I don't care a smidgen," he said, "if en they ayre." "Please," she said. "Joanne Marie," he said, "you know that when I aims ta do somethin', I'm jest natcher'lly bound to do hit. An' iffen I aims ta talk...." "Here comes the priest. Now, be still." The man looked up. "So he do; an' I'll tell ya, hit shore is time he's a-gittin' hyere. I ain't got no all night fer ta sit." The crewman to his left bent over and whispered, "I'll bet he's gonna tell us it's gonna be another postponement." "Iffen he does, I'm jest a-gonna stand up an' yell right out that I ain't gonna stand fer hit no longer." "Now, dear," said Joanne Marie, "the captain can hear ya, if you're gonna talk so loud." "I hope he does; I jest hope he does. He's th' one that's a-keepin' us all from our Reward, an' I jest hope he does heyar me, so he'll know I'm a-gittin' mighty tyird uv waitin'." "You tell 'im!" someone said from two rows behind him. The captain, in the officer's section, sat very straight and tall. He was studiously ignoring the crew. This confined his field of vision to the left half of the recreation area. While the priest stood before the speaker's rostrum waiting for silence, the captain reached back with great dignity and scratched his right shoulder blade. Nestir, the priest, was dressed out in the full ceremonial costume of office. His high, strapless boots glistened with polish. His fez perched jauntily on his shiny, shaven head. The baldness was symbolic of diligent mental application to abstruse points of doctrine. Cotian exentiati pablum re overum est : "Grass grows not in the middle of a busy thoroughfare." The baldness was the result of the diligent application of an effective depilatory. His blood-red cloak had been freshly cleaned for the occasion, and it rustled around him in silky sibilants. "Men," he said. And then, more loudly, "Men!" The hiss and sputter of conversation guttered away. "Men," he said. "The other evening," he said, "—Gelday it was, to be exact—one of the crew came to me with a complaint." "Well, I'll be damned," Joanne Marie's husband said loudly. Nestir cleared his throat. "It was about the Casting Off. That's why I called you all together today." He stared away, at a point over the head and to the rear of the audience. "It puts me in mind of the parable of the six Vergios." Joanne Marie's husband sighed deeply. "Three, you will recall, were wise. When Prophet was at Meizque, they came to him and said, 'Prophet, we are afflicted. We have great sores upon our bodies.' The Prophet looked at them and did see that it was true. Then he blessed them and took out His knife and lay open their sores. For which the three wise Vergios were passing grateful. And within the last week, they were dead of infection. But three were foolish and hid their sores; and these three did live." The captain rubbed his nose. " Calex i pundendem hoy , my children. 'Secrecy makes for a long life,' as it says in the Jarcon ." Nestir tugged behind him at his cloak. "I want you all to remember that little story. I want you all to take it away from here with you and think about it, tonight, in the privacy of your cabins. "And like the three wise Vergios who went to the Prophet, one of the crewmen came to me. He came to me, and he said: 'Father, I am weary of sailing.' "Yes, he said, 'I am weary of sailing.' "Now, don't you think I don't know that. Every one of you—every blessed one of you—is weary of sailing. I know that as well as I know my own name, yes. "But because he came to me and said, 'Father, I am weary of sailing,' I went to the captain, and I said, 'Captain, the men are weary of sailing.' "And then the captain said: 'All right, Father,' he said, 'I will set the day for the Festival of the Casting Off!'" The little fellow was pleased by the rustle of approval from the audience. "God damn, hit's about time!" Joanne Marie's husband said. Nestir cleared his throat again. "Hummm. Uh. And the day is not very far distant," said Nestir. "I knowed there was a catch to hit," Joanne Marie's husband said. "I know you will have many questions; yes, I know you will have—ah, ah—well, many questions. You are thinking: 'What kind of a Festival can we have here on this ship?' You are thinking: 'What a fine thing—ah, what a good thing, that is—ah, how nice it would be to have the Casting Off at home, among friends.'" Nestir waved his hands. "Well, I just want to tell you: I come from Koltah. And you know that Koltah never let any city state outdo her in a Festival, uh-huh. "The arena in Koltah is the greatest arena in the whole system. We have as many as sixty thousand accepted applicants. All of them together in the arena is a—uh, uh, well—a sight to behold. People come from all over to behold it. I never will forget the Festival at which my father was accepted. He.... "Well, the point I want to make is this: I just wanted to tell you that I know what a Festival should be, and the captain and I will do everything in our power to make our Casting Off as wonderful as any anywhere. "And I want to tell you that if you'll come to me with your suggestions, I'll do all I can to see that we do this thing just the way you want it done. I want you to be proud of this Casting Off Festival, so you can look back on it and say, uh, uh—this day was the real high point of your whole life!" Everyone but Joanne Marie's husband cheered. He sat glumly muttering to himself. Nestir bobbed his shiny head at them and beamed his cherubic smile. And noticed that there was a little blonde, one of the crewmen's wives, in the front row that had very cute ankles. While they were still cheering and stomping and otherwise expressing their enthusiasm and approval, Nestir walked off the speaker's platform and into the officer's corridor. He wiped his forehead indecorously on the hem of his cloak and felt quite relieved that the announcement was over with and the public speaking done. II Dinner that evening was a gala occasion aboard the ship. The steward ordered the holiday feast prepared in celebration of Nestir's announcement. And, for the officers, he broke out of the special cellar the last case allotment for Crew One of the delicate Colta Barauche ('94). He ordered the messman to put a bottle of it to the right of each plate. The captain came down from his stateroom after the meal had begun. He nodded curtly to the officers when he entered the mess hall, walked directly to his place at the head of the table, sat down and morosely began to work the cork out of his wine bottle with his teeth. "You'll spoil the flavor, shaking it that way," the third mate cautioned. He was particularly fond of that year. The captain twisted the bottle savagely, and the cork came free with a little pop. He removed the cork from between his teeth, placed it very carefully beside his fork, and poured himself a full glass of the wine. "Very probably," he said sadly. "I don't think hit'll do hit," the first mate said. "He hain't shook hard enough to matter." The captain picked up the glass, brought it toward his lips—then, suddenly having thought of something, he put it back down and turned to Nestir. "I say. Have you decided on this Carstar thing yet, Father?" The little priest looked up. He laid his knife across the rim of his plate. "It has ramifications," he said. When the third mate saw that his opinion on the wine was not immediately to be justified, he settled back in his chair with a little sigh of disapproval. "Well, what do you think your decision will be, Father?" the steward asked. Nestir picked up his knife and fork and cut off a piece of meat. "Hummmm," he said. "It's hard to say. The whole issue involves, as a core point, the principle of casta cum mae stotiti ." The first mate nodded sagely. "The intent, of course, could actually be—ah— sub mailloux ; and in that event, naturally, the decision would be even more difficult. I wish I could talk to higher authority about it; but of course I haven't the time. I'll have to decide something." "He had a very pretty wife," the third mate said. "Yes, very." Nestir agreed. "But as I was saying, if it could be proven that the culstem fell due to no negligence on his part, either consciously or subconsciously, then the obvious conclusion would be that no stigma would be attached." He speared his meat and chewed it thoughtfully. "But it wasn't at all bloody," the wife of the second mate said. "I scarcely think he felt it at all. It happened too fast." Nestir swallowed the mouthful of food and washed it down with a gulp of wine. "The problem, my dear Helen," he said, "is one of intent. To raise the issue of concomitant agonies is to confuse the whole matter. For instance. Take Wilson, in my home state of Koltah. Certainly he died as miserable a death as anyone could desire." "Yes," said the second mate's wife. "I remember that. I read about it in the newspapers." "But it was a case of obvious intent ," continued Nestir, "and therefore constituted a clear out attempt to avoid his duty by hastening to his Reward." Upon hearing the word duty, the captain brightened. "That," he said to Nestir, "my dear Father, is the cardinal point of the whole game, y'know." He scratched the back of his left hand. "Duty. And I must say, I think you're being quite short-sighted about the Casting Off date. After all, it's not only a question of how we go, but also a question of leaving only after having done our duty. And that's equally important." "The Synod of Cathau—" Nestir began. "Plague take it, Father! Really, now, I must say. The Synod of Cathau! Certainly you've misinterpreted that. Anticipation can be a joy, y'know: almost equal to the very Reward. Anticipation should spur man in duty. It's all noble and self sacrificing." He scratched the back of his right hand. The second mate had been trying to get a word in edgewise for several minutes; he finally succeeded by utilizing the temporary silence following the captain's outburst. "You don't need to worry about your Casting Off, Captain. You can leave that to me. I assure you, I have in mind a most ingenious method." The captain was not visibly cheered; he was still brooding about the sad absence of a sense of duty on the part of Nestir. "I will welcome it," he said, "at the proper time, sir. And I certainly hope—" His eyes swept the table. "I certainly hope to be Cast Off by an officer. It would be very humiliating, y'know, to have a crew member do it." "Oh, very," said the steward. "I don't know," the second mate's wife said, "whether you better count on my husband or not. I have my own plans for him." "This problem of Carstar interests me," the third mate said. "Did I ever tell you about my wife? She strangled our second baby." "He was a very annoying child," his wife said. "He probably wouldn't have lived, anyway," the third mate said. "Puny baby." "That," said Nestir, "is not at all like the Carstar case. Not at all. Yours is a question of saliex y cuminzund ." The first mate nodded. "It seems to me that the whole thing would depend on the intent of the strangler." "Captain," the steward said, "you really must let me give you some of that salve." "That's very kind of you, but I...." "No bother at all," the steward said. "As I see it," Nestir said, "if the intent was the natural maternal instinct of the mother to release her child from its duty, then...." "Oh, not at all," the third mate's wife said. "I did it to make him stop crying." "Well, in that case, I see no reason why he shouldn't get his Reward." "I certainly hope so," the third mate said. "Jane worries about it all the time." "I do not," Jane contradicted. "Now, honey, you know you do so." At that moment, he lost interest in his wife and leaned across the table toward the captain, "Well?" he asked. The captain rolled the wine over his tongue. "You were right, of course." The third mate turned triumphantly to the first mate. "There, I told you so." The first mate shrugged. "I never do say nothin' right," he said. "I hain't got no luck. I've spent more years un all ya, carpenterin' up a duty log that's better un even th' captain's. An' hit's Martha an' me that gotta wait an' help th' next crew. Lord above knows how long time hit'll be afore we uns'll got ta have a Festival." "Oh, really, now. Now. Duty, duty," the captain reprimanded him mildly. "Duty! Duty! Duty! You all ur in a conspiracy. You all want me ta die uv old age." "Nonsense," said the steward. "We don't want anything of the sort. After all, someone has to orient the new crew." "Quite right," said the captain. "You ought to be proud." The first mate slammed his napkin in the middle of his food and stalked out of the mess hall. "Quite touchy today," Nestir observed. "By the way," the third mate said. "Wanda gave me a petition to give to you, Father." "Wanda?" "Yes. She's sixteen, now." "Wanda who?" the steward asked. "Wanda Miller, the bosun's daughter." "I know her," Helen said. "She's the oldest child on the ship, and she wants you to sign her adult petition so she can be in the Festival, Father." "She's so young...." "Sixteen, Father." "After all, one must have done some duty," the captain said. "He wants you to sign it so he can take her in the Changing of the Wives," Jane said. Nestir fidgeted uncomfortably. "Well, I'll look at her record," he said. "It's an idea," the second mate said. "Otherwise, we'll be short one woman." "There wouldn't be one short if he had brought a wife," the first mate's wife said, looking squarely at the captain. "Now, Martha. I place duty above pleasure. You're just angry, y'know, because you have to stay with your husband." "All right, so I am. But it's true. And if Carstar hadn't been killed, there would have been two short." She shot a wicked glance at Nestir. "Why don't you and him share a woman—" "Martha!" "Although the Prophet knows what woman in her right mind would consent to...." "Well," said Nestir hesitantly. "Listen," the third mate said, "the second's right. If you don't sign it, someone will have to do without a woman." Nestir blushed. "I'll look it over very carefully, but you must realize that the priestcraft...." "Actually, in a way, it would be her duty to, you see. Think of it like that: as her way to do her duty." "She's too young for you, dear," Jane said to her husband. "Oh, I don't know," the steward said. "Sometimes they're the best, I hear." III The third mate, whose name was Harry, stood before the mirror combing his hair. He had been combing his hair for the last fifteen minutes. "I suppose the crew is celebrating?" his wife said. "I suppose." She stood up and walked over to the dresser. Absently she began to finger the articles on it. "You really shouldn't have told them about little Glenn tonight." "Pish-tush." "No, Harry. I mean it. Helen looked at me strangely all through dinner. She has three children, you know." "You're imagining things." "But she does have three children." "I mean about her looking at you." "Oh." Harry fiddled with his tie without speaking. "I mean, as much as to say: 'Well, I raised all of mine.'" "But honey, about little Glenn. That was an accident, almost. You didn't really mean to choke him that hard." "But still ... it ... I mean, there was Helen, looking at me like I wasn't doing my duty. You know." "No," he said. "That's nonsense, Jane. Sheer nonsense. You know what the priest said." He polished one of his brass buttons with the sleeve of his coat. "Harry?" "Yes?" "I don't think all that is necessary just to go on duty." "Probably not." She walked to the bed and sat down. "Harry?" "Yes, dear?" "Don't you really think she's awful young?" "Huh-uh." "I mean, why don't you pick someone else? Like Mary? She's awful sweet. I'll bet she'd be better." "Probably." "She's a lot of fun." He brushed at his hair again. "Who do you want, Jane?" "Oh, I don't know." She looked down at her legs, raised them up from the floor and held them out in front of her. "I think I'd kind of like Nestir. With his funny bald head. I hope he asks me." "I'll mention it to him." "Would you really, Harry? That would be sweet." "Sure, honey." He looked down at his watch. "Harry? Are you going to meet Wanda in the control room?" "Uh-huh." "I thought so. Well, remember this, dear: It isn't the day of the Changing of the Wives yet. Don't forget." "Honey! You don't think for a minute that...." "No, dear. I know you wouldn't. But just don't , I mean." He walked over and kissed her forehead and patted her cheek. "Course not," he said, comfortingly. He left her sitting on the bed and strolled down the officers' corridor, whistling. He made a mental note to have the bosun send some of the crew in tomorrow to wash down these bulkheads. They needed it. In one corner a spider spun its silver web. He jogged up the companionway, turned left and felt the air as fresh as spring when he stepped under the great ventilator. And beneath it lay one of the crew. He kicked the man several times in the ribs until he came to consciousness. "Can't sleep here, my man," Harry explained. "Awww. Go way an' le' me 'lone, huh?" "Here. Here." He pulled the fellow erect and slapped him in the face briskly. "This is the officers' corridor." "Oh? Ish it? Schorry. Shore schorry, shir. So schorry." Harry assisted him to the crew's corridor where he sank to the floor and relapsed once more into a profound slumber. Harry continued on to the control room. When he entered it, the second mate was yawning. "Hi, John. Sleepy?" "Uh-huh. You're early." "Don't mind, do you?" "No ... Quiet tonight. Had to cut the motors an hour ago. Control technician passed out." "Oh?" The second mate took out a cigarette and lit it. "Can't blow the ship up, you know. Look like hell on the record. Hope the captain don't find out about it, though. He'll figure the man was neglecting his duty." He blew a smoke ring. "Might even bar him from the Festival." "Yeah," said Harry, "the captain's funny that way." The second mate blew another smoke ring. "Well," Harry said. "Uh. Harry? Are you really going to take that Wanda girl?" "If Nestir lets me." "Say. Harry. Do you suppose your wife would...?" Harry crossed to the second mate and put a hand on his shoulder. "Sorry, old fellow. She's got it in her head to take Nestir." He shrugged. "I don't exactly approve, of course, but ... I'm sure if he doesn't want her, she'd be glad to hear your offer." "Aw, that's all right," John said. "Don't really matter. Say. By the way. Have I told you what I intend to do to the captain? I've got it all thought out. You know that saber I picked up on Queglat? Well...." "Look. How about telling me another time?" "Uh, Sure. If you say so. Uh?" "I'm kind of expecting Wanda." "Oh. Sure. I should have known you weren't here early for nothing. In that case, I better be shoving off. Luck." "Thanks. See you at breakfast." "Right-o." After the second mate left, Harry walked over to the control panel. The jet lights were dead. He picked up the intercom and switched over the engine call bell. "'Lo," he said into the microphone. "This is the bridge.... Oh, hi, Barney. Harry.... Have you got a sober control technician down there yet...? Fine. We'll start the jets again. If the captain comes in now—well, you know how he is.... Okay, thanks. Night." He replaced the microphone. He reached over and threw the forward firing lever. The jet lights came on and the ship began to brake acceleration again. Having done that, he switched on the space viewer. The steady buzz of the equipment warming sounded in his ears. Wanda would be sure to want to look at the stars. She was simple minded. "Hello." He swiveled around. "Oh, hello, Wanda, honey." "Hello, Haireee. Are you glad little ol' me could come, huh?" "Sure am." "Me, too. Can I look at the—oh. It's already on." "Uh-huh. Look. Wanda." "Hum?" "I talked to Nestir today." "Goody. What did he say, huh? I can be an adult and get to play in the Festival, can I?" "I don't know, yet. He's thinking about it. That's why I want to see you. He's going to check your record. And Wanda?" "Them stars shore are purty." "Wanda, listen to me." "I'm a-listenin', Haireee." "You're simply going to have to stop carrying that doll around with you if you want to be an adult." In Nestir's cabin the next morning, the captain and the priest held a conference. "No, Captain. I'm afraid I can't agree to that," Nestir said. The captain said, "Oh, don't be unreasonable, Father. After all, this is a ship, y'know. And I am, after all, the captain." Nestir shook his head. "The crew and the officers will participate together in the Festival. I will not put the officers' corridor off limits, and—Oh! Yes? Come in!" The door opened. "Father?" "Yes, my son? Come in." "Thank you, Father. Good morning, Captain, sir." "Sit down, my son. Now, Captain, as I was saying: no segregation. It's contrary to the spirit, if not the wording, of the Jarcon ." "But Father! A crewman! In the officers' corridor! Think!" "Before the Prophet, we are all equal. I'm sorry, Captain. Now on Koltah, we practiced it with very good results, and...." "I say, really—" "Father?" said the crewman who had just entered. "Yes, my son. In one moment. Now, Captain. As I have been explaining: The arena method has advantages. In Koltah we always used it. But here—due to the—ah—exigencies of deep space—I feel convinced that a departure from normal procedure is warranted. It is not without precedent. Such things were fairly common, in astoli tavoro , up until centralization, three hundred years before Allth. Indeed, in my home city—Koltah—in the year of the seventh plague, a most unusual expedient was adopted. It seems...." "You're perfectly correct, of course," the captain said. "That's just what I wanted to see you about, Father," the crewman said. "Now, in my city state of Ni, for the Festivals, we...." "Shut up," said the captain softly. "Yes, sir." "Now, as I was saying, Captain, when the methods used in...." "If you'll excuse me, Father, I really should return to duty," said the crewman. "Quite all right, my son. Close the door after you." "I must say, fellow, your sense of duty is commendable." "Well, uh, thank you, sir. And thank you, Father, for your time." "Quite all right, my son. That's what I'm here for. Come in as often as you like." The crewman closed the door after him. He had been gone only a moment, scarcely time for Nestir to get properly launched on his account, when Harry, the third mate, knocked on the door and was admitted. "Oh? Good morning, Captain. I didn't know you were here." Then, to the priest: "I'll come back later, Father." "Nonsense," said the captain. "Come in." "Well, I had hoped to see the Father for a minute on ... private business." "I have to be toddling along," said the captain. "But Captain! I haven't finished telling you about...." "I'll just go down and get a cup of coffee," the captain said. "I'll call you when I'm through," said Harry. The captain left the room. "It's about Wanda, Father," said the third mate. The priest studied the table top. He rearranged some papers. "Ah, yes. The young girl." "Well, I mean, it's not only about Wanda," said Harry. "You see, my wife, Jane, that is...." "Yes?" said the priest. He took his pen out of the holder. "I think, with the proper ... ah ... you know. What I mean is, I think she might look with favor on you in the Changing of the Wives, if I said a few well chosen words in your behalf." "That is very flattering, my son." He returned the pen to the holder. "Such bounty, as it says in the Jarcon , is cull tensio ." "And with your permission, Father...." "Ah...." "She's a very pretty woman." "Ah.... Quite so." "Well, about Wanda. I really shouldn't mention this. But Father, if we are short one woman...." "Hummmm." "I mean, the girls might think a man gets rusty." "I see what you mean." Nestir blinked his eyes. "It wouldn't be fair, all things considered." He stood up. "I may tell you, my son, that, in thinking this matter over last night, I decided that Wanda—ah—Miller, yes, has had sufficient duty to merit participation in the Festival." "Justice is a priestly virtue," Harry said. "And you really think your wife would...?" "Oh, yes, Father." "Well, ahem. But...." "Yes, Father?" " Ad dulce verboten. " "Uh?" "That is to say, in order for a woman to join in the ritual of the Changing of the Wives, she must, ahem, be married." "I never thought of that," said the third mate disconsolately. "I think that can be arranged, however," said Nestir. "If you go by the mess hall on your way out, please tell the captain we can continue our discussion at his pleasure." IV "Sit down, Captain," said Nestir, when the captain entered. "No. Over there, in the comfortable chair. There. Are you comfortable, Captain?" "Of course I am." "Good. I have a question to ask you, Captain." "I say?" Nestir rubbed his bald head. "Sir," he said by way of preamble, "I know you have the greatest sensibility in questions of duty." "That's quite so, y'know. I pride myself upon it, if I do say so." "Exactly. Argot y calpex. No sacrifice is too great." "True; true." "Well, then, say the first day of Wenslaus, that would be—ah, a Zentahday—I may depend upon you to wed Wanda Miller, the bosun's daughter, yes?" "No," said the captain. "Come now, sir. I realize she is the daughter of a crewman, but—" "Father," said the captain, "did I ever tell you about the time I led an expeditionary force against Zelthalta?" "I don't believe you have." "Then I will tell you. Came about this way. I was given command of fifty-three thousand Barains. Savage devils. Uncivilized, but fine fighters. I was to march them ninety-seven miles across the desert that...." "Captain! I fear I must be very severe with you. I will be forced to announce in the mess hall this evening that you have refused to do your duty when it was plainly and properly called to your attention." "Very well, Father," the captain said after several minutes. "I will do it." He was trembling slightly. That morning was to be the time of the captain's wedding. He had insisted that it be done in privacy. For the ceremony, he refused to make the slightest change in his everyday uniform; nor would he consent to Nestir's suggestion that he carry a nosegay of hydroponic flowers. He had intended, after the ceremony, to go about his duty as if nothing out of the ordinary had happened; but after it was done with, the vast indignity of it came home to him even more poignantly than he had imagined it would. Without a word, he left the priest's stateroom and walked slowly, ponderously, with great dignity, to his own. It was a very fine stateroom. The finest, but for Nestir's, in the whole ship. The velvet and gold drapes (his single esthetic joy) were scented with exotic perfume. The carpet was an inch and a half thick. He walked through his office without breaking his stride. The bed was large and fluffy. An unbroken expanse of white coverlette jutting out from the far bulkhead. It looked as soft as feather down. Without even a sigh, he threw himself upon the bed and lay very, very quiet. His left leg was suspended in the air, intersecting, at the thigh, the plane of the coverlet at forty-five degrees; the number of degrees remained stiffly, unrelaxingly forty-five. Only after a long, long time did he roll over on his back and then it was merely to stare fixedly at the ceiling. It is entirely possible that he would have lain there until Doomsday had not his introspection been, around noon, interrupted by an apologetic tap on the door. "Come in," he whispered, hoping she would not hear him and go away. But she heard him. "Husband," Wanda said simply. She closed the door behind her and stood staring at him. "Madam," he said, "I hope you will have the kindness not to refer to me by that indecent appelation a second time." "Gee. You say the cutest things. I'm awful glad you had to marry me, huh." The captain stood up, adjusted his coat and his shoulders, and walked across the room to the dressing table. He opened the left-hand drawer, removed a bottle, poured himself half a water-glass full and drank it off. "Ah," he said. He returned to the bed and sat down. "Can'tcha even say hello ta little ol' me, huh?" she asked. "Hello," he said. "Madam, sit down. I intend to give you an instructive lecture in the natural order of...." "Huh?" "Ah," he said. "Quite true, of course." She walked over to the chair and sat down. "I don't like them," she said. "Them cloth things over there." "Those, Madam," he said, "are priceless drapes I had imported from the province of San Xalthan. They have a long, strange history. "About three thousand years ago, a family by the name of Soong was forced to flee from the city of Xan because the eldest son of the family had become involved in a conspiracy against the illustrious King Fod. As the Soong family was traveling...." "I don't like 'em anyway," said Wanda. "Madam," said the captain, "kindly bring me that." "This?" "Yes. Thank you." He took the doll from her. He got up again, walked to the chest of drawers, searched around for a penknife. Finally he located it under a stack of socks.
train	51201	[ "What is the nature of the narrator's relationship with his wife?", "What does the narrator consider an imminent fun game?", "What does the encounter with Guy and Em tell the reader about the narrator?", "Why is the story's setting important for the plot?", "Why does the narrator lie to his son?", "What university is the narrator affiliated with?", "How does the volplas' culture differ from traditional human Western culture?", "Why is the narrator the only one who notices a flight of volplas soaring slowly across the full Moon?" ]	[ [ "They have a happy marriage but the narrator is interested in the maid.", "They have been together for a long time and the narrator is reaching a dangerous age.", "They are an affectionate couple who respect each other.", "They stayed together for their children and pretend to like each other." ], [ "Scattering young black-snakes inside people's homes.", "Teaching nonhumans a new language.", "Watching people walk into a trap.", "Releasing mutants into the world." ], [ "The narrator is more of an original prankster than a scientist.", "The narrator does not understand the implications that launching Rocket Charlie will have on science.", "The narrator intends to deter rather than advance science.", "The narrator is so immersed in his own experiment that he loses sight of his peers' significant accomplishments." ], [ "The narrator's ranch is so big it can conceal its inhabitants.", "The volplas can only survive in California.", "There are sparrows for the volplas to eat at the narrator's ranch.", "The volplas originally lived in a similar landscape." ], [ "Even though his son is a young man sooner than already, he is still too young to learn the full scope of the truth.", "A joke stops working when someone attempts to explain it.", "For his joke to have its desired effect, no one can know the full extent of his experiment.", "He is an eccentric and must abide by his personal eccentricities." ], [ "Associated Technical College", "Institute of Technology Inc ", "Modern Institute of Technology", "California Institute of Technology " ], [ "Volplas have a superior morality.", "Volplas have larger families.", "Volplas care for their children.", "Volplas can be promiscuous." ], [ "Because volplas are fictional creatures and people do not believe they exist.", "Because other witness believe this was ET with a little boy riding his bicycle over the moon.", "Because people generally only notice what they look for and would dismiss the phenomenon as something else.", "Because it is nighttime and everyone is indoors." ] ]	[ 3, 4, 4, 1, 3, 4, 2, 3 ]	[ 0, 1, 1, 1, 1, 0, 0, 1 ]	Volpla By WYMAN GUIN Illustrated by DICK FRANCIS [Transcriber's Note: This etext was produced from Galaxy Science Fiction May 1956. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] The only kind of gag worth pulling, I always maintained, was a cosmic one—till I learned the Cosmos has a really nasty sense of humor! There were three of them. Dozens of limp little mutants that would have sent an academic zoologist into hysterics lay there in the metabolic accelerator. But there were three of them . My heart took a great bound. I heard my daughter's running feet in the animal rooms and her rollerskates banging at her side. I closed the accelerator and walked across to the laboratory door. She twisted the knob violently, trying to hit a combination that would work. I unlocked the door, held it against her pushing and slipped out so that, for all her peering, she could see nothing. I looked down on her tolerantly. "Can't adjust your skates?" I asked again. "Daddy, I've tried and tried and I just can't turn this old key tight enough." I continued to look down on her. "Well, Dad-dee, I can't!" "Tightly enough." "What?" "You can't turn this old key tightly enough." "That's what I say -yud." "All right, wench. Sit on this chair." I got down and shoved one saddle shoe into a skate. It fitted perfectly. I strapped her ankle and pretended to use the key to tighten the clamp. Volplas at last. Three of them. Yet I had always been so sure I could create them that I had been calling them volplas for ten years. No, twelve. I glanced across the animal room to where old Nijinsky thrust his graying head from a cage. I had called them volplas since the day old Nijinsky's elongated arms and his cousin's lateral skin folds had given me the idea of a flying mutant. When Nijinsky saw me looking at him, he started a little tarantella about his cage. I smiled with nostalgia when the fifth fingers of his hands, four times as long as the others, uncurled as he spun about the cage. I turned to the fitting of my daughter's other skate. "Daddy?" "Yes?" "Mother says you are eccentric. Is that true?" "I'll speak to her about it." "Don't you know ?" "Do you understand the word?" "No." I lifted her out of the chair and stood her on her skates. "Tell your mother that I retaliate. I say she is beautiful." She skated awkwardly between the rows of cages from which mutants with brown fur and blue fur, too much and too little fur, enormously long and ridiculously short arms, stared at her with simian, canine or rodent faces. At the door to the outside, she turned perilously and waved. Again in the laboratory, I entered the metabolic accelerator and withdrew the intravenous needles from my first volplas. I carried their limp little forms out to a mattress in the lab, two girls and a boy. The accelerator had forced them almost to adulthood in less than a month. It would be several hours before they would begin to move, to learn to feed and play, perhaps to learn to fly. Meanwhile, it was clear that here was no war of dominant mutations. Modulating alleles had smoothed the freakish into a beautiful pattern. These were no monsters blasted by the dosage of radiation into crippled structures. They were lovely, perfect little creatures. My wife tried the door, too, but more subtly, as if casually touching the knob while calling. "Lunch, dear." "Be right there." She peeked too, as she had for fifteen years, but I blocked her view when I slipped out. "Come on, you old hermit. I have a buffet on the terrace." "Our daughter says I'm eccentric. Wonder how the devil she found out." "From me, of course." "But you love me just the same." "I adore you." She stretched on tiptoe and put her arms over my shoulders and kissed me. My wife did indeed have a delicious-looking buffet ready on the terrace. The maid was just setting down a warmer filled with hot hamburgers. I gave the maid a pinch and said, "Hello, baby." My wife looked at me with a puzzled smile. "What on Earth's got into you?" The maid beat it into the house. I flipped a hamburger and a slice of onion onto a plate and picked up the ketchup and said, "I've reached the dangerous age." "Oh, good heavens!" I dowsed ketchup over the hamburger, threw the onion on and closed it. I opened a bottle of beer and guzzled from it, blew out my breath and looked across the rolling hills and oak woods of our ranch to where the Pacific shimmered. I thought, "All this and three volplas, too." I wiped the back of my hand across my mouth and said aloud, "Yes, sir, the dangerous age. And, lady, I'm going to have fun." My wife sighed patiently. I walked over and put the arm that held the beer bottle around her shoulder and chucked her chin up with my other hand. The golden sun danced in her blue eyes. I watched that light in her beautiful eyes and said, "But you're the only one I'm dangerous about." I kissed her until I heard rollerskates coming across the terrace from one direction and a horse galloping toward the terrace from the other direction. "You have lovely lips," I whispered. "Thanks. Yours deserve the Good Housekeeping Seal of Approval, too." Our son reared the new palomino I had just bought him for his fourteenth birthday and yelled down, "Unhand that maiden, Burrhead, or I'll give you lead poisoning." I laughed and picked up my plate and sat down in a chair. My wife brought me a bowl of salad and I munched the hamburger and watched the boy unsaddle the horse and slap it away to the pasture. I thought, "By God, wouldn't he have a fit if he knew what I have back there in that lab! Wouldn't they all!" The boy carried the saddle up onto the terrace and dropped it. "Mom, I'd like a swim before I eat." He started undressing. "You look as though a little water might help," she agreed, sitting down next to me with her plate. The girl was yanking off her skates. "And I want one." "All right. But go in the house and put on your swim suit." "Oh, Mother . Why?" "Because, dear, I said so." The boy had already raced across the terrace and jack-knifed into the pool. The cool sound of the dive sent the girl scurrying for her suit. I looked at my wife. "What's the idea?" "She's going to be a young woman soon." "Is that any reason for wearing clothes? Look at him. He's a young man sooner than already." "Well, if you feel that way about it, they'll both have to start wearing clothes." I gulped the last of my hamburger and washed it down with the beer. "This place is going to hell," I complained. "The old man isn't allowed to pinch the maid and the kids can't go naked." I leaned toward her and smacked her cheek. "But the food and the old woman are still the best." "Say, what goes with you? You've been grinning like a happy ape ever since you came out of the lab." "I told you—" "Oh, not that again! You were dangerous at any age." I stood up and put my plate aside and bent over her. "Just the same, I'm going to have a new kind of fun." She reached up and grabbed my ear. She narrowed her eyes and put a mock grimness on her lips. "It's a joke," I assured her. "I'm going to play a tremendous joke on the whole world. I've only had the feeling once before in a small way, but I've always...." She twisted my ear and narrowed her eyes even more. "Like?" "Well, when my old man was pumping his first fortune out of some oil wells in Oklahoma, we lived down there. Outside this little town, I found a litter of flat stones that had young black-snakes under each slab. I filled a pail with them and took them into town and dumped them on the walk in front of the movie just as Theda Bara's matinee let out. The best part was that no one had seen me do it. They just couldn't understand how so many snakes got there. I learned how great it can be to stand around quietly and watch people encounter the surprise that you have prepared for them." She let go of my ear. "Is that the kind of fun you're going to have?" "Yep." She shook her head. "Did I say you are eccentric ?" I grinned. "Forgive me if I eat and run, dear. Something in the lab can't wait." The fact was that I had something more in the lab than I had bargained for. I had aimed only at a gliding mammal a little more efficient than the Dusky Glider of Australia, a marsupial. Even in the basically mutating colony, there had been a decidedly simian appearance in recent years, a long shift from the garbage-dump rats I had started with. But my first volplas were shockingly humanoid. They were also much faster than had been their predecessors in organizing their nervous activity after the slumbrous explosion of growth in the metabolic accelerator. When I returned to the lab, they were already moving about on the mattress and the male was trying to stand. He was a little the larger and stood twenty-eight inches high. Except for the face, chest and belly, they were covered with a soft, almost golden down. Where it was bare of this golden fur, the skin was pink. On their heads and across the shoulders of the male stood a shock of fur as soft as chinchilla. The faces were appealingly humanoid, except that the eyes were large and nocturnal. The cranium was in the same proportion to the body as it is in the human. When the male spread his arms, the span was forty-eight inches. I held his arms out and tried to tease the spars open. They were not new. The spars had been common to the basic colony for years and were the result of serial mutations effecting those greatly elongated fifth fingers that had first appeared in Nijinsky. No longer jointed like a finger, the spar turned backward sharply and ran alongside the wrist almost to the elbow. Powerful wrist muscles could snap it outward and forward. Suddenly, as I teased the male volpla, this happened. The spars added nine inches on each side to his span. As they swept out and forward, the lateral skin that had, till now, hung in resting folds was tightened in a golden plane that stretched from the tip of the spar to his waist and continued four inches wide down his legs to where it anchored at the little toe. This was by far the most impressive plane that had appeared till now. It was a true gliding plane, perhaps even a soaring one. I felt a thrill run along my back. By four o'clock that afternoon, I was feeding them solid food and, with the spars closed, they were holding little cups and drinking water from them in a most humanlike way. They were active, curious, playful and decidedly amorous. Their humanoid qualities were increasingly apparent. There was a lumbar curvature and buttocks. The shoulder girdle and pectoral muscles were heavy and out of proportion, of course, yet the females had only one pair of breasts. The chin and jaw were humanlike instead of simian and the dental equipment was appropriate to this structure. What this portended was brought home to me with a shock. I was kneeling on the mattress, cuffing and roughing the male as one might a puppy dog, when one of the females playfully climbed up my back. I reached around and brought her over my shoulder and sat her down. I stroked the soft fur on her head and said, "Hello, pretty one. Hello." The male watched me, grinning. He said, "'Ello, 'ello." As I walked into the kitchen, giddy with this enormous joke, my wife said, "Guy and Em are flying up for dinner. That rocket of Guy's they launched in the desert yesterday was a success. It pulled Guy up to Cloud Nine and he wants to celebrate." I danced a little jig the way old Nijinsky might do it. "Oh, great! Oh, wonderful! Good old Guy! Everybody's a success. It's great. It's wonderful. Success on success!" I danced into the kitchen table and tipped over a basket of green corn. The maid promptly left the kitchen for some other place. My wife just stared at me. "Have you been drinking the lab alcohol?" "I've been drinking the nectar of the gods. My Hera, you're properly married to Zeus. I've my own little Greeks descended from Icarus." She pretended a hopeless sag of her pretty shoulders. "Wouldn't you just settle for a worldly martini?" "I will, yes. But first a divine kiss." I sipped at my martini and lounged in a terrace chair watching the golden evening slant across the beautiful hills of our ranch. I dreamed. I would invent a euphonious set of words to match the Basic English vocabulary and teach it to them as their language. They would have their own crafts and live in small tree houses. I would teach them legends: that they had come from the stars, that they had subsequently watched the first red men and then the first white men enter these hills. When they were able to take care of themselves, I would turn them loose. There would be volpla colonies all up and down the Coast before anyone suspected. One day, somebody would see a volpla. The newspapers would laugh. Then someone authoritative would find a colony and observe them. He would conclude, "I am convinced that they have a language and speak it intelligently." The government would issue denials. Reporters would "expose the truth" and ask, "Where have these aliens come from?" The government would reluctantly admit the facts. Linguists would observe at close quarters and learn the simple volpla language. Then would come the legends. Volpla wisdom would become a cult—and of all forms of comedy, cults, I think, are the funniest. "Darling, are you listening to me?" my wife asked with impatient patience. "What? Sure. Certainly." "You didn't hear a word. You just sit there and grin into space." She got up and poured me another martini. "Here, maybe this will sober you up." I pointed. "That's probably Guy and Em." A 'copter sidled over the ridge, then came just above the oak woods toward us. Guy set it gently on the landing square and we walked down to meet them. I helped Em out and hugged her. Guy jumped out, asking, "Do you have your TV set on?" "No," I answered. "Should I?" "It's almost time for the broadcast. I was afraid we would miss it." "What broadcast?" "From the rocket." "Rocket?" "For heaven's sake, darling," my wife complained, "I told you about Guy's rocket being a success. The papers are full of it. So are the broadcasts." As we stepped up on the terrace, she turned to Guy and Em. "He's out of contact today. Thinks he's Zeus." I asked our son to wheel a TV set out onto the terrace while I made martinis for our friends. Then we sat down and drank the cocktails and the kids had fruit juice and we watched the broadcast Guy had tuned in. Some joker from Cal Tech was explaining diagrams of a multi-stage rocket. After a bit, I got up and said, "I have something out in the lab I want to check on." "Hey, wait a minute," Guy objected. "They're about to show the shots of the launching." My wife gave me a look; you know the kind. I sat down. Then I got up and poured myself another martini and freshened Em's up, too. I sat down again. The scene had changed to a desert launching site. There was old Guy himself explaining that when he pressed the button before him, the hatch on the third stage of the great rocket in the background would close and, five minutes later, the ship would fire itself. Guy, on the screen, pushed the button, and I heard Guy, beside me, give a sort of little sigh. We watched the hatch slowly close. "You look real good," I said. "A regular Space Ranger. What are you shooting at?" "Darling, will you please—be— quiet ?" "Yeah, Dad. Can it, will you? You're always gagging around." On the screen, Guy's big dead-earnest face was explaining more about the project and suddenly I realized that this was an instrument-bearing rocket they hoped to land on the Moon. It would broadcast from there. Well, now—say, that would be something! I began to feel a little ashamed of the way I had been acting and I reached out and slapped old Guy on the shoulder. For just a moment, I thought of telling him about my volplas. But only for a moment. A ball of flame appeared at the base of the rocket. Miraculously, the massive tower lifted, seemed for a moment merely to stand there on a flaming pillar, then was gone. The screen returned to a studio, where an announcer explained that the film just shown had been taken day before yesterday. Since then, the rocket's third stage was known to have landed successfully at the south shore of Mare Serenitatis. He indicated the location on a large lunar map behind him. "From this position, the telemeter known as Rocket Charlie will be broadcasting scientific data for several months. But now, ladies and gentlemen, we will clear the air for Rocket Charlie's only general broadcast. Stand by for Rocket Charlie." A chronometer appeared on the screen and, for several seconds, there was silence. I heard my boy whisper, "Uncle Guy, this is the biggest!" My wife said, "Em, I think I'll just faint." Suddenly there was a lunar landscape on the screen, looking just as it's always been pictured. A mechanical voice cut in. "This is Rocket Charlie saying, 'Hello, Earth,' from my position in Mare Serenitatis. First I will pan the Menelaus Mountains for fifteen seconds. Then I will focus my camera on Earth for five seconds." The camera began to move and the mountains marched by, stark and awesomely wild. Toward the end of the movement, the shadow of the upright third stage appeared in the foreground. Abruptly the camera made a giddy swing, focused a moment, and we were looking at Earth. At that time, there was no Moon over California. It was Africa and Europe we were looking at. "This is Rocket Charlie saying, 'Good-by, Earth.'" Well, when that screen went dead, there was pandemonium around our terrace. Big old Guy was so happy, he was wiping tears from his eyes. The women were kissing him and hugging him. Everybody was yelling at once. I used the metabolic accelerator to cut the volplas' gestation down to one week. Then I used it to bring the infants to maturity in one month. I had luck right off. Quite by accident, the majority of the early infants were females, which sped things up considerably. By the next spring, I had a colony of over a hundred volplas and I shut down the accelerator. From now on, they could have babies in their own way. I had devised the language for them, using Basic English as my model, and during the months while every female was busy in the metabolic accelerator, I taught the language to the males. They spoke it softly in high voices and the eight hundred words didn't seem to tax their little skulls a bit. My wife and the kids went down to Santa Barbara for a week and I took the opportunity to slip the oldest of the males and his two females out of the lab. I put them in the jeep beside me and drove to a secluded little valley about a mile back in the ranch. They were all three wide-eyed at the world and jabbered continuously. They kept me busy relating their words for "tree," "rock," "sky" to the objects. They had a little trouble with "sky." Until I had them out in the open country, it had been impossible to appreciate fully what lovely little creatures they were. They blended perfectly with the California landscape. Occasionally, when they raised their arms, the spars would open and spread those glorious planes. Almost two hours went by before the male made it into the air. His playful curiosity about the world had been abandoned momentarily and he was chasing one of the girls. As usual, she was anxious to be caught and stopped abruptly at the bottom of a little knoll. He probably meant to dive for her. But when he spread his arms, the spars snapped out and those golden planes sheared into the air. He sailed over her in a stunning sweep. Then he rose up and up until he hung in the breeze for a long moment, thirty feet above the ground. He turned a plaintive face back to me, dipped worriedly and skimmed straight for a thorn bush. He banked instinctively, whirled toward us in a golden flash and crashed with a bounce to the grass. The two girls reached him before I did and stroked and fussed over him so that I could not get near. Suddenly he laughed with a shrill little whoop. After that, it was a carnival. They learned quickly and brilliantly. They were not fliers; they were gliders and soarers. Before long, they took agilely to the trees and launched themselves in beautiful glides for hundreds of feet, banking, turning and spiraling to a gentle halt. I laughed out loud with anticipation. Wait till the first pair of these was brought before a sheriff! Wait till reporters from the Chronicle motored out into the hills to witness this! Of course, the volplas didn't want to return to the lab. There was a tiny stream through there and at one point it formed a sizable pool. They got into this and splashed their long arms about and they scrubbed each other. Then they got out and lay on their backs with the planes stretched to dry. I watched them affectionately and wondered about the advisability of leaving them out here. Well, it had to be done sometime. Nothing I could tell them about surviving would help them as much as a little actual surviving. I called the male over to me. He came and squatted, conference fashion, the elbows resting on the ground, the wrists crossed at his chest. He spoke first. "Before the red men came, did we live here?" "You lived in places like this all along these mountains. Now there are very few of you left. Since you have been staying at my place, you naturally have forgotten the ways of living outdoors." "We can learn again. We want to stay here." His little face was so solemn and thoughtful that I reached out and stroked the fur on his head reassuringly. We both heard the whir of wings overhead. Two mourning doves flew across the stream and landed in an oak on the opposite hillside. I pointed. "There's your food, if you can kill it." He looked at me. "How?" "I don't think you can get at them in the tree. You'll have to soar up above and catch one of them on the wing when they fly away. Think you can get up that high?" He looked around slowly at the breeze playing in the branches and dancing along the hillside grass. It was as if he had been flying a thousand years and was bringing antique wisdom to bear. "I can get up there. I can stay for a while. How long will they be in the tree?" "Chances are they won't stay long. Keep your eye on the tree in case they leave while you are climbing." He ran to a nearby oak and clambered aloft. Presently he launched himself, streaked down-valley a way and caught a warm updraft on a hillside. In no time, he was up about two hundred feet. He began criss-crossing the ridge, working his way back to us. The two girls were watching him intently. They came over to me wonderingly, stopping now and then to watch him. When they were standing beside me, they said nothing. They shaded their eyes with tiny hands and watched him as he passed directly above us at about two hundred and fifty feet. One of the girls, with her eyes fast on his soaring planes, reached out and grasped my sleeve tightly. He flashed high above the stream and hung behind the crest of the hill where the doves rested. I heard their mourning from the oak tree. It occurred to me they would not leave that safety while the hawklike silhouette of the volpla marred the sky so near. I took the girl's hand from my sleeve and spoke to her, pointing as I did so. "He is going to catch a bird. The bird is in that tree. You can make the bird fly so that he can catch it. Look here." I got up and found a stick. "Can you do this?" I threw the stick up into a tree near us. Then I found her a stick. She threw it better than I had expected. "Good, pretty one. Now run across the stream and up to that tree and throw a stick into it." She climbed skillfully into the tree beside us and launched herself across the stream. She swooped up the opposite hillside and landed neatly in the tree where the doves rested. The birds came out of the tree, climbing hard with their graceful strokes. I looked back, as did the girl remaining beside me. The soaring volpla half closed his planes and started dropping. He became a golden flash across the sky. The doves abruptly gave up their hard climbing and fell away with swiftly beating wings. I saw one of the male volpla's planes open a little. He veered giddily in the new direction and again dropped like a molten arrow. The doves separated and began to zigzag down the valley. The volpla did something I would not have anticipated—he opened his planes and shot lower than the bird he was after, then swept up and intercepted the bird's crossward flight. I saw the planes close momentarily. Then they opened again and the bird plummeted to a hillside. The volpla landed gently atop the hill and stood looking back at us. The volpla beside me danced up and down shrieking in a language all her own. The girl who had raised the birds from the tree volplaned back to us, yammering like a bluejay. It was a hero's welcome. He had to walk back, of course—he had no way to carry such a load in flight. The girls glided out to meet him. Their lavish affection held him up for a time, but eventually he strutted in like every human hunter. They were raptly curious about the bird. They poked at it, marveled at its feathers and danced about it in an embryonic rite of the hunt. But presently the male turned to me. "We eat this?" I laughed and took his tiny, four-fingered hand. In a sandy spot beneath a great tree that overhung the creek, I built a small fire for them. This was another marvel, but first I wanted to teach them how to clean the bird. I showed them how to spit it and turn it over their fire. Later, I shared a small piece of the meat in their feast. They were gleeful and greasily amorous during the meal. When I had to leave, it was dark. I warned them to stand watches, keep the fire burning low and take to the tree above if anything approached. The male walked a little away with me when I left the fire. I said again, "Promise me you won't leave here until we've made you ready for it." "We like it here. We will stay. Tomorrow you bring more of us?" "Yes. I will bring many more of you, if you promise to keep them all here in this woods until they're ready to leave." "I promise." He looked up at the night sky and, in the firelight, I saw his wonder. "You say we came from there?" "The old ones of your kind told me so. Didn't they tell you?" "I can't remember any old ones. You tell me." "The old ones told me you came long before the red men in a ship from the stars." Standing there in the dark, I had to grin, visioning the Sunday supplements that would be written in about a year, maybe even less. He looked into the sky for a long time. "Those little lights are the stars?" "That's right." "Which star?" I glanced about and presently pointed over a tree. "From Venus." Then I realized I had blundered by passing him an English name. "In your language, Pohtah." He looked at the planet a long time and murmured, "Venus. Pohtah." That next week, I transported all of the volplas out to the oak woods. There were a hundred and seven men, women and children. With no design on my part, they tended to segregate into groups consisting of four to eight couples together with the current children of the women. Within these groups, the adults were promiscuous, but apparently not outside the group. The group thus had the appearance of a super-family and the males indulged and cared for all the children without reference to actual parenthood. By the end of the week, these super-families were scattered over about four square miles of the ranch. They had found a new delicacy, sparrows, and hunted them easily as they roosted at night. I had taught the volplas to use the fire drill and they were already utilizing the local grasses, vines and brush to build marvelously contrived tree houses in which the young, and sometimes the adults, slept through midday and midnight. The afternoon my family returned home, I had a crew of workmen out tearing down the animal rooms and lab building. The caretakers had anesthetized all the experimental mutants, and the metabolic accelerator and other lab equipment was being dismantled. I wanted nothing around that might connect the sudden appearance of the volplas with my property. It was already apparent that it would take the volplas only a few more weeks to learn their means of survival and develop an embryonic culture of their own. Then they could leave my ranch and the fun would be on. My wife got out of the car and looked around at the workmen hurrying about the disemboweled buildings and she said, "What on Earth is going on here?" "I've finished my work and we no longer need the buildings. I'm going to write a paper about my results." My wife looked at me appraisingly and shook her head. "I thought you meant it. But you really ought to. It would be your first." My son asked, "What happened to the animals?" "Turned them over to the university for further study," I lied. "Well," he said to her, "you can't say our pop isn't a man of decision." Twenty-four hours later, there wasn't a sign of animal experimentation on the ranch. Except, of course, that the woods were full of volplas. At night, I could hear them faintly when I sat out on the terrace. As they passed through the dark overhead, they chattered and laughed and sometimes moaned in winged love. One night a flight of them soared slowly across the face of the full Moon, but I was the only one who noticed.
