idx
int32 0
67.3k
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268
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class label 2
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|---|---|---|
200
|
told in scattered fashion
| 0negative
|
201
|
takes chances that are bold by studio standards
| 1positive
|
202
|
believe it or not , jason actually takes a backseat in his own film to special effects
| 0negative
|
203
|
only thing to fear about `` fear dot com ''
| 0negative
|
204
|
whole mess
| 0negative
|
205
|
manages to infuse the rocky path to sibling reconciliation with flashes of warmth and gentle humor
| 1positive
|
206
|
working from a surprisingly sensitive script co-written by gianni romoli ... ozpetek avoids most of the pitfalls you 'd expect in such a potentially sudsy set-up .
| 1positive
|
207
|
a résumé loaded with credits like `` girl in bar # 3
| 0negative
|
208
|
enjoy the ride
| 1positive
|
209
|
very little to add beyond the dark visions already relayed by superb recent predecessors
| 0negative
|
210
|
the , yes , snail-like pacing
| 0negative
|
211
|
an extremely unpleasant film .
| 0negative
|
212
|
if it is n't entirely persuasive , it does give exposure to some talented performers
| 1positive
|
213
|
the whole affair , true story or not , feels incredibly hokey ...
| 0negative
|
214
|
are all things we 've seen before
| 0negative
|
215
|
poignant and leavened
| 1positive
|
216
|
breathless anticipation
| 1positive
|
217
|
significantly better
| 1positive
|
218
|
as predictable as the tides
| 0negative
|
219
|
bewilderingly brilliant and entertaining
| 1positive
|
220
|
it 's smooth and professional
| 1positive
|
221
|
, unassuming , subordinate
| 0negative
|
222
|
the horror
| 0negative
|
223
|
a technically superb film
| 1positive
|
224
|
the positive change in tone here seems to have recharged him .
| 1positive
|
225
|
pays earnest homage to turntablists and beat jugglers , old schoolers and current innovators
| 1positive
|
226
|
a dim
| 0negative
|
227
|
, vicious and absurd
| 0negative
|
228
|
because he acts so goofy all the time
| 0negative
|
229
|
to a kinetic life so teeming that even cranky adults may rediscover the quivering kid inside
| 1positive
|
230
|
's at once laughable and compulsively watchable ,
| 1positive
|
231
|
merit its 103-minute length
| 1positive
|
232
|
the value and respect for the term epic cinema
| 1positive
|
233
|
as a dentist 's waiting room
| 0negative
|
234
|
showing honest emotions
| 1positive
|
235
|
amazingly lame .
| 0negative
|
236
|
confessions may not be a straightforward bio
| 0negative
|
237
|
seems a disappointingly thin slice of lower-class london life ; despite the title ... amounts to surprisingly little
| 0negative
|
238
|
the story is bogus and
| 0negative
|
239
|
this comic gem is as delightful as it is derivative .
| 1positive
|
240
|
to spare wildlife
| 1positive
|
241
|
ugly as the shabby digital photography
| 0negative
|
242
|
understand the difference between dumb fun and just plain dumb
| 0negative
|
243
|
traditionally structured
| 1positive
|
244
|
frida is n't that much different from many a hollywood romance .
| 0negative
|
245
|
does point the way for adventurous indian filmmakers toward a crossover into nonethnic markets .
| 1positive
|
246
|
are worth the price of admission ... if `` gory mayhem '' is your idea of a good time
| 1positive
|
247
|
was produced by jerry bruckheimer and directed by joel schumacher , and reflects the worst of their shallow styles : wildly overproduced , inadequately motivated every step of the way and demographically targeted to please every one ( and no one )
| 0negative
|
248
|
carnage and
| 0negative
|
249
|
degraded , handheld blair witch video-cam footage
| 0negative
|
250
|
second fiddle
| 0negative
|
251
|
about the folly of superficiality that is itself
| 0negative
|
252
|
serves as auto-critique , and its clumsiness as its own most damning censure .
| 0negative
|
253
|
tedious norwegian offering which somehow snagged an oscar nomination .
| 0negative
|
254
|
, esther kahn is unusual but unfortunately also irritating .
| 0negative
|
255
|
a stylish exercise
| 1positive
|
256
|
halfway through this picture i was beginning to hate it
| 0negative
|
257
|
a setup so easy it borders on facile
| 0negative
|
258
|
a thoroughly awful movie
| 0negative
|
259
|
takes hold and grips hard
| 1positive
|
260
|
look smeary and blurry , to the point of distraction
| 0negative
|
261
|
the picture 's fascinating byways
| 1positive
|
262
|
guns , cheatfully filmed martial arts , disintegrating bloodsucker computer effects and jagged camera moves
| 0negative
|
263
|
breezy , distracted rhythms
| 0negative
|
264
|
than this mess
| 0negative
|
265
|
evanescent , seamless and sumptuous stream
| 1positive
|
266
|
slick and manufactured to claim street credibility .
| 1positive
|
267
|
take care is nicely performed by a quintet of actresses ,
| 1positive
|
268
|
valuable messages
| 1positive
|
269
|
in no small part thanks to lau
| 1positive
|
270
|
two guys who desperately want to be quentin tarantino when they grow up
| 0negative
|
271
|
no new plot conceptions
| 0negative
|
272
|
essentially a collection of bits --
| 0negative
|
273
|
does n't bode well for the rest of it
| 0negative
|
274
|
elevated by it -- the kind of movie
| 1positive
|
275
|
usual worst
| 0negative
|
276
|
hugh grant , who has a good line in charm
| 1positive
|
277
|
arrive early and stay late
| 1positive
|
278
|
is a pan-american movie , with moments of genuine insight into the urban heart .
| 1positive
|
279
|
i could have used my two hours better watching being john malkovich again .
| 0negative
|
280
|
shot in artful , watery tones of blue , green and brown
| 1positive
|
281
|
an unorthodox little film noir organized crime story that includes one of the strangest
| 1positive
|
282
|
considerable aplomb
| 1positive
|
283
|
acted by diane lane and richard gere .
| 1positive
|
284
|
scant
| 0negative
|
285
|
an admittedly middling film
| 1positive
|
286
|
too ludicrous
| 0negative
|
287
|
the rock 's fighting skills are more in line with steven seagal
| 1positive
|
288
|
rich and full
| 1positive
|
289
|
warm water under a red bridge is a celebration of feminine energy , a tribute to the power of women to heal .
| 1positive
|
290
|
that uses a sensational , real-life 19th-century crime as a metaphor for
| 1positive
|
291
|
, home movie will leave you wanting more , not to mention leaving you with some laughs and a smile on your face .
| 1positive
|
292
|
, the film retains ambiguities that make it well worth watching .
| 1positive
|
293
|
ultra-cheesy dialogue
| 0negative
|
294
|
added depth and resonance
| 1positive
|
295
|
the sensational
| 1positive
|
296
|
huge-screen format to make an old-fashioned nature film that educates viewers with words and pictures while entertaining them
| 1positive
|
297
|
handsome but unfulfilling suspense drama
| 0negative
|
298
|
's not very good either .
| 0negative
|
299
|
in her most charmless
| 0negative
|
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