train	20074	[ "What can the reader infer about the early UFC practices based on the fact that \"only biting and eye-gouging were forbidden\"?", "What is the writer's main argument?", "What point is being made by comparing Fight Club to the UFC?", "What best describes the nature of ultimate fighting by 1995?", "According to the writer, precisely why is it preferable not to wear boxing gloves in the UFC?", "What or who was a determining factor in prompting the beginning of UFC's decline in popularity?", "When you compare UFC now to what it was, what distinct differences emerge?\n" ]	[ [ "There are no rules arbitrating fair practice in the UFC.", "The UFC openly allowed and even encouraged participants to fight each other to the death.", "The early UFC was promoted as an exhilarating experience of watching the closest thing to a real-world fight.", "Bad sportsmanship was encouraged in the early UFC because participants were attempting to recreate scenes in Fight Club." ], [ "Despite their many similarities, the UFC is not interested in following the movie Fight Club in the example made by the fictional organization of men who strip down and beat each other to the pulp.", "UFC's caged matches revolutionized the idea of fighting.", "UFC began in 1993 as a locker-room fantasy and ended as a secret underground fight club.\n", "In the US, Ultimate fighting has been culturally misunderstood, banned for the wrong reasons, and condemned to a near clandestine existence, even though boxing, an American favorite, is far more dangerous and even lethal." ], [ "While Fight Club glorifies the emasculated American male, the UFC tells a cautionary tale of prudishness, heavy-handed politics, and cultural myopia.", "The UFC now actually thrives in a context similar to that of the fictional organization.", "Both organizations share the same rules, but neither can talk about it.", "Both organizations consist of men who strp down and beat each other to the pulp." ], [ "A barbaric battle to the death.", "A bad experiment.", "A science of martial arts.", "A fight without rules." ], [ "Because boxing has shown that wearing boxing gloves encourages head injury and leads to death, UFC fighters do not wear them. ", "Wearing boxing gloves makes it easier to throw repeated head punches.", "Ultimate fighters don't wear boxing gloves so that they don't break their hands.\n", "UFC fighters need to use their hands in different modes of combat in which boxing gloves would be a hidnerment." ], [ "The UFC's grotesque use of a chain-link fence surrounding the octagon.", "The UFC's lack of boxing gloves.", "Senator McCain.", "The cable TV industry." ], [ "The current UFC is more similar to Fight Club.", "Before, there was a clear national vision for UFC; currently, fans lack a definitive notion of the nature of the UFC as an American sport since it has been condemned to an underground existence.", "The early UFC was more similar to Fight Club.", "There are different fighters but the same lack of rules." ] ]	[ 3, 4, 2, 3, 2, 3, 1 ]	[ 0, 0, 1, 0, 1, 0, 1 ]	Fight Clubbed Fight Club , a movie about a fictional organization of men who strip down and beat each other to pulp, has provoked more than its share of media hand-wringing, particularly diatribes about Hollywood's infatuation with violence and Faludi-esque ruminations about the emasculated American male. Fight Club , however, has not sparked an iota of interest in a real organization of men who strip down and beat each other to pulp: the Ultimate Fighting Championship. UFC's flameout from national sensation to total irrelevance is a tragedy of American sports, a cautionary tale of prudishness, heavy-handed politics, and cultural myopia. UFC began in 1993 as a locker-room fantasy. What would happen if a kickboxer fought a wrestler? A karate champion fought a sumo champion? Promoters built an octagonal chain-link cage, invited eight top martial artists, and set them loose in no-holds-barred, bare-knuckles fights. "There are no rules!" bragged an early press release. Contestants would fight till "knockout, submission, doctor's intervention, or death." UFC allowed, even promoted, all notions of bad sportsmanship: kicking a man when he's down, hitting him in the groin, choking. Four-hundred-pound men were sent into the Octagon to maul guys half their size. Only biting and eye-gouging were forbidden. The gimmick entranced thousands of people (well, men). What happens when a 620-pound sumo champion fights a 200-pound kickboxer? Answer: The kickboxer knocks him silly in 35 seconds. They tuned in for bloodshed--"the damage," as fans like to call it. UFC fights could be horrifying. Tank Abbott, an ill-tempered, 270-pound street fighter, knocks out hapless opponent John Matua in 15 seconds. Then, before the ref can intervene, Abbott belts the unconscious Matua in the head, sending him into a fit, limbs quivering uncontrollably, blood spurting from his mouth. Abbott, naturally, became a cult hero and won a guest spot on Friends . (Matua walked out of the ring.) Soon, UFC was selling out huge arenas and drawing 300,000 pay-per-view subscribers for its quarterly competitions. But a subtle sport was emerging from the gimmicks and carnage. My passion for ultimate fighting (which is also called "extreme" or "no-holds-barred" fighting) began when I saw the finals of UFC IV. Royce Gracie, a 180-pound Brazilian jujitsu specialist, was matched against a 275-pound beast named Dan Severn, one of the top heavyweight wrestlers in the world and a national champion many times over. In 30 seconds, Severn had grabbed Gracie, flung him to the canvas, and mounted him. For the next 15 minutes, Severn pummeled and elbowed and head-butted the smaller man. Gracie's face grew drawn, and he squirmed wildly to avoid Severn's bombardment. Then, all of sudden, Gracie, still lying on his back, saw an opening, wrapped his arms and legs around Severn like a python and choked the giant into submission. UFC's caged matches revolutionized the idea of fighting. Nursed on boxing and Hollywood, Americans imagine fights as choreography, a dance of elegant combinations, roundhouse kicks, clean knockouts. The UFC punctured this. Boxers floundered. Experts in striking martial arts such as karate and tae kwon do, who fancied themselves the world's greatest fighters, found themselves pretzeled by jujitsu masters, who pulled them to the ground and slowly choked or leg-locked them. "UFC immediately debunked a lot of myths of fighting, of boxing, karate, kung fu. It showed the reality of what works in an actual fight," says Dave Meltzer, editor of Wrestling Observer . Instead of being carnivals of gore, UFC fights looked strangely like ... sex. Almost all fights ended on the ground, one man mounting the other in missionary position, the pair of them wiggling mysteriously along the canvas for five, 10, even 30 minutes. There were few spectacular knockouts. The referee--yes, there was always a referee--stopped many bouts, and in most others, fighters "tapped out," surrendering to mild-looking but agonizing chokes and joint locks. It was not barbarism. It was science. The UFC spawned a new breed of "mixed martial artists." World-class wrestlers learned to kickbox. Champion kickboxers learned to grapple. (The karate experts learned to stay home.) They became, without doubt, the best fighters in the world. (Click for more about the fighters.) Mike Tyson wouldn't last 30 seconds in an ultimate fighting match. When Olympic gold medal wrestler Kevin Jackson came to the UFC, a fighter named Frank Shamrock KO'd him with a submission hold in 16 seconds. Ultimate fighting schools began sprouting up all over the country, replacing the stylized gestures of the Eastern martial arts with techniques that actually work. UFC's promoters predicted that it would supplant boxing as America's martial art. Instead, it fell apart. The collapse began in 1996, when Sen. John McCain, R-Ariz., saw a UFC tape. McCain, a lifelong boxing fan, was horrified at the ground fighting, kicks, and head butts. It was "barbaric," he said. It was "not a sport." He sent letters to all 50 governors asking them to ban ultimate fighting. The outcry against "human cockfighting" became a crusade, and like many crusades, it was founded on misunderstanding. UFC fell victim to cultural determinism about what a fight is. In countries such as Brazil and Japan, where no-holds-barred fighting has a long history, it is popular and uncontroversial. But Americans adhere to the Marquis of Queensbury rules. A fight consists of an exchange of upper-body blows that halts when one fighter falls. Any blood sport can be barbaric, whether it's boxing or wrestling or ultimate fighting. It is impossible to draw a bright line between ultimate fighting and boxing. If anything, ultimate fighting is safer and less cruel than America's blood sport. For example, critics pilloried ultimate fighting because competitors fought with bare knuckles: To a nation accustomed to boxing gloves, this seemed revolting, an invitation to brain damage. But it's just the reverse: The purpose of boxing gloves is not to cushion the head but to shield the knuckles. Without gloves, a boxer would break his hands after a couple of punches to the skull. That's why ultimate fighters won't throw multiple skull punches. As a result, they avoid the concussive head wounds that kill boxers--and the long-term neurological damage that cripples them. Similarly, the chain-link fence surrounding the octagon looks grotesque. Critics have demanded that UFC install ropes instead. But ropes are a major cause of death and injury in boxing: Fighters hyperextend their necks when they are punched against the ropes, because nothing stops their heads from snapping back. The chain-link fence prevents hyperextension. When I tell people I'm an ultimate fighting fan, they invariably respond: "Don't people get killed all the time doing that?" But no one has ever been killed at the UFC--though boxers are killed every year. No one has even been seriously injured at the UFC. On the rare occasions when a bout has ended with a bloody knockout, the loser has always walked out of the ring. But this does not impress boxing fans, who are the most vigorous opponents of extreme fighting. McCain sat ringside at a boxing match where a fighter was killed. When I asked him to explain the moral distinction between boxing and ultimate fighting, he exploded at me, "If you can't see the moral distinction, then we have nothing to talk about!" Then he cut our interview short and stormed out of his office. But logic has not served the UFC well. Where McCain led, a prudish nation followed. George Will opined against UFC. The American Medical Association recommended a ban. New York state outlawed ultimate fighting, as did other states. The Nevada Athletic Commission refused to sanction UFC bouts, barring the UFC from the lucrative casino market. (One public TV station refused a UFC sponsorship ad. The only other organization the station ever rejected was the Ku Klux Klan.) Lawsuits blocked or delayed UFC events all over the country, forcing the promoters to spend millions in legal fees. The UFC was exiled from mega-arenas to ever-smaller venues in ever more out-of-the-way states: Louisiana, Iowa, and Alabama. The match I attended in October 1997 was held in the parking lot of a small Mississippi casino. The cable TV industry struck the fatal blow. In early 1997, McCain became chairman of the commerce committee, which oversees the cable industry. In April 1997, the president of the National Cable Television Association warned that UFC broadcasts could jeopardize the cable industry's influence in Washington. Time Warner, TCI, Request, Cablevision Systems, Viewer's Choice, and other major operators stopped airing UFC events, saying they were too violent for children. Never mind that 1) UFC only aired on pay-per-view, so children could not see it unless their parents paid for it; and 2) the same cable outfits carried boxing matches, R and NC-17 movies, and professional wrestling shows far more violent than UFC. The UFC's "addressable audience"--the potential number of PPV subscribers--shrank from 35 million at its peak to 7.5 million today. "It was a very cheap way for the cable companies to portray themselves as anti-violence. It did not cost them much and it made them look good in Washington," says Carol Klenfner, spokeswoman for UFC's parent company, SEG. The ultimate fighting industry did little to help its own cause. The UFC promoted itself less as a serious sport than as a circus of carnage. Its early ads emphasized extreme fighting's potential for death. UFC folks accused McCain, without any evidence, of opposing the sport as a favor to campaign contributors. Extreme fighting was tarnished when fighters from the other ultimate fighting operation, the now-defunct Battlecade, were arrested for violating Canadian prizefighting laws when they fought on an Indian reservation outside Montreal. In the past two years, an increasingly desperate UFC has been trying to assuage its critics. The competition, which had been gradually adding safety rules since the first fight, imposed even more. It institued rounds and a "10-point must" scoring system. It banned head butts and groin strikes. You can no longer kick a downed man or elbow someone in the back of the head. Fighters are required to wear thin martial arts gloves (a purely cosmetic change). The UFC imposed weight classes, ending the David-and-Goliath mismatches that made early fights so compelling. None of this soothed the cable operators, who have kept UFC off the air. The pay-per-view audience has plunged from 300,000 per show to 15,000. UFC can no longer afford its best fighters: Some are fighting overseas. Others, notably Ken Shamrock (Frank's brother), have become pro wrestlers. Fights have deteriorated. UFC is limping along, but it has been reduced to scheduling events in Japan and Brazil. "Sports fans want to grow with the sport," says former UFC fighter David Beneteau. "They want to recognize the athletes. They want to see the same fighters come back. When you compare UFC now to what it was, the fighters are not the same, the rules are not the same. The fans have no story to follow." Even as it disappears from public view, ultimate fighting is returning to its roots. Away from the scrutiny of the major media, state legislators, and McCain, kids are still learning mixed martial-arts techniques, and small-time promoters are quietly staging events. You can see Kage Kombat competitions at Dancing Waters nightclub in San Pedro, Calif. You can watch the Warrior's Challenge at a small Indian casino outside Sacramento. Texans compete in Houston's Dungal All Styles Fighting Championship. Tribal casinos in Northern Idaho are hosting small Pankration tournaments. The Extreme Fighting Challenge is popular in Iowa. The money is low; the crowds are small; and there's not a TV camera in sight. Ultimate fighting should have become boxing. Instead it has gone underground. It has become Fight Club.
train	20066	[ "What does the author mean when stating: \"And the people were grateful\"?", "Why does it matter that Deb has tenure?", "Why are ratings provided in count of curled toes?", "What is the writer's opinion of the instructional videos advertised in the New York Times Book Review?", "Why does the writer evoke the NASA by saying that \"there was word from the pad that the launch sequence was initiating\"?" ]	[ [ "Serious-minded people enjoyed the opportunity to discuss sexual matters because they wanted to investigate why the average American adult is sexually deprived.", "People like to gossip about other people's private sexual lives.", "President Clinton's approval ratings stayed up because people love sex scandals and found themselves justified in openly speaking of these matters.", "Since Americans are having considerably less sex than was generally thought, people were relieved for the opportunity to openly speak of sexual matters." ], [ "It does not matter.", "Since sex stories might be frowned upon, it matters that his wife has a distinguished position and job security.", "The writer wishes to provide the reader with balanced descriptions of his wife's personal and professional life.", "The writer wants to highlight his wife's professional accomplishments since she is participating in this story." ], [ "Because the writer and his wife are playing footsie.", "Because this image is evocative of sexual animalistic desires.", "Because this image evokes tension, gratification, and release.", "Because the writer and his wife are having physical therapy." ], [ "They are unrealistic.", "The only function of listing these videos was to increase the newspaper's third-quarter sales productivity.", "They are overpriced.", "Porn is more instructional." ], [ "Because the writer and his wife did not enjoy playing strip poker or with the dirty dice, they decided to roleplay that they worked for NASA and were initiating a launch sequence.", "Because a rocket was about to be launched into outer space.", "Because the writer and his wife engaged in and completed sexual intercourse.", "Because the writer is attempting to give diverse perspectives on the issue he is describing." ] ]	[ 4, 2, 3, 4, 3 ]	[ 1, 1, 1, 0, 0 ]	More Bang for the Buck A friend of mine offers a theory about why Bill Clinton's poll numbers stayed so high throughout the Lewinsky scandal: The news made it possible for serious-minded people to spend lots of time--at the office and over lunch--talking about semen stains, vaginal insertions, and blow jobs. And the people were grateful. That's probably because they're not getting all that much themselves. A recent University of Chicago survey of 10,000 adults found that Americans are having considerably less sex than was generally thought. Only one American in 20 has sex three times a week. One in five didn't score at all last year. If that's true, many of us could use a little sexual self-improvement. Not me, of course. I have been happily married for 26 years, since the age of 21. Deb and I have what seems to us to be a perfectly fine amorous life, yet everywhere I turn the culture tells me--almost mocks me-- you can do better! What would happen to our sex life then, if Deb (who participated in this story because she loves me and because she has tenure) and I tried for the first time to make something happen to it? And so it was that we found ourselves for the first time ever in a sex-toy store, A Touch of Romance, located near our home in Los Angeles, across the street from a Macy's. The idea behind shops like these is to make obtaining the materials of sexual experimentation as ordinary as purchasing plumbing supplies or housewares. Which sort of works--the only sexual thrill I got from the visit was knowing that Microsoft just bought a cock ring. Choosing it wasn't easy. Most of them came in presized sets of three. I couldn't figure out which would fit right and intuited that try-ons weren't an option. So I opted instead for an adjustable circumference version, a little strip of vinyl with snaps for $11.95. Man, what a rip-off! Unless it works. It doesn't. Back home, I derived a certain depraved buzz in cinching the device on, but that was soon eclipsed. The thing works on the Roach Motel principle--your blood gets in but it can't get out. But then I got to thinking: Under battlefield conditions it doesn't get out anyway. And while I should have been paying more attention to other things, this led to thinking about the old joke with the punch line "... and right ball go POW." My wife hadn't noticed any difference at all. Overall rating, on a scale of 1 to 10: 2 toes curled. A woman I know says women's magazines are the best places in America to find sex tips. She's right--go ahead, just try to find a sewing pattern in Redbook . You're much more likely to land on "Try phone sex, dirty notes, porn videos, fantasy games and sex in new places. ... Try lingerie and no underwear. ... Try talking dirty and silk scarves. Try anything at all," or articles such as "Eight New Games for the Foreplay Challenged." An article in the April Cosmopolitan , "The Six Best Sex Positions," seemed more promising than the Redbook playbook. Each position was accompanied by a succinct write-up and a stick-figure diagram. The position we settled on was "The Butterfly," which we had to read three times to comprehend. The man stands, the woman remains supine on a bed or counter-top with her feet up on his shoulders. The whole idea is to produce a pelvic tilt for better access to the G spot. Instead, we experienced an uncomfortable pretzel feeling that stick figures must be immune to. And in general, Cosmopolitan 's exotic sex positions require the sort of body placement you can't remember in the moment of passion and even if you could, for proper alignment, you still might need mood-killing accessories such as a plumb line and a laser pen. Rating: 3 toes curled. Next we tried those "Better Sex" instructional videos advertised in the New York Times Book Review. I ordered Better Sexual Techniques , Advanced Sexual Techniques , Making Sex Fun , and Advanced Oral Sex Techniques (priced about $11.95 each, not including shipping and handling). My wife couldn't bear to watch them; I persevered but must admit it was a chore. The oral-sex tape starts with "well-known sex therapist" Diana Wiley, in her poofy hair and broad-shouldered blue power suit, looking like she was about to explain how the sales force could increase its third-quarter productivity. Instead she runs through all the euphemisms for oral sex and then the video cuts to XXX action with gratuitous commentary. Wiley's overexplanation of everything two people can do to each other with their mouths raises this question: Do you really need a five-minute video segment on whether or not to swallow? In the great tradition of hotel and travel ads, the guys tend to be markedly less attractive than the women. No way he'd be with her if this wasn't an instructional sex video! The inanity of the experts and the dubious casting make these films about as erotic as ... well, as the New York Times . You could learn more from any randomly selected porn video. Rating: 0 toes curled. Another approach is food. The notion that certain foods, such as oysters or rhino horn, are aphrodisiacs has been pretty much discounted. But it's plausible to think that cooking a meal together and then dining on it, just the two of you, could be erotic. Especially if (like me) your schedule frequently forces you to eat alone and you often find yourself standing in front of the microwave, screaming, "Come on, goddammit!" Intercourses , by Martha Hopkins and Randall Lockridge ($24.95, Terrace Publishing, 1997), preaches that for every time of day and every phase of a relationship there is a type of eating experience that will heighten sexual response. (There's also a chart showing which foods are good for eating off which body parts.) Deb and I blocked off a whole Saturday afternoon and evening for the Intercourses experiment, settling on rosemary-scented lamb over pasta (Page 87) followed by frozen coffee almond dessert (Page 31). According to the book, rosemary is sexy because of its fragrance (used in many perfumes) and because of its texture, which, so the text assured, tickles nerve endings. The dessert was mostly coffee, rum, and Kahlua, which has worked before. We shopped for the food together and cooked together, drinking wine and beer along the way. At one point while I was working on the dessert, I asked my wife how long to beat the heavy cream mixture. "Till it's stiff--it's an aphrodisiac," she said. Preparation took less than an hour, and everything came out perfectly. Eating at our dining room table for the first time ever without guests, we were having fun by candlelight. But the mood was romantic, not erotic. Overall rating: 4 toes curled. That's when we went for the Viagra ($212.50 for 10 doses, which includes a "consultation" fee). The drug was prescribed by a doctor, whom I've never met, and ordered from a pharmacy in Miami Beach, Fla., where I've never been. I completed the transaction via the Internet after filling out a cover-their-ass questionnaire in three minutes. We each decided to take one pill, clinked our glasses, and gulped. And then what? It felt awkward sitting in our bedroom, knowing that it could take up to an hour for Viagra to "work." I suggested that we play strip poker, something I'd never done. Deb had never even played poker, so I had to explain the rules. I won in about six hands, auspiciously I thought, with three aces. But we still weren't really in the mood yet. So then I got out the other purchase I'd made at A Touch of Romance--"Dirty Dice" ($4.95). One of the two pink cubes is marked with these words instead of dots: "lips," "above waist," "ear," "breast," "below waist," and "?". The other cube is labeled "kiss," "squeeze," "lick," "blow," "suck," and "eat." We took turns throwing the dice, but the activities generated seemed forced and arbitrary. Finally, as they say at NASA, there was word from the pad that the launch sequence was initiating. It was pretty much like all other sex, except for a slight lightheadedness. Deb said she noticed a remote tingling sensation. On the plus side, there was no priapism and neither of us experienced disruption of our color vision nor a fatal heart attack, which was nice. Overall rating: 5 toes curled. St. Augustine held lust to be a fitting punishment for man's disobedience to God: the body's disobeying of the mind, the will, the spirit, and even of itself. (The paradigm of this for him is the unbidden hard-on.) Jean-Paul Sartre discovered something similar, although celebrating it rather than deploring it: Essential to the erotic is the body's defiance of design and control. (The paradigm of this for him is the jiggle.) Sartre's view yields a sort of sexual Heisenberg principle: There is an inherent tension between physically abandoning yourself to another on the one hand and sexual planning on the other. The more of the one, the less of the other. And this, I discovered, is the chief obstacle to sexual self-help. Getting an erection is sexy. Making one is not. As my wife said about Viagra, "You start to have a new feeling and then you realize where it came from and then you don't have it so much. ... Anything that makes you think about it like that is just creepy." This is not to say there isn't a way out of this conflict between desire and design. With homage to our potent POTUS, there is, I think, a Third Way that's neither sexual complacency nor standard self-help. If the intrusion of consciousness is the problem, then maybe the answer is to block it out. Sure, you could do this the old-fashioned way: with alcohol and drugs. But then you have all the traditional drawbacks, including diminished physical attractiveness and degraded sexual performance. So how about this instead? Go for all the sexual self-help you can, but do it covertly . Watch a sex video (or porn flick) if you want--but by yourself, and then try to share what you learned without sharing how you learned it. Don't tell your partner you took Viagra. Or give each other standing permission to slip it into the odd after-dinner drink, saying nothing. (Of course, when you do it you'll still know, but having an unselfconsciously turned-on partner is a real compensation for that, and next time, your partner can surprise you. And yes, this requires trust. But why would you be having sex with someone you don't trust?) My main conclusion is that contrary to our blabby culture, the key to a better sex life is less communication.
train	20067	[ "What is the Shopping Avenger's Achilles' heel?", "Why is U-Haul mentioned at all?", "According to the writer, what do all airlines except Southwest have in common?", "What does the Shopping Avenger serve as in the process of disputing claims?", "Who is Tad?", "What is the general tone of this writing genre?", "What term best describes this writing?", "Why is the main character called the \"Shopping Avenger\"?", "What is the Shopping Avenger susceptible not to withstand?" ]	[ [ "Materialism.", "Neither animal, vegetable, or mineral but something something less organic.", "Abstract conceptualization.", "Not an animal but the idea of an animal." ], [ "To make a joke.", "To advocate for Budget.", "To critique their service.", "To exemplify the Shopping Avenger's greatness." ], [ "They intentionally attempt to anger their clientele.", "They actually work.", "They make money.", "They intentionally seek to lose customers' baggage." ], [ "Informant.", "Judge and jury.", "Legal counsel.", "Mediator." ], [ "A law informant.", "Robin.", "A deputed officer.", "The Shopping Avenger's sidekick." ], [ "Sorrowful.", "Academic.", "Ironic.", "Infuriated." ], [ "Editorial.", "Essay.", "Satire.", "Literary criticism." ], [ "Because he is a real-life superhero.", "Because he seeks justice for consumers.", "Because he works with Tad.", "Because he avenges shoppers who made poor choices when purchasing goods." ], [ "Life-threatening weather.", "Radiation.", "Bear attacks.", "Critical self-reflection." ] ]	[ 3, 3, 1, 4, 4, 3, 3, 2, 4 ]	[ 1, 0, 0, 0, 0, 0, 1, 0, 0 ]	It's Time To Keelhaul U-Haul! Like all superheroes worthy of the title, the Shopping Avenger has an Achilles' heel. In the case of the Shopping Avenger, his Achilles' heel is not animal, vegetable, or mineral but something less tangible. An explanation: Last week, the magazine you are currently reading forced the Shopping Avenger at gunpoint to read a series of treacle-filled self-help books, and then to . The Shopping Avenger, who can withstand radiation, extreme heat and cold, hail, bear attacks, and Eyes Wide Shut , almost succumbed to terminal jejuneness after reading these books. Except for one thing: One of the books, The Art of Happiness , which collects and simplifies the Dalai Lama's philosophy, got the Shopping Avenger to thinking. This, in a way, is the Shopping Avenger's Achilles' heel: thinking. Perhaps it is wrong, the Shopping Avenger thought, to complain about the petty insults and inconveniences of life in the materialistic '90s. The Shopping Avenger felt that perhaps he should counsel those who write seeking help to meditate, to accept bad service the way one accepts the change of seasons, and to extend a compassionate hand of forgiveness to those who provide poor customer care. But then the Shopping Avenger sat down, and the feeling passed. The Shopping Avenger does not make light of the Dalai Lama or of the notion that there is more to life than the impatient acquisition of material goods. If the Shopping Avenger were not, for a superhero, extremely nonjudgmental--as opposed to his alter ego, who is considered insufferably judgmental by his alter ego's wife--the Shopping Avenger would tell the occasional correspondent to let go of his petty grievance and get a life. But the Shopping Avenger also believes that the Dalai Lama has never tried to rent a truck from U-Haul. If he had tried to rent from U-Haul, he never would have escaped from Tibet. (For the complete back story, see "Shopping Avenger" column and one.) The complaints about U-Haul's nonreservation reservation policy continue to pour in through the electronic mail. One correspondent, B.R., wrote in with this cautionary tale: "Last weekend, I went to San Francisco to help my brother and his family move into their first house. My brother had reserved a moving truck with U-Haul for the big day. I warned my brother about U-Haul's 'not really a reservation per se' policy that I learned from the Shopping Avenger. He didn't believe such a thing would happen to him, so he didn't act on my warning." B.R. continues--as if you don't know what happened already--"I went to U-Haul with my brother to get our 'reserved' truck. The store had many customers standing around looking frustrated. When we got to the front of the line, the clerk informed us that our 'reserved' truck had not yet been returned. We asked if we could rent one of the many trucks sitting idle in the parking lot. The clerk laughed and said the keys to those trucks were lost." B.R. and his chastened brother--the Shopping Avenger is resisting the urge to gloat--went to Ryder. "Ryder had a truck available for us. The gentleman who helped us at Ryder said Ryder prides itself on being everything U-Haul is not." The Shopping Avenger has still not received a call from U-Haul spokeswoman Johna Burke explaining why U-Haul refuses to provide trucks to people who reserve trucks, but the Shopping Avenger is pleased to note that several correspondents have written in over the past month saying that, based on what they have read in this column, they will be taking their business to Ryder or Budget or elsewhere. The Shopping Avenger will undoubtedly return to the sorry state of affairs at U-Haul in the next episode, but now on to this month's airline debacle. Before we begin, though, the Shopping Avenger nearly forgot to announce the winner of last month's contest, in which readers were asked to answer the question, "What's the difference between pests and airlines?" The winner is one Tom Morgan, who wrote, "You can hire someone to kill pests." Tom is the winner of a year's supply of Turtle Wax, and he will receive his prize just as soon as the Shopping Avenger figures out how much Turtle Wax actually constitutes a year's supply. The new contest question: How much Turtle Wax comprises a year's supply of Turtle Wax? This month's airline in the spotlight is Southwest. Loyal readers will recall that last month the Shopping Avenger praised Southwest Airlines for its "sterling" customer service. This brought forth a small number of articulate dissensions. The most articulate, and the most troubling, came from M., who wrote, "Last year, flying from Baltimore to Chicago with my entire family (two really little kids included), we set down at Midway in a rainstorm. And waited for our bags. And waited for bags. And waited for bags." An hour later, M. says, the bags showed up, "soaked through. We took them to baggage services at SW and were faced with the most complicated, unclear, and confusing mechanism for filing a claim we experienced flyers have ever seen." When they arrived at their destination, M. and her family made a terrible discovery, "We discovered that our clothes were soaked through--the top clothes were so wet that the dye had bled through down to the lower levels, destroying lots of other clothes. Obviously, our bags had just been sitting out on the runway in the rain. To this day, I've never heard a thing from SW, despite calls and letters." This, of course, is where Shopping Avenger steps in. Shopping Avenger knows that Southwest is different from the average airline, in that it doesn't go out of its way to infuriate its paying customers (see: ), so I expected a quick and generous resolution to M.'s problem. What I got at first, though, was a load of corporate hoo-ha. "The airline's policy, which is consistent with all contracts of carriage at all airlines, requires that passengers file a report in person for lost or damaged luggage within four hours of arrival at their destination," a Southwest spokeswoman, Linda Rutherford, e-mailed me. "[M.] indicates she called for a few days, but did not file a report in person until April 12--three days later. Southwest, as a courtesy, took her report anyway and asked for follow up information and written inventory of the damage." Rutherford said that M. should have submitted detailed receipts and photographs of the damage in order to make a claim. Harrumph, the Shopping Avenger says. It is a bad hair day at Southwest when its officials defend themselves by comparing their airline to other airlines. I forwarded this message to M., who replied: "Wow. Well, of course I didn't file it at the airport on the 9 th because I didn't know the clothes were ruined at the airport. I didn't know until I opened the baggage at my hotel and saw the ruined stuff. (And it's worth noting that we had already waited for about an hour for our luggage with two little kids and impatient in-laws nipping at our heels.)" She goes on, "I did call that evening ... and was told that that sufficed. This is the first time I've been told that I had to file a complaint in person within four hours. ... When I filed on the 12 th , I was never told that I needed any receipts or photos or other type of documentation. The baggage folks seemed pretty uninterested in all of this. ... They know that the type of 'evidence' they want is impossible to obtain. They also know that on April 9 they screwed up the luggage retrieval and left bags out in the rain a long time." Southwest's response actually served to anger M. more than the original problem. "Before, they had a mildly annoyed but loyal customer (who would have been placated by an apology and thrilled with some modest token of their regret). Now they have a pissed-off customer." Things do look bad for Southwest, don't they? The Shopping Avenger sent M.'s response to Rutherford, who e-mailed back saying she thought the Shopping Avenger was asking for "policy information." The Shopping Avenger e-mailed back again, stressing to Rutherford that the Great Court of Consumer Justice would, if this case were brought to trial, undoubtedly find for the plaintiff (the Shopping Avenger serves as prosecutor, judge, and jury in the Great Court of Consumer Justice--defendants are represented by the president of U-Haul), and that Southwest was precipitously close to feeling the sword of retribution at its neck. But then she came through, provisionally, "Yep, you can be sure if [M.] will call me we will get everything squared away. I'm sorry it's taken this long for her to get someone who can help, but we will take care of it from here." Stay tuned, shoppers, to hear whether Southwest makes good it promise to compensate M. and apologize to her for her troubles. The story of M. reminds the Shopping Avenger of a central truth of consumer service: It's not the crime, it's the cover-up. Take the case of K., who found himself waiting in vain for Circuit City to repair his television. Televisions break, even 1-year-old televisions, as is the case with K's. But Circuit City, where he bought the television, gave him a terrible runaround. The Shopping Avenger dispatched his sidekick, Tad the Deputy Avenger, to get to the bottom of K.'s story. This is what he found: K. grew concerned, Tad the Deputy Avenger reports, after his television had been in the Circuit City shop for a week. When he called, he was told to "check back next week." When he asked if someone from the store could call him with more information, he was refused. Weeks went by. When K. told one Circuit City employee that he really would like to get his television back, the employee, K. says, asked him, "Don't you have another television in your house?" More than a month later--after hours and hours and hours of telephone calls and days missed at work--K. received his television back. Mistakes happen, but not, Tad the Deputy Avenger found out, at Circuit City. The case, K. was told by a Circuit City official, was "handled perfectly." Another official, Morgan Stewart in public relations, assured Deputy Avenger Tad that "We got to be a big and successful company by treating customers better than the other guy." The Shopping Avenger and his loyal sidekick would like to hear from other Circuit City customers: Does Circuit City, in fact, treat its customers better than the other guy? Stay tuned for answers. And next month, a Shopping Avenger clergy special: TWA screws with a Hasidic rabbi's travel plans, leaving the rabbi's wife crying at the airport. Find out if the Shopping Avenger can save TWA from certain heavenly punishment, in the next episode. Got a consumer score you want settled? Send e-mail to shoppingavenger@slate.com.
train	51651	[ "What will happen if Anne becomes pregnant?", "Why does Norris need to collect the Bermuda-K-99 series?", "Why does Mrs. Glubbes shoot the doctor?", "How do they create neutroids?", "How have increasingly longer life spans impacted Federation society?", "Why shouldn't Anne feed the neutroids?", "Why does Doctor George think he can substitute Mrs. Glubbes nuetroid without her noticing?", "What kind of trouble could unauthorized neutroids mean for Norris?" ]	[ [ "Anne and Terry will be arrested and sterilized.", "Anne and Terry will be executed.", "Anne and Terry will be arrested, and Anne will be forced to abort the pregnancy.", "Anne and Terry will be forced to divorce, and they will be given a hysterectomy and a vasectomy, respectively." ], [ "It is possible one or more of them may become dangerous.", "They are female and not neuter.", "They are defective. They can only say \"mamma\", \"pappa\", and \"cookie.\"", "They have Eighteenth order virus." ], [ "He substituted her nuetroid for an identical model.", "She thinks he let her baby die.", "The doctor will not take her baby to the hospital.", "Mrs. Glubbes is mentally ill." ], [ "They modify the glandular makeup of chimpanzee ova using hormones.", "They incubate chimpanzee ova, giving them testosterone to keep the animals from developing ovaries.", "They bombard the unfertilized eggs with radiation.", "They change the structure of unfertilized egg genes using sub-atomic particles." ], [ "The population is tightly controlled to prevent scarcity.", "Mutant animals have been created to satisfy the parental desires of childless couples.", "Life expectancy has increased to 80.", "The whole country has become a giant suburb, with two houses on every acre." ], [ "Neutroids can only form attachments with a limited number of people. The neutroids at the kennel belong to other people.", "Neutroids are supposed to eat a nutritional paste from a mechanical feeder.", "Neutroids have a special diet to limit their physical and mental development.", "Neutroids could become excitable and bite someone who is not their owner." ], [ "Neutroids can only say a few words. It won't be able to give itself away by saying the wrong thing.", "Mrs. Glubbes believes the neutroid is a human baby. She's probably crazy enough not to notice a difference.", "He plans on changing the serial number.", "Neutroids from the same series look identical." ], [ "Unauthorized neutroid animals could be used as an alternate food source for the skyrocketing population.", "Unauthorized neutroids could cause food scarcity.", "Unauthorized neutroids would mean more taking \"babies\" away from their mothers and more killing.", "A black market for nuetroids could result in neutroid slavery." ] ]	[ 4, 1, 1, 4, 1, 1, 4, 3 ]	[ 1, 0, 0, 1, 1, 1, 1, 1 ]	Conditionally Human By WALTER M. MILLER, JR. Illustrated by DAVID STONE [Transcriber's Note: This etext was produced from Galaxy Science Fiction February 1952. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] They were such cute synthetic creatures, it was impossible not to love them. Of course, that was precisely why they were dangerous! There was no use hanging around after breakfast. His wife was in a hurt mood, and he could neither endure the hurt nor remove it. He put on his coat in the kitchen and stood for a moment with his hat in his hands. His wife was still at the table, absently fingering the handle of her cup and staring fixedly out the window at the kennels behind the house. He moved quietly up behind her and touched her silk-clad shoulder. The shoulder shivered away from him, and her dark hair swung shiningly as she shuddered. He drew his hand back and his bewildered face went slack and miserable. "Honeymoon's over, huh?" She said nothing, but shrugged faintly. "You knew I worked for the F.B.A.," he said. "You knew I'd have charge of a district pound. You knew it before we got married." "I didn't know you killed them," she said venomously. "I won't have to kill many. Besides, they're only animals." " Intelligent animals!" "Intelligent as a human imbecile, maybe." "A small child is an imbecile. Would you kill a small child?" "You're taking intelligence as the only criterion of humanity," he protested hopelessly, knowing that a logical defense was useless against sentimentality. "Baby—" "Don't call me baby! Call them baby!" Norris backed a few steps toward the door. Against his better judgment, he spoke again. "Anne honey, look! Think of the good things about the job. Sure, everything has its ugly angles. But think—we get this house rent-free; I've got my own district with no bosses around; I make my own hours; you'll meet lots of people that stop in at the pound. It's a fine job, honey!" She sipped her coffee and appeared to be listening, so he went on. "And what can I do? You know how the Federation handles employment. They looked over my aptitude tests and sent me to Bio-Administration. If I don't want to follow my aptitudes, the only choice is common labor. That's the law ." "I suppose you have an aptitude for killing babies?" she said sweetly. Norris withered. His voice went desperate. "They assigned me to it because I liked babies. And because I have a B.S. in biology and an aptitude for dealing with people. Can't you understand? Destroying unclaimed units is the smallest part of it. Honey, before the evolvotron, before Anthropos went into the mutant-animal business, people used to elect dogcatchers. Think of it that way—I'm just a dogcatcher." Her cool green eyes turned slowly to meet his gaze. Her face was delicately cut from cold marble. She was a small woman, slender and fragile, but her quiet contempt made her loom. He backed closer to the door. "Well, I've got to get on the job." He put on his hat and picked at a splinter on the door. He frowned studiously at the splinter. "I—I'll see you tonight." He ripped the splinter loose when it became obvious that she didn't want to be kissed. He grunted a nervous good-by and stumbled down the hall and out of the house. The honeymoon was over, all right. He climbed in the kennel-truck and drove east toward the highway. The suburban street wound among the pastel plasticoid cottages that were set approximately two to an acre on the lightly wooded land. With its population legally fixed at three hundred million, most of the country had become one big suburb, dotted with community centers and lined with narrow belts of industrial development. Norris wished there were someplace where he could be completely alone. As he approached an intersection, he saw a small animal sitting on the curb, wrapped in its own bushy tail. Its oversized head was bald on top, but the rest of its body was covered with blue-gray fur. Its tiny pink tongue was licking daintily at small forepaws with prehensile thumbs. It was a cat-Q-5. It glanced curiously at the truck as Norris pulled to a halt. He smiled at it from the window and called, "What's your name, kitten?" The cat-Q-5 stared at him impassively for a moment, let out a stuttering high-pitched wail, then: "Kiyi Rorry." "Whose child are you, Rorry?" he asked. "Where do you live?" The cat-Q-5 took its time about answering. There were no houses near the intersection, and Norris feared that the animal might be lost. It blinked at him, sleepily bored, and resumed its paw-washing. He repeated the questions. "Mama kiyi," said the cat-Q-5 disgustedly. "That's right, Mama's kitty. But where is Mama? Do you suppose she ran away?" The cat-Q-5 looked startled. It stuttered for a moment, and its fur crept slowly erect. It glanced around hurriedly, then shot off down the street at a fast scamper. He followed it in the truck until it darted onto a porch and began wailing through the screen, "Mama no run ray! Mama no run ray!" Norris grinned and drove on. A class-C couple, allowed no children of their own, could get quite attached to a cat-Q-5. The felines were emotionally safer than the quasi-human chimp-K series called "neutroids." When a pet neutroid died, a family was broken with grief; but most couples could endure the death of a cat-Q or a dog-F. Class-C couples were allowed two lesser units or one neutroid. His grin faded as he wondered which Anne would choose. The Norrises were class-C—defective heredity. He found himself in Sherman III Community Center—eight blocks of commercial buildings, serving the surrounding suburbs. He stopped at the message office to pick up his mail. There was a memo from Chief Franklin. He tore it open nervously and read it in the truck. It was something he had been expecting for several days. Attention All District Inspectors: Subject: Deviant Neutroid. You will immediately begin a systematic and thorough survey of all animals whose serial numbers fall in the Bermuda-K-99 series for birth dates during July 2234. This is in connection with the Delmont Negligency Case. Seize all animals in this category, impound, and run proper sections of normalcy tests. Watch for mental and glandular deviation. Delmont has confessed to passing only one non-standard unit, but there may be others. He disclaims memory of deviant's serial number. This could be a ruse to bring a stop to investigations when one animal is found. Be thorough. If allowed to reach age-set or adulthood, such a deviant could be dangerous to its owner or to others. Hold all seized K-99s who show the slightest abnormality in the normalcy tests. Forward to central lab. Return standard units to their owners. Accomplish entire survey project within seven days. C. Franklin Norris frowned at the last sentence. His district covered about two hundred square miles. Its replacement-quota of new neutroids was around three hundred animals a month. He tried to estimate how many of July's influx had been K-99s from Bermuda Factory. Forty, at least. Could he do it in a week? And there were only eleven empty neutroid cages in his kennel. The other forty-nine were occupied by the previous inspector's "unclaimed" inventory—awaiting destruction. He wadded the memo in his pocket, then nosed the truck onto the highway and headed toward Wylo City and the district wholesale offices of Anthropos, Inc. They should be able to give him a list of all July's Bermuda K-99 serial numbers that had entered his territory, together with the retailers to whom the animals had been sold. A week's deadline for finding and testing forty neutroids would put him in a tight squeeze. He was halfway to Wylo City when the radiophone buzzed on his dashboard. He pulled into the slow lane and answered quickly, hoping for Anne's voice. A polite professional purr came instead. "Inspector Norris? This is Doctor Georges. We haven't met, but I imagine we will. Are you extremely busy at the moment?" Norris hesitated. "Extremely," he said. "Well, this won't take long. One of my patients—a Mrs. Sarah Glubbes—called a while ago and said her baby was sick. I must be getting absent-minded, because I forgot she was class C until I got there." He hesitated. "The baby turned out to be a neutroid. It's dying. Eighteenth order virus." "So?" "Well, she's—uh—rather a peculiar woman, Inspector. Keeps telling me how much trouble she had in childbirth, and how she can't ever have another one. It's pathetic. She believes it's her own. Do you understand?" "I think so," Norris replied slowly. "But what do you want me to do? Can't you send the neutroid to a vet?" "She insists it's going to a hospital. Worst part is that she's heard of the disease. Knows it can be cured with the proper treatment—in humans. Of course, no hospital would play along with her fantasy and take a neutroid, especially since she couldn't pay for its treatment." "I still don't see—" "I thought perhaps you could help me fake a substitution. It's a K-48 series, five-year-old, three-year set. Do you have one in the pound that's not claimed?" Norris thought for a moment. "I think I have one . You're welcome to it, Doctor, but you can't fake a serial number. She'll know it. And even though they look exactly alike, the new one won't recognize her. It'll be spooky." There was a long pause, followed by a sigh. "I'll try it anyway. Can I come get the animal now?" "I'm on the highway—" "Please, Norris! This is urgent. That woman will lose her mind completely if—" "All right, I'll call my wife and tell her to open the pound for you. Pick out the K-48 and sign for it. And listen—" "Yes?" "Don't let me catch you falsifying a serial number." Doctor Georges laughed faintly. "I won't, Norris. Thanks a million." He hung up quickly. Norris immediately regretted his consent. It bordered on being illegal. But he saw it as a quick way to get rid of an animal that might later have to be killed. He called Anne. Her voice was dull. She seemed depressed, but not angry. When he finished talking, she said, "All right, Terry," and hung up. By noon, he had finished checking the shipping lists at the wholesale house in Wylo City. Only thirty-five of July's Bermuda-K-99s had entered his territory, and they were about equally divided among five pet shops, three of which were in Wylo City. After lunch, he called each of the retail dealers, read them the serial numbers, and asked them to check the sales records for names and addresses of individual buyers. By three o'clock, he had the entire list filled out, and the task began to look easier. All that remained was to pick up the thirty-five animals. And that , he thought, was like trying to take a year-old baby away from its doting mother. He sighed and drove to the Wylo suburbs to begin his rounds. Anne met him at the door when he came home at six. He stood on the porch for a moment, smiling at her weakly. The smile was not returned. "Doctor Georges came," she told him. "He signed for the—" She stopped to stare at him. "Darling, your face! What happened?" Gingerly he touch the livid welts down the side of his cheek. "Just scratched a little," he muttered. He pushed past her and went to the phone in the hall. He sat eying it distastefully for a moment, not liking what he had to do. Anne came to stand beside him and examine the scratches. Finally he lifted the phone and dialed the Wylo exchange. A grating mechanical voice answered, "Locator center. Your party, please." "Sheriff Yates," Norris grunted. The robot operator, which had on tape the working habits of each Wylo City citizen, began calling numbers. It found the off-duty sheriff on its third try, in a Wylo pool hall. "I'm getting so I hate that infernal gadget," Yates grumbled. "I think it's got me psyched. What do you want, Norris?" "Cooperation. I'm mailing you three letters charging three Wylo citizens with resisting a Federal official—namely me —and charging one of them with assault. I tried to pick up their neutroids for a pound inspection—" Yates bellowed lusty laughter into the phone. "It's not funny. I've got to get those neutroids. It's in connection with the Delmont case." Yates stopped laughing. "Oh. Well, I'll take care of it." "It's a rush-order, Sheriff. Can you get the warrants tonight and pick up the animals in the morning?" "Easy on those warrants, boy. Judge Charleman can't be disturbed just any time. I can get the newts to you by noon, I guess, provided we don't have to get a helicopter posse to chase down the mothers." "That'll be all right. And listen, Yates—fix it so the charges will be dropped if they cooperate. Don't shake those warrants around unless they just won't listen to reason. But get those neutroids." "Okay, boy. Gotcha." Norris gave him the names and addresses of the three unwilling mothers. As soon as he hung up, Anne touched his shoulders and said, "Sit still." She began smoothing a chilly ointment over his burning cheek. "Hard day?" she asked. "Not too hard. Those were just three out of fifteen. I got the other twelve. They're in the truck." "That's good," she said. "You've got only twelve empty cages." He neglected to tell her that he had stopped at twelve for just this reason. "Guess I better get them unloaded," he said, standing up. "Can I help you?" He stared at her for a moment, saying nothing. She smiled a little and looked aside. "Terry, I'm sorry—about this morning. I—I know you've got a job that has to be—" Her lip quivered slightly. Norris grinned, caught her shoulders, and pulled her close. "Honeymoon's on again, huh?" she whispered against his neck. "Come on," he grunted. "Let's unload some neutroids, before I forget all about work." They went out to the kennels together. The cages were inside a sprawling concrete barn, which was divided into three large rooms—one for the fragile neuter humanoid creatures, and another for the lesser mutants, such as cat-Qs, dog-Fs, dwarf bears, and foot-high lambs that never matured into sheep. The third room contained a small gas chamber with a conveyor belt leading from it to a crematory-incinerator. Norris kept the third locked lest his wife see its furnishings. The doll-like neutroids began their mindless chatter as soon as their keepers entered the building. Dozens of blazing blond heads began dancing about their cages. Their bodies thwacked against the wire mesh as they leaped about their compartments with monkey grace. Their human appearance was broken by only two distinct features: short beaverlike tails decorated with fluffy curls of fur, and an erect thatch of scalp-hair that grew up into a bright candleflame. Otherwise, they appeared completely human, with baby-pink skin, quick little smiles, and cherubic faces. They were sexually neuter and never grew beyond a predetermined age-set which varied for each series. Age-sets were available from one to ten years human equivalent. Once a neutroid reached its age-set, it remained at the set's child-development level until death. "They must be getting to know you pretty well," Anne said, glancing around at the cages. Norris was wearing a slight frown as he inspected the room. "They've never gotten this excited before." He walked along a row of cages, then stopped by a K-76 to stare. " Apple cores! " He turned to face his wife. "How did apples get in there?" She reddened. "I felt sorry for them, eating that goo from the mechanical feeder. I drove down to Sherman III and bought six dozen cooking apples." "That was a mistake." She frowned irritably. "We can afford it." "That's not the point. There's a reason for the mechanical feeders." He paused, wondering how he could tell her the truth. He blundered on: "They get to love whoever feeds them." "I can't see—" "How would you feel about disposing of something that loved you?" Anne folded her arms and stared at him. "Planning to dispose of any soon?" she asked acidly. "Honeymoon's off again, eh?" She turned away. "I'm sorry, Terry. I'll try not to mention it again." He began unloading the truck, pulling the frightened and squirming doll-things forth one at a time with a snare-pole. They were one-man pets, always frightened of strangers. "What's the Delmont case, Terry?" Anne asked while he worked. "Huh?" "I heard you mention it on the phone. Anything to do with why you got your face scratched?" He nodded sourly. "Indirectly, yes. It's a long story." "Tell me." "Well, Delmont was a green-horn evolvotron operator at the Bermuda plant. His job was taking the unfertilized chimpanzee ova out of the egg-multiplier, mounting them in his machine, and bombarding the gene structure with sub-atomic particles. It's tricky business. He flashes a huge enlargement of the ovum on the electron microscope screen—large enough so he can see the individual protein molecules. He has an artificial gene pattern to compare it with. It's like shooting sub-atomic billiards. He's got to fire alpha-particles into the gene structure and displace certain links by just the right amount. And he's got to be quick about it before the ovum dies from an overdose of radiation from the enlarger. A good operator can get one success out of seven tries. "Well, Delmont worked a week and spoiled over a hundred ova without a single success. They threatened to fire him. I guess he got hysterical. Anyway, he reported one success the next day. It was faked. The ovum had a couple of flaws—something wrong in the central nervous system's determinants, and in the glandular makeup. Not a standard neutroid ovum. He passed it on to the incubators to get a credit, knowing it wouldn't be caught until after birth." "It wasn't caught at all?" Anne asked. "Funny thing, he was afraid it wouldn't be. He got to worrying about it, thought maybe a mental-deviant would pass, and that it might be dangerous. So he went back to its incubator and cut off the hormone flow into its compartment." "Why that?" "So it would develop sexuality. A neutroid would be born a female if they didn't give it suppressive doses of male hormone prenatally. That keeps ovaries from developing and it comes out neuter. But Delmont figured a female would be caught and stopped before the final inspection. They'd dispose of her without even bothering to examine for the other defects. And he could blame the sexuality on an equipment malfunction. He thought it was pretty smart. Trouble was they didn't catch the female. She went on through; they all look female." "How did they find out about it now?" "He got caught last month, trying it again. And he confessed to doing it once before. No telling how many times he really did it." Norris held up the final kicking, squealing, tassel-haired doll from the back of the kennel-truck. He grinned at his wife. "This little fellow, for instance. It might be a potential she. It might also be a potential murderer. All these kiddos are from the machines in the section where Delmont worked." Anne snorted and caught the baby-creature in her arms. It struggled and tried to bite, but subsided a little when she disentangled it from the snare. "Kkr-r-reee," it cooed nervously. "Kkr-r-reee!" "You tell him you're no murderer," Anne purred to it. Norris watched disapprovingly while she fondled it. One thing he had learned: to steer clear of emotional attachments. It was eight months old and looked like a child of two years—a year short of its age-set. And it was designed to be as affectionate as a human child. "Put it in the cage, Anne," he said quietly. She looked up and shook her head. "It belongs to somebody else. If it fixes a libido attachment on you, you're actually robbing its owner. They can't love many people at once." She snorted, but installed the thing in its cage. "Anne—" Norris hesitated, hating to approach the subject. "Do you—want one—for yourself? I can sign an unclaimed one over to you to keep in the house. It won't cost us anything." Slowly she shook her head, and her pale eyes went moody and luminous. "I'm going to have one of my own," she said. He stood in the back of the truck, staring down at her. "Do you realize what—" "I know what I'm saying. We're class-C on account of heart-trouble in both our families. Well, I don't care, Terry. I'm not going to waste a heart over one of these pathetic little artificial animals. We're going to have a baby." "You know what they'd do to us?" "If they catch us, yes—compulsory divorce, sterilization. But they won't catch us. I'll have it at home, Terry. Not even a doctor. We'll hide it." "I won't let you do such a thing." She faced him angrily. "Oh, this whole rotten world !" she choked. Suddenly she turned and fled out of the building. She was sobbing. Norris climbed slowly down from the truck and wandered on into the house. She was not in the kitchen nor the living room. The bedroom door was locked. He shrugged and went to sit on the sofa. The television set was on, and a newscast was coming from a local station. "... we were unable to get shots of the body," the announcer was saying. "But here is a view of the Georges residence. I'll switch you to our mobile unit in Sherman II, James Duncan reporting." Norris frowned with bewilderment as the scene shifted to a two-story plasticoid house among the elm trees. It was after dark, but the mobile unit's powerful floodlights made daylight of the house and its yard and the police 'copters sitting in a side lot. An ambulance was parked in the street. A new voice came on the audio. "This is James Duncan, ladies and gentlemen, speaking to you from our mobile unit in front of the late Doctor Hiram Georges' residence just west of Sherman II. We are waiting for the stretcher to be brought out, and Police Chief Erskine Miler is standing here beside me to give us a word about the case. Doctor Georges' death has shocked the community deeply. Most of you local listeners have known him for many years—some of you have depended upon his services as a family physician. He was a man well known, well loved. But now let's listen to Chief Miler." Norris sat breathing quickly. There could scarcely be two Doctor Georges in the community, but only this morning.... A growling drawl came from the audio. "This's Chief Miler speaking, folks. I just want to say that if any of you know the whereabouts of a Mrs. Sarah Glubbes, call me immediately. She's wanted for questioning." "Thank you, Chief. This is James Duncan again. I'll review the facts for you briefly again, ladies and gentlemen. At seven o'clock, less than an hour ago, a woman—allegedly Mrs. Glubbes—burst into Doctor Georges' dining room while the family was at dinner. She was brandishing a pistol and screaming, 'You stole my baby! You gave me the wrong baby! Where's my baby?' "When the doctor assured her that there was no other baby, she fired, shattering his salad plate. Glancing off it, the bullet pierced his heart. The woman fled. A peculiar feature of the case is that Mrs. Glubbes, the alleged intruder, has no baby . Just a minute—just a minute—here comes the stretcher now." Norris turned the set off and went to call the police. He told them what he knew and promised to make himself available for questioning if it became necessary. When he turned from the phone, Anne was standing in the bedroom doorway. She might have been crying a little, but she concealed it well. "What was all that?" she asked. "Woman killed a man. I happened to know the motive." "What was it?" "Neutroid trouble." "You meet up with a lot of unpleasantness in this business, don't you?" "Lot of unpleasant emotions tangled up in it," he admitted. "I know. Well, supper's been keeping hot for two hours. Shall we eat?" They went to bed at midnight, but it was after one when he became certain that his wife was asleep. He lay in darkness for a time, listening to her even breathing. Then he cautiously eased himself out of bed and tiptoed quietly through the door, carrying his shoes and trousers. He put them on in the kitchen and stole silently out to the kennels. A half moon hung low in a misty sky, and the wind was chilly out of the north. He went into the neutroid room and flicked a switch. A few sleepy chatters greeted the light. One at a time, he awoke twenty-three of the older doll-things and carried them to a large glass-walled compartment. These were the long-time residents; they knew him well, and they came with him willingly—like children after the Piper of Hamlin. When he had gotten them in the glass chamber, he sealed the door and turned on the gas. The conveyor would automatically carry them on to the incinerator. Now he had enough cages for the Bermuda-K-99s. He hurriedly quit the kennels and went to sit on the back steps. His eyes were burning, but the thought of tears made him sicker. It was like an assassin crying while he stabbed his victim. It was more honest just to retch. When he tiptoed back inside, he got as far as the hall. Then he saw Anne's small figure framed in the bedroom window, silhouetted against the moonlit yard. She had slipped into her negligee and was sitting on the narrow windowstool, staring silently out at the dull red tongue of exhaust gases from the crematory's chimney. Norris backed away. He went to the parlor and lay down on the couch. After a while he heard her come into the room. She paused in the center of the rug, a fragile mist in the darkness. He turned his face away and waited for the rasping accusation. But soon she came to sit on the edge of the sofa. She said nothing. Her hand crept out and touched his cheek lightly. He felt her cool finger-tips trace a soft line up his temple. "It's all right, Terry," she whispered. He kept his face averted. Her fingers traced a last stroke. Then she padded quietly back to the bedroom. He lay awake until dawn, knowing that it would never be all right, neither the creating nor the killing, until he—and the whole world—completely lost sanity. And then everything would be all right, only it still wouldn't make sense. Anne was asleep when he left the house. The night mist had gathered into clouds that made a gloomy morning of it. He drove on out in the kennel-truck, meaning to get the rest of the Bermuda-K-99s so that he could begin his testing. Still he felt the night's guilt, like a sticky dew that refused to depart with morning. Why should he have to kill the things? The answer was obvious. Society manufactured them because killing them was permissible. Human babies could not be disposed of when the market became glutted. The neutroids offered solace to childless women, kept them satisfied with a restricted birth rate. And why a restricted birth rate? Because by keeping the population at five billions, the Federation could insure a decent living standard for everybody. Where there was giving, Norris thought glumly, there was also taking away. Man had always deluded himself by thinking that he "created," but he created nothing. He thought that he had created—with his medical science and his end to wars—a longer life for the individual. But he found that he had only taken the lives of the unborn and added them to the years of the aged. Man now had a life expectancy of eighty, except that he had damn little chance of being born to enjoy it. A neutroid filled the cradle in his stead. A neutroid that never ate as much, or grew up to be unemployed. A neutroid could be killed if things got tough, but could still satisfy a woman's craving to mother something small. Norris gave up thinking about it. Eventually he would have to adjust to it. He was already adjusted to a world that loved the artificial mutants as children. He had been brought up in it. Emotion came in conflict with the grim necessities of his job. Somehow he would have to love them in the parlor and kill them in the kennel. It was only a matter of adjustment. At noon, he brought back another dozen K-99s and installed them in his cages. There had been two highly reluctant mothers, but he skipped them and left the seizure to the local authorities. Yates had already brought in the three from yesterday. "No more scratches?" Anne asked him while they ate lunch. They did not speak of the night's mass-disposal. Norris smiled mechanically. "I learned my lesson yesterday. If they bare their fangs, I get out without another word. Funny thing though—I've got a feeling one mother pulled a fast one." "What happened?" "Well, I told her what I wanted and why. She didn't like it, but she let me in. I started out with her newt, but she wanted a receipt. So I gave her one; took the serial number off my checklist. She looked at it and said, 'Why, that's not Chichi's number!' I looked at the newt's foot, and sure enough it wasn't. I had to leave it. It was a K-99, but not even from Bermuda." "I thought they were all registered," Anne said. "They are. I told her she had the wrong neutroid, but she got mad. Went and got the sales receipt. It checked with her newt, and it was from O'Reilley's pet shop—right place, wrong number. I just don't get it." "Nothing to worry about, is it Terry?" He looked at her peculiarly. "Ever think what might happen if someone started a black market in neutroids?" They finished the meal in silence. After lunch he went out again to gather up the rest of the group. By four o'clock, he had gotten all that were to be had without the threat of a warrant. The screams and pleas and tears of the owners left him gloomily despising himself. If Delmont's falsification had been widespread, he might have to turn several of the thirty-five over to central lab for dissection and ultimate destruction. That would bring the murderous wrath of their owners down upon him. He began to understand why bio-inspectors were frequently shifted from one territory to another. On the way home, he stopped in Sherman II to check on the missing number. It was the largest of the Sherman communities, covering fifty blocks of commercial buildings. He parked in the outskirts and took a sidewalk escalator toward O'Reilley's address. It was on a dingy sidestreet, reminiscent of past centuries, a street of small bars and bowling alleys and cigar stores. There was even a shop with three gold balls above the entrance, but the place was now an antique store. A light mist was falling when he stepped off the escalator and stood in front of the pet shop. A sign hung out over the sidewalk, announcing: J. "DOGGY" O'REILLEY PETS FOR SALE DUMB BLONDES AND GOLDFISH MUTANTS FOR THE CHILDLESS BUY A BUNDLE OF JOY Norris frowned at the sign and wandered inside. The place was warm and gloomy. He wrinkled his nose at the strong musk of animal odors. O'Reilley's was not a shining example of cleanliness. Somewhere a puppy was yapping, and a parrot croaked the lyrics of A Chimp to Call My Own , which Norris recognized as the theme song of a popular soap-opera about a lady evolvotron operator. He paused briefly by a tank of silk-draped goldfish. The shop had a customer. An elderly lady was haggling with a wizened manager over the price of a half grown second-hand dog-F. She was shaking her last dog's death certificate under his nose and demanding a guarantee of the dog's alleged F-5 intelligence. The old man offered to swear on a Bible, but he demurred when it came to swearing on a ledger. The dog was saying, "Don' sell me, Dada. Don' sell me." Norris smiled sardonically to himself. The non-human pets were smarter than the neutroids. A K-108 could speak a dozen words, and a K-99 never got farther than "mamma," "pappa," and "cookie." Anthropos was afraid to make the quasi-humans too intelligent, lest sentimentalists proclaim them really human. He wandered on toward the back of the building, pausing briefly by the cash register to inspect O'Reilley's license, which hung in a dusty frame on the wall behind the counter. "James Fallon O'Reilley ... authorized dealer in mutant animals ... all non-predatory mammals including chimpanzee-K series ... license expires June 1, 2235." It seemed in order, although the expiration date was approaching. He started toward a bank of neutroid cages along the opposite wall, but O'Reilley was mincing across the floor to meet him. The customer had gone. The little manager wore an elfin professional smile, and his bald head bobbled in a welcoming nod. "Good day, sir, good day! May I show you a dwarf kangaroo, or a—" He stopped and adjusted his spectacles. He blinked and peered as Norris flashed his badge. His smile waned. "I'm Agent Norris, Mr. O'Reilley. Called you yesterday for that rundown on K-99 sales." O'Reilley looked suddenly nervous. "Oh, yes. Find 'em all?" Norris shook his head. "No. That's why I stopped by. There's some mistake on—" he glanced at his list—"on K-99-LJZ-351. Let's check it again." O'Reilley seemed to cringe. "No mistake. I gave you the buyer's name." "She has a different number." "Can I help it if she traded with somebody?" "She didn't. She bought it here. I saw the receipt." "Then she traded with one of my other customers!" snapped the old man. "Two of your customers have the same name—Adelia Schultz? Not likely. Let's see your duplicate receipt book." O'Reilley's wrinkled face set itself into a stubborn mask. "Doubt if it's still around." Norris frowned. "Look, pop, I've had a rough day. I could start naming some things around here that need fixing—sanitary violations and such. Not to mention that sign—'dumb blondes.' They outlawed that one when they executed that shyster doctor for shooting K-108s full of growth hormones, trying to raise himself a harem to sell. Besides, you're required to keep sales records until they've been micro-filmed. There hasn't been a microfilming since July." The wrinkled face twitched with frustrated anger. O'Reilley shuffled to the counter while Norris followed. He got a fat binder from under the register and started toward a wooden stairway. "Where you going?" Norris called. "Get my old glasses," the manager grumbled. "Can't see through these new things." "Leave the book here and I'll check it," Norris offered. But O'Reilley was already limping quickly up the stairs. He seemed not to hear. He shut the door behind him, and Norris heard the lock click. The bio-agent waited. Again the thought of a black market troubled him. Unauthorized neutroids could mean lots of trouble.
train	51407	[ "What is the unspoken warning of the psychologist?", "What is the Terran opinion of spacemen?", "Why is there a microphone in Craig's hotel room?", "Why did the man take Craig's picture when he arrived on Terra?", "Why is Wyandotte didactic?" ]	[ [ "Even good jobs get boring on Terra.", "Private citizens do not enjoy the same rights as spacemen.", "The culture on Terra is radically different from the culture in space.", "The gravity on Terra could make a spaceman feel sick all the time." ], [ "Spacemen are more like aliens than humans.", "Spacemen are like sailors.", "Spacemen are hicks.", "Spacemen are of lower intelligence." ], [ "Terran society has become increasingly controlling of its citizens.", "The hotel manager bugs all the rooms to blackmail the guests.", "Wyandotte put the microphone there to monitor Craig's adjustment to Terran society.", "The Intergalactic Space Service put the microphone in Craig's room to keep tabs on him." ], [ "Terran society identifies and monitors everyone.", "The man is a customs official.", "The photo is for Craig's job ID.", "Craig is the first spaceman he had ever seen." ], [ "He is likely being monitored by the Terrans and cannot speak freely.", "He thinks Craig is an uneducated hick.", "He knows that gravity conditioning is horrible. He is trying to change Craig's mind about going to Terra.", "He thinks Craig will be a fish out of water in Terran society." ] ]	[ 3, 1, 1, 2, 4 ]	[ 0, 1, 1, 1, 1 ]	SEA LEGS By FRANK QUATTROCCHI Illustrated by EMSH [Transcriber's Note: This etext was produced from Galaxy Science Fiction November 1951. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] Rootless and footloose, a man in space can't help but dream of coming home. But something nobody should do is bet on the validity of a homesick dream! Flight Officer Robert Craig surrendered the tube containing his service record tapes and stood waiting while the bored process clerk examined the seal. "Your clearance," said the clerk. Craig handed him a battered punch card and watched the man insert it in the reproducer. He felt anxiety as the much-handled card refused for a time to match the instrument's metal contact points. The line of men behind Craig fidgeted. "You got to get this punched by Territorial," said the clerk. "Take it back to your unit's clearance office." "Look again, Sergeant," Craig said, repressing his irritation. "It ain't notched." "The hell it isn't." The man examined the card with squinting care and nodded finally. "It's so damn notched," he complained. "You ought to take care of that card; can't get on without one." Craig hesitated before moving. "Next," said the clerk, "What you waiting for?" "Don't I take my 201 file?" "We send it on ahead. Go to Grav 1 desk." A murmur greeted the order. Craig experienced the thrill of knowing the envy of the others. Grav 1—that meant Terra. He crossed the long, dreary room, knowing the eyes of the other men were upon him. "Your service tapes," the next noncom said. "Where you going?" "Grav 1—Terra," fumbled Craig. "Los Angeles." "Los Angeles, eh? Where in Los Angeles?" "I—I—" Craig muttered, fumbling in his pockets. "No specific destination," supplied the man as he punched a key on a small instrument, "Air-lock ahead and to your right. Strip and follow the robot's orders. Any metal?" "Metal?" asked Craig. "You know, metal ." "Well, my identification key." "Here," commanded the clerk, extending a plastic envelope. Craig moved in the direction indicated. He fought the irrational fear that he had missed an important step in the complicated clerical process. He cursed the grudging attitude of the headquarters satellite personnel and felt the impotence of a spaceman who had long forgotten the bureaucracy of a rear area base. The knowledge that much of it was motivated by envy soothed him as he clumsily let himself into the lock. "Place your clothing in the receptacle provided and assume a stationary position on the raised podium in the center of the lock." Craig obeyed the robot voice and began reluctantly to remove his flight jacket. Its incredibly fine-grained leather would carry none of the strange, foreign associations for the base station clerk who would appropriate it. He would never know the beautiful, gentle beast that supplied this skin. "You are retarding the progress of others. Please respond more quickly to your orders." Craig quickly removed the last of his clothing. It was impossible to hate a robot, but one could certainly hate those who set it into operation. "You will find a red button at your feet. Lower your head and depress that button." Stepping on the button with his bare foot produced an instant of brilliant blue illumination. A small scratch on his arm stung briefly and he was somewhat blinded by the flash even through his eyelids, but that was all there was to the sterilizing process. "Your clothing and effects will be in the dressing room immediately beyond the locked door." He found his clothing cleanly and neatly hung on plastic hangers just inside the door to the dressing room. The few personal items he carried in his pockets were still there. The Schtann flight jacket was actually there, looking like new, its space-blue unfaded and as wonderfully pliant as before. "Insert your right arm into the instrument on the central table," commanded the same voice he had heard before. "Turn your arm until the scratch is in contact with the metal plate. There will be a slight pain, but it is necessary to treat the small injury you have been disregarding." Craig obeyed and clenched his teeth against a sharp stinging. His respect for the robot-controlled equipment of bases had risen. When he withdrew his arm, the scratch was neatly coated with a layer of flesh-colored plastic material. He dressed quickly and was on the verge of asking the robot for instructions, when a man appeared in the open doorway. "I am Captain Wyandotte," said the man in a pleasant voice. "Well, what's next?" asked Craig somewhat more belligerently than he had intended. The man smiled. "Your reaction is quite natural. You are somewhat aggressive after Clerical, eh?" "I'm a little anxious to get home, I suppose," said Craig defensively. "By 'home' you mean Terra. But you've never been there, have you?" "No, but my father—" "Your parents left Terra during the Second Colonization of Cassiopeia II, didn't they?" "Yes," Craig said. He was uncomfortable; Wyandotte seemed to know all about him. "We might say you've been away quite a while, eh?" "I was entered as a spaceman when I was 16," Craig said. "I've never been down for any period as yet." "You mean you haven't been in a gravity system?" "Oh, I've landed a few times, even walked around for a while...." "With the help of paraoxylnebutal," supplied the captain. "Well, sure." "Mr. Craig, I suppose you've guessed that the next step in our little torture system here is psych." "So I gathered." The captain laughed reassuringly. "No, don't put up your guard again. The worst is over. Short of Gravitational conditioning, there is nothing to stop you from going to Terra." "Sorry, I guess I'm a little touchy. This is my first time...." "Quite natural. But it being your first time—in quite a number of ways, I might add—it will be necessary for you to undergo some conditioning." "Conditioning?" asked Craig. "Yes. You have spent eleven years in space. Your body is conditioned to a normal state of free fall, or at best to a state of acceleration." "Yeah, I know. Once on Gerymeade...." "You were ill, couldn't keep your balance, felt dizzy. That is why all spacemen carry PON, paraoxylnebutal, with them. It helps suppress certain physiological reactions to an entirely new set of conditions. Channels of the ear, for example. They play an important part in our awareness of balance. They operate on a simple gravity principle. Without gravity they act up for a time, then gradually lose function. Returning to gravity is rather frightening at first." "I know all about this, Captain." "You've undoubtedly read popularizations in tapezines. But you have experienced it briefly." "I expect to have some trouble at first." Craig was disturbed by the wordy psychologist. What was the man actually saying? "Do you know what sailors of ancient times meant by 'sea legs?'" asked Wyandotte. "Men on a rolling ocean acclimated themselves to a rolling horizontal. They had trouble when they went ashore and the horizontal didn't roll any more. "It meant more than that. There were excellent psychological reasons for the old stereotype, the 'drunken sailor.' A port city was a frightening thing to an old sailor—but let's begin our little job at the beginning. I'll turn you over to psychometry for the usual tests and pick you up tomorrow morning at, say, 0900." During the days that followed, the psychologist seemed to Craig to become progressively more didactic. He would deliver long speeches about the "freedom of open space." He spoke repetitiously of the "growing complexity of Terran society." And yet the man could not be pinned down to any specific condition the spaceman would find intolerable. Craig began to hate the delay that kept him from Terra. Through the ports of the headquarters base satellite, he scanned the constellations for the scores of worlds he had visited during his eleven years in space. They were incredibly varied, even those that supported life. He had weathered difficult landings on worlds with rip-tide gravities, had felt the pull of the incredible star-tides imparted by twin and even triple star systems. He had been on Einstein IV, the planet of eight moons, and had felt the pulse of all eight of the satellites at once that no PON could completely nullify. But even if he could accept the psychologist's authority for the cumulative effect of a gravity system, he could not understand the unspoken warning he felt underlying all that the man said. "Of course it has changed," Craig was protesting. "Anyway, I never really knew very much about Terra. So what? I know it won't be as it was in tapezines either." "Yet you are so completely sure you will want to live out your life there, that you are willing to give up space service for it." "We've gone through this time and time again," Craig said wearily. "I gave you my reasons for quitting space. We analyzed them. You agreed that you could not decide that for me and that my decision is logical. You tell me spacemen don't settle down on Terra. Yet you won't—or can't—tell me why. I've got a damned good job there—" "You may find that 'damned good jobs' become boring." "So I'll transfer. I don't know what you're trying to get at, Captain, but you're not talking me out of going back. If the service needs men so badly, let them get somebody else. I've put in my time." "Do you really think that's my reason?" "Sure. What else can it be?" "Mr. Craig," the psychologist said slowly, "you have my authorization for you to return to Terra as a private citizen of that planet. You will be given a very liberal supply of PON—which you will definitely need. Good luck. You'll need that too." On the eighth day, two attendants, who showed the effects of massive doses of PON to protect themselves from the centrifugal force, had to carry a man out of the tank. Many others asked to be removed, begged to be allowed to withdraw their resignations. "The twelfth day is the worst," a grizzled spaceman told Craig. "That's when the best of 'em want out." Craig clenched the iron rung of his bed and struggled to bring the old man's face into focus. "How ... how do they know when you ought ... to come out?" he asked between waves of nausea. "Blood pressure. They get you just before you go into shock." "How can they tell?" Craig fought down his growing panic. "I can't." "That strap around your belly. You mean you ain't noticed it?" "Haven't noticed much of anything." "Well, it's keyed to give them some kind of signal." The old man lapsed into silence. Craig wished him to continue. He desperately wanted something to distract his mind from the ghastly conditioning process. Slowly at first, the lines formed by seams in the metal ceiling began to bend. Here it came again! "Old man!" shouted Craig. "Yeah, son. They've dropped it down a notch." "Dropped ... it ... down?" "Maybe that ain't scientific, but it's the way I always think of it." "Can't they ... drop it down continuously?" "They tried that a few times—once when I was aboard. You wouldn't like it, kid. You wouldn't like it at all." "How ... many times ... do they drop it?" "Four times during the day, three at night. Twenty days." A nightmare of visual sensations ebbed into Craig's mind. He was vaguely aware of the moans of other men in the vaultlike room. Wave upon wave of nausea swept him as he watched the seam lines bend and warp fantastically. He snapped his eyelids shut, only to begin feeling the nightmarish bodily sensations once more. He felt the cot slowly rise longitudinally, felt himself upside down, then the snap of turning right side up once more—and he knew that neither he nor the cot had moved so much as an inch. Craig heard the voices around him, muffled, as though talking through wadding. "... got it bad." "We better take him out." "... pretty bad." "He'll go into shock." "... never make it the twelfth." "We better yank him." "I'm ... all right," Craig mumbled at the voices. He struggled with the bonds of his cot. With terrible effort he forced his eyes open. Two white-clad figures, ridiculously out of proportion, hovered wraithlike over him. Four elongated eyes peered at him. Attendants coming for to take me home.... "Touch me and I'll kick your teeth in!" he yelled. "I'm going to Terra. Wish you were going to Terra?" Then it was better. Oddly, he passed the twelfth day easily. By the fourteenth day, Craig knew he could stand Grav 1. The whine of the centrifuge's motors had diminished to a low hum. Either that or they had begun to produce ultra-sonic waves. Craig was not sure. Most of the men had passed through the torments of gravitational conditioning. The huge headquarters base centrifuge aboard the man-made satellite had gradually caused their bodies to respond once more to a single source of pull. They were now ready to become inhabitants of planets again, instead of free-falling ships. On the eighteenth day, automatic machinery freed them from their imprisoning cots. Clumsily and awkwardly at first, the men began to walk, to hold their heads and arms in proper attitudes. They laughed and joked about it and kidded those who were slow at adjusting. Then they again began taking paraoxylnebutal in preparation for the free-fall flight to Terra. Only one of the score of men in the centrifuge tank remained voluntarily in his cot. "Space article violator," the old man informed Craig. "Psycho, I think. Went amuck with some extraterritorials. Killed a dozen." "What will they do, exile him?" "Not to Chociante, if that's what you mean. They just jerked his space card and gave him a one-way ticket to Terra." "For twelve murders?" asked Craig incredulously. "That's enough, son." The old man eyed Craig for an instant before looking away. "Pick something to talk about. What do you figure on doing when you get to Terra, for instance?" "I'm going into Import. My father was in it for twenty years." "Sure," said the old spaceman, watching a group of young crewmen engaged in an animated conversation. "It's a good job. There's a future to it." "Yeah." Why did he have to explain anything at all to the old space tramp? "Once I get set up, I'll probably try to open my own business." "And spend your weekends on Luna." Craig half rose from his cot, jarred into anger. But the old spaceman turned, smiling wryly. "Don't get hot, kid. I guess I spent too long in Zone V." He paused to examine his wrinkled hands. They were indelibly marked with lever callouses. "You get to thinking anyone who stays closer'n eighty light years from Terra is a land-lubber." Craig relaxed, realizing he had acted childishly. "Used to think the same. Then I took the exam and got this job." "Whereabouts?" "Los Angeles." The old man looked up at Craig. "You don't know much about Terra, do you, son?" "Not much." "Yeah. Well, I hope you ain't disappointed." "My father was born there, but I never saw it. Never hit the Solar System, matter of fact. Never saw much of anything close up. I stood it a long time, old man, this hitting atmospheres all over the Universe." But the spaceman seemed to have lost interest. He was unpacking some personal belongings from a kit. "What are you doing in Grav 1?" Craig asked. The old man's face clouded for an instant. "In the old days, they used to say us old-timers acted like clocks. They used to say we just ran down. Now they got some fancy psychology name for it." Craig regretted his question. He would have muttered some word of apology, but the old man continued. "Maybe you've read some of the old sea stories, or more'n likely had 'em read to you. Sailors could go to sea until they just sort of dried up. The sea tanned their skins and stiffened their bones, but it never stiffened their hearts. When they got old, it just pulled them in. "But space is different. Space is raw and new. It tugs at your guts. It sends the blood rushing through your veins. It's like loving. You don't become a part of space the way you do the old sea, though. It leaves you strictly alone. Except that it sucks you dry, takes all the soup out of you, leaves you brittle and old—old as a dehydrated piece of split leather. "Then one day it shoots a spurt of blood around in one of your old veins. Something gives. Space is through with you then. And if you can stand this whirligig conditioning, you're through with space." " You can't figure it. Some of 'em urp all over and turn six shades of green. " " You got to watch the ones that don't. " " Yeah, you got to watch the ones that don't. Especially the old ones. " " He's old. You think it was his heart? " " Who knows? " " They'll dump him, won't they? " " After a tracer is sent through. But it won't do any good. " " He probably outlived everybody that ever knew him. " " Wouldn't be surprised. Here, grab his leg. " Robert Craig folded the flight jacket tightly and stuffed it into the cylindrical carton. A sleeve unwound just as he did so, making it difficult to fit into the place he had made for it. Exasperated, he refolded it and jammed it in place. Smaller rolls of underclothing were then fitted in. When he was satisfied with the layer, he tossed in a small handful of crystals and began to fill the next layer. After the carton was completely filled, he ignited the sealing strip and watched as the plastic melted into a single, seamless whole. It was ready for irradiation. Probably in another ten years his son-to-be would put it on and play spaceman. But Craig swore he'd make sure that the kid knew what a stinking life it was. At 1300 hours, the ferry bumped heavily alongside the starboard lock. It was the signal for relief in the passengers' quarters; many were beginning to feel a reaction to the short free-fall flight from the headquarters satellite. The audio called out: "Flight Officer Robert Craig. Flight Officer Robert Craig. Report to Orderly 12. Report to Orderly 12 through the aft door." With pangs of anxiety he could not completely suppress, Craig obeyed. Orderly 12 handed him a message container. "Who's it from? Somebody on Terra?" "From a private spaceman named Morgan Brockman." " Brockman? " "He was with you in the grav tank." "The old man!" The message container produced a battered punch card. Craig straightened it and was about to reach into his pocket for a hand transcriber. But then he noticed the card bore only a few irregular punches and was covered with rough hand printing. Son, when the flunkies get around to giving you this, they'll have shot me out the tube. How do I know? Same way you know when your turbos are going to throw a blade. It's good this way. There's something you can do for me if you want to. Way back, some fifty years ago, there was a woman. She was my wife. It's a long story I won't bother you with. Anyway, I left her. Wanted to take her along with me, but she wouldn't go. Earth was a lot different then than it is now. They don't have to tell me; I know. I saw it coming and so did Ethel. We talked about it and I knew I had to go. She wouldn't or couldn't go. Wanted me to stay, but I couldn't. I tried to send her some units once in a while. Don't know if she ever got them. Sometimes I forgot to send them at all. You know, you're way out across the Galaxy, while she's home. Go see her if you can, son. Will you? Make sure she gets the unit transfer I made out. It isn't much out of seventy years of living, but she may need it. And maybe you can tell her a little bit about what it means to be out there. Tell her it's open and free and when you got hold of those levers and you're trying for an orbit on something big and new and green.... Hell, you remember. You know how to tell her. Her name is Ethel Brockman. I know she'll still use my name. Her address is or was East 71, North 101, Number 4. You can trace her easy if she moved. Women don't generally shove off and not leave a forwarding address. Not Ethel, at least. Craig put the battered card in his pocket and walked back through the door to the passenger room. How did you explain to an old woman why her husband deserted her fifty years before? Some kind of story about one's duty to the Universe? No, the old man had not been in Intergalactic. He had been a tramp spaceman. Well, why had he left? Fifty years in space. Fifty years! Zone V had been beyond anybody's imagination that long ago. He must have been in on the first Cetusian flights and shot the early landings in Cetus II. God only knew how many times he had battled Zone 111b pirates.... Damn the old man! How did one explain? Craig descended the ramp from the huge jet and concentrated on his impressions. One day he would recall this moment, his first on the planet Terra. He tried to recall his first thrill at seeing Los Angeles, 1500 square miles of it, from the ship as it entered the atmosphere. He was about to step off the last step when a man appeared hurriedly. A rather plump man, he displayed a toothy smile on his puffy red face. "A moment, sir. Just a little greeting from the Terra. You understand, of course. Purely routine." Craig remained on the final step of the ramp, puzzled. The man turned to a companion at his right. "We can see that this gentleman has come from a long, long way off, can't we?" The other man did not look up. He was peering into what seemed to Craig to be a kind of camera. "We can allow the gentlemen to continue now, can't we? It wasn't that we believed for a minute, you understand ... purely routine." Both men were gone in an instant, leaving Craig completely bewildered. "You goin' to move on, buddy, or you want to go back?" Craig turned to face a line of his fellow passengers up the ramp behind him. "Who was that?" Craig asked. "Customs. Bet you never got such a smooth screening before, eh?" "You mean he screened me? What for?" "Hard to say," the other passenger said. "You'll get used to this. They get it over with quick." Craig made his way toward the spaceport administration building. His first physical contact with Terra had passed unnoticed. "Sir! Sir!" cried a voice behind him. He wheeled to see a man walking briskly toward him. "You dropped this, sir. Quite by accident, of course." Craig examined the small object the man had given him before rushing off toward an exit. It was an empty PON tube he had just discarded. He couldn't understand why the man had bothered until he realized that the plastaloid floor of the lobby displayed not the faintest scrap of paper nor trace of dirt. The Import personnel man was toying with a small chip of gleaming metal. He did not look directly at Craig for more than an instant at a time, and commented on Craig's description of his trip through the city only very briefly between questions. "It's a good deal bigger than I imagined," Craig was saying. "Haven't seen much of it, of course. Thought I'd check in here with you first." "Yes, naturally." "Thought you could give me some idea of conditions...." "Conditions?" "For instance, what part of the city I should live in. That is, what part is closest to where I'll work." "I see," said the man noncommittally. It seemed to Craig that he was about to add something. He did not, however, but instead rose from his chair and walked to the large window overlooking an enormous section of the city far below. He stared out the window for a time, leaving Craig seated uncomfortably in the silent room. There was a distracted quality about him, Craig thought. "You are the first man we have had from the Intergalactic Service," the personnel man said finally. "That so?" "Yes." He turned to face Craig briefly before continuing. "You must find it very strange here." "Well, I've never seen a city so big." "Yes, so big. And also...." He seemed to consider many words before completing the sentence. "And also different." "I haven't been here very long," said Craig. "Matter of fact, I haven't been anywhere very long. This is my first real experience with life on a planet. As an adult, anyway." The personnel man seated himself once more and pressed a button on a small instrument. A secretary entered the office from a door to Craig's left. "Miss Wendel, this is Mr. Craig. Mr. Craig, my secretary. Mr. Craig will enter Minerals and Metals, Zone V." They exchanged formal greetings. She was a moderately pretty girl of medium height and, to Craig, a pleasantly rounded figure. He would have attempted to catch her eye had she not immediately occupied herself with unfolding the legs of a small instrument she was carrying. "This is Mr. Craig's first landing on Terra, Miss Wendel," the personnel man continued. "Actually, we shall have to consider him in much the same way we would an extraterrestrial." The girl glanced at Craig, casting him a cool, impersonal smile. "He was formerly a flight officer in the Intergalactic Space Service." The statement was delivered in an almost exaggeratedly casual tone. The girl glanced at him once more, this time with a definite quizzical look in her brown eyes. "Three complete tours of duty, I believe." "Four," corrected Craig. "Four tours of three years each, minus a year's terminal leave." "I take it you have no identification card?" the man asked. "The one I held in the service. It's pretty comprehensive." The other turned to the secretary. "You'll see that he is assisted in filing his application, won't you? A provisional Code II. That will enable you to enter all Import offices freely, Mr. Craig." "Will he need a food and—clothing ration also?" asked the girl, without looking at Craig. "Yes." The man laughed. "You'll excuse us, Mr. Craig. We realize that you couldn't be expected to be familiar with Terra's fashions. In your present outfit you would certainly be typed as a ... well, you'd be made uncomfortable." Craig reddened in spite of himself. He had bought the suit on Ghandii. "A hick," he supplied. "I wouldn't go that far, but some people might." Craig noted the pleasant way the girl filled her trim, rather severe business suit. He amused himself by calculating stress patterns in its plain woven material as she assembled the forms for him. "Here, Mr. Craig. I believe these are complete." "They look pretty complicated." "Not at all. The questions are quite explicit." Craig looked them over quickly. "I guess so. Say, Miss Wendel, I was wondering—I don't know the city at all. Maybe you could go with me to have dinner. It must be almost dinnertime now. You could sort of check me out on some...." "I'm afraid that would be quite impossible. You couldn't gain admittance to any office you need to visit tonight. Therefore, it is impossible for me to be of any assistance to you." "Oh, come now, Miss Wendel. There are women aboard spaceships. I'm not a starved wolf." "Certainly you are not, Mr. Craig. But it is not possible for me...." "You said that already, but you can have dinner with me. Just company." "I'm afraid I don't understand." The Galactic hotel strove to preserve an archaic tone of hospitality. It advertised "a night's lodgings" and it possessed a bellboy. The bellboy actually carried Craig's plasticarton and large file of punch cards and forms to his room. Tired from the long, confusing day, Craig was not impressed. He vaguely wondered if the little drama of the hotel carried so far as a small fee to be paid the bellboy, and he hoped he would have the right size of Terran units in his wallet. Outside the door to the room, the bellboy stopped and turned to Craig. "For five I'll tell you where it is," he said in a subdued tone. "Tell me where what is?" "You know, the mike." "Mike?" "All right, mister, three units, then. I wasn't trying to hold you up." "You mean a microphone?" asked Craig, mechanically fishing for his wallet. "Sure, they don't put in screens here. Wanted to, but the boss convinced 'em there aren't any Freedomites ever stay here." "Where is the microphone?" Craig asked as he found a ten unit note. He was too puzzled to wonder what he was expected to do with the information. "It's in the bed illuminator. You can short it out with a razor blade. Or I'll do it for another two." "Never mind," Craig said wearily. He waited while the bellboy inserted a key into the door and opened it for him. "I can get you a sensatia-tape," whispered the boy when they had entered. He nudged Craig wickedly. "You know what they're like?" "Yeah," Craig said disgustedly. Traffic in the illicit mental-image tapes was known as far into space as lonely men had penetrated. Intergalactic considered them as great a menace to mental and moral stability as the hectopiates. Craig wearily got the man out of the room, took a PON pill, and eased himself into the bed. It had been a weird day and he had not liked it. There was no telling how long it would take him to shake his—sea legs, the psychologist had called it. One thing was sure: Terra aggressively went after its strangers.
train	43046	[ "Why didn't Moran kill Harper?", "What was the monstrosity that Moran cut apart with his torch?", "What is the mission of the crew?", "Why doesn't the crew throw Moran out of the airlock?", "Why have humans been carrying beetles around the galaxy?", "Why have the planet's life forms developed abnormally?", "How does Burleigh feel about Moran?", "How does Moran feel about the crew of the Nadine?", "How did the crew take the ship back from Moran?", "Why does the crew get off the ship with Moran?" ]	[ [ "Moran is not a murderer at heart. He only killed the other man to save a life.", "Moran would rather kill Burleigh. He is waiting for the right moment.", "Moran is not a killer.", "Moran likes Harper. Harper is a decent guy." ], [ "A worm that had grown out of control.", "A roach that had grown out of control.", "A mosquito that had grown out of control.", "A beetle that had grown out of control." ], [ "The mission is to answer a distress signal.", "The mission is to maroon Moran as punishment for murder.", "They are rebels, regrouping to fight their government another day.", "They are rebels, fleeing a collapsed revolt." ], [ "They are not murderers.", "They do not want to be accused of aiding and abetting.", "The crew will alert the authorities when they reach Loris. Moran will be brought to justice for his crime.", "They are marooning him as punishment for murder." ], [ "Beetles are just one piece of the puzzle to create an ecological system capable of supporting human life.", "Beetles are a good source of protein for new planet settlers.", "Beetles, like other pests, always seem to make their way on board spaceships.", "Beetles are an integral part of a spaceship's waste management system." ], [ "The dense cloud cover caused them to grow abnormally large.", "The light of uncountable suns caused them to grow abnormally large.", "A sulphuric-acid ice cap caused them to grow abnormally large.", "An element was missing during the planet seeding process. This element would've encouraged normal growth." ], [ "Burleigh thinks Moran is annoying. They would be at their intended destination now if Moran hadn't highjacked the Nadine.", "Burleigh respects Moran. He doesn't want to kill him, but he can't keep Moran on the Nadine. A marooned man at least has a fighting chance.", "Burleigh is angry with Moran for putting the crew in this position. They don't want to kill Moran, but they can't arrive with 6 crew. A marooned man at least has a fighting chance.", "Moran intimidates Burleigh. Moran took control of the ship once, if the crew is not careful, he may do it again." ], [ "Moran is not impressed with the skills of the crew. He plans to kill one of them, then they'll be forced to take him, so they arrive at their destination with the correct number.", "Moran wants to kill them.", "Moran is very angry that they would leave him in this horrible place. It's inhuman. ", "Moran respects their decision. He is not happy, but he would do the same were he in their position." ], [ "The crew, locked in the engine room, dismantled the overdrive.", "The crew, locked in the engine room, dismantled the direction-finder.", "The crew, locked in the control room, dismantled the fuel-block.", "The crew, locked in the control room, dismantled the interplanetary drive." ], [ "The ship's supplies are low. They are hunting for edible creatures.", "The crew needs to gather information to compare against the Galactic Directory. Then they can figure out where they are, so they can get where they are going.", "The ship's supplies are low. They are going to raid the ship that sent the distress call.", "They want to hand off Moran to the crew of the ship that sent the distress call." ] ]	[ 1, 1, 3, 1, 1, 4, 3, 4, 1, 2 ]	[ 1, 1, 1, 1, 0, 1, 1, 0, 1, 1 ]	PLANET of DREAD By MURRAY LEINSTER Illustrator ADKINS [Transcriber's Note: This etext was produced from Fantastic Stories of Imagination May 1962. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] I. Moran cut apart the yard-long monstrosity with a slash of flame. The thing presumably died, but it continued to writhe senselessly. He turned to see other horrors crawling toward him. Then he knew he was being marooned on a planet of endless terrors. Moran, naturally, did not mean to help in the carrying out of the plans which would mean his destruction one way or another. The plans were thrashed out very painstakingly, in formal conference on the space-yacht Nadine , with Moran present and allowed to take part in the discussion. From the viewpoint of the Nadine's ship's company, it was simply necessary to get rid of Moran. In their predicament he might have come to the same conclusion; but he was not at all enthusiastic about their decision. He would die of it. The Nadine was out of overdrive and all the uncountable suns of the galaxy shone steadily, remotely, as infinitesimal specks of light of every color of the rainbow. Two hours since, the sun of this solar system had been a vast glaring disk off to port, with streamers and prominences erupting about its edges. Now it lay astern, and Moran could see the planet that had been chosen for his marooning. It was a cloudy world. There were some dim markings near one lighted limb, but nowhere else. There was an ice-cap in view. The rest was—clouds. The ice-cap, by its existence and circular shape, proved that the planet rotated at a not unreasonable rate. The fact that it was water-ice told much. A water-ice ice-cap said that there were no poisonous gases in the planet's atmosphere. Sulfur dioxide or chlorine, for example, would not allow the formation of water-ice. It would have to be sulphuric-acid or hydrochloric-acid ice. But the ice-cap was simple snow. Its size, too, told about temperature-distribution on the planet. A large cap would have meant a large area with arctic and sub-arctic temperatures, with small temperate and tropical climate-belts. A small one like this meant wide tropical and sub-tropical zones. The fact was verified by the thick, dense cloud-masses which covered most of the surface,—all the surface, in fact, outside the ice-cap. But since there were ice-caps there would be temperate regions. In short, the ice-cap proved that a man could endure the air and temperature conditions he would find. Moran observed these things from the control-room of the Nadine , then approaching the world on planetary drive. He was to be left here, with no reason ever to expect rescue. Two of the Nadine's four-man crew watched out the same ports as the planet seemed to approach. Burleigh said encouragingly; "It doesn't look too bad, Moran!" Moran disagreed, but he did not answer. He cocked an ear instead. He heard something. It was a thin, wabbling, keening whine. No natural radiation sounds like that. Moran nodded toward the all-band speaker. "Do you hear what I do?" he asked sardonically. Burleigh listened. A distinctly artificial signal came out of the speaker. It wasn't a voice-signal. It wasn't an identification beacon, such as are placed on certain worlds for the convenience of interstellar skippers who need to check their courses on extremely long runs. This was something else. Burleigh said: "Hm ... Call the others, Harper." Harper, prudently with him in the control-room, put his head into the passage leading away. He called. But Moran observed with grudging respect that he didn't give him a chance to do anything drastic. These people on the Nadine were capable. They'd managed to recapture the Nadine from him, but they were matter-of-fact about it. They didn't seem to resent what he'd tried to do, or that he'd brought them an indefinite distance in an indefinite direction from their last landing-point, and they had still to re-locate themselves. They'd been on Coryus Three and they'd gotten departure clearance from its space-port. With clearance-papers in order, they could land unquestioned at any other space-port and take off again—provided the other space-port was one they had clearance for. Without rigid control of space-travel, any criminal anywhere could escape the consequences of any crime simply by buying a ticket to another world. Moran couldn't have bought a ticket, but he'd tried to get off the planet Coryus on the Nadine . The trouble was that the Nadine had clearance papers covering five persons aboard—four men and a girl Carol. Moran made six. Wherever the yacht landed, such a disparity between its documents and its crew would spark an investigation. A lengthy, incredibly minute investigation. Moran, at least, would be picked out as a fugitive from Coryus Three. The others were fugitives too, from some unnamed world Moran did not know. They might be sent back where they came from. In effect, with six people on board instead of five, the Nadine could not land anywhere for supplies. With five on board, as her papers declared, she could. And Moran was the extra man whose presence would rouse space-port officials' suspicion of the rest. So he had to be dumped. He couldn't blame them. He'd made another difficulty, too. Blaster in hand, he'd made the Nadine take off from Coryus III with a trip-tape picked at random for guidance. But the trip-tape had been computed for another starting-point, and when the yacht came out of overdrive it was because the drive had been dismantled in the engine-room. So the ship's location was in doubt. It could have travelled at almost any speed in practically any direction for a length of time that was at least indefinite. A liner could re-locate itself without trouble. It had elaborate observational equipment and tri-di star-charts. But smaller craft had to depend on the Galactic Directory. The process would be to find a planet and check its climate and relationship to other planets, and its flora and fauna against descriptions in the Directory. That was the way to find out where one was, when one's position became doubtful. The Nadine needed to make a planet-fall for this. The rest of the ship's company came into the control-room. Burleigh waved his hand at the speaker. "Listen!" They heard it. All of them. It was a trilling, whining sound among the innumerable random noises to be heard in supposedly empty space. "That's a marker," Carol announced. "I saw a costume-story tape once that had that sound in it. It marked a first-landing spot on some planet or other, so the people could find that spot again. It was supposed to be a long time ago, though." "It's weak," observed Burleigh. "We'll try answering it." Moran stirred, and he knew that every one of the others was conscious of the movement. But they didn't watch him suspiciously. They were alert by long habit. Burleigh said they'd been Underground people, fighting the government of their native world, and they'd gotten away to make it seem the revolt had collapsed. They'd go back later when they weren't expected, and start it up again. Moran considered the story probable. Only people accustomed to desperate actions would have remained so calm when Moran had used desperate measures against them. Burleigh picked up the transmitter-microphone. "Calling ground," he said briskly. "Calling ground! We pick up your signal. Please reply." He repeated the call, over and over and over. There was no answer. Cracklings and hissings came out of the speaker as before, and the thin and reedy wabbling whine continued. The Nadine went on toward the enlarging cloudy mass ahead. Burleigh said; "Well?" "I think," said Carol, "that we should land. People have been here. If they left a beacon, they may have left an identification of the planet. Then we'd know where we are and how to get to Loris." Burleigh nodded. The Nadine had cleared for Loris. That was where it should make its next landing. The little yacht went on. All five of its proper company watched as the planet's surface enlarged. The ice-cap went out of sight around the bulge of the globe, but no markings appeared. There were cloud-banks everywhere, probably low down in the atmosphere. The darker vague areas previously seen might have been highlands. "I think," said Carol, to Moran, "that if it's too tropical where this signal's coming from, we'll take you somewhere near enough to the ice-cap to have an endurable climate. I've been figuring on food, too. That will depend on where we are from Loris because we have to keep enough for ourselves. But we can spare some. We'll give you the emergency-kit, anyhow." The emergency-kit contained antiseptics, seeds, and a weapon or two, with elaborate advice to castaways. If somebody were wrecked on an even possibly habitable planet, the especially developed seed-strains would provide food in a minimum of time. It was not an encouraging thought, though, and Moran grimaced. She hadn't said anything about being sorry that he had to be marooned. Maybe she was, but rebels learn to be practical or they don't live long. Moran wondered, momentarily, what sort of world they came from and why they had revolted, and what sort of set-back to the revolt had sent the five off in what they considered a strategic retreat but their government would think defeat. Moran's own situation was perfectly clear. He'd killed a man on Coryus III. His victim would not be mourned by anybody, and somebody formerly in very great danger would now be safe, which was the reason for what Moran had done. But the dead man had been very important, and the fact that Moran had forced him to fight and killed him in fair combat made no difference. Moran had needed to get off-planet, and fast. But space-travel regulations are especially designed to prevent such escapes. He'd made a pretty good try, at that. One of the controls on space-traffic required a ship on landing to deposit its fuel-block in the space-port's vaults. The fuel-block was not returned until clearance for departure had been granted. But Moran had waylaid the messenger carrying the Nadine's fuel-block back to that space-yacht. He'd knocked the messenger cold and presented himself at the yacht with the fuel. He was admitted. He put the block in the engine's gate. He duly took the plastic receipt-token the engine only then released, and he drew a blaster. He'd locked two of the Nadine's crew in the engine-room, rushed to the control-room without encountering the others, dogged the door shut, and threaded in the first trip-tape to come to hand. He punched the take-off button and only seconds later the overdrive. Then the yacht—and Moran—was away. But his present companions got the drive dismantled two days later and once the yacht was out of overdrive they efficiently gave him his choice of surrendering or else. He surrendered, stipulating that he wouldn't be landed back on Coryus; he still clung to hope of avoiding return—which was almost certain anyhow. Because nobody would want to go back to a planet from which they'd carried away a criminal, even though they'd done it unwillingly. Investigation of such a matter might last for months. Now the space-yacht moved toward a vast mass of fleecy whiteness without any visible features. Harper stayed with the direction-finder. From time to time he gave readings requiring minute changes of course. The wabbling, whining signal was louder now. It became louder than all the rest of the space-noises together. The yacht touched atmosphere and Burleigh said; "Watch our height, Carol." She stood by the echometer. Sixty miles. Fifty. Thirty. A correction of course. Fifteen miles to surface below. Ten. Five. At twenty-five thousand feet there were clouds, which would be particles of ice so small that they floated even so high. Then clear air, then lower clouds, and lower ones still. It was not until six thousand feet above the surface that the planet-wide cloud-level seemed to begin. From there on down it was pure opacity. Anything could exist in that dense, almost palpable grayness. There could be jagged peaks. The Nadine went down and down. At fifteen hundred feet above the unseen surface, the clouds ended. Below, there was only haze. One could see the ground, at least, but there was no horizon. There was only an end to visibility. The yacht descended as if in the center of a sphere in which one could see clearly nearby, less clearly at a little distance, and not at all beyond a quarter-mile or so. There was a shaded, shadowless twilight under the cloud-bank. The ground looked like no ground ever seen before by anyone. Off to the right a rivulet ran between improbable-seeming banks. There were a few very small hills of most unlikely appearance. It was the ground, the matter on which one would walk, which was strangest. It had color, but the color was not green. Much of it was a pallid, dirty-yellowish white. But there were patches of blue, and curious veinings of black, and here and there were other colors, all of them unlike the normal color of vegetation on a planet with a sol-type sun. Harper spoke from the direction-finder; "The signal's coming from that mound, yonder." There was a hillock of elongated shape directly in line with the Nadine's course in descent. Except for the patches of color, it was the only considerable landmark within the half-mile circle in which anything could be seen at all. The Nadine checked her downward motion. Interplanetary drive is rugged and sure, but it does not respond to fine adjustment. Burleigh used rockets, issuing great bellowings of flame, to make actual contact. The yacht hovered, and as the rocket-flames diminished slowly she sat down with practically no impact at all. But around her there was a monstrous tumult of smoke and steam. When the rockets went off, she lay in a burned-out hollow some three or four feet deep with a bottom of solid stone. The walls of the hollow were black and scorched. It seemed that at some places they quivered persistently. There was silence in the control-room save for the whining noise which now was almost deafening. Harper snapped off the switch. Then there was true silence. The space-yacht had come to rest possibly a hundred yards from the mound which was the source of the space-signal. That mound shared the peculiarity of the ground as far as they could see through the haze. It was not vegetation in any ordinary sense. Certainly it was no mineral surface! The landing-pockets had burned away three or four feet of it, and the edge of the burned area smoked noisesomely, and somehow it looked as if it would reek. And there were places where it stirred. Burleigh blinked and stared. Then he reached up and flicked on the outside microphones. Instantly there was bedlam. If the landscape was strange, here, the sounds that came from it were unbelievable. There were grunting noises. There were clickings, uncountable clickings that made a background for all the rest. There were discordant howls and honkings. From time to time some thing unknown made a cry that sounded very much like a small boy trailing a stick against a picket fence, only much louder. Something hooted, maintaining the noise for an impossibly long time. And persistently, sounding as if they came from far away, there were booming noises, unspeakably deep-bass, made by something alive. And something shrieked in lunatic fashion and something else still moaned from time to time with the volume of a steam-whistle.... "This sounds and looks like a nice place to live," said Moran with fine irony. Burleigh did not answer. He turned down the outside sound. "What's that stuff there, the ground?" he demanded. "We burned it away in landing. I've seen something like it somewhere, but never taking the place of grass!" "That," said Moran as if brightly, "that's what I'm to make a garden in. Of evenings I'll stroll among my thrifty plantings and listen to the delightful sounds of nature." Burleigh scowled. Harper flicked off the direction-finder. "The signal still comes from that hillock yonder," he said with finality. Moran said bitingly; "That ain't no hillock, that's my home!" Then, instantly he'd said it, he recognized that it could be true. The mound was not a fold in the ground. It was not an up-cropping of the ash-covered stone on which the Nadine rested. The enigmatic, dirty-yellow-dirty-red-dirty-blue-and-dirty-black ground-cover hid something. It blurred the shape it covered, very much as enormous cobwebs made solid and opaque would have done. But when one looked carefully at the mound, there was a landing-fin sticking up toward the leaden skies. It was attached to a large cylindrical object of which the fore part was crushed in. The other landing-fins could be traced. "It's a ship," said Moran curtly. "It crash-landed and its crew set up a signal to call for help. None came, or they'd have turned the beacon off. Maybe they got the lifeboats to work and got away. Maybe they lived as I'm expected to live until they died as I'm expected to die." Burleigh said angrily; "You'd do what we are doing if you were in our shoes!" "Sure," said Moran, "but a man can gripe, can't he?" "You won't have to live here," said Burleigh. "We'll take you somewhere up by the ice-cap. As Carol said, we'll give you everything we can spare. And meanwhile we'll take a look at that wreck yonder. There might be an indication in it of what solar system this is. There could be something in it of use to you, too. You'd better come along when we explore." "Aye, aye, sir," said Moran with irony. "Very kind of you, sir. You'll go armed, sir?" Burleigh growled; "Naturally!" "Then since I can't be trusted with a weapon," said Moran, "I suggest that I take a torch. We may have to burn through that loathesome stuff to get in the ship." "Right," growled Burleigh again. "Brawn and Carol, you'll keep ship. The rest of us wear suits. We don't know what that stuff is outside." Moran silently went to the space-suit rack and began to get into a suit. Modern space-suits weren't like the ancient crudities with bulging metal casings and enormous globular helmets. Non-stretch fabrics took the place of metal, and constant-volume joints were really practical nowadays. A man could move about in a late-model space-suit almost as easily as in ship-clothing. The others of the landing-party donned their special garments with the brisk absence of fumbling that these people displayed in every action. "If there's a lifeboat left," said Carol suddenly, "Moran might be able to do something with it." "Ah, yes!" said Moran. "It's very likely that the ship hit hard enough to kill everybody aboard, but not smash the boats!" "Somebody survived the crash," said Burleigh, "because they set up a beacon. I wouldn't count on a boat, Moran." "I don't!" snapped Moran. He flipped the fastener of his suit. He felt all the openings catch. He saw the others complete their equipment. They took arms. So far they had seen no moving thing outside, but arms were simple sanity on an unknown world. Moran, though, would not be permitted a weapon. He picked up a torch. They filed into the airlock. The inner door closed. The outer door opened. It was not necessary to check the air specifically. The suits would take care of that. Anyhow the ice-cap said there were no water-soluble gases in the atmosphere, and a gas can't be an active poison if it can't dissolve. They filed out of the airlock. They stood on ash-covered stone, only slightly eroded by the processes which made life possible on this planet. They looked dubiously at the scorched, indefinite substance which had been ground before the Nadine landed. Moran moved scornfully forward. He kicked at the burnt stuff. His foot went through the char. The hole exposed a cheesy mass of soft matter which seemed riddled with small holes. Something black came squirming frantically out of one of the openings. It was eight or ten inches long. It had a head, a thorax, and an abdomen. It had wing-cases. It had six legs. It toppled down to the stone on which the Nadine rested. Agitatedly, it spread its wing-covers and flew away, droning loudly. The four men heard the sound above even the monstrous cacophony of cries and boomings and grunts and squeaks which seemed to fill the air. "What the devil—." Moran kicked again. More holes. More openings. More small tunnels in the cheese-like, curd-like stuff. More black things squirming to view in obvious panic. They popped out everywhere. It was suddenly apparent that the top of the soil, here, was a thick and blanket-like sheet over the whitish stuff. The black creatures lived and thrived in tunnels under it. Carol's voice came over the helmet-phones. " They're—bugs! " she said incredulously. " They're beetles! They're twenty times the size of the beetles we humans have been carrying around the galaxy, but that's what they are! " Moran grunted. Distastefully, he saw his predicament made worse. He knew what had happened here. He could begin to guess at other things to be discovered. It had not been practical for men to move onto new planets and subsist upon the flora and fauna they found there. On some new planets life had never gotten started. On such worlds a highly complex operation was necessary before humanity could move in. A complete ecological complex had to be built up; microbes to break down the rock for soil, bacteria to fix nitrogen to make the soil fertile; plants to grow in the new-made dirt and insects to fertilize the plants so they would multiply, and animals and birds to carry the seeds planet-wide. On most planets, to be sure, there were local, aboriginal plants and animals. But still terrestrial creatures had to be introduced if a colony was to feed itself. Alien plants did not supply satisfactory food. So an elaborate adaptation job had to be done on every planet before native and terrestrial living things settled down together. It wasn't impossible that the scuttling things were truly beetles, grown large and monstrous under the conditions of a new planet. And the ground.... "This ground stuff," said Moran distastefully, "is yeast or some sort of toadstool growth. This is a seedling world. It didn't have any life on it, so somebody dumped germs and spores and bugs to make it ready for plants and animals eventually. But nobody's come back to finish up the job." Burleigh grunted a somehow surprised assent. But it wasn't surprising; not wholly so. Once one mentioned yeasts and toadstools and fungi generally, the weird landscape became less than incredible. But it remained actively unpleasant to think of being marooned on it. "Suppose we go look at the ship?" said Moran unpleasantly. "Maybe you can find out where you are, and I can find out what's ahead of me." He climbed up on the unscorched surface. It was elastic. The parchment-like top skin yielded. It was like walking on a mass of springs. "We'd better spread out," added Moran, "or else we'll break through that skin and be floundering in this mess." "I'm giving the orders, Moran!" said Burleigh shortly. "But what you say does make sense." He and the others joined Moran on the yielding surface. Their footing was uncertain, as on a trampoline. They staggered. They moved toward the hillock which was a covered-over wrecked ship. The ground was not as level as it appeared from the Nadine's control-room. There were undulations. But they could not see more than a quarter-mile in any direction. Beyond that was mist. But Burleigh, at one end of the uneven line of advancing men, suddenly halted and stood staring down at something he had not seen before. The others halted. Something moved. It came out from behind a very minor spire of whitish stuff that looked like a dirty sheet stretched over a tall stone. The thing that appeared was very peculiar indeed. It was a—worm. But it was a foot thick and ten feet long, and it had a group of stumpy legs at its fore end—where there were eyes hidden behind bristling hair-like growths—and another set of feet at its tail end. It progressed sedately by reaching forward with its fore-part, securing a foothold, and then arching its middle portion like a cat arching its back, to bring its hind part forward. Then it reached forward again. It was of a dark olive color from one end to the other. Its manner of walking was insane but somehow sedate. Moran heard muffled noises in his helmet-phone as the others tried to speak. Carol's voice came anxiously; " What's the matter? What do you see? " Moran said with savage precision; "We're looking at an inch-worm, grown up like the beetles only more so. It's not an inch-worm any longer. It's a yard-worm." Then he said harshly to the men with him; "It's not a hunting creature on worlds where it's smaller. It's not likely to have turned deadly here. Come on!" He went forward over the singularly bouncy ground. The others followed. It was to be noted that Hallet the engineer, avoided the huge harmless creature more widely than most. They reached the mound which was the ship. Moran unlimbered his torch. He said sardonically; "This ship won't do anybody any good. It's old-style. That thick belt around its middle was dropped a hundred years ago, and more." There was an abrupt thickening of the cylindrical hull at the middle. There was an equally abrupt thinning, again, toward the landing-fins. The sharpness of the change was blurred over by the revolting ground-stuff growing everywhere. "We're going to find that this wreck has been here a century at least!" Without orders, he turned on the torch. A four-foot flame of pure blue-white leaped out. He touched its tip to the fungoid soil. Steam leaped up. He used the flame like a gigantic scalpel, cutting a square a yard deep in the whitish stuff, and then cutting it across and across to destroy it. Thick fumes arose, and quiverings and shakings began. Black creatures in their labyrinths of tunnels began to panic. Off to the right the blanket-like surface ripped and they poured out. They scuttled crazily here and there. Some took to wing. By instinct the other men—the armed ones—moved back from the smoke. They wore space-helmets but they felt that there should be an intolerable smell. Moran slashed and slashed angrily with the big flame, cutting a way to the metal hull that had fallen here before his grandfather was born. Sometimes the flame cut across things that writhed, and he was sickened. But above all he raged because he was to be marooned here. He could not altogether blame the others. They couldn't land at any colonized world with him on board without his being detected as an extra member of the crew. His fate would then be sealed. But they also would be investigated. Official queries would go across this whole sector of the galaxy, naming five persons of such-and-such description and such-and-such fingerprints, voyaging in a space-yacht of such-and-such size and registration. The world they came from would claim them as fugitives. They would be returned to it. They'd be executed. Then Carol's voice came in his helmet-phone. She cried out; " Look out! It's coming! Kill it! Kill it—. " He heard blast-rifles firing. He heard Burleigh pant commands. He was on his way out of the hollow he'd carved when he heard Harper cry out horribly. He got clear of the newly burned-away stuff. There was still much smoke and stream. But he saw Harper. More, he saw the thing that had Harper. It occurred to him instantly that if Harper died, there would not be too many people on the Nadine . They need not maroon him. In fact, they wouldn't dare. A ship that came in to port with two few on board would be investigated as thoroughly as one that had too many. Perhaps more thoroughly. So if Harper were killed, Moran would be needed to take his place. He'd go on from here in the Nadine , necessarily accepted as a member of her crew. Then he rushed, the flame-torch making a roaring sound. II. They went back to the Nadine for weapons more adequate for encountering the local fauna when it was over. Blast-rifles were not effective against such creatures as these. Torches were contact weapons but they killed. Blast-rifles did not. And Harper needed to pull himself together again, too. Also, neither Moran nor any of the others wanted to go back to the still un-entered wreck while the skinny, somehow disgusting legs of the thing still kicked spasmodically—quite separate—on the whitish ground-stuff. Moran had disliked such creatures in miniature form on other worlds. Enlarged like this. It seemed insane that such creatures, even in miniature, should painstakingly be brought across light-years of space to the new worlds men settled on. But it had been found to be necessary. The ecological system in which human beings belonged had turned out to be infinitely complicated. It had turned out, in fact, to be the ecological system of Earth, and unless all parts of the complex were present, the total was subtly or glaringly wrong. So mankind distastefully ferried pests as well as useful creatures to its new worlds as they were made ready for settlement. Mosquitos throve on the inhabited globes of the Rim Stars. Roaches twitched nervous antennae on the settled planets of the Coal-sack. Dogs on Antares had fleas, and scratched their bites, and humanity spread through the galaxy with an attendant train of insects and annoyances. If they left their pests behind, the total system of checks and balances which make life practical would get lopsided. It would not maintain itself. The vagaries that could result were admirably illustrated in and on the landscape outside the Nadine . Something had been left out of the seeding of this planet. The element—which might be a bacterium or a virus or almost anything at all—the element that kept creatures at the size called "normal" was either missing or inoperable here. The results were not desirable.
train	20069	[ "How does the author feel about American Beauty?", "Why does Lester want to kill himself?", "How does the author feel about the characters in American Beauty?", "How does the author feel about For the Love of the Game?", "What is the plot of American Beauty?", "What is the plot of For Love of the Game?", "How does the author feel about Sam Raimi's direction of the film?", "How does the author feel about Carolyn?" ]	[ [ "It is moronic or insane or both.", "It is wittily written and gorgeously directed.", "It is lustrously hip and aware.", "It is an invigorating last of counterculture righteousness." ], [ "He feels he completely failed at life.", "He hates his wife.", "He is attracted to minors.", "He feels lost." ], [ "They are stale.", "They are melodramatic.", "They are stereotypically caricatured.", "They are fresh." ], [ "Kevin Costner can still get away with playing a baseball player.", "The baseball scenes are wonderful. The romance scenes are over the top and make the picture feel incredibly long.", "It's a great sports movie.", "It feels embarrassingly like a Harlequin novel." ], [ "A middle-aged man tries to seduce a high school cheerleader.", "A middle-aged couple's marriage breaks down.", "A middle-aged man goes through a mid-life crisis.", "An American nuclear family is on the verge of a meltdown." ], [ "An over-the-hill catcher fights to keep his place on the team.", "An over-the-hill catcher must commit to the game or the girl.", "An over-the-hill pitcher must commit to the game or the girl.", "An over-the-hill pitcher fights to keep his place on the team." ], [ "It is sharply edited and full of texture.", "It feels like the director gave up control of the movie.", "It is moronic or insane or both.", "It is woozily drawn-out." ], [ "Carolyn is confident, composed, and in control.", "Carolyn is a primal force.", "Carolyn tries very hard to appear perfect and in control. It's hard to feel animosity toward her.", "Carolyn is shrill." ] ]	[ 2, 4, 3, 2, 4, 3, 2, 3 ]	[ 1, 1, 0, 0, 1, 1, 0, 0 ]	A Good Year for the Roses? Early in American Beauty , Lester Burnham (Kevin Spacey), a weary reporter for a media magazine, masturbates in the shower while informing us in voice-over that we're witnessing the highlight of his day. He peers through tired eyes out the window at his manicured suburban tract-house lawn, where his wife, Carolyn (Annette Bening)--whose gardening clogs, he points out, are color-coordinated with the handles of her shears--snips roses (American beauties) and twitters about Miracle-Gro to a gay yuppie (Scott Bakula) on the other side of a white picket fence. "I have lost something," says Lester. "I'm not exactly sure what it is but I know I didn't always feel this ... sedated." Apparently, Lester doesn't realize that snipped roses are garden-variety symbols of castration, or he'd know what he has lost. But the makers of American Beauty are about to give Lester his roses back. At a high-school basketball game, Lester is transfixed by a blonde cheerleader named Angela (Mena Suvari), who is twirling alongside his daughter, Jane (Thora Burch). Ambient noise falls away, the crowd disappears, and there she is, Lester's angel, writhing in slow motion--just for him. She opens her jacket (she's naked underneath) and red rose petals drift out. Later, Lester envisions her on a bed of red petals, then immersed in a bath of red petals. Back in the roses for the first time in years, he's soon pumping iron, smoking pot, and telling off his frigid wife and faceless bosses, convinced that whatever he has lost he's getting back, baby. The movie is convinced, too--which is odd, since the fantasy of an underage cheerleader making a middle-aged man's wilted roses bloom is a tad ... primitive. But American Beauty doesn't feel primitive. It feels lustrously hip and aware, and a lot of critics are making big claims for it. The script, by Alan Ball, a playwright and former sitcom writer, carries an invigorating blast of counterculture righteousness, along with the kind of pithily vicious marital bickering that makes some viewers (especially male) say, "Yeah! Tell that bitch off!" More important, it has a vein of metaphysical yearning, which the director, Sam Mendes, mines brilliantly. A hotshot English theater director (his Cabaret revival is still on the boards in New York), Mendes gives the film a patina of New Age lyricism and layer upon layer of visual irony. The movie's surface is velvety and immaculate--until the action is abruptly viewed through the video camera of the teen-age voyeur next door (Wes Bentley), and the graininess of the video image (along with the plangent music) suggests how unstable the molecules that constitute our "reality" really are. Mendes can distend the real into the surreal with imperceptible puffs. Aided by his cinematographer, Conrad Hall, and editors, Tariq Anwar and Chris Greenbury, he creates an entrancing vision of the American nuclear family on the verge of a meltdown. A merican Beauty is so wittily written and gorgeously directed that you might think you're seeing something archetypal--maybe even the Great American Movie. But when you stop and smell the roses ... Well, that scent isn't Miracle-Gro. The hairpin turns from farce to melodrama, from satire to bathos, are fresh and deftly navigated, but almost every one of the underlying attitudes is smug and easy: from the corporate flunky named "Brad" to the interchangeable gay neighbors (they're both called "Jim") to the brutally homophobic patriarch next door, an ex-Marine colonel (Chris Cooper) who has reduced his wife (the normally exuberant Allison Janney) to a catatonic mummy and his son, Ricky (Bentley), to a life of subterranean deception. (The colonel's idea of bliss is watching an old Ronald Reagan military picture on television: How's that for subtle?) Lester's wife, Carolyn, is even more stridently caricatured. A real-estate broker who fails to sell a big house (her only potential customers are blank-faced African-Americans, Indian-Americans, and surly lesbians), she wears a mask of perky efficiency and insists on listening to Muzak while she and her husband and daughter eat her "nutritious yet savory" dinners. It's amazing that Mendes and Ball get away with recycling so many stale and reactionary ideas under the all-purpose rubric of "black comedy." But it's also possible that those ideas have rarely been presented so seductively. Several months ago, Daniel Menaker in Slate in contemporary film in which the protagonist attempts to break through our cultural and technological anesthetization into "the real." That's the theme here, too, and it's extraordinarily potent, at times even heartbreaking. The symbols, however, have been cunningly reversed. In movies like sex, lies, and videotape (1989), the protagonist has to put away the video camera to "get real"; in American Beauty , it's Ricky Fitts, the damaged stoner videomaker next door, who sees beauty where nonartists see only horror or nothingness. In the film's most self-consciously poetic set piece, Ricky shows Lester's dour daughter Jane--in whom he recognizes a kindred spirit--a video of a plastic bag fluttering up, down, and around on invisible currents of wind. Ricky speaks of glimpsing in the bag's trajectory an "entire life behind things"--a "benevolent force" that holds the universe together. The teen-ager, who likes to train his lenses on dead bodies of animals and people, sells wildly expensive marijuana to Lester and somehow passes on this notion of "beauty." By the end, Lester is mouthing the same sentiments and has acquired the same deadpan radiance. That must be some really good shit they're smoking. It's not the druggy philosophizing, however, that makes American Beauty an emotional workout. It's that the caricatures are grounded in sympathy instead of derision. Everyone on screen is in serious pain. The manipulative sexpot Angela, who taunts her friend Jane with the idea of seducing her dad, acts chiefly out of a terror of appearing ordinary. As the military martinet, Cooper goes against the grain, turning Col. Fitts into a sour bulldog whose capaciously baggy eyes are moist with sadness over his inability to reach out. (When he stands helplessly in the rain at the end, the deluge completes him.) The character of Carolyn is so shrill as to constitute a libel on the female sex, but there isn't a second when Bening sends the woman up. She doesn't transcend the part, she fills it to the brim, anatomizes it. You can't hate Carolyn because the woman is trying so hard--to appear confident, composed, in control. When she fails to sell that house, she closes the shades and lets go with a naked wail--it's the sound of a vacuum crying to be filled--then furiously slaps herself while sputtering, "Shut up--you're weak--shut up. " Then she breathes, regains her go-get-'em poise, replaces her mask. Carolyn isn't a complicated dramatic construction, but Bening gives her a primal force. An actress who packs more psychological detail into a single gesture than others get into whole scenes, Bening was barreling down the road to greatness before she hit a speed bump called Warren. It's a joy to observe her--both here and in Neil Jordan's In Dreams (1999)--back at full throttle. American Beauty is Spacey's movie, though. He gives it--how weird to write this about Spacey, who made his name playing flamboyantly self-involved psychopaths--a heart. Early on, he lets his face and posture go slack and his eyes blurry. He mugs like crazy, telegraphing Lester's "loserness." But Spacey's genius is for mugging in character. He makes us believe that it's Lester who's caricaturing himself , and that bitter edge paves the way for the character's later, more comfortably Spacey-like scenes of insult and mockery. He even makes us take Lester's final, improbably rhapsodic moments straight. But do the filmmakers take them straight? If I read it correctly, the movie is saying that American society is unjust and absurd and loveless--full of people so afraid of seeming ordinary that they lose their capacity to see. It's saying that our only hope is to cultivate a kind of stoned aesthetic detachment whereby even a man with his brains blown out becomes an object of beauty and a signpost to a Higher Power. But to scrutinize a freshly dead body and not ask how it got that way--or if there's anyone nearby with a gun who might want to add to the body count--strikes me as either moronic or insane or both. The kind of detachment the movie is peddling isn't artistic, it isn't life--it's nihilism at its most fatuous. In the end, American Beauty is New Age Nihilism. Kevin Costner is 11 years older than he was as Crash Davis, the over-the-hill minor-league catcher in Bull Durham (1988), but he can still get away with playing a professional ballplayer. He moves and acts like a celebrity jock, and he can make his narcissistic self-containment look as if he's keeping something in reserve--to protect his "instrument," as it were. In For Love of the Game , he's a 40ish Detroit Tigers pitcher having his last hurrah: The team has been sold and the new owners don't necessarily want him back. For about half an hour, it's a great sports movie. Costner stands on the mound shaking off the signals of his longtime catcher (John C. Reilly); he forces himself to tune out the huge Yankee Stadium crowd (the background blurs before our eyes and the sound drops out); and he mutters darkly at a succession of batters, some old nemeses, some old buddies. He also thinks about his Manhattan-based ex-girlfriend (Kelly Preston), who tearfully told him that morning that things were absolutely over and she was moving to London. There's an appealing flashback to how they met (he stopped to fix her car while on the way to Yankee Stadium), then it's back to the game for more nail-biting at bats. But pretty soon the relationship flashbacks start coming thick and fast, and the balance of the movie shifts to whether Kevin can commit to Kelly and Kelly can commit to Kevin or whether his only commitment could ever be to the ball and the diamond and the game. Maybe it's because I'm a baseball nut that I hated to leave the mound. But maybe it's also because the relationships scenes are soft-focus, generic, and woozily drawn-out, whereas the stuff in the stadium is sharply edited and full of texture. The rhythms of the game feel right; the rhythms of the romance feel embarrassingly Harlequin, and the picture drags on for over two hours. I can't believe that the director, Sam Raimi ( The Evil Dead , 1983; last year's A Simple Plan ) thought that all those scenes of Costner and Preston staring into space while the piano plinks would end up in the final cut, but Raimi apparently gave up control of the final cut for the sake of making his first, real mainstream picture. He might as well have stuck his head over the plate and said, "Bean me."
train	20072	[ "How does the author feel about Princess Mononoke?", "How does the animal kingdom feel about Ashitaka?", "How is Miyazaki viewed by his contemporaries?", "How does the author feel about Music of the Heart?", "What is the plot of Music of the Heart?", "How does Princess Mononoke differ from Disney animation?", "How did Meryl Streep prepare for the role of Roberta?", "Who is the antagonist of Princess Mononoke?", "How does the author feel San's relationship with Ashitaka changed her?" ]	[ [ "It is wonderfully strange.", "It is a world that draws you in and takes your breath away. The only distraction is poor voice casting.", "It is a powerful vision of the apocalypse.", "It is technically dazzling." ], [ "They too want to live together in harmony.", "They look upon him with feral hatred.", "They don't like him, some tolerate him.", "They are enemies." ], [ "Miyazaki is homiletic.", "Miyazaki is an inspiration to artists of many genres.", "Miyazaki is contemplative and ferocious.", "Miyazaki is solipsistic." ], [ "The film had lots of areas that could've been improved.", "The director missed his chance to make a great film by making safe choices.", "The film is not going to be nominated for an Academy Award.", "There is not enough footage of the students learning their instruments." ], [ "After a budget cut, a violin teacher in East Harlem arranges a fundraiser at Carnegie Hall.", "A white lady teaches violin in East Harlem.", "A violin teacher in East Harlem takes her students to Carnegie Hall.", "East Harlem students hate their perfectionist violin teacher." ], [ "It is homiletic and solipsistic.", "It is full of splattery carnage.", "There is no pop surrealism like American cartoons.", "It has a pantheistic worldview." ], [ "She learned to play the violin without any former instrument training.", "She began to act very helplessly and feeble around the rest of the cast.", "She is a method actor and became very vulnerable.", "She made herself look dumpy and thick-waisted." ], [ "Lady Eboshi", "The Martian Queen", "Ashitaka", "Moro" ], [ "The character becomes bland as she comes to care for Ashitaka.", "She becomes soft as she comes to care for Ashitaka.", "The originally ferocious character loses some of her edge as she comes to care for Ashitaka.", "San becomes slightly more sympathetic as she comes to care for Ashitaka." ] ]	[ 2, 3, 2, 2, 1, 3, 1, 1, 3 ]	[ 1, 1, 0, 0, 1, 1, 0, 0, 1 ]	Machines in the Garden In the animated ecological epic Princess Mononoke , the camera travels over landscapes with a clear, steady gaze, like a Zen hang glider. The images have none of the comin'-at-ya pop-surrealism of American cartoons, many of which have characters that spring out of the frame like jack-in-the-boxes. The Japanese director, Hayao Miyazaki, who spent three years on Princess Mononoke and is reported to have done 70 percent of its paintings himself, seems to work from the outside in: to begin with the curve of the earth, then the mossy hills, the watercolor foliage, the nubby stones, the whorls on the wood, the meticulous carvings on a teacup. He captures the texture of light and the currents of air. You could almost settle down in this landscape. A view of nature that some would call "tree-hugging" doesn't feel softheaded when the trees are rendered in such brilliant and robust detail. But then, "soft" is not a word you can apply to Princess Mononoke , however pantheistic its worldview. The film, which is rated PG-13, is full of splattery carnage. If Miyazaki in long shot is contemplative, in close-up he's ferocious. He's both inside and outside the action: He knows when to rock your world and when to induce a state of sorrowful detachment. According to the New York Times , Toy Story animators screened reels of his work when their imaginations flagged, and writers for Star Trek named an alien species after one of his features. Watching Princess Mononoke --which has been dubbed to Disney/Miramax specifications by American and English stars but retains its two-hour-plus length, its gory beheadings, and its grim, near-apocalyptic finale--you can understand their worship. It isn't that Miyazaki's work is technically so dazzling in this age of digitized miracles; it's that everything is sublimely in proportion. The movie has a scope that makes Hollywood's homiletic, follow-your-dream fables look even more solipsistic. Miyazaki is after nothing less than the moment in our history (the film is set in the 14 th and 15 th centuries) when the power shifted from a "natural" world to one shaped by human technology. It's the beginning of what Bill McKibben called "the end of nature"--that is, when nature became no longer an autonomous, self-regulating force but one touched (and, in Miyazaki's view, poisoned) by human industry. The hero, Ashitaka, a warrior from the isolationist Emishi clan, is forced in the first scene to kill a marauding boar--a god turned into a demon (covered in roiling, corrosive worms) by an iron ball lodged in its body. Infected, destined to be consumed by--and to die of--rage, Ashitaka leaves his village in search of the iron ball's source. He discovers a fortress-cum-arms-manufacturing plant called Irontown, presided over by one of the most complex villains in modern film: the regal Lady Eboshi. On one hand, she's a benevolent industrialist who presides over a warmly matriarchal society; on the other, she wants to destroy the forest, harness its resources, and exterminate its animal deities--chiefly the Spirit of the Forest, a magnificent deer god whose touch brings instant life or death, and who transforms at dusk into the towering Night Walker. P rincess Mononoke builds to a full-scale war between humans and the animal kingdom--which does not, by the way, consist of your father's cartoon critters. In fact, the boars and apes have little patience with Ashitaka's call for nature and mankind to live together in harmony; they'd like to eat him. The wolf god, Moro, is slightly more sympathetic, but that's because her adopted "daughter," San (a k a Princess Mononoke), is human. San is first seen sucking a wound of her huge wolf mother, then, as the gore drips from her mouth, training her dark eyes on Ashitaka with feral hatred. Her second appearance--a lone attack on Irontown to assassinate Lady Eboshi--is one of the movie's high points. It's Miyazaki's use of sound--and silence--that takes your breath away: the determined tap of the wolf princess's shoes as she scuttles over the fortress's rooftops; the silence of Eboshi and her army as they stare at this tiny yet formidable tomboy against the black sky. Their battle is so furious that the blades streak and lose definition--it's almost subliminal. It's a shame that the wolf princess warms up to Ashitaka and spends the rest of the film either saving him or being saved by him. She loses that punk-bitch allure. The voice of Claire Danes doesn't help. When Danes says, "I'd do anything to get you humans out of my forest," she sounds like a Valley Girl peeved over lack of parking spaces at the mall. (San needs a more ragged voice--I'd be interested to hear the original Japanese actress.) Billy Crudup is just as Disneyfied (Miramaxed?), but that doesn't hurt as much because Ashitaka is conceived from the start as a rather bland ingÃ©nu. Gillian Anderson's growling Moro sounds silly (she doesn't have the breath control), and the fey-hick tones of Billy Bob Thornton are too recognizable as the Akim Tamiroff-like mercenary, Jigo. But Minnie Driver--coming off a triumphantly dizzy Jane in Tarzan --once again provides a voice that the animators deserve. "Bring the strange-ah to me late-ah," she commands in sexy Martian Queen cadences that will stir the loins of Flash Gordon fans everywhere. "I would like to thank him puh-sonally." The overfamiliar voices nudge Princess Mononoke closer to its American counterparts--but not by a lot. There's always something wondrously strange. The "kodamas" are little tree spirits on doughboy bodies. They cock their trapezoidal dice heads and emit a series of clicks; then their heads pop back with a conclusive rattle. Something about them seems just right; I could watch them for hours. (Miyazaki limits their appearances to seconds--he doesn't wear out their mystery the way that, say, George Lucas would.) And no Hollywood animated feature would end with such a powerful vision of apocalypse, as the land is bestridden by a colossus dropping a thick, caustic, tarlike gel that recalls the post-Hiroshima "black rain." Can you take the kids? I think so. As Miyazaki said at a New York Film Festival press conference, "Children understand intuitively that the world they have been born into is not a blessed world." Princess Mononoke , at least, can tell them why. "A special smile ... a certain touch ..." So begins the elevator-music theme song of Music of the Heart ... "I never had a lot that I loved so much." The credits had just started and I was already looking for a barf bag. Did Miramax and director Wes Craven have to work so hard to schlockify the story of Roberta Guaspari (played here by Meryl Streep), whose violin courses in East Harlem elementary schools have become a beacon for such programs nationwide? A fabled taskmaster (her story was told in the 1996 documentary Small Wonders ), Guaspari used music as a way to teach self-discipline--along with the healthy self-respect that follows in its wake. When the New York school board cut the funding for her program, she proved a marvel of self-promotion, attracting features in all the major dailies and ending up along with her best students at Carnegie Hall for a benefit "Fiddlefest"--along with Itzhak Perlman, Isaac Stern, and other legendary "fiddlers." Streep has said that she spent so much of the time on the set learning the violin (she doesn't play any instruments) that she didn't bring the full force of her acting technique to bear on Roberta. Maybe that's why the performance seems so natural. Let her always learn an instrument on the set! Still, she doesn't make much sense of Guaspari. The script, by Pamela Gray ( A Walk on the Moon ), has her students complain of her nastiness and perfectionism, but Streep--who has made herself look dumpy, thick-waisted, and bedraggled--is so busy telegraphing her vulnerability that all we get is dippy niceness. Instead of a monument to an individual's iron will, Music of the Heart becomes the story of a woman so helpless that she arouses the kindness of strangers. Directors of violent genre pieces like Craven (who got this mainstream gig in return for doing the Scream sequels) or Carl Franklin or Sam Raimi sometimes want so badly to belong to Establishment Hollywood--to go to the Academy Awards--that they neuter themselves. Bending over backward to show how sensitive they can be, they forget that violence--even if it's just emotional violence--belongs in "ordinary" dramas, too. Craven does good work with the young actors in the classroom scenes, but the film has a reticence common to most biopics and a mushy, TV-movie humanism that blands out its texture. OK, I was a puddle after some scenes, like the one where Guaspari pushes a student to get her to improve her posture and discovers that the girl is wearing a leg brace. But how much more emotional the Carnegie Hall climax would have been if instead of suddenly seeing these East Harlem kids on stage with Perlman, Stern, Joshua Bell, etc., we'd seen them rehearsing first and struggling to keep up. There's too much music of the heart and not enough music of the callused fingers. In outline, The Limey is a lean little B-movie revenge melodrama about a felonious Brit (Terence Stamp) who's newly sprung from prison and flies to Southern California to get to the bottom of his beautiful daughter's death: "My name's Wilson ... Who dunnit?" The film, directed by Steven Soderbergh, would be worth seeing just for Stamp's performance, at once rock-hard and goofily blinkered, and for Peter Fonda's wittily self-parodic turn as the suspected killer, a music producer who coasts on '60s counterculture easiness while his lackeys do the dirty work. ("Oh, man," he says, the fear finally seeping through the ether. "This is getting all too close to me.") But the picture's glory is its layered and intricate syntax. The dialogue moves ahead--there are great gobs of exposition--but the images continually double back: to Stamp and Lesley Ann Warren, as his daughter's acting teacher, simply gazing at each other; or to Stamp sitting on a plane, remembering his daughter as a girl on the beach, the lens of his home movie camera creating an eerily bright--almost supernatural--spot that dances over her face. The film's most violent act happens well off screen. (You hear the distant "pop-pop-pop-pop-pop" of the hero's gun.) The rest is only half-glimpsed, fantasized, or saturated by memory--or is the present the memory? Is all of The Limey a temporal hiccup? Some, including the critic at Time , have questioned Soderbergh's sanity. (But of course--Soderbergh flouts time!) I see a method to his madness. Less grandiosely than Harmony Korine in Julien Donkey-Boy , Soderbergh pores over every scene in search of its essential dramatic gesture. He's saying: This --not all that other stuff--is what's important. He telegraphs the ending--you know the Limey will somehow be at the root of his daughter's death--but it's still an emotional wow. The climax justifies the technique. It says the point of this odyssey isn't revenge but regret--for irredeemably blown chances and a tragic waste of love. Soderbergh is one of those rare filmmakers who learn on the job. Working within a tight genre structure, he's discovering hundreds of ways of editing a given scene that can give it the richness of a novel. Is he totally successful? No; he misses now and then, which is why the technique sticks out. But what a fantastic effort. See it and weep for what's missing in most other movies.
train	20071	[ "Why does Jack stop going to meetings for the terminally ill?", "What is Tyler Durden's mission about?", "Does the author feel Fight Club is an original concept?", "Why was Brandon raped and murdered?", "What is the author's least favorite film out of the four reviews?", "Which character does the author feel represents the perplexity at the center of Boys Don't Cry?", "How does the author feel about Mumford?", "To which actor did the author credit a slightly better than normal performance?" ]	[ [ "His apartment explodes, and he must move out of the meeting area.", "He dies from a terminal illness.", "Bob, from the testicular cancer group, has become too clingy.", "A woman, Marla, starts coming to the same meetings. Marla is not terminally ill." ], [ "Self-improvement", "Self-destruction", "Masturbation", "Subversive acts, both large and small" ], [ "Yes, the film points to new possibilities in storytelling.", "No, but voice-over narration is back in style.", "No, it feels like a mixture of Johnny Rotten, Jake La Motta, and Jesus.", "No, it feels like corporate-subsidized art." ], [ "He was involved in a barroom brawl.", "He was raped and murdered after his physical gender was discovered.", "He was attacked after hitting on a beautiful girl in a bar.", "He was attacked after surfing from the bumper of a pickup truck." ], [ "Fight Club", "Boys Don't Cry", "Mumford", "Happy Texas" ], [ "Brandon Teena", "Lana", "John", "Pierce" ], [ "It was a flop.", "It's like a noir Norman Rockwell painting.", "The author loved it, even though it was a flop.", "The film gave the author psychological mumps." ], [ "Ted Danson", "Loren Dean", "Brad Pitt", "Steve Zahn" ] ]	[ 4, 2, 3, 2, 4, 2, 3, 3 ]	[ 0, 0, 1, 0, 0, 0, 1, 1 ]	Boys Do Bleed Fight Club is silly stuff, sensationalism that mistakes itself for satire, but it's also a brash and transporting piece of moviemaking, like Raging Bull on acid. The film opens with--literally--a surge of adrenalin, which travels through the bloodstream and into the brain of its protagonist, Jack (Edward Norton), who's viewed, as the camera pulls out of his insides, with a gun stuck in his mouth. How'd he get into this pickle? He's going to tell you, breezily, and the director, David Fincher, is going to illustrate his narrative--violently. Fincher ( Seven , 1995; The Game , 1997) is out to bombard you with so much feverish imagery that you have no choice but to succumb to the movie's reeling, punch-drunk worldview. By the end, you might feel as if you, too, have a mouthful of blood. Not to mention a hole in your head. Fight Club careers from one resonant satirical idea to the next without quite deciding whether its characters are full of crap or are Gen X prophets. It always gives you a rush, though. At first, it goofs on the absurd feminization of an absurdly macho culture. An increasingly desperate insomniac, Jack finds relief (and release) only at meetings for the terminally ill. At a testicular cancer group, he's enfolded in the ample arms of Bob (the singer Meat Loaf Aday), a former bodybuilder who ruined his health with steroids and now has "bitch tits." Jack and Bob subscribe to a new form of male bonding: They cling to each other and sob. But Jack's idyll is rudely disrupted by--wouldn't you know it?--a woman. A dark-eyed, sepulchral head case named Marla Singer (Helena Bonham Carter) begins showing up at all the same disparate meetings for essentially the same voyeuristic ends, and the presence of this "tourist" makes it impossible for Jack to emote. Jack finds another outlet, though. On a plane, he meets Tyler Durden (Brad Pitt), a cryptic hipster with a penchant for subversive acts both large (he makes high-priced soaps from liposuctioned human fat) and small (he splices frames from porn flicks into kiddie movies). When Jack's apartment mysteriously explodes--along with his carefully chosen IKEA furniture--he moves into Tyler's squalid warehouse and helps to found a new religion: Fight Club, in which young males gather after hours in the basement of a nightclub to pound one another (and be pounded) to a bloody pulp. That last parenthesis isn't so parenthetical. In some ways, it's the longing to be beaten into oblivion that's the strongest. "Self-improvement," explains Tyler, "is masturbation"; self-destruction is the new way. Tyler's manifesto calls for an end to consumerism ("Things you own end up owning you"), and since society is going down ("Martha Stewart is polishing brass on the Titanic "), the only creative outlet left is annihilation. "It's only after we've lost everything that we're free to do anything," he says. Fincher and his screenwriter, Jim Uhls, seem to think they've broken new ground in Fight Club , that their metaphor for our discontents hits harder than anyone else's. Certainly it produces more bloody splatter. But 20 years ago, the same impulse was called punk and, as Greil Marcus documents in Lipstick Traces , it was other things before that. Yes, the mixture of Johnny Rotten, Jake La Motta, and Jesus is unique; and the Faludi-esque emasculation themes are more explicit. But there's something deeply movie-ish about the whole conceit, as if the novelist and director were weaned on Martin Scorsese pictures and never stopped dreaming of recapturing that first masochistic rush. The novel, the first by Chuck Palahniuk (the surname sounds like Eskimo for "palooka"--which somehow fits), walks a line between the straight and ironic--it isn't always clear if its glib sociological pronouncements are meant to be taken straight or as the ravings of a delusional mama's boy. But onscreen, when Pitt announces to the assembled fighters that they are the "middle children of history" with "no purpose and no place"--emasculated on one hand by the lack of a unifying crisis (a world war or depression) and on the other by lack of material wealth as promised by television--he seems meant to be intoning gospel. "We are a generation of men raised by women," Tyler announces, and adds, "If our fathers bail, what does that tell you about God?" (I give up: What?) F ight Club could use a few different perspectives: a woman's, obviously, but also an African-American's--someone who'd have a different take on the "healing" properties of violence. It's also unclear just what has emasculated Jack: Is it that he's a materialist or that the materials themselves (i.e., IKEA's lacquered particle boards) don't measure up to his fantasies of opulence? Is he motivated by spiritual hunger or envy? Tyler's subsequent idea of confining his group's mayhem to franchise coffee bars and corporate-subsidized art is a witty one--it's like a parody of neo-Nazism as re-enacted by yuppies. It might have been a howl if performed by, say, the troupe of artsy German nihilists in Joel and Ethan Coen's The Big Lebowski (1998). Somehow Brad Pitt doesn't have the same piquancy. Actually, Pitt isn't as terrible as usual: He's playing not a character but a conceit, and he can bask in his movie-idol arrogance, which seems to be the most authentic emotion he has. But the film belongs to Norton. As a ferocious skinhead in last year's American History X , Norton was taut and ropy, his long torso curled into a sneer; here, he's skinny and wilting, a quivering pansy. Even when he fights he doesn't transform--he's a raging wimp. The performance is marvelous, and it makes poetic sense in light of the movie's climactic twist. But that twist will annoy more people than it will delight, if only because it shifts the drama from the realm of the sociological to that of the psychoanalytic. The finale, scored with the Pixies' great "Where Is My Mind?" comes off facetiously--as if Fincher is throwing the movie away. Until then, however, he has done a fabulous job of keeping it spinning. The most thrilling thing about Fight Club isn't what it says but how Uhls and Fincher pull you into its narrator's head and simulate his adrenalin rushes. A veteran of rock videos, Fincher is one of those filmmakers who helps make the case that MTV--along with digital editing--has transformed cinema for better as well as worse. The syntax has become more intricate. Voice-over narration, once considered uncinematic, is back in style, along with novelistic asides, digressions, fantasies, and flashbacks. To make a point, you can jazzily interject anything--even, as in Three Kings , a shot of a bullet slicing through internal organs. Films like Fight Club might not gel, but they have a breathless, free-associational quality that points to new possibilities in storytelling. Or maybe old possibilities: The language of movies hasn't seemed this unfettered since the pre-sound days of Sergei Eisenstein and Abel Gance. An actress named Hilary Swank gives one of the most rapturous performances I've ever seen as the cross-dressing Brandon Teena (a k a Teena Brandon) in Kimberly Peirce's stark and astonishingly beautiful debut feature, Boys Don't Cry . The movie opens with Teena being shorn of her hated female tresses and becoming "Brandon," who swaggers around in tight jeans and leather jackets. The joy is in watching the actor transform, and I don't just mean Swank: I mean Teena Brandon playing Brandon Teena--the role she has been longing for her whole life. In a redneck Nebraska bar, Brandon throws back a shot of whiskey and the gesture--a macho cliché--becomes an act of self-discovery. Every gesture does. "You're gonna have a shiner in the morning," someone tells Brandon after a barroom brawl, and he takes the news with a glee that's almost mystical: "I am????? Oh, shit!!!" he cries, grinning. That might be my favorite moment in the picture, because Swank's ecstatic expression carries us through the next hour, as Brandon acts out his urban-cowboy fantasies--"surfing" from the bumper of a pickup truck, rolling in the mud, and straddling a barstool with one hand on a brewski and the other on the shoulder of a gorgeous babe. That the people with whom Brandon feels most at home would kill him if they knew his true gender is the movie's most tragic irony--and the one that lifts it out of the realm of gay-martyr hagiography and into something more complex and irreducible: a meditation on the irrelevance of gender. Peirce's triumph is to make these scenes at once exuberant (occasionally hilarious) and foreboding, so that all the seeds of Brandon's killing are right there on the screen. John (Peter Sarsgaard), one of his future rapists and murderers, calls him "little buddy" and seems almost attracted to him; Sarsgaard's performance is a finely chiseled study of how unresolved emotion can suddenly resolve itself into violence. Though harrowing, the second half of Boys Don't Cry isn't as great as the first. The early scenes evoke elation and dread simultaneously, the later ones just dread; and the last half-hour is unrelieved torture. What keeps the movie tantalizing is Chloë Sevigny's Lana, who might or might not know that Brandon is a girl but who's entranced by him anyway. With her lank hair, hooded eyes, and air of sleepy sensuality, Sevigny--maybe even more than Swank--embodies the mystery of sex that's at the core of Boys Don't Cry . Everything she does is deliberate, ironic, slightly unreadable--and unyielding. She's could be saying, "I'm in this world but not of it. ... You'd never dream what's underneath." I n brief: If a friend tells you you'll love Happy Texas , rethink the friendship. This clunky mistaken-identity comedy about escaped cons who impersonate gay pageant directors doesn't even make sense on its own low farcical terms; it's mostly one lame homo joke after another. The only bright spot is Steve Zahn, who could be the offspring of Michael J. Fox and Crispin Glover if they'd mated on the set of Back to the Future (1985). It's hard to make a serious case for Lawrence Kasdan's Mumford , which has apparently flopped but which you can still catch at second- and third-tier theaters. It looks peculiar--a Norman Rockwell painting with noir shadows. And its tale of a small town healed by a depressive (Loren Dean) posing as a psychologist is full of doddering misconceptions about psychotherapy. I almost don't know why I loved it, but the relaxed pacing and the witty turns by Martin Short, Ted Danson, David Paymer, and Mary McDonnell surely helped. I can't decide if the weirdly affectless Dean is inspired or inept, but my indecision suggests why he works in the role. There's no doubt, however, about his even more depressive love object, Hope Davis, who posseses the cinema's most expressive honking-nasal voice and who slumps through the movie like the world's most lyrical anti-ballerina. Even her puffy cheeks are eloquent: They made me think of Mumford as the home of the psychological mumps.
train	51651	[ "What is the most dangerous aspect of the neutroids and other mutant animals?", "How are citizens organized into different classes in society?", "Which of the following is NOT true of Class C citizens?", "What act suggests that Terry empathizes with the owners of the neutroids he confiscates as part of his job? ", "The barn and kennels are allusions to:", "Which answer best represents a prominent theme of this passage?\n\nOnce a neutroid reached its age-set, it remained at that developmental level until death (sick experiments). It's a 'mental deviant' and he was afraid of those (compared to physical?) Why are females disposed of automatically? (China birth law) Apparently he had done this multiple times, but who knows how many. Why is story told from Norris' POV? Not delmont? If they break the rule, compulsory divorce and sterilization. ", "What is the most likely reason for Mrs. Sarah Glubbes calling her neutroid a baby?", "Which terms best describe the tone of the passage in which Terry incinerates 23 of his long-term barn residents?", "J \"Doggy\" O'Reilley is most likely:" ]	[ [ "Because they are grouped together in isolated areas, it is possible that they could use their adorable appearance and innocent demeanor to hide the fact that they are conspiring to overthrow the society.", "Because they only live up until a certain age, they often act with a level of invincibility that is threatening to society and its systems of social stratification.", "Their cute appearance causes others to underestimate their high predatory instincts and behaviors, and many injuries and deaths result because of this incongruency.", "Their cute appearance makes it easy for humans to get attached to them, and mass levels of attachment could potentially thwart current methods of classifying members of society." ], [ "Through random assignment at birth", "According to their socioeconomic status", "After a lengthy interview with Anthropos upon reaching a specific age-set", "By an analysis of their genes and heredity" ], [ "They are not legally permitted to reproduce and bear human children.", "They are not legally permitted to go against the results of their aptitude tests.", "There is a 100% chance that they will develop and/or die from a significant physical or mental illness.", "It is difficult for them to access news and information, such as a viral outbreak." ], [ "He returns lost neutroids to their owners instead of taking them to the pound and incinerating them.", "He drops charges after they assault him if they agree to cooperate with authorities.", "He ignores discrepancies in serial number checks even though it could cost him his job.", "He thinks about stealing a neutroid for his wife, but ultimately feels bad and returns it to its owner." ], [ "Ethnic experimentation labs", "Torture chambers", "Unethical animal testing facilities ", "Concentration camps" ], [ "If you're going to break a law, be prepared to deal with the consequences.", "It is physically and emotionally dangerous to get too attached to others.", "Government actions made in the name of equality can sometimes cause more harm than good.", "Too much technological advancement can destroy a thriving society." ], [ "She is a Class C citizen and likely has a mental or emotional disorder.", "She became too attached to her neutroid.", "She is trying to distract the authorities from the neutroid black market.", "The neutroid is actually a human child." ], [ "Excited and reinvigorated", "Relieved and composed", "Hopeless and unsettled", "Unphased and unapologetic" ], [ "A Delmont \"flaw\" that passed", "A Class C citizen", "A neutroid", "A federal officer" ] ]	[ 4, 4, 4, 2, 4, 3, 2, 3, 2 ]	[ 0, 0, 1, 1, 1, 1, 0, 1, 1 ]	Conditionally Human By WALTER M. MILLER, JR. Illustrated by DAVID STONE [Transcriber's Note: This etext was produced from Galaxy Science Fiction February 1952. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] They were such cute synthetic creatures, it was impossible not to love them. Of course, that was precisely why they were dangerous! There was no use hanging around after breakfast. His wife was in a hurt mood, and he could neither endure the hurt nor remove it. He put on his coat in the kitchen and stood for a moment with his hat in his hands. His wife was still at the table, absently fingering the handle of her cup and staring fixedly out the window at the kennels behind the house. He moved quietly up behind her and touched her silk-clad shoulder. The shoulder shivered away from him, and her dark hair swung shiningly as she shuddered. He drew his hand back and his bewildered face went slack and miserable. "Honeymoon's over, huh?" She said nothing, but shrugged faintly. "You knew I worked for the F.B.A.," he said. "You knew I'd have charge of a district pound. You knew it before we got married." "I didn't know you killed them," she said venomously. "I won't have to kill many. Besides, they're only animals." " Intelligent animals!" "Intelligent as a human imbecile, maybe." "A small child is an imbecile. Would you kill a small child?" "You're taking intelligence as the only criterion of humanity," he protested hopelessly, knowing that a logical defense was useless against sentimentality. "Baby—" "Don't call me baby! Call them baby!" Norris backed a few steps toward the door. Against his better judgment, he spoke again. "Anne honey, look! Think of the good things about the job. Sure, everything has its ugly angles. But think—we get this house rent-free; I've got my own district with no bosses around; I make my own hours; you'll meet lots of people that stop in at the pound. It's a fine job, honey!" She sipped her coffee and appeared to be listening, so he went on. "And what can I do? You know how the Federation handles employment. They looked over my aptitude tests and sent me to Bio-Administration. If I don't want to follow my aptitudes, the only choice is common labor. That's the law ." "I suppose you have an aptitude for killing babies?" she said sweetly. Norris withered. His voice went desperate. "They assigned me to it because I liked babies. And because I have a B.S. in biology and an aptitude for dealing with people. Can't you understand? Destroying unclaimed units is the smallest part of it. Honey, before the evolvotron, before Anthropos went into the mutant-animal business, people used to elect dogcatchers. Think of it that way—I'm just a dogcatcher." Her cool green eyes turned slowly to meet his gaze. Her face was delicately cut from cold marble. She was a small woman, slender and fragile, but her quiet contempt made her loom. He backed closer to the door. "Well, I've got to get on the job." He put on his hat and picked at a splinter on the door. He frowned studiously at the splinter. "I—I'll see you tonight." He ripped the splinter loose when it became obvious that she didn't want to be kissed. He grunted a nervous good-by and stumbled down the hall and out of the house. The honeymoon was over, all right. He climbed in the kennel-truck and drove east toward the highway. The suburban street wound among the pastel plasticoid cottages that were set approximately two to an acre on the lightly wooded land. With its population legally fixed at three hundred million, most of the country had become one big suburb, dotted with community centers and lined with narrow belts of industrial development. Norris wished there were someplace where he could be completely alone. As he approached an intersection, he saw a small animal sitting on the curb, wrapped in its own bushy tail. Its oversized head was bald on top, but the rest of its body was covered with blue-gray fur. Its tiny pink tongue was licking daintily at small forepaws with prehensile thumbs. It was a cat-Q-5. It glanced curiously at the truck as Norris pulled to a halt. He smiled at it from the window and called, "What's your name, kitten?" The cat-Q-5 stared at him impassively for a moment, let out a stuttering high-pitched wail, then: "Kiyi Rorry." "Whose child are you, Rorry?" he asked. "Where do you live?" The cat-Q-5 took its time about answering. There were no houses near the intersection, and Norris feared that the animal might be lost. It blinked at him, sleepily bored, and resumed its paw-washing. He repeated the questions. "Mama kiyi," said the cat-Q-5 disgustedly. "That's right, Mama's kitty. But where is Mama? Do you suppose she ran away?" The cat-Q-5 looked startled. It stuttered for a moment, and its fur crept slowly erect. It glanced around hurriedly, then shot off down the street at a fast scamper. He followed it in the truck until it darted onto a porch and began wailing through the screen, "Mama no run ray! Mama no run ray!" Norris grinned and drove on. A class-C couple, allowed no children of their own, could get quite attached to a cat-Q-5. The felines were emotionally safer than the quasi-human chimp-K series called "neutroids." When a pet neutroid died, a family was broken with grief; but most couples could endure the death of a cat-Q or a dog-F. Class-C couples were allowed two lesser units or one neutroid. His grin faded as he wondered which Anne would choose. The Norrises were class-C—defective heredity. He found himself in Sherman III Community Center—eight blocks of commercial buildings, serving the surrounding suburbs. He stopped at the message office to pick up his mail. There was a memo from Chief Franklin. He tore it open nervously and read it in the truck. It was something he had been expecting for several days. Attention All District Inspectors: Subject: Deviant Neutroid. You will immediately begin a systematic and thorough survey of all animals whose serial numbers fall in the Bermuda-K-99 series for birth dates during July 2234. This is in connection with the Delmont Negligency Case. Seize all animals in this category, impound, and run proper sections of normalcy tests. Watch for mental and glandular deviation. Delmont has confessed to passing only one non-standard unit, but there may be others. He disclaims memory of deviant's serial number. This could be a ruse to bring a stop to investigations when one animal is found. Be thorough. If allowed to reach age-set or adulthood, such a deviant could be dangerous to its owner or to others. Hold all seized K-99s who show the slightest abnormality in the normalcy tests. Forward to central lab. Return standard units to their owners. Accomplish entire survey project within seven days. C. Franklin Norris frowned at the last sentence. His district covered about two hundred square miles. Its replacement-quota of new neutroids was around three hundred animals a month. He tried to estimate how many of July's influx had been K-99s from Bermuda Factory. Forty, at least. Could he do it in a week? And there were only eleven empty neutroid cages in his kennel. The other forty-nine were occupied by the previous inspector's "unclaimed" inventory—awaiting destruction. He wadded the memo in his pocket, then nosed the truck onto the highway and headed toward Wylo City and the district wholesale offices of Anthropos, Inc. They should be able to give him a list of all July's Bermuda K-99 serial numbers that had entered his territory, together with the retailers to whom the animals had been sold. A week's deadline for finding and testing forty neutroids would put him in a tight squeeze. He was halfway to Wylo City when the radiophone buzzed on his dashboard. He pulled into the slow lane and answered quickly, hoping for Anne's voice. A polite professional purr came instead. "Inspector Norris? This is Doctor Georges. We haven't met, but I imagine we will. Are you extremely busy at the moment?" Norris hesitated. "Extremely," he said. "Well, this won't take long. One of my patients—a Mrs. Sarah Glubbes—called a while ago and said her baby was sick. I must be getting absent-minded, because I forgot she was class C until I got there." He hesitated. "The baby turned out to be a neutroid. It's dying. Eighteenth order virus." "So?" "Well, she's—uh—rather a peculiar woman, Inspector. Keeps telling me how much trouble she had in childbirth, and how she can't ever have another one. It's pathetic. She believes it's her own. Do you understand?" "I think so," Norris replied slowly. "But what do you want me to do? Can't you send the neutroid to a vet?" "She insists it's going to a hospital. Worst part is that she's heard of the disease. Knows it can be cured with the proper treatment—in humans. Of course, no hospital would play along with her fantasy and take a neutroid, especially since she couldn't pay for its treatment." "I still don't see—" "I thought perhaps you could help me fake a substitution. It's a K-48 series, five-year-old, three-year set. Do you have one in the pound that's not claimed?" Norris thought for a moment. "I think I have one . You're welcome to it, Doctor, but you can't fake a serial number. She'll know it. And even though they look exactly alike, the new one won't recognize her. It'll be spooky." There was a long pause, followed by a sigh. "I'll try it anyway. Can I come get the animal now?" "I'm on the highway—" "Please, Norris! This is urgent. That woman will lose her mind completely if—" "All right, I'll call my wife and tell her to open the pound for you. Pick out the K-48 and sign for it. And listen—" "Yes?" "Don't let me catch you falsifying a serial number." Doctor Georges laughed faintly. "I won't, Norris. Thanks a million." He hung up quickly. Norris immediately regretted his consent. It bordered on being illegal. But he saw it as a quick way to get rid of an animal that might later have to be killed. He called Anne. Her voice was dull. She seemed depressed, but not angry. When he finished talking, she said, "All right, Terry," and hung up. By noon, he had finished checking the shipping lists at the wholesale house in Wylo City. Only thirty-five of July's Bermuda-K-99s had entered his territory, and they were about equally divided among five pet shops, three of which were in Wylo City. After lunch, he called each of the retail dealers, read them the serial numbers, and asked them to check the sales records for names and addresses of individual buyers. By three o'clock, he had the entire list filled out, and the task began to look easier. All that remained was to pick up the thirty-five animals. And that , he thought, was like trying to take a year-old baby away from its doting mother. He sighed and drove to the Wylo suburbs to begin his rounds. Anne met him at the door when he came home at six. He stood on the porch for a moment, smiling at her weakly. The smile was not returned. "Doctor Georges came," she told him. "He signed for the—" She stopped to stare at him. "Darling, your face! What happened?" Gingerly he touch the livid welts down the side of his cheek. "Just scratched a little," he muttered. He pushed past her and went to the phone in the hall. He sat eying it distastefully for a moment, not liking what he had to do. Anne came to stand beside him and examine the scratches. Finally he lifted the phone and dialed the Wylo exchange. A grating mechanical voice answered, "Locator center. Your party, please." "Sheriff Yates," Norris grunted. The robot operator, which had on tape the working habits of each Wylo City citizen, began calling numbers. It found the off-duty sheriff on its third try, in a Wylo pool hall. "I'm getting so I hate that infernal gadget," Yates grumbled. "I think it's got me psyched. What do you want, Norris?" "Cooperation. I'm mailing you three letters charging three Wylo citizens with resisting a Federal official—namely me —and charging one of them with assault. I tried to pick up their neutroids for a pound inspection—" Yates bellowed lusty laughter into the phone. "It's not funny. I've got to get those neutroids. It's in connection with the Delmont case." Yates stopped laughing. "Oh. Well, I'll take care of it." "It's a rush-order, Sheriff. Can you get the warrants tonight and pick up the animals in the morning?" "Easy on those warrants, boy. Judge Charleman can't be disturbed just any time. I can get the newts to you by noon, I guess, provided we don't have to get a helicopter posse to chase down the mothers." "That'll be all right. And listen, Yates—fix it so the charges will be dropped if they cooperate. Don't shake those warrants around unless they just won't listen to reason. But get those neutroids." "Okay, boy. Gotcha." Norris gave him the names and addresses of the three unwilling mothers. As soon as he hung up, Anne touched his shoulders and said, "Sit still." She began smoothing a chilly ointment over his burning cheek. "Hard day?" she asked. "Not too hard. Those were just three out of fifteen. I got the other twelve. They're in the truck." "That's good," she said. "You've got only twelve empty cages." He neglected to tell her that he had stopped at twelve for just this reason. "Guess I better get them unloaded," he said, standing up. "Can I help you?" He stared at her for a moment, saying nothing. She smiled a little and looked aside. "Terry, I'm sorry—about this morning. I—I know you've got a job that has to be—" Her lip quivered slightly. Norris grinned, caught her shoulders, and pulled her close. "Honeymoon's on again, huh?" she whispered against his neck. "Come on," he grunted. "Let's unload some neutroids, before I forget all about work." They went out to the kennels together. The cages were inside a sprawling concrete barn, which was divided into three large rooms—one for the fragile neuter humanoid creatures, and another for the lesser mutants, such as cat-Qs, dog-Fs, dwarf bears, and foot-high lambs that never matured into sheep. The third room contained a small gas chamber with a conveyor belt leading from it to a crematory-incinerator. Norris kept the third locked lest his wife see its furnishings. The doll-like neutroids began their mindless chatter as soon as their keepers entered the building. Dozens of blazing blond heads began dancing about their cages. Their bodies thwacked against the wire mesh as they leaped about their compartments with monkey grace. Their human appearance was broken by only two distinct features: short beaverlike tails decorated with fluffy curls of fur, and an erect thatch of scalp-hair that grew up into a bright candleflame. Otherwise, they appeared completely human, with baby-pink skin, quick little smiles, and cherubic faces. They were sexually neuter and never grew beyond a predetermined age-set which varied for each series. Age-sets were available from one to ten years human equivalent. Once a neutroid reached its age-set, it remained at the set's child-development level until death. "They must be getting to know you pretty well," Anne said, glancing around at the cages. Norris was wearing a slight frown as he inspected the room. "They've never gotten this excited before." He walked along a row of cages, then stopped by a K-76 to stare. " Apple cores! " He turned to face his wife. "How did apples get in there?" She reddened. "I felt sorry for them, eating that goo from the mechanical feeder. I drove down to Sherman III and bought six dozen cooking apples." "That was a mistake." She frowned irritably. "We can afford it." "That's not the point. There's a reason for the mechanical feeders." He paused, wondering how he could tell her the truth. He blundered on: "They get to love whoever feeds them." "I can't see—" "How would you feel about disposing of something that loved you?" Anne folded her arms and stared at him. "Planning to dispose of any soon?" she asked acidly. "Honeymoon's off again, eh?" She turned away. "I'm sorry, Terry. I'll try not to mention it again." He began unloading the truck, pulling the frightened and squirming doll-things forth one at a time with a snare-pole. They were one-man pets, always frightened of strangers. "What's the Delmont case, Terry?" Anne asked while he worked. "Huh?" "I heard you mention it on the phone. Anything to do with why you got your face scratched?" He nodded sourly. "Indirectly, yes. It's a long story." "Tell me." "Well, Delmont was a green-horn evolvotron operator at the Bermuda plant. His job was taking the unfertilized chimpanzee ova out of the egg-multiplier, mounting them in his machine, and bombarding the gene structure with sub-atomic particles. It's tricky business. He flashes a huge enlargement of the ovum on the electron microscope screen—large enough so he can see the individual protein molecules. He has an artificial gene pattern to compare it with. It's like shooting sub-atomic billiards. He's got to fire alpha-particles into the gene structure and displace certain links by just the right amount. And he's got to be quick about it before the ovum dies from an overdose of radiation from the enlarger. A good operator can get one success out of seven tries. "Well, Delmont worked a week and spoiled over a hundred ova without a single success. They threatened to fire him. I guess he got hysterical. Anyway, he reported one success the next day. It was faked. The ovum had a couple of flaws—something wrong in the central nervous system's determinants, and in the glandular makeup. Not a standard neutroid ovum. He passed it on to the incubators to get a credit, knowing it wouldn't be caught until after birth." "It wasn't caught at all?" Anne asked. "Funny thing, he was afraid it wouldn't be. He got to worrying about it, thought maybe a mental-deviant would pass, and that it might be dangerous. So he went back to its incubator and cut off the hormone flow into its compartment." "Why that?" "So it would develop sexuality. A neutroid would be born a female if they didn't give it suppressive doses of male hormone prenatally. That keeps ovaries from developing and it comes out neuter. But Delmont figured a female would be caught and stopped before the final inspection. They'd dispose of her without even bothering to examine for the other defects. And he could blame the sexuality on an equipment malfunction. He thought it was pretty smart. Trouble was they didn't catch the female. She went on through; they all look female." "How did they find out about it now?" "He got caught last month, trying it again. And he confessed to doing it once before. No telling how many times he really did it." Norris held up the final kicking, squealing, tassel-haired doll from the back of the kennel-truck. He grinned at his wife. "This little fellow, for instance. It might be a potential she. It might also be a potential murderer. All these kiddos are from the machines in the section where Delmont worked." Anne snorted and caught the baby-creature in her arms. It struggled and tried to bite, but subsided a little when she disentangled it from the snare. "Kkr-r-reee," it cooed nervously. "Kkr-r-reee!" "You tell him you're no murderer," Anne purred to it. Norris watched disapprovingly while she fondled it. One thing he had learned: to steer clear of emotional attachments. It was eight months old and looked like a child of two years—a year short of its age-set. And it was designed to be as affectionate as a human child. "Put it in the cage, Anne," he said quietly. She looked up and shook her head. "It belongs to somebody else. If it fixes a libido attachment on you, you're actually robbing its owner. They can't love many people at once." She snorted, but installed the thing in its cage. "Anne—" Norris hesitated, hating to approach the subject. "Do you—want one—for yourself? I can sign an unclaimed one over to you to keep in the house. It won't cost us anything." Slowly she shook her head, and her pale eyes went moody and luminous. "I'm going to have one of my own," she said. He stood in the back of the truck, staring down at her. "Do you realize what—" "I know what I'm saying. We're class-C on account of heart-trouble in both our families. Well, I don't care, Terry. I'm not going to waste a heart over one of these pathetic little artificial animals. We're going to have a baby." "You know what they'd do to us?" "If they catch us, yes—compulsory divorce, sterilization. But they won't catch us. I'll have it at home, Terry. Not even a doctor. We'll hide it." "I won't let you do such a thing." She faced him angrily. "Oh, this whole rotten world !" she choked. Suddenly she turned and fled out of the building. She was sobbing. Norris climbed slowly down from the truck and wandered on into the house. She was not in the kitchen nor the living room. The bedroom door was locked. He shrugged and went to sit on the sofa. The television set was on, and a newscast was coming from a local station. "... we were unable to get shots of the body," the announcer was saying. "But here is a view of the Georges residence. I'll switch you to our mobile unit in Sherman II, James Duncan reporting." Norris frowned with bewilderment as the scene shifted to a two-story plasticoid house among the elm trees. It was after dark, but the mobile unit's powerful floodlights made daylight of the house and its yard and the police 'copters sitting in a side lot. An ambulance was parked in the street. A new voice came on the audio. "This is James Duncan, ladies and gentlemen, speaking to you from our mobile unit in front of the late Doctor Hiram Georges' residence just west of Sherman II. We are waiting for the stretcher to be brought out, and Police Chief Erskine Miler is standing here beside me to give us a word about the case. Doctor Georges' death has shocked the community deeply. Most of you local listeners have known him for many years—some of you have depended upon his services as a family physician. He was a man well known, well loved. But now let's listen to Chief Miler." Norris sat breathing quickly. There could scarcely be two Doctor Georges in the community, but only this morning.... A growling drawl came from the audio. "This's Chief Miler speaking, folks. I just want to say that if any of you know the whereabouts of a Mrs. Sarah Glubbes, call me immediately. She's wanted for questioning." "Thank you, Chief. This is James Duncan again. I'll review the facts for you briefly again, ladies and gentlemen. At seven o'clock, less than an hour ago, a woman—allegedly Mrs. Glubbes—burst into Doctor Georges' dining room while the family was at dinner. She was brandishing a pistol and screaming, 'You stole my baby! You gave me the wrong baby! Where's my baby?' "When the doctor assured her that there was no other baby, she fired, shattering his salad plate. Glancing off it, the bullet pierced his heart. The woman fled. A peculiar feature of the case is that Mrs. Glubbes, the alleged intruder, has no baby . Just a minute—just a minute—here comes the stretcher now." Norris turned the set off and went to call the police. He told them what he knew and promised to make himself available for questioning if it became necessary. When he turned from the phone, Anne was standing in the bedroom doorway. She might have been crying a little, but she concealed it well. "What was all that?" she asked. "Woman killed a man. I happened to know the motive." "What was it?" "Neutroid trouble." "You meet up with a lot of unpleasantness in this business, don't you?" "Lot of unpleasant emotions tangled up in it," he admitted. "I know. Well, supper's been keeping hot for two hours. Shall we eat?" They went to bed at midnight, but it was after one when he became certain that his wife was asleep. He lay in darkness for a time, listening to her even breathing. Then he cautiously eased himself out of bed and tiptoed quietly through the door, carrying his shoes and trousers. He put them on in the kitchen and stole silently out to the kennels. A half moon hung low in a misty sky, and the wind was chilly out of the north. He went into the neutroid room and flicked a switch. A few sleepy chatters greeted the light. One at a time, he awoke twenty-three of the older doll-things and carried them to a large glass-walled compartment. These were the long-time residents; they knew him well, and they came with him willingly—like children after the Piper of Hamlin. When he had gotten them in the glass chamber, he sealed the door and turned on the gas. The conveyor would automatically carry them on to the incinerator. Now he had enough cages for the Bermuda-K-99s. He hurriedly quit the kennels and went to sit on the back steps. His eyes were burning, but the thought of tears made him sicker. It was like an assassin crying while he stabbed his victim. It was more honest just to retch. When he tiptoed back inside, he got as far as the hall. Then he saw Anne's small figure framed in the bedroom window, silhouetted against the moonlit yard. She had slipped into her negligee and was sitting on the narrow windowstool, staring silently out at the dull red tongue of exhaust gases from the crematory's chimney. Norris backed away. He went to the parlor and lay down on the couch. After a while he heard her come into the room. She paused in the center of the rug, a fragile mist in the darkness. He turned his face away and waited for the rasping accusation. But soon she came to sit on the edge of the sofa. She said nothing. Her hand crept out and touched his cheek lightly. He felt her cool finger-tips trace a soft line up his temple. "It's all right, Terry," she whispered. He kept his face averted. Her fingers traced a last stroke. Then she padded quietly back to the bedroom. He lay awake until dawn, knowing that it would never be all right, neither the creating nor the killing, until he—and the whole world—completely lost sanity. And then everything would be all right, only it still wouldn't make sense. Anne was asleep when he left the house. The night mist had gathered into clouds that made a gloomy morning of it. He drove on out in the kennel-truck, meaning to get the rest of the Bermuda-K-99s so that he could begin his testing. Still he felt the night's guilt, like a sticky dew that refused to depart with morning. Why should he have to kill the things? The answer was obvious. Society manufactured them because killing them was permissible. Human babies could not be disposed of when the market became glutted. The neutroids offered solace to childless women, kept them satisfied with a restricted birth rate. And why a restricted birth rate? Because by keeping the population at five billions, the Federation could insure a decent living standard for everybody. Where there was giving, Norris thought glumly, there was also taking away. Man had always deluded himself by thinking that he "created," but he created nothing. He thought that he had created—with his medical science and his end to wars—a longer life for the individual. But he found that he had only taken the lives of the unborn and added them to the years of the aged. Man now had a life expectancy of eighty, except that he had damn little chance of being born to enjoy it. A neutroid filled the cradle in his stead. A neutroid that never ate as much, or grew up to be unemployed. A neutroid could be killed if things got tough, but could still satisfy a woman's craving to mother something small. Norris gave up thinking about it. Eventually he would have to adjust to it. He was already adjusted to a world that loved the artificial mutants as children. He had been brought up in it. Emotion came in conflict with the grim necessities of his job. Somehow he would have to love them in the parlor and kill them in the kennel. It was only a matter of adjustment. At noon, he brought back another dozen K-99s and installed them in his cages. There had been two highly reluctant mothers, but he skipped them and left the seizure to the local authorities. Yates had already brought in the three from yesterday. "No more scratches?" Anne asked him while they ate lunch. They did not speak of the night's mass-disposal. Norris smiled mechanically. "I learned my lesson yesterday. If they bare their fangs, I get out without another word. Funny thing though—I've got a feeling one mother pulled a fast one." "What happened?" "Well, I told her what I wanted and why. She didn't like it, but she let me in. I started out with her newt, but she wanted a receipt. So I gave her one; took the serial number off my checklist. She looked at it and said, 'Why, that's not Chichi's number!' I looked at the newt's foot, and sure enough it wasn't. I had to leave it. It was a K-99, but not even from Bermuda." "I thought they were all registered," Anne said. "They are. I told her she had the wrong neutroid, but she got mad. Went and got the sales receipt. It checked with her newt, and it was from O'Reilley's pet shop—right place, wrong number. I just don't get it." "Nothing to worry about, is it Terry?" He looked at her peculiarly. "Ever think what might happen if someone started a black market in neutroids?" They finished the meal in silence. After lunch he went out again to gather up the rest of the group. By four o'clock, he had gotten all that were to be had without the threat of a warrant. The screams and pleas and tears of the owners left him gloomily despising himself. If Delmont's falsification had been widespread, he might have to turn several of the thirty-five over to central lab for dissection and ultimate destruction. That would bring the murderous wrath of their owners down upon him. He began to understand why bio-inspectors were frequently shifted from one territory to another. On the way home, he stopped in Sherman II to check on the missing number. It was the largest of the Sherman communities, covering fifty blocks of commercial buildings. He parked in the outskirts and took a sidewalk escalator toward O'Reilley's address. It was on a dingy sidestreet, reminiscent of past centuries, a street of small bars and bowling alleys and cigar stores. There was even a shop with three gold balls above the entrance, but the place was now an antique store. A light mist was falling when he stepped off the escalator and stood in front of the pet shop. A sign hung out over the sidewalk, announcing: J. "DOGGY" O'REILLEY PETS FOR SALE DUMB BLONDES AND GOLDFISH MUTANTS FOR THE CHILDLESS BUY A BUNDLE OF JOY Norris frowned at the sign and wandered inside. The place was warm and gloomy. He wrinkled his nose at the strong musk of animal odors. O'Reilley's was not a shining example of cleanliness. Somewhere a puppy was yapping, and a parrot croaked the lyrics of A Chimp to Call My Own , which Norris recognized as the theme song of a popular soap-opera about a lady evolvotron operator. He paused briefly by a tank of silk-draped goldfish. The shop had a customer. An elderly lady was haggling with a wizened manager over the price of a half grown second-hand dog-F. She was shaking her last dog's death certificate under his nose and demanding a guarantee of the dog's alleged F-5 intelligence. The old man offered to swear on a Bible, but he demurred when it came to swearing on a ledger. The dog was saying, "Don' sell me, Dada. Don' sell me." Norris smiled sardonically to himself. The non-human pets were smarter than the neutroids. A K-108 could speak a dozen words, and a K-99 never got farther than "mamma," "pappa," and "cookie." Anthropos was afraid to make the quasi-humans too intelligent, lest sentimentalists proclaim them really human. He wandered on toward the back of the building, pausing briefly by the cash register to inspect O'Reilley's license, which hung in a dusty frame on the wall behind the counter. "James Fallon O'Reilley ... authorized dealer in mutant animals ... all non-predatory mammals including chimpanzee-K series ... license expires June 1, 2235." It seemed in order, although the expiration date was approaching. He started toward a bank of neutroid cages along the opposite wall, but O'Reilley was mincing across the floor to meet him. The customer had gone. The little manager wore an elfin professional smile, and his bald head bobbled in a welcoming nod. "Good day, sir, good day! May I show you a dwarf kangaroo, or a—" He stopped and adjusted his spectacles. He blinked and peered as Norris flashed his badge. His smile waned. "I'm Agent Norris, Mr. O'Reilley. Called you yesterday for that rundown on K-99 sales." O'Reilley looked suddenly nervous. "Oh, yes. Find 'em all?" Norris shook his head. "No. That's why I stopped by. There's some mistake on—" he glanced at his list—"on K-99-LJZ-351. Let's check it again." O'Reilley seemed to cringe. "No mistake. I gave you the buyer's name." "She has a different number." "Can I help it if she traded with somebody?" "She didn't. She bought it here. I saw the receipt." "Then she traded with one of my other customers!" snapped the old man. "Two of your customers have the same name—Adelia Schultz? Not likely. Let's see your duplicate receipt book." O'Reilley's wrinkled face set itself into a stubborn mask. "Doubt if it's still around." Norris frowned. "Look, pop, I've had a rough day. I could start naming some things around here that need fixing—sanitary violations and such. Not to mention that sign—'dumb blondes.' They outlawed that one when they executed that shyster doctor for shooting K-108s full of growth hormones, trying to raise himself a harem to sell. Besides, you're required to keep sales records until they've been micro-filmed. There hasn't been a microfilming since July." The wrinkled face twitched with frustrated anger. O'Reilley shuffled to the counter while Norris followed. He got a fat binder from under the register and started toward a wooden stairway. "Where you going?" Norris called. "Get my old glasses," the manager grumbled. "Can't see through these new things." "Leave the book here and I'll check it," Norris offered. But O'Reilley was already limping quickly up the stairs. He seemed not to hear. He shut the door behind him, and Norris heard the lock click. The bio-agent waited. Again the thought of a black market troubled him. Unauthorized neutroids could mean lots of trouble.
train	51407	[ "The first paragraph in the passage foreshadows which theme of \"Sea Legs\"? ", "What is the purpose of paraoxynebutal?", "Which activity is part of the psychometric evaluation?", "What happened to Morgan Brockman by the end of the passage?", "Why is it important to watch the ones who don't become physically ill during the conditioning process?", "Upon landing, Craig is greeted by whom?", "The denizens of Terra would most likely make fun of Craig for his ______.", "Sensatia most likely refers to ________." ]	[ [ "Society tends to neglect those who have served", "If you don't like it, you can always leave", "The grass is always greener on the other side", "People shouldn't count on places to stay the same" ], [ "It relaxes the sympathetic nervous system", "It puts a human to sleep for up to 12 days", "It helps people adjust to changes in gravity", "It opens the airways to allow for easier breathing" ], [ "A trial period of exposure to gravity conditions on Terra", "Role playing worst case scenarios on Terra", "Exposure to video and audio footage from Terra", "Lengthy interviews with multiple officials who have been to Terra" ], [ "He died on the way to Terra", "His ex-wife Ethel had him assassinated", "He refused to leave his cot after conditioning", "He was arrested for being a Freedomite" ], [ "They could be tapped as leaders for Freedomite missions", "It is a sign that they are deviant extraterrestrials", "Their bodies' familiarity with gravity naturally makes them suspicious ", "Their bodies may naturally produce paraoxynebutal" ], [ "A reporter and his cameraman", "Two members of Terra's welcoming committee", "Two screening technicians", "A psychologist and his assistant" ], [ "clothing", "accent", "posture", "walking" ], [ "illicit drugs", "microphone shorters", "pornography", "virtual reality equipment" ] ]	[ 4, 3, 1, 1, 3, 3, 1, 3 ]	[ 0, 0, 0, 0, 1, 1, 1, 0 ]	SEA LEGS By FRANK QUATTROCCHI Illustrated by EMSH [Transcriber's Note: This etext was produced from Galaxy Science Fiction November 1951. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] Rootless and footloose, a man in space can't help but dream of coming home. But something nobody should do is bet on the validity of a homesick dream! Flight Officer Robert Craig surrendered the tube containing his service record tapes and stood waiting while the bored process clerk examined the seal. "Your clearance," said the clerk. Craig handed him a battered punch card and watched the man insert it in the reproducer. He felt anxiety as the much-handled card refused for a time to match the instrument's metal contact points. The line of men behind Craig fidgeted. "You got to get this punched by Territorial," said the clerk. "Take it back to your unit's clearance office." "Look again, Sergeant," Craig said, repressing his irritation. "It ain't notched." "The hell it isn't." The man examined the card with squinting care and nodded finally. "It's so damn notched," he complained. "You ought to take care of that card; can't get on without one." Craig hesitated before moving. "Next," said the clerk, "What you waiting for?" "Don't I take my 201 file?" "We send it on ahead. Go to Grav 1 desk." A murmur greeted the order. Craig experienced the thrill of knowing the envy of the others. Grav 1—that meant Terra. He crossed the long, dreary room, knowing the eyes of the other men were upon him. "Your service tapes," the next noncom said. "Where you going?" "Grav 1—Terra," fumbled Craig. "Los Angeles." "Los Angeles, eh? Where in Los Angeles?" "I—I—" Craig muttered, fumbling in his pockets. "No specific destination," supplied the man as he punched a key on a small instrument, "Air-lock ahead and to your right. Strip and follow the robot's orders. Any metal?" "Metal?" asked Craig. "You know, metal ." "Well, my identification key." "Here," commanded the clerk, extending a plastic envelope. Craig moved in the direction indicated. He fought the irrational fear that he had missed an important step in the complicated clerical process. He cursed the grudging attitude of the headquarters satellite personnel and felt the impotence of a spaceman who had long forgotten the bureaucracy of a rear area base. The knowledge that much of it was motivated by envy soothed him as he clumsily let himself into the lock. "Place your clothing in the receptacle provided and assume a stationary position on the raised podium in the center of the lock." Craig obeyed the robot voice and began reluctantly to remove his flight jacket. Its incredibly fine-grained leather would carry none of the strange, foreign associations for the base station clerk who would appropriate it. He would never know the beautiful, gentle beast that supplied this skin. "You are retarding the progress of others. Please respond more quickly to your orders." Craig quickly removed the last of his clothing. It was impossible to hate a robot, but one could certainly hate those who set it into operation. "You will find a red button at your feet. Lower your head and depress that button." Stepping on the button with his bare foot produced an instant of brilliant blue illumination. A small scratch on his arm stung briefly and he was somewhat blinded by the flash even through his eyelids, but that was all there was to the sterilizing process. "Your clothing and effects will be in the dressing room immediately beyond the locked door." He found his clothing cleanly and neatly hung on plastic hangers just inside the door to the dressing room. The few personal items he carried in his pockets were still there. The Schtann flight jacket was actually there, looking like new, its space-blue unfaded and as wonderfully pliant as before. "Insert your right arm into the instrument on the central table," commanded the same voice he had heard before. "Turn your arm until the scratch is in contact with the metal plate. There will be a slight pain, but it is necessary to treat the small injury you have been disregarding." Craig obeyed and clenched his teeth against a sharp stinging. His respect for the robot-controlled equipment of bases had risen. When he withdrew his arm, the scratch was neatly coated with a layer of flesh-colored plastic material. He dressed quickly and was on the verge of asking the robot for instructions, when a man appeared in the open doorway. "I am Captain Wyandotte," said the man in a pleasant voice. "Well, what's next?" asked Craig somewhat more belligerently than he had intended. The man smiled. "Your reaction is quite natural. You are somewhat aggressive after Clerical, eh?" "I'm a little anxious to get home, I suppose," said Craig defensively. "By 'home' you mean Terra. But you've never been there, have you?" "No, but my father—" "Your parents left Terra during the Second Colonization of Cassiopeia II, didn't they?" "Yes," Craig said. He was uncomfortable; Wyandotte seemed to know all about him. "We might say you've been away quite a while, eh?" "I was entered as a spaceman when I was 16," Craig said. "I've never been down for any period as yet." "You mean you haven't been in a gravity system?" "Oh, I've landed a few times, even walked around for a while...." "With the help of paraoxylnebutal," supplied the captain. "Well, sure." "Mr. Craig, I suppose you've guessed that the next step in our little torture system here is psych." "So I gathered." The captain laughed reassuringly. "No, don't put up your guard again. The worst is over. Short of Gravitational conditioning, there is nothing to stop you from going to Terra." "Sorry, I guess I'm a little touchy. This is my first time...." "Quite natural. But it being your first time—in quite a number of ways, I might add—it will be necessary for you to undergo some conditioning." "Conditioning?" asked Craig. "Yes. You have spent eleven years in space. Your body is conditioned to a normal state of free fall, or at best to a state of acceleration." "Yeah, I know. Once on Gerymeade...." "You were ill, couldn't keep your balance, felt dizzy. That is why all spacemen carry PON, paraoxylnebutal, with them. It helps suppress certain physiological reactions to an entirely new set of conditions. Channels of the ear, for example. They play an important part in our awareness of balance. They operate on a simple gravity principle. Without gravity they act up for a time, then gradually lose function. Returning to gravity is rather frightening at first." "I know all about this, Captain." "You've undoubtedly read popularizations in tapezines. But you have experienced it briefly." "I expect to have some trouble at first." Craig was disturbed by the wordy psychologist. What was the man actually saying? "Do you know what sailors of ancient times meant by 'sea legs?'" asked Wyandotte. "Men on a rolling ocean acclimated themselves to a rolling horizontal. They had trouble when they went ashore and the horizontal didn't roll any more. "It meant more than that. There were excellent psychological reasons for the old stereotype, the 'drunken sailor.' A port city was a frightening thing to an old sailor—but let's begin our little job at the beginning. I'll turn you over to psychometry for the usual tests and pick you up tomorrow morning at, say, 0900." During the days that followed, the psychologist seemed to Craig to become progressively more didactic. He would deliver long speeches about the "freedom of open space." He spoke repetitiously of the "growing complexity of Terran society." And yet the man could not be pinned down to any specific condition the spaceman would find intolerable. Craig began to hate the delay that kept him from Terra. Through the ports of the headquarters base satellite, he scanned the constellations for the scores of worlds he had visited during his eleven years in space. They were incredibly varied, even those that supported life. He had weathered difficult landings on worlds with rip-tide gravities, had felt the pull of the incredible star-tides imparted by twin and even triple star systems. He had been on Einstein IV, the planet of eight moons, and had felt the pulse of all eight of the satellites at once that no PON could completely nullify. But even if he could accept the psychologist's authority for the cumulative effect of a gravity system, he could not understand the unspoken warning he felt underlying all that the man said. "Of course it has changed," Craig was protesting. "Anyway, I never really knew very much about Terra. So what? I know it won't be as it was in tapezines either." "Yet you are so completely sure you will want to live out your life there, that you are willing to give up space service for it." "We've gone through this time and time again," Craig said wearily. "I gave you my reasons for quitting space. We analyzed them. You agreed that you could not decide that for me and that my decision is logical. You tell me spacemen don't settle down on Terra. Yet you won't—or can't—tell me why. I've got a damned good job there—" "You may find that 'damned good jobs' become boring." "So I'll transfer. I don't know what you're trying to get at, Captain, but you're not talking me out of going back. If the service needs men so badly, let them get somebody else. I've put in my time." "Do you really think that's my reason?" "Sure. What else can it be?" "Mr. Craig," the psychologist said slowly, "you have my authorization for you to return to Terra as a private citizen of that planet. You will be given a very liberal supply of PON—which you will definitely need. Good luck. You'll need that too." On the eighth day, two attendants, who showed the effects of massive doses of PON to protect themselves from the centrifugal force, had to carry a man out of the tank. Many others asked to be removed, begged to be allowed to withdraw their resignations. "The twelfth day is the worst," a grizzled spaceman told Craig. "That's when the best of 'em want out." Craig clenched the iron rung of his bed and struggled to bring the old man's face into focus. "How ... how do they know when you ought ... to come out?" he asked between waves of nausea. "Blood pressure. They get you just before you go into shock." "How can they tell?" Craig fought down his growing panic. "I can't." "That strap around your belly. You mean you ain't noticed it?" "Haven't noticed much of anything." "Well, it's keyed to give them some kind of signal." The old man lapsed into silence. Craig wished him to continue. He desperately wanted something to distract his mind from the ghastly conditioning process. Slowly at first, the lines formed by seams in the metal ceiling began to bend. Here it came again! "Old man!" shouted Craig. "Yeah, son. They've dropped it down a notch." "Dropped ... it ... down?" "Maybe that ain't scientific, but it's the way I always think of it." "Can't they ... drop it down continuously?" "They tried that a few times—once when I was aboard. You wouldn't like it, kid. You wouldn't like it at all." "How ... many times ... do they drop it?" "Four times during the day, three at night. Twenty days." A nightmare of visual sensations ebbed into Craig's mind. He was vaguely aware of the moans of other men in the vaultlike room. Wave upon wave of nausea swept him as he watched the seam lines bend and warp fantastically. He snapped his eyelids shut, only to begin feeling the nightmarish bodily sensations once more. He felt the cot slowly rise longitudinally, felt himself upside down, then the snap of turning right side up once more—and he knew that neither he nor the cot had moved so much as an inch. Craig heard the voices around him, muffled, as though talking through wadding. "... got it bad." "We better take him out." "... pretty bad." "He'll go into shock." "... never make it the twelfth." "We better yank him." "I'm ... all right," Craig mumbled at the voices. He struggled with the bonds of his cot. With terrible effort he forced his eyes open. Two white-clad figures, ridiculously out of proportion, hovered wraithlike over him. Four elongated eyes peered at him. Attendants coming for to take me home.... "Touch me and I'll kick your teeth in!" he yelled. "I'm going to Terra. Wish you were going to Terra?" Then it was better. Oddly, he passed the twelfth day easily. By the fourteenth day, Craig knew he could stand Grav 1. The whine of the centrifuge's motors had diminished to a low hum. Either that or they had begun to produce ultra-sonic waves. Craig was not sure. Most of the men had passed through the torments of gravitational conditioning. The huge headquarters base centrifuge aboard the man-made satellite had gradually caused their bodies to respond once more to a single source of pull. They were now ready to become inhabitants of planets again, instead of free-falling ships. On the eighteenth day, automatic machinery freed them from their imprisoning cots. Clumsily and awkwardly at first, the men began to walk, to hold their heads and arms in proper attitudes. They laughed and joked about it and kidded those who were slow at adjusting. Then they again began taking paraoxylnebutal in preparation for the free-fall flight to Terra. Only one of the score of men in the centrifuge tank remained voluntarily in his cot. "Space article violator," the old man informed Craig. "Psycho, I think. Went amuck with some extraterritorials. Killed a dozen." "What will they do, exile him?" "Not to Chociante, if that's what you mean. They just jerked his space card and gave him a one-way ticket to Terra." "For twelve murders?" asked Craig incredulously. "That's enough, son." The old man eyed Craig for an instant before looking away. "Pick something to talk about. What do you figure on doing when you get to Terra, for instance?" "I'm going into Import. My father was in it for twenty years." "Sure," said the old spaceman, watching a group of young crewmen engaged in an animated conversation. "It's a good job. There's a future to it." "Yeah." Why did he have to explain anything at all to the old space tramp? "Once I get set up, I'll probably try to open my own business." "And spend your weekends on Luna." Craig half rose from his cot, jarred into anger. But the old spaceman turned, smiling wryly. "Don't get hot, kid. I guess I spent too long in Zone V." He paused to examine his wrinkled hands. They were indelibly marked with lever callouses. "You get to thinking anyone who stays closer'n eighty light years from Terra is a land-lubber." Craig relaxed, realizing he had acted childishly. "Used to think the same. Then I took the exam and got this job." "Whereabouts?" "Los Angeles." The old man looked up at Craig. "You don't know much about Terra, do you, son?" "Not much." "Yeah. Well, I hope you ain't disappointed." "My father was born there, but I never saw it. Never hit the Solar System, matter of fact. Never saw much of anything close up. I stood it a long time, old man, this hitting atmospheres all over the Universe." But the spaceman seemed to have lost interest. He was unpacking some personal belongings from a kit. "What are you doing in Grav 1?" Craig asked. The old man's face clouded for an instant. "In the old days, they used to say us old-timers acted like clocks. They used to say we just ran down. Now they got some fancy psychology name for it." Craig regretted his question. He would have muttered some word of apology, but the old man continued. "Maybe you've read some of the old sea stories, or more'n likely had 'em read to you. Sailors could go to sea until they just sort of dried up. The sea tanned their skins and stiffened their bones, but it never stiffened their hearts. When they got old, it just pulled them in. "But space is different. Space is raw and new. It tugs at your guts. It sends the blood rushing through your veins. It's like loving. You don't become a part of space the way you do the old sea, though. It leaves you strictly alone. Except that it sucks you dry, takes all the soup out of you, leaves you brittle and old—old as a dehydrated piece of split leather. "Then one day it shoots a spurt of blood around in one of your old veins. Something gives. Space is through with you then. And if you can stand this whirligig conditioning, you're through with space." " You can't figure it. Some of 'em urp all over and turn six shades of green. " " You got to watch the ones that don't. " " Yeah, you got to watch the ones that don't. Especially the old ones. " " He's old. You think it was his heart? " " Who knows? " " They'll dump him, won't they? " " After a tracer is sent through. But it won't do any good. " " He probably outlived everybody that ever knew him. " " Wouldn't be surprised. Here, grab his leg. " Robert Craig folded the flight jacket tightly and stuffed it into the cylindrical carton. A sleeve unwound just as he did so, making it difficult to fit into the place he had made for it. Exasperated, he refolded it and jammed it in place. Smaller rolls of underclothing were then fitted in. When he was satisfied with the layer, he tossed in a small handful of crystals and began to fill the next layer. After the carton was completely filled, he ignited the sealing strip and watched as the plastic melted into a single, seamless whole. It was ready for irradiation. Probably in another ten years his son-to-be would put it on and play spaceman. But Craig swore he'd make sure that the kid knew what a stinking life it was. At 1300 hours, the ferry bumped heavily alongside the starboard lock. It was the signal for relief in the passengers' quarters; many were beginning to feel a reaction to the short free-fall flight from the headquarters satellite. The audio called out: "Flight Officer Robert Craig. Flight Officer Robert Craig. Report to Orderly 12. Report to Orderly 12 through the aft door." With pangs of anxiety he could not completely suppress, Craig obeyed. Orderly 12 handed him a message container. "Who's it from? Somebody on Terra?" "From a private spaceman named Morgan Brockman." " Brockman? " "He was with you in the grav tank." "The old man!" The message container produced a battered punch card. Craig straightened it and was about to reach into his pocket for a hand transcriber. But then he noticed the card bore only a few irregular punches and was covered with rough hand printing. Son, when the flunkies get around to giving you this, they'll have shot me out the tube. How do I know? Same way you know when your turbos are going to throw a blade. It's good this way. There's something you can do for me if you want to. Way back, some fifty years ago, there was a woman. She was my wife. It's a long story I won't bother you with. Anyway, I left her. Wanted to take her along with me, but she wouldn't go. Earth was a lot different then than it is now. They don't have to tell me; I know. I saw it coming and so did Ethel. We talked about it and I knew I had to go. She wouldn't or couldn't go. Wanted me to stay, but I couldn't. I tried to send her some units once in a while. Don't know if she ever got them. Sometimes I forgot to send them at all. You know, you're way out across the Galaxy, while she's home. Go see her if you can, son. Will you? Make sure she gets the unit transfer I made out. It isn't much out of seventy years of living, but she may need it. And maybe you can tell her a little bit about what it means to be out there. Tell her it's open and free and when you got hold of those levers and you're trying for an orbit on something big and new and green.... Hell, you remember. You know how to tell her. Her name is Ethel Brockman. I know she'll still use my name. Her address is or was East 71, North 101, Number 4. You can trace her easy if she moved. Women don't generally shove off and not leave a forwarding address. Not Ethel, at least. Craig put the battered card in his pocket and walked back through the door to the passenger room. How did you explain to an old woman why her husband deserted her fifty years before? Some kind of story about one's duty to the Universe? No, the old man had not been in Intergalactic. He had been a tramp spaceman. Well, why had he left? Fifty years in space. Fifty years! Zone V had been beyond anybody's imagination that long ago. He must have been in on the first Cetusian flights and shot the early landings in Cetus II. God only knew how many times he had battled Zone 111b pirates.... Damn the old man! How did one explain? Craig descended the ramp from the huge jet and concentrated on his impressions. One day he would recall this moment, his first on the planet Terra. He tried to recall his first thrill at seeing Los Angeles, 1500 square miles of it, from the ship as it entered the atmosphere. He was about to step off the last step when a man appeared hurriedly. A rather plump man, he displayed a toothy smile on his puffy red face. "A moment, sir. Just a little greeting from the Terra. You understand, of course. Purely routine." Craig remained on the final step of the ramp, puzzled. The man turned to a companion at his right. "We can see that this gentleman has come from a long, long way off, can't we?" The other man did not look up. He was peering into what seemed to Craig to be a kind of camera. "We can allow the gentlemen to continue now, can't we? It wasn't that we believed for a minute, you understand ... purely routine." Both men were gone in an instant, leaving Craig completely bewildered. "You goin' to move on, buddy, or you want to go back?" Craig turned to face a line of his fellow passengers up the ramp behind him. "Who was that?" Craig asked. "Customs. Bet you never got such a smooth screening before, eh?" "You mean he screened me? What for?" "Hard to say," the other passenger said. "You'll get used to this. They get it over with quick." Craig made his way toward the spaceport administration building. His first physical contact with Terra had passed unnoticed. "Sir! Sir!" cried a voice behind him. He wheeled to see a man walking briskly toward him. "You dropped this, sir. Quite by accident, of course." Craig examined the small object the man had given him before rushing off toward an exit. It was an empty PON tube he had just discarded. He couldn't understand why the man had bothered until he realized that the plastaloid floor of the lobby displayed not the faintest scrap of paper nor trace of dirt. The Import personnel man was toying with a small chip of gleaming metal. He did not look directly at Craig for more than an instant at a time, and commented on Craig's description of his trip through the city only very briefly between questions. "It's a good deal bigger than I imagined," Craig was saying. "Haven't seen much of it, of course. Thought I'd check in here with you first." "Yes, naturally." "Thought you could give me some idea of conditions...." "Conditions?" "For instance, what part of the city I should live in. That is, what part is closest to where I'll work." "I see," said the man noncommittally. It seemed to Craig that he was about to add something. He did not, however, but instead rose from his chair and walked to the large window overlooking an enormous section of the city far below. He stared out the window for a time, leaving Craig seated uncomfortably in the silent room. There was a distracted quality about him, Craig thought. "You are the first man we have had from the Intergalactic Service," the personnel man said finally. "That so?" "Yes." He turned to face Craig briefly before continuing. "You must find it very strange here." "Well, I've never seen a city so big." "Yes, so big. And also...." He seemed to consider many words before completing the sentence. "And also different." "I haven't been here very long," said Craig. "Matter of fact, I haven't been anywhere very long. This is my first real experience with life on a planet. As an adult, anyway." The personnel man seated himself once more and pressed a button on a small instrument. A secretary entered the office from a door to Craig's left. "Miss Wendel, this is Mr. Craig. Mr. Craig, my secretary. Mr. Craig will enter Minerals and Metals, Zone V." They exchanged formal greetings. She was a moderately pretty girl of medium height and, to Craig, a pleasantly rounded figure. He would have attempted to catch her eye had she not immediately occupied herself with unfolding the legs of a small instrument she was carrying. "This is Mr. Craig's first landing on Terra, Miss Wendel," the personnel man continued. "Actually, we shall have to consider him in much the same way we would an extraterrestrial." The girl glanced at Craig, casting him a cool, impersonal smile. "He was formerly a flight officer in the Intergalactic Space Service." The statement was delivered in an almost exaggeratedly casual tone. The girl glanced at him once more, this time with a definite quizzical look in her brown eyes. "Three complete tours of duty, I believe." "Four," corrected Craig. "Four tours of three years each, minus a year's terminal leave." "I take it you have no identification card?" the man asked. "The one I held in the service. It's pretty comprehensive." The other turned to the secretary. "You'll see that he is assisted in filing his application, won't you? A provisional Code II. That will enable you to enter all Import offices freely, Mr. Craig." "Will he need a food and—clothing ration also?" asked the girl, without looking at Craig. "Yes." The man laughed. "You'll excuse us, Mr. Craig. We realize that you couldn't be expected to be familiar with Terra's fashions. In your present outfit you would certainly be typed as a ... well, you'd be made uncomfortable." Craig reddened in spite of himself. He had bought the suit on Ghandii. "A hick," he supplied. "I wouldn't go that far, but some people might." Craig noted the pleasant way the girl filled her trim, rather severe business suit. He amused himself by calculating stress patterns in its plain woven material as she assembled the forms for him. "Here, Mr. Craig. I believe these are complete." "They look pretty complicated." "Not at all. The questions are quite explicit." Craig looked them over quickly. "I guess so. Say, Miss Wendel, I was wondering—I don't know the city at all. Maybe you could go with me to have dinner. It must be almost dinnertime now. You could sort of check me out on some...." "I'm afraid that would be quite impossible. You couldn't gain admittance to any office you need to visit tonight. Therefore, it is impossible for me to be of any assistance to you." "Oh, come now, Miss Wendel. There are women aboard spaceships. I'm not a starved wolf." "Certainly you are not, Mr. Craig. But it is not possible for me...." "You said that already, but you can have dinner with me. Just company." "I'm afraid I don't understand." The Galactic hotel strove to preserve an archaic tone of hospitality. It advertised "a night's lodgings" and it possessed a bellboy. The bellboy actually carried Craig's plasticarton and large file of punch cards and forms to his room. Tired from the long, confusing day, Craig was not impressed. He vaguely wondered if the little drama of the hotel carried so far as a small fee to be paid the bellboy, and he hoped he would have the right size of Terran units in his wallet. Outside the door to the room, the bellboy stopped and turned to Craig. "For five I'll tell you where it is," he said in a subdued tone. "Tell me where what is?" "You know, the mike." "Mike?" "All right, mister, three units, then. I wasn't trying to hold you up." "You mean a microphone?" asked Craig, mechanically fishing for his wallet. "Sure, they don't put in screens here. Wanted to, but the boss convinced 'em there aren't any Freedomites ever stay here." "Where is the microphone?" Craig asked as he found a ten unit note. He was too puzzled to wonder what he was expected to do with the information. "It's in the bed illuminator. You can short it out with a razor blade. Or I'll do it for another two." "Never mind," Craig said wearily. He waited while the bellboy inserted a key into the door and opened it for him. "I can get you a sensatia-tape," whispered the boy when they had entered. He nudged Craig wickedly. "You know what they're like?" "Yeah," Craig said disgustedly. Traffic in the illicit mental-image tapes was known as far into space as lonely men had penetrated. Intergalactic considered them as great a menace to mental and moral stability as the hectopiates. Craig wearily got the man out of the room, took a PON pill, and eased himself into the bed. It had been a weird day and he had not liked it. There was no telling how long it would take him to shake his—sea legs, the psychologist had called it. One thing was sure: Terra aggressively went after its strangers.
train	43046	[ "What crime did Moran commit?", "Which of the follow characteristics does NOT give Moran the impression that the planet that the Nadine is approaching may be habitable?", "Which term best describes the ease of space travel within the context of the passage?", "Why is the crew of the Nadine not more upset that Moran stole their spacecraft?", "What, within the context of the passage, is a 'marker'?", "If, after being marooned on the alien planet, Moran does not discover any edible vegetation, how would he be expected to survive?", "Which term does NOT describe Moran's tone toward the other five crew members?", "Why does Moran think it could be beneficial if one of the crew members was killed on the alien planet?", "What is hiding underneath the gigantic mound on the alien planet?", "What is the most likely reason that creatures on the alien planet have grown to such a large size?" ]	[ [ "theft", "fraud", "murder", "treason" ], [ "shape of the ice cap", "composition of the ice cap", "location of the ice cap", "size of the ice cap" ], [ "complex", "evolving", "strict", "flexible" ], [ "They view Moran as a potential sacrifice to any predators or officials they may discover upon the alien planet.", "They are fugitives just like Moran, and don't believe he has a motive to thwart their mission.", "They have no space navigation experience, while Moran does, and view him as potentially useful.", "They are not threatened by Moran because he does not have any weapons on his person." ], [ "A microchip inserted into a person, designating them as a fugitive", "A safe space for a spacecraft to land on an alien planet", "A sound picked up on a radar that reveals the closest habitable planet", "A location on the alien planet that indicates high predatory activity" ], [ "His space-suit is equipped with a nozzle through which he can absorb nutrients in gas form.", "His only option would be to prey on animals, bacteria, fungi, or other living creatures.", "He could use limited, fast-growing seed packets provided by the crew members of the Nadine.", "He would not have any viable chance of survival without non-toxic vegetation." ], [ "resigned", "bitter", "vindictive", "sarcastic" ], [ "He would be more likely to survive an attack from the Nadine crew if they ambushed him.", "He could convert their body to nutrients, which he could use to survive longer on the alien planet.", "He and the remaining crew members could pass security clearance with only five members on board.", "He could steal the deceased crew member's identity and use it to start a new life on a new planet." ], [ "A pulsing, reeking object egg casing that contains countless unhatched beetle eggs", "An empty spacecraft where a crew member had survived long enough to set up a marker", "A 'yard-worm,' which is an uncontrolled type of an 'inch-worm'", "The remains of a crew that had landed on the alien planet a century earlier" ], [ "The planet is being used by the government as a site to breed creatures that could keep the population in check.", "The planet's atmosphere comprises gases that target the DNA of living creatures, causing them to grow in size.", "The planet, like many others, is being used as a site to copy a habitable eco-system, but has been left unchecked.", "The planet's cheesy, perforated ground is made up of a substance that causes living creatures to mutate." ] ]	[ 3, 3, 3, 2, 2, 3, 3, 3, 2, 3 ]	[ 0, 0, 0, 1, 0, 1, 0, 1, 0, 0 ]	PLANET of DREAD By MURRAY LEINSTER Illustrator ADKINS [Transcriber's Note: This etext was produced from Fantastic Stories of Imagination May 1962. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] I. Moran cut apart the yard-long monstrosity with a slash of flame. The thing presumably died, but it continued to writhe senselessly. He turned to see other horrors crawling toward him. Then he knew he was being marooned on a planet of endless terrors. Moran, naturally, did not mean to help in the carrying out of the plans which would mean his destruction one way or another. The plans were thrashed out very painstakingly, in formal conference on the space-yacht Nadine , with Moran present and allowed to take part in the discussion. From the viewpoint of the Nadine's ship's company, it was simply necessary to get rid of Moran. In their predicament he might have come to the same conclusion; but he was not at all enthusiastic about their decision. He would die of it. The Nadine was out of overdrive and all the uncountable suns of the galaxy shone steadily, remotely, as infinitesimal specks of light of every color of the rainbow. Two hours since, the sun of this solar system had been a vast glaring disk off to port, with streamers and prominences erupting about its edges. Now it lay astern, and Moran could see the planet that had been chosen for his marooning. It was a cloudy world. There were some dim markings near one lighted limb, but nowhere else. There was an ice-cap in view. The rest was—clouds. The ice-cap, by its existence and circular shape, proved that the planet rotated at a not unreasonable rate. The fact that it was water-ice told much. A water-ice ice-cap said that there were no poisonous gases in the planet's atmosphere. Sulfur dioxide or chlorine, for example, would not allow the formation of water-ice. It would have to be sulphuric-acid or hydrochloric-acid ice. But the ice-cap was simple snow. Its size, too, told about temperature-distribution on the planet. A large cap would have meant a large area with arctic and sub-arctic temperatures, with small temperate and tropical climate-belts. A small one like this meant wide tropical and sub-tropical zones. The fact was verified by the thick, dense cloud-masses which covered most of the surface,—all the surface, in fact, outside the ice-cap. But since there were ice-caps there would be temperate regions. In short, the ice-cap proved that a man could endure the air and temperature conditions he would find. Moran observed these things from the control-room of the Nadine , then approaching the world on planetary drive. He was to be left here, with no reason ever to expect rescue. Two of the Nadine's four-man crew watched out the same ports as the planet seemed to approach. Burleigh said encouragingly; "It doesn't look too bad, Moran!" Moran disagreed, but he did not answer. He cocked an ear instead. He heard something. It was a thin, wabbling, keening whine. No natural radiation sounds like that. Moran nodded toward the all-band speaker. "Do you hear what I do?" he asked sardonically. Burleigh listened. A distinctly artificial signal came out of the speaker. It wasn't a voice-signal. It wasn't an identification beacon, such as are placed on certain worlds for the convenience of interstellar skippers who need to check their courses on extremely long runs. This was something else. Burleigh said: "Hm ... Call the others, Harper." Harper, prudently with him in the control-room, put his head into the passage leading away. He called. But Moran observed with grudging respect that he didn't give him a chance to do anything drastic. These people on the Nadine were capable. They'd managed to recapture the Nadine from him, but they were matter-of-fact about it. They didn't seem to resent what he'd tried to do, or that he'd brought them an indefinite distance in an indefinite direction from their last landing-point, and they had still to re-locate themselves. They'd been on Coryus Three and they'd gotten departure clearance from its space-port. With clearance-papers in order, they could land unquestioned at any other space-port and take off again—provided the other space-port was one they had clearance for. Without rigid control of space-travel, any criminal anywhere could escape the consequences of any crime simply by buying a ticket to another world. Moran couldn't have bought a ticket, but he'd tried to get off the planet Coryus on the Nadine . The trouble was that the Nadine had clearance papers covering five persons aboard—four men and a girl Carol. Moran made six. Wherever the yacht landed, such a disparity between its documents and its crew would spark an investigation. A lengthy, incredibly minute investigation. Moran, at least, would be picked out as a fugitive from Coryus Three. The others were fugitives too, from some unnamed world Moran did not know. They might be sent back where they came from. In effect, with six people on board instead of five, the Nadine could not land anywhere for supplies. With five on board, as her papers declared, she could. And Moran was the extra man whose presence would rouse space-port officials' suspicion of the rest. So he had to be dumped. He couldn't blame them. He'd made another difficulty, too. Blaster in hand, he'd made the Nadine take off from Coryus III with a trip-tape picked at random for guidance. But the trip-tape had been computed for another starting-point, and when the yacht came out of overdrive it was because the drive had been dismantled in the engine-room. So the ship's location was in doubt. It could have travelled at almost any speed in practically any direction for a length of time that was at least indefinite. A liner could re-locate itself without trouble. It had elaborate observational equipment and tri-di star-charts. But smaller craft had to depend on the Galactic Directory. The process would be to find a planet and check its climate and relationship to other planets, and its flora and fauna against descriptions in the Directory. That was the way to find out where one was, when one's position became doubtful. The Nadine needed to make a planet-fall for this. The rest of the ship's company came into the control-room. Burleigh waved his hand at the speaker. "Listen!" They heard it. All of them. It was a trilling, whining sound among the innumerable random noises to be heard in supposedly empty space. "That's a marker," Carol announced. "I saw a costume-story tape once that had that sound in it. It marked a first-landing spot on some planet or other, so the people could find that spot again. It was supposed to be a long time ago, though." "It's weak," observed Burleigh. "We'll try answering it." Moran stirred, and he knew that every one of the others was conscious of the movement. But they didn't watch him suspiciously. They were alert by long habit. Burleigh said they'd been Underground people, fighting the government of their native world, and they'd gotten away to make it seem the revolt had collapsed. They'd go back later when they weren't expected, and start it up again. Moran considered the story probable. Only people accustomed to desperate actions would have remained so calm when Moran had used desperate measures against them. Burleigh picked up the transmitter-microphone. "Calling ground," he said briskly. "Calling ground! We pick up your signal. Please reply." He repeated the call, over and over and over. There was no answer. Cracklings and hissings came out of the speaker as before, and the thin and reedy wabbling whine continued. The Nadine went on toward the enlarging cloudy mass ahead. Burleigh said; "Well?" "I think," said Carol, "that we should land. People have been here. If they left a beacon, they may have left an identification of the planet. Then we'd know where we are and how to get to Loris." Burleigh nodded. The Nadine had cleared for Loris. That was where it should make its next landing. The little yacht went on. All five of its proper company watched as the planet's surface enlarged. The ice-cap went out of sight around the bulge of the globe, but no markings appeared. There were cloud-banks everywhere, probably low down in the atmosphere. The darker vague areas previously seen might have been highlands. "I think," said Carol, to Moran, "that if it's too tropical where this signal's coming from, we'll take you somewhere near enough to the ice-cap to have an endurable climate. I've been figuring on food, too. That will depend on where we are from Loris because we have to keep enough for ourselves. But we can spare some. We'll give you the emergency-kit, anyhow." The emergency-kit contained antiseptics, seeds, and a weapon or two, with elaborate advice to castaways. If somebody were wrecked on an even possibly habitable planet, the especially developed seed-strains would provide food in a minimum of time. It was not an encouraging thought, though, and Moran grimaced. She hadn't said anything about being sorry that he had to be marooned. Maybe she was, but rebels learn to be practical or they don't live long. Moran wondered, momentarily, what sort of world they came from and why they had revolted, and what sort of set-back to the revolt had sent the five off in what they considered a strategic retreat but their government would think defeat. Moran's own situation was perfectly clear. He'd killed a man on Coryus III. His victim would not be mourned by anybody, and somebody formerly in very great danger would now be safe, which was the reason for what Moran had done. But the dead man had been very important, and the fact that Moran had forced him to fight and killed him in fair combat made no difference. Moran had needed to get off-planet, and fast. But space-travel regulations are especially designed to prevent such escapes. He'd made a pretty good try, at that. One of the controls on space-traffic required a ship on landing to deposit its fuel-block in the space-port's vaults. The fuel-block was not returned until clearance for departure had been granted. But Moran had waylaid the messenger carrying the Nadine's fuel-block back to that space-yacht. He'd knocked the messenger cold and presented himself at the yacht with the fuel. He was admitted. He put the block in the engine's gate. He duly took the plastic receipt-token the engine only then released, and he drew a blaster. He'd locked two of the Nadine's crew in the engine-room, rushed to the control-room without encountering the others, dogged the door shut, and threaded in the first trip-tape to come to hand. He punched the take-off button and only seconds later the overdrive. Then the yacht—and Moran—was away. But his present companions got the drive dismantled two days later and once the yacht was out of overdrive they efficiently gave him his choice of surrendering or else. He surrendered, stipulating that he wouldn't be landed back on Coryus; he still clung to hope of avoiding return—which was almost certain anyhow. Because nobody would want to go back to a planet from which they'd carried away a criminal, even though they'd done it unwillingly. Investigation of such a matter might last for months. Now the space-yacht moved toward a vast mass of fleecy whiteness without any visible features. Harper stayed with the direction-finder. From time to time he gave readings requiring minute changes of course. The wabbling, whining signal was louder now. It became louder than all the rest of the space-noises together. The yacht touched atmosphere and Burleigh said; "Watch our height, Carol." She stood by the echometer. Sixty miles. Fifty. Thirty. A correction of course. Fifteen miles to surface below. Ten. Five. At twenty-five thousand feet there were clouds, which would be particles of ice so small that they floated even so high. Then clear air, then lower clouds, and lower ones still. It was not until six thousand feet above the surface that the planet-wide cloud-level seemed to begin. From there on down it was pure opacity. Anything could exist in that dense, almost palpable grayness. There could be jagged peaks. The Nadine went down and down. At fifteen hundred feet above the unseen surface, the clouds ended. Below, there was only haze. One could see the ground, at least, but there was no horizon. There was only an end to visibility. The yacht descended as if in the center of a sphere in which one could see clearly nearby, less clearly at a little distance, and not at all beyond a quarter-mile or so. There was a shaded, shadowless twilight under the cloud-bank. The ground looked like no ground ever seen before by anyone. Off to the right a rivulet ran between improbable-seeming banks. There were a few very small hills of most unlikely appearance. It was the ground, the matter on which one would walk, which was strangest. It had color, but the color was not green. Much of it was a pallid, dirty-yellowish white. But there were patches of blue, and curious veinings of black, and here and there were other colors, all of them unlike the normal color of vegetation on a planet with a sol-type sun. Harper spoke from the direction-finder; "The signal's coming from that mound, yonder." There was a hillock of elongated shape directly in line with the Nadine's course in descent. Except for the patches of color, it was the only considerable landmark within the half-mile circle in which anything could be seen at all. The Nadine checked her downward motion. Interplanetary drive is rugged and sure, but it does not respond to fine adjustment. Burleigh used rockets, issuing great bellowings of flame, to make actual contact. The yacht hovered, and as the rocket-flames diminished slowly she sat down with practically no impact at all. But around her there was a monstrous tumult of smoke and steam. When the rockets went off, she lay in a burned-out hollow some three or four feet deep with a bottom of solid stone. The walls of the hollow were black and scorched. It seemed that at some places they quivered persistently. There was silence in the control-room save for the whining noise which now was almost deafening. Harper snapped off the switch. Then there was true silence. The space-yacht had come to rest possibly a hundred yards from the mound which was the source of the space-signal. That mound shared the peculiarity of the ground as far as they could see through the haze. It was not vegetation in any ordinary sense. Certainly it was no mineral surface! The landing-pockets had burned away three or four feet of it, and the edge of the burned area smoked noisesomely, and somehow it looked as if it would reek. And there were places where it stirred. Burleigh blinked and stared. Then he reached up and flicked on the outside microphones. Instantly there was bedlam. If the landscape was strange, here, the sounds that came from it were unbelievable. There were grunting noises. There were clickings, uncountable clickings that made a background for all the rest. There were discordant howls and honkings. From time to time some thing unknown made a cry that sounded very much like a small boy trailing a stick against a picket fence, only much louder. Something hooted, maintaining the noise for an impossibly long time. And persistently, sounding as if they came from far away, there were booming noises, unspeakably deep-bass, made by something alive. And something shrieked in lunatic fashion and something else still moaned from time to time with the volume of a steam-whistle.... "This sounds and looks like a nice place to live," said Moran with fine irony. Burleigh did not answer. He turned down the outside sound. "What's that stuff there, the ground?" he demanded. "We burned it away in landing. I've seen something like it somewhere, but never taking the place of grass!" "That," said Moran as if brightly, "that's what I'm to make a garden in. Of evenings I'll stroll among my thrifty plantings and listen to the delightful sounds of nature." Burleigh scowled. Harper flicked off the direction-finder. "The signal still comes from that hillock yonder," he said with finality. Moran said bitingly; "That ain't no hillock, that's my home!" Then, instantly he'd said it, he recognized that it could be true. The mound was not a fold in the ground. It was not an up-cropping of the ash-covered stone on which the Nadine rested. The enigmatic, dirty-yellow-dirty-red-dirty-blue-and-dirty-black ground-cover hid something. It blurred the shape it covered, very much as enormous cobwebs made solid and opaque would have done. But when one looked carefully at the mound, there was a landing-fin sticking up toward the leaden skies. It was attached to a large cylindrical object of which the fore part was crushed in. The other landing-fins could be traced. "It's a ship," said Moran curtly. "It crash-landed and its crew set up a signal to call for help. None came, or they'd have turned the beacon off. Maybe they got the lifeboats to work and got away. Maybe they lived as I'm expected to live until they died as I'm expected to die." Burleigh said angrily; "You'd do what we are doing if you were in our shoes!" "Sure," said Moran, "but a man can gripe, can't he?" "You won't have to live here," said Burleigh. "We'll take you somewhere up by the ice-cap. As Carol said, we'll give you everything we can spare. And meanwhile we'll take a look at that wreck yonder. There might be an indication in it of what solar system this is. There could be something in it of use to you, too. You'd better come along when we explore." "Aye, aye, sir," said Moran with irony. "Very kind of you, sir. You'll go armed, sir?" Burleigh growled; "Naturally!" "Then since I can't be trusted with a weapon," said Moran, "I suggest that I take a torch. We may have to burn through that loathesome stuff to get in the ship." "Right," growled Burleigh again. "Brawn and Carol, you'll keep ship. The rest of us wear suits. We don't know what that stuff is outside." Moran silently went to the space-suit rack and began to get into a suit. Modern space-suits weren't like the ancient crudities with bulging metal casings and enormous globular helmets. Non-stretch fabrics took the place of metal, and constant-volume joints were really practical nowadays. A man could move about in a late-model space-suit almost as easily as in ship-clothing. The others of the landing-party donned their special garments with the brisk absence of fumbling that these people displayed in every action. "If there's a lifeboat left," said Carol suddenly, "Moran might be able to do something with it." "Ah, yes!" said Moran. "It's very likely that the ship hit hard enough to kill everybody aboard, but not smash the boats!" "Somebody survived the crash," said Burleigh, "because they set up a beacon. I wouldn't count on a boat, Moran." "I don't!" snapped Moran. He flipped the fastener of his suit. He felt all the openings catch. He saw the others complete their equipment. They took arms. So far they had seen no moving thing outside, but arms were simple sanity on an unknown world. Moran, though, would not be permitted a weapon. He picked up a torch. They filed into the airlock. The inner door closed. The outer door opened. It was not necessary to check the air specifically. The suits would take care of that. Anyhow the ice-cap said there were no water-soluble gases in the atmosphere, and a gas can't be an active poison if it can't dissolve. They filed out of the airlock. They stood on ash-covered stone, only slightly eroded by the processes which made life possible on this planet. They looked dubiously at the scorched, indefinite substance which had been ground before the Nadine landed. Moran moved scornfully forward. He kicked at the burnt stuff. His foot went through the char. The hole exposed a cheesy mass of soft matter which seemed riddled with small holes. Something black came squirming frantically out of one of the openings. It was eight or ten inches long. It had a head, a thorax, and an abdomen. It had wing-cases. It had six legs. It toppled down to the stone on which the Nadine rested. Agitatedly, it spread its wing-covers and flew away, droning loudly. The four men heard the sound above even the monstrous cacophony of cries and boomings and grunts and squeaks which seemed to fill the air. "What the devil—." Moran kicked again. More holes. More openings. More small tunnels in the cheese-like, curd-like stuff. More black things squirming to view in obvious panic. They popped out everywhere. It was suddenly apparent that the top of the soil, here, was a thick and blanket-like sheet over the whitish stuff. The black creatures lived and thrived in tunnels under it. Carol's voice came over the helmet-phones. " They're—bugs! " she said incredulously. " They're beetles! They're twenty times the size of the beetles we humans have been carrying around the galaxy, but that's what they are! " Moran grunted. Distastefully, he saw his predicament made worse. He knew what had happened here. He could begin to guess at other things to be discovered. It had not been practical for men to move onto new planets and subsist upon the flora and fauna they found there. On some new planets life had never gotten started. On such worlds a highly complex operation was necessary before humanity could move in. A complete ecological complex had to be built up; microbes to break down the rock for soil, bacteria to fix nitrogen to make the soil fertile; plants to grow in the new-made dirt and insects to fertilize the plants so they would multiply, and animals and birds to carry the seeds planet-wide. On most planets, to be sure, there were local, aboriginal plants and animals. But still terrestrial creatures had to be introduced if a colony was to feed itself. Alien plants did not supply satisfactory food. So an elaborate adaptation job had to be done on every planet before native and terrestrial living things settled down together. It wasn't impossible that the scuttling things were truly beetles, grown large and monstrous under the conditions of a new planet. And the ground.... "This ground stuff," said Moran distastefully, "is yeast or some sort of toadstool growth. This is a seedling world. It didn't have any life on it, so somebody dumped germs and spores and bugs to make it ready for plants and animals eventually. But nobody's come back to finish up the job." Burleigh grunted a somehow surprised assent. But it wasn't surprising; not wholly so. Once one mentioned yeasts and toadstools and fungi generally, the weird landscape became less than incredible. But it remained actively unpleasant to think of being marooned on it. "Suppose we go look at the ship?" said Moran unpleasantly. "Maybe you can find out where you are, and I can find out what's ahead of me." He climbed up on the unscorched surface. It was elastic. The parchment-like top skin yielded. It was like walking on a mass of springs. "We'd better spread out," added Moran, "or else we'll break through that skin and be floundering in this mess." "I'm giving the orders, Moran!" said Burleigh shortly. "But what you say does make sense." He and the others joined Moran on the yielding surface. Their footing was uncertain, as on a trampoline. They staggered. They moved toward the hillock which was a covered-over wrecked ship. The ground was not as level as it appeared from the Nadine's control-room. There were undulations. But they could not see more than a quarter-mile in any direction. Beyond that was mist. But Burleigh, at one end of the uneven line of advancing men, suddenly halted and stood staring down at something he had not seen before. The others halted. Something moved. It came out from behind a very minor spire of whitish stuff that looked like a dirty sheet stretched over a tall stone. The thing that appeared was very peculiar indeed. It was a—worm. But it was a foot thick and ten feet long, and it had a group of stumpy legs at its fore end—where there were eyes hidden behind bristling hair-like growths—and another set of feet at its tail end. It progressed sedately by reaching forward with its fore-part, securing a foothold, and then arching its middle portion like a cat arching its back, to bring its hind part forward. Then it reached forward again. It was of a dark olive color from one end to the other. Its manner of walking was insane but somehow sedate. Moran heard muffled noises in his helmet-phone as the others tried to speak. Carol's voice came anxiously; " What's the matter? What do you see? " Moran said with savage precision; "We're looking at an inch-worm, grown up like the beetles only more so. It's not an inch-worm any longer. It's a yard-worm." Then he said harshly to the men with him; "It's not a hunting creature on worlds where it's smaller. It's not likely to have turned deadly here. Come on!" He went forward over the singularly bouncy ground. The others followed. It was to be noted that Hallet the engineer, avoided the huge harmless creature more widely than most. They reached the mound which was the ship. Moran unlimbered his torch. He said sardonically; "This ship won't do anybody any good. It's old-style. That thick belt around its middle was dropped a hundred years ago, and more." There was an abrupt thickening of the cylindrical hull at the middle. There was an equally abrupt thinning, again, toward the landing-fins. The sharpness of the change was blurred over by the revolting ground-stuff growing everywhere. "We're going to find that this wreck has been here a century at least!" Without orders, he turned on the torch. A four-foot flame of pure blue-white leaped out. He touched its tip to the fungoid soil. Steam leaped up. He used the flame like a gigantic scalpel, cutting a square a yard deep in the whitish stuff, and then cutting it across and across to destroy it. Thick fumes arose, and quiverings and shakings began. Black creatures in their labyrinths of tunnels began to panic. Off to the right the blanket-like surface ripped and they poured out. They scuttled crazily here and there. Some took to wing. By instinct the other men—the armed ones—moved back from the smoke. They wore space-helmets but they felt that there should be an intolerable smell. Moran slashed and slashed angrily with the big flame, cutting a way to the metal hull that had fallen here before his grandfather was born. Sometimes the flame cut across things that writhed, and he was sickened. But above all he raged because he was to be marooned here. He could not altogether blame the others. They couldn't land at any colonized world with him on board without his being detected as an extra member of the crew. His fate would then be sealed. But they also would be investigated. Official queries would go across this whole sector of the galaxy, naming five persons of such-and-such description and such-and-such fingerprints, voyaging in a space-yacht of such-and-such size and registration. The world they came from would claim them as fugitives. They would be returned to it. They'd be executed. Then Carol's voice came in his helmet-phone. She cried out; " Look out! It's coming! Kill it! Kill it—. " He heard blast-rifles firing. He heard Burleigh pant commands. He was on his way out of the hollow he'd carved when he heard Harper cry out horribly. He got clear of the newly burned-away stuff. There was still much smoke and stream. But he saw Harper. More, he saw the thing that had Harper. It occurred to him instantly that if Harper died, there would not be too many people on the Nadine . They need not maroon him. In fact, they wouldn't dare. A ship that came in to port with two few on board would be investigated as thoroughly as one that had too many. Perhaps more thoroughly. So if Harper were killed, Moran would be needed to take his place. He'd go on from here in the Nadine , necessarily accepted as a member of her crew. Then he rushed, the flame-torch making a roaring sound. II. They went back to the Nadine for weapons more adequate for encountering the local fauna when it was over. Blast-rifles were not effective against such creatures as these. Torches were contact weapons but they killed. Blast-rifles did not. And Harper needed to pull himself together again, too. Also, neither Moran nor any of the others wanted to go back to the still un-entered wreck while the skinny, somehow disgusting legs of the thing still kicked spasmodically—quite separate—on the whitish ground-stuff. Moran had disliked such creatures in miniature form on other worlds. Enlarged like this. It seemed insane that such creatures, even in miniature, should painstakingly be brought across light-years of space to the new worlds men settled on. But it had been found to be necessary. The ecological system in which human beings belonged had turned out to be infinitely complicated. It had turned out, in fact, to be the ecological system of Earth, and unless all parts of the complex were present, the total was subtly or glaringly wrong. So mankind distastefully ferried pests as well as useful creatures to its new worlds as they were made ready for settlement. Mosquitos throve on the inhabited globes of the Rim Stars. Roaches twitched nervous antennae on the settled planets of the Coal-sack. Dogs on Antares had fleas, and scratched their bites, and humanity spread through the galaxy with an attendant train of insects and annoyances. If they left their pests behind, the total system of checks and balances which make life practical would get lopsided. It would not maintain itself. The vagaries that could result were admirably illustrated in and on the landscape outside the Nadine . Something had been left out of the seeding of this planet. The element—which might be a bacterium or a virus or almost anything at all—the element that kept creatures at the size called "normal" was either missing or inoperable here. The results were not desirable.
train	20069	[ "According to the reviewer of \"American Beauty,\" the protagonist Lester has mostly lost _____.", "Based on the reviewer's description of Lester and his family, what is their likely socioeconomic status?", "The reviewer implies that the following demographic might relate most strongly to the film, \"American Beauty\":", "According to the reviewer, which motif seems to represent the precariousness of reality?", "Based on the reviewer's description of Carolyn, a viewer might assume that she values all of the following EXCEPT:", "According to the reviewer, Carolyn's preference for \"Muzak\" and \"nutritious yet savory\" food most likely symbolize:", "Which of the following terms best describes the reviewer's opinion of Bening's acting performance in \"American Beauty,\" compared to her previous acting roles: ", "According to the reviewer, the films \"American Beauty\" and \"For the Love of the Game\" share all of the following in common EXCEPT:" ]	[ [ "His manhood", "His sex drive", "His family", "His sanity" ], [ "Below poverty level", "Blue collar", "White collar", "Middle class" ], [ "Emasculated men", "Dysfunctional \"family men\"", "Sex-addicted men", "High-powered businessmen" ], [ "The rose petals in Angela's bathtub", "The undulating plastic bag", "The grainy texture of Ricky's camera film", "The raindrops falling on top of the Colonel" ], [ "social awareness", "career success", "whiteness", "heterosexuality" ], [ "The characters' desperate desire to be perceived as ordinary", "The deterioration of the American nuclear family", "The tendency for people to be consumed by what their values", "The dangers of standing out in a society that demands conformity" ], [ "empowering", "muddled", "redemptive ", "distasteful" ], [ "The first names of the protagonists", "Protagonists who glorify masculinity", "A successful portrayal of New Age Nihilism", "The first names of the directors" ] ]	[ 1, 4, 1, 3, 1, 1, 3, 3 ]	[ 0, 0, 1, 1, 1, 0, 1, 1 ]	A Good Year for the Roses? Early in American Beauty , Lester Burnham (Kevin Spacey), a weary reporter for a media magazine, masturbates in the shower while informing us in voice-over that we're witnessing the highlight of his day. He peers through tired eyes out the window at his manicured suburban tract-house lawn, where his wife, Carolyn (Annette Bening)--whose gardening clogs, he points out, are color-coordinated with the handles of her shears--snips roses (American beauties) and twitters about Miracle-Gro to a gay yuppie (Scott Bakula) on the other side of a white picket fence. "I have lost something," says Lester. "I'm not exactly sure what it is but I know I didn't always feel this ... sedated." Apparently, Lester doesn't realize that snipped roses are garden-variety symbols of castration, or he'd know what he has lost. But the makers of American Beauty are about to give Lester his roses back. At a high-school basketball game, Lester is transfixed by a blonde cheerleader named Angela (Mena Suvari), who is twirling alongside his daughter, Jane (Thora Burch). Ambient noise falls away, the crowd disappears, and there she is, Lester's angel, writhing in slow motion--just for him. She opens her jacket (she's naked underneath) and red rose petals drift out. Later, Lester envisions her on a bed of red petals, then immersed in a bath of red petals. Back in the roses for the first time in years, he's soon pumping iron, smoking pot, and telling off his frigid wife and faceless bosses, convinced that whatever he has lost he's getting back, baby. The movie is convinced, too--which is odd, since the fantasy of an underage cheerleader making a middle-aged man's wilted roses bloom is a tad ... primitive. But American Beauty doesn't feel primitive. It feels lustrously hip and aware, and a lot of critics are making big claims for it. The script, by Alan Ball, a playwright and former sitcom writer, carries an invigorating blast of counterculture righteousness, along with the kind of pithily vicious marital bickering that makes some viewers (especially male) say, "Yeah! Tell that bitch off!" More important, it has a vein of metaphysical yearning, which the director, Sam Mendes, mines brilliantly. A hotshot English theater director (his Cabaret revival is still on the boards in New York), Mendes gives the film a patina of New Age lyricism and layer upon layer of visual irony. The movie's surface is velvety and immaculate--until the action is abruptly viewed through the video camera of the teen-age voyeur next door (Wes Bentley), and the graininess of the video image (along with the plangent music) suggests how unstable the molecules that constitute our "reality" really are. Mendes can distend the real into the surreal with imperceptible puffs. Aided by his cinematographer, Conrad Hall, and editors, Tariq Anwar and Chris Greenbury, he creates an entrancing vision of the American nuclear family on the verge of a meltdown. A merican Beauty is so wittily written and gorgeously directed that you might think you're seeing something archetypal--maybe even the Great American Movie. But when you stop and smell the roses ... Well, that scent isn't Miracle-Gro. The hairpin turns from farce to melodrama, from satire to bathos, are fresh and deftly navigated, but almost every one of the underlying attitudes is smug and easy: from the corporate flunky named "Brad" to the interchangeable gay neighbors (they're both called "Jim") to the brutally homophobic patriarch next door, an ex-Marine colonel (Chris Cooper) who has reduced his wife (the normally exuberant Allison Janney) to a catatonic mummy and his son, Ricky (Bentley), to a life of subterranean deception. (The colonel's idea of bliss is watching an old Ronald Reagan military picture on television: How's that for subtle?) Lester's wife, Carolyn, is even more stridently caricatured. A real-estate broker who fails to sell a big house (her only potential customers are blank-faced African-Americans, Indian-Americans, and surly lesbians), she wears a mask of perky efficiency and insists on listening to Muzak while she and her husband and daughter eat her "nutritious yet savory" dinners. It's amazing that Mendes and Ball get away with recycling so many stale and reactionary ideas under the all-purpose rubric of "black comedy." But it's also possible that those ideas have rarely been presented so seductively. Several months ago, Daniel Menaker in Slate in contemporary film in which the protagonist attempts to break through our cultural and technological anesthetization into "the real." That's the theme here, too, and it's extraordinarily potent, at times even heartbreaking. The symbols, however, have been cunningly reversed. In movies like sex, lies, and videotape (1989), the protagonist has to put away the video camera to "get real"; in American Beauty , it's Ricky Fitts, the damaged stoner videomaker next door, who sees beauty where nonartists see only horror or nothingness. In the film's most self-consciously poetic set piece, Ricky shows Lester's dour daughter Jane--in whom he recognizes a kindred spirit--a video of a plastic bag fluttering up, down, and around on invisible currents of wind. Ricky speaks of glimpsing in the bag's trajectory an "entire life behind things"--a "benevolent force" that holds the universe together. The teen-ager, who likes to train his lenses on dead bodies of animals and people, sells wildly expensive marijuana to Lester and somehow passes on this notion of "beauty." By the end, Lester is mouthing the same sentiments and has acquired the same deadpan radiance. That must be some really good shit they're smoking. It's not the druggy philosophizing, however, that makes American Beauty an emotional workout. It's that the caricatures are grounded in sympathy instead of derision. Everyone on screen is in serious pain. The manipulative sexpot Angela, who taunts her friend Jane with the idea of seducing her dad, acts chiefly out of a terror of appearing ordinary. As the military martinet, Cooper goes against the grain, turning Col. Fitts into a sour bulldog whose capaciously baggy eyes are moist with sadness over his inability to reach out. (When he stands helplessly in the rain at the end, the deluge completes him.) The character of Carolyn is so shrill as to constitute a libel on the female sex, but there isn't a second when Bening sends the woman up. She doesn't transcend the part, she fills it to the brim, anatomizes it. You can't hate Carolyn because the woman is trying so hard--to appear confident, composed, in control. When she fails to sell that house, she closes the shades and lets go with a naked wail--it's the sound of a vacuum crying to be filled--then furiously slaps herself while sputtering, "Shut up--you're weak--shut up. " Then she breathes, regains her go-get-'em poise, replaces her mask. Carolyn isn't a complicated dramatic construction, but Bening gives her a primal force. An actress who packs more psychological detail into a single gesture than others get into whole scenes, Bening was barreling down the road to greatness before she hit a speed bump called Warren. It's a joy to observe her--both here and in Neil Jordan's In Dreams (1999)--back at full throttle. American Beauty is Spacey's movie, though. He gives it--how weird to write this about Spacey, who made his name playing flamboyantly self-involved psychopaths--a heart. Early on, he lets his face and posture go slack and his eyes blurry. He mugs like crazy, telegraphing Lester's "loserness." But Spacey's genius is for mugging in character. He makes us believe that it's Lester who's caricaturing himself , and that bitter edge paves the way for the character's later, more comfortably Spacey-like scenes of insult and mockery. He even makes us take Lester's final, improbably rhapsodic moments straight. But do the filmmakers take them straight? If I read it correctly, the movie is saying that American society is unjust and absurd and loveless--full of people so afraid of seeming ordinary that they lose their capacity to see. It's saying that our only hope is to cultivate a kind of stoned aesthetic detachment whereby even a man with his brains blown out becomes an object of beauty and a signpost to a Higher Power. But to scrutinize a freshly dead body and not ask how it got that way--or if there's anyone nearby with a gun who might want to add to the body count--strikes me as either moronic or insane or both. The kind of detachment the movie is peddling isn't artistic, it isn't life--it's nihilism at its most fatuous. In the end, American Beauty is New Age Nihilism. Kevin Costner is 11 years older than he was as Crash Davis, the over-the-hill minor-league catcher in Bull Durham (1988), but he can still get away with playing a professional ballplayer. He moves and acts like a celebrity jock, and he can make his narcissistic self-containment look as if he's keeping something in reserve--to protect his "instrument," as it were. In For Love of the Game , he's a 40ish Detroit Tigers pitcher having his last hurrah: The team has been sold and the new owners don't necessarily want him back. For about half an hour, it's a great sports movie. Costner stands on the mound shaking off the signals of his longtime catcher (John C. Reilly); he forces himself to tune out the huge Yankee Stadium crowd (the background blurs before our eyes and the sound drops out); and he mutters darkly at a succession of batters, some old nemeses, some old buddies. He also thinks about his Manhattan-based ex-girlfriend (Kelly Preston), who tearfully told him that morning that things were absolutely over and she was moving to London. There's an appealing flashback to how they met (he stopped to fix her car while on the way to Yankee Stadium), then it's back to the game for more nail-biting at bats. But pretty soon the relationship flashbacks start coming thick and fast, and the balance of the movie shifts to whether Kevin can commit to Kelly and Kelly can commit to Kevin or whether his only commitment could ever be to the ball and the diamond and the game. Maybe it's because I'm a baseball nut that I hated to leave the mound. But maybe it's also because the relationships scenes are soft-focus, generic, and woozily drawn-out, whereas the stuff in the stadium is sharply edited and full of texture. The rhythms of the game feel right; the rhythms of the romance feel embarrassingly Harlequin, and the picture drags on for over two hours. I can't believe that the director, Sam Raimi ( The Evil Dead , 1983; last year's A Simple Plan ) thought that all those scenes of Costner and Preston staring into space while the piano plinks would end up in the final cut, but Raimi apparently gave up control of the final cut for the sake of making his first, real mainstream picture. He might as well have stuck his head over the plate and said, "Bean me."
train	20072	[ "To which director does the film reviewer offer the most praise?", "In reviewing \"Princess Mononoke,\" which of Miyazaki's techniques does the reviewer appreciate the least?", "According to the reviewer, Miyazaki believes that technological and industrial advancement has had a/an ______ effect on the force of nature:", "According to the reviewer, what is one of the greatest moments of the film \"Princess Mononoke\"?", "According to the reviewer, what is one of the disappointing aspects of the film \"Princess Mononoke\"?", "According to the reviewer, how would Miyazaki feel about youth viewing \"Princess Mononoke\"?", "In reviewing \"Music of the Heart,\" the reviewer believes that the director's greatest flaw is:", "The reviewer shares the following similar criticism of Princess Mononoke and Roberta Guaspari:", "The film reviewer is generally _____ the actors in \"Princess Mononoke,\" and ______ the actors in \"The Limey,\" respectively:", "What does the film reviewer respect the most about the director of \"The Limey\"?" ]	[ [ "Sam Raimi", "Steven Soderbergh", "Wes Craven", "Hayao Miyazaki" ], [ "His awareness of his audience", "His digitally dazzling cinematography", "His attention to detail", "His sublime proportionality " ], [ "Cannabilistic", "Befuddling", "Lethal", "Solipsistic" ], [ "The moment when Princess Mononoke sets off to kill the leader of Irontown", "The moment when Princess Mononoke rescues the Ashitaka ", "The moment when Ashitaka unlodges the iron ball from his body", "The moment when the kodamas make a brief appearance" ], [ "Industry ultimately triumphs over nature", "Princess Mononoke is too fixated on Ashitaka", "The director Miyazaki gets too lost in unimportant details", "The actors' overfamiliar voices distract from the seriousness of the plot" ], [ "Zealous", "Apprehensive", "Supportive", "Ambivalent" ], [ "Not focusing enough on the violin music", "Trying too hard to appeal to the film industry's elite", "Ignoring the perspectives of the children in the film", "Mischaracterizing Roberta Guaspari" ], [ "They are unoriginal and sexist caricatures of stereotypical female archetypes", "They are not developed to the fullest extent they could be, and the audience loses interest in their storyline", "They lose their appeal when the director reduces their rough edges", "They should have been cast as the protagonists of their respective stories, instead of secondary characters" ], [ "irritated by // impressed by", "skeptical of // convinced by", "bored of // enraptured by", "critical of // overpraising of" ], [ "His use of flashback and dialogue", "His simultaneous implication and omission of violence", "His ability to pack a lot of action into a short film", "His ability to evolve as a filmmaker" ] ]	[ 4, 2, 3, 1, 4, 3, 4, 3, 1, 4 ]	[ 0, 0, 1, 1, 0, 0, 0, 1, 0, 1 ]	Machines in the Garden In the animated ecological epic Princess Mononoke , the camera travels over landscapes with a clear, steady gaze, like a Zen hang glider. The images have none of the comin'-at-ya pop-surrealism of American cartoons, many of which have characters that spring out of the frame like jack-in-the-boxes. The Japanese director, Hayao Miyazaki, who spent three years on Princess Mononoke and is reported to have done 70 percent of its paintings himself, seems to work from the outside in: to begin with the curve of the earth, then the mossy hills, the watercolor foliage, the nubby stones, the whorls on the wood, the meticulous carvings on a teacup. He captures the texture of light and the currents of air. You could almost settle down in this landscape. A view of nature that some would call "tree-hugging" doesn't feel softheaded when the trees are rendered in such brilliant and robust detail. But then, "soft" is not a word you can apply to Princess Mononoke , however pantheistic its worldview. The film, which is rated PG-13, is full of splattery carnage. If Miyazaki in long shot is contemplative, in close-up he's ferocious. He's both inside and outside the action: He knows when to rock your world and when to induce a state of sorrowful detachment. According to the New York Times , Toy Story animators screened reels of his work when their imaginations flagged, and writers for Star Trek named an alien species after one of his features. Watching Princess Mononoke --which has been dubbed to Disney/Miramax specifications by American and English stars but retains its two-hour-plus length, its gory beheadings, and its grim, near-apocalyptic finale--you can understand their worship. It isn't that Miyazaki's work is technically so dazzling in this age of digitized miracles; it's that everything is sublimely in proportion. The movie has a scope that makes Hollywood's homiletic, follow-your-dream fables look even more solipsistic. Miyazaki is after nothing less than the moment in our history (the film is set in the 14 th and 15 th centuries) when the power shifted from a "natural" world to one shaped by human technology. It's the beginning of what Bill McKibben called "the end of nature"--that is, when nature became no longer an autonomous, self-regulating force but one touched (and, in Miyazaki's view, poisoned) by human industry. The hero, Ashitaka, a warrior from the isolationist Emishi clan, is forced in the first scene to kill a marauding boar--a god turned into a demon (covered in roiling, corrosive worms) by an iron ball lodged in its body. Infected, destined to be consumed by--and to die of--rage, Ashitaka leaves his village in search of the iron ball's source. He discovers a fortress-cum-arms-manufacturing plant called Irontown, presided over by one of the most complex villains in modern film: the regal Lady Eboshi. On one hand, she's a benevolent industrialist who presides over a warmly matriarchal society; on the other, she wants to destroy the forest, harness its resources, and exterminate its animal deities--chiefly the Spirit of the Forest, a magnificent deer god whose touch brings instant life or death, and who transforms at dusk into the towering Night Walker. P rincess Mononoke builds to a full-scale war between humans and the animal kingdom--which does not, by the way, consist of your father's cartoon critters. In fact, the boars and apes have little patience with Ashitaka's call for nature and mankind to live together in harmony; they'd like to eat him. The wolf god, Moro, is slightly more sympathetic, but that's because her adopted "daughter," San (a k a Princess Mononoke), is human. San is first seen sucking a wound of her huge wolf mother, then, as the gore drips from her mouth, training her dark eyes on Ashitaka with feral hatred. Her second appearance--a lone attack on Irontown to assassinate Lady Eboshi--is one of the movie's high points. It's Miyazaki's use of sound--and silence--that takes your breath away: the determined tap of the wolf princess's shoes as she scuttles over the fortress's rooftops; the silence of Eboshi and her army as they stare at this tiny yet formidable tomboy against the black sky. Their battle is so furious that the blades streak and lose definition--it's almost subliminal. It's a shame that the wolf princess warms up to Ashitaka and spends the rest of the film either saving him or being saved by him. She loses that punk-bitch allure. The voice of Claire Danes doesn't help. When Danes says, "I'd do anything to get you humans out of my forest," she sounds like a Valley Girl peeved over lack of parking spaces at the mall. (San needs a more ragged voice--I'd be interested to hear the original Japanese actress.) Billy Crudup is just as Disneyfied (Miramaxed?), but that doesn't hurt as much because Ashitaka is conceived from the start as a rather bland ingÃ©nu. Gillian Anderson's growling Moro sounds silly (she doesn't have the breath control), and the fey-hick tones of Billy Bob Thornton are too recognizable as the Akim Tamiroff-like mercenary, Jigo. But Minnie Driver--coming off a triumphantly dizzy Jane in Tarzan --once again provides a voice that the animators deserve. "Bring the strange-ah to me late-ah," she commands in sexy Martian Queen cadences that will stir the loins of Flash Gordon fans everywhere. "I would like to thank him puh-sonally." The overfamiliar voices nudge Princess Mononoke closer to its American counterparts--but not by a lot. There's always something wondrously strange. The "kodamas" are little tree spirits on doughboy bodies. They cock their trapezoidal dice heads and emit a series of clicks; then their heads pop back with a conclusive rattle. Something about them seems just right; I could watch them for hours. (Miyazaki limits their appearances to seconds--he doesn't wear out their mystery the way that, say, George Lucas would.) And no Hollywood animated feature would end with such a powerful vision of apocalypse, as the land is bestridden by a colossus dropping a thick, caustic, tarlike gel that recalls the post-Hiroshima "black rain." Can you take the kids? I think so. As Miyazaki said at a New York Film Festival press conference, "Children understand intuitively that the world they have been born into is not a blessed world." Princess Mononoke , at least, can tell them why. "A special smile ... a certain touch ..." So begins the elevator-music theme song of Music of the Heart ... "I never had a lot that I loved so much." The credits had just started and I was already looking for a barf bag. Did Miramax and director Wes Craven have to work so hard to schlockify the story of Roberta Guaspari (played here by Meryl Streep), whose violin courses in East Harlem elementary schools have become a beacon for such programs nationwide? A fabled taskmaster (her story was told in the 1996 documentary Small Wonders ), Guaspari used music as a way to teach self-discipline--along with the healthy self-respect that follows in its wake. When the New York school board cut the funding for her program, she proved a marvel of self-promotion, attracting features in all the major dailies and ending up along with her best students at Carnegie Hall for a benefit "Fiddlefest"--along with Itzhak Perlman, Isaac Stern, and other legendary "fiddlers." Streep has said that she spent so much of the time on the set learning the violin (she doesn't play any instruments) that she didn't bring the full force of her acting technique to bear on Roberta. Maybe that's why the performance seems so natural. Let her always learn an instrument on the set! Still, she doesn't make much sense of Guaspari. The script, by Pamela Gray ( A Walk on the Moon ), has her students complain of her nastiness and perfectionism, but Streep--who has made herself look dumpy, thick-waisted, and bedraggled--is so busy telegraphing her vulnerability that all we get is dippy niceness. Instead of a monument to an individual's iron will, Music of the Heart becomes the story of a woman so helpless that she arouses the kindness of strangers. Directors of violent genre pieces like Craven (who got this mainstream gig in return for doing the Scream sequels) or Carl Franklin or Sam Raimi sometimes want so badly to belong to Establishment Hollywood--to go to the Academy Awards--that they neuter themselves. Bending over backward to show how sensitive they can be, they forget that violence--even if it's just emotional violence--belongs in "ordinary" dramas, too. Craven does good work with the young actors in the classroom scenes, but the film has a reticence common to most biopics and a mushy, TV-movie humanism that blands out its texture. OK, I was a puddle after some scenes, like the one where Guaspari pushes a student to get her to improve her posture and discovers that the girl is wearing a leg brace. But how much more emotional the Carnegie Hall climax would have been if instead of suddenly seeing these East Harlem kids on stage with Perlman, Stern, Joshua Bell, etc., we'd seen them rehearsing first and struggling to keep up. There's too much music of the heart and not enough music of the callused fingers. In outline, The Limey is a lean little B-movie revenge melodrama about a felonious Brit (Terence Stamp) who's newly sprung from prison and flies to Southern California to get to the bottom of his beautiful daughter's death: "My name's Wilson ... Who dunnit?" The film, directed by Steven Soderbergh, would be worth seeing just for Stamp's performance, at once rock-hard and goofily blinkered, and for Peter Fonda's wittily self-parodic turn as the suspected killer, a music producer who coasts on '60s counterculture easiness while his lackeys do the dirty work. ("Oh, man," he says, the fear finally seeping through the ether. "This is getting all too close to me.") But the picture's glory is its layered and intricate syntax. The dialogue moves ahead--there are great gobs of exposition--but the images continually double back: to Stamp and Lesley Ann Warren, as his daughter's acting teacher, simply gazing at each other; or to Stamp sitting on a plane, remembering his daughter as a girl on the beach, the lens of his home movie camera creating an eerily bright--almost supernatural--spot that dances over her face. The film's most violent act happens well off screen. (You hear the distant "pop-pop-pop-pop-pop" of the hero's gun.) The rest is only half-glimpsed, fantasized, or saturated by memory--or is the present the memory? Is all of The Limey a temporal hiccup? Some, including the critic at Time , have questioned Soderbergh's sanity. (But of course--Soderbergh flouts time!) I see a method to his madness. Less grandiosely than Harmony Korine in Julien Donkey-Boy , Soderbergh pores over every scene in search of its essential dramatic gesture. He's saying: This --not all that other stuff--is what's important. He telegraphs the ending--you know the Limey will somehow be at the root of his daughter's death--but it's still an emotional wow. The climax justifies the technique. It says the point of this odyssey isn't revenge but regret--for irredeemably blown chances and a tragic waste of love. Soderbergh is one of those rare filmmakers who learn on the job. Working within a tight genre structure, he's discovering hundreds of ways of editing a given scene that can give it the richness of a novel. Is he totally successful? No; he misses now and then, which is why the technique sticks out. But what a fantastic effort. See it and weep for what's missing in most other movies.
train	20071	[ "Of the four films reviewed in the passage, which one has received the MOST positive review?", "All four of the films reviewed share the following theme:", "In the review of \"Fight Club,\" lines from Tyler Durden cited by the reviewer illustrate the following literary device:", "Which of the following terms DOES NOT describe the reviewer's tone toward the director and screenwriter of \"Fight Club\"?", "The reviewer of \"Fight Club\" believes that the film could have benefitted from:", "Which terms describe how the reviewers compare Brad Pitt's performance to Hilary Swank's, respectively?", "According to the reviewers, Jack from \"Fight Club\" and Brandon Teena from \"Boys Don't Cry\" share the following:", "According to the reviewer of \"Boys Don't Cry,\" Brandon Teena feels more connected to their true identity by engaging in all of the following acts EXCEPT:", "Of the four films reviewed in the passage, which one has received the LEAST positive review?" ]	[ [ "Fight Club", "Happy Texas", "Boys Don't Cry", "Mumford" ], [ "gender", "sexuality", "consumerism", "identity" ], [ "allusion", "personification", "metaphor", "irony" ], [ "confused", "critical", "unimpressed", "condescending" ], [ "More diverse points-of-view", "More explicit commentary on the dangers of consumerism", "A less predictable and facetious ending", "Less obvious situational irony" ], [ "Irritating / Courageous", "Facetious / Naive", "Disjointed / Measured", "Conceited / Captivating" ], [ "An unsupportive family", "An addictive personality", "A fascination with masculinity", "A sleep disorder" ], [ "Confiding in their family", "Getting dirty", "Flirting with women", "Drinking in a bar" ], [ "Fight Club", "Mumford", "Boys Don't Cry", "Happy Texas" ] ]	[ 3, 4, 3, 1, 1, 4, 3, 1, 4 ]	[ 0, 0, 0, 1, 0, 0, 0, 0, 0 ]	Boys Do Bleed Fight Club is silly stuff, sensationalism that mistakes itself for satire, but it's also a brash and transporting piece of moviemaking, like Raging Bull on acid. The film opens with--literally--a surge of adrenalin, which travels through the bloodstream and into the brain of its protagonist, Jack (Edward Norton), who's viewed, as the camera pulls out of his insides, with a gun stuck in his mouth. How'd he get into this pickle? He's going to tell you, breezily, and the director, David Fincher, is going to illustrate his narrative--violently. Fincher ( Seven , 1995; The Game , 1997) is out to bombard you with so much feverish imagery that you have no choice but to succumb to the movie's reeling, punch-drunk worldview. By the end, you might feel as if you, too, have a mouthful of blood. Not to mention a hole in your head. Fight Club careers from one resonant satirical idea to the next without quite deciding whether its characters are full of crap or are Gen X prophets. It always gives you a rush, though. At first, it goofs on the absurd feminization of an absurdly macho culture. An increasingly desperate insomniac, Jack finds relief (and release) only at meetings for the terminally ill. At a testicular cancer group, he's enfolded in the ample arms of Bob (the singer Meat Loaf Aday), a former bodybuilder who ruined his health with steroids and now has "bitch tits." Jack and Bob subscribe to a new form of male bonding: They cling to each other and sob. But Jack's idyll is rudely disrupted by--wouldn't you know it?--a woman. A dark-eyed, sepulchral head case named Marla Singer (Helena Bonham Carter) begins showing up at all the same disparate meetings for essentially the same voyeuristic ends, and the presence of this "tourist" makes it impossible for Jack to emote. Jack finds another outlet, though. On a plane, he meets Tyler Durden (Brad Pitt), a cryptic hipster with a penchant for subversive acts both large (he makes high-priced soaps from liposuctioned human fat) and small (he splices frames from porn flicks into kiddie movies). When Jack's apartment mysteriously explodes--along with his carefully chosen IKEA furniture--he moves into Tyler's squalid warehouse and helps to found a new religion: Fight Club, in which young males gather after hours in the basement of a nightclub to pound one another (and be pounded) to a bloody pulp. That last parenthesis isn't so parenthetical. In some ways, it's the longing to be beaten into oblivion that's the strongest. "Self-improvement," explains Tyler, "is masturbation"; self-destruction is the new way. Tyler's manifesto calls for an end to consumerism ("Things you own end up owning you"), and since society is going down ("Martha Stewart is polishing brass on the Titanic "), the only creative outlet left is annihilation. "It's only after we've lost everything that we're free to do anything," he says. Fincher and his screenwriter, Jim Uhls, seem to think they've broken new ground in Fight Club , that their metaphor for our discontents hits harder than anyone else's. Certainly it produces more bloody splatter. But 20 years ago, the same impulse was called punk and, as Greil Marcus documents in Lipstick Traces , it was other things before that. Yes, the mixture of Johnny Rotten, Jake La Motta, and Jesus is unique; and the Faludi-esque emasculation themes are more explicit. But there's something deeply movie-ish about the whole conceit, as if the novelist and director were weaned on Martin Scorsese pictures and never stopped dreaming of recapturing that first masochistic rush. The novel, the first by Chuck Palahniuk (the surname sounds like Eskimo for "palooka"--which somehow fits), walks a line between the straight and ironic--it isn't always clear if its glib sociological pronouncements are meant to be taken straight or as the ravings of a delusional mama's boy. But onscreen, when Pitt announces to the assembled fighters that they are the "middle children of history" with "no purpose and no place"--emasculated on one hand by the lack of a unifying crisis (a world war or depression) and on the other by lack of material wealth as promised by television--he seems meant to be intoning gospel. "We are a generation of men raised by women," Tyler announces, and adds, "If our fathers bail, what does that tell you about God?" (I give up: What?) F ight Club could use a few different perspectives: a woman's, obviously, but also an African-American's--someone who'd have a different take on the "healing" properties of violence. It's also unclear just what has emasculated Jack: Is it that he's a materialist or that the materials themselves (i.e., IKEA's lacquered particle boards) don't measure up to his fantasies of opulence? Is he motivated by spiritual hunger or envy? Tyler's subsequent idea of confining his group's mayhem to franchise coffee bars and corporate-subsidized art is a witty one--it's like a parody of neo-Nazism as re-enacted by yuppies. It might have been a howl if performed by, say, the troupe of artsy German nihilists in Joel and Ethan Coen's The Big Lebowski (1998). Somehow Brad Pitt doesn't have the same piquancy. Actually, Pitt isn't as terrible as usual: He's playing not a character but a conceit, and he can bask in his movie-idol arrogance, which seems to be the most authentic emotion he has. But the film belongs to Norton. As a ferocious skinhead in last year's American History X , Norton was taut and ropy, his long torso curled into a sneer; here, he's skinny and wilting, a quivering pansy. Even when he fights he doesn't transform--he's a raging wimp. The performance is marvelous, and it makes poetic sense in light of the movie's climactic twist. But that twist will annoy more people than it will delight, if only because it shifts the drama from the realm of the sociological to that of the psychoanalytic. The finale, scored with the Pixies' great "Where Is My Mind?" comes off facetiously--as if Fincher is throwing the movie away. Until then, however, he has done a fabulous job of keeping it spinning. The most thrilling thing about Fight Club isn't what it says but how Uhls and Fincher pull you into its narrator's head and simulate his adrenalin rushes. A veteran of rock videos, Fincher is one of those filmmakers who helps make the case that MTV--along with digital editing--has transformed cinema for better as well as worse. The syntax has become more intricate. Voice-over narration, once considered uncinematic, is back in style, along with novelistic asides, digressions, fantasies, and flashbacks. To make a point, you can jazzily interject anything--even, as in Three Kings , a shot of a bullet slicing through internal organs. Films like Fight Club might not gel, but they have a breathless, free-associational quality that points to new possibilities in storytelling. Or maybe old possibilities: The language of movies hasn't seemed this unfettered since the pre-sound days of Sergei Eisenstein and Abel Gance. An actress named Hilary Swank gives one of the most rapturous performances I've ever seen as the cross-dressing Brandon Teena (a k a Teena Brandon) in Kimberly Peirce's stark and astonishingly beautiful debut feature, Boys Don't Cry . The movie opens with Teena being shorn of her hated female tresses and becoming "Brandon," who swaggers around in tight jeans and leather jackets. The joy is in watching the actor transform, and I don't just mean Swank: I mean Teena Brandon playing Brandon Teena--the role she has been longing for her whole life. In a redneck Nebraska bar, Brandon throws back a shot of whiskey and the gesture--a macho cliché--becomes an act of self-discovery. Every gesture does. "You're gonna have a shiner in the morning," someone tells Brandon after a barroom brawl, and he takes the news with a glee that's almost mystical: "I am????? Oh, shit!!!" he cries, grinning. That might be my favorite moment in the picture, because Swank's ecstatic expression carries us through the next hour, as Brandon acts out his urban-cowboy fantasies--"surfing" from the bumper of a pickup truck, rolling in the mud, and straddling a barstool with one hand on a brewski and the other on the shoulder of a gorgeous babe. That the people with whom Brandon feels most at home would kill him if they knew his true gender is the movie's most tragic irony--and the one that lifts it out of the realm of gay-martyr hagiography and into something more complex and irreducible: a meditation on the irrelevance of gender. Peirce's triumph is to make these scenes at once exuberant (occasionally hilarious) and foreboding, so that all the seeds of Brandon's killing are right there on the screen. John (Peter Sarsgaard), one of his future rapists and murderers, calls him "little buddy" and seems almost attracted to him; Sarsgaard's performance is a finely chiseled study of how unresolved emotion can suddenly resolve itself into violence. Though harrowing, the second half of Boys Don't Cry isn't as great as the first. The early scenes evoke elation and dread simultaneously, the later ones just dread; and the last half-hour is unrelieved torture. What keeps the movie tantalizing is Chloë Sevigny's Lana, who might or might not know that Brandon is a girl but who's entranced by him anyway. With her lank hair, hooded eyes, and air of sleepy sensuality, Sevigny--maybe even more than Swank--embodies the mystery of sex that's at the core of Boys Don't Cry . Everything she does is deliberate, ironic, slightly unreadable--and unyielding. She's could be saying, "I'm in this world but not of it. ... You'd never dream what's underneath." I n brief: If a friend tells you you'll love Happy Texas , rethink the friendship. This clunky mistaken-identity comedy about escaped cons who impersonate gay pageant directors doesn't even make sense on its own low farcical terms; it's mostly one lame homo joke after another. The only bright spot is Steve Zahn, who could be the offspring of Michael J. Fox and Crispin Glover if they'd mated on the set of Back to the Future (1985). It's hard to make a serious case for Lawrence Kasdan's Mumford , which has apparently flopped but which you can still catch at second- and third-tier theaters. It looks peculiar--a Norman Rockwell painting with noir shadows. And its tale of a small town healed by a depressive (Loren Dean) posing as a psychologist is full of doddering misconceptions about psychotherapy. I almost don't know why I loved it, but the relaxed pacing and the witty turns by Martin Short, Ted Danson, David Paymer, and Mary McDonnell surely helped. I can't decide if the weirdly affectless Dean is inspired or inept, but my indecision suggests why he works in the role. There's no doubt, however, about his even more depressive love object, Hope Davis, who posseses the cinema's most expressive honking-nasal voice and who slumps through the movie like the world's most lyrical anti-ballerina. Even her puffy cheeks are eloquent: They made me think of Mumford as the home of the psychological mumps.
train	23588	[ "Why is everyone surprised that Thaddeus was able to make a bomb?", "What likely happens to Thaddeus after the story ends?", "What is the significance of the Washington Monument flying into space at the end of the story?", "What does the colonel seem to think about the bomb situation at the mental institution?", "Which statement about the relationship between Thaddeus Funston and Miss Abercrombie is most true, based on the facts in the story?", "What kind of person is Miss Abercrombie? Choose the best option", "What do the jumbled clay strips represent?", "Who is Miss Abercrombie", "What are the necessary components for Thaddeus to cause an \"event\"?" ]	[ [ "He needed the finger paints but Mr. Lieberman had taken those", "Miss Abercrombie had taken away the other parts that would have made it work", "It was only made of clay and nothing else", "It was the wrong kind of clay to build an explosive device from" ], [ "He uses the Washington Monument to travel to space", "Various government agencies continue to study him to find out his secrets", "He is locked in the Pentagon forever so he cannot create any more devices", "He is sent back to the mental institution to continue his care" ], [ "It shows that someone else has powers similar to Thaddeus", "It shows the reader that it is certainly something about his gaze that causes these events", "The government is able to confirm their suspicions that he is able to create different types of powerful reactions, not just bombs", "It is a politically charged building which makes it a more severe issue to the men studying him" ], [ "He wants to let Thaddeus create more things to study them", "He is worried about the perception if others hear about what's happening", "He wants to keep the story away from the newspapers so that others cannot learn Thaddeus' secrets", "It figures that this is where this is happening, so he's frustrated for yet another bomb case" ], [ "She encourages him to keep making progress over time as she supervises him in one area of his treatment", "Thaddeus has long confided in Miss Abercrombie as his therapist and she is shocked that someone she trusted closely would cause so much damage", "Miss Abercrombie has long considered Thaddeus a problem student of hers and is frustrated by his behavior", "She tries to stifle his creative instincts and doesn't let him express himself the way he wants" ], [ "Cautious and discouraging", "Impatient but well-meaning", "Encouraging and strict", "Patient but sometimes easily shaken" ], [ "Thaddeus' way of labeling his creation", "Wires and circuitry from a bomb", "The discarded clay from his process", "Rivers on a globe of the Earth" ], [ "An art teacher brought in to supervise activity time at the institution", "A government agent keeping tabs on the people at the mental institution under the guise of a therapist", "A therapist who specializes in hand- and joint-related activities", "One of the therapists personally appointed to keep an eye on Thaddeus" ], [ "An object and his stare", "Clay and his stare", "A physical object", "His stare, at a particular time of day" ] ]	[ 3, 2, 2, 2, 1, 4, 2, 3, 1 ]	[ 0, 1, 0, 1, 1, 1, 0, 0, 1 ]	Transcriber's Note: This etext was produced from Astounding Science Fiction November 1959. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed. A FILBERT IS A NUT BY RICK RAPHAEL That the gentleman in question was a nut was beyond question. He was an institutionalized psychotic. He was nutty enough to think he could make an atom bomb out of modeling clay! Illustrated by Freas Miss Abercrombie, the manual therapist patted the old man on the shoulder. "You're doing just fine, Mr. Lieberman. Show it to me when you have finished." The oldster in the stained convalescent suit gave her a quick, shy smile and went back to his aimless smearing in the finger paints. Miss Abercrombie smoothed her smock down over trim hips and surveyed the other patients working at the long tables in the hospital's arts and crafts shop. Two muscular and bored attendants in spotless whites, lounged beside the locked door and chatted idly about the Dodgers' prospects for the pennant. Through the barred windows of the workshop, rolling green hills were seen, their tree-studded flanks making a pleasant setting for the mental institution. The crafts building was a good mile away from the main buildings of the hospital and the hills blocked the view of the austere complex of buildings that housed the main wards. The therapist strolled down the line of tables, pausing to give a word of advice here, and a suggestion there. She stopped behind a frowning, intense patient, rapidly shaping blobs of clay into odd-sized strips and forms. As he finished each piece, he carefully placed it into a hollow shell hemisphere of clay. "And what are we making today, Mr. Funston?" Miss Abercrombie asked. The flying fingers continued to whip out the bits of shaped clay as the patient ignored the question. He hunched closer to his table as if to draw away from the woman. "We mustn't be antisocial, Mr. Funston," Miss Abercrombie said lightly, but firmly. "You've been coming along famously and you must remember to answer when someone talks to you. Now what are you making? It looks very complicated." She stared professionally at the maze of clay parts. Thaddeus Funston continued to mold the clay bits and put them in place. Without looking up from his bench he muttered a reply. "Atom bomb." A puzzled look crossed the therapist's face. "Pardon me, Mr. Funston. I thought you said an 'atom bomb.'" "Did," Funston murmured. Safely behind the patient's back, Miss Abercrombie smiled ever so slightly. "Why that's very good, Mr. Funston. That shows real creative thought. I'm very pleased." She patted him on the shoulder and moved down the line of patients. A few minutes later, one of the attendants glanced at his watch, stood up and stretched. "All right, fellows," he called out, "time to go back. Put up your things." There was a rustle of paint boxes and papers being shuffled and chairs being moved back. A tall, blond patient with a flowing mustache, put one more dab of paint on his canvas and stood back to survey the meaningless smears. He sighed happily and laid down his palette. At the clay table, Funston feverishly fabricated the last odd-shaped bit of clay and slapped it into place. With a furtive glance around him, he clapped the other half of the clay sphere over the filled hemisphere and then stood up. The patients lined up at the door, waiting for the walk back across the green hills to the main hospital. The attendants made a quick count and then unlocked the door. The group shuffled out into the warm, afternoon sunlight and the door closed behind them. Miss Abercrombie gazed around the cluttered room and picked up her chart book of patient progress. Moving slowly down the line of benches, she made short, precise notes on the day's work accomplished by each patient. At the clay table, she carefully lifted the top half of the clay ball and stared thoughtfully at the jumbled maze of clay strips laced through the lower hemisphere. She placed the lid back in place and jotted lengthily in her chart book. When she had completed her rounds, she slipped out of the smock, tucked the chart book under her arm and left the crafts building for the day. The late afternoon sun felt warm and comfortable as she walked the mile to the main administration building where her car was parked. As she drove out of the hospital grounds, Thaddeus Funston stood at the barred window of his locked ward and stared vacantly over the hills towards the craft shop. He stood there unmoving until a ward attendant came and took his arm an hour later to lead him off to the patients' mess hall. The sun set, darkness fell over the stilled hospital grounds and the ward lights winked out at nine o'clock, leaving just a single light burning in each ward office. A quiet wind sighed over the still-warm hills. At 3:01 a.m., Thaddeus Funston stirred in his sleep and awakened. He sat up in bed and looked around the dark ward. The quiet breathing and occasional snores of thirty other sleeping patients filled the room. Funston turned to the window and stared out across the black hills that sheltered the deserted crafts building. He gave a quick cry, shut his eyes and clapped his hands over his face. The brilliance of a hundred suns glared in the night and threw stark shadows on the walls of the suddenly-illuminated ward. An instant later, the shattering roar and blast of the explosion struck the hospital buildings in a wave of force and the bursting crash of a thousand windows was lost in the fury of the explosion and the wild screams of the frightened and demented patients. It was over in an instant, and a stunned moment later, recessed ceiling lights began flashing on throughout the big institution. Beyond the again-silent hills, a great pillar of smoke, topped by a small mushroom-shaped cloud, rose above the gaping hole that had been the arts and crafts building. Thaddeus Funston took his hands from his face and lay back in his bed with a small, secret smile on his lips. Attendants and nurses scurried through the hospital, seeing how many had been injured in the explosion. None had. The hills had absorbed most of the shock and apart from a welter of broken glass, the damage had been surprisingly slight. The roar and flash of the explosion had lighted and rocked the surrounding countryside. Soon firemen and civil defense disaster units from a half-dozen neighboring communities had gathered at the still-smoking hole that marked the site of the vanished crafts building. Within fifteen minutes, the disaster-trained crews had detected heavy radiation emanating from the crater and there was a scurry of men and equipment back to a safe distance, a few hundred yards away. At 5:30 a.m., a plane landed at a nearby airfield and a platoon of Atomic Energy Commission experts, military intelligence men, four FBI agents and an Army full colonel disembarked. At 5:45 a.m. a cordon was thrown around both the hospital and the blast crater. In Ward 4-C, Thaddeus Funston slept peacefully and happily. "It's impossible and unbelievable," Colonel Thomas Thurgood said for the fifteenth time, later that morning, as he looked around the group of experts gathered in the tent erected on the hill overlooking the crater. "How can an atom bomb go off in a nut house?" "It apparently was a very small bomb, colonel," one of the haggard AEC men offered timidly. "Not over three kilotons." "I don't care if it was the size of a peanut," Thurgood screamed. "How did it get here?" A military intelligence agent spoke up. "If we knew, sir, we wouldn't be standing around here. We don't know, but the fact remains that it WAS an atomic explosion." Thurgood turned wearily to the small, white-haired man at his side. "Let's go over it once more, Dr. Crane. Are you sure you knew everything that was in that building?" Thurgood swept his hand in the general direction of the blast crater. "Colonel, I've told you a dozen times," the hospital administrator said with exasperation, "this was our manual therapy room. We gave our patients art work. It was a means of getting out of their systems, through the use of their hands, some of the frustrations and problems that led them to this hospital. They worked with oil and water paints and clay. If you can make an atomic bomb from vermillion pigments, then Madame Curie was a misguided scrubwoman." "All I know is that you say this was a crafts building. O.K. So it was," Thurgood sighed. "I also know that an atomic explosion at 3:02 this morning blew it to hell and gone. "And I've got to find out how it happened." Thurgood slumped into a field chair and gazed tiredly up at the little doctor. "Where's that girl you said was in charge of this place?" "We've already called for Miss Abercrombie and she's on her way here now," the doctor snapped. Outside the tent, a small army of military men and AEC technicians moved around the perimeter of the crater, scintillators in hand, examining every tiny scrap that might have been a part of the building at one time. A jeep raced down the road from the hospital and drew up in front of the tent. An armed MP helped Miss Abercrombie from the vehicle. She walked to the edge of the hill and looked down with a stunned expression. "He did make an atom bomb," she cried. Colonel Thurgood, who had snapped from his chair at her words, leaped forward to catch her as she collapsed in a faint. At 4:00 p.m., the argument was still raging in the long, narrow staff room of the hospital administration building. Colonel Thurgood, looking more like a patient every minute, sat on the edge of his chair at the head of a long table and pounded with his fist on the wooden surface, making Miss Abercrombie's chart book bounce with every beat. "It's ridiculous," Thurgood roared. "We'll all be the laughingstocks of the world if this ever gets out. An atomic bomb made out of clay. You are all nuts. You're in the right place, but count me out." At his left, Miss Abercrombie cringed deeper into her chair at the broadside. Down both sides of the long table, psychiatrists, physicists, strategists and radiologists sat in various stages of nerve-shattered weariness. "Miss Abercrombie," one of the physicists spoke up gently, "you say that after the patients had departed the building, you looked again at Funston's work?" The therapist nodded unhappily. "And you say that, to the best of your knowledge," the physicist continued, "there was nothing inside the ball but other pieces of clay." "I'm positive that's all there was in it," Miss Abercrombie cried. There was a renewed buzz of conversation at the table and the senior AEC man present got heads together with the senior intelligence man. They conferred briefly and then the intelligence officer spoke. "That seems to settle it, colonel. We've got to give this Funston another chance to repeat his bomb. But this time under our supervision." Thurgood leaped to his feet, his face purpling. "Are you crazy?" he screamed. "You want to get us all thrown into this filbert factory? Do you know what the newspapers would do to us if they ever got wind of the fact, that for one, tiny fraction of a second, anyone of us here entertained the notion that a paranoidal idiot with the IQ of an ape could make an atomic bomb out of kid's modeling clay? "They'd crucify us, that's what they'd do!" At 8:30 that night, Thaddeus Funston, swathed in an Army officer's greatcoat that concealed the strait jacket binding him and with an officer's cap jammed far down over his face, was hustled out of a small side door of the hospital and into a waiting staff car. A few minutes later, the car pulled into the flying field at the nearby community and drove directly to the military transport plane that stood at the end of the runway with propellers turning. Two military policemen and a brace of staff psychiatrists sworn to secrecy under the National Atomic Secrets Act, bundled Thaddeus aboard the plane. They plopped him into a seat directly in front of Miss Abercrombie and with a roar, the plane raced down the runway and into the night skies. The plane landed the next morning at the AEC's atomic testing grounds in the Nevada desert and two hours later, in a small hot, wooden shack miles up the barren desert wastelands, a cluster of scientists and military men huddled around a small wooden table. There was nothing on the table but a bowl of water and a great lump of modeling clay. While the psychiatrists were taking the strait jacket off Thaddeus in the staff car outside, Colonel Thurgood spoke to the weary Miss Abercrombie. "Now you're positive this is just about the same amount and the same kind of clay he used before?" "I brought it along from the same batch we had in the store room at the hospital," she replied, "and it's the same amount." Thurgood signaled to the doctors and they entered the shack with Thaddeus Funston between them. The colonel nudged Miss Abercrombie. She smiled at Funston. "Now isn't this nice, Mr. Funston," she said. "These nice men have brought us way out here just to see you make another atom bomb like the one you made for me yesterday." A flicker of interest lightened Thaddeus' face. He looked around the shack and then spotted the clay on the table. Without hesitation, he walked to the table and sat down. His fingers began working the damp clay, making first the hollow, half-round shell while the nation's top atomic scientists watched in fascination. His busy fingers flew through the clay, shaping odd, flat bits and clay parts that were dropped almost aimlessly into the open hemisphere in front of him. Miss Abercrombie stood at his shoulder as Thaddeus hunched over the table just as he had done the previous day. From time to time she glanced at her watch. The maze of clay strips grew and as Funston finished shaping the other half hemisphere of clay, she broke the tense silence. "Time to go back now, Mr. Funston. You can work some more tomorrow." She looked at the men and nodded her head. The two psychiatrists went to Thaddeus' side as he put the upper lid of clay carefully in place. Funston stood up and the doctors escorted him from the shack. There was a moment of hushed silence and then pandemonium burst. The experts converged on the clay ball, instruments blossoming from nowhere and cameras clicking. For two hours they studied and gently probed the mass of child's clay and photographed it from every angle. Then they left for the concrete observatory bunker, several miles down range where Thaddeus and the psychiatrists waited inside a ring of stony-faced military policemen. "I told you this whole thing was asinine," Thurgood snarled as the scientific teams trooped into the bunker. Thaddeus Funston stared out over the heads of the MPs through the open door, looking uprange over the heat-shimmering desert. He gave a sudden cry, shut his eyes and clapped his hands over his face. A brilliance a hundred times brighter than the glaring Nevada sun lit the dim interior of the bunker and the pneumatically-operated door slammed shut just before the wave of the blast hit the structure. Six hours and a jet plane trip later, Thaddeus, once again in his strait jacket, sat between his armed escorts in a small room in the Pentagon. Through the window he could see the hurried bustle of traffic over the Potomac and beyond, the domed roof of the Capitol. In the conference room next door, the joint chiefs of staff were closeted with a gray-faced and bone-weary Colonel Thurgood and his baker's dozen of AEC brains. Scraps of the hot and scornful talk drifted across a half-opened transom into the room where Thaddeus Funston sat in a neatly-tied bundle. In the conference room, a red-faced, four-star general cast a chilling glance at the rumpled figure of Colonel Thurgood. "I've listened to some silly stories in my life, colonel," the general said coldly, "but this takes the cake. You come in here with an insane asylum inmate in a strait jacket and you have the colossal gall to sit there and tell me that this poor soul has made not one, but two atomic devices out of modeling clay and then has detonated them." The general paused. "Why don't you just tell me, colonel, that he can also make spaceships out of sponge rubber?" the general added bitingly. In the next room, Thaddeus Funston stared out over the sweeping panorama of the Washington landscape. He stared hard. In the distance, a white cloud began billowing up from the base of the Washington Monument, and with an ear-shattering, glass-splintering roar, the great shaft rose majestically from its base and vanished into space on a tail of flame. THE END
train	23592	[ "How is Mary feeling at the beginning of the story?", "How is Phil feeling at the beginning of the story?", "Why does Mary ask Phil to go to the rocket as soon as they can see it?", "What do you think life is like for Mary and Phil after the events of the story?", "What prompted the general to take Phil off of the mission?", "Which of these is a reason that Mary would have wanted Sammy to replace Phil?", "What were the unanswered questions that the men had after the weather briefing?", "How long was Mary standing outside?", "What is the most salient part of the final scene the reflects on the initial conversation?", "What would have happened if Phil had gone on the mission?" ]	[ [ "She is desperate for Phil not to leave.", "She is angry at Phil for not taking her seriously.", "She is frustrated with Phil for not letting Sammy replace him.", "She is depressed because she thinks she is going to lose Phil forever." ], [ "He is nervous about the mission but hopeful that it will be a success and he could return home.", "He is uncertain if he is the right person to go on this mission.", "He is upset by the way Mary stifles his hopes.", "He is too excited about fulfilling his dream that he ignores everything else going on around him." ], [ "She was not allowed to stay there, as a civilian, so she had to leave.", "She did not want him to be late for his very important mission.", "She needed to drop them off so she could leave.", "She did not want to prolong the painful goodbye." ], [ "Mary is thankful that Phil did not leave, and their lives continue as normal.", "They become closer friends with Sammy who is thankful to have gone on the mission.", "Phil closes himself off, resenting Mary for forcing his hand.", "Mary helps Phil find another mission closer to home." ], [ "Phil was too torn about his disagreement with his wife to be in the right headspace.", "Phil had expressed concerns about the safety of the mission compared to the unmanned missions.", "Phil's hands were shaking, so he could not safely operate the controls.", "Phil was too nervous and was not thinking straight." ], [ "She knows that Sammy is more careful, and would have a greater chance at mission success.", "She thought she could protect herself if someone else went.", "She thought that Sammy was more qualified.", "She thought but his lack of family showed his dedication to his job." ], [ "They did not know how the public would react to the event.", "They did not know how well they could predict weather so far away.", "They were not sure if Phil could go on the mission.", "There is still level uncertainty in the success of the mission." ], [ "She had gone home but came back for the launch.", "For almost half a day.", "For a couple hours as Phil went through pre-boarding procedure.", "A full 24 hours." ], [ "Mary promising she would only stay with him if he did not go", "Phil knowing he wouldn't be the same if he did not go on the mission", "The fact that their love was stronger than Phil's independent goals", "Phil decided not to go on the mission in the end" ], [ "Mary would have forgiven him for following his dreams and they would work together to continue their relationship.", "His anger would've caused him to make a mistake that would have ended in his death.", "He would have been ecstatic to finally have lived his dream, and gone on to live his life.", "He would still have been disappointed after fulfilling his dream because of how things ended with Mary." ] ]	[ 1, 3, 4, 3, 1, 2, 4, 2, 2, 4 ]	[ 0, 0, 0, 1, 0, 1, 0, 1, 1, 0 ]	Transcriber's Note: This etext was produced from Astounding Science Fiction December 1955. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed. BREAKAWAY BY STANLEY GIMBLE Illustrated by Freas She surely got her wish ... but there was some question about getting what she wanted. Phil Conover pulled the zipper of his flight suit up the front of his long, thin body and came into the living room. His face, usually serious and quietly handsome, had an alive, excited look. And the faint lines around his dark, deep-set eyes were accentuated when he smiled at his wife. "All set, honey. How do I look in my monkey suit?" His wife was sitting stiffly on the flowered couch that was still not theirs completely. In her fingers she held a cigarette burned down too far. She said, "You look fine, Phil. You look just right." She managed a smile. Then she leaned forward and crushed the cigarette in the ash tray on the maple coffee table and took another from the pack. He came to her and touched his hands to her soft blond hair, raising her face until she was looking into his eyes. "You're the most beautiful girl I know. Did I ever tell you that?" "Yes, I think so. Yes, I'm sure you did," she said, finishing the ritual; but her voice broke, and she turned her head away. Phil sat beside her and put his arm around her small shoulders. He had stopped smiling. "Honey, look at me," he said. "It isn't going to be bad. Honestly it isn't. We know exactly how it will be. If anything could go wrong, they wouldn't be sending me; you know that. I told you that we've sent five un-manned ships up and everyone came back without a hitch." She turned, facing him. There were tears starting in the corners of her wide, brown eyes, and she brushed them away with her hand. "Phil, don't go. Please don't. They can send Sammy. Sammy doesn't have a wife. Can't he go? They'd understand, Phil. Please!" She was holding his arms tightly with her hands, and the color had drained from her cheeks. "Mary, you know I can't back out now. How could I? It's been three years. You know how much I've wanted to be the first man to go. Nothing would ever be right with me again if I didn't go. Please don't make it hard." He stopped talking and held her to him and stroked the back of her head. He could feel her shoulders shaking with quiet sobs. He released her and stood up. "I've got to get started, Mary. Will you come to the field with me?" "Yes, I'll come to say good-by." She paused and dropped her eyes. "Phil, if you go, I won't be here when you get back—if you get back. I won't be here because I won't be the wife of a space pilot for the rest of my life. It isn't the kind of life I bargained for. No matter how much I love you, I just couldn't take that, Phil. I'm sorry. I guess I'm not the noble sort of wife." She finished and took another cigarette from the pack on the coffee table and put it to her lips. Her hand was trembling as she touched the lighter to the end of the cigarette and drew deeply. Phil stood watching her, the excitement completely gone from his eyes. "I wish you had told me this a long time ago, Mary," Phil said. His voice was dry and low. "I didn't know you felt this way about it." "Yes, you did. I told you how I felt. I told you I could never be the wife of a space pilot. But I don't think I ever really believed it was possible—not until this morning when you said tonight was the take-off. It's so stupid to jeopardize everything we've got for a ridiculous dream!" He sat down on the edge of the couch and took her hands between his. "Mary, listen to me," he said. "It isn't a dream. It's real. There's nothing means anything more to me than you do—you know that. But no man ever had the chance to do what I'm going to do tonight—no man ever. If I backed out now for any reason, I'd never be able to look at the sky again. I'd be through." She looked at him without seeing him, and there was nothing at all in her eyes. "Let's go, if you're still going," she finally said. They drove through the streets of the small town with its small bungalows, each alike. There were no trees and very little grass. It was a new town, a government built town, and it had no personality yet. It existed only because of the huge ship standing poised in the take-off zone five miles away in the desert. Its future as a town rested with the ship, and the town seemed to feel the uncertainty of its future, seemed ready to stop existing as a town and to give itself back to the desert, if such was its destiny. Phil turned the car off the highway onto the rutted dirt road that led across the sand to the field where the ship waited. In the distance they could see the beams of the searchlights as they played across the take-off zone and swept along the top of the high wire fence stretching out of sight to right and left. At the gate they were stopped by the guard. He read Phil's pass, shined his flashlight in their faces, and then saluted. "Good luck, colonel," he said, and shook Phil's hand. "Thanks, sergeant. I'll be seeing you next week," Phil said, and smiled. They drove between the rows of wooden buildings that lined the field, and he parked near the low barbed fence ringing the take-off zone. He turned off the ignition, and sat quietly for a moment before lighting a cigarette. Then he looked at his wife. She was staring through the windshield at the rocket two hundred yards away. Its smooth polished surface gleamed in the spotlight glare, and it sloped up and up until the eye lost the tip against the stars. "She's beautiful, Mary. You've never seen her before, have you?" "No, I've never seen her before," she said. "Hadn't you better go?" Her voice was strained and she held her hands closed tightly in her lap. "Please go now, Phil," she said. He leaned toward her and touched her cheek. Then she was in his arms, her head buried against his shoulder. "Good-by, darling," she said. "Wish me luck, Mary?" he asked. "Yes, good luck, Phil," she said. He opened the car door and got out. The noise of men and machines scurrying around the ship broke the spell of the rocket waiting silently for flight. "Mary, I—" he began, and then turned and strode toward the administration building without looking back. Inside the building it was like a locker room before the big game. The tension stood alone, and each man had the same happy, excited look that Phil had worn earlier. When he came into the room, the noise and bustle stopped. They turned as one man toward him, and General Small came up to him and took his hand. "Hello, Phil. We were beginning to think you weren't coming. You all set, son?" "Yes, sir, I'm all set, I guess," Phil said. "I'd like you to meet the Secretary of Defense, Phil. He's over here by the radar." As they crossed the room, familiar faces smiled, and each man shook his hand or touched his arm. He saw Sammy, alone, by the coffee urn. Sammy waved to him, but he didn't smile. Phil wanted to talk to him, to say something; but there was nothing to be said now. Sammy's turn would come later. "Mr. Secretary," the general said, "this is Colonel Conover. He'll be the first man in history to see the other side of the Moon. Colonel—the Secretary of Defense." "How do you do, sir. I'm very proud to meet you," Phil said. "On the contrary, colonel. I'm very proud to meet you. I've been looking at that ship out there and wondering. I almost wish I were a young man again. I'd like to be going. It's a thrilling thought—man's first adventure into the universe. You're lighting a new dawn of history, colonel. It's a privilege few men have ever had; and those who have had it didn't realize it at the time. Good luck, and God be with you." "Thank you, sir. I'm aware of all you say. It frightens me a little." The general took Phil's arm and they walked to the briefing room. There were chairs set up for the scientists and Air Force officers directly connected with the take-off. They were seated now in a semicircle in front of a huge chart of the solar system. Phil took his seat, and the last minute briefing began. It was a routine he knew by heart. He had gone over and over it a thousand times, and he only half listened now. He kept thinking of Mary outside, alone by the fence. The voice of the briefing officer was a dull hum in his ears. "... And orbit at 18,000-mph. You will then accelerate for the breakaway to 24,900-mph for five minutes and then free-coast for 116 hours until—" Phil asked a few questions about weather and solar conditions. And then the session was done. They rose and looked at each other, the same unanswered questions on each man's face. There were forced smiles and handshakes. They were ready now. "Phil," the general said, and took him aside. "Sir?" "Phil, you're ... you feel all right, don't you, son?" "Yes, sir. I feel fine. Why?" "Phil, I've spent nearly every day with you for three years. I know you better than I know myself in many ways. And I've studied the psychologist's reports on you carefully. Maybe it's just nervousness, Phil, but I think there's something wrong. Is there?" "No, sir. There's nothing wrong," Phil said, but his voice didn't carry conviction. He reached for a cigarette. "Phil, if there is anything—anything at all—you know what it might mean. You've got to be in the best mental and physical condition of your life tonight. You know better than any man here what that means to our success. I think there is something more than just natural apprehension wrong with you. Want to tell me?" Outside, the take-off zone crawled with men and machines at the base of the rocket. For ten hours, the final check-outs had been in progress; and now the men were checking again, on their own time. The thing they had worked toward for six years was ready to happen, and each one felt that he was sending just a little bit of himself into the sky. Beyond the ring of lights and moving men, on the edge of the field, Mary stood. Her hands moved slowly over the top of the fence, twisting the barbs of wire. But her eyes were on the ship. And then they were ready. A small group of excited men came out from the administration building and moved forward. The check-out crews climbed into their machines and drove back outside the take-off zone. And, alone, one man climbed the steel ladder up the side of the rocket—ninety feet into the air. At the top he waved to the men on the ground and then disappeared through a small port. Mary waved to him. "Good-by," she said to herself, but the words stuck tight in her throat. The small group at the base of the ship turned and walked back to the fence. And for an eternity the great ship stood alone, waiting. Then, from deep inside, a rumble came, increasing in volume to a gigantic roar that shook the earth and tore at the ears. Slowly, the first manned rocket to the Moon lifted up and up to the sky. For a long time after the rocket had become a tiny speck of light in the heavens, she stood holding her face in her hands and crying softly to herself. And then she felt the touch of a hand on her arm. She turned. "Phil! Oh, Phil." She held tightly to him and repeated his name over and over. "They wouldn't let me go, Mary," he said finally. "The general would not let me go." She looked at him. His face was drawn tight, and there were tears on his cheeks. "Thank, God," she said. "It doesn't matter, darling. The only thing that matters is you didn't go." "You're right, Mary," he said. His voice was low—so low she could hardly hear him. "It doesn't matter. Nothing matters now." He stood with his hands at his sides, watching her. And then turned away and walked toward the car. THE END

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